Yamaha PSR-290 – страница 2

Инструкция к Синтезатору/фортепиано Yamaha PSR-290

îÛÌ͈Ëfl Portable Grand

3

ÇÍβ˜ËÚ ÏÂÚÓÌÓÏ.

ç‡ÊÏËÚ ÍÌÓÔÍÛ [METRONOME].

1148

èÓ͇Á˚‚‡ÂÚ ÌÓÏÂ ‰ÓÎË ‚ Ú‡ÍÚÂ.

óÚÓ·˚ ÓÚÍβ˜ËÚ¸ ÏÂÚÓÌÓÏ, ̇ÊÏËÚ ÍÌÓÔÍÛ [METRONOME] ¢ ‡Á.

ç‡ÒÚÓÈ͇ ˜‡ÒÚÓÚ˚ Ò˄̇·

ñËÙÓ‚‡fl

ó‡ÒÚÓÚ‡ Ò˄̇·

Í·‚ˇÚÛ‡

ÏÂÚÓÌÓχ

01 1/4 – èÓË„˚‚‡˛ÚÒfl ÚÓθÍÓ 1-e (ÒËθÌ˚Â) ‰ÓÎË

ó‡ÒÚÓÚÛ Ò˄̇· ÏÂÚÓÌÓχ ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸

02 2/4

̇ ‡ÁÌ˚ ‡ÁÏÂ˚, ÓÒÌÓ‚‡ÌÌ˚ ̇ ˜ÂÚ‚ÂÚflı.

03 3/4

04 4/4

: :

ᇉ‡Ú¸ ˜‡ÒÚÓÚÛ Ò˄̇· ÏÓÊÌÓ ‚ ÂÊËÏÂ

15 15/4

Function (ÒÚ. 76).

0 1- ‰ÓÎË Ì ÔÓË„˚‚‡˛ÚÒfl (ÚÓθÍÓ Ò··˚Â)

èêàåÖóÄçàÖ

ë˄̇ÚÛ‡ ‡‚ÚÓχÚ˘ÂÒÍË ÏÂÌflÂÚÒfl ÔË ‚˚·Ó ÒÚËÎfl ËÎË ÔÂÒÌË.

Time Sig

04

èÓ͇Á˚‚‡ÂÚ ÌÓÏÂ ÚÂÍÛ˘ÂÈ ‰ÓÎË.

ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË ÏÂÚÓÌÓχ

ÉÓÏÍÓÒÚ¸ ÏÂÚÓÌÓχ ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ ‚ ÂÊËÏÂ

Function (ÒÚ. 76)

.

ÑˇԇÁÓÌ „ÓÏÍÓÒÚË: 000 – 127.

21

îÛÌ͈Ëfl DJ

ùÚÓ ÓÚ΢̇fl ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓÁ‚ÓÎflÂÚ Ï„ÌÓ‚ÂÌÌÓ ÔÂÂÈÚË Ì‡ ‰Ë̇Ï˘ÂÒÍËÈ ÚÂÏ·

Ë ÒÚËθ DJ ‰Îfl ÔÓË„˚‚‡ÌËfl ÒÓ‚ÂÏÂÌÌÓÈ Ú‡ÌˆÂ‚‡Î¸ÌÓÈ ÏÛÁ˚ÍË.

à„‡ ‚ ÂÊËÏÂ DJ

1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [DJ].

èêàåÖóÄçàÖ

Ç ÒËÌÚÂÁ‡ÚÓ PSR-290 ÂÒÚ¸ Ú‡ÍÊÂ

ÙÛÌ͈Ëfl ÓÚÏÂÌ˚ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ

ÔÂÒÌË Ë DJ (Demo and DJ Cancel),

DJ Set 1

ÔÓÁ‚ÓÎfl˛˘‡fl ÓÚÍβ˜ËÚ¸

‰ÂÏÓÌÒÚ‡ˆËÓÌÌÛ˛ ÔÂÒÌ˛ Ë ÙÛÌÍˆË˛

000

DJ. àÒÔÓθÁÓ‚‡Ú¸ ˝ÚÛ ÙÛÌÍˆË˛

ÏÓÊÌÓ ‚ ÂÊËÏÂ Function (ÒÚ. 76).

ùÚÓ ‡‚ÚÓχÚ˘ÂÒÍË ÔÂÂ̇ÒÚÓËÚ ‚ÂÒ¸ ËÌÒÚÛÏÂÌÚ Ì‡ ÔÓË„˚‚‡ÌËÂ

ÒÔˆˇθÌÓ Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌÓ„Ó ÚÂÏ·‡ DJ.

2 à„‡ ‚ ÒÚËÎÂ DJ.

à„‡ÈÚ ̇ Í·‚˯‡ı ‚ ӷ·ÒÚË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

èêàåÖóÄçàÖ

ÖÒÎË ‚˚·‡Ì ÒÚËθ DJ, ‡‚ÚÓ-

é·Î‡ÒÚ¸

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Á‡ÔÛÒ͇ÂÚÒfl

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

̇ʇÚËÂÏ ÚÓθÍÓ ÓÒÌÓ‚ÌÓ„Ó

ÚÓ̇ ‡ÍÍÓ‰‡, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ

Ë„‡Ú¸ Ó‰ÌËÏ Ô‡Î¸ˆÂÏ.

3 à„‡ ÚÂÏ·‡ÏË DJ.

à„‡ÈÚ ‚ ‚ÂıÌÂÈ Ó·Î‡ÒÚË Í·‚ˇÚÛ˚.

4 éÒÚ‡Ìӂ͇ ÒÚËÎfl DJ.

ç‡ÔËÏÂ, ÂÒÎË ‚˚·‡ÌÓ Á̇˜ÂÌË 601 DJ Set 1:

Accompaniment area

(C1 – F#2)

Ohh2 FX02

Reverse

FXTBrs

Ohh1

Scratch 1

Scratch 3

C3

Joo

Go

22

Huihu

Huea

GetUp

Scratch 2

Scratch 4

Scratch 5

íÂÏ·˚

Ç ÒËÌÚÂÁ‡ÚÓ PSR-290 ÂÒÚ¸ 605 ÚÂÏ·Ó‚ (Á‚ÛÍÓ‚ ËÌÒÚÛÏÂÌÚÓ‚). ÇÒ ÓÌË ÒÓÁ‰‡Ì˚

ÔË ÔÓÏÓ˘Ë ÒÎÓÊÌÓÈ ÒËÒÚÂÏ˚ ÚÓÌ-„ÂÌÂ‡ÚÓ‡ AWM (Advanced Wave Memory)

ÍÓÔÓ‡ˆËË Yamaha. 벉‡ ‚ıÓ‰flÚ 480 ÚÂÏ·Ó‚ Òڇ̉‡Ú‡ XG Ë ÚÂÏ·˚ Û‰‡Ì˚ı.

Ç ÒËÌÚÂÁ‡ÚÓ ڇÍÊ ÂÒÚ¸ ÙÛÌ͈ËË Dual Voice (ç‡ÎÓÊÂÌË ‰‚Ûı ÚÂÏ·Ó‚) Ë Split

Voice (ê‡Á‰ÂÎÂÌË ÚÂÏ·Ó‚ ̇ Í·‚ˇÚÛÂ), ÔÓÁ‚ÓÎfl˛˘Ë ӷ˙‰ËÌflÚ¸ ‰‚‡

‡Á΢Ì˚ı ÚÂÏ·‡ ‚ Ó‰ÌÓÏ ÒÎÓ ËÎË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ë„‡Ú¸ ‰‚‡ ‡ÁÌ˚ı ÚÂÏ·‡ ‚

ÓÚ‰ÂθÌ˚ı ӷ·ÒÚflı Í·‚ˇÚÛ˚.

à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â

1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [VOICE] (ÚÂÏ·).

ç‡Á‚‡ÌËÂ Ë ÌÓÏÂ ÚÂÏ·‡

GrandPno

001

2 Ç˚·ÂËÚÂ ÌÛÊÌ˚È ÌÓÏÂ ÚÂÏ·‡.

èêàåÖóÄçàÖ

ä‡Ú„ÓËË ÚÂÏ·Ó‚ Ë Ëı ÌÓÏÂ‡ ÔÓ͇Á‡Ì˚ ̇ Ô‡ÌÂÎË. èÓÎÌ˚È ÒÔËÒÓÍ

íÂÏ· #000 OTS ‚˚Á˚‚‡ÂÚ Û‰Ó·ÌÛ˛

‰ÓÒÚÛÔÌ˚ı ÚÂÏ·Ó‚ Ô˂‰ÂÌ Ì‡ ÒÚ. 79.

ÙÛÌÍˆË˛ ‡‚ÚÓχÚ˘ÂÒÍÓ„Ó ‚˚·Ó‡

ÚÂÏ·‡, ̇˷ÓΠÔÓ‰ıÓ‰fl˘Â„Ó

ÚÂÍÛ˘ÂÏÛ ÒÚËβ ËÎË ÔÂÒÌÂ.

àÒÔÓθÁÛÈÚ ÍÌÓÔÍË CATEGORY [ ]/[ ], ‰ËÒÍ ËÎË ÍÌÓÔÍË SELECT [ ]/[ ].

f

r

>

<

Ç˚·Ó ÚÂÏ·‡ ÔË ÔÓÏÓ˘Ë ÍÌÓÔÓÍ CATEGORY

èË ÔÓÏÓ˘Ë ÍÌÓÔÓÍ CATEGORY [ ]/[ ] ÏÓÊÌÓ ÔÂÂÏ¢‡Ú¸Òfl

f

r

ÔÓ ÌÓÏÂ‡Ï ÚÂÏ·Ó‚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò Ëı ‡Á·Ë‚ÍÓÈ ÔÓ Í‡Ú„ÓËflÏ.

ç‡Á‚‡ÌË ͇Ú„ÓËË

GUITAR

23

íÂÏ·˚

Ç˚·Ó ÌÓÏÂ‡ ÚÂÏ·‡

Ç˚·ÂËÚ ÚÂÏ· ÔË ÔÓÏÓ˘Ë ‰ËÒ͇ ËÎË ÍÌÓÔÓÍ SELECT [ ]/[ ].

>

<

Jazz Gtr

032

àÒÔÓθÁÓ‚‡ÌË ˆËÙÓ‚ÓÈ Í·‚ˇÚÛ˚.

íÂÏ· ÏÓÊÌÓ ‚˚·‡Ú¸ ‰‚ÛÏfl ÒÔÓÒÓ·‡ÏË:

1) Ç‚ÂÒÚË ÌÓÏÂ ÚÂÏ·‡ Ò ˆËÙÓ‚ÓÈ Í·‚ˇÚÛ˚.

2) àÒÔÓθÁÓ‚‡Ú¸ ÍÌÓÔÍË [+]/[-] ‰Îfl ÔÂÂıÓ‰‡ ÓÚ ÌÓÏÂ‡ Í ÌÓÏÂÛ.

ç‡ ˆËÙÓ‚ÓÈ Í·‚ˇÚÛÂ:

ǂ‰ËÚ ÌÓÏÂ ÚÂÏ·‡ ËÁ ÒÔËÒ͇ ̇ ÒÚ. 79. ç‡ÔËÏÂ, ˜ÚÓ·˚ ‚˚·‡Ú¸

ÚÂÏ· 109, ̇ÊÏËÚ ̇ ˆËÙÓ‚ÓÈ Í·‚ˇÚÛ ÍÌÓÔÍË 1, 0 Ë 9. ÑÎfl ÚÂÏ·Ó‚,

ÌÓÏÂ ÍÓÚÓ˚ı ̇˜Ë̇ÂÚÒfl Ò ÌÛÎÂÈ (̇ÔËÏÂ, 042 ËÎË 006), ̇˜‡Î¸Ì˚Â

ÌÛÎË ÏÓÊÌÓ ÓÔÛÒÚËÚ¸. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ‰Ó ÔÓfl‚ÎÂÌËfl Ë̉Ë͇ÚÓ‡ ÔÓȉÂÚ

ÌÂÍÓÚÓÓÂ ‚ÂÏfl.

