Yamaha PSR-2100: инструкция
Инструкция к Синтезатору/фортепиано Yamaha PSR-2100
DIC 99
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Ç·-Ò‡ÈÚ ÍÎÛ·‡ β·ËÚÂÎÂÈ ÔÓÚ‡ÚË‚Ì˚ı ÒËÌÚÂÁ‡ÚÓÓ‚
Yamaha PK CLUB (̇ ‡Ì„ÎËÈÒÍÓÏ flÁ˚ÍÂ):
http://www.yamahaPKclub.com/
ëÓ·‡ÌË ÛÍÓ‚Ó‰ÒÚ‚ ‰Îfl ÔÓ‰Û͈ËË Yamaha:
http://www2.yamaha.co.jp/manual/english/
© 2003 Yamaha Corporation
ǂ‰ÂÌËÂ
SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply
Battery Notice:
(adapter). DO NOT connect this product to any power sup-
This product MAY contain a small non-rechargeable
ply or adapter other than one described in the manual, on
battery which (if applicable) is soldered in place. The
the name plate, or specifically recommended by Yamaha.
average life span of this type of battery is approxi-
mately five years. When replacement becomes neces-
WARNING:
Do not place this product in a position where
sary, contact a qualified service representative to
anyone could walk on, trip over ,or roll anything over
perform the replacement.
power or connecting cords of any kind. The use of an
extension cord is not recommended! IF you must use an
This product may also use “household” type batteries.
extension cord, the minimum wire size for a 25' cord (or
Some of these may be rechargeable. Make sure that the
less ) is 18 AWG. NOTE: The smaller the AWG number
battery being charged is a rechargeable type and that
,the larger the current handling capacity. For longer exten-
the charger is intended for the battery being charged.
sion cords, consult a local electrician.
When installing batteries, do not mix batteries with new,
or with batteries of a different type. Batteries MUST be
This product should be used only with the components
installed correctly. Mismatches or incorrect installation
supplied or; a cart, rack, or stand that is recommended by
may result in overheating and battery case rupture.
Yamaha. If a cart, etc., is used, please observe all safety
markings and instructions that accompany the accessory
Warning:
product.
Do not attempt to disassemble, or incinerate any battery.
Keep all batteries away from children. Dispose of used
SPECIFICATIONS SUBJECT TO CHANGE:
batteries promptly and as regulated by the laws in your
The information contained in this manual is believed to be
area. Note: Check with any retailer of household type
correct at the time of printing. However, Yamaha reserves
batteries in your area for battery disposal information.
the right to change or modify any of the specifications
without notice or obligation to update existing units.
Disposal Notice:
Should this product become damaged beyond repair,
This product, either alone or in combination with an ampli-
or for some reason its useful life is considered to be at
fier and headphones or speaker/s, may be capable of pro-
an end, please observe all local, state, and federal reg-
ducing sound levels that could cause permanent hearing
ulations that relate to the disposal of products that con-
loss. DO NOT operate for long periods of time at a high
tain lead, batteries, plastics, etc. If your dealer is
volume level or at a level that is uncomfortable. If you
unable to assist you, please contact Yamaha directly.
experience any hearing loss or ringing in the ears, you
should consult an audiologist.
NAME PLATE LOCATION:
IMPORTANT: The louder the sound, the shorter the time
The name plate is located on the bottom of the prod-
period before damage occurs.
uct. The model number, serial number, power require-
ments, etc., are located on this plate. You should
Some Yamaha products may have benches and / or
record the model number, serial number, and the date
accessory mounting fixtures that are either supplied with
of purchase in the spaces provided below and retain
the product or as optional accessories. Some of these
this manual as a permanent record of your purchase.
items are designed to be dealer assembled or installed.
Please make sure that benches are stable and any
optional fixtures (where applicable) are well secured
BEFORE using.
Benches supplied by Yamaha are designed for seating
only. No other uses are recommended.
NOTICE:
Service charges incurred due to a lack of knowledge relat-
ing to how a function or effect works (when the unit is
operating as designed) are not covered by the manufac-
turer’s warranty, and are therefore the owners responsibil-
ity. Please study this manual carefully and consult your
dealer before requesting service.
ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both user
Model
safe and environmentally friendly. We sincerely believe
that our products and the production methods used to pro-
Serial No.
duce them, meet these goals. In keeping with both the let-
ter and the spirit of the law, we want you to be aware of the
following:
Purchase Date
92-BP (bottom)
PLEASE KEEP THIS MANUAL
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Ç ˜ËÒÎÓ Ï ·ÂÁÓÔ‡ÒÌÓÒÚË ‚ıÓ‰flÚ (ÌÓ Ì ӄ‡Ì˘˂‡˛ÚÒfl ËÏË) ÒÎÂ‰Û˛˘ËÂ:
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àÒÔÓθÁÛÈÚ ÚÓθÍÓ ÚÓ Ì‡ÔflÊÂÌËÂ, ÍÓÚÓÓ Û͇Á‡ÌÓ Ì‡ ËÌÒÚÛÏÂÌÚÂ.
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àÒÔÓθÁÛÈÚ ÚÓθÍÓ Û͇Á‡ÌÌ˚È ÚËÔ ‡‰‡ÔÚ‡ (PA-300 ËÎË ‡‚ÌÓˆÂÌÌ˚È,
Ú‡ÍÊ fl‰ÓÏ Ò ‚Ó‰ÓÈ, ‚ ÛÒÎÓ‚Ëflı Ò˚ÓÒÚË Ë ÔÓ‚˚¯ÂÌÌÓÈ ‚·ÊÌÓÒÚË; ÌÂ
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ÔÓÔ‡ÒÚ¸ ‚ ÓÚ‚ÂÒÚËfl.
ËÌÒÚÛÏÂÌÚ‡.
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Ô˚θ, ÍÓÚÓ˚ ÏÓ„ÛÚ Ì‡ ÌÂÈ Ò͇ÔÎË‚‡Ú¸Òfl.
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Ô‰ÏÂÚ˚.
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ÉÓfl˘ËÈ Ô‰ÏÂÚ ÏÓÊÂÚ ÛÔ‡ÒÚ¸ Ë ÒÚ‡Ú¸ Ô˘ËÌÓÈ ÔÓʇ‡.
‰ÓÔÛÒ͇ÈÚÂ, ˜ÚÓ·˚ ÔÓ ÌÂÏÛ ÔÂÂ͇Ú˚‚‡ÎË Í‡ÍËÂ-ÎË·Ó Ô‰ÏÂÚ˚.
åÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË ‚ ̯ڇÚÌ˚ı ÒËÚÛ‡ˆËflı
á‡Ô¢‡ÂÚÒfl ÓÚÍ˚‚‡Ú¸ ËÌÒÚÛÏÂÌÚ
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Ç ÒÎÛ˜‡Â ËÁÌÓÒ‡ Ë ÔÓ‚ÂʉÂÌËfl ¯ÌÛ‡ ËÎË ‚ËÎÍË ‡‰‡ÔÚ‡ ÔÂÂÏÂÌÌÓ„Ó
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ç ÒΉÛÂÚ ÓÚÍ˚‚‡Ú¸ ËÌÒÚÛÏÂÌÚ Ë Ô˚Ú‡Ú¸Òfl ‡Á·Ë‡Ú¸ „Ó, ‡ Ú‡ÍÊÂ
ÚÓ͇, ‡ Ú‡ÍÊ ÔË ‚ÌÂÁ‡ÔÌÓÏ ÔÂ͇˘ÂÌËË Á‚Û͇ ‚Ó ‚ÂÏfl ˝ÍÒÔÎÛ‡Ú‡ˆËË
͇ÍËÏ-ÎË·Ó Ó·‡ÁÓÏ ÏÓ‰ËÙˈËÓ‚‡Ú¸ Â„Ó ‚ÌÛÚÂÌÌË ÍÓÏÔÓÌÂÌÚ˚.
ËÎË Ó·Ì‡ÛÊÂÌËË ÌÂÓ·˚˜ÌÓ„Ó Á‡Ô‡ı‡ Ë ‰˚χ ÌÂωÎÂÌÌÓ ÓÚÍβ˜ËÚÂ
àÌÒÚÛÏÂÌÚ Ì ÒÓ‰ÂÊËÚ ÍÓÏÔÓÌÂÌÚÓ‚, Ô‰̇Á̇˜ÂÌÌ˚ı ‰Îfl
˝ÎÂÍÚÓÔËÚ‡ÌËÂ, ‚˚̸Ú ‚ËÎÍÛ ‡‰‡ÔÚ‡ ËÁ ÓÁÂÚÍË Ë Ó·‡ÚËÚÂÒ¸ Á‡
Ó·ÒÎÛÊË‚‡ÌËfl ÔÓθÁÓ‚‡ÚÂÎÂÏ. èË Ô‚˚ı Ê ÔËÁ͇̇ı ÌÂËÒÔ‡‚ÌÓÒÚË
ÔÓÏÓ˘¸˛ Í ÒÔˆˇÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl
ÍÓÔÓ‡ˆËË Yamaha.
ÇçàåÄçàÖ!
ÇÒ„‰‡ Òӷ≇ÈÚ Ô˜ËÒÎÂÌÌ˚ ‰‡Î ÓÒÌÓ‚Ì˚ ÏÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË ‚Ó ËÁ·ÂʇÌË ̇ÌÂÒÂÌËfl Ò¸ÂÁÌ˚ı Ú‡‚Ï Ò·Â
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Ó„‡Ì˘˂‡˛ÚÒfl ËÏË) ÒÎÂ‰Û˛˘ËÂ:
(̇ÔËÏÂ, ̇ ÒÓÎ̈Â, fl‰ÓÏ Ò Ì‡„‚‡ÚÂÎÂÏ ËÎË ‚ χ¯ËÌ ‚ ‰Ì‚ÌÓÂ
àÒÚÓ˜ÌËÍ ÔËÚ‡ÌËfl/‡‰‡ÔÚ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇
‚ÂÏfl).
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ÌËÍÓ„‰‡ Ì ÚflÌËÚ Á‡ ¯ÌÛ, ‡ ‰ÂÊËÚÂÒ¸ Á‡ Ò‡ÏÛ ‚ËÎÍÛ.
ÚÂÎÂÙÓ̇ Ë ‰Û„Ëı ˝ÎÂÍÚÓÔË·ÓÓ‚. Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ‚ ËÌÒÚÛÏÂÌÚÂ,
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ÚÂ΂ËÁÓ ËÎË ‡‰ËÓÔËÂÏÌËÍ ÏÓ„ÛÚ ‚ÓÁÌË͇ڸ ¯ÛÏ˚.
ÓÚÍβ˜‡Ú¸ ÓÚ ÒÂÚË ‡‰‡ÔÚ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇.
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ÇÓ ËÁ·ÂʇÌË ÒÎÛ˜‡ÈÌÓ„Ó Ô‡‰ÂÌËfl ËÌÒÚÛÏÂÌÚ‡ Ì ÓÒÚ‡‚ÎflÈÚÂ Â„Ó Ì‡
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ÌÂÛÒÚÓȘ˂ÓÈ ÔÓ‚ÂıÌÓÒÚË.
ÔÂÂıÓ‰ÌË͇. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÒÌËÊÂÌ˲ ͇˜ÂÒÚ‚‡ Á‚Û͇, ‡ Ú‡ÍÊ Í
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ÔÂÂ„Â‚Û ÓÁÂÚÍË.
‡‰‡ÔÚÂ Ë ‰Û„Ë ͇·ÂÎË.
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àÒÔÓθÁÛÈÚ ÚÓθÍÓ ÔÓ‰ÒÚ‡‚ÍÛ, ÒÔˆˇθÌÓ Ô‰̇Á̇˜ÂÌÌÛ˛ ‰Îfl
åÂÒÚÓ ‰Îfl ÛÒÚ‡ÌÓ‚ÍË
ËÌÒÚÛÏÂÌÚ‡. èË Â ÍÂÔÎÂÌËË ÔÓθÁÛÈÚÂÒ¸ ÚÓθÍÓ ‚ËÌÚ‡ÏË,
ÔÓÒÚ‡‚ÎflÂÏ˚ÏË ‚ ÍÓÏÔÎÂÍÚÂ. Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ‚ÓÁÏÓÊÌ˚
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ÇÓ ËÁ·ÂʇÌË ‰ÂÙÓχˆËË Ô‡ÌÂÎË Ë ÔÓ‚ÂʉÂÌËfl ‚ÌÛÚÂÌÌËı
ÔÓ‚ÂʉÂÌË ‚ÌÛÚÂÌÌËı ÍÓÏÔÓÌÂÌÚÓ‚ Ë Ô‡‰ÂÌË ËÌÒÚÛÏÂÌÚ‡.
ÍÓÏÔÓÌÂÌÚÓ‚ Ì ‰ÂÊËÚ ËÌÒÚÛÏÂÌÚ ‚ ÔÓÏ¢ÂÌËflı Ò ËÁ·˚ÚÓ˜ÌÓÈ
‚Ë·‡ˆËÂÈ, ‡ Ú‡ÍÊ ‚ ÏÂÒÚ‡ı, „‰Â ÒÎ˯ÍÓÏ Ô˚θÌÓ, ıÓÎÓ‰ÌÓ ËÎË Ê‡ÍÓ
(3)-7
1/2
PSR-2100/1100
3
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ëÓı‡ÌÂÌË ‰‡ÌÌ˚ı
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èÂʉ ˜ÂÏ ÔÓ‰Íβ˜‡Ú¸ ËÌÒÚÛÏÂÌÚ Í ‰Û„ËÏ ˝ÎÂÍÚÓÌÌ˚Ï
ëÓı‡ÌÂÌËÂ Ë ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌË ‰‡ÌÌ˚ı
ÍÓÏÔÓÌÂÌÚ‡Ï, ÒΉÛÂÚ ÓÚÍβ˜ËÚ¸ Ëı ÓÚ ÒÂÚË. è‰ ‚Íβ˜ÂÌËÂÏ ËÎË
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èË ÓÚÍβ˜ÂÌËË ÔËÚ‡ÌËfl ËÌÒÚÛÏÂÌÚ‡ ÔÓËÒıÓ‰ËÚ ÛÚ‡Ú‡ ÚÂÍÛ˘Ëı
ÓÚÍβ˜ÂÌËÂÏ ˝ÎÂÍÚÓÌÌ˚ı ÍÓÏÔÓÌÂÌÚÓ‚ ÒΉÛÂÚ ÛÒڇ̇‚ÎË‚‡Ú¸
‰‡ÌÌ˚ı (ÒÏ. ÒÚ 42). ëÓı‡ÌflÈÚ ‰‡ÌÌ˚ ̇ ‰ËÒÍÂÚ ËÎË ‚ ‡Á‰ÂÎÂ
ÏËÌËχθÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË. ëΉÛÂÚ Ú‡ÍÊ ۷‰ËÚ¸Òfl, ˜ÚÓ Ì‡ ‚ÒÂı
Ô‡ÏflÚË User (ÒÏ. ÒÚ 39, ÒÚ 47).
ÍÓÏÔÓÌÂÌÚ‡ı ÛÒÚ‡ÌÓ‚ÎÂÌ ÏËÌËχθÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË, Ë ÔÓÒÚÂÔÂÌÌÓ
ÇÓÁÏÓÊ̇ ÔÓÚÂfl ÒÓı‡ÌÂÌÌ˚ı ‰‡ÌÌ˚ı ËÁ-Á‡ ÌÂËÒÔ‡‚ÌÓÒÚË ËÎË
Û‚Â΢˂‡Ú¸  ‰Ó Ú·ÛÂÏÓ„Ó ÛÓ‚Ìfl ‚Ó ‚ÂÏfl Ë„˚ ̇ ËÌÒÚÛÏÂÌÚÂ.
ÌÂÔ‡‚ËθÌÓÈ ‡·ÓÚ˚ ËÌÒÚÛÏÂÌÚ‡. ëÓı‡ÌflÈÚ ̇˷ÓΠ‚‡ÊÌ˚Â
‰‡ÌÌ˚ ̇ ‰ËÒÍÂÚÂ.
é·ÒÎÛÊË‚‡ÌËÂ
èË ËÁÏÂÌÂÌËË Ô‡‡ÏÂÚÓ‚ ̇ ÒÚ‡Ìˈ ˝Í‡Ì‡ ‰‡ÌÌ˚Â Ó Ì‡ÒÚÓÈÍÂ
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ÑÎfl ˜ËÒÚÍË ËÌÒÚÛÏÂÌÚ‡ ÔÓθÁÛÈÚÂÒ¸ Ïfl„ÍÓÈ ÒÛıÓÈ Ú̸͇˛. çËÍÓ„‰‡ ÌÂ
ÒËÒÚÂÏ˚ (Ô˜ËÒÎÂÌÌ˚ ‚ Ú‡·Îˈ ԇ‡ÏÂÚÓ‚ ÔÓÒÚ‡‚ÎflÂÏÓ„Ó
ËÒÔÓθÁÛÈÚ ÔflÚÌÓ‚˚‚Ó‰ËÚÂÎË, ‡ÒÚ‚ÓËÚÂÎË, ÊˉÍË ӘËÒÚËÚÂÎË ËÎË
ÓÚ‰ÂθÌÓ Ò·ÓÌË͇ Ú‡·Îˈ) ÔÓÒΠ‚˚ıÓ‰‡ ÒÓı‡Ìfl˛ÚÒfl
˜ËÒÚfl˘Ë ҇ÎÙÂÚÍË Ò ÔÓÔËÚÍÓÈ.
‡‚ÚÓχÚ˘ÂÒÍË. é‰Ì‡ÍÓ ÂÒÎË Ô‰ ÓÚÍβ˜ÂÌËÂÏ ÔËÚ‡ÌËfl Ì ·˚·
‚˚ÔÓÎÌÂ̇ ̇‰ÎÂʇ˘‡fl Ôӈ‰ۇ ‚˚ıÓ‰‡ ËÁ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó
åÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË ÔË ˝ÍÒÔÎÛ‡Ú‡ˆËË
˝Í‡Ì‡, ‚Ò ˝ÚË ËÁÏÂÌÂÌËfl ·Û‰ÛÚ ÛÚ‡˜ÂÌ˚.
•
ç Á‡ÒÓ‚˚‚‡ÈÚ ԇθˆ˚ ‚ Á‡ÁÓ˚.
•
çËÍÓ„‰‡ Ì Á‡ÒÓ‚˚‚‡ÈÚÂ Ë Ì ÓÌflÈÚ ·Ûχ„Û, ÏÂÚ‡Î΢ÂÒÍËÂ Ë ÔÓ˜ËÂ
ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ‰ËÒÍÂÚ˚
Ô‰ÏÂÚ˚ ‚ ÓÚ‚ÂÒÚËfl Ë Á‡ÁÓ˚ ̇ Ô‡ÌÂÎË Ë Í·‚ˇÚÛÂ. ÖÒÎË ˝ÚÓ
•
óÚÓ·˚ ‰‡ÌÌ˚ Ì ÔÓÔ‡ÎË ËÁ-Á‡ ÔÓ‚ÂʉÂÌËfl ÌÓÒËÚÂÎfl, ÂÍÓÏẨÛÂÚÒfl
ÔÓËÁÓ¯ÎÓ, ÌÂωÎÂÌÌÓ ÓÚÍβ˜ËÚ ÔËÚ‡ÌËÂ Ë ‚˚̸Ú ¯ÌÛ ËÁ ÓÁÂÚÍË.
ÒÓı‡ÌflÚ¸ ̇˷ÓΠ‚‡ÊÌ˚ ‰‡ÌÌ˚ ̇ ‰‚Ûı ‰ËÒÍÂÚ‡ı.
á‡ÚÂÏ Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í ÒÔˆˇÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌ˘ÂÒÍÓ„Ó
Ó·ÒÎÛÊË‚‡ÌËfl ÍÓÔÓ‡ˆËË Yamaha.
•
ç Í·‰ËÚ ̇ ËÌÒÚÛÏÂÌÚ Ô‰ÏÂÚ˚ ËÁ ‚ËÌË·, Ô·ÒÚχÒÒ˚ ËÎË ÂÁËÌ˚:
˝ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í Ó·ÂÒˆ‚˜˂‡Ì˲ Ô‡ÌÂÎË Ë Í·‚ˇÚÛ˚.
•
ç ҇‰ËÚÂÒ¸ ̇ ËÌÒÚÛÏÂÌÚ Ë Ì ÒÚ‡‚¸Ú ̇ ÌÂ„Ó ÚflÊÂÎ˚ Ô‰ÏÂÚ˚, ‡
Ú‡ÍÊ ËÁ·Â„‡ÈÚ ˜ÂÁÏÂÌ˚ı ÛÒËÎËÈ ÔË ÔÓθÁÓ‚‡ÌËË ÍÌÓÔ͇ÏË,
‚˚Íβ˜‡ÚÂÎflÏË Ë ‡Á˙ÂχÏË.
•
ç ÒΉÛÂÚ ‰ÓÎ„Ó ‡·ÓÚ‡Ú¸ Ò ‚˚ÒÓÍËÏ ËÎË ËÁ·˚ÚÓ˜Ì˚Ï ÛÓ‚ÌÂÏ
„ÓÏÍÓÒÚË: ˝ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚ ÒÎÛı‡. èË ‚ÂÏÂÌÌÓÈ ÔÓÚÂÂ
ÒÎÛı‡ ËÎË Á‚ÓÌ ‚ Û¯‡ı Ó·‡ÚËÚÂÒ¸ Í ‚‡˜Û.
åÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË ÔË ‡·ÓÚÂ Ò ‰‡ÌÌ˚ÏË
çàäéÉÑÄ Ì ‚˚Íβ˜‡ÈÚ ÔËÚ‡ÌË ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100/1100, ÂÒÎË Ì‡ ‰ËÒÍ USER/‰ËÒÍÂÚ FLOPPY DISK ‚˚ÔÓÎÌfl˛ÚÒfl
ÓÔ‡ˆËË Ò ‰‡ÌÌ˚ÏË (̇ÔËÏÂ, ÒÓı‡ÌÂÌËÂ, Û‰‡ÎÂÌË ËÎË ÍÓÔËÓ‚‡ÌËÂ), ‰Ó ÔÓÎÌÓ„Ó Á‡‚¯ÂÌËfl ÓÔ‡ˆËË. é·flÁ‡ÚÂθÌÓ
ÔÓ‰ÓʉËÚÂ, ÔÓ͇ Ì ËÒ˜ÂÁÌÂÚ ÔÓfl‚Ë‚¯ÂÂÒfl ÒÓÓ·˘ÂÌËÂ.
éÚÍβ˜ÂÌË ÔËÚ‡ÌËfl ‚Ó ‚ÂÏfl ˝ÚËı ÓÔ‡ˆËÈ ÔË‚Ó‰ËÚ Í ÔÓÚ ‰‡ÌÌ˚ı, ÒÓı‡ÌflÂÏ˚ı ËÎË ÍÓÔËÛÂÏ˚ı ̇ ÒÓÓÚ‚ÂÚÒÚ‚Û-
˛˘ËÈ ÌÓÒËÚÂθ.
ÇÓ ‚ÂÏfl Ú‡ÍËı ÓÔ‡ˆËÈ ÓÒÓ·ÂÌÌÓ ‚‡ÊÌÓ ÒÓı‡ÌflÚ¸ ÔÓ‰‡˜Û ÔËÚ‡ÌËfl Í ‰ËÒÍÛ USER. éÚÍβ˜ÂÌË ÔËÚ‡ÌËfl ‚Ó ‚ÂÏfl
ÒÓı‡ÌÂÌËfl/Û‰‡ÎÂÌËfl/ÍÓÔËÓ‚‡ÌËfl ‰‡ÌÌ˚ı ̇ ‰ËÒÍ USER ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚ ÇëÖï ‰‡ÌÌ˚ı ̇ ˝ÚÓÏ ‰ËÒÍ (ÔË
ÒÎÂ‰Û˛˘ÂÏ ‚Íβ˜ÂÌËË ÔËÚ‡ÌËfl), ‡ Ì ÚÓθÍÓ ‰‡ÌÌ˚ı, Ò ÍÓÚÓ˚ÏË ‚˚ÔÓÎÌfl·Ҹ ÓÔ‡ˆËfl. ÑÛ„ËÏË ÒÎÓ‚‡ÏË, ‚˚ÔÓÎÌflfl
ÓÔ‡ˆËË ÒÓı‡ÌÂÌËfl/Û‰‡ÎÂÌËfl/ÍÓÔËÓ‚‡ÌËfl ÚÓθÍÓ Ò ‰‡ÌÌ˚ÏË ÔÂÒÂÌ Ì‡ ‰ËÒÍ USER Ë ÓÚÍβ˜Ë‚ ÔËÚ‡ÌË ‰Ó Á‡‚¯ÂÌËfl
ÓÔ‡ˆËË, ÏÓÊÌÓ ÔÓÚÂflÚ¸ ÇëÖ ‰‡ÌÌ˚ ̇ ‰ËÒÍ USER, ‚ ÚÓÏ ˜ËÒΠ‚Ò ÚÂÏ·˚, ÒÚËÎË, ·‡ÌÍË ÏÛθÚËÔ˝‰Ó‚ Ë Ì‡ÒÚÓÈÍË
„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË, ÍÓÚÓ˚ ·˚ÎË ÒÓı‡ÌÂÌ˚ ̇ ‰ËÒÍ USER.
ùÚË ÏÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË Ú‡ÍÊ ÓÚÌÓÒflÚÒfl Í ÒÓÁ‰‡Ì˲ ÌÓ‚ÓÈ Ô‡ÔÍË Ì‡ ‰ËÒÍ USER ËÎË ÓÔ‡ˆËË ÔÓ ËÒÔÓθÁÓ‚‡Ì˲
̇ÒÚÓÂÍ ËÁ„ÓÚÓ‚ËÚÂÎfl (
ÒÚ 154
).
äÓÔÓ‡ˆËfl Yamaha Ì ÌÂÒÂÚ ÓÚ‚ÂÚÒÚ‚ÂÌÌÓÒÚË Á‡ ÔÓ‚ÂʉÂÌËfl, ‚ÓÁÌËͯË ËÁ-Á‡ ÌÂÔ‡‚ËθÌÓÈ ˝ÍÒÔÎÛ‡Ú‡ˆËË ËÎË ËÁ-Á‡ ÏÓ‰ËÙË͇ˆËË
ËÌÒÚÛÏÂÌÚ‡, ‡ Ú‡ÍÊ Á‡ ÛÚ‡˜ÂÌÌ˚ ËÎË ËÒÔÓ˜ÂÌÌ˚ ‰‡ÌÌ˚Â.
ÇÒ„‰‡ ÓÚÍβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ ÔÓ ÓÍÓ̘‡ÌËË ‡·ÓÚ˚.
чÊ ‚ ÚÂı ÒÎÛ˜‡flı, ÍÓ„‰‡ ‚˚Íβ˜‡ÚÂθ ÔËÚ‡ÌËfl ̇ıÓ‰ËÚÒfl ‚ ÔÓÎÓÊÂÌËË «STANDBY», ËÌÒÚÛÏÂÌÚ ÔÓ‰ÓÎʇÂÚ ‚ ÏËÌËχθÌ˚ı ÍÓ΢ÂÒÚ-
‚‡ı ÔÓÚ·ÎflÚ¸ ˝ÎÂÍÚÓ˝Ì„˲. ÖÒÎË ËÌÒÚÛÏÂÌÚ Ì ËÒÔÓθÁÛÂÚÒfl ‰ÎËÚÂθÌÓ ‚ÂÏfl, ۷‰ËÚÂÒ¸, ˜ÚÓ ‡‰‡ÔÚ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇ ÓÚÍβ-
˜ÂÌ ÓÚ ÓÁÂÚÍË.
(3)-7
2/2
4
PSR-2100/1100
ëÔ‡ÒË·Ó Á‡ ÔËÓ·ÂÚÂÌË ÒËÌÚÂÁ‡ÚÓ‡ Yamaha PSR-2100/1100!
êÂÍÓÏẨÛÂÏ ‚ÌËχÚÂθÌÓ ÓÁ̇ÍÓÏËÚ¸Òfl Ò ‰‡ÌÌ˚Ï ÛÍÓ‚Ó‰ÒÚ‚ÓÏ,
˜ÚÓ·˚ ÔÓÎÛ˜ËÚ¸ ̇˷ÓΠÔÓÎÌÓ Ô‰ÒÚ‡‚ÎÂÌË ӷ Óڂ˜‡˛˘Ëı ÒÓ‚ÂÏÂÌÌ˚Ï
Ú·ӂ‡ÌËflÏ ÙÛÌ͈ËÓ̇θÌ˚ı ‚ÓÁÏÓÊÌÓÒÚflı ÏÓ‰ÂÎË PSR-2100/1100.
ç‡ÒÚÓflÚÂθÌÓ ÂÍÓÏẨÛÂÏ ı‡ÌËÚ¸ ÛÍÓ‚Ó‰ÒÚ‚Ó
‚ Û‰Ó·ÌÓÏ Ë Ì‡‰ÂÊÌÓÏ ÏÂÒÚÂ, ˜ÚÓ·˚ ÓÌÓ ‚Ò„‰‡ ·˚ÎÓ ÔÓ‰ ÛÍÓÈ.
PSR-2100/1100
5
ÑÓÔÓÎÌËÚÂθÌ˚ ÔË̇‰ÎÂÊÌÓÒÚË
■
ĉ‡ÔÚ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇ PA-300
*
■
ÑËÒÍÂÚ‡ (ÔÛÒÚ‡fl)
■
è˛ÔËÚ (ÒÚ. 17)
■
ë·ÓÌËÍ Ú‡·Îˈ
■
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
* åÓÊÂÚ Ì ‚ıÓ‰ËÚ¸ ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË ‰Îfl ‚‡¯Â„Ó Â„ËÓ̇. ë‚flÊËÚÂÒ¸ Ò Â„ËÓ̇θÌ˚Ï ‰ËÎÂÓÏ Yamaha.
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl Ë Ò·ÓÌËÍ Ú‡·Îˈ
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl ÒÓÒÚÓËÚ ËÁ ˜ÂÚ˚Âı ÓÒÌÓ‚Ì˚ı ‡Á‰ÂÎÓ‚: «Ç‚‰ÂÌË», «ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó, «éÒÌÓ‚Ì˚Â
Ò‰ÒÚ‚‡ ÛÔ‡‚ÎÂÌËfl» Ë «ëÔ‡‚Ó˜Ì˚ χÚ¡Î˚».
äÓÏ ÚÓ„Ó, ÓÚ‰ÂθÌÓ ÔÓÒÚ‡‚ÎflÂÚÒfl Ò·ÓÌËÍ Ú‡·Îˈ.
ǂ‰ÂÌË (ÒÚ. 2):
ë ˝ÚËÏ ‡Á‰ÂÎÓÏ ÒΉÛÂÚ ÓÁ̇ÍÓÏËÚ¸Òfl ‚ ÔÂ‚Û˛ Ә‰¸.
ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó (ÒÚ. 20):
ê‡Á‰ÂÎ ÒÓ‰ÂÊËÚ Ò‚Â‰ÂÌËfl Ó· ÓÒÌÓ‚Ì˚ı ÙÛÌ͈ËÓ̇θÌ˚ı ‚ÓÁÏÓÊÌÓÒÚflı
ËÌÒÚÛÏÂÌÚ‡.
éÒÌÓ‚Ì˚ Ò‰ÒÚ‚‡ ÛÔ‡‚ÎÂÌËfl (ÒÚ. 38):
ê‡Á‰ÂÎ ÒÓ‰ÂÊËÚ Ò‚Â‰ÂÌËfl Ó ÚÓÏ, Í‡Í ËÒÔÓθÁÛ˛ÚÒfl ÓÒÌÓ‚Ì˚ Ò‰ÒÚ‚‡
ÛÔ‡‚ÎÂÌËfl, ‚ ÚÓÏ ˜ËÒΠ˝Í‡ÌÌ˚ ˝ÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl.
ëÔ‡‚Ó˜Ì˚ χÚ¡Î˚ (ÒÚ. 55):
ê‡Á‰ÂÎ ÒÓ‰ÂÊËÚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó Ì‡ÒÚÓÈ͇ı ËÌÒÚÛÏÂÌÚ‡ ‰Îfl Ò‡Ï˚ı
‡Á΢Ì˚ı ÒÔÓÒÓ·Ó‚ ÔËÏÂÌÂÌËfl PSR-2100/1100.
ë·ÓÌËÍ Ú‡·Îˈ:
ÒÔËÒÓÍ „ÓÎÓÒÓ‚, ÙÓÏ‡Ú ‰‡ÌÌ˚ı MIDI Ë Ú. Ô.
* àÎβÒÚ‡ˆËË Ë ÒÌËÏÍË Üä-˝Í‡ÌÓ‚ Ô˂‰ÂÌ˚ ‚ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl ÚÓθÍÓ ‚ ͇˜ÂÒÚ‚Â ÔËÏÂÓ‚, ‚ ‰ÂÈÒÚ‚ËÚÂθÌÓÒÚË ‚Ò ÏÓÊÂÚ
‚˚„Îfl‰ÂÚ¸ ÌÂÒÍÓθÍÓ Ë̇˜Â.
* ëÌËÏÍË ˝Í‡ÌÓ‚ Operation Guide (ÛÍÓ‚Ó‰ÒÚ‚‡ ÔÓ ˝ÍÒÔÎÛ‡Ú‡ˆËË), Ô˂‰ÂÌÌ˚ ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â, ‚˚ÔÓÎÌÂÌ˚ ‰Îfl ÏÓ‰ÂÎË PSR-2100 Ë
Ô‰ÒÚ‡‚ÎÂÌ˚ ÚÓθÍÓ Ì‡ ‡Ì„ÎËÈÒÍÓÏ flÁ˚ÍÂ.
* чÌÌ˚È ÔÓ‰ÛÍÚ (PSR-2100) ÔÓËÁ‚‰ÂÌ ÔÓ ÎˈÂÌÁËË, Á‡˘Ë˘ÂÌÌÓÈ Ô‡ÚÂÌÚ‡ÏË ëòÄ No.5231671, No.5301259, No.5428708, ‡ Ú‡ÍÊÂ
Ô‡ÚÂÌÚÓÏ No.5567901, ÔË̇‰ÎÂʇ˘ËÏ IVL Technologies Ltd.
* ê‡ÒÚÓ‚˚ ¯ËÙÚ˚, ËÒÔÓθÁÛÂÏ˚ ‚ ‰‡ÌÌÓÏ ËÌÒÚÛÏÂÌÚÂ, Ô‰ÓÒÚ‡‚ÎÂÌ˚ ÍÓÏÔ‡ÌËÂÈ Ricoh Co., Ltd. Ë fl‚Îfl˛ÚÒfl  ÒÓ·ÒÚ‚ÂÌÌÓÒÚ¸˛.
* çÂÒ‡Ì͈ËÓÌËÓ‚‡ÌÌÓ ÍÓÔËÓ‚‡ÌË ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ˜ÂÌËfl, Á‡˘Ë˘ÂÌÌÓ„Ó ‡‚ÚÓÒÍËÏ Ô‡‚ÓÏ, ÍÓÏÂ Í‡Í ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ÍÓ̘Ì˚Ï
ÔÓθÁÓ‚‡ÚÂÎÂÏ ‚ ΢Ì˚ı ˆÂÎflı, Á‡Ô¢‡ÂÚÒfl.
ÄÇíéêëäàÖ èêÄÇÄ
чÌÌ˚È ÔÓ‰ÛÍÚ ‚Íβ˜‡ÂÚ Ì‡·Ó ÍÓÏÔ¸˛ÚÂÌ˚ı ÔÓ„‡ÏÏ Ë ËÌÙÓχˆËÓÌÌ˚ı ‰‡ÌÌ˚ı, ÒÂ‰Ë ÍÓÚÓ˚ı ÂÒÚ¸ ÓË„Ë̇θÌ˚ ‡Á‡·ÓÚÍË Yamaha
ËÎË ÔÓ„‡ÏÏ˚, ‰Îfl ÍÓÚÓ˚ı ËÏÂÂÚÒfl ÎˈÂÌÁËfl ̇ ËÒÔÓθÁÓ‚‡ÌË ‰Û„Ëı ‡‚ÚÓÒÍËı Ô‡‚. í‡ÍË ‡‚ÚÓÒÍË ԇ‚‡ ‚Íβ˜‡˛Ú, ·ÂÁ Ó„‡Ì˘ÂÌËfl,
‚Ò ÔÓ„‡ÏÏÌÓ ӷÂÒÔ˜ÂÌËÂ, Ù‡ÈÎ˚ ÒÚËÎfl, MIDI Ù‡ÈÎ˚, ‰‡ÌÌ˚ WAVE Ë Á‡ÔËÒË Á‚ÛÍÓ‚. ã˛·Ó ÌÂÒ‡Ì͈ËÓÌËÓ‚‡ÌÌÓ ËÒÔÓθÁÓ‚‡ÌË ڇÍËı
ÔÓ„‡ÏÏ Ë ËÌÙÓχˆËÓÌÌ˚ı ‰‡ÌÌ˚ı Ì ‰ÓÔÛÒÚËÏÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ Á‡ÍÓÌÓ‰‡ÚÂθÒÚ‚ÓÏ. ã˛·Ó ̇ۯÂÌË ‡‚ÚÓÒÍËı Ô‡‚ ‚ΘÂÚ Á‡ ÒÓ·ÓÈ
˛Ë‰Ë˜ÂÒÍÛ˛ ÓÚ‚ÂÚÒÚ‚ÂÌÌÓÒÚ¸. çÖ èêéàáÇéÑàíÖ, çÖ êÄëèêéëíêÄçüâíÖ à çÖ àëèéãúáìâíÖ çÖáÄäéççõÖ äéèàà.
íÓ„Ó‚˚ Á̇ÍË:
• Apple Ë Macintosh fl‚Îfl˛ÚÒfl Óı‡ÌflÂÏ˚ÏË ÚÓ„Ó‚˚ÏË Á͇̇ÏË ÍÓÔÓ‡ˆËË Apple Computer.
• IBM-PC/AT fl‚ÎflÂÚÒfl Óı‡ÌflÂÏ˚Ï ÚÓ‚‡Ì˚Ï Á̇ÍÓÏ ÍÓÔÓ‡ˆËË International Business Machines.
• Windows fl‚ÎflÂÚÒfl Óı‡ÌflÂÏ˚Ï ÚÓ‚‡Ì˚Ï Á̇ÍÓÏ ÍÓÔÓ‡ˆËË Microsoft®.
• ÇÒ ÓÒڇθÌ˚ ÚÓ„Ó‚˚ Á̇ÍË fl‚Îfl˛ÚÒfl ÒÓ·ÒÚ‚ÂÌÌÓÒÚ¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ‚·‰ÂθˆÂ‚.
6
PSR-2100/1100
àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ
é·‡˘‡ÈÚÂÒ¸ Ò ‰ËÒÍÂÚ‡ÏË Ë ‰ËÒÍÓ‚Ó‰ÓÏ ·ÂÂÊÌÓ. Ç˚ÔÓÎÌflÈÚ ‚Ò Ô˜ËÒÎÂÌÌ˚ ÌËÊ ÏÂ˚ Ô‰ÓÒÚÓÓÊÌÓÒÚË.
• çËÍÓ„‰‡ Ì Ô˚Ú‡ÈÚÂÒ¸ ‚˚ÌËχڸ ‰ËÒÍÂÚÛ ËÎË ‚˚Íβ˜‡Ú¸
ëÓ‚ÏÂÒÚËÏ˚ ÚËÔ˚ ‰ËÒÍÂÚ
ÔËÚ‡ÌËÂ, ÍÓ„‰‡ ˉÂÚ Á‡ÔËÒ¸ ‰‡ÌÌ˚ı. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í
ÔÓ‚ÂʉÂÌ˲ ‰ËÒÍÂÚ˚, ‡ ‚ ÌÂÍÓÚÓ˚ı ÒÎÛ˜‡flı Ë ‰ËÒÍÓ‚Ó‰‡.
• ÑÓÔÛÒ͇ÂÚÒfl ËÒÔÓθÁÓ‚‡ÌË ÚËÔÓ‚ ‰ËÒÍÂÚ 3,5" 2DD Ë 2HD.
å‰ÎÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍÛ ËÁ‚ΘÂÌËfl ‰ËÒÍÂÚ˚ ‰Ó ÛÔÓ‡, Ë
‰ËÒÍÂÚ‡ ‡‚ÚÓχÚ˘ÂÒÍË ‚˚ȉÂÚ ËÁ ‰ËÒÍÓ‚Ó‰‡. èÓÒΠÚÓ„Ó
Í‡Í ‰ËÒÍÂÚ‡ ÔÓÎÌÓÒÚ¸˛ ‚˚ȉÂÚ ËÁ ‰ËÒÍÓ‚Ó‰‡, ÓÒÚÓÓÊÌÓ
ÇÒÚ‡‚͇/ËÁ‚ΘÂÌË ‰ËÒÍÂÚ
ËÁ‚ÎÂÍËÚÂ ÂÂ.
• ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ ËÁ‚ΘÂÌËfl ‰ËÒÍÂÚ˚ ÒÎ˯ÍÓÏ ·˚ÒÚÓ
óÚÓ·˚ ‚ÒÚ‡‚ËÚ¸ ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰, ÌÂÓ·ıÓ‰ËÏÓ
ËÎË Ì‡Ê‡Ú¸  ̠‰Ó ÍÓ̈‡, ‰ËÒÍÂÚ‡ ÏÓÊÂÚ ‚˚ÈÚË ÌÂÔ‡-
‚ËθÌÓ. äÌÓÔ͇ ËÁ‚ΘÂÌËfl ‰ËÒÍÂÚ˚ ÏÓÊÂÚ Á‡ÒÚflÚ¸ ̇
‚˚ÔÓÎÌËÚ¸ ÒÎÂ‰Û˛˘Ë ‰ÂÈÒÚ‚Ëfl.
ÔÓÎÔÛÚË Ú‡ÍËÏ Ó·‡ÁÓÏ, ˜ÚÓ ‰ËÒÍÂÚ‡ ‚˚ȉÂÚ ËÁ ‰ËÒÍÓ‚Ó‰‡
• ÑÂÊËÚ ‰ËÒÍÂÚÛ Ì‡ÍÎÂÈÍÓÈ ‚‚Âı, Ó·Ú˛‡ÚÓÓÏ ‚Ô‰ ÔÓ
ÚÓθÍÓ Ì‡ ÌÂÒÍÓθÍÓ ÏËÎÎËÏÂÚÓ‚. ÖÒÎË ˝ÚÓ ÒÎÛ˜ËÚÒfl, ÌÂ
̇ԇ‚ÎÂÌ˲ Í ÔÓÂÁË ‰ËÒÍÓ‚Ó‰‡. éÒÚÓÓÊÌÓ ‚ÒÚ‡‚¸ÚÂ
Ô˚Ú‡ÈÚÂÒ¸ ‚˚Ú‡˘ËÚ¸ ‚˚¯Â‰¯Û˛ ̇ÔÓÎÓ‚ËÌÛ ‰ËÒÍÂÚÛ, ÔË-
‰ËÒÍÂÚÛ ‚ ÔÓÂÁ¸, ÔÓÚÓÎÍÌËÚ ‚Ô‰ ‰Ó ÛÔÓ‡, ÔÓ͇ ÌÂ
ÏÂÌÂÌË ÒËÎ˚ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲ ÏÂı‡ÌËÁχ
ÛÒÎ˚¯ËÚ ˘ÂΘÓÍ Ë ÍÌÓÔ͇ ËÁ‚ΘÂÌËfl ‰ËÒÍÂÚ˚ Ì ÔËÏÂÚ
‰ËÒÍÓ‚Ó‰‡ ËÎË Ò‡ÏÓÈ ‰ËÒÍÂÚ˚. óÚÓ·˚ ËÁ‚Θ¸ ̇ÔÓÎÓ‚ËÌÛ
ËÒıÓ‰ÌÓ ÔÓÎÓÊÂÌËÂ.
