Yamaha PSR-2100: инструкция

Раздел: Бытовая, кухонная техника, электроника и оборудование

Тип: Синтезатор/фортепиано

Инструкция к Синтезатору/фортепиано Yamaha PSR-2100

DIC 99

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Ç·-Ò‡ÈÚ ÍÎÛ·‡ β·ËÚÂÎÂÈ ÔÓÚ‡ÚË‚Ì˚ı ÒËÌÚÂÁ‡ÚÓÓ‚

Yamaha PK CLUB (̇ ‡Ì„ÎËÈÒÍÓÏ flÁ˚ÍÂ):

http://www.yamahaPKclub.com/

ëÓ·‡ÌË ÛÍÓ‚Ó‰ÒÚ‚ ‰Îfl ÔÓ‰Û͈ËË Yamaha:

http://www2.yamaha.co.jp/manual/english/

© 2003 Yamaha Corporation

ǂ‰ÂÌËÂ

SPECIAL MESSAGE SECTION

This product utilizes batteries or an external power supply

Battery Notice:

(adapter). DO NOT connect this product to any power sup-

This product MAY contain a small non-rechargeable

ply or adapter other than one described in the manual, on

battery which (if applicable) is soldered in place. The

the name plate, or specifically recommended by Yamaha.

average life span of this type of battery is approxi-

mately five years. When replacement becomes neces-

WARNING:

Do not place this product in a position where

sary, contact a qualified service representative to

anyone could walk on, trip over ,or roll anything over

perform the replacement.

power or connecting cords of any kind. The use of an

extension cord is not recommended! IF you must use an

This product may also use “household” type batteries.

extension cord, the minimum wire size for a 25' cord (or

Some of these may be rechargeable. Make sure that the

less ) is 18 AWG. NOTE: The smaller the AWG number

battery being charged is a rechargeable type and that

,the larger the current handling capacity. For longer exten-

the charger is intended for the battery being charged.

sion cords, consult a local electrician.

When installing batteries, do not mix batteries with new,

or with batteries of a different type. Batteries MUST be

This product should be used only with the components

installed correctly. Mismatches or incorrect installation

supplied or; a cart, rack, or stand that is recommended by

may result in overheating and battery case rupture.

Yamaha. If a cart, etc., is used, please observe all safety

markings and instructions that accompany the accessory

Warning:

product.

Do not attempt to disassemble, or incinerate any battery.

Keep all batteries away from children. Dispose of used

SPECIFICATIONS SUBJECT TO CHANGE:

batteries promptly and as regulated by the laws in your

The information contained in this manual is believed to be

area. Note: Check with any retailer of household type

correct at the time of printing. However, Yamaha reserves

batteries in your area for battery disposal information.

the right to change or modify any of the specifications

without notice or obligation to update existing units.

Disposal Notice:

Should this product become damaged beyond repair,

This product, either alone or in combination with an ampli-

or for some reason its useful life is considered to be at

fier and headphones or speaker/s, may be capable of pro-

an end, please observe all local, state, and federal reg-

ducing sound levels that could cause permanent hearing

ulations that relate to the disposal of products that con-

loss. DO NOT operate for long periods of time at a high

tain lead, batteries, plastics, etc. If your dealer is

volume level or at a level that is uncomfortable. If you

unable to assist you, please contact Yamaha directly.

experience any hearing loss or ringing in the ears, you

should consult an audiologist.

NAME PLATE LOCATION:

IMPORTANT: The louder the sound, the shorter the time

The name plate is located on the bottom of the prod-

period before damage occurs.

uct. The model number, serial number, power require-

ments, etc., are located on this plate. You should

Some Yamaha products may have benches and / or

record the model number, serial number, and the date

accessory mounting fixtures that are either supplied with

of purchase in the spaces provided below and retain

the product or as optional accessories. Some of these

this manual as a permanent record of your purchase.

items are designed to be dealer assembled or installed.

Please make sure that benches are stable and any

optional fixtures (where applicable) are well secured

BEFORE using.

Benches supplied by Yamaha are designed for seating

only. No other uses are recommended.

NOTICE:

Service charges incurred due to a lack of knowledge relat-

ing to how a function or effect works (when the unit is

operating as designed) are not covered by the manufac-

turer’s warranty, and are therefore the owners responsibil-

ity. Please study this manual carefully and consult your

dealer before requesting service.

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both user

Model

safe and environmentally friendly. We sincerely believe

that our products and the production methods used to pro-

Serial No.

duce them, meet these goals. In keeping with both the let-

ter and the spirit of the law, we want you to be aware of the

following:

Purchase Date

92-BP (bottom)

PLEASE KEEP THIS MANUAL

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ÍÓÔÓ‡ˆËË Yamaha.

ÇçàåÄçàÖ!

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ÔÂ„Â‚Û ÓÁÂÚÍË.

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‚Ë·‡ˆËÂÈ, ‡ Ú‡ÍÊ ‚ ÏÂÒÚ‡ı, „‰Â ÒÎ˯ÍÓÏ Ô˚θÌÓ, ıÓÎÓ‰ÌÓ ËÎË Ê‡ÍÓ

(3)-7

1/2

PSR-2100/1100

3

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‰‡ÌÌ˚ı (ÒÏ. ÒÚ 42). ëÓı‡ÌflÈÚ ‰‡ÌÌ˚ ̇ ‰ËÒÍÂÚ ËÎË ‚ ‡Á‰ÂÎÂ

ÏËÌËχθÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË. ëΉÛÂÚ Ú‡ÍÊ ۷‰ËÚ¸Òfl, ˜ÚÓ Ì‡ ‚ÒÂı

Ô‡ÏflÚË User (ÒÏ. ÒÚ 39, ÒÚ 47).

ÍÓÏÔÓÌÂÌÚ‡ı ÛÒÚ‡ÌÓ‚ÎÂÌ ÏËÌËχθÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË, Ë ÔÓÒÚÂÔÂÌÌÓ

ÇÓÁÏÓÊ̇ ÔÓÚÂfl ÒÓı‡ÌÂÌÌ˚ı ‰‡ÌÌ˚ı ËÁ-Á‡ ÌÂËÒÔ‡‚ÌÓÒÚË ËÎË

Û‚Â΢˂‡Ú¸  ‰Ó Ú·ÛÂÏÓ„Ó ÛÓ‚Ìfl ‚Ó ‚ÂÏfl Ë„˚ ̇ ËÌÒÚÛÏÂÌÚÂ.

ÌÂÔ‡‚ËθÌÓÈ ‡·ÓÚ˚ ËÌÒÚÛÏÂÌÚ‡. ëÓı‡ÌflÈÚ ̇˷ÓΠ‚‡ÊÌ˚Â

‰‡ÌÌ˚ ̇ ‰ËÒÍÂÚÂ.

é·ÒÎÛÊË‚‡ÌËÂ

èË ËÁÏÂÌÂÌËË Ô‡‡ÏÂÚÓ‚ ̇ ÒÚ‡Ìˈ ˝Í‡Ì‡ ‰‡ÌÌ˚Â Ó Ì‡ÒÚÓÈÍÂ

ÑÎfl ˜ËÒÚÍË ËÌÒÚÛÏÂÌÚ‡ ÔÓθÁÛÈÚÂÒ¸ Ïfl„ÍÓÈ ÒÛıÓÈ Ú̸͇˛. çËÍÓ„‰‡ ÌÂ

ÒËÒÚÂÏ˚ (ÔÂ˜ËÒÎÂÌÌ˚ ‚ Ú‡·Îˈ ԇ‡ÏÂÚÓ‚ ÔÓÒÚ‡‚ÎflÂÏÓ„Ó

ËÒÔÓθÁÛÈÚ ÔflÚÌÓ‚˚‚Ó‰ËÚÂÎË, ‡ÒÚ‚ÓËÚÂÎË, ÊˉÍË ӘËÒÚËÚÂÎË ËÎË

ÓÚ‰ÂθÌÓ Ò·ÓÌË͇ Ú‡·Îˈ) ÔÓÒΠ‚˚ıÓ‰‡ ÒÓı‡Ìfl˛ÚÒfl

˜ËÒÚfl˘Ë ҇ÎÙÂÚÍË Ò ÔÓÔËÚÍÓÈ.

‡‚ÚÓχÚ˘ÂÒÍË. é‰Ì‡ÍÓ ÂÒÎË ÔÂ‰ ÓÚÍβ˜ÂÌËÂÏ ÔËÚ‡ÌËfl Ì ·˚·

‚˚ÔÓÎÌÂ̇ ̇‰ÎÂʇ˘‡fl Ôӈ‰Û‡ ‚˚ıÓ‰‡ ËÁ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó

åÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË ÔË ˝ÍÒÔÎÛ‡Ú‡ˆËË

˝Í‡Ì‡, ‚Ò ˝ÚË ËÁÏÂÌÂÌËfl ·Û‰ÛÚ ÛÚ‡˜ÂÌ˚.

ç Á‡ÒÓ‚˚‚‡ÈÚ ԇθˆ˚ ‚ Á‡ÁÓ˚.

çËÍÓ„‰‡ Ì Á‡ÒÓ‚˚‚‡ÈÚÂ Ë Ì ÓÌflÈÚ ·Ûχ„Û, ÏÂÚ‡Î΢ÂÒÍËÂ Ë ÔÓ˜ËÂ

ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ‰ËÒÍÂÚ˚

Ô‰ÏÂÚ˚ ‚ ÓÚ‚ÂÒÚËfl Ë Á‡ÁÓ˚ ̇ Ô‡ÌÂÎË Ë Í·‚ˇÚÛÂ. ÖÒÎË ˝ÚÓ

óÚÓ·˚ ‰‡ÌÌ˚ Ì ÔÓÔ‡ÎË ËÁ-Á‡ ÔÓ‚ÂʉÂÌËfl ÌÓÒËÚÂÎfl, ÂÍÓÏẨÛÂÚÒfl

ÔÓËÁÓ¯ÎÓ, ÌÂωÎÂÌÌÓ ÓÚÍβ˜ËÚ ÔËÚ‡ÌËÂ Ë ‚˚̸Ú ¯ÌÛ ËÁ ÓÁÂÚÍË.

ÒÓı‡ÌflÚ¸ ̇˷ÓΠ‚‡ÊÌ˚ ‰‡ÌÌ˚ ̇ ‰‚Ûı ‰ËÒÍÂÚ‡ı.

á‡ÚÂÏ Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í ÒÔˆˇÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌ˘ÂÒÍÓ„Ó

Ó·ÒÎÛÊË‚‡ÌËfl ÍÓÔÓ‡ˆËË Yamaha.

ç Í·‰ËÚ ̇ ËÌÒÚÛÏÂÌÚ Ô‰ÏÂÚ˚ ËÁ ‚ËÌË·, Ô·ÒÚχÒÒ˚ ËÎË ÂÁËÌ˚:

˝ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í Ó·ÂÒˆ‚˜˂‡Ì˲ Ô‡ÌÂÎË Ë Í·‚ˇÚÛ˚.

ç ҇‰ËÚÂÒ¸ ̇ ËÌÒÚÛÏÂÌÚ Ë Ì ÒÚ‡‚¸Ú ̇ ÌÂ„Ó ÚflÊÂÎ˚ Ô‰ÏÂÚ˚, ‡

Ú‡ÍÊ ËÁ·Â„‡ÈÚ ˜ÂÁÏÂÌ˚ı ÛÒËÎËÈ ÔË ÔÓθÁÓ‚‡ÌËË ÍÌÓÔ͇ÏË,

‚˚Íβ˜‡ÚÂÎflÏË Ë ‡Á˙ÂχÏË.

ç ÒΉÛÂÚ ‰ÓÎ„Ó ‡·ÓÚ‡Ú¸ Ò ‚˚ÒÓÍËÏ ËÎË ËÁ·˚ÚÓ˜Ì˚Ï ÛÓ‚ÌÂÏ

„ÓÏÍÓÒÚË: ˝ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚÂÂ ÒÎÛı‡. èË ‚ÂÏÂÌÌÓÈ ÔÓÚÂÂ

ÒÎÛı‡ ËÎË Á‚ÓÌ ‚ Û¯‡ı Ó·‡ÚËÚÂÒ¸ Í ‚‡˜Û.

åÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË ÔË ‡·ÓÚÂ Ò ‰‡ÌÌ˚ÏË

çàäéÉÑÄ Ì ‚˚Íβ˜‡ÈÚ ÔËÚ‡ÌË ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100/1100, ÂÒÎË Ì‡ ‰ËÒÍ USER/‰ËÒÍÂÚ FLOPPY DISK ‚˚ÔÓÎÌfl˛ÚÒfl

ÓÔÂ‡ˆËË Ò ‰‡ÌÌ˚ÏË (̇ÔËÏÂ, ÒÓı‡ÌÂÌËÂ, Û‰‡ÎÂÌË ËÎË ÍÓÔËÓ‚‡ÌËÂ), ‰Ó ÔÓÎÌÓ„Ó Á‡‚Â¯ÂÌËfl ÓÔÂ‡ˆËË. é·flÁ‡ÚÂθÌÓ

ÔÓ‰ÓʉËÚÂ, ÔÓ͇ Ì ËÒ˜ÂÁÌÂÚ ÔÓfl‚Ë‚¯ÂÂÒfl ÒÓÓ·˘ÂÌËÂ.

éÚÍβ˜ÂÌË ÔËÚ‡ÌËfl ‚Ó ‚ÂÏfl ˝ÚËı ÓÔÂ‡ˆËÈ ÔË‚Ó‰ËÚ Í ÔÓÚÂ ‰‡ÌÌ˚ı, ÒÓı‡ÌflÂÏ˚ı ËÎË ÍÓÔËÛÂÏ˚ı ̇ ÒÓÓÚ‚ÂÚÒÚ‚Û-

˛˘ËÈ ÌÓÒËÚÂθ.

ÇÓ ‚ÂÏfl Ú‡ÍËı ÓÔÂ‡ˆËÈ ÓÒÓ·ÂÌÌÓ ‚‡ÊÌÓ ÒÓı‡ÌflÚ¸ ÔÓ‰‡˜Û ÔËÚ‡ÌËfl Í ‰ËÒÍÛ USER. éÚÍβ˜ÂÌË ÔËÚ‡ÌËfl ‚Ó ‚ÂÏfl

ÒÓı‡ÌÂÌËfl/Û‰‡ÎÂÌËfl/ÍÓÔËÓ‚‡ÌËfl ‰‡ÌÌ˚ı ̇ ‰ËÒÍ USER ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚÂ ÇëÖï ‰‡ÌÌ˚ı ̇ ˝ÚÓÏ ‰ËÒÍ (ÔË

ÒÎÂ‰Û˛˘ÂÏ ‚Íβ˜ÂÌËË ÔËÚ‡ÌËfl), ‡ Ì ÚÓθÍÓ ‰‡ÌÌ˚ı, Ò ÍÓÚÓ˚ÏË ‚˚ÔÓÎÌfl·Ҹ ÓÔÂ‡ˆËfl. ÑÛ„ËÏË ÒÎÓ‚‡ÏË, ‚˚ÔÓÎÌflfl

ÓÔÂ‡ˆËË ÒÓı‡ÌÂÌËfl/Û‰‡ÎÂÌËfl/ÍÓÔËÓ‚‡ÌËfl ÚÓθÍÓ Ò ‰‡ÌÌ˚ÏË ÔÂÒÂÌ Ì‡ ‰ËÒÍ USER Ë ÓÚÍβ˜Ë‚ ÔËÚ‡ÌË ‰Ó Á‡‚Â¯ÂÌËfl

ÓÔÂ‡ˆËË, ÏÓÊÌÓ ÔÓÚÂflÚ¸ ÇëÖ ‰‡ÌÌ˚ ̇ ‰ËÒÍ USER, ‚ ÚÓÏ ˜ËÒΠ‚Ò ÚÂÏ·˚, ÒÚËÎË, ·‡ÌÍË ÏÛθÚËÔ˝‰Ó‚ Ë Ì‡ÒÚÓÈÍË

„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË, ÍÓÚÓ˚ ·˚ÎË ÒÓı‡ÌÂÌ˚ ̇ ‰ËÒÍ USER.

ùÚË ÏÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË Ú‡ÍÊ ÓÚÌÓÒflÚÒfl Í ÒÓÁ‰‡Ì˲ ÌÓ‚ÓÈ Ô‡ÔÍË Ì‡ ‰ËÒÍ USER ËÎË ÓÔÂ‡ˆËË ÔÓ ËÒÔÓθÁÓ‚‡Ì˲

̇ÒÚÓÂÍ ËÁ„ÓÚÓ‚ËÚÂÎfl (

ÒÚ 154

).

äÓÔÓ‡ˆËfl Yamaha Ì ÌÂÒÂÚ ÓÚ‚ÂÚÒÚ‚ÂÌÌÓÒÚË Á‡ ÔÓ‚ÂʉÂÌËfl, ‚ÓÁÌËͯË ËÁ-Á‡ ÌÂÔ‡‚ËθÌÓÈ ˝ÍÒÔÎÛ‡Ú‡ˆËË ËÎË ËÁ-Á‡ ÏÓ‰ËÙË͇ˆËË

ËÌÒÚÛÏÂÌÚ‡, ‡ Ú‡ÍÊ Á‡ ÛÚ‡˜ÂÌÌ˚ ËÎË ËÒÔÓ˜ÂÌÌ˚ ‰‡ÌÌ˚Â.

ÇÒ„‰‡ ÓÚÍβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ ÔÓ ÓÍÓ̘‡ÌËË ‡·ÓÚ˚.

чÊ ‚ ÚÂı ÒÎÛ˜‡flı, ÍÓ„‰‡ ‚˚Íβ˜‡ÚÂθ ÔËÚ‡ÌËfl ̇ıÓ‰ËÚÒfl ‚ ÔÓÎÓÊÂÌËË «STANDBY», ËÌÒÚÛÏÂÌÚ ÔÓ‰ÓÎʇÂÚ ‚ ÏËÌËχθÌ˚ı ÍÓ΢ÂÒÚ-

‚‡ı ÔÓÚ·ÎflÚ¸ ˝ÎÂÍÚÓ˝ÌÂ„˲. ÖÒÎË ËÌÒÚÛÏÂÌÚ Ì ËÒÔÓθÁÛÂÚÒfl ‰ÎËÚÂθÌÓ ‚ÂÏfl, ۷‰ËÚÂÒ¸, ˜ÚÓ ‡‰‡ÔÚÂ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇ ÓÚÍβ-

˜ÂÌ ÓÚ ÓÁÂÚÍË.

(3)-7

2/2

4

PSR-2100/1100

ëÔ‡ÒË·Ó Á‡ ÔËÓ·ÂÚÂÌË ÒËÌÚÂÁ‡ÚÓ‡ Yamaha PSR-2100/1100!

êÂÍÓÏẨÛÂÏ ‚ÌËχÚÂθÌÓ ÓÁ̇ÍÓÏËÚ¸Òfl Ò ‰‡ÌÌ˚Ï ÛÍÓ‚Ó‰ÒÚ‚ÓÏ,

˜ÚÓ·˚ ÔÓÎÛ˜ËÚ¸ ̇˷ÓΠÔÓÎÌÓ Ô‰ÒÚ‡‚ÎÂÌË ӷ Óڂ˜‡˛˘Ëı ÒÓ‚ÂÏÂÌÌ˚Ï

Ú·ӂ‡ÌËflÏ ÙÛÌ͈ËÓ̇θÌ˚ı ‚ÓÁÏÓÊÌÓÒÚflı ÏÓ‰ÂÎË PSR-2100/1100.

ç‡ÒÚÓflÚÂθÌÓ ÂÍÓÏẨÛÂÏ ı‡ÌËÚ¸ ÛÍÓ‚Ó‰ÒÚ‚Ó

‚ Û‰Ó·ÌÓÏ Ë Ì‡‰ÂÊÌÓÏ ÏÂÒÚÂ, ˜ÚÓ·˚ ÓÌÓ ‚Ò„‰‡ ·˚ÎÓ ÔÓ‰ ÛÍÓÈ.

PSR-2100/1100

5

ÑÓÔÓÎÌËÚÂθÌ˚ ÔË̇‰ÎÂÊÌÓÒÚË

ĉ‡ÔÚÂ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇ PA-300

*

ÑËÒÍÂÚ‡ (ÔÛÒÚ‡fl)

è˛ÔËÚ (ÒÚ. 17)

ë·ÓÌËÍ Ú‡·Îˈ

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

* åÓÊÂÚ Ì ‚ıÓ‰ËÚ¸ ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË ‰Îfl ‚‡¯Â„Ó „ËÓ̇. ë‚flÊËÚÂÒ¸ Ò „ËÓ̇θÌ˚Ï ‰ËÎÂÓÏ Yamaha.

