Yamaha TYROS2: инструкция
Инструкция к Синтезатору Yamaha TYROS2
DIGITAL WORKSTATION
RU
SPECIAL MESSAGE SECTION
PRODUCT SAFETY MARKINGS: Yamaha electronic
ENVIRONMENTAL ISSUES: Yamaha strives to produce
products may have either labels similar to the graphics
products that are both user safe and environmentally
shown below or molded/stamped facsimiles of these
friendly. We sincerely believe that our products and the
graphics on the enclosure. The explanation of these graphics
production methods used to produce them, meet these goals.
appears on this page. Please observe all cautions indicated
In keeping with both the letter and the spirit of the law, we
on this page and those indicated in the safety instruction
want you to be aware of the following:
section.
Battery Notice: This product MAY contain a small non-
rechargable battery which (if applicable) is soldered in
place. The average life span of this type of battery is
approximately five years. When replacement becomes
CAUTION
necessary, contact a qualified service representative to
RISK OF ELECTRIC SHOCK
perform the replacement.
DO NOT OPEN
Warning: Do not attempt to recharge, disassemble, or
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.
incinerate this type of battery. Keep all batteries away from
DO NOT REMOVE COVER (OR BACK).
children. Dispose of used batteries promptly and as
NO USER-SERVICEABLE PARTS INSIDE.
regulated by applicable laws. Note: In some areas, the
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
servicer is required by law to return the defective parts.
However, you do have the option of having the servicer
See bottom of Keyboard enclosure for graphic symbol markings.
dispose of these parts for you.
The exclamation point within the
Disposal Notice: Should this product become damaged
equilateral triangle is intended to alert
beyond repair, or for some reason its useful life is
the user to the presence of important
considered to be at an end, please observe all local, state,
operating and maintenance (servicing)
and federal regulations that relate to the disposal of products
instructions in the literature
that contain lead, batteries, plastics, etc.
accompanying the product.
NOTICE: Service charges incurred due to lack of
The lightning flash with arrowhead
knowledge relating to how a function or effect works (when
symbol, within the equilateral triangle, is
the unit is operating as designed) are not covered by the
intended to alert the user to the presence
manufacturer’s warranty, and are therefore the owners
of uninsulated “dangerous voltage”
responsibility. Please study this manual carefully and
within the product’s enclosure that may
consult your dealer before requesting service.
be of sufficient magnitude to constitute a
risk of electrical shock.
NAME PLATE LOCATION: The graphic below indicates
the location of the name plate. The model number, serial
number, power requirements, etc., are located on this plate.
IMPORTANT NOTICE: All Yamaha electronic products
You should record the model number, serial number, and the
are tested and approved by an independent safety testing
date of purchase in the spaces provided below and retain this
laboratory in order that you may be sure that when it is
manual as a permanent record of your purchase.
properly installed and used in its normal and customary
manner, all foreseeable risks have been eliminated. DO
NOT modify this unit or commission others to do so unless
specifically authorized by Yamaha. Product performance
and/or safety standards may be diminished. Claims filed
under the expressed warranty may be denied if the unit is/
has been modified. Implied warranties may also be affected.
SPECIFICATIONS SUBJECT TO CHANGE: The
information contained in this manual is believed to be
correct at the time of printing. However, Yamaha reserves
Model
the right to change or modify any of the specifications
without notice or obligation to update existing units.
Serial No.
Purchase Date
92-469- ➀ (ÌËÊÌflfl ˜‡ÒÚ¸)
2
Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
IMPORTANT SAFETY INSTRUCTIONS
INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,
AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.
WARNING- When using any electrical or electronic product,
8. This product was NOT designed for use in wet/damp
basic precautions should always be followed. These precautions
locations and should not be used near water or exposed to rain.
include, but are not limited to, the following:
Examples of wet/damp locations are; near a swimming pool, spa,
tub, sink, or wet basement.
1. Read all Safety Instructions, Installation Instructions,
Special Message Section items, and any Assembly Instructions
9. This product should be used only with the components
found in this manual BEFORE making any connections, including
supplied or; a cart, rack, or stand that is recommended by the
connection to the main supply.
manufacturer. If a cart, rack, or stand is used, please observe all
safety markings and instructions that accompany the accessory
product.
2. Main Power Supply Verification: Yamaha products are
manufactured specifically for the supply voltage in the area where
they are to be sold. If you should move, or if any doubt exists about
10. The power supply cord (plug) should be disconnected from
the supply voltage in your area, please contact your dealer for
the outlet when electronic products are to be left unused for
supply voltage verification and (if applicable) instructions. The
extended periods of time. Cords should also be disconnected when
required supply voltage is printed on the name plate. For name
there is a high probability of lightning and/or electrical storm
plate location, please refer to the graphic found in the Special
activity.
Message Section of this manual.
11. Care should be taken that objects do not fall and liquids are
3. This product may be equipped with a polarized plug (one
not spilled into the enclosure through any openings that may exist.
blade wider than the other). If you are unable to insert the plug into
the outlet, turn the plug over and try again. If the problem persists,
12. Electrical/electronic products should be serviced by a
contact an electrician to have the obsolete outlet replaced. Do NOT
qualified service person when:
defeat the safety purpose of the plug.
a. The power supply cord has been damaged; or
b. Objects have fallen, been inserted, or liquids have been
4. Some electronic products utilize external power supplies or
spilled into the enclosure through openings; or
adapters. Do NOT connect this type of product to any power
c. The product has been exposed to rain: or
supply or adapter other than one described in the owners manual,
d. The product dose not operate, exhibits a marked change
on the name plate, or specifically recommended by Yamaha.
in performance; or
e. The product has been dropped, or the enclosure of the
product has been damaged.
5. WARNING: Do not place this product or any other objects
on the power cord or place it in a position where anyone could
walk on, trip over, or roll anything over power or connecting cords
13. Do not attempt to service this product beyond that
of any kind. The use of an extension cord is not recommended! If
described in the user-maintenance instructions. All other servicing
you must use an extension cord, the minimum wire size for a 25’
should be referred to qualified service personnel.
cord (or less) is 18 AWG. NOTE: The smaller the AWG number,
the larger the current handling capacity. For longer extension
14. This product, either alone or in combination with an
cords, consult a local electrician.
amplifier and headphones or speaker/s, may be capable of
producing sound levels that could cause permanent hearing loss.
6. Ventilation: Electronic products, unless specifically
DO NOT operate for a long period of time at a high volume level or
designed for enclosed installations, should be placed in locations
at a level that is uncomfortable. If you experience any hearing loss
that do not interfere with proper ventilation. If instructions for
or ringing in the ears, you should consult an audiologist.
enclosed installations are not provided, it must be assumed that
IMPORTANT: The louder the sound, the shorter the time period
unobstructed ventilation is required.
before damage occurs.
7. Temperature considerations: Electronic products should be
15. Some Yamaha products may have benches and/or
installed in locations that do not significantly contribute to their
accessory mounting fixtures that are either supplied as a part of the
operating temperature. Placement of this product close to heat
product or as optional accessories. Some of these items are
sources such as; radiators, heat registers and other devices that
designed to be dealer assembled or installed. Please make sure that
produce heat should be avoided.
benches are stable and any optional fixtures (where applicable) are
well secured BEFORE using. Benches supplied by Yamaha are
designed for seating only. No other uses are recommended.
PLEASE KEEP THIS MANUAL
92-469-2
Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
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(2)-10 1/2
4
Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
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ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏ ‚̯ÌÂÏ ÌÓÒËÚÂÎÂ.
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• á‡ÔËÒ‡ÌÌ˚ ËÎË ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚ ÏÂÎÓ‰ËË (ÒÚ. 55, 59, 121, 135)
• ëÓÁ‰‡ÌÌ˚ ËÎË ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚ ÒÚËÎË (ÒÚ. 159)
• éÚ‰‡ÍÚËÓ‚‡ÌÌ˚ ÚÂÏ·˚ (ÒÚ. 91, 94)
é·ÒÎÛÊË‚‡ÌËÂ
• á‡ÔËÒ‡ÌÌ˚ ËÎË ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚ ÏÛθÚËÔ˝‰˚ (ÒÚ. 169)
• ÑÎfl ˜ËÒÚÍË ËÌÒÚÛÏÂÌÚ‡ ÔÓθÁÛÈÚÂÒ¸ Ïfl„ÍÓÈ ÒÛıÓÈ Ú̸͇˛. çËÍÓ„‰‡
• ç‡ÒÚÓÈÍË, ÒÓı‡ÌÂÌÌ˚ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» (ÒÚ. 155)
Ì ËÒÔÓθÁÛÈÚ ÔflÚÌÓ‚˚‚Ó‰ËÚÂÎË, ‡ÒÚ‚ÓËÚÂÎË, ÊˉÍË ӘËÒÚËÚÂÎË
• éÚ‰‡ÍÚËÓ‚‡ÌÌ˚ MIDI-̇ÒÚÓÈÍË (ÒÚ. 214)
ËÎË ˜ËÒÚfl˘Ë ҇ÎÙÂÚÍË Ò ÔÓÔËÚÍÓÈ.
чÌÌ˚ ̇ ‰ËÒÍ USER (ÒÚ. 71) ÏÓ„ÛÚ ·˚Ú¸ ÔÓÚÂflÌ˚ ËÁ-Á‡ Ò·Ófl ËÎË
ÌÂÔ‡‚ËθÌÓÈ ‡·ÓÚ˚. ëÓı‡ÌËÚ ‚‡ÊÌ˚ ‰‡ÌÌ˚ ̇ ‚̯ÌÂÏ ÌÓÒËÚÂÎÂ.
åÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË ÔË ˝ÍÒÔÎÛ‡Ú‡ˆËË
• ç ‚ÒÚ‡‚ÎflÈÚ ԇθˆ˚ ‚ Á‡ÁÓ˚.
• çË ‚ ÍÓÂÏ ÒÎÛ˜‡Â Ì Á‡Ú‡ÎÍË‚‡ÈÚÂ Ë Ì ÓÌflÈÚ ·Ûχ„Û, ÏÂÚ‡Î΢ÂÒÍËÂ
êÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌË ‰‡ÌÌ˚ı ̇ ÛÒÚÓÈÒÚ‚Ó
Ë ÔӘˠԉÏÂÚ˚ ‚ ÓÚ‚ÂÒÚËfl Ë Á‡ÁÓ˚ ̇ Ô‡ÌÂÎË Ë Í·‚ˇÚÛÂ. ÖÒÎË
ı‡ÌÂÌËfl ËÎË ‚̯ÌËÈ ÌÓÒËÚÂθ
˝ÚÓ ÒÎÛ˜ËÎÓÒ¸, ÌÂωÎÂÌÌÓ ‚˚Íβ˜ËÚ ËÌÒÚÛÏÂÌÚ Ë ‚˚̸Ú ͇·Âθ
• óÚÓ·˚ ‰‡ÌÌ˚ Ì ÔÓÔ‡ÎË ËÁ-Á‡ ÔÓ‚ÂʉÂÌËfl ÌÓÒËÚÂÎfl,
ÔËÚ‡ÌËfl ËÁ ÓÁÂÚÍË. á‡ÚÂÏ Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í ÒÔˆˇÎËÒÚ‡Ï
ÂÍÓÏẨÛÂÚÒfl ÒÓı‡ÌflÚ¸ ̇˷ÓΠ‚‡ÊÌ˚ ‰‡ÌÌ˚ ̇ ‰‚Ûı
ˆÂÌÚ‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ÍÓÔÓ‡ˆËË Yamaha.
USB-ÛÒÚÓÈÒÚ‚‡ı ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ËÎË ‚̯ÌËı ÌÓÒËÚÂÎflı.
• ç Í·‰ËÚ ̇ ËÌÒÚÛÏÂÌÚ Ô‰ÏÂÚ˚ ËÁ ‚ËÌË·, Ô·ÒÚχÒÒ˚ ËÎË
ÂÁËÌ˚ - ˝ÚÓ ÏÓÊÂÚ ‚˚Á‚‡Ú¸ ‚˚ˆ‚ÂÚ‡ÌË ԇÌÂÎË ËÎË Í·‚ˇÚÛ˚.
ÖÒÎË ‚˚ ÏÂÌflÂÚ Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚ ̇ ÒÚ‡Ìˈ ˝Í‡Ì‡ Ë Á‡ÚÂÏ
• ç ӷÎÓ͇˜Ë‚‡ÈÚÂÒ¸ ̇ ËÌÒÚÛÏÂÌÚ, Ì ÒÚ‡‚¸Ú ̇ ÌÂ„Ó ÚflÊÂÎ˚ Ô‰-
‚˚ıÓ‰ËÚ ËÁ ÌÂÂ, ‰‡ÌÌ˚Â Ó ÒËÒÚÂÏÌÓÈ Ì‡ÒÚÓÈÍ (Ô˜ËÒÎÂÌÌ˚Â
ÏÂÚ˚ Ë Ì ÔËÍ·‰˚‚‡ÈÚ ÒÎ˯ÍÓÏ ·Óθ¯ÓÈ ÒËÎ˚ ÔË ÔÓθÁÓ‚‡ÌËË
‚ ÓÚ‰ÂθÌÓÏ ÒÔËÒÍ ڇ·Îˈ) ÒÓı‡Ìfl˛ÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË. çÓ ÂÒÎË
ÍÌÓÔ͇ÏË, ‚˚Íβ˜‡ÚÂÎflÏË Ë ‡Á˙ÂχÏË.
‚˚Íβ˜ËÚ¸ ÛÒÚÓÈÒÚ‚Ó, Ì ‚˚ÔÓÎÌË‚ Ôӈ‰ÛÛ ‚˚ıÓ‰‡, ‚Ò ˝ÚË
• ç ÒΉÛÂÚ ‰ÓÎ„Ó ‡·ÓÚ‡Ú¸ Ò ‚˚ÒÓÍËÏ ËÎË ÌÂÍÓÏÙÓÚÌ˚Ï ÛÓ‚ÌÂÏ
ËÁÏÂÌÂÌËfl ·Û‰ÛÚ ÛÚÂflÌ˚.
„ÓÏÍÓÒÚË, Ú‡Í Í‡Í ˝ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚ ÒÎÛı‡. èË ÛıÛ‰¯Â-
ÌËË ÒÎÛı‡ ËÎË Á‚ÓÌ ‚ Û¯‡ı Ó·‡ÚËÚÂÒ¸ Í ‚‡˜Û.
åÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË ÔË ‡·ÓÚÂ Ò ‰‡ÌÌ˚ÏË
ÖÒÎË Ì‡ ‰ËÒÍ USER, USB-ìëíêéâëíÇÖ àãà ÜÖëíäéå ÑàëäÖ ‚˚ÔÓÎÌfl˛ÚÒfl ÓÔ‡ˆËË Ò ‰‡ÌÌ˚ÏË, ̇ÔËÏ ÒÓı‡ÌÂÌËÂ, Û‰‡ÎÂÌË ËÎË ÍÓÔËÓ‚‡ÌËÂ/
‚ÒÚ‡‚͇, çà Ç äéÖå ëãìóÄÖ Ì ‚˚Íβ˜‡ÈÚ ÔËÚ‡ÌË Tyros2 ‰Ó ÔÓÎÌÓ„Ó Á‡‚¯ÂÌËfl ÓÔ‡ˆËË. (é·flÁ‡ÚÂθÌÓ ÔÓ‰ÓʉËÚÂ, ÔÓ͇ Ì ËÒ˜ÂÁÌÂÚ Û͇Á‡ÌÌÓÂ
ÌËÊ ÒÓÓ·˘ÂÌËÂ.) éÚÍβ˜ÂÌË ÔËÚ‡ÌËfl ‚Ó ‚ÂÏfl ˝ÚËı ÓÔ‡ˆËÈ ÔË‚Ó‰ËÚ Í ÔÓÚ ‰‡ÌÌ˚ı, ÒÓı‡ÌflÂÏ˚ı ËÎË ÍÓÔËÛÂÏ˚ı ̇ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ÌÓÒËÚÂθ.
ÇÓ ‚ÂÏfl Ú‡ÍËı ÓÔ‡ˆËÈ ÓÒÓ·ÂÌÌÓ ‚‡ÊÌÓ ÒÓı‡ÌflÚ¸ ÔÓ‰‡˜Û ÔËÚ‡ÌËfl Í ‰ËÒÍÛ USER.