‚˚¯Â‰¯Û˛ ‰ËÒÍÂÚÛ, ÔÓÔÓ·ÛÈÚ ̇ʇڸ ÍÌÓÔÍÛ Â˘Â ‡Á
ËÎË ‚ÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ Ó·‡ÚÌÓ ‚ ‰ËÒÍÓ‚Ó‰ Ë ÔÓ‚ÚÓËÚÂ
ë‚ÂÚÓ‚ÓÈ Ë̉Ë͇ÚÓ ‰ËÒÍÓ‚Ó‰‡
Ôӈ‰ÛÛ ËÁ‚ΘÂÌËfl ‰ËÒÍÂÚ˚.
äÓ„‰‡ ÔËÚ‡ÌË ‚Íβ˜ÂÌÓ, Ò‚ÂÚÓ‚ÓÈ Ë̉Ë͇ÚÓ ‰ËÒÍÓ‚Ó‰‡
• èÂʉ ˜ÂÏ ÓÚÍβ˜‡Ú¸ ÔËÚ‡ÌËÂ, ۷‰ËÚÂÒ¸, ˜ÚÓ ‚ ‰ËÒÍÓ-
(Ò΂‡ ‚ÌËÁÛ) „ÓËÚ, Û͇Á˚‚‡fl, ˜ÚÓ ‰ËÒÍÓ‚Ó‰ ÏÓÊÌÓ
‚Ӊ Ì ÓÒڇ·Ҹ ‰ËÒÍÂÚ‡. ÑËÒÍÂÚ‡, ̇ıÓ‰fl˘‡flÒfl ‚ ‰ËÒÍÓ-
ËÒÔÓθÁÓ‚‡Ú¸.
‚Ӊ ‰ÎËÚÂθÌÓ ‚ÂÏfl, ÏÓÊÂÚ ÔÓÍ˚Ú¸Òfl Ô˚θ˛ Ë Á‡„flÁ-
ÌËÚ¸Òfl, ˜ÚÓ Ó·˚˜ÌÓ ÔË‚Ó‰ËÚ Í Ó¯Ë·Í‡Ï ÔË Ò˜ËÚ˚‚‡ÌËË Ë
Á‡ÔËÒË ‰‡ÌÌ˚ı.
é˜ËÒÚ͇ „ÓÎÓ‚ÍË ‰ËÒÍÓ‚Ó‰‡ ‰Îfl Ò˜ËÚ˚‚‡ÌËfl/
Á‡ÔËÒË ‰‡ÌÌ˚ı
• çÂÓ·ıÓ‰ËÏÓ Â„ÛÎflÌÓ Ó˜Ë˘‡Ú¸ „ÓÎÓ‚ÍÛ Ò˜ËÚ˚‚‡ÌËfl/Á‡ÔËÒË
‰‡ÌÌ˚ı. ëËÌÚÂÁ‡ÚÓ ÓÒ̇˘ÂÌ Ï‡„ÌËÚÌÓÈ „ÓÎÓ‚ÍÓÈ Ò˜ËÚ˚‚‡-
óÚÓ·˚ ËÁ‚Θ¸ ‰ËÒÍÂÚÛ, ‚˚ÔÓÎÌËÚ ÒÎÂ‰Û˛˘ËÂ
ÌËfl/Á‡ÔËÒË ‚˚ÒÓÍÓÈ ÚÓ˜ÌÓÒÚË, ̇ ÍÓÚÓÓÈ ÔÓÒΠ‰ÎËÚÂθÌÓ-
‰ÂÈÒÚ‚Ëfl.
„Ó ËÒÔÓθÁÓ‚‡ÌËfl Ó·‡ÁÛÂÚÒfl ÒÎÓÈ Ï‡„ÌËÚÌ˚ı ˜‡ÒÚˈ Ò ËÒ-
èÂʉ ˜ÂÏ ‚˚ÌËχڸ ‰ËÒÍÂÚÛ, ۷‰ËÚÂÒ¸, ˜ÚÓ Ì‡ Ì ÌÂ
ÔÓθÁÓ‚‡ÌÌ˚ı ‰ËÒÍÂÚ, ˜ÚÓ ÏÓÊÂÚ ÒÓ ‚ÂÏÂÌÂÏ ÔË‚ÂÒÚË Í
Á‡ÔËÒ˚‚‡˛ÚÒfl ‰‡ÌÌ˚Â.
Ó¯Ë·Í‡Ï ÔË Ò˜ËÚ˚‚‡ÌËË Ë Á‡ÔËÒË ‰‡ÌÌ˚ı.
ÖÒÎË Ì‡ ‰ËÒÍÂÚÛ Á‡ÔËÒ˚‚‡˛ÚÒfl ‰‡ÌÌ˚ ÚÂÍÛ˘ÂÈ ÓÔ‡ˆËË,
• óÚÓ·˚ ÔÓ‰‰ÂÊË‚‡Ú¸ ‰ËÒÍÓ‚Ó‰ ‚ ‡·Ó˜ÂÏ ÒÓÒÚÓflÌËË, ÍÓ-
̇ ˝Í‡Ì ÔÓfl‚ÎflÂÚÒfl ÒÓÓ·˘ÂÌË «Now executing»
ÔÓ‡ˆËfl Yamaha ÂÍÓÏẨÛÂÚ ‡Á ‚ ÏÂÒflˆ ËÒÔÓθÁÓ‚‡Ú¸
(«Ç˚ÔÓÎÌflÂÚÒfl Á‡ÔËÒ¸ ‰‡ÌÌ˚ı»), «Now copying» («à‰ÂÚ
Ëϲ˘Û˛Òfl ‚ ÔÓ‰‡Ê ÒÔˆˇθÌÛ˛ ‰ËÒÍÂÚÛ ÒÛıÓ„Ó ÚËÔ‡
ÍÓÔËÓ‚‡ÌË ‰‡ÌÌ˚ı») ËÎË «Now formatting»
‰Îfl Ó˜ËÒÚÍË „ÓÎÓ‚ÍË. óÚÓ·˚ ‚˚flÒÌËÚ¸, ËϲÚÒfl ÎË ÔÓ‰‡ÊÂ
(«èÓËÁ‚Ó‰ËÚÒfl ÙÓχÚËÓ‚‡ÌË»).
ÌÛÊÌ˚ ‰ËÒÍÂÚ˚ ‰Îfl Ó˜ËÒÚÍË „ÓÎÓ‚ÍË, Ò‚flÊËÚÂÒ¸ Ò ÏÂÒÚ-
• èÂÂÏ¢ÂÌËÂ, ÍÓÔËÓ‚‡ÌËÂ, ‚ÒÚ‡‚͇, ÒÓı‡ÌÂÌË Ë
Ì˚Ï ‰ËÎÂÓÏ ÍÓÔÓ‡ˆËË Yamaha.
Û‰‡ÎÂÌË ‰‡ÌÌ˚ı (ÒÚ. 45 - 47).
• Ç ‰ËÒÍÓ‚Ó‰ ÏÓÊÌÓ ‚ÒÚ‡‚ÎflÚ¸ ÚÓθÍÓ ‰ËÒÍÂÚ˚ Û͇Á‡ÌÌ˚ı
• Ç˚·Ó ËÏÂÌ Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ (ÒÚ. 44); ÒÓÁ‰‡ÌË ÌÓ‚ÓÈ
‚˚¯Â ÚËÔÓ‚. èË ÔÓÔ˚ÚÍ ‚ÒÚ‡‚ËÚ¸ ͇ÍËÂ-ÎË·Ó ÔÓÒÚÓÓÌÌËÂ
Ô‡ÔÍË (ÒÚ. 47).
Ô‰ÏÂÚ˚ ÏÓÊÌÓ Ôӂ‰ËÚ¸ ‰ËÒÍÓ‚Ó‰ Ë Ëϲ˘Û˛Òfl ‚ ÌÂÏ
• äÓÔËÓ‚‡ÌË ‰ËÒÍÂÚ˚ ̇ ‰Û„ÓÈ ‰ËÒÍ (ÒÚ. 153);
‰ËÒÍÂÚÛ.
ÙÓχÚËÓ‚‡ÌË ‰ËÒÍÂÚ˚ (ÒÚ. 153).
äÌÓÔ͇ ËÁ‚ΘÂÌËfl
‰ËÒÍÂÚ˚
PSR-2100/1100
7
ÑÎfl Á‡˘ËÚ˚ ‰‡ÌÌ˚ı ̇ ‰ËÒÍÂÚ ‚˚ÔÓÎÌËÚÂ
낉ÂÌËfl Ó ‰ËÒÍÂÚ‡ı
ÒÎÂ‰Û˛˘Ë ‰ÂÈÒÚ‚Ëfl (Á‡˘ÂÎ͇ ‰Îfl Á‡˘ËÚ˚ ÓÚ
Á‡ÔËÒË).
éÒÚÓÓÊÌÓ ӷ‡˘ÂÌËÂ Ò ‰ËÒÍÂÚ‡ÏË Ô‰ÔÓ·„‡ÂÚ
• óÚÓ·˚ Á‡˘ËÚËÚ¸ ‚‡ÊÌ˚ ‰‡ÌÌ˚ ÓÚ ÒÎÛ˜‡ÈÌÓ„Ó ÒÚˇÌËfl,
Òӷβ‰ÂÌË ÒÎÂ‰Û˛˘Ëı ÏÂ.
ÔÂÂÏÂÒÚËÚ Á‡˘ÂÎÍÛ ‚ ÔÓÎÓÊÂÌË «Á‡˘ËÚ˚» (ÓÚ‚ÂÒÚËÂ
• ç ÒÚ‡‚¸Ú ̇ ‰ËÒÍÂÚ˚ ÚflÊÂÎ˚ Ô‰ÏÂÚ˚, Ì ҄˷‡ÈÚ Ë
ÓÚÍ˚ÚÓ).
Ì ÔËÏÂÌflÈÚ ÒËÎÛ ÔË Ó·‡˘ÂÌËË Ò ÌËÏË. äÓ„‰‡ ‰ËÒÍÂÚ˚
Ì ËÒÔÓθÁÛ˛ÚÒfl, ı‡ÌËÚ Ëı ‚ Á‡˘ËÚÌ˚ı ÙÛÚÎfl‡ı.
• ç ÔÓ‰‚„‡ÈÚ ‰ËÒÍÂÚ˚ ‚ÓÁ‰ÂÈÒڂ˲ ÔflÏÓ„Ó ÒÓÎ̘ÌÓ„Ó
Ò‚ÂÚ‡, ÒÎ˯ÍÓÏ ÌËÁÍËı Ë ÒÎ˯ÍÓÏ ‚˚ÒÓÍËı ÚÂÏÔ‡ÚÛ,
ËÁ·˚ÚÓ˜ÌÓÈ ‚·ÊÌÓÒÚË, ËÁ·Â„‡ÈÚ Ò͇ÔÎË‚‡ÌËfl ̇ ÌËı
Á‡˘eÎ͇ Á‡˘ËÚ˚ ÓÚ
Ô˚ÎË Ë ÔÓÔ‡‰‡ÌËfl ÊˉÍÓÒÚË.
Á‡ÔËÒË ‚ ÓÚÍ˚ÚÓÈ
ÔÓÁˈËË
• ç ÒΉÛÂÚ ÓÚÍ˚‚‡Ú¸ ¯ÚÓÍÛ ‰ËÒÍÂÚ˚ Ë ÔË͇҇ڸÒfl Í
(Á‡ÔËÒ¸ Á‡Ôe˘ė)
ÔÓ‚ÂıÌÓÒÚË „Ë·ÍÓ„Ó ‰ËÒ͇.
• ç ÓÒÚ‡‚ÎflÈÚ ‰ËÒÍÂÚ˚ ‚ ÚÂı ÏÂÒÚ‡ı, „‰Â ÓÌË ÏÓ„ÛÚ
ÔÓ‰‚„ÌÛÚ¸Òfl ‚ÓÁ‰ÂÈÒڂ˲ χ„ÌËÚÌ˚ı ÔÓÎÂÈ ÚÂ΂ËÁÓÓ‚,
ÍÓÎÓÌÓÍ, ˝ÎÂÍÚÓÏÓÚÓÓ‚ Ë ÚÓÏÛ ÔÓ‰Ó·Ì˚ı ÛÒÚÓÈÒÚ‚.
凄ÌËÚÌ˚ ÔÓÎfl ÏÓ„ÛÚ ‚˚Á‚‡Ú¸ ˜‡ÒÚ˘ÌÛ˛ ËÎË ÔÓÎÌÛ˛
ÑÛ·ÎËÓ‚‡ÌË ‰‡ÌÌ˚ı
ÛÚ‡ÚÛ ‰‡ÌÌ˚ı, Á‡ÔËÒ‡ÌÌ˚ı ̇ ‰ËÒÍÂÚÂ, ҉·‚  ÌÂ
• ÑÎfl Ó·ÂÒÔ˜ÂÌËfl χÍÒËχθÌÓÈ ·ÂÁÓÔ‡ÒÌÓÒÚË ‰‡ÌÌ˚ı
ÔË„Ó‰ÌÓÈ Í ËÒÔÓθÁÓ‚‡Ì˲.
ÍÓÔÓ‡ˆËfl Yamaha ÂÍÓÏẨÛÂÚ ı‡ÌËÚ¸ ÍÓÔËË Ì‡Ë·ÓÎÂÂ
• çËÍÓ„‰‡ Ì ËÒÔÓθÁÛÈÚ ‰ËÒÍÂÚ˚ Ò ‰ÂÙÓÏËÓ‚‡ÌÌ˚Ï
‚‡ÊÌ˚ı ‰‡ÌÌ˚ı ̇ ‰‚Ûı ‰ËÒÍÂÚ‡ı. ùÚÓ ÔÓÁ‚ÓÎËÚ ·˚ÒÚÓ
Ó·Ú˛‡ÚÓÓÏ ËÎË ÍÓÔÛÒÓÏ.
‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ‰‡ÌÌ˚ ÔË ÔÓÚ ËÎË ÔÓ‚ÂʉÂÌËË Ó‰ÌÓÈ
• çËÍÓ„‰‡ Ì ÔËÍÂÔÎflÈÚ ÌË˜Â„Ó Í ‰ËÒÍÂÚÂ, ÍÓÏÂ
ËÁ ‰ËÒÍÂÚ. ÑÎfl ÒÓÁ‰‡ÌËfl ÂÁ‚ÌÓÈ ‰ËÒÍÂÚ˚ ËÒÔÓθÁÛÈÚÂ
ÒÔˆˇθÌ˚ı ̇ÍÎÂÂÍ, ÔÓÒÚ‡‚ÎflÂÏ˚ı ‚ÏÂÒÚÂ Ò ‰ËÒÍÂÚ‡ÏË.
ÙÛÌÍˆË˛ Á‡ÔËÒË Ò ‰ËÒÍÂÚ˚ ̇ ‰ËÒÍÂÚÛ, ÓÔËÒ‡ÌÌÛ˛ ̇
ì·Â‰ËÚÂÒ¸, ˜ÚÓ Ì‡ÍÎÂÈÍË ÔËÍÎÂÂÌ˚ ‚ ÒÔˆˇθÌÓ
ÒÚ. 153.
Ô‰̇Á̇˜ÂÌÌÓÏ ÏÂÒÚÂ.
낉ÂÌËfl Ó ÒÓÓ·˘ÂÌËflı ̇ ˝Í‡ÌÂ
àÌÓ„‰‡ ̇ ˝Í‡Ì ÔÓfl‚ÎflÂÚÒfl ÒÓÓ·˘ÂÌË (ËÌÙÓχˆËÓÌÌÓ ËÎË ÚÂ·Û˛˘Â ÓÚ‚ÂÚ‡ ̇ ‚ÓÔÓÒ) Ò ÔÓ‰Ò͇ÁÍÓÈ ÓÚÌÓÒfl˘ÂÈÒfl Í
‚˚ÔÓÎÌÂÌ˲ ÚÓÈ ËÎË ËÌÓÈ ÓÔ‡ˆËË.
èË ÔÓfl‚ÎÂÌËË Ú‡ÍÓ„Ó ÒÓÓ·˘ÂÌËfl ‰ÓÒÚ‡ÚÓ˜ÌÓ ÔÓÒÚÓ ‚˚ÔÓÎÌËÚ¸ ‚Ò ËÌÒÚÛ͈ËË Ì‡ ˝Í‡ÌÂ, ̇ʇ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ.
F
ç‡ ˝Í‡Ì ÏÓÊÌÓ ‚˚·‡Ú¸ flÁ˚Í
ÒÓÓ·˘ÂÌËÈ (ÒÚ. 52).
G
H
I
J
Ç Ô˂‰ÂÌÌÓÏ ÔËÏ ÒΉÛÂÚ
̇ʇڸ ÍÌÓÔÍÛ [G] (YES) (‰‡) ‰Îfl
‚˚ÔÓÎÌÂÌËfl ÙÓχÚËÓ‚‡ÌËfl.
