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Pioneer DJM-2000: Operations

Operations: Pioneer DJM-2000

English

Operations

Control Panel

DRB1497-B

POWER

OFF

MIC

MASTER

/DIGITAL PHONO

USB 1/2

/DIGITAL LINE

USB 3/4

1 2 3 4

SELECT

MIC

A B M

/DIGITAL LINE

USB 5/6

/DIGITAL PHONO

USB 7/8

TRIM

MULT I TAP

REV

OVER

DELAY

ROLL

TRANS

GATE

OVER

EFFECT SELECT

OVER

MIC

SLIP

SEND/

LEVEL

ECHO

REVERB

FILTER

PHASER

ROLL

RETURN

e e ee

EFFECT FREQUENCY

LOW

MID

-12

+12

-26/

LOW

MID

- 1

MID

- 1

MID

- 1

MID

- 1

-12

+12

- 2

MIN MAX

- 2

TALK

OFF ON OVER

EQ/

- 3

EQ/

- 3

EQ/

- 3

EQ/

- 3

ISO

- 5

-26/

- 7

-26/

- 7

1/8

1/4 1/2 3/4 1/1 2/1 4/1

- 7

-26/

- 7

-26/

- 7

- 10

INST FX

LOW

- 15

NOISE JET

- 24

TIME

LEVEL/DEPTH

AUTO

- 24

/TAP

-26/

TA P

ZIP HPF

-26/

MIN

MAX

FILTER

ON/OFF

FILTER

BALANCE

CRUSH LPF

CUE

PARAMETER

MINMAX

CUE

LIVE

SAMPLER

CUE

MIN

MAX

LINK

MONO

STEREO

UTILITY

MIDI

CUE

WAKE UP

HEADPHONES

BOOTH MONITOR

MONO SPLIT STEREO

MIX

MIXING

REMIX

MIDI

ON/OFF

START/STOP

SNAPSHOT

CUE

MASTER

LEVEL

CURVE SETTING

ON/OFF

CH EQ

CUE

ISOLATOR

THRU

CH FADER

CROSS FA DER ASSIGN

CROSS FADER ASSIGN

PHONES

PROFESSIONAL MIXER

CROSS FADER

DJM-

2000

1 Microphone input jack (page 13)

h Channel Fader (page 12)

2 MIC LEVEL (page 13)

i CROSS FADER ASSIGN (A, THRU, B) (page 12)

3 EQ (HI, LOW) (page 13)

j CH SELECT (page 16)

4 OFF, ON, TALK OVER (page 13)

k EFFECT SELECT (page 16)

5 INST FX (page 15)

l EFFECT FREQUENCY (HI, MID, LOW) (page 16)

6 PARAMETER (page 15)

m Beat buttons (page 16)

7 CUE (page 12)

n TIME (page 16)

8 MONO SPLIT, STEREO (page 12)

o LEVEL/

DEPTH (page 16)

9 MIXING (page 12)

p AUTO/TAP (page 16)

a LEVEL (page 12)

q TAP (page 16)

b PHONES (page 12)

r ON/

OFF (BEAT EFFECT) (page 16)

c CD/DIGITAL, PHONO, LINE, USB */* (page 12)

s LIVE SAMPLER (UTILITY, WAKE UP) (page 15, page 24)

d TRIM (page 12)

t MIDI (page 16)

e EQ/ISO (HI, MID, LOW) (page 12)

u MIX (page 14)

f Channel Level Indicator (page 12)

v REMIX (page 14)

g FILTER (page 15)

w ON/

OFF (TOUCH PANEL EFFECT) (page 14)

DRB1497-B

x Crossfader (page 12)

Basic Operation

y MASTER (page 12)

z Master Level Indicator (page 12)

Outputting sound

A BALANCE (page 13)

B MONO, STEREO (page 13)

1 Press [POWER].

Turn on the power of this unit.

C BOOTH MONITOR (page 13)

2 Switching the [CD/DIGITAL, PHONO, LINE, USB */*] switch

D START/

STOP (SNAPSHOT) (page 16)

Select the input sources for the different channels from among the devices con-

E ON/

OFF (MIDI) (page 16)

nected to this unit.

— [CD/DIGITAL]: Selects the DJ player connected to the [CD] terminals. To

F CH EQ (ISOLATOR, EQ) (page 12)

select the DJ player connected to the [DIGITAL IN] terminal, set the [CD,

DIGITAL] switch on the rear panel to [DIGITAL].

G CH FADER (

, ) (page 13)

— [PHONO]: Selects the analog player connected to the [PHONO]

terminals.

H CROSS FADER (

, , ) (page 13)

— [LINE]: Selects the cassette deck or CD player connected to the [LINE]

terminals.

— [USB */*]: Selects the sound of the computer connected to the [USB]

port.

3 Rotate [TRIM].

Adjusts the level of audio signals input in each channel.

The corresponding channel level indicator lights when audio signals are being

properly input to that channel.

4 Set the channel fader to the inner position.

Adjusts the level of audio signals output in each channel.

5 Switch the [CROSS FADER ASSIGN (A, THRU, B)] switch.

Switches the output destination of each channel.

— [A]: Assigns to [A] (left) of the crossfader.

— [B]: Assigns to [B] (right) of the crossfader.

— [THRU]: Choose this when you do not want to use the crossfader. (The

signals do not pass through the crossfader.)

6 Set the crossfader.

This operation is not necessary when [CROSS FADER ASSIGN (A, THRU, B)] is set

to [THRU].

7 Turn the [MASTER] control.

Audio signals are output from the [MASTER1] and [MASTER2] terminals.

The master level indicator lights.

Adjusting the sound quality

Turn the [EQ/ISO (HI, MID, LOW) ] controls for the individual

channels.

Refer to Specifications on page 28 for the range of sound that can be adjusted by

each control.

 Switching the [EQ/ISO (HI, MID, LOW)] function.

Switch the [CH EQ (ISOLATOR, EQ)] switch.

— [ISOLATOR]: The isolator function is set. The indicator lights.

— [EQ]: The equalizer function is set.

Monitoring sound with headphones

1 Connect headphones to the [PHONES] jack.

2 Press [CUE] for the channel to be monitored.

3 Switch the [MONO SPLIT, STEREO] switch.

— [MONO SPLIT]: The sound of the channel for which [CUE] is pressed is

output from the headphones output’s left channel, while the sound of

[MASTER] is output from the right channel.

— [STEREO]: The sound of the channel for which [CUE] is pressed is output

in stereo from the headphones.