éÚÍβ˜ÂÌË ÔËÚ‡ÌËfl ‚Ó ‚ÂÏfl ÓÔ‡ˆËÈ ÒÓı‡ÌÂÌËfl, Û‰‡ÎÂÌËfl ËÎË ‚ÒÚ‡‚ÍË Ì‡ ‰ËÒÍÂ
USER ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚ ÇëÖï ‰‡ÌÌ˚ı ̇ ˝ÚÓÏ ‰ËÒÍ (ÔË ÒÎÂ‰Û˛˘ÂÏ ‚Íβ˜ÂÌËË
ÔËÚ‡ÌËfl), ‡ Ì ÚÓθÍÓ ‰‡ÌÌ˚ı, Ò ÍÓÚÓ˚ÏË ‚˚ÔÓÎÌfl·Ҹ ÓÔ‡ˆËfl. ÑÛ„ËÏË ÒÎÓ‚‡ÏË,
‚˚ÔÓÎÌflfl ÓÔ‡ˆËË ÒÓı‡ÌÂÌËfl, Û‰‡ÎÂÌËfl, ËÎË ‚ÒÚ‡‚ÍË ÚÓθÍÓ Ò ‰‡ÌÌ˚ÏË ÏÂÎÓ‰ËÈ Ì‡
‰ËÒÍ USER Ë ÓÚÍβ˜Ë‚ ÔËÚ‡ÌË ‰Ó Á‡‚¯ÂÌËfl ÓÔ‡ˆËË, ÏÓÊÌÓ ÔÓÚÂflÚ¸ ÇëÖ ‰‡ÌÌ˚Â
̇ ‰ËÒÍ USER, ‚ ÚÓÏ ˜ËÒΠ‚Ò ÚÂÏ·˚, ÒÚËÎË, ·‡ÌÍË ÏÛθÚËÔ˝‰Ó‚ Ë Ì‡ÒÚÓÈÍË
„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË, ÍÓÚÓ˚ ·˚ÎË ÒÓı‡ÌÂÌ˚ ̇ ‰ËÒÍ USER.
ùÚË ÏÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË Ú‡ÍÊ ÓÚÌÓÒflÚÒfl Í ÒÓÁ‰‡Ì˲ ÌÓ‚ÓÈ Ô‡ÔÍË Ì‡ ‰ËÒÍ USER ËÎË ÓÔ‡ˆËË ÔÓ ËÒÔÓθÁÓ‚‡Ì˲ ̇ÒÚÓÂÍ ËÁ„ÓÚÓ‚ËÚÂÎfl (ÒÚ. 196).
äÓÔÓ‡ˆËfl Yamaha Ì ÌÂÒÂÚ ÓÚ‚ÂÚÒÚ‚ÂÌÌÓÒÚË Á‡ ÔÓ‚ÂʉÂÌËfl, ‚˚Á‚‡ÌÌ˚ ÌÂÔ‡‚ËθÌÓÈ ˝ÍÒÔÎÛ‡Ú‡ˆËÂÈ ËÎË ÏÓ‰ËÙË͇ˆËÂÈ
ËÌÒÚÛÏÂÌÚ‡, ‡ Ú‡ÍÊ Á‡ ÔÓÚÂflÌÌ˚ ËÎË ËÒÔÓ˜ÂÌÌ˚ ‰‡ÌÌ˚Â.
ÇÒ„‰‡ ‚˚Íβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ, ÂÒÎË Ì ËÒÔÓθÁÛÂÚ „Ó.
● 삉ÓÏÎÂÌË ӷ ‡‚ÚÓÒÍËı Ô‡‚‡ı
çËÊ Û͇Á‡Ì˚ ̇Á‚‡ÌËfl ÏÂÎÓ‰ËÈ, ‚ÒÚÓÂÌÌ˚ı ‚ ˝ÚÓÚ ˝ÎÂÍÚÓÌÌ˚È ËÌÒÚÛÏÂÌÚ, Ë ÒÔËÒÓÍ Ó·Î‡‰‡ÚÂÎÂÈ ‡‚ÚÓÒÍËı Ë ‰Û„Ëı Ô‡‚.
Beauty And The Beast
Can’t Help Falling In Love
ËÁ Í/Ù ìÓÎÚ‡ ÑËÒÌÂfl «ä‡Ò‡‚ˈ‡ Ë ˜Û‰Ó‚ˢ»
ËÁ Í/Ù ÒÚÛ‰ËË Paramount Picture «ÉÓÎÛ·˚ ɇ‚‡ÈË»
ëÎÓ‚‡ Howard Ashman
ëÎÓ‚‡ Ë ÏÛÁ˚͇ George David Weiss, Hugo Peretti Ë Luigi Creatore
åÛÁ˚͇ Alan Menken
Copyright © 1961 by Gladys Music, Inc.
© 1991 Walt Disney Music Company Ë Wonderland Music Company, Inc.
Ä‚ÚÓÒÍÓ ԇ‚Ó ‚ÓÁÓ·ÌÓ‚ÎÂÌÓ Ë Ô‰‡ÌÓ ÍÓÔÓ‡ˆËË Gladys Music
ÇÒ ԇ‚‡ Á‡˘Ë˘ÂÌ˚ àÒÔÓθÁÛ˛ÚÒfl Ò ‡Á¯ÂÌËfl ‡‚ÚÓÓ‚
ÇÒ ԇ‚‡ ‡‰ÏËÌËÒÚËÛ˛ÚÒfl ÍÓÔÓ‡ˆËÂÈ Cherry Lane Music Publishing
Company, Inc. Ë Chrysalis Music
åÂʉÛ̇ӉÌ˚ ‡‚ÚÓÒÍË ԇ‚‡ Á‡˘Ë˘ÂÌ˚ ÇÒ ԇ‚‡ Á‡˘Ë˘ÂÌ˚
çÂÍÓÚÓ‡fl ÔÓÎÂÁ̇fl ËÌÙÓχˆËfl Ó ÒËÌÚÂÁ‡ÚÓ Tyros2 ‰ÓÒÚÛÔ̇ ̇ ÒÎÂ‰Û˛˘ÂÏ ‚·-Ò‡ÈÚÂ:
http://music.yamaha.com/tyros2
(2)-10 2/2
Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
5
èÓÁ‰‡‚ÎflÂÏ!
ы стали счастливым обладателем великолепного электронного музыкального инструмента.
интезатор Tyros2 корпорации Yamaha сочетает самую совершенную технологию
генерации звука с современной цифровой электроникой, что обеспечивает великолепное
качество звука самых разных музыкальных инструментов.
тобы максимально использовать возможности синтезатора Tyros2 и его огромный исполнительский
потенциал, мы призываем вас внимательно прочитать это руководство, пробуя использовать различные
описанные в нем функции. охраните руководство в надежном месте, чтобы использовать его в дальнейшем.
ìÔ‡ÍÓ‚Ó˜Ì˚È ÎËÒÚ
● äÓÏÔ‡ÍÚ-‰ËÒÍ Tyros2 ● CD-ROM
● 䇷Âθ ÔËÚ‡ÌËfl x 1 ¯Ú ● êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl (˝Ú‡ ÍÌË„‡), ·ÛÍÎÂÚ Data List, êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓ ÛÒÚ‡ÌÓ‚ÍÂ
● è˛ÔËÚ Ë ÍÓ̯ÚÂÈÌ˚ ● ÇËÌÚ˚ ‰Îfl ÛÒÚ‡ÌÓ‚ÍË ‰ÓÔÓÎÌËÚÂθÌÓ„Ó ÊÂÒÚÍÓ„Ó ‰ËÒ͇
■ èÓÒÚ‡‚ÎflÂÏ˚È ÍÓÏÔ‡ÍÚ ‰ËÒÍ
а прилагающемся компакт-диске содержится специальное программное обеспечение для работы с синтезатором
Tyros2. поставку включена программа Voice Editor, которая является универсальным, интуитивно понятным
инструментом редактирования для синтезатора Tyros2. ополнительные сведения см. в отдельном «уководстве по
установке» или в интерактивных справочниках, поставляемых вместе с О.
• á‡Ô¢‡ÂÚÒfl ÔÓË„˚‚‡Ú¸ ˝ÚÓÚ ÍÓÏÔ‡ÍÚ-‰ËÒÍ Ì‡ ÔÓË„˚‚‡ÚÂΠÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í
̇ۯÂÌËflÏ ÒÎÛı‡ Ë ‚˚Á‚‡Ú¸ ÌÂËÒÔ‡‚ÌÓÒÚË ‡ÍÛÒÚ˘ÂÒÍÓÈ ÒËÒÚÂÏ˚ ÔÓË„˚‚‡ÚÂÎfl.
• отографии клавесина, бандонеона, различных видов цимбал и музыкальной шкатулки, изображаемые на дисплеях синтезатора
Tyros2, любезно предоставлены музеем Gakkigaku Shiryokan (обрание старинных музыкальных инструментов) музыкального
колледжа Kunitachi.
• ледующие инструменты, изображаемые на дисплеях синтезатора Tyros2, доступны для обозрения в музее музыкальных
инструментов Hamamatsu: балафон, джендер, калимба, канун, сантур, гамелан, арфа, колокольчик, волынка, банджо, карильон,
мандолина, уд, флейта ана, пунджи, рабаб, шанаи, ситар, стальной барабан, тамбра.
• анный продукт произведен по лицензии, защищенной патентами А No.5231671, No.5301259, No.5428708, а также патентом
No.5567901, принадлежащим IVL Technologies Ltd.
• астровые шрифты, используемые в данном инструменте, предоставлены компанией Ricoh Co., Ltd. и являются ее собственностью.
• анный продукт использует NF, встроенный интернет-браузер компании ACCESS Co., Ltd. NF, используется
совместно с запатентованным алгоритмом сжатия LZW, лицензия на который получена от компании Unisys Co., Ltd.
NF не может использоваться отдельно от данного продукта, не может быть продан, сдан в аренду или передан любым другим
способом. акже запрещается декомпилировать, деассемблировать, копировать и вскрывать технологии NF.
анное программное обеспечение включает модуль, разработанный независимой группой JPEG (Independent JPEG Group).
• Windows является зарегистрированным товарным знаком корпорации Microsoft®.
• Apple и Macintosh являются товарными знаками корпорации Apple Computer Inc., зарегистрированными в А и других странах.
• азвания фирм и продуктов в этом «уководстве пользователя» являются товарными знаками или зарегистрированными
товарными знаками соответствующих фирм.
àÎβÒÚ‡ˆËË Ë ÒÌËÏÍË Üä-‰ËÒÔ΂ Ô˂‰ÂÌ˚ ‚ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl ÚÓθÍÓ ‚ ͇˜ÂÒÚ‚Â ÔËÏÂÓ‚. Ç ‰ÂÈÒÚ‚ËÚÂθÌÓÒÚË ‚Ò ÏÓÊÂÚ ‚˚„Îfl‰ÂÚ¸ ÌÂÒÍÓθÍÓ Ë̇˜Â.
é·‡ÚËÚ ‚ÌËχÌËÂ, ˜ÚÓ ‚Ò ÔËÏÂ˚ ˝Í‡ÌÓ‚ ‚ ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â Ô‰ÒÚ‡‚ÎÂÌ˚ ̇ ‡Ì„ÎËÈÒÍÓÏ flÁ˚ÍÂ.
ùÚÓÚ ÔÓ‰ÛÍÚ ‚Íβ˜‡ÂÚ ÍÓÏÔ¸˛ÚÂÌ˚ ÔÓ„‡ÏÏ˚ Ë ÒÓ‰ÂÊËÏÓÂ, ‡‚ÚÓÒÍË ԇ‚‡ ̇ ÍÓÚÓ˚ ÔË̇‰ÎÂÊ‡Ú ÍÓÔÓ‡ˆËË Yamaha ËÎË Ô‡‚Ó Ì‡ ËÒÔÓθÁÓ‚‡ÌËÂ
ÍÓÚÓ˚ı ÔÓÎÛ˜ÂÌÓ ÔÓ ÎˈÂÌÁËË ÓÚ ‰Û„Ëı ÙËÏ. ä χÚ¡·Ï, Á‡˘Ë˘ÂÌÌ˚Ï ‡‚ÚÓÒÍËÏË Ô‡‚‡ÏË, ÓÚÌÓÒflÚÒfl ‚Ò ·ÂÁ Ó„‡Ì˘ÂÌËfl ÍÓÏÔ¸˛ÚÂÌÓ èé, Ù‡ÈÎ˚
ÒÚËÎfl, Ù‡ÈÎ˚ MIDI, ‰‡ÌÌ˚ WAVE Ë ÏÛÁ˚͇θÌ˚ Á‚ÛÍÓÁ‡ÔËÒË. ã˛·Ó ÌÂÒ‡Ì͈ËÓÌËÓ‚‡ÌÌÓ ËÒÔÓθÁÓ‚‡ÌË ڇÍËı ÔÓ„‡ÏÏ Ë ÒÓ‰ÂÊËÏÓ„Ó, ‚˚ıÓ‰fl˘Â Á‡
‡ÏÍË Î˘ÌÓ„Ó ÔÓθÁÓ‚‡ÌËfl, Á‡Ô¢ÂÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË Á‡ÍÓ̇ÏË. ã˛·Ó ̇ۯÂÌË ‡‚ÚÓÒÍËı Ô‡‚ ÔÂÒΉÛÂÚÒfl ÔÓ Á‡ÍÓÌÛ. çÖ ëéáÑÄÇÄâíÖ, çÖ
êÄëèêéëíêÄçüâíÖ à çÖ àëèéãúáìâíÖ çÖáÄäéççõÖ äéèàà.
ùÚÓ ÛÒÚÓÈÒÚ‚Ó ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ‡Á΢Ì˚ ÚËÔ˚/ÙÓχÚ˚ ÏÛÁ˚͇θÌ˚ı ‰‡ÌÌ˚ı ÔÛÚÂÏ ÔÂÓ·‡ÁÓ‚‡ÌËfl Ëı ‚ ÏÛÁ˚͇θÌ˚ ‰‡ÌÌ˚ ÌÛÊÌÓ„Ó ÙÓχڇ ‰Îfl
‰‡Î¸ÌÂÈ¯Â„Ó ËÒÔÓθÁÓ‚‡ÌËfl. í‡ÍËÏ Ó·‡ÁÓÏ, ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ‰‡ÌÌ˚ı ÛÒÚÓÈÒÚ‚ÓÏ Á‚Û˜‡ÌË ÏÓÊÂÚ ÌÂÒÍÓθÍÓ ÓÚ΢‡Ú¸Òfl ÓÚ ËÒıÓ‰ÌÓ„Ó.
ïÓÚfl ÂÔÓ‰Û͈Ëfl Ë ËÒÔÓθÁÓ‚‡ÌË ÏÛÁ˚ÍË Ë ‰Û„Ëı Á‚ÛÍÓ‚˚ı ÔÓ‰ÛÍÚÓ‚, Á‡˘Ë˘ÂÌÌ˚ı ‡‚ÚÓÒÍËÏË Ô‡‚‡ÏË, ‡Á¯ÂÌ˚ ÌÂÍÓÚÓ˚ÏË ÔËÏÂÌflÂÏ˚ÏË Ô‡‚Ó‚˚ÏË
ÌÓχÏË, ڇ͇fl ÌÂÎˈÂÌÁËÓ‚‡Ì̇fl ÂÔÓ‰Û͈Ëfl Ë ËÒÔÓθÁÓ‚‡ÌË ÏÓ„ÛÚ Ô‰ÒÚ‡‚ÎflÚ¸ ÒÓ·ÓÈ Ì‡Û¯ÂÌË Á‡ÍÓ̇ Ó· ‡‚ÚÓÒÍËı Ô‡‚‡ı Ë ‰Û„Ëı Á‡ÍÓÌÓ‚. èÓÒÍÓθÍÛ
̇ۯÂÌË ˝ÚËı Á‡ÍÓÌÓ‚ ÏÓÊÂÚ ÔË‚ÂÒÚË Í Ò¸ÂÁÌ˚Ï ÔÓÒΉÒÚ‚ËflÏ, ‚ÓÁÏÓÊÌÓ, ÒΉÛÂÚ ÔÓÍÓÌÒÛθÚËÓ‚‡Ú¸Òfl Ò ˛ËÒÚÓÏ ÔÓ ÔÓ‚Ó‰Û ËÒÔÓθÁÓ‚‡ÌËfl ˝ÚÓ„Ó ÔÓ‰ÛÍÚ‡.
äÓÔËÓ‚‡ÌËÂ Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÍÓÏϘÂÒÍÓÈ ÏÛÁ˚ÍË Ë ‰Û„Ëı Á‚ÛÍÓ‚˚ı ÔÓ‰ÛÍÚÓ‚ ÒÚÓ„Ó Á‡Ô¢ÂÌÓ, Á‡ ËÒÍβ˜ÂÌËÂÏ ËÒÔÓθÁÓ‚‡ÌËfl ‚ ΢Ì˚ı ˆÂÎflı.