8
PSR-2100/1100
é„·‚ÎÂÌËÂ
ǂ‰ÂÌË .................................................. 2
ëÔ‡‚Ó˜ÌËÍ
åÖêõ ÅÖáéèÄëçéëíà............................................................. 3
èÓË„˚‚‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı
ÑÓÔÓÎÌËÚÂθÌ˚ ÔË̇‰ÎÂÊÌÓÒÚË ........................................ 6
ÔÂÒÂÌ ....................................................... 55
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl Ë Ò·ÓÌËÍ Ú‡·Îˈ..................... 6
àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ....................................... 7
ÉÓÎÓÒ‡ ..................................................... 57
낉ÂÌËfl Ó ÒÓÓ·˘ÂÌËflı ̇ ˝Í‡ÌÂ......................................... 8
Ç˚·Ó „ÓÎÓÒ‡ ............................................................................ 57
ëÔËÒÓÍ ÔËÏÂÌÂÌËÈ ................................................................. 12
ÉÓÎÓÒ‡ Layer Ë Left — ËÒÔÓθÁÓ‚‡ÌË ÌÂÒÍÓθÍËı
éÒÌÓ‚Ì˚ ‚ÓÁÏÓÊÌÓÒÚË ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100/1100....... 14
ÚÂÏ·Ó‚................................................................................... 59
èÓ‰Íβ˜ÂÌË ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100/1100 .......................... 16
ëÎÓÈ — ëϯ˂‡ÌË ‰‚Ûı ‡ÁÌ˚ı „ÓÎÓÒÓ‚ ............................59
è‡ÌÂθÌ˚ „ÛÎflÚÓ˚ Ë ‡Á˙ÂÏ˚ ......................................18
ÉÓÎÓÒ ‰Îfl ΂ÓÈ ÛÍË — ìÒÚ‡Ìӂ͇ ‡Á΢Ì˚ı „ÓÎÓÒÓ‚
‰Îfl ΂ÓÈ Ë Ô‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ ................................60
ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó........................... 20
èËÏÂÌÂÌË ˝ÙÙÂÍÚÓ‚............................................................60
èÓË„˚‚‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ........................... 20
äÓÎÂÒ‡ ÛÔ‡‚ÎÂÌËfl ‚˚ÒÓÚÓÈ Á‚Û͇ (PITCH BEND)
ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ......................................................... 21
Ë ÏÓ‰ÛÎflˆËÂÈ (MODULATION)............................................. 61
ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ ............................................................21
ê„ÛÎËӂ͇ Ô‡‡ÏÂÚ‡ Octave (Ú‡ÌÒÔÓÌËÓ‚‡ÌËÂ
ÇÓÒÔÓËÁ‚‰ÂÌË „ÓÎÓÒÓ‚ ..................................................... 25
̇ ÓÍÚ‡‚Û) ............................................................................... 61
ÇÓÒÔÓËÁ‚‰ÂÌË „ÓÎÓÒ‡...........................................................25
à„‡ Ó‰ÌÓ‚ÂÏÂÌÌÓ ‰‚ÛÏfl „ÓÎÓÒ‡ÏË .......................................26
ëÚËÎË....................................................... 62
ê‡ÁÌ˚ „ÓÎÓÒ‡ ‰Îfl Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍ ...................................27
ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl.......................................................... 62
ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ ....................................................... 28
ÇÓÒÔÓËÁ‚‰ÂÌË ÚÓθÍÓ ËÚÏ˘ÂÒÍËı ‰ÓÓÊÂÍ ÒÚËÎfl......... 64
ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl.............................................................28
ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË/‚˚Íβ˜ÂÌË ͇̇ÎÓ‚........................ 64
ó‡ÒÚË ÒÚËÎfl.................................................................................30
ÄÍÍÓ‰Ó‚‡fl ‡ÔÔÎË͇ÚÛ‡........................................................ 65
ç‡ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË».....................................................32
ćÌÊËӂ͇ Ë ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ
(óÄëíà:
îÛÌ͈Ëfl Music Finder (ÔÓËÒÍ ÍÓÏÔÓÁˈËË) ......................... 33
MAIN A/B/C/D (ÓÒÌӂ̇fl), INTRO (ËÌÚ
Ó‰Û͈Ëfl),
àÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Music Finder......................................33
èÓËÒÍ ÒÂ‰Ë Á‡ÔËÒÂÈ Music Finder............................................34
ENDING (ÙË̇Î), BREAK (·
ÂÈÍ)) ..................................................67
èÓ‰˚„˚‚‡ÂÏ ÔÂÒÌÂ................................................................. 36
éÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ÔË ÒÌflÚËË ÛÍ
èÓ‰˚„˚‚‡ÂÏ PSR-2100/1100...................................................36
Ò Í·‚ˇÚÛ˚ (SYNC. STOP)................................................. 68
á‡ÔËÒ¸ .........................................................................................37
Ç˚·Ó ÚËÔÓ‚ ËÌÚÓ‰Û͈ËÈ Ë ÙË̇ÎÓ‚ (INTRO/ENDING)........69
Ä‚ÚÓχÚ˘ÂÒÍÓ ÔÓË„˚‚‡ÌË ‚ÒÚ‡‚ÓÍ ÔË ÔÂÂıÓ‰Â
éÒÌÓ‚Ì˚ ÓÔ‡ˆËË — Ó„‡ÌËÁ‡ˆËfl
ÓÚ Ó‰ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ — Auto Fill In.................................. 69
ç‡ÒÚÓÈ͇ ‚˚·‡ÌÌÓ„Ó ÒÚËÎfl
(ÙÛÌ͈Ëfl
‰‡ÌÌ˚ı .................................................... 38
ONE TOUCH SETTING) ......................................................................70
ëÓ‰ÂÊËÏÓ „·‚ÌÓ„Ó ˝Í‡Ì‡ ............................................... 38
Ä‚ÚÓχÚ˘ÂÒ͇fl ÒÏÂ̇ ̇ÒÚÓÂÍ ÔË ÔÂÂıӉ ÓÚ
ùÍ‡Ì Open/Save (éÚÍ˚Ú¸/ëÓı‡ÌËÚ¸) ...............................39
Ó‰ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ — OTS Link......................................... 71
èËÏ ˝Í‡Ì‡ Open/Save.........................................................40
ëÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌÓÈ Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË»
Ç˚·Ó Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ............................................................ 43
(ONE TOUCH SETTING).........................................................71
éÔ‡ˆËË Ò Ù‡È·ÏË Ë Ô‡Ô͇ÏË ............................................ 44
Ç˚ÁÓ‚ ̇˷ÓΠۉ‡˜ÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ —
Ç˚·Ó ËÏÂÌ ‰Îfl Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ..............................................44
Music Finder............................................................................ 72
èÂÂÏ¢ÂÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ .................................................45
èÓËÒÍ Ì‡Ë·ÓΠۉ‡˜ÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ —
äÓÔËÓ‚‡ÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ...................................................46
Music Finder.............................................................................73
쉇ÎÂÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ.........................................................46
ꉇÍÚËÓ‚‡ÌË Á‡ÔËÒÂÈ — Music Finder................................ 74
ëÓı‡ÌÂÌË هÈÎÓ‚...................................................................47
åÛθÚËÔ˝‰˚ ........................................... 76
鄇ÌËÁ‡ˆËfl Ù‡ÈÎÓ‚ ÔÛÚÂÏ ÒÓÁ‰‡ÌËfl ÌÓ‚ÓÈ Ô‡ÔÍË................47
èÂÂıÓ‰ ̇ ÒÚ‡Ìˈ˚ ‚ÂıÌËı ÛÓ‚ÌÂÈ...................................47
ÇÓÒÔÓËÁ‚‰ÂÌË ÏÛθÚËÔ˝‰Ó‚ ............................................ 76
Ç‚Ó‰ ÒËÏ‚ÓÎÓ‚ Ë ÏÓ‰ËÙË͇ˆËfl Á̇˜ÍÓ‚..................................47
ç‡ÒÚÓÈ͇ ̇ ‡ÍÍÓ‰................................................................76
àÒÔÓθÁÓ‚‡ÌË ‰ËÒ͇ ÛÔ‡‚ÎÂÌËfl [DATA ENTRY] ............. 49
ꉇÍÚËÓ‚‡ÌË ÏÛθÚËÔ˝‰Ó‚............................................... 77
îÛÌ͈Ëfl ÔflÏÓ„Ó ‰ÓÒÚÛÔ‡ — ·˚ÒÚ˚È ‚˚·Ó ˝Í‡Ì‡...... 50
èÓ‰Ò͇ÁÍË................................................................................... 52
ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË...................... 78
àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ..................................................... 53
èÓ‰‰ÂÊË‚‡ÂÏ˚ ÚËÔ˚ ÔÂÒÂÌ ............................................... 78
ê„ÛÎËӂ͇ ÚÂÏÔ‡................................................................... 53
ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË.......................................................... 79
á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÚÂÏÔ‡......................................................54
ÇÓÒÔÓËÁ‚‰ÂÌË ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ....................................... 79
PSR-2100/1100
9
ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ Ò ‰ËÒÍÂÚ˚ ..........................................81
ëÓÁ‰‡ÌË ÏÛθÚËÔ˝‰‡ —
èӘˠÓÔ‡ˆËË, Ò‚flÁ‡ÌÌ˚Â Ò ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ................81
Multi Pad Creator.................................. 121
èË„ÎÛ¯ÂÌË ÓÚ‰ÂθÌ˚ı ˜‡ÒÚÂÈ — ‰ÓÔÓÎÌËÚÂθÌ˚Â
‰ÓÓÊÍË.................................................................................. 82
èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ ........................................... 121
èÓ‚ÚÓ ÓÔ‰ÂÎÂÌÌÓ„Ó Ù‡„ÏÂÌÚ‡ ÔÂÒÌË...........................82
á‡ÔËÒ¸ ÏÛθÚËÔ˝‰‡ ‚ ‡θÌÓÏ ‚ÂÏÂÌË — Record........ 122
éÚÓ·‡ÊÂÌË ÌÓÚ — Ô‡ÚËÚÛ‡............................................. 83
燘‡ÎÓ Á‡ÔËÒË..........................................................................122
éÚÓ·‡ÊÂÌË ÚÂÍÒÚ‡ ÔÂÒÌË.................................................... 86
éÒÚ‡Ìӂ͇ Á‡ÔËÒË ....................................................................122
èÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸ Ë Â‰‡ÍÚËÓ‚‡ÌËÂ
ëÓı‡ÌÂÌËÂ Ë Á‡„ÛÁ͇ ÔÓθÁÓ‚‡-
ÏÛθÚËÔ˝‰Ó‚ — ‚Í·‰Í‡ Edit ............................................123
ÚÂθÒÍËı ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ —
ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË Ë Á‡ÏÂ̇
„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ .................... 87
„ÓÎÓÒÓ‚ — Mixing Console................. 124
ê„ËÒÚ‡ˆËfl ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ —
ìÔ‡‚ÎÂÌË ÏËͯÂÓÏ ..........................................................124
„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ ....................................................87
ìÒÚ‡Ìӂ͇ „ÓÏÍÓÒÚË Ë „ÓÎÓÒ‡ — Volume/Voice............... 125
ëÓı‡ÌÂÌË ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚.............................................88
ᇄÛÁ͇ ̇·Ó‡ Ô‡‡ÏÂÚÓ‚................................................. 89
àÁÏÂÌÂÌË ÚÂÏ·‡ „ÓÎÓÒ‡ — Filter...................................... 126
àÁÏÂÌÂÌË ԇ‡ÏÂÚÓ‚, Ò‚flÁ‡ÌÌ˚ı Ò ‚˚ÒÓÚÓÈ
ꉇÍÚËÓ‚‡ÌË „ÓÎÓÒÓ‚ —
Á‚Û͇ — Tune........................................................................ 126
ç‡ÒÚÓÈ͇ ˝ÙÙÂÍÚÓ‚............................................................. 127
Sound Creator......................................... 90
ëÚÛÍÚÛ̇fl ÒıÂχ ˝ÙÙÂÍÚÓ‚................................................ 129
èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ ............................................. 90
ç‡ÒÚÓÈ͇ ˝Í‚‡Î‡ÈÁ‡ — EQ (PSR-2100).......................... 130
臇ÏÂÚ˚ Ó·˚˜ÌÓ„Ó „ÓÎÓÒ‡................................................. 91
鄇ÌÌ˚ ÙÎÂÈÚ˚ (PSR-2100) ................................................ 94
àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇ —
MIC (PSR-2100) ..................................... 131
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌËÂ
ÔÂÒÂÌ — Song Creator.......................... 95
Ç˚·Ó ÚËÔ‡ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇·...................................... 131
ç‡ÒÚÓÈ͇ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· Ë ÏËÍÓÙÓ̇ —
é Á‡ÔËÒË ÔÂÒÂÌ.......................................................................... 95
MICROPHONE SETTING....................................................... 133
Å˚ÒÚ‡fl Á‡ÔËÒ¸......................................................................... 96
ç‡ÒÚÓÈ͇ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· Ë ˝ÙÙÂÍÚÓ‚ ‰Îfl Ó·‡·ÓÚÍË
êÂÊËÏ Á‡ÔËÒË ÌÂÒÍÓθÍËı „ÓÎÓÒÓ‚ ......................................97
ÏËÍÓÙÓÌÌÓ„Ó Ò˄̇· — OVERALL SETTING................. 133
á‡ÔËÒ¸ ÓÚ‰ÂθÌ˚ı ÌÓÚ — èÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸ ..................... 99
ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË ÏËÍÓÙÓ̇ Ë ÒÓÔÛÚÒÚ‚Û˛˘Ëı
èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ.................................................99
˝ÙÙÂÍÚÓ‚ — TALK SETTING ..............................................135
á‡ÔËÒ¸ ÏÂÎÓ‰ËÈ — Step Record (Note)...................................101
á‡ÔËÒ¸ Á‡ÏÂÌ˚ ‡ÍÍÓ‰Ó‚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡....................102
ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ —
Ç˚·Ó Ô‡‡ÏÂÚÓ‚: ̇˜‡ÎÓ, ÍÓ̈, ‡‚ÚÓχÚ˘ÂÒÍÓÂ
ÏÂÌ˛ Function...................................... 136
‚Íβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË Á‡ÔËÒË — ÂÊËÏ Á‡ÔËÒË.... 104
ꉇÍÚËÓ‚‡ÌË Á‡ÔËÒË ........................................................ 105
èÓfl‰ÓÍ ‰ÂÈÒÚ‚ËÈ..................................................................136
ꉇÍÚËÓ‚‡ÌË ԇ‡ÏÂÚÓ‚, ÓÚÌÓÒfl˘ËıÒfl Í Í‡Ì‡Î‡Ï........105
ê„ÛÎËӂ͇ ‚˚ÒÓÚ˚/‚˚·Ó ÚÂÏÔ‡ˆËË —
ꉇÍÚËÓ‚‡ÌË ÌÓÚÌ˚ı ÒÓ·˚ÚËÈ — 1 - 16............................108
Master Tune/Scale Tune....................................................... 138
ꉇÍÚËÓ‚‡ÌË ‡ÍÍÓ‰Ó‚˚ı ÒÓ·˚ÚËÈ — CHD .....................109
èÓ‰ÒÚÓÈ͇ ‚˚ÒÓÚ˚ ‚ÒÂı „ÓÎÓÒÓ‚ — Master Tune ................138
ꉇÍÚËÓ‚‡ÌË ÒËÒÚÂÏÌ˚ı ÒÓ·˚ÚËÈ — SYS/EX.
Ç˚·Ó ÚÂÏÔ‡ˆËË — Scale Tune...........................................138
(ËÒÍβ˜ËÚÂθÌ˚ ÒËÒÚÂÏÌ˚ ÒÓÓ·˘ÂÌËfl).........................109
ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚, ÓÚÌÓÒfl˘ËıÒfl Í ÔÂÒÌ —
Ç‚Ó‰ Ë Â‰‡ÍÚËÓ‚‡ÌË ÚÂÍÒÚ‡ ÔÂÒÂÌ....................................110
Song Settings........................................................................ 140
ç‡ÒÚÓÈ͇ ÒÔËÒ͇ ÒÓ·˚ÚËÈ......................................................110
ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚, ÓÚÌÓÒfl˘ËıÒfl Í
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÛ — Style Setting, Split Point
ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ —
Ë Chord Fingering................................................................. 141
Style Creator ......................................... 111
ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚, ÓÚÌÓÒfl˘ËıÒfl Í ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂ-
ÏÂÌÚÛ — ÒÚ‡Ìˈ‡ Style Setting/Split Point ........................ 141
é ÒÓÁ‰‡ÌËË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.................................. 111
Ç˚·Ó ‡ÔÔÎË͇ÚÛ˚ — Chord Fingering .................................142
îÓÏ‡Ú Ù‡È· ÒÚËÎfl (SFF)................................................... 112
ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ Í·‚ˇÚÛ˚ Ë Ô‰‡ÎÂÈ —
èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ ........................................... 112
Controller............................................................................... 142
á‡ÔËÒ¸ ‚ ‡θÌÓÏ ‚ÂÏÂÌË — Basic ................................. 113
ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ Ô‰‡ÎÂÈ............................................. 142
èÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸ .................................................................. 114
àÁÏÂÌÂÌË ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í Ì‡Ê‡Ú˲, ̇ÒÚÓÈ͇
ë·Ó͇ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ — Assembly.....................115
Ô‡‡ÏÂÚÓ‚ ÏÓ‰ÛÎflˆËË Ë Ú‡ÌÒÔÓÁˈËË —
ꉇÍÚËÓ‚‡ÌË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡........................... 116
Keyboard/Panel......................................................................144
àÁÏÂÌÂÌË ËÚχ — ÙÛÌ͈ËË Groove Ë Dynamics ................116
ç‡ÒÚÓÈ͇ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ‚˚ÁÓ‚‡ „ËÒÚ‡ˆËÓÌ-
ꉇÍÚËÓ‚‡ÌË ԇ‡ÏÂÚÓ‚ ͇̇·.....................................118
Ì˚ı Ù‡ÈÎÓ‚, Ô‡‡ÏÂÚÓ‚ «Á‡ÏÓÓÁÍË» Ë „ÓÎÓÒ‡ .........145
ìÒÚ‡Ìӂ͇ Ô‡‡ÏÂÚÓ‚ هȷ SMF — Parameter.................119
ì͇Á‡ÌË ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ‚˚ÁÓ‚‡ „ËÒÚ‡ˆËÓÌÌ˚ı
Ù‡ÈÎÓ‚ — Registration Sequence........................................145
10
PSR-2100/1100
ëÓı‡ÌÂÌË Á̇˜ÂÌËÈ, Á‡‰‡ÌÌ˚ı Ò Ô‰ÌÂÈ Ô‡ÌÂÎË —
Freeze ....................................................................................145
àÁÏÂÌÂÌË ‡‚ÚÓχÚ˘ÂÒÍË ‚˚·‡ÌÌ˚ı Ô‡‡ÏÂÚÓ‚
„ÓÎÓÒ‡ — Voice Set...............................................................146
ç‡ÒÚÓÈ͇ ˝ÙÙÂÍÚÓ‚ „‡ÏÓÌËÁ‡ˆËË Ë ˝ı‡........................ 146
ìÒÚ‡Ìӂ͇ Ô‡‡ÏÂÚÓ‚ MIDI.................................................. 148
é·˘‡fl ̇ÒÚÓÈ͇ ÒËÒÚÂÏ˚ (Ô‡‡ÏÂÚ˚ Local Control,
Ç‚e‰eÌËe
Clock Ë Ú. ‰.) — System.........................................................148
艇˜‡ MIDI-ÒÓÓ·˘ÂÌËÈ — Transmit ..................................149
èËÂÏ MIDI-ÒÓÓ·˘ÂÌËÈ — Receive.........................................150
ä‡ÚÍÓe ÛÍÓ‚Ó‰ÒÚ‚Ó
ç‡Á̇˜ÂÌË ͇̇ÎÓ‚ ‰Îfl ÓÒÌÓ‚Ì˚ı ÚÓÌÓ‚ — Root................150
ç‡Á̇˜ÂÌË ͇̇ÎÓ‚ ‰Îfl ‡ÍÍÓ‰Ó‚ — Chord Detect .............150
èӘˠԇ‡ÏÂÚ˚ — Utility.................................................. 151
éÒÌÓ‚Ì˚e ÓÔe‡ˆËË — Ó„‡ÌËÁ‡ˆËfl ‰‡ÌÌ˚ı
ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ ÙÂȉËÌ„‡, ÏÂÚÓÌÓχ, ‡ Ú‡ÍÊÂ
ÙÛÌ͈ËÈ ·ÎÓÍËÓ‚ÍË Ô‡‡ÏÂÚ‡ Ë Û͇Á‡ÌËfl ËÚχ —
CONFIG 1 ..............................................................................151
ÇÓÒÔÓËÁ‚e‰eÌËe ‰eÏÓÌÒÚ‡ˆËÈ
ç‡ÒÚÓÈ͇ ‰ËÒÔÎÂfl Ë ÓÚÓ·‡ÊÂÌËfl ÌÓÏÂÓ‚ „ÓÎÓÒÓ‚ —
CONFIG 2 ..............................................................................152
äÓÔËÓ‚‡ÌËÂ Ë ÙÓχÚËÓ‚‡ÌË ‰ËÒÍÂÚ — Disk ..................153
ÉÓÎÓÒ‡
ì͇Á‡ÌË ËÏÂÌË ÔÓθÁÓ‚‡ÚÂÎfl Ë ‚˚·Ó flÁ˚͇ — Owner .....154
ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰Ì˚ı Ô‡‡ÏÂÚÓ‚
PSR-2100/1100 — System Reset..........................................154
CÚËÎË
èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚
Í PSR-2100/1100 ................................... 155
åÛθÚËÔ˝‰
àÒÔÓθÁÓ‚‡ÌË ̇ۯÌËÍÓ‚ (‡Á˙ÂÏ PHONES)......................155
èÓ‰Íβ˜ÂÌË ÏËÍÓÙÓ̇ ËÎË „ËÚ‡˚ (‡Á˙ÂÏ
ÇÓÒÔÓËÁ‚e‰eÌËe ÔeÒÌË
MIC./LINE IN) (PSR-2100).....................................................155
èÓÒÎۯ˂‡ÌË PSR-2100/1100 ˜ÂÂÁ ÍÓÎÓÌÍË
‡Û‰ËÓÒËÒÚÂÏ˚ Ë Á‡ÔËÒ¸ ̇ ‚̯Ì ÛÒÚÓÈÒÚ‚Ó
CÓı‡ÌeÌËe Ë ‚˚ÁÓ‚ ÔÓθÁÓ‚‡ÚeθÒÍËı
(„ÌÂÁ‰‡ AUX OUT/OUTPUT).................................................156
̇·ÓÓ‚ Ô‡‡ÏeÚÓ‚ — Registration Memory
àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎË (ÌÓÊÌÓ„Ó ÔÂÂÍβ˜‡ÚÂÎfl) ËÎË
ÌÓÊÌÓ„Ó ÍÓÌÚÓη (‡Á˙ÂÏ FOOT PEDAL 1/2) ............156
êe‰‡ÍÚËÓ‚‡ÌËe „ÓÎÓÒÓ‚ — Sound Creator
èÓ‰Íβ˜ÂÌË ‚̯ÌËı MIDI-ÛÒÚÓÈÒÚ‚ (MIDI-ÔÓÚ˚)...........156
èÓ‰Íβ˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ (USB-ÔÓÚ, MIDI-ÔÓÚ).............157
óÚÓ Ú‡ÍÓ MIDI?........................................................................158
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎeÌËÈ Ë ÒÓÁ‰‡ÌËe ÔeÒeÌ
óÚÓ ÏÓÊÌÓ ‰Â·ڸ Ò ÔÓÏÓ˘¸˛ MIDI?.....................................160
— ÙÛÌ͈Ëfl Song Creator
ëÓ‚ÏÂÒÚËÏÓÒÚ¸ ‰‡ÌÌ˚ı ...........................................................161
îÓÏ‡Ú ‰ËÒÍÂÚ .........................................................................161
CÓÁ‰‡ÌËe ÒÚËÎeÈ ‡ÍÍÓÏÔ‡ÌeÏeÌÚ‡
îÓÏ‡Ú ÒÂÍ‚Â̈ËË ...................................................................161
— ÙÛÌ͈Ëfl Style Creator
îÓÏ‡Ú ‡ÒÔ‰ÂÎÂÌËfl „ÓÎÓÒÓ‚.............................................162
ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ ...................... 163
CÓÁ‰‡ÌËe ÏÛθÚËÔ˝‰‡ — ÙÛÌ͈Ëfl Multi Pad Creator
íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË........... 165
êe„ÛÎËӂ͇ „ÓÏÍÓÒÚË Ë Á‡Ïė „ÓÎÓÒÓ‚
— Mixing Console
èe‰ÏeÚÌ˚È Û͇Á‡Úeθ...................... 167
àÒÔÓθÁÓ‚‡ÌËe ÏËÍÓÙÓ̇ — MIC. (PSR-2100)
ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏeÚÓ‚
— Function
èÓ‰Íβ˜eÌËe ‚Ìe¯ÌËı ÛÒÚÓÈÒÚ‚ Í PSR-2100/1100
èËÎÓÊeÌËe
PSR-2100/1100
11
ëÔËÒÓÍ ÔËÏÂÌÂÌËÈ
ùÚÓÚ ÒÔËÒÓÍ ÏÓÊÂÚ ÔË„Ó‰ËÚ¸Òfl ‰Îfl ÚÓ„Ó, ˜ÚÓ·˚ ·˚ÒÚÓ Ì‡ÈÚË ÒÚ‡Ìˈ˚ Ò
ÓÔËÒ‡ÌËÂÏ ÌÂflÒÌÓ„Ó ‚ÓÔÓÒ‡.
