Yamaha PSR-2100 – страница 5
Инструкция к Синтезатору/фортепиано Yamaha PSR-2100
ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË
ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ Ò ‰ËÒÍÂÚ˚
ÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰.
èÂʉ ‚ÒÂ„Ó ÓÁ̇ÍÓϸÚÂÒ¸ Ò
‡Á‰ÂÎÓÏ «àÒÔÓθÁÓ‚‡ÌËÂ
‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ» (ÒÚ. 7).
åÓÊÌÓ Û͇Á‡Ú¸, ·Û‰ÂÚ ÎË PSR-
2100/1100 ‡‚ÚÓχÚ˘ÂÒÍË
ÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ Ó·Ú˛‡ÚÓÓÏ
‚˚Á˚‚‡Ú¸ ÔÂ‚Û˛ ÔÂÒÌ˛ ̇
‚Ô‰, ̇ÍÎÂÈÍÓÈ ‚‚Âı.
‰ËÒÍÂÚ ÔÓÒΠ ÔÓÏ¢ÂÌËfl ‚
‰ËÒÍÓ‚Ó‰ (ÒÚ. 153).
èӈ‰ۇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÂÌ Ë‰ÂÌÚ˘̇ Ôӈ‰ÛÂ, ÓÔËÒ‡ÌÌÓÈ ‚ ‡Á‰ÂΠ«ÇÓÒÔÓËÁ‚‰ÂÌËÂ
çÂÍÓÚÓ˚ ËÁ ‚ÒÚÓÂÌÌ˚ı ‚ ÒËÌ-
‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ» (ÒÚ. 79). Ö‰ËÌÒÚ‚ÂÌÌÓ ÓÚ΢ˠÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ Ì‡ ˝Í‡Ì SONG ÒΉÛÂÚ
ÚÂÁ‡ÚÓ PSR-2100/1100 ÔÂÒÂÌ
ÔÂÂÈÚË Ì‡ ÒÚ‡ÌËˆÛ FLOPPY DISK.
Á‡ÔËÒ‡Ì˚ ‚ Ú‡Í Ì‡Á˚‚‡ÂÏÓÏ
«Ò‚Ó·Ó‰ÌÓÏ ÚÂÏÔ». èË ‚ÓÒ-
ÔÓËÁ‚‰ÂÌËË Ú‡ÍËı ÔÂÒÂÌ ÓÚÓ-
·‡Ê‡ÂÏ˚ ̇ ˝Í‡Ì Á̇˜ÂÌËfl
Ì ËÏÂ˛Ú ÓÚÌÓ¯ÂÌËfl Í Ù‡ÍÚË-
˜ÂÒÍÓÏÛ ‡ÁÏÂÛ ÔÂÒÌË. éÌË
èӘˠÓÔ‡ˆËË, Ò‚flÁ‡ÌÌ˚Â Ò ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ
Î˯¸ ÔÓ͇Á˚‚‡˛Ú, ͇͇fl ˜‡ÒÚ¸
ÔÂÒÌË ÛÊ ·˚· ‚ÓÒÔÓËÁ‚‰Â̇.
■ Repeat (ÔÓ‚ÚÓÂÌËÂ)/Rewind (ÔÂÂÏÓÚ͇ ̇Á‡‰)/Fast forward (ÔÂÂÏÓÚ͇ ‚Ô‰)
ç‡Ê‡‚ ˝ÚÛ ÍÌÓÔÍÛ ‚ ıӉ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË, ‚˚ ÏÓÊÂÚ ‚ÂÌÛÚ¸Òfl Í Â ̇˜‡ÎÛ Ë
èÂÒÌË, ÒÓ‰Âʇ˘Ë ·Óθ¯ÓÂ
ÔÓË„‡Ú¸  ÒÌÓ‚‡. ÖÒÎË ‚ÓÒÔÓËÁ‚‰ÂÌË ÓÒÚ‡ÌÓ‚ÎÂÌÓ, ÚÓ Ì‡Ê‡ÚË ‰‡ÌÌÓÈ ÍÌÓÔÍË
ÍÓ΢ÂÒÚ‚Ó ‰‡ÌÌ˚ı, ÏÓ„ÛÚ
Ô˂‰ÂÚ Í ÔÂÂÏÓÚÍ ÔÂÒÌË Ì‡ ̇˜‡ÎÓ.
‚˚Á‚‡Ú¸ Ò·ÓÈ ÔË ˜ÚÂÌËË Ëı
ÒËÌÚÂÁ‡ÚÓÓÏ ËÎË Ëı ‚˚·Ó-
REC REW FF
TOP
START/STOP
Â. å‡ÍÒËχθÌ˚È ‡ÁÏÂ
ÔÂÒÌË ÓÍÓÎÓ 200–300KÅ.
éÌ Á‡‚ËÒËÚ ÓÚ ÒÓ‰ÂÊËÏÓ„Ó
NEW SONG SYNC. START
ÔÂÒÌË.
ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ SONG POSITION (ÒÏ. ÌËÊÂ).
óÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í ˝Í‡ÌÛ SONG, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT].
˝Í‡Ì SONG POSITION
Ç˚·‡‚ ÒÚÓÍÛ BAR, ÏÓÊÌÓ Á‡‰‡Ú¸ ÌÓÏ ڇÍÚ‡ (Ò˜ËÚ‡fl Ò Ì‡˜‡Î‡ ÍÓÏÔÓÁˈËË) Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ
[REW] Ë [FF].
èÓÁˈËfl ÎÓ͇ÚÓ‡
Ç˚·‡‚ ÒÚÓÍÛ PHRASE MARK, ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [REW] Ë [FF] Á‡‰‡Ú¸ ÔÓÁËˆË˛ ÎÓ͇ÚÓ‡.
á̇˜ÂÌË ÔÓÁˈËË ÎÓ͇ÚÓ‡
Û͇Á˚‚‡ÂÚ Ì‡ ÓÔ‰ÂÎÂÌÌÓÂ
ÏÂÒÚÓ ‚ ÔÂÒÌÂ.
“ëÚÓ͇ PHRASE MARK ‚˚‚Ó‰ËÚÒfl Î˯¸ ÚÓ„‰‡, ÍÓ„‰‡ ÔÂÒÌfl ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚ ÔÓ ÔÓÁˈËflÏ
ÎÓ͇ÚÓ‡. Ç˚·ÂËÚ ÒÚÓÍÛ BAR ËÎË PHRASE MARK Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [J], ‡ Á‡ÚÂÏ
Û͇ÊËÚ ÌÛÊÌ˚È Ú‡ÍÚ ËÎË ÔÓÁËˆË˛ ÎÓ͇ÚÓ‡, ‚ÓÒÔÓθÁÓ‚‡‚¯ËÒ¸ ÍÌÓÔ͇ÏË [REW] Ë [FF].
■ ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË ˜‡ÒÚÂÈ/ÔË„ÎÛ¯ÂÌË ÓÚ‰ÂθÌ˚ı ͇̇ÎÓ‚
BALANCE
ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ BALANCE (ÒÚ. 64).
CHANNEL ON/OFF
ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ CHANNEL ON/OFF (ÒÏ. ÌËÊÂ).
PART
˝Í‡Ì CHANNEL ON/OFF
ä‡Ì‡Î
ùÚË Ë̉Ë͇ÚÓ˚ Û͇Á˚‚‡˛Ú
͇̇ΠMIDI, ËÒÔÓθÁÛÂÏ˚È ‚
ÔÂÒÌÂ. Ç PSR-2100/1100 ͇̇Î˚
‡ÒÔ‰ÂÎfl˛ÚÒfl Ú‡Í:
ç‡Ê‡‚ ÍÌÓÔÍÛ [CHANNEL ON/OFF], ÔÂÂȉËÚÂ Í ‚Í·‰Í [SONG] Ë ÔË„ÎÛ¯ËÚ ÌÛÊÌ˚È Í‡Ì‡Î, Á‡‰‡‚
èÂÒÌfl
‰Îfl ÌÂ„Ó Á̇˜ÂÌË [OFF]. óÚÓ·˚ ҉·ڸ ͇̇ΠÒÓÎËÛ˛˘ËÏ, ÒΉÛÂÚ Û‰ÂÊË‚‡Ú¸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛-
1 - 16
˘Û˛ ÂÏÛ ÍÌÓÔÍÛ. óÚÓ·˚ Á‡ÒÚ‡‚ËÚ¸ Â„Ó ÒÌÓ‚‡ Á‚Û˜‡Ú¸ ‚ÏÂÒÚÂ Ò ‰Û„ËÏË Í‡Ì‡Î‡ÏË, ¢ ‡Á ̇ÊÏËÚÂ
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
9 - 16
ÍÌÓÔÍÛ Í‡Ì‡Î‡.
PSR-2100/1100
81
ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË
èË„ÎÛ¯ÂÌË ÓÚ‰ÂθÌ˚ı ˜‡ÒÚÂÈ — ‰ÓÔÓÎÌËÚÂθÌ˚ ‰ÓÓÊÍË
чÌ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÔË„ÎÛ¯‡Ú¸ ÓÚ‰ÂθÌ˚ ˜‡ÒÚË ÔÂÒÌË (ÔÂ‚Û˛, ‚ÚÓÛ˛ ËÎË ‰ÓÔÓÎÌËÚÂθÌ˚ ‰ÓÓÊÍË). ç‡ÔËÏÂ, ÂÒÎË
‚˚ ıÓÚËÚ Á‡ÔÓÏÌËÚ¸ ÏÂÎӉ˲ ͇ÍÓÈ-ÎË·Ó ÔÂÒÌË, ‚˚ ÏÓÊÂÚ ÔË„ÎÛ¯ËÚ¸ ˜‡ÒÚ¸ Ò „ÓÎÓÒÓÏ ‰Îfl Ô‡‚ÓÈ ÛÍË Ë ÔÓÔÓ·Ó‚‡Ú¸ Ò˚„‡Ú¸
ÏÂÎӉ˲ Ò‡ÏÓÒÚÓflÚÂθÌÓ.
Ç˚·ÂËÚ ÔÂÒÌ˛ (ÒÚ. 78).
1
è‚ÓÈ Ë ‚ÚÓÓÈ ‰ÓÓÊÍ ÏÓ„ÛÚ
·˚Ú¸ ÔËÒ‚ÓÂÌ˚ ‡Á΢Ì˚Â
͇̇Î˚ (ÒÚ. 140). ùÚÓ ÔÓÁ‚ÓÎËÚ
ÏÂÌflÚ¸ ͇̇Î˚ Ë Û͇Á˚‚‡Ú¸
˜‡ÒÚË, ÍÓÚÓ˚ ·Û‰ÛÚ
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÍÌÓÔÍË ÏÓÊÌÓ ‚Íβ˜ËÚ¸/ÓÚÍβ˜ËÚ¸ ‰ÓÔÓÎÌËÚÂθÌ˚Â
ÔË„ÎÛ¯ÂÌ˚ ÔÓÒΠ̇ʇÚËfl
˜‡ÒÚË (ÚÓ ÂÒÚ¸ ‚ÒÂ, ÍÓÏ ˜‡ÒÚÂÈ ‰Îfl ΂ÓÈ Ë Ô‡‚ÓÈ ÛÍË).
ÍÌÓÔÓÍ [TRACK 1]/[TRACK 2]/
2
[EXTRA TRACKS].
SONG
EXTRA
TRACK
TRACK
METRO-
TRACKS
2
1
NOMEREPEAT
чÌ̇fl ÍÌÓÔ͇ Ô‰̇Á̇˜Â̇ ‰Îfl
‚Íβ˜ÂÌËfl/ÓÚÍβ˜ÂÌËfl ˜‡ÒÚË ‰Îfl
Ô‡‚ÓÈ ÛÍË.
(STYLE) (R)(L)
èË ‚˚·Ó ÌÓ‚ÓÈ ÔÂÒÌË ‚ÒÂ
чÌ̇fl ÍÌÓÔ͇ Ô‰̇Á̇˜Â̇ ‰Îfl ‚Íβ˜ÂÌËfl/ÓÚÍβ˜ÂÌËfl ˜‡ÒÚË ‰Îfl ΂ÓÈ ÛÍË.
‰ÓÓÊÍË ÔÓ ÛÏÓΘ‡Ì˲
‚Íβ˜ÂÌ˚.
á‡ÔÛÒÚËÚ ÔÂÒÌ˛.
3
éÚ„ÛÎËÛÈÚ ÚÂÏÔ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [ ] [ ] (ÒÚ. 53).
END
REC REW FF
TOP
START/STOP
óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ÔÂÒÌ˛, ¢ ‡Á
START/STOP
̇ÊÏËÚ ÍÌÓÔÍÛ .
NEW SONG SYNC. START
èÓ‚ÚÓ ÓÔ‰ÂÎÂÌÌÓ„Ó Ù‡„ÏÂÌÚ‡ ÔÂÒÌË
чÌ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸ „‡Ìˈ˚ Ù‡„ÏÂÌÚ‡ ÚӘ͇ÏË Ä Ë Ç (Point A Ë Point B), ˜ÚÓ·˚ Á‡ÚÂÏ ˆËÍ΢ÂÒÍË ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸
„Ó.
á‡ÔÛÒÚËÚ ÔÂÒÌ˛ (ÒÚ. 79, 81).
ÑÎfl Û͇Á‡ÌËfl ÚÓ˜ÂÍ Ä Ë Ç ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌ˛ Ì ӷflÁ‡ÚÂθÌÓ. ìÒÚ‡ÌÓ‚ËÚ ÚÓ˜ÍÛ A,
1
̇ʇ‚ ÍÌÓÔÍÛ [REPEAT], ‡ Á‡ÚÂÏ ÓÚÏÓÚ‡ÈÚ ÔÂÒÌ˛ ‚Ô‰ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [FF].
ÑÓÒÚË„ÌÛ‚ Ê·ÂÏÓÈ ÔÓÁˈËË ÓÍÓ̘‡ÌËfl Á‡ˆËÍÎÂÌÌÓ„Ó Ù‡„ÏÂÌÚ‡, ÛÒÚ‡ÌÓ‚ËÚ ÚÓ˜ÍÛ Ç,
ÒÌÓ‚‡ ̇ʇ‚ ÍÌÓÔÍÛ [REPEAT].
SONG
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÍÌÓÔÍË ÏÓÊÌÓ Á‡‰‡Ú¸
EXTRA
TRACK
TRACK
METRO-
TRACKS
2
1
NOMEREPEAT
̇˜‡ÎÓ Ë ÍÓ̈ Á‡ˆËÍÎÂÌÌÓ„Ó Ù‡„ÏÂÌÚ‡
óÚÓ·˚ ËÏÂÚ¸ ‚ÓÁÏÓÊÌÓÒÚ¸
2
ÔÂÒÌË (ÚÓ˜ÍË Ä Ë Ç).
ÛÒÚ‡ÌÓ‚ËÚ¸ ÚÓ˜ÍÛ Ç,
(STYLE) (R)(L)
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÍÌÓÔÍË ÏÓÊÌÓ Á‡‰‡Ú¸ ÍÓ̈
ÌÂÓ·ıÓ‰ËÏÓ Ò̇˜‡Î‡
ÔÓ‚ÚÓfl˛˘Â„ÓÒfl Ù‡„ÏÂÌÚ‡ (ÚÓ˜ÍÛ Ç).
ÛÒÚ‡ÌÓ‚ËÚ¸ ÚÓ˜ÍÛ Ä.
ì͇Á‡ÌË ӉÌÓÈ Î˯¸ ÚÓ˜ÍË Ä
ÔË‚Ó‰ËÚ Í Á‡ˆËÍÎË‚‡Ì˲
옇ÒÚÓÍ ÓÚ ÚÓ˜ÍË Ä ‰Ó ÚÓ˜ÍË Ç ÔÓ‚ÚÓflÂÚÒfl ˆËÍ΢ÂÒÍË ÔÓÒΠ‡‚ÚÓχÚ˘ÂÒÍË
Ù‡„ÏÂÌÚ‡ ÓÚ ˝ÚÓÈ ÚÓ˜ÍË ‰Ó
3
‚ÒÚ‡‚ÎflÂÏÓ„Ó ‚ÒÚÛÔÎÂÌËfl (ÔÓÏÓ„‡˛˘Â„Ó ÔÓ‰„ÓÚÓ‚ËÚ¸Òfl Í ‚ÓÒÔÓËÁ‚‰ÂÌ˲
ÍÓ̈‡ ÔÂÒÌË.
Ù‡„ÏÂÌÚ‡).
ÇÌ Á‡‚ËÒËÏÓÒÚË ÓÚ ÚÓ„Ó, ÔÓË„˚‚‡ÂÚÒfl ÎË ÔÂÒÌfl ËÎË ÌÂÚ, ÔË Ì‡Ê‡ÚËË ÍÌÓÔÍË [TOP]
ÔÓËÒıÓ‰ËÚ ÔÂÂıÓ‰ Í ÚӘ͠Ä.
ì͇Á‡ÌÌ˚ ÚÓ˜ÍË Û‰‡Îfl˛ÚÒfl
ÔË ‚˚·ÓÂ ÔÂÒÌË Ò ‰Û„ËÏ
ÌÓÏÂÓÏ, ‚˚Íβ˜ÂÌËË ÙÛÌ͈ËË
ÔÓ‚ÚÓ‡ (Repeat) Ë ‚˚·ÓÂ
‰Û„Ó„Ó ÂÊËχ ÔÓ‚ÚÓ‡,
éÒÚ‡ÌÓ‚ËÚ ÔÂÒÌ˛.
̇ÔËÏ Phrase Repeat
4
(ÔÓ‚ÚÓ Ù‡Á˚) ËÎË Song Chain
END
START/STOP
Play (ÔÓ‚ÚÓ ÔË
‚ÓÒÔÓËÁ‚‰ÂÌËË
óÚÓ·˚ ÓÚÍβ˜ËÚ¸ ÙÛÌÍˆË˛ ÔÓ‚ÚÓ‡, ¢ ‡Á
ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ÔÂÒÂÌ)
REPEAT
̇ÊÏËÚ ÍÌÓÔÍÛ .
(ÒÚ. 136).
82
PSR-2100/1100
ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË
éÚÓ·‡ÊÂÌË ÌÓÚ — Ô‡ÚËÚÛ‡
ÇÍβ˜Ë‚ ÂÊËÏ ÔÓÒÏÓÚ‡ Ô‡ÚËÚÛ˚, ÏÓÊÌÓ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË ÔÓÒχÚË‚‡Ú¸ ÌÓÚ˚ ̇ ˝Í‡ÌÂ. ùÚ‡ ÙÛÌ͈Ëfl
ÔÓ‰‰ÂÊË‚‡ÂÚ ÓÚÓ·‡ÊÂÌË ÌÓÚ Í‡Í ‰Îfl ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ, Ú‡Í Ë ‰Îfl ÍÓÏÔÓÁˈËÈ ‚‡¯Â„Ó ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÒÓ˜ËÌÂÌËfl.
A
B
C
D
E
PSR-2100/1100
83
81 2 3 4 5 6 7
Ç˚·ÂËÚÂ
1
ÖÒÎË Ò΂‡ Ì ÓÚÓ·‡Ê‡ÂÚÒfl
2
ÔÂÒÌ˛
„·‚Ì˚È ˝Í‡Ì (MAIN), Ò̇˜‡Î‡
(ÒÚ. 79, 81).
̇ÊÏËÚ ÍÌÓÔÍÛ [DIRECT
ACCESS], ‡ Á‡ÚÂÏ — ÍÌÓÔÍÛ
[EXIT].