ùÚÓÚ ÔÓ‰ÛÍÚ ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‰Îfl ËÏÔÓÚ‡ Ë Á‡ÔËÒË ‡Ì‡ÎÓ„Ó‚Ó„Ó ‡Û‰ËÓÒ˄̇· ˜ÂÂÁ „ÌÂÁ‰Ó MIC/LINE INPUT, ‰Îfl Á‡ÔËÒË ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl, ‡
Ú‡ÍÊ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÏÛÁ˚͇θÌ˚ı MIDI-‰‡ÌÌ˚ı Ë ˆËÙÓ‚Ó„Ó ‡Û‰ËÓÒ˄̇· ‚ ÙÓχÚ WAV. ÖÒÎË ‚ Á‡ÔËÒflı ËÒÔÓθÁÛÂÚÒfl β·ÓÈ Ï‡Ú¡Î, Á‡˘Ë˘ÂÌÌ˚È
Á‡ÍÓÌÓÏ Ó· ‡‚ÚÓÒÍËı Ô‡‚‡ı, ‰‡Ê ÂÒÎË ‚˚ ‰Ó·‡‚ÎflÂÚ ÒÓ·ÒÚ‚ÂÌÌÓ ËÒÔÓÎÌÂÌËÂ, ÍÓÔËÓ‚‡ÌËÂ Ë ÔÛ·Î˘ÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ڇÍÓ„Ó Ï‡Ú¡·
(Á‡ ËÒÍβ˜ÂÌËÂÏ ËÒÔÓθÁÓ‚‡ÌËfl ‚ ΢Ì˚ı ˆÂÎflı) ÒÚÓ„Ó Á‡Ô¢‡ÂÚÒfl.
äÓÔËÓ‚‡ÌË ÍÓÏϘÂÒÍËı ÏÛÁ˚͇θÌ˚ı ‰‡ÌÌ˚ı, ‚Íβ˜‡fl MIDI-‰‡ÌÌ˚ Ë/ËÎË ‡Û‰ËÓ‰‡ÌÌ˚Â, ÌÓ Ì ӄ‡Ì˘˂‡flÒ¸ ËÏË, ÒÚÓ„Ó Á‡Ô¢‡ÂÚÒfl, Á‡ ËÒÍβ˜ÂÌËÂÏ
ËÒÔÓθÁÓ‚‡ÌËfl ‚ ΢Ì˚ı ˆÂÎflı.
6
Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
ä‡Í ÔÓθÁÓ‚‡Ú¸Òfl ˝ÚËÏ ÛÍÓ‚Ó‰ÒÚ‚ÓÏ
燘‡ÎÓ ‡·ÓÚ˚..............................................................................................................ÒÚ. 18
режде чем перейти к другим разделам этого уководства, обязательно
прочитайте этот раздел. нем рассказывается о том, как начать работу с
синтезатором Tyros2.
é·ÁÓ
...............................................................................................................................ÒÚ. 22
сли вы не любите читать длинные руководства и хотите немедленно начать
играть на синтезаторе Tyros2, в этом случае прочитайте этот раздел.
ëÓ‰ÂʇÌË ......................................................................................................................ÒÚ. 8
ëÔËÒÓÍ Á‡‰‡˜
......................................................................................................ÒÚ. 10
Этот индекс организован по функциям и применениям, а не по отдельным словам,
что дает возможность быстро и просто найти, как выполнить определенную
операцию или описание интересующей вас темы.
è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚..........................................................................ÒÚ. 14
аздел рассказывает обо всех кнопках и элементах управления синтезатора Tyros2.
éÒÌÓ‚Ì˚ ÓÔ‡ˆËË ..................................................................................................ÒÚ. 68
аздел посвящен основам работы и организации данных синтезатора Tyros2 в
файлах и основным операциям с использованием -дисплея.
à‡ıËfl ÙÛÌ͈ËÈ......................................................................................................ÒÚ. 81
этом списке приведена иерархия функций синтезатора Tyros2, что дает
возможность быстро определить отношения различных функций и быстро
обнаружить нужную информацию.
ëÔ‡‚Ó˜ÌËÍ......................................................................................................................ÒÚ. 84
Ознакомившись с предыдущими разделами, просмотрите этот справочник по
всем функциям. е надо читать все сразу, он предназначен для справки по той
функции или возможности, которая вас заинтересует.
ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ...........................................................................................ÒÚ. 225
сли синтезатор Tyros2 работает не так, как ожидалось, или у вас возникли
проблемы со звуком или выполнением каких-либо операций, обратитесь к этому
разделу, прежде чем обращаться к представителю корпорации Yamaha или в
сервисный центр. десь приведены наиболее распространенные проблемы и
очень просто и доступно описаны способы их решения.
ëÎÓ‚‡¸............................................................................................................................ÒÚ. 227
юда вошли важные слова и технические термины, которые не полностью
объяснены в этом уководстве.
ÅÛÍÎÂÚ Data List (ÓÚ‰ÂθÌÓ)
десь содержатся различные важные списки, например: таблица прямого
доступа, таблица аккордов для воспроизведения стиля, список тембров, список
стилей, список типов эффектов, таблица формата MIDI-данных, таблица
характеристик MIDI-интерфейса.
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓ ÛÒÚ‡ÌÓ‚Í (ÓÚ‰ÂθÌÓ)
месте с синтезатором Tyros2 поставляются различные программы (на компакт-
диске), которые позволяют использовать компьютер вместе с синтезатором для
записи, хранения данных и т. д. этом руководстве содержатся инструкции по
установке прилагаемого О.
Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
7
ëÓ‰ÂʇÌËÂ
èÓÁ‰‡‚ÎflÂÏ!............................................................................................6
é·Û˜ÂÌËÂ Ë„Â Ë ‚Ó͇ÎÛ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Guide ...............49
ìÔ‡ÍÓ‚Ó˜Ì˚È ÎËÒÚ....................................................................................6
Ç˚·Ó ÙÛÌ͈ËË Guide ................................................................49
ä‡Í ÔÓθÁÓ‚‡Ú¸Òfl ˝ÚËÏ ÛÍÓ‚Ó‰ÒÚ‚ÓÏ ................................................7
à„‡ ̇ Í·‚ˇÚÛÂ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Follow Lights...........50
ëÓ‰ÂʇÌËÂ...............................................................................................8
ìÔ‡ÊÌÂÌËfl ‚ ÔÂÌËË Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Vocal Cue Time ....51
ëÔËÒÓÍ Á‡‰‡˜ ...........................................................................................10
ëÓı‡ÌÂÌËÂ Ë ‚˚ÁÓ‚ ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇ÒÚÓÂÍ Ô‡ÌÂÎË;
è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚............................................................14
„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ ............................................................52
ÇÂıÌflfl Ô‡ÌÂθ Ë ‡Á˙ÂÏ˚...............................................................14
ëÓı‡ÌÂÌË ԇÌÂθÌ˚ı ̇ÒÚÓÂÍ
ᇉÌflfl Ô‡ÌÂθ Ë ‡Á˙ÂÏ˚ ................................................................16
‚ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË..................................................52
ëÓı‡ÌÂÌË ÒÓ‰ÂÊËÏÓ„Ó Â„ËÒÚ‡ˆËÓÌÌÓÈ
燘‡ÎÓ ‡·ÓÚ˚ 18
Ô‡ÏflÚË ‚ ‡Á‰ÂΠUSER......................................................53
àÒÚÓ˜ÌËÍ ÔËÚ‡ÌËfl ..................................................................................18
Ç˚ÁÓ‚ ̇·Ó‡ Ô‡‡ÏÂÚÓ‚ ËÁ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË.........54
ÑÓÔÓÎÌËÚÂθÌ˚ ‰Ë̇ÏËÍË..................................................................18
á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËfl Ë ÒÓÁ‰‡ÌË ÏÂÎÓ‰ËÈ
è˛ÔËÚ......................................................................................................19
— ÙÛÌ͈Ëfl Song Recording.........................................................55
ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ÔËÚ‡ÌËfl....................................................20
Å˚ÒÚ‡fl Á‡ÔËÒ¸...........................................................................55
ä‡Í ÔÓ‰ÌËχڸ Ë Í‡Í Á‡Í˚‚‡Ú¸ Ô‡ÌÂθ ‰ËÒÔÎÂfl ............................21
Multi Recording.............................................................................57
á‡ÔËÒ¸ ‡Û‰ËÓ Ì‡ ÒËÌÚÂÁ‡ÚÓ Tyros2
— îÛÌ͈Ëfl Hard Disk Recorder ..................................................59
é·ÁÓ 22
á‡ÔËÒ¸ ‚ÒÚÓÂÌÌÓ„Ó Á‚Û͇ Tyros2 .............................................59
ÇÍβ˜ÂÌË ËÌÒÚÛÏÂÌÚ‡ Ë ‚ÓÒÔÓËÁ‚‰ÂÌËÂ
á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÔÂÌËfl Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl..62
‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ......................................................22
èÓ‰Íβ˜ÂÌË USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ....................64
ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl Ë ÔÓÒÏÓÚ „·‚ÌÓ„Ó ˝Í‡Ì‡...................22
àÒÔÓθÁÓ‚‡ÌË ÛÒÚÓÈÒÚ‚ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı
àÁÏÂÌÂÌË flÁ˚͇........................................................................23
Ò ËÌÚÂÙÂÈÒÓÏ USB.............................................................65
ÇÓÒÔÓËÁ‚‰ÂÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ ......................24
èÓ‰Íβ˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ .........................................................66
ÇÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ ...........................................................25
燘‡Î¸Ì‡fl ÛÒÚ‡Ìӂ͇ .................................................................67
Ç˚·Ó ÚÂÏ·‡ (RIGHT 1) Ë Ë„‡ ̇ Í·‚ˇÚÛÂ.......................25
ÑÓÒÚÛÔ Í ÊÂÒÚÍÓÏÛ ‰ËÒÍÛ ‚ ÂÊËÏ USB Storage ...................67
é‰ÌÓ‚ÂÏÂÌ̇fl Ë„‡ ‰‚ÛÏfl ËÎË ÚÂÏfl ÚÂÏ·‡ÏË...................26
ê‡ÁÌ˚ „ÓÎÓÒ‡ ‰Îfl Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍ....................................27
éÒÌÓ‚Ì˚ ÓÔ‡ˆËË — 鄇ÌËÁ‡ˆËfl
臇ÏÂÚ Octave (Ú‡ÌÒÔÓÌËÓ‚‡ÌË ̇ ÓÍÚ‡‚Û)....................27
Organ Flutes (Ó„‡ÌÌ˚ „ËÒÚ˚) ............................................28
‰‡ÌÌ˚ı 68
ëÓÁ‰‡ÌË ·Ë·ÎËÓÚÂÍË Î˛·ËÏ˚ı ÚÂÏ·Ó‚ ̇ ÛÒÚÓÈÒÚ‚Â
ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl ̇ ˝Í‡ÌÂ....................................................... 68
USER ËÎË ‚̯ÌÂÏ ÛÒÚÓÈÒÚ‚Â .........................................29
ù͇ÌÌ˚ ÒÓÓ·˘ÂÌËfl ....................................................................... 69
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl
îÛÌ͈Ëfl Direct Access (èflÏÓÈ ‰ÓÒÚÛÔ) –– å„ÌÓ‚ÂÌÌ˚È
–– Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ (ACMP)..................................................31
‚˚·Ó ˝Í‡Ì‡.............................................................................. 70
à„‡ ÏÂÎÓ‰ËË Ô‡‚ÓÈ ÛÍÓÈ Ë ‡ÍÍÓ‰Ó‚ ΂ÓÈ........................31
éÒÌӂ̇fl ÒÚÛÍÚÛ‡ Ù‡ÈÎÓ‚/Ô‡ÔÓÍ
ó‡ÒÚË ÒÚËÎfl (‡Á‰ÂÎ˚)...............................................................34
Ë Á‡ÔÓÏË̇˛˘Ëı ÛÒÚÓÈÒÚ‚ ...................................................... 70
ç‡ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË».....................................................36
éÔ‡ˆËË Ò Ô‡Ô͇ÏË Ë Ù‡È·ÏË Ì‡ ˝Í‡Ì Open/Save................... 72
ê„ÛÎËӂ͇ ·‡Î‡ÌÒ‡ „ÓÏÍÓÒÚË ÒÚËÎfl Ë Í·‚ˇÚÛ˚ ............36
ëÓÁ‰‡ÌË ÌÓ‚ÓÈ Ô‡ÔÍË...................................................................... 73
ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ԇÚËÈ ÒÚËÎfl Ë ÒÏÂ̇ ÚÂÏ·Ó‚ ....37
Ç˚·Ó (ÓÚÍ˚ÚËÂ) Ô‡ÔÍË ËÎË Ù‡È· ............................................... 73
åÛθÚËÔ˝‰˚......................................................................................38
äÓÔËÓ‚‡ÌË ԇÔÓÍ Ë Ù‡ÈÎÓ‚ (ÍÓÔËÓ‚‡ÌËÂ Ë ‚ÒÚ‡‚͇)............... 74
ÇÓÒÔÓËÁ‚‰ÂÌË ÏÛθÚËÔ˝‰Ó‚.................................................38
èÂÂÏ¢ÂÌË هÈÎÓ‚ (‚˚ÂÁ‡ÌËÂ Ë ‚ÒÚ‡‚͇)............................... 74
îÛÌ͈Ëfl Chord Match (ç‡ÒÚÓÈ͇ ̇ ‡ÍÍÓ‰) ..........................38
쉇ÎÂÌË ԇÔÓÍ Ë Ù‡ÈÎÓ‚ ............................................................... 75
ëÓı‡ÌÂÌË هÈÎÓ‚ ......................................................................... 75
àÒÔÓθÁÓ‚‡ÌË ˝ÙÙÂÍÚÓ‚ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÚÂÏ·‡......39
èËÒ‚ÓÂÌË ËÏÂÌ Ù‡ÈÎ‡Ï Ë Ô‡ÔÍ‡Ï ............................................... 76
àÒÔÓθÁÓ‚‡ÌË ˝ÙÙÂÍÚ‡ Harmony ‰Îfl ÏÂÎÓ‰ËË
LJˇÌÚ˚ ˝Í‡Ì‡ Open/Save ........................................................... 77
Ô‡‚ÓÈ ÛÍË ..........................................................................39
Ç˚‰ÂÎÂÌË ˝ÎÂÏÂÌÚÓ‚ ̇ ˝Í‡Ì (Highlight Cursor) ....................... 79
Ç˚ÁÓ‚ ̇˷ÓΠۉ‡˜ÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
ñ‚ÂÚ‡ ÍÌÓÔÓÍ Ì‡ Ô‡ÌÂÎË ....................................................................... 79
— Music Finder...............................................................................40
낉ÂÌËfl Ó Í·‚ˇÚÛÂ........................................................................ 80
Ç˚·Ó ÏÛÁ˚͇θÌÓ„Ó Ê‡Ì‡ ËÁ ÒÔËÒ͇ Á‡ÔËÒÂÈ......................40
ó‡ÒÚË Í·‚ˇÚÛ˚ Ë Ëı ÙÛÌ͈ËË ..................................................... 80
èÓËÒÍ Ë‰Â‡Î¸Ì˚ı ̇ÒÚÓÂÍ ÔÓ Íβ˜Â‚˚Ï ÒÎÓ‚‡Ï...................41
ÇÍβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ÙÛÌ͈ËË Synchro Start............................ 80
ëÓÁ‰‡ÌË ̇·Ó‡ β·ËÏ˚ı Á‡ÔËÒÂÈ.........................................42
à‡ıËfl ÙÛÌ͈ËÈ................................................................................. 81
ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËË ...........................................................43
ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËË Ì‡ USB-ÛÒÚÓÈÒÚ‚Â ......................43
ëÔ‡‚Ó˜ÌËÍ 84
àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÍ ÔÓÁˈËË ‚ ÏÂÎÓ‰Ëflı .............................44
ê„ÛÎËӂ͇ ·‡Î‡ÌÒ‡ „ÓÏÍÓÒÚË ÏÂÎÓ‰ËË Í·‚ˇÚÛ˚ ..........46
íÂÏ·˚..................................................................................................... 84
ÇÍβ˜ÂÌËÂ/Ç˚Íβ˜ÂÌË ԇÚËÈ ÏÂÎÓ‰ËË ...............................46
íÂÏ·˚ Ë Ô‡ÚËË Í·‚ˇÚÛ˚.......................................................... 84
èÂÌËÂ Ò ÏËÍÓÙÓÌÓÏ......................................................................47
íËÔ˚ ÚÂÏ·Ó‚.................................................................................... 85
èÓ‰Íβ˜ÂÌË ÏËÍÓÙÓ̇..........................................................47
íÂÏ·Ó‚˚ ˝ÙÙÂÍÚ˚ ...................................................................... 87
èÂÌË ÔÂÒÂÌ Ò ÏËÍÓÙÓÌÓÏ.......................................................47
àÁÏÂÌÂÌË ‚˚ÒÓÚ˚ Á‚Û͇ ̇ ÒËÌÚÂÁ‡ÚÓ Tyros2.......................... 88
é·‡·ÓÚ͇ Á‚Û˜‡ÌËfl „ÓÎÓÒ‡ Ò ÔÓÏÓ˘¸˛
鄇ÌÌ˚ „ËÒÚ˚ (ç‡ÒÚÓÈÍË Â„ËÒÚÓ‚).................................... 89
˝ÙÙÂÍÚÓ‚ Harmony..............................................................48
臇ÏÂÚ˚ ........................................................................................ 89