4 Turn the [MIXING] control.

This adjusts the balance of the monitor volume between the sound of the channel

for which [CUE] is pressed and the [MASTER] channel sound.

5 Turn the [LEVEL] control for [HEADPHONES].

Sound is output from the headphones in the channel selected by [CUE].

! Monitoring is canceled when [CUE] is pressed again.

! When [LIVE SAMPLER] is turned on, [CUE] button for the TOUCH PANEL

EFFECT and [CUE] button for the [LINK] cannot be pressed simultaneously.

Monitoring the sound of the computer

Using a microphone

English

1 Connect headphones to the [PHONES] jack.

1 Connect the microphone to the microphone input jack.

2 Connect a computer on which rekordbox is installed.

2 Set [OFF, ON, TALK OVER] to [ON] or [TALK OVER].

For instructions on connections, see Connecting input terminals on page 7.

— [ON]: The indicator lights.

— [TALK OVER]: The indicator flashes.

3 Selecting the track to be monitored with rekordbox

! When set to [TALK OVER], sound other than that from the [MIC] terminal is

attenuated by 20 dB (default value) when sound of –15 dB (default value) or

4 Press [CUE] button for [LINK].

greater is input to the microphone.

The track selected with rekordbox is output from the headphones.

! Monitoring is canceled when [CUE] is pressed again.

3 Turn the [MIC LEVEL] control.

! The same operation as at Monitoring sound with headphones (steps 3 to 5)

This adjusts the audio level output from the [MIC] terminal.

can be performed.

! Pay attention that rotating to the extreme right position outputs a very loud

sound.

Switching the fader curve

4 Input audio signals to the microphone.

 Adjusting the sound quality

 Select the channel fader curve characteristics.

Turn the [EQ (HI, LOW)] control for [MIC] channel.

Switch the [CH FADER (

, )] switch.

Refer to Specifications on page 28 for the range of sound that can be adjusted by

— [ ]: The curve rises suddenly at the back side.

each control.

— [ ]: The curve rises gradually (the sound gradually increases as the

channel fader is moved away from the front side).

Switching between monaural and stereo audio

 Select the crossfader curve characteristics.

This switches the sound output from the [MASTER1], [MASTER2], [BOOTH], [REC

OUT], [PHONES], [DIGITAL OUT] and [USB] terminals between monaural and

Switch the [CROSS FADER (

, , )] switch.

stereo.

— [ ]: Makes a sharply increasing curve (if the crossfader is moved away

from the [A] side, audio signals are immediately output from the [B]

Switch the [MONO, STEREO] switch.

side).

— [MONO]: Outputs monaural audio.

— [ ]: Makes a curve shaped between the two curves above and below.

— [STEREO]: Outputs stereo audio.

— [ ]: Makes a gradually increasing curve (if the crossfader is moved

away from the [A] side, the sound on the [B] side gradually increases,

 Adjusting the L/

R balance of audio

while the sound on the [A] gradually decreases).

The left/

right balance of the sound output from the [MASTER1], [MASTER2],

[BOOTH], [REC OUT], [PHONES], [DIGITAL OUT] and [USB] terminals can be

Starting playback on a DJ player using the fader

adjusted.

(fader start)

1 Set the [MONO, STEREO] switch to [STEREO].

When connected to a Pioneer DJ player by LAN cable (included with this unit) or

2 Rotate [BALANCE].

control cord (included with the DJ player), operations such as starting playback

The L/

R balance of audio varies according to the rotation direction and position

on the DJ player can be controlled with this unit’s fader.

of the [BALANCE] control.

Connect this unit and Pioneer DJ player beforehand. For instructions on connec-

! Rotating to the rightmost position outputs only the right sound of stereo

tions, see Connecting input terminals on page 7.

audio. Rotating to the leftmost position outputs only the left sound of stereo

audio.

 Start playback using the channel fader

1 Set [CROSS FADER ASSIGN (A, THRU, B)] to [THRU].

Audio is output from the [BOOTH] terminal

2 Set [FADER START] to [ON].

Rotate [BOOTH MONITOR].

For instructions on setting, see Changing the settings on page 24.

Adjusts the level of audio signals output at the [BOOTH] terminal.

3 Set the channel fader to the outermost position.

4 Set the cue on the DJ player.

The DJ player pauses playback at the cue point.

5 Set the channel fader to the inner position.

Playback starts on the DJ player.

! If you set the channel fader back to the original position, the player instanta-

neously returns to the cue point already set and pauses playback (back cue).

 Start playback using the crossfader

1 Set [CROSS FADER ASSIGN (A, THRU, B)] to [A] or [B].

2 Set [FADER START] to [ON].

For instructions on setting, see Changing the settings on page 24.

3 Set the crossfader.

Set to the edge opposite the side on which the channel you want to use with the

fader start function is set.

4 Set the cue on the DJ player.

The DJ player pauses playback at the cue point.

5 Set the crossfader.

Playback starts on the DJ player.

! If you set the crossfader back to the original position, the player instanta-

neously returns to the cue point already set and pauses playback (back cue).

DRB1497-B

1312

DRB1497-B

Advanced Operations

About PRO DJ LINK

When a PRO DJ LINK-compatible Pioneer DJ player (CDJ-2000, CDJ-900 etc.),

a computer on which rekordbox is installed and this unit are connected by LAN

cable, the PRO DJ LINK functions below can be used.

For more details on the PRO DJ LINK function, also refer to the DJ player’s han-

dling instructions and rekordbox’s operating instructions.

For instructions on connections, see Connecting input terminals on page 7.

! Up to four DJ players can be connected. Up to two computers can be

connected.

! Connect the DJ players to the [LINK] terminal ([CH1] to [CH4]) with the same

number as the channel to which the audio cables are connected.

! Connect the computers to the [COMPUTER 1] or [COMPUTER 2] terminal.

 SD & USB Export

rekordbox music files and management data on SD memory cards/

USB devices

connected to a CDJ-2000, CDJ-900, etc., can be transferred between DJ players.

 rekordbox LINK Export

This function lets you transfer rekordbox music files and management data

directly, eliminating the bother of exporting the data to an SD memory card/

USB

device.

 LIVE SAMPLER

The sound input to the [MIC] terminal or output from the [MASTER] terminals

can be sampled and played on a DJ player.

 LINK MONITOR

With this function, rekordbox music files stored on the computer can be quickly

monitored over the headphones.

 STATUS INFORMATION

This function informs the DJ players of the connected channel status (on-air

status, channel number, etc.).

FREQUENCY MIX

The currently playing sound is divided into seven frequency bands that are dis-

played graphically. Fader control on the touch panel makes it easier to grasp the

details and mix two channels or swap instruments (parts).