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl Ë Ò·ÓÌËÍ Ú‡·Îˈ

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl ÒÓÒÚÓËÚ ËÁ ˜ÂÚ˚Âı ÓÒÌÓ‚Ì˚ı ‡Á‰ÂÎÓ‚: «Ç‚‰ÂÌË», «ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó, «éÒÌÓ‚Ì˚Â

Ò‰ÒÚ‚‡ ÛÔ‡‚ÎÂÌËfl» Ë «ëÔ‡‚Ó˜Ì˚ χÚÂˇÎ˚».

äÓÏ ÚÓ„Ó, ÓÚ‰ÂθÌÓ ÔÓÒÚ‡‚ÎflÂÚÒfl Ò·ÓÌËÍ Ú‡·Îˈ.

ǂ‰ÂÌË (ÒÚ. 2):

ë ˝ÚËÏ ‡Á‰ÂÎÓÏ ÒΉÛÂÚ ÓÁ̇ÍÓÏËÚ¸Òfl ‚ ÔÂ‚Û˛ Ó˜Â‰¸.

ä‡ÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó (ÒÚ. 20):

ê‡Á‰ÂÎ ÒÓ‰ÂÊËÚ Ò‚Â‰ÂÌËfl Ó· ÓÒÌÓ‚Ì˚ı ÙÛÌ͈ËÓ̇θÌ˚ı ‚ÓÁÏÓÊÌÓÒÚflı

ËÌÒÚÛÏÂÌÚ‡.

éÒÌÓ‚Ì˚ Ò‰ÒÚ‚‡ ÛÔ‡‚ÎÂÌËfl (ÒÚ. 38):

ê‡Á‰ÂÎ ÒÓ‰ÂÊËÚ Ò‚Â‰ÂÌËfl Ó ÚÓÏ, Í‡Í ËÒÔÓθÁÛ˛ÚÒfl ÓÒÌÓ‚Ì˚ Ò‰ÒÚ‚‡

ÛÔ‡‚ÎÂÌËfl, ‚ ÚÓÏ ˜ËÒΠ˝Í‡ÌÌ˚ ˝ÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl.

ëÔ‡‚Ó˜Ì˚ χÚÂˇÎ˚ (ÒÚ. 55):

ê‡Á‰ÂÎ ÒÓ‰ÂÊËÚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó Ì‡ÒÚÓÈ͇ı ËÌÒÚÛÏÂÌÚ‡ ‰Îfl Ò‡Ï˚ı

‡Á΢Ì˚ı ÒÔÓÒÓ·Ó‚ ÔËÏÂÌÂÌËfl PSR-2100/1100.

ë·ÓÌËÍ Ú‡·Îˈ:

ÒÔËÒÓÍ „ÓÎÓÒÓ‚, ÙÓÏ‡Ú ‰‡ÌÌ˚ı MIDI Ë Ú. Ô.

* àÎβÒÚ‡ˆËË Ë ÒÌËÏÍË Üä-˝Í‡ÌÓ‚ Ô˂‰ÂÌ˚ ‚ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl ÚÓθÍÓ ‚ ͇˜ÂÒÚ‚Â ÔËÏÂÓ‚, ‚ ‰ÂÈÒÚ‚ËÚÂθÌÓÒÚË ‚Ò ÏÓÊÂÚ

‚˚„Îfl‰ÂÚ¸ ÌÂÒÍÓθÍÓ Ë̇˜Â.

* ëÌËÏÍË ˝Í‡ÌÓ‚ Operation Guide (ÛÍÓ‚Ó‰ÒÚ‚‡ ÔÓ ˝ÍÒÔÎÛ‡Ú‡ˆËË), Ô˂‰ÂÌÌ˚ ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â, ‚˚ÔÓÎÌÂÌ˚ ‰Îfl ÏÓ‰ÂÎË PSR-2100 Ë

Ô‰ÒÚ‡‚ÎÂÌ˚ ÚÓθÍÓ Ì‡ ‡Ì„ÎËÈÒÍÓÏ flÁ˚ÍÂ.

* чÌÌ˚È ÔÓ‰ÛÍÚ (PSR-2100) ÔÓËÁ‚‰ÂÌ ÔÓ ÎˈÂÌÁËË, Á‡˘Ë˘ÂÌÌÓÈ Ô‡ÚÂÌÚ‡ÏË ëòÄ No.5231671, No.5301259, No.5428708, ‡ Ú‡ÍÊÂ

Ô‡ÚÂÌÚÓÏ No.5567901, ÔË̇‰ÎÂʇ˘ËÏ IVL Technologies Ltd.

* ê‡ÒÚÓ‚˚ ¯ËÙÚ˚, ËÒÔÓθÁÛÂÏ˚ ‚ ‰‡ÌÌÓÏ ËÌÒÚÛÏÂÌÚÂ, Ô‰ÓÒÚ‡‚ÎÂÌ˚ ÍÓÏÔ‡ÌËÂÈ Ricoh Co., Ltd. Ë fl‚Îfl˛ÚÒfl  ÒÓ·ÒÚ‚ÂÌÌÓÒÚ¸˛.

* çÂÒ‡Ì͈ËÓÌËÓ‚‡ÌÌÓ ÍÓÔËÓ‚‡ÌË ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ˜ÂÌËfl, Á‡˘Ë˘ÂÌÌÓ„Ó ‡‚ÚÓÒÍËÏ Ô‡‚ÓÏ, ÍÓÏÂ Í‡Í ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ÍÓ̘Ì˚Ï

ÔÓθÁÓ‚‡ÚÂÎÂÏ ‚ ΢Ì˚ı ˆÂÎflı, Á‡Ô¢‡ÂÚÒfl.

ÄÇíéêëäàÖ èêÄÇÄ

чÌÌ˚È ÔÓ‰ÛÍÚ ‚Íβ˜‡ÂÚ Ì‡·Ó ÍÓÏÔ¸˛ÚÂÌ˚ı ÔÓ„‡ÏÏ Ë ËÌÙÓχˆËÓÌÌ˚ı ‰‡ÌÌ˚ı, ÒÂ‰Ë ÍÓÚÓ˚ı ÂÒÚ¸ ÓË„Ë̇θÌ˚ ‡Á‡·ÓÚÍË Yamaha

ËÎË ÔÓ„‡ÏÏ˚, ‰Îfl ÍÓÚÓ˚ı ËÏÂÂÚÒfl ÎˈÂÌÁËfl ̇ ËÒÔÓθÁÓ‚‡ÌË ‰Û„Ëı ‡‚ÚÓÒÍËı Ô‡‚. í‡ÍË ‡‚ÚÓÒÍË Ô‡‚‡ ‚Íβ˜‡˛Ú, ·ÂÁ Ó„‡Ì˘ÂÌËfl,

‚Ò ÔÓ„‡ÏÏÌÓ ӷÂÒÔ˜ÂÌËÂ, Ù‡ÈÎ˚ ÒÚËÎfl, MIDI Ù‡ÈÎ˚, ‰‡ÌÌ˚ WAVE Ë Á‡ÔËÒË Á‚ÛÍÓ‚. ã˛·Ó ÌÂÒ‡Ì͈ËÓÌËÓ‚‡ÌÌÓ ËÒÔÓθÁÓ‚‡ÌË ڇÍËı

ÔÓ„‡ÏÏ Ë ËÌÙÓχˆËÓÌÌ˚ı ‰‡ÌÌ˚ı Ì ‰ÓÔÛÒÚËÏÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ Á‡ÍÓÌÓ‰‡ÚÂθÒÚ‚ÓÏ. ã˛·Ó ̇Û¯ÂÌË ‡‚ÚÓÒÍËı Ô‡‚ ‚ΘÂÚ Á‡ ÒÓ·ÓÈ

˛ˉ˘ÂÒÍÛ˛ ÓÚ‚ÂÚÒÚ‚ÂÌÌÓÒÚ¸. çÖ èêéàáÇéÑàíÖ, çÖ êÄëèêéëíêÄçüâíÖ à çÖ àëèéãúáìâíÖ çÖáÄäéççõÖ äéèàà.

íÓ„Ó‚˚ Á̇ÍË:

Apple Ë Macintosh fl‚Îfl˛ÚÒfl Óı‡ÌflÂÏ˚ÏË ÚÓ„Ó‚˚ÏË Á͇̇ÏË ÍÓÔÓ‡ˆËË Apple Computer.

IBM-PC/AT fl‚ÎflÂÚÒfl Óı‡ÌflÂÏ˚Ï ÚÓ‚‡Ì˚Ï Á̇ÍÓÏ ÍÓÔÓ‡ˆËË International Business Machines.

Windows fl‚ÎflÂÚÒfl Óı‡ÌflÂÏ˚Ï ÚÓ‚‡Ì˚Ï Á̇ÍÓÏ ÍÓÔÓ‡ˆËË Microsoft®.

ÇÒ ÓÒڇθÌ˚ ÚÓ„Ó‚˚ Á̇ÍË fl‚Îfl˛ÚÒfl ÒÓ·ÒÚ‚ÂÌÌÓÒÚ¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ‚·‰ÂθˆÂ‚.

6

PSR-2100/1100

àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ

é·‡˘‡ÈÚÂÒ¸ Ò ‰ËÒÍÂÚ‡ÏË Ë ‰ËÒÍÓ‚Ó‰ÓÏ ·ÂÂÊÌÓ. Ç˚ÔÓÎÌflÈÚ ‚Ò ÔÂ˜ËÒÎÂÌÌ˚ ÌËÊ ÏÂ˚ Ô‰ÓÒÚÓÓÊÌÓÒÚË.

çËÍÓ„‰‡ Ì Ô˚Ú‡ÈÚÂÒ¸ ‚˚ÌËχڸ ‰ËÒÍÂÚÛ ËÎË ‚˚Íβ˜‡Ú¸

ëÓ‚ÏÂÒÚËÏ˚ ÚËÔ˚ ‰ËÒÍÂÚ

ÔËÚ‡ÌËÂ, ÍÓ„‰‡ ˉÂÚ Á‡ÔËÒ¸ ‰‡ÌÌ˚ı. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í

ÔÓ‚ÂʉÂÌ˲ ‰ËÒÍÂÚ˚, ‡ ÌÂÍÓÚÓ˚ı ÒÎÛ˜‡flı Ë ‰ËÒÍÓ‚Ó‰‡.

ÑÓÔÛÒ͇ÂÚÒfl ËÒÔÓθÁÓ‚‡ÌË ÚËÔÓ‚ ‰ËÒÍÂÚ 3,5" 2DD Ë 2HD.

å‰ÎÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍÛ ËÁ‚ΘÂÌËfl ‰ËÒÍÂÚ˚ ‰Ó ÛÔÓ‡, Ë

‰ËÒÍÂÚ‡ ‡‚ÚÓχÚ˘ÂÒÍË ‚˚ȉÂÚ ËÁ ‰ËÒÍÓ‚Ó‰‡. èÓÒΠÚÓ„Ó

Í‡Í ‰ËÒÍÂÚ‡ ÔÓÎÌÓÒÚ¸˛ ‚˚ȉÂÚ ËÁ ‰ËÒÍÓ‚Ó‰‡, ÓÒÚÓÓÊÌÓ

ÇÒÚ‡‚͇/ËÁ‚ΘÂÌË ‰ËÒÍÂÚ

ËÁ‚ÎÂÍËÚÂ ÂÂ.

ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ ËÁ‚ΘÂÌËfl ‰ËÒÍÂÚ˚ ÒÎ˯ÍÓÏ ·˚ÒÚÓ

óÚÓ·˚ ‚ÒÚ‡‚ËÚ¸ ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰, ÌÂÓ·ıÓ‰ËÏÓ

ËÎË Ì‡Ê‡Ú¸  ̠‰Ó ÍÓ̈‡, ‰ËÒÍÂÚ‡ ÏÓÊÂÚ ‚˚ÈÚË ÌÂÔ‡-

‚ËθÌÓ. äÌÓÔ͇ ËÁ‚ΘÂÌËfl ‰ËÒÍÂÚ˚ ÏÓÊÂÚ Á‡ÒÚflÚ¸ ̇

‚˚ÔÓÎÌËÚ¸ ÒÎÂ‰Û˛˘Ë ‰ÂÈÒÚ‚Ëfl.

ÔÓÎÔÛÚË Ú‡ÍËÏ Ó·‡ÁÓÏ, ˜ÚÓ ‰ËÒÍÂÚ‡ ‚˚ȉÂÚ ËÁ ‰ËÒÍÓ‚Ó‰‡

ÑÂÊËÚ ‰ËÒÍÂÚÛ Ì‡ÍÎÂÈÍÓÈ ‚‚Âı, Ó·Ú˛‡ÚÓÓÏ ‚ÔÂ‰ ÔÓ

ÚÓθÍÓ Ì‡ ÌÂÒÍÓθÍÓ ÏËÎÎËÏÂÚÓ‚. ÖÒÎË ˝ÚÓ ÒÎÛ˜ËÚÒfl, ÌÂ

̇Ô‡‚ÎÂÌ˲ Í ÔÓÂÁË ‰ËÒÍÓ‚Ó‰‡. éÒÚÓÓÊÌÓ ‚ÒÚ‡‚¸ÚÂ

Ô˚Ú‡ÈÚÂÒ¸ ‚˚Ú‡˘ËÚ¸ ‚˚¯Â‰¯Û˛ ̇ÔÓÎÓ‚ËÌÛ ‰ËÒÍÂÚÛ, ÔË-

‰ËÒÍÂÚÛ ‚ ÔÓÂÁ¸, ÔÓÚÓÎÍÌËÚ ‚ÔÂ‰ ‰Ó ÛÔÓ‡, ÔÓ͇ ÌÂ

ÏÂÌÂÌË ÒËÎ˚ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲ ÏÂı‡ÌËÁχ

ÛÒÎ˚¯ËÚ ˘ÂΘÓÍ Ë ÍÌÓÔ͇ ËÁ‚ΘÂÌËfl ‰ËÒÍÂÚ˚ Ì ÔËÏÂÚ

‰ËÒÍÓ‚Ó‰‡ ËÎË Ò‡ÏÓÈ ‰ËÒÍÂÚ˚. óÚÓ·˚ ËÁ‚Θ¸ ̇ÔÓÎÓ‚ËÌÛ

ËÒıÓ‰ÌÓ ÔÓÎÓÊÂÌËÂ.

‚˚¯Â‰¯Û˛ ‰ËÒÍÂÚÛ, ÔÓÔÓ·ÛÈÚ ̇ʇڸ ÍÌÓÔÍÛ Â˘Â ‡Á

ËÎË ‚ÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ Ó·‡ÚÌÓ ‚ ‰ËÒÍÓ‚Ó‰ Ë ÔÓ‚ÚÓËÚÂ

ë‚ÂÚÓ‚ÓÈ Ë̉Ë͇ÚÓ ‰ËÒÍÓ‚Ó‰‡

Ôӈ‰ÛÛ ËÁ‚ΘÂÌËfl ‰ËÒÍÂÚ˚.

äÓ„‰‡ ÔËÚ‡ÌË ‚Íβ˜ÂÌÓ, Ò‚ÂÚÓ‚ÓÈ Ë̉Ë͇ÚÓ ‰ËÒÍÓ‚Ó‰‡

èÂʉ ˜ÂÏ ÓÚÍβ˜‡Ú¸ ÔËÚ‡ÌËÂ, ۷‰ËÚÂÒ¸, ˜ÚÓ ‚ ‰ËÒÍÓ-

(Ò΂‡ ‚ÌËÁÛ) „ÓËÚ, Û͇Á˚‚‡fl, ˜ÚÓ ‰ËÒÍÓ‚Ó‰ ÏÓÊÌÓ

‚Ӊ Ì ÓÒڇ·Ҹ ‰ËÒÍÂÚ‡. ÑËÒÍÂÚ‡, ̇ıÓ‰fl˘‡flÒfl ‚ ‰ËÒÍÓ-

ËÒÔÓθÁÓ‚‡Ú¸.

‚Ӊ ‰ÎËÚÂθÌÓ ‚ÂÏfl, ÏÓÊÂÚ ÔÓÍ˚Ú¸Òfl Ô˚θ˛ Ë Á‡„flÁ-

ÌËÚ¸Òfl, ˜ÚÓ Ó·˚˜ÌÓ ÔË‚Ó‰ËÚ Í Ó¯Ë·Í‡Ï ÔË Ò˜ËÚ˚‚‡ÌËË Ë

Á‡ÔËÒË ‰‡ÌÌ˚ı.

é˜ËÒÚ͇ „ÓÎÓ‚ÍË ‰ËÒÍÓ‚Ó‰‡ ‰Îfl Ò˜ËÚ˚‚‡ÌËfl/

Á‡ÔËÒË ‰‡ÌÌ˚ı

çÂÓ·ıÓ‰ËÏÓ „ÛÎflÌÓ Ó˜Ë˘‡Ú¸ „ÓÎÓ‚ÍÛ Ò˜ËÚ˚‚‡ÌËfl/Á‡ÔËÒË

‰‡ÌÌ˚ı. ëËÌÚÂÁ‡ÚÓ ÓÒ̇˘ÂÌ Ï‡„ÌËÚÌÓÈ „ÓÎÓ‚ÍÓÈ Ò˜ËÚ˚‚‡-

óÚÓ·˚ ËÁ‚Θ¸ ‰ËÒÍÂÚÛ, ‚˚ÔÓÎÌËÚ ÒÎÂ‰Û˛˘ËÂ

ÌËfl/Á‡ÔËÒË ‚˚ÒÓÍÓÈ ÚÓ˜ÌÓÒÚË, ̇ ÍÓÚÓÓÈ ÔÓÒΠ‰ÎËÚÂθÌÓ-

‰ÂÈÒÚ‚Ëfl.

„Ó ËÒÔÓθÁÓ‚‡ÌËfl Ó·‡ÁÛÂÚÒfl ÒÎÓÈ Ï‡„ÌËÚÌ˚ı ˜‡ÒÚˈ Ò ËÒ-

èÂʉ ˜ÂÏ ‚˚ÌËχڸ ‰ËÒÍÂÚÛ, ۷‰ËÚÂÒ¸, ˜ÚÓ Ì‡ Ì ÌÂ

ÔÓθÁÓ‚‡ÌÌ˚ı ‰ËÒÍÂÚ, ˜ÚÓ ÏÓÊÂÚ ÒÓ ‚ÂÏÂÌÂÏ ÔË‚ÂÒÚË Í

Á‡ÔËÒ˚‚‡˛ÚÒfl ‰‡ÌÌ˚Â.

Ó¯Ë·Í‡Ï ÔË Ò˜ËÚ˚‚‡ÌËË Ë Á‡ÔËÒË ‰‡ÌÌ˚ı.

ÖÒÎË Ì‡ ‰ËÒÍÂÚÛ Á‡ÔËÒ˚‚‡˛ÚÒfl ‰‡ÌÌ˚ ÚÂÍÛ˘ÂÈ ÓÔÂ‡ˆËË,

óÚÓ·˚ ÔÓ‰‰ÂÊË‚‡Ú¸ ‰ËÒÍÓ‚Ó‰ ‚ ‡·Ó˜ÂÏ ÒÓÒÚÓflÌËË, ÍÓ-

̇ ˝Í‡Ì ÔÓfl‚ÎflÂÚÒfl ÒÓÓ·˘ÂÌË «Now executing»

ÔÓ‡ˆËfl Yamaha ÂÍÓÏẨÛÂÚ ‡Á ‚ ÏÂÒflˆ ËÒÔÓθÁÓ‚‡Ú¸

(«Ç˚ÔÓÎÌflÂÚÒfl Á‡ÔËÒ¸ ‰‡ÌÌ˚ı»), «Now copying» («à‰ÂÚ

Ëϲ˘Û˛Òfl ‚ ÔÓ‰‡Ê ÒÔˆˇθÌÛ˛ ‰ËÒÍÂÚÛ ÒÛıÓ„Ó ÚËÔ‡

ÍÓÔËÓ‚‡ÌË ‰‡ÌÌ˚ı») ËÎË «Now formatting»

‰Îfl Ó˜ËÒÚÍË „ÓÎÓ‚ÍË. óÚÓ·˚ ‚˚flÒÌËÚ¸, ËϲÚÒfl ÎË ÔÓ‰‡ÊÂ

(«èÓËÁ‚Ó‰ËÚÒfl ÙÓχÚËÓ‚‡ÌË»).

ÌÛÊÌ˚ ‰ËÒÍÂÚ˚ ‰Îfl Ó˜ËÒÚÍË „ÓÎÓ‚ÍË, Ò‚flÊËÚÂÒ¸ Ò ÏÂÒÚ-

èÂÂÏ¢ÂÌËÂ, ÍÓÔËÓ‚‡ÌËÂ, ‚ÒÚ‡‚͇, ÒÓı‡ÌÂÌË Ë

Ì˚Ï ‰ËÎÂÓÏ ÍÓÔÓ‡ˆËË Yamaha.