éÚÓ·‡Ê‡ÂÏ˚ PSR-2100/1100
ÌÓÚ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú
ÔÓË„˚‚‡ÂÏÓÈ ‚ ‰‡ÌÌ˚È
ÏÓÏÂÌÚ ÔÂÒÌÂ Ë „ÂÌÂËÛ˛ÚÒfl
ÒËÌÚÂÁ‡ÚÓÓÏ ‚ ‡θÌÓÏ
‚ÂÏÂÌË. èÓ˝ÚÓÏÛ ‚̯ÌËÈ ‚ˉ
ÔÓÎۘ˂¯ÂÈÒfl ‚ ËÚÓ„Â
Ô‡ÚËÚÛ˚ ÏÓÊÂÚ ÓÚ΢‡Ú¸Òfl
ÓÚ Ô‡ÚËÚÛ˚ ÚÓÈ ÊÂ ÔÂÒÌË,
ÍÓÚÓÛ˛ ÏÓÊÌÓ ÔËÓ·ÂÒÚË ‚
χ„‡ÁËÌÂ. ê‡Á΢Ëfl ÓÒÓ·ÂÌÌÓ
Á‡ÏÂÚÌ˚ ÔË Ò‡‚ÌÂÌËË
3
ÒÎÓÊÌ˚ı Ô‡ÒÒ‡ÊÂÈ ËÎË
‰ÎËÌÌÓÈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË
ÍÓÓÚÍËı ÌÓÚ.
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú ‚Íβ˜ËÚ¸/ÓÚÍβ˜ËÚ¸ ÂÊËÏ
ÓÚÓ·‡ÊÂÌËfl Ô‡ÚËË ‰Îfl ΂ÓÈ ÛÍË. Ç Á‡‚ËÒËÏÓÒÚË ÓÚ
Á̇˜ÂÌËfl ‰Û„Ëı Ô‡‡ÏÂÚÓ‚ ‰‡ÌÌ˚È Ô‡‡ÏÂÚ ÏÓÊÂÚ
çÂÍÓÚÓ˚ ËÁ ‚ÒÚÓÂÌÌ˚ı ‚
·˚Ú¸ ̉ÓÒÚÛÔÂÌ. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ
ÒËÌÚÂÁ‡ÚÓ PSR-2100/1100
ÔÂÒÂÌ ·˚ÎË Á‡ÔËÒ‡Ì˚ ‚ Ú‡Í
Ë̉Ë͇ÚÓ Ì‡ ˝Í‡Ì ·Û‰ÂÚ Ó͇¯ÂÌ ‚ ÒÂ˚È ˆ‚ÂÚ. ÖÒÎË
̇Á˚‚‡ÂÏÓÏ «Ò‚Ó·Ó‰ÌÓÏ
Ô‡‡ÏÂÚ Ì‰ÓÒÚÛÔÂÌ, ÚÓ ‚˚ ÏÓÊÂÚ ÔÂÂÈÚË Í ˝Í‡ÌÛ
ÚÂÏÔ». íÂÏÔ, ËÚÏ, ‡ÁÏ Ë
ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍË (detailed setting) Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ
Ô‡ÚËÚÛ‡ Ú‡ÍËı ÔÂÒÂÌ ·Û‰ÛÚ
[8▲▼] Ë Á‡‰‡Ú¸ Ô‡‡ÏÂÚ LEFT CH. ‰Îfl ‚ÒÂı ͇̇ÎÓ‚, Á‡
ÓÚÓ·‡Ê‡Ú¸Òfl Ì‚ÂÌÓ.
ËÒÍβ˜ÂÌËÂÏ Í‡Ì‡Î‡ AUTO. äÓÏ ÚÓ„Ó, ÏÓÊÌÓ ‚˚Á‚‡Ú¸
˝Í‡Ì SONG SETTING ËÁ ÏÂÌ˛ Function (ÒÚ. 136) Ë
Á‡‰‡Ú¸ Ô‡‡ÏÂÚ TRACK 2 ‰Îfl ‚ÒÂı ͇̇ÎÓ‚, ÍÓÏÂ
ç‚ÓÁÏÓÊÌÓ ÓÚÍβ˜ËÚ¸
͇̇· OFF.
Ó‰ÌÓ‚ÂÏÂÌÌÓ ˜‡ÒÚË [RIGHT] Ë
[LEFT].
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú ‚Íβ˜ËÚ¸/ÓÚÍβ˜ËÚ¸ ÂÊËÏ
ç‡Á‚‡ÌË ÌÓÚ˚ Û͇Á˚‚‡ÂÚÒfl
ÓÚÓ·‡ÊÂÌËfl Ô‡ÚËË ‰Îfl Ô‡‚ÓÈ ÛÍË.
Ò΂‡ ÓÚ Â ËÁÓ·‡ÊÂÌËfl. ÖÒÎË
‡ÒÒÚÓflÌË ÏÂÊ‰Û ÌÓÚ‡ÏË
ÖÒÎË Ì‡ ˝Í‡Ì SONG SETTING (ÒÚ. 140) Ô‚ÓÈ ‰ÓÓÊÍÂ
ÒÎ˯ÍÓÏ Ï‡ÎÓ, ̇Á‚‡ÌË ÌÓÚ˚
([TRACK1] ) ÔËÒ‚ÓÂÌÓ Á̇˜ÂÌË [OFF], Ô‚˚È Í‡Ì‡Î
ÏÓÊÂÚ ·˚Ú¸ ‚˚‚‰ÂÌÓ Ò΂‡
‚˚·Ë‡ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË.
̇‰ ÌÓÚÓÈ.
äÌÓÔÍË ‚Íβ˜ÂÌËfl/ÓÚÍβ˜ÂÌËfl ÔÓ͇Á‡ ÚÂÍÒÚ‡.
ÖÒÎË ÔÂÒÌfl Ì ÒÓ‰ÂÊËÚ ÚÂÍÒÚ‡, ÓÌ Ì ·Û‰ÂÚ ÓÚÓ·‡Ê‡Ú¸Òfl.
óÂÏ ·Óθ¯Â ̇ ˝Í‡ÌÂ
ÓÚÓ·‡Ê‡ÂÚÒfl ‡Á΢ÌÓÈ
‰ÓÔÓÎÌËÚÂθÌÓÈ ËÌÙÓχˆËË
äÌÓÔÍË ‚Íβ˜ÂÌËfl/ÓÚÍβ˜ÂÌËfl ÔÓ͇Á‡ ‡ÍÍÓ‰Ó‚.
(̇Á‚‡ÌËÈ ˜‡ÒÚÂÈ Ë ‡ÍÍÓ‰Ó‚,
ÚÂÍÒÚ‡ ÔÂÒÌË Ë Ú. ‰.), ÚÂÏ
ÖÒÎË ÔÂÒÌfl Ì ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚ı Ó· ‡ÍÍÓ‰‡ı, ÓÌË Ì ·Û‰ÂÚ ÓÚÓ·‡Ê‡Ú¸Òfl.
ÏÂ̸¯Â ÛÏ¢‡ÂÚÒfl ̇ ÌÂÏ
Ú‡ÍÚÓ‚.
ÇÍβ˜ÂÌËÂ/ÓÚÍβ˜ÂÌË ÔÓ͇Á‡ ̇Á‚‡ÌËfl ÌÓÚ˚ (‚˚ÒÓÚ˚ Á‚Û͇).
ÖÒÎË ÌÓÚ˚ Ë Á̇ÍË ‡Î¸Ú‡ˆËË
ùÚË ÍÌÓÔÍË Á‡‰‡˛Ú ‡Á¯ÂÌË ˝Í‡Ì‡ (χүڇ· ÓÚÓ·‡ÊÂÌËfl Ô‡ÚËÚÛ˚).
(‰ËÂÁ˚ Ë ·ÂÏÓÎË) ÌÂ
SMALL.......... åÂÎÍËÈ Ï‡Ò¯Ú‡·.
ÔÓÏ¢‡˛ÚÒfl ‚ fl‰, ÚÓ ÓÌË
LARGE ......... äÛÔÌ˚È Ï‡Ò¯Ú‡·.
ÔÂÂÌÓÒflÚÒfl ‚ Ô‚˚È Ú‡ÍÚ
ÒÎÂ‰Û˛˘ÂÈ ÒÚÓÍË, ̇˜Ë̇fl Ò
Ç˚ÁÓ‚ ˝Í‡Ì‡ ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍË Ô‡ÚËÚÛ˚. ÑÓÔÓÎÌËÚÂθÌ˚Â
Ò‰ËÌ˚ Ú‡ÍÚ‡.
҂‰ÂÌËfl Ô˂‰ÂÌ˚ ̇ ÒÎÂ‰Û˛˘ÂÈ ÒÚ‡ÌˈÂ.
îÛÌ͈ËË Ô‡ÚËÚÛ˚ ÌÂ
ÔÓÁ‚ÓÎfl˛Ú ÒÓÁ‰‡‚‡Ú¸ ÔÂÒÌË
ÔÛÚÂÏ ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓ„Ó
‚‚Ó‰‡ ÌÓÚ. 낉ÂÌËfl Ó
ÒÓÁ‰‡ÌËË ÔÂÒÂÌ Ô˂‰ÂÌ˚ ̇
ÒÚ. 99.
ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË
íÓÌ͇fl ̇ÒÚÓÈ͇ Ô‡ÚËÚÛ˚
äÓ„‰‡ Ô‡ÚËË Ô‡‚ÓÈ Ë Î‚ÓÈ
ÛÍË (LEFT Ë RIGHT) ̇Á̇˜ÂÌ˚
Ó‰ÌÓÏÛ Ë ÚÓÏÛ Ê ͇̇ÎÛ,
Ô‡ÚËÚÛ‡ ̇ ˝Í‡Ì ÒÚ‡ÌÓ‚ËÚÒfl
ÔÓıÓʇ ̇ ÙÓÚÂÔˇÌÌÛ˛ (‰‚‡
ÌÓÚÌ˚ı Òڇ̇).
■ [1▲▼] LEFT CH/[2▲▼] RIGHT CH
äÌÓÔÍË Ì‡ÒÚÓÈÍË ÎÂ‚Ó„Ó Ë Ô‡‚Ó„Ó Í‡Ì‡ÎÓ‚ (‰Îfl Ô‡ÚËË Î‚ÓÈ Ë Ô‡‚ÓÈ ÛÍË ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ). èË ‚˚·Ó ÌÓ‚ÓÈ ÔÂÒÌË ÔÓ
ÛÏÓΘ‡Ì˲ ÛÒڇ̇‚ÎË‚‡ÂÚÒfl Á̇˜ÂÌË AUTO.
AUTO ................................ä‡Ì‡Î˚ ÔËÒ‚‡Ë‚‡˛ÚÒfl Ô‡ÚËflÏ Î‚ÓÈ Ë Ô‡‚ÓÈ ÛÍË ‡‚ÚÓχÚ˘ÂÒÍË. è‡ÚËË ‡ÒÔÓ·„‡˛ÚÒfl ÔÓ
͇̇·Ï, Û͇Á‡ÌÌ˚Ï Ì‡ ˝Í‡Ì SONG SETTING ÏÂÌ˛ Function (ÒÚ. 140).
1-16 ...................................è‡ÚËfl ÔË‚flÁ˚‚‡ÂÚÒfl Í ÓÔ‰ÂÎÂÌÌÓÏÛ Í‡Ì‡ÎÛ (Ò ÔÂ‚Ó„Ó ÔÓ ¯ÂÒÚ̇‰ˆ‡Ú˚È).
OFF (ÚÓθÍÓ LEFT CH) ...èËÒ‚ÓÂÌË ͇̇· ÓÚÒÛÚÒÚ‚ÛÂÚ.
■ [3▲▼], [4▲▼] KEY SIGNATURE
ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ËÁÏÂÌflÚ¸ ÚÓ̇θÌÓÒÚ¸ ‚ β·ÓÏ ÏÂÒÚÂ, „‰Â ÔÂÒÌfl ÓÒÚ‡ÌÓ‚ÎÂ̇. ùÚÓ ÔÓÎÂÁÌÓ ‚ ÒÎÛ˜‡flı, ÍÓ„‰‡ ‚˚·‡Ì̇fl
ÔÂÒÌfl Ì ÒÓ‰ÂÊËÚ Ì‡ÒÚÓÂÍ ÚÓ̇θÌÓÒÚË ‰Îfl ‚˚‚Ó‰‡ ̇ ˝Í‡Ì. ëÔËÒÓÍ Íβ˜Â‚˚ı Á̇ÍÓ‚ ‰Îfl χÊÓÌ˚ı ÚÓ̇θÌÓÒÚÂÈ ÒÓ Á̇-
͇ÏË ‡Î¸Ú‡ˆËË Ë Ô‡‡ÎÎÂθÌ˚ÏË ÏËÌÓÌ˚ÏË ÚÓ̇θÌÓÒÚflÏË Ô˂‰ÂÌ ÌËÊÂ.
■ [5▲▼] QUANTIZE (Í‚‡ÌÚËÁ‡ˆËfl)
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú Á‡‰‡‚‡Ú¸ ÌÓÚÌÓ ‡Á¯ÂÌË ԇÚËÚÛ˚. ùÚÓ ÓÁ̇˜‡ÂÚ, ‚ÓÁÏÓÊÌÓÒÚ¸
Ò‰‚Ë„‡Ú¸ ËÎË ÍÓÂÍÚËÓ‚‡Ú¸ ‚ÂÏfl Á‚Û˜‡ÌËfl ÓÚÓ·‡Ê‡ÂÏ˚ı ÌÓÚ ‚ ˆÂÎflı ‚˚‡‚ÌË‚‡ÌËfl
Ô‡ÚËÚÛ˚. á̇˜ÂÌË ÌÓÚÌÓ„Ó ‡Á¯ÂÌËfl ‰ÓÎÊÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ ÏËÌËχθÌÓÈ ‰ÎËÚÂθÌÓÒÚË,
ËÒÔÓθÁÛÂÏÓÈ ‚ ÔÂÒÌÂ.
LJˇÌÚ˚ ÌÓÚÌÓ„Ó ‡Á¯ÂÌËfl:
1/4, 1/8, 1/16, 1/32, ÚËÓθ ËÁ ˜ÂÚ‚ÂÚÂÈ, ÚËÓθ ËÁ ‚ÓÒ¸Ï˚ı, ÚËÓθ ËÁ ¯ÂÒÚ̇‰ˆ‡Ú˚ı, ÚËÓθ ËÁ
Úˉˆ‡Ú¸ ‚ÚÓ˚ı
84
PSR-2100/1100
81 2 3 4 5 6 7
äβ˜Â‚˚ Á̇ÍË Ë Á̇ÍË ‡Î¸Ú‡ˆËË
C Maj (A min) G Maj (E min) D Maj (B min) A Maj (F
min) E Maj (C
min) B Maj (G
min) F
Maj (D
min) C
Maj (A
min)
C
Maj (A
min) G
Maj (E
min) D Maj (B
min) A
Maj (F min) E
Maj (C min) B
Maj (G min) F Maj (D min)
CËÏ‚ÓÎ Û͇Á˚‚‡eÚ ÓÒÌÓ‚ÌÓÈ ÚÓÌ Ï‡ÊÓÌÓÈ ÚÓ̇θÌÓÒÚË, ‡ - ÒÓÓÚ‚eÚÒÚ‚Û˛˘eÈ eÈ ÏËÌÓÌÓÈ ÚÓ̇θÌÓÒÚË.
äÓÓÚÍËÂ ÌÓÚ˚ Ë ÏÂÎËÁÏ˚
(ÚÂÎË, Ùӯ·„Ë, ÙËÓËÚÛ˚)
Ò ‰ÎËÚÂθÌÓÒÚ¸˛ ÏÂ̸¯ÂÈ, ˜ÂÏ
ÌÓÚÌÓ ‡Á¯ÂÌË (̇ËÏÂ̸-
¯‡fl ‰ÎËÚÂθÌÓÒÚ¸ ÓÚÓ·‡Ê‡Â-
ÏÓÈ ÌÓÚ˚), ·Û‰ÛÚ ÓÚÒÛÚÒÚ‚Ó‚‡Ú¸
‚ Ô‡ÚËÚÛÂ.
ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË
■ [6▲▼] NOTE NAME (̇Á‚‡ÌË ÌÓÚ˚)
Ç˚·ÂËÚ ӉËÌ ËÁ ÚÂı ÚËÔÓ‚ ̇Á‚‡ÌËfl ÌÓÚ˚ ÔË ‚Íβ˜ÂÌÌÓÏ ÂÊËÏ NOTE (ÒÚ. 83).
ABC.......................ç‡Á‚‡ÌËfl ÌÓÚ ‚˚‚Ó‰flÚÒfl ̇ ˝Í‡Ì ‚ ‚ˉ ·ÛÍ‚ (C, D, E, F, G, A, B).
Fixed Do ...............ç‡Á‚‡ÌËfl ÌÓÚ ‚˚‚Ó‰flÚÒfl ̇ ˝Í‡Ì ‚ ‚ˉ ÔËÌflÚ˚ı ‚ ÒÓθÙ‰ÊËÓ Ó·ÓÁ̇˜ÂÌËÈ, ÍÓÚÓ˚ Á‡‚ËÒflÚ ÓÚ
‚˚·‡ÌÌÓ„Ó flÁ˚͇ (ÒÚ. 52).
ÄÌ„ÎËÈÒÍËÈ.........Do Re Mi Fa Sol La Ti
î‡ÌˆÛÁÒÍËÈ......Ut Re Mi Fa Sol La Si
àڇθflÌÒÍËÈ.......Do Re Mi Fa Sol La Si
çÂψÍËÈ.............Do Re Mi Fa Sol La Si
àÒÔ‡ÌÒÍËÈ...........Do re Mi Fa Sol La Si
üÔÓÌÒÍËÈ.............
Movable Do
(ÔÓ‰‚ËÊÌÓÂ
«‰Ó»)..................... ç‡Á‚‡ÌËfl ÌÓÚ ‚˚‚Ó‰flÚÒfl ̇ ˝Í‡Ì ‚ ‚ˉ ÔËÌflÚ˚ı ‚ ÒÓθÙ‰ÊËÓ Ó·ÓÁ̇˜ÂÌËÈ Ë Á‡‚ËÒflÚ ÓÚ ‚˚·‡ÌÌÓÈ ÚÓ-
̇θÌÓÒÚË. éÒÌÓ‚ÌÓÈ ÚÓÌ Ó·ÓÁ̇˜‡ÂÚÒfl Í‡Í «‰Ó». ç‡ÔËÏÂ, ‚ ÚÓ̇θÌÓÒÚË ÒÓθ-χÊÓ ÓÒÌÓ‚ÌÓÈ ÚÓÌ «ÒÓθ»
·Û‰ÂÚ ÛÒÎÓ‚ÌÓ Ì‡Á˚‚‡Ú¸Òfl «‰Ó». ä‡Í Ë ‚ ÒÎÛ˜‡Â Ò ‚‡Ë‡ÌÚÓÏ «Fixed Do», Ó·ÓÁ̇˜ÂÌËfl ÌÓÚ Á‡‚ËÒflÚ ÓÚ
‚˚·‡ÌÌÓ„Ó flÁ˚͇.
■ [8▲] OK
ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl Á‡Í˚ÚËfl ˝Í‡Ì‡ ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍË Ë Á‡ÔÛÒ͇ ÔÓˆÂÒÒ‡ ÒÓÁ‰‡ÌËfl
èÂÂıÓ‰ËÚ¸ ÓÚ Ó‰ÌÓÈ ÒÚ‡Ìˈ˚
Ô‡ÚËÚÛ˚. íÛ Ê ÓÔ‡ˆË˛ ÏÓÊÌÓ ‚˚ÔÓÎÌËÚ¸, ̇ʇ‚ ÍÌÓÔÍÛ [ENTER] ̇ Ô‰ÌÂÈ Ô‡ÌÂÎË.
˝Í‡Ì‡ Í ‰Û„ÓÈ ÏÓÊÌÓ Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/[NEXT]
ËÎË Ô‰‡ÎË (ÒÚ. 142).