 To mix [CH2] and [CH3]:

Prepare this unit in advance so that the sound of [CH3] is being output from the

[MASTER] terminals.

1 Set the [CROSS FADER ASSIGN (A, THRU, B)] switches for [CH2]

and [CH 3] to [THRU].

! Set the [CROSS FADER ASSIGN (A, THRU, B)] switches of the channels to be

mixed to [THRU].

! When using the crossfader, it is recommended to set it to the center position.

2 Press [MIX].

The [FREQUENCY MIX] screen appears on the touch panel.

3 Press the channel assign buttons to select [CH2] for the left

side, [CH3] for the right side.

The volume levels for the individual frequency bands of the sound playing in

[CH3] are displayed on the right half of the touch panel.

4 Press all the [ >> ] buttons.

All the touch faders move to the right edge.

5 Press [ON/

OFF].

This turns the effect on.

[ON/

OFF] flashes when the effect is turned on.

6 Move the channel fader for [CH2] to the back side.

The volume levels for the individual frequency bands of the sound playing in

[CH2] are displayed on the left half of the touch panel.

7 Move the touch fader to the left side.

The sound of the frequency bands whose crossfaders have been moved is mixed

and output.

! The effect turns off when [ON/

OFF] is pressed again.

! To switch from the [FREQUENCY MIX] to the [SIDECHAIN REMIX] mode, first

press the [ON/

OFF] button to turn the effect off, then press [REMIX].

SIDECHAIN REMIX

When this function is used, the sound of the specified frequency band for the

specified channel can be used as the trigger to apply effects to the sounds of

other channels.

These light when DJ players are properly connected to the

LINK

[LINK] terminals.

These light when the fader start function is turned on.

Channel assign buttons These select the channels to be mixed.

The input volume level to this function is displayed in a light

Volume level display

color, the output volume level from this function is displayed

in a dark color.

These adjust the volume balance of the channels to be

Touch fader

mixed for the separate frequency bands.

These move the touch fader immediately to the left or right

<< >>

edge.

This selects the channel to which the effect is applied.

This holds the effect’s parameter information (the position

HOLD

at which the control area was touched).

EFFECT

This selects the type of effect.

LEVEL/

DEPTH

Use this to adjust the amount of the effect applied.

EXIT

Use this to close the [TRIGGER] menu.

TRIGGER (SAMPLING/

Use this to open the [TRIGGER] menu.

TRIGGER)

Use these to select the frequency band to be used as the

TRIGGER BAND

trigger.

Control area Use this to change the effect’s parameters.

TRIGGER CH (SAM-

This selects the channel to be used as the effect trigger.

PLING/

TRIGGER CH)

These flash according to the automatically detected rhythm

Trigger indicators

for the different frequency bands.

 To set the channel for sampling and triggering to [CH3]

and mix the sampled sound with the sound of [CH2] for

output:

Prepare this unit in advance so that the sound of [CH2] is being output from the

[MASTER] terminals.

1 Press [REMIX].

The [SIDECHAIN REMIX] screen appears on the touch panel.

2 Press the [2] button in the [CH] section.

This selects the channel to which the effect is applied.

English

3 Press [EFFECT] and select [SAMPLER].

This selects the type of effect.

Effect Name Descriptions

Sound is created inside this unit, mixed to the sound of the channel

OSCILLATOR1 – 4

selected in the [CH] section, then output according to the [TRIGGER CH

(SAMPLING/

TRIGGER CH)] trigger.

The sound of the channel selected at [TRIGGER CH (SAMPLING/

TRIG-

GER CH)] is sampled, mixed to the sound of the channel selected in the

SAMPLER

[CH] section, then output according to the [TRIGGER CH (SAMPLING/

TRIGGER CH)] trigger.

The pitch of the sound of the channel selected in the [CH] section is

PITCH

changed, mixed with the channel selected in the [CH] section, then out-

put according to the [TRIGGER CH (SAMPLING/

TRIGGER CH)] trigger.

The sound input at [CH] is output according to the [TRIGGER CH (SAM-

GATE

PLING/

TRIGGER CH)] trigger.

! It is not possible to select multiple effects simultaneously.

4 Press [TRIGGER (SAMPLING/

TRIGGER)].

The [TRIGGER] menu appears.

5 At [TRIGGER CH (SAMPLING/

TRIGGER CH)], select [CH3].

This selects the channel to be used as the effect trigger.

! When [SAME] is pressed, the same channel as the one selected in the [CH]

section is selected as the trigger.

6 At [TRIGGER BAND], press [MID] and [HI].

This selects the frequency band set as the effect trigger.

Only [LOW] (the bass sound) is selected.

7 Press [ON/

OFF].

This turns the effect on.

[ON/

OFF] flashes when the effect is turned on.

8 Touch the control area.

[ ] appears at the point at which the panel was touched.

The [CH3] sound at the point in the control area that was touched is sampled.

Triggered by the low frequency sound of [CH3], the sampled sound is mixed with

the sound of [CH2] (which is continuing to play normally) and output from the

[MASTER] terminals.

The effect changes when the position touched in the control area is changed.

! The effect turns off when [ON/

OFF] is pressed again.

! The sampled sound is only valid while the control area is being touched.

! To switch from the [SIDECHAIN REMIX] to the [FREQUENCY MIX] mode, first

press the [ON/

OFF] button to turn the effect off, then press [MIX].

 Using [HOLD]

When [HOLD] is turned on, effect’s parameter information is held even if the effect is

turned off. The parameter information is cleared when [HOLD] is turned off.

! The parameter information and sampled sound are cleared when the effect is

switched.

LIVE SAMPLER

The sound input to the [MIC] terminal or the sound output from the [MASTER]

terminals can be sampled and played on a PRO DJ LINK–compatible Pioneer DJ

player.

Connect this unit and PRO DJ LINK-compatible Pioneer DJ player in advance.

For instructions on connections, see Connecting input terminals on page 7.

DRB1497-B

1514

The sound is played from the position at which the touch

Slider

panel was touched.

This is only displayed when previewing the sound.

The sound is sampled from a point 8 seconds before the

PRE-REC SAVE

button was pressed.

The sound is sampled for up to 8 seconds from the point at

REC (REC STOP)

which the button is pressed.

Use this to preview the sampled sound over the head-

PREVIEW (STOP)

phones.

 Sampling the sound being played

1 Press [LIVE SAMPLER].

The [LIVE SAMPLER] screen appears on the touch panel.

2 Press [MIC] or [MASTER] in the [SOURCE SELECT].

This selects the channel to be sampled.