Û‰‡ÎÂÌË ‰‡ÌÌ˚ı (ÒÚ. 45 - 47).

Ç ‰ËÒÍÓ‚Ó‰ ÏÓÊÌÓ ‚ÒÚ‡‚ÎflÚ¸ ÚÓθÍÓ ‰ËÒÍÂÚ˚ Û͇Á‡ÌÌ˚ı

Ç˚·Ó ËÏÂÌ Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ (ÒÚ. 44); ÒÓÁ‰‡ÌË ÌÓ‚ÓÈ

‚˚¯Â ÚËÔÓ‚. èË ÔÓÔ˚ÚÍ ‚ÒÚ‡‚ËÚ¸ ͇ÍËÂ-ÎË·Ó ÔÓÒÚÓÓÌÌËÂ

Ô‡ÔÍË (ÒÚ. 47).

Ô‰ÏÂÚ˚ ÏÓÊÌÓ ÔÓ‚‰ËÚ¸ ‰ËÒÍÓ‚Ó‰ Ë Ëϲ˘Û˛Òfl ‚ ÌÂÏ

äÓÔËÓ‚‡ÌË ‰ËÒÍÂÚ˚ ̇ ‰Û„ÓÈ ‰ËÒÍ (ÒÚ. 153);

‰ËÒÍÂÚÛ.

ÙÓχÚËÓ‚‡ÌË ‰ËÒÍÂÚ˚ (ÒÚ. 153).

äÌÓÔ͇ ËÁ‚ΘÂÌËfl

‰ËÒÍÂÚ˚

PSR-2100/1100

7

ÑÎfl Á‡˘ËÚ˚ ‰‡ÌÌ˚ı ̇ ‰ËÒÍÂÚ ‚˚ÔÓÎÌËÚÂ

낉ÂÌËfl Ó ‰ËÒÍÂÚ‡ı

ÒÎÂ‰Û˛˘Ë ‰ÂÈÒÚ‚Ëfl (Á‡˘ÂÎ͇ ‰Îfl Á‡˘ËÚ˚ ÓÚ

Á‡ÔËÒË).

éÒÚÓÓÊÌÓ ӷ‡˘ÂÌËÂ Ò ‰ËÒÍÂÚ‡ÏË Ô‰ÔÓ·„‡ÂÚ

óÚÓ·˚ Á‡˘ËÚËÚ¸ ‚‡ÊÌ˚ ‰‡ÌÌ˚ ÓÚ ÒÎÛ˜‡ÈÌÓ„Ó ÒÚË‡ÌËfl,

Òӷβ‰ÂÌË ÒÎÂ‰Û˛˘Ëı ÏÂ.

ÔÂÂÏÂÒÚËÚ Á‡˘ÂÎÍÛ ‚ ÔÓÎÓÊÂÌË «Á‡˘ËÚ˚» (ÓÚ‚ÂÒÚËÂ

ç ÒÚ‡‚¸Ú ̇ ‰ËÒÍÂÚ˚ ÚflÊÂÎ˚ Ô‰ÏÂÚ˚, Ì ҄˷‡ÈÚ Ë

ÓÚÍ˚ÚÓ).

Ì ÔËÏÂÌflÈÚ ÒËÎÛ ÔË Ó·‡˘ÂÌËË Ò ÌËÏË. äÓ„‰‡ ‰ËÒÍÂÚ˚

Ì ËÒÔÓθÁÛ˛ÚÒfl, ı‡ÌËÚ Ëı ‚ Á‡˘ËÚÌ˚ı ÙÛÚÎfl‡ı.

ç ÔÓ‰‚Â„‡ÈÚ ‰ËÒÍÂÚ˚ ‚ÓÁ‰ÂÈÒڂ˲ ÔflÏÓ„Ó ÒÓÎ̘ÌÓ„Ó

Ò‚ÂÚ‡, ÒÎ˯ÍÓÏ ÌËÁÍËı Ë ÒÎ˯ÍÓÏ ‚˚ÒÓÍËı ÚÂÏÔÂ‡ÚÛ,

ËÁ·˚ÚÓ˜ÌÓÈ ‚·ÊÌÓÒÚË, ËÁ·Â„‡ÈÚ Ò͇ÔÎË‚‡ÌËfl ̇ ÌËı

Á‡˘eÎ͇ Á‡˘ËÚ˚ ÓÚ

Ô˚ÎË Ë ÔÓÔ‡‰‡ÌËfl ÊˉÍÓÒÚË.

Á‡ÔËÒË ‚ ÓÚÍ˚ÚÓÈ

ÔÓÁˈËË

ç ÒΉÛÂÚ ÓÚÍ˚‚‡Ú¸ ¯ÚÓÍÛ ‰ËÒÍÂÚ˚ Ë ÔË͇҇ڸÒfl Í

(Á‡ÔËÒ¸ Á‡Ôe˘ė)

ÔÓ‚ÂıÌÓÒÚË „Ë·ÍÓ„Ó ‰ËÒ͇.

ç ÓÒÚ‡‚ÎflÈÚ ‰ËÒÍÂÚ˚ ‚ ÚÂı ÏÂÒÚ‡ı, „‰Â ÓÌË ÏÓ„ÛÚ

ÔÓ‰‚Â„ÌÛÚ¸Òfl ‚ÓÁ‰ÂÈÒڂ˲ χ„ÌËÚÌ˚ı ÔÓÎÂÈ ÚÂ΂ËÁÓÓ‚,

ÍÓÎÓÌÓÍ, ˝ÎÂÍÚÓÏÓÚÓÓ‚ Ë ÚÓÏÛ ÔÓ‰Ó·Ì˚ı ÛÒÚÓÈÒÚ‚.

凄ÌËÚÌ˚ ÔÓÎfl ÏÓ„ÛÚ ‚˚Á‚‡Ú¸ ˜‡ÒÚ˘ÌÛ˛ ËÎË ÔÓÎÌÛ˛

ÑÛ·ÎËÓ‚‡ÌË ‰‡ÌÌ˚ı

ÛÚ‡ÚÛ ‰‡ÌÌ˚ı, Á‡ÔËÒ‡ÌÌ˚ı ̇ ‰ËÒÍÂÚÂ, ҉·‚  ÌÂ

ÑÎfl Ó·ÂÒÔ˜ÂÌËfl χÍÒËχθÌÓÈ ·ÂÁÓÔ‡ÒÌÓÒÚË ‰‡ÌÌ˚ı

ÔË„Ó‰ÌÓÈ Í ËÒÔÓθÁÓ‚‡Ì˲.

ÍÓÔÓ‡ˆËfl Yamaha ÂÍÓÏẨÛÂÚ ı‡ÌËÚ¸ ÍÓÔËË Ì‡Ë·ÓÎÂÂ

çËÍÓ„‰‡ Ì ËÒÔÓθÁÛÈÚ ‰ËÒÍÂÚ˚ Ò ‰ÂÙÓÏËÓ‚‡ÌÌ˚Ï

‚‡ÊÌ˚ı ‰‡ÌÌ˚ı ̇ ‰‚Ûı ‰ËÒÍÂÚ‡ı. ùÚÓ ÔÓÁ‚ÓÎËÚ ·˚ÒÚÓ

Ó·Ú˛‡ÚÓÓÏ ËÎË ÍÓÔÛÒÓÏ.

‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ‰‡ÌÌ˚ ÔË ÔÓÚÂ ËÎË ÔÓ‚ÂʉÂÌËË Ó‰ÌÓÈ

çËÍÓ„‰‡ Ì ÔËÍÂÔÎflÈÚ ÌË˜Â„Ó Í ‰ËÒÍÂÚÂ, ÍÓÏÂ

ËÁ ‰ËÒÍÂÚ. ÑÎfl ÒÓÁ‰‡ÌËfl ÂÁÂ‚ÌÓÈ ‰ËÒÍÂÚ˚ ËÒÔÓθÁÛÈÚÂ

ÒÔˆˇθÌ˚ı ̇ÍÎÂÂÍ, ÔÓÒÚ‡‚ÎflÂÏ˚ı ‚ÏÂÒÚÂ Ò ‰ËÒÍÂÚ‡ÏË.

ÙÛÌÍˆË˛ Á‡ÔËÒË Ò ‰ËÒÍÂÚ˚ ̇ ‰ËÒÍÂÚÛ, ÓÔËÒ‡ÌÌÛ˛ ̇

ì·Â‰ËÚÂÒ¸, ˜ÚÓ Ì‡ÍÎÂÈÍË ÔËÍÎÂÂÌ˚ ‚ ÒÔˆˇθÌÓ

ÒÚ. 153.

Ô‰̇Á̇˜ÂÌÌÓÏ ÏÂÒÚÂ.

낉ÂÌËfl Ó ÒÓÓ·˘ÂÌËflı ̇ ˝Í‡ÌÂ

àÌÓ„‰‡ ̇ ˝Í‡Ì ÔÓfl‚ÎflÂÚÒfl ÒÓÓ·˘ÂÌË (ËÌÙÓχˆËÓÌÌÓ ËÎË ÚÂ·Û˛˘Â ÓÚ‚ÂÚ‡ ̇ ‚ÓÔÓÒ) Ò ÔÓ‰Ò͇ÁÍÓÈ ÓÚÌÓÒfl˘ÂÈÒfl Í

‚˚ÔÓÎÌÂÌ˲ ÚÓÈ ËÎË ËÌÓÈ ÓÔÂ‡ˆËË.

èË ÔÓfl‚ÎÂÌËË Ú‡ÍÓ„Ó ÒÓÓ·˘ÂÌËfl ‰ÓÒÚ‡ÚÓ˜ÌÓ ÔÓÒÚÓ ‚˚ÔÓÎÌËÚ¸ ‚Ò ËÌÒÚÛ͈ËË Ì‡ ˝Í‡ÌÂ, ̇ʇ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ.

F

ç‡ ˝Í‡Ì ÏÓÊÌÓ ‚˚·‡Ú¸ flÁ˚Í

ÒÓÓ·˘ÂÌËÈ (ÒÚ. 52).

G

H

I

J

Ç Ô˂‰ÂÌÌÓÏ ÔËÏÂ ÒΉÛÂÚ

̇ʇڸ ÍÌÓÔÍÛ [G] (YES) (‰‡) ‰Îfl

‚˚ÔÓÎÌÂÌËfl ÙÓχÚËÓ‚‡ÌËfl.

8

PSR-2100/1100

é„·‚ÎÂÌËÂ

ǂ‰ÂÌË .................................................. 2

ëÔ‡‚Ó˜ÌËÍ

åÖêõ ÅÖáéèÄëçéëíà............................................................. 3

èÓË„˚‚‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı

ÑÓÔÓÎÌËÚÂθÌ˚ ÔË̇‰ÎÂÊÌÓÒÚË ........................................ 6

ÔÂÒÂÌ ....................................................... 55

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl Ë Ò·ÓÌËÍ Ú‡·Îˈ..................... 6

àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ....................................... 7

ÉÓÎÓÒ‡ ..................................................... 57

낉ÂÌËfl Ó ÒÓÓ·˘ÂÌËflı ̇ ˝Í‡ÌÂ......................................... 8

Ç˚·Ó „ÓÎÓÒ‡ ............................................................................ 57

ëÔËÒÓÍ ÔËÏÂÌÂÌËÈ ................................................................. 12

ÉÓÎÓÒ‡ Layer Ë Left — ËÒÔÓθÁÓ‚‡ÌË ÌÂÒÍÓθÍËı

éÒÌÓ‚Ì˚ ‚ÓÁÏÓÊÌÓÒÚË ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100/1100....... 14

ÚÂÏ·Ó‚................................................................................... 59

èÓ‰Íβ˜ÂÌË ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100/1100 .......................... 16

ëÎÓÈ — ëϯ˂‡ÌË ‰‚Ûı ‡ÁÌ˚ı „ÓÎÓÒÓ‚ ............................59

è‡ÌÂθÌ˚ „ÛÎflÚÓ˚ Ë ‡Á˙ÂÏ˚ ......................................18

ÉÓÎÓÒ ‰Îfl ΂ÓÈ ÛÍË — ìÒÚ‡Ìӂ͇ ‡Á΢Ì˚ı „ÓÎÓÒÓ‚

‰Îfl ΂ÓÈ Ë Ô‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ ................................60

ä‡ÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó........................... 20

èËÏÂÌÂÌËÂ ˝ÙÙÂÍÚÓ‚............................................................60

èÓË„˚‚‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ........................... 20

äÓÎÂÒ‡ ÛÔ‡‚ÎÂÌËfl ‚˚ÒÓÚÓÈ Á‚Û͇ (PITCH BEND)

ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ......................................................... 21

Ë ÏÓ‰ÛÎflˆËÂÈ (MODULATION)............................................. 61

ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ ............................................................21

ê„ÛÎËӂ͇ Ô‡‡ÏÂÚ‡ Octave (Ú‡ÌÒÔÓÌËÓ‚‡ÌËÂ

ÇÓÒÔÓËÁ‚‰ÂÌË „ÓÎÓÒÓ‚ ..................................................... 25

̇ ÓÍÚ‡‚Û) ............................................................................... 61

ÇÓÒÔÓËÁ‚‰ÂÌË „ÓÎÓÒ‡...........................................................25

à„‡ Ó‰ÌÓ‚ÂÏÂÌÌÓ ‰‚ÛÏfl „ÓÎÓÒ‡ÏË .......................................26

ëÚËÎË....................................................... 62

ê‡ÁÌ˚ „ÓÎÓÒ‡ ‰Îfl Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍ ...................................27

ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl.......................................................... 62

ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ ....................................................... 28

ÇÓÒÔÓËÁ‚‰ÂÌË ÚÓθÍÓ ËÚÏ˘ÂÒÍËı ‰ÓÓÊÂÍ ÒÚËÎfl......... 64

ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl.............................................................28

ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË/‚˚Íβ˜ÂÌË ͇̇ÎÓ‚........................ 64

ó‡ÒÚË ÒÚËÎfl.................................................................................30

ÄÍÍÓ‰Ó‚‡fl ‡ÔÔÎË͇ÚÛ‡........................................................ 65

ç‡ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË».....................................................32

Ä‡ÌÊËӂ͇ Ë ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ

(óÄëíà:

îÛÌ͈Ëfl Music Finder (ÔÓËÒÍ ÍÓÏÔÓÁˈËË) ......................... 33

MAIN A/B/C/D (ÓÒÌӂ̇fl), INTRO (ËÌÚ

Ó‰Û͈Ëfl),

àÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Music Finder......................................33

èÓËÒÍ ÒÂ‰Ë Á‡ÔËÒÂÈ Music Finder............................................34

ENDING (ÙË̇Î), BREAK (·

ÂÈÍ)) ..................................................67

èÓ‰˚„˚‚‡ÂÏ ÔÂÒÌÂ................................................................. 36

éÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ÔË ÒÌflÚËË ÛÍ

èÓ‰˚„˚‚‡ÂÏ PSR-2100/1100...................................................36

Ò Í·‚ˇÚÛ˚ (SYNC. STOP)................................................. 68

á‡ÔËÒ¸ .........................................................................................37

Ç˚·Ó ÚËÔÓ‚ ËÌÚÓ‰Û͈ËÈ Ë ÙË̇ÎÓ‚ (INTRO/ENDING)........69

Ä‚ÚÓχÚ˘ÂÒÍÓ ÔÓË„˚‚‡ÌË ‚ÒÚ‡‚ÓÍ ÔË ÔÂÂıÓ‰Â

éÒÌÓ‚Ì˚ ÓÔÂ‡ˆËË — Ó„‡ÌËÁ‡ˆËfl

ÓÚ Ó‰ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ — Auto Fill In.................................. 69

ç‡ÒÚÓÈ͇ ‚˚·‡ÌÌÓ„Ó ÒÚËÎfl

(ÙÛÌ͈Ëfl

‰‡ÌÌ˚ı .................................................... 38

ONE TOUCH SETTING) ......................................................................70

ëÓ‰ÂÊËÏÓ „·‚ÌÓ„Ó ˝Í‡Ì‡ ............................................... 38

Ä‚ÚÓχÚ˘ÂÒ͇fl ÒÏÂ̇ ̇ÒÚÓÂÍ ÔË ÔÂÂıӉ ÓÚ

ùÍ‡Ì Open/Save (éÚÍ˚Ú¸/ëÓı‡ÌËÚ¸) ...............................39

Ó‰ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ — OTS Link......................................... 71

èËÏÂ ˝Í‡Ì‡ Open/Save.........................................................40

ëÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌÓÈ Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË»

Ç˚·Ó Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ............................................................ 43

(ONE TOUCH SETTING).........................................................71

éÔÂ‡ˆËË Ò Ù‡È·ÏË Ë Ô‡Ô͇ÏË ............................................ 44

Ç˚ÁÓ‚ ̇˷ÓΠۉ‡˜ÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ —

Ç˚·Ó ËÏÂÌ ‰Îfl Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ..............................................44

Music Finder............................................................................ 72

èÂÂÏ¢ÂÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ .................................................45

èÓËÒÍ Ì‡Ë·ÓΠۉ‡˜ÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ —

äÓÔËÓ‚‡ÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ...................................................46

Music Finder.............................................................................73

쉇ÎÂÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ.........................................................46

ꉇÍÚËÓ‚‡ÌË Á‡ÔËÒÂÈ — Music Finder................................ 74

ëÓı‡ÌÂÌË هÈÎÓ‚...................................................................47

åÛθÚËÔ˝‰˚ ........................................... 76

é„‡ÌËÁ‡ˆËfl Ù‡ÈÎÓ‚ ÔÛÚÂÏ ÒÓÁ‰‡ÌËfl ÌÓ‚ÓÈ Ô‡ÔÍË................47

èÂÂıÓ‰ ̇ ÒÚ‡Ìˈ˚ ‚ÂıÌËı ÛÓ‚ÌÂÈ...................................47

ÇÓÒÔÓËÁ‚‰ÂÌË ÏÛθÚËÔ˝‰Ó‚ ............................................ 76

Ç‚Ó‰ ÒËÏ‚ÓÎÓ‚ Ë ÏÓ‰ËÙË͇ˆËfl Á̇˜ÍÓ‚..................................47

ç‡ÒÚÓÈ͇ ̇ ‡ÍÍÓ‰................................................................76

àÒÔÓθÁÓ‚‡ÌË ‰ËÒ͇ ÛÔ‡‚ÎÂÌËfl [DATA ENTRY] ............. 49

ꉇÍÚËÓ‚‡ÌË ÏÛθÚËÔ˝‰Ó‚............................................... 77

îÛÌ͈Ëfl ÔflÏÓ„Ó ‰ÓÒÚÛÔ‡ — ·˚ÒÚ˚È ‚˚·Ó ˝Í‡Ì‡...... 50

èÓ‰Ò͇ÁÍË................................................................................... 52

ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË...................... 78

àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ..................................................... 53

èÓ‰‰ÂÊË‚‡ÂÏ˚ ÚËÔ˚ ÔÂÒÂÌ ............................................... 78

ê„ÛÎËӂ͇ ÚÂÏÔ‡................................................................... 53

ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË.......................................................... 79

á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÚÂÏÔ‡......................................................54

ÇÓÒÔÓËÁ‚‰ÂÌË ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ....................................... 79

PSR-2100/1100

9

ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ Ò ‰ËÒÍÂÚ˚ ..........................................81

ëÓÁ‰‡ÌË ÏÛθÚËÔ˝‰‡ —

èӘˠÓÔÂ‡ˆËË, Ò‚flÁ‡ÌÌ˚Â Ò ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ................81

Multi Pad Creator.................................. 121

èË„ÎÛ¯ÂÌË ÓÚ‰ÂθÌ˚ı ˜‡ÒÚÂÈ — ‰ÓÔÓÎÌËÚÂθÌ˚Â

‰ÓÓÊÍË.................................................................................. 82

èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ ........................................... 121

èÓ‚ÚÓ ÓÔ‰ÂÎÂÌÌÓ„Ó Ù‡„ÏÂÌÚ‡ ÔÂÒÌË...........................82

á‡ÔËÒ¸ ÏÛθÚËÔ˝‰‡ ‚ ‡θÌÓÏ ‚ÂÏÂÌË — Record........ 122

éÚÓ·‡ÊÂÌË ÌÓÚ — Ô‡ÚËÚÛ‡............................................. 83

燘‡ÎÓ Á‡ÔËÒË..........................................................................122

éÚÓ·‡ÊÂÌË ÚÂÍÒÚ‡ ÔÂÒÌË.................................................... 86

éÒÚ‡Ìӂ͇ Á‡ÔËÒË ....................................................................122

èÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸ Ë ‰‡ÍÚËÓ‚‡ÌËÂ

ëÓı‡ÌÂÌËÂ Ë Á‡„ÛÁ͇ ÔÓθÁÓ‚‡-

ÏÛθÚËÔ˝‰Ó‚ — ‚Í·‰Í‡ Edit ............................................123

ÚÂθÒÍËı ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ —

ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË Ë Á‡ÏÂ̇

„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ .................... 87

„ÓÎÓÒÓ‚ — Mixing Console................. 124

ê„ËÒÚ‡ˆËfl ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ —

ìÔ‡‚ÎÂÌË ÏËͯÂÓÏ ..........................................................124

„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ ....................................................87

ìÒÚ‡Ìӂ͇ „ÓÏÍÓÒÚË Ë „ÓÎÓÒ‡ — Volume/Voice............... 125

ëÓı‡ÌÂÌË ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚.............................................88

ᇄÛÁ͇ ̇·Ó‡ Ô‡‡ÏÂÚÓ‚................................................. 89

àÁÏÂÌÂÌË ÚÂÏ·‡ „ÓÎÓÒ‡ — Filter...................................... 126

àÁÏÂÌÂÌË ԇ‡ÏÂÚÓ‚, Ò‚flÁ‡ÌÌ˚ı Ò ‚˚ÒÓÚÓÈ

ꉇÍÚËÓ‚‡ÌË „ÓÎÓÒÓ‚ —

Á‚Û͇ — Tune........................................................................ 126

ç‡ÒÚÓÈ͇ ˝ÙÙÂÍÚÓ‚............................................................. 127

Sound Creator......................................... 90

ëÚÛÍÚÛ̇fl ÒıÂχ ˝ÙÙÂÍÚÓ‚................................................ 129

èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ ............................................. 90

ç‡ÒÚÓÈ͇ ˝Í‚‡Î‡ÈÁÂ‡ — EQ (PSR-2100).......................... 130

è‡‡ÏÂÚ˚ Ó·˚˜ÌÓ„Ó „ÓÎÓÒ‡................................................. 91

é„‡ÌÌ˚ ÙÎÂÈÚ˚ (PSR-2100) ................................................ 94

àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇ —

MIC (PSR-2100) ..................................... 131

á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌËÂ

ÔÂÒÂÌ — Song Creator.......................... 95

Ç˚·Ó ÚËÔ‡ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇·...................................... 131

ç‡ÒÚÓÈ͇ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· Ë ÏËÍÓÙÓ̇ —

é Á‡ÔËÒË ÔÂÒÂÌ.......................................................................... 95

MICROPHONE SETTING....................................................... 133

Å˚ÒÚ‡fl Á‡ÔËÒ¸......................................................................... 96

ç‡ÒÚÓÈ͇ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· Ë ˝ÙÙÂÍÚÓ‚ ‰Îfl Ó·‡·ÓÚÍË

êÂÊËÏ Á‡ÔËÒË ÌÂÒÍÓθÍËı „ÓÎÓÒÓ‚ ......................................97

ÏËÍÓÙÓÌÌÓ„Ó Ò˄̇· — OVERALL SETTING................. 133

á‡ÔËÒ¸ ÓÚ‰ÂθÌ˚ı ÌÓÚ — èÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸ ..................... 99

ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË ÏËÍÓÙÓ̇ Ë ÒÓÔÛÚÒÚ‚Û˛˘Ëı

èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ.................................................99

˝ÙÙÂÍÚÓ‚ — TALK SETTING ..............................................135

á‡ÔËÒ¸ ÏÂÎÓ‰ËÈ — Step Record (Note)...................................101

á‡ÔËÒ¸ Á‡ÏÂÌ˚ ‡ÍÍÓ‰Ó‚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡....................102

ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ —

Ç˚·Ó Ô‡‡ÏÂÚÓ‚: ̇˜‡ÎÓ, ÍÓ̈, ‡‚ÚÓχÚ˘ÂÒÍÓÂ

ÏÂÌ˛ Function...................................... 136

‚Íβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË Á‡ÔËÒË — ÂÊËÏ Á‡ÔËÒË.... 104

ꉇÍÚËÓ‚‡ÌË Á‡ÔËÒË ........................................................ 105

èÓfl‰ÓÍ ‰ÂÈÒÚ‚ËÈ..................................................................136

ꉇÍÚËÓ‚‡ÌË ԇ‡ÏÂÚÓ‚, ÓÚÌÓÒfl˘ËıÒfl Í Í‡Ì‡Î‡Ï........105

ê„ÛÎËӂ͇ ‚˚ÒÓÚ˚/‚˚·Ó ÚÂÏÔÂ‡ˆËË —

ꉇÍÚËÓ‚‡ÌË ÌÓÚÌ˚ı ÒÓ·˚ÚËÈ — 1 - 16............................108

Master Tune/Scale Tune....................................................... 138

ꉇÍÚËÓ‚‡ÌË ‡ÍÍÓ‰Ó‚˚ı ÒÓ·˚ÚËÈ — CHD .....................109

èÓ‰ÒÚÓÈ͇ ‚˚ÒÓÚ˚ ‚ÒÂı „ÓÎÓÒÓ‚ — Master Tune ................138

ꉇÍÚËÓ‚‡ÌË ÒËÒÚÂÏÌ˚ı ÒÓ·˚ÚËÈ — SYS/EX.

Ç˚·Ó ÚÂÏÔÂ‡ˆËË — Scale Tune...........................................138

(ËÒÍβ˜ËÚÂθÌ˚ ÒËÒÚÂÏÌ˚ ÒÓÓ·˘ÂÌËfl).........................109

ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚, ÓÚÌÓÒfl˘ËıÒfl Í ÔÂÒÌ —

Ç‚Ó‰ Ë ‰‡ÍÚËÓ‚‡ÌË ÚÂÍÒÚ‡ ÔÂÒÂÌ....................................110

Song Settings........................................................................ 140

ç‡ÒÚÓÈ͇ ÒÔËÒ͇ ÒÓ·˚ÚËÈ......................................................110

ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚, ÓÚÌÓÒfl˘ËıÒfl Í

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÛ — Style Setting, Split Point

ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ —

Ë Chord Fingering................................................................. 141

Style Creator ......................................... 111

ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚, ÓÚÌÓÒfl˘ËıÒfl Í ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂ-

ÏÂÌÚÛ — ÒÚ‡Ìˈ‡ Style Setting/Split Point ........................ 141

é ÒÓÁ‰‡ÌËË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.................................. 111

Ç˚·Ó ‡ÔÔÎË͇ÚÛ˚ — Chord Fingering .................................142

îÓÏ‡Ú Ù‡È· ÒÚËÎfl (SFF)................................................... 112

ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ Í·‚ˇÚÛ˚ Ë Ô‰‡ÎÂÈ —

èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ ........................................... 112

Controller............................................................................... 142

á‡ÔËÒ¸ ‚ ‡θÌÓÏ ‚ÂÏÂÌË — Basic ................................. 113

ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ Ô‰‡ÎÂÈ............................................. 142

èÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸ .................................................................. 114

àÁÏÂÌÂÌË ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í Ì‡Ê‡Ú˲, ̇ÒÚÓÈ͇

ë·Ó͇ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ — Assembly.....................115

Ô‡‡ÏÂÚÓ‚ ÏÓ‰ÛÎflˆËË Ë Ú‡ÌÒÔÓÁˈËË —

ꉇÍÚËÓ‚‡ÌË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡........................... 116

Keyboard/Panel......................................................................144

àÁÏÂÌÂÌË ËÚχ — ÙÛÌ͈ËË Groove Ë Dynamics ................116

ç‡ÒÚÓÈ͇ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ‚˚ÁÓ‚‡ „ËÒÚ‡ˆËÓÌ-

ꉇÍÚËÓ‚‡ÌË ԇ‡ÏÂÚÓ‚ ͇̇·.....................................118

Ì˚ı Ù‡ÈÎÓ‚, Ô‡‡ÏÂÚÓ‚ «Á‡ÏÓÓÁÍË» Ë „ÓÎÓÒ‡ .........145

ìÒÚ‡Ìӂ͇ Ô‡‡ÏÂÚÓ‚ هȷ SMF — Parameter.................119

ì͇Á‡ÌË ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ‚˚ÁÓ‚‡ „ËÒÚ‡ˆËÓÌÌ˚ı

Ù‡ÈÎÓ‚ — Registration Sequence........................................145

10

PSR-2100/1100

ëÓı‡ÌÂÌË Á̇˜ÂÌËÈ, Á‡‰‡ÌÌ˚ı Ò ÔÂ‰ÌÂÈ Ô‡ÌÂÎË —

Freeze ....................................................................................145

àÁÏÂÌÂÌË ‡‚ÚÓχÚ˘ÂÒÍË ‚˚·‡ÌÌ˚ı Ô‡‡ÏÂÚÓ‚

„ÓÎÓÒ‡ — Voice Set...............................................................146

ç‡ÒÚÓÈ͇ ˝ÙÙÂÍÚÓ‚ „‡ÏÓÌËÁ‡ˆËË Ë ˝ı‡........................ 146

ìÒÚ‡Ìӂ͇ Ô‡‡ÏÂÚÓ‚ MIDI.................................................. 148

é·˘‡fl ̇ÒÚÓÈ͇ ÒËÒÚÂÏ˚ (Ô‡‡ÏÂÚ˚ Local Control,

Ç‚e‰eÌËe

Clock Ë Ú. ‰.) — System.........................................................148

èÂ‰‡˜‡ MIDI-ÒÓÓ·˘ÂÌËÈ — Transmit ..................................149

èËÂÏ MIDI-ÒÓÓ·˘ÂÌËÈ — Receive.........................................150

ä‡ÚÍÓe ÛÍÓ‚Ó‰ÒÚ‚Ó

ç‡Á̇˜ÂÌË ͇̇ÎÓ‚ ‰Îfl ÓÒÌÓ‚Ì˚ı ÚÓÌÓ‚ — Root................150

ç‡Á̇˜ÂÌË ͇̇ÎÓ‚ ‰Îfl ‡ÍÍÓ‰Ó‚ — Chord Detect .............150

èӘˠԇ‡ÏÂÚ˚ — Utility.................................................. 151

éÒÌÓ‚Ì˚e ÓÔe‡ˆËË — Ó„‡ÌËÁ‡ˆËfl ‰‡ÌÌ˚ı

ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ ÙÂȉËÌ„‡, ÏÂÚÓÌÓχ, ‡ Ú‡ÍÊÂ

ÙÛÌ͈ËÈ ·ÎÓÍËÓ‚ÍË Ô‡‡ÏÂÚ‡ Ë Û͇Á‡ÌËfl ËÚχ —

CONFIG 1 ..............................................................................151

ÇÓÒÔÓËÁ‚e‰eÌËe ‰eÏÓÌÒÚ‡ˆËÈ

ç‡ÒÚÓÈ͇ ‰ËÒÔÎÂfl Ë ÓÚÓ·‡ÊÂÌËfl ÌÓÏÂÓ‚ „ÓÎÓÒÓ‚ —

CONFIG 2 ..............................................................................152

äÓÔËÓ‚‡ÌËÂ Ë ÙÓχÚËÓ‚‡ÌË ‰ËÒÍÂÚ — Disk ..................153

ÉÓÎÓÒ‡

ì͇Á‡ÌË ËÏÂÌË ÔÓθÁÓ‚‡ÚÂÎfl Ë ‚˚·Ó flÁ˚͇ — Owner .....154

ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰Ì˚ı Ô‡‡ÏÂÚÓ‚

PSR-2100/1100 — System Reset..........................................154

CÚËÎË

èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚

Í PSR-2100/1100 ................................... 155

åÛθÚËÔ˝‰

àÒÔÓθÁÓ‚‡ÌË ̇ۯÌËÍÓ‚ (‡Á˙ÂÏ PHONES)......................155

èÓ‰Íβ˜ÂÌË ÏËÍÓÙÓ̇ ËÎË „ËÚ‡˚ (‡Á˙ÂÏ

ÇÓÒÔÓËÁ‚e‰eÌËe ÔeÒÌË

MIC./LINE IN) (PSR-2100).....................................................155

èÓÒÎۯ˂‡ÌË PSR-2100/1100 ˜ÂÂÁ ÍÓÎÓÌÍË

‡Û‰ËÓÒËÒÚÂÏ˚ Ë Á‡ÔËÒ¸ ̇ ‚̯Ì ÛÒÚÓÈÒÚ‚Ó

CÓı‡ÌeÌËe Ë ‚˚ÁÓ‚ ÔÓθÁÓ‚‡ÚeθÒÍËı

(„ÌÂÁ‰‡ AUX OUT/OUTPUT).................................................156

̇·ÓÓ‚ Ô‡‡ÏeÚÓ‚ — Registration Memory

àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎË (ÌÓÊÌÓ„Ó ÔÂÂÍβ˜‡ÚÂÎfl) ËÎË

ÌÓÊÌÓ„Ó ÍÓÌÚÓÎÎÂ‡ (‡Á˙ÂÏ FOOT PEDAL 1/2) ............156

êe‰‡ÍÚËÓ‚‡ÌËe „ÓÎÓÒÓ‚ — Sound Creator

èÓ‰Íβ˜ÂÌË ‚̯ÌËı MIDI-ÛÒÚÓÈÒÚ‚ (MIDI-ÔÓÚ˚)...........156

èÓ‰Íβ˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ (USB-ÔÓÚ, MIDI-ÔÓÚ).............157

óÚÓ Ú‡ÍÓ MIDI?........................................................................158

á‡ÔËÒ¸ ‚˚ÒÚÛÔÎeÌËÈ Ë ÒÓÁ‰‡ÌËe ÔeÒeÌ

óÚÓ ÏÓÊÌÓ ‰Â·ڸ Ò ÔÓÏÓ˘¸˛ MIDI?.....................................160

— ÙÛÌ͈Ëfl Song Creator

ëÓ‚ÏÂÒÚËÏÓÒÚ¸ ‰‡ÌÌ˚ı ...........................................................161

îÓÏ‡Ú ‰ËÒÍÂÚ .........................................................................161

CÓÁ‰‡ÌËe ÒÚËÎeÈ ‡ÍÍÓÏÔ‡ÌeÏeÌÚ‡

îÓÏ‡Ú ÒÂÍ‚Â̈ËË ...................................................................161

— ÙÛÌ͈Ëfl Style Creator

îÓÏ‡Ú ‡ÒÔ‰ÂÎÂÌËfl „ÓÎÓÒÓ‚.............................................162

ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ ...................... 163

CÓÁ‰‡ÌËe ÏÛθÚËÔ˝‰‡ — ÙÛÌ͈Ëfl Multi Pad Creator

íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË........... 165

êe„ÛÎËӂ͇ „ÓÏÍÓÒÚË Ë Á‡Ïė „ÓÎÓÒÓ‚

— Mixing Console

èe‰ÏeÚÌ˚È Û͇Á‡Úeθ...................... 167

àÒÔÓθÁÓ‚‡ÌËe ÏËÍÓÙÓ̇ — MIC. (PSR-2100)

ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏeÚÓ‚

— Function

èÓ‰Íβ˜eÌËe ‚Ìe¯ÌËı ÛÒÚÓÈÒÚ‚ Í PSR-2100/1100

èËÎÓÊeÌËe

PSR-2100/1100

11

ëÔËÒÓÍ ÔËÏÂÌÂÌËÈ

ùÚÓÚ ÒÔËÒÓÍ ÏÓÊÂÚ ÔË„Ó‰ËÚ¸Òfl ‰Îfl ÚÓ„Ó, ˜ÚÓ·˚ ·˚ÒÚÓ Ì‡ÈÚË ÒÚ‡Ìˈ˚ Ò

ÓÔËÒ‡ÌËÂÏ ÌÂflÒÌÓ„Ó ‚ÓÔÓÒ‡.

èÓÒÎۯ˂‡ÌËÂ

èÓÒÎۯ˂‡ÌË ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ..........................................................................................................................................ÒÚ. 79

èÓÒÎۯ˂‡ÌË ÔÂÒÂÌ Ò ‰ËÒÍÂÚ˚ ........................................................................«ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ Ò ‰ËÒÍÂÚ˚» ̇ ÒÚ. 81

èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ .............................................................................................................................ÒÚ. 55

èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËË ‚ÓÁÏÓÊÌÓÒÚÂÈ „ÓÎÓÒ‡...........................................................................................................ÒÚ. 57

èÓÒÎۯ˂‡ÌË ÔÂÒÂÌ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ „ÓÎÓÒÓ‚ PSR-2100/1100 ....................................................................................ÒÚ. 125

à„‡ ̇ Í·‚ˇÚÛÂ

Ç˚·Ó ÌÛÊÌÓÈ ‚˚ÒÓÚ˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡...................... «è‡‡ÏÂÚ Transpose Assign (Ó·˙ÂÍÚ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl)» ̇ ÒÚ. 144

ëÓ˜ÂÚ‡ÌË ‰‚Ûı „ÓÎÓÒÓ‚................................................ «ÉÓÎÓÒ‡ Layer Ë Left — ËÒÔÓθÁÓ‚‡ÌË ÌÂÒÍÓθÍËı ÚÂÏ·Ó‚» ̇ ÒÚ. 59

ê‡ÁÌ˚ „ÓÎÓÒ‡ ‰Îfl Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍ

........................«ÉÓÎÓÒ ‰Îfl ΂ÓÈ ÛÍË — ìÒÚ‡Ìӂ͇ ‡Á΢Ì˚ı „ÓÎÓÒÓ‚ ‰Îfl ΂ÓÈ Ë Ô‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚» ̇ ÒÚ. 60

àÁÏÂÌÂÌË Á‚Û͇

ä‡Í ‰Ó·ËÚ¸Òfl ·ÓΠÂÒÚÂÒÚ‚ÂÌÌÓ„Ó Á‚Û˜‡ÌËfl Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í Í‡Ò‡Ì˲ Ë ‰Û„Ëı ˝ÙÙÂÍÚÓ‚

...............................................................................................................................................«èËÏÂÌÂÌË ˝ÙÙÂÍÚÓ‚» ̇ ÒÚ. 60

................................................................................................................................................«ç‡ÒÚÓÈ͇ ˝ÙÙÂÍÚÓ‚» ̇ ÒÚ. 127

ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË ...........................................................................................................................................................ÒÚ. 125

ëÓ˜ÂÚ‡ÌË ‰‚Ûı „ÓÎÓÒÓ‚................................................ «ÉÓÎÓÒ‡ Layer Ë Left — ËÒÔÓθÁÓ‚‡ÌË ÌÂÒÍÓθÍËı ÚÂÏ·Ó‚» ̇ ÒÚ. 59

ê‡ÁÌ˚ „ÓÎÓÒ‡ ‰Îfl Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍ

........................«ÉÓÎÓÒ ‰Îfl ΂ÓÈ ÛÍË — ìÒÚ‡Ìӂ͇ ‡Á΢Ì˚ı „ÓÎÓÒÓ‚ ‰Îfl ΂ÓÈ Ë Ô‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚» ̇ ÒÚ. 60

ëÓÁ‰‡ÌË „ÓÎÓÒÓ‚......................................................................................................................................................................ÒÚ. 90

ÇÓÒÔÓËÁ‚‰ÂÌË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

Ä‚ÚÓχÚ˘ÂÒÍÓ ‚Íβ˜ÂÌË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ................................................................................................................ÒÚ. 62

Ç˚ÁÓ‚ ̇˷ÓΠۉ‡˜ÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡............................................................................................................................ÒÚ. 72

à„‡ ̇ Í·‚ˇÚÛÂ

ÄÍÍÛ‡Ú̇fl Ë„‡ Òӄ·ÒÌÓ ˜ÂÚÍÓÏÛ ËÚÏÛ.......................................................................«àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ» ̇ ÒÚ. 53

á‡ÔËÒ¸

á‡ÔËÒ¸ Ë„˚ ̇ Í·‚ˇÚÛ ................................................................................................................................................ÒÚ. 96, 97

ëÓÁ‰‡ÌË ÔÂÒÌË ÔÛÚÂÏ ‚‚Ó‰‡ ÓÚ‰ÂθÌ˚ı ÌÓÚ .........................................................................................................................ÒÚ. 99

ëÓÁ‰‡ÌË ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇ÒÚÓÂÍ

ëÓÁ‰‡ÌË „ÓÎÓÒÓ‚......................................................................................................................................................................ÒÚ. 90

ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.........................................................................................................................................ÒÚ. 111

ëÓÁ‰‡ÌË ÏÛθÚËÔ˝‰Ó‚ ............................................................................................................................................................ÒÚ. 121

12

PSR-2100/1100

è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ

àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇ (PSR-2100)

èÓ‰Íβ˜ÂÌË ÏËÍÓÙÓ̇ .................................................................................. «ËÎË „ËÚ‡˚ (‡Á˙ÂÏ MIC./LINE IN)» ̇ ÒÚ. 155

Ä‚ÚÓχÚ˘ÂÒ͇fl „‡ÏÓÌËÁ‡ˆËfl ÔÂÌËfl ..................................................................................................................................ÒÚ. 131