8
Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
ëÓ‰ÂʇÌËÂ
ꉇÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚ (ÙÛÌ͈Ëfl Voice Set).................................91
àÁÏÂÌÂÌË ‰‡ÌÌ˚ı ‰Îfl Í‡Ê‰Ó„Ó Í‡Ì‡Î‡ ...................................... 165
臇ÏÂÚ˚ .........................................................................................91
ìÒÚ‡Ìӂ͇ Ô‡‡ÏÂÚÓ‚ هȷ SMF ..............................................165
îÛÌ͈Ëfl Voice Creator — ꉇÍÚËÓ‚‡ÌËÂ
á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÒÚËÎfl ÔË ÔÓÏÓ˘Ë ‚̯̄Ó
ÒÔˆˇθÌ˚ı ÚÂÏ·Ó‚ ....................................................................94
Á‡ÔËÒ˚‚‡˛˘Â„Ó ÒÂÍ‚ÂÌÒÓ‡ ................................................... 167
åÛθÚËÔ˝‰˚ .......................................................................................... 169
ëÓÁ‰‡ÌË ÚÂÏ·‡ –– éÒÌÓ‚Ì˚ ‰ÂÈÒÚ‚Ëfl .......................................94
ꉇÍÚËÓ‚‡ÌË ÒÔˆˇθÌÓ„Ó ÚÂÏ·‡ ‚ Tyros2
ꉇÍÚËÓ‚‡ÌË ÏÛθÚËÔ˝‰Ó‚ Ò ÔÓÏÓ˘¸˛ ˝Í‡Ì‡ Open/Save.... 169
–– îÛÌ͈Ëfl Voice Set................................................................101
ëÓÁ‰‡ÌËÂ/‰‡ÍÚËÓ‚‡ÌË ÏÛθÚËÔ˝‰‡ (ˆËÙÓ‚‡fl Á‡ÔËÒ¸) ....... 169
ꉇÍÚËÓ‚‡ÌË ·‡Ì͇ ÒÔˆˇθÌ˚ı ÚÂÏ·Ó‚
îÛÌ͈Ëfl Music Finder.......................................................................... 171
–– îÛÌ͈Ëfl Custom Voice Bank Edit ........................................102
ꉇÍÚËÓ‚‡ÌË Á‡ÔËÒÂÈ ‚ ÙÛÌ͈ËË Music Finder ....................... 171
ᇄÛÁ͇ Ó‰ÌÓ„Ó ÒÔˆˇθÌÓ„Ó ÚÂÏ·‡ ‚ Tyros2
ëÓı‡ÌÂÌË Á‡ÔËÒÂÈ ÙÛÌ͈ËË Music Finder
— à̉˂ˉۇθ̇fl Á‡„ÛÁ͇ ...................................................104
‚ ÓÚ‰ÂθÌÓÏ Ù‡ÈÎÂ.................................................................. 171
ᇄÛÁ͇ ·Ë·ÎËÓÚÂÍË ÒÔˆˇθÌ˚ı ÚÂÏ·Ó‚ ‚ Tyros2
ê„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ ................................................................... 173
— ᇄÛÁ͇ ·Ë·ÎËÓÚÂÍË ...........................................................106
îÛÌ͈Ëfl Freeze ...............................................................................173
ëÓı‡ÌÂÌË ÒÔˆˇθÌ˚ı ÚÂÏ·Ó‚ ‚ ·Ë·ÎËÓÚÂÍÛ
îÛÌ͈Ëfl Registration Sequence ...................................................... 173
–– ëÓı‡ÌÂÌË ·Ë·ÎËÓÚÂÍË......................................................108
àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇ ...............................................................175
ꉇÍÚËÓ‚‡ÌË ÒÔˆˇθÌÓ„Ó ÚÂÏ·‡ ̇ ÍÓÏÔ¸˛ÚÂÂ
ꉇÍÚËÓ‚‡ÌË ˝ÙÙÂÍÚ‡ Vocal Harmony.................................... 175
–– ÔÓ„‡Ïχ Voice Editor........................................................111
ç‡ÒÚÓÈ͇ ÙÛÌ͈ËË Talk.................................................................177
ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËË ................................................................112
鷢ˠ̇ÒÚÓÈÍË ÏËÍÓÙÓ̇........................................................177
éÚÓ·‡ÊÂÌË ÌÓÚ ............................................................................112
åËͯÂÌ˚È ÔÛθÚ................................................................................ 179
éÚÓ·‡ÊÂÌË ÚÂÍÒÚ‡ ÔÂÒÂÌ ............................................................114
ç‡ÒÚÓÈÍË Ô‡ÚËË ...........................................................................180
Ç˚‚Ó‰ ÚÂÍÒÚ‡ ...................................................................................115
îÛÌ͈Ëfl Song Auto Revoice............................................................ 181
Ç˚‚Ó‰ ˝Í‡ÌÓ‚ Lyrics/Text ̇ ‚̯ÌËÈ ÏÓÌËÚÓ ..........................116
ùÙÙÂÍÚ˚ ......................................................................................... 181
èÓÎÓÊÂÌË ÏÂÎÓ‰ËË........................................................................117
ùÍ‚‡Î‡ÈÁ (EQ) .............................................................................184
臇ÏÂÚ˚, Ò‚flÁ‡ÌÌ˚Â Ò ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ÏÂÎÓ‰ËË................118
ùÙÙÂÍÚ Master Compressor ........................................................... 185
èÓË„˚‚‡ÌË ÙÓÌÓ‚˚ı Ô‡ÚËÈ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË
ç‡ÒÚÓÈÍË Line Out.......................................................................... 185
Performance Assistant Technology ............................................120
ç‡ÒÚÓÈ͇ Ó·˘Ëı Ë ‰Û„Ëı ‚‡ÊÌ˚ı Ô‡‡ÏÂÚÓ‚—îÛÌ͈Ëfl....... 187
Song Creator (ˆËÙÓ‚‡fl Á‡ÔËÒ¸)........................................................121
ç‡ÒÚÓÈ͇ Á‚Û͇.............................................................................. 187
ç‡ÒÚÓÈÍË ÂÊËχ Á‡ÔËÒË (‰Îfl ÔÂÂÁ‡ÔËÒË)................................122
îÛÌ͈Ëfl Voice Set ........................................................................... 188
àÁÏÂÌÂÌË ‰‡ÌÌ˚ı ‰Îfl Í‡Ê‰Ó„Ó Í‡Ì‡Î‡.......................................123
ç‡ÒÚÓÈÍË ÙÛÌ͈ËË Screen Out ..................................................... 188
èÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸ ‰‡ÌÌ˚ı ‡ÍÍÓ‰‡ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË
îÛÌ͈Ëfl Controller........................................................................... 189
Event List ....................................................................................125
ùÙÙÂÍÚ˚ Harmony/Echo ................................................................191
èÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸ ÌÓÚ ÔË ÔÓÏÓ˘Ë ÙÛÌ͈ËË Event List...............127
ÑÛ„Ë ԇ‡ÏÂÚ˚ — ÙÛÌ͈Ëfl Utility ............................................ 193
èÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸ ÒÓÓ·˘ÂÌËÈ System Exclusive ÔË ÔÓÏÓ˘Ë
èflÏÓ ÔÓ‰Íβ˜ÂÌËÂ Í àÌÚÂÌÂÚÛ ÒËÌÚÂÁ‡ÚÓ‡ Tyros2.............. 197
ÙÛÌ͈ËË Event List ....................................................................133
èÓ‰Íβ˜ÂÌË ËÌÒÚÛÏÂÌÚ‡ Í àÌÚÂÌÂÚÛ ......................................197
èÓ¯‡„Ó‚˚È ÂÊËÏ Á‡ÔËÒË ÚÂÍÒÚ‡ ÔÂÒÂÌ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ
ÑÓÒÚÛÔ Í ÒÔˆˇθÌÓÏÛ ‚·-Ò‡ÈÚÛ Tyros2..................................... 198
ÙÛÌ͈ËË Event List ....................................................................133
éÔ‡ˆËË Ì‡ ÒÔˆˇθÌÓÏ ‚·-Ò‡ÈÚ Tyros2 ............................... 198
á‡ÔËÒ¸ ‡Û‰ËÓ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Hard Disk Recorder ................135
èËÓ·ÂÚÂÌËÂ Ë Á‡„ÛÁ͇ ‰‡ÌÌ˚ı.................................................. 201
éÔ‡ˆËË Ò Ù‡È·ÏË Ë Ô‡Ô͇ÏË Ì‡ ÊÂÒÚÍÓÏ ‰ËÒÍÂ
ëÓı‡ÌÂÌË Á‡Í·‰ÓÍ Î˛·ËÏ˚ı ÒÚ‡Ìˈ...................................... 202
–– ˝Í‡Ì Open/Save ..................................................................135
àÁÏÂÌÂÌË ‰Óχ¯ÌÂÈ ÒÚ‡Ìˈ˚.................................................... 204
àÏÔÓÚ ‡Û‰ËÓهȷ........................................................................137
é· ˝Í‡Ì Internet Settings («ç‡ÒÚÓÈÍË àÌÚÂÌÂÚ‡»)................. 205
ùÍÒÔÓÚ ‡Û‰ËÓهȷ.......................................................................139
àÌˈˇÎËÁ‡ˆËfl ̇ÒÚÓÂÍ àÌÚÂÌÂÚ‡ ............................................ 208
èÂÂÁ‡ÔËÒ¸.......................................................................................141
ëÎÓ‚‡¸ ÚÂÏËÌÓ‚ àÌÚÂÌÂÚ‡ ....................................................... 209
ìÒÚ‡Ìӂ͇ ÚÓ˜ÂÍ Start/End
MIDI.......................................................................................................... 210
(̇˜‡Î¸ÌÓÈ Ë ÍÓ̘ÌÓÈ ÚÓ˜ÍË ‡Û‰ËÓ) ......................................146
MIDI-Ô‡‡ÏÂÚ˚ ÒËÒÚÂÏ˚............................................................... 215
êÂÊËÏ ÒÔËÒ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl....................................................147
臇ÏÂÚ˚ Ô‰‡˜Ë MIDI-ÒÓÓ·˘ÂÌËÈ ......................................... 215
ëÓÁ‰‡ÌË ÒÔËÒ͇ Playlist (ÒÔËÒÓÍ ‚ÓÒÔÓËÁ‚‰ÂÌËfl) ....................147
臇ÏÂÚ˚ ÔËÂχ MIDI-ÒÓÓ·˘ÂÌËÈ............................................. 216
ÇÓÒÔÓËÁ‚‰ÂÌË ÒÔËÒ͇ ................................................................149
ìÒÚ‡Ìӂ͇ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ‡ÍÍÓ‰‡ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl
ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl ÂÊËχ Playlist..........................................151
ÒÚËÎfl ÔË ÔÓÏÓ˘Ë ÔÓÎÛ˜ÂÌÌ˚ı MIDI-‰‡ÌÌ˚ı......................... 217
ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl (‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ) .............................152
ìÒÚ‡Ìӂ͇ ÚËÔ‡ ‡ÍÍÓ‰‡ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ÔË
ÍÚÂËÒÚËÍË ÒÚËÎfl.....................................................................152
ÔÓÏÓ˘Ë ÔÓÎÛ˜ÂÌÌ˚ı MIDI-‰‡ÌÌ˚ı .......................................... 217
ÄÔÔÎË͇ÚÛ‡ ‡ÍÍÓ‰Ó‚ ....................................................................152
ç‡ÒÚÓÈÍË MFC10 ...........................................................................217
îÛÌ͈Ëfl Fade In/Out ........................................................................154
íÂÏÔ ..................................................................................................154
èËÎÓÊÂÌË 219
îÛÌ͈ËË Synchro Start Ë Synchro Stop............................................155
èÓ„‡ÏÏËÛÂχfl ÙÛÌ͈Ëfl One Touch Setting (OTS) ..................155
ìÒÚ‡Ìӂ͇ ‰ÓÔÓÎÌËÚÂθÌ˚ı ‰Ë̇ÏËÍÓ‚ ......................................... 219
Å˚ÒÚ˚È ‚˚·Ó ÒÚËÎfl .....................................................................156
ìÒÚ‡Ìӂ͇ ‰ÓÔÓÎÌËÚÂθÌÓ„Ó ÊÂÒÚÍÓ„Ó ‰ËÒ͇ ............................... 221
ç‡ÒÚÓÈÍË, Ò‚flÁ‡ÌÌ˚Â Ò ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ÒÚËÎfl ......................157
ìÒÚ‡Ìӂ͇ ‰ÓÔÓÎÌËÚÂθÌ˚ı ÏÓ‰ÛÎÂÈ Ô‡ÏflÚË DIMM..................... 223
Style Setting, ˝Í‡Ì...........................................................................157
ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ ....................................................................... 225
íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚.......................................................158
ëÎÓ‚‡¸.................................................................................................. 227
îÛÌ͈Ëfl Style Creator (ˆËÙÓ‚‡fl Á‡ÔËÒ¸).......................................159
íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË............................................................ 229
éÒÌÓ‚Ì˚ ̇ÒÚÓÈÍË Ë Á‡ÔËÒ¸ ͇ʉÓÈ Ô‡ÚËË (͇̇·)
àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚ (FDD) Ë ‰ËÒÍÂÚ.......... 231
‚ ‡θÌÓÏ ‚ÂÏÂÌË .................................................................161
è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ....................................................................... 232
èÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸ ÌÓÚ ÔË ÔÓÏÓ˘Ë ÙÛÌ͈ËË Event List...............162
äÓÏÔÓÌӂ͇ ÒÚËÎfl ËÁ ÒÛ˘ÂÒÚ‚Û˛˘Ëı Ù‡Á ..................................163
îÛÌ͈ËË Groove Ë Dynamics............................................................163
Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
9
ëÔËÒÓÍ Á‡‰‡˜
ÑÓ ‚Íβ˜ÂÌËfl ÔËÚ‡ÌËfl
● ìÒÚ‡Ìӂ͇ Ô˛ÔËÚ‡ ..................................................................................................................................................................................ÒÚ. 19
● èÓ‰Íβ˜ÂÌË ̇ۯÌËÍÓ‚.........................................................................................................................................................................ÒÚ. 14
● èÓ‰Íβ˜ÂÌË ‰Ë̇ÏËÍÓ‚ .......................................................................................................................................................................ÒÚ. 219
● ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ÔËÚ‡ÌËfl...................................................................................................................................................ÒÚ. 20, 22
èÓÒÎۯ˂‡ÌË ÒËÌÚÂÁ‡ÚÓ‡ Tyros2
● ÇÓÒÔÓËÁ‚‰ÂÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ ....................................................................................................................................ÒÚ. 24
● ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËÈ
• ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËË.................................................................................................................................................................ÒÚ. 43
• ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ԇÚËÈ (͇̇ÎÓ‚) ÏÂÎÓ‰ËË.....................................................................................................................ÒÚ. 46
• ç‡ÒÚÓÈ͇ ·‡Î‡ÌÒ‡ ÏÂÊ‰Û ÏÂÎÓ‰ËÂÈ Ë Í·‚ˇÚÛÓÈ ......................................................................................................................ÒÚ. 46
● ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ
• ÇÓÒÔÓËÁ‚‰ÂÌË ‚ÒÚÓÂÌÌ˚ı ÒÚËÎÂÈ...............................................................................................................................................ÒÚ. 31
• ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ԇÚËÈ (͇̇ÎÓ‚) ÒÚËÎfl..........................................................................................................................ÒÚ. 37
• ç‡ÒÚÓÈ͇ ·‡Î‡ÌÒ‡ ÏÂÊ‰Û ÒÚËÎÂÏ Ë Í·‚ˇÚÛÓÈ...........................................................................................................................ÒÚ. 36
● ÇÓÒÔÓËÁ‚‰ÂÌË ÏÛθÚËÔ˝‰Ó‚ ...............................................................................................................................................................ÒÚ. 38
à„‡ ̇ Í·‚ˇÚÛÂ