3 Press [REC (REC STOP)].

The sound of the channel selected at step 2 is sampled from the point at which

[REC (REC STOP)] was pressed.

! Sampling is possible for up to 8 seconds.

! Sampling stops automatically once 8 seconds have elapsed after [REC

(REC STOP)] was pressed.

4 Press [REC (REC STOP)].

Sampling stops. The sample saving screen is displayed.

 Sampling the sound from the point 8 seconds before

1 Press [LIVE SAMPLER].

The [LIVE SAMPLER] screen appears on the touch panel.

2 Press [MIC] or [MASTER] in the [SOURCE SELECT].

This selects the channel to be sampled.

3 Press [PRE-REC SAVE].

The sound for the channel selected in step 2 is sampled from the point 8 seconds

before [PRE-REC SAVE] was pressed.

! Sampling is possible for up to 8 seconds.

 Previewing the sampled sound

1 Press the [CUE] button to the left of the touch panel.

2 Press [PREVIEW (STOP)].

The position being played is displayed at the playing address and slider displays.

! When the touch panel’s slider is touched, the sampled sound is played from

that position.

 Playing the sampled sound on the DJ player

Use PRO DJ LINK to access this unit from the DJ player.

The sampled sound (audio file) can be loaded and played on the DJ player.

INST FX

This effect changes in association with the [FILTER] controls for the individual

channels.

1 Press one of the [INST FX] buttons.

This selects the type of effect.

The button that was pressed flashes.

! The same effect is set for [CH1] to [CH4].

2 Turn the [FILTER] control.

The effect is applied to the channel(s) for which the control(s) was (were)

pressed.

PARAMETER

Effect Name Descriptions

FILTER (parameter 1)

(parameter 2)

White noise generated

Sets the cut-off

inside this unit is mixed

frequency for the

Sets the volume of the

NOISE

in to the sound of the

filter through which the

white noise.

channel via the filter

white noise passes.

and output.

Sets the balance

Lowers the pitch of the

Sets the amount of

between the original

ZIP

channel’s sound for

pitch shifting for lower-

sound and the effect

output.

ing the pitch.

SOURCE SELECT

Select the source to be sampled here.

sound.

Use these to adjust the volume for recording.

The further the control

REC VOLUME

Changes the channel’s

Sets the degree by

The volume can be adjusted in the range –9 dB to +9 dB.

is turned clockwise,

CRUSH

sound to a crushed

which the input sound

the more the effect is

This indicates this unit’s status and whether or not sam-

sound for output.

is crushed.

Status indicator

stressed.

pling data is available.

The further the control

Waveform display This displays the sound as a waveform.

Adds a flanger effect for

is turned clockwise,

JET

Sets the flanger effect.

This displays the sound as a bar graph.

output.

the more the effect is

Playing address display

This is only displayed when previewing the sound.

stressed.

DRB1497-B

PARAMETER

Effect Name Descriptions

FILTER (parameter 1)

(parameter 2)

The further the control

Outputs the sound

Sets the filter’s cut-off

is turned clockwise,

HPF

through the high-pass

frequency.

the more the effect is

filter.

stressed.

The further the control

Outputs the sound

Sets the filter’s cut-off

is turned clockwise,

LPF

through the low-pass

frequency.

the more the effect is

filter.

stressed.

 Adjusting the effect of the effect sound

Turn the [PARAMETER] control.

The further the control is turned clockwise, the more the effect is stressed. When

turned all the way counterclockwise, the effect is minimum.

BEAT EFFECT

This function lets you instantaneously set various effects according to the tempo

(BPM = Beats Per Minute) of the currently playing track.

! The BPM can be set manually by turning the [TIME] control while pressing

the [TAP] button.

! The BPM can be set manually by pressing the beat button while pressing

[TAP].

! The BPM can be set in units of 0.1 by turning [TIME] while pressing [TAP] and

[AUTO/TAP].

 Adjusting the amount of effect applied for different

frequency bands

Turn the [EFFECT FREQUENCY (HI, MID, LOW)] control.

See Types of BEAT EFFECT on page 22 for the parameters of the effects that can

be adjusted with the different controls.

 Using the external effector

1 Connect this unit and external effector.

[SEND/RETURN] lights.

For instructions on connections, see Connecting output terminals on page 7.

! [SEND/RETURN] does not light when nothing is connected to the [RETURN]

terminal.

2 Press one of the [CH SELECT] buttons.

This selects the channel to which the effect is applied.

3 Press [SEND/RETURN].

[SEND/RETURN] flashes.

[AUTO] lights when the BPM measurement mode is set to

4 Press [ON/

OFF].

AUTO (TAP)

the auto mode.

The sound that has passed through the external effector is output.

[TAP] lights when in the manual input mode.

! The effect turns off when [ON/

OFF] is pressed again.

When in the auto mode, this displays the automatically

! If the [SEND/RETURN] terminal connection is canceled when [RETURN] is on,

detected BPM value.

[ON/

OFF] turns off and [DELAY] is selected at [EFFECT SELECT].

BPM value display (3

When the BPM cannot be detected, the previously detected

digits)

BPM value is displayed and flashes.

When in the manual input mode, this displays the BPM

value that was input manually.

Using the MIDI function

BPM

This is always lit.

% (ms)

These light according to the units for the different effects.

 Operating the DJ software

The DJM-2000 also outputs the operating data for the buttons and dials in MIDI

1 Press [AUTO/TAP].

format. If you connect a computer with a built-in MIDI-compatible DJ software

Select the BPM measurement mode.

via a USB cable, you can operate the DJ software on this unit.

— AUTO: The BPM is automatically measured from the input audio signal.

Install the DJ software on your computer in advance. Also, adjust audio and MIDI

AUTO is set when this unit’s power is turned on.

settings for the DJ software.

— TAP: The BPM is input manually by tapping [TAP].

! For MIDI channel setting instructions, see Changing the settings on page 24.

! The BPM measurement range when AUTO is selected is 70 to 180. Depending

on the track, it may not be possible to properly measure the BPM. If not, the

1 Connect this unit’s [USB] terminal to the computer.

BPM value flashes on the display. In this case, use the [TAP] button to input

For details about connections, see Connecting a computer on page 8.

the BPM manually.

2 Start the DJ software.

2 Press one of the [CH SELECT] buttons.

This selects the channel to which the effect is applied.

3 Press [ON/

OFF] in the [MIDI] section.

— [1] – [4]: The effect is applied to the sounds of channels [CH1] – [CH4].

Turn the MIDI function on.

— [MIC]: The effect is applied to the sound of the [MIC] channel.

