Yamaha TYROS2: инструкция

Раздел: Музыкальное Оборудование

Тип: Синтезатор

Инструкция к Синтезатору Yamaha TYROS2

DIGITAL WORKSTATION

RU

SPECIAL MESSAGE SECTION

PRODUCT SAFETY MARKINGS: Yamaha electronic

ENVIRONMENTAL ISSUES: Yamaha strives to produce

products may have either labels similar to the graphics

products that are both user safe and environmentally

shown below or molded/stamped facsimiles of these

friendly. We sincerely believe that our products and the

graphics on the enclosure. The explanation of these graphics

production methods used to produce them, meet these goals.

appears on this page. Please observe all cautions indicated

In keeping with both the letter and the spirit of the law, we

on this page and those indicated in the safety instruction

want you to be aware of the following:

section.

Battery Notice: This product MAY contain a small non-

rechargable battery which (if applicable) is soldered in

place. The average life span of this type of battery is

approximately five years. When replacement becomes

CAUTION

necessary, contact a qualified service representative to

RISK OF ELECTRIC SHOCK

perform the replacement.

DO NOT OPEN

Warning: Do not attempt to recharge, disassemble, or

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.

incinerate this type of battery. Keep all batteries away from

DO NOT REMOVE COVER (OR BACK).

children. Dispose of used batteries promptly and as

NO USER-SERVICEABLE PARTS INSIDE.

regulated by applicable laws. Note: In some areas, the

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

servicer is required by law to return the defective parts.

However, you do have the option of having the servicer

See bottom of Keyboard enclosure for graphic symbol markings.

dispose of these parts for you.

The exclamation point within the

Disposal Notice: Should this product become damaged

equilateral triangle is intended to alert

beyond repair, or for some reason its useful life is

the user to the presence of important

considered to be at an end, please observe all local, state,

operating and maintenance (servicing)

and federal regulations that relate to the disposal of products

instructions in the literature

that contain lead, batteries, plastics, etc.

accompanying the product.

NOTICE: Service charges incurred due to lack of

The lightning flash with arrowhead

knowledge relating to how a function or effect works (when

symbol, within the equilateral triangle, is

the unit is operating as designed) are not covered by the

intended to alert the user to the presence

manufacturer’s warranty, and are therefore the owners

of uninsulated “dangerous voltage”

responsibility. Please study this manual carefully and

within the product’s enclosure that may

consult your dealer before requesting service.

be of sufficient magnitude to constitute a

risk of electrical shock.

NAME PLATE LOCATION: The graphic below indicates

the location of the name plate. The model number, serial

number, power requirements, etc., are located on this plate.

IMPORTANT NOTICE: All Yamaha electronic products

You should record the model number, serial number, and the

are tested and approved by an independent safety testing

date of purchase in the spaces provided below and retain this

laboratory in order that you may be sure that when it is

manual as a permanent record of your purchase.

properly installed and used in its normal and customary

manner, all foreseeable risks have been eliminated. DO

NOT modify this unit or commission others to do so unless

specifically authorized by Yamaha. Product performance

and/or safety standards may be diminished. Claims filed

under the expressed warranty may be denied if the unit is/

has been modified. Implied warranties may also be affected.

SPECIFICATIONS SUBJECT TO CHANGE: The

information contained in this manual is believed to be

correct at the time of printing. However, Yamaha reserves

Model

the right to change or modify any of the specifications

without notice or obligation to update existing units.

Serial No.

Purchase Date

92-469- (ÌËÊÌflfl ˜‡ÒÚ¸)

2

Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

IMPORTANT SAFETY INSTRUCTIONS

INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,

AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.

WARNING- When using any electrical or electronic product,

8. This product was NOT designed for use in wet/damp

basic precautions should always be followed. These precautions

locations and should not be used near water or exposed to rain.

include, but are not limited to, the following:

Examples of wet/damp locations are; near a swimming pool, spa,

tub, sink, or wet basement.

1. Read all Safety Instructions, Installation Instructions,

Special Message Section items, and any Assembly Instructions

9. This product should be used only with the components

found in this manual BEFORE making any connections, including

supplied or; a cart, rack, or stand that is recommended by the

connection to the main supply.

manufacturer. If a cart, rack, or stand is used, please observe all

safety markings and instructions that accompany the accessory

product.

2. Main Power Supply Verification: Yamaha products are

manufactured specifically for the supply voltage in the area where

they are to be sold. If you should move, or if any doubt exists about

10. The power supply cord (plug) should be disconnected from

the supply voltage in your area, please contact your dealer for

the outlet when electronic products are to be left unused for

supply voltage verification and (if applicable) instructions. The

extended periods of time. Cords should also be disconnected when

required supply voltage is printed on the name plate. For name

there is a high probability of lightning and/or electrical storm

plate location, please refer to the graphic found in the Special

activity.

Message Section of this manual.

11. Care should be taken that objects do not fall and liquids are

3. This product may be equipped with a polarized plug (one

not spilled into the enclosure through any openings that may exist.

blade wider than the other). If you are unable to insert the plug into

the outlet, turn the plug over and try again. If the problem persists,

12. Electrical/electronic products should be serviced by a

contact an electrician to have the obsolete outlet replaced. Do NOT

qualified service person when:

defeat the safety purpose of the plug.

a. The power supply cord has been damaged; or

b. Objects have fallen, been inserted, or liquids have been

4. Some electronic products utilize external power supplies or

spilled into the enclosure through openings; or

adapters. Do NOT connect this type of product to any power

c. The product has been exposed to rain: or

supply or adapter other than one described in the owners manual,

d. The product dose not operate, exhibits a marked change

on the name plate, or specifically recommended by Yamaha.

in performance; or

e. The product has been dropped, or the enclosure of the

product has been damaged.

5. WARNING: Do not place this product or any other objects

on the power cord or place it in a position where anyone could

walk on, trip over, or roll anything over power or connecting cords

13. Do not attempt to service this product beyond that

of any kind. The use of an extension cord is not recommended! If

described in the user-maintenance instructions. All other servicing

you must use an extension cord, the minimum wire size for a 25’

should be referred to qualified service personnel.

cord (or less) is 18 AWG. NOTE: The smaller the AWG number,

the larger the current handling capacity. For longer extension

14. This product, either alone or in combination with an

cords, consult a local electrician.

amplifier and headphones or speaker/s, may be capable of

producing sound levels that could cause permanent hearing loss.

6. Ventilation: Electronic products, unless specifically

DO NOT operate for a long period of time at a high volume level or

designed for enclosed installations, should be placed in locations

at a level that is uncomfortable. If you experience any hearing loss

that do not interfere with proper ventilation. If instructions for

or ringing in the ears, you should consult an audiologist.

enclosed installations are not provided, it must be assumed that

IMPORTANT: The louder the sound, the shorter the time period

unobstructed ventilation is required.

before damage occurs.

7. Temperature considerations: Electronic products should be

15. Some Yamaha products may have benches and/or

installed in locations that do not significantly contribute to their

accessory mounting fixtures that are either supplied as a part of the

operating temperature. Placement of this product close to heat

product or as optional accessories. Some of these items are

sources such as; radiators, heat registers and other devices that

designed to be dealer assembled or installed. Please make sure that

produce heat should be avoided.

benches are stable and any optional fixtures (where applicable) are

well secured BEFORE using. Benches supplied by Yamaha are

designed for seating only. No other uses are recommended.

PLEASE KEEP THIS MANUAL

92-469-2

Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

3

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4

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˝ÎÂÍÚÓÌÌ˚ı ÍÓÏÔÓÌÂÌÚÓ‚ ÛÒÚ‡ÌÓ‚ËÚ ÏËÌËχθÌ˚È ÛÓ‚Â̸ „ÓÏ-

ÌËÊÂ, ·Û‰ÛÚ ÔÓÚÂflÌ˚. ëÓı‡ÌËÚ ‰‡ÌÌ˚ ̇ ‰ËÒÍ USER (ÒÚ. 67) ËÎË

ÍÓÒÚË. ì·Â‰ËÚÂÒ¸ Ú‡ÍÊ ‚ ÚÓÏ, ˜ÚÓ Ì‡ ‚ÒÂı ÍÓÏÔÓÌÂÌÚ‡ı ÛÒÚ‡ÌÓ‚ÎÂÌ

ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏ ‚̯ÌÂÏ ÌÓÒËÚÂÎÂ.

ÏËÌËχθÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË, ‡ ‚Ó ‚ÂÏfl Ë„˚ ̇ ËÌÒÚÛÏÂÌÚÂ

ÔÓÒÚÂÔÂÌÌÓ Û‚Â΢¸Ú „ÓÏÍÓÒÚ¸ ‰Ó ÌÛÊÌÓÈ.

á‡ÔËÒ‡ÌÌ˚ ËÎË ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚ ÏÂÎÓ‰ËË (ÒÚ. 55, 59, 121, 135)

ëÓÁ‰‡ÌÌ˚ ËÎË ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚ ÒÚËÎË (ÒÚ. 159)

éÚ‰‡ÍÚËÓ‚‡ÌÌ˚ ÚÂÏ·˚ (ÒÚ. 91, 94)

é·ÒÎÛÊË‚‡ÌËÂ

á‡ÔËÒ‡ÌÌ˚ ËÎË ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚ ÏÛθÚËÔ˝‰˚ (ÒÚ. 169)

ÑÎfl ˜ËÒÚÍË ËÌÒÚÛÏÂÌÚ‡ ÔÓθÁÛÈÚÂÒ¸ Ïfl„ÍÓÈ ÒÛıÓÈ Ú̸͇˛. çËÍÓ„‰‡

ç‡ÒÚÓÈÍË, ÒÓı‡ÌÂÌÌ˚ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» (ÒÚ. 155)

Ì ËÒÔÓθÁÛÈÚ ÔflÚÌÓ‚˚‚Ó‰ËÚÂÎË, ‡ÒÚ‚ÓËÚÂÎË, ÊˉÍË ӘËÒÚËÚÂÎË

éÚ‰‡ÍÚËÓ‚‡ÌÌ˚ MIDI-̇ÒÚÓÈÍË (ÒÚ. 214)

ËÎË ˜ËÒÚfl˘Ë ҇ÎÙÂÚÍË Ò ÔÓÔËÚÍÓÈ.

чÌÌ˚ ̇ ‰ËÒÍ USER (ÒÚ. 71) ÏÓ„ÛÚ ·˚Ú¸ ÔÓÚÂflÌ˚ ËÁ-Á‡ Ò·Ófl ËÎË

ÌÂÔ‡‚ËθÌÓÈ ‡·ÓÚ˚. ëÓı‡ÌËÚ ‚‡ÊÌ˚ ‰‡ÌÌ˚ ̇ ‚̯ÌÂÏ ÌÓÒËÚÂÎÂ.

åÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË ÔË ˝ÍÒÔÎÛ‡Ú‡ˆËË

ç ‚ÒÚ‡‚ÎflÈÚ ԇθˆ˚ ‚ Á‡ÁÓ˚.

çË ‚ ÍÓÂÏ ÒÎÛ˜‡Â Ì Á‡Ú‡ÎÍË‚‡ÈÚÂ Ë Ì ÓÌflÈÚ ·Ûχ„Û, ÏÂÚ‡Î΢ÂÒÍËÂ

êÂÁÂ‚ÌÓ ÍÓÔËÓ‚‡ÌË ‰‡ÌÌ˚ı ̇ ÛÒÚÓÈÒÚ‚Ó

Ë ÔӘˠÔ‰ÏÂÚ˚ ‚ ÓÚ‚ÂÒÚËfl Ë Á‡ÁÓ˚ ̇ Ô‡ÌÂÎË Ë Í·‚ˇÚÛÂ. ÖÒÎË

ı‡ÌÂÌËfl ËÎË ‚̯ÌËÈ ÌÓÒËÚÂθ

˝ÚÓ ÒÎÛ˜ËÎÓÒ¸, ÌÂωÎÂÌÌÓ ‚˚Íβ˜ËÚ ËÌÒÚÛÏÂÌÚ Ë ‚˚̸Ú ͇·Âθ

óÚÓ·˚ ‰‡ÌÌ˚ Ì ÔÓÔ‡ÎË ËÁ-Á‡ ÔÓ‚ÂʉÂÌËfl ÌÓÒËÚÂÎfl,

ÔËÚ‡ÌËfl ËÁ ÓÁÂÚÍË. á‡ÚÂÏ Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í ÒÔˆˇÎËÒÚ‡Ï

ÂÍÓÏẨÛÂÚÒfl ÒÓı‡ÌflÚ¸ ̇˷ÓΠ‚‡ÊÌ˚ ‰‡ÌÌ˚ ̇ ‰‚Ûı

ˆÂÌÚ‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ÍÓÔÓ‡ˆËË Yamaha.

USB-ÛÒÚÓÈÒÚ‚‡ı ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ËÎË ‚̯ÌËı ÌÓÒËÚÂÎflı.

ç Í·‰ËÚ ̇ ËÌÒÚÛÏÂÌÚ Ô‰ÏÂÚ˚ ËÁ ‚ËÌË·, Ô·ÒÚχÒÒ˚ ËÎË

ÂÁËÌ˚ - ˝ÚÓ ÏÓÊÂÚ ‚˚Á‚‡Ú¸ ‚˚ˆ‚ÂÚ‡ÌË ԇÌÂÎË ËÎË Í·‚ˇÚÛ˚.

ÖÒÎË ‚˚ ÏÂÌflÂÚ Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚ ̇ ÒÚ‡Ìˈ ˝Í‡Ì‡ Ë Á‡ÚÂÏ

ç ӷÎÓ͇˜Ë‚‡ÈÚÂÒ¸ ̇ ËÌÒÚÛÏÂÌÚ, Ì ÒÚ‡‚¸Ú ̇ ÌÂ„Ó ÚflÊÂÎ˚ Ô‰-

‚˚ıÓ‰ËÚ ËÁ ÌÂÂ, ‰‡ÌÌ˚Â Ó ÒËÒÚÂÏÌÓÈ Ì‡ÒÚÓÈÍ (ÔÂ˜ËÒÎÂÌÌ˚Â

ÏÂÚ˚ Ë Ì ÔËÍ·‰˚‚‡ÈÚ ÒÎ˯ÍÓÏ ·Óθ¯ÓÈ ÒËÎ˚ ÔË ÔÓθÁÓ‚‡ÌËË

‚ ÓÚ‰ÂθÌÓÏ ÒÔËÒÍ ڇ·Îˈ) ÒÓı‡Ìfl˛ÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË. çÓ ÂÒÎË

ÍÌÓÔ͇ÏË, ‚˚Íβ˜‡ÚÂÎflÏË Ë ‡Á˙ÂχÏË.

‚˚Íβ˜ËÚ¸ ÛÒÚÓÈÒÚ‚Ó, Ì ‚˚ÔÓÎÌË‚ Ôӈ‰ÛÛ ‚˚ıÓ‰‡, ‚Ò ˝ÚË

ç ÒΉÛÂÚ ‰ÓÎ„Ó ‡·ÓÚ‡Ú¸ Ò ‚˚ÒÓÍËÏ ËÎË ÌÂÍÓÏÙÓÚÌ˚Ï ÛÓ‚ÌÂÏ

ËÁÏÂÌÂÌËfl ·Û‰ÛÚ ÛÚÂflÌ˚.

„ÓÏÍÓÒÚË, Ú‡Í Í‡Í ˝ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚÂ ÒÎÛı‡. èË ÛıÛ‰¯Â-

ÌËË ÒÎÛı‡ ËÎË Á‚ÓÌ ‚ Û¯‡ı Ó·‡ÚËÚÂÒ¸ Í ‚‡˜Û.

åÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË ÔË ‡·ÓÚÂ Ò ‰‡ÌÌ˚ÏË

ÖÒÎË Ì‡ ‰ËÒÍ USER, USB-ìëíêéâëíÇÖ àãà ÜÖëíäéå ÑàëäÖ ‚˚ÔÓÎÌfl˛ÚÒfl ÓÔÂ‡ˆËË Ò ‰‡ÌÌ˚ÏË, ̇ÔËÏÂ ÒÓı‡ÌÂÌËÂ, Û‰‡ÎÂÌË ËÎË ÍÓÔËÓ‚‡ÌËÂ/

‚ÒÚ‡‚͇, çà Ç äéÖå ëãìóÄÖ Ì ‚˚Íβ˜‡ÈÚ ÔËÚ‡ÌË Tyros2 ‰Ó ÔÓÎÌÓ„Ó Á‡‚Â¯ÂÌËfl ÓÔÂ‡ˆËË. (é·flÁ‡ÚÂθÌÓ ÔÓ‰ÓʉËÚÂ, ÔÓ͇ Ì ËÒ˜ÂÁÌÂÚ Û͇Á‡ÌÌÓÂ

ÌËÊ ÒÓÓ·˘ÂÌËÂ.) éÚÍβ˜ÂÌË ÔËÚ‡ÌËfl ‚Ó ‚ÂÏfl ˝ÚËı ÓÔÂ‡ˆËÈ ÔË‚Ó‰ËÚ Í ÔÓÚÂ ‰‡ÌÌ˚ı, ÒÓı‡ÌflÂÏ˚ı ËÎË ÍÓÔËÛÂÏ˚ı ̇ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ÌÓÒËÚÂθ.

