Yamaha PSR-290: инструкция

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

SPECIAL MESSAGE SECTION

This product utilizes batteries or an external power supply (adapter). DO NOT

approximately five years. When replacement becomes necessary, contact a

connect this product to any power supply or adapter other than one described

qualified service representative to perform the replacement.

in the manual, on the name plate, or specifically recommended by Yamaha.

This product may also use household type batteries. Some of these may be

This product should be used only with the components supplied or; a cart,

rechargeable. Make sure that the battery being charged is a rechargeable

rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please

type and that the charger is intended for the battery being charged.

observe all safety markings and instructions that accompany the accessory

When installing batteries, do not mix batteries with new, or with batteries of a

product.

different type. Batteries MUST be installed correctly. Mismatches or incorrect

installation may result in overheating and battery case rupture.

SPECIFICATIONS SUBJECT TO CHANGE:

The information contained in this manual is believed to be correct at the time

Warning:

of printing. However, Yamaha reserves the right to change or modify any of

Do not attempt to disassemble, or incinerate any battery. Keep all batteries

the specifications without notice or obligation to update existing units.

away from children. Dispose of used batteries promptly and as regulated by

This product, either alone or in combination with an amplifier and

the laws in your area. Note: Check with any retailer of household type

headphones or speaker/s, may be capable of producing sound levels that

batteries in your area for battery disposal information.

could cause permanent hearing loss. DO NOT operate for long periods of

Disposal Notice:

time at a high volume level or at a level that is uncomfortable. If you

Should this product become damaged beyond repair, or for some reason its

experience any hearing loss or ringing in the ears, you should consult an

useful life is considered to be at an end, please observe all local, state, and

audiologist.

federal regulations that relate to the disposal of products that contain lead,

IMPORTANT: The louder the sound, the shorter the time period before

batteries, plastics, etc. If your dealer is unable to assist you, please contact

damage occurs.

Yamaha directly.

NOTICE:

NAME PLATE LOCATION:

Service charges incurred due to a lack of knowledge relating to how a

The name plate is located on the bottom of the product. The model number,

function or effect works (when the unit is operating as designed) are not

serial number, power requirements, etc., are located on this plate. You should

covered by the manufacturers warranty, and are therefore the owners

record the model number, serial number, and the date of purchase in the

responsibility. Please study this manual carefully and consult your dealer

spaces provided below and retain this manual as a permanent record of your

before requesting service.

purchase.

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both user safe and

environmentally friendly. We sincerely believe that our products and the

Model

production methods used to produce them, meet these goals. In keeping with

both the letter and the spirit of the law, we want you to be aware of the

following:

Serial No.

Battery Notice:

This product MAY contain a small non-rechargeable battery which (if

Purchase Date

applicable) is soldered in place. The average life span of this type of battery is

PLEASE KEEP THIS MANUAL

92-BP (bottom)

2

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

Compliance with FCC regulations does not guarantee that interference

This product, when installed as indicated in the instructions contained in this

will not occur in all installations. If this product is found to be the source of

manual, meets FCC requirements. Modifications not expressly approved

interference, which can be determined by turning the unit OFF and ON,

by Yamaha may void your authority, granted by the FCC, to use the

please try to eliminate the problem by using one of the following

product.

measures:

Relocate either this product or the device that is being affected by the

2. IMPORTANT: When connecting this product to accessories and/or

interference.

another product use only high quality shielded cables. Cable/s supplied

with this product MUST be used. Follow all installation instructions. Failure

Utilize power outlets that are on different branch (circuit breaker or fuse)

to follow instructions could void your FCC authorization to use this product

circuits or install AC line filter/s.

in the USA.

In the case of radio or TV interference, relocate/reorient the antenna. If the

antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial

3. NOTE: This product has been tested and found to comply with the

type cable.

requirements listed in FCC Regulations, Part 15 for Class B digital

devices. Compliance with these requirements provides a reasonable level

If these corrective measures do not produce satisfactory results, please

of assurance that your use of this product in a residential environment will

contact the local retailer authorized to distribute this type of product. If you

not result in harmful interference with other electronic devices. This

can not locate the appropriate retailer, please contact Yamaha

equipment generates/uses radio frequencies and, if not installed and used

Corporation of America, Electronic Service Division, 6600 Orangethorpe

according to the instructions found in the users manual, may cause

Ave, Buena Park, CA90620

interference harmful to the operation of other electronic devices.

The above statements apply ONLY to those products distributed by Yamaha

Corporation of America or its subsidiaries.

(class B)

OBSERVERA!

Apparaten kopplas inte ur växelströmskällan (nätet) sá länge som den ar

ansluten till vägguttaget, även om själva apparaten har stängts av.

ADVARSEL: Netspæendingen til dette apparat er IKKE afbrudt, sálæenge

netledningen siddr i en stikkontakt, som er t endt — ogsá selvom der or

slukket pá apparatets afbryder.

VAROITUS: Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko laitetta

verkosta.

(standby)

Entsorgung leerer Batterien (nur innerhalb Deutschlands)

Leisten Sie einen Beitrag zum Umweltschutz. Verbrauchte Batterien oder

Akkumulatoren dürfen nicht in den Hausmüll. Sie können bei einer Sam-

melstelle für Altbatterien bzw. Sondermüll abgegeben werden. Informieren

Sie sich bei Ihrer Kommune.

(battery)

3

1

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4

2

• ç ËÒÔÓθÁÛÈÚ ËÌÒÚÛÏÂÌÚ ‚ ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓÈ ·ÎËÁÓÒÚË ÓÚ

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ÚÂÎÂÙÓ̇ Ë ‰Û„Ëı ˝ÎÂÍÚÓÔË·ÓÓ‚. Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ‚

• ç ‚ÒÚ‡‚ÎflÈÚ ԇθˆ˚ ËÎË ÛÍË ‚ ÓÚ‚ÂÒÚËfl ̇ ËÌÒÚÛÏÂÌÚÂ.

ËÌÒÚÛÏÂÌÚÂ, ÚÂ΂ËÁÓ ËÎË ‡‰ËÓÔËÂÏÌËÍ ÏÓÊÂÚ ‚ÓÁÌË͇ڸ ¯ÛÏ.

• çËÍÓ„‰‡ Ì Á‡ÒÓ‚˚‚‡ÈÚÂ Ë Ì ÓÌflÈÚ ·Ûχ„Û, ÏÂÚ‡Î΢ÂÒÍËÂ Ë ÔÓ˜ËÂ

• ÇÓ ËÁ·ÂʇÌË ÒÎÛ˜‡ÈÌÓ„Ó Ô‡‰ÂÌËfl ËÌÒÚÛÏÂÌÚ‡ Ì ÓÒÚ‡‚ÎflÈÚ „Ó

Ô‰ÏÂÚ˚ ‚ ÓÚ‚ÂÒÚËfl ̇ Ô‡ÌÂÎË Ë Í·‚ˇÚÛÂ. ÖÒÎË ˝ÚÓ ÔÓËÁÓ¯ÎÓ,

‚ ÌÂÛÒÚÓȘ˂ÓÏ ÔÓÎÓÊÂÌËË.

ÌÂωÎÂÌÌÓ ‚˚Íβ˜ËÚ ÔËÚ‡ÌËÂ Ë ÓÚÒÓ‰ËÌËÚ ËÌÒÚÛÏÂÌÚ ÓÚ

• èÂ‰ ÔÂÂÏ¢ÂÌËÂÏ ËÌÒÚÛÏÂÌÚ‡ ÓÚÒÓ‰ËÌËÚ ÔÓ‰Íβ˜ÂÌÌ˚È Í ÌÂÏÛ

˝ÎÂÍÚÓÒÂÚË. á‡ÚÂÏ Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í ÒÔˆˇÎËÒÚ‡Ï ˆÂÌÚ‡

‡‰‡ÔÚÂ Ë ‰Û„Ë ͇·ÂÎË.

ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ÍÓÔÓ‡ˆËË Yamaha.

• àÒÔÓθÁÛÈÚ ÚÓθÍÓ ÔÓ‰ÒÚ‡‚ÍÛ, ÒÔˆˇθÌÓ Ô‰̇Á̇˜ÂÌÌÛ˛ ‰Îfl

• ç Í·‰ËÚ ̇ ËÌÒÚÛÏÂÌÚ Ô‰ÏÂÚ˚ ËÁ ‚ËÌË·, Ô·ÒÚχÒÒ˚ ËÎË

ËÌÒÚÛÏÂÌÚ‡. ÑÎfl ÍÂÔÎÂÌËfl ÒÚÓÈÍË ËÎË ÔÓ‰ÒÚ‡‚ÍË ËÒÔÓθÁÛÈÚ ÚÓθÍÓ

ÂÁËÌ˚: ˝ÚÓ ÏÓÊÂÚ ‚˚Á‚‡Ú¸ ‚˚ˆ‚ÂÚ‡ÌË ԇÌÂÎË ËÎË Í·‚ˇÚÛ˚.