Transmission of the MIDI messages begin.

— [A], [B]: The effect is applied to the sound of the crossfader’s [A] (left) or

! When the faders and controls are moved, messages are sent according to the

[B] (right) side.

positions of the faders and controls. For messages output by this unit, see

— [M]: The effect is applied to the sound of the [MASTER] channel.

List of MIDI Messages on page 18.

! MIDI messages for the positions of all the buttons, faders and controls can

3 Press one of the [EFFECT SELECT] buttons.

be sent in a single batch by pressing the [START/

STOP] button for at least 2

This selects the type of effect.

seconds (Snapshot function).

! For the types of effects, see Types of BEAT EFFECT on page 22.

! The MIDI timing clock (BPM information) is sent regardless of [ON/

OFF].

! When [SEND/RETURN] is selected, see Using the external effector below.

! When [ON/

OFF] in the [MIDI] section is pressed again, sending of MIDI mes-

sages stops.

4 Press one of the beat buttons.

This selects the beat fraction for synchronizing the effect sound.

The effect time corresponding to the beat fraction is set automatically.

 Sending the MIDI start and MIDI stop messages

! The beat fraction can be changed by turning [TIME] while pressing the beat

button.

Press [START/

STOP] in the [MIDI] section.

! The MIDI start and MIDI stop messages are sent alternately each time the

5 Press [ON/

OFF].

[START/

STOP] button is pressed, regardless of whether the MIDI function is

The effect is applied to the sound.

on or off.

The effect’s time parameter can be adjusted by turning the [TIME] control.

The effect’s quantity parameter can be adjusted by turning the [LEVEL/

DEPTH]

control.

[ON/

OFF] flashes when the effect is turned on.

Using the MIDI control screens

! The effect turns off when [ON/

OFF] is pressed again.

This unit is equipped with four types of MIDI control screens. Use them accord-

ing to your DJ software.

 Inputting the BPM manually

1 Press the [MIDI] button to the right of the touch panel.

The [MIDI CONTROL] screen appears on the touch panel.

Tap the [TAP] button at least two times with a finger in (quarter

note) beat with the currently playing sound.

2 Select a type, from [TYPE A] to [TYPE D].

The average value of the intervals at which the [TAP] button was tapped is set as

This selects the type of MIDI control screen.

the BPM.

! When [PAGE1] or [PAGE2] is pressed, the page being displayed switches.

! When the BPM is set using the [TAP] button, the beat fraction is set to 1/1,

and the time of one beat (one quarter note) is set as the effect time.

3 Operate the touch panel buttons or faders.

Transmission of the MIDI messages begin.

For messages output by this unit, see List of MIDI Messages on page 18.

English

Operating an external MIDI sequencer

This unit sends the tempo of the currently playing source (BPM information)

as the MIDI timing clock. This can be used to synchronize an external MIDI

sequencer with the tempo of the source.

! External MIDI sequencers not supporting MIDI timing clocks cannot be

synchronized.

! External MIDI sequencers cannot be synchronized for sources for which the

BPM cannot be measured stably.

! MIDI timing clocks are output even for BPM values input manually by tapping

the [TAP] button with a finger. The MIDI timing clock output range is 40 BPM

to 250 BPM.

1 Connect the [MIDI OUT] terminal to the external MIDI

sequencer’s MIDI IN terminal using a commercially available MIDI

cable.

2 Set the external MIDI sequencer’s sync mode to Slave.

3 Press [START/

STOP].

The MIDI start message is sent.

4 Press [ON/

OFF] in the [MIDI] section.

Transmission of the MIDI messages begin.

DRB1497-B

1716

DRB1497-B

List of MIDI Messages

Control Panel

MIDI Messages

Category SW Name SW Type

Trigger/

Toggle Notes

MSB LSB

TRIM

VR Bn 01 dd — — — — 0-127

VR Bn 02 dd — — — — 0-127

MID

VR Bn 03 dd — — — — 0-127

LOW

VR Bn 04 dd — — — — 0-127

CH1

FILTER

VR Bn 05 dd — — — — 0-127

Channel fader VR Bn 11 dd — — — — 0-127

CROSS FADER ASSIGN

SW Bn 41 dd — — — — 0, 64, 127

CUE

BTN Bn 46 dd — — — Trigger/

Toggle OFF=0, ON=127

TRIM

VR Bn 06 dd — — — — 0-127

VR Bn 07 dd — — — — 0-127

MID

VR Bn 08 dd — — — — 0-127

LOW

VR Bn 09 dd — — — — 0-127

CH2

FILTER

VR Bn 0A dd — — — — 0-127

Channel fader VR Bn 12 dd — — — — 0-127

CROSS FADER ASSIGN

SW Bn 42 dd — — — — 0, 64, 127

CUE

BTN Bn 47 dd — — — Trigger/

Toggle OFF=0, ON=127

TRIM

VR Bn 0C dd — — — — 0-127

VR Bn 0E dd — — — — 0-127

MID

VR Bn 0F dd — — — — 0-127

LOW

VR Bn 15 dd — — — — 0-127

CH 3

FILTER

VR Bn 16 dd — — — — 0-127

Channel fader VR Bn 13 dd — — — — 0-127

CROSS FADER ASSIGN

SW Bn 43 dd — — — — 0, 64, 127

CUE

BTN Bn 48 dd — — — Trigger/

Toggle OFF=0, ON=127

TRIM

VR Bn 50 dd — — — — 0-127

VR Bn 51 dd — — — — 0-127

MID

VR Bn 5C dd — — — — 0-127

LOW

VR Bn 52 dd — — — — 0-127

CH4

FILTER

VR Bn 53 dd — — — — 0-127

Channel fader VR Bn 14 dd — — — — 0-127

CROSS FADER ASSIGN

SW Bn 44 dd — — — — 0, 64, 127

CUE

BTN Bn 49 dd — — — Trigger/

Toggle OFF=0, ON=127

Crossfader Crossfader VR Bn 0B dd — — — — 0-127

CH EQ (ISOLATOR, EQ) SW Bn 21 dd — — — — 0, 127

CURVE SETTING

CH FADER (

)

SW Bn 5E dd — — — — 0, 127

CROSS FADER (

, ,

)