Std.Kit1

109

èË ÔÓÏÓ˘Ë ÍÌÓÔÓÍ [+]/[-]:

èêàåÖóÄçàÖ

ç‡ÊÏËÚ ÍÌÓÔÍÛ [+], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÒÎÂ‰Û˛˘ËÈ ÚÂÏ·, Ë ÍÌÓÔÍÛ [-],

ä‡Ê‰˚È ÚÂÏ· ‡‚ÚÓχÚ˘ÂÒÍË

˜ÚÓ·˚ ‚˚·‡Ú¸ Ô‰˚‰Û˘ËÈ ÚÂÏ·. ÖÒÎË ‰Âʇڸ Ó‰ÌÛ ËÁ ˝ÚËı ÍÌÓÔÓÍ,

‚˚Á˚‚‡ÂÚÒfl Ò Ì‡Ë·ÓΠÔÓ‰ıÓ‰fl˘ÂÈ

̇ÒÚÓÈÍÓÈ ‰Ë‡Ô‡ÁÓ̇ ÓÍÚ‡‚. íÓ ÂÒÚ¸

ÏÓÊÌÓ ·˚ÒÚÓ ÔÂÂÏ¢‡Ú¸Òfl ‚‚Âı ËÎË ‚ÌËÁ ÔÓ ÌÓÏÂ‡Ï ÚÂÏ·Ó‚.

Ò‰Ì «‰Ó» Ò Ó‰ÌËÏ ÚÂÏ·ÓÏ ÏÓÊÂÚ

Á‚Û˜‡Ú¸ ‚˚¯Â ËÎË ÌËÊ ‰Û„Ó„Ó

ÚÂÏ·‡ ̇ ˝ÚÓÈ Ê Í·‚˯Â.

24

íÂÏ·˚

3

à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â

í‡Í Í‡Í ÂÊËÏ STYLE, SONG ËÎË M.D.B. ‡·ÓÚ‡ÂÚ ‚ ÙÓÌÓ‚ÓÏ ÂÊËÏÂ, ÏÓÊÌÓ

ÔÓË„˚‚‡Ú¸ ÒÚËÎË, ÔÂÒÌË ËÎË ·‡Á˚ ‰‡ÌÌ˚ı ‚ ÂÊËÏ Voice (íÂÏ·), ÔÓÒÚÓ Ì‡Ê‡‚

ÍÌÓÔÍÛ [START/STOP]. ÅÛ‰ÂÚ ÔÓË„˚‚‡Ú¸Òfl ÔÓÒΉÌËÈ ‚˚·‡ÌÌ˚È ÒÚËθ, ÔÂÒÌfl

ËÎË ·‡Á‡ ‰‡ÌÌ˚ı.

ëÎÂ‰Û˛˘Ë ԇ‡ÏÂÚ˚ ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ‚ ÂÊËÏ Function (ÒÚ. 75).

CATEGORY SELECT

Main Voice Volume

Octave

Pan

Reverb Send Level

Chorus Send Level

DSP Send Level

ëÔËÒÓÍ ÚÂÏ·Ó‚ Drum Kit

‹. ç‡Á‚‡ÌË ̇·Ó‡ íÂÍÒÚ Ì‡ ‰ËÒÔÎÂÂ

109 Standard Kit 1 Std.Kit1

(ÚÂÏ·˚ 109-120)

110 Standard Kit 2 Std.Kit2

ÖÒÎË ‚˚·‡Ì Ó‰ËÌ ËÁ ˝ÚËı 12 ÚÂÏ·Ó‚,

111 Room Kit Room Kit

̇ Í·‚ˇÚÛ ÏÓÊÌÓ ÔÓË„˚‚‡Ú¸ Á‚ÛÍË

112 Rock Kit Rock Kit

‡Á΢Ì˚ı ·‡‡·‡ÌÓ‚ Ë Û‰‡Ì˚ı.

113 Electronic Kit Elct.Kit

114 Analog Kit AnlogKit

115 Dance Kit DanceKit

èêàåÖóÄçàÖ

116 Jazz Kit Jazz Kit

èÓ‰Ó·ÌÓÒÚË ÒÏ. ̇ ÒÚ. 88.

117 Brush Kit BrushKit

118 Symphony Kit SymphKit

119 SFX Kit 1 SFX Kit1

120 SFX Kit 2 SFX Kit2

ç‡ÔËÏÂ, ÂÒÎË ‚˚·‡Ì ÚÂÏ· 109 Standard Kit 1:

Brush Tap

Brush Slap

Castanet

Sticks

Open Rim Shot

Side Stick

Hand Clap

Hi-Hat Closed

Hi-Hat Pedal

Hi-Hat Open

Crash Cymbal 1

Ride Cymbal 1

Tambourine

Cowbell

Vibraslap

Bongo L

Conga H Open

Timbale L

Agogo L

Maracas

Guiro Short

Claves

Cuica Mute

Triangle Mute

Shaker

C3

Snare M

Low Tom

High Tom

Bongo H

Conga L

Agogo H

Cabasa

Bell Tree

Brush Swirl

Snare Roll

Bass Drum

Mid Tom L

Floor Tom L

Mid Tom H

Timbale H

Guiro Long

Jingle Bell

Seq Click H

Snare H Soft

Floor Tom H

Cuica Open

Snare H Hard

Wood Block H

Wood Block L

Triangle Open

Brush Tap Swirl

Bass Drum Soft

Splash Cymbal

Crash Cymbal 2

Ride Cymbal 2

Conga H Mute

Bass Drum Hard

Chinese Cymbal

Ride Cymbal Cup

Samba Whistle H

Samba Whistle L

25

íÂÏ·˚

íÂÏ· 000 (OTS)

ùÚÓ ÓÒÓ·˚È ÚÂÏ·. éÌ ‰‡ÂÚ Û‰Ó·ÌÛ˛ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔË ‚˚·Ó ÒÚËÎfl

‡‚ÚÓχÚ˘ÂÒÍË ‚˚·Ë‡Ú¸ ÔÓ‰ıÓ‰fl˘ËÈ ÚÂÏ·. Ç˚·Ë‡ÂÚÒfl ÚÂÏ·,

̇˷ÓΠÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ‚˚Á‚‡ÌÌÓÏÛ ÒÚËβ ËÎË ÔÂÒÌÂ.

Ç˚·ÂËÚÂ ÚÂÏ· 000 (OTS).

èÓ͇Á˚‚‡ÂÚ, ˜ÚÓ ÚÂÏ· 000 (OTS) ‚˚·‡Ì.

ËÎË

GrandPno

000

îÛÌ͈Ëfl Dual Voice

îÛÌ͈Ëfl Dual Voice ÔÓÁ‚ÓÎflÂÚ Ó·˙‰ËÌflÚ¸ ‚ Ó‰ËÌ ‰‚‡ ‡Á΢Ì˚ı ÚÂÏ·‡:

Ó‰ËÌ ÓÒÌÓ‚ÌÓÈ ÚÂÏ·, ÍÓÚÓ˚È ‚˚·Ë‡ÂÚÒfl Í‡Í Ó·˚˜ÌÓ, Ë ‰Û„ÓÈ ÚÂÏ·,

ÍÓÚÓ˚È ‚˚·Ë‡ÂÚÒfl ‚

ÂÊËÏÂ Function (ÒÚ. 75)

. ÑÎfl ˝ÚËı ÚÂÏ·Ó‚ ÏÓÊÌÓ

Ú‡ÍÊ ÌÂÁ‡‚ËÒËÏÓ Á‡‰‡‚‡Ú¸ ‡ÁÌ˚ ԇ‡ÏÂÚ˚, ̇ÔËÏÂ „ÓÏÍÓÒÚ¸, ÓÍÚ‡‚Û,

Ô‡ÌÓ‡ÏÛ, ‚Â·Â‡ˆË˛, ˝ÙÙÂÍÚ Chorus Ë Ì‡ÒÚÓÈÍË DSP. ùÚÓ ÔÓÁ‚ÓÎflÂÚ

ÒÓÁ‰‡Ú¸ ÓÔÚËχθÌÓ ÒÓ˜ÂÚ‡ÌË ÚÂÏ·Ó‚ Ë ÛÎÛ˜¯ËÚ¸ Ëı ÒÓ‚ÏÂÒÚÌÓ Á‚Û˜‡ÌËÂ.

ëÎÂ‰Û˛˘Ë ԇ‡ÏÂÚ˚ ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ‚ ÂÊËÏ Function (ÒÚ. 75):

CATEGORY SELECT

Dual Voice Voice

Volume

Octave

Pan

Reverb Send Level

Chorus Send Level

DSP Send Level

óÚÓ·˚ ‚Íβ˜ËÚ¸ ËÎË ‚˚Íβ˜ËÚ¸ ÙÛÌÍˆË˛ Dual Voice, ̇ÊÏËÚ ÍÌÓÔÍÛ [DUAL].

èÓ͇Á˚‚‡ÂÚ, ˜ÚÓ ÙÛÌ͈Ëfl

Dual Voice ‚Íβ˜Â̇.

GrandPno

001

26

íÂÏ·˚

îÛÌ͈Ëfl Split Voice

îÛÌ͈Ëfl Split Voice ÔÓÁ‚ÓÎflÂÚ Ì‡Á̇˜ËÚ¸ ‰‚‡ ‡Á΢Ì˚ı ÚÂÏ·‡ ‰Îfl

ÔÓÚË‚ÓÔÓÎÓÊÌ˚ı ӷ·ÒÚÂÈ Í·‚ˇÚÛ˚ Ë ÔÓË„˚‚‡Ú¸ Ó‰ËÌ ÚÂÏ· ΂ÓÈ

ÛÍÓÈ, ‡ ‰Û„ÓÈ — Ô‡‚ÓÈ.

ç‡ÔËÏÂ, ΂ÓÈ ÛÍÓÈ ÏÓÊÌÓ Ë„‡Ú¸ ÚÂÏ· ·‡Ò-„ËÚ‡˚, ‡ Ô‡‚ÓÈ — ÙÓÚÂÔ¸flÌÓ.

è‡‚˚È (ËÎË ‚ÂıÌËÈ) ÚÂÏ· ‚˚·Ë‡ÂÚÒfl ‚ ÂÊËÏ Main Voice (ÒÚ. 23), ‡ ΂˚È

(ËÎË ÌËÊÌËÈ) — ‚ ÂÊËÏÂ

Function (ÒÚ. 76)

, ‚ÏÂÒÚÂ Ò ‰Û„ËÏË Ô‡‡ÏÂÚ‡ÏË

ÙÛÌ͈ËË Split Voice, Ô˂‰ÂÌÌ˚ÏË ‰‡ÎÂÂ.

ëÎÂ‰Û˛˘Ë ԇ‡ÏÂÚ˚ ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ‚ ÂÊËÏ Function (ÒÚ. 76).

CATEGORY SELECT

Split Voice Voice

Volume

Octave

Pan

Reverb Send Level

Chorus Send Level

DSP Send Level

óÚÓ·˚ ‚Íβ˜ËÚ¸ ËÎË ‚˚Íβ˜ËÚ¸ ÙÛÌÍˆË˛ Split Voice, ̇ÊÏËÚ ÍÌÓÔÍÛ [SPLIT].