‚ËÌÚ˚, ÔÓÒÚ‡‚ÎflÂÏ˚ ‚ ÍÓÏÔÎÂÍÚÂ. Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ‚ÓÁÏÓÊÌÓ

• ç ӷÎÓ͇˜Ë‚‡ÈÚÂÒ¸ ̇ ËÌÒÚÛÏÂÌÚ, Ì ÒÚ‡‚¸Ú ̇ ÌÂ„Ó ÚflÊÂÎ˚Â

ÔÓ‚ÂʉÂÌË ‚ÌÛÚÂÌÌËı ÍÓÏÔÓÌÂÌÚÓ‚ Ë Ô‡‰ÂÌË ËÌÒÚÛÏÂÌÚ‡.

Ô‰ÏÂÚ˚ Ë Ì ÔËÍ·‰˚‚‡ÈÚ ÒÎ˯ÍÓÏ ·Óθ¯ÓÈ ÒËÎ˚ ÔË

ÔÓθÁÓ‚‡ÌËË ÍÌÓÔ͇ÏË, ‚˚Íβ˜‡ÚÂÎflÏË Ë ‡Á˙ÂχÏË.

èÓ‰Íβ˜ÂÌËÂ

• ç ÒΉÛÂÚ ‰ÓÎ„Ó ‡·ÓÚ‡Ú¸ Ò ‚˚ÒÓÍËÏ ËÎË ÌÂÍÓÏÙÓÚÌ˚Ï ÛÓ‚ÌÂÏ

• èÂ‰ ÔÓ‰Íβ˜ÂÌËÂÏ ËÌÒÚÛÏÂÌÚ‡ Í ‰Û„ËÏ ˝ÎÂÍÚÓÌÌ˚Ï

„ÓÏÍÓÒÚË, Ú‡Í Í‡Í ˝ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚÂ ÒÎÛı‡. èË ÔÓÚÂÂ

ÍÓÏÔÓÌÂÌÚ‡Ï ÓÚÍβ˜ËÚ Ëı ÔËÚ‡ÌËÂ. èÂ‰ ‚Íβ˜ÂÌËÂÏ ËÎË

ÒÎÛı‡ ËÎË Á‚ÓÌ ‚ Û¯‡ı Ó·‡ÚËÚÂÒ¸ Í ‚‡˜Û.

ÓÚÍβ˜ÂÌËÂÏ ˝ÎÂÍÚÓÌÌ˚ı ÍÓÏÔÓÌÂÌÚÓ‚ ÛÒÚ‡ÌÓ‚ËÚ ÏËÌËχθÌ˚È

ÛÓ‚Â̸ „ÓÏÍÓÒÚË. ìÒÚ‡ÌÓ‚ËÚ ̇ ‚ÒÂı ÍÓÏÔÓÌÂÌÚ‡ı ÏËÌËχθÌÛ˛

ëÓı‡ÌÂÌË ‰‡ÌÌ˚ı

„ÓÏÍÓÒÚ¸ Ë ‚Ó ‚ÂÏfl Ë„˚ ÔÓÒÚÂÔÂÌÌÓ Û‚Â΢¸Ú Â ‰Ó ÌÛÊÌÓÈ.

ëÓı‡ÌÂÌËÂ Ë ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌË ‰‡ÌÌ˚ı

é·ÒÎÛÊË‚‡ÌËÂ

• ëÓı‡ÌÂÌÌ˚ ‰‡ÌÌ˚ ÏÓ„ÛÚ ·˚Ú¸ ÔÓÚÂflÌ˚ ËÁ-Á‡ ÌÂËÒÔ‡‚ÌÓÒÚË

ËÎË ÌÂÔ‡‚ËθÌÓÈ ‡·ÓÚ˚. ëÓı‡ÌflÈÚ ‚‡ÊÌ˚ ‰‡ÌÌ˚ ̇

• ÑÎfl ˜ËÒÚÍË ËÌÒÚÛÏÂÌÚ‡ ÔÓθÁÛÈÚÂÒ¸ Ïfl„ÍÓÈ ÒÛıÓÈ Ú̸͇˛. çËÍÓ„‰‡ ÌÂ

‚̯ÌËı ÌÓÒËÚÂÎflı, ̇ÔËÏÂ ̇ ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl ‰‡ÌÌ˚ı

ËÒÔÓθÁÛÈÚ ÔflÚÌÓ‚˚‚Ó‰ËÚÂÎË, ‡ÒÚ‚ÓËÚÂÎË, ÊˉÍË ӘËÒÚËÚÂÎË ËÎË

Yamaha MDF3 MIDI.

˜ËÒÚfl˘Ë ҇ÎÙÂÚÍË Ò ÔÓÔËÚÍÓÈ.

äÓÔÓ‡ˆËfl Yamaha Ì ÌÂÒÂÚ ÓÚ‚ÂÚÒÚ‚ÂÌÌÓÒÚË Á‡ ÔÓ‚ÂʉÂÌËfl, ‚ÓÁÌËͯË ËÁ-Á‡ ÌÂÔ‡‚ËθÌÓÈ ˝ÍÒÔÎÛ‡Ú‡ˆËË ËÎË ËÁ-Á‡ ÏÓ‰ËÙË͇ˆËË

ËÌÒÚÛÏÂÌÚ‡, ‡ Ú‡ÍÊ Á‡ ÔÓÚÂflÌÌ˚ ËÎË ËÒÔÓ˜ÂÌÌ˚ ‰‡ÌÌ˚Â.

ÇÒ„‰‡ ‚˚Íβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ ÔÓÒΠÓÍÓ̘‡ÌËfl ‡·ÓÚ˚.

èË ËÒÔÓθÁÓ‚‡ÌËË ‡‰‡ÔÚÂ‡ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇, ‰‡Ê ÂÒÎË ‚˚Íβ˜‡ÚÂθ ÔËÚ‡ÌËfl ̇ıÓ‰ËÚÒfl ‚ ÒÓÒÚÓflÌËË STANDBY, ËÌÒÚÛÏÂÌÚ ÔÓ‰ÓÎʇÂÚ ÔÓÚ·ÎflÚ¸

˝ÎÂÍÚÓ˝ÌÂ„˲ ̇ ÏËÌËχθÌÓÏ ÛÓ‚ÌÂ. ÖÒÎË ËÌÒÚÛÏÂÌÚ Ì ËÒÔÓθÁÛÂÚÒfl ‰ÎËÚÂθÌÓ ‚ÂÏfl, ÓÚÍβ˜ËÚ ‡‰‡ÔÚÂ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇ ÓÚ ÓÁÂÚÍË.

ìÚËÎËÁËÛÈÚ ËÒÔÓθÁÓ‚‡ÌÌ˚ ·‡Ú‡ÂË ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò Ô‡‚Ë·ÏË, ÔËÌflÚ˚ÏË ‚ ‚‡¯ÂÏ „ËÓÌÂ.

àÎβÒÚ‡ˆËË Ë ËÒÛÌÍË Üä-˝Í‡ÌÓ‚ Ô˂‰ÂÌ˚ ‚ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl ÚÓθÍÓ ‚ ͇˜ÂÒÚ‚Â ÔËÏÂÓ‚. ì ‚‡Ò ÏÓ„ÛÚ ·˚Ú¸ ‰Û„ËÏË.

● ÇÒÚÓÂÌ̇fl ÔÂÒÌfl (ËÎË ÍÓÏÔÓÁˈËfl) Just The Way You Are

ç‡Á‚‡ÌË ÍÓÏÔÓÁˈËË: Just The Way You Are

äÓÏÔÓÁËÚÓ: ÅËÎÎË ÑÊÓ˝Î

Ç·‰ÂΈ ‡‚ÚÓÒÍËı Ô‡‚: EMI MUSIC PUBLISHING LTD

ÇçàåÄçàÖ! ÇÒ Ô‡‚‡ Á‡˘Ë˘ÂÌ˚. çÂÒ‡Ì͈ËÓÌËÓ‚‡ÌÌÓ ÍÓÔËÓ‚‡ÌËÂ, ÔÛ·Î˘ÌÓÂ

‚ÓÒÔÓËÁ‚‰ÂÌËÂ Ë Ú‡ÌÒÎflˆËfl ÒÚÓ„Ó Á‡Ô¢ÂÌ˚.

● ìÇÖÑéåãÖçàÖ éÅ ÄÇíéêëäàï èêÄÇÄï

Ç ˝ÚÓÏ ÔÓ‰ÛÍÚ ËÒÔÓθÁÛ˛ÚÒfl èé, ‡‚ÚÓÒÍË Ô‡‚‡ ̇ ÍÓÚÓÓ ÔË̇‰ÎÂÊ‡Ú ÍÓÔÓ‡ˆËË Yamaha ËÎË ÔÓÎÛ˜ÂÌ˚

² Û ‰Û„Ëı ‚·‰ÂθˆÂ‚. ä Ú‡ÍËÏ Ï‡ÚÂˇ·Ï, Á‡˘Ë˘ÂÌÌ˚Ï ‡‚ÚÓÒÍËÏË Ô‡‚‡ÏË, ÓÚÌÓÒflÚÒfl ·ÂÁ Ó„‡Ì˘ÂÌËfl

‚Ò ÍÓÏÔ¸˛ÚÂÌÓ ÔÓ„‡ÏÏÌÓ ӷÂÒÔ˜ÂÌËÂ, Ù‡ÈÎ˚ ÒÚËÎÂÈ, Ù‡ÈÎ˚ MIDI, ‰‡ÌÌ˚ WAVE Ë Á‚ÛÍÓÁ‡ÔËÒË. ã˛·ÓÂ

ÌÂÒ‡Ì͈ËÓÌËÓ‚‡ÌÌÓ ËÒÔÓθÁÓ‚‡ÌË ڇÍËı ÔÓ„‡ÏÏ Ë ÒÓ‰ÂÊËÏÓ„Ó, ‚˚ıÓ‰fl˘Â Á‡ ‡ÏÍË Î˘ÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl,

Á‡Ô¢ÂÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË Á‡ÍÓ̇ÏË. ã˛·Ó ̇Û¯ÂÌË ‡‚ÚÓÒÍËı Ô‡‚ ÔÂÒΉÛÂÚÒfl ÔÓ Á‡ÍÓÌÛ.

çÖ ëéáÑÄÇÄâíÖ, çÖ êÄëèêéëíêéçüâíÖ à çÖ àëèéãúáìâíÖ çÖáÄäéççõÖ äéèàà.

● íÓ‚‡Ì˚ Á̇ÍË

• Apple Ë Macintosh fl‚Îfl˛ÚÒfl ÚÓ‚‡Ì˚ÏË Á͇̇ÏË ÍÓÔÓ‡ˆËË Apple Computer Inc., Á‡„ËÒÚËÓ‚‡ÌÌ˚ÏË ‚ ëòÄ

Ë ‰Û„Ëı ÒÚ‡Ì‡ı.

• Windows fl‚ÎflÂÚÒfl Á‡„ËÒÚËÓ‚‡ÌÌ˚Ï ÚÓ‚‡Ì˚Ï Á̇ÍÓÏ ÍÓÔÓ‡ˆËË Microsoft® Corporation.

ÇÒ ÓÒڇθÌ˚ ÚÓ‚‡Ì˚ Á̇ÍË fl‚Îfl˛ÚÒfl ÒÓ·ÒÚ‚ÂÌÌÓÒÚ¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ‚·‰ÂθˆÂ‚.

(4)-8 2/2

5

3

èÓÁ‰‡‚ÎflÂÏ Ò ÔÓÍÛÔÍÓÈ ÒËÌÚÂÁ‡ÚÓ‡ Yamaha PSR-290 PortaTone!

Ç˚ ÒÚ‡ÎË ‚·‰ÂθˆÂÏ ÔÓÚ‡ÚË‚ÌÓ„Ó ÒËÌÚÂÁ‡ÚÓ‡, Ó·˙‰ËÌË‚¯Â„Ó Ò‡Ï˚ ÔÂ‰ӂ˚Â

ÚÂıÌÓÎÓ„ËË, ‚ÂÎËÍÓÎÂÔÌ˚È Á‚ÛÍ Ë ÔÓÒÚÓÚÛ ËÒÔÓθÁÓ‚‡ÌËfl. çÂÓ·˚ÍÌÓ‚ÂÌÌ˚ ‚ÓÁÏÓÊÌÓÒÚË

Ú‡ÍÊ ‰Â·˛Ú Â„Ó ˜ÂÁ‚˚˜‡ÈÌÓ ‚˚‡ÁËÚÂθÌ˚Ï Ë ‡ÁÌÓÒÚÓÓÌÌËÏ ËÌÒÚÛÏÂÌÚÓÏ.

óÚÓ·˚ ÔÓÎÌÓÒÚ¸˛ ËÒÔÓθÁÓ‚‡Ú¸ ÔÂËÏÛ˘ÂÒÚ‚‡ Ò‚ÓÂ„Ó ÌÓ‚Ó„Ó ÒËÌÚÂÁ‡ÚÓ‡ PSR-290,

‚ÌËχÚÂθÌÓ ÔÓ˜ËÚ‡ÈÚ ˝ÚÓ êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl.

éÒÌÓ‚Ì˚Â ‚ÓÁÏÓÊÌÓÒÚË

ëËÌÚÂÁ‡ÚÓ PSR-290 — ÒÎÓÊÂÌ Ë ‚ ÚÓ Ê ‚ÂÏfl ÔÓÒÚ ‚ ËÒÔÓθÁÓ‚‡ÌËË.

■ ëÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌÌÓ ÙÓÚÂÔ¸flÌÓ.............................................................. ÒÚ. 20

Ç ÒËÌÚÂÁ‡ÚÓ PSR-290 ÂÒÚ¸ ÓÒÓ·‡fl ÙÛÌ͈Ëfl ÚÂÏ·‡ Portable Grand Piano, ÒÓÁ‰‡Ì̇fl

̇ ÓÒÌÓ‚Â ‰ÓÒÚËÊÂÌËÈ ÚÂıÌÓÎÓ„ËË ÒÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌËfl Ë Ò ÔÓÏÓ˘¸˛ ÚÓÌ-„ÂÌÂ‡ÚÓ‡

AWM (Advanced Wave Memory) ÍÓÔÓ‡ˆËË Yamaha.

■ óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl.................................................................. ÒÚ. 30

àÒÍβ˜ËÚÂθÌÓ ÂÒÚÂÒÚ‚ÂÌ̇fl ÙÛÌ͈Ëfl Touch Response (óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl)

Ò Û‰Ó·Ì˚Ï ÔÂÂÍβ˜‡ÚÂÎÂÏ Ì‡ ÔÂ‰ÌÂÈ Ô‡ÌÂÎË Ó·ÂÒÔ˜˂‡ÂÚ Ï‡ÍÒËχθÌ˚È ÍÓÌÚÓθ Á‡

ÚÂÏ·‡ÏË. é̇ Ú‡ÍÊ ‡·ÓÚ‡ÂÚ Ò ‰Ë̇Ï˘ÂÒÍËÏ ÙËθÚÓÏ, ÍÓÚÓ˚È Ì‡ÒÚ‡Ë‚‡ÂÚ ÚÂÏ· ËÎË

ÚÓÌ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÒËÎÓÈ Ì‡Ê‡ÚËfl, Í‡Í Ì‡ ̇ÒÚÓfl˘ÂÏ ÏÛÁ˚͇θÌÓÏ ËÌÒÚÛÏÂÌÚÂ!

■ ë‰ÒÚ‚‡ Ó·Û˜ÂÌËfl ................................................................................. ÒÚ. 43, 45, 61

ëËÌÚÂÁ‡ÚÓ PSR-290 ‚Íβ˜‡ÂÚ ÌÓ‚˚È Ì‡·Ó Ó·Û˜‡˛˘Ëı Ò‰ÒÚ‚ (Yamaha Education Suite).

Å·„Ó‰‡fl ËÒÔÓθÁÓ‚‡Ì˲ ÌÓ‚ÂȯËı ÚÂıÌÓÎÓ„ËÈ ‡Áۘ˂‡ÌË ÏÛÁ˚͇θÌ˚ı ÔÓËÁ‚‰ÂÌËÈ

ÒÚ‡ÌÓ‚ËÚÒfl Í‡Í ÌËÍÓ„‰‡ ËÌÚÂÂÒÌ˚Ï Ë ÔÎÓ‰ÓÚ‚ÓÌ˚Ï!

■ ç‡ÒÚÓÈ͇ ‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ.................................................................................ÒÚ. 28

îÛÌ͈Ëfl One Touch Setting (ç‡ÒÚÓÈ͇ ‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ) ÔÓÁ‚ÓÎflÂÚ ‡‚ÚÓχÚ˘ÂÒÍË ‚˚Á‚‡Ú¸

ÚÂÏ·, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ‚˚·‡ÌÌÓÏÛ ÒÚËβ. Ç Ô‡ÏflÚË Í‡Ê‰Ó„Ó ÒÚËÎfl ÏÓÊÌÓ ı‡ÌËÚ¸ ‰‚Â

Ú‡ÍËı ̇ÒÚÓÈÍË, ÍÓÚÓ˚ ÏÓÊÌÓ ËÁÏÂÌflÚ¸ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÌÛÊÌ˚ÏË Ì‡ÒÚÓÈ͇ÏË ÚÂÏ·‡.

ùÚÓ ÔÓÁ‚ÓÎflÂÚ ÒÓı‡ÌflÚ¸ ‚˚·‡ÌÌ˚ ԇ‡ÏÂÚ˚ Ë Á‡ÚÂÏ ·˚ÒÚÓ Ëı Á‡„Ûʇڸ.

■ åÓ˘Ì‡fl ÒËÒÚÂχ ‰Ë̇ÏËÍÓ‚

ÇÒÚÓÂÌ̇fl ÒËÒÚÂχ ÒÚÂÂÓÛÒËÎËÚÂÎfl Ë ‰Ë̇ÏËÍÓ‚ ÒÓ ÒÔˆˇθÌÓÈ ÙÛÌ͈ËÂÈ ÛÒËÎÂÌËfl

ÌËÁÍËı ˜‡ÒÚÓÚ Ó·ÂÒÔ˜˂‡ÂÚ Ó˜Â̸ ÏÓ˘Ì˚È Á‚ÛÍ ‚˚ÒÓÍÓ„Ó Í‡˜ÂÒÚ‚‡, ‰‡‚‡fl ‚ÓÁÏÓÊÌÓÒÚ¸

ÔÓÒÎÛ¯‡Ú¸ ÔÓÎÌ˚È ‰Ë̇Ï˘ÂÒÍËÈ ‰Ë‡Ô‡ÁÓÌ ÓË„Ë̇θÌ˚ı ÚÂÏ·Ó‚ ÒËÌÚÂÁ‡ÚÓ‡ PSR-290.

■ åÛÁ˚͇θ̇fl ·‡Á‡ ‰‡ÌÌ˚ı ...............................................................................ÒÚ. 48

ÇÒÚÓÂÌ̇fl ÒÓ‚ÂÏÂÌ̇fl Ë ÔÓÒÚ‡fl ‚ ËÒÔÓθÁÓ‚‡ÌËË ÏÛÁ˚͇θ̇fl ·‡Á‡ ‰‡ÌÌ˚ı Ò

‡‚ÚÓχÚ˘ÂÒÍËÏ ‚˚·ÓÓÏ ÒÚËÎfl, ÚÂÏ·‡ Ë Ì‡·Ó‡ ˝ÙÙÂÍÚÓ‚. ùÚÓ Ó˜Â̸ ÔÓÏÓ„‡ÂÚ, ÂÒÎË

‚˚ ıÓÚËÚ ˄‡Ú¸ ‚ ͇ÍÓÏ-ÚÓ ÏÛÁ˚͇θÌÓÏ Ê‡ÌÂ, ÌÓ Ì Á̇ÂÚÂ, ͇ÍË ‚˚·‡Ú¸ ̇ÒÚÓÈÍË.

èÓÒÚÓ ‚˚·ÂËÚ ʇÌ - Ó· ÓÒڇθÌÓÏ ÔÓÁ‡·ÓÚËÚÒfl ÒËÌÚÂÁ‡ÚÓ PSR-290!

■ ëڇ̉‡Ú GM System Level 1

GM System Level 1 — ˝ÚÓ ‰ÓÔÓÎÌÂÌËÂ Í Òڇ̉‡ÚÛ MIDI, Ó·ÂÒÔ˜˂‡˛˘Â ÚÓ˜ÌÓÂ

‚ÓÒÔÓËÁ‚‰ÂÌË ‚ÒÂı GM-ÒÓ‚ÏÂÒÚËÏ˚ı ÏÛÁ˚͇θÌ˚ı ‰‡ÌÌ˚ı β·˚Ï GM-ÒÓ‚ÏÂÒÚËÏ˚Ï

ÚÓÌ-„ÂÌÂ‡ÚÓÓÏ ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÙËÏ˚-ËÁ„ÓÚÓ‚ËÚÂÎfl. å‡ÍËӂ͇ GM ÒÚ‡‚ËÚÒfl ̇ ‚ÒÂ

ÔÓ„‡ÏÏÌÓ ӷÂÒÔ˜ÂÌËÂ Ë Ó·ÓÛ‰Ó‚‡ÌËÂ, ÔÓ‰‰ÂÊË‚‡˛˘Â Òڇ̉‡Ú GM System Level.

■ îÓÏ‡Ú XGlite

XGlite — ˝ÚÓ ÛÔÓ˘ÂÌ̇fl ‚ÂÒËfl ÙÓχڇ ‚˚ÒÓÍÓ͇˜ÂÒÚ‚ÂÌÌ˚ı ÚÓÌ-„ÂÌÂ‡ÚÓÓ‚ XG ÍÓÔÓ-

‡ˆËË Yamaha. ÖÒÚÂÒÚ‚ÂÌÌÓ, ÔË ÔÓÏÓ˘Ë ÚÓÌ-„ÂÌÂ‡ÚÓ‡ XGlite ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚ÂÒÚË Î˛·Û˛

ÔÂÒÌ˛ ‚ ÙÓχÚ XG. é‰Ì‡ÍÓ ËÏÂÈÚ ‚ ‚ˉÛ, ˜ÚÓ ËÁ-Á‡ ÒÓÍ‡˘ÂÌÌÓ„Ó Ì‡·Ó‡ ÍÓÌÚÓθÌ˚ı

Ô‡‡ÏÂÚÓ‚ Ë ˝ÙÙÂÍÚÓ‚ ÌÂÍÓÚÓ˚ ÔÂÒÌË ÏÓ„ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl Ì ڇÍ, Í‡Í ÓË„Ë̇Î.

6

ëÓ‰ÂʇÌËÂ

è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚ ...................................8

Ç˚·Ó Ë ÔÓË„˚‚‡ÌË ÔÂÒÂÌ .................................. 51

• Ç˚·Ó ÔÂÒÌË .................................................................... 51

ç‡ÒÚÓÈ͇ ......................................................................10

• ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ ................................................. 53

• í·ӂ‡ÌËfl Í ˝ÎÂÍÚÓÔËÚ‡Ì˲ ...................................... 10

• îÛÌ͈Ëfl A-B Repeat ....................................................... 54

• ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl ........................................................ 11

• àÁÏÂÌÂÌË ÚÂÏ·‡ ÏÂÎÓ‰ËË .......................................... 55

• ÉÌÂÁ‰‡ ‰Îfl ÔË̇‰ÎÂÊÌÓÒÚÂÈ ....................................... 11

• ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË ÔÂÒÌË ....................................... 55

á‡ÔËÒ¸ ÔÂÒÂÌ ................................................................ 56

é·ÁÓ 12

• á‡ÔËÒ¸ ÔÂÒÂÌ ÔÓθÁÓ‚‡ÚÂÎfl .......................................... 56

• 쉇ÎÂÌË ÔÂÒÌË .............................................................. 59

ò‡„ 1. íÂÏ·˚ .........................................................12

• é˜ËÒÚ͇ ‰ÓÓÊÍË ............................................................ 60

ò‡„ 2. èÂÒÌË ............................................................14

ò‡„ 3. åÛÁ˚͇θ̇fl ·‡Á‡ ‰‡ÌÌ˚ı ........................16

ê‡Áۘ˂‡ÌË ÔÂÒÌË ..................................................... 61

• àÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Ó·Û˜ÂÌËfl Lesson .................. 61

• Ç˚·Ó ۘ·ÌÓÈ ‰ÓÓÊÍË ................................................ 63

é·ÓÁ̇˜ÂÌËfl ̇ ‰ËÒÔΠԇÌÂÎË ..............................18

• ìÓÍ 1 — åÛÁ˚͇θÌ˚È ‡ÁÏÂ .................................... 63

îÛÌ͈Ëfl Portable Grand ..............................................20

• ìÓÍ 2 — è‡‚ËθÌ˚ ÌÓÚ˚ .......................................... 64

• à„‡ ‚ ÂÊËÏÂ Portable Grand ....................................... 20

• ìÓÍ 3 — åËÌÛÒ 1 ........................................................... 64

• àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ ............................................ 20

• ìÓÍ 4 — à„‡ Ó·ÂËÏË Û͇ÏË ...................................... 65

• îÛÌ͈Ëfl ÓˆÂÌÍË Grade ................................................... 65

îÛÌ͈Ëfl DJ ...................................................................22

• à„‡ ‚ ÂÊËÏÂ DJ ........................................................... 22

îÛÌ͈ËË MIDI ................................................................ 66

• óÚÓ Ú‡ÍÓ MIDI ................................................................ 66

íÂÏ·˚ ...........................................................................23

• èÓ‰Íβ˜ÂÌËÂ Í ÔÂÒÓ̇θÌÓÏÛ ÍÓÏÔ¸˛ÚÂÛ ............... 68

• à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ· ............................................. 23

• ãÓ͇θÌÓ ÛÔ‡‚ÎÂÌË (ÙÛÌ͈Ëfl Local ) ...................... 69

• íÂÏ· 000 (OTS) ............................................................. 26

• èÓÒ˚Î͇ ̇˜‡Î¸ÌÓÈ ÍÓÌÙË„Û‡ˆËË (Initial Setup Send) 69

• îÛÌ͈Ëfl Dual Voice ......................................................... 26

• Ç̯Ìflfl ÒËÌıÓÌËÁ‡ˆËfl (External Clock) ..................... 69

• îÛÌ͈Ëfl Split Voice ......................................................... 27

• èÂ‰‡˜‡ ‰‡ÌÌ˚ı (Bulk Data Send) ............................... 69

• ìÒÚ‡Ìӂ͇ Ô‡‡ÏÂÚ‡ Split Point ................................... 27

• éÚÍβ˜ÂÌË Í·‚ˇÚÛ˚ (Keyboard Out) ...................... 70

• Å˚ÒÚ‡fl Á‡„ÛÁ͇ ̇ÒÚÓÂÍ (One Touch Setting) ......... 28

• éÚÍβ˜ÂÌË ÒÚËÎfl (Style Out) ........................................ 70

• îÛÌ͈ËË Transpose Ë Tuning .......................................... 29

• éÚÍβ˜ÂÌË ÔÂÒÌË (Song Out) ....................................... 70

• îÛÌ͈Ëfl Touch Ë ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í·‚˯ ................ 30