● Ç˚·Ó ÚÂÏ·‡ (RIGHT 1) Ë Ë„‡ ̇ Í·‚ˇÚÛÂ.....................................................................................................................................ÒÚ. 25
● é‰ÌÓ‚ÂÏÂÌ̇fl Ë„‡ ‰‚ÛÏfl ËÎË ÚÂÏfl ÚÂÏ·‡ÏË.................................................................................................................................ÒÚ. 26
● à„‡ ‡ÁÌ˚ÏË ÚÂÏ·‡ÏË ‰Îfl ΂ÓÈ Ë Ô‡‚ÓÈ ÛÍË ...............................................................................................................................ÒÚ. 27
● óÂÚ˚ ˜‡ÒÚË Í·‚ˇÚÛ˚ (RIGHT 1, 2, 3 Ë LEFT).................................................................................................................................ÒÚ. 80
● à„‡ ‚ ÚÂÏ·Â ·‡‡·‡ÌÓ‚/Û‰‡Ì˚ı .........................................................................................................................................................ÒÚ. 85
● à„‡ ‚ ÚÂÏ·Â Super Articulation .............................................................................................................................................................ÒÚ. 86
● îÛÌ͈ËË Initial touch Ë Aftertouch .....................................................................................................................................................ÒÚ. 87, 191
● ç‡ÒÚÓÈ͇ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í ÒËΠ̇ʇÚËfl.....................................................................................................................................ÒÚ. 191
● ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ÙÛÌ͈ËË Initial Touch ‰Îfl ͇ʉÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ (RIGHT 1, 2, 3, LEFT) ........................................ÒÚ. 191
● ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ÙÛÌ͈ËË Aftertouch ‰Îfl ͇ʉÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ (RIGHT 1, 2, 3, LEFT) ...........................................ÒÚ. 191
● ç‡ÒÚÓÈ͇ „ÛÎflÚÓ‡ ÏÓ‰ÛÎflˆËË ‰Îfl ͇ʉÓÈ ËÁ ˜‡ÒÚÂÈ Í·‚ˇÚÛ˚ (RIGHT 1, 2, 3, LEFT).........................................................ÒÚ. 191
ìÔ‡ÊÌÂÌË ‚ ˄ ̇ Í·‚ˇÚÛÂ
● àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ....................................................................................................................................................................ÒÚ. 193
● Ç˚‚Ó‰ ̇ ˝Í‡Ì ÌÓÚ ÏÂÎÓ‰ËË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò Â ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ
‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl..................................................................................................... Ò Ô‡ÚËÚÛÓÈ ÏÂÎÓ‰ËË ........................ÒÚ. 112
Ò ÙÛÌ͈ËÂÈ Guide .....................................ÒÚ. 49
Ç˚·Ó ÔÓ„‡ÏÏ Ë Ì‡ÒÚÓÂÍ ‰Îfl ÒËÌÚÂÁ‡ÚÓ‡ Tyros2
● íÂÏ·˚.......................................................................................................................................................................................................ÒÚ. 25
● ëÔˆˇθÌ˚ ÚÂÏ·˚...............................................................................................................................................................................ÒÚ. 94
● ëÚËÎË .........................................................................................................................................................................................................ÒÚ. 31
● ŇÌÍË ÏÛθÚËÔ˝‰Ó‚ ...................................................................................................................................................................................ÒÚ. 38
● åÂÎÓ‰ËË (MIDI)..........................................................................................................................................................................................ÒÚ. 43
● åÂÎÓ‰ËË (‡Û‰ËÓ)........................................................................................................................................................................................ÒÚ. 59
● á‡ÔËÒË ˝Í‡Ì‡ Music Finder .....................................................................................................................................................................ÒÚ. 40
● ŇÌÍË Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË ..............................................................................................................................................................ÒÚ. 54
● çÓχ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË ...........................................................................................................................................................ÒÚ. 54
● çÓχ ̇ÒÚÓÈÍË ‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ..........................................................................................................................................................ÒÚ. 36
● íËÔ˚ ˝ÙÙÂÍÚÓ‚ Harmony/Echo .............................................................................................................................................................ÒÚ. 191
● ò‡·ÎÓÌ˚ MIDI.........................................................................................................................................................................................ÒÚ. 213
● íËÔ˚ ˝ÙÙÂÍÚÓ‚.......................................................................................................................................................................................ÒÚ. 183
● íËÔ˚ ˝ÙÙÂÍÚ‡ Vocal Harmony.................................................................................................................................................................ÒÚ. 48
● íËÔ˚ Ó·˘Â„Ó ˝Í‚‡Î‡ÈÁ‡ .....................................................................................................................................................................ÒÚ. 184
● íËÔ˚ ˝ÙÙÂÍÚ‡ Master Compressor........................................................................................................................................................ÒÚ. 185
10
Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
ëÔËÒÓÍ Á‡‰‡˜
àÒÔÓθÁÓ‚‡ÌË Üä-‰ËÒÔÎÂfl
● àÒÔÓθÁÓ‚‡ÌË ÓÒÌÓ‚ÌÓ„Ó ‰ËÒÔÎÂfl.........................................................................................................................................................ÒÚ. 22
● èÓÒÏÓÚ ÚÂÍÒÚÓ‚ ÔÂÒÂÌ Ì‡ Üä-‰ËÒÔΠ.......................................................................................................................................ÒÚ. 47, 114
● èÓÒÏÓÚ Ô‡ÚËÚÛ˚ ÏÂÎÓ‰ËÈ Ì‡ Üä-‰ËÒÔÎÂÂ..............................................................................................................................ÒÚ. 51, 112
● èÓÒÏÓÚ ÚÂÍÒÚ‡ ̇ Üä-‰ËÒÔΠ..........................................................................................................................................................ÒÚ. 115
● éÚÓ·‡ÊÂÌË ÒÓ‰ÂÊËÏÓ„Ó ‰ËÒÔÎÂfl ̇ ÓÚ‰ÂθÌÓÏ ÏÓÌËÚÓÂ....................................................................................................ÒÚ. 16, 188
èÓË„˚¯ ‡ÍÍÓ‰Ó‚ ΂ÓÈ ÛÍÓÈ Ë ÏÂÎÓ‰ËÈ Ô‡‚ÓÈ ÛÍÓÈ
îÛÌ͈Ëfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ACMP)
● Ç˚·Ó Ë ÔÓË„˚‚‡ÌË ÒÚËÎfl..................................................................................................................................................................ÒÚ. 31
● é·Û˜ÂÌË ˄ ÓÔ‰ÂÎÂÌÌ˚ÏË ÚËÔ‡ÏË ‡ÍÍÓ‰Ó‚................................................................ ÙÛÌ͈Ëfl Chord Tutor...........................ÒÚ. 152
● é·Û˜ÂÌË ˄ ‡ÍÍÓ‰‡ÏË ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ...................................................... ÙÛÌ͈Ëfl Chord Fingering ....................ÒÚ. 152
● èËÏÂÌÂÌË ‡‚ÚÓχÚ˘ÂÒÍÓÈ „‡ÏÓÌËË ËÎË ˝ı‡ Í ÏÂÎÓ‰ËflÏ,
ÔÓË„˚‚‡ÂÏ˚Ï Ô‡‚ÓÈ ÛÍÓÈ ...............................................................................................˝ÙÙÂÍÚ˚ Harmony/Echo...............ÒÚ. 39, 191
● Ä‚ÚÓχÚ˘ÂÒÍÓ ËÁÏÂÌÂÌË ‡ÍÍÓ‰Ó‚ ÏÛθÚËÔ˝‰Ó‚ ÔË Ë„Â Î‚ÓÈ ÛÍÓÈ........................ ÙÛÌ͈Ëfl Chord Match............................ÒÚ. 38
å„ÌÓ‚ÂÌÌ˚È ‚˚·Ó ÔÓθÁÓ‚‡ÚÂθÒÍÓ„Ó Ì‡·Ó‡ Ô‡‡ÏÂÚÓ‚
● Ç˚ÁÓ‚ ̇˷ÓΠÔÓ‰ıÓ‰fl˘Ëı ̇ÒÚÓÂÍ Ô‡ÌÂÎË...........................ÔÓ„‡ÏÏËÛÂχfl ÙÛÌ͈Ëfl Music Finder .............................ÒÚ. 40, 171
● àÁÏÂÌÂÌË ̇ÒÚÓÂÍ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË ÒÓ ÒÚËÎÂÏ..........................ÔÓ„‡ÏÏËÛÂχfl ÙÛÌ͈Ëfl One Touch Setting (OTS) .........ÒÚ. 36, 155
● ëÓı‡ÌÂÌËÂ Ë ‚˚ÁÓ‚ ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇ÒÚÓÂÍ Ô‡ÌÂÎË..........„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ .......................................................ÒÚ. 52, 173
ëÓÁ‰‡ÌË Á‚ÛÍÓ‚, ÒÚËÎÂÈ, ÏÂÎÓ‰ËÈ Ë Ú. ‰.
● чÌÌ˚Â, ÍÓÚÓ˚ ÏÓÊÌÓ ÒÓÁ‰‡Ú¸ ÔË ÔÓÏÓ˘Ë ÙÛÌ͈ËÈ ÒËÌÚÂÁ‡ÚÓ‡ Tyros2 ...................................................................................ÒÚ. 71
● ëÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌ˚ı ÚÂÏ·Ó‚ ............................................................................................ ÙÛÌ͈Ëfl Voice Set ................................ÒÚ. 91
ÙÛÌ͈Ëfl Voice Creator ..........................ÒÚ. 94
● ëÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌ˚ı ÚÂÏ·Ó‚ Organ Flutes ..................................................................... ÙÛÌ͈Ëfl Voice Set ................................ÒÚ. 89
● ëÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ............................................................................................... ÙÛÌ͈Ëfl Style Creator .........................ÒÚ. 159
• äÓÏÔÓÌӂ͇ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÒÚËÎfl ËÁ ÒÛ˘ÂÒÚ‚Û˛˘Ëı Ó·‡ÁˆÓ‚ .....................................................................................................ÒÚ. 163
• á‡ÔËÒ¸ Ó·‡Áˆ‡ ËÚχ.......................................................................................................................................................................ÒÚ. 161
• á‡ÔÓÏË̇ÌË ԇ‡ÏÂÚÓ‚ Ô‡ÌÂÎË ÔË ÔÓÏÓ˘Ë ÙÛÌ͈ËË One Touch Setting, ÒÓ‰Âʇ˘ÂÈÒfl ‚ ÒÚËΠ......................................ÒÚ. 155
● ëÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌ˚ı ÏÂÎÓ‰ËÈ
• á‡ÔËÒ¸ Ë„˚ ̇ Í·‚ˇÚÛ ............................................................................................... ÙÛÌ͈Ëfl Song Creator.....................ÒÚ. 55–58
• èÓÒΉӂ‡ÚÂθÌ˚È ‚‚Ó‰ ÌÓÚ ............................................................................................ ÙÛÌ͈Ëfl Song Creator................ ÒÚ. 125–132
• Ç‚Ó‰ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÎÓ‚ ÔÂÒÌË.................................................................................. ÙÛÌ͈Ëfl Song Creator........................ ÒÚ. 133
• Ç‚Ó‰ ÏÂÚÓÍ ‚ ÏÂÎӉ˲ ...................................................................................................... ÙÛÌ͈Ëfl Song Creator.................. ÒÚ. 44, 133
• á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl ̇ ‰ÓÔÓÎÌËÚÂθÌ˚È ÊÂÒÚÍËÈ ‰ËÒÍ........................... ÙÛÌ͈Ëfl Hard Disk Recorder.........ÒÚ. 59, 135
● ëÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌ˚ı ÏÛθÚËÔ˝‰Ó‚ ....................................................................................................................................................ÒÚ. 169
● ëÓÁ‰‡ÌË ·‡Ì͇ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË .......................................................................................................................................ÒÚ. 53–54
● ëÓÁ‰‡ÌË ÌÓ‚˚ı Á‡ÔËÒÂÈ ‰Îfl ÙÛÌ͈ËË Music Finder...........................................................................................................................ÒÚ. 171
● ëÓÁ‰‡ÌË ÌÓ‚˚ı ÚËÔÓ‚ ˝ÙÙÂÍÚ‡ Vocal Harmony.................................................................................................................................ÒÚ. 175
● ëÓÁ‰‡ÌË ÌÓ‚˚ı ÚËÔÓ‚ ˝ÙÙÂÍÚÓ‚ ........................................................................................................................................................ÒÚ. 183
● ëÓÁ‰‡ÌË ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇ÒÚÓÂÍ Ó·˘Â„Ó ˝Í‚‡Î‡ÈÁ‡ .............................................................................................................ÒÚ. 184
● ëÓÁ‰‡ÌË ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇ÒÚÓÂÍ ˝ÙÙÂÍÚ‡ Master Compressor................................................................................................ÒÚ. 185
● èËÒ‚‡Ë‚‡ÌË ËÏÂÌË ÒÓÁ‰‡ÌÌ˚Ï ‰‡ÌÌ˚Ï..............................................................................................................................................ÒÚ. 76
● ëÓı‡ÌÂÌË ÒÓÁ‰‡ÌÌ˚ı ‰‡ÌÌ˚ı Í‡Í Ù‡È·............................................................................................................................................ÒÚ. 75
ìÒÚÓÈÒÚ‚Ó Ë ÒÚÛÍÚÛ‡ ÒËÌÚÂÁ‡ÚÓ‡ Tyros2
● 낉ÂÌËfl Ó ÚËÔ‡ı ‰‡ÌÌ˚ı Ë Ù‡ÈÎÓ‚, Ó·‡·‡Ú˚‚‡ÂÏ˚ı ÒËÌÚÂÁ‡ÚÓÓÏ Tyros2...................................................................................ÒÚ. 71
● î‡ÈÎ˚ Ë Ô‡ÔÍË ..........................................................................................................................................................................................ÒÚ. 71
● ñ‚ÂÚÓ‚‡fl ÍÓ‰Ëӂ͇ ·ÏÔÓ˜ÂÍ Ì‡ ÍÌÓÔ͇ı ............................................................................................................................................ÒÚ. 79