èÓÒÎۯ˂‡ÌËÂ
èÓÒÎۯ˂‡ÌË ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ..........................................................................................................................................ÒÚ. 79
èÓÒÎۯ˂‡ÌË ÔÂÒÂÌ Ò ‰ËÒÍÂÚ˚ ........................................................................«ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ Ò ‰ËÒÍÂÚ˚» ̇ ÒÚ. 81
èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ .............................................................................................................................ÒÚ. 55
èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËË ‚ÓÁÏÓÊÌÓÒÚÂÈ „ÓÎÓÒ‡...........................................................................................................ÒÚ. 57
èÓÒÎۯ˂‡ÌË ÔÂÒÂÌ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ „ÓÎÓÒÓ‚ PSR-2100/1100 ....................................................................................ÒÚ. 125
à„‡ ̇ Í·‚ˇÚÛÂ
Ç˚·Ó ÌÛÊÌÓÈ ‚˚ÒÓÚ˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡...................... «è‡‡ÏÂÚ Transpose Assign (Ó·˙ÂÍÚ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl)» ̇ ÒÚ. 144
ëÓ˜ÂÚ‡ÌË ‰‚Ûı „ÓÎÓÒÓ‚................................................ «ÉÓÎÓÒ‡ Layer Ë Left — ËÒÔÓθÁÓ‚‡ÌË ÌÂÒÍÓθÍËı ÚÂÏ·Ó‚» ̇ ÒÚ. 59
ê‡ÁÌ˚ „ÓÎÓÒ‡ ‰Îfl Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍ
........................«ÉÓÎÓÒ ‰Îfl ΂ÓÈ ÛÍË — ìÒÚ‡Ìӂ͇ ‡Á΢Ì˚ı „ÓÎÓÒÓ‚ ‰Îfl ΂ÓÈ Ë Ô‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚» ̇ ÒÚ. 60
àÁÏÂÌÂÌË Á‚Û͇
ä‡Í ‰Ó·ËÚ¸Òfl ·ÓΠÂÒÚÂÒÚ‚ÂÌÌÓ„Ó Á‚Û˜‡ÌËfl Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í Í‡Ò‡Ì˲ Ë ‰Û„Ëı ˝ÙÙÂÍÚÓ‚
...............................................................................................................................................«èËÏÂÌÂÌË ˝ÙÙÂÍÚÓ‚» ̇ ÒÚ. 60
................................................................................................................................................«ç‡ÒÚÓÈ͇ ˝ÙÙÂÍÚÓ‚» ̇ ÒÚ. 127
ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË ...........................................................................................................................................................ÒÚ. 125
ëÓ˜ÂÚ‡ÌË ‰‚Ûı „ÓÎÓÒÓ‚................................................ «ÉÓÎÓÒ‡ Layer Ë Left — ËÒÔÓθÁÓ‚‡ÌË ÌÂÒÍÓθÍËı ÚÂÏ·Ó‚» ̇ ÒÚ. 59
ê‡ÁÌ˚ „ÓÎÓÒ‡ ‰Îfl Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍ
........................«ÉÓÎÓÒ ‰Îfl ΂ÓÈ ÛÍË — ìÒÚ‡Ìӂ͇ ‡Á΢Ì˚ı „ÓÎÓÒÓ‚ ‰Îfl ΂ÓÈ Ë Ô‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚» ̇ ÒÚ. 60
ëÓÁ‰‡ÌË „ÓÎÓÒÓ‚......................................................................................................................................................................ÒÚ. 90
ÇÓÒÔÓËÁ‚‰ÂÌË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
Ä‚ÚÓχÚ˘ÂÒÍÓ ‚Íβ˜ÂÌË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ................................................................................................................ÒÚ. 62
Ç˚ÁÓ‚ ̇˷ÓΠۉ‡˜ÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡............................................................................................................................ÒÚ. 72
à„‡ ̇ Í·‚ˇÚÛÂ
ÄÍÍÛ‡Ú̇fl Ë„‡ Òӄ·ÒÌÓ ˜ÂÚÍÓÏÛ ËÚÏÛ.......................................................................«àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ» ̇ ÒÚ. 53
á‡ÔËÒ¸
á‡ÔËÒ¸ Ë„˚ ̇ Í·‚ˇÚÛ ................................................................................................................................................ÒÚ. 96, 97
ëÓÁ‰‡ÌË ÔÂÒÌË ÔÛÚÂÏ ‚‚Ó‰‡ ÓÚ‰ÂθÌ˚ı ÌÓÚ .........................................................................................................................ÒÚ. 99
ëÓÁ‰‡ÌË ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇ÒÚÓÂÍ
ëÓÁ‰‡ÌË „ÓÎÓÒÓ‚......................................................................................................................................................................ÒÚ. 90
ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.........................................................................................................................................ÒÚ. 111
ëÓÁ‰‡ÌË ÏÛθÚËÔ˝‰Ó‚ ............................................................................................................................................................ÒÚ. 121
12
PSR-2100/1100
è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ
àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇ (PSR-2100)
èÓ‰Íβ˜ÂÌË ÏËÍÓÙÓ̇ .................................................................................. «ËÎË „ËÚ‡˚ (‡Á˙ÂÏ MIC./LINE IN)» ̇ ÒÚ. 155
Ä‚ÚÓχÚ˘ÂÒ͇fl „‡ÏÓÌËÁ‡ˆËfl ÔÂÌËfl ..................................................................................................................................ÒÚ. 131
臇ÏÂÚ˚
ê„ËÒÚ‡ˆËfl ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ ...........................................................................................................................................ÒÚ. 87
ç‡ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇/‚˚·Ó ÒÚÓfl...................................................................................................................................ÒÚ. 138
íÓÌ͇fl ̇ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ ‚ÓÒÔÓËÁ‚‰ÂÌËfl.................................................................................................................ÒÚ. 140
íÓÌ͇fl ̇ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡...........................................................................................................ÒÚ. 141
íÓÌ͇fl ̇ÒÚÓÈ͇ „ÓÎÓÒÓ‚, Ë„‡ÂÏ˚ı Ò Í·‚ˇÚÛ˚ ............................................................................................................ÒÚ. 144
íÓÌ͇fl ̇ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ MIDI.......................................................................................................................................ÒÚ. 148
èÓ‰Íβ˜ÂÌË PSR-2100/1100 Í ‚̯ÌËÏ ÛÒÚÓÈÒÚ‚‡Ï
éÒÌÓ‚Ì˚ ҂‰ÂÌËfl Ó MIDI ............................................................................................................... «óÚÓ Ú‡ÍÓ MIDI?» ̇ ÒÚ. 158
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËfl.................................... «ÇÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ PSR-2100/1100 Ò ÔÓÏÓ˘¸˛ ‚̯ÌÂÈ ÒÚÂÂÓÒËÒÚÂÏ˚
Ë Á‡ÔËÒ¸ ̇ ‚̯Ì Á‡ÔËÒ˚‚‡˛˘Â ÛÒÚÓÈÒÚ‚Ó (‡Á˙ÂÏ˚ AUX OUT/OUTPUT)» ̇ ÒÚ. 156
ì‚Â΢ÂÌË „ÓÏÍÓÒÚË ................................ «ÇÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ PSR-2100/1100 Ò ÔÓÏÓ˘¸˛ ‚̯ÌÂÈ ÒÚÂÂÓÒËÒÚÂÏ˚
Ë Á‡ÔËÒ¸ ̇ ‚̯Ì Á‡ÔËÒ˚‚‡˛˘Â ÛÒÚÓÈÒÚ‚Ó (‡Á˙ÂÏ˚ AUX OUT/OUTPUT)» ̇ ÒÚ. 156
èÓ‰Íβ˜ÂÌË ÍÓÏÔ¸˛Ú‡...................................................... «èÓ‰Íβ˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ (USB-ÔÓÚ/MIDI-ÔÓÚ)» ̇ ÒÚ. 157
Å˚ÒÚÓ ¯ÂÌË ÔÓ·ÎÂÏ˚
éÒÌÓ‚Ì˚ ÙÛÌ͈ËË PSR-2100/1100. é ÚÓÏ, Í‡Í ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ‚ÓÁÏÓÊÌÓÒÚflÏË ÒËÌÚÂÁ‡ÚÓ‡ «Ì‡ ‚Ò ÒÚÓ» .........ÒÚ. 12, 14
ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰Ì˚ı Á̇˜ÂÌËÈ Ô‡‡ÏÂÚÓ‚ PSR-2100/1100
............................................................«ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰Ì˚ı Ô‡‡ÏÂÚÓ‚ PSR-2100/1100 — System Reset» ̇ ÒÚ. 154
éÚÓ·‡ÊÂÌË ÒÓÓ·˘ÂÌËÈ.......................................................................................«ë‚‰ÂÌËfl Ó ÒÓÓ·˘ÂÌËflı ̇ ˝Í‡Ì» ̇ ÒÚ. 8
ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ ............................................................................................................................................................ÒÚ. 163
PSR-2100/1100
13
DIGITAL
STUDIO
SOUND CREATOR
A
DIGITAL RECORDING
B
MIXING CONSOLE
C
D
MENU
DEMO
E
HELP
FUNCTION
BALANCE
DIRECT
ACCESS
CHANNEL ON/OFF
PART
14
PSR-2100/1100
81 2 3 4 5 6 7
éÒÌÓ‚Ì˚ ‚ÓÁÏÓÊÌÓÒÚË ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100/1100
åÛθÚËÔ˝‰˚
DEMO (ÑÂÏÓÌÒÚ‡ˆËfl)
SONG (èÂÒÌfl)
ÑÓ·‡‚¸Ú «ËÁ˛ÏËÌÍÛ» Í Ò‚ÓÂÏÛ
àÒÔÓθÁÓ‚‡ÌËÂ
ÇÓÒÔÓËÁ‚‰ÂÌË Ô‰‚‡ËÚÂθÌÓ
‚˚ÒÚÛÔÎÂÌ˲, ËÒÔÓθÁÛfl
‰ÂÏÓÌÒÚ‡ˆËÈ (ÒÚ. 20, 55)
Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ (ÒÚ. 21, 36, 78)
ÒÓ·ÒÚ‚ÂÌÌ˚ ÓË„Ë̇θÌ˚ هÁ˚
ÑÂÏÓÌÒÚ‡ˆËË Ì ÚÓθÍÓ
àÏÂÂÚÒfl Ó„ÓÏÌ˚È ‚˚·Ó ‚ÒÚÓÂÌÌ˚ı
(ÒÚ. 76, 121)
ËÎβÒÚËÛ˛Ú ‚ÓÁÏÓÊÌÓÒÚË
ÔÂÒÂÌ, ÏÓÊÌÓ Ú‡ÍÊ ËÒÔÓθÁÓ‚‡Ú¸ ÔÂÒÌË Ò
„ÓÎÓÒÓ‚ Ë ÒÚËÎÂÈ ËÌÒÚÛÏÂÌÚ‡,
ç‡Ê‡‚ ÍÌÓÔÍÛ Ó‰ÌÓ„Ó ËÁ ÏÛθÚËÔ˝‰Ó‚, ÏÓÊÌÓ
‰ËÒÍÓ‚, ÔËÓ·ÂÚÂÌÌ˚ı ‰ÓÔÓÎÌËÚÂθÌÓ.
ÌÓ Ë ÔÓ͇Á˚‚‡˛Ú ‡Á΢Ì˚ „Ó
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÍÓÓÚÍË ËÚÏ˘ÂÒÍË Ë
ÙÛÌ͈ËË Ë ‚ÓÁÏÓÊÌÓÒÚË,
ÏÂÎӉ˘ÂÒÍË هÁ˚. åÓÊÌÓ Ú‡ÍÊÂ
ÔÓÁ‚ÓÎflfl Ô‡ÍÚËÍÓ‚‡Ú¸Òfl ‚
ÒÓÁ‰‡‚‡Ú¸ Ò‚ÓË ÒÓ·ÒÚ‚ÂÌÌ˚ ÓË„Ë̇θÌ˚Â
ËÒÔÓθÁÓ‚‡ÌËË ÒËÌÚÂÁ‡ÚÓ‡
Ù‡Á˚ ÏÛθÚËÔ˝‰‡, Á‡ÔËÒ˚‚‡fl Ëı
PSR-2100/1100!
ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓ Ò Í·‚ˇÚÛ˚.
SONG
EXTRA
TRACK
TRACK
METRO-
TRACKS
2
1
REPEAT
NOME
(STYLE) (R)(L)
REC REW FF
TOP
START/STOP
NEW SONG SYNC. START
STYLE
SWING &
MARCH &
POP & ROCK
JAZZ
BALLROOM
WALTZ
BALLAD USERLATIN
DANCE
PART
TAP TEMPO
TRANSPOSE
TEMPO
RESET
RESET
MASTER VOLUME
STOP
MULTI PAD
FADE
IN/OUT
MIN MAX
STYLE CONTROL
MAIN
ENDING
SYNC.
SYNC.
ACMP
BREAK
INTRO
/ rit.
STOP
START
START/STOP
AUTO
OTS
STANDBY
FILL IN
LINK
ON
STYLE (ëÚËθ)
DIGITAL RECORDING (ñËÙÓ‚‡fl
ëÓÁ‰‡ÌË ÒÓÔÓ‚ÓʉÂÌËfl Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË
Á‡ÔËÒ¸)
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 28, 62)
Ç˚ÔÓÎÌÂÌË Á‡ÔËÒË ‚˚ÒÚÛÔÎÂÌËfl
ÖÒÎË ‚˚ ‚ÓÁ¸ÏÂڠ΂ÓÈ ÛÍÓÈ ‡ÍÍÓ‰, Ô‡ÚËfl
(ÒÚ. 95, 111)
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇˜ÌÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl
ùÚË ‚Ô˜‡ÚÎfl˛˘ËÂ Ë ÔÓÒÚ˚ ‚ ËÒÔÓθÁÓ‚‡ÌËË
‡‚ÚÓχÚ˘ÂÒÍË. Ç˚·ÂËÚ ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡,
Ò‰ÒÚ‚‡ ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ Ë Á‡ÔËÒ˚‚‡Ú¸
̇ÔËÏÂ, ÔÓÔ-ÏÛÁ˚ÍÛ, ‰Ê‡Á, ·ÚËÌÓ‡ÏÂË͇ÌÒÍÛ˛
Ò‚ÓË ÒÓ·ÒÚ‚ÂÌÌ˚ Á‡‚¯ÂÌÌ˚Â Ë ÔÓÎÌÓÒÚ¸˛
ÏÛÁ˚ÍÛ Ë Ú. Ô., Ë ÒËÌÚÂÁ‡ÚÓ PSR-2100/1100 Á‡ÏÂÌËÚ ‚‡Ï
ÓÍÂÒÚÓ‚‡ÌÌ˚ ÍÓÏÔÓÁˈËË, ÍÓÚÓ˚ ÏÓÊÌÓ
ˆÂÎ˚È ÓÍÂÒÚ!
ÒÓı‡ÌËÚ¸ ‰Îfl ÔÓÒÎÂ‰Û˛˘Â„Ó ËÒÔÓθÁÓ‚‡ÌËfl ‚
‡Á‰ÂΠԇÏflÚË USER ËÎË Ì‡ ‰ËÒÍÂÚÂ.
LEFT
VOICE EFFECT
HARMONY/
DSP
BACK NEXT
HOLD
SUSTAIN
ECHO
MONOTOUCH
VARIATION
VOICE
ORGAN &
PIANO & HARPSI.
E.PIANO
ACCORDION
PERCUSSION
MAIN
F
GUITAR
BASS
BRASS
WOODWIND
LAYER
G
STRINGS CHOIR & PAD
SYNTH.
H
LEFT
XG
I
USER
ORGAN FLUTES
UPPER OCTAVE
J
MUSIC
FINDER
RESET
MIC.
VH TYPE
MIC.
VOCAL
SELECT
SETTING
HARMONY
TALK
EFFECT
OVER
SIGNAL
ONE TOUCH SETTING
ENTER
EXIT
REGISTRATION MEMORY
FREEZE MEMORY
DATA ENTRY
PSR-2100/1100
15
81 2 3 4 5 6 7
LCD (ÊˉÍÓÍËÒÚ‡Î΢ÂÒÍËÈ
MUSIC FINDER
VOICE (ÉÓÎÓÒ)
˝Í‡Ì)
èÓËÒÍ Ì‡Ë·ÓΠÔÓ‰ıÓ‰fl˘Â„Ó ÒÚËÎfl
é„ÓÏÌ˚È ‚˚·Ó ‡ÎËÒÚ˘Ì˚ı
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 33, 72)
ÅÓθ¯ÓÈ ÊˉÍÓÍËÒÚ‡Î΢ÂÒÍËÈ ˝Í‡Ì
„ÓÎÓÒÓ‚ (ÒÚ. 25, 57)
(‚ÏÂÒÚÂ Ò ÏÌÓ„Ó˜ËÒÎÂÌÌ˚ÏË ÍÌÓÔ͇ÏË Ì‡
ÖÒÎË ‚˚ ‚˚·‡ÎË ÔÂÒÌ˛ ‰Îfl ËÒÔÓÎÌÂÌËfl, ÌÓ
ëËÌÚÂÁ‡ÚÓ PSR-2100/1100 ÒÓ‰ÂÊËÚ ˆÂ-
Ô‰ÌÂÈ Ô‡ÌÂÎË) Ó·ÂÒÔ˜˂‡ÂÚ
Ì Á̇ÂÚÂ, ͇ÍÓÈ ÒÚËθ ËÎË „ÓÎÓÒ ÎÛ˜¯Â ‚Ò„Ó
Î˚È fl‰ ËÒÍβ˜ËÚÂθÌÓ Â‡ÎËÒÚ˘Ì˚ı Ë
ÛÌË‚Â҇θÌÓÂ Ë ‰ÓÒÚ‡ÚÓ˜ÌÓ ÔÓÒÚÓÂ
ÔÓ‰ıÓ‰flÚ ‰Îfl ÌÂÂ, Ò‰ÒÚ‚Ó Music Finder
‰Ë̇Ï˘Ì˚ı „ÓÎÓÒÓ‚, ‚Íβ˜‡fl ÙÓÚÂÔˇ-
ÛÔ‡‚ÎÂÌË ‚ÒÂÏË ÓÔ‡ˆËflÏË,
ÔÓÏÓÊÂÚ ‚‡Ï. èÓÒÚÓ ‚˚‰ÂÎËÚ ̇Á‚‡ÌËÂ
ÌÓ, ÒÚÛÌÌ˚Â, ‰Â‚flÌÌ˚ ‰ÛıÓ‚˚ ËÌÒÚÛ-
‚˚ÔÓÎÌflÂÏ˚ÏË Ì‡ ÒËÌÚÂÁ‡ÚÓ PSR-
ÔÂÒÌË, Ë ÒËÌÚÂÁ‡ÚÓ PSR-2100/1100
ÏÂÌÚ˚ Ë ÏÌÓ„ËÂ ‰Û„ËÂ!
2100/1100.
‡‚ÚÓχÚ˘ÂÒÍË ÔÓ‰·ÂÂÚ Ì‡Ë·ÓÎÂÂ
ÔÓ‰ıÓ‰fl˘ËÈ ÒÚËθ Ë „ÓÎÓÒ.
鄇ÌÌ˚ ÙÎÂÈÚ˚ (PSR-2100)
ëÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌ˚ı Ó„‡ÌÌ˚ı
„ÓÎÓÒÓ‚ (ÒÚ. 94)
ùÚ‡ ÒÔˆˇθ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ
ËÒÔÓθÁÓ‚‡Ú¸ ÔÓÎÌ˚È Ì‡·Ó „ÎÛ·ÓÍËı Ë
˝ÙÙÂÍÚÌ˚ı Ó„‡ÌÌ˚ı ÚÂÏ·Ó‚, ÍÓÏ ÚÓ„Ó,
Ó̇ ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ Ò‚ÓË ÒÓ·ÒÚ‚ÂÌÌ˚Â
Ó„‡ÌÌ˚ „ÓÎÓÒ‡, Ú‡Í ÊÂ Í‡Í Ë Ì‡ Ó·˚˜ÌÓÏ
Ó„‡ÌÂ, Û‚Â΢˂‡fl ËÎË ÛÏÂ̸¯‡fl ‰ÎËÌÛ
ÚÛ·, Ë ‰Ó·‡‚ÎflÚ¸ Á‚ÛÍË Û‰‡Ì˚ı
ËÌÒÚÛÏÂÌÚÓ‚.
USB-ÔÓÚ
Vocal Harmony (ɇÏÓÌËÁ‡ˆËfl ‚Ó͇·) (PSR-2100)
ëÓÁ‰‡ÌË ÏÛÁ˚ÍË Ò ÔÓÏÓ˘¸˛ ÍÓÏÔ¸˛Ú‡:
ÑÓ·‡‚ÎÂÌË ·˝Í-‚Ó͇· Í ‚‡¯ÂÏÛ ÔÂÌ˲ (ÒÚ. 131)
΄ÍÓ Ë ·˚ÒÚÓ (ÒÚ. 157)
èÓÚflÒ‡˛˘Â Ò‰ÒÚ‚Ó „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· (‰ÓÒÚÛÔÌÓ ÚÓθÍÓ Ì‡
èÓ„ÛÁËÚÂÒ¸ ‚ ÌÂÓ·˙flÚÌ˚È ÏË ÍÓÏÔ¸˛ÚÂÌÓÈ ÏÛÁ˚ÍË
PSR-2100) ‡‚ÚÓχÚ˘ÂÒÍË ÒÓÁ‰‡ÂÚ Ô‡ÚËË ·˝Í-‚Ó͇· ‰Îfl ‚Â‰Û˘ÂÈ
Ë ËÒÔÓθÁÛÈÚÂ Â„Ó ÔÂËÏÛ˘ÂÒÚ‚‡. àÒÍβ˜ËÚÂθÌÓ
‚Ó͇θÌÓÈ Ô‡ÚËË, ÍÓÚÓ‡fl ËÒÔÓÎÌflÂÚÒfl ˜ÂÂÁ ÏËÍÓÙÓÌ. èË
ÔÓÒÚÓ ÔÓ‰Íβ˜ÂÌËÂ Ë Ì‡ÒÚÓÈ͇, ‚ÓÁÏÓÊÌÓÒÚ¸
„‡ÏÓÌËÁ‡ˆËË „ÓÎÓÒÓ‚ ËÏÂÂÚÒfl ‚ÓÁÏÓÊÌÓÒÚ¸ ËÁÏÂÌÂÌËfl ÔÓ·
‚ÓÒÔÓËÁ‚‰ÂÌËfl Á‡ÔËÒ‡ÌÌ˚ı ̇ ÍÓÏÔ¸˛Ú ˜‡ÒÚÂÈ ‚
ËÒÔÓÎÌËÚÂÎfl, ÏÓÊÌÓ ‰Ó·‡‚ÎflÚ¸ ÊÂÌÒÍÛ˛ Ô‡Ú˲ ·˝Í-‚Ó͇· Í
‡Á΢ÌÓÈ ÓÍÂÒÚÓ‚ÍÂ Ò ÔÓÏÓ˘¸˛ ÒËÌÚÂÁ‡ÚÓ‡
ÓÒÌÓ‚ÌÓÏÛ ÏÛÊÒÍÓÏÛ „ÓÎÓÒÛ (Ë Ì‡Ó·ÓÓÚ).