■ [8▼] CANCEL (ÓÚÏÂ̇)
ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl Á‡Í˚ÚËfl ˝Í‡Ì‡ ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍË ·ÂÁ ËÁÏÂÌÂÌËfl Ô‡‡ÏÂÚÓ‚. íÛ ÊÂ
ÓÔ‡ˆË˛ ÏÓÊÌÓ ‚˚ÔÓÎÌËÚ¸, ̇ʇ‚ ÍÌÓÔÍÛ [EXIT] ̇ Ô‰ÌÂÈ Ô‡ÌÂÎË.
PSR-2100/1100
85
ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË
éÚÓ·‡ÊÂÌË ÚÂÍÒÚ‡ ÔÂÒÌË
ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÓÚÓ·‡Ê‡Ú¸ ÚÂÍÒÚ ÔÂÒÌË ‚Ó ‚ÂÏfl  ‚ÓÒÔÓËÁ‚‰ÂÌËfl — Ú‡Í, ˜ÚÓ·˚ ‚˚ ÏÓ„ÎË Ì‡Ô‚‡Ú¸ ÂÂ, Ì ÓÚ‚ÎÂ͇flÒ¸
ÓÚ Ë„˚.
* åËÍÓÙÓÌÌ˚È ‚ıÓ‰ ËÏÂÂÚÒfl ÚÓθÍÓ Û ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100.
Ç˚·ÂËÚÂ
íÂÍÒÚ ÔÂÒÌË ÓÚÓ·‡Ê‡ÂÚÒfl ̇
1
2
ÔÂÒÌ˛
flÁ˚Í ÓË„Ë̇·. ÖÒÎË ÚÂÍÒÚ
A
ËÒ͇ÊÂÌ ËÎË ÌÂÛ‰Ó·Ó˜ËÚ‡ÂÏ,
(ÒÚ. 79, 81).
‚˚ ÏÓÊÂÚ ËÒÔ‡‚ËÚ¸ „Ó,
B
ËÁÏÂÌË‚ Ô‡‡ÏÂÚ LYRICS
C
LANGUAGE ̇ ˝Í‡Ì SONG
SETTING (ÒÚ. 140).
D
E
ÖÒÎË ÔÂÒÌfl Ì ÒÓ‰ÂÊËÚ ÚÂÍÒÚ‡,
3
ÓÌ Ì ·Û‰ÂÚ ÓÚÓ·‡Ê‡Ú¸Òfl.
Ç ‰‡ÌÌÓÏ ÔËÏ ÒΉÛÂÚ
‚˚·‡Ú¸ Ó·˙ÂÍÚ «Lyrics» ‚
Ô‡ÔÍ «Function» ̇ ÒÚ‡ÌˈÂ
PRESET (SONG).
ÖÒÎË ‚˚·‡Ì̇fl ÔÂÒÌfl
ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚ ӷ ‡ÍÍÓ‰‡ı,
̇Á‚‡ÌËfl ‡ÍÍÓ‰Ó‚ ·Û‰ÛÚ
ÓÚÓ·‡Ê‡Ú¸Òfl ‚ÏÂÒÚÂ Ò ÚÂÍÒÚÓÏ
SONG
ÔÂÒÌË.
á‡ÔÛÒÚËÚ ÔÂÒÌ˛.
EXTRA
TRACK
TRACK
METRO-
TRACKS
2
1 REPEAT
NOME
4
(STYLE) (R)(L)
REC REW FF
TOP
START/STOP
NEW SONG SYNC. START
ëÚÓÍË ÚÂÍÒÚ‡
SONG
EXTRA
TRACK
TRACK
METRO-
íÂÍÒÚ ÔÂÒÌË ÏÓÊÌÓ ËÁÏÂÌËÚ¸
5
TRACKS
2
1 REPEAT
NOME
ÒÏÂÌfl˛ÚÒfl ̇
(ÒÚ. 110).
END
˝Í‡Ì ÔÓ ÏÂÂ
(STYLE) (R)(L)
‚ÓÒÔÓËÁ‚‰ÂÌË
REC REW FF
TOP
START/STOP
fl ÔÂÒÌË.
NEW SONG SYNC. START
éÒÚ‡ÌÓ‚ËÚ ÔÂÒÌ˛.
óÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÈ ÒÚ‡ÌˈÂ, ̇ÊÏËÚÂ
ÍÌÓÔÍÛ .
EXIT
86
PSR-2100/1100
ëÓı‡ÌÂÌËÂ Ë Á‡„ÛÁ͇ ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇·ÓÓ‚
Ô‡‡ÏÂÚÓ‚ — „ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸
ê„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ — ˝ÚÓ ÏÓ˘ÌÓ Ò‰ÒÚ‚Ó Ì‡ÒÚÓÈÍË PSR-2100/1100. ë Â„Ó ÔÓÏÓ˘¸˛ ‚˚ ÏÓÊÂÚ ‚˚·Ë‡Ú¸ Ú·ÛÂÏ˚Â
„ÓÎÓÒ‡ Ë ÒÚËÎË, Á‡‰‡‚‡Ú¸ Ô‡‡ÏÂÚ˚ ˝ÙÙÂÍÚÓ‚, ‡ Á‡ÚÂÏ ÒÓı‡ÌflÚ¸ ‚Ò ˝ÚË ‰‡ÌÌ˚ ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ‚ ·Û‰Û˘ÂÏ. ÇÔÓÒΉÒÚ‚ËË
‚ÒflÍËÈ ‡Á, ÍÓ„‰‡ ÔÓÚ·ÛÂÚÒfl Á‡‰‡Ú¸ ˝ÚÓÚ Ì‡·Ó Ô‡‡ÏÂÚÓ‚, ‰ÓÒÚ‡ÚÓ˜ÌÓ ·Û‰ÂÚ Î˯¸ ̇ʇڸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ
REGISTRATION MEMORY („ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸).
BACK NEXT
LEFT
HOLD
VOICE EFFECT
SUSTAIN
ECHO
HARMONY/
MONOTOUCH
DSP
VARIATION
SOUND CREATOR
DIGITAL
STUDIO
PIANO & HARPSI.
VOICE
MAIN
E.PIANO
ACCORDION
ORGAN &
PERCUSSION
DIGITAL RECORDING
A
F
GUITAR
G
LAYER
BASS
BRASS
WOODWIND
B
MIXING CONSOLE
C
H
LEFT
STRINGS CHOIR & PAD
SYNTH.
XG
MENU
D
I
DEMO
E
J
USER
ORGAN FLUTES
FINDER
MUSIC
UPPER OCTAVE
HELP
MIC.
OVER
SELECT
VH TYPE
SETTING
MIC.
VOCAL
RESET
HARMONY
TALK
EFFECT
FUNCTION
SIGNAL
ONE TOUCH SETTING
ACCESS
DIRECT
BALANCE
EXIT
ENTER
CHANNEL ON/OFF
PART
DATA ENTRY
REGISTRATION MEMORY
FREEZE MEMORY
Ç ˝ÚÓÏ ‡Á‰ÂΠÓÔËÒ˚‚‡ÂÚÒfl Ôӈ‰ۇ „ËÒÚ‡ˆËË (Á‡ÍÂÔÎÂÌËfl ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ Á‡
ÍÌÓÔ͇ÏË REGISTRATION MEMORY). ᇉ‡ÈÚ β·˚ ԇ‡ÏÂÚ˚ Ò ÔÓÏÓ˘¸˛ ˝ÎÂÏÂÌÚÓ‚
ÛÔ‡‚ÎÂÌËfl, ‡ÒÔÓÎÓÊÂÌÌ˚ı ̇ Ô‰ÌÂÈ Ô‡ÌÂÎË, Ë Â„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ «Á‡ÔÓÏÌËÚ» Ëı.
PSR-2100/1100
87
81 2 3 4 5 6 7
SONG
TRACKS
EXTRA
TRACK
2
TRACK
1 REPEAT
NOME
METRO-
(STYLE) (R)(L)
REC REW FF
TOP
START/STOP
STYLE
NEW SONG SYNC. START
POP & ROCK
SWING &
JAZZ
BALLROOM
MARCH &
WALTZ
BALLAD USERLATIN
DANCE
PART
TRANSPOSE
TEMPO
TAP TEMPO
MASTER VOLUME
RESET
RESET
STOP
FADE
MULTI PAD
MIN MAX
IN/OUT
REGISTRATION MEMORY
STYLE CONTROL
FREEZE MEMORY
STANDBY
ACMP
BREAK
INTRO
MAIN
ENDING
/ rit.
FILL IN
AUTO
SYNC.
START/STOP
ON
OTS
LINK
STOP
START
SYNC.
ê„ËÒÚ‡ˆËfl ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ — „ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸
àÏÂÈÚ ‚ ‚ˉÛ, ˜ÚÓ ÔÂÒÌË, ÒÚËÎË
ËÎË ÏÛθÚËÔ˝‰˚, ı‡Ìfl˘ËÂÒfl ̇
‰ËÒÍÂÚÂ, Ì‚ÓÁÏÓÊÌÓ Á‡ÌÂÒÚË ‚
„ËÒÚ‡ˆËÓÌÌÛ˛ Ô‡ÏflÚ¸. ÖÒÎË
‚˚ ıÓÚËÚ Á‡Â„ËÒÚËÓ‚‡Ú¸ ÔÂÒ-
Ì˛, ÒÚËθ ËÎË ÏÛθÚËÔ˝‰, ı‡Ìfl-
˘ËÂÒfl ̇ ‰ËÒÍÂÚÂ, ÔÂÂÌÂÒËÚÂ
ÌÂÓ·ıÓ‰ËÏ˚ ‰‡ÌÌ˚ ‚ ‡Á‰ÂÎ
Ô‡ÏflÚË USER ̇ ˝Í‡Ì SONG/
STYLE/MULTI PAD (ÒÚ. 39) Ë Á‡-
„ËÒÚËÛÈÚ Ëı ÔÓ ÓÚ‰ÂθÌÓÒÚË.
F
G
H
I
J
END
81 2 3 4 5 6 7
ᇉ‡ÈÚ ÌÂÓ·ıÓ‰ËÏ˚ ԇ‡ÏÂÚ˚ Ò ÔÓÏÓ˘¸˛ ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl.
1
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Ô‡‡ÏÂÚ‡ı, ÍÓÚÓ˚ ÏÓÊÌÓ ÒÓı‡ÌflÚ¸ ‚
„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË, Ô˂‰ÂÌ˚ ‚ Ò·ÓÌËÍ ڇ·Îˈ (퇷Îˈ‡ Ô‡‡ÏÂÚÓ‚).
REGISTRATION MEMORY
FREEZE MEMORY
2
3
Ç˚·ÂËÚ „ÛÔÔ˚ Ô‡‡ÏÂÚÓ‚, ÍÓÚÓ˚Â
äÌÓÔ͇ ÓÚÏÂÌ˚ „ËÒÚ‡ˆËË Ë
Ú·ÛÂÚÒfl ̇ÒÚÓËÚ¸ Ë ÒÓı‡ÌËÚ¸. ÑÎfl
ÔÂÂıÓ‰‡ Í „·‚ÌÓÏÛ ˝Í‡ÌÛ.
ÔÂÂıÓ‰‡ ÓÚ Ó‰ÌÓÈ „ÛÔÔ˚ Í ‰Û„ÓÈ ÏÓÊÌÓ
ÑÎfl ˝ÚÓ„Ó ÏÓÊÌÓ Ú‡ÍÊÂ
ËÒÔÓθÁÓ‚‡Ú¸ ‰ËÒÍ ÛÔ‡‚ÎÂÌËfl [DATA ENTRY].
‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ÍÌÓÔÍÓÈ [EXIT].
óÚÓ·˚ Á‡Â„ËÒÚËÓ‚‡Ú¸ „ÛÔÔÛ Ô‡‡ÏÂÚÓ‚,
ÔÓÒÚ‡‚¸Ú fl‰ÓÏ Ò ÌÂÈ „‡ÎÓ˜ÍÛ. 臇ÏÂÚ˚,
Á‡‰‡ÌÌ˚ ‰Îfl „ÛÔÔ, Ì ÔÓϘÂÌÌ˚ı
„‡ÎӘ͇ÏË, Ì ·Û‰ÛÚ ÒÓı‡ÌÂÌ˚ ‚ ‚ˉ هÈ·
̇·Ó‡ Ô‡‡ÏÂÚÓ‚. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ÒÓı‡ÌflÚ¸
äÌÓÔ͇ ÛÒÚ‡ÌÓ‚ÍË „‡ÎÓ˜ÍË.
ÓÔ‰ÂÎÂÌÌ˚ ̇ÒÚÓÈÍË ‰‡Ê ÔË ÒÏÂÌÂ
åÓÊÌÓ Ú‡ÍÊ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl
̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚, ‚ÁflÚ˚ı ËÁ
‰Îfl ˝ÚÓ„Ó ÍÌÓÔÍÓÈ [ENTER].
„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË. ë ÚÓÈ Ê ˆÂθ˛
ÏÓÊÌÓ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ÙÛÌ͈ËÂÈ Freeze
(«Á‡ÏÓÓÁËÚ¸») (ÒÚ. 89), ÍÓÚÓ‡fl ÔÓÁ‚ÓÎflÂÚ
Ë„ÌÓËÓ‚‡Ú¸ ËÁÏÂÌÂÌËfl „ËÒÚ‡ˆËÓÌÌÓÈ
äÌÓÔ͇ Û‰‡ÎÂÌËfl „‡ÎÓ˜ÍË. íÓ ÊÂ
Ô‡ÏflÚË, ÓÚÌÓÒfl˘ËÂÒfl Í «Á‡ÏÓÓÊÂÌÌ˚Ï»
Ò‡ÏÓ ÏÓÊÌÓ Ò‰Â·ڸ Ò ÔÓÏÓ˘¸˛
Ô‡‡ÏÂÚ‡Ï.
ÍÌÓÔÍË [ENTER].
óÚÓ·˚ Á‡Â„ËÒÚËÓ‚‡Ú¸
REGISTRATION MEMORY
FREEZE MEMORY
̇·Ó Ô‡‡ÏÂÚÓ‚, ̇ÊÏËÚÂ
óÚÓ·˚ Û‰‡ÎËÚ¸ ‚ÒÂ
ÚÓθÍÓ ˜ÚÓ Á‡‰‡ÌÌ˚Â
Ó‰ÌÛ ËÁ ÒÎÂ‰Û˛˘Ëı ÍÌÓÔÓÍ.
Ô‡‡ÏÂÚ˚, ̇ÊÏËÚÂ
Ó‰ÌÓ‚ÂÏÂÌÌÓ ‚Âı-
áÂÎÂÌ˚È Ò‚ÂÚÓ‰ËÓ‰ ...... ç‡·Ó Ô‡‡ÏÂÚÓ‚ Á‡Â„ËÒÚËÓ‚‡Ì, ÌÓ Ì ‚˚·‡Ì.
Ì˛˛ Í·‚Ë¯Û Ç Ë
ä‡ÒÌ˚È Ò‚ÂÚÓ‰ËÓ‰ ...... ç‡·Ó Ô‡‡ÏÂÚÓ‚ Á‡Â„ËÒÚËÓ‚‡Ì Ë ‚˚·‡Ì.
Í·‚Ë¯Û ÔËÚ‡ÌËfl.
ë‚ÂÚÓ‰ËÓ‰ Ì „ÓËÚ ....... ç‡·Ó Ô‡‡ÏÂÚÓ‚ Ì Á‡Â„ËÒÚËÓ‚‡Ì.
ëÏ. ËÌÙÓχˆË˛ Ó ÒÓı‡ÌÂÌËË Á‡Â„ËÒÚËÓ‚‡ÌÌ˚ı ̇ÒÚÓÂÍ Ì‡ ÒÎÂ‰Û˛˘ÂÈ ÒÚ‡ÌˈÂ.
ëÓı‡ÌÂÌËÂ Ë ‚˚ÁÓ‚ ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ — Registration Memory
ëÓı‡ÌÂÌË ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚
ç‡·Ó Ô‡‡ÏÂÚÓ‚, Á‡ÍÂÔÎÂÌÌ˚È Á‡ ͇ʉÓÈ ËÁ ÍÌÓÔÓÍ REGISTRATION MEMORY [1] - [8], ÒÓı‡ÌflÂÚÒfl ‚ ‚ˉ ÓÚ‰ÂθÌÓ„Ó Ù‡È·.
ç Á‡·˚‚‡ÈÚÂ, ˜ÚÓ ‡ÁÏÂ
هȷ ‚ „ËÒÚ‡ˆËÓÌÌÓÏ ·‡ÌÍÂ
á‡ÍÂÔÎÂÌÌ˚È Á‡ ͇ʉÓÈ ËÁ ÍÌÓÔÓÍ [1] -
(‡ Á̇˜ËÚ, Ë Ó·˙ÂÏ Á‡ÌËχÂÏÓÈ
[8] ̇·Ó Ô‡‡ÏÂÚÓ‚ ̇Á˚‚‡ÂÚÒfl ·‡ÌÍÓÏ.
ËÏ Ô‡ÏflÚË) Á‡‚ËÒËÚ ÓÚ ˜ËÒ·
î‡ÈÎ˚ „ËÒÚ‡ˆËÓÌÌ˚ı ·‡ÌÍÓ‚ ÒΉÛÂÚ
BANK 01
Á‡‰‡‚‡ÂÏ˚ı ÙÛÌ͈ËÈ.
ÒÓı‡ÌflÚ¸ ‚ ‡Á‰ÂΠԇÏflÚË «USER» ËÎË
̇ ‰ËÒÍÂÚÂ.
F
G
H
I
J
ùÍ‡Ì REGISTRATION EDIT
ëÓ‰ÂÊËÏÓ ÚÂÍÛ˘Â„Ó ·‡Ì͇ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË (REGIST.) ‚˚‚Ó‰ËÚÒfl ̇ ˝Í‡Ì REGISTRATION EDIT. ç‡Á‚‡ÌËfl
ÒÓı‡ÌÂÌÌ˚ı ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ ÓÚÓ·‡Ê‡˛ÚÒfl ̇ ˝Í‡ÌÂ. ë‚ÂÚÓ‰ËÓ‰˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ÍÌÓÔÓÍ REGISTRATION
MEMORY ÒÚ‡ÌÓ‚flÚÒfl ÁÂÎÂÌ˚ÏË.
ç‡ ˝ÚÓÏ ˝Í‡Ì ‚˚ ÏÓÊÂÚ ‚˚·‡Ú¸, Û‰‡ÎËÚ¸ ̇·Ó Ô‡‡ÏÂÚÓ‚ ËÎË Ì‡Á̇˜ËÚ¸ ÂÏÛ ËÏfl.
Ç˚·Ó
.................. ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [A] - [J]. äÌÓÔÍË REGISTRATION MEMORY [1] - [8] Ò‚flÁ‡Ì˚ Ò ˝Í‡ÌÓÏ REGIST. èË
‚˚·Ó ӉÌÓ„Ó ËÁ ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ Ò‚ÂÚÓ‰ËÓ‰ ̇‰ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÂÏÛ ÍÌÓÔÍÓÈ ÒÚ‡ÌÓ‚ËÚÒfl ͇ÒÌ˚Ï.
ç‡Á̇˜ÂÌËÂ
ËÏÂÌË ...................èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ ÔË ‚˚ÔÓÎÌÂÌËË ˝ÚÓÈ ÓÔ‡ˆËË Ë‰ÂÌÚ˘̇ Ôӈ‰ÛÂ, ÓÔËÒ‡ÌÌÓÈ ‚ ‡Á‰ÂÎÂ
«Ç˚·Ó ËÏÂÌ ‰Îfl Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ» (ÒÚ. 44) „·‚˚ «éÒÌÓ‚Ì˚ ÓÔ‡ˆËË — Ó„‡ÌËÁ‡ˆËfl ‰‡ÌÌ˚ı».