SW Bn 5F dd — — — — 0, 64, 127

BALANCE

VR Bn 17 dd — — — — 0-127

MASTER level VR Bn 18 dd — — — — 0-127

MASTER

CUE

BTN Bn 4A dd — — — Trigger/

Toggle OFF=0, ON=127

BOOTH MONITOR

VR Bn 19 dd — — — — 0-127

BTN Bn 22 dd — — — Trigger/

Toggle

OFF=0, ON=127

BTN Bn 23 dd — — — Trigger/

Toggle

OFF=0, ON=127

BTN Bn 24 dd — — — Trigger/

Toggle

OFF=0, ON=127

BTN Bn 25 dd — — — Trigger/

Toggle

OFF=0, ON=127

CH SELECT

MIC

BTN Bn 26 dd — — — Trigger/

Toggle

OFF=0, ON=127

BTN Bn 27 dd — — — Trigger/

Toggle

OFF=0, ON=127

BTN Bn 28 dd — — — Trigger/

Toggle

OFF=0, ON=127

BTN Bn 29 dd — — — Trigger/

Toggle

OFF=0, ON=127

TIME value (half the

value when FILTER or

TIME

VR Bn 0D MSB Bn 2D LSB —

PHASER is selected for

EFFECT SELECT)

ON/

OFF BTN Bn 40 dd — — — Trigger/

Toggle OFF=0, ON=127

BEAT EFFECT

AUTO/

TAP

BTN Bn 45 dd — — — Trigger/

Toggle OFF=0, ON=127

CUE

BTN Bn 4B dd — — — Trigger/

Toggle OFF=0, ON=127

TAP

BTN Bn 4E dd — — — Trigger/

Trigger OFF=0, ON=127

LEVEL/

DEPTH VR Bn 5B dd — — — — 0-127

MIDI Messages

Category SW Name SW Type

Trigger/

Toggle Notes

MSB LSB

English

DELAY

BTN Bn 2A dd — — — Trigger/

Toggle

OFF=0, ON=127

MULTI TAP DELAY

BTN Bn 2B dd — — — Trigger/

Toggle

OFF=0, ON=127

ROLL

BTN Bn 2E dd — — — Trigger/

Toggle

OFF=0, ON=127

REV ROLL

BTN Bn 2F dd — — — Trigger/

Toggle

OFF=0, ON=127

TRANS

BTN Bn 35 dd — — — Trigger/

Toggle

OFF=0, ON=127

GATE

BTN Bn 3D dd — — — Trigger/

Toggle

OFF=0, ON=127

EFFECT SELECT

ECHO

BTN Bn 37 dd — — — Trigger/

Toggle

OFF=0, ON=127

REVERB

BTN Bn 36 dd — — — Trigger/

Toggle

OFF=0, ON=127

SLIP ROLL

BTN Bn 3A dd — — — Trigger/

Toggle

OFF=0, ON=127

FILTER

BTN Bn 3B dd — — — Trigger/

Toggle

OFF=0, ON=127

PHASER

BTN Bn 39 dd — — — Trigger/

Toggle

OFF=0, ON=127

SEND/

RETURN

BTN Bn 3E dd — — — Trigger/

Toggle

OFF=0, ON=127

VR Bn 66 dd — — — — 0-127

EFFECT FRE-

MID

VR Bn 67 dd — — — — 0-127

QUENCY

LOW

VR Bn 68 dd — — — — 0-127

NOISE

BTN Bn 55 dd — — — Trigger/

Toggle

OFF=0, ON=127

ZIP

BTN Bn 56 dd — — — Trigger/

Toggle

OFF=0, ON=127

CRUSH

BTN Bn 57 dd — — — Trigger/

Toggle

OFF=0, ON=127

INST FX

JET

BTN Bn 69 dd — — — Trigger/

Toggle

OFF=0, ON=127

HPF

BTN Bn 6A dd — — — Trigger/

Toggle

OFF=0, ON=127

LPF

BTN Bn 6B dd — — — Trigger/

Toggle

OFF=0, ON=127

PARAMETER

VR Bn 6C dd — — — — 0-127

VR Bn 1E dd — — — — 0-127

MIC

LOW

VR Bn 1F dd — — — — 0-127

LEVEL

VR Bn 1A dd — — — — 0-127

HEADPHONES

MIXING

VR Bn 1B dd — — — — 0-127

LINK CUE

BTN Bn 73 dd — — — Trigger/

Toggle OFF=0, ON=127

CUE

BTN Bn 6E dd — — — Trigger/

Toggle OFF=0, ON=127

MIDI

BTN Bn 6F dd — — — Trigger/

Toggle OFF=0, ON=127

Touch panel

MIX

BTN Bn 70 dd — — — Trigger/

Toggle

OFF=0, ON=127

control

REMIX

BTN Bn 71 dd — — — Trigger/

Toggle

OFF=0, ON=127

ON/

OFF BTN Bn 72 dd — — — Trigger/

Toggle OFF=0, ON=127

START

BTN FA — — — — — — —

MIDI

STOP

BTN FC — — — — — — —

1 When turning one button on switches another button from on to off, MIDI on and off messages are sent from the two buttons.

When there is no button that switches off, only the MIDI on message is sent from the button that was pressed.

Touch panel

 FREQUENCY MIX, SIDECHAIN REMIX

MIDI Messages

Category SW Name SW Type

Trigger/

Toggle Notes

MSB LSB

0 - 127 (very top of

Touch fader 1 VR Bn 38 dd — — — —

screen)

Touch fader 2 VR Bn 4C dd — — — — 0-127

Touch fader 3 VR Bn 4D dd — — — — 0-127

FREQUENCY MIX

Touch fader 4 VR Bn 74 dd — — — — 0-127

Touch fader 5 VR Bn 75 dd — — — — 0-127

Touch fader 6 VR Bn 76 dd — — — — 0-127

0 - 127 (very bottom of

Touch fader 7 VR Bn 77 dd — — — —

screen)