PSR-2100/1100!
CONTRAST
LCD
IN
MIDIUSB FOOT PEDAL
OUT
2
MIC. LINE
VOLUME
INPUT
LINE IN
MIC./
LR R L/L+R
(LEVEL FIXED)
AUX OUT
OUTPUT
DC IN 16V
èÓ‰Íβ˜ÂÌË ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100/1100
àÒÚÓ˜ÌËÍ ÔËÚ‡ÌËfl
ì·Â‰ËÚÂÒ¸, ˜ÚÓ ‚˚Íβ˜‡ÚÂθ ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100/1100
èÓÒΠ‚˚ÔÓÎÌÂÌËfl ‚ÒÂı ÌÂÓ·ıÓ‰ËÏ˚ı ÔÓ‰Íβ˜ÂÌËÈ (ÒÚ. 155)
1
STANDBY/ON ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË STANDBY (‚˚ÍÎ.).
ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100/1100 Í ‰Û„ËÏ ÛÒÚÓÈÒÚ‚‡Ï ۷‰ËÚÂÒ¸, ˜ÚÓ ‚ÒÂ
„ÛÎflÚÓ˚ „ÓÏÍÓÒÚË ÛÒÚ‡ÌÓ‚ÎÂÌ˚ ̇ ÌÛÎÂ‚Û˛ ÓÚÏÂÚÍÛ. á‡ÚÂÏ
‚Íβ˜ËÚ ‚Ò ÛÒÚÓÈÒÚ‚‡, ‚ıÓ‰fl˘Ë ‚ ÍÓÏÔÎÂÍÚ, ‚ ÒÎÂ‰Û˛˘ÂÏ
èÓ‰Íβ˜ËÚ ͇·Âθ ÒËÌÚÂÁ‡ÚÓ‡ Í ‡‰‡ÔÚÂÛ ÔÂÂÏÂÌÌÓ„Ó
2
ÔÓfl‰ÍÂ: Ò̇˜‡Î‡ ÛÒÚÓÈÒÚ‚‡, Ô‰‡˛˘Ë MIDI-ÒÓÓ·˘ÂÌËÂ
ÚÓ͇ PA-300.
(Ô‰‡Ú˜ËÍË), Á‡ÚÂÏ ÛÒÚÓÈÒÚ‚‡, ÔÓÎÛ˜‡˛˘Ë MIDI-ÒÓÓ·˘ÂÌËfl
(ÔËÂÏÌËÍË) Ë ‚ ÔÓÒÎÂ‰Ì˛˛ Ә‰¸ Á‚ÛÍÓ‚Û˛ ‡ÔÔ‡‡ÚÛÛ (ÏËͯÂ˚,
ÛÒËÎËÚÂÎË, ÍÓÎÓÌÍË Ë Ú. Ô.). ùÚÓ ÔÓÁ‚ÓÎËÚ ·ÓΠ˜ÂÚÍÓ ‚˚ÔÓÎÌflÚ¸
ÓÔ‡ˆËË ÔÓ Ô‰‡˜Â MIDI-ÒÒÓ·˘ÂÌËÈ Ë Ô‰ÓÚ‚‡ÚËÚ¸
ÔÓ‚ÂʉÂÌË ÍÓÎÓÌÓÍ.
èË ‚˚Íβ˜ÂÌËË ÒËÌÚÂÁ‡ÚÓ‡ Ò̇˜‡Î‡ ÓÚÍβ˜ËÚ Á‚ÛÍ Ì‡ ‚ÒÂı
Á‚ÛÍÓ‚˚ı ÛÒÚÓÈÒÚ‚‡ı, Á‡ÚÂÏ ‚˚Íβ˜ËÚ ÛÒÚÓÈÒÚ‚‡ ‚ Ó·‡ÚÌÓÏ
ÇÒÚ‡‚¸Ú ‡Á˙ÂÏ ÔÓÒÚÓflÌÌÓ„Ó ÚÓ͇ ‡‰‡ÔÚ‡ PA-300 ‚
ÔÓfl‰Í (Ò̇˜‡Î‡ Á‚ÛÍÓ‚˚ ÛÒÚÓÈÒÚ‚‡, Á‡ÚÂÏ MIDI).
3
„ÌÂÁ‰Ó DC IN ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100/1100, ‡ÒÔÓÎÓÊÂÌÌÓÂ
̇ Á‡‰ÌÂÈ Ô‡ÌÂÎË ËÌÒÚÛÏÂÌÚ‡.
DC IN 16V
ÇÒÚ‡‚¸Ú ‰Û„ÓÈ ÍÓ̈ ͇·ÂÎfl ÒËÌÚÂÁ‡ÚÓ‡ (Ó·˚˜ÌÛ˛
4
¯ÚÂÔÒÂθÌÛ˛ ‚ËÎÍÛ) ‚ ·ÎËÊ‡È¯Û˛ ˝ÎÂÍÚ˘ÂÒÍÛ˛
ÓÁÂÚÍÛ.
éëíéêéÜçé
ç Ô˚Ú‡ÈÚÂÒ¸ ËÒÔÓθÁÓ‚‡Ú¸ ‰Û„ÓÈ ‡‰‡ÔÚ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇, ÍÓÏÂ
Yamaha PA-300 ËÎË ‡‚ÌÓˆÂÌÌÓ„Ó, ÂÍÓÏẨӂ‡ÌÌÓ„Ó Í ÔËÏÂÌÂÌ˲
ÍÓÔÓ‡ˆËÂÈ Yamaha. àÒÔÓθÁÓ‚‡ÌË ÌÂÒÓ‚ÏÂÒÚËÏÓ„Ó ‡‰‡ÔÚ‡ ÏÓÊÂÚ
ÔË‚ÂÒÚË Í ÌÂËÒÔ‡‚ËÏ˚Ï ÔÓ‚ÂʉÂÌËflÏ ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100/1100 Ë
ÒÓÁ‰‡Ú¸ Û„ÓÁÛ ÔÓ‡ÊÂÌËfl ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ! ÇëÖÉÑÄ éíäãûóÄâíÖ
ÄÑÄèíÖê èÖêÖåÖççéÉé íéäÄ éí ëÖíà èàíÄçàü, äéÉÑÄ ëàçíÖáÄíéê
PSR-2100/1100 çÖ àëèéãúáìÖíëü.
ÇçàåÄçàÖ
çËÍÓ„‰‡ Ì ÓÚÍβ˜‡ÈÚ ÔËÚ‡ÌË (ÚÓ ÂÒÚ¸ Ì ÓÚÍβ˜‡ÈÚ ‡‰‡ÔÚÂ
ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇ ÓÚ ÒÂÚË) ÔË ‚˚ÔÓÎÌÂÌËË Á‡ÔËÒË Ì‡ ÒËÌÚÂÁ‡ÚÓ PSR-
2100/1100! ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚ ‰‡ÌÌ˚ı.
ÇçàåÄçàÖ
чÊ ‚ ÚÂı ÒÎÛ˜‡flı, ÍÓ„‰‡ ‚˚Íβ˜‡ÚÂθ ÔËÚ‡ÌËfl ̇ıÓ‰ËÚÒfl ‚ ÔÓÎÓÊÂÌËË
STANDBY, ËÌÒÚÛÏÂÌÚ ÔÓ‰ÓÎʇÂÚ ‚ ÏËÌËχθÌ˚ı ÍÓ΢ÂÒÚ‚‡ı
ÔÓÚ·ÎflÚ¸ ˝ÎÂÍÚÓ˝Ì„˲. ÖÒÎË ÒËÌÚÂÁ‡ÚÓ PSR-2100/1100 ÌÂ
ËÒÔÓθÁÛÂÚÒfl ‰ÎËÚÂθÌÓ ‚ÂÏfl, ۷‰ËÚÂÒ¸, ˜ÚÓ ‡‰‡ÔÚ ÔÂÂÏÂÌÌÓ„Ó
ÚÓ͇ ÓÚÍβ˜ÂÌ ÓÚ ÓÁÂÚÍË.
16
PSR-2100/1100
R
ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl
OUTPUT
L/L+R
DC IN
èÓ‰Íβ˜ÂÌË Í
˝ÎÂÍÚ˘ÂÒÍÓÈ ÓÁÂÚÍÂ
‚e‰Û˘ee ÛÒÚÓÈÒÚ‚Ó
(ÛÒÚÓÈÒÚ‚Ó, Ôee‰‡˛˘ee MIDI-ÒÓÓ·˘eÌËfl)
ÇäãûóÖçàÖ
èàTÄçàü!!
PSR-2100/1100 ‚ ͇˜eÒÚ‚e ‚e‰ÓÏÓ„Ó ÛÒÚÓÈÒÚ‚‡
(ÛÒÚÓÈÒÚ‚Ó, ÔËÌËχ˛˘ee MIDI-ÒÓÓ·˘eÌËfl)
12345678910111213141516LR
á‚ÛÍÓ‚‡fl ‡ÔÔ‡‡ÚÛ‡
(Ò̇˜‡Î‡ Ò˄̇ΠÔÓ‰‡eÚÒfl ̇ ÏËͯe, ‡ Á‡ÚeÏ — ̇ ÛÒËÎËÚeθ)
ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl
ÇçàåÄçàÖ
ÇÓ ËÁ·ÂʇÌË ‚ÓÁÏÓÊÌ˚ı ÔÓ‚ÂʉÂÌËÈ ÍÓÎÓÌÓÍ Ë ‰Û„Ó„Ó ˝ÎÂÍÚÓÌÌÓ„Ó
Ó·ÓÛ‰Ó‚‡ÌËfl ‚Ò„‰‡ Ò̇˜‡Î‡ ‚Íβ˜‡ÈÚ ÔËÚ‡ÌË PSR-2100/1100, ‡ Á‡ÚÂÏ —
ÍÓÎÓÌÓÍ Ò ÛÒËÎËÚÂÎÂÏ ËÎË ÏËͯÂÓ‚ Ë ÛÒËÎËÚÂÎÂÈ. í‡ÍÊ ÒΉÛÂÚ ‚Ò„‰‡
‚˚Íβ˜‡Ú¸ ÔËÚ‡ÌË PSR-2100/1100 ÔÓÒΠ‚˚Íβ˜ÂÌËfl ÍÓÎÓÌÓÍ Ò ÛÒËÎËÚÂÎÂÏ
ËÎË ÏËͯ‡ Ë ÛÒËÎËÚÂÎfl.
ÇçàåÄçàÖ
чÊ ‚ ÚÂı ÒÎÛ˜‡flı, ÍÓ„‰‡ ‚˚Íβ˜‡ÚÂθ ÔËÚ‡ÌËfl ̇ıÓ‰ËÚÒfl ‚ ÔÓÎÓÊÂÌËË
«STANDBY», ËÌÒÚÛÏÂÌÚ ÔÓ‰ÓÎʇÂÚ ‚ ÏËÌËχθÌ˚ı ÍÓ΢ÂÒÚ‚‡ı ÔÓÚ·-
ÎflÚ¸ ˝ÎÂÍÚÓ˝Ì„˲. ÖÒÎË PSR-2100/1100 Ì ËÒÔÓθÁÛÂÚÒfl ‰ÎËÚÂθÌÓÂ
‚ÂÏfl, ۷‰ËÚÂÒ¸, ˜ÚÓ ‡‰‡ÔÚ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇ ÓÚÍβ˜ÂÌ ÓÚ ÓÁÂÚÍË.
èÂʉ ˜ÂÏ ‚Íβ˜‡Ú¸ ËÎË ‚˚Íβ˜‡Ú¸ ÒËÌÚÂÁ‡ÚÓ PSR-2100/1100, ÌÂÓ·ıÓ-
‰ËÏÓ Ò̇˜‡Î‡ Û·‡Ú¸ Á‚ÛÍ Ì‡ ÔÓ‰Íβ˜ÂÌÌÓÈ Í ÌÂÏÛ Á‚ÛÍÓ‚ÓÈ ‡ÔÔ‡‡ÚÛÂ.
ëڇ̉‡Ú GM System Level 1
ëڇ̉‡Ú GM System Level 1 fl‚ÎflÂÚÒfl ‰ÓÔÓÎÌÂÌËÂÏ Í Òڇ̉‡ÚÛ MIDI,
„‡‡ÌÚËÛ˛˘ËÏ, ˜ÚÓ Î˛·˚ ‰‡ÌÌ˚Â, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ˝ÚÓÏÛ ÒÚ‡Ì-
1 ç‡ÊÏËÚ ‚˚Íβ˜‡ÚÂθ [STANDBY/ON].
‰‡ÚÛ, ·Û‰ÛÚ ÚÓ˜ÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌ˚ ̇ β·ÓÏ GM-ÒÓ‚ÏÂÒÚËÏÓÏ ÚÓÌ-
→ ç‡ ˝Í‡Ì ÓÚÓ·‡Ê‡ÂÚÒfl É·‚Ì˚È ˝Í‡Ì.
„Â̇ÚÓÂ Ë Ì‡ ÒËÌÚÂÁ‡ÚÓ β·Ó„Ó ÔÓËÁ‚Ó‰ÒÚ‚‡.
îÓÏ‡Ú XG
XG — ˝ÚÓ ÌÓ‚‡fl ÒÔˆËÙË͇ˆËfl MIDI ÍÓÔÓ‡ˆËË Yamaha,
Á̇˜ËÚÂθÌÓ ‡Ò¯Ëfl˛˘‡fl Ë ÛÎÛ˜¯‡˛˘‡fl Òڇ̉‡Ú GM System Level
1 Á‡ Ò˜ÂÚ Û‚Â΢ÂÌËfl ‚ÓÁÏÓÊÌÓÒÚÂÈ ÛÔ‡‚ÎÂÌËfl „ÓÎÓÒ‡ÏË,
‚˚‡ÁËÚÂθÌ˚ÏË Ò‰ÒÚ‚‡ÏË Ë ˝ÙÙÂÍÚ‡ÏË Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ
Ó·ÂÒÔ˜˂‡˛˘‡fl ÔÓÎÌÛ˛ ÒÓ‚ÏÂÒÚËÏÓÒÚ¸ ÒÓ Òڇ̉‡ÚÓÏ GM.
àÒÔÓθÁÓ‚‡ÌË ÒËÌÚÂÁ‡ÚÓÓÏ PSR-2100/1100 „ÓÎÓÒÓ‚ XG ÔÓÁ‚ÓÎflÂÚ
Á‡ÔËÒ˚‚‡Ú¸ Ù‡ÈÎ˚ ÔÂÒÂÌ ‚ ÙÓχÚ XG.
îÓÏ‡Ú XG
STANDBY
ON
îÓÏ‡Ú XF ÍÓÔÓ‡ˆËË Yamaha fl‚ÎflÂÚÒfl ÛÒӂ¯ÂÌÒÚ‚Ó‚‡ÌËÂÏ
Òڇ̉‡Ú‡ SMF (Standard MIDI File) Á‡ Ò˜ÂÚ Û‚Â΢ÂÌËfl ÙÛÌ͈ËÓ̇θ-
ÌÓÒÚË Ë ‚ÓÁÏÓÊÌÓÒÚË ‰‡Î¸ÌÂÈ¯Â„Ó ‡Ò¯ËÂÌËfl. ëËÌÚÂÁ‡ÚÓ PSR-
2100/1100 ӷ·‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸˛ ‚˚‚Ó‰ËÚ¸ ̇ ˝Í‡Ì ÚÂÍÒÚ˚ ÔÂÒÂÌ
ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË Ù‡È· ‚ ÙÓχÚ XF, ÒÓ‰Âʇ˘Â„Ó ÚÂÍÒÚ.
(îÓÏ‡Ú SMF fl‚ÎflÂÚÒfl ̇˷ÓΠ‡ÒÔÓÒÚ‡ÌÂÌÌ˚Ï ÙÓχÚÓÏ
Ù‡ÈÎÓ‚ MIDI. ëËÌÚÂÁ‡ÚÓ PSR-2100/1100 ÒÓ‚ÏÂÒÚËÏ Ò ÙÓχڇÏË
SMF 0 Ë 1, ÔË Á‡ÔËÒË «ÔÂÒÂÌÌ˚ı» ‰‡ÌÌ˚ı ËÒÔÓθÁÛÂÚÒfl ÙÓÏ‡Ú SMF
Format 0.)
ɇÏÓÌËÁ‡ˆËfl ‚Ó͇· (PSR-2100)
ÇÓ ‚ÂÏfl „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· ÔËÏÂÌflÂÚÒfl ‚ÒÚÓÂÌ̇fl ÚÂıÌÓÎÓ„Ëfl
ÖÒÎË ‚˚ ÔÓ‰„ÓÚÓ‚ËÎËÒ¸ Í ‚˚Íβ˜ÂÌ˲ ÔËÚ‡ÌËfl, ÒÌÓ‚‡
ˆËÙÓ‚ÓÈ Ó·‡·ÓÚÍË Á‚Û͇ ‰Îfl ‡‚ÚÓχÚ˘ÂÒÍÓ„Ó ‰Ó·‡‚ÎÂÌËfl
̇ÊÏËÚ ‚˚Íβ˜‡ÚÂθ [STANDBY/ON].
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ „‡ÏÓÌËË Í ‚Â‰Û˘ÂÏÛ „ÓÎÓÒÛ ÔË ËÒÔÓÎÌÂÌËË
→ ùÍ‡Ì Ë Ë̉Ë͇ÚÓ ‰ËÒÍÓ‚Ó‰‡ (Ò΂‡ ‚ÌËÁÛ) ÔÓ„‡ÒÌÛÚ.
ÔÂÒÌË. ɇÏÓÌËÁ‡ˆËfl ‚Ó͇· ÔÓÁ‚ÓÎflÂÚ ËÁÏÂÌflÚ¸ ı‡‡ÍÚÂ Ë ÚÂÏ·
‚Â‰Û˘Â„Ó „ÓÎÓÒ‡, ‡ Ú‡ÍÊ ‰ÓÔÓÎÌËÚÂθÌ˚ı „ÓÎÓÒÓ‚ ‰Îfl ÒÓÁ‰‡ÌËfl
‡ÁÌÓÓ·‡ÁÌ˚ı ˝ÙÙÂÍÚÓ‚ „‡ÏÓÌËÁ‡ˆËË.
2 ç‡ÒÚÓÈ͇ ÍÓÌÚ‡ÒÚÌÓÒÚË ˝Í‡Ì‡
îÓÏ‡Ú Disk Orchestra Collection
ÖÒÎË ËÁÓ·‡ÊÂÌË ̇ ˝Í‡Ì Ì˜ÂÚÍÓÂ, ̇ÒÚÓÈÚÂ
îÓÏ‡Ú DOC ‰Îfl Á‡ÔËÒË „ÓÎÓÒÓ‚ Ó·ÂÒÔ˜˂‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸
ÍÓÌÚ‡ÒÚÌÓÒÚ¸ Ò ÔÓÏÓ˘¸˛ „ÛÎflÚÓ‡ [LCD
‚ÓÒÔÓËÁ‚‰ÂÌËfl ‰‡ÌÌ˚ı Ò ÔÓÏÓ˘¸˛ ‡Á΢Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚
CONTRAST] ̇ Á‡‰ÌÂÈ Ô‡ÌÂÎË ËÌÒÚÛÏÂÌÚ‡.
Yamaha Ë ÛÒÚÓÈÒÚ‚ MIDI.
Style File Format
îÓÏ‡Ú Style File Format (SFF) Ô‰ÒÚ‡‚ÎflÂÚ ÒÓ·ÓÈ ÓË„Ë̇θÌ˚È
3 ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË
ÙÓÏ‡Ú Ù‡È· ÒÚËÎfl, ‡Á‡·ÓÚ‡ÌÌ˚È ÍÓÔÓ‡ˆËÂÈ Yamaha, ‚ ÍÓÚÓ-
ÑÎfl ÛÒÚ‡ÌÓ‚ÍË ÌÛÊÌÓ„Ó ÛÓ‚Ìfl
ÓÏ ËÒÔÓθÁÛÂÚÒfl ÛÌË͇θ̇fl ÒËÒÚÂχ ÔÂÓ·‡ÁÓ‚‡ÌËfl, ÔÓÁ‚ÓÎfl˛-
„ÓÏÍÓÒÚË ËÒÔÓθÁÛÈÚ ‰ËÒÍ
˘‡fl ‡‚ÚÓχÚ˘ÂÒÍË ÒÓÁ‰‡‚‡Ú¸ ‚˚ÒÓÍÓ͇˜ÂÒÚ‚ÂÌÌ˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ
ÛÔ‡‚ÎÂÌËfl [MASTER VOLUME].
̇ ÓÒÌÓ‚Â ·Óθ¯Ó„Ó ÍÓ΢ÂÒÚ‚‡ ÚËÔÓ‚ ‡ÍÍÓ‰Ó‚. Ç ÒËÌÚÂÁ‡ÚÓ PSR-
2100/1100 ËÒÔÓθÁÛÂÚÒfl ÙÓÏ‡Ú SFF, Á‡ÎÓÊÂÌÌ˚È ‚ Ô‡ÏflÚ¸, ÔË ˝ÚÓÏ
Ò˜ËÚ˚‚‡˛ÚÒfl ‰ÓÔÓÎÌËÚÂθÌ˚ ‰ËÒÍË ÒÓ ÒÚËÎflÏË SFF Ë ÒÓÁ‰‡˛ÚÒfl
ÒÚËÎË SFF Ò ÔÓÏÓ˘¸˛ Ò‰ÒÚ‚‡ Style Creator (ÒÓÁ‰‡ÚÂθ ÒÚËÎÂÈ).