ÇÓ ‚ÂÏfl Ú‡ÍËı ÓÔÂ‡ˆËÈ ÓÒÓ·ÂÌÌÓ ‚‡ÊÌÓ ÒÓı‡ÌflÚ¸ ÔÓ‰‡˜Û ÔËÚ‡ÌËfl Í ‰ËÒÍÛ USER.

éÚÍβ˜ÂÌË ÔËÚ‡ÌËfl ‚Ó ‚ÂÏfl ÓÔÂ‡ˆËÈ ÒÓı‡ÌÂÌËfl, Û‰‡ÎÂÌËfl ËÎË ‚ÒÚ‡‚ÍË Ì‡ ‰ËÒÍÂ

USER ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚÂ ÇëÖï ‰‡ÌÌ˚ı ̇ ˝ÚÓÏ ‰ËÒÍ (ÔË ÒÎÂ‰Û˛˘ÂÏ ‚Íβ˜ÂÌËË

ÔËÚ‡ÌËfl), ‡ Ì ÚÓθÍÓ ‰‡ÌÌ˚ı, Ò ÍÓÚÓ˚ÏË ‚˚ÔÓÎÌfl·Ҹ ÓÔÂ‡ˆËfl. ÑÛ„ËÏË ÒÎÓ‚‡ÏË,

‚˚ÔÓÎÌflfl ÓÔÂ‡ˆËË ÒÓı‡ÌÂÌËfl, Û‰‡ÎÂÌËfl, ËÎË ‚ÒÚ‡‚ÍË ÚÓθÍÓ Ò ‰‡ÌÌ˚ÏË ÏÂÎÓ‰ËÈ Ì‡

‰ËÒÍ USER Ë ÓÚÍβ˜Ë‚ ÔËÚ‡ÌË ‰Ó Á‡‚Â¯ÂÌËfl ÓÔÂ‡ˆËË, ÏÓÊÌÓ ÔÓÚÂflÚ¸ ÇëÖ ‰‡ÌÌ˚Â

̇ ‰ËÒÍ USER, ‚ ÚÓÏ ˜ËÒΠ‚Ò ÚÂÏ·˚, ÒÚËÎË, ·‡ÌÍË ÏÛθÚËÔ˝‰Ó‚ Ë Ì‡ÒÚÓÈÍË

„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË, ÍÓÚÓ˚ ·˚ÎË ÒÓı‡ÌÂÌ˚ ̇ ‰ËÒÍ USER.

ùÚË ÏÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË Ú‡ÍÊ ÓÚÌÓÒflÚÒfl Í ÒÓÁ‰‡Ì˲ ÌÓ‚ÓÈ Ô‡ÔÍË Ì‡ ‰ËÒÍ USER ËÎË ÓÔÂ‡ˆËË ÔÓ ËÒÔÓθÁÓ‚‡Ì˲ ̇ÒÚÓÂÍ ËÁ„ÓÚÓ‚ËÚÂÎfl (ÒÚ. 196).

äÓÔÓ‡ˆËfl Yamaha Ì ÌÂÒÂÚ ÓÚ‚ÂÚÒÚ‚ÂÌÌÓÒÚË Á‡ ÔÓ‚ÂʉÂÌËfl, ‚˚Á‚‡ÌÌ˚ ÌÂÔ‡‚ËθÌÓÈ ˝ÍÒÔÎÛ‡Ú‡ˆËÂÈ ËÎË ÏÓ‰ËÙË͇ˆËÂÈ

ËÌÒÚÛÏÂÌÚ‡, ‡ Ú‡ÍÊ Á‡ ÔÓÚÂflÌÌ˚ ËÎË ËÒÔÓ˜ÂÌÌ˚ ‰‡ÌÌ˚Â.

ÇÒ„‰‡ ‚˚Íβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ, ÂÒÎË Ì ËÒÔÓθÁÛÂÚ „Ó.

삉ÓÏÎÂÌË ӷ ‡‚ÚÓÒÍËı Ô‡‚‡ı

çËÊ Û͇Á‡Ì˚ ̇Á‚‡ÌËfl ÏÂÎÓ‰ËÈ, ‚ÒÚÓÂÌÌ˚ı ‚ ˝ÚÓÚ ˝ÎÂÍÚÓÌÌ˚È ËÌÒÚÛÏÂÌÚ, Ë ÒÔËÒÓÍ Ó·Î‡‰‡ÚÂÎÂÈ ‡‚ÚÓÒÍËı Ë ‰Û„Ëı Ô‡‚.

Beauty And The Beast

Can’t Help Falling In Love

ËÁ Í/Ù ìÓÎÚ‡ ÑËÒÌÂfl «ä‡Ò‡‚ˈ‡ Ë ˜Û‰Ó‚ˢ»

ËÁ Í/Ù ÒÚÛ‰ËË Paramount Picture «ÉÓÎÛ·˚ ɇ‚‡ÈË»

ëÎÓ‚‡ Howard Ashman

ëÎÓ‚‡ Ë ÏÛÁ˚͇ George David Weiss, Hugo Peretti Ë Luigi Creatore

åÛÁ˚͇ Alan Menken

Copyright © 1961 by Gladys Music, Inc.

© 1991 Walt Disney Music Company Ë Wonderland Music Company, Inc.

Ä‚ÚÓÒÍÓ Ô‡‚Ó ‚ÓÁÓ·ÌÓ‚ÎÂÌÓ Ë ÔÂ‰‡ÌÓ ÍÓÔÓ‡ˆËË Gladys Music

ÇÒ Ô‡‚‡ Á‡˘Ë˘ÂÌ˚ àÒÔÓθÁÛ˛ÚÒfl Ò ‡Á¯ÂÌËfl ‡‚ÚÓÓ‚

ÇÒ Ô‡‚‡ ‡‰ÏËÌËÒÚËÛ˛ÚÒfl ÍÓÔÓ‡ˆËÂÈ Cherry Lane Music Publishing

Company, Inc. Ë Chrysalis Music

åÂʉÛ̇Ó‰Ì˚ ‡‚ÚÓÒÍË Ô‡‚‡ Á‡˘Ë˘ÂÌ˚ ÇÒ Ô‡‚‡ Á‡˘Ë˘ÂÌ˚

çÂÍÓÚÓ‡fl ÔÓÎÂÁ̇fl ËÌÙÓχˆËfl Ó ÒËÌÚÂÁ‡ÚÓ Tyros2 ‰ÓÒÚÛÔ̇ ̇ ÒÎÂ‰Û˛˘ÂÏ ‚·-Ò‡ÈÚÂ:

http://music.yamaha.com/tyros2

(2)-10 2/2

Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

5

èÓÁ‰‡‚ÎflÂÏ!

ы стали счастливым обладателем великолепного электронного музыкального инструмента.

интезатор Tyros2 корпорации Yamaha сочетает самую совершенную технологию

генерации звука с современной цифровой электроникой, что обеспечивает великолепное

качество звука самых разных музыкальных инструментов.

тобы максимально использовать возможности синтезатора Tyros2 и его огромный исполнительский

потенциал, мы призываем вас внимательно прочитать это руководство, пробуя использовать различные

описанные в нем функции. охраните руководство в надежном месте, чтобы использовать его в дальнейшем.

ìÔ‡ÍÓ‚Ó˜Ì˚È ÎËÒÚ

äÓÏÔ‡ÍÚ-‰ËÒÍ Tyros2 CD-ROM

䇷Âθ ÔËÚ‡ÌËfl x 1 ¯Ú êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl (˝Ú‡ ÍÌË„‡), ·ÛÍÎÂÚ Data List, êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓ ÛÒÚ‡ÌÓ‚ÍÂ

è˛ÔËÚ Ë ÍÓ̯ÚÂÈÌ˚ ÇËÌÚ˚ ‰Îfl ÛÒÚ‡ÌÓ‚ÍË ‰ÓÔÓÎÌËÚÂθÌÓ„Ó ÊÂÒÚÍÓ„Ó ‰ËÒ͇

èÓÒÚ‡‚ÎflÂÏ˚È ÍÓÏÔ‡ÍÚ ‰ËÒÍ

а прилагающемся компакт-диске содержится специальное программное обеспечение для работы с синтезатором

Tyros2.  поставку включена программа Voice Editor, которая является универсальным, интуитивно понятным

инструментом редактирования для синтезатора Tyros2. ополнительные сведения см. в отдельном «уководстве по

установке» или в интерактивных справочниках, поставляемых вместе с О.

á‡Ô¢‡ÂÚÒfl ÔÓË„˚‚‡Ú¸ ˝ÚÓÚ ÍÓÏÔ‡ÍÚ-‰ËÒÍ Ì‡ ÔÓË„˚‚‡ÚÂΠÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í

̇Û¯ÂÌËflÏ ÒÎÛı‡ Ë ‚˚Á‚‡Ú¸ ÌÂËÒÔ‡‚ÌÓÒÚË ‡ÍÛÒÚ˘ÂÒÍÓÈ ÒËÒÚÂÏ˚ ÔÓË„˚‚‡ÚÂÎfl.

• отографии клавесина, бандонеона, различных видов цимбал и музыкальной шкатулки, изображаемые на дисплеях синтезатора

Tyros2, любезно предоставлены музеем Gakkigaku Shiryokan (обрание старинных музыкальных инструментов) музыкального

колледжа Kunitachi.

• ледующие инструменты, изображаемые на дисплеях синтезатора Tyros2, доступны для обозрения в музее музыкальных

инструментов Hamamatsu: балафон, джендер, калимба, канун, сантур, гамелан, арфа, колокольчик, волынка, банджо, карильон,

мандолина, уд, флейта ана, пунджи, рабаб, шанаи, ситар, стальной барабан, тамбра.

• анный продукт произведен по лицензии, защищенной патентами А No.5231671, No.5301259, No.5428708, а также патентом

No.5567901, принадлежащим IVL Technologies Ltd.

• астровые шрифты, используемые в данном инструменте, предоставлены компанией Ricoh Co., Ltd. и являются ее собственностью.

• анный продукт использует NF, встроенный интернет-браузер компании ACCESS Co., Ltd. NF, используется

совместно с запатентованным алгоритмом сжатия LZW, лицензия на который получена от компании Unisys Co., Ltd.

NF не может использоваться отдельно от данного продукта, не может быть продан, сдан в аренду или передан любым другим

способом. акже запрещается декомпилировать, деассемблировать, копировать и вскрывать технологии NF.

анное программное обеспечение включает модуль, разработанный независимой группой JPEG (Independent JPEG Group).

Windows является зарегистрированным товарным знаком корпорации Microsoft®.

Apple и Macintosh являются товарными знаками корпорации Apple Computer Inc., зарегистрированными в А и других странах.

• азвания фирм и продуктов в этом «уководстве пользователя» являются товарными знаками или зарегистрированными

товарными знаками соответствующих фирм.

àÎβÒÚ‡ˆËË Ë ÒÌËÏÍË Üä-‰ËÒÔ΂ Ô˂‰ÂÌ˚ ‚ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl ÚÓθÍÓ ‚ ͇˜ÂÒÚ‚Â ÔËÏÂÓ‚. Ç ‰ÂÈÒÚ‚ËÚÂθÌÓÒÚË ‚Ò ÏÓÊÂÚ ‚˚„Îfl‰ÂÚ¸ ÌÂÒÍÓθÍÓ Ë̇˜Â.

é·‡ÚËÚ ‚ÌËχÌËÂ, ˜ÚÓ ‚Ò ÔËÏÂ˚ ˝Í‡ÌÓ‚ ‚ ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â Ô‰ÒÚ‡‚ÎÂÌ˚ ̇ ‡Ì„ÎËÈÒÍÓÏ flÁ˚ÍÂ.

ùÚÓÚ ÔÓ‰ÛÍÚ ‚Íβ˜‡ÂÚ ÍÓÏÔ¸˛ÚÂÌ˚ ÔÓ„‡ÏÏ˚ Ë ÒÓ‰ÂÊËÏÓÂ, ‡‚ÚÓÒÍË Ô‡‚‡ ̇ ÍÓÚÓ˚ ÔË̇‰ÎÂÊ‡Ú ÍÓÔÓ‡ˆËË Yamaha ËÎË Ô‡‚Ó Ì‡ ËÒÔÓθÁÓ‚‡ÌËÂ

ÍÓÚÓ˚ı ÔÓÎÛ˜ÂÌÓ ÔÓ ÎˈÂÌÁËË ÓÚ ‰Û„Ëı ÙËÏ. ä χÚÂˇ·Ï, Á‡˘Ë˘ÂÌÌ˚Ï ‡‚ÚÓÒÍËÏË Ô‡‚‡ÏË, ÓÚÌÓÒflÚÒfl ‚Ò ·ÂÁ Ó„‡Ì˘ÂÌËfl ÍÓÏÔ¸˛ÚÂÌÓ èé, Ù‡ÈÎ˚

ÒÚËÎfl, Ù‡ÈÎ˚ MIDI, ‰‡ÌÌ˚ WAVE Ë ÏÛÁ˚͇θÌ˚ Á‚ÛÍÓÁ‡ÔËÒË. ã˛·Ó ÌÂÒ‡Ì͈ËÓÌËÓ‚‡ÌÌÓ ËÒÔÓθÁÓ‚‡ÌË ڇÍËı ÔÓ„‡ÏÏ Ë ÒÓ‰ÂÊËÏÓ„Ó, ‚˚ıÓ‰fl˘Â Á‡

‡ÏÍË Î˘ÌÓ„Ó ÔÓθÁÓ‚‡ÌËfl, Á‡Ô¢ÂÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË Á‡ÍÓ̇ÏË. ã˛·Ó ̇Û¯ÂÌË ‡‚ÚÓÒÍËı Ô‡‚ ÔÂÒΉÛÂÚÒfl ÔÓ Á‡ÍÓÌÛ. çÖ ëéáÑÄÇÄâíÖ, çÖ

êÄëèêéëíêÄçüâíÖ à çÖ àëèéãúáìâíÖ çÖáÄäéççõÖ äéèàà.

ùÚÓ ÛÒÚÓÈÒÚ‚Ó ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ‡Á΢Ì˚ ÚËÔ˚/ÙÓχÚ˚ ÏÛÁ˚͇θÌ˚ı ‰‡ÌÌ˚ı ÔÛÚÂÏ ÔÂÓ·‡ÁÓ‚‡ÌËfl Ëı ‚ ÏÛÁ˚͇θÌ˚ ‰‡ÌÌ˚ ÌÛÊÌÓ„Ó ÙÓχڇ ‰Îfl

‰‡Î¸ÌÂÈ¯Â„Ó ËÒÔÓθÁÓ‚‡ÌËfl. í‡ÍËÏ Ó·‡ÁÓÏ, ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ‰‡ÌÌ˚ı ÛÒÚÓÈÒÚ‚ÓÏ Á‚Û˜‡ÌË ÏÓÊÂÚ ÌÂÒÍÓθÍÓ ÓÚ΢‡Ú¸Òfl ÓÚ ËÒıÓ‰ÌÓ„Ó.

ïÓÚfl ÂÔÓ‰Û͈Ëfl Ë ËÒÔÓθÁÓ‚‡ÌË ÏÛÁ˚ÍË Ë ‰Û„Ëı Á‚ÛÍÓ‚˚ı ÔÓ‰ÛÍÚÓ‚, Á‡˘Ë˘ÂÌÌ˚ı ‡‚ÚÓÒÍËÏË Ô‡‚‡ÏË, ‡Á¯ÂÌ˚ ÌÂÍÓÚÓ˚ÏË ÔËÏÂÌflÂÏ˚ÏË Ô‡‚Ó‚˚ÏË

ÌÓχÏË, ڇ͇fl ÌÂÎˈÂÌÁËÓ‚‡Ì̇fl ÂÔÓ‰Û͈Ëfl Ë ËÒÔÓθÁÓ‚‡ÌË ÏÓ„ÛÚ Ô‰ÒÚ‡‚ÎflÚ¸ ÒÓ·ÓÈ Ì‡Û¯ÂÌË Á‡ÍÓ̇ Ó· ‡‚ÚÓÒÍËı Ô‡‚‡ı Ë ‰Û„Ëı Á‡ÍÓÌÓ‚. èÓÒÍÓθÍÛ

̇Û¯ÂÌË ˝ÚËı Á‡ÍÓÌÓ‚ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÒÂ¸ÂÁÌ˚Ï ÔÓÒΉÒÚ‚ËflÏ, ‚ÓÁÏÓÊÌÓ, ÒΉÛÂÚ ÔÓÍÓÌÒÛθÚËÓ‚‡Ú¸Òfl Ò ˛ËÒÚÓÏ ÔÓ ÔÓ‚Ó‰Û ËÒÔÓθÁÓ‚‡ÌËfl ˝ÚÓ„Ó ÔÓ‰ÛÍÚ‡.