X axis of control area VR Bn 1C dd — — — — 0-127

Y axis of control area VR Bn 3C dd — — — — 0-127

LEVEL/

DEPTH VR Bn 31 dd — — — — 0-127

CH1

BTN 9n 49 dd — — — Trigger/

Toggle OFF=0, ON=127

CH2

BTN 9n 4A dd — — — Trigger/

Toggle OFF=0, ON=127

CH3

BTN 9n 4B dd — — — Trigger/

Toggle OFF=0, ON=127

CH4

BTN 9n 4C dd — — — Trigger/

Toggle OFF=0, ON=127

SIDECHAIN

TRIGGER CH (SAMPLING/

TRIGGER CH) SAME BTN 9n 51 dd — — — Trigger/

Toggle OFF=0, ON=127

REMIX

TRIGGER CH (SAMPLING/

TRIGGER CH) CH1 BTN 9n 52 dd — — — Trigger/

Toggle OFF=0, ON=127

TRIGGER CH (SAMPLING/

TRIGGER CH) CH2 BTN 9n 53 dd — — — Trigger/

Toggle OFF=0, ON=127

TRIGGER CH (SAMPLING/

TRIGGER CH) CH3 BTN 9n 54 dd — — — Trigger/

Toggle OFF=0, ON=127

TRIGGER CH (SAMPLING/

TRIGGER CH) CH4 BTN 9n 55 dd — — — Trigger/

Toggle OFF=0, ON=127

TRIGGER BAND LOW BTN 9n 59 dd — — — Trigger/

Toggle OFF=0, ON=127

TRIGGER BAND MID BTN 9n 5A dd — — — Trigger/

Toggle OFF=0, ON=127

TRIGGER BAND HI BTN 9n 5B dd — — — Trigger/

Toggle OFF=0, ON=127

DRB1497-B

1918

DRB1497-B

 MIDI CONTROL

Switch

MIDI Messages

Category

SW Type

Trigger/

Toggle Notes

position

MSB LSB

English

TYPE C

DRB1497-B

2120

1 2 3

4 5 6

7 8 9

10 11 12

[PAGE1]–1 BTN 9n 3C dd — — — Trigger/

Toggle OFF=0, ON=127

[PAGE1]–2 BTN 9n 3D dd — — — Trigger/

Toggle OFF=0, ON=127

[PAGE1]–3 BTN 9n 3E dd — — — Trigger/

Toggle OFF=0, ON=127

[PAGE1]–4 BTN 9n 3F dd — — — Trigger/

Toggle OFF=0, ON=127

[PAGE1]–5 BTN 9n 40 dd — — — Trigger/

Toggle OFF=0, ON=127

[PAGE1]–6 BTN 9n 41 dd — — — Trigger/

Toggle OFF=0, ON=127

[PAGE1]–7 BTN 9n 42 dd — — — Trigger/

Toggle OFF=0, ON=127

[PAGE1]–8 BTN 9n 43 dd — — — Trigger/

Toggle OFF=0, ON=127

[PAGE1]–9 BTN 9n 44 dd — — — Trigger/

Toggle OFF=0, ON=127

[PAGE1]–10 BTN 9n 45 dd — — — Trigger/

Toggle OFF=0, ON=127

[PAGE1]–11 BTN 9n 46 dd — — — Trigger/

Toggle OFF=0, ON=127

[PAGE1]–12 BTN 9n 47 dd — — — Trigger/

Toggle OFF=0, ON=127

[PAGE2]–1 BTN 9n 24 dd — — — Trigger/

Toggle OFF=0, ON=127

[PAGE2]–2 BTN 9n 25 dd — — — Trigger/

Toggle OFF=0, ON=127

[PAGE2]–3 BTN 9n 26 dd — — — Trigger/

Toggle OFF=0, ON=127

[PAGE2]–4 BTN 9n 27 dd — — — Trigger/

Toggle OFF=0, ON=127

[PAGE2]–5 BTN 9n 28 dd — — — Trigger/

Toggle OFF=0, ON=127

[PAGE2]–6 BTN 9n 29 dd — — — Trigger/

Toggle OFF=0, ON=127

[PAGE2]–7 BTN 9n 2A dd — — — Trigger/

Toggle OFF=0, ON=127

[PAGE2]–8 BTN 9n 2B dd — — — Trigger/

Toggle OFF=0, ON=127

[PAGE2]–9 BTN 9n 2C dd — — — Trigger/

Toggle OFF=0, ON=127

[PAGE2]–10 BTN 9n 2D dd — — — Trigger/

Toggle OFF=0, ON=127

[PAGE2]–11 BTN 9n 2E dd — — — Trigger/

Toggle OFF=0, ON=127

[PAGE2]–12 BTN 9n 2F dd — — — Trigger/

Toggle OFF=0, ON=127

TYPE D

1 2 3

[PAGE1]–1 BTN 9n 57 dd — — — Trigger/

Toggle OFF=0, ON=127

[PAGE1]–2 BTN 9n 58 dd — — — Trigger/

Toggle OFF=0, ON=127

[PAGE1]–3 BTN 9n 59 dd — — — Trigger/

Toggle OFF=0, ON=127

[PAGE1]–4 VR Bn 1C dd — — — — 0-127

[PAGE1]–5 VR Bn 3C dd — — — — 0-127

[PAGE2]–1 BTN 9n 5A dd — — — Trigger/

Toggle OFF=0, ON=127

[PAGE2]–2 BTN 9n 5B dd — — — Trigger/

Toggle OFF=0, ON=127

[PAGE2]–3 BTN 9n 5C dd — — — Trigger/

Toggle OFF=0, ON=127

[PAGE2]–4 VR Bn 31 dd — — — — 0-127

[PAGE2]–5 VR Bn 32 dd — — — — 0-127

DRB1497-B

Types of BEAT EFFECT

DELAY

Original

(4 beats)

1/2 delay

(8 beats)

This function outputs a delay sound once according to the beat button’s fraction.

When 1/2 beat delay sound is added, 4 beats become 8 beats.

Use these to set the delay time from 1/8 to 4/1 with respect to 1

Beat buttons (parameter 1)

beat of BPM time.

Use this to set the delay time.

TIME (parameter 2)

1 to 4000 (ms)

LEVEL/

DEPTH (param-

Use this to set the balance between the original sound and the

eter 3)

delay sound.

EFFECT FREQUENCY

Use these to set the balance between the original sound and

(parameter 4)

the delay sound for the different bands.

ECHO

Input sound turned off

Fade-out

Time

1 beat

This function outputs increasingly attenuated delay sounds several times accord-

ing to the beat button’s fraction.

With 1/1 beat echoes, the delay sounds are faded out according to the track’s

tempo even after the input sound has been cut.

Use these to set the delay time from 1/8 to 4/1 with respect to 1

Beat buttons (parameter 1)

beat of BPM time.

Use this to set the delay time.

TIME (parameter 2)

1 to 4000 (ms)

LEVEL/

DEPTH (param-

Use this to set the balance between the original sound and the

eter 3)

echo sound.

EFFECT FREQUENCY

Use these to set the balance between the original sound and

(parameter 4)

the echo for the different bands.

MULTI TAP DELAY

MIN MAX

1/1 beat

Time

MIN MAX

1/4 beat

MIN MAX

EFFECT FREQUENCY

1/8 beat

REVERB

This function outputs up to 7 delay sounds in 1/8 units, according to the beat

button’s fraction.

The volume of the delay sound can be adjusted with the [EFFECT FREQUENCY]

controls.