USB
àÏÂÌ̇fl Ô·ÒÚË̇
USB – ˝ÚÓ ÒÓ͇˘ÂÌË ÓÚ Universal Serial Bus (ÛÌË‚Â҇θ̇fl ÔÓÒÎÂ-
ɇ‚Ëӂ͇ ̇ ËÏÂÌÌÓÈ Ô·ÒÚËÌ ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100/1100
‰Ó‚‡ÚÂθ̇fl ¯Ë̇). ùÚÓ ÔÓÒΉӂ‡ÚÂθÌ˚È ËÌÚÂÙÂÈÒ ‰Îfl Ò‚flÁË
ÒÓ‰ÂÊËÚ Ò‚Â‰ÂÌËfl Ó ÔÓ‰‰ÂÊË‚‡ÂÏ˚ı ËÏ Òڇ̉‡Ú‡ı/ÙÓχڇı Ë Ó·
ÍÓÏÔ¸˛Ú‡ Ò ÔÂËÙÂËÈÌ˚ÏË ÛÒÚÓÈÒÚ‚‡ÏË. éÌ ÔÓÁ‚ÓÎflÂÚ ÓÒÛ˘ÂÒÚ-
ÓÒÓ·˚ı ‚ÓÁÏÓÊÌÓÒÚflı ËÌÒÚÛÏÂÌÚ‡.
‚ÎflÚ¸ "„Ófl˜Û˛" Á‡ÏÂÌÛ ÔÂËÙÂËÈÌ˚ı ÛÒÚÓÈÒÚ‚ (·ÂÁ ‚˚Íβ˜ÂÌËfl
ÔËÚ‡ÌËfl ÍÓÏÔ¸˛Ú‡).
PSR-2100/1100
17
BACK NEXT
MAIN
A
F
LAYER
B
G
C
H
LEFT
D
I
E
J
MUSIC
FINDER
è˛ÔËÚ
ëËÌÚÂÁ‡ÚÓ PSR-2100/1100 ÔÓÒÚ‡‚ÎflÂÚÒfl ‚ÏÂÒÚÂ Ò Ô˛ÔËÚÓÏ,
ÍÓÚÓ˚È ÏÓÊÌÓ ÔËÍÂÔËÚ¸ Í ËÌÒÚÛÏÂÌÚÛ, ‚ÒÚ‡‚Ë‚ ‚ „ÌÂÁ‰Ó,
‡ÒÔÓÎÓÊÂÌÌÓ Á‡ Ô‡ÌÂθ˛ ÛÔ‡‚ÎÂÌËfl.
LCD
CONTRAST
MASTER VOLUME
FADE
IN/OUT
MIN MAX
è‡ÌÂθÌ˚ „ÛÎflÚÓ˚ Ë ‡Á˙ÂÏ˚
55
74
75
CONTRAST
LCD
MIDIUSB
OUTIN
SONG
TRACKS
EXTRA
TRACK
2
TRACK
1
REPEAT
NOME
METRO-
6
7 8
9 10
9
5
(STYLE) (R)(L)
REC REW FF
TOP
START/STOP
STUDIO
DIGITAL
SOUND CREATOR
42
10 11 12 13 14
NEW SONG SYNC. START
36
A
DIGITAL RECORDING
STYLE
POP & ROCK
SWING &
JAZZ
BALLROOM
MARCH &
WALTZ
37
B
15
MIXING CONSOLE
C
BALLAD USERLATIN
DANCE
38
PAR T
D
MENU
DEMO
E
TRANSPOSE
TEMPO
TAP TEMPO
39
HELP
RESET
1716
RESET
18
MASTER VOLUME
STOP
40
FUNCTION
21
22
41
BALANCE
MULTI PAD
DIRECT
FADE
ACCESS
IN/OUT
44
MIN MAX
19
CHANNEL ON/OFF
20
STYLE CONTROL
43
MAIN
45
ACMP
BREAK
INTRO
ENDING
PAR T
/ rit.
SYNC.
OTS
STOP
SYNC.
AUTO
START
START/STOP
46
STANDBY
FILL IN
LINK
ON
23
24 25
26
27
28
29
30 33
31
32
34
35
1
PITCH BEND MODULATION
2 3
4
PHONES
C1
36
37
D1
38
E1
F1
G1
A1
B1
C2
D2
E2
F2
G2
A2
B2
C3
D3
E3
F3
G3
CLICK
T
S
39
40 46 49
R
41
42 44
L
43
L
45
M
47
H
48
M
50
51
H
52
L
53
H
5554 56
L
57
58 61
L
M
59
M
H
60
C
1
H
62
1
R
63
64
R
65
66
S
èàíÄçàÖ
MASTER VOLUME
1
‚˚Íβ˜‡ÚÂθ [STANDBY/ON]............................................................. ëÚ. 17
19
„ÛÎflÚÓ [MASTER VOLUME]............................................................ëÚ. 17
20
ÍÌÓÔ͇ [FADE IN / OUT]........................................................................ëÚ. 68
äéãÖëÄ
2
PITCH BEND......................................................................................... ëÚ. 61
MULTI PAD
3
MODULATION (PSR-2100) .................................................................. ëÚ. 61
21
ÍÌÓÔÍË [1] - [4] .......................................................................................ëÚ. 76
22
ÍÌÓÔ͇ [STOP].......................................................................................ëÚ. 76
çÄìòçàäà
4
‡Á˙ÂÏ [PHONES].............................................................................. ëÚ. 155
STYLE CONTROL
23
ÍÌÓÔ͇ [ACMP]......................................................................................ëÚ. 63
åÖíêéçéå
24
ÍÌÓÔ͇ [BREAK] ....................................................................................ëÚ. 67
5
ÍÌÓÔ͇ [METRONOME]........................................................................ ëÚ. 53
25
ÍÌÓÔ͇ [INTRO] ...............................................................................ëÚ. 31, 69
26
ÍÌÓÔ͇ MAIN [A]....................................................................................ëÚ. 67
SONG
27
ÍÌÓÔ͇ MAIN [B]....................................................................................ëÚ. 67
6
ÍÌÓÔ͇ [EXTRA TRACKS (STYLE)] ..................................................... ëÚ. 82
28
ÍÌÓÔ͇ MAIN [C]....................................................................................ëÚ. 67
7
ÍÌÓÔ͇ [TRACK 2 (L)] ........................................................................... ëÚ. 82
29
ÍÌÓÔ͇ MAIN [D]....................................................................................ëÚ. 67
8
ÍÌÓÔ͇ [TRACK 1 (R)]........................................................................... ëÚ. 82
30
ÍÌÓÔ͇ [ENDING / rit.] .....................................................................ëÚ. 31, 69
9
ÍÌÓÔ͇ [REPEAT] ................................................................................. ëÚ. 82
31
ÍÌÓÔ͇ [AUTO FILL IN]..........................................................................ëÚ. 69
10
ÍÌÓÔ͇ [REC] ........................................................................................ ëÚ. 95
32
ÍÌÓÔ͇ [OTS LINK]................................................................................ëÚ. 71
11
ÍÌÓÔ͇ [TOP] ........................................................................................ ëÚ. 81
33
ÍÌÓÔ͇ [SYNC.STOP]............................................................................ëÚ. 68
12
ÍÌÓÔ͇ [START / STOP] ....................................................................... ëÚ. 79
34
ÍÌÓÔ͇ [SYNC.START]..........................................................................ëÚ. 63
13
ÍÌÓÔ͇ [REW] ....................................................................................... ëÚ. 81
35
ÍÌÓÔ͇ [START / STOP]........................................................................ëÚ. 63
14
ÍÌÓÔ͇ [FF] ........................................................................................... ëÚ. 81
DIGITAL STUDIO
STYLE
36
ÍÌÓÔ͇ [SOUND CREATOR].................................................................ëÚ. 90
15
ÍÌÓÔÍË STYLE ...................................................................................... ëÚ. 62
37
ÍÌÓÔ͇ [DIGITAL RECORDING] ...................................................ëÚ. 95, 111
TRANSPOSE
38
ÍÌÓÔ͇ [MIXING CONSOLE]...............................................................ëÚ. 124
16
ÍÌÓÔÍË [E] [F]........................................................................... ëÚ. 144
MENU
TEMPO
39
ÍÌÓÔ͇ [DEMO]......................................................................................ëÚ. 55
17
ÍÌÓÔÍË [E] [F] ............................................................................ ëÚ. 53
40
ÍÌÓÔ͇ [HELP].......................................................................................ëÚ. 52
18
äÌÓÔ͇ [TAP TEMPO] .......................................................................... ëÚ. 54
41
ÍÌÓÔ͇ [FUNCTION]............................................................................ëÚ. 136
18
PSR-2100/1100
FOOT PEDAL
2
MIC. LINE
VOLUME
INPUT
LINE IN
MIC./
AUX OUT
LR R L/L+R
(LEVEL FIXED)
OUTPUT
DC IN 16V
LEFT
VOICE EFFECT
HOLD
SUSTAIN
HARMONY/
BACK NEXT
ECHO
MONOTOUCH
DSP
VARIATION
VOICE
PIANO & HARPSI.
E.PIANO
ACCORDION
ORGAN &
PERCUSSION
MAIN
F
LAYER
GUITAR
BASS
BRASS
WOODWIND
G
H
LEFT
STRINGS CHOIR & PAD
SYNTH.
XG
I
USER
ORGAN FLUTES
J
UPPER OCTAVE
MUSIC
FINDER
RESET
MIC.
SELECT
VH TYPE
SETTING
MIC.
HARMONY
VOCAL
TALK
EFFECT
OVER
SIGNAL
ONE TOUCH SETTING
EXIT
ENTER
REGISTRATION MEMORY
DATA ENTRY
FREEZE MEMORY
A3
C
2
69
B3
R
2
71
DISPLAY CONTROL
MIC.
ÍÌÓÔÍË [A] - [J] ...................................................................................... ëÚ. 43
ÍÌÓÔÍË MIC (PSR-2100)......................................................................ëÚ. 131
ÍÌÓÔ͇ [DIRECT ACCESS]................................................................... ëÚ. 50
MUSIC FINDER
ÍÌÓÔ͇ [BALANCE]............................................................................... ëÚ. 64
ÍÌÓÔ͇ [MUSIC FINDER] ......................................................................ëÚ. 72
ÍÌÓÔ͇ [CHANNEL ON / OFF]........................................................ ëÚ. 64, 81
ÍÌÓÔÍË [1▲▼] - [8▲▼]................................................................ ëÚ. 38 - 48
ONE TOUCH SETTING
ÍÌÓÔ͇ [BACK]................................................................................ ëÚ. 43, 49
ÍÌÓÔÍË [1] - [4] .......................................................................................ëÚ. 70
ÍÌÓÔ͇ [NEXT] ................................................................................ ëÚ. 43, 49
ÍÌÓÔ͇ VOICE PART ON / OFF [MAIN] ............................................... ëÚ. 59
REGISTRATION MEMORY
ÍÌÓÔ͇ VOICE PART ON / OFF [LAYER]............................................. ëÚ. 59
ÍÌÓÔ͇ [FREEZE] ..................................................................................ëÚ. 89
ÍÌÓÔ͇ VOICE PART ON / OFF [LEFT]................................................ ëÚ. 59
ÍÌÓÔÍË [1] - [8] .......................................................................................ëÚ. 87
ÍÌÓÔ͇ [ENTER].................................................................................... ëÚ. 49
ÍÌÓÔ͇ [MEMORY] ................................................................................ëÚ. 87
‰ËÒÍ ÛÔ‡‚ÎÂÌËfl [DATA ENTRY] ........................................................ ëÚ. 49
FLOPPY DISK
ÍÌÓÔ͇ [EXIT]........................................................................................ ëÚ. 43
„ÛÎflÚÓ [LCD CONTRAST] .............................................................. ëÚ. 17
‰ËÒÍÓ‚Ó‰ (‰Îfl 3,5 ‰˛ÈÏÓ‚˚ı ‰ËÒÍÂÚ)...................................................ëÚ. 7
VOICE EFFECT
åËÍÓÙÓÌÌÓ „ÌÂÁ‰Ó Ë Â„ÛÎflÚÓ (PSR-2100)
ÍÌÓÔ͇ [LEFT HOLD]............................................................................ ëÚ. 61
͇ۘ [INPUT VOLUME] .....................................................................ëÚ. 155
ÍÌÓÔ͇ [TOUCH]................................................................................... ëÚ. 60
‡Á˙ÂÏ [MIC. LINE IN] .......................................................................ëÚ. 155
ÍÌÓÔ͇ [SUSTAIN] ................................................................................ ëÚ. 60
èÓÚ˚ Ë ÔÂÂÍβ˜‡ÚÂÎË
ÍÌÓÔ͇ [HARMONY / ECHO]................................................................ ëÚ. 61
USB-ÔÓÚ ............................................................................................ëÚ. 157
ÍÌÓÔ͇ [MONO]..................................................................................... ëÚ. 61
ÔÓÚ˚ MIDI [OUT] [IN].........................................................................ëÚ. 156
ÍÌÓÔ͇ [DSP] ........................................................................................ ëÚ. 60
‡Á˙ÂÏ [FOOT PEDAL 1 (SWITCH) ] .................................................ëÚ. 156
ÍÌÓÔ͇ [VARIATION] ............................................................................ ëÚ. 61
‡Á˙ÂÏ [FOOT PEDAL 2]....................................................................ëÚ. 156
VOICE
‡Á˙ÂÏ˚ AUX OUT (LEVEL FIXED) [L] [R]........................................ëÚ. 156
ÍÌÓÔÍË VOICE....................................................................................... ëÚ. 57
‡Á˙ÂÏ˚ OUTPUT [L / L+R] [R]..........................................................ëÚ. 156
ÔÓÚ DC IN ..........................................................................................ëÚ. 156
UPPER OCTAVE
ÍÌÓÔ͇ [UPPER OCTAVE].................................................................... ëÚ. 61
PSR-2100/1100
19
7
76
77
72
78
79 80
73
47
48
56
57 58
59
60
61
62
42
63
49
71
50
51
64
65
66
67
53
52
54
68
69 70
68 70
C4
D4
H
72
L
73
74 75
E4
F4
H
L
76
H
77
L
78
G4
B4
C5
H
79
L
80
A4
81 82
H
83
L
84
S
85
D5
E5
F5
G5
A5
B5
C6
L
86
87
H
88
L M
89
90
O
91
9392 94
95
96
42
65
43
44
66
45
46
47
67
48
49
50
68
51
69
52
70
53
54
55
71
56
72
57
73
58
59
74
60
75
61
76
62
77
78
63
79
80
64
ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó . . . . . . . . . . . . . . . . . . . . . . . . . . .
èÓË„˚‚‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ
èÓ‰Ó·ÌÓÒÚË
̇ ÒÚ. 55
ëËÌÚÂÁ‡ÚÓ PSR-2100/1100 ÒÓ‰ÂÊËÚ ÏÌÓÊÂÒÚ‚Ó ‚ÒÚÓÂÌÌ˚ı
ÍÌÓÔ͇ Demo
‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ, ÍÓÚÓ˚ ÒÓÁ‰‡‚‡ÎËÒ¸ ‰Îfl ÚÓ„Ó,
˜ÚÓ·˚ ‚˚ ÒÏÓ„ÎË ÓˆÂÌËÚ¸ ·Ó„‡ÚÒÚ‚Ó Ë Ì‡ÚۇθÌÓÒÚ¸ Á‚Û˜‡ÌËfl
Â„Ó ÚÂÏ·Ó‚, ËÚÏÓ‚ Ë ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
ÅÓΠÚÓ„Ó, ̇ÏË ·˚Î ‡Á‡·ÓÚ‡Ì fl‰ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı
ÙÛÌ͈ËÈ. ë Ëı ÔÓÏÓ˘¸˛ ‚˚ ÏÓÊÂÚ ̇ Ô‡ÍÚËÍ ÓÁ̇ÍÓÏËÚ¸Òfl
ÒÓ ‚ÒÂÏË ‚‡ÊÌÂȯËÏË ÙÛÌ͈ËflÏË ÒËÌÚÂÁ‡ÚÓ‡ Ë Ò‡ÏÓÒÚÓfl-
ÚÂθÌÓ Ì‡Û˜ËÚ¸Òfl ˝ÙÙÂÍÚË‚ÌÓÏÛ ÔËÏÂÌÂÌ˲ PSR-2100/1100
‚ ÔÓˆÂÒÒ ÒÓÁ‰‡ÌËfl ÏÛÁ˚ÍË.
1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [DEMO] ‰Îfl
2 óÚÓ·˚ ‚˚·‡Ú¸ ÚËÔ ‰ÂÏÓÌÒÚ‡ˆËË, ‚ÓÒÔÓθÁÛÈÚÂÒ¸
‚˚ÁÓ‚‡ ÏÂÌ˛ ‚˚·Ó‡
ÍÌÓÔ͇ÏË [BACK]/[NEXT].
MENU
BACK NEXT
DEMO
‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ
ÔÂÒÌË.
HELP
FUNCTION
ÑÂÏÓÌÒÚ‡ˆËË ÙÛÌ͈ËÈ ËÎβ-
ÒÚËÛ˛Ú ‚ÓÁÏÓÊÌÓÒÚË ‡Á΢-
Ì˚ı ÙÛÌ͈ËÈ PSR-2100/1100.
Ç ˝ÚÓÏ ÔËÏ ‚˚·‡Ì‡ ‚Í·‰Í‡
ÑÂÏÓÌÒÚ‡ˆËË ÒÚËÎÂÈ ÔÓÁ‚ÓÎfl-
VOICE. ÑÂÏÓÌÒÚ‡ˆËË „ÓÎÓÒÓ‚ ËÎ-
˛Ú ÔÓÎÛ˜ËÚ¸ Ô‰ÒÚ‡‚ÎÂÌË Ó
βÒÚËÛ˛Ú ‚ÓÁÏÓÊÌÓÒÚË ËÒÔÓθ-
‰ÓÒÚÛÔÌ˚ı ‚ ÒËÌÚÂÁ‡ÚÓ PSR-
ÁÓ‚‡ÌËfl „ÓÎÓÒÓ‚ ÒËÌÚÂÁ‡ÚÓ‡ PSR-
2100/1100 ËÚχı Ë ÒÚËÎflı
2100/1100.
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 55).
3
óÚÓ·˚ ‚˚·‡Ú¸ ‰ÂÏÓÌÒÚ‡ˆË˛, ̇ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [A] - [J] ËÎË ÍÌÓÔÍÛ [8▼] (AUTO) (ËÏÂÂÚÒfl ÚÓθÍÓ Ì‡
ÒÚ‡Ìˈ FUNCTION).
ç‡ÔËÏÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [A], ˜ÚÓ·˚ ‚ÓÒÔÓËÁ‚ÂÒÚË ‰ÂÏÓÌÒÚ‡ˆË˛ „ÓÎÓÒ‡ „Ó·Ófl.
MAIN
A
F
LAYER
B
G
C
H
LEFT
D
I
E
J
óÚÓ·˚ ‚˚ÈÚË ËÁ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓ„Ó ÂÊËχ Ë ‚ÂÌÛÚ¸Òfl Í „·‚ÌÓÏÛ ˝Í‡ÌÛ (MAIN) ÔÓ Á‡‚¯ÂÌËË ‚ÒÂı ‰ÂÏÓÌÒÚ‡ˆËÈ, ̇ÊÏËÚÂ
ÍÌÓÔÍÛ [EXIT].
èÓÒΠÚÓ„Ó Í‡Í ‚˚ ÓÁ̇ÍÓÏËÚÂÒ¸ Ò ‰ÂÏÓÌÒÚ‡ˆËflÏË, ÒÚÓËÚ ‡ÁÓ·‡Ú¸Òfl Â˘Â Ò ‰‚ÛÏfl ÙÛÌ͈ËflÏË, ÍÓÚÓ˚ ÔÓÏÓ„ÛÚ ‚‡Ï
ÎÛ˜¯Â ÛÁ̇ڸ PSR-2100/1100.
• ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ (ÒÚ. 21)
• ÇÓÒÔÓËÁ‚‰ÂÌË ÍÓÓÚÍÓ„Ó ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓ„Ó Ù‡„ÏÂÌÚ‡, Á‡ÔËÒ‡ÌÌÓ„Ó Ò ÔÓÏÓ˘¸˛ ‚˚·‡ÌÌÓ„Ó „ÓÎÓÒ‡
(̇ ˝Í‡Ì Voice Open; ÒÚ. 26).
20
ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó
81 2 3 4 5 6 7
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó
‰ÂÏÓÌÒÚ‡ˆËflı Ô˂‰ÂÌ˚ ̇
ÒÚ. 55.
ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË
ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË
èÓ‰Ó·ÌÓÒÚË
̇ ÒÚ. 78
ÇÒ ‚ÓÁÏÓÊÌÓÒÚË ÔÓÚflÒ‡˛˘Ëı „ÓÎÓÒÓ‚, ˝ÙÙÂÍÚÓ‚, ËÚÏÓ‚, ÒÚËÎÂÈ Ë ‰Û„Ëı ÒÎÓÊÌ˚ı ‡Î„ÓËÚÏÓ‚ PSR-2100/
1100 ÔÓfl‚Îfl˛ÚÒfl ‚ Ó‰ÌÓÏ — ‚ ÔÂÒÌÂ!
äÌÓÔÍË, ÓÚÌÓÒfl˘ËÂÒfl Í ÔÂÒÌÂ.
ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ Ì‡ÒÚ-
ÓÈ͇ flÁ˚͇ ÒËÌÚÂÁ‡ÚÓ‡
(ÒÚ. 154) ÒÓ‚Ô‡‰‡ÂÚ Ò Ú‡ÍÓÈ
Ê ̇ÒÚÓÈÍÓÈ Ù‡È· ‚ÓÒ-
ÔÓËÁ‚Ó‰ËÏÓÈ ÔÂÒÌË.
äÌÓÔÍË BALANCE Ë
CHANNEL
ÑËÒÍÓ‚Ó‰
Ç PSR-2100/1100 ÔÓ‰‰ÂÊË‚‡ÂÚÒfl ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ ‚ Û͇Á‡ÌÌ˚ı ÌËÊ ÙÓχڇı. èÓ‰Ó·Ì˚ ҂‰ÂÌËfl ÒÓ‰ÂʇÚÒfl
̇ ÒÚ. 78, 161.