äÓÔËÓ‚‡ÌËÂ Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÍÓÏÏÂ˜ÂÒÍÓÈ ÏÛÁ˚ÍË Ë ‰Û„Ëı Á‚ÛÍÓ‚˚ı ÔÓ‰ÛÍÚÓ‚ ÒÚÓ„Ó Á‡Ô¢ÂÌÓ, Á‡ ËÒÍβ˜ÂÌËÂÏ ËÒÔÓθÁÓ‚‡ÌËfl ‚ ΢Ì˚ı ˆÂÎflı.

ùÚÓÚ ÔÓ‰ÛÍÚ ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‰Îfl ËÏÔÓÚ‡ Ë Á‡ÔËÒË ‡Ì‡ÎÓ„Ó‚Ó„Ó ‡Û‰ËÓÒ˄̇· ˜ÂÂÁ „ÌÂÁ‰Ó MIC/LINE INPUT, ‰Îfl Á‡ÔËÒË ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl, ‡

Ú‡ÍÊ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÏÛÁ˚͇θÌ˚ı MIDI-‰‡ÌÌ˚ı Ë ˆËÙÓ‚Ó„Ó ‡Û‰ËÓÒ˄̇· ‚ ÙÓχÚ WAV. ÖÒÎË ‚ Á‡ÔËÒflı ËÒÔÓθÁÛÂÚÒfl β·ÓÈ Ï‡ÚÂˇÎ, Á‡˘Ë˘ÂÌÌ˚È

Á‡ÍÓÌÓÏ Ó· ‡‚ÚÓÒÍËı Ô‡‚‡ı, ‰‡Ê ÂÒÎË ‚˚ ‰Ó·‡‚ÎflÂÚ ÒÓ·ÒÚ‚ÂÌÌÓ ËÒÔÓÎÌÂÌËÂ, ÍÓÔËÓ‚‡ÌËÂ Ë ÔÛ·Î˘ÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ڇÍÓ„Ó Ï‡ÚÂˇ·

(Á‡ ËÒÍβ˜ÂÌËÂÏ ËÒÔÓθÁÓ‚‡ÌËfl ‚ ΢Ì˚ı ˆÂÎflı) ÒÚÓ„Ó Á‡Ô¢‡ÂÚÒfl.

äÓÔËÓ‚‡ÌË ÍÓÏÏÂ˜ÂÒÍËı ÏÛÁ˚͇θÌ˚ı ‰‡ÌÌ˚ı, ‚Íβ˜‡fl MIDI-‰‡ÌÌ˚ Ë/ËÎË ‡Û‰ËÓ‰‡ÌÌ˚Â, ÌÓ Ì ӄ‡Ì˘˂‡flÒ¸ ËÏË, ÒÚÓ„Ó Á‡Ô¢‡ÂÚÒfl, Á‡ ËÒÍβ˜ÂÌËÂÏ

ËÒÔÓθÁÓ‚‡ÌËfl ‚ ΢Ì˚ı ˆÂÎflı.

6

Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

ä‡Í ÔÓθÁÓ‚‡Ú¸Òfl ˝ÚËÏ ÛÍÓ‚Ó‰ÒÚ‚ÓÏ

燘‡ÎÓ ‡·ÓÚ˚..............................................................................................................ÒÚ. 18

режде чем перейти к другим разделам этого уководства, обязательно

прочитайте этот раздел.  нем рассказывается о том, как начать работу с

синтезатором Tyros2.

é·ÁÓ

...............................................................................................................................ÒÚ. 22

сли вы не любите читать длинные руководства и хотите немедленно начать

играть на синтезаторе Tyros2, в этом случае прочитайте этот раздел.

ëÓ‰ÂʇÌË ......................................................................................................................ÒÚ. 8

ëÔËÒÓÍ Á‡‰‡˜

......................................................................................................ÒÚ. 10

Этот индекс организован по функциям и применениям, а не по отдельным словам,

что дает возможность быстро и просто найти, как выполнить определенную

операцию или описание интересующей вас темы.

è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚..........................................................................ÒÚ. 14

аздел рассказывает обо всех кнопках и элементах управления синтезатора Tyros2.

éÒÌÓ‚Ì˚ ÓÔÂ‡ˆËË ..................................................................................................ÒÚ. 68

аздел посвящен основам работы и организации данных синтезатора Tyros2 в

файлах и основным операциям с использованием -дисплея.

àÂ‡ıËfl ÙÛÌ͈ËÈ......................................................................................................ÒÚ. 81

 этом списке приведена иерархия функций синтезатора Tyros2, что дает

возможность быстро определить отношения различных функций и быстро

обнаружить нужную информацию.

ëÔ‡‚Ó˜ÌËÍ......................................................................................................................ÒÚ. 84

Ознакомившись с предыдущими разделами, просмотрите этот справочник по

всем функциям. е надо читать все сразу, он предназначен для справки по той

функции или возможности, которая вас заинтересует.

ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ...........................................................................................ÒÚ. 225

сли синтезатор Tyros2 работает не так, как ожидалось, или у вас возникли

проблемы со звуком или выполнением каких-либо операций, обратитесь к этому

разделу, прежде чем обращаться к представителю корпорации Yamaha или в

сервисный центр. десь приведены наиболее распространенные проблемы и

очень просто и доступно описаны способы их решения.

ëÎÓ‚‡¸............................................................................................................................ÒÚ. 227

юда вошли важные слова и технические термины, которые не полностью

объяснены в этом уководстве.

ÅÛÍÎÂÚ Data List (ÓÚ‰ÂθÌÓ)

десь содержатся различные важные списки, например: таблица прямого

доступа, таблица аккордов для воспроизведения стиля, список тембров, список

стилей, список типов эффектов, таблица формата MIDI-данных, таблица

характеристик MIDI-интерфейса.

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓ ÛÒÚ‡ÌÓ‚Í (ÓÚ‰ÂθÌÓ)

месте с синтезатором Tyros2 поставляются различные программы (на компакт-

диске), которые позволяют использовать компьютер вместе с синтезатором для

записи, хранения данных и т. д.  этом руководстве содержатся инструкции по

установке прилагаемого О.

Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

7

ëÓ‰ÂʇÌËÂ

èÓÁ‰‡‚ÎflÂÏ!............................................................................................6

é·Û˜ÂÌË ˄Â Ë ‚Ó͇ÎÛ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Guide ...............49

ìÔ‡ÍÓ‚Ó˜Ì˚È ÎËÒÚ....................................................................................6

Ç˚·Ó ÙÛÌ͈ËË Guide ................................................................49

ä‡Í ÔÓθÁÓ‚‡Ú¸Òfl ˝ÚËÏ ÛÍÓ‚Ó‰ÒÚ‚ÓÏ ................................................7

à„‡ ̇ Í·‚ˇÚÛÂ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Follow Lights...........50

ëÓ‰ÂʇÌËÂ...............................................................................................8

ìÔ‡ÊÌÂÌËfl ‚ ÔÂÌËË Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Vocal Cue Time ....51

ëÔËÒÓÍ Á‡‰‡˜ ...........................................................................................10

ëÓı‡ÌÂÌËÂ Ë ‚˚ÁÓ‚ ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇ÒÚÓÂÍ Ô‡ÌÂÎË;

è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚............................................................14

„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ ............................................................52

ÇÂıÌflfl Ô‡ÌÂθ Ë ‡Á˙ÂÏ˚...............................................................14

ëÓı‡ÌÂÌË ԇÌÂθÌ˚ı ̇ÒÚÓÂÍ

ᇉÌflfl Ô‡ÌÂθ Ë ‡Á˙ÂÏ˚ ................................................................16

‚ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË..................................................52

ëÓı‡ÌÂÌË ÒÓ‰ÂÊËÏÓ„Ó „ËÒÚ‡ˆËÓÌÌÓÈ

燘‡ÎÓ ‡·ÓÚ˚ 18

Ô‡ÏflÚË ‚ ‡Á‰ÂΠUSER......................................................53

àÒÚÓ˜ÌËÍ ÔËÚ‡ÌËfl ..................................................................................18

Ç˚ÁÓ‚ ̇·Ó‡ Ô‡‡ÏÂÚÓ‚ ËÁ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË.........54

ÑÓÔÓÎÌËÚÂθÌ˚ ‰Ë̇ÏËÍË..................................................................18

á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËfl Ë ÒÓÁ‰‡ÌË ÏÂÎÓ‰ËÈ

è˛ÔËÚ......................................................................................................19

— ÙÛÌ͈Ëfl Song Recording.........................................................55

ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ÔËÚ‡ÌËfl....................................................20

Å˚ÒÚ‡fl Á‡ÔËÒ¸...........................................................................55

ä‡Í ÔÓ‰ÌËχڸ Ë Í‡Í Á‡Í˚‚‡Ú¸ Ô‡ÌÂθ ‰ËÒÔÎÂfl ............................21

Multi Recording.............................................................................57

á‡ÔËÒ¸ ‡Û‰ËÓ Ì‡ ÒËÌÚÂÁ‡ÚÓ Tyros2

— îÛÌ͈Ëfl Hard Disk Recorder ..................................................59

é·ÁÓ 22

á‡ÔËÒ¸ ‚ÒÚÓÂÌÌÓ„Ó Á‚Û͇ Tyros2 .............................................59

ÇÍβ˜ÂÌË ËÌÒÚÛÏÂÌÚ‡ Ë ‚ÓÒÔÓËÁ‚‰ÂÌËÂ

á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÔÂÌËfl Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl..62

‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ......................................................22

èÓ‰Íβ˜ÂÌË USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ....................64

ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl Ë ÔÓÒÏÓÚ „·‚ÌÓ„Ó ˝Í‡Ì‡...................22

àÒÔÓθÁÓ‚‡ÌË ÛÒÚÓÈÒÚ‚ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı

àÁÏÂÌÂÌË flÁ˚͇........................................................................23

Ò ËÌÚÂÙÂÈÒÓÏ USB.............................................................65

ÇÓÒÔÓËÁ‚‰ÂÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ ......................24

èÓ‰Íβ˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ .........................................................66

ÇÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ ...........................................................25

燘‡Î¸Ì‡fl ÛÒÚ‡Ìӂ͇ .................................................................67

Ç˚·Ó ÚÂÏ·‡ (RIGHT 1) Ë Ë„‡ ̇ Í·‚ˇÚÛÂ.......................25

ÑÓÒÚÛÔ Í ÊÂÒÚÍÓÏÛ ‰ËÒÍÛ ‚ ÂÊËÏ USB Storage ...................67

é‰ÌÓ‚ÂÏÂÌ̇fl Ë„‡ ‰‚ÛÏfl ËÎË ÚÂÏfl ÚÂÏ·‡ÏË...................26

ê‡ÁÌ˚ „ÓÎÓÒ‡ ‰Îfl Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍ....................................27

éÒÌÓ‚Ì˚ ÓÔÂ‡ˆËË — é„‡ÌËÁ‡ˆËfl

è‡‡ÏÂÚ Octave (Ú‡ÌÒÔÓÌËÓ‚‡ÌË ̇ ÓÍÚ‡‚Û)....................27

Organ Flutes (Ó„‡ÌÌ˚ „ËÒÚ˚) ............................................28

‰‡ÌÌ˚ı 68

ëÓÁ‰‡ÌË ·Ë·ÎËÓÚÂÍË Î˛·ËÏ˚ı ÚÂÏ·Ó‚ ̇ ÛÒÚÓÈÒÚ‚Â

ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl ̇ ˝Í‡ÌÂ....................................................... 68

USER ËÎË ‚̯ÌÂÏ ÛÒÚÓÈÒÚ‚Â .........................................29

ùÍ‡ÌÌ˚ ÒÓÓ·˘ÂÌËfl ....................................................................... 69

Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl

îÛÌ͈Ëfl Direct Access (èflÏÓÈ ‰ÓÒÚÛÔ) –– å„ÌÓ‚ÂÌÌ˚È

–– Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ (ACMP)..................................................31

‚˚·Ó ˝Í‡Ì‡.............................................................................. 70

à„‡ ÏÂÎÓ‰ËË Ô‡‚ÓÈ ÛÍÓÈ Ë ‡ÍÍÓ‰Ó‚ ΂ÓÈ........................31

éÒÌӂ̇fl ÒÚÛÍÚÛ‡ Ù‡ÈÎÓ‚/Ô‡ÔÓÍ

ó‡ÒÚË ÒÚËÎfl (‡Á‰ÂÎ˚)...............................................................34

Ë Á‡ÔÓÏË̇˛˘Ëı ÛÒÚÓÈÒÚ‚ ...................................................... 70

ç‡ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË».....................................................36

éÔÂ‡ˆËË Ò Ô‡Ô͇ÏË Ë Ù‡È·ÏË Ì‡ ˝Í‡Ì Open/Save................... 72

ê„ÛÎËӂ͇ ·‡Î‡ÌÒ‡ „ÓÏÍÓÒÚË ÒÚËÎfl Ë Í·‚ˇÚÛ˚ ............36

ëÓÁ‰‡ÌË ÌÓ‚ÓÈ Ô‡ÔÍË...................................................................... 73

ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ԇÚËÈ ÒÚËÎfl Ë ÒÏÂ̇ ÚÂÏ·Ó‚ ....37

Ç˚·Ó (ÓÚÍ˚ÚËÂ) Ô‡ÔÍË ËÎË Ù‡È· ............................................... 73

åÛθÚËÔ˝‰˚......................................................................................38

äÓÔËÓ‚‡ÌË ԇÔÓÍ Ë Ù‡ÈÎÓ‚ (ÍÓÔËÓ‚‡ÌËÂ Ë ‚ÒÚ‡‚͇)............... 74

ÇÓÒÔÓËÁ‚‰ÂÌË ÏÛθÚËÔ˝‰Ó‚.................................................38

èÂÂÏ¢ÂÌË هÈÎÓ‚ (‚˚ÂÁ‡ÌËÂ Ë ‚ÒÚ‡‚͇)............................... 74

îÛÌ͈Ëfl Chord Match (ç‡ÒÚÓÈ͇ ̇ ‡ÍÍÓ‰) ..........................38

쉇ÎÂÌË ԇÔÓÍ Ë Ù‡ÈÎÓ‚ ............................................................... 75

ëÓı‡ÌÂÌË هÈÎÓ‚ ......................................................................... 75

àÒÔÓθÁÓ‚‡ÌË ˝ÙÙÂÍÚÓ‚ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÚÂÏ·‡......39

èËÒ‚ÓÂÌË ËÏÂÌ Ù‡ÈÎ‡Ï Ë Ô‡ÔÍ‡Ï ............................................... 76

àÒÔÓθÁÓ‚‡ÌË ˝ÙÙÂÍÚ‡ Harmony ‰Îfl ÏÂÎÓ‰ËË

LJˇÌÚ˚ ˝Í‡Ì‡ Open/Save ........................................................... 77

Ô‡‚ÓÈ ÛÍË ..........................................................................39

Ç˚‰ÂÎÂÌË ˝ÎÂÏÂÌÚÓ‚ ̇ ˝Í‡Ì (Highlight Cursor) ....................... 79

Ç˚ÁÓ‚ ̇˷ÓΠۉ‡˜ÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

ñ‚ÂÚ‡ ÍÌÓÔÓÍ Ì‡ Ô‡ÌÂÎË ....................................................................... 79

— Music Finder...............................................................................40

낉ÂÌËfl Ó Í·‚ˇÚÛÂ........................................................................ 80

Ç˚·Ó ÏÛÁ˚͇θÌÓ„Ó Ê‡Ì‡ ËÁ ÒÔËÒ͇ Á‡ÔËÒÂÈ......................40

ó‡ÒÚË Í·‚ˇÚÛ˚ Ë Ëı ÙÛÌ͈ËË ..................................................... 80

èÓËÒÍ Ë‰Â‡Î¸Ì˚ı ̇ÒÚÓÂÍ ÔÓ Íβ˜Â‚˚Ï ÒÎÓ‚‡Ï...................41

ÇÍβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ÙÛÌ͈ËË Synchro Start............................ 80

ëÓÁ‰‡ÌË ̇·Ó‡ β·ËÏ˚ı Á‡ÔËÒÂÈ.........................................42

àÂ‡ıËfl ÙÛÌ͈ËÈ................................................................................. 81

ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËË ...........................................................43

ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËË Ì‡ USB-ÛÒÚÓÈÒÚ‚Â ......................43

ëÔ‡‚Ó˜ÌËÍ 84

àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÍ ÔÓÁˈËË ‚ ÏÂÎÓ‰Ëflı .............................44

ê„ÛÎËӂ͇ ·‡Î‡ÌÒ‡ „ÓÏÍÓÒÚË ÏÂÎÓ‰ËË Í·‚ˇÚÛ˚ ..........46

íÂÏ·˚..................................................................................................... 84