• ᇄÛÁ͇ ÔÂÒÌË ‚Ó Ùν¯-Ô‡ÏflÚ¸ PSR-290 ................... 71

ùÙÙÂÍÚ˚ .......................................................................31

• êÂÊËÏ PC ........................................................................ 73

• ùÙÙÂÍÚ˚ Harmony ......................................................... 31

• ùÙÙÂÍÚ Reverb ............................................................... 31

è‡‡ÏÂÚ˚ ÂÊËχ FUNCTION ................................. 74

• àÒÔÓθÁÓ‚‡ÌË ԇ‡ÏÂÚÓ‚ ÂÊËχ FUNCTION ........ 74

• ùÙÙÂÍÚ Chorus ............................................................... 32

• ùÙÙÂÍÚ DSP ................................................................... 32

ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ ............................................... 77

Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ ...........................35

ëÓı‡ÌÂÌËÂ Ë ËÌˈˇÎËÁ‡ˆËfl ‰‡ÌÌ˚ı .................... 78

• Ç˚·Ó ÒÚËÎfl .................................................................... 35

ëÔËÒÓÍ ÚÂÏ·Ó‚ ........................................................... 79

• ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ ............................................... 36

• Sync Stop ......................................................................... 40

ëÔËÒÓÍ ÒÚËÎÂÈ .............................................................. 86

• àÁÏÂÌÂÌË ÚÂÏÔ‡ ............................................................ 41

ëÔËÒÓÍ ÏÛÁ˚͇θÌ˚ı ·‡Á ‰‡ÌÌ˚ı ............................ 87

• ó‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (Main A/B Ë ‚ÒÚ‡‚ÍË) ............... 42

ëÔËÒÓÍ Ì‡·ÓÓ‚ Û‰‡Ì˚ı ......................................... 88

• ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË ÒÚËÎfl ........................................... 42

• àÒÔÓθÁÓ‚‡ÌË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ .......................... 43

퇷Îˈ‡ ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡ .............. 90

• ëÎÓ‚‡̇fl ÙÛÌ͈Ëfl (Dictionary) .................................... 45

ä‡ÚÓ„‡Ïχ ˝ÙÙÂÍÚÓ‚ ............................................. 92

àÒÔÓθÁÓ‚‡ÌË ÏÛÁ˚͇θÌÓÈ ·‡Á˚ ‰‡ÌÌ˚ı ...........48

íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË ................................... 93

• чÌÌ˚ ‚ ÏÛÁ˚͇θÌÓÈ ·‡Á ‰‡ÌÌ˚ı ............................ 50

è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ .............................................. 94

7

è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚

■ èÂ‰Ìflfl Ô‡ÌÂθ

u i

o

!3

@0

!9

e

GrandPno

!5

001092

r

001

!6

t

!7

y

!8

!0

!1 !2

!4

@1

q

w

@8 @9

@2

@4 @6@3

@5 @7

q

Ç˚Íβ˜‡ÚÂθ ÔËÚ‡ÌËfl [STANDBY/ON]

!0 äÌÓÔÍË LESSON: [L] Ë [R]

Ç˚ÁÓ‚ ÛÔ‡ÊÌÂÌËÈ ‰Îfl ΂ÓÈ (L) ËÎË Ô‡‚ÓÈ

w ÑËÒÍ ÛÔ‡‚ÎÂÌËfl „ÓÏÍÓÒÚ¸˛

(R) ÛÍË ‰Îfl ‚˚·‡ÌÌÓÈ ÔÂÒÌË (ÒÚ. 62).

[MASTER VOLUME]

!1 äÌÓÔ͇ [METRONOME]

é·˘‡fl „ÓÏÍÓÒÚ¸ ÒËÌÚÂÁ‡ÚÓ‡ PSR-290.

ÇÍβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ÏÂÚÓÌÓχ (ÒÚ. 20).

e äÌÓÔ͇ [TOUCH]

!2 äÌÓÔ͇ [PORTABLE GRAND]

ÇÍβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ÙÛÌ͈ËË Touch

Å˚ÒÚ˚È ‚˚ÁÓ‚ ÚÂÏ·‡ ÓflÎfl (ÒÚ. 12).

(ÒÚ. 30).

!3 äÌÓÔ͇ [DEMO]

r äÌÓÔ͇ [HARMONY]

èÓË„˚‚‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÔÂÒÌË

ÇÍβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ˝ÙÙÂÍÚ‡ „‡ÏÓÌËË

(ÒÚ. 14).

Harmony (ÒÚ. 31).

!4 äÌÓÔ͇ [FUNCTION]

t äÌÓÔ͇ [DUAL]

Ç˚ÁÓ‚ ÂÊËχ Function Ë ı‡ÌÂÌË Á‡‰‡ÌÌ˚ı

ÇÍβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ÂÊËχ ̇ÎÓÊÂÌËfl

̇ÒÚÓÂÍ ‚Ó Ùν¯-Ô‡ÏflÚË (ÒÚ. 74, 78).

ÚÂÏ·Ó‚ (ÒÚ. 26).

!5 äÌÓÔ͇ [SONG]

y äÌÓÔ͇ [SPLIT]

Ç˚·Ó ËÁ ‰ÓÒÚÛÔÌ˚ı ÔÂÒÂÌ (ÒÚ. 51).

ÇÍβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚

(ÒÚ. 27).

!6 äÌÓÔ͇ [STYLE]

u

äÌÓÔ͇ [DICTIONARY]

Ç˚·Ó ÒÚËÎfl (ÒÚ. 35).

Ç˚ÁÓ‚ ÙÛÌ͈ËË ÒÎÓ‚‡fl ‡ÍÍÓ‰Ó‚ (ÒÚ. 45).

!7 äÌÓÔ͇ [VOICE] (ÂÊËÏ VOICE)

i äÌÓÔ͇ [DJ]

àÒÔÓθÁÛÂÚÒfl ‰Îfl ‚˚·Ó‡ ÚÂÏ·Ó‚. (ÒÚ. 23).

ç‡Ê‡ÚË ˝ÚÓÈ ÍÌÓÔÍË ‚˚Á˚‚‡ÂÚ ÙÛÌÍˆË˛

Ç˚ÁÓ‚ ÒÔˆˇθÌÓ„Ó ÚÂÏ·‡ Ë ÒÚËÎfl DJ.

Melody Voice Change (àÁÏÂÌÂÌË ÚÂÏ·‡

o äÌÓÔ͇ [PC]

ÏÂÎÓ‰ËË) (ÒÚ. 55).

ùÚ‡ ËÒÍβ˜ËÚÂθÌÓ Û‰Ó·Ì‡fl ÍÌÓÔ͇

!8 äÌÓÔ͇ [M.D.B.] (MUSIC DATABASE)

ÔÓÁ‚ÓÎflÂÚ ı‡ÌËÚ¸ Ë ·˚ÒÚÓ ‚˚Á˚‚‡Ú¸ ÓÒÓ·˚Â

Ç˚·Ó ÓÔÚËχθÌ˚ı ̇ÒÚÓÂÍ ÔÛθڇ ‰Îfl

̇ÒÚÓÈÍË MIDI ‰Îfl ÓÔÚËχθÌÓ„Ó

‚˚·‡ÌÌÓ„Ó ÏÛÁ˚͇θÌÓ„Ó Ê‡Ì‡ (ÒÚ. 48).

ËÒÔÓθÁÓ‚‡ÌËfl ÒËÌÚÂÁ‡ÚÓ‡ Ò ÍÓÏÔ¸˛ÚÂÓÏ

ËÎË ‰Û„ËÏ MIDI-ÛÒÚÓÈÒÚ‚ÓÏ (ÒÚ. 73).

8

è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚

!9 ÑËÒÍ Ë ÍÌÓÔÍË CATEGORY [ ]/[ ]

@4 äÌÓÔ͇ [INTRO ENDING] / [REW

rr

rr

]

f

r

Ë SELECT [ ]/[ ]

Ç ÂÊËÏ STYLE (ëÚËθ) Ó̇ ÛÔ‡‚ÎflÂÚ

>

<

ÙÛÌ͈ËflÏË Intro Ë Ending (ÒÚ. 36). Ç ÂÊËÏÂ

àÒÔÓθÁÛ˛ÚÒfl ‰Îfl ‚˚·Ó‡ ÌÓÏÂ‡ ÌÛÊÌÓÈ

SONG (èÂÒÌfl) ËÒÔÓθÁÛÂÚÒfl ‰Îfl ÓÚÏÓÚÍË

ÔÂÒÌË, Á‚Û͇, ÒÚËÎfl ËÎË M.D.B. (ÒÚ. 24).

̇Á‡‰ ËÎË ÔÂÂÏ¢ÂÌËfl ÚÓ˜ÍË ÔÓË„˚‚‡ÌËfl

í‡ÍÊ ËÒÔÓθÁÛÂÚÒfl ‰Îfl ‚˚·Ó‡ Á̇˜ÂÌËfl

ÔÂÒÌË Í Ì‡˜‡ÎÛ.

Tempo Ë Function.