è‡‡ÏÂÚ˚

ê„ËÒÚ‡ˆËfl ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ ...........................................................................................................................................ÒÚ. 87

ç‡ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇/‚˚·Ó ÒÚÓfl...................................................................................................................................ÒÚ. 138

íÓÌ͇fl ̇ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ ‚ÓÒÔÓËÁ‚‰ÂÌËfl.................................................................................................................ÒÚ. 140

íÓÌ͇fl ̇ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡...........................................................................................................ÒÚ. 141

íÓÌ͇fl ̇ÒÚÓÈ͇ „ÓÎÓÒÓ‚, Ë„‡ÂÏ˚ı Ò Í·‚ˇÚÛ˚ ............................................................................................................ÒÚ. 144

íÓÌ͇fl ̇ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ MIDI.......................................................................................................................................ÒÚ. 148

èÓ‰Íβ˜ÂÌË PSR-2100/1100 Í ‚̯ÌËÏ ÛÒÚÓÈÒÚ‚‡Ï

éÒÌÓ‚Ì˚ ҂‰ÂÌËfl Ó MIDI ............................................................................................................... «óÚÓ Ú‡ÍÓ MIDI?» ̇ ÒÚ. 158

á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËfl.................................... «ÇÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ PSR-2100/1100 Ò ÔÓÏÓ˘¸˛ ‚̯ÌÂÈ ÒÚÂÂÓÒËÒÚÂÏ˚

Ë Á‡ÔËÒ¸ ̇ ‚̯Ì Á‡ÔËÒ˚‚‡˛˘Â ÛÒÚÓÈÒÚ‚Ó (‡Á˙ÂÏ˚ AUX OUT/OUTPUT)» ̇ ÒÚ. 156

ì‚Â΢ÂÌË „ÓÏÍÓÒÚË ................................ «ÇÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ PSR-2100/1100 Ò ÔÓÏÓ˘¸˛ ‚̯ÌÂÈ ÒÚÂÂÓÒËÒÚÂÏ˚

Ë Á‡ÔËÒ¸ ̇ ‚̯Ì Á‡ÔËÒ˚‚‡˛˘Â ÛÒÚÓÈÒÚ‚Ó (‡Á˙ÂÏ˚ AUX OUT/OUTPUT)» ̇ ÒÚ. 156

èÓ‰Íβ˜ÂÌË ÍÓÏÔ¸˛ÚÂ‡...................................................... «èÓ‰Íβ˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ (USB-ÔÓÚ/MIDI-ÔÓÚ)» ̇ ÒÚ. 157

Å˚ÒÚÓ ¯ÂÌË ÔÓ·ÎÂÏ˚

éÒÌÓ‚Ì˚ ÙÛÌ͈ËË PSR-2100/1100. é ÚÓÏ, Í‡Í ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ‚ÓÁÏÓÊÌÓÒÚflÏË ÒËÌÚÂÁ‡ÚÓ‡ «Ì‡ ‚Ò ÒÚÓ» .........ÒÚ. 12, 14

ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰Ì˚ı Á̇˜ÂÌËÈ Ô‡‡ÏÂÚÓ‚ PSR-2100/1100

............................................................«ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰Ì˚ı Ô‡‡ÏÂÚÓ‚ PSR-2100/1100 — System Reset» ̇ ÒÚ. 154

éÚÓ·‡ÊÂÌË ÒÓÓ·˘ÂÌËÈ.......................................................................................«ë‚‰ÂÌËfl Ó ÒÓÓ·˘ÂÌËflı ̇ ˝Í‡Ì» ̇ ÒÚ. 8

ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ ............................................................................................................................................................ÒÚ. 163

PSR-2100/1100

13

DIGITAL

STUDIO

SOUND CREATOR

A

DIGITAL RECORDING

B

MIXING CONSOLE

C

D

MENU

DEMO

E

HELP

FUNCTION

BALANCE

DIRECT

ACCESS

CHANNEL ON/OFF

PART

14

PSR-2100/1100

81 2 3 4 5 6 7

éÒÌÓ‚Ì˚ ‚ÓÁÏÓÊÌÓÒÚË ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100/1100

åÛθÚËÔ˝‰˚

DEMO (ÑÂÏÓÌÒÚ‡ˆËfl)

SONG (èÂÒÌfl)

ÑÓ·‡‚¸Ú «ËÁ˛ÏËÌÍÛ» Í Ò‚ÓÂÏÛ

àÒÔÓθÁÓ‚‡ÌËÂ

ÇÓÒÔÓËÁ‚‰ÂÌË Ô‰‚‡ËÚÂθÌÓ

‚˚ÒÚÛÔÎÂÌ˲, ËÒÔÓθÁÛfl

‰ÂÏÓÌÒÚ‡ˆËÈ (ÒÚ. 20, 55)

Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ (ÒÚ. 21, 36, 78)

ÒÓ·ÒÚ‚ÂÌÌ˚ ÓË„Ë̇θÌ˚ Ù‡Á˚

ÑÂÏÓÌÒÚ‡ˆËË Ì ÚÓθÍÓ

àÏÂÂÚÒfl Ó„ÓÏÌ˚È ‚˚·Ó ‚ÒÚÓÂÌÌ˚ı

(ÒÚ. 76, 121)

ËÎβÒÚËÛ˛Ú ‚ÓÁÏÓÊÌÓÒÚË

ÔÂÒÂÌ, ÏÓÊÌÓ Ú‡ÍÊ ËÒÔÓθÁÓ‚‡Ú¸ ÔÂÒÌË Ò

„ÓÎÓÒÓ‚ Ë ÒÚËÎÂÈ ËÌÒÚÛÏÂÌÚ‡,

ç‡Ê‡‚ ÍÌÓÔÍÛ Ó‰ÌÓ„Ó ËÁ ÏÛθÚËÔ˝‰Ó‚, ÏÓÊÌÓ

‰ËÒÍÓ‚, ÔËÓ·ÂÚÂÌÌ˚ı ‰ÓÔÓÎÌËÚÂθÌÓ.

ÌÓ Ë ÔÓ͇Á˚‚‡˛Ú ‡Á΢Ì˚ „Ó

‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÍÓÓÚÍË ËÚÏ˘ÂÒÍË Ë

ÙÛÌ͈ËË Ë ‚ÓÁÏÓÊÌÓÒÚË,

ÏÂÎӉ˘ÂÒÍË Ù‡Á˚. åÓÊÌÓ Ú‡ÍÊÂ

ÔÓÁ‚ÓÎflfl Ô‡ÍÚËÍÓ‚‡Ú¸Òfl ‚

ÒÓÁ‰‡‚‡Ú¸ Ò‚ÓË ÒÓ·ÒÚ‚ÂÌÌ˚ ÓË„Ë̇θÌ˚Â

ËÒÔÓθÁÓ‚‡ÌËË ÒËÌÚÂÁ‡ÚÓ‡

Ù‡Á˚ ÏÛθÚËÔ˝‰‡, Á‡ÔËÒ˚‚‡fl Ëı

PSR-2100/1100!

ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓ Ò Í·‚ˇÚÛ˚.

SONG

EXTRA

TRACK

TRACK

METRO-

TRACKS

2

1

REPEAT

NOME

(STYLE) (R)(L)

REC REW FF

TOP

START/STOP

NEW SONG SYNC. START

STYLE

SWING &

MARCH &

POP & ROCK

JAZZ

BALLROOM

WALTZ

BALLAD USERLATIN

DANCE

PART

TAP TEMPO

TRANSPOSE

TEMPO

RESET

RESET

MASTER VOLUME

STOP

MULTI PAD

FADE

IN/OUT

MIN MAX

STYLE CONTROL

MAIN

ENDING

SYNC.

SYNC.

ACMP

BREAK

INTRO

/ rit.

STOP

START

START/STOP

AUTO

OTS

STANDBY

FILL IN

LINK

ON

STYLE (ëÚËθ)

DIGITAL RECORDING (ñËÙÓ‚‡fl

ëÓÁ‰‡ÌË ÒÓÔÓ‚ÓʉÂÌËfl Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË

Á‡ÔËÒ¸)

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 28, 62)

Ç˚ÔÓÎÌÂÌË Á‡ÔËÒË ‚˚ÒÚÛÔÎÂÌËfl

ÖÒÎË ‚˚ ‚ÓÁ¸ÏÂڠ΂ÓÈ ÛÍÓÈ ‡ÍÍÓ‰, Ô‡ÚËfl

(ÒÚ. 95, 111)

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇˜ÌÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl

ùÚË ‚Ô˜‡ÚÎfl˛˘ËÂ Ë ÔÓÒÚ˚ ‚ ËÒÔÓθÁÓ‚‡ÌËË

‡‚ÚÓχÚ˘ÂÒÍË. Ç˚·ÂËÚ ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡,

Ò‰ÒÚ‚‡ ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ Ë Á‡ÔËÒ˚‚‡Ú¸

̇ÔËÏÂ, ÔÓÔ-ÏÛÁ˚ÍÛ, ‰Ê‡Á, ·ÚËÌÓ‡ÏÂË͇ÌÒÍÛ˛

Ò‚ÓË ÒÓ·ÒÚ‚ÂÌÌ˚ Á‡‚Â¯ÂÌÌ˚Â Ë ÔÓÎÌÓÒÚ¸˛

ÏÛÁ˚ÍÛ Ë Ú. Ô., Ë ÒËÌÚÂÁ‡ÚÓ PSR-2100/1100 Á‡ÏÂÌËÚ ‚‡Ï

ÓÍÂÒÚÓ‚‡ÌÌ˚ ÍÓÏÔÓÁˈËË, ÍÓÚÓ˚ ÏÓÊÌÓ

ˆÂÎ˚È ÓÍÂÒÚ!

ÒÓı‡ÌËÚ¸ ‰Îfl ÔÓÒÎÂ‰Û˛˘Â„Ó ËÒÔÓθÁÓ‚‡ÌËfl ‚

‡Á‰ÂΠԇÏflÚË USER ËÎË Ì‡ ‰ËÒÍÂÚÂ.

LEFT

VOICE EFFECT

HARMONY/

DSP

BACK NEXT

HOLD

SUSTAIN

ECHO

MONOTOUCH

VARIATION

VOICE

ORGAN &

PIANO & HARPSI.

E.PIANO

ACCORDION

PERCUSSION

MAIN

F

GUITAR

BASS

BRASS

WOODWIND

LAYER

G

STRINGS CHOIR & PAD

SYNTH.

H

LEFT

XG

I

USER

ORGAN FLUTES

UPPER OCTAVE

J

MUSIC

FINDER

RESET

MIC.

VH TYPE

MIC.

VOCAL

SELECT

SETTING

HARMONY

TALK

EFFECT

OVER

SIGNAL

ONE TOUCH SETTING

ENTER

EXIT

REGISTRATION MEMORY

FREEZE MEMORY

DATA ENTRY

PSR-2100/1100

15

81 2 3 4 5 6 7

LCD (ÊˉÍÓÍËÒÚ‡Î΢ÂÒÍËÈ

MUSIC FINDER

VOICE (ÉÓÎÓÒ)

˝Í‡Ì)

èÓËÒÍ Ì‡Ë·ÓΠÔÓ‰ıÓ‰fl˘Â„Ó ÒÚËÎfl

é„ÓÏÌ˚È ‚˚·Ó ‡ÎËÒÚ˘Ì˚ı

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 33, 72)

ÅÓθ¯ÓÈ ÊˉÍÓÍËÒÚ‡Î΢ÂÒÍËÈ ˝Í‡Ì

„ÓÎÓÒÓ‚ (ÒÚ. 25, 57)

(‚ÏÂÒÚÂ Ò ÏÌÓ„Ó˜ËÒÎÂÌÌ˚ÏË ÍÌÓÔ͇ÏË Ì‡

ÖÒÎË ‚˚ ‚˚·‡ÎË ÔÂÒÌ˛ ‰Îfl ËÒÔÓÎÌÂÌËfl, ÌÓ

ëËÌÚÂÁ‡ÚÓ PSR-2100/1100 ÒÓ‰ÂÊËÚ ˆÂ-

ÔÂ‰ÌÂÈ Ô‡ÌÂÎË) Ó·ÂÒÔ˜˂‡ÂÚ

Ì Á̇ÂÚÂ, ͇ÍÓÈ ÒÚËθ ËÎË „ÓÎÓÒ ÎÛ˜¯Â ‚Ò„Ó

Î˚È fl‰ ËÒÍβ˜ËÚÂθÌÓ ‡ÎËÒÚ˘Ì˚ı Ë

ÛÌË‚Â҇θÌÓÂ Ë ‰ÓÒÚ‡ÚÓ˜ÌÓ ÔÓÒÚÓÂ

ÔÓ‰ıÓ‰flÚ ‰Îfl ÌÂÂ, Ò‰ÒÚ‚Ó Music Finder

‰Ë̇Ï˘Ì˚ı „ÓÎÓÒÓ‚, ‚Íβ˜‡fl ÙÓÚÂÔˇ-

ÛÔ‡‚ÎÂÌË ‚ÒÂÏË ÓÔÂ‡ˆËflÏË,

ÔÓÏÓÊÂÚ ‚‡Ï. èÓÒÚÓ ‚˚‰ÂÎËÚ ̇Á‚‡ÌËÂ

ÌÓ, ÒÚÛÌÌ˚Â, ‰Â‚flÌÌ˚ ‰ÛıÓ‚˚ ËÌÒÚÛ-

‚˚ÔÓÎÌflÂÏ˚ÏË Ì‡ ÒËÌÚÂÁ‡ÚÓ PSR-

ÔÂÒÌË, Ë ÒËÌÚÂÁ‡ÚÓ PSR-2100/1100

ÏÂÌÚ˚ Ë ÏÌÓ„ËÂ ‰Û„ËÂ!

2100/1100.

‡‚ÚÓχÚ˘ÂÒÍË ÔÓ‰·ÂÂÚ Ì‡Ë·ÓÎÂÂ

ÔÓ‰ıÓ‰fl˘ËÈ ÒÚËθ Ë „ÓÎÓÒ.

é„‡ÌÌ˚ ÙÎÂÈÚ˚ (PSR-2100)

ëÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌ˚ı Ó„‡ÌÌ˚ı

„ÓÎÓÒÓ‚ (ÒÚ. 94)

ùÚ‡ ÒÔˆˇθ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ

ËÒÔÓθÁÓ‚‡Ú¸ ÔÓÎÌ˚È Ì‡·Ó „ÎÛ·ÓÍËı Ë

˝ÙÙÂÍÚÌ˚ı Ó„‡ÌÌ˚ı ÚÂÏ·Ó‚, ÍÓÏ ÚÓ„Ó,

Ó̇ ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ Ò‚ÓË ÒÓ·ÒÚ‚ÂÌÌ˚Â

Ó„‡ÌÌ˚ „ÓÎÓÒ‡, Ú‡Í ÊÂ Í‡Í Ë Ì‡ Ó·˚˜ÌÓÏ

Ó„‡ÌÂ, Û‚Â΢˂‡fl ËÎË ÛÏÂ̸¯‡fl ‰ÎËÌÛ

ÚÛ·, Ë ‰Ó·‡‚ÎflÚ¸ Á‚ÛÍË Û‰‡Ì˚ı

ËÌÒÚÛÏÂÌÚÓ‚.

USB-ÔÓÚ

Vocal Harmony (ɇÏÓÌËÁ‡ˆËfl ‚Ó͇·) (PSR-2100)

ëÓÁ‰‡ÌË ÏÛÁ˚ÍË Ò ÔÓÏÓ˘¸˛ ÍÓÏÔ¸˛ÚÂ‡:

ÑÓ·‡‚ÎÂÌË ·˝Í-‚Ó͇· Í ‚‡¯ÂÏÛ ÔÂÌ˲ (ÒÚ. 131)

΄ÍÓ Ë ·˚ÒÚÓ (ÒÚ. 157)

èÓÚflÒ‡˛˘Â Ò‰ÒÚ‚Ó „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· (‰ÓÒÚÛÔÌÓ ÚÓθÍÓ Ì‡

èÓ„ÛÁËÚÂÒ¸ ‚ ÌÂÓ·˙flÚÌ˚È ÏË ÍÓÏÔ¸˛ÚÂÌÓÈ ÏÛÁ˚ÍË

PSR-2100) ‡‚ÚÓχÚ˘ÂÒÍË ÒÓÁ‰‡ÂÚ Ô‡ÚËË ·˝Í-‚Ó͇· ‰Îfl ‚Â‰Û˘ÂÈ

Ë ËÒÔÓθÁÛÈÚÂ Â„Ó ÔÂËÏÛ˘ÂÒÚ‚‡. àÒÍβ˜ËÚÂθÌÓ

‚Ó͇θÌÓÈ Ô‡ÚËË, ÍÓÚÓ‡fl ËÒÔÓÎÌflÂÚÒfl ˜ÂÂÁ ÏËÍÓÙÓÌ. èË

ÔÓÒÚÓ ÔÓ‰Íβ˜ÂÌËÂ Ë Ì‡ÒÚÓÈ͇, ‚ÓÁÏÓÊÌÓÒÚ¸

„‡ÏÓÌËÁ‡ˆËË „ÓÎÓÒÓ‚ ËÏÂÂÚÒfl ‚ÓÁÏÓÊÌÓÒÚ¸ ËÁÏÂÌÂÌËfl ÔÓ·

‚ÓÒÔÓËÁ‚‰ÂÌËfl Á‡ÔËÒ‡ÌÌ˚ı ̇ ÍÓÏÔ¸˛ÚÂ ˜‡ÒÚÂÈ ‚

ËÒÔÓÎÌËÚÂÎfl, ÏÓÊÌÓ ‰Ó·‡‚ÎflÚ¸ ÊÂÌÒÍÛ˛ Ô‡Ú˲ ·˝Í-‚Ó͇· Í

‡Á΢ÌÓÈ ÓÍÂÒÚÓ‚ÍÂ Ò ÔÓÏÓ˘¸˛ ÒËÌÚÂÁ‡ÚÓ‡

ÓÒÌÓ‚ÌÓÏÛ ÏÛÊÒÍÓÏÛ „ÓÎÓÒÛ (Ë Ì‡Ó·ÓÓÚ).

PSR-2100/1100!

CONTRAST

LCD

IN

MIDIUSB FOOT PEDAL

OUT

2

MIC. LINE

VOLUME

INPUT

LINE IN

MIC./

LR R L/L+R

(LEVEL FIXED)

AUX OUT

OUTPUT

DC IN 16V

èÓ‰Íβ˜ÂÌË ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100/1100

àÒÚÓ˜ÌËÍ ÔËÚ‡ÌËfl

ì·Â‰ËÚÂÒ¸, ˜ÚÓ ‚˚Íβ˜‡ÚÂθ ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100/1100

èÓÒΠ‚˚ÔÓÎÌÂÌËfl ‚ÒÂı ÌÂÓ·ıÓ‰ËÏ˚ı ÔÓ‰Íβ˜ÂÌËÈ (ÒÚ. 155)

1

STANDBY/ON ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË STANDBY (‚˚ÍÎ.).

ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100/1100 Í ‰Û„ËÏ ÛÒÚÓÈÒÚ‚‡Ï ۷‰ËÚÂÒ¸, ˜ÚÓ ‚ÒÂ

„ÛÎflÚÓ˚ „ÓÏÍÓÒÚË ÛÒÚ‡ÌÓ‚ÎÂÌ˚ ̇ ÌÛÎÂ‚Û˛ ÓÚÏÂÚÍÛ. á‡ÚÂÏ

‚Íβ˜ËÚ ‚Ò ÛÒÚÓÈÒÚ‚‡, ‚ıÓ‰fl˘Ë ‚ ÍÓÏÔÎÂÍÚ, ‚ ÒÎÂ‰Û˛˘ÂÏ

èÓ‰Íβ˜ËÚ ͇·Âθ ÒËÌÚÂÁ‡ÚÓ‡ Í ‡‰‡ÔÚÂÛ ÔÂÂÏÂÌÌÓ„Ó

2

ÔÓfl‰ÍÂ: Ò̇˜‡Î‡ ÛÒÚÓÈÒÚ‚‡, ÔÂ‰‡˛˘Ë MIDI-ÒÓÓ·˘ÂÌËÂ

ÚÓ͇ PA-300.

(ÔÂ‰‡Ú˜ËÍË), Á‡ÚÂÏ ÛÒÚÓÈÒÚ‚‡, ÔÓÎÛ˜‡˛˘Ë MIDI-ÒÓÓ·˘ÂÌËfl

(ÔËÂÏÌËÍË) Ë ‚ ÔÓÒÎÂ‰Ì˛˛ Ó˜Â‰¸ Á‚ÛÍÓ‚Û˛ ‡ÔÔ‡‡ÚÛÛ (ÏËͯÂ˚,

ÛÒËÎËÚÂÎË, ÍÓÎÓÌÍË Ë Ú. Ô.). ùÚÓ ÔÓÁ‚ÓÎËÚ ·ÓΠ˜ÂÚÍÓ ‚˚ÔÓÎÌflÚ¸

ÓÔÂ‡ˆËË ÔÓ ÔÂ‰‡˜Â MIDI-ÒÒÓ·˘ÂÌËÈ Ë Ô‰ÓÚ‚‡ÚËÚ¸

ÔÓ‚ÂʉÂÌË ÍÓÎÓÌÓÍ.