● 낉ÂÌËfl Ó ÒÚÛÍÚÛ ԇÏflÚË .................................................................................................................................................................ÒÚ. 71
● 낉ÂÌËfl Ó· ÓÒÌÓ‚Ì˚ı ÓÔ‡ˆËflı ....................................................................................................................................................ÒÚ. 68–80
● ó‡ÒÚË ÚÓÌ-„Â̇ÚÓ‡ ............................................................................................................................................................................ÒÚ. 179
● ëÚÛÍÚÛ‡ ˝ÙÙÂÍÚÓ‚..............................................................................................................................................................................ÒÚ. 181
Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
11
ëÔËÒÓÍ Á‡‰‡˜
ç‡ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇
● ç‡ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇ ‚ÒÂ„Ó ÒËÌÚÂÁ‡ÚÓ‡ Tyros2............................................................ ÙÛÌ͈Ëfl Master Tune..........................ÒÚ. 187
● ç‡ÒÚÓÈ͇ ÓÚ‰ÂθÌ˚ı ÌÓÚ Í·‚ˇÚÛ˚.................................................................................. ÙÛÌ͈Ëfl Scale Tune............................ÒÚ. 187
● ç‡ÒÚÓÈ͇ ÓÍÚ‡‚˚ Í·‚ˇÚÛ˚ .......................................................................................................................................................ÒÚ. 27, 180
● í‡ÌÒÔÓÌËÓ‚‡ÌË ÌÓÚ (ÙÛÌ͈ËË Master Transpose, Keyboard Transpose, Song Transpose) .....................................................ÒÚ. 88, 180
● ç‡ÒÚÓÈ͇ ÍÌÓÔÍË [TRANSPOSE] ̇ ÌÂÁ‡‚ËÒËÏÓ ÛÔ‡‚ÎÂÌË ÓÚ‰ÂθÌ˚ÏË ˜‡ÒÚflÏË ....................................................................ÒÚ. 191
● àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó„Ó Â„ÛÎflÚÓ‡ PITCH BEND.............................................................................................................................ÒÚ. 88
● àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó„Ó Â„ÛÎflÚÓ‡ MODULATION...........................................................................................................................ÒÚ. 88
àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎÂÈ
● èÓ‰Íβ˜ÂÌË Ô‰‡ÎÂÈ Í ÒËÌÚÂÁ‡ÚÓÛ Tyros2 ........................................................................................................................................ÒÚ. 16
● á‡ÍÂÔÎÂÌË Á‡ ͇ʉÓÈ Ô‰‡Î¸˛ ÓÔ‰ÂÎÂÌÌ˚ı ÙÛÌ͈ËÈ.................................................................................................................ÒÚ 189
● àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎË ‰Îfl ËÁÏÂÌÂÌËfl ÌÓÏÂÓ‚ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË....................... ÙÛÌ͈Ëfl Registration Sequence..........ÒÚ. 173
èÂÌËÂ Ò ÔÓ‰Íβ˜ÂÌÌ˚Ï ÏËÍÓÙÓÌÓÏ
● èÓ‰Íβ˜ÂÌË ÏËÍÓÙÓ̇ Í ÒËÌÚÂÁ‡ÚÓÛ Tyros2 ...................................................................................................................................ÒÚ. 47
● Ä‚ÚÓχÚ˘ÂÒÍÓ ÔËÏÂÌÂÌËÂ Í „ÓÎÓÒÛ ËÒÔÓÎÌËÚÂÎfl ˝ÙÙÂÍÚ‡ Vocal Harmony.................. ˝ÙÙÂÍÚ Vocal Harmony.........................ÒÚ. 48
● èËÏÂÌÂÌË ˝ÙÙÂÍÚÓ‚ Í „ÓÎÓÒÛ ËÒÔÓÎÌËÚÂÎfl.....................................................................................................................................ÒÚ. 175
● èÂÌË ÔÓ ÒÎÓ‚‡Ï ÔÂÒÌË Ì‡ ‰ËÒÔΠ................................................................................................................................................ÒÚ. 47, 114
● èÂÌË ÔÓ ÒÎÓ‚‡Ï ÔÂÒÌË Ì‡ ÓÚ‰ÂθÌÓÏ ÏÓÌËÚÓÂ.................................................................................................................................ÒÚ. 116
● èÂÌËÂ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÙÛÌ͈ËË Guide Ë ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË...................................................................................................ÒÚ. 51
● àÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Talk Setting ....................................................................................................................................................ÒÚ. 177
● ç‡ÒÚÓÈ͇ ÙÛÌ͈ËË Song Transpose ̇ ‚˚ÒÓÚÛ, Û‰Ó·ÌÛ˛ ‰Îfl ÔÂÌËfl ................................................................................................ÒÚ. 180
● ç‡ÒÚÓÈ͇ ÙÛÌ͈ËË Keyboard Transpose ̇ ‚˚ÒÓÚÛ, Û‰Ó·ÌÛ˛ ‰Îfl ÔÂÌËfl .........................................................................................ÒÚ. 180
ëÓ‚ÂÚ˚ Ë ÔËÂÏ˚ «ÊË‚Ó„Ó» ËÒÔÓÎÌÂÌËfl
● á‡ÍÂÔÎÂÌË Á‡ Ô‰‡ÎflÏË ÓÔ‰ÂÎÂÌÌ˚ı ÓÔ‡ˆËÈ/ÙÛÌ͈ËÈ...........................................................................................................ÒÚ. 189
● Ç˚ÁÓ‚ ÌÓÏÂÓ‚ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË ‚ ÔÓfl‰ÍÂ, ÛÒÚ‡ÌÓ‚ÎÂÌÌÓÏ ÔÓθÁÓ‚‡ÚÂÎÂÏ..... ÙÛÌ͈Ëfl Registration Sequence..........ÒÚ. 173
● àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎË ‰Îfl ËÁÏÂÌÂÌËfl ÌÓÏÂÓ‚ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË......................................................................................ÒÚ. 173
● àÒÔÓθÁÓ‚‡ÌË ‰ÓÔÓÎÌËÚÂθÌÓ„Ó ÍÓÌÚÓη MFC10 Ò ÒËÌÚÂÁ‡ÚÓÓÏ Tyros2...............................................................................ÒÚ. 217
● àÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Fade In/Out ....................................................................................................................................................ÒÚ. 154
● àÒÔÓθÁÓ‚‡ÌËfl ÏÂÚÓÍ ÔÓÁˈËË ÏÂÎÓ‰ËË ‰Îfl ·˚ÒÚÓ„Ó ÔÂÂÏ¢ÂÌËfl ÔÓ ÏÂÎÓ‰ËË Ë Á‡ÍÓθˆÓ‚‡ÌÌ˚Ï Û˜‡ÒÚÍ‡Ï ..........................ÒÚ. 44
ëÓ‚ÂÚ˚ Ë ÔËÂÏ˚ ËÒÔÓÎÌÂÌËfl ‚ „ÛÔÔÂ
● çÂÁ‡‚ËÒËÏÓ ڇÌÒÔÓÌËÓ‚‡ÌË ‚˚ÒÓÚ˚ Á‚Û͇ ÏÂÎÓ‰ËË Ë Í·‚ˇÚÛ˚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ë ‰Ë‡Ô‡ÁÓÌÓÏ „ÓÎÓÒ‡ ËÒÔÓÎÌËÚÂÎfl ....ÒÚ. 180
● ç‡ÒÚÓÈ͇ Ó·˘ÂÈ „ÓÏÍÓÒÚË ÒËÌÚÂÁ‡ÚÓ‡ Tyros2 ‰Îfl ÒÓÓÚ‚ÂÚÒÚ‚Ëfl ‰Û„ËÏ ËÌÒÚÛÏÂÌÚ‡Ï ..........................................................ÒÚ. 187
● ëËÌıÓÌËÁ‡ˆËfl ÒËÌÚÂÁ‡ÚÓ‡ Tyros2 Ò ‰Û„ËÏË MIDI-ËÌÒÚÛÏÂÌÚ‡ÏË................................................................................................ÒÚ. 215
é MIDI
● MIDI-ÒÓ·˚ÚËfl ÔË Ì‡Ê‡ÚËË Í·‚˯ (Ë„‡ ̇ Í·‚ˇÚÛÂ)..................................................................................................................ÒÚ. 210
● àÁÏÂÌÂÌËfl MIDI-ÔÓ„‡ÏÏ˚ (‚˚·Ó ÚÂÏ·Ó‚).....................................................................................................................................ÒÚ. 210
● MIDI-ÒÓ·˚ÚËfl ‚ ÏÂÎÓ‰Ëflı, ÒÚËÎflı Ë ÏÛθÚËÔ˝‰‡ı................................................................................................................................ÒÚ. 210
12
Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
ëÔËÒÓÍ Á‡‰‡˜
èÓ‰Íβ˜ÂÌËÂ Ë ÛÒÚ‡Ìӂ͇ ‚̯ÌÂ„Ó Ó·ÓÛ‰Ó‚‡ÌËfl Í ÒËÌÚÂÁ‡ÚÓÛ Tyros2
● èÓ‰Íβ˜ÂÌË ÍÓÏÔÎÂÍÚ‡ ‰ÓÔÓÎÌËÚÂθÌ˚ı ‰Ë̇ÏËÍÓ‚ .......................................................................................................................ÒÚ. 219
● èÓ‰Íβ˜ÂÌË USB-ÛÒÚÓÈÒÚ‚ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı....................................................................................................................................ÒÚ. 64
● ìÒÚ‡Ìӂ͇ ‰ÓÔÓÎÌËÚÂθÌÓ„Ó ÊÂÒÚÍÓ„Ó ‰ËÒ͇ ‚ ÒËÌÚÂÁ‡ÚÓ Tyros2 ...................................................................................................ÒÚ. 221
● îÓχÚËÓ‚‡ÌË ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ı ‰ÓÔÓÎÌËÚÂθÌ˚ı ÛÒÚÓÈÒÚ‚ ..........................................................................................................ÒÚ. 194
● èÓ‰Íβ˜ÂÌË ‚̯ÌÂ„Ó ‡Û‰ËÓÓ·ÓÛ‰Ó‚‡ÌËfl Ë Ó·ÓÛ‰Ó‚‡ÌËfl ‰Îfl ÒÓÁ‰‡ÌËfl ˝ÙÙÂÍÚÓ‚...................................................................ÒÚ. 17
● èÓ‰Íβ˜ÂÌË MIDI-ËÌÒÚÛÏÂÌÚÓ‚ Ë ÛÒÚÓÈÒÚ‚....................................................................................................................................ÒÚ. 211
● èÓ‰Íβ˜ÂÌË ‰ÓÔÓÎÌËÚÂθÌÓ„Ó ÌÓÊÌÓ„Ó ÔÂÂÍβ˜‡ÚÂÎfl MFC10 ....................................................................................................ÒÚ. 217
● èÓ‰Íβ˜ÂÌË ÍÓÏÔ¸˛Ú‡ ˜ÂÂÁ USB-ÔÓÚ...........................................................................................................................................ÒÚ. 66
● èÓ‰Íβ˜ÂÌË ÓÚ‰ÂθÌÓ„Ó ÏÓÌËÚÓ‡.....................................................................................................................................................ÒÚ. 116
äÓÏÔ¸˛ÚÂÌ˚ ÔËÎÓÊÂÌËfl
● óÚÓ ÏÓÊÌÓ ‰Â·ڸ Ò MIDI-‰‡ÌÌ˚ÏË, ËÒÔÓθÁÛfl ÍÓÏÔ¸˛ÚÂ Ë ÒËÌÚÂÁ‡ÚÓ Tyros2...............................................................................ÒÚ. 66
● èÓ‰Íβ˜ÂÌË ÍÓÏÔ¸˛Ú‡ Í ÒËÌÚÂÁ‡ÚÓÛ Tyros2 ÔË ÔÓÏÓ˘Ë USB-͇·ÂÎfl .......................................................................................ÒÚ. 66
● àÒÔÓθÁÓ‚‡ÌË ÔÓ„‡ÏÏ˚ Voice Editor .........................................................................................................................................ÒÚ. 67, 111
● àÒÔÓθÁÓ‚‡ÌË ÛÒÚ‡ÌÓ‚ÎÂÌÌÓ„Ó ÊÂÒÚÍÓ„Ó ‰ËÒ͇ ‚ ͇˜ÂÒÚ‚Â ÛÒÚÓÈÒÚ‚‡ ÍÓÏÔ¸˛Ú‡ .....................................................................ÒÚ. 67
ÑÛ„ËÂ ÒÓ‚ÂÚ˚
● ê„ËÒÚ‡ˆËfl ËÏÂÌË ‚·‰Âθˆ‡ ÒËÌÚÂÁ‡ÚÓ‡ Tyros2............................................................................................................................ÒÚ. 195
● àÏÔÓÚ Î˛·ËÏÓ„Ó ËÁÓ·‡ÊÂÌËfl ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ‚ ͇˜ÂÒÚ‚Â ÙÓ̇ ÓÒÌÓ‚ÌÓ„Ó ‰ËÒÔÎÂfl ...........................................................ÒÚ. 195
● àÏÔÓÚ Î˛·ËÏÓ„Ó ËÁÓ·‡ÊÂÌËfl ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ‚ ͇˜ÂÒÚ‚Â ÙÓ̇ ˝Í‡Ì‡ Song Lyrics Ë ÚÂÍÒÚ‡.............................................ÒÚ. 114
● àÏÔÓÚ Á̇˜ÍÓ‚ ‰Îfl Ó·ÓÁ̇˜ÂÌËfl ÚÂÏ·‡/ÒÚËÎfl/ÏÂÎÓ‰ËË Ì‡ ˝Í‡Ì Open/Save...............................................................................ÒÚ. 76
● éÚÓ·‡ÊÂÌË ÌÓÏÂÓ‚ ‚˚·Ó‡ ·‡Ì͇ Ë ÔÓ„‡ÏÏ˚ ‚ ÓÍÌ ‚˚·Ó‡ ÚÂÏ·Ó‚
(ùÍ‡Ì Open/Save ‰Îfl ÚÂÏ·Ó‚)............................................................................................................................................................ÒÚ. 193
● ì͇Á‡ÌË ‡ÍÍÓ‰Ó‚ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl Ò ‚̯ÌÂ„Ó MIDI-ËÌÒÚÛÏÂÌÚ‡ ....................................................................................ÒÚ. 217
Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
13
è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚
■ ÇÂıÌflfl Ô‡ÌÂθ Ë ‡Á˙ÂÏ˚
è˛ÔËÚ
ëËÌÚÂÁ‡ÚÓ Tyros2 Ò̇·ÊÂÌ
Ô˛ÔËÚÓÏ, ÍÓÚÓ˚È ÏÓÊÌÓ
ÔËÍÂÔËÚ¸ Í ËÌÒÚÛÏÂÌÚÛ, ͇Í
ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ.
ëÚ. 19
t
i
o
y
r
q
u
e
!6
!8!7
!1 !2 !3
!4
!5
w
!0
!9
#1 #2
ç‡Û¯ÌËÍË
ä·‚ˇÚÛ‡
PHONES
ä·‚ˇÚÛ‡ ÒËÌÚÂÁ‡ÚÓ‡ Tyros2 ÏÓÊÂÚ Â‡„ËÓ‚‡Ú¸ ̇ ÒËÎÛ Ì‡Ê‡ÚËfl
(ÙÛÌ͈ËË Initial touch Ë After touch), ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ ÂÒÚÂÒÚ‚ÂÌÌÓ Ë ÚÓ˜ÌÓ
ÍÓÌÚÓÎËÓ‚‡Ú¸ ÛÓ‚Â̸ ÚÂÏ·Ó‚, ̇ÊËχfl ̇ Í·‚Ë¯Ë Ò ‡ÁÌÓÈ ÒËÎÓÈ –
ÒÓ‚ÒÂÏ Í‡Í Ì‡ ‡ÍÛÒÚ˘ÂÒÍÓÏ ËÌÒÚÛÏÂÌÚÂ.
ëÚ. 87
q èÂÂÍβ˜‡ÚÂθ POWER ON/OFF........................................ÒÚ.20, 22
!0 äÌÓÔÍË STYLE CONTROL..........................................................ÒÚ. 34
w ê„ÛÎflÚÓ MASTER VOLUME ...................................................ÒÚ. 20
!1 äÌÓÔ͇ METRONOME ..............................................................ÒÚ. 193
e ê„ÛÎflÚÓ INPUT VOLUME................................................ÒÚ. 47, 175
!2 äÌÓÔ͇ TAP TEMPO ................................................................ÒÚ. 154
r äÌÓÔ͇ DEMO.............................................................................ÒÚ. 24
!3 äÌÓÔÍË TEMPO .........................................................................ÒÚ. 154
t äÌÓÔÍË MIC/LINE IN ................................................................ÒÚ. 175
!4 äÌÓÔÍË TRANSPOSE..................................................................ÒÚ. 88
y äÌÓÔÍË SONG CONTROL ..........................................................ÒÚ. 43
!5 äÌÓÔÍË MULTI PAD CONTROL .........................................ÒÚ. 38, 169
u äÌÓÔ͇ FADE IN/OUT...............................................................ÒÚ. 154
!6 äÌÓÔ͇ BALANCE .................................................................ÒÚ. 36, 46
i äÌÓÔÍË SONG.......................................................................ÒÚ. 43, 78
!7 äÌÓÔ͇ MIXING CONSOLE.......................................................ÒÚ. 179
o äÌÓÔÍË STYLE ....................................................................ÒÚ. 31, 156
!8 äÌÓÔ͇ CHANNEL ON/OFF ..................................................ÒÚ. 37, 46
14
Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚
@1 @2
@3
@5
@0
@4
@8
@6
@7
@9 #0
ÜˉÍÓÍËÒÚ‡Î΢ÂÒÍËÈ ‰ËÒÔÎÂÈ (Üä-‰ËÒÔÎÂÈ) Ë
ê‡Á˙ÂÏ USB TO DEVICE (‰Îfl ÔÓ‰Íβ˜ÂÌËfl ÛÒÚÓÈÒÚ‚)
ëÚ. 64
ÓÚÌÓÒfl˘ËÂÒfl Í ÌÂÏÛ ˝ÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl Ë ÍÌÓÔÍË
èÓ‰Íβ˜Ë‚ Í ËÌÒÚÛÏÂÌÚÛ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı, ÏÓÊÌÓ ÒÓı‡ÌflÚ¸
• äÓÌÚ‡ÒÚÌÓÒÚ¸ Üä-‰ËÒÔÎÂfl
• äÌÓÔ͇ DIRECT ACCESS
̇ ÌÂÏ ÒÓÁ‰‡ÌÌ˚ ‰‡ÌÌ˚Â, ‡ Ú‡ÍÊ ҘËÚ˚‚‡Ú¸ Ëı. åÓÊÌÓ Ú‡ÍÊ ÔÓ‰Íβ˜ËÚ¸ USB-
• äÌÓÔÍË (A–J) Üä-‰ËÒÔÎÂfl
• äÌÓÔ͇ EXIT
‡‰‡ÔÚ ÎÓ͇θÌÓÈ ÒÂÚË ‰Îfl ÔflÏÓ„Ó ‚˚ıÓ‰‡ ‚ àÌÚÂÌÂÚ Ë Ì‡ ÒÔˆˇθÌ˚ ‚·-
• äÌÓÔÍË TAB
• ÑËÒÍ ÛÔ‡‚ÎÂÌËfl DATA ENTRY
Ò‡ÈÚ˚ ‰Îfl ˝ÚÓ„Ó ËÌÒÚÛÏÂÌÚ‡. (ç‡ Á‡‰ÌÂÈ Ô‡ÌÂÎË ËÌÒÚÛÏÂÌÚ‡ ̇ıÓ‰ËÚÒfl
• äÌÓÔÍË (1–8) ‚‚Âı/‚ÌËÁ
• äÌÓÔ͇ ENTER
‰ÓÔÓÎÌËÚÂθÌ˚È ÔÓÚ USB TO DEVICE.) ç ÓÚÍβ˜‡ÈÚ ÛÒÚÓÈÒÚ‚Ó, ÂÒÎË „ÓËÚ
Üä-‰ËÒÔÎÂfl
ËÎË ÏË„‡ÂÚ Ë̉Ë͇ÚÓ READ/WRITE. Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ‰‡ÌÌ˚ ÏÓ„ÛÚ ·˚Ú¸
ëÚ. 21, 68
ÔÓ‚ÂʉÂÌ˚ ËÎË ÛÚÂflÌ˚.