ÇÍβ˜ÂÌËÂ/Ç˚Íβ˜ÂÌË ԇÚËÈ ÏÂÎÓ‰ËË ...............................46

íÂÏ·˚ Ë Ô‡ÚËË Í·‚ˇÚÛ˚.......................................................... 84

èÂÌËÂ Ò ÏËÍÓÙÓÌÓÏ......................................................................47

íËÔ˚ ÚÂÏ·Ó‚.................................................................................... 85

èÓ‰Íβ˜ÂÌË ÏËÍÓÙÓ̇..........................................................47

íÂÏ·Ó‚˚ ˝ÙÙÂÍÚ˚ ...................................................................... 87

èÂÌË ÔÂÒÂÌ Ò ÏËÍÓÙÓÌÓÏ.......................................................47

àÁÏÂÌÂÌË ‚˚ÒÓÚ˚ Á‚Û͇ ̇ ÒËÌÚÂÁ‡ÚÓ Tyros2.......................... 88

é·‡·ÓÚ͇ Á‚Û˜‡ÌËfl „ÓÎÓÒ‡ Ò ÔÓÏÓ˘¸˛

é„‡ÌÌ˚ „ËÒÚ˚ (ç‡ÒÚÓÈÍË „ËÒÚÓ‚).................................... 89

˝ÙÙÂÍÚÓ‚ Harmony..............................................................48

è‡‡ÏÂÚ˚ ........................................................................................ 89

8

Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

ëÓ‰ÂʇÌËÂ

ꉇÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚ (ÙÛÌ͈Ëfl Voice Set).................................91

àÁÏÂÌÂÌË ‰‡ÌÌ˚ı ‰Îfl Í‡Ê‰Ó„Ó Í‡Ì‡Î‡ ...................................... 165

è‡‡ÏÂÚ˚ .........................................................................................91

ìÒÚ‡Ìӂ͇ Ô‡‡ÏÂÚÓ‚ هȷ SMF ..............................................165

îÛÌ͈Ëfl Voice Creator — ꉇÍÚËÓ‚‡ÌËÂ

á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÒÚËÎfl ÔË ÔÓÏÓ˘Ë ‚̯̄Ó

ÒÔˆˇθÌ˚ı ÚÂÏ·Ó‚ ....................................................................94

Á‡ÔËÒ˚‚‡˛˘Â„Ó ÒÂÍ‚ÂÌÒÓ‡ ................................................... 167

åÛθÚËÔ˝‰˚ .......................................................................................... 169

ëÓÁ‰‡ÌË ÚÂÏ·‡ –– éÒÌÓ‚Ì˚ ‰ÂÈÒÚ‚Ëfl .......................................94

ꉇÍÚËÓ‚‡ÌË ÒÔˆˇθÌÓ„Ó ÚÂÏ·‡ ‚ Tyros2

ꉇÍÚËÓ‚‡ÌË ÏÛθÚËÔ˝‰Ó‚ Ò ÔÓÏÓ˘¸˛ ˝Í‡Ì‡ Open/Save.... 169

–– îÛÌ͈Ëfl Voice Set................................................................101

ëÓÁ‰‡ÌËÂ/‰‡ÍÚËÓ‚‡ÌË ÏÛθÚËÔ˝‰‡ (ˆËÙÓ‚‡fl Á‡ÔËÒ¸) ....... 169

ꉇÍÚËÓ‚‡ÌË ·‡Ì͇ ÒÔˆˇθÌ˚ı ÚÂÏ·Ó‚

îÛÌ͈Ëfl Music Finder.......................................................................... 171

–– îÛÌ͈Ëfl Custom Voice Bank Edit ........................................102

ꉇÍÚËÓ‚‡ÌË Á‡ÔËÒÂÈ ‚ ÙÛÌ͈ËË Music Finder ....................... 171

ᇄÛÁ͇ Ó‰ÌÓ„Ó ÒÔˆˇθÌÓ„Ó ÚÂÏ·‡ ‚ Tyros2

ëÓı‡ÌÂÌË Á‡ÔËÒÂÈ ÙÛÌ͈ËË Music Finder

— à̉˂ˉۇθ̇fl Á‡„ÛÁ͇ ...................................................104

‚ ÓÚ‰ÂθÌÓÏ Ù‡ÈÎÂ.................................................................. 171

ᇄÛÁ͇ ·Ë·ÎËÓÚÂÍË ÒÔˆˇθÌ˚ı ÚÂÏ·Ó‚ ‚ Tyros2

ê„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ ................................................................... 173

— ᇄÛÁ͇ ·Ë·ÎËÓÚÂÍË ...........................................................106

îÛÌ͈Ëfl Freeze ...............................................................................173

ëÓı‡ÌÂÌË ÒÔˆˇθÌ˚ı ÚÂÏ·Ó‚ ‚ ·Ë·ÎËÓÚÂÍÛ

îÛÌ͈Ëfl Registration Sequence ...................................................... 173

–– ëÓı‡ÌÂÌË ·Ë·ÎËÓÚÂÍË......................................................108

àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇ ...............................................................175

ꉇÍÚËÓ‚‡ÌË ÒÔˆˇθÌÓ„Ó ÚÂÏ·‡ ̇ ÍÓÏÔ¸˛ÚÂÂ

ꉇÍÚËÓ‚‡ÌË ˝ÙÙÂÍÚ‡ Vocal Harmony.................................... 175

–– ÔÓ„‡Ïχ Voice Editor........................................................111

ç‡ÒÚÓÈ͇ ÙÛÌ͈ËË Talk.................................................................177

ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËË ................................................................112

鷢ˠ̇ÒÚÓÈÍË ÏËÍÓÙÓ̇........................................................177

éÚÓ·‡ÊÂÌË ÌÓÚ ............................................................................112

åËͯÂÌ˚È ÔÛθÚ................................................................................ 179

éÚÓ·‡ÊÂÌË ÚÂÍÒÚ‡ ÔÂÒÂÌ ............................................................114

ç‡ÒÚÓÈÍË Ô‡ÚËË ...........................................................................180

Ç˚‚Ó‰ ÚÂÍÒÚ‡ ...................................................................................115

îÛÌ͈Ëfl Song Auto Revoice............................................................ 181

Ç˚‚Ó‰ ˝Í‡ÌÓ‚ Lyrics/Text ̇ ‚̯ÌËÈ ÏÓÌËÚÓ ..........................116

ùÙÙÂÍÚ˚ ......................................................................................... 181

èÓÎÓÊÂÌË ÏÂÎÓ‰ËË........................................................................117

ùÍ‚‡Î‡ÈÁÂ (EQ) .............................................................................184

è‡‡ÏÂÚ˚, Ò‚flÁ‡ÌÌ˚Â Ò ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ÏÂÎÓ‰ËË................118

ùÙÙÂÍÚ Master Compressor ........................................................... 185

èÓË„˚‚‡ÌË ÙÓÌÓ‚˚ı Ô‡ÚËÈ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË

ç‡ÒÚÓÈÍË Line Out.......................................................................... 185

Performance Assistant Technology ............................................120

ç‡ÒÚÓÈ͇ Ó·˘Ëı Ë ‰Û„Ëı ‚‡ÊÌ˚ı Ô‡‡ÏÂÚÓ‚—îÛÌ͈Ëfl....... 187

Song Creator (ˆËÙÓ‚‡fl Á‡ÔËÒ¸)........................................................121

ç‡ÒÚÓÈ͇ Á‚Û͇.............................................................................. 187

ç‡ÒÚÓÈÍË ÂÊËχ Á‡ÔËÒË (‰Îfl ÔÂÂÁ‡ÔËÒË)................................122

îÛÌ͈Ëfl Voice Set ........................................................................... 188

àÁÏÂÌÂÌË ‰‡ÌÌ˚ı ‰Îfl Í‡Ê‰Ó„Ó Í‡Ì‡Î‡.......................................123

ç‡ÒÚÓÈÍË ÙÛÌ͈ËË Screen Out ..................................................... 188

èÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸ ‰‡ÌÌ˚ı ‡ÍÍÓ‰‡ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË

îÛÌ͈Ëfl Controller........................................................................... 189

Event List ....................................................................................125

ùÙÙÂÍÚ˚ Harmony/Echo ................................................................191

èÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸ ÌÓÚ ÔË ÔÓÏÓ˘Ë ÙÛÌ͈ËË Event List...............127

ÑÛ„Ë ԇ‡ÏÂÚ˚ — ÙÛÌ͈Ëfl Utility ............................................ 193

èÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸ ÒÓÓ·˘ÂÌËÈ System Exclusive ÔË ÔÓÏÓ˘Ë

èflÏÓ ÔÓ‰Íβ˜ÂÌËÂ Í àÌÚÂÌÂÚÛ ÒËÌÚÂÁ‡ÚÓ‡ Tyros2.............. 197

ÙÛÌ͈ËË Event List ....................................................................133

èÓ‰Íβ˜ÂÌË ËÌÒÚÛÏÂÌÚ‡ Í àÌÚÂÌÂÚÛ ......................................197

èÓ¯‡„Ó‚˚È ÂÊËÏ Á‡ÔËÒË ÚÂÍÒÚ‡ ÔÂÒÂÌ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ

ÑÓÒÚÛÔ Í ÒÔˆˇθÌÓÏÛ ‚·-Ò‡ÈÚÛ Tyros2..................................... 198

ÙÛÌ͈ËË Event List ....................................................................133

éÔÂ‡ˆËË Ì‡ ÒÔˆˇθÌÓÏ ‚·-Ò‡ÈÚ Tyros2 ............................... 198

á‡ÔËÒ¸ ‡Û‰ËÓ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Hard Disk Recorder ................135

èËÓ·ÂÚÂÌËÂ Ë Á‡„ÛÁ͇ ‰‡ÌÌ˚ı.................................................. 201

éÔÂ‡ˆËË Ò Ù‡È·ÏË Ë Ô‡Ô͇ÏË Ì‡ ÊÂÒÚÍÓÏ ‰ËÒÍÂ

ëÓı‡ÌÂÌË Á‡Í·‰ÓÍ Î˛·ËÏ˚ı ÒÚ‡Ìˈ...................................... 202

–– ˝Í‡Ì Open/Save ..................................................................135

àÁÏÂÌÂÌË ‰Óχ¯ÌÂÈ ÒÚ‡Ìˈ˚.................................................... 204

àÏÔÓÚ ‡Û‰ËÓهȷ........................................................................137

é· ˝Í‡Ì Internet Settings («ç‡ÒÚÓÈÍË àÌÚÂÌÂÚ‡»)................. 205

ùÍÒÔÓÚ ‡Û‰ËÓهȷ.......................................................................139

àÌˈˇÎËÁ‡ˆËfl ̇ÒÚÓÂÍ àÌÚÂÌÂÚ‡ ............................................ 208

èÂÂÁ‡ÔËÒ¸.......................................................................................141

ëÎÓ‚‡¸ ÚÂÏËÌÓ‚ àÌÚÂÌÂÚ‡ ....................................................... 209

ìÒÚ‡Ìӂ͇ ÚÓ˜ÂÍ Start/End

MIDI.......................................................................................................... 210

(̇˜‡Î¸ÌÓÈ Ë ÍÓ̘ÌÓÈ ÚÓ˜ÍË ‡Û‰ËÓ) ......................................146

MIDI-Ô‡‡ÏÂÚ˚ ÒËÒÚÂÏ˚............................................................... 215

êÂÊËÏ ÒÔËÒ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl....................................................147

è‡‡ÏÂÚ˚ ÔÂ‰‡˜Ë MIDI-ÒÓÓ·˘ÂÌËÈ ......................................... 215

ëÓÁ‰‡ÌË ÒÔËÒ͇ Playlist (ÒÔËÒÓÍ ‚ÓÒÔÓËÁ‚‰ÂÌËfl) ....................147

è‡‡ÏÂÚ˚ ÔËÂχ MIDI-ÒÓÓ·˘ÂÌËÈ............................................. 216

ÇÓÒÔÓËÁ‚‰ÂÌË ÒÔËÒ͇ ................................................................149

ìÒÚ‡Ìӂ͇ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ‡ÍÍÓ‰‡ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl

ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl ÂÊËχ Playlist..........................................151

ÒÚËÎfl ÔË ÔÓÏÓ˘Ë ÔÓÎÛ˜ÂÌÌ˚ı MIDI-‰‡ÌÌ˚ı......................... 217

ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl (‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ) .............................152

ìÒÚ‡Ìӂ͇ ÚËÔ‡ ‡ÍÍÓ‰‡ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ÔË

ï‡‡ÍÚÂËÒÚËÍË ÒÚËÎfl.....................................................................152

ÔÓÏÓ˘Ë ÔÓÎÛ˜ÂÌÌ˚ı MIDI-‰‡ÌÌ˚ı .......................................... 217

ÄÔÔÎË͇ÚÛ‡ ‡ÍÍÓ‰Ó‚ ....................................................................152

ç‡ÒÚÓÈÍË MFC10 ...........................................................................217

îÛÌ͈Ëfl Fade In/Out ........................................................................154

íÂÏÔ ..................................................................................................154

èËÎÓÊÂÌËÂ 219

îÛÌ͈ËË Synchro Start Ë Synchro Stop............................................155

èÓ„‡ÏÏËÛÂχfl ÙÛÌ͈Ëfl One Touch Setting (OTS) ..................155

ìÒÚ‡Ìӂ͇ ‰ÓÔÓÎÌËÚÂθÌ˚ı ‰Ë̇ÏËÍÓ‚ ......................................... 219

Å˚ÒÚ˚È ‚˚·Ó ÒÚËÎfl .....................................................................156

ìÒÚ‡Ìӂ͇ ‰ÓÔÓÎÌËÚÂθÌÓ„Ó ÊÂÒÚÍÓ„Ó ‰ËÒ͇ ............................... 221

ç‡ÒÚÓÈÍË, Ò‚flÁ‡ÌÌ˚Â Ò ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ÒÚËÎfl ......................157

ìÒÚ‡Ìӂ͇ ‰ÓÔÓÎÌËÚÂθÌ˚ı ÏÓ‰ÛÎÂÈ Ô‡ÏflÚË DIMM..................... 223

Style Setting, ˝Í‡Ì...........................................................................157

ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ ....................................................................... 225

íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚.......................................................158

ëÎÓ‚‡¸.................................................................................................. 227

îÛÌ͈Ëfl Style Creator (ˆËÙÓ‚‡fl Á‡ÔËÒ¸).......................................159

íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË............................................................ 229

éÒÌÓ‚Ì˚ ̇ÒÚÓÈÍË Ë Á‡ÔËÒ¸ ͇ʉÓÈ Ô‡ÚËË (͇̇·)

àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚ (FDD) Ë ‰ËÒÍÂÚ.......... 231

‚ ‡θÌÓÏ ‚ÂÏÂÌË .................................................................161

è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ....................................................................... 232

èÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸ ÌÓÚ ÔË ÔÓÏÓ˘Ë ÙÛÌ͈ËË Event List...............162

äÓÏÔÓÌӂ͇ ÒÚËÎfl ËÁ ÒÛ˘ÂÒÚ‚Û˛˘Ëı Ù‡Á ..................................163

îÛÌ͈ËË Groove Ë Dynamics............................................................163

Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

9

ëÔËÒÓÍ Á‡‰‡˜

ÑÓ ‚Íβ˜ÂÌËfl ÔËÚ‡ÌËfl

ìÒÚ‡Ìӂ͇ Ô˛ÔËÚ‡ ..................................................................................................................................................................................ÒÚ. 19

èÓ‰Íβ˜ÂÌË ̇ۯÌËÍÓ‚.........................................................................................................................................................................ÒÚ. 14

èÓ‰Íβ˜ÂÌË ‰Ë̇ÏËÍÓ‚ .......................................................................................................................................................................ÒÚ. 219

ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ÔËÚ‡ÌËfl...................................................................................................................................................ÒÚ. 20, 22

èÓÒÎۯ˂‡ÌË ÒËÌÚÂÁ‡ÚÓ‡ Tyros2

ÇÓÒÔÓËÁ‚‰ÂÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ ....................................................................................................................................ÒÚ. 24

ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËÈ

• ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËË.................................................................................................................................................................ÒÚ. 43

• ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ԇÚËÈ (͇̇ÎÓ‚) ÏÂÎÓ‰ËË.....................................................................................................................ÒÚ. 46

• ç‡ÒÚÓÈ͇ ·‡Î‡ÌÒ‡ ÏÂÊ‰Û ÏÂÎÓ‰ËÂÈ Ë Í·‚ˇÚÛÓÈ ......................................................................................................................ÒÚ. 46

ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ

• ÇÓÒÔÓËÁ‚‰ÂÌË ‚ÒÚÓÂÌÌ˚ı ÒÚËÎÂÈ...............................................................................................................................................ÒÚ. 31

• ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ԇÚËÈ (͇̇ÎÓ‚) ÒÚËÎfl..........................................................................................................................ÒÚ. 37

• ç‡ÒÚÓÈ͇ ·‡Î‡ÌÒ‡ ÏÂÊ‰Û ÒÚËÎÂÏ Ë Í·‚ˇÚÛÓÈ...........................................................................................................................ÒÚ. 36

ÇÓÒÔÓËÁ‚‰ÂÌË ÏÛθÚËÔ˝‰Ó‚ ...............................................................................................................................................................ÒÚ. 38

à„‡ ̇ Í·‚ˇÚÛÂ

Ç˚·Ó ÚÂÏ·‡ (RIGHT 1) Ë Ë„‡ ̇ Í·‚ˇÚÛÂ.....................................................................................................................................ÒÚ. 25

é‰ÌÓ‚ÂÏÂÌ̇fl Ë„‡ ‰‚ÛÏfl ËÎË ÚÂÏfl ÚÂÏ·‡ÏË.................................................................................................................................ÒÚ. 26