äÌÓÔÍË CATEGORY [ ]/[ ] ËÒÔÓθÁÛ˛ÚÒfl

f

r

@5 äÌÓÔ͇ [MAIN/AUTO FILL] / [FF

ff

ff

]

‰Îfl ‚˚·Ó‡ ͇Ú„ÓËË ÔÂÒÂÌ, Á‚ÛÍÓ‚, ÒÚËÎÂÈ,

Ç ÂÊËÏ STYLE ËÒÔÓθÁÛÂÚÒfl ‰Îfl

M.D.B. ËÎË ÙÛÌ͈ËÈ. í‡ÍÊ ÔÓÁ‚ÓÎflÂÚ

ËÁÏÂÌÂÌËfl ÒÂ͈ËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë

ÔÂÂÏ¢‡Ú¸Òfl ÔÓ Í‡Ú„ÓËflÏ. äÌÓÔÍË

ÛÔ‡‚ÎÂÌËfl ÙÛÌ͈ËÂÈ Auto Fill (ÒÚ. 42).

SELECT [ ]/[ ] ÒÎÛÊ‡Ú ‰Îfl ‚˚·Ó‡ ÔÂÒÌË,

>

<

Ç ÂÊËÏ SONG ËÒÔÓθÁÛÂÚÒfl ‰Îfl «·˚ÒÚÓÈ

ÚÂÏ·‡, ÒÚËÎfl, M.D.B. Ë ÙÛÌ͈ËÈ, ‡ Ú‡ÍÊÂ

ÓÚÏÓÚÍË ‚ÔÂ‰» ËÎË ÔÂÂÏ¢ÂÌËfl ÚÓ˜ÍË

‰Îfl ËÁÏÂÌÂÌËfl ̇ÒÚÓÂÍ.

ÔÓË„˚‚‡ÌËfl ÔÂÒÌË ‚ ÒÚÓÓÌÛ ÍÓ̈‡.

@0 ñËÙÓ‚‡fl Í·‚ˇÚÛ‡, ÍÌÓÔÍË

@6 äÌÓÔ͇ [START/STOP]

[+/YES] Ë [-/NO]

Ç ÂÊËÏ STYLE Á‡ÔÛÒ͇ÂÚ/ÓÒڇ̇‚ÎË‚‡ÂÚ

àÒÔÓθÁÛ˛ÚÒfl ‰Îfl ‚˚·Ó‡ ÔÂÒÂÌ, ÚÂÏ·Ó‚ Ë

ÒÚËθ (ÒÚ. 36). Ç ÂÊËÏ SONG Á‡ÔÛÒ͇ÂÚ

ÒÚËÎÂÈ. (ÒÚ. 24). í‡ÍÊ ÒÎÛÊ‡Ú ‰Îfl ËÁÏÂ-

ËÎË ÓÒڇ̇‚ÎË‚‡ÂÚ ÔÓË„˚‚‡ÌË (ÒÚ. 54).

ÌÂÌËfl ̇ÒÚÓÂÍ Ë ÓÚ‚ÂÚ‡ ̇ Á‡ÔÓÒ˚ ‰ËÒÔÎÂfl.

@7 äÌÓÔ͇ [TEMPO/TAP]

@1 äÌÓÔ͇ [ACMP] / [A-B REPEAT]

àÒÔÓθÁÛÂÚÒfl ‰Îfl ‚˚ÁÓ‚‡ ̇ÒÚÓÈÍË Tempo,

Ç ÂÊËÏ STYLE (ëÚËθ) ‚Íβ˜‡ÂÚ ËÎË

ÔÓÁ‚ÓÎflfl ‚˚·‡Ú¸ ÚÂÏÔ Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇,

‚˚Íβ˜‡ÂÚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ (ÒÚ. 36).

ˆËÙÓ‚ÓÈ Í·‚ˇÚÛ˚ ËÎË ÍÌÓÔÓÍ [+]/[-]

Ç ÂÊËÏ Song ‚˚Á˚‚‡ÂÚ ÙÛÌÍˆË˛ A-B

(ÒÚ. 20). èÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸ ÚÂÏÔ Ë

Repeat (ÒÚ. 54).

‡‚ÚÓχÚ˘ÂÒÍË Ì‡˜‡Ú¸ ÔÓË„˚‚‡ÌË ÔÂÒÌË

ËÎË ÒÚËÎfl ‚ ˝ÚÓÏ ÚÂÏÔÂ (ÒÚ. 37).

@2 äÌÓÔ͇ [SYNC STOP]

@8 äÌÓÔÍË ÂÊËχ ONE TOUCH SETTING

ÇÍβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ÙÛÌ͈ËË Sync Stop

(ÒÚ. 40).

äÌÓÔÍË [MEMORY], [1], [2] ËÒÔÓθÁÛ˛ÚÒfl

‰Îfl ‚˚·Ó‡ Ô‡‡ÏÂÚÓ‚ ·˚ÒÚÓÈ Á‡„ÛÁÍË

@3 äÌÓÔ͇ [SYNC START] / [PAUSE]

(ÒÚ. 28).

ÇÍβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ÙÛÌ͈ËË Sync Start

@9 äÌÓÔÍË SONG MEMORY

(ÒÚ. 37). Ç ÂÊËÏ SONG ËÒÔÓθÁÛÂÚÒfl ‰Îfl

Ô‡ÛÁ˚ ‚ ÔÓË„˚‚‡ÌËË (ÒÚ. 53).

ùÚË ÍÌÓÔÍË ([REC], [1] - [5], [A])

ËÒÔÓθÁÛ˛ÚÒfl ‰Îfl Á‡ÔËÒË ÔÂÒÂÌ Ë ÔÓÁ‚ÓÎfl˛Ú

Á‡ÔËÒ˚‚‡Ú¸ ‰Ó 6 ‰ÓÓÊÂÍ ‰Îfl ÔÂÒÌË, ‚Íβ˜‡fl

ÒÔˆˇθÌÛ˛ ‰ÓÓÊÍÛ ‡ÍÍÓ‰Ó‚ (ÒÚ. 57).

■ ᇉÌflfl Ô‡ÌÂθ

#0

#1 #2

#3

#0 ê‡Á˙ÂÏ˚ MIDI IN, OUT

#2 ÉÌÂÁ‰Ó PHONES/OUTPUT

ëÎÛÊ‡Ú ‰Îfl ÔÓ‰Íβ˜ÂÌËfl Í ‰Û„ËÏ ËÌÒÚÛ-

ÑÎfl ÔÓ‰Íβ˜ÂÌËfl ÒÚÂÂÓ̇ۯÌËÍÓ‚ ËÎË

ÏÂÌÚ‡Ï Ë MIDI-ÛÒÚÓÈÒÚ‚‡Ï (ÒÚ. 67).

‚̯ÌËı ÛÒËÎËÚÂÎÂÈ Ë ‰Ë̇ÏËÍÓ‚ (ÒÚ. 11).

#1 ÉÌÂÁ‰Ó SUSTAIN

#3 ÉÌÂÁ‰Ó DC IN 12V

ÑÎfl ÔÓ‰Íβ˜ÂÌËfl ‰ÓÔÓÎÌËÚÂθÌÓÈ Ô‰‡ÎË

ÑÎfl ÔÓ‰Íβ˜ÂÌËfl ‡‰‡ÔÚÂ‡ ÔËÚ‡ÌËfl PA-3C

Footswitch FC4 ËÎË FC5, ‡Ì‡Îӄ˘ÌÓ„Ó

ËÎË PA-3B AC (ÒÚ. 10).

Ô‡‚ÓÈ Ô‰‡ÎË ÙÓÚÂÔˇÌÓ (ÒÚ. 11).

9

é·ÁÓ

zb

x

GrandPno

001092

001

v z

é̇ ÔÓÁ‚ÓÎflÂÚ Ï„ÌÓ‚ÂÌÌÓ ÔÂÂ̇ÒÚÓËÚ¸ ÒËÌÚÂÁ‡ÚÓ

PSR-290 ‰Îfl Ë„˚ ‚ ‡Á΢Ì˚ı ÏÛÁ˚͇θÌ˚ı ÒÚËÎflı.

ÖÒÎË ‚˚ ıÓÚËÚ ˄‡Ú¸ ‚ ÓÔ‰ÂÎÂÌÌÓÏ Ê‡ÌÂ, ÌÓ ÌÂ

Á̇ÂÚÂ, ͇ÍË ̇ÒÚÓÈÍË Á‡‰‡Ú¸, ÔÓÒÚÓ ‚˚·ÂËÚ ʇÌ

ËÁ ÏÛÁ˚͇θÌÓÈ ·‡Á˚ ‰‡ÌÌ˚ı, Ë ÒËÌÚÂÁ‡ÚÓ PSR-290

Ò‡Ï Á‡‰‡ÒÚ ‚Ò ÌÛÊÌ˚ ̇ÒÚÓÈÍË!

èêàåÖóÄçàÖ

• èÓ‰Ó·Ì ӷ ËÒÔÓÎÌÂÌËË Ô‡‚ËθÌ˚ı ‡ÍÍÓ‰Ó‚ ‰Îfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

ÒÏ. ‡Á‰ÂÎ «àÒÔÓθÁÓ‚‡ÌË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡» ̇ ÒÚ. 42 Ë ‡Á‰ÂÎ

«ä‡Í ÔÓÒÏÓÚÂÚ¸ ‡ÍÍÓ‰˚ ‚ ÒÎÓ‚‡» ̇ ÒÎÂ‰Û˛˘ÂÈ ÒÚ‡ÌˈÂ.

z

ç‡ÊÏËÚ ÍÌÓÔÍÛ [M.D.B.] (MUSIC DATABASE).