èË ‚˚Íβ˜ÂÌËË ÒËÌÚÂÁ‡ÚÓ‡ Ò̇˜‡Î‡ ÓÚÍβ˜ËÚ Á‚ÛÍ Ì‡ ‚ÒÂı

Á‚ÛÍÓ‚˚ı ÛÒÚÓÈÒÚ‚‡ı, Á‡ÚÂÏ ‚˚Íβ˜ËÚ ÛÒÚÓÈÒÚ‚‡ ‚ Ó·‡ÚÌÓÏ

ÇÒÚ‡‚¸Ú ‡Á˙ÂÏ ÔÓÒÚÓflÌÌÓ„Ó ÚÓ͇ ‡‰‡ÔÚÂ‡ PA-300 ‚

ÔÓfl‰Í (Ò̇˜‡Î‡ Á‚ÛÍÓ‚˚ ÛÒÚÓÈÒÚ‚‡, Á‡ÚÂÏ MIDI).

3

„ÌÂÁ‰Ó DC IN ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100/1100, ‡ÒÔÓÎÓÊÂÌÌÓÂ

̇ Á‡‰ÌÂÈ Ô‡ÌÂÎË ËÌÒÚÛÏÂÌÚ‡.

DC IN 16V

ÇÒÚ‡‚¸Ú ‰Û„ÓÈ ÍÓ̈ ͇·ÂÎfl ÒËÌÚÂÁ‡ÚÓ‡ (Ó·˚˜ÌÛ˛

4

¯ÚÂÔÒÂθÌÛ˛ ‚ËÎÍÛ) ‚ ·ÎËÊ‡È¯Û˛ ˝ÎÂÍÚ˘ÂÒÍÛ˛

ÓÁÂÚÍÛ.

éëíéêéÜçé

ç Ô˚Ú‡ÈÚÂÒ¸ ËÒÔÓθÁÓ‚‡Ú¸ ‰Û„ÓÈ ‡‰‡ÔÚÂ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇, ÍÓÏÂ

Yamaha PA-300 ËÎË ‡‚ÌÓˆÂÌÌÓ„Ó, ÂÍÓÏẨӂ‡ÌÌÓ„Ó Í ÔËÏÂÌÂÌ˲

ÍÓÔÓ‡ˆËÂÈ Yamaha. àÒÔÓθÁÓ‚‡ÌË ÌÂÒÓ‚ÏÂÒÚËÏÓ„Ó ‡‰‡ÔÚÂ‡ ÏÓÊÂÚ

ÔË‚ÂÒÚË Í ÌÂËÒÔ‡‚ËÏ˚Ï ÔÓ‚ÂʉÂÌËflÏ ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100/1100 Ë

ÒÓÁ‰‡Ú¸ Û„ÓÁÛ ÔÓ‡ÊÂÌËfl ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ! ÇëÖÉÑÄ éíäãûóÄâíÖ

ÄÑÄèíÖê èÖêÖåÖççéÉé íéäÄ éí ëÖíà èàíÄçàü, äéÉÑÄ ëàçíÖáÄíéê

PSR-2100/1100 çÖ àëèéãúáìÖíëü.

ÇçàåÄçàÖ

çËÍÓ„‰‡ Ì ÓÚÍβ˜‡ÈÚ ÔËÚ‡ÌË (ÚÓ ÂÒÚ¸ Ì ÓÚÍβ˜‡ÈÚ ‡‰‡ÔÚÂ

ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇ ÓÚ ÒÂÚË) ÔË ‚˚ÔÓÎÌÂÌËË Á‡ÔËÒË Ì‡ ÒËÌÚÂÁ‡ÚÓ PSR-

2100/1100! ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚÂ ‰‡ÌÌ˚ı.

ÇçàåÄçàÖ

чÊ ÚÂı ÒÎÛ˜‡flı, ÍÓ„‰‡ ‚˚Íβ˜‡ÚÂθ ÔËÚ‡ÌËfl ̇ıÓ‰ËÚÒfl ‚ ÔÓÎÓÊÂÌËË

STANDBY, ËÌÒÚÛÏÂÌÚ ÔÓ‰ÓÎʇÂÚ ‚ ÏËÌËχθÌ˚ı ÍÓ΢ÂÒÚ‚‡ı

ÔÓÚ·ÎflÚ¸ ˝ÎÂÍÚÓ˝ÌÂ„˲. ÖÒÎË ÒËÌÚÂÁ‡ÚÓ PSR-2100/1100 ÌÂ

ËÒÔÓθÁÛÂÚÒfl ‰ÎËÚÂθÌÓ ‚ÂÏfl, ۷‰ËÚÂÒ¸, ˜ÚÓ ‡‰‡ÔÚÂ ÔÂÂÏÂÌÌÓ„Ó

ÚÓ͇ ÓÚÍβ˜ÂÌ ÓÚ ÓÁÂÚÍË.

16

PSR-2100/1100

R

ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl

OUTPUT

L/L+R

DC IN

èÓ‰Íβ˜ÂÌË Í

˝ÎÂÍÚ˘ÂÒÍÓÈ ÓÁÂÚÍÂ

ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl

ÇçàåÄçàÖ

ÇÓ ËÁ·ÂʇÌË ‚ÓÁÏÓÊÌ˚ı ÔÓ‚ÂʉÂÌËÈ ÍÓÎÓÌÓÍ Ë ‰Û„Ó„Ó ˝ÎÂÍÚÓÌÌÓ„Ó

Ó·ÓÛ‰Ó‚‡ÌËfl ‚Ò„‰‡ Ò̇˜‡Î‡ ‚Íβ˜‡ÈÚ ÔËÚ‡ÌË PSR-2100/1100, ‡ Á‡ÚÂÏ —

ÍÓÎÓÌÓÍ Ò ÛÒËÎËÚÂÎÂÏ ËÎË ÏËͯÂÓ‚ Ë ÛÒËÎËÚÂÎÂÈ. í‡ÍÊ ÒΉÛÂÚ ‚Ò„‰‡

‚˚Íβ˜‡Ú¸ ÔËÚ‡ÌË PSR-2100/1100 ÔÓÒΠ‚˚Íβ˜ÂÌËfl ÍÓÎÓÌÓÍ Ò ÛÒËÎËÚÂÎÂÏ

ËÎË ÏËͯÂ‡ Ë ÛÒËÎËÚÂÎfl.

ÇçàåÄçàÖ

чÊ ‚ ÚÂı ÒÎÛ˜‡flı, ÍÓ„‰‡ ‚˚Íβ˜‡ÚÂθ ÔËÚ‡ÌËfl ̇ıÓ‰ËÚÒfl ‚ ÔÓÎÓÊÂÌËË

«STANDBY», ËÌÒÚÛÏÂÌÚ ÔÓ‰ÓÎʇÂÚ ‚ ÏËÌËχθÌ˚ı ÍÓ΢ÂÒÚ‚‡ı ÔÓÚ·-

ÎflÚ¸ ˝ÎÂÍÚÓ˝ÌÂ„˲. ÖÒÎË PSR-2100/1100 Ì ËÒÔÓθÁÛÂÚÒfl ‰ÎËÚÂθÌÓÂ

‚ÂÏfl, ۷‰ËÚÂÒ¸, ˜ÚÓ ‡‰‡ÔÚÂ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇ ÓÚÍβ˜ÂÌ ÓÚ ÓÁÂÚÍË.

èÂʉ ˜ÂÏ ‚Íβ˜‡Ú¸ ËÎË ‚˚Íβ˜‡Ú¸ ÒËÌÚÂÁ‡ÚÓ PSR-2100/1100, ÌÂÓ·ıÓ-

‰ËÏÓ Ò̇˜‡Î‡ Û·‡Ú¸ Á‚ÛÍ Ì‡ ÔÓ‰Íβ˜ÂÌÌÓÈ Í ÌÂÏÛ Á‚ÛÍÓ‚ÓÈ ‡ÔÔ‡‡ÚÛÂ.

ëڇ̉‡Ú GM System Level 1

ëڇ̉‡Ú GM System Level 1 fl‚ÎflÂÚÒfl ‰ÓÔÓÎÌÂÌËÂÏ Í Òڇ̉‡ÚÛ MIDI,

„‡‡ÌÚËÛ˛˘ËÏ, ˜ÚÓ Î˛·˚ ‰‡ÌÌ˚Â, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ˝ÚÓÏÛ ÒÚ‡Ì-

1 ç‡ÊÏËÚ ‚˚Íβ˜‡ÚÂθ [STANDBY/ON].

‰‡ÚÛ, ·Û‰ÛÚ ÚÓ˜ÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌ˚ ̇ β·ÓÏ GM-ÒÓ‚ÏÂÒÚËÏÓÏ ÚÓÌ-

ç‡ ˝Í‡Ì ÓÚÓ·‡Ê‡ÂÚÒfl É·‚Ì˚È ˝Í‡Ì.

„ÂÌÂ‡ÚÓÂ Ë Ì‡ ÒËÌÚÂÁ‡ÚÓ β·Ó„Ó ÔÓËÁ‚Ó‰ÒÚ‚‡.

îÓÏ‡Ú XG

XG — ˝ÚÓ ÌÓ‚‡fl ÒÔˆËÙË͇ˆËfl MIDI ÍÓÔÓ‡ˆËË Yamaha,

Á̇˜ËÚÂθÌÓ ‡Ò¯Ëfl˛˘‡fl Ë ÛÎÛ˜¯‡˛˘‡fl Òڇ̉‡Ú GM System Level

1 Á‡ Ò˜ÂÚ Û‚Â΢ÂÌËfl ‚ÓÁÏÓÊÌÓÒÚÂÈ ÛÔ‡‚ÎÂÌËfl „ÓÎÓÒ‡ÏË,

‚˚‡ÁËÚÂθÌ˚ÏË Ò‰ÒÚ‚‡ÏË Ë ˝ÙÙÂÍÚ‡ÏË Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ

Ó·ÂÒÔ˜˂‡˛˘‡fl ÔÓÎÌÛ˛ ÒÓ‚ÏÂÒÚËÏÓÒÚ¸ ÒÓ Òڇ̉‡ÚÓÏ GM.

àÒÔÓθÁÓ‚‡ÌË ÒËÌÚÂÁ‡ÚÓÓÏ PSR-2100/1100 „ÓÎÓÒÓ‚ XG ÔÓÁ‚ÓÎflÂÚ

Á‡ÔËÒ˚‚‡Ú¸ Ù‡ÈÎ˚ ÔÂÒÂÌ ‚ ÙÓχÚ XG.

îÓÏ‡Ú XG

STANDBY

ON

îÓÏ‡Ú XF ÍÓÔÓ‡ˆËË Yamaha fl‚ÎflÂÚÒfl ÛÒÓ‚Â¯ÂÌÒÚ‚Ó‚‡ÌËÂÏ

Òڇ̉‡Ú‡ SMF (Standard MIDI File) Á‡ Ò˜ÂÚ Û‚Â΢ÂÌËfl ÙÛÌ͈ËÓ̇θ-

ÌÓÒÚË Ë ‚ÓÁÏÓÊÌÓÒÚË ‰‡Î¸ÌÂÈ¯Â„Ó ‡Ò¯ËÂÌËfl. ëËÌÚÂÁ‡ÚÓ PSR-

2100/1100 ӷ·‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸˛ ‚˚‚Ó‰ËÚ¸ ̇ ˝Í‡Ì ÚÂÍÒÚ˚ ÔÂÒÂÌ

ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË Ù‡È· ‚ ÙÓχÚ XF, ÒÓ‰Âʇ˘Â„Ó ÚÂÍÒÚ.

(îÓÏ‡Ú SMF fl‚ÎflÂÚÒfl ̇˷ÓΠ‡ÒÔÓÒÚ‡ÌÂÌÌ˚Ï ÙÓχÚÓÏ

Ù‡ÈÎÓ‚ MIDI. ëËÌÚÂÁ‡ÚÓ PSR-2100/1100 ÒÓ‚ÏÂÒÚËÏ Ò ÙÓχڇÏË

SMF 0 Ë 1, ÔË Á‡ÔËÒË «ÔÂÒÂÌÌ˚ı» ‰‡ÌÌ˚ı ËÒÔÓθÁÛÂÚÒfl ÙÓÏ‡Ú SMF

Format 0.)

ɇÏÓÌËÁ‡ˆËfl ‚Ó͇· (PSR-2100)

ÇÓ ‚ÂÏfl „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· ÔËÏÂÌflÂÚÒfl ‚ÒÚÓÂÌ̇fl ÚÂıÌÓÎÓ„Ëfl

ÖÒÎË ‚˚ ÔÓ‰„ÓÚÓ‚ËÎËÒ¸ Í ‚˚Íβ˜ÂÌ˲ ÔËÚ‡ÌËfl, ÒÌÓ‚‡

ˆËÙÓ‚ÓÈ Ó·‡·ÓÚÍË Á‚Û͇ ‰Îfl ‡‚ÚÓχÚ˘ÂÒÍÓ„Ó ‰Ó·‡‚ÎÂÌËfl

̇ÊÏËÚ ‚˚Íβ˜‡ÚÂθ [STANDBY/ON].

ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ „‡ÏÓÌËË Í ‚Â‰Û˘ÂÏÛ „ÓÎÓÒÛ ÔË ËÒÔÓÎÌÂÌËË

ùÍ‡Ì Ë Ë̉Ë͇ÚÓ ‰ËÒÍÓ‚Ó‰‡ (Ò΂‡ ‚ÌËÁÛ) ÔÓ„‡ÒÌÛÚ.

ÔÂÒÌË. ɇÏÓÌËÁ‡ˆËfl ‚Ó͇· ÔÓÁ‚ÓÎflÂÚ ËÁÏÂÌflÚ¸ ı‡‡ÍÚÂ Ë ÚÂÏ·

‚Â‰Û˘Â„Ó „ÓÎÓÒ‡, ‡ Ú‡ÍÊ ‰ÓÔÓÎÌËÚÂθÌ˚ı „ÓÎÓÒÓ‚ ‰Îfl ÒÓÁ‰‡ÌËfl

‡ÁÌÓÓ·‡ÁÌ˚ı ˝ÙÙÂÍÚÓ‚ „‡ÏÓÌËÁ‡ˆËË.

2 ç‡ÒÚÓÈ͇ ÍÓÌÚ‡ÒÚÌÓÒÚË ˝Í‡Ì‡

îÓÏ‡Ú Disk Orchestra Collection

ÖÒÎË ËÁÓ·‡ÊÂÌË ̇ ˝Í‡Ì Ì˜ÂÚÍÓÂ, ̇ÒÚÓÈÚÂ

îÓÏ‡Ú DOC ‰Îfl Á‡ÔËÒË „ÓÎÓÒÓ‚ Ó·ÂÒÔ˜˂‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸

ÍÓÌÚ‡ÒÚÌÓÒÚ¸ Ò ÔÓÏÓ˘¸˛ „ÛÎflÚÓ‡ [LCD

‚ÓÒÔÓËÁ‚‰ÂÌËfl ‰‡ÌÌ˚ı Ò ÔÓÏÓ˘¸˛ ‡Á΢Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚

CONTRAST] ̇ Á‡‰ÌÂÈ Ô‡ÌÂÎË ËÌÒÚÛÏÂÌÚ‡.

Yamaha Ë ÛÒÚÓÈÒÚ‚ MIDI.

Style File Format

îÓÏ‡Ú Style File Format (SFF) Ô‰ÒÚ‡‚ÎflÂÚ ÒÓ·ÓÈ ÓË„Ë̇θÌ˚È

3 ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË

ÙÓÏ‡Ú Ù‡È· ÒÚËÎfl, ‡Á‡·ÓÚ‡ÌÌ˚È ÍÓÔÓ‡ˆËÂÈ Yamaha, ‚ ÍÓÚÓ-

ÑÎfl ÛÒÚ‡ÌÓ‚ÍË ÌÛÊÌÓ„Ó ÛÓ‚Ìfl

ÓÏ ËÒÔÓθÁÛÂÚÒfl ÛÌË͇θ̇fl ÒËÒÚÂχ ÔÂÓ·‡ÁÓ‚‡ÌËfl, ÔÓÁ‚ÓÎfl˛-

„ÓÏÍÓÒÚË ËÒÔÓθÁÛÈÚ ‰ËÒÍ

˘‡fl ‡‚ÚÓχÚ˘ÂÒÍË ÒÓÁ‰‡‚‡Ú¸ ‚˚ÒÓÍÓ͇˜ÂÒÚ‚ÂÌÌ˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ

ÛÔ‡‚ÎÂÌËfl [MASTER VOLUME].

̇ ÓÒÌÓ‚Â ·Óθ¯Ó„Ó ÍÓ΢ÂÒÚ‚‡ ÚËÔÓ‚ ‡ÍÍÓ‰Ó‚. Ç ÒËÌÚÂÁ‡ÚÓ PSR-

2100/1100 ËÒÔÓθÁÛÂÚÒfl ÙÓÏ‡Ú SFF, Á‡ÎÓÊÂÌÌ˚È Ô‡ÏflÚ¸, ÔË ˝ÚÓÏ

Ò˜ËÚ˚‚‡˛ÚÒfl ‰ÓÔÓÎÌËÚÂθÌ˚ ‰ËÒÍË ÒÓ ÒÚËÎflÏË SFF Ë ÒÓÁ‰‡˛ÚÒfl

ÒÚËÎË SFF Ò ÔÓÏÓ˘¸˛ Ò‰ÒÚ‚‡ Style Creator (ÒÓÁ‰‡ÚÂθ ÒÚËÎÂÈ).

USB

àÏÂÌ̇fl Ô·ÒÚË̇

USB – ˝ÚÓ ÒÓÍ‡˘ÂÌË ÓÚ Universal Serial Bus (ÛÌË‚Â҇θ̇fl ÔÓÒÎÂ-

É‡‚Ëӂ͇ ̇ ËÏÂÌÌÓÈ Ô·ÒÚËÌ ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100/1100

‰Ó‚‡ÚÂθ̇fl ¯Ë̇). ùÚÓ ÔÓÒΉӂ‡ÚÂθÌ˚È ËÌÚÂÙÂÈÒ ‰Îfl Ò‚flÁË

ÒÓ‰ÂÊËÚ Ò‚Â‰ÂÌËfl Ó ÔÓ‰‰ÂÊË‚‡ÂÏ˚ı ËÏ Òڇ̉‡Ú‡ı/ÙÓχڇı Ë Ó·

ÍÓÏÔ¸˛ÚÂ‡ Ò ÔÂËÙÂËÈÌ˚ÏË ÛÒÚÓÈÒÚ‚‡ÏË. éÌ ÔÓÁ‚ÓÎflÂÚ ÓÒÛ˘ÂÒÚ-

ÓÒÓ·˚ı ‚ÓÁÏÓÊÌÓÒÚflı ËÌÒÚÛÏÂÌÚ‡.

‚ÎflÚ¸ "„Ófl˜Û˛" Á‡ÏÂÌÛ ÔÂËÙÂËÈÌ˚ı ÛÒÚÓÈÒÚ‚ (·ÂÁ ‚˚Íβ˜ÂÌËfl

ÔËÚ‡ÌËfl ÍÓÏÔ¸˛ÚÂ‡).

PSR-2100/1100

17

BACK NEXT

MAIN

A

F

LAYER

B

G

C

H

LEFT

D

I

E

J

MUSIC

FINDER

è˛ÔËÚ

ëËÌÚÂÁ‡ÚÓ PSR-2100/1100 ÔÓÒÚ‡‚ÎflÂÚÒfl ‚ÏÂÒÚÂ Ò Ô˛ÔËÚÓÏ,

ÍÓÚÓ˚È ÏÓÊÌÓ ÔËÍÂÔËÚ¸ Í ËÌÒÚÛÏÂÌÚÛ, ‚ÒÚ‡‚Ë‚ ‚ „ÌÂÁ‰Ó,

‡ÒÔÓÎÓÊÂÌÌÓ Á‡ Ô‡ÌÂθ˛ ÛÔ‡‚ÎÂÌËfl.