à„‡ ‡ÁÌ˚ÏË ÚÂÏ·‡ÏË ‰Îfl ΂ÓÈ Ë Ô‡‚ÓÈ ÛÍË ...............................................................................................................................ÒÚ. 27

óÂÚ˚ ˜‡ÒÚË Í·‚ˇÚÛ˚ (RIGHT 1, 2, 3 Ë LEFT).................................................................................................................................ÒÚ. 80

à„‡ ‚ ÚÂÏ· ·‡‡·‡ÌÓ‚/Û‰‡Ì˚ı .........................................................................................................................................................ÒÚ. 85

à„‡ ‚ ÚÂÏ·Â Super Articulation .............................................................................................................................................................ÒÚ. 86

îÛÌ͈ËË Initial touch Ë Aftertouch .....................................................................................................................................................ÒÚ. 87, 191

ç‡ÒÚÓÈ͇ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í ÒËΠ̇ʇÚËfl.....................................................................................................................................ÒÚ. 191

ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ÙÛÌ͈ËË Initial Touch ‰Îfl ͇ʉÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ (RIGHT 1, 2, 3, LEFT) ........................................ÒÚ. 191

ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ÙÛÌ͈ËË Aftertouch ‰Îfl ͇ʉÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ (RIGHT 1, 2, 3, LEFT) ...........................................ÒÚ. 191

ç‡ÒÚÓÈ͇ „ÛÎflÚÓ‡ ÏÓ‰ÛÎflˆËË ‰Îfl ͇ʉÓÈ ËÁ ˜‡ÒÚÂÈ Í·‚ˇÚÛ˚ (RIGHT 1, 2, 3, LEFT).........................................................ÒÚ. 191

ìÔ‡ÊÌÂÌË ‚ Ë„ ̇ Í·‚ˇÚÛÂ

àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ....................................................................................................................................................................ÒÚ. 193

Ç˚‚Ó‰ ̇ ˝Í‡Ì ÌÓÚ ÏÂÎÓ‰ËË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò Â ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ

‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl..................................................................................................... Ò Ô‡ÚËÚÛÓÈ ÏÂÎÓ‰ËË ........................ÒÚ. 112

Ò ÙÛÌ͈ËÂÈ Guide .....................................ÒÚ. 49

Ç˚·Ó ÔÓ„‡ÏÏ Ë Ì‡ÒÚÓÂÍ ‰Îfl ÒËÌÚÂÁ‡ÚÓ‡ Tyros2

íÂÏ·˚.......................................................................................................................................................................................................ÒÚ. 25

ëÔˆˇθÌ˚ ÚÂÏ·˚...............................................................................................................................................................................ÒÚ. 94

ëÚËÎË .........................................................................................................................................................................................................ÒÚ. 31

ŇÌÍË ÏÛθÚËÔ˝‰Ó‚ ...................................................................................................................................................................................ÒÚ. 38

åÂÎÓ‰ËË (MIDI)..........................................................................................................................................................................................ÒÚ. 43

åÂÎÓ‰ËË (‡Û‰ËÓ)........................................................................................................................................................................................ÒÚ. 59

á‡ÔËÒË ˝Í‡Ì‡ Music Finder .....................................................................................................................................................................ÒÚ. 40

ŇÌÍË „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË ..............................................................................................................................................................ÒÚ. 54

çÓÏÂ‡ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË ...........................................................................................................................................................ÒÚ. 54

çÓÏÂ‡ ̇ÒÚÓÈÍË ‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ..........................................................................................................................................................ÒÚ. 36

íËÔ˚ ˝ÙÙÂÍÚÓ‚ Harmony/Echo .............................................................................................................................................................ÒÚ. 191

ò‡·ÎÓÌ˚ MIDI.........................................................................................................................................................................................ÒÚ. 213

íËÔ˚ ˝ÙÙÂÍÚÓ‚.......................................................................................................................................................................................ÒÚ. 183

íËÔ˚ ˝ÙÙÂÍÚ‡ Vocal Harmony.................................................................................................................................................................ÒÚ. 48

íËÔ˚ Ó·˘Â„Ó ˝Í‚‡Î‡ÈÁÂ‡ .....................................................................................................................................................................ÒÚ. 184

íËÔ˚ ˝ÙÙÂÍÚ‡ Master Compressor........................................................................................................................................................ÒÚ. 185

10

Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

ëÔËÒÓÍ Á‡‰‡˜

àÒÔÓθÁÓ‚‡ÌË Üä-‰ËÒÔÎÂfl

àÒÔÓθÁÓ‚‡ÌË ÓÒÌÓ‚ÌÓ„Ó ‰ËÒÔÎÂfl.........................................................................................................................................................ÒÚ. 22

èÓÒÏÓÚ ÚÂÍÒÚÓ‚ ÔÂÒÂÌ Ì‡ Üä-‰ËÒÔΠ.......................................................................................................................................ÒÚ. 47, 114

èÓÒÏÓÚ Ô‡ÚËÚÛ˚ ÏÂÎÓ‰ËÈ Ì‡ Üä-‰ËÒÔÎÂÂ..............................................................................................................................ÒÚ. 51, 112

èÓÒÏÓÚ ÚÂÍÒÚ‡ ̇ Üä-‰ËÒÔΠ..........................................................................................................................................................ÒÚ. 115

éÚÓ·‡ÊÂÌË ÒÓ‰ÂÊËÏÓ„Ó ‰ËÒÔÎÂfl ̇ ÓÚ‰ÂθÌÓÏ ÏÓÌËÚÓÂ....................................................................................................ÒÚ. 16, 188

èÓË„˚¯ ‡ÍÍÓ‰Ó‚ ΂ÓÈ ÛÍÓÈ Ë ÏÂÎÓ‰ËÈ Ô‡‚ÓÈ ÛÍÓÈ

îÛÌ͈Ëfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ACMP)

Ç˚·Ó Ë ÔÓË„˚‚‡ÌË ÒÚËÎfl..................................................................................................................................................................ÒÚ. 31

é·Û˜ÂÌË ˄ ÓÔ‰ÂÎÂÌÌ˚ÏË ÚËÔ‡ÏË ‡ÍÍÓ‰Ó‚................................................................ ÙÛÌ͈Ëfl Chord Tutor...........................ÒÚ. 152

é·Û˜ÂÌË ˄ ‡ÍÍÓ‰‡ÏË ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ...................................................... ÙÛÌ͈Ëfl Chord Fingering ....................ÒÚ. 152

èËÏÂÌÂÌË ‡‚ÚÓχÚ˘ÂÒÍÓÈ „‡ÏÓÌËË ËÎË ˝ı‡ Í ÏÂÎÓ‰ËflÏ,

ÔÓË„˚‚‡ÂÏ˚Ï Ô‡‚ÓÈ ÛÍÓÈ ...............................................................................................˝ÙÙÂÍÚ˚ Harmony/Echo...............ÒÚ. 39, 191

Ä‚ÚÓχÚ˘ÂÒÍÓ ËÁÏÂÌÂÌË ‡ÍÍÓ‰Ó‚ ÏÛθÚËÔ˝‰Ó‚ ÔË Ë„ Î‚ÓÈ ÛÍÓÈ........................ ÙÛÌ͈Ëfl Chord Match............................ÒÚ. 38

å„ÌÓ‚ÂÌÌ˚È ‚˚·Ó ÔÓθÁÓ‚‡ÚÂθÒÍÓ„Ó Ì‡·Ó‡ Ô‡‡ÏÂÚÓ‚

Ç˚ÁÓ‚ ̇˷ÓΠÔÓ‰ıÓ‰fl˘Ëı ̇ÒÚÓÂÍ Ô‡ÌÂÎË...........................ÔÓ„‡ÏÏËÛÂχfl ÙÛÌ͈Ëfl Music Finder .............................ÒÚ. 40, 171

àÁÏÂÌÂÌË ̇ÒÚÓÂÍ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË ÒÓ ÒÚËÎÂÏ..........................ÔÓ„‡ÏÏËÛÂχfl ÙÛÌ͈Ëfl One Touch Setting (OTS) .........ÒÚ. 36, 155

ëÓı‡ÌÂÌËÂ Ë ‚˚ÁÓ‚ ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇ÒÚÓÂÍ Ô‡ÌÂÎË..........„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ .......................................................ÒÚ. 52, 173

ëÓÁ‰‡ÌË Á‚ÛÍÓ‚, ÒÚËÎÂÈ, ÏÂÎÓ‰ËÈ Ë Ú. ‰.

чÌÌ˚Â, ÍÓÚÓ˚ ÏÓÊÌÓ ÒÓÁ‰‡Ú¸ ÔË ÔÓÏÓ˘Ë ÙÛÌ͈ËÈ ÒËÌÚÂÁ‡ÚÓ‡ Tyros2 ...................................................................................ÒÚ. 71

ëÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌ˚ı ÚÂÏ·Ó‚ ............................................................................................ ÙÛÌ͈Ëfl Voice Set ................................ÒÚ. 91

ÙÛÌ͈Ëfl Voice Creator ..........................ÒÚ. 94

ëÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌ˚ı ÚÂÏ·Ó‚ Organ Flutes ..................................................................... ÙÛÌ͈Ëfl Voice Set ................................ÒÚ. 89

ëÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ............................................................................................... ÙÛÌ͈Ëfl Style Creator .........................ÒÚ. 159

• äÓÏÔÓÌӂ͇ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÒÚËÎfl ËÁ ÒÛ˘ÂÒÚ‚Û˛˘Ëı Ó·‡ÁˆÓ‚ .....................................................................................................ÒÚ. 163

• á‡ÔËÒ¸ Ó·‡Áˆ‡ ËÚχ.......................................................................................................................................................................ÒÚ. 161

• á‡ÔÓÏË̇ÌË ԇ‡ÏÂÚÓ‚ Ô‡ÌÂÎË ÔË ÔÓÏÓ˘Ë ÙÛÌ͈ËË One Touch Setting, ÒÓ‰Âʇ˘ÂÈÒfl ‚ ÒÚËΠ......................................ÒÚ. 155

ëÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌ˚ı ÏÂÎÓ‰ËÈ

• á‡ÔËÒ¸ Ë„˚ ̇ Í·‚ˇÚÛ ............................................................................................... ÙÛÌ͈Ëfl Song Creator.....................ÒÚ. 55–58

• èÓÒΉӂ‡ÚÂθÌ˚È ‚‚Ó‰ ÌÓÚ ............................................................................................ ÙÛÌ͈Ëfl Song Creator................ ÒÚ. 125–132

• Ç‚Ó‰ Ë ‰‡ÍÚËÓ‚‡ÌË ÒÎÓ‚ ÔÂÒÌË.................................................................................. ÙÛÌ͈Ëfl Song Creator........................ ÒÚ. 133

• Ç‚Ó‰ ÏÂÚÓÍ ‚ ÏÂÎӉ˲ ...................................................................................................... ÙÛÌ͈Ëfl Song Creator.................. ÒÚ. 44, 133

• á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl ̇ ‰ÓÔÓÎÌËÚÂθÌ˚È ÊÂÒÚÍËÈ ‰ËÒÍ........................... ÙÛÌ͈Ëfl Hard Disk Recorder.........ÒÚ. 59, 135

ëÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌ˚ı ÏÛθÚËÔ˝‰Ó‚ ....................................................................................................................................................ÒÚ. 169

ëÓÁ‰‡ÌË ·‡Ì͇ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË .......................................................................................................................................ÒÚ. 53–54

ëÓÁ‰‡ÌË ÌÓ‚˚ı Á‡ÔËÒÂÈ ‰Îfl ÙÛÌ͈ËË Music Finder...........................................................................................................................ÒÚ. 171

ëÓÁ‰‡ÌË ÌÓ‚˚ı ÚËÔÓ‚ ˝ÙÙÂÍÚ‡ Vocal Harmony.................................................................................................................................ÒÚ. 175

ëÓÁ‰‡ÌË ÌÓ‚˚ı ÚËÔÓ‚ ˝ÙÙÂÍÚÓ‚ ........................................................................................................................................................ÒÚ. 183

ëÓÁ‰‡ÌË ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇ÒÚÓÂÍ Ó·˘Â„Ó ˝Í‚‡Î‡ÈÁÂ‡ .............................................................................................................ÒÚ. 184

ëÓÁ‰‡ÌË ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇ÒÚÓÂÍ ˝ÙÙÂÍÚ‡ Master Compressor................................................................................................ÒÚ. 185

èËÒ‚‡Ë‚‡ÌË ËÏÂÌË ÒÓÁ‰‡ÌÌ˚Ï ‰‡ÌÌ˚Ï..............................................................................................................................................ÒÚ. 76

ëÓı‡ÌÂÌË ÒÓÁ‰‡ÌÌ˚ı ‰‡ÌÌ˚ı Í‡Í Ù‡È·............................................................................................................................................ÒÚ. 75

ìÒÚÓÈÒÚ‚Ó Ë ÒÚÛÍÚÛ‡ ÒËÌÚÂÁ‡ÚÓ‡ Tyros2

낉ÂÌËfl Ó ÚËÔ‡ı ‰‡ÌÌ˚ı Ë Ù‡ÈÎÓ‚, Ó·‡·‡Ú˚‚‡ÂÏ˚ı ÒËÌÚÂÁ‡ÚÓÓÏ Tyros2...................................................................................ÒÚ. 71

î‡ÈÎ˚ Ë Ô‡ÔÍË ..........................................................................................................................................................................................ÒÚ. 71

ñ‚ÂÚÓ‚‡fl ÍÓ‰Ëӂ͇ ·ÏÔÓ˜ÂÍ Ì‡ ÍÌÓÔ͇ı ............................................................................................................................................ÒÚ. 79

낉ÂÌËfl Ó ÒÚÛÍÚÛ ԇÏflÚË .................................................................................................................................................................ÒÚ. 71

낉ÂÌËfl Ó· ÓÒÌÓ‚Ì˚ı ÓÔÂ‡ˆËflı ....................................................................................................................................................ÒÚ. 68–80

ó‡ÒÚË ÚÓÌ-„ÂÌÂ‡ÚÓ‡ ............................................................................................................................................................................ÒÚ. 179

ëÚÛÍÚÛ‡ ˝ÙÙÂÍÚÓ‚..............................................................................................................................................................................ÒÚ. 181

Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

11

ëÔËÒÓÍ Á‡‰‡˜

ç‡ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇

ç‡ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇ ‚ÒÂ„Ó ÒËÌÚÂÁ‡ÚÓ‡ Tyros2............................................................ ÙÛÌ͈Ëfl Master Tune..........................ÒÚ. 187

ç‡ÒÚÓÈ͇ ÓÚ‰ÂθÌ˚ı ÌÓÚ Í·‚ˇÚÛ˚.................................................................................. ÙÛÌ͈Ëfl Scale Tune............................ÒÚ. 187

ç‡ÒÚÓÈ͇ ÓÍÚ‡‚˚ Í·‚ˇÚÛ˚ .......................................................................................................................................................ÒÚ. 27, 180

í‡ÌÒÔÓÌËÓ‚‡ÌË ÌÓÚ (ÙÛÌ͈ËË Master Transpose, Keyboard Transpose, Song Transpose) .....................................................ÒÚ. 88, 180

ç‡ÒÚÓÈ͇ ÍÌÓÔÍË [TRANSPOSE] ̇ ÌÂÁ‡‚ËÒËÏÓ ÛÔ‡‚ÎÂÌË ÓÚ‰ÂθÌ˚ÏË ˜‡ÒÚflÏË ....................................................................ÒÚ. 191

àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó„Ó „ÛÎflÚÓ‡ PITCH BEND.............................................................................................................................ÒÚ. 88

àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó„Ó „ÛÎflÚÓ‡ MODULATION...........................................................................................................................ÒÚ. 88

àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎÂÈ

èÓ‰Íβ˜ÂÌË Ô‰‡ÎÂÈ Í ÒËÌÚÂÁ‡ÚÓÛ Tyros2 ........................................................................................................................................ÒÚ. 16

á‡ÍÂÔÎÂÌË Á‡ ͇ʉÓÈ Ô‰‡Î¸˛ ÓÔ‰ÂÎÂÌÌ˚ı ÙÛÌ͈ËÈ.................................................................................................................ÒÚ 189

àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎË ‰Îfl ËÁÏÂÌÂÌËfl ÌÓÏÂÓ‚ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË....................... ÙÛÌ͈Ëfl Registration Sequence..........ÒÚ. 173

èÂÌËÂ Ò ÔÓ‰Íβ˜ÂÌÌ˚Ï ÏËÍÓÙÓÌÓÏ

èÓ‰Íβ˜ÂÌË ÏËÍÓÙÓ̇ Í ÒËÌÚÂÁ‡ÚÓÛ Tyros2 ...................................................................................................................................ÒÚ. 47

Ä‚ÚÓχÚ˘ÂÒÍÓ ÔËÏÂÌÂÌËÂ Í „ÓÎÓÒÛ ËÒÔÓÎÌËÚÂÎfl ˝ÙÙÂÍÚ‡ Vocal Harmony.................. ˝ÙÙÂÍÚ Vocal Harmony.........................ÒÚ. 48