èÓ͇Á˚‚‡ÂÚ, ˜ÚÓ ÙÛÌ͈Ëfl

Split Voice ‚Íβ˜Â̇.

GrandPno

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ìÒÚ‡Ìӂ͇ Ô‡‡ÏÂÚ‡ Split Point

è‡‡ÏÂÚ Split Point (íӘ͇ ‡Á‰ÂÎÂÌËfl) Á‡‰‡ÂÚ Í·‚Ë¯Û Ò‡ÏÓÈ

èêàåÖóÄçàÖ

‚˚ÒÓÍÓÈ ÌÓÚ˚ ÌËÊÌÂ„Ó ÚÂÏ·‡ Ë ÛÒڇ̇‚ÎË‚‡ÂÚ ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl

ùÚ‡ ̇ÒÚÓÈ͇ Ú‡ÍÊ ‚ÎËflÂÚ Ì‡ ÚÓ˜ÍÛ

‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ ‰Îfl ӷ·ÒÚË

Í·‚ˇÚÛ˚.

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚

çËÊÌËÈ ÚÂÏ· éÒÌÓ‚ÌÓÈ ÚÂÏ·

è‡‡ÏÂÚ Split Point ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ‚ ÂÊËÏ Function (ÒÚ. 75).

27

íÂÏ·˚

Å˚ÒÚ‡fl Á‡„ÛÁ͇ ̇ÒÚÓÂÍ (One Touch Setting)

ùÚÓ Û‰Ó·Ì‡fl ‚ÓÁÏÓÊÌÓÒÚ¸ ‡‚ÚÓχÚ˘ÂÒÍÓ„Ó ‚˚·Ó‡ ÚÂÏ·‡,

èêàåÖóÄçàÖ

̇˷ÓΠÔÓ‰ıÓ‰fl˘Â„Ó Í ‚˚·‡ÌÌÓÏÛ ÒÚËβ. èÓÒÚÓ Ì‡‰Ó

è‡‡ÏÂÚ One Touch Setting

̇ʇڸ Ó‰ÌÛ ËÁ ‰‚Ûı ÍÌÓÔÓÍ One Touch Setting. ÖÒÚ¸ ‰‚‡ ̇·Ó‡

Ì ‡·ÓÚ‡ÂÚ ‚ ÂÊËÏ Song.

Ô‡‡ÏÂÚÓ‚ One Touch Setting.

ÑÎfl Í‡Ê‰Ó„Ó ÒÚËÎfl ÏÓÊÌÓ ÒÓÁ‰‡Ú¸ Ë ÒÓı‡ÌËÚ¸ Ò‚ÓË Î˘Ì˚Â

̇ÒÚÓÈÍË One Touch Setting.

è‡‡ÏÂÚ˚ One Touch Setting

Main Voice Voice Number Split Voice ON/Off

Volume Voice Number

Octave Volume

Pan Octave

Reverb Send Level Pan

Chorus Send Level Reverb Send Level

DSP Send Level Chorus Send Level

Dual Voice ON/Off DSP Send Level

Voice Number Effect DSP Type

Volume Harmony On/Off

Octave Harmony Type

Pan Harmony Volume

Reverb Send Level Transpose On/Off

Chorus Send Level

DSP Send Level

* Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚Íβ˜‡ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË.

îÛÌ͈Ëfl Synchro Start ‚Íβ˜‡ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË (ÔË ÓÒÚ‡ÌÓ‚Í ÒÚËÎfl).

Ç˚ÁÓ‚ ÙÛÌ͈ËË One Touch Setting • • • • • • • • • • • • • • • • • • • •

1 Ç˚·ÂËÚ ÒÚËθ.

Ë

2 ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ ONE TOUCH SETTING: [1] ËÎË [2].

OTS 2

28

íÂÏ·˚

ëÓÁ‰‡ÌËÂ Ë ÒÓı‡ÌÂÌË ԇ‡ÏÂÚ‡ One Touch Setting • • • •

ÑÎfl Í‡Ê‰Ó„Ó ÒÚËÎfl ÏÓÊÌÓ Ú‡ÍÊ ÒÓÁ‰‡Ú¸ Ë ÒÓı‡ÌËÚ¸ Ò‚ÓË Î˘Ì˚Â

̇ÒÚÓÈÍË Ô‡‡ÏÂÚ‡ One Touch Settings.

1 Ç˚·ÂËÚ ÌÛÊÌ˚È ÒÚËθ.

2 ᇉ‡ÈÚ ÌÛÊÌ˚ ̇ÒÚÓÈÍË.

àÁÏÂÌËÚ ÚÂÏ· Ë Á‡‰‡ÈÚ ‰Û„Ë ̇ÒÚÓÈÍË, ÍÓÚÓ˚ ıÓÚËÚÂ

ËÒÔÓθÁÓ‚‡Ú¸ Ò ‚˚·‡ÌÌ˚Ï ÒÚËÎÂÏ Ë ÍÌÓÔ͇ÏË One Touch Setting.

3 ç‡ÊÏËÚÂ Ë ‰ÂÊËÚ ÍÌÓÔÍÛ [MEMORY], Á‡ÚÂÏ Ì‡ÊÏËÚÂ

Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ ONE TOUCH SETTING: [1] ËÎË [2].

WRITING!

í‡ÍÊ ÔË ÔÓÏÓ˘Ë ÙÛÌ͈ËÈ Transpose Ë Tuning ÏÓÊÌÓ ÓÚ„ÛÎËÓ‚‡Ú¸ ̇ÒÚÓÈÍÛ

Ë ËÁÏÂÌËÚ¸ Ú‡ÌÒÔÓÌËÓ‚‡ÌË (ÓÒÌÓ‚ÌÓÂ) Á‚Û͇ ‚ÒÂ„Ó ÒËÌÚÂÁ‡ÚÓ‡ PSR-290.

îÛÌ͈Ëfl Transpose • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

èË ÔÓÏÓ˘Ë ÙÛÌ͈ËË Transpose Á‡‰‡˛ÚÒfl Í‡Í Í·‚Ë¯Ë ÓÒÌÓ‚ÌÓ„Ó

ÚÂÏ·‡, Ú‡Í Ë ·‡Ò˚ Ë ‡ÍÍÓ‰˚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. é̇ Ú‡ÍÊÂ

ÓÔ‰ÂÎflÂÚ ‚˚ÒÓÚÛ ÔÂÒÌË. ùÚÓ ÔÓÁ‚ÓÎflÂÚ Î„ÍÓ ÔÓ‰ÒÚÓËÚ¸ ‚˚ÒÓÚÛ

Á‚Û˜‡ÌËfl ÒËÌÚÂÁ‡ÚÓ‡ PSR-290 ÔÓ‰ ‰Û„Ë ËÌÒÚÛÏÂÌÚ˚ ËÎË

ËÒÔÓÎÌËÚÂÎÂÈ, ‡ Ú‡ÍÊ ˄‡Ú¸ ‚ ‡ÁÌ˚ı ÚÓ̇θÌÓÒÚflı, Ì ÏÂÌflfl

‡ÔÔÎË͇ÚÛ˚. ç‡ÒÚÓÈÍË ÙÛÌ͈ËË Transpose ÏÓÊÌÓ „ÛÎËÓ‚‡Ú¸

‚ ‰Ë‡Ô‡ÁÓÌ ±12 ÔÓÎÛÚÓÌÓ‚ (±1 ÓÍÚ‡‚‡).

îÛÌÍˆË˛ Transpose ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ ‚ ÂÊËÏ Function (ÒÚ. 75).

îÛÌ͈Ëfl Tuning • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

îÛÌ͈Ëfl Tuning ÓÔ‰ÂÎflÂÚ Í‡Í Í·‚Ë¯Ë ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡, Ú‡Í Ë

·‡Ò˚ Ë ‡ÍÍÓ‰˚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. é̇ Ú‡ÍÊ ÓÔ‰ÂÎflÂÚ ‚˚ÒÓÚÛ

ÏÂÎÓ‰ËË. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ÚÓ˜ÌÓ ÔÓ‰ÒÚ‡Ë‚‡Ú¸Òfl ÔÓ‰ ‰Û„Ë ËÌÒÚÛ-

ÏÂÌÚ˚. ç‡ÒÚÓÈÍË ÙÛÌ͈ËË Tuning ÏÓÊÌÓ „ÛÎËÓ‚‡Ú¸ ‰Ë‡Ô‡ÁÓÌÂ

±100 (ÔËÏÂÌÓ ±1 ÔÓÎÛÚÓÌ).

îÛÌÍˆË˛ Tuning ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ‚ ÂÊËÏ Function (ÒÚ.

75).

29

Ç

ÓÒÒÚ‡ÌÓ‚ÎÂÌË Òڇ̉‡ÚÌÓÈ

Ì

‡ÒÚÓÈÍË One Touch Setting

ÑÎfl ͇ʉÓÈ Ì‡ÒÚÓÈÍË One Touch

Setting ÏÓÊÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸

Òڇ̉‡ÚÌÓ Á̇˜ÂÌËÂ. ÑÎfl ˝ÚÓ„Ó

ÔÓÒÚÓ Ì‡ÊÏËÚÂ Ë ‰ÂÊËÚÂ

ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ One Touch

Setting: [1] ËÎË [2]. óÚÓ·˚ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸

ËÒıÓ‰Ì˚ ԇ‡ÏÂÚ˚ Ó·ÂËı ÍÌÓÔÓÍ,

Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚÂ Ë ‰ÂÊËÚÂ

ÍÌÓÔÍË [1] Ë [2].

îÛÌ͈ËË Transpose Ë Tuning

èêàåÖóÄçàÖ

îÛÌ͈Ëfl Transpose Ì ‚ÓÁ‰ÂÈÒÚ‚ÛÂÚ

̇ ÚÂÏ·˚ Û‰‡Ì˚ı (109 , 120)

Ë ÚÂÏ·˚ ÂÊËχ DJ (601, 605).

èêàåÖóÄçàÖ

è‡‡ÏÂÚ˚ ÙÛÌ͈ËË Tuning ÌÂ

‚ÎËfl˛Ú ̇ ÚÂÏ·˚ „ÛÔÔ˚ Û‰‡Ì˚ı

(109, 120).

íÂÏ·˚

îÛÌ͈Ëfl Touch Ë ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í·‚˯

îÛÌ͈Ëfl Touch ÔÓÁ‚ÓÎflÂÚ ‰Ë̇Ï˘ÌÓ Ë ÚÓ˜ÌÓ ÛÔ‡‚ÎflÚ¸ ÚÂÏ·‡ÏË.

èêàåÖóÄçàÖ

ìÒÚ‡ÌÓ‚Ë‚ ˝ÚÓÚ Ô‡‡ÏÂÚ, ‚˚ ÏÓÊÂÚ ҇ÏË „ÛÎËÓ‚‡Ú¸ „ÓÏÍÓÒÚ¸

óÚÓ·˚ ÒÓı‡ÌËÚ¸ ÒÓÒÚÓflÌËÂ

Á‚Û͇, ÏÂÌflfl ÒËÎÛ Ì‡Ê‡ÚËfl Í·‚˯.

ÍÌÓÔÍË Touch Ë Ô‡‡ÏÂÚ˚ Function

‚Ó ‚ÒÚÓÂÌÌÓÈ Ô‡ÏflÚË (Ùν¯-

Ô‡ÏflÚË), ̇ÊÏËÚÂ Ë ‰ÂÊËÚÂ

ÍÌÓÔÍÛ [FUNCTION] (ÒÏ. ÒÚ. 78).