AlvFever

001

16

ò‡„ 3. åÛÁ˚͇θ̇fl ·‡Á‡ ‰‡ÌÌ˚ı

åÛÁ˚͇θ̇fl ·‡Á‡ ‰‡ÌÌ˚ı

x

Ç˚·ÂËÚ ÏÛÁ˚͇θÌÛ˛ ·‡ÁÛ ‰‡ÌÌ˚ı.

ëÏ. ÒÔËÒÓÍ ÏÛÁ˚͇θÌ˚ı ·‡Á ‰‡ÌÌ˚ı ̇ ÒÚ. 87.

ËÎË

Croco Rk

002

èêàåÖóÄçàÖ

• Ç˚·ÂËÚ ÌÛÊÌÛ˛ ͇Ú„Ó˲ ÔË ÔÓÏÓ˘Ë ÍÌÓÔÓÍ [ ]/[ ].

f

r

ò‡„ 3. åÛÁ˚͇θ̇fl ·‡Á‡ ‰‡ÌÌ˚ı

ä‡Í ÔÓÒÏÓÚÂÚ¸ ‡ÍÍÓ‰˚ ‚ ÒÎÓ‚‡Â

ì‰Ó·Ì‡fl ÒÎÓ‚‡̇fl ÙÛÌ͈Ëfl (Dictionary) Û˜ËÚ ‚‡Ò ‡ÍÍÓ‰‡Ï, ÔÓ͇Á˚‚‡fl ÓÚ‰ÂθÌ˚ ÌÓÚ˚.

çËÊ Ô˂‰ÂÌ ÔËÏÂ ÚÓ„Ó, Í‡Í Ë„‡Ú¸ ‡ÍÍÓ‰ GM7.

ä·‚Ë¯Ë ‰Îfl

ä·‚Ë¯Ë ‰Îfl ‚‚Ó‰‡

ä·‚Ë¯Ë ‰Îfl ‚‚Ó‰‡

c

ì͇ÊËÚ ÓÒÌÓ‚ÌÓÈ ÚËÔ ‡ÍÍÓ‰‡

‚‚Ó‰‡ ‡ÍÍÓ‰‡

ÚËÔ‡ ‡ÍÍÓ‰‡

ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ‡ÍÍÓ‰‡

(C1 - B2)

(C3 - B4)

(C5 - B5)

(‚ ˝ÚÓÏ ÒÎÛ˜‡Â M7).

ä‡Í Ë„‡Ú¸ ÍÓÌÍÂÚÌ˚È ‡ÍÍÓ‰

v

èÓË„‡ÈÚ ÌÓÚ˚ ‡ÍÍÓ‰‡, Í‡Í Û͇Á‡ÌÓ

‚ ‰Ë‡„‡ÏÏ ̇ ‰ËÒÔÎÂÂ. ÖÒÎË ‡ÍÍÓ‰

èËÏÂ:

G M7

Ò˚„‡Ì Ô‡‚ËθÌÓ, Â„Ó Ì‡Á‚‡ÌË ÏË„‡ÂÚ.

éÒÌÓ‚ÌÓÈ ÚÓÌ íËÔ ‡ÍÍÓ‰‡

z

ç‡ÊÏËÚ ÍÌÓÔÍÛ [DICTIONARY].

é·Î‡ÒÚ¸ ‡ÍÍÓ‰Ó‚

Dict.

b

ÑÎfl ‚˚ıÓ‰‡ ËÁ ÒÎÓ‚‡ÌÓÈ ÙÛÌ͈ËË

x

ì͇ÊËÚ ÓÒÌÓ‚ÌÓÈ ÚÓÌ ‡ÍÍÓ‰‡

̇ÊÏËÚ ¢ ‡Á ÍÌÓÔÍÛ [DICTIONARY].

(‚ ˝ÚÓÏ ÒÎÛ˜‡Â G).

ïÓÚËÚ ÛÁ̇ڸ ·Óθ¯Â? ëÏ. ÒÚ. 45.

c

à„‡ÈÚ ‡ÍÍÓ‰ ΂ÓÈ ÛÍÓÈ.

ëÚËθ Á‡ÔÛÒ͇ÂÚÒfl, ͇Í

é·Î‡ÒÚ¸

ÚÓθÍÓ ‚˚ ̇˜Ë̇ÂÚ ˄‡Ú¸,

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

Ë ÔÓÁ‚ÓÎflÂÚ Ë„‡Ú¸ ‚ÏÂÒÚÂ

Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ.

èÓ‰Ó·Ì ӷ ‡ÍÍÓ‰‡ı ÒÏ.

‚ ‡Á‰ÂΠ«ä‡Í ÔÓÒÏÓÚÂÚ¸

‡ÍÍÓ‰˚ ‚ ÒÎÓ‚‡».

v

éÒÚ‡ÌÓ‚ËÚ ÒÚËθ.

ïÓÚËÚ ÛÁ̇ڸ ·Óθ¯Â? ëÏ. ÒÚ. 48.

17

é·ÓÁ̇˜ÂÌËfl ̇ ‰ËÒÔΠԇÌÂÎË

ëËÌÚÂÁ‡ÚÓ PSR-290 Ò̇·ÊÂÌ ·Óθ¯ËÏ ÏÌÓ„ÓÙÛÌ͈ËÓ̇θÌ˚Ï ‰ËÒÔÎÂÂÏ, ̇

ÍÓÚÓÓÏ ÔÓ͇Á‡Ì˚ ‚Ò ‚‡ÊÌ˚ ̇ÒÚÓÈÍË ËÌÒÚÛÏÂÌÚ‡. Ç ˝ÚÓÏ ‡Á‰ÂΠÍ‡ÚÍÓ

ÓÔËÒ‡Ì˚ ÔËÍÚÓ„‡ÏÏ˚ Ë Ó·ÓÁ̇˜ÂÌËfl ̇ ˝ÚÓÏ ‰ËÒÔÎÂÂ.

q éÚÓ·‡ÊÂÌË ÌÓÚ

r èÂÒÌfl/ÚÂÏ·/ÒÚËθ/·‡Á‡

t à̉Ë͇ÚÓ Touch

‰‡ÌÌ˚ı (̇Á‚‡ÌËÂ Ë ÌÓÏÂ)

y à̉Ë͇ÚÓ Harmony

e à̉Ë͇ÚÓ˚ ‰ÓÎË

u à̉Ë͇ÚÓ Dual

i à̉Ë͇ÚÓ Split

o à̉Ë͇ÚÓ

!4 à̉Ë͇ÚÓ

Accompaniment On

ÓÍÚ‡‚˚

!0 à̉Ë͇ÚÓ Sync Stop

!5 à̉Ë͇ÚÓ

·‡Ú‡ÂË

GrandPno

!1 í‡ÍÚ Ë ÚÂÏÔ

092 001

001

!2 ÄÍÍÓ‰

!4 à̉Ë͇ÚÓ

!3 à̉Ë͇ÚÓ˚

ÓÍÚ‡‚˚

‰ÓÓÊÂÍ ÔÂÒÌË

w ä·‚ˇÚÛ‡

q éÚÓ·‡ÊÂÌË ÌÓÚ / w ä·‚ˇÚÛ‡

t à̉Ë͇ÚÓ Touch

ùÚË ‰‚ ӷ·ÒÚË ‰ËÒÔÎÂfl ‰‡˛Ú Û‰Ó·ÌÓÂ

èÓfl‚ÎflÂÚÒfl, ÂÒÎË ‚Íβ˜Â̇ ÙÛÌ͈Ëfl Touch

ÓÚÓ·‡ÊÂÌË ÌÓÚ. èË ‚ÓÒÔÓËÁ‚‰ÂÌËË

(ÒÚ.30).

ÔÂÒÌË ‚ ÌËı ÔÓÒΉӂ‡ÚÂθÌÓ ÓÚÓ·‡Ê‡˛ÚÒfl

ÏÂÎÓ‰Ëfl Ë ‡ÍÍÓ‰˚. ÇÓ ‚ÂÏfl Ò‡ÏÓÒÚÓflÚÂθ-

y à̉Ë͇ÚÓ Harmony

ÌÓÈ Ë„˚ ̇ Í·‚ˇÚÛ ÔÓË„˚‚‡ÂÏ˚Â

èÓfl‚ÎflÂÚÒfl, ÂÒÎË ‚Íβ˜ÂÌ ˝ÙÙÂÍÚ Harmony

ÌÓÚ˚ ÓÚÓ·‡Ê‡˛ÚÒfl ̇ ‰ËÒÔÎÂÂ.

(ÒÚ. 31).