èËÏÂÌÂÌËÂ ˝ÙÙÂÍÚÓ‚ Í „ÓÎÓÒÛ ËÒÔÓÎÌËÚÂÎfl.....................................................................................................................................ÒÚ. 175

èÂÌË ÔÓ ÒÎÓ‚‡Ï ÔÂÒÌË Ì‡ ‰ËÒÔΠ................................................................................................................................................ÒÚ. 47, 114

èÂÌË ÔÓ ÒÎÓ‚‡Ï ÔÂÒÌË Ì‡ ÓÚ‰ÂθÌÓÏ ÏÓÌËÚÓÂ.................................................................................................................................ÒÚ. 116

èÂÌËÂ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÙÛÌ͈ËË Guide Ë ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË...................................................................................................ÒÚ. 51

àÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Talk Setting ....................................................................................................................................................ÒÚ. 177

ç‡ÒÚÓÈ͇ ÙÛÌ͈ËË Song Transpose ̇ ‚˚ÒÓÚÛ, Û‰Ó·ÌÛ˛ ‰Îfl ÔÂÌËfl ................................................................................................ÒÚ. 180

ç‡ÒÚÓÈ͇ ÙÛÌ͈ËË Keyboard Transpose ̇ ‚˚ÒÓÚÛ, Û‰Ó·ÌÛ˛ ‰Îfl ÔÂÌËfl .........................................................................................ÒÚ. 180

ëÓ‚ÂÚ˚ Ë ÔËÂÏ˚ «ÊË‚Ó„Ó» ËÒÔÓÎÌÂÌËfl

á‡ÍÂÔÎÂÌË Á‡ Ô‰‡ÎflÏË ÓÔ‰ÂÎÂÌÌ˚ı ÓÔÂ‡ˆËÈ/ÙÛÌ͈ËÈ...........................................................................................................ÒÚ. 189

Ç˚ÁÓ‚ ÌÓÏÂÓ‚ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË ‚ ÔÓfl‰ÍÂ, ÛÒÚ‡ÌÓ‚ÎÂÌÌÓÏ ÔÓθÁÓ‚‡ÚÂÎÂÏ..... ÙÛÌ͈Ëfl Registration Sequence..........ÒÚ. 173

àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎË ‰Îfl ËÁÏÂÌÂÌËfl ÌÓÏÂÓ‚ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË......................................................................................ÒÚ. 173

àÒÔÓθÁÓ‚‡ÌË ‰ÓÔÓÎÌËÚÂθÌÓ„Ó ÍÓÌÚÓÎÎÂ‡ MFC10 Ò ÒËÌÚÂÁ‡ÚÓÓÏ Tyros2...............................................................................ÒÚ. 217

àÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Fade In/Out ....................................................................................................................................................ÒÚ. 154

àÒÔÓθÁÓ‚‡ÌËfl ÏÂÚÓÍ ÔÓÁˈËË ÏÂÎÓ‰ËË ‰Îfl ·˚ÒÚÓ„Ó ÔÂÂÏ¢ÂÌËfl ÔÓ ÏÂÎÓ‰ËË Ë Á‡ÍÓθˆÓ‚‡ÌÌ˚Ï Û˜‡ÒÚÍ‡Ï ..........................ÒÚ. 44

ëÓ‚ÂÚ˚ Ë ÔËÂÏ˚ ËÒÔÓÎÌÂÌËfl ‚ „ÛÔÔÂ

çÂÁ‡‚ËÒËÏÓ Ú‡ÌÒÔÓÌËÓ‚‡ÌË ‚˚ÒÓÚ˚ Á‚Û͇ ÏÂÎÓ‰ËË Ë Í·‚ˇÚÛ˚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ë ‰Ë‡Ô‡ÁÓÌÓÏ „ÓÎÓÒ‡ ËÒÔÓÎÌËÚÂÎfl ....ÒÚ. 180

ç‡ÒÚÓÈ͇ Ó·˘ÂÈ „ÓÏÍÓÒÚË ÒËÌÚÂÁ‡ÚÓ‡ Tyros2 ‰Îfl ÒÓÓÚ‚ÂÚÒÚ‚Ëfl ‰Û„ËÏ ËÌÒÚÛÏÂÌÚ‡Ï ..........................................................ÒÚ. 187

ëËÌıÓÌËÁ‡ˆËfl ÒËÌÚÂÁ‡ÚÓ‡ Tyros2 Ò ‰Û„ËÏË MIDI-ËÌÒÚÛÏÂÌÚ‡ÏË................................................................................................ÒÚ. 215

é MIDI

MIDI-ÒÓ·˚ÚËfl ÔË Ì‡Ê‡ÚËË Í·‚˯ (Ë„‡ ̇ Í·‚ˇÚÛÂ)..................................................................................................................ÒÚ. 210

àÁÏÂÌÂÌËfl MIDI-ÔÓ„‡ÏÏ˚ (‚˚·Ó ÚÂÏ·Ó‚).....................................................................................................................................ÒÚ. 210

MIDI-ÒÓ·˚ÚËfl ‚ ÏÂÎÓ‰Ëflı, ÒÚËÎflı Ë ÏÛθÚËÔ˝‰‡ı................................................................................................................................ÒÚ. 210

12

Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

ëÔËÒÓÍ Á‡‰‡˜

èÓ‰Íβ˜ÂÌËÂ Ë ÛÒÚ‡Ìӂ͇ ‚̯ÌÂ„Ó Ó·ÓÛ‰Ó‚‡ÌËfl Í ÒËÌÚÂÁ‡ÚÓÛ Tyros2

èÓ‰Íβ˜ÂÌË ÍÓÏÔÎÂÍÚ‡ ‰ÓÔÓÎÌËÚÂθÌ˚ı ‰Ë̇ÏËÍÓ‚ .......................................................................................................................ÒÚ. 219

èÓ‰Íβ˜ÂÌË USB-ÛÒÚÓÈÒÚ‚ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı....................................................................................................................................ÒÚ. 64

ìÒÚ‡Ìӂ͇ ‰ÓÔÓÎÌËÚÂθÌÓ„Ó ÊÂÒÚÍÓ„Ó ‰ËÒ͇ ‚ ÒËÌÚÂÁ‡ÚÓ Tyros2 ...................................................................................................ÒÚ. 221

îÓχÚËÓ‚‡ÌË ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ı ‰ÓÔÓÎÌËÚÂθÌ˚ı ÛÒÚÓÈÒÚ‚ ..........................................................................................................ÒÚ. 194

èÓ‰Íβ˜ÂÌË ‚̯ÌÂ„Ó ‡Û‰ËÓÓ·ÓÛ‰Ó‚‡ÌËfl Ë Ó·ÓÛ‰Ó‚‡ÌËfl ‰Îfl ÒÓÁ‰‡ÌËfl ˝ÙÙÂÍÚÓ‚...................................................................ÒÚ. 17

èÓ‰Íβ˜ÂÌË MIDI-ËÌÒÚÛÏÂÌÚÓ‚ Ë ÛÒÚÓÈÒÚ‚....................................................................................................................................ÒÚ. 211

èÓ‰Íβ˜ÂÌË ‰ÓÔÓÎÌËÚÂθÌÓ„Ó ÌÓÊÌÓ„Ó ÔÂÂÍβ˜‡ÚÂÎfl MFC10 ....................................................................................................ÒÚ. 217

èÓ‰Íβ˜ÂÌË ÍÓÏÔ¸˛ÚÂ‡ ˜ÂÂÁ USB-ÔÓÚ...........................................................................................................................................ÒÚ. 66

èÓ‰Íβ˜ÂÌË ÓÚ‰ÂθÌÓ„Ó ÏÓÌËÚÓ‡.....................................................................................................................................................ÒÚ. 116

äÓÏÔ¸˛ÚÂÌ˚ ÔËÎÓÊÂÌËfl

óÚÓ ÏÓÊÌÓ ‰Â·ڸ Ò MIDI-‰‡ÌÌ˚ÏË, ËÒÔÓθÁÛfl ÍÓÏÔ¸˛ÚÂ Ë ÒËÌÚÂÁ‡ÚÓ Tyros2...............................................................................ÒÚ. 66

èÓ‰Íβ˜ÂÌË ÍÓÏÔ¸˛ÚÂ‡ Í ÒËÌÚÂÁ‡ÚÓÛ Tyros2 ÔË ÔÓÏÓ˘Ë USB-͇·ÂÎfl .......................................................................................ÒÚ. 66

àÒÔÓθÁÓ‚‡ÌË ÔÓ„‡ÏÏ˚ Voice Editor .........................................................................................................................................ÒÚ. 67, 111

àÒÔÓθÁÓ‚‡ÌË ÛÒÚ‡ÌÓ‚ÎÂÌÌÓ„Ó ÊÂÒÚÍÓ„Ó ‰ËÒ͇ ‚ ͇˜ÂÒÚ‚Â ÛÒÚÓÈÒÚ‚‡ ÍÓÏÔ¸˛ÚÂ‡ .....................................................................ÒÚ. 67

ÑÛ„ËÂ ÒÓ‚ÂÚ˚

ê„ËÒÚ‡ˆËfl ËÏÂÌË ‚·‰Âθˆ‡ ÒËÌÚÂÁ‡ÚÓ‡ Tyros2............................................................................................................................ÒÚ. 195

àÏÔÓÚ Î˛·ËÏÓ„Ó ËÁÓ·‡ÊÂÌËfl ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ‚ ͇˜ÂÒÚ‚Â ÙÓ̇ ÓÒÌÓ‚ÌÓ„Ó ‰ËÒÔÎÂfl ...........................................................ÒÚ. 195

àÏÔÓÚ Î˛·ËÏÓ„Ó ËÁÓ·‡ÊÂÌËfl ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ‚ ͇˜ÂÒÚ‚Â ÙÓ̇ ˝Í‡Ì‡ Song Lyrics Ë ÚÂÍÒÚ‡.............................................ÒÚ. 114

àÏÔÓÚ Á̇˜ÍÓ‚ ‰Îfl Ó·ÓÁ̇˜ÂÌËfl ÚÂÏ·‡/ÒÚËÎfl/ÏÂÎÓ‰ËË Ì‡ ˝Í‡Ì Open/Save...............................................................................ÒÚ. 76

éÚÓ·‡ÊÂÌË ÌÓÏÂÓ‚ ‚˚·Ó‡ ·‡Ì͇ Ë ÔÓ„‡ÏÏ˚ ‚ ÓÍÌ ‚˚·Ó‡ ÚÂÏ·Ó‚

(ùÍ‡Ì Open/Save ‰Îfl ÚÂÏ·Ó‚)............................................................................................................................................................ÒÚ. 193

ì͇Á‡ÌË ‡ÍÍÓ‰Ó‚ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl Ò ‚̯ÌÂ„Ó MIDI-ËÌÒÚÛÏÂÌÚ‡ ....................................................................................ÒÚ. 217

Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

13

è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚

ÇÂıÌflfl Ô‡ÌÂθ Ë ‡Á˙ÂÏ˚

è˛ÔËÚ

ëËÌÚÂÁ‡ÚÓ Tyros2 Ò̇·ÊÂÌ

Ô˛ÔËÚÓÏ, ÍÓÚÓ˚È ÏÓÊÌÓ

ÔËÍÂÔËÚ¸ Í ËÌÒÚÛÏÂÌÚÛ, ͇Í

ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ.

ëÚ. 19

t

i

o

y

r

q

u

e

!6

!8!7

!1 !2 !3

!4

!5

w

!0

!9

#1 #2

ç‡Û¯ÌËÍË

ä·‚ˇÚÛ‡

PHONES

ä·‚ˇÚÛ‡ ÒËÌÚÂÁ‡ÚÓ‡ Tyros2 ÏÓÊÂÚ ‡„ËÓ‚‡Ú¸ ̇ ÒËÎÛ Ì‡Ê‡ÚËfl

(ÙÛÌ͈ËË Initial touch Ë After touch), ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ ÂÒÚÂÒÚ‚ÂÌÌÓ Ë ÚÓ˜ÌÓ

ÍÓÌÚÓÎËÓ‚‡Ú¸ ÛÓ‚Â̸ ÚÂÏ·Ó‚, ̇ÊËχfl ̇ Í·‚Ë¯Ë Ò ‡ÁÌÓÈ ÒËÎÓÈ –

ÒÓ‚ÒÂÏ Í‡Í Ì‡ ‡ÍÛÒÚ˘ÂÒÍÓÏ ËÌÒÚÛÏÂÌÚÂ.

ëÚ. 87

q èÂÂÍβ˜‡ÚÂθ POWER ON/OFF........................................ÒÚ.20, 22

!0 äÌÓÔÍË STYLE CONTROL..........................................................ÒÚ. 34

w ê„ÛÎflÚÓ MASTER VOLUME ...................................................ÒÚ. 20

!1 äÌÓÔ͇ METRONOME ..............................................................ÒÚ. 193

e ê„ÛÎflÚÓ INPUT VOLUME................................................ÒÚ. 47, 175

!2 äÌÓÔ͇ TAP TEMPO ................................................................ÒÚ. 154

r äÌÓÔ͇ DEMO.............................................................................ÒÚ. 24

!3 äÌÓÔÍË TEMPO .........................................................................ÒÚ. 154

t äÌÓÔÍË MIC/LINE IN ................................................................ÒÚ. 175

!4 äÌÓÔÍË TRANSPOSE..................................................................ÒÚ. 88

y äÌÓÔÍË SONG CONTROL ..........................................................ÒÚ. 43

!5 äÌÓÔÍË MULTI PAD CONTROL .........................................ÒÚ. 38, 169

u äÌÓÔ͇ FADE IN/OUT...............................................................ÒÚ. 154

!6 äÌÓÔ͇ BALANCE .................................................................ÒÚ. 36, 46

i äÌÓÔÍË SONG.......................................................................ÒÚ. 43, 78

!7 äÌÓÔ͇ MIXING CONSOLE.......................................................ÒÚ. 179

o äÌÓÔÍË STYLE ....................................................................ÒÚ. 31, 156

!8 äÌÓÔ͇ CHANNEL ON/OFF ..................................................ÒÚ. 37, 46

14

Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚

@1 @2

@3

@5

@0

@4

@8

@6

@7

@9 #0

ÜˉÍÓÍËÒÚ‡Î΢ÂÒÍËÈ ‰ËÒÔÎÂÈ (Üä-‰ËÒÔÎÂÈ) Ë

ê‡Á˙ÂÏ USB TO DEVICE (‰Îfl ÔÓ‰Íβ˜ÂÌËfl ÛÒÚÓÈÒÚ‚)

ëÚ. 64

ÓÚÌÓÒfl˘ËÂÒfl Í ÌÂÏÛ ˝ÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl Ë ÍÌÓÔÍË

èÓ‰Íβ˜Ë‚ Í ËÌÒÚÛÏÂÌÚÛ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı, ÏÓÊÌÓ ÒÓı‡ÌflÚ¸

• äÓÌÚ‡ÒÚÌÓÒÚ¸ Üä-‰ËÒÔÎÂfl

• äÌÓÔ͇ DIRECT ACCESS

̇ ÌÂÏ ÒÓÁ‰‡ÌÌ˚ ‰‡ÌÌ˚Â, ‡ Ú‡ÍÊ ҘËÚ˚‚‡Ú¸ Ëı. åÓÊÌÓ Ú‡ÍÊ ÔÓ‰Íβ˜ËÚ¸ USB-

• äÌÓÔÍË (A–J) Üä-‰ËÒÔÎÂfl

• äÌÓÔ͇ EXIT

‡‰‡ÔÚÂ ÎÓ͇θÌÓÈ ÒÂÚË ‰Îfl ÔflÏÓ„Ó ‚˚ıÓ‰‡ ‚ àÌÚÂÌÂÚ Ë Ì‡ ÒÔˆˇθÌ˚ ‚·-

• äÌÓÔÍË TAB

• ÑËÒÍ ÛÔ‡‚ÎÂÌËfl DATA ENTRY

Ò‡ÈÚ˚ ‰Îfl ˝ÚÓ„Ó ËÌÒÚÛÏÂÌÚ‡. (ç‡ Á‡‰ÌÂÈ Ô‡ÌÂÎË ËÌÒÚÛÏÂÌÚ‡ ̇ıÓ‰ËÚÒfl

• äÌÓÔÍË (1–8) ‚‚Âı/‚ÌËÁ

• äÌÓÔ͇ ENTER

‰ÓÔÓÎÌËÚÂθÌ˚È ÔÓÚ USB TO DEVICE.) ç ÓÚÍβ˜‡ÈÚ ÛÒÚÓÈÒÚ‚Ó, ÂÒÎË „ÓËÚ

Üä-‰ËÒÔÎÂfl

ËÎË ÏË„‡ÂÚ Ë̉Ë͇ÚÓ READ/WRITE. Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ‰‡ÌÌ˚ ÏÓ„ÛÚ ·˚Ú¸

ëÚ. 21, 68

ÔÓ‚ÂʉÂÌ˚ ËÎË ÛÚÂflÌ˚.