ÑËÒÍÂÚ˚ Ò ‰‡ÌÌÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂÊ‡Ú ÔÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ ‚ Òڇ̉‡Ú GM.
èÂÒÌË, ÒÓ‰Âʇ˘Ë ·Óθ¯ÓÂ
ÍÓ΢ÂÒÚ‚Ó ‰‡ÌÌ˚ı, ÏÓ„ÛÚ
ÑËÒÍÂÚ˚ Ò ˝ÚÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂÊ‡Ú ÔÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ ‚ Òڇ̉‡Ú XG. XG — ˝ÚÓ ‡Ò¯ËÂÌËÂ
‚˚Á‚‡Ú¸ Ò·ÓÈ ÔË ˜ÚÂÌËË Ëı
Òڇ̉‡Ú‡ GM, ÔÓ‰‰ÂÊË‚‡˛˘Â ·Óθ¯Â ˜ËÒÎÓ „ÓÎÓÒÓ‚ Ë Ô‰ÓÒÚ‡‚Îfl˛˘Â ÏÛÁ˚͇ÌÚÛ ·ÓΠÔÓÎÌ˚È
ÒËÌÚÂÁ‡ÚÓÓÏ ËÎË Ëı ‚˚·Ó-
ÍÓÌÚÓθ Á‡ Ô‡‡ÏÂÚ‡ÏË Á‚Û͇.
Â. å‡ÍÒËχθÌ˚È ‡ÁÏÂ
ÔÂÒÌË ÓÍÓÎÓ 200–300KÅ.
ÑËÒÍÂÚ˚ Ò ‰‡ÌÌÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂÊ‡Ú ÔÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ ‚ ‡Á‡·ÓÚ‡ÌÌÓÏ ÍÓÏÔ‡ÌËÂÈ Yamaha
éÌ Á‡‚ËÒËÚ ÓÚ ÒÓ‰ÂÊËÏÓ„Ó
Òڇ̉‡Ú DOC.
ÔÂÒÌË.
ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ
1 ÖÒÎË Ú·ÛÂÚÒfl ÔÓË„‡Ú¸ ÔÂÒÌ˛ Ò ‰ËÒÍÂÚ˚, ‚ÒÚ‡‚¸Ú ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰.
ÇÌËχÌËÂ!
• èÂʉ ‚ÒÂ„Ó ÓÁ̇ÍÓϸÚÂÒ¸ Ò
‡Á‰ÂÎÓÏ «àÒÔÓθÁÓ‚‡ÌËÂ
‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ» (ÒÚ. 7).
ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó
21
ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË
2 óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì Song Open, ̇ÊÏËÚ ÍÌÓÔÍÛ [A].
ÖÒÎË „·‚Ì˚È ˝Í‡Ì (MAIN) Ì ÓÚÓ·‡Ê‡ÂÚÒfl, Ò̇˜‡Î‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ — ÍÌÓÔÍÛ [EXIT].
É·‚Ì˚È ˝Í‡Ì (‰Ë‡ÎÓ„Ó‚ÓÂ
A
ÓÍÌÓ, ÔÓfl‚Îfl˛˘ÂÂÒfl ̇ ‰ËÒÔÎÂÂ
ÔË ‚Íβ˜ÂÌËË ÔËÚ‡ÌËfl) ÔÓÁ‚Ó-
B
ÎflÂÚ ‚˚·‡Ú¸ ÔÂÒÌË, „ÓÎÓÒ‡,
ÒÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë Ú. ‰.
C
D
E
FLOPPY DISK (ÔÓÍÛÔÌ˚ Á‡ÔËÒË, ‚‡¯Ë
PRESET (‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÔÂÒÌË)
ÒÓ·ÒÚ‚ÂÌÌ˚Â ÔÂÒÌË Ë Ú. ‰.)
óÚÓ·˚ ‚˚·‡Ú¸ ‡Á‰ÂÎ Ô‡ÏflÚË, ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË
[BACK]/[NEXT]. ë΂‡ ‰‡Ì ÔËÏ ‚̯ÌÂ„Ó ‚ˉ‡
ÒÚ‡Ìˈ˚ PRESET, ÒÔ‡‚‡ — ÔËÏ ‚̯ÌÂ„Ó ‚ˉ‡
ÒÚ‡Ìˈ˚ FLOPPY DISK.
3 Ç˚·‡Ú¸ Ô‡ÔÍÛ Voice/Style/Function ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [A] - [C].
A
B
C
D
E
22
ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó
ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË
4 óÚÓ·˚ ‚˚·‡Ú¸ Ù‡ÈÎ ÔÂÒÌË, ̇ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ ÓÚ [A] ‰Ó [J].
5 óÚÓ·˚ ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [START/STOP].
REC
TOP
START/STOP
• óÚÓ·˚ ÔÂÂÏÓÚ‡Ú¸ ÔÂÒÌ˛ ‚Ô‰ ËÎË Ì‡Á‡‰, ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË [FF] ËÎË [REW] ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ.
• ÖÒÎË Ù‡ÈÎ ÔÂÒÌË ÒÓ‰ÂÊËÚ ÚÂÍÒÚ (ÚËÔ Ù‡È· — Standard MIDI format 0), Â„Ó ÏÓÊÌÓ ÔÓÒχÚË‚‡Ú¸ ̇
NEW SONG SYNC. START
˝Í‡Ì ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË. äÓÏ ÚÓ„Ó, ̇ ˝Í‡Ì ÏÓÊÌÓ ‚˚‚Ó‰ËÚ¸ Ô‡ÚËÚÛÛ.
èÓ‰Ó·ÌÓÒÚË Ô˂‰ÂÌ˚ ̇ ÒÚ. 83 Ë 86.
6 èÓÔÓ·ÛÈÚ ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ ÔË„ÎÛ¯ÂÌËfl ͇̇· ‚Ó ‚ÂÏfl ÔÓË„˚‚‡ÌËfl ÔÂÒÌË — ˝ÚÓ ÔÓÁ‚ÓÎflÂÚ ‚‡Ï
ÒÓÁ‰‡‚‡Ú¸ ‰Ë̇Ï˘Ì˚ ‡‡ÌÊËÓ‚ÍË ·ÛÍ‚‡Î¸ÌÓ Ì‡ ÎÂÚÛ!
1) ç‡ÊÏËÚ ÍÌÓÔÍÛ [CHANNEL ON/OFF].
2) ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [1▲▼] - [8▲▼], ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ͇̇ÎÛ, ÍÓÚÓ˚È Ú·ÛÂÚÒfl ‚Íβ˜ËÚ¸ ËÎË ÓÚÍβ˜ËÚ¸.
CHANNEL ON/OFF
PART
ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó
23
81 2 3 4 5 6 781 2 3 4 5 6 7
ÖÒÎË ‚˚·‡Ì‡ ‚Í·‰Í‡ STYLE,
ÒÌÓ‚‡ ̇ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ.
ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË
7 à, ̇ÍÓ̈, ÔÓÔÓ·ÛÈÚ Ò·fl ‚ ÓÎË Á‚ÛÍÓÂÊËÒÒ‡, ÍÓÚÓÓÏÛ Ô‰ÒÚÓËÚ ÒÏËͯËÓ‚‡Ú¸ ÚÓθÍÓ ˜ÚÓ
Á‡ÔËÒ‡ÌÌÛ˛ ÍÓÏÔÓÁËˆË˛. ùÚË ˝ÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl ÔÓÁ‚ÓÎfl˛Ú ̇Òڇ˂‡Ú¸ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ÓÚ‰ÂθÌ˚ı
Ô‡ÚËÈ: ÔÂÒÌË, ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ‚‡¯Â„Ó „ÓÎÓÒ‡ (PSR-2100) Ë ÒÓÎÓ Ì‡ ÒËÌÚÂÁ‡ÚÓÂ.
1) ç‡ÊÏËÚ ÍÌÓÔÍÛ [BALANCE].
2) ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [1▲▼] - [8▲▼], ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Ô‡ÚËË, „ÓÏÍÓÒÚ¸ ÍÓÚÓÓÈ Ú·ÛÂÚÒfl ̇ÒÚÓËÚ¸.
BALANCE
8 óÚÓ·˚ Ô‚‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ SONG [START/STOP].
24
ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó
81 2 3 4 5 6 7
Ç˚ ÏÓÊÂÚ ‚˚Á‚‡Ú¸ ‚ÂÒ¸ ̇·Ó
‰ÓÒÚÛÔÌ˚ı ˝ÎÂÏÂÌÚÓ‚
ÛÔ‡‚ÎÂÌËfl, ̇ʇ‚ ÍÌÓÔÍÛ
[MIXING CONSOLE] (ÒÚ. 124).
REC
TOP
START/STOP
• äÌÓÔ͇ [FADE IN/OUT]
(ÒÚ. 68) ÔÓÁ‚ÓÎflÂÚ
NEW SONG SYNC. START
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌË Ë
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ò ÙÂȉËÌ„ÓÏ
‚ ̇˜‡ÎÂ Ë ÍÓ̈ ÍÓÏÔÓÁˈËË.
èË ˝ÚÓÏ „ÓÏÍÓÒÚ¸ ‚ ̇˜‡ÎÂ
ÔÂÒÌË ·Û‰ÂÚ Ô·‚ÌÓ
̇‡ÒÚ‡Ú¸, ‡ ‚ ÍÓ̈ —
ÒÌËʇڸÒfl.
ÇÓÒÔÓËÁ‚‰ÂÌË „ÓÎÓÒÓ‚
ÇÓÒÔÓËÁ‚‰ÂÌË „ÓÎÓÒÓ‚
èÓ‰Ó·ÌÓÒÚË
̇ ÒÚ. 57
PSR-2100/1100 ÒÓ‰ÂÊËÚ ·ÓΠ700 ‰Ë̇Ï˘Ì˚ı, ‡ÎËÒÚ˘Ì˚ı „ÓÎÓÒÓ‚ (ÚÂÏ·Ó‚) Ò ·Ó„‡Ú˚Ï Á‚Û˜‡ÌËÂÏ.
èÓÔÓ·ÛÈÚ ÔÓË„‡Ú¸ ÌÂÒÍÓθÍËÏË „ÓÎÓÒ‡ÏË, ˜ÚÓ·˚ ÔÓÌflÚ¸, Í‡Í Ëı ÏÓÊÌÓ ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ‚ ‚‡¯Ëı
ÒÓ·ÒÚ‚ÂÌÌ˚ı ÍÓÏÔÓÁˈËflı. Ç‡Ï Ô‰ÒÚÓËÚ Ì‡Û˜ËÚ¸Òfl ‚˚·Ë‡Ú¸ ÓÚ‰ÂθÌ˚ „ÓÎÓÒ‡, Ò‚flÁ˚‚‡Ú¸ ‰‚‡ „ÓÎÓÒ‡ ‚ ÒÎÓÈ Ë Ì‡Á̇˜‡Ú¸ ‡ÁÌ˚Â
„ÓÎÓÒ‡ ‰Îfl Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍ.
äÌÓÔÍË, ÓÚÌÓÒfl˘ËÂÒfl Í „ÓÎÓÒÛ.
ÇÓÒÔÓËÁ‚‰ÂÌË „ÓÎÓÒ‡
1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [MAIN], ˜ÚÓ·˚ ‚Íβ˜ËÚ¸ „·‚ÌÛ˛ ÒÓÒÚ‡‚Îfl˛˘Û˛ „ÓÎÓÒ‡, ‡ Á‡ÚÂÏ — ÍÌÓÔÍÛ [F], ˜ÚÓ·˚ ‚˚Á‚‡Ú¸
ÏÂÌ˛ ‚˚·Ó‡ „·‚ÌÓ„Ó „ÓÎÓÒ‡.
ÖÒÎË „·‚Ì˚È ˝Í‡Ì (MAIN) Ì ÓÚÓ·‡Ê‡ÂÚÒfl, Ò̇˜‡Î‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ — ÍÌÓÔÍÛ [EXIT].
ÇÍβ˜ËÚÂ
Ç˚·‡ÌÌ˚È ‚ ÏÂÌ˛ „ÓÎÓÒ
ÓÚÌÓÒËÚÒfl Í „·‚ÌÓÈ ˜‡ÒÚË Ë
MAIN
ÌÓÒËÚ Ì‡Á‚‡ÌË „·‚ÌÓ„Ó „ÓÎÓÒ‡.
F
(ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl
LAYER
Ô˂‰ÂÌ˚ ̇ ÒÚ. 59.)
G
H
LEFT
I
J
ÖÒÎË Ú·ÛÂÚÒfl ÛÒÎ˚¯‡Ú¸ ÚÓθÍÓ
ÚÂÏ· „·‚ÌÓ„Ó „ÓÎÓÒ‡, ‚˚Íβ˜ËÚÂ
‰ÓÔÓÎÌËÚÂθÌ˚ „ÓÎÓÒ‡ Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÓÍ LAYER Ë LEFT.
2 Ç˚·ÂËÚÂ „ÛÔÔÛ „ÓÎÓÒÓ‚.
óÚÓ·˚ ‚˚·‡Ú¸ ÏÂÒÚÓ̇ıÓʉÂÌËÂ
„ÓÎÓÒ‡, ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË
Ç ˝ÚÓÏ ÔËÏ ‚˚·‡Ì „ÓÎÓÒ
[BACK]/[NEXT]. ÑÓÔÛÒÚËÏ, ˝ÚÓ ·Û‰ÂÚ
STRINGS (ÒÚÛÌÌ˚Â).
‚Í·‰Í‡ PRESET.
VOICE
ORGAN &
PIANO & HARPSI.
E.PIANO
ACCORDION
PERCUSSION
GUITAR BASS
BRASS
WOODWIND
STRINGS CHOIR & PAD
SYNTH.
XG
USER ORGAN FLUTES
ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó
25
ÇÓÒÔÓËÁ‚‰ÂÌË „ÓÎÓÒÓ‚
3 Ç˚·ÂËÚÂ „ÓÎÓÒ.
• åÓÊÌÓ ÏÓÏÂÌڇθÌÓ ‚ÂÌÛÚ¸-
Òfl Í „·‚ÌÓÏÛ ˝Í‡ÌÛ, ‰‚‡Ê-
A
‰˚ ̇ʇ‚ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ [A] -
[J].
B
• ÉÓÎÓÒ‡, ËÁÓ·‡ÊÂÌÌ˚ ̇
͇ÚËÌÍ Ò΂‡, ÏÓ„ÛÚ ÓÚÎË-
C
˜‡Ú¸Òfl ÓÚ „ÓÎÓÒÓ‚ PSR-1100,
D
ÚÂÏ Ì ÏÂÌ ÓÔËÒ˚‚‡ÂÏ˚Â
ÓÔ‡ˆËË „Ó‰flÚÒfl Ë ‰Îfl ÚÂı Ë
E
‰Îfl ‰Û„Ëı.
Ç ˝ÚÓÏ ÔËÏÂÂ
‚˚·‡Ì ÚËÔ
ç‡ÊÏËÚ ÍÌÓÔÍÛ [8▲], ˜ÚÓ·˚ ̇˜‡Ú¸
«Orchestra».
‚ÓÒÔÓËÁ‚‰ÂÌË ‚˚‰ÂÎÂÌÌÓ„Ó „ÓÎÓÒ‡.
óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ‰ÂÏÓÌÒÚ‡ˆË˛, ¢ ‡Á
̇ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ. ÑÂÏÓÌÒÚ‡ˆËÓÌÌ˚Â
óÚÓ·˚ ÔÓÔ‡ÒÚ¸ ̇ ‰Û„Ë ÒÚ‡Ìˈ˚, ̇ÊÏËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÍÌÓÔÍË. ä‡Ê‰‡fl
‚ÓÁÏÓÊÌÓÒÚË Ì ӄ‡Ì˘ÂÌ˚ Ó‰ÌËÏË Î˯¸
ڇ͇fl ÒÚ‡Ìˈ‡ ÒÓ‰ÂÊËÚ ÒÔËÒÓÍ ÌÓ‚˚ı, ¢ ÌÂËÁ‚‰‡ÌÌ˚ı ÚÂÏ·Ó‚.
„ÓÎÓÒ‡ÏË. èÓ‰Ó·ÌÓÒÚË ÒÏ. ̇ ÒÚ. 55.
4 éˆÂÌËÚ Á‚Û˜‡ÌË „ÓÎÓÒ‡.
äÓ̘ÌÓ, ‚˚ ÏÓÊÂÚ ҇ÏË ÔÓÔÓ·Ó‚‡Ú¸ ÔÓË„‡Ú¸ ÚÂÏ ËÎË ËÌ˚Ï „ÓÎÓÒÓÏ. é‰Ì‡ÍÓ
ÒÛ˘ÂÒÚ‚ÛÂÚ Ë ‰Û„‡fl ‚ÓÁÏÓÊÌÓÒÚ¸: Á‡ÔÛÒÚËÚ¸ ‰ÂÏÓÌÒÚ‡ˆË˛ Ë ÔÓÒÎÛ¯‡Ú¸, Í‡Í PSR-2100/
1100 ‡ÒÍ˚‚‡ÂÚ ÔÓÚÂ̈ˇΠÚÂÏ·‡. ÑÎfl ˝ÚÓ„Ó ‰ÓÒÚ‡ÚÓ˜ÌÓ ÔÓÒÚÓ Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [8▲]
̇ ËÁÓ·‡ÊÂÌÌÓÏ ‚˚¯Â ˝Í‡ÌÂ, Ë ‰ÂÏÓÌÒÚ‡ˆËfl „ÓÎÓÒ‡ Á‡ÔÛÒÚËÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË.
à„‡ Ó‰ÌÓ‚ÂÏÂÌÌÓ ‰‚ÛÏfl „ÓÎÓÒ‡ÏË
1 óÚÓ·˚ ‚Íβ˜ËÚ¸ ˜‡ÒÚ¸ LAYER, ̇ÊÏËÚ ÍÌÓÔÍÛ VOICE PART
MAIN
ON/OFF [LAYER].
LAYER
LEFT
2 óÚÓ·˚ ‚˚·‡Ú¸ ˜‡ÒÚ¸ LAYER, ̇ÊÏËÚ ÍÌÓÔÍÛ [G].
3 Ç˚·ÂËÚÂ „ÛÔÔÛ „ÓÎÓÒÓ‚.
VOICE
ORGAN &
PIANO & HARPSI.
E.PIANO
ACCORDION
PERCUSSION
óÚÓ·˚ ‰Ó·ËÚ¸Òfl ÒÓ˜ÌÓ„Ó Á‚Û˜‡ÌËfl, ‚˚·ÂÂÏ Í‡ÍÓÈ-ÌË·Û‰¸
«ÔÎÓÚÌ˚È» ÚÂÏ· (ËÎË „ÓÎÓÒ). Ç˚ÁÓ‚ËÚÂ „ÛÔÔÛ «CHOIR & PAD»
GUITAR BASS
BRASS
WOODWIND
(ıÓ˚ Ë ÔӉͷ‰˚).
STRINGS CHOIR & PAD
SYNTH.
XG
4 Ç˚·ÂËÚÂ „ÓÎÓÒ.
èÛÒÚ¸ ˝ÚÓ ·Û‰ÂÚ, ̇ÔËÏÂ, «Gothic Vox.» („ÓÚ˘ÂÒÍËÈ ‚Ó͇Î).
USER ORGAN FLUTES
5 éˆÂÌËÚ Á‚Û˜‡ÌË „ÓÎÓÒÓ‚.
íÂÔ¸ ‚˚ ÏÓÊÂÚ ˄‡Ú¸ ‰‚ÛÏfl „ÓÎÓÒ‡ÏË, Ó·˙‰ËÌÂÌÌ˚ÏË ‚
ÒÓ˜ÌÓ Á‚Û˜‡˘ËÈ ÒÎÓÈ: „·‚Ì˚Ï „ÓÎÓÒÓÏ, ‚˚·Ó ÍÓÚÓÓ„Ó ÓÔËÒ‡Ì
‚ Ô‰˚‰Û˘ÂÏ ‡Á‰ÂΠÛÍÓ‚Ó‰ÒÚ‚‡, Ë „ÓÎÓÒÓÏ ÒÎÓfl, ÍÓÚÓ˚È
‚˚ ÚÓθÍÓ ˜ÚÓ ‚˚·‡ÎË.
çÓ ˝ÚÓ ÚÓθÍÓ Ì‡˜‡ÎÓ. èÓÁ̇ÍÓϸÚÂÒ¸ Ò ‰Û„ËÏË ‚ÓÁÏÓÊÌÓÒÚflÏË, ÓÚÌÓÒfl˘ËÏËÒfl Í „ÓÎÓÒÛ:
• ëÓÁ‰‡ÈÚ ҂ÓË ÒÓ·ÒÚ‚ÂÌÌ˚Â, ÓË„Ë̇θÌ˚ „ÓÎÓÒ‡. ùÚÓ ÏÓÊÌÓ Ò‰Â·ڸ ΄ÍÓ Ë ÔÓÒÚÓ — ‰ÓÒÚ‡ÚÓ˜ÌÓ Î˯¸ ËÁÏÂÌËÚ¸ Ô‡‡ÏÂÚ˚
ÒÛ˘ÂÒÚ‚Û˛˘Ëı „ÓÎÓÒÓ‚ (ÒÚ. 90).
• ëÓÒÚ‡‚¸Ú ÒÔËÒÓÍ ‚‡¯Ëı β·ËÏ˚ı ÙÛÌ͈ËÈ Ë Ó·˙ÂÍÚÓ‚ („ÓÎÓÒÓ‚, ÒÚËÎÂÈ Ë Ú. ‰.) Ë ‚˚Á˚‚‡ÈÚÂ Â„Ó ÔË Ô‚ÓÈ ÌÂÓ·ıÓ‰ËÏÓÒÚË
(ÒÚ. 87).
26
ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó