Yamaha PSR-290 – страница 2
Инструкция к Синтезатору/фортепиано Yamaha PSR-290
îÛÌ͈Ëfl Portable Grand
3
ÇÍβ˜ËÚ ÏÂÚÓÌÓÏ.
ç‡ÊÏËÚ ÍÌÓÔÍÛ [METRONOME].
1148
èÓ͇Á˚‚‡ÂÚ ÌÓÏ ‰ÓÎË ‚ Ú‡ÍÚÂ.
óÚÓ·˚ ÓÚÍβ˜ËÚ¸ ÏÂÚÓÌÓÏ, ̇ÊÏËÚ ÍÌÓÔÍÛ [METRONOME] ¢ ‡Á.
ç‡ÒÚÓÈ͇ ˜‡ÒÚÓÚ˚ Ò˄̇·
ñËÙÓ‚‡fl
ó‡ÒÚÓÚ‡ Ò˄̇·
Í·‚ˇÚÛ‡
ÏÂÚÓÌÓχ
01 1/4 – èÓË„˚‚‡˛ÚÒfl ÚÓθÍÓ 1-e (ÒËθÌ˚Â) ‰ÓÎË
ó‡ÒÚÓÚÛ Ò˄̇· ÏÂÚÓÌÓχ ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸
02 2/4
̇ ‡ÁÌ˚ ‡ÁÏÂ˚, ÓÒÌÓ‚‡ÌÌ˚ ̇ ˜ÂÚ‚ÂÚflı.
03 3/4
04 4/4
: :
ᇉ‡Ú¸ ˜‡ÒÚÓÚÛ Ò˄̇· ÏÓÊÌÓ ‚ ÂÊËÏÂ
15 15/4
Function (ÒÚ. 76).
0 1- ‰ÓÎË Ì ÔÓË„˚‚‡˛ÚÒfl (ÚÓθÍÓ Ò··˚Â)
èêàåÖóÄçàÖ
ë˄̇ÚÛ‡ ‡‚ÚÓχÚ˘ÂÒÍË ÏÂÌflÂÚÒfl ÔË ‚˚·Ó ÒÚËÎfl ËÎË ÔÂÒÌË.
Time Sig
04
èÓ͇Á˚‚‡ÂÚ ÌÓÏ ÚÂÍÛ˘ÂÈ ‰ÓÎË.
ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË ÏÂÚÓÌÓχ
ÉÓÏÍÓÒÚ¸ ÏÂÚÓÌÓχ ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ ‚ ÂÊËÏÂ
Function (ÒÚ. 76)
.
ÑˇԇÁÓÌ „ÓÏÍÓÒÚË: 000 – 127.
21
îÛÌ͈Ëfl DJ
ùÚÓ ÓÚ΢̇fl ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓÁ‚ÓÎflÂÚ Ï„ÌÓ‚ÂÌÌÓ ÔÂÂÈÚË Ì‡ ‰Ë̇Ï˘ÂÒÍËÈ ÚÂÏ·
Ë ÒÚËθ DJ ‰Îfl ÔÓË„˚‚‡ÌËfl ÒÓ‚ÂÏÂÌÌÓÈ Ú‡ÌˆÂ‚‡Î¸ÌÓÈ ÏÛÁ˚ÍË.
à„‡ ‚ ÂÊËÏ DJ
1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [DJ].
èêàåÖóÄçàÖ
• Ç ÒËÌÚÂÁ‡ÚÓ PSR-290 ÂÒÚ¸ Ú‡ÍÊÂ
ÙÛÌ͈Ëfl ÓÚÏÂÌ˚ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ
ÔÂÒÌË Ë DJ (Demo and DJ Cancel),
DJ Set 1
ÔÓÁ‚ÓÎfl˛˘‡fl ÓÚÍβ˜ËÚ¸
‰ÂÏÓÌÒÚ‡ˆËÓÌÌÛ˛ ÔÂÒÌ˛ Ë ÙÛÌÍˆË˛
000
DJ. àÒÔÓθÁÓ‚‡Ú¸ ˝ÚÛ ÙÛÌÍˆË˛
ÏÓÊÌÓ ‚ ÂÊËÏÂ Function (ÒÚ. 76).
ùÚÓ ‡‚ÚÓχÚ˘ÂÒÍË ÔÂÂ̇ÒÚÓËÚ ‚ÂÒ¸ ËÌÒÚÛÏÂÌÚ Ì‡ ÔÓË„˚‚‡ÌËÂ
ÒÔˆˇθÌÓ Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌÓ„Ó ÚÂÏ·‡ DJ.
2 à„‡ ‚ ÒÚËΠDJ.
à„‡ÈÚ ̇ Í·‚˯‡ı ‚ ӷ·ÒÚË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
èêàåÖóÄçàÖ
• ÖÒÎË ‚˚·‡Ì ÒÚËθ DJ, ‡‚ÚÓ-
é·Î‡ÒÚ¸
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Á‡ÔÛÒ͇ÂÚÒfl
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
̇ʇÚËÂÏ ÚÓθÍÓ ÓÒÌÓ‚ÌÓ„Ó
ÚÓ̇ ‡ÍÍÓ‰‡, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ
Ë„‡Ú¸ Ó‰ÌËÏ Ô‡Î¸ˆÂÏ.
3 à„‡ ÚÂÏ·‡ÏË DJ.
à„‡ÈÚ ‚ ‚ÂıÌÂÈ Ó·Î‡ÒÚË Í·‚ˇÚÛ˚.
4 éÒÚ‡Ìӂ͇ ÒÚËÎfl DJ.
● ç‡ÔËÏÂ, ÂÒÎË ‚˚·‡ÌÓ Á̇˜ÂÌË 601 DJ Set 1:
Accompaniment area
(C1 – F#2)
Ohh2 FX02
Reverse
FXTBrs
Ohh1
Scratch 1
Scratch 3
C3
Joo
Go
22
Huihu
Huea
GetUp
Scratch 2
Scratch 4
Scratch 5
íÂÏ·˚
Ç ÒËÌÚÂÁ‡ÚÓ PSR-290 ÂÒÚ¸ 605 ÚÂÏ·Ó‚ (Á‚ÛÍÓ‚ ËÌÒÚÛÏÂÌÚÓ‚). ÇÒ ÓÌË ÒÓÁ‰‡Ì˚
ÔË ÔÓÏÓ˘Ë ÒÎÓÊÌÓÈ ÒËÒÚÂÏ˚ ÚÓÌ-„Â̇ÚÓ‡ AWM (Advanced Wave Memory)
ÍÓÔÓ‡ˆËË Yamaha. 벉‡ ‚ıÓ‰flÚ 480 ÚÂÏ·Ó‚ Òڇ̉‡Ú‡ XG Ë ÚÂÏ·˚ Û‰‡Ì˚ı.
Ç ÒËÌÚÂÁ‡ÚÓ ڇÍÊ ÂÒÚ¸ ÙÛÌ͈ËË Dual Voice (ç‡ÎÓÊÂÌË ‰‚Ûı ÚÂÏ·Ó‚) Ë Split
Voice (ê‡Á‰ÂÎÂÌË ÚÂÏ·Ó‚ ̇ Í·‚ˇÚÛÂ), ÔÓÁ‚ÓÎfl˛˘Ë ӷ˙‰ËÌflÚ¸ ‰‚‡
‡Á΢Ì˚ı ÚÂÏ·‡ ‚ Ó‰ÌÓÏ ÒÎÓ ËÎË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ë„‡Ú¸ ‰‚‡ ‡ÁÌ˚ı ÚÂÏ·‡ ‚
ÓÚ‰ÂθÌ˚ı ӷ·ÒÚflı Í·‚ˇÚÛ˚.
à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â
1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [VOICE] (ÚÂÏ·).
ç‡Á‚‡ÌËÂ Ë ÌÓÏ ÚÂÏ·‡
GrandPno
001
2 Ç˚·ÂËÚÂ ÌÛÊÌ˚È ÌÓÏÂ ÚÂÏ·‡.
èêàåÖóÄçàÖ
ä‡Ú„ÓËË ÚÂÏ·Ó‚ Ë Ëı ÌÓχ ÔÓ͇Á‡Ì˚ ̇ Ô‡ÌÂÎË. èÓÎÌ˚È ÒÔËÒÓÍ
• íÂÏ· #000 OTS ‚˚Á˚‚‡ÂÚ Û‰Ó·ÌÛ˛
‰ÓÒÚÛÔÌ˚ı ÚÂÏ·Ó‚ Ô˂‰ÂÌ Ì‡ ÒÚ. 79.
ÙÛÌÍˆË˛ ‡‚ÚÓχÚ˘ÂÒÍÓ„Ó ‚˚·Ó‡
ÚÂÏ·‡, ̇˷ÓΠÔÓ‰ıÓ‰fl˘Â„Ó
ÚÂÍÛ˘ÂÏÛ ÒÚËβ ËÎË ÔÂÒÌÂ.
■ àÒÔÓθÁÛÈÚ ÍÌÓÔÍË CATEGORY [ ]/[ ], ‰ËÒÍ ËÎË ÍÌÓÔÍË SELECT [ ]/[ ].
f
r
>
<
● Ç˚·Ó ÚÂÏ·‡ ÔË ÔÓÏÓ˘Ë ÍÌÓÔÓÍ CATEGORY
èË ÔÓÏÓ˘Ë ÍÌÓÔÓÍ CATEGORY [ ]/[ ] ÏÓÊÌÓ ÔÂÂÏ¢‡Ú¸Òfl
f
r
ÔÓ ÌÓÏÂ‡Ï ÚÂÏ·Ó‚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò Ëı ‡Á·Ë‚ÍÓÈ ÔÓ Í‡Ú„ÓËflÏ.
ç‡Á‚‡ÌË ͇Ú„ÓËË
GUITAR
23
íÂÏ·˚
● Ç˚·Ó ÌÓχ ÚÂÏ·‡
Ç˚·ÂËÚ ÚÂÏ· ÔË ÔÓÏÓ˘Ë ‰ËÒ͇ ËÎË ÍÌÓÔÓÍ SELECT [ ]/[ ].
>
<
Jazz Gtr
032
■ àÒÔÓθÁÓ‚‡ÌË ˆËÙÓ‚ÓÈ Í·‚ˇÚÛ˚.
íÂÏ· ÏÓÊÌÓ ‚˚·‡Ú¸ ‰‚ÛÏfl ÒÔÓÒÓ·‡ÏË:
1) Ç‚ÂÒÚË ÌÓÏ ÚÂÏ·‡ Ò ˆËÙÓ‚ÓÈ Í·‚ˇÚÛ˚.
2) àÒÔÓθÁÓ‚‡Ú¸ ÍÌÓÔÍË [+]/[-] ‰Îfl ÔÂÂıÓ‰‡ ÓÚ ÌÓχ Í ÌÓÏÂÛ.
● ç‡ ˆËÙÓ‚ÓÈ Í·‚ˇÚÛÂ:
ǂ‰ËÚ ÌÓÏ ÚÂÏ·‡ ËÁ ÒÔËÒ͇ ̇ ÒÚ. 79. ç‡ÔËÏÂ, ˜ÚÓ·˚ ‚˚·‡Ú¸
ÚÂÏ· 109, ̇ÊÏËÚ ̇ ˆËÙÓ‚ÓÈ Í·‚ˇÚÛ ÍÌÓÔÍË 1, 0 Ë 9. ÑÎfl ÚÂÏ·Ó‚,
ÌÓÏ ÍÓÚÓ˚ı ̇˜Ë̇ÂÚÒfl Ò ÌÛÎÂÈ (̇ÔËÏÂ, 042 ËÎË 006), ̇˜‡Î¸Ì˚Â
ÌÛÎË ÏÓÊÌÓ ÓÔÛÒÚËÚ¸. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ‰Ó ÔÓfl‚ÎÂÌËfl Ë̉Ë͇ÚÓ‡ ÔÓȉÂÚ
ÌÂÍÓÚÓÓÂ ‚ÂÏfl.
Std.Kit1
109
● èË ÔÓÏÓ˘Ë ÍÌÓÔÓÍ [+]/[-]:
èêàåÖóÄçàÖ
ç‡ÊÏËÚ ÍÌÓÔÍÛ [+], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÒÎÂ‰Û˛˘ËÈ ÚÂÏ·, Ë ÍÌÓÔÍÛ [-],
• ä‡Ê‰˚È ÚÂÏ· ‡‚ÚÓχÚ˘ÂÒÍË
˜ÚÓ·˚ ‚˚·‡Ú¸ Ô‰˚‰Û˘ËÈ ÚÂÏ·. ÖÒÎË ‰Âʇڸ Ó‰ÌÛ ËÁ ˝ÚËı ÍÌÓÔÓÍ,
‚˚Á˚‚‡ÂÚÒfl Ò Ì‡Ë·ÓΠÔÓ‰ıÓ‰fl˘ÂÈ
̇ÒÚÓÈÍÓÈ ‰Ë‡Ô‡ÁÓ̇ ÓÍÚ‡‚. íÓ ÂÒÚ¸
ÏÓÊÌÓ ·˚ÒÚÓ ÔÂÂÏ¢‡Ú¸Òfl ‚‚Âı ËÎË ‚ÌËÁ ÔÓ ÌÓÏÂ‡Ï ÚÂÏ·Ó‚.
҉̠«‰Ó» Ò Ó‰ÌËÏ ÚÂÏ·ÓÏ ÏÓÊÂÚ
Á‚Û˜‡Ú¸ ‚˚¯Â ËÎË ÌËÊ ‰Û„Ó„Ó
ÚÂÏ·‡ ̇ ˝ÚÓÈ Ê Í·‚˯Â.
24
íÂÏ·˚
3
à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â
í‡Í Í‡Í ÂÊËÏ STYLE, SONG ËÎË M.D.B. ‡·ÓÚ‡ÂÚ ‚ ÙÓÌÓ‚ÓÏ ÂÊËÏÂ, ÏÓÊÌÓ
ÔÓË„˚‚‡Ú¸ ÒÚËÎË, ÔÂÒÌË ËÎË ·‡Á˚ ‰‡ÌÌ˚ı ‚ ÂÊËÏ Voice (íÂÏ·), ÔÓÒÚÓ Ì‡Ê‡‚
ÍÌÓÔÍÛ [START/STOP]. ÅÛ‰ÂÚ ÔÓË„˚‚‡Ú¸Òfl ÔÓÒΉÌËÈ ‚˚·‡ÌÌ˚È ÒÚËθ, ÔÂÒÌfl
ËÎË ·‡Á‡ ‰‡ÌÌ˚ı.
ëÎÂ‰Û˛˘Ë ԇ‡ÏÂÚ˚ ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ‚ ÂÊËÏ Function (ÒÚ. 75).
CATEGORY SELECT
Main Voice Volume
Octave
Pan
Reverb Send Level
Chorus Send Level
DSP Send Level
ëÔËÒÓÍ ÚÂÏ·Ó‚ Drum Kit
‹. ç‡Á‚‡ÌË ̇·Ó‡ íÂÍÒÚ Ì‡ ‰ËÒÔÎÂÂ
109 Standard Kit 1 Std.Kit1
(ÚÂÏ·˚ 109-120)
110 Standard Kit 2 Std.Kit2
ÖÒÎË ‚˚·‡Ì Ó‰ËÌ ËÁ ˝ÚËı 12 ÚÂÏ·Ó‚,
111 Room Kit Room Kit
̇ Í·‚ˇÚÛ ÏÓÊÌÓ ÔÓË„˚‚‡Ú¸ Á‚ÛÍË
112 Rock Kit Rock Kit
‡Á΢Ì˚ı ·‡‡·‡ÌÓ‚ Ë Û‰‡Ì˚ı.
113 Electronic Kit Elct.Kit
114 Analog Kit AnlogKit
115 Dance Kit DanceKit
èêàåÖóÄçàÖ
116 Jazz Kit Jazz Kit
èÓ‰Ó·ÌÓÒÚË ÒÏ. ̇ ÒÚ. 88.
117 Brush Kit BrushKit
118 Symphony Kit SymphKit
119 SFX Kit 1 SFX Kit1
120 SFX Kit 2 SFX Kit2
● ç‡ÔËÏÂ, ÂÒÎË ‚˚·‡Ì ÚÂÏ· 109 Standard Kit 1:
Brush Tap
Brush Slap
Castanet
Sticks
Open Rim Shot
Side Stick
Hand Clap
Hi-Hat Closed
Hi-Hat Pedal
Hi-Hat Open
Crash Cymbal 1
Ride Cymbal 1
Tambourine
Cowbell
Vibraslap
Bongo L
Conga H Open
Timbale L
Agogo L
Maracas
Guiro Short
Claves
Cuica Mute
Triangle Mute
Shaker
C3
Snare M
Low Tom
High Tom
Bongo H
Conga L
Agogo H
Cabasa
Bell Tree
Brush Swirl
Snare Roll
Bass Drum
Mid Tom L
Floor Tom L
Mid Tom H
Timbale H
Guiro Long
Jingle Bell
Seq Click H
Snare H Soft
Floor Tom H
Cuica Open
Snare H Hard
Wood Block H
Wood Block L
Triangle Open
Brush Tap Swirl
Bass Drum Soft
Splash Cymbal
Crash Cymbal 2
Ride Cymbal 2
Conga H Mute
Bass Drum Hard
Chinese Cymbal
Ride Cymbal Cup
Samba Whistle H
Samba Whistle L
25
íÂÏ·˚
íÂÏ· 000 (OTS)
ùÚÓ ÓÒÓ·˚È ÚÂÏ·. éÌ ‰‡ÂÚ Û‰Ó·ÌÛ˛ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔË ‚˚·Ó ÒÚËÎfl
‡‚ÚÓχÚ˘ÂÒÍË ‚˚·Ë‡Ú¸ ÔÓ‰ıÓ‰fl˘ËÈ ÚÂÏ·. Ç˚·Ë‡ÂÚÒfl ÚÂÏ·,
̇˷ÓΠÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ‚˚Á‚‡ÌÌÓÏÛ ÒÚËβ ËÎË ÔÂÒÌÂ.
Ç˚·ÂËÚÂ ÚÂÏ· 000 (OTS).
èÓ͇Á˚‚‡ÂÚ, ˜ÚÓ ÚÂÏ· 000 (OTS) ‚˚·‡Ì.
ËÎË
GrandPno
000
îÛÌ͈Ëfl Dual Voice
îÛÌ͈Ëfl Dual Voice ÔÓÁ‚ÓÎflÂÚ Ó·˙‰ËÌflÚ¸ ‚ Ó‰ËÌ ‰‚‡ ‡Á΢Ì˚ı ÚÂÏ·‡:
Ó‰ËÌ ÓÒÌÓ‚ÌÓÈ ÚÂÏ·, ÍÓÚÓ˚È ‚˚·Ë‡ÂÚÒfl Í‡Í Ó·˚˜ÌÓ, Ë ‰Û„ÓÈ ÚÂÏ·,
ÍÓÚÓ˚È ‚˚·Ë‡ÂÚÒfl ‚
ÂÊËÏÂ Function (ÒÚ. 75)
. ÑÎfl ˝ÚËı ÚÂÏ·Ó‚ ÏÓÊÌÓ
Ú‡ÍÊ ÌÂÁ‡‚ËÒËÏÓ Á‡‰‡‚‡Ú¸ ‡ÁÌ˚ ԇ‡ÏÂÚ˚, ̇ÔËÏ „ÓÏÍÓÒÚ¸, ÓÍÚ‡‚Û,
Ô‡ÌÓ‡ÏÛ, ‚·‡ˆË˛, ˝ÙÙÂÍÚ Chorus Ë Ì‡ÒÚÓÈÍË DSP. ùÚÓ ÔÓÁ‚ÓÎflÂÚ
ÒÓÁ‰‡Ú¸ ÓÔÚËχθÌÓ ÒÓ˜ÂÚ‡ÌË ÚÂÏ·Ó‚ Ë ÛÎÛ˜¯ËÚ¸ Ëı ÒÓ‚ÏÂÒÚÌÓ Á‚Û˜‡ÌËÂ.
ëÎÂ‰Û˛˘Ë ԇ‡ÏÂÚ˚ ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ‚ ÂÊËÏ Function (ÒÚ. 75):
CATEGORY SELECT
Dual Voice Voice
Volume
Octave
Pan
Reverb Send Level
Chorus Send Level
DSP Send Level
óÚÓ·˚ ‚Íβ˜ËÚ¸ ËÎË ‚˚Íβ˜ËÚ¸ ÙÛÌÍˆË˛ Dual Voice, ̇ÊÏËÚ ÍÌÓÔÍÛ [DUAL].
èÓ͇Á˚‚‡ÂÚ, ˜ÚÓ ÙÛÌ͈Ëfl
Dual Voice ‚Íβ˜Â̇.
GrandPno
001
26
íÂÏ·˚
îÛÌ͈Ëfl Split Voice
îÛÌ͈Ëfl Split Voice ÔÓÁ‚ÓÎflÂÚ Ì‡Á̇˜ËÚ¸ ‰‚‡ ‡Á΢Ì˚ı ÚÂÏ·‡ ‰Îfl
ÔÓÚË‚ÓÔÓÎÓÊÌ˚ı ӷ·ÒÚÂÈ Í·‚ˇÚÛ˚ Ë ÔÓË„˚‚‡Ú¸ Ó‰ËÌ ÚÂÏ· ΂ÓÈ
ÛÍÓÈ, ‡ ‰Û„ÓÈ — Ô‡‚ÓÈ.
ç‡ÔËÏÂ, ΂ÓÈ ÛÍÓÈ ÏÓÊÌÓ Ë„‡Ú¸ ÚÂÏ· ·‡Ò-„ËÚ‡˚, ‡ Ô‡‚ÓÈ — ÙÓÚÂÔ¸flÌÓ.
臂˚È (ËÎË ‚ÂıÌËÈ) ÚÂÏ· ‚˚·Ë‡ÂÚÒfl ‚ ÂÊËÏ Main Voice (ÒÚ. 23), ‡ ΂˚È
(ËÎË ÌËÊÌËÈ) — ‚ ÂÊËÏÂ
Function (ÒÚ. 76)
, ‚ÏÂÒÚÂ Ò ‰Û„ËÏË Ô‡‡ÏÂÚ‡ÏË
ÙÛÌ͈ËË Split Voice, Ô˂‰ÂÌÌ˚ÏË ‰‡ÎÂÂ.
ëÎÂ‰Û˛˘Ë ԇ‡ÏÂÚ˚ ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ‚ ÂÊËÏ Function (ÒÚ. 76).
CATEGORY SELECT
Split Voice Voice
Volume
Octave
Pan
Reverb Send Level
Chorus Send Level
DSP Send Level
óÚÓ·˚ ‚Íβ˜ËÚ¸ ËÎË ‚˚Íβ˜ËÚ¸ ÙÛÌÍˆË˛ Split Voice, ̇ÊÏËÚ ÍÌÓÔÍÛ [SPLIT].
èÓ͇Á˚‚‡ÂÚ, ˜ÚÓ ÙÛÌ͈Ëfl
Split Voice ‚Íβ˜Â̇.
GrandPno
001
ìÒÚ‡Ìӂ͇ Ô‡‡ÏÂÚ‡ Split Point
臇ÏÂÚ Split Point (íӘ͇ ‡Á‰ÂÎÂÌËfl) Á‡‰‡ÂÚ Í·‚Ë¯Û Ò‡ÏÓÈ
èêàåÖóÄçàÖ
‚˚ÒÓÍÓÈ ÌÓÚ˚ ÌËÊÌÂ„Ó ÚÂÏ·‡ Ë ÛÒڇ̇‚ÎË‚‡ÂÚ ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl
• ùÚ‡ ̇ÒÚÓÈ͇ Ú‡ÍÊ ‚ÎËflÂÚ Ì‡ ÚÓ˜ÍÛ
‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ ‰Îfl ӷ·ÒÚË
Í·‚ˇÚÛ˚.
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚
çËÊÌËÈ ÚÂÏ· éÒÌÓ‚ÌÓÈ ÚÂÏ·
臇ÏÂÚ Split Point ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ‚ ÂÊËÏ Function (ÒÚ. 75).
27
íÂÏ·˚
Å˚ÒÚ‡fl Á‡„ÛÁ͇ ̇ÒÚÓÂÍ (One Touch Setting)
ùÚÓ Û‰Ó·Ì‡fl ‚ÓÁÏÓÊÌÓÒÚ¸ ‡‚ÚÓχÚ˘ÂÒÍÓ„Ó ‚˚·Ó‡ ÚÂÏ·‡,
èêàåÖóÄçàÖ
̇˷ÓΠÔÓ‰ıÓ‰fl˘Â„Ó Í ‚˚·‡ÌÌÓÏÛ ÒÚËβ. èÓÒÚÓ Ì‡‰Ó
• 臇ÏÂÚ One Touch Setting
̇ʇڸ Ó‰ÌÛ ËÁ ‰‚Ûı ÍÌÓÔÓÍ One Touch Setting. ÖÒÚ¸ ‰‚‡ ̇·Ó‡
Ì ‡·ÓÚ‡ÂÚ ‚ ÂÊËÏ Song.
Ô‡‡ÏÂÚÓ‚ One Touch Setting.
ÑÎfl Í‡Ê‰Ó„Ó ÒÚËÎfl ÏÓÊÌÓ ÒÓÁ‰‡Ú¸ Ë ÒÓı‡ÌËÚ¸ Ò‚ÓË Î˘Ì˚Â
̇ÒÚÓÈÍË One Touch Setting.
● 臇ÏÂÚ˚ One Touch Setting
Main Voice Voice Number Split Voice ON/Off
Volume Voice Number
Octave Volume
Pan Octave
Reverb Send Level Pan
Chorus Send Level Reverb Send Level
DSP Send Level Chorus Send Level
Dual Voice ON/Off DSP Send Level
Voice Number Effect DSP Type
Volume Harmony On/Off
Octave Harmony Type
Pan Harmony Volume
Reverb Send Level Transpose On/Off
Chorus Send Level
DSP Send Level
* Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚Íβ˜‡ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË.
îÛÌ͈Ëfl Synchro Start ‚Íβ˜‡ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË (ÔË ÓÒÚ‡ÌÓ‚Í ÒÚËÎfl).
■ Ç˚ÁÓ‚ ÙÛÌ͈ËË One Touch Setting • • • • • • • • • • • • • • • • • • • •
1 Ç˚·ÂËÚ ÒÚËθ.
Ë
2 ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ ONE TOUCH SETTING: [1] ËÎË [2].
OTS 2
28
íÂÏ·˚
■ ëÓÁ‰‡ÌËÂ Ë ÒÓı‡ÌÂÌË ԇ‡ÏÂÚ‡ One Touch Setting • • • •
ÑÎfl Í‡Ê‰Ó„Ó ÒÚËÎfl ÏÓÊÌÓ Ú‡ÍÊ ÒÓÁ‰‡Ú¸ Ë ÒÓı‡ÌËÚ¸ Ò‚ÓË Î˘Ì˚Â
̇ÒÚÓÈÍË Ô‡‡ÏÂÚ‡ One Touch Settings.
1 Ç˚·ÂËÚ ÌÛÊÌ˚È ÒÚËθ.
2 ᇉ‡ÈÚ ÌÛÊÌ˚ ̇ÒÚÓÈÍË.
àÁÏÂÌËÚ ÚÂÏ· Ë Á‡‰‡ÈÚ ‰Û„Ë ̇ÒÚÓÈÍË, ÍÓÚÓ˚ ıÓÚËÚÂ
ËÒÔÓθÁÓ‚‡Ú¸ Ò ‚˚·‡ÌÌ˚Ï ÒÚËÎÂÏ Ë ÍÌÓÔ͇ÏË One Touch Setting.
3 ç‡ÊÏËÚÂ Ë ‰ÂÊËÚ ÍÌÓÔÍÛ [MEMORY], Á‡ÚÂÏ Ì‡ÊÏËÚÂ
Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ ONE TOUCH SETTING: [1] ËÎË [2].
WRITING!
í‡ÍÊ ÔË ÔÓÏÓ˘Ë ÙÛÌ͈ËÈ Transpose Ë Tuning ÏÓÊÌÓ ÓÚ„ÛÎËÓ‚‡Ú¸ ̇ÒÚÓÈÍÛ
Ë ËÁÏÂÌËÚ¸ Ú‡ÌÒÔÓÌËÓ‚‡ÌË (ÓÒÌÓ‚ÌÓÂ) Á‚Û͇ ‚ÒÂ„Ó ÒËÌÚÂÁ‡ÚÓ‡ PSR-290.
■ îÛÌ͈Ëfl Transpose • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
èË ÔÓÏÓ˘Ë ÙÛÌ͈ËË Transpose Á‡‰‡˛ÚÒfl Í‡Í Í·‚Ë¯Ë ÓÒÌÓ‚ÌÓ„Ó
ÚÂÏ·‡, Ú‡Í Ë ·‡Ò˚ Ë ‡ÍÍÓ‰˚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. é̇ Ú‡ÍÊÂ
ÓÔ‰ÂÎflÂÚ ‚˚ÒÓÚÛ ÔÂÒÌË. ùÚÓ ÔÓÁ‚ÓÎflÂÚ Î„ÍÓ ÔÓ‰ÒÚÓËÚ¸ ‚˚ÒÓÚÛ
Á‚Û˜‡ÌËfl ÒËÌÚÂÁ‡ÚÓ‡ PSR-290 ÔÓ‰ ‰Û„Ë ËÌÒÚÛÏÂÌÚ˚ ËÎË
ËÒÔÓÎÌËÚÂÎÂÈ, ‡ Ú‡ÍÊ ˄‡Ú¸ ‚ ‡ÁÌ˚ı ÚÓ̇θÌÓÒÚflı, Ì ÏÂÌflfl
‡ÔÔÎË͇ÚÛ˚. ç‡ÒÚÓÈÍË ÙÛÌ͈ËË Transpose ÏÓÊÌÓ Â„ÛÎËÓ‚‡Ú¸
‚ ‰Ë‡Ô‡ÁÓÌ ±12 ÔÓÎÛÚÓÌÓ‚ (±1 ÓÍÚ‡‚‡).
îÛÌÍˆË˛ Transpose ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ ‚ ÂÊËÏ Function (ÒÚ. 75).
■ îÛÌ͈Ëfl Tuning • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
îÛÌ͈Ëfl Tuning ÓÔ‰ÂÎflÂÚ Í‡Í Í·‚Ë¯Ë ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡, Ú‡Í Ë
·‡Ò˚ Ë ‡ÍÍÓ‰˚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. é̇ Ú‡ÍÊ ÓÔ‰ÂÎflÂÚ ‚˚ÒÓÚÛ
ÏÂÎÓ‰ËË. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ÚÓ˜ÌÓ ÔÓ‰Òڇ˂‡Ú¸Òfl ÔÓ‰ ‰Û„Ë ËÌÒÚÛ-
ÏÂÌÚ˚. ç‡ÒÚÓÈÍË ÙÛÌ͈ËË Tuning ÏÓÊÌÓ Â„ÛÎËÓ‚‡Ú¸ ‚ ‰Ë‡Ô‡ÁÓÌÂ
±100 (ÔËÏÂÌÓ ±1 ÔÓÎÛÚÓÌ).
îÛÌÍˆË˛ Tuning ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ‚ ÂÊËÏ Function (ÒÚ.
75).
29
Ç
ÓÒÒÚ‡ÌÓ‚ÎÂÌË Òڇ̉‡ÚÌÓÈ
Ì
‡ÒÚÓÈÍË One Touch Setting
ÑÎfl ͇ʉÓÈ Ì‡ÒÚÓÈÍË One Touch
Setting ÏÓÊÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸
Òڇ̉‡ÚÌÓ Á̇˜ÂÌËÂ. ÑÎfl ˝ÚÓ„Ó
ÔÓÒÚÓ Ì‡ÊÏËÚÂ Ë ‰ÂÊËÚÂ
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ One Touch
Setting: [1] ËÎË [2]. óÚÓ·˚ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸
ËÒıÓ‰Ì˚ ԇ‡ÏÂÚ˚ Ó·ÂËı ÍÌÓÔÓÍ,
Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚÂ Ë ‰ÂÊËÚÂ
ÍÌÓÔÍË [1] Ë [2].
îÛÌ͈ËË Transpose Ë Tuning
èêàåÖóÄçàÖ
• îÛÌ͈Ëfl Transpose Ì ‚ÓÁ‰ÂÈÒÚ‚ÛÂÚ
̇ ÚÂÏ·˚ Û‰‡Ì˚ı (109 , 120)
Ë ÚÂÏ·˚ ÂÊËχ DJ (601, 605).
èêàåÖóÄçàÖ
• 臇ÏÂÚ˚ ÙÛÌ͈ËË Tuning ÌÂ
‚ÎËfl˛Ú ̇ ÚÂÏ·˚ „ÛÔÔ˚ Û‰‡Ì˚ı
(109, 120).
íÂÏ·˚
îÛÌ͈Ëfl Touch Ë ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í·‚˯
îÛÌ͈Ëfl Touch ÔÓÁ‚ÓÎflÂÚ ‰Ë̇Ï˘ÌÓ Ë ÚÓ˜ÌÓ ÛÔ‡‚ÎflÚ¸ ÚÂÏ·‡ÏË.
èêàåÖóÄçàÖ
ìÒÚ‡ÌÓ‚Ë‚ ˝ÚÓÚ Ô‡‡ÏÂÚ, ‚˚ ÏÓÊÂÚ ҇ÏË Â„ÛÎËÓ‚‡Ú¸ „ÓÏÍÓÒÚ¸
• óÚÓ·˚ ÒÓı‡ÌËÚ¸ ÒÓÒÚÓflÌËÂ
Á‚Û͇, ÏÂÌflfl ÒËÎÛ Ì‡Ê‡ÚËfl Í·‚˯.
ÍÌÓÔÍË Touch Ë Ô‡‡ÏÂÚ˚ Function
‚Ó ‚ÒÚÓÂÌÌÓÈ Ô‡ÏflÚË (Ùν¯-
Ô‡ÏflÚË), ̇ÊÏËÚÂ Ë ‰ÂÊËÚÂ
ÍÌÓÔÍÛ [FUNCTION] (ÒÏ. ÒÚ. 78).
èÓ ÌÂÓ·ıÓ‰ËÏÓÒÚË ‚Íβ˜‡ÈÚ ËÎË ‚˚Íβ˜‡ÈÚÂ
ÙÛÌÍˆË˛ Touch ÍÌÓÔÍÓÈ [TOUCH].
èÓ͇Á˚‚‡ÂÚ, ˜ÚÓ ÙÛÌ͈Ëfl
Touch ‚Íβ˜Â̇.
GrandPno
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óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl ÔÓÁ‚ÓÎflÂÚ ÓÔ‰ÂÎËÚ¸, Í‡Í ÒËÌÚÂÁ‡ÚÓ
PSR-290 ‡„ËÛÂÚ Ì‡ ÒËÎÛ Ì‡Ê‡ÚËfl Í·‚˯, ˜ÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸
̇ÒÚÓËÚ¸ Í·‚ˇÚÛÛ ÔÓ‰ ÒÓ·ÒÚ‚ÂÌÌ˚È ÒÚËθ ËÒÔÓÎÌÂÌËfl.
óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl ÔÓ ÛÏÓΘ‡Ì˲ ‡‚̇ 2 (ë‰Ìflfl).
óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ‚ ÂÊËÏ Function (ÒÚ.
75).
● ç‡ÒÚÓÈÍË ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË:
1 (çËÁ͇fl) 鄇Ì˘˂‡ÂÚ Â‡ÍˆË˛ ̇ ÒËÎÛ Ì‡Ê‡ÚËfl Ë ‚ÓÒÔÓËÁ‚Ó‰ËÚ ÓÚÌÓÒËÚÂθÌÓ
Ì·Óθ¯ÓÈ ‰Ë̇Ï˘ÂÒÍËÈ ‰Ë‡Ô‡ÁÓÌ, Ì Á‡‚ËÒfl˘ËÈ ÓÚ ÒËÎ˚ ̇ʇÚËfl ̇ Í·‚˯Ë.
2 (ë‰Ìflfl) èÓÁ‚ÓÎflÂÚ Ë„‡Ú¸ ‚ ԉ·ı Ó·˚˜ÌÓ„Ó ‰Ë̇Ï˘ÂÒÍÓ„Ó ‰Ë‡Ô‡ÁÓ̇ (ÓÚ ÚËıÓ„Ó ‰Ó
„ÓÏÍÓ„Ó).
3 (Ç˚ÒÓ͇fl) ê‡Á‡·ÓÚ‡Ì ‰Îfl Ë„˚ Ó˜Â̸ ÚËıËı Ô‡ÒÒ‡ÊÂÈ, ÔÓÁ‚ÓÎflÂÚ ÌÂÏÌÓ„Ó ˜ÂÚ˜Â
ÍÓÌÚÓÎËÓ‚‡Ú¸ ‰Ë‡Ô‡ÁÓÌ „ÓÏÍÓÒÚË ÚËıËı Á‚ÛÍÓ‚.
ÖÒÎË ÙÛÌ͈Ëfl Touch ÓÚÍβ˜Â̇, „ÓÏÍÓÒÚ¸ ÔÓÒÚÓflÌ̇ (Ë ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ
ÒÍÓÓÒÚË 80).
30
ùÙÙÂÍÚ˚
ëËÌÚÂÁ‡ÚÓ PSR-290 Ó·ÓÛ‰Ó‚‡Ì ¯ËÓÍËÏ ÒÔÂÍÚÓÏ ˝ÙÙÂÍÚÓ‚, ÍÓÚÓ˚ ÏÓÊÌÓ
ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ÛÎÛ˜¯ÂÌËfl Á‚Û͇ ÚÂÏ·Ó‚. Ç ÒËÌÚÂÁ‡ÚÓ PSR-290 ÂÒÚ¸ ˜ÂÚ˚Â
ÓÚ‰ÂθÌ˚ı „ÛÔÔ˚ ˝ÙÙÂÍÚÓ‚ Harmony, Reverb, Chorus Ë DSP, Ë ‚ ͇ʉÓÈ ÂÒÚ¸,
˜ÚÓ ‚˚·‡Ú¸.
ùÙÙÂÍÚ˚ Harmony
ÉÛÔÔ‡ Harmony (ɇÏÓÌËfl) ‚Íβ˜‡ÂÚ ‡ÁÌÓÓ·‡ÁÌ˚Â
ÇÄÜçé!
˝ÙÙÂÍÚ˚, ÛÎÛ˜¯‡˛˘Ë ËÒÔÓÎÌÂÌË ÔË ËÒÔÓθÁÓ‚‡ÌËË ÒÚËÎÂÈ
• ÑÎfl Ô‚˚ı ÔflÚË ÚËÔÓ‚ ˝ÙÙÂÍÚÓ‚
Harmony: Duet (ÑÛ˝Ú), Trio (íËÓ),
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÒËÌÚÂÁ‡ÚÓ‡ PSR-290. ÇÒÂ„Ó ‰ÓÒÚÛÔÌÓ
Block (ÅÎÓÍ), Country (ä‡ÌÚË) Ë
‰‚‡‰ˆ‡Ú¸ ¯ÂÒÚ¸ ÚËÔÓ‚ ˝ÙÙÂÍÚÓ‚ Harmony (ÒÚ. 33).
Octave (éÍÚ‡‚‡) ‡ÍÍÓ‰˚ ‰ÓÎÊÌ˚
ÔÓË„˚‚‡Ú¸Òfl ̇ Í·‚ˇÚÛÂ,
‚ ӷ·ÒÚË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
ùÙÙÂÍÚ˚ Tremolo, Trill Ë Echo ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰‡ÊÂ
íÂÏ·(˚) ˝ÙÙÂÍÚÓ‚ Harmony
ËÁÏÂÌfl˛ÚÒfl ÔÓ ‚˚ÒÓÚÂ, ˜ÚÓ·˚
ÔË ‚˚Íβ˜ÂÌÌÓÏ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ. ÖÒÚ¸ ÔflÚ¸ ‡Á΢Ì˚ı
̇˷ÓΠÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸
ÚËÔÓ‚ ˝ÙÙÂÍÚÓ‚ Harmony, ÍÓÚÓ˚ ‡‚ÚÓχÚ˘ÂÒÍË ÒÓÁ‰‡˛Ú ˜‡ÒÚË
ÔÓË„˚‚‡ÂÏ˚Ï ‡ÍÍÓ‰‡Ï.
• ëÍÓÓÒÚ¸ ˝ÙÙÂÍÚÓ‚ Trill (íÂθ),
„‡ÏÓÌËË (‰Îfl ÌÓÚ, ÔÓË„˚‚‡ÂÏ˚ı ‚ ‚ÂıÌÂÈ ˜‡ÒÚË Í·‚ˇÚÛ˚),
Tremolo (íÂÏÓÎÓ) Ë Echo (ùıÓ)
˜ÚÓ·˚ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ ‡ÍÍÓ‰‡Ï ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
Á‡‚ËÒËÚ ÓÚ Ô‡‡ÏÂÚ‡ Tempo
(ÒÚ. 33).
ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ˝ÙÙÂÍÚ‡ Harmony
ç‡ÊÏËÚ ÍÌÓÔÍÛ [HARMONY].
èêàåÖóÄçàÖ
èÓ͇Á˚‚‡ÂÚ, ˜ÚÓ ˝ÙÙÂÍÚ
• ì Í‡Ê‰Ó„Ó ÚÂÏ·‡ ÒËÌÚÂÁ‡ÚÓ‡
Harmony ‚Íβ˜ÂÌ.
PSR-290 ÂÒÚ¸ ÒÓ·ÒÚ‚ÂÌÌ˚È ÌÂÁ‡‚Ë-
ÒËÏ˚È Ô‡‡ÏÂÚ ˝ÙÙÂÍÚ‡ Harmony.
GrandPno
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íËÔ Ë „ÓÏÍÓÒÚ¸ ˝ÙÙÂÍÚ‡ Harmony (ÂÒÎË ‚˚·‡Ì ÚËÔ Harmony 1 – 5)
ÏÓÊÌÓ Á‡‰‡Ú¸ ‚ ÂÊËÏ Function (ÒÚ. 76).
ùÙÙÂÍÚ Reverb
ùÙÙÂÍÚ Reverb (ê‚·‡ˆËfl) ‚ÓÒÔÓËÁ‚Ó‰ËÚ ÂÒÚÂÒÚ‚ÂÌÌÓÂ
èêàåÖóÄçàÖ
«Ó·ÚÂ͇ÌË» Á‚Û͇, ‚ÓÁÌË͇˛˘Â ÔË ËÒÔÓθÁÓ‚‡ÌËË ËÌÒÚÛÏÂÌÚ‡
• Ñ‚Â̇‰ˆ‡Ú¸ ‰ÓÔÓÎÌËÚÂθÌ˚ı ÚËÔÓ‚
‚ ÍÓÏ̇Ú ËÎË ÍÓ̈ÂÚÌÓÏ Á‡ÎÂ. ÇÒÂ„Ó ‰ÓÒÚÛÔÌÓ ‚ÓÒÂϸ ÚËÔÓ‚
‚·‡ˆËË ‰ÓÒÚÛÔÌ˚ ÔË ÛÔ‡‚-
ÎÂÌËË ÒËÌÚÂÁ‡ÚÓÓÏ PSR-290
‚·‡ˆËË, ËÏËÚËÛ˛˘ÂÈ ‡Á΢ÌÓ ÓÍÛÊÂÌË (ÒÚ. 33).
Ò ÛÒÚÓÈÒÚ‚‡ MIDI. (ÒÏ. ÒÚ. 92).
• ì Í‡Ê‰Ó„Ó ÒÚËÎfl ‚ ÒËÌÚÂÁ‡ÚÓÂ
PSR-290 ÂÒÚ¸ ÒÓ·ÒÚ‚ÂÌÌ˚È ÌÂÁ‡‚Ë-
ëÎÂ‰Û˛˘Ë ԇ‡ÏÂÚ˚ ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ‚ ÂÊËÏ Function
ÒËÏ˚È Ô‡‡ÏÂÚ Â‚Â·Â‡ˆËË.
(ÒÚ. 75, 76).
CATEGORY SELECT
Effect Reverb Type
Main Voice Reverb Send Level
Dual Voice Reverb Send Level
Split Voice Reverb Send Level
31
ùÙÙÂÍÚ˚
ùÙÙÂÍÚ Chorus
ùÙÙÂÍÚ Chorus ÔÓÁ‚ÓÎflÂÚ ÛÎÛ˜¯ËÚ¸ Á‚Û˜‡ÌË ÚÂÏ·Ó‚ ÔË ÔÓÏÓ˘Ë
ÏÓ‰ÛÎflˆËË ‚˚ÒÓÚ˚. ÖÒÚ¸ ‰‚‡ ÓÒÌÓ‚Ì˚ı ÚËÔ‡: Chorus Ë Flanger.
ùÙÙÂÍÚ Chorus ÒÓÁ‰‡ÂÚ ·ÓΠÔÓÎÌ˚È, ÚÂÔÎ˚È Ë ÊË‚ÓÈ Á‚ÛÍ,
‚ ÚÓ ‚ÂÏfl Í‡Í ˝ÙÙÂÍÚ Flanger ÒÓÁ‰‡ÂÚ ·ÛÎfl˘ËÈ, ÏÂÚ‡Î΢ÂÒÍËÈ
˝ÙÙÂÍÚ. ÇÒÂ„Ó ‰ÓÒÚÛÔÌ˚ ˜ÂÚ˚ ÚËÔ‡ ˝ÙÙÂÍÚ‡ Chorus (ÒÚ. 34).
ëÎÂ‰Û˛˘Ë ԇ‡ÏÂÚ˚ ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ‚ ÂÊËÏ Function (ÒÚ.
75, 76).
CATEGORY SELECT
Effect Chorus Type
Main Voice Chorus Send Level
Dual Voice Chorus Send Level
Split Voice Chorus Send Level
ùÙÙÂÍÚ DSP
Ç ‡Á‰ÂΠ˝ÙÙÂÍÚ‡ DSP (ˆËÙÓ‚Ó„Ó Ó·‡·ÓÚ˜Ë͇ Ò˄̇ÎÓ‚)
èêàåÖóÄçàÖ
Ô‰ÒÚ‡‚ÎÂÌ˚ ËÒ͇ʇ˛˘Ë ˝ÙÙÂÍÚ˚ Ë ˝ÙÙÂÍÚ˚ ëhorus, ‡
• ì Í‡Ê‰Ó„Ó ÚÂÏ·‡ ÒËÌÚÂÁ‡ÚÓ‡ PSR-
Ú‡ÍÊ ÏÌÓÊÂÒÚ‚Ó ‰Û„Ëı ÔÓÎÂÁÌ˚ı Ë ‰Ë̇Ï˘ÂÒÍËı ˝ÙÙÂÍÚÓ‚
290 ÂÒÚ¸ ÒÓ·ÒÚ‚ÂÌÌ˚È ÌÂÁ‡‚ËÒËÏ˚È
Ô‡‡ÏÂÚ ˝ÙÙÂÍÚ‡ DSP.
‰Îfl ÛÎÛ˜¯ÂÌËfl Ë ËÁÏÂÌÂÌËfl Á‚Û˜‡ÌËfl ÚÂÏ·Ó‚. ä ˝ÚËÏ ÏÌÓ„Ó-
• èflÚ¸‰ÂÒflÚ Ó‰ËÌ ‰ÓÔÓÎÌËÚÂθÌ˚È
˜ËÒÎÂÌÌ˚Ï ˝ÙÙÂÍÚ‡Ï ÓÚÌÓÒflÚÒfl: Ó·‡Ú̇fl ‚·‡ˆËfl, Ù‡ÁÂ,
ÚËÔ ˝ÙÙÂÍÚÓ‚ DSP ‰ÓÒÚÛÔÂÌ ÔË
ÛÔ‡‚ÎÂÌËË ÒËÌÚÂÁ‡ÚÓÓÏ PSR-290
ÓÚ‡ˆËÓÌÌ˚È ‰Ë̇ÏËÍ, ÚÂÏÓÎÓ, ˝ıÓ, Á‡‰ÂÊ͇, ËÒ͇ÊÂÌËÂ,
Ò ÛÒÚÓÈÒÚ‚‡ MIDI (ÒÚ. 92).
‚˚‡‚ÌË‚‡ÌËÂ Ë ‚‡Û-˝ÙÙÂÍÚ. ÇÒÂ„Ó ‰ÓÒÚÛÔÌ˚ Úˉˆ‡Ú¸ ‚ÓÒÂϸ
ÚËÔÓ‚ ˝ÙÙÂÍÚÓ‚ DSP (ÒÚ. 34).
ëÎÂ‰Û˛˘Ë ԇ‡ÏÂÚ˚ ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ‚ ÂÊËÏ Function
(ÒÚ. 75, 76).
CATEGORY SELECT
Effect DSP Type
Main Voice DSP Send Level
Dual Voice DSP Send Level
Split Voice DSP Send Level
32
ùÙÙÂÍÚ˚
■ íËÔ˚ ˝ÙÙÂÍÚÓ‚
● íËÔ˚ ˝ÙÙÂÍÚÓ‚ Harmony
‹ íËÔ ˝ÙÙÂÍÚ‡ Harmony ç‡Á‚‡ÌË ̇ ‰ËÒÔΠéÔËÒ‡ÌËÂ
1 Duet Duet íËÔ˚ Harmony 1 – 5 ÓÒÌÓ‚‡Ì˚ ̇ ‚˚ÒÓÍËı ÚÓ̇ı Ë ‰Ó·‡‚Îfl˛Ú Í Ó‰ÌÓ„ÓÎÓÒÌÓÈ
2 Trio Trio
ÏÂÎÓ‰ËË, ÔÓË„˚‚‡ÂÏÓÈ Ô‡‚ÓÈ ÛÍÓÈ, „‡ÏÓÌËË ËÁ Ó‰ÌÓÈ, ‰‚Ûı ËÎË ÚÂı
ÌÓÚ. ùÚË ÚËÔ˚ Á‚Û˜‡Ú, ÚÓθÍÓ ÂÒÎË ‡ÍÍÓ‰˚ ÔÓË„˚‚‡˛ÚÒfl ‚ ӷ·ÒÚË
3 Block Block
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇ Í·‚ˇÚÛÂ.
4 Country Country
5 Octave Octave
6 Trill 1/4 Tril1/4 ùÙÙÂÍÚ˚ 6 – 26 ÓÒÌÓ‚‡Ì˚ ̇ ËÚÏÂ Ë ‰Ó·‡‚Îfl˛Ú Û͇¯ÂÌËfl ËÎË ÔÓ‚ÚÓ˚
Ò Á‡‰ÂÊÍÓÈ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ. ùÚË ÚËÔ˚ Á‚Û˜‡Ú
ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÚÓ„Ó, ‚Íβ˜ÂÌ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ËÎË ÌÂÚ; Ӊ̇ÍÓ Â‡Î¸Ì‡fl
7 Trill 1/6 Tril1/6
3
ÒÍÓÓÒÚ¸ ˝ÙÙÂÍÚ‡ Á‡‚ËÒËÚ ÓÚ Ô‡‡ÏÂÚ‡ Tempo (ÒÚ. 41). á̇˜ÂÌËfl
ÓÚ‰ÂθÌ˚ı ÌÓÚ ‚ ͇ʉÓÏ ÚËÔ ÔÓÁ‚ÓÎfl˛Ú ÚÓ˜ÌÓ ÒËÌıÓÌËÁËÓ‚‡Ú¸ ˝ÙÙÂÍÚ
8 Trill 1/8 Tril1/8
Ò ËÚÏÓÏ. í‡ÍÊ ‰ÓÒÚÛÔÌ˚ Ô‡‡ÏÂÚ˚ Triplet (ÚËÓθ): 1/6 = ÚËÓÎË
˜ÂÚ‚ÂÚÂÈ, 1/12 = ÚËÓÎË ‚ÓÒ¸Ï˚ı, 1/24 = ÚËÓÎË ¯ÂÒÚ̇‰ˆ‡Ú˚ı.
9 Trill 1/12 Tril1/12
3
• ùÙÙÂÍÚ˚ Trill (6 – 12) ÒÓÁ‰‡˛Ú ‰‚ÛıÌÓÚÌ˚ ÚÂÎË (Ò ÔÂÂÏÂÌÓÈ ÌÓÚ), ÂÒÎË
̇ʇÚ˚ ‰‚ ÌÓÚ˚.
10 Trill 1/16 Tril1/16
• ùÙÙÂÍÚ˚ Tremolo (13 – 19) ÔÓ‚ÚÓfl˛Ú ‚Ò ̇ʇÚ˚ ÌÓÚ˚ (‰Ó ˜ÂÚ˚Âı).
11 Trill 1/24 Tril1/24
3
• ùÙÙÂÍÚ˚ Echo (20 – 26) ÒÓÁ‰‡˛Ú Á‡‰ÂʇÌÌ˚ ÔÓ‚ÚÓ˚ ͇ʉÓÈ
ÔÓË„˚‚‡ÂÏÓÈ ÌÓÚ˚.
12 Trill 1/32 Tril1/32
13 Tremolo 1/4 Trem1/4
14 Tremolo 1/6 Trem1/6
3
15 Tremolo 1/8 Trem1/8
16 Tremolo 1/12 Trem1/12
3
17 Tremolo 1/16 Trem1/16
18 Tremolo 1/24 Trem1/24
3
19 Tremolo 1/32 Trem1/32
20 Echo 1/4 Echo1/4
21 Echo 1/6 Echo1/6
3
22 Echo 1/8 Echo1/8
23 Echo 1/12 Echo1/12
3
24 Echo 1/16 Echo1/16
25 Echo 1/24 Echo1/24
3
26 Echo 1/32 Echo1/32
● íËÔ˚ ‚·‡ˆËË
‹ íËÔ Â‚Â·Â‡ˆËË ç‡Á‚‡ÌË ̇ ‰ËÒÔΠéÔËÒ‡ÌËÂ
1 Hall 1 Hall1 ê‚·‡ˆËfl ÍÓ̈ÂÚÌÓ„Ó Á‡Î‡.
2 Hall 2 Hall1
3 Room 1 Room1 ê‚·‡ˆËfl χÎÂ̸ÍÓÈ ÒÚÛ‰ËË.
4 Room 2 Room2
5 Stage 1 Stage1 ê‚·‡ˆËfl ‰Îfl ÒÓθÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚.
6 Stage 2 Stage2
7 Plate 1 Plate1 ëËÏÛÎflÚÓ Â‚Â·Â‡ˆËË ÒڇθÌÓÈ Ô·ÒÚËÌ˚.
8 Plate 2 Plate2
9 Off Off ÅÂÁ ˝ÙÙÂÍÚ‡.
33
ùÙÙÂÍÚ˚
● íËÔ˚ ˝ÙÙÂÍÚÓ‚ Chorus
‹ íËÔ ˝ÙÙÂÍÚ‡ Chorus ç‡Á‚‡ÌË ̇ ‰ËÒÔΠéÔËÒ‡ÌËÂ
1 Chorus 1 Chorus1 퇉ˈËÓÌ̇fl ıÓÓ‚‡fl ÔÓ„‡Ïχ Ò Ì‡Ò˚˘ÂÌÌ˚Ï, ÚÂÔÎ˚Ï Á‚ÛÍÓÏ.
2 Chorus 2 Chorus2
3 Flanger 1 Flanger1 óÂÚ͇fl ÚÂıÙ‡ÁÓ‚‡fl ÏÓ‰ÛÎflˆËfl Ò ÌÂÏÌÓ„Ó ÏÂÚ‡Î΢ÂÒÍËÏ Á‚ÛÍÓÏ.
4 Flanger 2 Flanger2
5 Off Off ÅÂÁ ˝ÙÙÂÍÚ‡.
● íËÔ˚ DSP
‹ íËÔ ˝ÙÙÂÍÚ‡ DSP ç‡Á‚‡ÌË ̇ ‰ËÒÔΠéÔËÒ‡ÌËÂ
1 Hall 1 Hall1 ê‚·‡ˆËfl ÍÓ̈ÂÚÌÓ„Ó Á‡Î‡.
2 Hall 2 Hall2
3 Room 1 Room1 ê‚·‡ˆËfl χÎÂ̸ÍÓÈ ÒÚÛ‰ËË.
4 Room 2 Room2
5 Stage 1 Stage1 ê‚·‡ˆËfl ‰Îfl ÒÓθÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚.
6 Stage 2 Stage2
7 Plate 1 Plate1 ëËÏÛÎflÚÓ Â‚Â·Â‡ˆËË ÒڇθÌÓÈ Ô·ÒÚËÌ˚.
8 Plate 2 Plate2
9 Early Reflection 1 ER1 íÓθÍÓ ‡ÌÌË ÓÚ‡ÊÂÌËfl.
10 Early Reflection 2 ER2
11 Gate Reverb Gate1 ùÙÙÂÍÚ ÒÚÓ·ËÛÂÏÓÈ Â‚Â·Â‡ˆËË, ÔË ÍÓÚÓÓÏ Â‚Â·Â‡ˆËfl ·˚ÒÚÓ ÔÂ˚‚‡ÂÚÒfl
‰Îfl ÒÔˆˇθÌ˚ı ˝ÙÙÂÍÚÓ‚.
12 Reverse Gate Gate2 ëıÓ‰ÂÌ Ò ˝ÙÙÂÍÚÓÏ Gate Reverb, ÌÓ Ò Ó·‡ÚÌ˚Ï Û‚Â΢ÂÌËÂÏ.
13 Chorus 1 Chorus1 퇉ˈËÓÌÌ˚È ˝ÙÙÂÍÚ Chorus Ò Ì‡Ò˚˘ÂÌÌ˚Ï, ÚÂÔÎ˚Ï Á‚ÛÍÓÏ.
14 Chorus 2 Chorus2
15 Flanger 1 Flanger1 óÂÚ͇fl ÚÂıÙ‡ÁÓ‚‡fl ÏÓ‰ÛÎflˆËfl Ò ÌÂÏÌÓ„Ó ÏÂÚ‡Î΢ÂÒÍËÏ Á‚ÛÍÓÏ.
16 Flanger 2 Flanger2
17 Symphonic Symphony óÂÁ‚˚˜‡ÈÌÓ Ì‡Ò˚˘ÂÌÌ˚È Ë „ÎÛ·ÓÍËÈ Á‚ÛÍ.
18 Phaser Phaser óÂÚ͇fl ÏÂÚ‡Î΢ÂÒ͇fl ÏÓ‰ÛÎflˆËfl Ò ÔÂËӉ˘ÂÒÍÓÈ ÒÏÂÌÓÈ Ù‡Á˚.
19 Rotary Speaker 1 Rotary1 ëËÏÛÎflÚÓ ‚‡˘‡˛˘Â„ÓÒfl ‰Ë̇ÏË͇.
20 Rotary Speaker 2 Rotary2
21 Tremolo 1 Tremolo1 ÅÓ„‡Ú˚È ˝ÙÙÂÍÚ Tremolo (ÚÂÏÓÎÓ) Ò ÏÓ‰ÛÎflˆËÂÈ Í‡Í ÔÓ „ÓÏÍÓÒÚË, Ú‡Í Ë ÔÓ ‚˚ÒÓÚÂ.
22 Tremolo 2 Tremolo2
23 Guitar Tremolo Guitar Tremolo ëËÏÛÎflÚÓ ÚÂÏÓÎÓ ˝ÎÂÍÚÓ„ËÚ‡˚.
24 Auto Pan AutoPan çÂÒÍÓθÍÓ ˝ÙÙÂÍÚÓ‚ Ô‡ÌÓ‡ÏÌÓ„Ó Á‚Û˜‡ÌËfl, ÍÓÚÓ˚ ‡‚ÚÓχÚ˘ÂÒÍË ÏÂÌfl˛Ú ÔÓÁËˆË˛
Á‚Û͇ (΂‡fl, Ô‡‚‡fl, ÙÓÌڇθ̇fl, Á‡‰Ìflfl).
25 Auto Wah AutoWah èÓ‚ÚÓÂÌË ÙËθڇ ‡ÒÔÓÒÚ‡ÌÂÌËfl ‚‡Û-˝ÙÙÂÍÚ‡.
26 Delay Left - Center - Right DelayLCR íË ÌÂÁ‡‚ËÒËÏ˚ı Á‡‰ÂÊÍË ‰Îfl ΂ӄÓ, ˆÂÌڇθÌÓ„Ó Ë Ô‡‚Ó„Ó ÔÓÎÓÊÂÌËfl ÒÚÂÂÓ.
27 Delay Left - Right DelayLR 燘‡Î¸Ì‡fl Á‡‰ÂÊ͇ ‰Îfl Í‡Ê‰Ó„Ó ÒÚÂÂÓ͇̇· Ë ‰‚ ÓÚ‰ÂθÌ˚ Á‡‰ÂÊÍË Ó·‡ÚÌÓÈ
Ò‚flÁË.
28 Echo Echo ᇉÂÊ͇ ÒÚÂÂÓ Ò ÌÂÁ‡‚ËÒËÏ˚ÏË Ô‡‡ÏÂÚ‡ÏË ÛÓ‚Ìfl Ó·‡ÚÌÓÈ Ò‚flÁË ‰Îfl ͇ʉӄÓ
͇̇·.
29 Cross Delay CrossDly ëÎÓÊÌ˚È ˝ÙÙÂÍÚ, ÍÓÚÓ˚È ÔÓÒ˚·ÂÚ Á‡‰ÂʇÌÌ˚ ÔÓ‚ÚÓ˚, «Ô˚„‡˛˘Ë» ÏÂʉÛ
΂˚Ï Ë Ô‡‚˚Ï Í‡Ì‡Î‡ÏË.
30 Karaoke Karaoke ÉÎÛ·ÓÍËÈ, ˜ÂÚÍËÈ ˝ÙÙÂÍÚ ˝ıÓ.
31 Distortion Hard D Hard ÜÂÒÚÍÓÂ, ÚÂÔÎÓ ËÒ͇ÊÂÌËÂ.
32 Distortion Soft D Soft åfl„ÍÓÂ, ÚÂÔÎÓ ËÒ͇ÊÂÌËÂ.
33 Overdrive Overdrv ÖÒÚÂÒÚ‚ÂÌÌÓ ËÒ͇ÊÂÌËÂ, Í‡Í ‚ ËÒ͇ʇ˛˘ÂÏ ÛÒËÎËÚÂÎÂ.
34 Amp Simulation AmpSimu ÍÚÂÌ˚È Á‚ÛÍ „ËÚ‡ÌÓ„Ó ÛÒËÎËÚÂÎfl/‰Ë̇ÏË͇.
35 EQ Disco EQ Disco ùÙÙÂÍÚ ˝Í‚‡Î‡ÈÁ‡, ÍÓÚÓ˚È ÛÒËÎË‚‡ÂÚ Ë ‚˚ÒÓÍËÂ, Ë ÌËÁÍË ˜‡ÒÚÓÚ˚, ˜ÚÓ ÚËÔ˘ÌÓ ‰Îfl
·Óθ¯ËÌÒÚ‚‡ ÏÛÁ˚͇θÌ˚ı ÔÓËÁ‚‰ÂÌËÈ ‚ ÒÚËΠ‰ËÒÍÓ.
36 EQ Telephone EQ Tel ùÙÙÂÍÚ ˝Í‚‡Î‡ÈÁ‡, ÍÓÚÓ˚È ÒÂÁ‡ÂÚ Í‡Í ‚˚ÒÓÍËÂ, Ú‡Í Ë ÌËÁÍË ˜‡ÒÚÓÚ˚ ‰Îfl
ËÏËÚ‡ˆËË Á‚ÛÍÓ‚ ‚ ÚÂÎÂÙÓÌÌÓÈ ÚÛ·ÍÂ.
37 3Band EQ 3BandEQ ùÍ‚‡Î‡ÈÁÂ Ò ÚÂÏfl ÓÚ‰ÂθÌ˚ÏË ÔÓÎÓÒ‡ÏË ˜‡ÒÚÓÚ.
38 2Band EQ 2BandEQ ùÍ‚‡Î‡ÈÁÂ Ò ‰‚ÛÏfl ÓÚ‰ÂθÌ˚ÏË ÔÓÎÓÒ‡ÏË ˜‡ÒÚÓÚ.
39 Off Off ÅÂÁ ˝ÙÙÂÍÚ‡.
34
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ
Ç ÒËÌÚÂÁ‡ÚÓ PSR-290 ÂÒÚ¸ „ÓÚÓ‚˚ ÒÚËÎË (‰Ë̇Ï˘ÂÒÍË ÒÓ˜ÂÚ‡ÌËfl ËÚχ Ë
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡) Ë ÚÂÏ·˚ ‰Îfl ÌÂÒÍÓθÍËı ÔÓÔÛÎflÌ˚ı ÏÛÁ˚͇θÌ˚ı ̇ԇ‚ÎÂÌËÈ.
ÑÓÒÚÛÔÌÓ 135 ‡Á΢Ì˚ı ÒÚËÎÂÈ ‚ ÌÂÒÍÓθÍËı ͇Ú„ÓËflı. ä‡Ê‰˚È ÒÚËθ ÒÓÒÚÓËÚ ËÁ ˜ÂÚ˚Âı
˜‡ÒÚÂÈ, ËÎË ÒÂ͈ËÈ: ‚ÒÚÛÔÎÂÌËfl (Intro), ‰‚Ûı ÓÒÌÓ‚Ì˚ı ˜‡ÒÚÂÈ (Main A Ë Main B) Ë ÍÓ̈ӂÍË
(Ending), — ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ ‚˚Á˚‚‡Ú¸ ‡ÁÌ˚ ˜‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚Ó ‚ÂÏfl ËÒÔÓÎÌÂÌËfl.
îÛÌ͈ËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ‚ÒÚÓÂÌÌ˚ ‚ ËÚÏ˚, ËÌÒÚÛÏÂÌڇθÌÓ Ó·Ó„‡˘‡˛Ú ËÒÔÓÎ-
ÌÂÌËÂ. èË ˝ÚÓÏ ËÒÔÓÎÌËÚÂθ ÛÔ‡‚ÎflÂÚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ, ‚ÓÒÔÓËÁ‚Ó‰fl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ
‡ÍÍÓ‰˚. î‡ÍÚ˘ÂÒÍË, ÙÛÌ͈Ëfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‰ÂÎËÚ Í·‚ˇÚÛÛ Ì‡ ‰‚ ˜‡ÒÚË: ‚ÂıÌ˛˛
‰Îfl ÏÂÎÓ‰ËË, ‡ ÌËÊÌ˛˛ (ÔÓ ÛÏÓΘ‡Ì˲ Í·‚Ë¯Ë F#2 Ë ÌËÊÂ) ‰Îfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
åÓ‰Âθ PSR-290 ‚Íβ˜‡ÂÚ Ú‡ÍÊ ۉӷÌÛ˛ ÒÎÓ‚‡ÌÛ˛ ÙÛÌÍˆË˛ (Dictionary) (ÒÚ. 45).
ëÎÓ‚‡¸ ÒÓ‰ÂÊËÚ „ÓÚÓ‚Û˛ ˝ÌˆËÍÎÓÔ‰˲ ‡ÍÍÓ‰Ó‚, ÍÓÚÓ‡fl ̇ۘËÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸
β·ÓÈ ‡ÍÍÓ‰, ÓÚÓ·‡Ê‡fl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÌÓÚ˚ ̇ ‰ËÒÔÎÂÂ.
Ç˚·Ó ÒÚËÎfl
1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [STYLE].
ç‡Á‚‡ÌËÂ Ë ÌÓÏ ÒÚËÎfl
8BtModrn
001
2 Ç˚·ÂËÚÂ ÌÛÊÌ˚È ÌÓÏÂ ÒÚËÎfl.
ç‡ Ô‡ÌÂÎË ÓÚÓ·‡Ê‡˛ÚÒfl ÌÓχ ÒÚËÎÂÈ
Ë Í‡Ú„ÓËË, Í ÍÓÚÓ˚Ï ÓÌË ÓÚÌÓÒflÚÒfl.
èÓÎÌ˚È ÒÔËÒÓÍ ÒÚËÎÂÈ ÒÏ. ̇ ÒÚ. 86.
■ àÒÔÓθÁÛÈÚ ‰ËÒÍ ËÎË ÍÌÓÔÍË CATEGORY Ë SELECT.
èÓ‚ÂÌËÚ ‰ËÒÍ Ë ‚˚·ÂËÚ ÌÛÊÌ˚È ÒÚËθ. Ç˚·ÂËÚ ÌÛÊÌÛ˛ ͇Ú„Ó˲ Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ CATEGORY [ ]/[ ]. äÓ„‰‡ ‚˚ ÛÊ ̇ıÓ‰ËÚÂÒ¸ ·ÎËÁÍÓ
f
r
Í ÌÛÊÌÓÏÛ ÌÓÏÂÛ, ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË SELECT [ ]/[ ] ‰Îfl ÔÂÂıÓ‰‡ ̇
>
<
ÒÎÂ‰Û˛˘Ë ËÎË Ô‰˚‰Û˘Ë ÌÓχ ÒÚËÎÂÈ.
35
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ
■ àÒÔÓθÁÛÈÚ ˆËÙÓ‚Û˛ Í·‚ˇÚÛÛ
çÓχ ÒÚËÎÂÈ ÏÓÊÌÓ ‚˚·Ë‡Ú¸ ÚÓ˜ÌÓ Ú‡Í ÊÂ, Í‡Í Ë ÌÓχ
ÚÂÏ·Ó‚ (ÒÚ. 24). çÓÏ ÒÚËÎfl ÏÓÊÌÓ ÔflÏÓ ‚‚ÂÒÚË Ì‡
ˆËÙÓ‚ÓÈ Í·‚ˇÚÛ ËÎË ‚˚·‡Ú¸, ÔÂÂÏ¢‡flÒ¸ ÔÓ ÒÔËÒÍÛ
ÒÚËÎÂÈ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [+]/[-].
ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ
ÑÎfl ÛÔ‡‚ÎÂÌËfl ÒÚËÎÂÏ ËÒÔÓθÁÛ˛ÚÒfl ÒÎÂ‰Û˛˘Ë ÍÌÓÔÍË Ô‡ÌÂÎË ÛÔ‡‚ÎÂÌËfl.
ç‡Ê‡ÚË ˝ÚÓÈ ÍÌÓÔÍË
ç‡Ê‡ÚË ˝ÚÓÈ ÍÌÓÔÍË
ç‡Ê‡ÚËÂÏ ˝ÚÓÈ ÍÌÓÔÍË ÔÓËÁ‚Ó‰ËÚÒfl
ÔÓÔÂÂÏÂÌÌÓ ‚Íβ˜‡ÂÚ Ë
ÔÓÔÂÂÏÂÌÌÓ ‚˚β˜‡ÂÚ Ë
ÔÂÂÍβ˜ÂÌË ÏÂÊ‰Û „·‚Ì˚ÏË
‚˚Íβ˜‡ÂÚ ·‡ÒÓ‚Û˛ ˜‡ÒÚ¸
‚˚Íβ˜‡ÂÚ ÙÛÌÍˆË˛ Sync
˜‡ÒÚflÏË Main A Ë Main B Ò ÔÓË„-
Ë ‡ÍÍÓ‰˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
Start (ÒÏ. ÒÚ. 37).
˚‚‡ÌËÂÏ ‚ÒÚ‡‚ÍË Ô‰ ÌÓ‚ÓÈ
(ÒÏ. ‰‡ÎÂÂ).
˜‡ÒÚ¸˛ (ÒÏ. ÒÚ. 42).
ç‡Ê‡ÚË ˝ÚÓÈ ÍÌÓÔÍË
ùÚ‡ ÍÌÓÔ͇ ËÒÔÓθÁÛÂÚÒfl ‰Îfl
ç‡Ê‡ÚË ˝ÚÓÈ ÍÌÓÔÍË
ÔÓÔÂÂÏÂÌÌÓ ‚Íβ˜‡ÂÚ
ÛÔ‡‚ÎÂÌËfl ‚ÒÚÛÔÎÂÌËÂÏ
ÔÓÔÂÂÏÂÌÌÓ Ì‡˜Ë̇ÂÚ
Ë ‚˚Íβ˜‡ÂÚ ÙÛÌÍˆË˛
(Intro) Ë ÍÓ̈ӂÍÓÈ (Ending)
Ë ÔÂ͇˘‡ÂÚ
Sync Stop (ÒÚ. 40).
(ÒÚ. 38, 39).
‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl.
1 ÇÍβ˜ËÚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ.
ÑÎfl ‚Íβ˜ÂÌËfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [ACMP].
8BtModrn
001
èÓ͇Á˚‚‡ÂÚ, ˜ÚÓ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚Íβ˜ÂÌ.
36
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ
2
ÇÍβ˜ËÚ ÒÚËθ.
ë‰Â·ڸ ˝ÚÓ ÏÓÊÌÓ Ó‰ÌËÏ ËÁ ÒÎÂ‰Û˛˘Ëı ÒÔÓÒÓ·Ó‚.
■ ç‡Ê‡Ú¸ ÍÌÓÔÍÛ [START/STOP]
êËÚÏ Ì‡˜Ë̇ÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ÌÂωÎÂÌÌÓ ·ÂÁ ·‡ÒÓ‚ Ë ‡ÍÍÓ‰Ó‚.
èÓË„˚‚‡ÂÚÒfl „·‚̇fl ˜‡ÒÚ¸ ̇ ‰‡ÌÌ˚È ÏÓÏÂÌÚ (Main A ËÎË Main B).
èÂʉ ˜ÂÏ Ì‡ÊËχڸ ÍÌÓÔÍÛ [START/STOP], ÏÓÊÌÓ ‚˚·‡Ú¸ „·‚ÌÛ˛ ˜‡ÒÚ¸
Ò ÔÓÏÓ˘¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÍÌÓÔÍË [MAIN A/B]. (ÑËÒÔÎÂÈ ‚ Ú˜ÂÌËÂ
ÍÓÓÚÍÓ„Ó ‚ÂÏÂÌË ÔÓ͇Á˚‚‡ÂÚ ‚˚·‡ÌÌÛ˛ ˜‡ÒÚ¸: MAIN A ËÎË MAIN B.)
èÓ͇Á˚‚‡ÂÚ ‚˚·‡ÌÌÛ˛ ˜‡ÒÚ¸
(Main A ËÎË B).
MAIN A
■ àÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Tap/Tempo
ùÚ‡ ÔÓÎÂÁ̇fl ÙÛÌ͈Ëfl ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒ͇ ÔÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸ ÚÂÏÔ ÒÚËÎfl
Ë ‡‚ÚÓχÚ˘ÂÒÍË Ì‡˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl ‚ Á‡‰‡ÌÌÓÏ ÚÂÏÔÂ.
èÓÒÚÓ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [TEMPO/TAP] ˜ÂÚ˚ ‡Á‡ (ËÎË ÚË ‡Á‡ ‰Îfl ÒÚËÎfl Ò
‡ÁÏÂÓÏ 3/4), Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl ‡‚ÚÓχÚ˘ÂÒÍË Ì‡˜ÌÂÚÒfl ‚ Á‡‰‡ÌÌÓÏ
ÚÂÏÔÂ. àÁÏÂÌËÚ¸ ÚÂÏÔ ÏÓÊÌÓ Ë ‚Ó ‚ÂÏfl ËÒÔÓÎÌÂÌËfl ‚ Á‡‰‡ÌÌÓÏ ÒÚËÎÂ.
ÑÎfl ˝ÚÓ„Ó ‰ÓÒÚ‡ÚÓ˜ÌÓ ‰‚‡Ê‰˚ ̇ʇڸ ÍÌÓÔÍÛ [TEMPO/TAP] ‚ ÌÛÊÌÓÏ ÚÂÏÔÂ.
■ àÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Sync Start
ëËÌÚÂÁ‡ÚÓ PSR-290 ËÏÂÂÚ Ú‡ÍÊ ÙÛÌÍˆË˛ Sync Start, ÍÓÚÓ‡fl ‰‡ÂÚ
‚ÓÁÏÓÊÌÓÒÚ¸ ‚Íβ˜ËÚ¸ ÒÚËθ ÔÓÒÚÓ Ì‡Ê‡ÚËÂÏ Í·‚Ë¯Ë Ì‡ Í·‚ˇÚÛÂ.
ÑÎfl ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒ͇ Ò̇˜‡Î‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [SYNC START] (‚ÒÂ
Ë̉Ë͇ÚÓ˚ ‰ÓÎÂÈ ÏË„‡˛Ú, ˜ÚÓ ÓÁ̇˜‡ÂÚ „ÓÚÓ‚ÌÓÒÚ¸ Í ÂÊËÏÛ Sync Start),
‡ Á‡ÚÂÏ Î˛·Û˛ Í·‚Ë¯Û Ì‡ Í·‚ˇÚÛÂ. (ÖÒÎË ‚Íβ˜ÂÌ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ,
̇ÊÏËÚ ̇ Í·‚Ë¯Û ËÎË Ò˚„‡ÈÚ ‡ÍÍÓ‰ ̇ Í·‚ˇÚÛ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.)
é·Î‡ÒÚ¸
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
37
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ
á‡ÔÛÒÍ ÒÓ ‚ÒÚÛÔÎÂÌËfl (Intro)
ì Í‡Ê‰Ó„Ó ÒÚËÎfl ÂÒÚ¸ Ò‚Ó ÒÓ·ÒÚ‚ÂÌÌÓ ‚ÒÚÛÔÎÂÌË ËÁ ‰‚Ûı ËÎË ˜ÂÚ˚Âı Ú‡ÍÚÓ‚.
äÓ„‰‡ ˝ÚË ‚ÒÚÛÔÎÂÌËfl ËÒÔÓθÁÛ˛ÚÒfl Ò ÙÛÌ͈ËÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÏÌÓ„ËÂ
ËÁ ÌËı ‚Íβ˜‡˛Ú ÒÔˆˇθÌ˚ ËÁÏÂÌÂÌËfl ‡ÍÍÓ‰Ó‚ Ë ÔӘˠÛ͇¯ÂÌËfl.
ää
ää
‡‡
‡‡
ÍÍ
ÍÍ
ÌÌ
ÌÌ
‡‡
‡‡
˜˜
˜˜
‡‡
‡‡
ÚÚ
ÚÚ
¸¸
¸¸
ÒÒ
ÒÒ
ÓÓ
ÓÓ
‚‚
‚‚
ÒÒ
ÒÒ
ÚÚ
ÚÚ
ÛÛ
ÛÛ
ÔÔ
ÔÔ
ÎÎ
ÎÎ
ÂÂ
ÂÂ
ÌÌ
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ËË
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flfl
flfl
::
::
1) ç‡ÊÏËÚ ÍÌÓÔÍÛ [MAIN/AUTO FILL] ‰Îfl ‚˚·Ó‡ „·‚ÌÓÈ ˜‡ÒÚË (A ËÎË B), ÍÓÚÓ‡fl
‰ÓÎÊ̇ ÒΉӂ‡Ú¸ Á‡ ‚ÒÚÛÔÎÂÌËÂÏ.
èÓ͇Á˚‚‡ÂÚ ‚˚·‡ÌÌÛ˛ ˜‡ÒÚ¸
(Main A ËÎË B).
MAIN A
2) ç‡ÊÏËÚ ÍÌÓÔÍÛ [INTRO ENDING].
é·ÓÁ̇˜‡ÂÚ „ÓÚÓ‚ÌÓÒÚ¸ Í Á‡ÔÛÒÍÛ Intro.
INTRO≥A
ÑÎfl ÔÓË„˚‚‡ÌËfl ‚ÒÚÛÔÎÂÌËfl ̇ÊÏËÚ ÍÌÓÔÍÛ [START/STOP].
àÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Sync Start ‰Îfl ‚ÒÚÛÔÎÂÌËfl
îÛÌÍˆË˛ Sync Start ÏÓÊÌÓ ÔËÏÂÌflÚ¸ Ë Í ‚ÒÚÛÔÎÂÌ˲ ‚˚·‡ÌÌÓ„Ó ÒÚËÎfl.
óó
óó
ÚÚ
ÚÚ
ÓÓ
ÓÓ
··
··
˚˚
˚˚
ËË
ËË
ÒÒ
ÒÒ
ÔÔ
ÔÔ
ÓÓ
ÓÓ
ÎÎ
ÎÎ
¸¸
¸¸
ÁÁ
ÁÁ
ÓÓ
ÓÓ
‚‚
‚‚
‡‡
‡‡
ÚÚ
ÚÚ
¸¸
¸¸
ÙÙ
ÙÙ
ÛÛ
ÛÛ
ÌÌ
ÌÌ
ÍÍ
ÍÍ
ˆˆ
ˆˆ
ËË
ËË
˛˛
˛˛
SS
SS
yy
yy
nn
nn
cc
cc
SS
SS
tt
tt
aa
aa
rr
rr
tt
tt
‰‰
‰‰
ÎÎ
ÎÎ
flfl
flfl
‚‚
‚‚
ÒÒ
ÒÒ
ÚÚ
ÚÚ
ÛÛ
ÛÛ
ÔÔ
ÔÔ
ÎÎ
ÎÎ
ÂÂ
ÂÂ
ÌÌ
ÌÌ
ËË
ËË
flfl
flfl
::
::
1) ç‡ÊÏËÚ ÍÌÓÔÍÛ [MAIN/AUTO FILL] ‰Îfl ‚˚·Ó‡ „·‚ÌÓÈ ˜‡ÒÚË (A ËÎË B), ÍÓÚÓ‡fl
‰ÓÎÊ̇ ÒΉӂ‡Ú¸ Á‡ ‚ÒÚÛÔÎÂÌËÂÏ.
èÓ͇Á˚‚‡ÂÚ ‚˚·‡ÌÌÛ˛ ˜‡ÒÚ¸
(Main A ËÎË B).
MAIN A
2) ç‡ÊÏËÚ ÍÌÓÔÍÛ [INTRO ENDING].
é·ÓÁ̇˜‡ÂÚ „ÓÚÓ‚ÌÓÒÚ¸ Í Á‡ÔÛÒÍÛ ‚ÒÚÛÔÎÂÌËfl.
INTRO≥A
3) ç‡ÊÏËÚ ÍÌÓÔÍÛ [SYNC START] ‰Îfl ‚Íβ˜ÂÌËfl ÙÛÌ͈ËË ÒËÌıÓÌÌÓ„Ó
Á‡ÔÛÒ͇, ‡ Á‡ÚÂÏ ‚Íβ˜ËÚ ‚ÒÚÛÔÎÂÌËÂ Ë ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ̇ʇ‚ β·Û˛ Í·‚˯Û
̇ Í·‚ˇÚÛÂ. (ÖÒÎË ‚Íβ˜ÂÌ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ̇ÊÏËÚ ̇ Í·‚Ë¯Û ËÎË Ò˚„‡ÈÚÂ
‡ÍÍÓ‰ ̇ Í·‚ˇÚÛ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.)
é·Î‡ÒÚ¸
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
38
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ
3
àÁÏÂÌËÚ ‡ÍÍÓ‰˚ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË
ëéÇÖí
• ÑÎfl ‚Íβ˜ÂÌËfl Ë ‚˚Íβ˜ÂÌËfl
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
·‡ÒÓ‚ÓÈ ˜‡ÒÚË Ë ‡ÍÍÓ‰Ó‚
èÓÔÓ·ÛÈÚ Ò˚„‡Ú¸ ÌÂÒÍÓθÍÓ ÔÓÒΉӂ‡ÚÂθÌ˚ı ‡ÍÍÓ‰Ó‚
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚Ó ‚ÂÏfl Ë„˚
ÏÓÊÌÓ Ú‡ÍÊ ËÒÔÓθÁÓ‚‡Ú¸ ÍÌÓÔÍÛ
΂ÓÈ ÛÍÓÈ, Ó·‡˘‡fl ‚ÌËχÌË ̇ ÚÓ, Í‡Í ÏÂÌfl˛ÚÒfl ·‡ÒÓ‚‡fl
[ACMP], ˜ÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸
˜‡ÒÚ¸ Ë ‡ÍÍÓ‰˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ò Í‡Ê‰˚Ï Ò˚„‡ÌÌ˚Ï ‚‡ÏË
ÒÓÁ‰‡‚‡Ú¸ ËÚÏ˘Ì˚ ‰Ë̇Ï˘ÂÒÍËÂ
Ô‡ÛÁ˚ ‚Ó ‚ÂÏfl ËÒÔÓÎÌÂÌËfl.
‡ÍÍÓ‰ÓÏ. (ÅÓΠÔÓ‰Ó·ÌÛ˛ ËÌÙÓχˆË˛ ÔÓ ËÒÔÓθÁÓ‚‡Ì˲
ÙÛÌ͈ËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÒÏ. ̇ ÒÚ 43.)
èêàåÖóÄçàÖ
• ÄÍÍÓ‰˚, ËÒÔÓÎÌflÂÏ˚ ̇
Í·‚ˇÚÛ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡,
ӷ̇ÛÊË‚‡˛ÚÒfl Ë ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl
‰‡Ê ÔÓÒΠÚÓ„Ó, Í‡Í ÔÂ͇˘‡ÂÚÒfl
‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl. î‡ÍÚ˘ÂÒÍË,
Í·‚ˇÚÛ‡ ‰ÂÎËÚÒfl ̇ ‰‚ ˜‡ÒÚË:
Í·‚ˇÚÛÛ Ò ·‡ÒÓ‚ÓÈ ˜‡ÒÚ¸˛ Ë
‡ÍÍÓ‰‡ÏË ‰Îfl ΂ÓÈ ÛÍË Ë Ò
ÏÂÎÓ‰ËÂÈ ‰Îfl Ô‡‚ÓÈ. íÂÏ· ‰Îfl
ÔÓÒΉÌÂÈ ‚˚·Ë‡ÂÚÒfl Ó·˚˜Ì˚Ï
ÒÔÓÒÓ·ÓÏ.
4 éÒÚ‡ÌÓ‚ËÚ ÒÚËθ.
ë‰Â·ڸ ˝ÚÓ ÏÓÊÌÓ ÚÂÏfl ÒÔÓÒÓ·‡ÏË:
■ ç‡Ê‡Ú¸ ÍÌÓÔÍÛ [START/STOP]
ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl ÔÂ͇ÚËÚÒfl ÌÂωÎÂÌÌÓ.
■ àÒÔÓθÁÓ‚‡Ú¸ ÍÓ̈ӂÍÛ (Ending)
èêàåÖóÄçàÖ
• ÑÎfl ÔÓÒÚÂÔÂÌÌÓ„Ó Á‡Ï‰ÎÂÌËfl ÚÂÏÔ‡
ç‡ÊÏËÚ ÍÌÓÔÍÛ [INTRO ENDING].
‚Ó ‚ÂÏfl ËÒÔÓÎÌÂÌËfl ÍÓ̈ӂÍË
ëÚËθ ‚˚Íβ˜‡ÂÚÒfl ÔÓ ÓÍÓ̘‡ÌËË ÍÓ̈ӂÍË.
(ËÚ‡‰‡Ì‰Ó) ‰‚‡Ê‰˚ ·˚ÒÚÓ
̇ÊÏËÚ ÍÌÓÔÍÛ [INTRO ENDING].
END/rit.
ENDING
■ ç‡Ê‡Ú¸ ÍÌÓÔÍÛ [SYNC START]
ëÚËθ ‚˚Íβ˜‡ÂÚÒfl ÌÂωÎÂÌÌÓ, ÌÓ ÔË ˝ÚÓÏ ‡‚ÚÓχÚ˘ÂÒÍË
‚Íβ˜‡ÂÚÒfl ÙÛÌ͈Ëfl Sync Start, ˜ÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸
‚ÓÁÓ·ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl ̇ʇÚËÂÏ ‡ÍÍÓ‰‡
ËÎË Í·‚Ë¯Ë Ì‡ Í·‚ˇÚÛ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
39
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ
Sync Stop
ùÚ‡ ۉӷ̇fl ÙÛÌ͈Ëfl ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÂ͇ÚËÚ¸ (ËÎË ÔËÓÒÚ‡ÌÓ‚ËÚ¸)
‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl, ÔÓÒÚÓ Û·‡‚ ÛÍÛ Ò Í·‚ˇÚÛ˚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
ÖÒÎË ‚ÌÓ‚¸ Ò˚„‡Ú¸ ‡ÍÍÓ‰, ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl ‚ÓÁÓ·ÌÓ‚ËÚÒfl. ùÚÓ Ë‰Â‡Î¸ÌÓÂ
Ò‰ÒÚ‚Ó ‰Îfl ÒÓÁ‰‡ÌËfl ‰Ë̇Ï˘ÂÒÍËı Ô‡ÛÁ ‚Ó ‚ÂÏfl ËÒÔÓÎÌÂÌËfl. ç‡ÔËÏÂ,
ÏÓÊÌÓ Ì‡ ÍÓÓÚÍÓ ‚ÂÏfl ÓÚÍβ˜ËÚ¸ ËÚÏ Ë ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚Ó ‚ÂÏfl
ÏÂÎӉ˘ÂÒÍÓÈ Ô‡ÛÁ˚ ËÎË ÒÓÎÓ Ô‡‚ÓÈ ÛÍÓÈ.
1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [ACMP].
Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚Íβ˜ËÚÒfl.
8BtModrn
001
èÓ͇Á˚‚‡ÂÚ, ˜ÚÓ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚Íβ˜ÂÌ.
2 ç‡ÊÏËÚ ÍÌÓÔÍÛ [SYNC STOP].
ÖÒÎË ‚Íβ˜ËÚ¸ Sync Stop ‰Ó Á‡ÔÛÒ͇ ÒÚËÎfl,
‡‚ÚÓχÚ˘ÂÒÍË ‚Íβ˜‡ÂÚÒfl Ë ÙÛÌ͈Ëfl Sync Start.
8BtModrn
001
èÓ͇Á˚‚‡ÂÚ, ˜ÚÓ ‚Íβ˜Â̇
ÙÛÌ͈Ëfl Sync Stop.
3 ÇÓÁ¸ÏËÚ ‡ÍÍÓ‰ ̇ Í·‚ˇÚÛ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
ëÚËθ ‚Íβ˜ËÚÒfl Ò‡ÁÛ, Í‡Í ÚÓθÍÓ ‚˚ Ò˚„‡ÂÚ ‡ÍÍÓ‰.
4 óÚÓ·˚ ‚˚Íβ˜ËÚ¸ ÒÚËθ, Û·ÂËÚ ÛÍÛ Ò Í·‚ˇÚÛ˚.
5 óÚÓ·˚ Á‡ÔÛÒÚËÚ¸ ÒÚËθ ‚ÌÓ‚¸, ̇ÊÏËÚ ‡ÍÍÓ‰.
6 ÑÎfl ‚˚Íβ˜ÂÌËfl ÙÛÌ͈ËË Sync Stop ̇ÊÏËÚ ÍÌÓÔÍÛ
[SYNC STOP] ¢ ‡Á.
ÑÎfl ÔÓÎÌÓ„Ó ‚˚Íβ˜ÂÌËfl ÒÚËÎfl ̇ÊÏËÚ ÍÌÓÔÍÛ [START/STOP].
40