èÓ ÌÂÓ·ıÓ‰ËÏÓÒÚË ‚Íβ˜‡ÈÚ ËÎË ‚˚Íβ˜‡ÈÚÂ

ÙÛÌÍˆË˛ Touch ÍÌÓÔÍÓÈ [TOUCH].

èÓ͇Á˚‚‡ÂÚ, ˜ÚÓ ÙÛÌ͈Ëfl

Touch ‚Íβ˜Â̇.

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óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl ÔÓÁ‚ÓÎflÂÚ ÓÔ‰ÂÎËÚ¸, Í‡Í ÒËÌÚÂÁ‡ÚÓ

PSR-290 ‡„ËÛÂÚ Ì‡ ÒËÎÛ Ì‡Ê‡ÚËfl Í·‚˯, ˜ÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸

̇ÒÚÓËÚ¸ Í·‚ˇÚÛÛ ÔÓ‰ ÒÓ·ÒÚ‚ÂÌÌ˚È ÒÚËθ ËÒÔÓÎÌÂÌËfl.

óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl ÔÓ ÛÏÓΘ‡Ì˲ ‡‚̇ 2 (ë‰Ìflfl).

óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ‚ ÂÊËÏ Function (ÒÚ.

75).

ç‡ÒÚÓÈÍË ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË:

1 (çËÁ͇fl) é„‡Ì˘˂‡ÂÚ Â‡ÍˆË˛ ̇ ÒËÎÛ Ì‡Ê‡ÚËfl Ë ‚ÓÒÔÓËÁ‚Ó‰ËÚ ÓÚÌÓÒËÚÂθÌÓ

Ì·Óθ¯ÓÈ ‰Ë̇Ï˘ÂÒÍËÈ ‰Ë‡Ô‡ÁÓÌ, Ì Á‡‚ËÒfl˘ËÈ ÓÚ ÒËÎ˚ ̇ʇÚËfl ̇ Í·‚˯Ë.

2 (ë‰Ìflfl) èÓÁ‚ÓÎflÂÚ Ë„‡Ú¸ ‚ Ô‰Â·ı Ó·˚˜ÌÓ„Ó ‰Ë̇Ï˘ÂÒÍÓ„Ó ‰Ë‡Ô‡ÁÓ̇ (ÓÚ ÚËıÓ„Ó ‰Ó

„ÓÏÍÓ„Ó).

3 (Ç˚ÒÓ͇fl) ê‡Á‡·ÓÚ‡Ì ‰Îfl Ë„˚ Ó˜Â̸ ÚËıËı Ô‡ÒÒ‡ÊÂÈ, ÔÓÁ‚ÓÎflÂÚ ÌÂÏÌÓ„Ó ˜ÂÚ˜Â

ÍÓÌÚÓÎËÓ‚‡Ú¸ ‰Ë‡Ô‡ÁÓÌ „ÓÏÍÓÒÚË ÚËıËı Á‚ÛÍÓ‚.

ÖÒÎË ÙÛÌ͈Ëfl Touch ÓÚÍβ˜Â̇, „ÓÏÍÓÒÚ¸ ÔÓÒÚÓflÌ̇ (Ë ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ

ÒÍÓÓÒÚË 80).

30

ùÙÙÂÍÚ˚

ëËÌÚÂÁ‡ÚÓ PSR-290 Ó·ÓÛ‰Ó‚‡Ì ¯ËÓÍËÏ ÒÔÂÍÚÓÏ ˝ÙÙÂÍÚÓ‚, ÍÓÚÓ˚ ÏÓÊÌÓ

ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ÛÎÛ˜¯ÂÌËfl Á‚Û͇ ÚÂÏ·Ó‚. Ç ÒËÌÚÂÁ‡ÚÓ PSR-290 ÂÒÚ¸ ˜ÂÚ˚Â

ÓÚ‰ÂθÌ˚ı „ÛÔÔ˚ ˝ÙÙÂÍÚÓ‚ Harmony, Reverb, Chorus Ë DSP, Ë ‚ ͇ʉÓÈ ÂÒÚ¸,

˜ÚÓ ‚˚·‡Ú¸.

ùÙÙÂÍÚ˚ Harmony

ÉÛÔÔ‡ Harmony (ɇÏÓÌËfl) ‚Íβ˜‡ÂÚ ‡ÁÌÓÓ·‡ÁÌ˚Â

ÇÄÜçé!

˝ÙÙÂÍÚ˚, ÛÎÛ˜¯‡˛˘Ë ËÒÔÓÎÌÂÌË ÔË ËÒÔÓθÁÓ‚‡ÌËË ÒÚËÎÂÈ

ÑÎfl ÔÂ‚˚ı ÔflÚË ÚËÔÓ‚ ˝ÙÙÂÍÚÓ‚

Harmony: Duet (ÑÛ˝Ú), Trio (íËÓ),

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÒËÌÚÂÁ‡ÚÓ‡ PSR-290. ÇÒÂ„Ó ‰ÓÒÚÛÔÌÓ

Block (ÅÎÓÍ), Country (ä‡ÌÚË) Ë

‰‚‡‰ˆ‡Ú¸ ¯ÂÒÚ¸ ÚËÔÓ‚ ˝ÙÙÂÍÚÓ‚ Harmony (ÒÚ. 33).

Octave (éÍÚ‡‚‡) ‡ÍÍÓ‰˚ ‰ÓÎÊÌ˚

ÔÓË„˚‚‡Ú¸Òfl ̇ Í·‚ˇÚÛÂ,

‚ ӷ·ÒÚË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

ùÙÙÂÍÚ˚ Tremolo, Trill Ë Echo ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰‡ÊÂ

íÂÏ·(˚) ˝ÙÙÂÍÚÓ‚ Harmony

ËÁÏÂÌfl˛ÚÒfl ÔÓ ‚˚ÒÓÚÂ, ˜ÚÓ·˚

ÔË ‚˚Íβ˜ÂÌÌÓÏ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ. ÖÒÚ¸ ÔflÚ¸ ‡Á΢Ì˚ı

̇˷ÓΠÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸

ÚËÔÓ‚ ˝ÙÙÂÍÚÓ‚ Harmony, ÍÓÚÓ˚ ‡‚ÚÓχÚ˘ÂÒÍË ÒÓÁ‰‡˛Ú ˜‡ÒÚË

ÔÓË„˚‚‡ÂÏ˚Ï ‡ÍÍÓ‰‡Ï.

ëÍÓÓÒÚ¸ ˝ÙÙÂÍÚÓ‚ Trill (íÂθ),

„‡ÏÓÌËË (‰Îfl ÌÓÚ, ÔÓË„˚‚‡ÂÏ˚ı ‚ ‚ÂıÌÂÈ ˜‡ÒÚË Í·‚ˇÚÛ˚),

Tremolo (íÂÏÓÎÓ) Ë Echo (ùıÓ)

˜ÚÓ·˚ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ ‡ÍÍÓ‰‡Ï ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

Á‡‚ËÒËÚ ÓÚ Ô‡‡ÏÂÚ‡ Tempo

(ÒÚ. 33).

ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ˝ÙÙÂÍÚ‡ Harmony

ç‡ÊÏËÚ ÍÌÓÔÍÛ [HARMONY].

èêàåÖóÄçàÖ

èÓ͇Á˚‚‡ÂÚ, ˜ÚÓ ˝ÙÙÂÍÚ

ì Í‡Ê‰Ó„Ó ÚÂÏ·‡ ÒËÌÚÂÁ‡ÚÓ‡

Harmony ‚Íβ˜ÂÌ.

PSR-290 ÂÒÚ¸ ÒÓ·ÒÚ‚ÂÌÌ˚È ÌÂÁ‡‚Ë-

ÒËÏ˚È Ô‡‡ÏÂÚ ˝ÙÙÂÍÚ‡ Harmony.

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íËÔ Ë „ÓÏÍÓÒÚ¸ ˝ÙÙÂÍÚ‡ Harmony (ÂÒÎË ‚˚·‡Ì ÚËÔ Harmony 1 – 5)

ÏÓÊÌÓ Á‡‰‡Ú¸ ‚ ÂÊËÏ Function (ÒÚ. 76).

ùÙÙÂÍÚ Reverb

ùÙÙÂÍÚ Reverb (ê‚Â·Â‡ˆËfl) ‚ÓÒÔÓËÁ‚Ó‰ËÚ ÂÒÚÂÒÚ‚ÂÌÌÓÂ

èêàåÖóÄçàÖ

«Ó·ÚÂ͇ÌË» Á‚Û͇, ‚ÓÁÌË͇˛˘Â ÔË ËÒÔÓθÁÓ‚‡ÌËË ËÌÒÚÛÏÂÌÚ‡

Ñ‚Â̇‰ˆ‡Ú¸ ‰ÓÔÓÎÌËÚÂθÌ˚ı ÚËÔÓ‚

‚ ÍÓÏ̇Ú ËÎË ÍÓ̈ÂÚÌÓÏ Á‡ÎÂ. ÇÒÂ„Ó ‰ÓÒÚÛÔÌÓ ‚ÓÒÂϸ ÚËÔÓ‚

‚Â·Â‡ˆËË ‰ÓÒÚÛÔÌ˚ ÔË ÛÔ‡‚-

ÎÂÌËË ÒËÌÚÂÁ‡ÚÓÓÏ PSR-290

‚Â·Â‡ˆËË, ËÏËÚËÛ˛˘ÂÈ ‡Á΢ÌÓ ÓÍÛÊÂÌË (ÒÚ. 33).

Ò ÛÒÚÓÈÒÚ‚‡ MIDI. (ÒÏ. ÒÚ. 92).

ì Í‡Ê‰Ó„Ó ÒÚËÎfl ‚ ÒËÌÚÂÁ‡ÚÓÂ

PSR-290 ÂÒÚ¸ ÒÓ·ÒÚ‚ÂÌÌ˚È ÌÂÁ‡‚Ë-

ëÎÂ‰Û˛˘Ë ԇ‡ÏÂÚ˚ ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ‚ ÂÊËÏ Function

ÒËÏ˚È Ô‡‡ÏÂÚ ‚Â·Â‡ˆËË.

(ÒÚ. 75, 76).

CATEGORY SELECT

Effect Reverb Type

Main Voice Reverb Send Level

Dual Voice Reverb Send Level

Split Voice Reverb Send Level

31

ùÙÙÂÍÚ˚

ùÙÙÂÍÚ Chorus

ùÙÙÂÍÚ Chorus ÔÓÁ‚ÓÎflÂÚ ÛÎÛ˜¯ËÚ¸ Á‚Û˜‡ÌË ÚÂÏ·Ó‚ ÔË ÔÓÏÓ˘Ë

ÏÓ‰ÛÎflˆËË ‚˚ÒÓÚ˚. ÖÒÚ¸ ‰‚‡ ÓÒÌÓ‚Ì˚ı ÚËÔ‡: Chorus Ë Flanger.

ùÙÙÂÍÚ Chorus ÒÓÁ‰‡ÂÚ ·ÓΠÔÓÎÌ˚È, ÚÂÔÎ˚È Ë ÊË‚ÓÈ Á‚ÛÍ,

‚ ÚÓ ‚ÂÏfl Í‡Í ˝ÙÙÂÍÚ Flanger ÒÓÁ‰‡ÂÚ ·ÛÎfl˘ËÈ, ÏÂÚ‡Î΢ÂÒÍËÈ

˝ÙÙÂÍÚ. ÇÒÂ„Ó ‰ÓÒÚÛÔÌ˚ ˜ÂÚ˚ ÚËÔ‡ ˝ÙÙÂÍÚ‡ Chorus (ÒÚ. 34).

ëÎÂ‰Û˛˘Ë ԇ‡ÏÂÚ˚ ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ‚ ÂÊËÏ Function (ÒÚ.

75, 76).

CATEGORY SELECT

Effect Chorus Type

Main Voice Chorus Send Level

Dual Voice Chorus Send Level

Split Voice Chorus Send Level

ùÙÙÂÍÚ DSP

Ç ‡Á‰ÂΠ˝ÙÙÂÍÚ‡ DSP (ˆËÙÓ‚Ó„Ó Ó·‡·ÓÚ˜Ë͇ Ò˄̇ÎÓ‚)

èêàåÖóÄçàÖ

Ô‰ÒÚ‡‚ÎÂÌ˚ ËÒ͇ʇ˛˘Ë ˝ÙÙÂÍÚ˚ Ë ˝ÙÙÂÍÚ˚ ëhorus, ‡

ì Í‡Ê‰Ó„Ó ÚÂÏ·‡ ÒËÌÚÂÁ‡ÚÓ‡ PSR-

Ú‡ÍÊ ÏÌÓÊÂÒÚ‚Ó ‰Û„Ëı ÔÓÎÂÁÌ˚ı Ë ‰Ë̇Ï˘ÂÒÍËı ˝ÙÙÂÍÚÓ‚

290 ÂÒÚ¸ ÒÓ·ÒÚ‚ÂÌÌ˚È ÌÂÁ‡‚ËÒËÏ˚È

Ô‡‡ÏÂÚ ˝ÙÙÂÍÚ‡ DSP.

‰Îfl ÛÎÛ˜¯ÂÌËfl Ë ËÁÏÂÌÂÌËfl Á‚Û˜‡ÌËfl ÚÂÏ·Ó‚. ä ˝ÚËÏ ÏÌÓ„Ó-

èflÚ¸‰ÂÒflÚ Ó‰ËÌ ‰ÓÔÓÎÌËÚÂθÌ˚È

˜ËÒÎÂÌÌ˚Ï ˝ÙÙÂÍÚ‡Ï ÓÚÌÓÒflÚÒfl: Ó·‡Ú̇fl ‚Â·Â‡ˆËfl, Ù‡ÁÂ,

ÚËÔ ˝ÙÙÂÍÚÓ‚ DSP ‰ÓÒÚÛÔÂÌ ÔË

ÛÔ‡‚ÎÂÌËË ÒËÌÚÂÁ‡ÚÓÓÏ PSR-290

ÓÚ‡ˆËÓÌÌ˚È ‰Ë̇ÏËÍ, ÚÂÏÓÎÓ, ˝ıÓ, Á‡‰ÂÊ͇, ËÒ͇ÊÂÌËÂ,

Ò ÛÒÚÓÈÒÚ‚‡ MIDI (ÒÚ. 92).

‚˚‡‚ÌË‚‡ÌËÂ Ë ‚‡Û-˝ÙÙÂÍÚ. ÇÒÂ„Ó ‰ÓÒÚÛÔÌ˚ Úˉˆ‡Ú¸ ‚ÓÒÂϸ

ÚËÔÓ‚ ˝ÙÙÂÍÚÓ‚ DSP (ÒÚ. 34).

ëÎÂ‰Û˛˘Ë ԇ‡ÏÂÚ˚ ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ‚ ÂÊËÏ Function

(ÒÚ. 75, 76).

CATEGORY SELECT

Effect DSP Type

Main Voice DSP Send Level

Dual Voice DSP Send Level

Split Voice DSP Send Level

32

ùÙÙÂÍÚ˚

íËÔ˚ ˝ÙÙÂÍÚÓ‚

íËÔ˚ ˝ÙÙÂÍÚÓ‚ Harmony

íËÔ ˝ÙÙÂÍÚ‡ Harmony ç‡Á‚‡ÌË ̇ ‰ËÒÔΠéÔËÒ‡ÌËÂ

1 Duet Duet íËÔ˚ Harmony 1 5 ÓÒÌÓ‚‡Ì˚ ̇ ‚˚ÒÓÍËı ÚÓ̇ı Ë ‰Ó·‡‚Îfl˛Ú Í Ó‰ÌÓ„ÓÎÓÒÌÓÈ

2 Trio Trio

ÏÂÎÓ‰ËË, ÔÓË„˚‚‡ÂÏÓÈ Ô‡‚ÓÈ ÛÍÓÈ, „‡ÏÓÌËË ËÁ Ó‰ÌÓÈ, ‰‚Ûı ËÎË ÚÂı

ÌÓÚ. ùÚË ÚËÔ˚ Á‚Û˜‡Ú, ÚÓθÍÓ ÂÒÎË ‡ÍÍÓ‰˚ ÔÓË„˚‚‡˛ÚÒfl ‚ ӷ·ÒÚË

3 Block Block

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇ Í·‚ˇÚÛÂ.

4 Country Country

5 Octave Octave

6 Trill 1/4 Tril1/4 ùÙÙÂÍÚ˚ 6 – 26 ÓÒÌÓ‚‡Ì˚ ̇ ËÚÏÂ Ë ‰Ó·‡‚Îfl˛Ú ÛÍ‡¯ÂÌËfl ËÎË ÔÓ‚ÚÓ˚

Ò Á‡‰ÂÊÍÓÈ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ. ùÚË ÚËÔ˚ Á‚Û˜‡Ú

ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÚÓ„Ó, ‚Íβ˜ÂÌ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ËÎË ÌÂÚ; Ӊ̇ÍÓ ‡θ̇fl

7 Trill 1/6 Tril1/6

3

ÒÍÓÓÒÚ¸ ˝ÙÙÂÍÚ‡ Á‡‚ËÒËÚ ÓÚ Ô‡‡ÏÂÚ‡ Tempo (ÒÚ. 41). á̇˜ÂÌËfl

ÓÚ‰ÂθÌ˚ı ÌÓÚ ‚ ͇ʉÓÏ ÚËÔ ÔÓÁ‚ÓÎfl˛Ú ÚÓ˜ÌÓ ÒËÌıÓÌËÁËÓ‚‡Ú¸ ˝ÙÙÂÍÚ

8 Trill 1/8 Tril1/8

Ò ËÚÏÓÏ. í‡ÍÊ ‰ÓÒÚÛÔÌ˚ Ô‡‡ÏÂÚ˚ Triplet (ÚËÓθ): 1/6 = ÚËÓÎË

˜ÂÚ‚ÂÚÂÈ, 1/12 = ÚËÓÎË ‚ÓÒ¸Ï˚ı, 1/24 = ÚËÓÎË ¯ÂÒÚ̇‰ˆ‡Ú˚ı.

9 Trill 1/12 Tril1/12

3

ùÙÙÂÍÚ˚ Trill (6 – 12) ÒÓÁ‰‡˛Ú ‰‚ÛıÌÓÚÌ˚ ÚÂÎË (Ò ÔÂÂÏÂÌÓÈ ÌÓÚ), ÂÒÎË

̇ʇÚ˚ ‰‚ ÌÓÚ˚.

10 Trill 1/16 Tril1/16

ùÙÙÂÍÚ˚ Tremolo (13 – 19) ÔÓ‚ÚÓfl˛Ú ‚Ò ̇ʇÚ˚ ÌÓÚ˚ (‰Ó ˜ÂÚ˚Âı).

11 Trill 1/24 Tril1/24

3

ùÙÙÂÍÚ˚ Echo (20 – 26) ÒÓÁ‰‡˛Ú Á‡‰ÂʇÌÌ˚ ÔÓ‚ÚÓ˚ ͇ʉÓÈ

ÔÓË„˚‚‡ÂÏÓÈ ÌÓÚ˚.

12 Trill 1/32 Tril1/32

13 Tremolo 1/4 Trem1/4

14 Tremolo 1/6 Trem1/6

3

15 Tremolo 1/8 Trem1/8

16 Tremolo 1/12 Trem1/12

3

17 Tremolo 1/16 Trem1/16

18 Tremolo 1/24 Trem1/24

3

19 Tremolo 1/32 Trem1/32

20 Echo 1/4 Echo1/4

21 Echo 1/6 Echo1/6

3

22 Echo 1/8 Echo1/8

23 Echo 1/12 Echo1/12

3

24 Echo 1/16 Echo1/16

25 Echo 1/24 Echo1/24

3

26 Echo 1/32 Echo1/32

íËÔ˚ ‚Â·Â‡ˆËË

íËÔ ‚Â·Â‡ˆËË ç‡Á‚‡ÌË ̇ ‰ËÒÔΠéÔËÒ‡ÌËÂ

1 Hall 1 Hall1 ê‚Â·Â‡ˆËfl ÍÓ̈ÂÚÌÓ„Ó Á‡Î‡.

2 Hall 2 Hall1

3 Room 1 Room1 ê‚Â·Â‡ˆËfl χÎÂ̸ÍÓÈ ÒÚÛ‰ËË.

4 Room 2 Room2

5 Stage 1 Stage1 ê‚Â·Â‡ˆËfl ‰Îfl ÒÓθÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚.

6 Stage 2 Stage2

7 Plate 1 Plate1 ëËÏÛÎflÚÓ ‚Â·Â‡ˆËË ÒڇθÌÓÈ Ô·ÒÚËÌ˚.

8 Plate 2 Plate2

9 Off Off ÅÂÁ ˝ÙÙÂÍÚ‡.

33

ùÙÙÂÍÚ˚

íËÔ˚ ˝ÙÙÂÍÚÓ‚ Chorus

íËÔ ˝ÙÙÂÍÚ‡ Chorus ç‡Á‚‡ÌË ̇ ‰ËÒÔΠéÔËÒ‡ÌËÂ

1 Chorus 1 Chorus1 í‡‰ËˆËÓÌ̇fl ıÓÓ‚‡fl ÔÓ„‡Ïχ Ò Ì‡Ò˚˘ÂÌÌ˚Ï, ÚÂÔÎ˚Ï Á‚ÛÍÓÏ.

2 Chorus 2 Chorus2

3 Flanger 1 Flanger1 óÂÚ͇fl ÚÂıÙ‡ÁÓ‚‡fl ÏÓ‰ÛÎflˆËfl Ò ÌÂÏÌÓ„Ó ÏÂÚ‡Î΢ÂÒÍËÏ Á‚ÛÍÓÏ.

4 Flanger 2 Flanger2

5 Off Off ÅÂÁ ˝ÙÙÂÍÚ‡.

íËÔ˚ DSP

íËÔ ˝ÙÙÂÍÚ‡ DSP ç‡Á‚‡ÌË ̇ ‰ËÒÔΠéÔËÒ‡ÌËÂ

1 Hall 1 Hall1 ê‚Â·Â‡ˆËfl ÍÓ̈ÂÚÌÓ„Ó Á‡Î‡.

2 Hall 2 Hall2

3 Room 1 Room1 ê‚Â·Â‡ˆËfl χÎÂ̸ÍÓÈ ÒÚÛ‰ËË.

4 Room 2 Room2

5 Stage 1 Stage1 ê‚Â·Â‡ˆËfl ‰Îfl ÒÓθÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚.

6 Stage 2 Stage2

7 Plate 1 Plate1 ëËÏÛÎflÚÓ ‚Â·Â‡ˆËË ÒڇθÌÓÈ Ô·ÒÚËÌ˚.

8 Plate 2 Plate2

9 Early Reflection 1 ER1 íÓθÍÓ ‡ÌÌË ÓÚ‡ÊÂÌËfl.

10 Early Reflection 2 ER2

11 Gate Reverb Gate1 ùÙÙÂÍÚ ÒÚÓ·ËÛÂÏÓÈ ‚Â·Â‡ˆËË, ÔË ÍÓÚÓÓÏ ‚Â·Â‡ˆËfl ·˚ÒÚÓ ÔÂ˚‚‡ÂÚÒfl

‰Îfl ÒÔˆˇθÌ˚ı ˝ÙÙÂÍÚÓ‚.