LCD

CONTRAST

MASTER VOLUME

FADE

IN/OUT

MIN MAX

è‡ÌÂθÌ˚ „ÛÎflÚÓ˚ Ë ‡Á˙ÂÏ˚

55

74

75

CONTRAST

LCD

MIDIUSB

OUTIN

SONG

TRACKS

EXTRA

TRACK

2

TRACK

1

REPEAT

NOME

METRO-

6

7 8

9 10

9

5

(STYLE) (R)(L)

REC REW FF

TOP

START/STOP

STUDIO

DIGITAL

SOUND CREATOR

42

10 11 12 13 14

NEW SONG SYNC. START

36

A

DIGITAL RECORDING

STYLE

POP & ROCK

SWING &

JAZZ

BALLROOM

MARCH &

WALTZ

37

B

15

MIXING CONSOLE

C

BALLAD USERLATIN

DANCE

38

PAR T

D

MENU

DEMO

E

TRANSPOSE

TEMPO

TAP TEMPO

39

HELP

RESET

1716

RESET

18

MASTER VOLUME

STOP

40

FUNCTION

21

22

41

BALANCE

MULTI PAD

DIRECT

FADE

ACCESS

IN/OUT

44

MIN MAX

19

CHANNEL ON/OFF

20

STYLE CONTROL

43

MAIN

45

ACMP

BREAK

INTRO

ENDING

PAR T

/ rit.

SYNC.

OTS

STOP

SYNC.

AUTO

START

START/STOP

46

STANDBY

FILL IN

LINK

ON

23

24 25

26

27

28

29

30 33

31

32

34

35

1

PITCH BEND MODULATION

2 3

4

PHONES

C1

36

37

D1

38

E1

F1

G1

A1

B1

C2

D2

E2

F2

G2

A2

B2

C3

D3

E3

F3

G3

CLICK

T

S

39

40 46 49

R

41

42 44

L

43

L

45

M

47

H

48

M

50

51

H

52

L

53

H

5554 56

L

57

58 61

L

M

59

M

H

60

C

1

H

62

1

R

63

64

R

65

66

S

èàíÄçàÖ

MASTER VOLUME

1

‚˚Íβ˜‡ÚÂθ [STANDBY/ON]............................................................. ëÚ. 17

19

„ÛÎflÚÓ [MASTER VOLUME]............................................................ëÚ. 17

20

ÍÌÓÔ͇ [FADE IN / OUT]........................................................................ëÚ. 68

äéãÖëÄ

2

PITCH BEND......................................................................................... ëÚ. 61

MULTI PAD

3

MODULATION (PSR-2100) .................................................................. ëÚ. 61

21

ÍÌÓÔÍË [1] - [4] .......................................................................................ëÚ. 76

22

ÍÌÓÔ͇ [STOP].......................................................................................ëÚ. 76

çÄìòçàäà

4

‡Á˙ÂÏ [PHONES].............................................................................. ëÚ. 155

STYLE CONTROL

23

ÍÌÓÔ͇ [ACMP]......................................................................................ëÚ. 63

åÖíêéçéå

24

ÍÌÓÔ͇ [BREAK] ....................................................................................ëÚ. 67

5

ÍÌÓÔ͇ [METRONOME]........................................................................ ëÚ. 53

25

ÍÌÓÔ͇ [INTRO] ...............................................................................ëÚ. 31, 69

26

ÍÌÓÔ͇ MAIN [A]....................................................................................ëÚ. 67

SONG

27

ÍÌÓÔ͇ MAIN [B]....................................................................................ëÚ. 67

6

ÍÌÓÔ͇ [EXTRA TRACKS (STYLE)] ..................................................... ëÚ. 82

28

ÍÌÓÔ͇ MAIN [C]....................................................................................ëÚ. 67

7

ÍÌÓÔ͇ [TRACK 2 (L)] ........................................................................... ëÚ. 82

29

ÍÌÓÔ͇ MAIN [D]....................................................................................ëÚ. 67

8

ÍÌÓÔ͇ [TRACK 1 (R)]........................................................................... ëÚ. 82

30

ÍÌÓÔ͇ [ENDING / rit.] .....................................................................ëÚ. 31, 69

9

ÍÌÓÔ͇ [REPEAT] ................................................................................. ëÚ. 82

31

ÍÌÓÔ͇ [AUTO FILL IN]..........................................................................ëÚ. 69

10

ÍÌÓÔ͇ [REC] ........................................................................................ ëÚ. 95

32

ÍÌÓÔ͇ [OTS LINK]................................................................................ëÚ. 71

11

ÍÌÓÔ͇ [TOP] ........................................................................................ ëÚ. 81

33

ÍÌÓÔ͇ [SYNC.STOP]............................................................................ëÚ. 68

12

ÍÌÓÔ͇ [START / STOP] ....................................................................... ëÚ. 79

34

ÍÌÓÔ͇ [SYNC.START]..........................................................................ëÚ. 63

13

ÍÌÓÔ͇ [REW] ....................................................................................... ëÚ. 81

35

ÍÌÓÔ͇ [START / STOP]........................................................................ëÚ. 63

14

ÍÌÓÔ͇ [FF] ........................................................................................... ëÚ. 81

DIGITAL STUDIO

STYLE

36

ÍÌÓÔ͇ [SOUND CREATOR].................................................................ëÚ. 90

15

ÍÌÓÔÍË STYLE ...................................................................................... ëÚ. 62

37

ÍÌÓÔ͇ [DIGITAL RECORDING] ...................................................ëÚ. 95, 111

TRANSPOSE

38

ÍÌÓÔ͇ [MIXING CONSOLE]...............................................................ëÚ. 124

16

ÍÌÓÔÍË [E] [F]........................................................................... ëÚ. 144

MENU

TEMPO

39

ÍÌÓÔ͇ [DEMO]......................................................................................ëÚ. 55

17

ÍÌÓÔÍË [E] [F] ............................................................................ ëÚ. 53

40

ÍÌÓÔ͇ [HELP].......................................................................................ëÚ. 52

18

äÌÓÔ͇ [TAP TEMPO] .......................................................................... ëÚ. 54

41

ÍÌÓÔ͇ [FUNCTION]............................................................................ëÚ. 136

18

PSR-2100/1100

FOOT PEDAL

2

MIC. LINE

VOLUME

INPUT

LINE IN

MIC./

AUX OUT

LR R L/L+R

(LEVEL FIXED)

OUTPUT

DC IN 16V

LEFT

VOICE EFFECT

HOLD

SUSTAIN

HARMONY/

BACK NEXT

ECHO

MONOTOUCH

DSP

VARIATION

VOICE

PIANO & HARPSI.

E.PIANO

ACCORDION

ORGAN &

PERCUSSION

MAIN

F

LAYER

GUITAR

BASS

BRASS

WOODWIND

G

H

LEFT

STRINGS CHOIR & PAD

SYNTH.

XG

I

USER

ORGAN FLUTES

J

UPPER OCTAVE

MUSIC

FINDER

RESET

MIC.

SELECT

VH TYPE

SETTING

MIC.

HARMONY

VOCAL

TALK

EFFECT

OVER

SIGNAL

ONE TOUCH SETTING

EXIT

ENTER

REGISTRATION MEMORY

DATA ENTRY

FREEZE MEMORY

A3

C

2

69

B3

R

2

71

DISPLAY CONTROL

MIC.

ÍÌÓÔÍË [A] - [J] ...................................................................................... ëÚ. 43

ÍÌÓÔÍË MIC (PSR-2100)......................................................................ëÚ. 131

ÍÌÓÔ͇ [DIRECT ACCESS]................................................................... ëÚ. 50

MUSIC FINDER

ÍÌÓÔ͇ [BALANCE]............................................................................... ëÚ. 64

ÍÌÓÔ͇ [MUSIC FINDER] ......................................................................ëÚ. 72

ÍÌÓÔ͇ [CHANNEL ON / OFF]........................................................ ëÚ. 64, 81

ÍÌÓÔÍË [1▲▼] - [8▲▼]................................................................ ëÚ. 38 - 48

ONE TOUCH SETTING

ÍÌÓÔ͇ [BACK]................................................................................ ëÚ. 43, 49

ÍÌÓÔÍË [1] - [4] .......................................................................................ëÚ. 70

ÍÌÓÔ͇ [NEXT] ................................................................................ ëÚ. 43, 49

ÍÌÓÔ͇ VOICE PART ON / OFF [MAIN] ............................................... ëÚ. 59

REGISTRATION MEMORY

ÍÌÓÔ͇ VOICE PART ON / OFF [LAYER]............................................. ëÚ. 59

ÍÌÓÔ͇ [FREEZE] ..................................................................................ëÚ. 89

ÍÌÓÔ͇ VOICE PART ON / OFF [LEFT]................................................ ëÚ. 59

ÍÌÓÔÍË [1] - [8] .......................................................................................ëÚ. 87

ÍÌÓÔ͇ [ENTER].................................................................................... ëÚ. 49

ÍÌÓÔ͇ [MEMORY] ................................................................................ëÚ. 87

‰ËÒÍ ÛÔ‡‚ÎÂÌËfl [DATA ENTRY] ........................................................ ëÚ. 49

FLOPPY DISK

ÍÌÓÔ͇ [EXIT]........................................................................................ ëÚ. 43

„ÛÎflÚÓ [LCD CONTRAST] .............................................................. ëÚ. 17

‰ËÒÍÓ‚Ó‰ (‰Îfl 3,5 ‰˛ÈÏÓ‚˚ı ‰ËÒÍÂÚ)...................................................ëÚ. 7

VOICE EFFECT

åËÍÓÙÓÌÌÓ „ÌÂÁ‰Ó Ë „ÛÎflÚÓ (PSR-2100)

ÍÌÓÔ͇ [LEFT HOLD]............................................................................ ëÚ. 61

͇ۘ [INPUT VOLUME] .....................................................................ëÚ. 155

ÍÌÓÔ͇ [TOUCH]................................................................................... ëÚ. 60

‡Á˙ÂÏ [MIC. LINE IN] .......................................................................ëÚ. 155

ÍÌÓÔ͇ [SUSTAIN] ................................................................................ ëÚ. 60

èÓÚ˚ Ë ÔÂÂÍβ˜‡ÚÂÎË

ÍÌÓÔ͇ [HARMONY / ECHO]................................................................ ëÚ. 61

USB-ÔÓÚ ............................................................................................ëÚ. 157

ÍÌÓÔ͇ [MONO]..................................................................................... ëÚ. 61

ÔÓÚ˚ MIDI [OUT] [IN].........................................................................ëÚ. 156

ÍÌÓÔ͇ [DSP] ........................................................................................ ëÚ. 60

‡Á˙ÂÏ [FOOT PEDAL 1 (SWITCH) ] .................................................ëÚ. 156

ÍÌÓÔ͇ [VARIATION] ............................................................................ ëÚ. 61

‡Á˙ÂÏ [FOOT PEDAL 2]....................................................................ëÚ. 156

VOICE

‡Á˙ÂÏ˚ AUX OUT (LEVEL FIXED) [L] [R]........................................ëÚ. 156

ÍÌÓÔÍË VOICE....................................................................................... ëÚ. 57

‡Á˙ÂÏ˚ OUTPUT [L / L+R] [R]..........................................................ëÚ. 156

ÔÓÚ DC IN ..........................................................................................ëÚ. 156

UPPER OCTAVE

ÍÌÓÔ͇ [UPPER OCTAVE].................................................................... ëÚ. 61

PSR-2100/1100

19

7

76

77

72

78

79 80

73

47

48

56

57 58

59

60

61

62

42

63

49

71

50

51

64

65

66

67

53

52

54

68

69 70

68 70

C4

D4

H

72

L

73

74 75

E4

F4

H

L

76

H

77

L

78

G4

B4

C5

H

79

L

80

A4

81 82

H

83

L

84

S

85

D5

E5

F5

G5

A5

B5

C6

L

86

87

H

88

L M

89

90

O

91

9392 94

95

96

42

65

43

44

66

45

46

47

67

48

49

50

68

51

69

52

70

53

54

55

71

56

72

57

73

58

59

74

60

75

61

76

62

77

78

63

79

80

64

ä‡ÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó . . . . . . . . . . . . . . . . . . . . . . . . . . .

èÓË„˚‚‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ

èÓ‰Ó·ÌÓÒÚË

̇ ÒÚ. 55

ëËÌÚÂÁ‡ÚÓ PSR-2100/1100 ÒÓ‰ÂÊËÚ ÏÌÓÊÂÒÚ‚Ó ‚ÒÚÓÂÌÌ˚ı

ÍÌÓÔ͇ Demo

‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ, ÍÓÚÓ˚ ÒÓÁ‰‡‚‡ÎËÒ¸ ‰Îfl ÚÓ„Ó,

˜ÚÓ·˚ ‚˚ ÒÏÓ„ÎË ÓˆÂÌËÚ¸ ·Ó„‡ÚÒÚ‚Ó Ë Ì‡ÚÛ‡Î¸ÌÓÒÚ¸ Á‚Û˜‡ÌËfl

Â„Ó ÚÂÏ·Ó‚, ËÚÏÓ‚ Ë ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

ÅÓΠÚÓ„Ó, ̇ÏË ·˚Î ‡Á‡·ÓÚ‡Ì fl‰ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı

ÙÛÌ͈ËÈ. ë Ëı ÔÓÏÓ˘¸˛ ‚˚ ÏÓÊÂÚ ̇ Ô‡ÍÚËÍ ÓÁ̇ÍÓÏËÚ¸Òfl

ÒÓ ‚ÒÂÏË ‚‡ÊÌÂȯËÏË ÙÛÌ͈ËflÏË ÒËÌÚÂÁ‡ÚÓ‡ Ë Ò‡ÏÓÒÚÓfl-

ÚÂθÌÓ Ì‡Û˜ËÚ¸Òfl ˝ÙÙÂÍÚË‚ÌÓÏÛ ÔËÏÂÌÂÌ˲ PSR-2100/1100

‚ ÔÓˆÂÒÒ ÒÓÁ‰‡ÌËfl ÏÛÁ˚ÍË.

1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [DEMO] ‰Îfl

2 óÚÓ·˚ ‚˚·‡Ú¸ ÚËÔ ‰ÂÏÓÌÒÚ‡ˆËË, ‚ÓÒÔÓθÁÛÈÚÂÒ¸

‚˚ÁÓ‚‡ ÏÂÌ˛ ‚˚·Ó‡

ÍÌÓÔ͇ÏË [BACK]/[NEXT].

MENU

BACK NEXT

DEMO

‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ

ÔÂÒÌË.

HELP

FUNCTION

ÑÂÏÓÌÒÚ‡ˆËË ÙÛÌ͈ËÈ ËÎβ-

ÒÚËÛ˛Ú ‚ÓÁÏÓÊÌÓÒÚË ‡Á΢-

Ì˚ı ÙÛÌ͈ËÈ PSR-2100/1100.

Ç ˝ÚÓÏ ÔËÏÂ ‚˚·‡Ì‡ ‚Í·‰Í‡

ÑÂÏÓÌÒÚ‡ˆËË ÒÚËÎÂÈ ÔÓÁ‚ÓÎfl-

VOICE. ÑÂÏÓÌÒÚ‡ˆËË „ÓÎÓÒÓ‚ ËÎ-

˛Ú ÔÓÎÛ˜ËÚ¸ Ô‰ÒÚ‡‚ÎÂÌË Ó

βÒÚËÛ˛Ú ‚ÓÁÏÓÊÌÓÒÚË ËÒÔÓθ-

‰ÓÒÚÛÔÌ˚ı ‚ ÒËÌÚÂÁ‡ÚÓ PSR-

ÁÓ‚‡ÌËfl „ÓÎÓÒÓ‚ ÒËÌÚÂÁ‡ÚÓ‡ PSR-

2100/1100 ËÚχı Ë ÒÚËÎflı

2100/1100.

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 55).

3

óÚÓ·˚ ‚˚·‡Ú¸ ‰ÂÏÓÌÒÚ‡ˆË˛, ̇ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [A] - [J] ËÎË ÍÌÓÔÍÛ [8] (AUTO) (ËÏÂÂÚÒfl ÚÓθÍÓ Ì‡

ÒÚ‡Ìˈ FUNCTION).

ç‡ÔËÏÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [A], ˜ÚÓ·˚ ‚ÓÒÔÓËÁ‚ÂÒÚË ‰ÂÏÓÌÒÚ‡ˆË˛ „ÓÎÓÒ‡ „Ó·Ófl.

MAIN

A

F

LAYER

B

G

C

H

LEFT

D

I

E

J

óÚÓ·˚ ‚˚ÈÚË ËÁ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓ„Ó ÂÊËχ Ë ‚ÂÌÛÚ¸Òfl Í „·‚ÌÓÏÛ ˝Í‡ÌÛ (MAIN) ÔÓ Á‡‚Â¯ÂÌËË ‚ÒÂı ‰ÂÏÓÌÒÚ‡ˆËÈ, ̇ÊÏËÚÂ

ÍÌÓÔÍÛ [EXIT].

èÓÒΠÚÓ„Ó Í‡Í ‚˚ ÓÁ̇ÍÓÏËÚÂÒ¸ Ò ‰ÂÏÓÌÒÚ‡ˆËflÏË, ÒÚÓËÚ ‡ÁÓ·‡Ú¸Òfl Â˘Â Ò ‰‚ÛÏfl ÙÛÌ͈ËflÏË, ÍÓÚÓ˚ ÔÓÏÓ„ÛÚ ‚‡Ï

ÎÛ˜¯Â ÛÁ̇ڸ PSR-2100/1100.

• ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ (ÒÚ. 21)

• ÇÓÒÔÓËÁ‚‰ÂÌË ÍÓÓÚÍÓ„Ó ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓ„Ó Ù‡„ÏÂÌÚ‡, Á‡ÔËÒ‡ÌÌÓ„Ó Ò ÔÓÏÓ˘¸˛ ‚˚·‡ÌÌÓ„Ó „ÓÎÓÒ‡

(̇ ˝Í‡Ì Voice Open; ÒÚ. 26).

20

ä‡ÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó

81 2 3 4 5 6 7

ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó

‰ÂÏÓÌÒÚ‡ˆËflı Ô˂‰ÂÌ˚ ̇

ÒÚ. 55.

ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË

ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË

èÓ‰Ó·ÌÓÒÚË

̇ ÒÚ. 78

ÇÒ ‚ÓÁÏÓÊÌÓÒÚË ÔÓÚflÒ‡˛˘Ëı „ÓÎÓÒÓ‚, ˝ÙÙÂÍÚÓ‚, ËÚÏÓ‚, ÒÚËÎÂÈ Ë ‰Û„Ëı ÒÎÓÊÌ˚ı ‡Î„ÓËÚÏÓ‚ PSR-2100/

1100 ÔÓfl‚Îfl˛ÚÒfl ‚ Ó‰ÌÓÏ — ‚ ÔÂÒÌÂ!

äÌÓÔÍË, ÓÚÌÓÒfl˘ËÂÒfl Í ÔÂÒÌÂ.

ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ Ì‡ÒÚ-

ÓÈ͇ flÁ˚͇ ÒËÌÚÂÁ‡ÚÓ‡

(ÒÚ. 154) ÒÓ‚Ô‡‰‡ÂÚ Ò Ú‡ÍÓÈ

Ê ̇ÒÚÓÈÍÓÈ Ù‡È· ‚ÓÒ-

ÔÓËÁ‚Ó‰ËÏÓÈ ÔÂÒÌË.

äÌÓÔÍË BALANCE Ë

CHANNEL

ÑËÒÍÓ‚Ó‰

Ç PSR-2100/1100 ÔÓ‰‰ÂÊË‚‡ÂÚÒfl ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ ‚ Û͇Á‡ÌÌ˚ı ÌËÊ ÙÓχڇı. èÓ‰Ó·Ì˚ ҂‰ÂÌËfl ÒÓ‰ÂʇÚÒfl

̇ ÒÚ. 78, 161.

ÑËÒÍÂÚ˚ Ò ‰‡ÌÌÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂÊ‡Ú ÔÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ ‚ Òڇ̉‡Ú GM.

èÂÒÌË, ÒÓ‰Âʇ˘Ë ·Óθ¯ÓÂ

ÍÓ΢ÂÒÚ‚Ó ‰‡ÌÌ˚ı, ÏÓ„ÛÚ

ÑËÒÍÂÚ˚ Ò ˝ÚÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂÊ‡Ú ÔÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ ‚ Òڇ̉‡Ú XG. XG — ˝ÚÓ ‡Ò¯ËÂÌËÂ

‚˚Á‚‡Ú¸ Ò·ÓÈ ÔË ˜ÚÂÌËË Ëı

Òڇ̉‡Ú‡ GM, ÔÓ‰‰ÂÊË‚‡˛˘Â ·Óθ¯Â ˜ËÒÎÓ „ÓÎÓÒÓ‚ Ë Ô‰ÓÒÚ‡‚Îfl˛˘Â ÏÛÁ˚͇ÌÚÛ ·ÓΠÔÓÎÌ˚È

ÒËÌÚÂÁ‡ÚÓÓÏ ËÎË Ëı ‚˚·Ó-

ÍÓÌÚÓθ Á‡ Ô‡‡ÏÂÚ‡ÏË Á‚Û͇.

Â. å‡ÍÒËχθÌ˚È ‡ÁÏÂ

ÔÂÒÌË ÓÍÓÎÓ 200–300KÅ.

ÑËÒÍÂÚ˚ Ò ‰‡ÌÌÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂÊ‡Ú ÔÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ ‚ ‡Á‡·ÓÚ‡ÌÌÓÏ ÍÓÏÔ‡ÌËÂÈ Yamaha

éÌ Á‡‚ËÒËÚ ÓÚ ÒÓ‰ÂÊËÏÓ„Ó

Òڇ̉‡Ú DOC.

ÔÂÒÌË.

ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ

1 ÖÒÎË Ú·ÛÂÚÒfl ÔÓË„‡Ú¸ ÔÂÒÌ˛ Ò ‰ËÒÍÂÚ˚, ‚ÒÚ‡‚¸Ú ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰.

ÇÌËχÌËÂ!

èÂʉ ‚ÒÂ„Ó ÓÁ̇ÍÓϸÚÂÒ¸ Ò

‡Á‰ÂÎÓÏ «àÒÔÓθÁÓ‚‡ÌËÂ

‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ» (ÒÚ. 7).

ä‡ÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó

21

ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË

2 óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì Song Open, ̇ÊÏËÚ ÍÌÓÔÍÛ [A].

ÖÒÎË „·‚Ì˚È ˝Í‡Ì (MAIN) Ì ÓÚÓ·‡Ê‡ÂÚÒfl, Ò̇˜‡Î‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ — ÍÌÓÔÍÛ [EXIT].

É·‚Ì˚È ˝Í‡Ì (‰Ë‡ÎÓ„Ó‚ÓÂ

A

ÓÍÌÓ, ÔÓfl‚Îfl˛˘ÂÂÒfl ̇ ‰ËÒÔÎÂÂ

ÔË ‚Íβ˜ÂÌËË ÔËÚ‡ÌËfl) ÔÓÁ‚Ó-

B

ÎflÂÚ ‚˚·‡Ú¸ ÔÂÒÌË, „ÓÎÓÒ‡,

ÒÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë Ú. ‰.

C

D

E

FLOPPY DISK (ÔÓÍÛÔÌ˚ Á‡ÔËÒË, ‚‡¯Ë

PRESET (‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÔÂÒÌË)

ÒÓ·ÒÚ‚ÂÌÌ˚Â ÔÂÒÌË Ë Ú. ‰.)

óÚÓ·˚ ‚˚·‡Ú¸ ‡Á‰ÂÎ Ô‡ÏflÚË, ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË

[BACK]/[NEXT]. ë΂‡ ‰‡Ì ÔËÏÂ ‚̯ÌÂ„Ó ‚ˉ‡

ÒÚ‡Ìˈ˚ PRESET, ÒÔ‡‚‡ — ÔËÏÂ ‚̯ÌÂ„Ó ‚ˉ‡

ÒÚ‡Ìˈ˚ FLOPPY DISK.

3 Ç˚·‡Ú¸ Ô‡ÔÍÛ Voice/Style/Function ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [A] - [C].

A

B

C

D

E

22

ä‡ÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó

ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË

4 óÚÓ·˚ ‚˚·‡Ú¸ Ù‡ÈÎ ÔÂÒÌË, ̇ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ ÓÚ [A] ‰Ó [J].

5 óÚÓ·˚ ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [START/STOP].

REC

TOP

START/STOP

óÚÓ·˚ ÔÂÂÏÓÚ‡Ú¸ ÔÂÒÌ˛ ‚ÔÂ‰ ËÎË Ì‡Á‡‰, ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË [FF] ËÎË [REW] ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ.

ÖÒÎË Ù‡ÈÎ ÔÂÒÌË ÒÓ‰ÂÊËÚ ÚÂÍÒÚ (ÚËÔ Ù‡È· — Standard MIDI format 0), Â„Ó ÏÓÊÌÓ ÔÓÒχÚË‚‡Ú¸ ̇

NEW SONG SYNC. START

˝Í‡Ì ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË. äÓÏ ÚÓ„Ó, ̇ ˝Í‡Ì ÏÓÊÌÓ ‚˚‚Ó‰ËÚ¸ Ô‡ÚËÚÛÛ.

èÓ‰Ó·ÌÓÒÚË Ô˂‰ÂÌ˚ ̇ ÒÚ. 83 Ë 86.

6 èÓÔÓ·ÛÈÚ ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ ÔË„ÎÛ¯ÂÌËfl ͇̇· ‚Ó ‚ÂÏfl ÔÓË„˚‚‡ÌËfl ÔÂÒÌË — ˝ÚÓ ÔÓÁ‚ÓÎflÂÚ ‚‡Ï

ÒÓÁ‰‡‚‡Ú¸ ‰Ë̇Ï˘Ì˚ ‡‡ÌÊËÓ‚ÍË ·ÛÍ‚‡Î¸ÌÓ Ì‡ ÎÂÚÛ!

1) ç‡ÊÏËÚ ÍÌÓÔÍÛ [CHANNEL ON/OFF].

2) ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [1▲▼] - [8▲▼], ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ͇̇ÎÛ, ÍÓÚÓ˚È Ú·ÛÂÚÒfl ‚Íβ˜ËÚ¸ ËÎË ÓÚÍβ˜ËÚ¸.

CHANNEL ON/OFF

PART

ä‡ÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó

23

81 2 3 4 5 6 781 2 3 4 5 6 7

ÖÒÎË ‚˚·‡Ì‡ ‚Í·‰Í‡ STYLE,

ÒÌÓ‚‡ ̇ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ.

ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË

7 à, ̇ÍÓ̈, ÔÓÔÓ·ÛÈÚ Ò·fl ‚ ÓÎË Á‚ÛÍÓÂÊËÒÒÂ‡, ÍÓÚÓÓÏÛ Ô‰ÒÚÓËÚ ÒÏËͯËÓ‚‡Ú¸ ÚÓθÍÓ ˜ÚÓ

Á‡ÔËÒ‡ÌÌÛ˛ ÍÓÏÔÓÁËˆË˛. ùÚË ˝ÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl ÔÓÁ‚ÓÎfl˛Ú ̇ÒÚ‡Ë‚‡Ú¸ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ÓÚ‰ÂθÌ˚ı

Ô‡ÚËÈ: ÔÂÒÌË, ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ‚‡¯Â„Ó „ÓÎÓÒ‡ (PSR-2100) Ë ÒÓÎÓ Ì‡ ÒËÌÚÂÁ‡ÚÓÂ.

1) ç‡ÊÏËÚ ÍÌÓÔÍÛ [BALANCE].

2) ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [1▲▼] - [8▲▼], ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Ô‡ÚËË, „ÓÏÍÓÒÚ¸ ÍÓÚÓÓÈ Ú·ÛÂÚÒfl ̇ÒÚÓËÚ¸.

BALANCE

8 óÚÓ·˚ ÔÂ‚‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ SONG [START/STOP].

24

ä‡ÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó

81 2 3 4 5 6 7

Ç˚ ÏÓÊÂÚ ‚˚Á‚‡Ú¸ ‚ÂÒ¸ ̇·Ó

‰ÓÒÚÛÔÌ˚ı ˝ÎÂÏÂÌÚÓ‚

ÛÔ‡‚ÎÂÌËfl, ̇ʇ‚ ÍÌÓÔÍÛ

[MIXING CONSOLE] (ÒÚ. 124).

REC

TOP

START/STOP

äÌÓÔ͇ [FADE IN/OUT]

(ÒÚ. 68) ÔÓÁ‚ÓÎflÂÚ

NEW SONG SYNC. START

‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌË Ë

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ò ÙÂȉËÌ„ÓÏ

‚ ̇˜‡ÎÂ Ë ÍÓ̈ ÍÓÏÔÓÁˈËË.

èË ˝ÚÓÏ „ÓÏÍÓÒÚ¸ ‚ ̇˜‡ÎÂ

ÔÂÒÌË ·Û‰ÂÚ Ô·‚ÌÓ

̇‡ÒÚ‡Ú¸, ‡ ‚ ÍÓ̈ —

ÒÌËʇڸÒfl.

ÇÓÒÔÓËÁ‚‰ÂÌË „ÓÎÓÒÓ‚

ÇÓÒÔÓËÁ‚‰ÂÌË „ÓÎÓÒÓ‚

èÓ‰Ó·ÌÓÒÚË

̇ ÒÚ. 57

PSR-2100/1100 ÒÓ‰ÂÊËÚ ·ÓΠ700 ‰Ë̇Ï˘Ì˚ı, ‡ÎËÒÚ˘Ì˚ı „ÓÎÓÒÓ‚ (ÚÂÏ·Ó‚) Ò ·Ó„‡Ú˚Ï Á‚Û˜‡ÌËÂÏ.

èÓÔÓ·ÛÈÚ ÔÓË„‡Ú¸ ÌÂÒÍÓθÍËÏË „ÓÎÓÒ‡ÏË, ˜ÚÓ·˚ ÔÓÌflÚ¸, Í‡Í Ëı ÏÓÊÌÓ ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ‚ ‚‡¯Ëı

ÒÓ·ÒÚ‚ÂÌÌ˚ı ÍÓÏÔÓÁˈËflı. Ç‡Ï Ô‰ÒÚÓËÚ Ì‡Û˜ËÚ¸Òfl ‚˚·Ë‡Ú¸ ÓÚ‰ÂθÌ˚ „ÓÎÓÒ‡, Ò‚flÁ˚‚‡Ú¸ ‰‚‡ „ÓÎÓÒ‡ ÒÎÓÈ Ë Ì‡Á̇˜‡Ú¸ ‡ÁÌ˚Â

„ÓÎÓÒ‡ ‰Îfl Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍ.

äÌÓÔÍË, ÓÚÌÓÒfl˘ËÂÒfl Í „ÓÎÓÒÛ.

ÇÓÒÔÓËÁ‚‰ÂÌË „ÓÎÓÒ‡

1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [MAIN], ˜ÚÓ·˚ ‚Íβ˜ËÚ¸ „·‚ÌÛ˛ ÒÓÒÚ‡‚Îfl˛˘Û˛ „ÓÎÓÒ‡, ‡ Á‡ÚÂÏ — ÍÌÓÔÍÛ [F], ˜ÚÓ·˚ ‚˚Á‚‡Ú¸

ÏÂÌ˛ ‚˚·Ó‡ „·‚ÌÓ„Ó „ÓÎÓÒ‡.

ÖÒÎË „·‚Ì˚È ˝Í‡Ì (MAIN) Ì ÓÚÓ·‡Ê‡ÂÚÒfl, Ò̇˜‡Î‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ — ÍÌÓÔÍÛ [EXIT].

ÇÍβ˜ËÚÂ

Ç˚·‡ÌÌ˚È ‚ ÏÂÌ˛ „ÓÎÓÒ

ÓÚÌÓÒËÚÒfl Í „·‚ÌÓÈ ˜‡ÒÚË Ë

MAIN

ÌÓÒËÚ Ì‡Á‚‡ÌË „·‚ÌÓ„Ó „ÓÎÓÒ‡.

F

(ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl

LAYER

Ô˂‰ÂÌ˚ ̇ ÒÚ. 59.)

G

H

LEFT

I

J

ÖÒÎË Ú·ÛÂÚÒfl ÛÒÎ˚¯‡Ú¸ ÚÓθÍÓ

ÚÂÏ· „·‚ÌÓ„Ó „ÓÎÓÒ‡, ‚˚Íβ˜ËÚÂ

‰ÓÔÓÎÌËÚÂθÌ˚ „ÓÎÓÒ‡ Ò ÔÓÏÓ˘¸˛

ÍÌÓÔÓÍ LAYER Ë LEFT.

2 Ç˚·ÂËÚÂ „ÛÔÔÛ „ÓÎÓÒÓ‚.

óÚÓ·˚ ‚˚·‡Ú¸ ÏÂÒÚÓ̇ıÓʉÂÌËÂ

„ÓÎÓÒ‡, ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË

Ç ˝ÚÓÏ ÔËÏÂ ‚˚·‡Ì „ÓÎÓÒ

[BACK]/[NEXT]. ÑÓÔÛÒÚËÏ, ˝ÚÓ ·Û‰ÂÚ

STRINGS (ÒÚÛÌÌ˚Â).

‚Í·‰Í‡ PRESET.

VOICE

ORGAN &

PIANO & HARPSI.

E.PIANO

ACCORDION

PERCUSSION

GUITAR BASS

BRASS

WOODWIND

STRINGS CHOIR & PAD

SYNTH.

XG

USER ORGAN FLUTES

ä‡ÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó

25

ÇÓÒÔÓËÁ‚‰ÂÌË „ÓÎÓÒÓ‚

3 Ç˚·ÂËÚÂ „ÓÎÓÒ.

åÓÊÌÓ ÏÓÏÂÌڇθÌÓ ‚ÂÌÛÚ¸-

Òfl Í „·‚ÌÓÏÛ ˝Í‡ÌÛ, ‰‚‡Ê-

A

‰˚ ̇ʇ‚ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ [A] -

[J].

B

ÉÓÎÓÒ‡, ËÁÓ·‡ÊÂÌÌ˚ ̇

͇ÚËÌÍ Ò΂‡, ÏÓ„ÛÚ ÓÚÎË-

C

˜‡Ú¸Òfl ÓÚ „ÓÎÓÒÓ‚ PSR-1100,

D

ÚÂÏ Ì ÏÂÌ ÓÔËÒ˚‚‡ÂÏ˚Â

ÓÔÂ‡ˆËË „Ó‰flÚÒfl Ë ‰Îfl ÚÂı Ë

E

‰Îfl ‰Û„Ëı.

Ç ˝ÚÓÏ ÔËÏÂÂ

‚˚·‡Ì ÚËÔ

ç‡ÊÏËÚ ÍÌÓÔÍÛ [8], ˜ÚÓ·˚ ̇˜‡Ú¸

«Orchestra».

‚ÓÒÔÓËÁ‚‰ÂÌË ‚˚‰ÂÎÂÌÌÓ„Ó „ÓÎÓÒ‡.

óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ‰ÂÏÓÌÒÚ‡ˆË˛, ¢ ‡Á

̇ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ. ÑÂÏÓÌÒÚ‡ˆËÓÌÌ˚Â

óÚÓ·˚ ÔÓÔ‡ÒÚ¸ ̇ ‰Û„Ë ÒÚ‡Ìˈ˚, ̇ÊÏËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÍÌÓÔÍË. ä‡Ê‰‡fl

‚ÓÁÏÓÊÌÓÒÚË Ì ӄ‡Ì˘ÂÌ˚ Ó‰ÌËÏË Î˯¸

ڇ͇fl ÒÚ‡Ìˈ‡ ÒÓ‰ÂÊËÚ ÒÔËÒÓÍ ÌÓ‚˚ı, ¢ ÌÂËÁ‚‰‡ÌÌ˚ı ÚÂÏ·Ó‚.

„ÓÎÓÒ‡ÏË. èÓ‰Ó·ÌÓÒÚË ÒÏ. ̇ ÒÚ. 55.

4 éˆÂÌËÚ Á‚Û˜‡ÌË „ÓÎÓÒ‡.

äÓ̘ÌÓ, ‚˚ ÏÓÊÂÚ ҇ÏË ÔÓÔÓ·Ó‚‡Ú¸ ÔÓË„‡Ú¸ ÚÂÏ ËÎË ËÌ˚Ï „ÓÎÓÒÓÏ. é‰Ì‡ÍÓ

ÒÛ˘ÂÒÚ‚ÛÂÚ Ë ‰Û„‡fl ‚ÓÁÏÓÊÌÓÒÚ¸: Á‡ÔÛÒÚËÚ¸ ‰ÂÏÓÌÒÚ‡ˆË˛ Ë ÔÓÒÎÛ¯‡Ú¸, Í‡Í PSR-2100/

1100 ‡ÒÍ˚‚‡ÂÚ ÔÓÚÂ̈ˇΠÚÂÏ·‡. ÑÎfl ˝ÚÓ„Ó ‰ÓÒÚ‡ÚÓ˜ÌÓ ÔÓÒÚÓ Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [8]

̇ ËÁÓ·‡ÊÂÌÌÓÏ ‚˚¯Â ˝Í‡ÌÂ, Ë ‰ÂÏÓÌÒÚ‡ˆËfl „ÓÎÓÒ‡ Á‡ÔÛÒÚËÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË.

à„‡ Ó‰ÌÓ‚ÂÏÂÌÌÓ ‰‚ÛÏfl „ÓÎÓÒ‡ÏË

1 óÚÓ·˚ ‚Íβ˜ËÚ¸ ˜‡ÒÚ¸ LAYER, ̇ÊÏËÚ ÍÌÓÔÍÛ VOICE PART

MAIN

ON/OFF [LAYER].

LAYER

LEFT

2 óÚÓ·˚ ‚˚·‡Ú¸ ˜‡ÒÚ¸ LAYER, ̇ÊÏËÚ ÍÌÓÔÍÛ [G].

3 Ç˚·ÂËÚÂ „ÛÔÔÛ „ÓÎÓÒÓ‚.

VOICE

ORGAN &

PIANO & HARPSI.

E.PIANO

ACCORDION

PERCUSSION

óÚÓ·˚ ‰Ó·ËÚ¸Òfl ÒÓ˜ÌÓ„Ó Á‚Û˜‡ÌËfl, ‚˚·ÂÂÏ Í‡ÍÓÈ-ÌË·Û‰¸

«ÔÎÓÚÌ˚È» ÚÂÏ· (ËÎË „ÓÎÓÒ). Ç˚ÁÓ‚ËÚÂ „ÛÔÔÛ «CHOIR & PAD»

GUITAR BASS

BRASS

WOODWIND

Ó˚ Ë ÔӉͷ‰˚).

STRINGS CHOIR & PAD

SYNTH.

XG

4 Ç˚·ÂËÚÂ „ÓÎÓÒ.

èÛÒÚ¸ ˝ÚÓ ·Û‰ÂÚ, ̇ÔËÏÂ, «Gothic Vox.» („ÓÚ˘ÂÒÍËÈ ‚Ó͇Î).

USER ORGAN FLUTES

5 éˆÂÌËÚ Á‚Û˜‡ÌË „ÓÎÓÒÓ‚.

íÂÔÂ¸ ‚˚ ÏÓÊÂÚ ˄‡Ú¸ ‰‚ÛÏfl „ÓÎÓÒ‡ÏË, Ó·˙‰ËÌÂÌÌ˚ÏË ‚

ÒÓ˜ÌÓ Á‚Û˜‡˘ËÈ ÒÎÓÈ: „·‚Ì˚Ï „ÓÎÓÒÓÏ, ‚˚·Ó ÍÓÚÓÓ„Ó ÓÔËÒ‡Ì

‚ Ô‰˚‰Û˘ÂÏ ‡Á‰ÂΠÛÍÓ‚Ó‰ÒÚ‚‡, Ë „ÓÎÓÒÓÏ ÒÎÓfl, ÍÓÚÓ˚È

‚˚ ÚÓθÍÓ ˜ÚÓ ‚˚·‡ÎË.

çÓ ˝ÚÓ ÚÓθÍÓ Ì‡˜‡ÎÓ. èÓÁ̇ÍÓϸÚÂÒ¸ Ò ‰Û„ËÏË ‚ÓÁÏÓÊÌÓÒÚflÏË, ÓÚÌÓÒfl˘ËÏËÒfl Í „ÓÎÓÒÛ:

ëÓÁ‰‡ÈÚ ҂ÓË ÒÓ·ÒÚ‚ÂÌÌ˚Â, ÓË„Ë̇θÌ˚ „ÓÎÓÒ‡. ùÚÓ ÏÓÊÌÓ Ò‰Â·ڸ ΄ÍÓ Ë ÔÓÒÚÓ ‰ÓÒÚ‡ÚÓ˜ÌÓ Î˯¸ ËÁÏÂÌËÚ¸ Ô‡‡ÏÂÚ˚

ÒÛ˘ÂÒÚ‚Û˛˘Ëı „ÓÎÓÒÓ‚ (ÒÚ. 90).

ëÓÒÚ‡‚¸Ú ÒÔËÒÓÍ ‚‡¯Ëı β·ËÏ˚ı ÙÛÌ͈ËÈ Ë Ó·˙ÂÍÚÓ‚ („ÓÎÓÒÓ‚, ÒÚËÎÂÈ Ë Ú. ‰.) Ë ‚˚Á˚‚‡ÈÚÂ Â„Ó ÔË ÔÂ‚ÓÈ ÌÂÓ·ıÓ‰ËÏÓÒÚË

(ÒÚ. 87).

26

ä‡ÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó

Аннотации для Синтезатора/фортепиано Yamaha PSR-2100 в формате PDF