!9 äÌÓÔÍË REGISTRATION MEMORY ...................................ÒÚ. 52, 173
@8 äÌÓÔÍË VOICE EFFECT........................................................ÒÚ. 39, 87
@0 äÌÓÔ͇ PROGRAMMABLE MUSIC FINDER......................ÒÚ. 40, 171
@9 äÌÓÔÍË PROGRAMMABLE ONE TOUCH SETTING..........ÒÚ. 36, 155
@1 äÌÓÔ͇ FUNCTION...................................................................ÒÚ. 187
#0 äÌÓÔÍË UPPER OCTAVE............................................................ÒÚ. 27
@2 äÌÓÔ͇ VOICE CREATOR..........................................................ÒÚ. 94
#1 ÑËÒÍ PITCH BEND ......................................................................ÒÚ. 88
@3 äÌÓÔ͇ DIGITAL RECORDING.................................ÒÚ. 121, 161, 169
#2 ÑËÒÍ MODULATION....................................................................ÒÚ. 88
@4 äÌÓÔÍË HARD DISK RECORDER ......................................ÒÚ. 59, 135
@5 äÌÓÔÍË VOICE ......................................................................ÒÚ. 25, 85
@6 äÌÓÔÍË PART SELECT.........................................................ÒÚ. 25, 84
@7 äÌÓÔÍË PART ON/OFF .........................................................ÒÚ. 25, 84
Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
15
è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚
■ ᇉÌflfl Ô‡ÌÂθ Ë ‡Á˙ÂÏ˚
•í‡Í Í‡Í ‚ ÒËÌÚÂÁ‡ÚÓ Tyros2 ÌÂÚ
• è‰ ÔÓ‰Íβ˜ÂÌËÂÏ Û·Â‰ËÚÂÒ¸, ˜ÚÓ ÔÂÂÍβ˜‡ÚÂθ POWER
‚ÒÚÓÂÌÌ˚ı ‰Ë̇ÏËÍÓ‚, ÍÓÌÚÓÎËÓ‚‡Ú¸
̇ıÓ‰ËÚÒfl ‚ ÔÓÎÓÊÂÌËË OFF (ÍÌÓÔ͇ Ì ̇ʇڇ). ÖÒÎË ‚Ó ‚ÂÏfl
Â„Ó Á‚ÛÍ ÏÓÊÌÓ ÚÓθÍÓ ˜ÂÂÁ ‚̯ÌÂÂ
ÔÓ‰Íβ˜ÂÌËfl ÍÌÓÔ͇ POWER ̇ʇڇ, ÏÓÊÌÓ Ôӂ‰ËÚ¸ ‚̯ÌÂÂ
‡Û‰ËÓÓ·ÓÛ‰Ó‚‡ÌËÂ. í‡ÍÊ ÏÓÊÌÓ
Ó·ÓÛ‰Ó‚‡ÌËÂ, ̇ÔËÏ ÛÒËÎËÚÂθ ËÎË ‰Ë̇ÏËÍË.
ËÒÔÓθÁÓ‚‡Ú¸ ̇ۯÌËÍË.
ÑÎfl ÛÒÚ‡ÌÓ‚ÍË ‰ÓÔÓÎÌËÚÂθÌÓ„Ó
ÑÎfl ÛÒÚ‡ÌÓ‚ÍË ÔË·„‡ÂÏÓ„Ó
̇·Ó‡ ‰Ë̇ÏËÍÓ‚
Ô˛ÔËÚ‡
ÇÂÌÚËÎflˆËÓÌÌÓ ÓÚ‚ÂÒÚËÂ
ëÏ. ÒÚ. 18.
ëÏ. ÒÚ. 19.
• ç ‡ÁÏ¢‡ÈÚ Ô‰ÏÂÚ˚ ̇ ‚ÂÌÚËÎflˆËÓÌÌÓÏ ÓÚ‚ÂÒÚËË
ËÌÒÚÛÏÂÌÚ‡, ˝ÚÓ ÏÓÊÂÚ ÔÓϯ‡Ú¸ ‚ÂÌÚËÎflˆËË ‚ÌÛÚÂÌÌËı
ÍÓÏÔÓÌÂÌÚÓ‚ Ë ÔË‚ÂÒÚË Í Ô„‚Û.
ëËÌÚÂÁ‡ÚÓ Tyros2 ÏÓÊÌÓ
ÔÓ‰Íβ˜ËÚ¸ ÔflÏÓ Í
ÍÓÏÔ¸˛ÚÂÌÓÏÛ ÏÓÌËÚÓÛ,
˜ÚÓ·˚ ÔÓÒχÚË‚‡Ú¸
ÚÂÍÒÚ˚ Ë ‡ÍÍÓ‰˚ ÏÂÎÓ‰ËÈ
̇ ·Óθ¯ÓÏ ˝Í‡ÌÂ. ùÚÓÚ
‡Á˙ÂÏ Ó·ÂÒÔ˜˂‡ÂÚ
èÓ‰Íβ˜Ë‚ Í ËÌÒÚÛÏÂÌÚÛ
·Óθ¯Â ‡Á¯ÂÌËÂ, ˜ÂÏ
USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl
„ÌÂÁ‰Ó VIDEO OUT.
‰‡ÌÌ˚ı, ÏÓÊÌÓ ÒÓı‡ÌflÚ¸
̇ ÌÂÏ ÒÓÁ‰‡ÌÌ˚ ‰‡ÌÌ˚Â,
ëÏ. ÒÚ. 116.
‡ Ú‡ÍÊ ҘËÚ˚‚‡Ú¸ Ëı.
åÓÊÌÓ Ú‡ÍÊ ÔÓ‰Íβ˜ËÚ¸
15-ÍÓÌÚ‡ÍÚÌ˚È
USB-‡‰‡ÔÚ ÎÓ͇θÌÓÈ
‡Á˙ÂÏ D-Sub
ÒÂÚË ‰Îfl ÔflÏÓ„Ó ‚˚ıÓ‰‡ ‚
àÌÚÂÌÂÚ Ë Ì‡
ÒÔˆˇθÌ˚ ‚·-Ò‡ÈÚ˚
ä ˝ÚËÏ ‡Á˙ÂÏ‡Ï ÏÓÊÌÓ ÔÓ‰Íβ˜ËÚ¸ Ó‰ËÌ ËÎË
‰Îfl ˝ÚÓ„Ó ËÌÒÚÛÏÂÌÚ‡.
‰‚‡ ‰ÓÔÓÎÌËÚÂθÌ˚ı Ô‰‡Î¸Ì˚ı ÔÂÂÍβ˜‡ÚÂÎfl
ëÏ. ÒÚ. 64.
Yamaha FC4 ËÎË FC5 ‰Îfl ‚Íβ˜ÂÌËfl ˝ÙÙÂÍÚÓ‚ ‚
ÚÂÏ·Â Super Articulation, ÛÔ‡‚ÎÂÌËfl ÒÛÒÚÂÈÌÓÏ
Ë ÏÌÓÊÂÒÚ‚ÓÏ ‰Û„Ëı ‚‡ÊÌ˚ı ÙÛÌ͈ËÈ.
ÑÓÔÓÎÌËÚÂθÌ˚È Ô‰‡Î¸Ì˚È ÔÂÂÍβ˜‡ÚÂθ
MFC10
Yamaha FC7, ÔÓ‰Íβ˜ÂÌÌ˚È Í Ó‰ÌÓÏÛ ËÁ ˝ÚËı
‡Á˙ÂÏÓ‚, ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ÛÔ‡‚ÎÂÌËfl
„ÓÏÍÓÒÚ¸˛ Ë ÏÌÓÊÂÒÚ‚ÓÏ ‰Û„Ëı ‚‡ÊÌ˚ı
• ÖÒÎË ‰ËÒÔÎÂÈ ÌÂÔ‡‚ËθÌÓ
ÙÛÌ͈ËÈ.
‚˚Ó‚ÌÂÌ Ì‡ ÏÓÌËÚÓÂ,
ËÁÏÂÌËÚ ̇ÒÚÓÈÍË Ò‡ÏÓ„Ó
ëÏ. ÒÚ. 189.
ÏÓÌËÚÓ‡.
ëÓ‚ÂÏÂÌÌ˚ ÙÛÌ͈ËË MIDI fl‚Îfl˛ÚÒfl ÏÓ˘Ì˚Ï
òÚÂÍÂ RCA/VIDEO IN
Ò‰ÒÚ‚ÓÏ, ‡Ò¯Ëfl˛˘ËÏ ‚ÓÁÏÓÊÌÓÒÚË ËÒÔÓÎÌÂÌËfl
Ë ÒÓÁ‰‡ÌËfl ÏÛÁ˚͇θÌ˚ı ÔÓËÁ‚‰ÂÌËÈ.
ëÏ. ÒÚ. 217.
• ç‡ÒÚÓÈÍË ÔÓ ÛÏÓΘ‡Ì˲ ÒËÌÚÂÁ‡ÚÓ‡ Tyros2 ‰Îfl ‚̯̄Ó
ÚÂ΂ËÁËÓÌÌÓ„Ó Ò˄̇· – PAL. Ç ‚‡¯ÂÏ „ÂÓ„‡Ù˘ÂÒÍÓÏ Â„ËÓÌ ÏÓÊÂÚ
ëËÌÚÂÁ‡ÚÓ Tyros2 ÏÓÊÌÓ ÔÓ‰Íβ˜ËÚ¸
ËÒÔÓθÁÓ‚‡Ú¸Òfl ‰Û„ÓÈ Òڇ̉‡Ú, Ë ‚ ˝ÚÓÏ ÒÎÛ˜‡Â ÌÂÓ·ıÓ‰ËÏÓ ËÁÏÂÌËÚ¸
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ̇ÒÚÓÈÍË. (ç‡ÔËÏÂ, ‚ ë‚ÂÌÓÈ ÄÏÂËÍ ‚ ÓÒÌÓ‚ÌÓÏ
Í ÚÂ΂ËÁÓÛ ËÎË ‚ˉÂÓÏÓÌËÚÓÛ,
ËÒÔÓθÁÛÂÚÒfl Òڇ̉‡Ú NTSC.) èÓÒÏÓÚËÚÂ, ͇ÍÓÈ Òڇ̉‡Ú ËÒÔÓθÁÛÂÚÒfl
˜ÚÓ·˚ ÔÓÒχÚË‚‡Ú¸ ÚÂÍÒÚ˚ Ë
èÓ‰Íβ˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ
‚‡¯ËÏ ÚÂ΂ËÁÓÓÏ ËÎË ‚ˉÂÓÏÓÌËÚÓÓÏ, ÂÒÎË ˝ÚÓ Ì PAL, ‚˚·ÂËÚ ̇
‡ÍÍÓ‰˚ ÏÂÎÓ‰ËÈ Ì‡ ·Óθ¯ÓÏ ˝Í‡ÌÂ.
˜ÂÂÁ USB-ÔÓÚ
‰ËÒÔΠVIDEO OUT ̇ÒÚÓÈÍÛ NTSC (ÒÚ. 188).
ëÏ. ÒÚ. 66.
ëÏ. ÒÚ. 116.
16
Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚
ÑÎfl ÛÒÚ‡ÌÓ‚ÍË ÔË·„‡ÂÏÓ„Ó
ÑÎfl ÛÒÚ‡ÌÓ‚ÍË ‰ÓÔÓÎÌËÚÂθÌÓ„Ó
Ô˛ÔËÚ‡
̇·Ó‡ ‰Ë̇ÏËÍÓ‚
ëÏ. ÒÚ. 19.
ëÏ. ÒÚ. 18.
ëÏ. ÒÚ.
185.
äÓÌÚÓÎΠTRIM ÔÓÁ‚ÓÎflÂÚ
̇ÒÚÓËÚ¸ ‚ıÓ‰ÌÛ˛
• ëÏ. ÒÚ. 18.
˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ ‡Á˙ÂÏÓ‚
MIC/LINE IN ̇ ÛÓ‚Â̸,
ÓÔÚËχθÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛-
˘ËÈ ÔÓ‰Íβ˜ÂÌÌÓÏÛ
äÓÌÚÓÎÎÂ TRIM
Ó·ÓÛ‰Ó‚‡Ì˲.
ÔÓÁ‚ÓÎflÂÚ
̇ÒÚÓËÚ¸
‚ıÓ‰ÌÛ˛
ùÚË „ÌÂÁ‰‡ ÏÓ„ÛÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl Í‡Í LINE IN ËÎË MIC. óÂÂÁ „ÌÂÁ‰Ó
˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸
L/L+R/MIC ÏÓÊÌÓ ÔÓ‰Íβ˜ËÚ¸ β·ÓÈ Òڇ̉‡ÚÌ˚È ÏËÍÓÙÓÌ ËÎË
‡Á˙ÂÏÓ‚ AUX IN
‚̯ÌËÈ ËÒÚÓ˜ÌËÍ Ò˄̇· LINE IN Ò ÔÓÏÓ˘¸˛ ÚÂÎÂÙÓÌÌÓ„Ó Í‡·ÂÎfl
L/L+R Ë R (LOOP
‰˛Èχ (ÂÍÓÏẨÛÂÚÒfl ‰Ë̇Ï˘ÂÒÍËÈ ÏËÍÓÙÓÌ Ò ÒÓÔÓÚË‚ÎÂÌËÂÏ
RETURN) ̇
250 éÏ). èÓ‰Íβ˜Ë‚ ‚̯ÌËÈ ËÒÚÓ˜ÌËÍ ‡Û‰ËÓÒ˄̇· Í „ÌÂÁ‰‡Ï R Ë
ÛÓ‚Â̸,
L/L+R/MIC, ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ ˝ÚÓÚ Ò˄̇Π‚ÏÂÒÚÂ Ò ÒÓ·ÒÚ‚ÂÌÌ˚Ï
ÓÔÚËχθÌÓ
ËÒÔÓÎÌÂÌËÂÏ, ËÒÔÓθÁÛfl ÙÛÌÍˆË˛ Hard Disk Recorder.
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ
èÓ‰Íβ˜ÂÌË ‚̯ÌÂ„Ó ËÒÚÓ˜ÌË͇ ÚÓθÍÓ Í „ÌÂÁ‰Û L/L+R/MIC ‰‡ÒÚ
ÔÓ‰Íβ˜ÂÌÌÓÏÛ
Ò˄̇ΠÏÓÌÓ. èÓ‰Íβ˜ÂÌËÂ Í Ó·ÓËÏ „ÌÂÁ‰‡Ï R Ë L/L+R/MIC (ËÎË
èËÏ ÔÓ‰Íβ˜ÂÌËfl Í
Ó·ÓÛ‰Ó‚‡Ì˲.
ÚÓθÍÓ Í „ÌÂÁ‰Û R) Ó·ÂÒÔ˜ËÚ ‚ıÓ‰fl˘ËÈ ÒÚÂÂÓÒ˄̇Î.
„ÌÂÁ‰‡Ï Loop Send
ëÏ. ÒÚ. 47, 175.
ùÚË „ÌÂÁ‰‡ ÏÓ„ÛÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl Ú‡Í ÊÂ, Í‡Í AUX OUT ËÎË LOOP SEND. ç‡ÒÚÓËÚ¸ Ëı ÏÓÊÌÓ ‚ ÏÂÌ˛ Function (ÒÚ. 193). á‚ÛÍ
‚˚‚Ó‰ËÚÒfl Ò ÙËÍÒËÓ‚‡ÌÌÓÈ „ÓÏÍÓÒÚ¸˛ ÌÂÁ‡‚ËÒËÏÓ ÓÚ Ô‡‡ÏÂÚÓ‚ [MASTER VOLUME]. ÉÌÂÁ‰‡ AUX OUT ËÒÔÓθÁÛ˛ÚÒfl ‰Îfl ‚˚‚Ó‰‡
Á‚Û͇ Tyros2 ̇ ‚ÌÂ¯Ì˛˛ ‡Û‰ËÓÒËÒÚÂÏÛ ËÎË ‰Îfl Á‡ÔËÒË Ì‡ ‚̯Ì ÛÒÚÓÈÒÚ‚Ó Á‚ÛÍÓÁ‡ÔËÒË. èÓ‰Íβ˜ËÚ „ÌÂÁ‰‡ AUX OUT Tyros2 Í
„ÌÂÁ‰‡Ï AUX IN ‡Û‰ËÓÒËÒÚÂÏ˚, ËÒÔÓθÁÛfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ‡Û‰ËÓ͇·ÂÎË. ÖÒÎË ÓÌË ËÒÔÓθÁÛ˛ÚÒfl ‚ ͇˜ÂÒÚ‚Â „ÌÂÁ‰ LOOP SEND, Á‚ÛÍ
Tyros2 ÏÓÊÌÓ Ì‡Ô‡‚ËÚ¸ ̇ ‚̯ÌËÈ ÔÓˆÂÒÒÓ Ò˄̇ÎÓ‚ Ë ‚ÂÌÛÚ¸ Ó·‡·ÓÚ‡ÌÌ˚È Á‚ÛÍ Ó·‡ÚÌÓ Ì‡ ËÌÒÚÛÏÂÌÚ ˜ÂÂÁ „ÌÂÁ‰‡ AUX IN/
LOOP RETURN. ùÚÓ ÔÓÁ‚ÓÎËÚ ‚‡Ï ÔËÏÂÌËÚ¸ Ò‚ÓË Î˛·ËÏ˚ ˝ÙÙÂÍÚ˚ Í Ó·˘ÂÏÛ Á‚ÛÍÛ ÒËÌÚÂÁ‡ÚÓ‡.