12 Reverse Gate Gate2 ëıÓ‰ÂÌ Ò ˝ÙÙÂÍÚÓÏ Gate Reverb, ÌÓ Ò Ó·‡ÚÌ˚Ï Û‚Â΢ÂÌËÂÏ.

13 Chorus 1 Chorus1 í‡‰ËˆËÓÌÌ˚È ˝ÙÙÂÍÚ Chorus Ò Ì‡Ò˚˘ÂÌÌ˚Ï, ÚÂÔÎ˚Ï Á‚ÛÍÓÏ.

14 Chorus 2 Chorus2

15 Flanger 1 Flanger1 óÂÚ͇fl ÚÂıÙ‡ÁÓ‚‡fl ÏÓ‰ÛÎflˆËfl Ò ÌÂÏÌÓ„Ó ÏÂÚ‡Î΢ÂÒÍËÏ Á‚ÛÍÓÏ.

16 Flanger 2 Flanger2

17 Symphonic Symphony óÂÁ‚˚˜‡ÈÌÓ Ì‡Ò˚˘ÂÌÌ˚È Ë „ÎÛ·ÓÍËÈ Á‚ÛÍ.

18 Phaser Phaser óÂÚ͇fl ÏÂÚ‡Î΢ÂÒ͇fl ÏÓ‰ÛÎflˆËfl Ò ÔÂËӉ˘ÂÒÍÓÈ ÒÏÂÌÓÈ Ù‡Á˚.

19 Rotary Speaker 1 Rotary1 ëËÏÛÎflÚÓ ‚‡˘‡˛˘Â„ÓÒfl ‰Ë̇ÏË͇.

20 Rotary Speaker 2 Rotary2

21 Tremolo 1 Tremolo1 ÅÓ„‡Ú˚È ˝ÙÙÂÍÚ Tremolo (ÚÂÏÓÎÓ) Ò ÏÓ‰ÛÎflˆËÂÈ Í‡Í ÔÓ „ÓÏÍÓÒÚË, Ú‡Í Ë ÔÓ ‚˚ÒÓÚÂ.

22 Tremolo 2 Tremolo2

23 Guitar Tremolo Guitar Tremolo ëËÏÛÎflÚÓ ÚÂÏÓÎÓ ˝ÎÂÍÚÓ„ËÚ‡˚.

24 Auto Pan AutoPan çÂÒÍÓθÍÓ ˝ÙÙÂÍÚÓ‚ Ô‡ÌÓ‡ÏÌÓ„Ó Á‚Û˜‡ÌËfl, ÍÓÚÓ˚ ‡‚ÚÓχÚ˘ÂÒÍË ÏÂÌfl˛Ú ÔÓÁËˆË˛

Á‚Û͇ (΂‡fl, Ô‡‚‡fl, ÙÓÌڇθ̇fl, Á‡‰Ìflfl).

25 Auto Wah AutoWah èÓ‚ÚÓÂÌË ÙËθÚ‡ ‡ÒÔÓÒÚ‡ÌÂÌËfl ‚‡Û-˝ÙÙÂÍÚ‡.

26 Delay Left - Center - Right DelayLCR íË ÌÂÁ‡‚ËÒËÏ˚ı Á‡‰ÂÊÍË ‰Îfl ΂ӄÓ, ˆÂÌÚ‡Î¸ÌÓ„Ó Ë Ô‡‚Ó„Ó ÔÓÎÓÊÂÌËfl ÒÚÂÂÓ.

27 Delay Left - Right DelayLR 燘‡Î¸Ì‡fl Á‡‰ÂÊ͇ ‰Îfl Í‡Ê‰Ó„Ó ÒÚÂÂÓ͇̇· Ë ‰‚ ÓÚ‰ÂθÌ˚ Á‡‰ÂÊÍË Ó·‡ÚÌÓÈ

Ò‚flÁË.

28 Echo Echo ᇉÂÊ͇ ÒÚÂÂÓ Ò ÌÂÁ‡‚ËÒËÏ˚ÏË Ô‡‡ÏÂÚ‡ÏË ÛÓ‚Ìfl Ó·‡ÚÌÓÈ Ò‚flÁË ‰Îfl ͇ʉӄÓ

͇̇·.

29 Cross Delay CrossDly ëÎÓÊÌ˚È ˝ÙÙÂÍÚ, ÍÓÚÓ˚È ÔÓÒ˚·ÂÚ Á‡‰ÂʇÌÌ˚ ÔÓ‚ÚÓ˚, «Ô˚„‡˛˘Ë» ÏÂʉÛ

΂˚Ï Ë Ô‡‚˚Ï Í‡Ì‡Î‡ÏË.

30 Karaoke Karaoke ÉÎÛ·ÓÍËÈ, ˜ÂÚÍËÈ ˝ÙÙÂÍÚ ˝ıÓ.

31 Distortion Hard D Hard ÜÂÒÚÍÓÂ, ÚÂÔÎÓ ËÒ͇ÊÂÌËÂ.

32 Distortion Soft D Soft åfl„ÍÓÂ, ÚÂÔÎÓ ËÒ͇ÊÂÌËÂ.

33 Overdrive Overdrv ÖÒÚÂÒÚ‚ÂÌÌÓ ËÒ͇ÊÂÌËÂ, Í‡Í ‚ ËÒ͇ʇ˛˘ÂÏ ÛÒËÎËÚÂÎÂ.

34 Amp Simulation AmpSimu ï‡‡ÍÚÂÌ˚È Á‚ÛÍ „ËÚ‡ÌÓ„Ó ÛÒËÎËÚÂÎfl/‰Ë̇ÏË͇.

35 EQ Disco EQ Disco ùÙÙÂÍÚ ˝Í‚‡Î‡ÈÁÂ‡, ÍÓÚÓ˚È ÛÒËÎË‚‡ÂÚ Ë ‚˚ÒÓÍËÂ, Ë ÌËÁÍË ˜‡ÒÚÓÚ˚, ˜ÚÓ ÚËÔ˘ÌÓ ‰Îfl

·Óθ¯ËÌÒÚ‚‡ ÏÛÁ˚͇θÌ˚ı ÔÓËÁ‚‰ÂÌËÈ ‚ ÒÚËΠ‰ËÒÍÓ.

36 EQ Telephone EQ Tel ùÙÙÂÍÚ ˝Í‚‡Î‡ÈÁÂ‡, ÍÓÚÓ˚È ÒÂÁ‡ÂÚ Í‡Í ‚˚ÒÓÍËÂ, Ú‡Í Ë ÌËÁÍË ˜‡ÒÚÓÚ˚ ‰Îfl

ËÏËÚ‡ˆËË Á‚ÛÍÓ‚ ‚ ÚÂÎÂÙÓÌÌÓÈ ÚÛ·ÍÂ.

37 3Band EQ 3BandEQ ùÍ‚‡Î‡ÈÁÂ Ò ÚÂÏfl ÓÚ‰ÂθÌ˚ÏË ÔÓÎÓÒ‡ÏË ˜‡ÒÚÓÚ.

38 2Band EQ 2BandEQ ùÍ‚‡Î‡ÈÁÂ Ò ‰‚ÛÏfl ÓÚ‰ÂθÌ˚ÏË ÔÓÎÓÒ‡ÏË ˜‡ÒÚÓÚ.

39 Off Off ÅÂÁ ˝ÙÙÂÍÚ‡.

34

Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ

Ç ÒËÌÚÂÁ‡ÚÓ PSR-290 ÂÒÚ¸ „ÓÚÓ‚˚ ÒÚËÎË (‰Ë̇Ï˘ÂÒÍË ÒÓ˜ÂÚ‡ÌËfl ËÚχ Ë

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡) Ë ÚÂÏ·˚ ‰Îfl ÌÂÒÍÓθÍËı ÔÓÔÛÎflÌ˚ı ÏÛÁ˚͇θÌ˚ı ̇Ô‡‚ÎÂÌËÈ.

ÑÓÒÚÛÔÌÓ 135 ‡Á΢Ì˚ı ÒÚËÎÂÈ ‚ ÌÂÒÍÓθÍËı ͇Ú„ÓËflı. ä‡Ê‰˚È ÒÚËθ ÒÓÒÚÓËÚ ËÁ ˜ÂÚ˚Âı

˜‡ÒÚÂÈ, ËÎË ÒÂ͈ËÈ: ‚ÒÚÛÔÎÂÌËfl (Intro), ‰‚Ûı ÓÒÌÓ‚Ì˚ı ˜‡ÒÚÂÈ (Main A Ë Main B) Ë ÍÓ̈ӂÍË

(Ending), — ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ ‚˚Á˚‚‡Ú¸ ‡ÁÌ˚ ˜‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚Ó ‚ÂÏfl ËÒÔÓÎÌÂÌËfl.

îÛÌ͈ËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ‚ÒÚÓÂÌÌ˚ ‚ ËÚÏ˚, ËÌÒÚÛÏÂÌڇθÌÓ Ó·Ó„‡˘‡˛Ú ËÒÔÓÎ-

ÌÂÌËÂ. èË ˝ÚÓÏ ËÒÔÓÎÌËÚÂθ ÛÔ‡‚ÎflÂÚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ, ‚ÓÒÔÓËÁ‚Ó‰fl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ

‡ÍÍÓ‰˚. î‡ÍÚ˘ÂÒÍË, ÙÛÌ͈Ëfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‰ÂÎËÚ Í·‚ˇÚÛÛ Ì‡ ‰‚ ˜‡ÒÚË: ‚ÂıÌ˛˛

‰Îfl ÏÂÎÓ‰ËË, ‡ ÌËÊÌ˛˛ (ÔÓ ÛÏÓΘ‡Ì˲ Í·‚Ë¯Ë F#2 Ë ÌËÊÂ) ‰Îfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

åÓ‰Âθ PSR-290 ‚Íβ˜‡ÂÚ Ú‡ÍÊ ۉӷÌÛ˛ ÒÎÓ‚‡ÌÛ˛ ÙÛÌÍˆË˛ (Dictionary) (ÒÚ. 45).

ëÎÓ‚‡¸ ÒÓ‰ÂÊËÚ „ÓÚÓ‚Û˛ ˝ÌˆËÍÎÓÔ‰˲ ‡ÍÍÓ‰Ó‚, ÍÓÚÓ‡fl ̇ۘËÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸

β·ÓÈ ‡ÍÍÓ‰, ÓÚÓ·‡Ê‡fl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÌÓÚ˚ ̇ ‰ËÒÔÎÂÂ.

Ç˚·Ó ÒÚËÎfl

1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [STYLE].

ç‡Á‚‡ÌËÂ Ë ÌÓÏÂ ÒÚËÎfl

8BtModrn

001

2 Ç˚·ÂËÚÂ ÌÛÊÌ˚È ÌÓÏÂ ÒÚËÎfl.

ç‡ Ô‡ÌÂÎË ÓÚÓ·‡Ê‡˛ÚÒfl ÌÓÏÂ‡ ÒÚËÎÂÈ

Ë Í‡Ú„ÓËË, Í ÍÓÚÓ˚Ï ÓÌË ÓÚÌÓÒflÚÒfl.

èÓÎÌ˚È ÒÔËÒÓÍ ÒÚËÎÂÈ ÒÏ. ̇ ÒÚ. 86.