èêàåÖóÄçàÖ

u à̉Ë͇ÚÓ Dual

• ÑÎfl ÌÂÍÓÚÓ˚ı ‡ÍÍÓ‰Ó‚ ‚ ˝ÚÓÈ Ó·Î‡ÒÚË ‰ËÒÔÎÂfl ÏÓ„ÛÚ ÓÚÓ·‡Ê‡Ú¸Òfl ÌÂ

‚Ò ÌÓÚ˚. ùÚÓ Ò‚flÁ‡ÌÓ Ò ‡ÁÏÂÓÏ ‰ËÒÔÎÂfl.

èÓfl‚ÎflÂÚÒfl, ÂÒÎË ‚Íβ˜Â̇ ÙÛÌ͈Ëfl Dual

(ÒÚ. 26).

e à̉Ë͇ÚÓ˚ ‰ÓÎË

i à̉Ë͇ÚÓ Split

ùÚË Ë̉Ë͇ÚÓ˚ (Ӊ̇ ·Óθ¯‡fl ÒÚÂÎ͇ Ë

èÓfl‚ÎflÂÚÒfl, ÂÒÎË ‚Íβ˜Â̇ ÙÛÌ͈Ëfl Split

ÚË Ï‡ÎÂ̸ÍËı) ÔÓÒΉӂ‡ÚÂθÌÓ ÏË„‡˛Ú ‚

(ÒÚ. 27).

ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÔÂÒÌÂÈ ËÎË ÒÚËÎÂÏ. ÅÓθ¯‡fl

ÒÚÂÎ͇ ÔÓ͇Á˚‚‡ÂÚ ÔÂ‚Û˛ ‰Óβ Ú‡ÍÚ‡.

o à̉Ë͇ÚÓ Accompaniment On

èÓfl‚ÎflÂÚÒfl, ÂÒÎË ‚Íβ˜Â̇ ÙÛÌ͈Ëfl

r èÂÒÌfl/ÚÂÏ·/ÒÚËθ/·‡Á‡ ‰‡ÌÌ˚ı (̇Á‚‡ÌË Ë

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 36).

ÌÓÏÂ)

Ç ˝ÚÓÈ ˜‡ÒÚË ˝Í‡Ì‡ Û͇Á˚‚‡˛ÚÒfl ̇Á‚‡ÌË Ë

!0 à̉Ë͇ÚÓ Sync Stop

ÌÓÏÂ ‚˚·‡ÌÌÓÈ ÔÂÒÌË, ÚÂÏ·‡, ÒÚËÎfl ËÎË

èÓfl‚ÎflÂÚÒfl, ÂÒÎË ‚Íβ˜Â̇ ÙÛÌ͈Ëfl

·‡Á˚ ‰‡ÌÌ˚ı. ÖÒÎË ËÒÔÓθÁÛÂÚÒfl ÍÌÓÔ͇

Sync Stop (ÒÚ. 40).

͇Ú„ÓËË, Á‰ÂÒ¸ Ú‡ÍÊ ÔÓ͇Á˚‚‡ÂÚÒfl

̇Á‚‡ÌË ͇Ú„ÓËË ËÎË Ì‡Á‚‡ÌËÂ Ë ÚÂÍÛ˘‡fl

̇ÒÚÓÈ͇/Á̇˜ÂÌË ‰Û„Ëı ÙÛÌ͈ËÈ Ë

‰Û„Ë ‚‡ÊÌ˚ ÒÓÓ·˘ÂÌËfl.

18

é·ÓÁ̇˜ÂÌËfl ̇ ‰ËÒÔΠԇÌÂÎË

!1 í‡ÍÚ Ë ÚÂÏÔ

!3 à̉Ë͇ÚÓ˚ ‰ÓÓÊÂÍ ÔÂÒÌË

èË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË ËÎË ÒÚËÎfl

èÓ͇Á˚‚‡˛Ú ÒÓÒÚÓflÌË ‰ÓÓÊÂÍ ÔË Á‡ÔËÒË

ÓÚÓ·‡Ê‡ÂÚÒfl ÚÂÍÛ˘ËÈ Ú‡ÍÚ Ë ÛÒÚ‡ÌÓ‚ÎÂÌÌÓÂ

Ë ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË (ÒÚ. 57).

Á̇˜ÂÌË ÚÂÏÔ‡ ‰Îfl ˝ÚÓÈ ÔÂÒÌË ËÎË ÒÚËÎfl.

!4 à̉Ë͇ÚÓ ÓÍÚ‡‚˚

!2 ÄÍÍÓ‰

ÖÒÎË ÌÓÚÌ˚ ‰‡ÌÌ˚ Ì ÛÏ¢‡˛ÚÒfl ̇

èË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË (Ò ‡ÍÍÓ‰‡ÏË)

‰ËÒÔÎÂÂ, ̇ ÌÂÏ ÔÓfl‚ÎflÂÚÒfl Ë̉Ë͇ÚÓ «8va».

ÔÓ͇Á˚‚‡ÂÚ ÓÒÌÓ‚ÌÓÈ ÚÓÌ Ë ÚËÔ ‡ÍÍÓ‰‡.

ÖÒÎË ‚Íβ˜ÂÌ˚ ÂÊËÏ˚ ÒÚËÎfl Ë ‡‚ÚÓ-

!5 à̉Ë͇ÚÓ ·‡Ú‡ÂË

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, Ú‡ÍÊ ÔÓ͇Á˚‚‡˛ÚÒfl

èÓfl‚ÎflÂÚÒfl, ÂÒÎË Á‡fl‰ ·‡Ú‡ÂË ÒÎ˯ÍÓÏ

‡ÍÍÓ‰˚, ‚ÓÒÔÓËÁ‚Ó‰ËÏ˚ ̇ Í·‚ˇÚÛÂ

ÌËÁÓÍ ‰Îfl Ó·ÂÒÔ˜ÂÌËfl ÌÓχθÌÓÈ ‡·ÓÚ˚

‚ ӷ·ÒÚË ACMP.

(ÒÚ. 10).

è˛ÔËÚ

ÇÒÚ‡‚¸Ú ÌËÊÌËÈ Í‡È ÔË·„‡ÂÏÓ„Ó Ô˛ÔËÚ‡

‚ ˘Âθ ̇ Ô‡ÌÂÎË ÒËÌÚÂÁ‡ÚÓ‡ PSR-290.

19

îÛÌ͈Ëfl Portable Grand

ùÚ‡ ÔÓÎÂÁ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Ï„ÌÓ‚ÂÌÌÓ ‚˚Á‚‡Ú¸ ÚÂÏ· ÓflÎfl.

à„‡ ‚ ÂÊËÏÂ Portable Grand

ç‡ÊÏËÚ ÍÌÓÔÍÛ [PORTABLE GRAND].

GrandPno

001

Ä‚ÚÓχÚ˘ÂÒÍË ·Û‰ÂÚ ‚˚·‡Ì ÓÒÓ·˚È ÚÂÏ· Stereo Sampled Piano ‰Îfl ÚÂÏ·‡ Grand Piano.

àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ

1 Ç˚ÁÓ‚ËÚ ̇ÒÚÓÈÍÛ Tempo.

ç‡ÊÏËÚ ÍÌÓÔÍÛ [TEMPO/TAP].

TEMPO

148

148

íÂÍÛ˘Â Á̇˜ÂÌË ԇ‡ÏÂÚ‡ Tempo

2 àÁÏÂÌËÚ Á̇˜ÂÌËÂ.

ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË Òڇ̉‡ÚÌÓ„Ó

Á̇˜ÂÌËfl Ô‡‡ÏÂÚ‡ Tempo

ÑÎfl ‚˚·Ó‡ ÌÛÊÌÓ„Ó Á̇˜ÂÌËfl Ô‡‡ÏÂÚ‡ Tempo ËÒÔÓθÁÛÈÚ ‰ËÒÍ

ì ͇ʉÓÈ ÔÂÒÌË Ë ÒÚËÎfl ÂÒÚ¸ Á̇˜ÂÌËÂ

ËÎË ˆËÙÓ‚Û˛ Í·‚ˇÚÛÛ, ‰Îfl Û‚Â΢ÂÌËfl ËÎË ÛÏÂ̸¯ÂÌËfl Á̇˜ÂÌËfl

Ô‡‡ÏÂÚ‡ Tempo, ËÒÔÓθÁÛÂÏÓ ÔÓ

ÛÏÓΘ‡Ì˲, Ú. Â. Òڇ̉‡ÚÌÓ Á̇˜ÂÌËÂ.

ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [+]/[-].

ÖÒÎË Ô‡‡ÏÂÚ Tempo ËÁÏÂÌflÎÒfl,

ÏÓÊÌÓ Ï„ÌÓ‚ÂÌÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸

Òڇ̉‡ÚÌÛ˛ ̇ÒÚÓÈÍÛ, Ó‰ÌÓ‚ÂÏÂÌÌÓ

̇ʇ‚ ÍÌÓÔÍË [+]/[-] (ÂÒÎË ‚˚·‡Ì

ÂÊËÏ Tempo).

åÓÊÌÓ Ú‡Íʠ΄ÍÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸

ËÎË

ËÒıÓ‰Ì˚È Ô‡‡ÏÂÚ Tempo,

Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊËχfl ÍÌÓÔÍÛ

[TEMPO/TAP] Ë ‚‡˘‡fl ‰ËÒÍ.

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