The volume of the odd delay sounds is adjusted from [MIN] to the center posi-

tion, the volume of the even delay sounds is adjusted from the center position to

[MAX].

The effect time is set from 1/8 to 4/1 with respect to 1 beat of

Beat buttons (parameter 1)

BPM time.

Use this to set the delay time.

TIME (parameter 2)

10 to 4000 (ms)

LEVEL/

DEPTH (param-

Use this to set the balance between the original sound and the

eter 3)

delay sound.

EFFECT FREQUENCY

This sets the volume of the delay sound for the different bands.

(parameter 4)

Direct sound

Early reflected sound

Level

Reverberations

Time

100%

This function adds a reverberation effect to the input sound.

Beat buttons (parameter 1) These set the degree of the reverb effect from 1 to 100 %.

Use this to set the degree of the reverb effect.

TIME (parameter 2)

1 to 100 (%)

LEVEL/

DEPTH (param-

Sets the balance between the original sound and the effect

eter 3)

sound.

EFFECT FREQUENCY

Use these to set the balance between the original sound and

(parameter 4)

the effect sound for the different bands.

ROLL

Original

Effect turned on

1/1 roll

Repeated

This function records the input sound at the point at which the [ON/

OFF] but-

ton is pressed and repeats the recorded sound according to the beat button’s

fraction.

The effect time is set from 1/8 to 4/1 with respect to 1 beat of

Beat buttons (parameter 1)

BPM time.

Use this to set the effect time.

TIME (parameter 2)

10 to 4000 (ms)

LEVEL/

DEPTH (param-

Use this to set the balance between the original sound and

eter 3)

ROLL.

EFFECT FREQUENCY

Use these to set the balance between the original sound and

(parameter 4)

the ROLL for the different bands.

SLIP ROLL

Original

Effect turned on

Changed from 1/2

to 1/1

Roll

1/1 repeat1/2 repeat

This function records the input sound at the point at which the [ON/

OFF] but-

ton is pressed and repeats the recorded sound according to the beat button’s

fraction.

When the effect time changes, the input sound is recorded again.

The effect time is set from 1/8 to 4/1 with respect to 1 beat of

Beat buttons (parameter 1)

BPM time.

Use this to set the effect time.

TIME (parameter 2)

10 to 4000 (ms)

LEVEL/

DEPTH (param-

Use this to set the balance between the original sound and

eter 3)

ROLL.

EFFECT FREQUENCY

Use these to set the balance between the original sound and

(parameter 4)

the ROLL for the different bands.

REV ROLL

English

DRB1497-B

2322

Original

Effect turned on

1/1 reverse

roll

Reversed and repeated

This function records the input sound at the point at which the [ON/

OFF] but-

ton is pressed, reverses the recorded sound and repeats it according to the beat

button’s fraction.

The effect time is set from 1/8 to 4/1 with respect to 1 beat of

Beat buttons (parameter 1)

BPM time.

Use this to set the effect time.

TIME (parameter 2)

10 to 4000 (ms)

LEVEL/

DEPTH (param-

Use this to set the balance between the original sound and

eter 3)

ROLL.

EFFECT FREQUENCY

Use these to set the balance between the original sound and

(parameter 4)

the ROLL for the different bands.

FILTER

Frequency

This function changes the filter’s cut-off frequency according to the beat button’s

fraction.

These set the cycle for moving the cut-off frequency from 1/8 to

Beat buttons (parameter 1)

4/1 with respect to 1 beat of BPM time.

Use this to set the cycle at which the cut-off frequency is

TIME (parameter 2)

moved.

10 to 32000 (ms)

LEVEL/

DEPTH (param-

The further the control is turned clockwise, the more the effect

eter 3)

is stressed.

EFFECT FREQUENCY

These set the balance between the original sound and the

(parameter 4)

effect sound for the different bands.

TRANS

MIN MAX

1/1 beat

Time

Cut

MIN MAX

Cut Cut

MIN MAX

EFFECT FREQUENCY

This function cuts the sound according to the beat button’s fraction.

The amount of the sound to be cut can be changed at [EFFECT FREQUENCY].

These set the 1/8 to 4/1 cut time with respect to 1 beat of BPM

Beat buttons (parameter 1)

time.

Use this to set the effect time.

TIME (parameter 2)

10 to 16000 (ms)

LEVEL/

DEPTH (param-

Sets the balance between the original sound and the effect

eter 3)

sound.

EFFECT FREQUENCY

This sets the amount of the original sound to be cut for the

(parameter 4)

different bands.

PHASER

Phase shift

Time

Cycle

These set the cycle for moving the phaser effect by 1/8 to 4/1

Beat buttons (parameter 1)

with respect to the time of one BPM beat.

This sets the cycle by which the phaser effect is moved.

TIME (parameter 2)

10 to 32000 (ms)

The further the control is turned clockwise, the more the effect

LEVEL/

DEPTH (param-

is stressed.

eter 3)

When turned all the way counterclockwise, only the original

sound is output.

EFFECT FREQUENCY

Use these to set the balance between the original sound and

(parameter 4)

the effect sound for the different bands.

GATE

The phaser effect changes according to the beat button fraction.

Level

Threshold

MIN MAX

Time

Threshold

MIN MAX

Threshold

MIN MAX

EFFECT FREQUENCY

This function outputs the input sound that has a level above the threshold level,

cutting the input sound that has a level below the threshold level.

The threshold level can be changed at [EFFECT FREQUENCY].

Beat buttons (parameter 1) This sets the release time between 1 and 100 %.

This sets the release time.

TIME (parameter 2)

1 to 100 (%)

Sets the threshold level.

LEVEL/

DEPTH (param-

The further the control is turned clockwise, the more the effect

eter 3)

is stressed and the sound is cut.

EFFECT FREQUENCY

Use these to set the threshold levels for the different bands.

(parameter 4)

SEND/RETURN

SEND

RETURN

Effector

DJM-2000

Connect an external effector, etc., here.

[EFFECT FREQUENCY] can be used as an isolator.

Beat buttons (parameter 1) —

TIME (parameter 2) —

LEVEL/

DEPTH (param-

This adjusts the sound level input to the [RETURN] terminal.

eter 3)

EFFECT FREQUENCY

This sets the audio output level of the RETURN sound for the

(parameter 4)

different bands.

1 When “A”, “B” or “M” is selected with the [CH SELECT] buttons, the effect sound

cannot be monitored by pressing [CUE] (BEAT EFFECT) unless the sound for

the channel you want to monitor is being output from [MASTER] channel.

2 When BEAT EFFECT is off, the effect sound cannot be monitored by pressing

[CUE] (BEAT EFFECT).

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