!9 äÌÓÔÍË REGISTRATION MEMORY ...................................ÒÚ. 52, 173

@8 äÌÓÔÍË VOICE EFFECT........................................................ÒÚ. 39, 87

@0 äÌÓÔ͇ PROGRAMMABLE MUSIC FINDER......................ÒÚ. 40, 171

@9 äÌÓÔÍË PROGRAMMABLE ONE TOUCH SETTING..........ÒÚ. 36, 155

@1 äÌÓÔ͇ FUNCTION...................................................................ÒÚ. 187

#0 äÌÓÔÍË UPPER OCTAVE............................................................ÒÚ. 27

@2 äÌÓÔ͇ VOICE CREATOR..........................................................ÒÚ. 94

#1 ÑËÒÍ PITCH BEND ......................................................................ÒÚ. 88

@3 äÌÓÔ͇ DIGITAL RECORDING.................................ÒÚ. 121, 161, 169

#2 ÑËÒÍ MODULATION....................................................................ÒÚ. 88

@4 äÌÓÔÍË HARD DISK RECORDER ......................................ÒÚ. 59, 135

@5 äÌÓÔÍË VOICE ......................................................................ÒÚ. 25, 85

@6 äÌÓÔÍË PART SELECT.........................................................ÒÚ. 25, 84

@7 äÌÓÔÍË PART ON/OFF .........................................................ÒÚ. 25, 84

Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

15

è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚

ᇉÌflfl Ô‡ÌÂθ Ë ‡Á˙ÂÏ˚

•í‡Í Í‡Í ‚ ÒËÌÚÂÁ‡ÚÓ Tyros2 ÌÂÚ

èÂ‰ ÔÓ‰Íβ˜ÂÌËÂÏ Û·Â‰ËÚÂÒ¸, ˜ÚÓ ÔÂÂÍβ˜‡ÚÂθ POWER

‚ÒÚÓÂÌÌ˚ı ‰Ë̇ÏËÍÓ‚, ÍÓÌÚÓÎËÓ‚‡Ú¸

̇ıÓ‰ËÚÒfl ‚ ÔÓÎÓÊÂÌËË OFF (ÍÌÓÔ͇ Ì ̇ʇڇ). ÖÒÎË ‚Ó ‚ÂÏfl

Â„Ó Á‚ÛÍ ÏÓÊÌÓ ÚÓθÍÓ ˜ÂÂÁ ‚̯ÌÂÂ

ÔÓ‰Íβ˜ÂÌËfl ÍÌÓÔ͇ POWER ̇ʇڇ, ÏÓÊÌÓ ÔÓ‚‰ËÚ¸ ‚̯ÌÂÂ

‡Û‰ËÓÓ·ÓÛ‰Ó‚‡ÌËÂ. í‡ÍÊ ÏÓÊÌÓ

Ó·ÓÛ‰Ó‚‡ÌËÂ, ̇ÔËÏÂ ÛÒËÎËÚÂθ ËÎË ‰Ë̇ÏËÍË.

ËÒÔÓθÁÓ‚‡Ú¸ ̇ۯÌËÍË.

ÑÎfl ÛÒÚ‡ÌÓ‚ÍË ‰ÓÔÓÎÌËÚÂθÌÓ„Ó

ÑÎfl ÛÒÚ‡ÌÓ‚ÍË ÔË·„‡ÂÏÓ„Ó

̇·Ó‡ ‰Ë̇ÏËÍÓ‚

Ô˛ÔËÚ‡

ÇÂÌÚËÎflˆËÓÌÌÓ ÓÚ‚ÂÒÚËÂ

ëÏ. ÒÚ. 18.

ëÏ. ÒÚ. 19.

ç ‡ÁÏ¢‡ÈÚ Ô‰ÏÂÚ˚ ̇ ‚ÂÌÚËÎflˆËÓÌÌÓÏ ÓÚ‚ÂÒÚËË

ËÌÒÚÛÏÂÌÚ‡, ˝ÚÓ ÏÓÊÂÚ ÔÓϯ‡Ú¸ ‚ÂÌÚËÎflˆËË ‚ÌÛÚÂÌÌËı

ÍÓÏÔÓÌÂÌÚÓ‚ Ë ÔË‚ÂÒÚË Í ÔÂ„‚Û.

ëËÌÚÂÁ‡ÚÓ Tyros2 ÏÓÊÌÓ

ÔÓ‰Íβ˜ËÚ¸ ÔflÏÓ Í

ÍÓÏÔ¸˛ÚÂÌÓÏÛ ÏÓÌËÚÓÛ,

˜ÚÓ·˚ ÔÓÒχÚË‚‡Ú¸

ÚÂÍÒÚ˚ Ë ‡ÍÍÓ‰˚ ÏÂÎÓ‰ËÈ

̇ ·Óθ¯ÓÏ ˝Í‡ÌÂ. ùÚÓÚ

‡Á˙ÂÏ Ó·ÂÒÔ˜˂‡ÂÚ

èÓ‰Íβ˜Ë‚ Í ËÌÒÚÛÏÂÌÚÛ

·Óθ¯Â ‡Á¯ÂÌËÂ, ˜ÂÏ

USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl

„ÌÂÁ‰Ó VIDEO OUT.

‰‡ÌÌ˚ı, ÏÓÊÌÓ ÒÓı‡ÌflÚ¸

̇ ÌÂÏ ÒÓÁ‰‡ÌÌ˚ ‰‡ÌÌ˚Â,

ëÏ. ÒÚ. 116.

‡ Ú‡ÍÊ ҘËÚ˚‚‡Ú¸ Ëı.

åÓÊÌÓ Ú‡ÍÊ ÔÓ‰Íβ˜ËÚ¸

15-ÍÓÌÚ‡ÍÚÌ˚È

USB-‡‰‡ÔÚÂ ÎÓ͇θÌÓÈ

‡Á˙ÂÏ D-Sub

ÒÂÚË ‰Îfl ÔflÏÓ„Ó ‚˚ıÓ‰‡ ‚

àÌÚÂÌÂÚ Ë Ì‡

ÒÔˆˇθÌ˚ ‚·-Ò‡ÈÚ˚

ä ˝ÚËÏ ‡Á˙ÂÏ‡Ï ÏÓÊÌÓ ÔÓ‰Íβ˜ËÚ¸ Ó‰ËÌ ËÎË

‰Îfl ˝ÚÓ„Ó ËÌÒÚÛÏÂÌÚ‡.

‰‚‡ ‰ÓÔÓÎÌËÚÂθÌ˚ı Ô‰‡Î¸Ì˚ı ÔÂÂÍβ˜‡ÚÂÎfl

ëÏ. ÒÚ. 64.

Yamaha FC4 ËÎË FC5 ‰Îfl ‚Íβ˜ÂÌËfl ˝ÙÙÂÍÚÓ‚ ‚

ÚÂÏ· Super Articulation, ÛÔ‡‚ÎÂÌËfl ÒÛÒÚÂÈÌÓÏ

Ë ÏÌÓÊÂÒÚ‚ÓÏ ‰Û„Ëı ‚‡ÊÌ˚ı ÙÛÌ͈ËÈ.

ÑÓÔÓÎÌËÚÂθÌ˚È Ô‰‡Î¸Ì˚È ÔÂÂÍβ˜‡ÚÂθ

MFC10

Yamaha FC7, ÔÓ‰Íβ˜ÂÌÌ˚È Í Ó‰ÌÓÏÛ ËÁ ˝ÚËı

‡Á˙ÂÏÓ‚, ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ÛÔ‡‚ÎÂÌËfl

„ÓÏÍÓÒÚ¸˛ Ë ÏÌÓÊÂÒÚ‚ÓÏ ‰Û„Ëı ‚‡ÊÌ˚ı

ÖÒÎË ‰ËÒÔÎÂÈ ÌÂÔ‡‚ËθÌÓ

ÙÛÌ͈ËÈ.

‚˚Ó‚ÌÂÌ Ì‡ ÏÓÌËÚÓÂ,

ËÁÏÂÌËÚ ̇ÒÚÓÈÍË Ò‡ÏÓ„Ó

ëÏ. ÒÚ. 189.

ÏÓÌËÚÓ‡.

ëÓ‚ÂÏÂÌÌ˚ ÙÛÌ͈ËË MIDI fl‚Îfl˛ÚÒfl ÏÓ˘Ì˚Ï

òÚÂÍÂ RCA/VIDEO IN

Ò‰ÒÚ‚ÓÏ, ‡Ò¯Ëfl˛˘ËÏ ‚ÓÁÏÓÊÌÓÒÚË ËÒÔÓÎÌÂÌËfl

Ë ÒÓÁ‰‡ÌËfl ÏÛÁ˚͇θÌ˚ı ÔÓËÁ‚‰ÂÌËÈ.

ëÏ. ÒÚ. 217.

ç‡ÒÚÓÈÍË ÔÓ ÛÏÓΘ‡Ì˲ ÒËÌÚÂÁ‡ÚÓ‡ Tyros2 ‰Îfl ‚̯̄Ó

ÚÂ΂ËÁËÓÌÌÓ„Ó Ò˄̇· – PAL. Ç ‚‡¯ÂÏ „ÂÓ„‡Ù˘ÂÒÍÓÏ „ËÓÌ ÏÓÊÂÚ

ëËÌÚÂÁ‡ÚÓ Tyros2 ÏÓÊÌÓ ÔÓ‰Íβ˜ËÚ¸

ËÒÔÓθÁÓ‚‡Ú¸Òfl ‰Û„ÓÈ Òڇ̉‡Ú, Ë ‚ ˝ÚÓÏ ÒÎÛ˜‡Â ÌÂÓ·ıÓ‰ËÏÓ ËÁÏÂÌËÚ¸

ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ̇ÒÚÓÈÍË. (ç‡ÔËÏÂ, ‚ ë‚ÂÌÓÈ ÄÏÂËÍ ‚ ÓÒÌÓ‚ÌÓÏ

Í ÚÂ΂ËÁÓÛ ËÎË ‚ˉÂÓÏÓÌËÚÓÛ,

ËÒÔÓθÁÛÂÚÒfl Òڇ̉‡Ú NTSC.) èÓÒÏÓÚËÚÂ, ͇ÍÓÈ Òڇ̉‡Ú ËÒÔÓθÁÛÂÚÒfl

˜ÚÓ·˚ ÔÓÒχÚË‚‡Ú¸ ÚÂÍÒÚ˚ Ë

èÓ‰Íβ˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ

‚‡¯ËÏ ÚÂ΂ËÁÓÓÏ ËÎË ‚ˉÂÓÏÓÌËÚÓÓÏ, ÂÒÎË ˝ÚÓ Ì PAL, ‚˚·ÂËÚ ̇

‡ÍÍÓ‰˚ ÏÂÎÓ‰ËÈ Ì‡ ·Óθ¯ÓÏ ˝Í‡ÌÂ.

˜ÂÂÁ USB-ÔÓÚ

‰ËÒÔΠVIDEO OUT ̇ÒÚÓÈÍÛ NTSC (ÒÚ. 188).

ëÏ. ÒÚ. 66.

ëÏ. ÒÚ. 116.

16

Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚

ÑÎfl ÛÒÚ‡ÌÓ‚ÍË ÔË·„‡ÂÏÓ„Ó

ÑÎfl ÛÒÚ‡ÌÓ‚ÍË ‰ÓÔÓÎÌËÚÂθÌÓ„Ó

Ô˛ÔËÚ‡

̇·Ó‡ ‰Ë̇ÏËÍÓ‚

ëÏ. ÒÚ. 19.

ëÏ. ÒÚ. 18.

ëÏ. ÒÚ.

185.

äÓÌÚÓÎÎÂ TRIM ÔÓÁ‚ÓÎflÂÚ

̇ÒÚÓËÚ¸ ‚ıÓ‰ÌÛ˛

ëÏ. ÒÚ. 18.

˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ ‡Á˙ÂÏÓ‚

MIC/LINE IN ̇ ÛÓ‚Â̸,

ÓÔÚËχθÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛-

˘ËÈ ÔÓ‰Íβ˜ÂÌÌÓÏÛ

äÓÌÚÓÎÎÂ TRIM

Ó·ÓÛ‰Ó‚‡Ì˲.

ÔÓÁ‚ÓÎflÂÚ

̇ÒÚÓËÚ¸

‚ıÓ‰ÌÛ˛

ùÚË „ÌÂÁ‰‡ ÏÓ„ÛÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl Í‡Í LINE IN ËÎË MIC. óÂÂÁ „ÌÂÁ‰Ó

˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸

L/L+R/MIC ÏÓÊÌÓ ÔÓ‰Íβ˜ËÚ¸ β·ÓÈ Òڇ̉‡ÚÌ˚È ÏËÍÓÙÓÌ ËÎË

‡Á˙ÂÏÓ‚ AUX IN

‚̯ÌËÈ ËÒÚÓ˜ÌËÍ Ò˄̇· LINE IN Ò ÔÓÏÓ˘¸˛ ÚÂÎÂÙÓÌÌÓ„Ó Í‡·ÂÎfl

L/L+R Ë R (LOOP

‰˛Èχ (ÂÍÓÏẨÛÂÚÒfl ‰Ë̇Ï˘ÂÒÍËÈ ÏËÍÓÙÓÌ Ò ÒÓÔÓÚË‚ÎÂÌËÂÏ

RETURN) ̇

250 éÏ). èÓ‰Íβ˜Ë‚ ‚̯ÌËÈ ËÒÚÓ˜ÌËÍ ‡Û‰ËÓÒ˄̇· Í „ÌÂÁ‰‡Ï R Ë

ÛÓ‚Â̸,

L/L+R/MIC, ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ ˝ÚÓÚ Ò˄̇Π‚ÏÂÒÚÂ Ò ÒÓ·ÒÚ‚ÂÌÌ˚Ï

ÓÔÚËχθÌÓ

ËÒÔÓÎÌÂÌËÂÏ, ËÒÔÓθÁÛfl ÙÛÌÍˆË˛ Hard Disk Recorder.

ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ

èÓ‰Íβ˜ÂÌË ‚̯ÌÂ„Ó ËÒÚÓ˜ÌË͇ ÚÓθÍÓ Í „ÌÂÁ‰Û L/L+R/MIC ‰‡ÒÚ

ÔÓ‰Íβ˜ÂÌÌÓÏÛ

Ò˄̇ΠÏÓÌÓ. èÓ‰Íβ˜ÂÌËÂ Í Ó·ÓËÏ „ÌÂÁ‰‡Ï R Ë L/L+R/MIC (ËÎË

èËÏÂ ÔÓ‰Íβ˜ÂÌËfl Í

Ó·ÓÛ‰Ó‚‡Ì˲.

ÚÓθÍÓ Í „ÌÂÁ‰Û R) Ó·ÂÒÔ˜ËÚ ‚ıÓ‰fl˘ËÈ ÒÚÂÂÓÒ˄̇Î.

„ÌÂÁ‰‡Ï Loop Send

ëÏ. ÒÚ. 47, 175.

ùÚË „ÌÂÁ‰‡ ÏÓ„ÛÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl Ú‡Í ÊÂ, Í‡Í AUX OUT ËÎË LOOP SEND. ç‡ÒÚÓËÚ¸ Ëı ÏÓÊÌÓ ‚ ÏÂÌ˛ Function (ÒÚ. 193). á‚ÛÍ

‚˚‚Ó‰ËÚÒfl Ò ÙËÍÒËÓ‚‡ÌÌÓÈ „ÓÏÍÓÒÚ¸˛ ÌÂÁ‡‚ËÒËÏÓ ÓÚ Ô‡‡ÏÂÚÓ‚ [MASTER VOLUME]. ÉÌÂÁ‰‡ AUX OUT ËÒÔÓθÁÛ˛ÚÒfl ‰Îfl ‚˚‚Ó‰‡

Á‚Û͇ Tyros2 ̇ ‚ÌÂ¯Ì˛˛ ‡Û‰ËÓÒËÒÚÂÏÛ ËÎË ‰Îfl Á‡ÔËÒË Ì‡ ‚̯Ì ÛÒÚÓÈÒÚ‚Ó Á‚ÛÍÓÁ‡ÔËÒË. èÓ‰Íβ˜ËÚ „ÌÂÁ‰‡ AUX OUT Tyros2 Í

„ÌÂÁ‰‡Ï AUX IN ‡Û‰ËÓÒËÒÚÂÏ˚, ËÒÔÓθÁÛfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ‡Û‰ËÓ͇·ÂÎË. ÖÒÎË ÓÌË ËÒÔÓθÁÛ˛ÚÒfl ‚ ͇˜ÂÒÚ‚Â „ÌÂÁ‰ LOOP SEND, Á‚ÛÍ

Tyros2 ÏÓÊÌÓ Ì‡Ô‡‚ËÚ¸ ̇ ‚̯ÌËÈ ÔÓˆÂÒÒÓ Ò˄̇ÎÓ‚ Ë ‚ÂÌÛÚ¸ Ó·‡·ÓÚ‡ÌÌ˚È Á‚ÛÍ Ó·‡ÚÌÓ Ì‡ ËÌÒÚÛÏÂÌÚ ˜ÂÂÁ „ÌÂÁ‰‡ AUX IN/

LOOP RETURN. ùÚÓ ÔÓÁ‚ÓÎËÚ ‚‡Ï ÔËÏÂÌËÚ¸ Ò‚ÓË Î˛·ËÏ˚ ˝ÙÙÂÍÚ˚ Í Ó·˘ÂÏÛ Á‚ÛÍÛ ÒËÌÚÂÁ‡ÚÓ‡.

ÉÌÂÁ‰‡ LINE OUT ËÒÔÓθÁÛ˛ÚÒfl ‰Îfl ÔÂ‰‡˜Ë ‚˚ıÓ‰ÌÓ„Ó Ò˄̇· ÒËÌÚÂÁ‡ÚÓ‡ Tyros2

ëÚÂÂÓÒËÒÚÂχ

̇ ÛÒËÎËÚÂθ Í·‚ˇÚÛ˚, ÒÚÂÂÓÒËÒÚÂÏÛ, ÏËͯÂÌ˚È ÔÛÎ¸Ú ËÎË Ï‡„ÌËÚÓÙÓÌ. èË

ÔÓ‰Íβ˜ÂÌËË ÒËÌÚÂÁ‡ÚÓ‡ Tyros2 Í ÏÓÌÓÒËÒÚÂÏ ËÒÔÓθÁÛÈÚ ÚÓθÍÓ „ÌÂÁ‰Ó L/L+R

jack. ÖÒÎË ÔÓ‰Íβ˜ÂÌÓ ÚÓθÍÓ ˝ÚÓ „ÌÂÁ‰Ó (ËÒÔÓθÁÛÂÚÒfl Òڇ̉‡ÚÌ˚È ÚÂÎÂÙÓÌÌ˚È

¯ÚÂÍÂ), ΂˚Â Ë Ô‡‚˚ ͇̇Î˚ Ó·˙‰ËÌfl˛ÚÒfl, Ë ‚˚ıÓ‰ Ò˄̇· ÔÓËÒıÓ‰ËÚ ˜ÂÂÁ

˝ÚÓ „ÌÂÁ‰Ó, ˜ÚÓ ÒÓÁ‰‡ÂÚ ÏÓÌÓÙÓÌ˘ÂÒÍÓ ÒÓ˜ÂÚ‡ÌË ÒÚÂÂÓÁ‚Û͇ ÒËÌÚÂÁ‡ÚÓ‡ Tyros2.

Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

17

燘‡ÎÓ ‡·ÓÚ˚

ùÚÓÚ ‡Á‰ÂÎ ÒÓ‰ÂÊËÚ ËÌÙÓχˆË˛ Ó Ì‡ÒÚÓÈÍ ÒËÌÚÂÁ‡ÚÓ‡ Tyros2 Ë ÔÓ‰„ÓÚÓ‚ÍÂ Í Ë„Â. é·flÁ‡ÚÂθÌÓ ‚ÌËχÚÂθÌÓ

ÔÓ˜ËÚ‡ÈÚ ˝ÚÓÚ ‡Á‰ÂÎ, ÔÂʉ ˜ÂÏ ‚Íβ˜‡Ú¸ ÔËÚ‡ÌËÂ.

àÒÚÓ˜ÌËÍ ÔËÚ‡ÌËfl

1 ì·Â‰ËÚÂÒ¸, ˜ÚÓ ÔÂÂÍβ˜‡ÚÂθ POWER ON/OFF ÒËÌÚÂÁ‡ÚÓ‡

Tyros2 ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË OFF.

•ì·Â‰ËÚÂÒ¸, ˜ÚÓ ‚‡¯ ÒËÌÚÂÁ‡ÚÓ Tyros2 ‡ÒÒ˜ËÚ‡Ì

̇ ̇ÔflÊÂÌËÂ, ÔËÏÂÌflÂÏÓ ‚ „ËÓÌÂ, „‰Â ÓÌ

2 èÓ‰Íβ˜ËÚ ͇·Âθ ÔËÚ‡ÌËfl Í ÔÓÚÛ AC INLET ̇ Á‡‰ÌÂÈ Ô‡ÌÂÎË

·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl (Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ Á‡‰ÌÂÈ

Ô‡ÌÂÎË). èÓ‰Íβ˜ÂÌË ËÌÒÚÛÏÂÌÚ‡ Í

ËÌÒÚÛÏÂÌÚ‡.

ÌÂÔÓ‰ıÓ‰fl˘ÂÏÛ ËÒÚÓ˜ÌËÍÛ ÔËÚ‡ÌËfl ÏÓÊÂÚ

ÒÂ¸ÂÁÌÓ ÔÓ‚‰ËÚ¸ Â„Ó ˝ÎÂÍÚÓÒıÂÏ˚ Ë ‰‡ÊÂ

ÔË‚ÂÒÚË Í ÔÓ‡ÊÂÌ˲ ÚÓÍÓÏ!

àÒÔÓθÁÛÈÚ ÚÓθÍÓ Í‡·Âθ ÔËÚ‡ÌËfl, ‚ıÓ‰fl˘ËÈ ‚

ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË ÒËÌÚÂÁ‡ÚÓ‡ Tyros2. èË

ÔÓÚÂ ËÎË ÔÓ‚ÂʉÂÌËË Í‡·ÂÎfl ‰Îfl Â„Ó Á‡ÏÂÌ˚

Ò‚flÊËÚÂÒ¸ Ò ÏÂÒÚÌ˚Ï ‰ËÎÂÓÏ ÍÓÔÓ‡ˆËË

Yamaha. àÒÔÓθÁÓ‚‡ÌË ÌÂÔÓ‰ıÓ‰fl˘Â„Ó Í‡·ÂÎfl

ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓʇÛ Ë ÔÓ‡ÊÂÌ˲ ÚÓÍÓÏ!

3 èÓ‰Íβ˜ËÚ ‰Û„ÓÈ ÍÓ̈ ͇·ÂÎfl ÔËÚ‡ÌËfl Í ÓÁÂÚÍ ÔÂÂÏÂÌÌÓ„Ó

•íËÔ Í‡·ÂÎfl ÔËÚ‡ÌËfl, ÔÓÒÚ‡‚ÎflÂÏÓ„Ó Ò

ÚÓ͇. ì·Â‰ËÚÂÒ¸, ˜ÚÓ ÒËÌÚÂÁ‡ÚÓ Tyros2 Óڂ˜‡ÂÚ Ú·ӂ‡ÌËflÏ Í

ÒËÌÚÂÁ‡ÚÓÓÏ Tyros2, ÏÓÊÂÚ ·˚Ú¸ ‡ÁÌ˚Ï ‚

˝ÎÂÍÚ˘ÂÒÍÓÏÛ Ì‡ÔflÊÂÌ˲ ‰Îfl ÒÚ‡Ì˚ ËÎË „ËÓ̇, „‰Â ÓÌ

Á‡‚ËÒËÏÓÒÚË ÓÚ ÒÚ‡Ì˚, ‚ ÍÓÚÓÓÈ Ò‰Â·̇

ÔÓÍÛÔ͇ (̇ ‚ËÎÍ ÏÓÊÂÚ ·˚Ú¸ ÍÓÌÚ‡ÍÚ

·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl.

Á‡ÁÂÏÎÂÌËfl).

çÂÔ‡‚ËθÌÓ ÔÓ‰Íβ˜ÂÌË Á‡ÁÂÏÎÂÌÌÓ„Ó

ÔÓ‚Ó‰‡ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‡ÊÂÌ˲

˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ. çÖ ÏÓ‰ËÙˈËÛÈÚ ‚ËÎÍÛ

͇·ÂÎfl, ÔÓÒÚ‡‚ÎflÂÏÓ„Ó Ò Tyros2. ÖÒÎË ‚ËÎ͇ ÌÂ

‚ıÓ‰ËÚ ‚ ÓÁÂÚÍÛ, ‚˚ÁÓ‚ËÚ ÒÔˆˇÎËÒÚ‡-

˝ÎÂÍÚË͇ ‰Îfl ÛÒÚ‡ÌÓ‚ÍË ÓÁÂÚÍË ÌÛÊÌÓ„Ó ÚËÔ‡.

ç ËÒÔÓθÁÛÈÚ ÔÂÂıÓ‰ÌËÍË, ϯ‡˛˘Ë ‡·ÓÚÂ

Á‡ÁÂÏÎÂÌÌÓ„Ó ÔÓ‚Ó‰‡.

ÑÓÔÓÎÌËÚÂθÌ˚ ‰Ë̇ÏËÍË

оскольку в синтезаторе Tyros2 нет встроенных динамиков, потребуется использовать

внешние динамики, например дополнительные динамики TRS-MS02, специально

разработанные для синтезатора Tyros2. нструкции по установке динамиков TRS-MS02 на

синтезатор Tyros2 см. на стр. 219.

ÑÓÔÓÎÌËÚÂθ̇fl ÔÓ‰ÒÚ‡‚͇ ‰Îfl

Í·‚ˇÚÛ˚ L-7S

18

Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

燘‡ÎÓ ‡·ÓÚ˚

è˛ÔËÚ

èÂ‰ ‚˚ÔÓÎÌÂÌËÂÏ ÒÎÂ‰Û˛˘Ëı ËÌÒÚÛ͈ËÈ Û·Â‰ËÚÂÒ¸ ‚ ̇΢ËË ‚ÒÂı ˜‡ÒÚÂÈ (‰‚ ÒÍÓ·˚ Ë Ó‰ËÌ Ô˛ÔËÚ,

ËÁÓ·‡ÊÂÌÌ˚ ÌËÊÂ).

èÓÒÚ‡‚ÎflÂÚÒfl Ò ÒËÌÚÂÁ‡ÚÓÓÏ Tyros2

ëÍÓ·˚ ‰Îfl Ô˛ÔËÚ‡ (2) è˛ÔËÚ

1 ìÒÚ‡ÌÓ‚ËÚ ‰‚‡ ÍÓ̯ÚÂÈ̇ Ô˛ÔËÚ‡ ̇ Á‡‰Ì˛˛ Ô‡ÌÂθ Tyros2.

àÒÔÓθÁÛÈÚÂ

‚ÌÛÚÂÌÌËÂ

ÓÚ‚ÂÒÚËfl (͇Í

ÔÓ͇Á‡ÌÓ Ì‡

ËÒÛÌÍÂ).

2 èËÍÂÔËÚ ԲÔËÚ Í ÍÓ̯ÚÂÈ̇Ï.

Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

19

燘‡ÎÓ ‡·ÓÚ˚

ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ÔËÚ‡ÌËfl

ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl

ç‡ÒÚÓÈÚ ÔÓ‰‡˜Û ÔËÚ‡ÌËfl. ëÏ. ÒÚ. 18.

èÓ‰Íβ˜ËÚÂ Í ÒËÌÚÂÁ‡ÚÓÛ

ìÒÚ‡ÌÓ‚ËÚÂ Ë ÔÓ‰Íβ˜ËÚ ‰ÓÔÓÎÌËÚÂθÌ˚Â

èÓ‰Íβ˜ËÚÂ Í ÒËÌÚÂÁ‡ÚÓÛ Tyros2 ‚̯ÌËÂ

Tyros2 (‰ÓÔÓÎÌËÚÂθÌ˚Â)

‰Ë̇ÏËÍË TRS-MS02 Í ÒËÌÚÂÁ‡ÚÓÛ Tyros2

ÛÒÚÓÈÒÚ‚‡ ËÎË ‚ÒÔÓÏÓ„‡ÚÂθÌÓ ӷÓÛ‰Ó‚‡ÌËÂ

̇ۯÌËÍË.

(ÒÚ. 219). ÇÍβ˜ËÚ ‰ÓÔÓÎÌËÚÂθÌ˚Â

(̇ÔËÏÂ, ÍÓÏÔ¸˛ÚÂ, MIDI-ËÌÒÚÛÏÂÌÚ˚,

‰Ë̇ÏËÍË TRS-MS02.

‡Û‰ËÓÓ·ÓÛ‰Ó‚‡ÌËÂ, ÏËÍÓÙÓÌ Ë Ú. ‰.)

ì·Â‰ËÚÂÒ¸, ˜ÚÓ „ÛÎflÚÓ˚ [MASTER VOLUME] Ë [INPUT VOLUME]

ÛÒÚ‡ÌÓ‚ÎÂÌ˚ ‚ ÔÓÎÓÊÂÌË MIN, Ë ‚Íβ˜ËÚ ÔËÚ‡ÌË ÒËÌÚÂÁ‡ÚÓ‡ Tyros2,

̇ʇ‚ ÔÂÂÍβ˜‡ÚÂθ [POWER ON/OFF].

ÇÍβ˜ËÚ ‚Ò ÔÓ‰Íβ˜ÂÌÌ˚ ‚̯ÌËÂ

ÛÒÚÓÈÒÚ‚‡ Ë ‚ÒÔÓÏÓ„‡ÚÂθÌÓ ӷÓÛ‰Ó‚‡ÌËÂ.

Ç˚Íβ˜ÂÌË ÔËÚ‡ÌËfl

èË ÌÂÓ·ıÓ‰ËÏÓÒÚË ÒÓı‡ÌËÚ ÒÓÁ‰‡ÌÌ˚ LJÏË ‰‡ÌÌ˚ ̇ ÛÒÚÓÈÒÚ‚Â User ËÎË ‚̯ÌËı ÛÒÚÓÈÒÚ‚‡ı Ò

ëÏ.ÒÚ. 75.

ÔÓÏÓ˘¸˛ ÙÛÌ͈ËÈ ÒËÌÚÂÁ‡ÚÓ‡ Tyros2.

ÖÒÎË Ú·ÛÂÚÒfl, ÒÓı‡ÌËÚ ÒÓÁ‰‡ÌÌ˚ ‰‡ÌÌ˚ ̇

ÔÓ‰ıÓ‰fl˘ÂÏ ÌÓÒËÚÂÎÂ, ËÒÔÓθÁÛfl ‚̯ÌËÂ

ÛÒÚÓÈÒÚ‚‡.

Ç˚Íβ˜ËÚ ‚Ò ÔÓ‰Íβ˜ÂÌÌ˚ ‚̯ÌËÂ

ÛÒÚÓÈÒÚ‚‡ Ë ‚ÒÔÓÏÓ„‡ÚÂθÌÓ ӷÓÛ‰Ó‚‡ÌËÂ.

ì·Â‰ËÚÂÒ¸, ˜ÚÓ „ÛÎflÚÓ˚ [MASTER VOLUME] Ë [INPUT VOLUME]

ÛÒÚ‡ÌÓ‚ÎÂÌ˚ ‚ ÔÓÎÓÊÂÌË MIN, Ë ‚˚Íβ˜ËÚ ÔËÚ‡ÌË ÒËÌÚÂÁ‡ÚÓ‡

Tyros2, ̇ʇ‚ ÔÂÂÍβ˜‡ÚÂθ [POWER ON/OFF].

ç ‚Íβ˜‡ÈÚÂ Ë Ì ‚˚Íβ˜‡ÈÚÂ

ÔËÚ‡ÌË ËÌÒÚÛÏÂÌÚ‡ ‚ ·˚ÒÚÓÈ

Ç˚Íβ˜ËÚ ‰ÓÔÓÎÌËÚÂθÌ˚ ‰Ë̇ÏËÍË

ÔÓÒΉӂ‡ÚÂθÌÓÒÚË. ùÚÓ ÏÓÊÂÚ

TRS-MS02.

ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲

ÒËÌÚÂÁ‡ÚÓ‡.

20

Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

燘‡ÎÓ ‡·ÓÚ˚

ä‡Í ÔÓ‰ÌËχڸ Ë Í‡Í Á‡Í˚‚‡Ú¸ Ô‡ÌÂθ ‰ËÒÔÎÂfl

Ç ÒËÌÚÂÁ‡ÚÓ Tyros2 ÂÒÚ¸ ÔÓÎÛÒ˙ÂÏ̇fl Ô‡ÌÂθ ‰ËÒÔÎÂfl, ÍÓÚÓÛ˛ ÏÓÊÌÓ Ì‡ÍÎÓÌflÚ¸ Ë „ÛÎËÓ‚‡Ú¸ ‚ ˜ÂÚ˚Âı ÚӘ͇ı

ÙËÍÒ‡ˆËË, ˜ÚÓ·˚ ‰Ó·ËÚ¸Òfl ̇˷ÓΠۉӷÌÓ„Ó Û„Î‡ ÔÓÒÏÓÚ‡.

óÚÓ·˚ ÔÓ‰ÌflÚ¸ Ô‡ÌÂθ ‰ËÒÔÎÂfl....................................................................................

Откройте замок, расположенный на торце панели дисплея. риподнимите панель и

наклоните ее на себя.

о мере наклона будут раздаваться щелчки, каждый из этих щелчков соответствует

одной из четырех позиций фиксации. огда вы добились нужного положения,

отпустите панель. анель плавно опустится в ближайшую позицию фиксации.

óÚÓ·˚ Á‡Í˚Ú¸ Ô‡ÌÂθ ‰ËÒÔÎÂfl....................................................................................

тобы опустить панель и закрыть ее, осторожно потяните ее на себя, когда панель

займет вертикальное положение, наклоняйте ее от себя, пока она не встанет на место

и не закроется.

ç‡ÒÚÓÈ͇ ÍÓÌÚ‡ÒÚÌÓÒÚË Üä-‰ËÒÔÎÂfl

Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

21

Аннотации для Синтезатора Yamaha TYROS2 в формате PDF