àÒÔÓθÁÛÈÚ ‰ËÒÍ ËÎË ÍÌÓÔÍË CATEGORY Ë SELECT.

èÓ‚ÂÌËÚ ‰ËÒÍ Ë ‚˚·ÂËÚ ÌÛÊÌ˚È ÒÚËθ. Ç˚·ÂËÚ ÌÛÊÌÛ˛ ͇Ú„Ó˲ Ò

ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ CATEGORY [ ]/[ ]. äÓ„‰‡ ‚˚ ÛÊ ̇ıÓ‰ËÚÂÒ¸ ·ÎËÁÍÓ

f

r

Í ÌÛÊÌÓÏÛ ÌÓÏÂÛ, ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË SELECT [ ]/[ ] ‰Îfl ÔÂÂıÓ‰‡ ̇

>

<

ÒÎÂ‰Û˛˘Ë ËÎË Ô‰˚‰Û˘Ë ÌÓÏÂ‡ ÒÚËÎÂÈ.

35

Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ

àÒÔÓθÁÛÈÚ ˆËÙÓ‚Û˛ Í·‚ˇÚÛÛ

çÓÏÂ‡ ÒÚËÎÂÈ ÏÓÊÌÓ ‚˚·Ë‡Ú¸ ÚÓ˜ÌÓ Ú‡Í ÊÂ, Í‡Í Ë ÌÓÏÂ‡

ÚÂÏ·Ó‚ (ÒÚ. 24). çÓÏÂ ÒÚËÎfl ÏÓÊÌÓ ÔflÏÓ ‚‚ÂÒÚË Ì‡

ˆËÙÓ‚ÓÈ Í·‚ˇÚÛ ËÎË ‚˚·‡Ú¸, ÔÂÂÏ¢‡flÒ¸ ÔÓ ÒÔËÒÍÛ

ÒÚËÎÂÈ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [+]/[-].

ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ

ÑÎfl ÛÔ‡‚ÎÂÌËfl ÒÚËÎÂÏ ËÒÔÓθÁÛ˛ÚÒfl ÒÎÂ‰Û˛˘Ë ÍÌÓÔÍË Ô‡ÌÂÎË ÛÔ‡‚ÎÂÌËfl.

ç‡Ê‡ÚË ˝ÚÓÈ ÍÌÓÔÍË

ç‡Ê‡ÚË ˝ÚÓÈ ÍÌÓÔÍË

ç‡Ê‡ÚËÂÏ ˝ÚÓÈ ÍÌÓÔÍË ÔÓËÁ‚Ó‰ËÚÒfl

ÔÓÔÂÂÏÂÌÌÓ ‚Íβ˜‡ÂÚ Ë

ÔÓÔÂÂÏÂÌÌÓ ‚˚β˜‡ÂÚ Ë

ÔÂÂÍβ˜ÂÌË ÏÂÊ‰Û „·‚Ì˚ÏË

‚˚Íβ˜‡ÂÚ ·‡ÒÓ‚Û˛ ˜‡ÒÚ¸

‚˚Íβ˜‡ÂÚ ÙÛÌÍˆË˛ Sync

˜‡ÒÚflÏË Main A Ë Main B Ò ÔÓË„-

Ë ‡ÍÍÓ‰˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

Start (ÒÏ. ÒÚ. 37).

˚‚‡ÌËÂÏ ‚ÒÚ‡‚ÍË ÔÂ‰ ÌÓ‚ÓÈ

(ÒÏ. ‰‡ÎÂÂ).

˜‡ÒÚ¸˛ (ÒÏ. ÒÚ. 42).

ç‡Ê‡ÚË ˝ÚÓÈ ÍÌÓÔÍË

ùÚ‡ ÍÌÓÔ͇ ËÒÔÓθÁÛÂÚÒfl ‰Îfl

ç‡Ê‡ÚË ˝ÚÓÈ ÍÌÓÔÍË

ÔÓÔÂÂÏÂÌÌÓ ‚Íβ˜‡ÂÚ

ÛÔ‡‚ÎÂÌËfl ‚ÒÚÛÔÎÂÌËÂÏ

ÔÓÔÂÂÏÂÌÌÓ Ì‡˜Ë̇ÂÚ

Ë ‚˚Íβ˜‡ÂÚ ÙÛÌÍˆË˛

(Intro) Ë ÍÓ̈ӂÍÓÈ (Ending)

Ë ÔÂÍ‡˘‡ÂÚ

Sync Stop (ÒÚ. 40).

(ÒÚ. 38, 39).

‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl.

1 ÇÍβ˜ËÚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ.

ÑÎfl ‚Íβ˜ÂÌËfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [ACMP].

8BtModrn

001

èÓ͇Á˚‚‡ÂÚ, ˜ÚÓ

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚Íβ˜ÂÌ.

36

Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ

2

ÇÍβ˜ËÚ ÒÚËθ.

ë‰Â·ڸ ˝ÚÓ ÏÓÊÌÓ Ó‰ÌËÏ ËÁ ÒÎÂ‰Û˛˘Ëı ÒÔÓÒÓ·Ó‚.

ç‡Ê‡Ú¸ ÍÌÓÔÍÛ [START/STOP]

êËÚÏ Ì‡˜Ë̇ÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ÌÂωÎÂÌÌÓ ·ÂÁ ·‡ÒÓ‚ Ë ‡ÍÍÓ‰Ó‚.

èÓË„˚‚‡ÂÚÒfl „·‚̇fl ˜‡ÒÚ¸ ̇ ‰‡ÌÌ˚È ÏÓÏÂÌÚ (Main A ËÎË Main B).

èÂʉ ˜ÂÏ Ì‡ÊËχڸ ÍÌÓÔÍÛ [START/STOP], ÏÓÊÌÓ ‚˚·‡Ú¸ „·‚ÌÛ˛ ˜‡ÒÚ¸

Ò ÔÓÏÓ˘¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÍÌÓÔÍË [MAIN A/B]. (ÑËÒÔÎÂÈ ‚ Ú˜ÂÌËÂ

ÍÓÓÚÍÓ„Ó ‚ÂÏÂÌË ÔÓ͇Á˚‚‡ÂÚ ‚˚·‡ÌÌÛ˛ ˜‡ÒÚ¸: MAIN A ËÎË MAIN B.)

èÓ͇Á˚‚‡ÂÚ ‚˚·‡ÌÌÛ˛ ˜‡ÒÚ¸

(Main A ËÎË B).

MAIN A

àÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Tap/Tempo

ùÚ‡ ÔÓÎÂÁ̇fl ÙÛÌ͈Ëfl ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒ͇ ÔÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸ ÚÂÏÔ ÒÚËÎfl

Ë ‡‚ÚÓχÚ˘ÂÒÍË Ì‡˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl ‚ Á‡‰‡ÌÌÓÏ ÚÂÏÔÂ.

èÓÒÚÓ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [TEMPO/TAP] ˜ÂÚ˚ ‡Á‡ (ËÎË ÚË ‡Á‡ ‰Îfl ÒÚËÎfl Ò

‡ÁÏÂÓÏ 3/4), Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl ‡‚ÚÓχÚ˘ÂÒÍË Ì‡˜ÌÂÚÒfl ‚ Á‡‰‡ÌÌÓÏ

ÚÂÏÔÂ. àÁÏÂÌËÚ¸ ÚÂÏÔ ÏÓÊÌÓ Ë ‚Ó ‚ÂÏfl ËÒÔÓÎÌÂÌËfl ‚ Á‡‰‡ÌÌÓÏ ÒÚËÎÂ.

ÑÎfl ˝ÚÓ„Ó ‰ÓÒÚ‡ÚÓ˜ÌÓ ‰‚‡Ê‰˚ ̇ʇڸ ÍÌÓÔÍÛ [TEMPO/TAP] ‚ ÌÛÊÌÓÏ ÚÂÏÔÂ.

àÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Sync Start

ëËÌÚÂÁ‡ÚÓ PSR-290 ËÏÂÂÚ Ú‡ÍÊ ÙÛÌÍˆË˛ Sync Start, ÍÓÚÓ‡fl ‰‡ÂÚ

‚ÓÁÏÓÊÌÓÒÚ¸ ‚Íβ˜ËÚ¸ ÒÚËθ ÔÓÒÚÓ Ì‡Ê‡ÚËÂÏ Í·‚Ë¯Ë Ì‡ Í·‚ˇÚÛÂ.

ÑÎfl ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒ͇ Ò̇˜‡Î‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [SYNC START] (‚ÒÂ

Ë̉Ë͇ÚÓ˚ ‰ÓÎÂÈ ÏË„‡˛Ú, ˜ÚÓ ÓÁ̇˜‡ÂÚ „ÓÚÓ‚ÌÓÒÚ¸ Í ÂÊËÏÛ Sync Start),

‡ Á‡ÚÂÏ Î˛·Û˛ Í·‚Ë¯Û Ì‡ Í·‚ˇÚÛÂ. (ÖÒÎË ‚Íβ˜ÂÌ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ,

̇ÊÏËÚ ̇ Í·‚Ë¯Û ËÎË Ò˚„‡ÈÚ ‡ÍÍÓ‰ ̇ Í·‚ˇÚÛ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.)

é·Î‡ÒÚ¸

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

37

Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ

á‡ÔÛÒÍ ÒÓ ‚ÒÚÛÔÎÂÌËfl (Intro)

ì Í‡Ê‰Ó„Ó ÒÚËÎfl ÂÒÚ¸ Ò‚Ó ÒÓ·ÒÚ‚ÂÌÌÓ ‚ÒÚÛÔÎÂÌË ËÁ ‰‚Ûı ËÎË ˜ÂÚ˚Âı Ú‡ÍÚÓ‚.

äÓ„‰‡ ˝ÚË ‚ÒÚÛÔÎÂÌËfl ËÒÔÓθÁÛ˛ÚÒfl Ò ÙÛÌ͈ËÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÏÌÓ„ËÂ

ËÁ ÌËı ‚Íβ˜‡˛Ú ÒÔˆˇθÌ˚ ËÁÏÂÌÂÌËfl ‡ÍÍÓ‰Ó‚ Ë ÔӘˠÛÍ‡¯ÂÌËfl.

ää

ää

ÍÍ

ÍÍ

ÌÌ

ÌÌ

˜˜

˜˜

ÚÚ

ÚÚ

¸¸

¸¸

ÒÒ

ÒÒ

ÓÓ

ÓÓ

ÒÒ

ÒÒ

ÚÚ

ÚÚ

ÛÛ

ÛÛ

ÔÔ

ÔÔ

ÎÎ

ÎÎ

ÂÂ

ÂÂ

ÌÌ

ÌÌ

ËË

ËË

::

::

1) ç‡ÊÏËÚ ÍÌÓÔÍÛ [MAIN/AUTO FILL] ‰Îfl ‚˚·Ó‡ „·‚ÌÓÈ ˜‡ÒÚË (A ËÎË B), ÍÓÚÓ‡fl

‰ÓÎÊ̇ ÒΉӂ‡Ú¸ Á‡ ‚ÒÚÛÔÎÂÌËÂÏ.

èÓ͇Á˚‚‡ÂÚ ‚˚·‡ÌÌÛ˛ ˜‡ÒÚ¸

(Main A ËÎË B).

MAIN A

2) ç‡ÊÏËÚ ÍÌÓÔÍÛ [INTRO ENDING].

é·ÓÁ̇˜‡ÂÚ „ÓÚÓ‚ÌÓÒÚ¸ Í Á‡ÔÛÒÍÛ Intro.

INTRO≥A

ÑÎfl ÔÓË„˚‚‡ÌËfl ‚ÒÚÛÔÎÂÌËfl ̇ÊÏËÚ ÍÌÓÔÍÛ [START/STOP].

àÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Sync Start ‰Îfl ‚ÒÚÛÔÎÂÌËfl

îÛÌÍˆË˛ Sync Start ÏÓÊÌÓ ÔËÏÂÌflÚ¸ Ë Í ‚ÒÚÛÔÎÂÌ˲ ‚˚·‡ÌÌÓ„Ó ÒÚËÎfl.

óó

óó

ÚÚ

ÚÚ

ÓÓ

ÓÓ

··

··

˚˚

˚˚

ËË

ËË

ÒÒ

ÒÒ

ÔÔ

ÔÔ

ÓÓ

ÓÓ

ÎÎ

ÎÎ

¸¸

¸¸

ÁÁ

ÁÁ

ÓÓ

ÓÓ

ÚÚ

ÚÚ

¸¸

¸¸

ÙÙ

ÙÙ

ÛÛ

ÛÛ

ÌÌ

ÌÌ

ÍÍ

ÍÍ

ˆˆ

ˆˆ

ËË

ËË

˛˛

˛˛

SS

SS

yy

yy

nn

nn

cc

cc

SS

SS

tt

tt

aa

aa

rr

rr

tt

tt

ÎÎ

ÎÎ

ÒÒ

ÒÒ

ÚÚ

ÚÚ

ÛÛ

ÛÛ

ÔÔ

ÔÔ

ÎÎ

ÎÎ

ÂÂ

ÂÂ

ÌÌ

ÌÌ

ËË

ËË

::

::

1) ç‡ÊÏËÚ ÍÌÓÔÍÛ [MAIN/AUTO FILL] ‰Îfl ‚˚·Ó‡ „·‚ÌÓÈ ˜‡ÒÚË (A ËÎË B), ÍÓÚÓ‡fl

‰ÓÎÊ̇ ÒΉӂ‡Ú¸ Á‡ ‚ÒÚÛÔÎÂÌËÂÏ.

èÓ͇Á˚‚‡ÂÚ ‚˚·‡ÌÌÛ˛ ˜‡ÒÚ¸

(Main A ËÎË B).

MAIN A

2) ç‡ÊÏËÚ ÍÌÓÔÍÛ [INTRO ENDING].

é·ÓÁ̇˜‡ÂÚ „ÓÚÓ‚ÌÓÒÚ¸ Í Á‡ÔÛÒÍÛ ‚ÒÚÛÔÎÂÌËfl.

INTRO≥A

3) ç‡ÊÏËÚ ÍÌÓÔÍÛ [SYNC START] ‰Îfl ‚Íβ˜ÂÌËfl ÙÛÌ͈ËË ÒËÌıÓÌÌÓ„Ó

Á‡ÔÛÒ͇, ‡ Á‡ÚÂÏ ‚Íβ˜ËÚ ‚ÒÚÛÔÎÂÌËÂ Ë ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ̇ʇ‚ β·Û˛ Í·‚˯Û

̇ Í·‚ˇÚÛÂ. (ÖÒÎË ‚Íβ˜ÂÌ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ̇ÊÏËÚ ̇ Í·‚Ë¯Û ËÎË Ò˚„‡ÈÚÂ

‡ÍÍÓ‰ ̇ Í·‚ˇÚÛ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.)

é·Î‡ÒÚ¸

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

38

Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ

3

àÁÏÂÌËÚ ‡ÍÍÓ‰˚ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË

ëéÇÖí

ÑÎfl ‚Íβ˜ÂÌËfl Ë ‚˚Íβ˜ÂÌËfl

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

·‡ÒÓ‚ÓÈ ˜‡ÒÚË Ë ‡ÍÍÓ‰Ó‚

èÓÔÓ·ÛÈÚ Ò˚„‡Ú¸ ÌÂÒÍÓθÍÓ ÔÓÒΉӂ‡ÚÂθÌ˚ı ‡ÍÍÓ‰Ó‚

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚Ó ‚ÂÏfl Ë„˚

ÏÓÊÌÓ Ú‡ÍÊ ËÒÔÓθÁÓ‚‡Ú¸ ÍÌÓÔÍÛ

΂ÓÈ ÛÍÓÈ, Ó·‡˘‡fl ‚ÌËχÌË ̇ ÚÓ, Í‡Í ÏÂÌfl˛ÚÒfl ·‡ÒÓ‚‡fl

[ACMP], ˜ÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸

˜‡ÒÚ¸ Ë ‡ÍÍÓ‰˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ò Í‡Ê‰˚Ï Ò˚„‡ÌÌ˚Ï ‚‡ÏË

ÒÓÁ‰‡‚‡Ú¸ ËÚÏ˘Ì˚ ‰Ë̇Ï˘ÂÒÍËÂ

Ô‡ÛÁ˚ ‚Ó ‚ÂÏfl ËÒÔÓÎÌÂÌËfl.

‡ÍÍÓ‰ÓÏ. (ÅÓΠÔÓ‰Ó·ÌÛ˛ ËÌÙÓχˆË˛ ÔÓ ËÒÔÓθÁÓ‚‡Ì˲

ÙÛÌ͈ËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÒÏ. ̇ ÒÚ 43.)

èêàåÖóÄçàÖ

ÄÍÍÓ‰˚, ËÒÔÓÎÌflÂÏ˚ ̇

Í·‚ˇÚÛ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡,

ӷ̇ÛÊË‚‡˛ÚÒfl Ë ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl

‰‡Ê ÔÓÒΠÚÓ„Ó, Í‡Í ÔÂÍ‡˘‡ÂÚÒfl

‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl. î‡ÍÚ˘ÂÒÍË,

Í·‚ˇÚÛ‡ ‰ÂÎËÚÒfl ̇ ‰‚ ˜‡ÒÚË:

Í·‚ˇÚÛÛ Ò ·‡ÒÓ‚ÓÈ ˜‡ÒÚ¸˛ Ë

‡ÍÍÓ‰‡ÏË ‰Îfl ΂ÓÈ ÛÍË Ë Ò

ÏÂÎÓ‰ËÂÈ ‰Îfl Ô‡‚ÓÈ. íÂÏ· ‰Îfl

ÔÓÒΉÌÂÈ ‚˚·Ë‡ÂÚÒfl Ó·˚˜Ì˚Ï

ÒÔÓÒÓ·ÓÏ.

4 éÒÚ‡ÌÓ‚ËÚ ÒÚËθ.

ë‰Â·ڸ ˝ÚÓ ÏÓÊÌÓ ÚÂÏfl ÒÔÓÒÓ·‡ÏË:

ç‡Ê‡Ú¸ ÍÌÓÔÍÛ [START/STOP]

ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl ÔÂÍ‡ÚËÚÒfl ÌÂωÎÂÌÌÓ.

àÒÔÓθÁÓ‚‡Ú¸ ÍÓ̈ӂÍÛ (Ending)

èêàåÖóÄçàÖ

ÑÎfl ÔÓÒÚÂÔÂÌÌÓ„Ó Á‡Ï‰ÎÂÌËfl ÚÂÏÔ‡

ç‡ÊÏËÚ ÍÌÓÔÍÛ [INTRO ENDING].

‚Ó ‚ÂÏfl ËÒÔÓÎÌÂÌËfl ÍÓ̈ӂÍË

ëÚËθ ‚˚Íβ˜‡ÂÚÒfl ÔÓ ÓÍÓ̘‡ÌËË ÍÓ̈ӂÍË.

(ËÚ‡‰‡Ì‰Ó) ‰‚‡Ê‰˚ ·˚ÒÚÓ

̇ÊÏËÚ ÍÌÓÔÍÛ [INTRO ENDING].

END/rit.

ENDING

ç‡Ê‡Ú¸ ÍÌÓÔÍÛ [SYNC START]

ëÚËθ ‚˚Íβ˜‡ÂÚÒfl ÌÂωÎÂÌÌÓ, ÌÓ ÔË ˝ÚÓÏ ‡‚ÚÓχÚ˘ÂÒÍË

‚Íβ˜‡ÂÚÒfl ÙÛÌ͈Ëfl Sync Start, ˜ÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸

‚ÓÁÓ·ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl ̇ʇÚËÂÏ ‡ÍÍÓ‰‡

ËÎË Í·‚Ë¯Ë Ì‡ Í·‚ˇÚÛ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

39

Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ

Sync Stop

ùÚ‡ ۉӷ̇fl ÙÛÌ͈Ëfl ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÂÍ‡ÚËÚ¸ (ËÎË ÔËÓÒÚ‡ÌÓ‚ËÚ¸)

‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl, ÔÓÒÚÓ Û·‡‚ ÛÍÛ Ò Í·‚ˇÚÛ˚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

ÖÒÎË ‚ÌÓ‚¸ Ò˚„‡Ú¸ ‡ÍÍÓ‰, ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl ‚ÓÁÓ·ÌÓ‚ËÚÒfl. ùÚÓ Ë‰Â‡Î¸ÌÓÂ

Ò‰ÒÚ‚Ó ‰Îfl ÒÓÁ‰‡ÌËfl ‰Ë̇Ï˘ÂÒÍËı Ô‡ÛÁ ‚Ó ‚ÂÏfl ËÒÔÓÎÌÂÌËfl. ç‡ÔËÏÂ,

ÏÓÊÌÓ Ì‡ ÍÓÓÚÍÓ ‚ÂÏfl ÓÚÍβ˜ËÚ¸ ËÚÏ Ë ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚Ó ‚ÂÏfl

ÏÂÎӉ˘ÂÒÍÓÈ Ô‡ÛÁ˚ ËÎË ÒÓÎÓ Ô‡‚ÓÈ ÛÍÓÈ.

1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [ACMP].

Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚Íβ˜ËÚÒfl.

8BtModrn

001

èÓ͇Á˚‚‡ÂÚ, ˜ÚÓ

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚Íβ˜ÂÌ.

2 ç‡ÊÏËÚ ÍÌÓÔÍÛ [SYNC STOP].

ÖÒÎË ‚Íβ˜ËÚ¸ Sync Stop ‰Ó Á‡ÔÛÒ͇ ÒÚËÎfl,

‡‚ÚÓχÚ˘ÂÒÍË ‚Íβ˜‡ÂÚÒfl Ë ÙÛÌ͈Ëfl Sync Start.

8BtModrn

001

èÓ͇Á˚‚‡ÂÚ, ˜ÚÓ ‚Íβ˜Â̇

ÙÛÌ͈Ëfl Sync Stop.

3 ÇÓÁ¸ÏËÚ ‡ÍÍÓ‰ ̇ Í·‚ˇÚÛ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

ëÚËθ ‚Íβ˜ËÚÒfl Ò‡ÁÛ, Í‡Í ÚÓθÍÓ ‚˚ Ò˚„‡ÂÚ ‡ÍÍÓ‰.

4 óÚÓ·˚ ‚˚Íβ˜ËÚ¸ ÒÚËθ, Û·ÂËÚ ÛÍÛ Ò Í·‚ˇÚÛ˚.

5 óÚÓ·˚ Á‡ÔÛÒÚËÚ¸ ÒÚËθ ‚ÌÓ‚¸, ̇ÊÏËÚ ‡ÍÍÓ‰.

6 ÑÎfl ‚˚Íβ˜ÂÌËfl ÙÛÌ͈ËË Sync Stop ̇ÊÏËÚ ÍÌÓÔÍÛ

[SYNC STOP] ¢ ‡Á.

ÑÎfl ÔÓÎÌÓ„Ó ‚˚Íβ˜ÂÌËfl ÒÚËÎfl ̇ÊÏËÚ ÍÌÓÔÍÛ [START/STOP].

40