ÉÌÂÁ‰‡ LINE OUT ËÒÔÓθÁÛ˛ÚÒfl ‰Îfl Ô‰‡˜Ë ‚˚ıÓ‰ÌÓ„Ó Ò˄̇· ÒËÌÚÂÁ‡ÚÓ‡ Tyros2
ëÚÂÂÓÒËÒÚÂχ
̇ ÛÒËÎËÚÂθ Í·‚ˇÚÛ˚, ÒÚÂÂÓÒËÒÚÂÏÛ, ÏËͯÂÌ˚È ÔÛÎ¸Ú ËÎË Ï‡„ÌËÚÓÙÓÌ. èË
ÔÓ‰Íβ˜ÂÌËË ÒËÌÚÂÁ‡ÚÓ‡ Tyros2 Í ÏÓÌÓÒËÒÚÂÏ ËÒÔÓθÁÛÈÚ ÚÓθÍÓ „ÌÂÁ‰Ó L/L+R
jack. ÖÒÎË ÔÓ‰Íβ˜ÂÌÓ ÚÓθÍÓ ˝ÚÓ „ÌÂÁ‰Ó (ËÒÔÓθÁÛÂÚÒfl Òڇ̉‡ÚÌ˚È ÚÂÎÂÙÓÌÌ˚È
¯ÚÂÍÂ), ΂˚Â Ë Ô‡‚˚ ͇̇Î˚ Ó·˙‰ËÌfl˛ÚÒfl, Ë ‚˚ıÓ‰ Ò˄̇· ÔÓËÒıÓ‰ËÚ ˜ÂÂÁ
˝ÚÓ „ÌÂÁ‰Ó, ˜ÚÓ ÒÓÁ‰‡ÂÚ ÏÓÌÓÙÓÌ˘ÂÒÍÓ ÒÓ˜ÂÚ‡ÌË ÒÚÂÂÓÁ‚Û͇ ÒËÌÚÂÁ‡ÚÓ‡ Tyros2.
Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
17
燘‡ÎÓ ‡·ÓÚ˚
ùÚÓÚ ‡Á‰ÂÎ ÒÓ‰ÂÊËÚ ËÌÙÓχˆË˛ Ó Ì‡ÒÚÓÈÍ ÒËÌÚÂÁ‡ÚÓ‡ Tyros2 Ë ÔÓ‰„ÓÚÓ‚ÍÂ Í Ë„Â. é·flÁ‡ÚÂθÌÓ ‚ÌËχÚÂθÌÓ
ÔÓ˜ËÚ‡ÈÚ ˝ÚÓÚ ‡Á‰ÂÎ, ÔÂʉ ˜ÂÏ ‚Íβ˜‡Ú¸ ÔËÚ‡ÌËÂ.
àÒÚÓ˜ÌËÍ ÔËÚ‡ÌËfl
1 ì·Â‰ËÚÂÒ¸, ˜ÚÓ ÔÂÂÍβ˜‡ÚÂθ POWER ON/OFF ÒËÌÚÂÁ‡ÚÓ‡
Tyros2 ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË OFF.
•ì·Â‰ËÚÂÒ¸, ˜ÚÓ ‚‡¯ ÒËÌÚÂÁ‡ÚÓ Tyros2 ‡ÒÒ˜ËÚ‡Ì
̇ ̇ÔflÊÂÌËÂ, ÔËÏÂÌflÂÏÓ ‚ „ËÓÌÂ, „‰Â ÓÌ
2 èÓ‰Íβ˜ËÚ ͇·Âθ ÔËÚ‡ÌËfl Í ÔÓÚÛ AC INLET ̇ Á‡‰ÌÂÈ Ô‡ÌÂÎË
·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl (Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ Á‡‰ÌÂÈ
Ô‡ÌÂÎË). èÓ‰Íβ˜ÂÌË ËÌÒÚÛÏÂÌÚ‡ Í
ËÌÒÚÛÏÂÌÚ‡.
ÌÂÔÓ‰ıÓ‰fl˘ÂÏÛ ËÒÚÓ˜ÌËÍÛ ÔËÚ‡ÌËfl ÏÓÊÂÚ
Ò¸ÂÁÌÓ Ôӂ‰ËÚ¸ Â„Ó ˝ÎÂÍÚÓÒıÂÏ˚ Ë ‰‡ÊÂ
ÔË‚ÂÒÚË Í ÔÓ‡ÊÂÌ˲ ÚÓÍÓÏ!
• àÒÔÓθÁÛÈÚ ÚÓθÍÓ Í‡·Âθ ÔËÚ‡ÌËfl, ‚ıÓ‰fl˘ËÈ ‚
ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË ÒËÌÚÂÁ‡ÚÓ‡ Tyros2. èË
ÔÓÚ ËÎË ÔÓ‚ÂʉÂÌËË Í‡·ÂÎfl ‰Îfl Â„Ó Á‡ÏÂÌ˚
Ò‚flÊËÚÂÒ¸ Ò ÏÂÒÚÌ˚Ï ‰ËÎÂÓÏ ÍÓÔÓ‡ˆËË
Yamaha. àÒÔÓθÁÓ‚‡ÌË ÌÂÔÓ‰ıÓ‰fl˘Â„Ó Í‡·ÂÎfl
ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÊ‡Û Ë ÔÓ‡ÊÂÌ˲ ÚÓÍÓÏ!
3 èÓ‰Íβ˜ËÚ ‰Û„ÓÈ ÍÓ̈ ͇·ÂÎfl ÔËÚ‡ÌËfl Í ÓÁÂÚÍ ÔÂÂÏÂÌÌÓ„Ó
•íËÔ Í‡·ÂÎfl ÔËÚ‡ÌËfl, ÔÓÒÚ‡‚ÎflÂÏÓ„Ó Ò
ÚÓ͇. ì·Â‰ËÚÂÒ¸, ˜ÚÓ ÒËÌÚÂÁ‡ÚÓ Tyros2 Óڂ˜‡ÂÚ Ú·ӂ‡ÌËflÏ Í
ÒËÌÚÂÁ‡ÚÓÓÏ Tyros2, ÏÓÊÂÚ ·˚Ú¸ ‡ÁÌ˚Ï ‚
˝ÎÂÍÚ˘ÂÒÍÓÏÛ Ì‡ÔflÊÂÌ˲ ‰Îfl ÒÚ‡Ì˚ ËÎË Â„ËÓ̇, „‰Â ÓÌ
Á‡‚ËÒËÏÓÒÚË ÓÚ ÒÚ‡Ì˚, ‚ ÍÓÚÓÓÈ Ò‰Â·̇
ÔÓÍÛÔ͇ (̇ ‚ËÎÍ ÏÓÊÂÚ ·˚Ú¸ ÍÓÌÚ‡ÍÚ
·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl.
Á‡ÁÂÏÎÂÌËfl).
çÂÔ‡‚ËθÌÓ ÔÓ‰Íβ˜ÂÌË Á‡ÁÂÏÎÂÌÌÓ„Ó
ÔÓ‚Ó‰‡ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‡ÊÂÌ˲
˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ. çÖ ÏÓ‰ËÙˈËÛÈÚ ‚ËÎÍÛ
͇·ÂÎfl, ÔÓÒÚ‡‚ÎflÂÏÓ„Ó Ò Tyros2. ÖÒÎË ‚ËÎ͇ ÌÂ
‚ıÓ‰ËÚ ‚ ÓÁÂÚÍÛ, ‚˚ÁÓ‚ËÚ ÒÔˆˇÎËÒÚ‡-
˝ÎÂÍÚË͇ ‰Îfl ÛÒÚ‡ÌÓ‚ÍË ÓÁÂÚÍË ÌÛÊÌÓ„Ó ÚËÔ‡.
ç ËÒÔÓθÁÛÈÚ ÔÂÂıÓ‰ÌËÍË, ϯ‡˛˘Ë ‡·ÓÚÂ
Á‡ÁÂÏÎÂÌÌÓ„Ó ÔÓ‚Ó‰‡.
ÑÓÔÓÎÌËÚÂθÌ˚ ‰Ë̇ÏËÍË
оскольку в синтезаторе Tyros2 нет встроенных динамиков, потребуется использовать
внешние динамики, например дополнительные динамики TRS-MS02, специально
разработанные для синтезатора Tyros2. нструкции по установке динамиков TRS-MS02 на
синтезатор Tyros2 см. на стр. 219.
ÑÓÔÓÎÌËÚÂθ̇fl ÔÓ‰ÒÚ‡‚͇ ‰Îfl
Í·‚ˇÚÛ˚ L-7S
18
Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
燘‡ÎÓ ‡·ÓÚ˚
è˛ÔËÚ
è‰ ‚˚ÔÓÎÌÂÌËÂÏ ÒÎÂ‰Û˛˘Ëı ËÌÒÚÛ͈ËÈ Û·Â‰ËÚÂÒ¸ ‚ ̇΢ËË ‚ÒÂı ˜‡ÒÚÂÈ (‰‚ ÒÍÓ·˚ Ë Ó‰ËÌ Ô˛ÔËÚ,
ËÁÓ·‡ÊÂÌÌ˚ ÌËÊÂ).
èÓÒÚ‡‚ÎflÂÚÒfl Ò ÒËÌÚÂÁ‡ÚÓÓÏ Tyros2
ëÍÓ·˚ ‰Îfl Ô˛ÔËÚ‡ (2) è˛ÔËÚ
1 ìÒÚ‡ÌÓ‚ËÚ ‰‚‡ ÍÓ̯ÚÂÈ̇ Ô˛ÔËÚ‡ ̇ Á‡‰Ì˛˛ Ô‡ÌÂθ Tyros2.
àÒÔÓθÁÛÈÚÂ
‚ÌÛÚÂÌÌËÂ
ÓÚ‚ÂÒÚËfl (͇Í
ÔÓ͇Á‡ÌÓ Ì‡
ËÒÛÌÍÂ).
2 èËÍÂÔËÚ ԲÔËÚ Í ÍÓ̯ÚÂÈ̇Ï.
Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
19
燘‡ÎÓ ‡·ÓÚ˚
ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ÔËÚ‡ÌËfl
ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl
ç‡ÒÚÓÈÚ ÔÓ‰‡˜Û ÔËÚ‡ÌËfl. ëÏ. ÒÚ. 18.
èÓ‰Íβ˜ËÚÂ Í ÒËÌÚÂÁ‡ÚÓÛ
ìÒÚ‡ÌÓ‚ËÚÂ Ë ÔÓ‰Íβ˜ËÚ ‰ÓÔÓÎÌËÚÂθÌ˚Â
èÓ‰Íβ˜ËÚÂ Í ÒËÌÚÂÁ‡ÚÓÛ Tyros2 ‚̯ÌËÂ
Tyros2 (‰ÓÔÓÎÌËÚÂθÌ˚Â)
‰Ë̇ÏËÍË TRS-MS02 Í ÒËÌÚÂÁ‡ÚÓÛ Tyros2
ÛÒÚÓÈÒÚ‚‡ ËÎË ‚ÒÔÓÏÓ„‡ÚÂθÌÓ ӷÓÛ‰Ó‚‡ÌËÂ
̇ۯÌËÍË.
(ÒÚ. 219). ÇÍβ˜ËÚ ‰ÓÔÓÎÌËÚÂθÌ˚Â
(̇ÔËÏÂ, ÍÓÏÔ¸˛ÚÂ, MIDI-ËÌÒÚÛÏÂÌÚ˚,
‰Ë̇ÏËÍË TRS-MS02.
‡Û‰ËÓÓ·ÓÛ‰Ó‚‡ÌËÂ, ÏËÍÓÙÓÌ Ë Ú. ‰.)
ì·Â‰ËÚÂÒ¸, ˜ÚÓ Â„ÛÎflÚÓ˚ [MASTER VOLUME] Ë [INPUT VOLUME]
ÛÒÚ‡ÌÓ‚ÎÂÌ˚ ‚ ÔÓÎÓÊÂÌË MIN, Ë ‚Íβ˜ËÚ ÔËÚ‡ÌË ÒËÌÚÂÁ‡ÚÓ‡ Tyros2,
̇ʇ‚ ÔÂÂÍβ˜‡ÚÂθ [POWER ON/OFF].
ÇÍβ˜ËÚ ‚Ò ÔÓ‰Íβ˜ÂÌÌ˚ ‚̯ÌËÂ
ÛÒÚÓÈÒÚ‚‡ Ë ‚ÒÔÓÏÓ„‡ÚÂθÌÓ ӷÓÛ‰Ó‚‡ÌËÂ.
Ç˚Íβ˜ÂÌË ÔËÚ‡ÌËfl
èË ÌÂÓ·ıÓ‰ËÏÓÒÚË ÒÓı‡ÌËÚ ÒÓÁ‰‡ÌÌ˚ LJÏË ‰‡ÌÌ˚ ̇ ÛÒÚÓÈÒÚ‚Â User ËÎË ‚̯ÌËı ÛÒÚÓÈÒÚ‚‡ı Ò
ëÏ.ÒÚ. 75.
ÔÓÏÓ˘¸˛ ÙÛÌ͈ËÈ ÒËÌÚÂÁ‡ÚÓ‡ Tyros2.
ÖÒÎË Ú·ÛÂÚÒfl, ÒÓı‡ÌËÚ ÒÓÁ‰‡ÌÌ˚ ‰‡ÌÌ˚ ̇
ÔÓ‰ıÓ‰fl˘ÂÏ ÌÓÒËÚÂÎÂ, ËÒÔÓθÁÛfl ‚̯ÌËÂ
ÛÒÚÓÈÒÚ‚‡.
Ç˚Íβ˜ËÚ ‚Ò ÔÓ‰Íβ˜ÂÌÌ˚ ‚̯ÌËÂ
ÛÒÚÓÈÒÚ‚‡ Ë ‚ÒÔÓÏÓ„‡ÚÂθÌÓ ӷÓÛ‰Ó‚‡ÌËÂ.
ì·Â‰ËÚÂÒ¸, ˜ÚÓ Â„ÛÎflÚÓ˚ [MASTER VOLUME] Ë [INPUT VOLUME]
ÛÒÚ‡ÌÓ‚ÎÂÌ˚ ‚ ÔÓÎÓÊÂÌË MIN, Ë ‚˚Íβ˜ËÚ ÔËÚ‡ÌË ÒËÌÚÂÁ‡ÚÓ‡
Tyros2, ̇ʇ‚ ÔÂÂÍβ˜‡ÚÂθ [POWER ON/OFF].
• ç ‚Íβ˜‡ÈÚÂ Ë Ì ‚˚Íβ˜‡ÈÚÂ
ÔËÚ‡ÌË ËÌÒÚÛÏÂÌÚ‡ ‚ ·˚ÒÚÓÈ
Ç˚Íβ˜ËÚ ‰ÓÔÓÎÌËÚÂθÌ˚ ‰Ë̇ÏËÍË
ÔÓÒΉӂ‡ÚÂθÌÓÒÚË. ùÚÓ ÏÓÊÂÚ
TRS-MS02.
ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲
ÒËÌÚÂÁ‡ÚÓ‡.
20
Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
燘‡ÎÓ ‡·ÓÚ˚
ä‡Í ÔÓ‰ÌËχڸ Ë Í‡Í Á‡Í˚‚‡Ú¸ Ô‡ÌÂθ ‰ËÒÔÎÂfl
Ç ÒËÌÚÂÁ‡ÚÓ Tyros2 ÂÒÚ¸ ÔÓÎÛÒ˙ÂÏ̇fl Ô‡ÌÂθ ‰ËÒÔÎÂfl, ÍÓÚÓÛ˛ ÏÓÊÌÓ Ì‡ÍÎÓÌflÚ¸ Ë Â„ÛÎËÓ‚‡Ú¸ ‚ ˜ÂÚ˚Âı ÚӘ͇ı
ÙËÍÒ‡ˆËË, ˜ÚÓ·˚ ‰Ó·ËÚ¸Òfl ̇˷ÓΠۉӷÌÓ„Ó Û„Î‡ ÔÓÒÏÓÚ‡.
■ óÚÓ·˚ ÔÓ‰ÌflÚ¸ Ô‡ÌÂθ ‰ËÒÔÎÂfl....................................................................................
Откройте замок, расположенный на торце панели дисплея. риподнимите панель и
наклоните ее на себя.
о мере наклона будут раздаваться щелчки, каждый из этих щелчков соответствует
одной из четырех позиций фиксации. огда вы добились нужного положения,
отпустите панель. анель плавно опустится в ближайшую позицию фиксации.
■ óÚÓ·˚ Á‡Í˚Ú¸ Ô‡ÌÂθ ‰ËÒÔÎÂfl....................................................................................
тобы опустить панель и закрыть ее, осторожно потяните ее на себя, когда панель
займет вертикальное положение, наклоняйте ее от себя, пока она не встанет на место
и не закроется.
ç‡ÒÚÓÈ͇ ÍÓÌÚ‡ÒÚÌÓÒÚË Üä-‰ËÒÔÎÂfl
Tyros2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
21