쉇ÎÂÌË .............èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ ÔË ‚˚ÔÓÎÌÂÌËË ˝ÚÓÈ ÓÔ‡ˆËË Ë‰ÂÌÚ˘̇ Ôӈ‰ÛÂ, ÓÔËÒ‡ÌÌÓÈ ‚ ‡Á‰ÂÎÂ
«ì‰‡ÎÂÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ» (ÒÚ. 46) „·‚˚ «éÒÌÓ‚Ì˚ ÓÔ‡ˆËË — Ó„‡ÌËÁ‡ˆËfl ‰‡ÌÌ˚ı».
èÓÒΠÓÔ‡ˆËÈ Name/Delete ‚ÂÌËÚÂÒ¸ ̇ ˝Í‡Ì REGISTRATION BANK Ë Ì‡ÊÏËÚ [8▼], ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ ‰‡ÌÌ˚Â.
88
PSR-2100/1100
81 2 3 4 5 6 7
óÚÓ·˚ ÔÂÂÈÚË Í „·‚ÌÓÏÛ
˝Í‡ÌÛ, Ò̇˜‡Î‡ ̇ÊÏËÚ ÍÌÓÔÍÛ
[DIRECT ACCESS], ‡ Á‡ÚÂÏ —
1
ÍÌÓÔÍÛ [EXIT].
ëÓı‡ÌËÚ ̇·Ó Ô‡‡ÏÂÚÓ‚ ‚ ‚ˉ ‰ËÌÓ„Ó Ù‡È·
2
„ËÒÚ‡ˆËÓÌÌÓ„Ó ·‡Ì͇ (ÒÚ. 47).
èÓfl‚ËÚÒfl ˝Í‡Ì REGISTRATION EDIT.
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó· ˝ÚÓÏ
˝Í‡Ì Ô˂‰ÂÌ˚ ÌËÊÂ.
ëÓı‡ÌÂÌËÂ Ë ‚˚ÁÓ‚ ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ — Registration Memory
ᇄÛÁ͇ ̇·Ó‡ Ô‡‡ÏÂÚÓ‚
åÓÊÌÓ Á‡„ÛÁËÚ¸ Í‡Í ‚ÂÒ¸ ̇·Ó ̇ÒÚÓÂÍ, Ú‡Í Ë ÓÚ‰ÂθÌ˚ ԇ‡ÏÂÚ˚. ç‡ÔËÏÂ, ÔË ÒÌflÚËË „‡ÎÓ˜ÍË Ò „ÛÔÔ˚ «STYLE» ̇ ˝Í‡ÌÂ
REGISTRATION MEMORY, ÚÂÍÛ˘ËÈ ÒÚËθ Ì ËÁÏÂÌËÚÒfl, ‰‡Ê ÂÒÎË Á‡„ÛÁËÚ¸ ÌÓ‚˚È ·‡ÌÍ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË.
ᇄÛÁ͇ Á‡Â„ËÒÚËÓ‚‡ÌÌ˚ı Ô‡‡ÏÂÚÓ‚
Ç˚·ÂËÚ ÌÂÓ·ıÓ‰ËÏ˚È ·‡ÌÍ Ì‡ ˝Í‡Ì REGISTRATION BANK (ÒÚ. 88).
óÚÓ·˚ Á‡„ÛÁËÚ¸ ÌÂÓ·ıÓ‰ËÏ˚ Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚, ̇ÊÏËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ
ëÛ˘ÂÒÚ‚ÛÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸
REGISTRATION MEMORY (Ò‚ÂÚÓ‰ËÓ‰ ̇‰ ÌÂÈ ‰ÓÎÊÂÌ ·˚Ú¸ ÁÂÎÂÌ˚Ï).
ÔÓÒΉӂ‡ÚÂθÌÓ Á‡„Ûʇڸ
ÌÂÒÍÓθÍÓ Ì‡·ÓÓ‚ Ô‡‡ÏÂÚÓ‚
REGISTRATION MEMORY
‚ β·ÓÏ ÔÓfl‰ÍÂ. ÅÛ‰Û˜Ë
FREEZE MEMORY
Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚ÏË, ·‡ÌÍË
1 - 8 ÏÓ„ÛÚ ·˚Ú¸
ÔÓÒΉӂ‡ÚÂθÌÓ ‚˚Á‚‡Ì˚ Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/[NEXT]
ËÎË Ô‰‡ÎË (ÒÚ. 145).
Ç˚·Ó Ô‡‡ÏÂÚÓ‚ «Á‡ÏÓÓÁÍË»
MENU
1
DEMO
HELP
FUNCTION
REGISTRATION MEMORY
FREEZE MEMORY
REGISTRATION MEMORY
FREEZE MEMORY
PSR-2100/1100
89
81 2 3 4 5 6 7
2
èÂÂȉËÚ ̇ ÒÚ‡ÌˈÛ
«FREEZE» ˝Í‡Ì‡
REGIST.SEQUENCE/
äÌÓÔ͇ ÛÒÚ‡ÌÓ‚ÍË
FREEZE/VOICE SET
„‡ÎÓ˜ÍË.
(ÒÚ. 145).
äÌÓÔ͇ Û‰‡ÎÂÌËfl
„‡ÎÓ˜ÍË.
äÌÓÔÍË ‚˚·Ó‡ Ô‡‡ÏÂÚÓ‚ «Á‡ÏÓÓÁÍË».
ç‡ÊÏËÚ ÍÌÓÔÍÛ [FREEZE]. ÖÒÎË ÂÊËÏ «Á‡ÏÓÓÁÍË» ‚Íβ˜ÂÌ („ÓËÚ Ò‚ÂÚÓ‰ËÓ‰ fl‰ÓÏ Ò ÍÌÓÔÍÓÈ FREEZE),
3
ÚÓ Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚, Û͇Á‡ÌÌ˚ı ̇ ÒÚ‡Ìˈ «Freeze», ÓÒÚ‡ÌÛÚÒfl ÌÂÚÓÌÛÚ˚ÏË ‰‡Ê ÔË ÒÏÂÌ ·‡ÌÍÓ‚
„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË.
óÚÓ·˚ Á‡„ÛÁËÚ¸ ÌÂÓ·ıÓ‰ËÏ˚ Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚, ̇ÊÏËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ REGISTRATION
4
MEMORY (Ò‚ÂÚÓ‰ËÓ‰ ̇‰ ÌÂÈ ‰ÓÎÊÂÌ ·˚Ú¸ ÁÂÎÂÌ˚Ï).
ꉇÍÚËÓ‚‡ÌË „ÓÎÓÒÓ‚ — Sound Creator
PSR-2100/1100 ӷ·‰‡ÂÚ ÙÛÌ͈ËÂÈ Sound Creator, ÍÓÚÓ‡fl ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ „ÓÎÓÒ‡
ÔÛÚÂÏ Â‰‡ÍÚËÓ‚‡ÌËfl ÌÂÍÓÚÓ˚ı Ô‡‡ÏÂÚÓ‚ Ëϲ˘ËıÒfl „ÓÎÓÒÓ‚. èÓÒΠÒÓÁ‰‡ÌËfl „ÓÎÓÒ‡ „Ó
• ÉÓÎÓÒ‡ ÏÓÊÌÓ Ì‡Òڇ˂‡Ú¸ ‚
ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ ‚ ‡Á‰ÂΠԇÏflÚË USER ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ‚ ·Û‰Û˘ÂÏ.
‡θÌÓÏ ‚ÂÏÂÌË, ÌÂ
ÔÂ˚‚‡fl ‚ÓÒÔÓËÁ‚‰ÂÌËfl
HOLD
LEFT
VOICE EFFECT
BACK NEXT
SUSTAIN
HARMONY/
ECHO
MONOTOUCH
DSP
VARIATION
ÔÂÒÌË/ÒÚËÎfl.
STUDIO
DIGITAL
VOIC E
PIANO & HARPSI.
E.PIANO
ACCORDION
ORGAN &
SOUND CREATOR
MAIN
PERCUSSION
• àÏÂÈÚ ‚ ‚ˉÛ, ˜ÚÓ ÔË
DIGITAL RECORDING
A
F
B
G
LAYER
GUITAR
BASS
BRASS
WOODWIND
ÓÔ‰ÂÎÂÌÌ˚ı
MIXING CONSOLE
C
H
LEFT
STRINGS CHOIR & PAD
SYNTH.
XG
D
I
USER
ORGAN FLUTES
Ô‚Ó̇˜‡Î¸Ì˚ı ̇ÒÚÓÈ͇ı
DEMO
MENU
E
J
MUSIC
UPPER OCTAVE
FINDER
HELP
MIC.
RESET
„ÓÎÓÒ‡ „ÛÎËӂ͇ „Ó
OVER
SELECT
VH TYPE
SETTING
MIC.
HARMONY
VOCAL
TALK
EFFECT
FUNCTION
SIGNAL
ONE TOUCH SETTING
ACCESS
DIRECT
BALANCE
Ô‡‡ÏÂÚÓ‚ ÏÓÊÂÚ Ò΄͇
EXIT
ENTER
CHANNEL ON/OFF
ÓڇʇڸÒfl ̇ Ù‡ÍÚ˘ÂÒÍÓÏ
PART
REGISTRATION MEMORY
DATA ENTRY
FREEZE MEMORY
Á‚Û˜‡ÌËË ÚÂÏ·‡.
90
PSR-2100/1100
81 2 3 4 5 6 7
SONG
TRACKS
EXTRA
TRACK
2
TRACK
1 REPEAT
NOME
METRO-
(STYLE) (R)(L)
REC REW FF
TOP
START/STOP
STYLE
NEW SONG SYNC. START
POP & ROCK
SWING &
JAZZ
BALLROOM
MARCH &
WALTZ
BALLAD USERLATIN
DANCE
PART
TRANSPOSE
TEMPO
TAP TEMPO
MASTER VOLUME
RESET
RESET
STOP
FADE
MULTI PAD
IN/OUT
MIN MAX
STYLE CONTROL
DIGITAL
ACMP
BREAK
INTRO
MAIN
ENDING
/ rit.
STOP
SYNC.
SYNC.
AUTO
OTS
START
STUDIO
START/STOP
ON
STANDBY
FILL IN
LINK
SOUND CREATOR
èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ
óÚÓ·˚ ‚˚·‡Ú¸ Ô‡Ú˲ (MAIN, LAYER ËÎË
ç‡ÊÏËÚ ÍÌÓÔÍÛ
1
2
ÉÓÎÓÒ ÏÓÊÌÓ Ú‡ÍÊ ‚˚·‡Ú¸ ̇
LEFT), ÒÓ‰Âʇ˘Û˛ ËÒıÓ‰Ì˚È „ÓÎÓÒ,
[SOUND
˝Í‡Ì SOUND CREATOR.
̇ÊÏËÚ ÍÌÓÔÍÛ [F], [G] ËÎË [H].
CREATOR].
DIGITAL
ÇçàåÄçàÖ!
F
STUDIO
SOUND CREATOR
ÖÒÎË Á‡ÏÂÌËÚ¸ „ÓÎÓÒ Â‰‡Í-
G
ÚËÛÂÏÓÈ Ô‡ÚËË, ÚÓ Á‡‰‡ÌÌ˚Â
H
Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚ ·Û‰ÛÚ
DIGITAL RECORDING
I
ÛÚÂflÌ˚. LJÊÌ˚ ‰‡ÌÌ˚Â
J
ÒΉÛÂÚ ÒÓı‡ÌflÚ¸ ‚ ‡Á‰ÂÎÂ
MIXING CONSOLE
Ô‡ÏflÚË USER ËÎË Ì‡ ‰ËÒÍÂÚÂ.
PART
éÚ‰‡ÍÚËÛÈÚ ԇ‡ÏÂÚ˚ „ÓÎÓÒ‡.
3
èÓfl‰ÓÍ ËÒÔÓθÁÓ‚‡ÌËfl ‚˚·Ë‡ÂÏ˚ı ̇ ˝ÚÓÏ ˝Ú‡Ô ÙÛÌ͈ËÈ ‰ÂڇθÌÓ ËÁÎÓÊÂÌ Ì‡ ÒÚ. 92 (Ó·˚˜Ì˚ „ÓÎÓÒ‡) Ë
ÒÚ. 94 (Ó„‡ÌÌ˚ ÙÎÂÈÚ˚).
Ç˚·ÂËÚ Ú·ÛÂÏÓ ÏÂÌ˛ Ò
é·˚˜Ì˚È „ÓÎÓÒ
ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [NEXT]/[BACK].
鄇ÌÌ˚ ÙÎÂÈÚ˚ (PSR-2100)
á‰ÂÒ¸ ÓÚÓ·‡Ê‡˛ÚÒfl
A
F
‰ÓÒÚÛÔÌ˚ ‰Îfl
B
G
‰‡ÍÚËÓ‚‡ÌËfl
C
H
Ô‡‡ÏÂÚ˚. éÌË
D
I
ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú
E
J
Ô‡‡ÏÂÚ‡Ï/Á̇˜ÂÌËflÏ,
Û͇Á‡ÌÌ˚Ï ‚ ÌËÊÌÂÈ
˜‡ÒÚË ˝Í‡Ì‡.
Ç ÔÓˆÂÒÒ ‡·ÓÚ˚ ÏÓÊÌÓ Ò‡‚ÌË‚‡Ú¸
äÌÓÔÍË ‚˚·Ó‡/̇ÒÚÓÈÍË Ô‡‡ÏÂÚÓ‚.
ËÒıÓ‰Ì˚È „ÓÎÓÒ Ò ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚Ï.
äÌÓÔÍË ‚˚·Ó‡ ÏÂÌ˛.
ùÚ‡ ÍÌÓÔ͇ ÓÚÍ˚‚‡ÂÚ ˝Í‡Ì Save (Voice), Ò ÔÓÏÓ˘¸˛ ÍÓÚÓÓ„Ó ÏÓÊÌÓ
Ç ‚˚·‡ÌÌÓÏ ÏÂÌ˛ ÙÓÌ ÒÚ‡ÌÓ‚ËÚÒfl ˜ÂÌ˚Ï, ‡ ·ÛÍ‚˚ — ·ÂÎ˚ÏË.
ÒÓı‡ÌËÚ¸ ‰‡ÍÚËÛÂÏ˚È „ÓÎÓÒ ‚ ‡Á‰ÂΠԇÏflÚË USER (ÒÚ. 47).
ëÓı‡ÌËÚ ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚È „ÓÎÓÒ ‚
óÚÓ·˚ ‚˚·‡Ú¸ ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚È
4
‡Á‰ÂΠԇÏflÚË USER (Flash ROM) ‚ ‚ˉÂ
5
„ÓÎÓÒ, ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔÍÓÈ [USER].
ÔÓθÁÓ‚‡ÚÂθÒÍÓ„Ó „ÓÎÓÒ‡ (User) (ÒÚ. 47).
ꉇÍÚËÓ‚‡ÌË „ÓÎÓÒ‡ — SOUND CREATOR
臇ÏÂÚ˚ Ó·˚˜ÌÓ„Ó „ÓÎÓÒ‡
COMMON (Ó·˚˜Ì˚Â) ᇉ‡˛ÚÒfl Ó·˚˜Ì˚ ԇ‡ÏÂÚ˚, ̇ÔËÏ „ÓÏÍÓÒÚ¸ „ÓÎÓÒ‡ ËÎË ÓÍÚ‡‚‡.
ëΉÛÂÚ ËÏÂÚ¸ ‚ ‚ˉÛ, ˜ÚÓ
̇ÒÚÓÈ͇ ÌÂÍÓÚÓ˚ı ËÁ
SOUND (Á‚ÛÍÓ‚˚Â) ç‡Òڇ˂‡˛ÚÒfl Ô‡‡ÏÂÚ˚ ÚÂÏ·‡/ÙÛÌ͈ËË Envelope Generator („Â̇ÚÓ
ÒÛ˘ÂÒÚ‚Û˛˘Ëı Ô‡‡ÏÂÚÓ‚ Ò
Ó„Ë·‡˛˘Ëı)/‚Ë·‡ÚÓ.
ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Sound Creator
EFFECT/EQ (˝ÙÙÂÍÚ˚ Ë
ÔË‚Ó‰ËÚ ÚÓθÍÓ Í ËÁÏÂÌÂÌ˲
˝Í‚‡Î‡ÈÁÂ) (PSR-2100)
ᇉ‡˛ÚÒfl ÚËÔ/„ÎÛ·Ë̇ ‚ÓÁ‰ÂÈÒÚ‚Ëfl ˝ÙÙÂÍÚ‡ Ë Ô‡‡ÏÂÚ˚ ˝Í‚‡Î‡ÈÁ‡.
„ÓÎÓÒ‡ „·‚ÌÓÈ ˜‡ÒÚË.
EFFECT (˝ÙÙÂÍÚ˚) (PSR-1100)
HARMONY („‡ÏÓÌËÁ‡ˆËfl) ᇉ‡˛ÚÒfl Ô‡‡ÏÂÚ˚ „‡ÏÓÌËÁ‡ˆËË Ë ˝ı‡.
臇ÏÂÚ˚ ‰Îfl Ó„‡ÌÌ˚ı ÙÎÂÈÚ ÒÏ. ÒÚ. 94
è˜ËÒÎÂÌÌ˚ ÌËÊ ԇ‡ÏÂÚ˚ ÏÓÊÌÓ Ì‡Òڇ˂‡Ú¸ Ì ÚÓθÍÓ Ì‡ ˝Í‡Ì ‰‡ÍÚËÓ‚‡ÌËfl „ÓÎÓÒÓ‚, ÌÓ Ì‡ ‰Û„Ëı ˝Í‡Ì‡ı.
臇ÏÂÚ ÄθÚÂ̇ÚË‚Ì˚È ˝Í‡Ì ̇ÒÚÓÈÍË
MONO (ÏÓÌÓÙÓÌËfl) „ÛÔÔ‡ ÍÌÓÔÓÍ VOICE EFFECT (Ô‡ÌÂθ ÛÔ‡‚ÎÂÌËfl) ÒÚ. 61
PORTAMENTO TIME (ÔÓÚ‡ÏÂÌÚÓ) MIXING CONSOLE (ÍÓÌÒÓθ ÏËͯ‡) ÒÚ. 126
FILTER BRIGHTNESS (ÙËÎ¸Ú «flÍÓÒÚË» ÚÂÏ·‡) MIXING CONSOLE ÒÚ. 126
FILTER HARMONIC CONTENT (ÙËÎ¸Ú „‡ÏÓÌËÍ) MIXING CONSOLE ÒÚ. 126
REVERB DEPTH („ÎÛ·Ë̇ ‚·‡ˆËË) MIXING CONSOLE ÒÚ. 127
CHORUS DEPTH („ÎÛ·Ë̇ ıÓÛÒ‡) MIXING CONSOLE ÒÚ. 127
DSP ON/OFF (‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ˆËÙÓ‚Ó„Ó Ò˄̇θÌÓ„Ó ÔÓˆÂÒÒÓ‡) VOICE EFFECT (Ô‡ÌÂθ ÛÔ‡‚ÎÂÌËfl) ÒÚ. 60
DSP DEPTH („ÎÛ·Ë̇ Ó·‡·ÓÚÍË Ò˄̇· ˆËÙÓ‚˚Ï Ò˄̇θÌ˚Ï
MIXING CONSOLE ÒÚ. 127
ÔÓˆÂÒÒÓÓÏ)
DSP TYPE/VARIATION (ÚËÔ Ó·‡·ÓÚÍË/‚‡Ë‡ˆËË) MIXING CONSOLE/VOICE EFFECT ÒÚ. 61, 127
EQ LOW/GAIN (ÛÒËÎÂÌË ÌËÁÍËı ˜‡ÒÚÓÚ) MIXING CONSOLE ÒÚ. 124
EQ HIGH/GAIN (ÛÒËÎÂÌË ‚˚ÒÓÍËı ˜‡ÒÚÓÚ) MIXING CONSOLE ÒÚ. 124
HARMONY/ECHO TYPE (ÚËÔ „‡ÏÓÌËÁ‡ˆËË/˝ı‡) ˝Í‡Ì HARMONY/ECHO (ÍÌÓÔ͇ FUNCTION) ÒÚ. 146
HARMONY/ECHO VOLUME („ÓÏÍÓÒÚ¸ ‰Ó·‡‚ÎÂÌÌÓ„Ó Ò˄̇·) HARMONY/ECHO (FUNCTION) ÒÚ. 146
HARMONY/ECHO SPEED (˜‡ÒÚÓÚ‡ „‡ÏÓÌËÁ‡ˆËË/‰Ó·‡‚ÎÂÌËfl ˝ı‡) HARMONY/ECHO (FUNCTION) ÒÚ. 146
HARMONY/ECHO ASSIGN (‚‡Ë‡ÌÚ˚ ÔËÏÂÌÂÌËfl ˝ÙÙÂÍÚ‡) HARMONY/ECHO (FUNCTION) ÒÚ. 146
HARMONY/ECHO CHORD NOTE ONLY (˝ÙÙÂÍÚ „‡ÏÓÌËÁ‡ˆËË/˝ı‡
HARMONY/ECHO (FUNCTION) ÒÚ. 146
Á‡Ú‡„Ë‚‡ÂÚ ÚÓθÍÓ ÓÒÌÓ‚ÌÓÈ ÚÓÌ ‡ÍÍÓ‰‡)
HARMONY/ECHO TOUCH LIMIT (ÔÓÓ„ ÒËÎ˚ ̇ʇÚËfl) HARMONY/ECHO (FUNCTION) ÒÚ. 146
é·˚˜Ì˚ ԇ‡ÏÂÚ˚
Ç ‰‡ÌÌÓÏ ‡Á‰ÂΠÔ˂‰ÂÌ˚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó ¯‡„ ‹3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚ. 90.
PSR-2100/1100
91
81 2 3 4 5 6 7
äÌÓÔÍË Â„ÛÎËÓ‚ÍË „ÓÏÍÓÒÚË
‰‡ÍÚËÛÂÏÓ„Ó „ÓÎÓÒ‡.
äÌÓÔÍË Â„ÛÎËÓ‚ÍË ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË
äÌÓÔÍË ÛÒÚ‡ÌÓ‚ÍË ‚ÂÏÂÌË
Í·‚ˇÚÛ˚ Í Ì‡Ê‡Ú˲ (Á‡‰‡ÂÚÒfl
ÔÓÚ‡ÏÂÌÚÓ ‰Îfl ͇ʉÓÈ ˜‡ÒÚË (MAIN/
ÒÚÂÔÂ̸ Á‡‚ËÒËÏÓÒÚË ËÁÏÂÌÂÌËfl
LAYER/VOICE) (ÒÚ. 126).
„ÓÏÍÓÒÚË „ÓÎÓÒ‡ ÓÚ ËÁÏÂÌÂÌËfl ÒËÎ˚
Û‰‡‡ ÔÓ Í·‚˯‡Ï).
0.......... ìÓ‚Â̸ „ÓÏÍÓÒÚË ËÁÏÂÌflÂÚÒfl
äÌÓÔ͇ ÔÂÂÍβ˜ÂÌËfl ÏÂʉÛ
‚ Á̇˜ËÚÂθÌ˚ı ԉ·ı ÔË
ÔÓÎËÙÓÌ˘ÂÒÍËÏ Ë ÏÓÌÓÙÓÌ˘ÂÒÍËÏ
‰‚‡ Á‡ÏÂÚÌÓÏ ËÁÏÂÌÂÌËË
ÂÊËÏÓÏ Á‚Û˜‡ÌËfl „ÓÎÓÒ‡ (ÒÚ. 61).
ÒËÎ˚ ̇ʇÚËfl.
64........ ä·‚ˇÚÛ‡ ‡„ËÛÂÚ Ì‡
äÌÓÔ͇ Ò‰‚Ë„‡ ‚˚·‡ÌÌÓ„Ó „ÓÎÓÒ‡ ̇
̇ʇÚË ӷ˚˜Ì˚Ï Ó·‡ÁÓÏ.
ÓÍÚ‡‚Û(˚) ‚‚Âı ËÎË ‚ÌËÁ. ÖÒÎË
127...... ÉÓÎÓÒ Á‚Û˜ËÚ Ó‰Ë̇ÍÓ‚Ó „ÓÏÍÓ
‚˚·‡Ì „ÓÎÓÒ ‰Îfl „·‚ÌÓÈ ˜‡ÒÚË ËÎË
ÔË Î˛·ÓÈ ÒËΠ̇ʇÚËfl
˜‡ÒÚË ÒÎÓfl, Á‡‰‡ÂÚÒfl Ô‡‡ÏÂÚ M/LYR.
(ÙËÍÒËÓ‚‡ÌÌ˚È ÛÓ‚Â̸
ÖÒÎË ‚˚·‡Ì „ÓÎÓÒ ‰Îfl Ô‡ÚËË Î‚ÓÈ
˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË)
ÛÍË, ÚÓ Á‡‰‡ÂÚÒfl Ô‡‡ÏÂÚ LEFT.
ꉇÍÚËÓ‚‡ÌË „ÓÎÓÒ‡ — SOUND CREATOR
á‚ÛÍÓ‚˚ ԇ‡ÏÂÚ˚
Ç ‰‡ÌÌÓÏ ‡Á‰ÂΠÔ˂‰ÂÌ˚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó ¯‡„ ‹3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚ. 90.
■ îËθÚ
臇ÏÂÚ˚ ÙËθڇ ÓÔ‰ÂÎfl˛Ú Ó·˘ËÈ ı‡‡ÍÚ Á‚Û˜‡ÌËfl ÚÂÏ·‡, ÔÓÁ‚ÓÎflfl ÛÒËÎË‚‡Ú¸ ËÎË
«ÒÂÁ‡Ú¸» ÓÔ‰ÂÎÂÌÌ˚È ˜‡ÒÚÓÚÌ˚È ‰Ë‡Ô‡ÁÓÌ.
■ EG („Â̇ÚÓ Ó„Ë·‡˛˘Ëı)
àÁÏÂÌÂÌË ԇ‡ÏÂÚÓ‚ „Â̇ÚÓ‡ Ó„Ë·‡˛˘Ëı ‚ÎËflÂÚ Ì‡ ‰Ë̇ÏËÍÛ Á‚Û͇. ë ÔÓÏÓ˘¸˛ Ó„Ë·‡˛˘Ëı ÏÓÊÌÓ ËÏËÚËÓ‚‡Ú¸ ÏÌÓ„ËÂ
ÓÒÓ·ÂÌÌÓÒÚË Á‚Û˜‡ÌËfl ‡ÍÛÒÚ˘ÂÒÍËı ËÌÒÚÛÏÂÌÚÓ‚. ç‡ÔËÏÂ, ÔÂÍÛÒÒËÓÌÌ˚ Á‚ÛÍË ÓÚ΢‡˛ÚÒfl ·˚ÒÚÓÈ ‡Ú‡ÍÓÈ Ë ·˚ÒÚ˚Ï
Á‡ÚÛı‡ÌËÂÏ, ‚ ÚÓ ‚ÂÏfl Í‡Í Á‚ÛÍ ÙÓÚÂÔˇÌÓ, ̇ ÍÓÚÓÓÏ Ë„‡˛Ú Ò Ì‡Ê‡ÚÓÈ Ô‡‚ÓÈ Ô‰‡Î¸˛, Ó·˚˜ÌÓ ‰ÓÎ„Ó Ì Á‡ÚÛı‡ÂÚ.
• ATTACK (‡Ú‡Í‡)
éÔ‰ÂÎflÂÚ, ̇ÒÍÓθÍÓ ·˚ÒÚÓ ÔÓÒΠ̇ʇÚËfl Í·‚Ë¯Ë Á‚ÛÍ
‰ÓÒÚË„‡ÂÚ Ï‡ÍÒËχθÌÓÈ „ÓÏÍÓÒÚË. óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ
ωÎÂÌÌ ˝ÚÓ ÔÓËÒıÓ‰ËÚ.
• DECAY (Ô‚˘ÌÓ Á‡ÚÛı‡ÌËÂ)
éÔ‰ÂÎflÂÚ, ̇ÒÍÓθÍÓ ·˚ÒÚÓ Á‚ÛÍ ‰ÓÒÚË„‡ÂÚ ÛÓ‚Ìfl ÒÛÒÚÂÈ̇
(„ÓÏÍÓÒÚ¸ ÌÂÏÌÓ„Ó ÌËÊ χÍÒËχθÌÓÈ). óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ,
ÚÂÏ Ï‰ÎÂÌÌ Á‡ÚÛı‡ÂÚ Á‚ÛÍ.
• RELEASE (ÍÓ̈‚Ó Á‡ÚÛı‡ÌËÂ)
éÔ‰ÂÎflÂÚ ‚ÂÏfl, ÌÂÓ·ıÓ‰ËÏÓ ‰Îfl ÔÓÎÌÓ„Ó Á‡ÚÛı‡ÌËfl Á‚Û͇ ÔÓÒÎÂ
ÓÚÔÛÒ͇ÌËfl Í·‚˯Ë. óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ ‰Óθ¯Â ˝ÚÓ ÔÓËÒıÓ‰ËÚ.
92
PSR-2100/1100
81 2 3 4 5 6 7
äÌÓÔÍË Ì‡ÒÚÓÈÍË ÙËθڇ,
„Â̇ÚÓ‡ Ó„Ë·‡˛˘Ëı (EG)
Ë ‚Ë·‡ÚÓ (ÒÏ. ÌËÊÂ).
îËÎ¸Ú Ì ÚÓθÍÓ ÒÔÓÒÓ·ÂÌ
Ôˉ‡Ú¸ ÚÂÏ·Û Ïfl„ÍÓÒÚ¸ ËÎË
ÂÁÍÓÒÚ¸ — Â„Ó Ú‡ÍÊ ÏÓÊÌÓ
• BRI
ÉÓÏÍÓÒÚ¸
ó‡ÒÚÓÚ‡ ÒeÁ‡
ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ÒÓÁ‰‡ÌËfl
«˝ÎÂÍÚÓÌÌ˚ı»,
«ÒËÌÚÂÁ‡ÚÓÌ˚ı» ˝ÙÙÂÍÚÓ‚.
ó‡ÒÚÓÚ‡
(‚˚ÒÓÚ‡
ó‡ÒÚÓÚ˚, ÔÓÔÛÒ͇eÏ˚e
ÑˇԇÁÓÌ ÒeÁ‡
Á‚Û͇)
ÙËθÚÓÏ.
G
HTNE
SS
(
flÍÓÒÚ¸)
ùÚÓÚ Ô‡‡ÏÂÚ Á‡‰‡ÂÚ ˜‡ÒÚÓÚÛ ÒÂÁ‡ ËÎË
‰Ë‡Ô‡ÁÓÌ ˝ÙÙÂÍÚË‚Ì˚ı ˜‡ÒÚÓÚ (ÂÁÓ̇ÌÒ)
ÚÂÏ·‡ (ÒÏ. ‰Ë‡„‡ÏÏÛ). óÂÏ ‚˚¯Â „Ó
Á̇˜ÂÌËÂ, ÚÂÏ fl˜Â Á‚Û˜‡ÌË ÚÂÏ·‡.
• Harmonic Content (‰Ó·‡‚ÎÂÌË „‡ÏÓÌËÍ)
ÉÓÏÍÓÒÚ¸
éÔ‰ÂÎflÂÚ ÛÓ‚Â̸ ÛÒËÎÂÌËfl ˜‡ÒÚÓÚ,
êÂÁÓ̇ÌÒ
êeÁÓ̇ÌÒ
ÔË΄‡˛˘Ëı Í Á‡‰‡ÌÌÓÈ ˜‡ÒÚÓÚ ÒÂÁ‡ (ÒÏ.
‰Ë‡„‡ÏÏÛ). óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ ·ÓÎÂÂ
‚˚‡ÊÂÌÌ˚Ï ÒÚ‡ÌÓ‚ËÚÒfl ˝ÙÙÂÍÚ.
ó‡ÒÚÓÚ‡
(‚˚ÒÓÚ‡ Á‚Û͇)
Yӂe̸
Ò˄̇·
ATTACK RELEASE
DECAY
ÇeÏfl
ä·‚˯‡ ̇ʇڇ
ä·‚˯‡ ÓÚÔÛ˘ė
óÂÏ ·Óθ¯Â Á̇˜ÂÌËÂ
Ô‡‡ÏÂÚ‡ RELEASE, ÚÂÏ
‰Óθ¯Â ‰ÎËÚÒfl Ù‡Á‡ ÒÛÒÚÂÈ̇.
ꉇÍÚËÓ‚‡ÌË „ÓÎÓÒ‡ — SOUND CREATOR
■ ÇË·‡ÚÓ
• DEPTH („ÎÛ·Ë̇)
VIBRATO (‚Ë·‡ÚÓ)
ᇉ‡ÂÚ ÒÚÂÔÂ̸ ‚˚‡ÊÂÌÌÓÒÚË ˝ÙÙÂÍÚ‡ ‚Ë·‡ÚÓ (ÒÏ. ‰Ë‡„‡ÏÏÛ). óÂÏ ‚˚¯Â
ᇠҘÂÚ ÔÂËӉ˘ÂÒÍÓ„Ó
˝ÚÓ Á̇˜ÂÌËÂ, ÚÂÏ ·ÓΠÓÌ ‚˚‡ÊÂÌ.
ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇
ÒÓÁ‰‡ÂÚÒfl ˝ÙÙÂÍÚ «‰ÓʇÌËfl».
• SPEED (ÔÂËÓ‰)
ᇉ‡ÂÚ ÔÂËÓ‰ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ (ÒÏ. ‰Ë‡„‡ÏÏÛ).
• DELAY (Á‡‰ÂÊ͇)
éÔ‰ÂÎflÂÚ ÔÂËÓ‰ ‚ÂÏÂÌË ÏÂÊ‰Û Ì‡Ê‡ÚËÂÏ Ì‡ Í·‚Ë¯Û Ë
Á‡ÔÛÒÍÓÏ ˝ÙÙÂÍÚ‡ ‚Ë·‡ÚÓ (ÒÏ. ‰Ë‡„‡ÏÏÛ). óÂÏ ‚˚¯Â ˝ÚÓ
Á̇˜ÂÌËÂ, ÚÂÏ ·Óθ¯Â Á‡‰ÂÊ͇.
ùÙÙÂÍÚ˚ Ë ˝Í‚‡Î‡ÈÁÂ
Ç ‰‡ÌÌÓÏ ‡Á‰ÂΠÔ˂‰ÂÌ˚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó ¯‡„ ‹3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚ. 90.
HARMONY („‡ÏÓÌËÁ‡ˆËfl)
Ç ‰‡ÌÌÓÏ ‡Á‰ÂΠÔ˂‰ÂÌ˚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó ¯‡„ ‹3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚ. 90.
éÚÓ·‡Ê‡ÂÏ˚ ̇ ‰‡ÌÌÓÏ ˝Í‡Ì ԇ‡ÏÂÚ˚ ˉÂÌÚ˘Ì˚ Ô‡‡ÏÂÚ‡Ï Ì‡ ˝Í‡Ì HARMONY/ECHO, ÍÓÚÓ˚È ÏÓÊÌÓ ‚˚Á‚‡Ú¸,
̇ʇ‚ ÍÌÓÔÍÛ FUNCTION. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ô˂‰ÂÌ˚ ̇ ÒÚ. 147.
PSR-2100/1100
93
SPEED
Yӂe̸
Ò˄̇·
DEPTH
DELAY
ÇeÏfl
81 2 3 4 5 6 7
Ç ˝ÚÓÈ ÒÚÓÍ ÏÓÊÌÓ Á‡‰‡Ú¸ ÚËÔ
Ó·‡·ÓÚÍË Ò˄̇· Ò ÔÓÏÓ˘¸˛ DSP
(ˆËÙÓ‚ÓÈ Ò˄̇θÌ˚È ÔÓˆÂÒÒÓ).
ëÚÛÍÚÛÌ˚ ÒıÂÏ˚ ÔÓıÓʉÂÌËfl
Ó·‡·‡Ú˚‚‡ÂÏÓ„Ó ˝ÙÙÂÍÚ‡ÏË
Ò˄̇· Ô˂‰ÂÌ˚ ̇ ÒÚ. 129;
Ô˜Â̸ ÚËÔÓ‚ ˝ÙÙÂÍÚÓ‚
ÒÓ‰ÂÊËÚÒfl ‚ Ò·ÓÌËÍ ڇ·Îˈ.
ùÚ‡ ÒÚÓ͇ ÔÓÁ‚ÓÎflÂÚ ÓÔ‰ÂÎËÚ¸
˜‡ÒÚÓÚ˚ Ë ÛÓ‚Â̸ ÛÒËÎÂÌËfl,
Á‡‰‡‚‡ÂÏ˚ ‰Îfl ÔÓÎÓÒ ÌËÁÍËı
Ë ‚˚ÒÓÍËı ˜‡ÒÚÓÚ (PSR-2100).
ùÚË ÍÌÓÔÍË ‚˚ÔÓÎÌfl˛Ú ÚÛ Ê Óθ, ˜ÚÓ Ë
‚ ÍÓÌÒÓÎË ÏËͯ‡ (ÒÏ. ÒÚ. 127).
äÌÓÔÍË Â„ÛÎËÓ‚ÍË ÛÓ‚Ìfl ÒÛÒÚÂÈ̇ ‰Îfl Í‡Ê‰Ó„Ó „ÓÎÓÒ‡
(‰ÂÈÒÚ‚Û˛Ú Î˯¸ ÔË ‚Íβ˜ÂÌËË ÍÌÓÔÍË [SUSTAIN].
ꉇÍÚËÓ‚‡ÌË „ÓÎÓÒ‡ — SOUND CREATOR
鄇ÌÌ˚ ÙÎÂÈÚ˚ (PSR-2100)
èÓÏËÏÓ ÏÌÓÊÂÒÚ‚‡ ÚÂÏ·Ó‚ Ó„‡ÌÓ‚, Ëϲ˘ËıÒfl ‚ „ÛÔÔ „ÓÎÓÒÓ‚ ORGAN, PSR-2100/1100 ӷ·‰‡ÂÚ „ÓÎÓÒÓÏ ORGAN FLUTES
(«Ó„‡ÌÌ˚ ÙÎÂÈÚ˚»).
ì͇Á‡ÌÌ˚ Á‰ÂÒ¸ Ó·˙flÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û ‹3 ÒÏ. ÒÚ. 90.
ìÒÚ‡ÌÓ‚ËÚ ÌÛÊÌÓ «ÒÓ˜ÂÚ‡ÌË ÚÛ·».
■ 臇ÏÂÚ˚
Organ Type (ÚËÔ Ó„‡Ì‡) íËÔ ËÏËÚËÛÂÏÓ„Ó Ó„‡ÌÌÓ„Ó ÚÂÏ·‡: Ò ÒËÌÛÒÓˉ‡Î¸ÌÓÈ Á‚ÛÍÓ‚ÓÈ ‚ÓÎÌÓÈ ËÎË Ò ‚ÓÎÌÓÈ, ËÏËÚËÛ˛˘ÂÈ Á‚ÛÍ
ÒÚ‡ËÌÌÓ„Ó Ó„‡Ì‡.
Rotary SP Speed
äÌÓÔ͇ «Rotary SP Speed» ([C]) ÔÓÁ‚ÓÎflÂÚ ‚˚·‡Ú¸ ·˚ÒÚÛ˛ ËÎË Ï‰ÎÂÌÌÛ˛ ÒÍÓÓÒÚ¸ ‚‡˘ÂÌËfl ‰Ë̇ÏË͇.
(ÒÍÓÓÒÚ¸ ‚‡˘ÂÌËfl ‰Ë̇ÏË͇)
óÚÓ·˚ Á‡‰ÂÈÒÚ‚Ó‚‡Ú¸ ˝ÙÙÂÍÚ «‚‡˘‡˛˘Â„ÓÒfl ‰Ë̇ÏË͇», Â„Ó ÌÂÓ·ıÓ‰ËÏÓ ‚˚·‡Ú¸ ‰Îfl „ÓÎÓÒ‡ Organ Flutes
(ÒÏ. ÌËÊ ÒÚÓÍÛ «DSP Type»). äÓÏ ÚÓ„Ó, ÌÂÓ·ıÓ‰ËÏÓ ‚Íβ˜ËÚ¸ ÍÌÓÔÍÛ VOICE EFFECT [DSP]. äÌÓÔ͇
«Rotary SP Speed» Ë„‡ÂÚ ÚÛ Ê Óθ, ˜ÚÓ Ë ÍÌÓÔ͇ VOICE EFFECT [VARIATION]).
Vibrato On/Off
ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË ([G]) ÏÓÊÌÓ ‚Íβ˜‡Ú¸ Ë ÓÚÍβ˜‡Ú¸ ˝ÙÙÂÍÚ ‚Ë·‡ÚÓ ‰Îfl «Ó„‡ÌÌ˚ı ÙÎÂÈÚ».
(‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ‚Ë·‡ÚÓ)
Vibrato Depth („ÎÛ·Ë̇ ‚Ë·‡ÚÓ) ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË ([H]) ‚˚ ÏÓÊÂÚ Á‡‰‡Ú¸ Ó‰ËÌ ËÁ ÚÂı ÛÓ‚ÌÂÈ, ÓÔ‰ÂÎfl˛˘Ëı Ò‰‚Ë„ ‚˚ÒÓÚ˚ ÚÓ̇, ÍÓÚÓ˚È
Ë ÒÓÁ‰‡ÂÚ ˝ÙÙÂÍÚ ‚Ë·‡ÚÓ. ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ ÔÓÒΉӂ‡ÚÂθÌÓ Á‡‰‡Ú¸ „ÎÛ·ËÌÛ ‚Ë·‡ÚÓ «1», «2» Ë «3».
Footage (ÒÓ˜ÂÚ‡ÌË ÚÛ·) ùÚÓÚ Ô‡‡ÏÂÚ ÓÚÌÓÒËÚÒfl Í ÓÒÌÓ‚Â ÚÂÏ·‡ «Ó„‡ÌÌ˚ı ÙÎÂÈÚ». àÒÔÓθÁÓ‚‡ÌË ‚˚‡ÊÂÌËfl «footage» (‰ÎË̇
Ó„‡ÌÌÓÈ ÚÛ·˚ ‚ ÙÛÚ‡ı) — ˝ÚÓ ‰‡Ì¸ Ú‡‰ËˆËË. ë‡Ï ÚÂÏËÌ ‚ÓÁÌËÍ ‚ ˝ÔÓıÛ ÒÚ‡ËÌÌ˚ı Ó„‡ÌÓ‚, ‰Îfl ÍÓÚÓ˚ı
ËÒÚÓ˜ÌËÍÓÏ Á‚Û͇ ·˚Π̇·Ó ÚÛ· ‡Á΢ÌÓÈ ‰ÎËÌ˚. óÂÏ ‰ÎËÌÌ ÚÛ·‡, ÚÂÏ ·ÓΠÌËÁÍËÈ Á‚ÛÍ Ó̇ ËÁ‰‡‚‡Î‡.
èÓ˝ÚÓÏÛ Ô‡‡ÏÂÚ 16’ (ÚÛ·‡ ‰ÎËÌÓÈ ‚ 16 ÙÛÚÓ‚) Á‡‰‡ÂÚ ‚Í·‰ ‚ Ó·˘Â Á‚Û˜‡ÌË ̇˷ÓΠÌËÁÍÓ„Ó
ÍÓÏÔÓÌÂÌÚ‡ ÚÂÏ·‡, ÚÓ„‰‡ Í‡Í Ô‡‡ÏÂÚ 1’ — ‚Í·‰ ̇˷ÓΠ‚˚ÒÓÍÓ„Ó ÍÓÏÔÓÌÂÌÚ‡. óÂÏ ·Óθ¯Â Á̇˜ÂÌËÂ
ÚÓ„Ó ËÎË ËÌÓ„Ó Ô‡‡ÏÂÚ‡, ÚÂÏ „ÓϘ Á‚Û˜ËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl ÂÏÛ «ÚÛ·‡». ëÓÁ‰‡‚‡fl ÒÓ˜ÂÚ‡ÌËfl ÚÛ· Ò
‡Á΢ÌÓÈ „ÓÏÍÓÒÚ¸˛, ‚˚ ÔÓÎÛ˜‡ÂÚ ‚ ËÚÓ„Â ÛÌË͇θÌ˚ ӄ‡ÌÌ˚ ÚÂÏ·˚.
Volume (VOL) („ÓÏÍÓÒÚ¸) ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË „ÓÎÓÒ‡ ‚ ˆÂÎÓÏ. ìÓ‚Â̸ „ÓÏÍÓÒÚË ÓڇʇÂÚÒfl Ë̉Ë͇ÚÓÓÏ „ÓÏÍÓÒÚË ‚ ‚ˉÂ
ÔflÏÓÛ„ÓθÌË͇.
Response (RESP) (ÓÚÍÎËÍ) ùÚÓÚ Ô‡‡ÏÂÚ ÒÔÓÒÓ·ÂÌ ‚ÓÁ‰ÂÈÒÚ‚Ó‚‡Ú¸ ̇ Ù‡Á˚ ‡Ú‡ÍË Ë ÒÛÒÚÂÈ̇ Ó„Ë·‡˛˘ÂÈ. ë Â„Ó ÔÓÏÓ˘¸˛ ÏÓÊÌÓ
Û‚Â΢ËÚ¸ ËÎË ÛÏÂ̸¯ËÚ¸ ‚ÂÏfl «Â‡ÍˆËË» „ÓÎÓÒ‡ ̇ ̇ʇÚË Í·‚Ë¯Ë Ò Û˜ÂÚÓÏ Á̇˜ÂÌËÈ, Á‡‰‡ÌÌ˚ı ‰Îfl
Ô‡‡ÏÂÚ‡ FOOTAGE («ÒÓ˜ÂÚ‡ÌË ÚÛ·»). óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ Ï‰ÎÂÌÌ ̇‡ÒÚ‡ÂÚ „ÓÏÍÓÒÚ¸ Á‚Û͇ Ë
ÚÂÏ ‰Óθ¯Â ‰ÎËÚÒfl ÍÓ̈‚Ó Á‡ÚÛı‡ÌËÂ.
Vibrato Speed (VIB.SPEED)
ᇉ‡ÂÚ ÔÂËÓ‰ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ ÔË ‚Íβ˜ÂÌÌÓÏ ˝ÙÙÂÍÚ ‚Ë·‡ÚÓ. ìÔ‡‚ÎflÚ¸ ˝ÙÙÂÍÚÓÏ ÏÓÊÌÓ Ò
(ÒÍÓÓÒÚ¸ ‚Ë·‡ÚÓ)
ÔÓÏÓ˘¸˛ Ô‡‡ÏÂÚÓ‚ Vibrato On/Off Ë Vibrato Depth, ÓÔËÒ‡ÌÌ˚ı ‚˚¯Â.
Mode (ÂÊËÏ) Ç˚ ÏÓÊÂÚ ‚˚·‡Ú¸ Ó‰ËÌ ËÁ ‰‚Ûı ÂÊËÏÓ‚: FIRST Ë EACH. Ç ÂÊËÏ FIRST Ù‡Á‡ ‡Ú‡ÍË ËÏÂÂÚÒfl Î˯¸ Û ÚÂı
ÌÓÚ, ÍÓÚÓ˚ ·˚ÎË Ò˚„‡Ì˚ Ë Û‰ÂʇÌ˚ Ô‚˚ÏË. èÓ͇ ‚˚ Ëı Ì ÓÚÔÛÒÚËÎË, β·˚ ÔÓÒÎÂ‰Û˛˘Ë ÌÓÚ˚ ·Û‰ÛÚ
Î˯ÂÌ˚ ˝ÚÓÈ Ù‡Á˚. Ç ÂÊËÏ EACH Ù‡Á‡ ‡Ú‡ÍË ËÏÂÂÚÒfl Û ‚ÒÂı ÌÓÚ.
Attack
åÂÌflfl Á̇˜ÂÌËfl ˝ÚËı Ô‡‡ÏÂÚÓ‚, ‚˚ ÏÓÊÂÚ ‚ÎËflÚ¸ ̇ Ù‡ÁÛ ‡Ú‡ÍË ÓÚ‰ÂθÌ˚ı ÍÓÏÔÓÌÂÌÚÓ‚ „ÓÎÓÒ‡. àÌ˚ÏË
(‡Ú‡Í‡ ‰Îfl ÚÂÏ·‡ «ÚÛ·» 4’, 2 2/3’, 2’)
ÒÎÓ‚‡ÏË, ÏÓÊÌÓ ÛÒËÎË‚‡Ú¸ ËÎË ÓÒ··ÎflÚ¸ ‡Ú‡ÍÛ ‚ ÚÂÏ·‡ı «ÚÛ·» 4’, 2 2/3 ‘ Ë 2’. óÂÏ ‰ÎËÌÌ Ë̉Ë͇ÚÓ ‚
‚ˉ ÔflÏÓÛ„ÓθÌË͇, ÚÂÏ fl˜Â ‚˚‡ÊÂ̇ ‡Ú‡Í‡.
Length (LENG) (‰ÎË̇) ùÚÓÚ Ô‡‡ÏÂÚ Ô‰̇Á̇˜ÂÌ ‰Îfl „ÛÎËÓ‚ÍË Ù‡Á˚ Ô‚˘ÌÓ„Ó Á‡ÚÛı‡ÌËfl, Ë‰Û˘ÂÈ Ò‡ÁÛ ÔÓÒΠهÁ˚ ‡Ú‡ÍË.
ÑÎË̇ Ù‡Á˚ ÓڇʇÂÚÒfl Ë̉Ë͇ÚÓÓÏ ‚ ‚ˉ ÔflÏÓÛ„ÓθÌË͇. óÂÏ ÓÌ ‰ÎËÌÌÂÂ, ÚÂÏ ‰Óθ¯Â ‰ÎËÚÒfl
Á‡ÚÛı‡ÌËÂ.
Reverb Depth („ÎÛ·Ë̇ ‚·‡ˆËË)
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ˆËÙÓ‚˚ı ˝ÙÙÂÍÚ‡ı Ô˂‰ÂÌ˚ ̇ ÒÚ. 60, 127.
Chorus Depth („ÎÛ·Ë̇ ıÓÛÒ‡)
DSP on/off (‚ÍÎ./‚˚ÍÎ. DSP)
DSP Depth („ÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ DSP)
DSP Type (ÚËÔ ˝ÙÙÂÍÚ‡ DSP) éÔ‰ÂÎflÂÚ ÚËÔ ˝ÙÙÂÍÚ‡ DSP, ÔËÏÂÌflÂÏÓ„Ó Í „ÓÎÓÒÛ. é·˚˜ÌÓ ˝ÚÓ Ó‰ËÌ ËÁ ÒÂÏË ˝ÙÙÂÍÚÓ‚ «‚‡˘‡˛˘Â„ÓÒfl
‰Ë̇ÏË͇». èË ‚˚·Ó β·Ó„Ó ‰Û„Ó„Ó ˝ÙÙÂÍÚ‡ ÍÌÓÔ͇ ([C]) ̇ ˝Í‡Ì‡ı FOOTAGE Ë VOL/ATTACK ÌÂ
‚ÎËflÂÚ Ì‡ ÒÍÓÓÒÚ¸ ‚‡˘ÂÌËfl ‰Ë̇ÏË͇. ÇÏÂÒÚÓ ˝ÚÓ„Ó Ó̇ ·Û‰ÂÚ Ë„‡Ú¸ ÚÛ Ê Óθ, ˜ÚÓ Ë ÍÌÓÔ͇ VOICE
EFFECT [VARIATION].
Variation (‚‡Ë‡ˆËfl) LJˇˆËfl èÓÁ‚ÓÎflÂÚ ‚˚·‡Ú¸ ÒÍÓÓÒÚ¸ ‚‡Ë‡ˆËË DSP ‰Îfl „ÓÎÓÒ‡ «é„‡ÌÌ˚ ÙÎÂÈÚ˚» ÔË ‚Íβ˜ÂÌÌÓÈ ÙÛÌ͈ËË Voice
Set (ÒÏ. ÒÚ. 146).
á̇˜ÂÌË ìÒڇ̇‚ÎË‚‡ÂÚ Á̇˜ÂÌË ԇ‡ÏÂÚ‡ «‚‡Ë‡ˆËfl DSP» (̇ÔËÏÂ, Á̇˜ÂÌË «LFO Freq» ‰Îfl ˝ÙÙÂÍÚ‡
«‚‡˘‡˛˘Â„ÓÒfl ‰Ë̇ÏË͇»), ÂÒÎË ‚‡Ë‡ˆËfl ‚Íβ˜Â̇.
EQ Low (ÔÓÎÓÒ‡ ÌËÁÍËı ˜‡ÒÚÓÚ ‚
ùÚË Ô‡‡ÏÂÚ˚ ˝Í‚‡Î‡ÈÁ‡ ÓÔ‰ÂÎfl˛Ú ˜‡ÒÚÓÚ˚ Ë ÛÓ‚Â̸ ÛÒËÎÂÌËfl, Á‡‰‡‚‡ÂÏ˚ ‰Îfl ÔÓÎÓÒ ÌËÁÍËı Ë
˝Í‚‡Î‡ÈÁÂÂ)
‚˚ÒÓÍËı ˜‡ÒÚÓÚ.
EQ High (ÔÓÎÓÒ‡ ‚˚ÒÓÍËı ˜‡ÒÚÓÚ ‚
˝Í‚‡Î‡ÈÁÂÂ)
94
PSR-2100/1100
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ
— Song Creator
îÛÌ͈ËË Á‡ÔËÒË, ‡ÎËÁÓ‚‡ÌÌ˚ ‚ ÒËÌÚÂÁ‡ÚÓÂ, ÔÓÒÚ˚ ‰Îfl ÓÒ‚ÓÂÌËfl Ë ÔË ˝ÚÓÏ Ó·Î‡‰‡˛Ú ‚Ô˜‡ÚÎfl˛˘ËÏË ‚ÓÁÏÓÊÌÓÒÚflÏË.
ë Ëı ÔÓÏÓ˘¸˛ ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ Ë ÒÓı‡ÌflÚ¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ÍÓÏÔÓÁˈËË. ëÛ˘ÂÒÚ‚ÛÂÚ ÌÂÒÍÓθÍÓ ÏÂÚÓ‰Ó‚ Á‡ÔËÒË: Quick Recording
(ÒÚ. 96) — Ò‡Ï˚È ÔÓÒÚÓÈ ËÁ ‚ÒÂı; Multi Recording (ÒÚ. 97), ÔÓÁ‚ÓÎfl˛˘ËÈ ÒÓÁ‰‡‚‡Ú¸ ÌÂÒÍÓθÍÓ ˜‡ÒÚÂÈ, Ë Step Recording (ÒÚ. 99),
Ô‰̇Á̇˜ÂÌÌ˚È ‰Îfl ÔÓ¯‡„Ó‚Ó„Ó ‚‚Ó‰‡ ÌÓÚ. èÂÒÌË ÏÓ„ÛÚ ‚Íβ˜‡Ú¸ Ì ÚÓθÍÓ „ÓÎÓÒÓ‚˚ ԇ‡ÏÂÚ˚ ˜‡ÒÚÂÈ, Ë„‡ÂÏ˚ı Ò Í·‚Ë-
‡ÚÛ˚ (Main, Layer, Left), ÌÓ Ú‡ÍÊ ԇ‡ÏÂÚ˚ ˝ÙÙÂÍÚÓ‚, „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· Ë ˜‡ÒÚÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. á‡ÔËÒ‡ÌÌ˚ ÔÂÒÌË
ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ ‚ Ô‡ÏflÚË ÒËÌÚÂÁ‡ÚÓ‡ ËÎË Ì‡ ‰ËÒÍÂÚ (ÒÚ. 38, 47).
LEFT
HOLD
VOICE EFFECT
BACK NEXT
SUSTAIN
HARMONY/
ECHO
MONOTOUCH
DSP
VARIATION
DIGITAL
STUDIO
VOIC E
PIANO & HARPSI.
E.PIANO
ACCORDION
ORGAN &
SOUND CREATOR
MAIN
PERCUSSION
DIGITAL RECORDING
A
F
GUITAR
BASS
BRASS
WOODWIND
B
G
LAYER
MIXING CONSOLE
C
H
LEFT
STRINGS CHOIR & PAD
SYNTH.
XG
D
I
MENU
USER
ORGAN FLUTES
DEMO
E
J
MUSIC
UPPER OCTAVE
FINDER
HELP
MIC.
RESET
SELECT
VH TYPE
SETTING
MIC.
HARMONY
VOCAL
TALK
EFFECT
FUNCTION
SIGNAL
OVER
ACCESS
DIRECT
BALANCE
EXIT
ENTER
ONE TOUCH SETTING
CHANNEL ON/OFF
PART
REGISTRATION MEMORY
DATA ENTRY
FREEZE MEMORY
é Á‡ÔËÒË ÔÂÒÂÌ
ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ÒÔÓÒÓ·‡ Á‡ÔËÒË ÔÂÒÂÌ: ‚ ÂÊËÏ ‡θÌÓ„Ó ‚ÂÏÂÌË Ë ÔÓ¯‡„Ó‚ÓÏ ÂÊËÏÂ.
■ Realtime Recording
àÒÔÓÎÌflÂÏÓ ÔÓËÁ‚‰ÂÌË Á‡ÔËÒ˚‚‡ÂÚÒfl ‚ ‡θÌÓÏ ‚ÂÏÂÌË. ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ÂÊËχ
Á‡ÔËÒË: Quick Ë Multi.
êÂÊËÏ ·˚ÒÚÓÈ Á‡ÔËÒË — Quick Recording (ÒÚ. 96)
ùÚÓ Ò‡Ï˚È ÔÓÒÚÓÈ ÏÂÚÓ‰ Á‡ÔËÒË. ë Â„Ó ÔÓÏÓ˘¸˛ ÏÓÊÌÓ, ̇ÔËÏÂ, ·˚ÒÚÓ Á‡ÔËÒ‡Ú¸
ÔÂÒÌ˛, ÍÓÚÓÛ˛ ‚˚ ‡Áۘ˂‡ÂÚ ̇ ÙÓÚÂÔˇÌÓ. Ç˚·ÂËÚ ˜‡ÒÚ¸ (˜‡ÒÚË) ‰Îfl Á‡ÔËÒË:
Ô‡Ú˲ Ô‡‚ÓÈ ÛÍË, Ô‡Ú˲ ΂ÓÈ ÛÍË Ë Ô‡ÚËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡/ÏÛθÚËÔ˝‰. í‡Í,
̇ÔËÏÂ, ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ÚÓθÍÓ Ô‡Ú˲ Ô‡‚ÓÈ ÛÍË ËÎË Ê ӉÌÓ‚ÂÏÂÌÌÓ Ô‡Ú˲
Ô‡‚ÓÈ ÛÍË Ë ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ.
êÂÊËÏ Á‡ÔËÒË ÌÂÒÍÓθÍËı „ÓÎÓÒÓ‚ — Multi Recording (ÒÚ. 97)
ùÚÓÚ ÂÊËÏ ÔÓÁ‚ÓÎflÂÚ Á‡ÔËÒ‡Ú¸ ÍÓÏÔÓÁËˆË˛ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÌÂÒÍÓθÍËı ‡Á΢Ì˚ı
ËÌÒÚÛÏÂÌÚÓ‚; ÏÓÊÌÓ ‰‡Ê ÔÓÔ˚Ú‡Ú¸Òfl ‚ÓÒÔÓËÁ‚ÂÒÚË Á‚Û˜‡ÌË ·Ë„-·˝Ì‰‡ ËÎË
ÒËÏÙÓÌ˘ÂÒÍÓ„Ó ÓÍÂÒÚ‡. á‡Ô˯ËÚ ԇÚ˲ Í‡Ê‰Ó„Ó ËÌÒÚÛÏÂÌÚ‡ ÔÓ ÓÚ‰ÂθÌÓÒÚË, ‡
Á‡ÚÂÏ ÒÓÁ‰‡ÈÚ ÓÍÂÒÚÓ‚ÍÛ. äÓÏ ÚÓ„Ó, ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌÛ˛ Ô‡Ú˲ ÔÓ‚Âı
ÍÓÏÔÓÁˈËË, Ëϲ˘ÂÈÒfl ‚ Ô‡ÏflÚË ÒËÌÚÂÁ‡ÚÓ‡ ËÎË Ì‡ ‰ËÒÍÂÚÂ.
■ êÂÊËÏ ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË — Step Recording (ÒÚ. 99)
ùÚËÏ ÒÔÓÒÓ·ÓÏ ÏÓÊÌÓ ÒÓÒÚ‡‚ÎflÚ¸ ËÒÔÓÎÌÂÌËÂ, «Á‡ÔËÒ˚‚‡fl» Â„Ó ÒÓ·˚ÚËfl ÔÓӘ‰ÌÓ.
á‡ÔËÒ¸ ‚‰ÂÚÒfl ‚Û˜ÌÛ˛ Ë Ì ‚ ‡θÌÓÏ ‚ÂÏÂÌË. ùÚÓ ‡Ì‡Îӄ˘ÌÓ Á‡ÔËÒË ÌÓÚ Ì‡ ·Ûχ„Û.
èÓθÁÛflÒ¸ ÒÔËÒÍÓÏ ÒÓ·˚ÚËÈ (ÒÚ. 108-110), ÏÓÊÌÓ ‚‚Ó‰ËÚ¸ ÌÓÚ˚, ‡ÍÍÓ‰˚ Ë ‰Û„ËÂ
ÒÓ·˚ÚËfl ÔÓ Ó‰ÌÓÏÛ.
■ ꉇÍÚËÓ‚‡ÌË ÔÂÒÂÌ (ÒÚ. 105)
ë ÔÓÏÓ˘¸˛ PSR-2100/1100 ‚˚ ÏÓÊÂÚ ‰‡ÍÚËÓ‚‡Ú¸ ÔÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ ‚ β·ÓÏ
ÂÊËÏÂ.
èË ÔÂÂÁ‡ÔËÒË Ù‡„ÏÂÌÚ‡ ÔÂÒÌË ËÒÔÓθÁÛÈÚ ÙÛÌÍˆË˛ Punch IN/OUT (ÒÚ. 104).
PSR-2100/1100
95
81 2 3 4 5 6 7
SONG
EXTRA
TRACKS
TRACK
2
TRACK
1 REPEAT
NOME
METRO-
(STYLE) (R)(L)
REC REW FF
TOP
START/STOP
STYLE
NEW SONG SYNC. START
POP & ROCK
SWING &
JAZZ
BALLROOM
MARCH &
WALTZ
BALLAD USERLATIN
DANCE
PART
TRANSPOSE
TEMPO
TAP TEMPO
MASTER VOLUME
RESET
RESET
STOP
FADE
MULTI PAD
IN/OUT
MIN MAX
STYLE CONTROL
ACMP
BREAK
INTRO
MAIN
ENDING
/ rit.
STOP
SYNC.
SYNC.
START
START/STOP
ON
STANDBY
AUTO
FILL IN
OTS
LINK
SONG
DIGITAL RECORDING
EXTRA
TRACK
TRACK
METRO-
TRACKS
2
1 REPEAT
NOME
(STYLE) (R)(L)
REC REW FF
TOP
START/STOP
NEW SONG SYNC. START
• ÖÏÍÓÒÚ¸ Ô‡ÏflÚË PSR-2100/1100
ÒÓÒÚ‡‚ÎflÂÚ ÓÍÓÎÓ 1520 K· (PSR-2100)/
700 K· (PSR-1100). é·˙ÂÏ ‰ËÒÍÂÚ ÚËÔÓ‚
2DD (‰ËÒÍÂÚ˚ ‰‚ÓÈÌÓÈ ÔÎÓÚÌÓÒÚË) Ë 2HD
(‰ËÒÍÂÚ˚ ‚˚ÒÓÍÓÈ ÔÎÓÚÌÓÒÚË)
ÒÓÒÚ‡‚ÎflÂÚ 720 ä· Ë 1,44 å·
ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ. èË ÒÓı‡ÌÂÌËË
‰‡ÌÌ˚ı ̇ ‰ËÒÍÂÚ‡ı ‚Ò ÚËÔ˚ Ù‡ÈÎÓ‚,
ÔÓ‰‰ÂÊË‚‡ÂÏ˚ PSR-2100/1100
(Ù‡ÈÎ˚ „ÓÎÓÒ‡, ÒÚËÎfl, ÔÂÒÌË,
„ËÒÚ‡ˆËÓÌÌ˚ هÈÎ˚ Ë Ú. ‰.),
ÒÓı‡Ìfl˛ÚÒfl ‚ Ó‰ÌÓÏ ÏÂÒÚÂ.
• ëË„Ì‡Î Ò ÏËÍÓÙÓÌÌÓ„Ó ‚ıÓ‰‡ (PSR-
2100) Á‡ÔËÒ‡Ú¸ ÌÂθÁfl.
• Ç PSR-2100/1100 Á‡ÔËÒ¸
ÓÒÛ˘ÂÒÚ‚ÎflÂÚÒfl ‚ ÙÓχÚ SMF
(Standard MIDI File format 0).
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó SMF
Ô˂‰ÂÌ˚ ̇ ÒÚ. 161).
• á‡ÔËÒ‡Ì̇fl ÔÂÒÌfl ÏÓÊÂÚ
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ˜ÂÂÁ ÔÓÚ MIDI OUT.
ùÚÓ ÔÓÁ‚ÓÎflÂÚ ‚‡Ï ËÒÔÓθÁÓ‚‡Ú¸
ÚÂÏ·˚ ‚̯ÌÂ„Ó ÚÓÌ-„Â̇ÚÓ‡,
ÔÓ‰Íβ˜ÂÌÌÓ„Ó Í ˝ÚÓÏÛ ÔÓÚÛ (ÒÚ. 149).
• ìÓ‚Â̸ „ÓÏÍÓÒÚË Í‡Ê‰Ó„Ó Í‡Ì‡Î‡
ÔÂÒÌË ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ Ò ÔÓÏÓ˘¸˛
ÍÓÌÒÓÎË ÏËͯ‡, ‡ Á‡ÚÂÏ ÒÓı‡ÌËÚ¸
ÒÓ˜ÂÚ‡ÌË ԇ‡ÏÂÚÓ‚ ÏËͯ‡. ÅÓÎÂÂ
ÚÓ„Ó, ‰‡Ê ÍÓ„‰‡ „ÓÎÓÒ ‰Îfl Á‡ÔËÒË ÛÊÂ
‚˚·‡Ì, ‚˚ ÏÓÊÂÚ Á‡ÔÓ„‡ÏÏËÓ‚‡Ú¸
‡‚ÚÓχÚ˘ÂÒÍÛ˛ ÒÏÂÌÛ „ÓÎÓÒÓ‚ ÔË
‚ÓÒÔÓËÁ‚‰ÂÌËË Á‡ÔËÒ‡ÌÌÓÈ ÔÂÒÌË
(ÒÚ. 107).
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ — Song Creator
Å˚ÒÚ‡fl Á‡ÔËÒ¸
ùÚÓ Ò‡Ï˚È ÔÓÒÚÓÈ ÏÂÚÓ‰, ÔÓÁ‚ÓÎfl˛˘ËÈ ·˚ÒÚÓ Á‡ÔËÒ‡Ú¸, ‡ Á‡ÚÂÏ ÔÓÒÎÛ¯‡Ú¸ ÔÂÒÌ˛, ÍÓÚÓÛ˛ ‚˚ ‡Áۘ˂‡ÂÚ ̇ ÙÓÚÂÔˇÌÓ,
˜ÚÓ·˚ ÔÓÒΉËÚ¸ Á‡ Ò‚ÓÂÈ Ë„ÓÈ.
ÇçàåÄçàÖ
ÖÒÎË Á‡ÔËÒ¸ Ú·ÛÂÚÒfl ÒÓı‡ÌËÚ¸, Ó·flÁ‡ÚÂθÌÓ ÒÍÓÔËÛÈڠ ̇ ‰ËÒÍÂÚÛ ËÎË Á‡ÌÂÒËÚ ‚ ‡Á‰ÂÎ Ô‡ÏflÚË USER (ÒÚ. 39, 47).
ÖÒÎË Ì ÒÓı‡ÌËÚ¸ ‡·ÓÚÛ, ÚÓ ÔË ÓÚÍβ˜ÂÌËË ÔËÚ‡ÌËfl ËÎË Á‡ÔËÒË ÔÓ‚Âı ÒÛ˘ÂÒÚ‚Û˛˘ÂÈ ‰ÓÓÊÍË ‚Ò Ô‰˚‰Û˘Ë Á‡ÔËÒË ·Û‰ÛÚ ÒÚÂÚ˚.
■ èË Á‡ÔËÒË ÒÓ·ÒÚ‚ÂÌÌÓÈ Ô‡ÚËË ÔÓ‚Âı
■ èË ÒÓÁ‰‡ÌËË ÌÓ‚ÓÈ ÔÂÒÌË:
ÍÓÏÔÓÁˈËË, Ëϲ˘ÂÈÒfl ‚ Ô‡ÏflÚË ÒËÌÚÂÁ‡ÚÓ‡
REC REW FF
TOP
START/STOP
ËÎË Ì‡ ‰ËÒÍÂÚÂ:
1
NEW SONG SYNC. START
Ç˚·ÂËÚ ÔÂÒÌ˛ (ÒÚ. 79, 81).
1
Ç˚·ÂËÚ „ÓÎÓÒ Ë ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÍÓÚÓ˚ ·Û‰ÛÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‚ ÔÂÒÌÂ.
2
ÖÒÎË Ú·ÛÂÚÒfl Á‡ÔËÒ‡Ú¸ „ÓÎÓÒ‡ MAIN/LAYER/LEFT, ۷‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ÍÌÓÔÍË [MAIN]/[LAYER]/[LEFT] ‚Íβ˜ÂÌ˚.
ç‡ÒÚÓÈÚ ÔӘˠԇ‡ÏÂÚ˚ (‚·‡ˆËfl, ıÓÛÒ Ë Ú. ‰.).
ÖÒÎË Ô‰ ̇ʇÚËÂÏ ÍÌÓÔÍË
ÑÎfl Á‡ÔËÒË ·ÂÁ Û͇Á‡ÌËfl ÓÔ‰ÂÎÂÌÌÓÈ ‰ÓÓÊÍË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [REC].
3
REC ‚Íβ˜ÂÌ˚ ÍÌÓÔÍË LAYER
Ç ˝ÚÓÏ ÒÎÛ˜‡Â ‡‚ÚÓχÚ˘ÂÒÍË Á‡ÔËÒ˚‚‡ÂÚÒfl TRACK 1 (‰ÓÓÊ͇ 1).
ËÎË LEFT, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ
ÖÒÎË ÌÛÊÌÓ ‚˚·‡Ú¸ ÓÔ‰ÂÎÂÌÌÛ˛ ‰ÓÓÊÍÛ ‰Îfl Á‡ÔËÒË, Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [REC],
˜‡ÒÚË ‡‚ÚÓχÚ˘ÂÒÍË
Á‡ÔËÒ˚‚‡˛ÚÒfl ̇ ‡ÁÌ˚Â
̇ÊÏËÚ ÍÌÓÔÍÛ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÌÓÏÂÛ ‰ÓÓÊÍË, ÍÓÚÓÛ˛ ÌÛÊÌÓ Á‡ÔËÒ‡Ú¸.
͇̇Î˚.
é‰ÌÓ‚ÂÏÂÌÌÓ ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ ÒÎÂ‰Û˛˘Ë ÒÓ˜ÂÚ‡ÌËfl ‰ÓÓÊÂÍ: TRACK 1 + EXTRA
TRACKS Ë TRACK 2 + EXTRA TRACKS.
ëÓ‰ÂÊËÏÓ ‰ÓÓÊÂÍ 1 Ë 2
• Ç˚·Ó ‰ÓÓÊÍË ‰Îfl Á‡ÔËÒË
Á‡ÔËÒ˚‚‡ÂÚÒfl ̇ ͇̇Î,
óÚÓ·˚ Á‡ÔËÒ‡Ú¸ Ë„Û Ì‡ Í·‚ˇÚÛÂ:
REC
EXTRA
TRACK
TRACK
TRACKS
2
1
Û͇Á‡ÌÌ˚È Ì‡ ˝Í‡Ì SONG
̇ÊÏËÚÂ
[TRACK 1]
ËÎË
[TRACK 2]
.
SETTING (ÒÚ. 140).
óÚÓ·˚ Á‡ÔËÒ‡Ú¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ
(STYLE) (R)(L)
Ë ÏÛθÚËÔ˝‰˚:
è‡Ú˲ Ô‡‚ÓÈ ÛÍË (‚Íβ˜‡fl
̇ÊÏËÚ ÍÌÓÔÍÛ
[EXTRA TRACKS]
.
„ÓÎÓÒ‡ ÒÎÓ‚), Á‡ÔËÒ‡ÌÌÛ˛ ̇
‰ÓÓÊÍÛ 1, ÏÓÊÌÓ ÔÂÂÔËÒ‡Ú¸ ̇
óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ÔÂÒÌ˛, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ
[REC]
.
‰ÓÓÊÍÛ 2. ÑÎfl ˝ÚÓ„Ó ÓÚÍβ˜ËÚÂ
ÍÌÓÔÍÛ
[LEFT]
Ë ÔÓ‚ÚÓËÚ ¯‡„Ë
2 Ë 3.
á‡ÔËÒ¸ ÔÂÒÌË Ì‡˜ÌÂÚÒfl Ò‡ÁÛ ÊÂ, Í‡Í ÚÓθÍÓ ‚˚ ÍÓÒÌÂÚÂÒ¸ Í·‚˯.
4
óÚÓ·˚ ҉·ڸ Ô‡ÛÁÛ ‚Ó ‚ÂÏfl
á‡ÔËÒ¸ ÏÓÊÌÓ Á‡ÔÛÒÚËÚ¸ Ë ‰Û„ËÏ ÒÔÓÒÓ·ÓÏ — ̇ʇ‚
Á‡ÔËÒË, ̇ÊÏËÚ ÍÌÓÔÍÛ SONG
ÍÌÓÔÍÛ
SONG/STYLE [START/STOP]
. äÓÏÂ ÚÓ„Ó, Í
[START/STOP]
. óÚÓ·˚
Á‡ÔËÒË ÏÓÊÌÓ ÔËÒÚÛÔËÚ¸, ̇ʇ‚ ÌÓ„ÓÈ Ô‰‡Î¸. ÑÎfl
‚ÓÁÓ·ÌÓ‚ËÚ¸ Á‡ÔËÒ¸, ÒÌÓ‚‡
˝ÚÓ„Ó ÒΉÛÂÚ Á‡‡Ì ÔËÒ‚ÓËÚ¸ Ô‰‡ÎË ÙÛÌÍˆË˛
̇ÊÏËÚ ÍÌÓÔÍÛ SONG
[START/
STOP]
.
Á‡ÔÛÒ͇/ÓÒÚ‡ÌÓ‚ÍË ÔÂÒÌË (ÒÚ. 142).
ÑÎfl ‚˚‡‚ÌË‚‡ÌËfl Á‡ÔËÒË ÏÓÊÌÓ
‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ÏÂÚÓÌÓÏÓÏ.
óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ Á‡ÔËÒ¸, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [RECORD].
á‚ÛÍ ÏÂÚÓÌÓχ ÌÂ
äÓÏ ÚÓ„Ó, Á‡ÔËÒ¸ ÏÓÊÌÓ ÔËÓÒÚ‡ÌÓ‚ËÚ¸, ̇ʇ‚ ÌÓ„ÓÈ Ô‰‡Î¸. ÑÎfl ˝ÚÓ„Ó
Á‡ÔËÒ˚‚‡ÂÚÒfl.
END
ÒΉÛÂÚ Á‡‡Ì ÔËÒ‚ÓËÚ¸ Ô‰‡ÎË ÙÛÌÍˆË˛ Á‡ÔÛÒ͇/ÓÒÚ‡ÌÓ‚ÍË ÔÂÒÌË (
ÒÚ. 142
).
■ ÇÓÒÔÓËÁ‚‰ÂÌË Á‡ÔËÒ‡ÌÌÓÈ ÍÓÏÔÓÁˈËË
óÚÓ·˚ ÔÓÒÎÛ¯‡Ú¸ Á‡ÔËÒ¸, ‚ÂÌËÚÂÒ¸ Í Ì‡˜‡ÎÛ ÔÂÒÌË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [TOP], ‡ Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ SONG [START/STOP].
ÇÓÒÔÓËÁ‚‰ÂÌË ‡‚ÚÓχÚ˘ÂÒÍË ÓÒڇ̇‚ÎË‚‡ÂÚÒfl ‚ ÍÓ̈ ÔÂÒ, Ë ÔÂÒÌfl «ÔÂÂχÚ˚‚‡ÂÚÒfl» ‚ ̇˜‡ÎÓ.
ù͇Ì˚ SONG CREATOR (1 - 16) Ô‰̇Á̇˜ÂÌ˚ ‰Îfl ‰‡ÍÚËÓ‚‡ÌËfl Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ (ÒÚ. 108).
óÚÓ·˚ ÒÓı‡ÌËÚ¸ Á‡ÔËÒ¸, ̇ÊÏËÚ ̇ ˝Í‡Ì SONG ÍÌÓÔÍÛ [6▼] (ÒÚ. 38, 47).
96
PSR-2100/1100
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ — Song Creator
êÂÊËÏ Á‡ÔËÒË ÌÂÒÍÓθÍËı „ÓÎÓÒÓ‚
ùÚÓÚ ÂÊËÏ ÔÓÁ‚ÓÎflÂÚ Á‡ÔËÒ‡Ú¸ ÔÂÒÌ˛ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÌÂÒÍÓθÍËı ‡Á΢Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚ (‰Ó 16 ͇̇ÎÓ‚). ç‡ÔËÏÂ, ÏÓÊÌÓ
‚ÓÒÔÓËÁ‚ÂÒÚË Á‚Û˜‡ÌË ·Ë„-·˝Ì‰‡ ËÎË ÒËÏÙÓÌ˘ÂÒÍÓ„Ó ÓÍÂÒÚ‡. ëÚÛÍÚÛ‡ ͇̇ÎÓ‚ Ë ˜‡ÒÚÂÈ ÓÚÓ·‡ÊÂ̇ ‚ Ú‡·Îˈ ÌËÊÂ.
ó‡ÒÚË (̇ÒÚÓÈÍË ÔÓ
ó‡ÒÚË (̇ÒÚÓÈÍË ÔÓ
ä‡Ì‡Î˚
ÑÓÒÚÛÔÌ˚ ˜‡ÒÚË ä‡Ì‡Î˚
ÑÓÒÚÛÔÌ˚ ˜‡ÒÚË
ÛÏÓΘ‡Ì˲)
ÛÏÓΘ‡Ì˲)
ÉÓÎÓÒ‡ MAIN, LAYER, LEFT
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
ÉÓÎÓÒ‡ MAIN, LAYER, LEFT
1 É·‚Ì˚È „ÓÎÓÒ (MAIN)
9
åÛθÚËÔ˝‰ 1
RHYTHM 1
åÛθÚËÔ˝‰ 1
åÛθÚËÔ˝‰ 2
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
åÛθÚËÔ˝‰ 2
2 É·‚Ì˚È „ÓÎÓÒ 10
åÛθÚËÔ˝‰ 3
RHYTHM 2
åÛθÚËÔ˝‰ 3
åÛθÚËÔ˝‰ 4
åÛθÚËÔ˝‰ 4
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
3 É·‚Ì˚È „ÓÎÓÒ 11
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ RHYTHM 1
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ RHYTHM 1
BASS
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ RHYTHM 2
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ RHYTHM 2
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ BASS
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ BASS
4 É·‚Ì˚È „ÓÎÓÒ 12
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ CHORD1
CHORD1
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ CHORD1
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ CHORD2
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ CHORD2
5 É·‚Ì˚È „ÓÎÓÒ 13
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PAD
CHORD2
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PAD
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PHRASE1
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PHRASE1
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
6 É·‚Ì˚È „ÓÎÓÒ 14
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PHRASE2
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PHRASE2
PAD
MIDI
MIDI
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
7 É·‚Ì˚È „ÓÎÓÒ 15
PHRASE1
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
8 É·‚Ì˚È „ÓÎÓÒ 16
PHRASE2
é ˜‡ÒÚflı ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
Rhythm (ËÚÏ).......... ùÚÓ ÓÒÌÓ‚‡ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. чÌ̇fl ˜‡ÒÚ¸ ÒÓÒÚÓËÚ ËÁ ÔÓ‚ÚÓfl˛˘ËıÒfl ËÚÏ˘ÂÒÍËı Ù‡„ÏÂÌÚÓ‚, ÒÓÒÚ‡‚ÎÂÌÌ˚ı ËÁ Á‚ÛÍÓ‚ Û‰‡Ì˚ı Ë
ÔÂÍÛÒÒËË. é·˚˜ÌÓ ‰Îfl Ëı ÒÓÒÚ‡‚ÎÂÌËfl ËÒÔÓθÁÛÂÚÒfl Ӊ̇ ËÁ ‚ÒÚÓÂÌÌ˚ı Û‰‡Ì˚ı ÛÒÚ‡ÌÓ‚ÓÍ.
Bass (·‡Ò) .................ùÚ‡ ˜‡ÒÚ¸ ÒÓÒÚ‡‚ÎflÂÚÒfl ËÁ Á‚ÛÍÓ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ÒÚËβ ËÌÒÚÛÏÂÌÚÓ‚ — Ú‡ÍËı, Í‡Í ‡ÍÛÒÚ˘ÂÒÍËÈ ·‡Ò, ÒËÌÚÂÚ˘ÂÒÍËÈ ·‡Ò Ë Ú. Ô.
Chord (‡ÍÍÓ‰˚)...... ëÓÒÚÓËÚ ËÁ ËÚÏ˘ÂÒÍÓÈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ‡ÍÍÓ‰Ó‚. é·˚˜ÌÓ ‰Îfl ˝ÚÓÈ ˜‡ÒÚË ËÒÔÓθÁÛ˛ÚÒfl ÚÂÏ·˚ ÙÓÚÂÔˇÌÓ ËÎË „ËÚ‡˚.
Pad («ÔӉͷ‰˚»)....ÑÎfl ˝ÚÓÈ ˜‡ÒÚË ıÓÓ¯Ó ÔÓ‰ıÓ‰flÚ «‰Ó΄ÓË„‡˛˘Ë ‡ÍÍÓ‰˚» Ë Ì‡Ò˚˘ÂÌÌ˚ ÚÂÏ·˚ ÒÚÛÌÌ˚ı, Ó„‡Ì‡ Ë ıÓ‡.
Phrase (Ù‡Á˚)........êËÙÙ˚ Ë Ù‡Á˚ (̇ÔËÏÂ, ÍÓÓÚÍË ԇÚËË Ï‰Ì˚ı ‰ÛıÓ‚˚ı ËÎË ‡Ô‰ÊËÓ), ËÒÔÓθÁÛÂÏ˚ ‚ ˝ÚÓÈ ˜‡ÒÚË, ÒÎÛÊ‡Ú ‰Îfl Û͇¯ÂÌËfl
ËÚÏËÍÓ-ÏÂÎӉ˘ÂÒÍÓÈ ÒÚÛÍÚÛ˚ ÔÂÒÌË.
ÇçàåÄçàÖ
ÖÒÎË Á‡ÔËÒ¸ Ú·ÛÂÚÒfl ÒÓı‡ÌËÚ¸, Ó·flÁ‡ÚÂθÌÓ ÒÍÓÔËÛÈڠ ̇ ‰ËÒÍÂÚÛ ËÎË Á‡ÌÂÒËÚ ‚ ‡Á‰ÂÎ Ô‡ÏflÚË USER (
ÒÚ. 39, 47
).
ÖÒÎË Ì ÒÓı‡ÌËÚ¸ ‡·ÓÚÛ, ÚÓ ÔË ÓÚÍβ˜ÂÌËË ÔËÚ‡ÌËfl ËÎË Á‡ÔËÒË ÔÓ‚Âı ÒÛ˘ÂÒÚ‚Û˛˘ÂÈ ‰ÓÓÊÍË ‚Ò Ô‰˚‰Û˘Ë Á‡ÔËÒË ÒÓÚÛÚÒfl.
REC REW FF
TOP
START/STOP
NEW SONG SYNC. START
REC
PSR-2100/1100
97
81 2 3 4 5 6 7
■ èË Á‡ÔËÒË ÒÓ·ÒÚ‚ÂÌÌÓÈ Ô‡ÚËË ÔÓ‚Âı
■ èË ÒÓÁ‰‡ÌËË ÌÓ‚ÓÈ ÔÂÒÌË:
ÍÓÏÔÓÁˈËË ‚ Ô‡ÏflÚË ÒËÌÚÂÁ‡ÚÓ‡ ËÎË Ì‡
‰ËÒÍÂÚÂ:
1
Ç˚·ÂËÚ ÔÂÒÌ˛ (ÒÚ. 79, 81).
1
Ç˚·ÂËÚ ͇̇Π‰Îfl Á‡ÔËÒË (Ô‚‰ËÚÂ Â„Ó ‚ ÂÊËÏ «REC»). ÑÎfl ˝ÚÓ„Ó Ì‡ÊÏËÚÂ
ó‡ÒÚ¸ ‡‚ÚÓχÚ˘ÂÒÍË
2
Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ [1▲▼] - [8▲▼], Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [REC]. é‰ÌÓ‚ÂÏÂÌÌÓ ÏÓÊÌÓ
‚˚·Ë‡ÂÚÒfl, ÂÒÎË ÌÂÒÍÓθÍÓ
͇̇ÎÓ‚ Ó‰ÌÓ‚ÂÏÂÌÌÓ
‚˚·‡Ú¸ ÌÂÒÍÓθÍÓ Í‡Ì‡ÎÓ‚.
Ô‚‰ÂÌ˚ ‚ ÂÊËÏ «REC».
REC
................................ä‡Ì‡Î „ÓÚÓ‚ Í Á‡ÔËÒË
ON
..................................ä‡Ì‡Î „ÓÚÓ‚ Í ‚ÓÒÔÓËÁ‚‰ÂÌ˲
OFF
................................ä‡Ì‡Î ÔË„ÎÛ¯ÂÌ
óÚÓ·˚ ÓÚÏÂÌËÚ¸ ËÎË
Á‡ÔÂÚËÚ¸ Á‡ÔËÒ¸, ¢Â
‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ
[REC]
.
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ — Song Creator
Ç˚·ÂËÚ ˜‡ÒÚ¸, ÍÓÚÓÛ˛ ÒΉÛÂÚ ÔËÒ‚ÓËÚ¸ Á‡ÔËÒ˚‚‡ÂÏÓÏÛ Í‡Ì‡ÎÛ.
èË ‚˚·Ó ˜‡ÒÚË MIDI
3
èË ˝ÚÓÏ ÓÔ‰ÂÎflÂÚÒfl, ͇ÍË ËÁ ˜‡ÒÚÂÈ, Ë„‡ÂÏ˚ı Ò Í·‚ˇÚÛ˚ (Main/Layer/Left), Ë
•
Ç˚‰ÂÎÂÌË ӉÌÓ„Ó Í‡Ì‡Î‡
˜‡ÒÚÂÈ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (RHYTHM 1/2, BASS Ë Ú. ‰.) Á‡ÔËÒ˚‚‡˛ÚÒfl ̇ ͇̇Î˚,
‰Îfl MIDI
á‡ÔËÒ˚‚‡˛ÚÒfl ‚Ò MIDI-
‚˚·‡ÌÌ˚ ‚ ¯‡„ ‹2.
ÒÓÓ·˘ÂÌËfl, ÔÓÒÚÛÔ‡˛˘Ë ÔÓ
ëÔËÒÓÍ ËÒıÓ‰Ì˚ı
β·ÓÏÛ ËÁ 16 ͇̇ÎÓ‚ MIDI.
ÔËÒ‚ÓÂÌËÈ ÔÓ
ÖÒÎË Á‡ÔËÒ¸ ÔÓËÁ‚Ó‰ËÚÒfl Ò
‚̯ÌÂÈ MIDI-Í·‚ˇÚÛ˚ ËÎË
ÛÏÓΘ‡Ì˲ Ô˂‰ÂÌ Ì‡
MIDI-ÍÓÌÚÓη, ‚‡Ï ÌÂ
ÒÚ. 97.
ÔˉÂÚÒfl ̇Òڇ˂‡Ú¸ ͇̇Î˚
C
MIDI ˝ÚÓ„Ó ÛÒÚÓÈÒÚ‚‡.
•
Ç˚‰ÂÎÂÌË ÌÂÒÍÓθÍËı
D
͇̇ÎÓ‚ ‰Îfl MIDI
ÖÒÎË Á‡ÔËÒ¸ ÔÓËÁ‚Ó‰ËÚÒfl Ò
‚̯ÌÂÈ MIDI-Í·‚ˇÚÛ˚ ËÎË
MIDI-ÍÓÌÚÓη, ‰‡ÌÌ˚Â
Á‡ÔËÒ˚‚‡˛ÚÒfl Î˯¸ ̇
Á‡‰‡ÌÌ˚È Í‡Ì‡Î. ùÚÓ Á̇˜ËÚ,
˜ÚÓ ‚̯Ì ÛÒÚÓÈÒÚ‚Ó
‰ÓÎÊÌÓ ·˚Ú¸ ̇ÒÚÓÂÌÓ Ì‡
‚ÓÒÔÓËÁ‚‰ÂÌËÂ Ò ˝ÚÓ„Ó
͇̇·.
á‡ÔËÒ¸ ÔÂÒÌË Ì‡˜ÌÂÚÒfl Ò‡ÁÛ ÊÂ, Í‡Í ÚÓθÍÓ ‚˚ ÍÓÒÌÂÚÂÒ¸ Í·‚˯.
4
çÂθÁfl ̇Á̇˜ËÚ¸ Ó‰ÌÛ ˜‡ÒÚ¸ (Á‡
á‡ÔÛÒÍ ÒÚËÎÂÈ ÏÓÊÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸Òfl ̇ʇÚËÂÏ ÍÌÓÔÍË
ËÒÍβ˜ÂÌËÂÏ ˜‡ÒÚÂÈ MIDI) Ò‡ÁÛ
SONG/STYLE
[START/STOP]
. äÓÏ ÚÓ„Ó, Á‡ÔËÒ¸ ÏÓÊÌÓ
̇ ÌÂÒÍÓθÍÓ Í‡Ì‡ÎÓ‚.
̇˜‡Ú¸/ÓÒÚ‡ÌÓ‚ËÚ¸, ̇ʇ‚ ÌÓ„ÓÈ Ô‰‡Î¸. ÑÎfl ˝ÚÓ„Ó
ÒΉÛÂÚ Á‡‡Ì ÔËÒ‚ÓËÚ¸ Ô‰‡ÎË ÙÛÌÍˆË˛
‡‚ÚÓχÚ˘ÂÒÍÓ„Ó ‚Íβ˜ÂÌËfl/‚˚Íβ˜ÂÌËfl Á‡ÔËÒË
臇ÏÂÚ˚ Á‡ÔËÒ‡ÌÌ˚ı ˜‡ÒÚÂÈ
‚ÂÏÂÌÌÓ ÒÓı‡Ìfl˛ÚÒfl ‰Ó ÚÂı
(ÒÚ. 104).
ÔÓ, ÔÓ͇ ‚˚ Ì ‚˚ÔÓÎÌËÚÂ
«·˚ÒÚÛ˛ Á‡ÔËÒ¸», Ì ‚˚·ÂÂÚÂ
ÔÂÒÌ˛ ËÎË Ì ‚˚Íβ˜ËÚÂ
ÒËÌÚÂÁ‡ÚÓ.
óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ Á‡ÔËÒ¸, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [REC].
5
éÒÚ‡ÌÓ‚ËÚ¸ Á‡ÔËÒ¸ ÏÓÊÌÓ Ú‡ÍÊÂ, ÓÚÔÛÒÚË‚ Ô‰‡Î¸. èË ˝ÚÓÏ Ô‰‡ÎË ‰ÓÎÊ̇ ·˚Ú¸
óÚÓ·˚ ҉·ڸ Ô‡ÛÁÛ ‚Ó ‚ÂÏfl
Á‡‡Ì ÔËÒ‚ÓÂ̇ ÙÛÌ͈Ëfl ‡‚ÚÓχÚ˘ÂÒÍÓ„Ó ‚Íβ˜ÂÌËfl/‚˚Íβ˜ÂÌËfl Á‡ÔËÒË
Á‡ÔËÒË, ̇ÊÏËÚ ÍÌÓÔÍÛ SONG
(ÒÚ. 104).
[START/STOP]
. óÚÓ·˚
‚ÓÁÓ·ÌÓ‚ËÚ¸ Á‡ÔËÒ¸, ÒÌÓ‚‡
̇ÊÏËÚ ÍÌÓÔÍÛ SONG
[START/
STOP]
.
ÇÓÒÔÓËÁ‚‰ÂÌË Á‡ÔËÒ‡ÌÌÓÈ ÍÓÏÔÓÁˈËË.
6
óÚÓ·˚ ÔÓÒÎÛ¯‡Ú¸ Á‡ÔËÒ¸, ‚ÂÌËÚÂÒ¸ Í Ì‡˜‡ÎÛ ÔÂÒÌË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [TOP], ‡
ÑÎfl ‚˚‡‚ÌË‚‡ÌËfl Á‡ÔËÒË ÏÓÊÌÓ
Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ SONG
[START/STOP]
.
‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ÏÂÚÓÌÓÏÓÏ.
ÇÓÒÔÓËÁ‚‰ÂÌË ‡‚ÚÓχÚ˘ÂÒÍË ÓÒڇ̇‚ÎË‚‡ÂÚÒfl ‚ ÍÓ̈ ÔÂÒÌË, Ë ÔÂÒÌfl
á‚ÛÍ ÏÂÚÓÌÓχ ÌÂ
«ÔÂÂχÚ˚‚‡ÂÚÒfl» ̇ ̇˜‡ÎÓ.
Á‡ÔËÒ˚‚‡ÂÚÒfl.
óÚÓ·˚ Á‡ÔËÒ‡Ú¸ ¢ ӉÌÛ ˜‡ÒÚ¸, ÔÓ‚ÚÓËÚ ¯‡„Ë 2 - 6.
èË Á‡ÔËÒË ÌÓ‚˚ı ˜‡ÒÚÂÈ ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ‡Ì Á‡ÔËÒ‡ÌÌ˚ ˜‡ÒÚË.
END
ÑÂÈÒÚ‚Ûfl Ú‡ÍËÏ Ó·‡ÁÓÏ, ‚˚ ÔÓÎÛ˜ËÚ ‚ ËÚÓ„Â Á‡ÍÓ̘ÂÌÌÛ˛ ÍÓÏÔÓÁËˆË˛.
ù͇Ì˚ SONG CREATOR (1 - 16) Ô‰̇Á̇˜ÂÌ˚ ‰Îfl ‰‡ÍÚËÓ‚‡ÌËfl
Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ (ÒÚ. 108).
óÚÓ·˚ ÒÓı‡ÌËÚ¸ Á‡ÔËÒ¸, ̇ ˝Í‡Ì Open/Save ̇ÊÏËÚ ‰Îfl ÔÂÒÌË ÍÌÓÔÍÛ
[6▼] (ÒÚ. 38, 47).
98
PSR-2100/1100
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ — Song Creator
á‡ÔËÒ¸ ÓÚ‰ÂθÌ˚ı ÌÓÚ — èÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸
ùÚÓÚ ÏÂÚÓ‰ ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ ÍÓÏÔÓÁËˆË˛ ÔÛÚÂÏ ÔÓÒΉӂ‡ÚÂθÌÓ„Ó ‚‚Ó‰‡ ÌÓÚ; ÔË ˝ÚÓÏ ÌÂÚ ÌÂÓ·ıÓ‰ËÏÓÒÚË ËÒÔÓÎÌflÚ¸  ‚
‡θÌÓÏ ‚ÂÏÂÌË. ì‰Ó·ÒÚ‚Ó ˝ÚÓ„Ó ÂÊËχ ÔÓfl‚ÎflÂÚÒfl Ú‡ÍÊ ÔË Á‡ÔËÒË ‡ÍÍÓ‰Ó‚ Ë ÏÂÎÓ‰ËË ÔÓ ÓÚ‰ÂθÌÓÒÚË.
èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ
Ç˚·ÂËÚ ÔÂÒÌ˛ (ÒÚ. 79, 81), ÍÓÚÓÛ˛ ÌÛÊÌÓ
óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì Song Creator, ̇ÊÏËÚÂ
1
3
ÔÂÂÔËÒ‡Ú¸ ËÎË ‰ÓÔÓÎÌËÚ¸ ÌÓ‚˚ÏË ˜‡ÒÚflÏË.
ÍÌÓÔÍÛ [A].
ÖÒÎË ÌÛÊÌÓ ÒÓÁ‰‡Ú¸ ÌÓ‚Û˛ ÔÂÒÌ˛, Ó‰ÌÓ‚Â-
ÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [REC] Ë [TOP].
A
B
ç‡ÊÏËÚ ÍÌÓÔÍÛ [DIGITAL RECORDING].
2
C
DIGITAL
STUDIO
SOUND CREATOR
D
E
DIGITAL RECORDING
MIXING CONSOLE
PART
Ç˚·ÂËÚ ‚Í·‰ÍÛ «1 - 16»
BACK NEXT
4
‰Îfl Á‡ÔËÒË ÏÂÎӉ˘ÂÒÍÓÈ
ÎËÌËË Ë ‰Û„Ëı ˜‡ÒÚÂÈ Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/
[NEXT] ËÎË ‚Í·‰ÍÛ «CHD»
F
(ÄÍÍÓ‰) ‰Îfl Á‡ÔËÒË
G
‡ÍÍÓ‰Ó‚. èÓÒΠ˝ÚÓ„Ó Ì‡
H
‚Í·‰Í «1 - 16» ‚˚·ÂËÚÂ
I
͇̇Π‰Îfl Á‡ÔËÒË Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÍË [F] (CH).
J
ç‡ÊÏËÚ ÍÌÓÔÍÛ [G],
5
˜ÚÓ·˚ ÔÂÂÈÚË Í ˝Í‡ÌÛ
èË ÔÂÂıӉ ̇ ÒÚ‡ÌËˆÛ CHD
(ÄÍÍÓ‰) Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚,
Step Record.
Á‡‰‡ÌÌ˚ ‚ ÍÓÌÒÓÎË ÏËͯ‡,
‡‚ÚÓχÚ˘ÂÒÍË ÔËÌËχ˛Ú
F
Á̇˜ÂÌËfl ÔÓ ÛÏÓΘ‡Ì˲.
G
H
I
êÂÊËÏ ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË ÌÂ
J
ÔÓ‰‰ÂÊË‚‡ÂÚ Á‡ÔËÒ¸ „ÓÎÓÒÓ‚,
ı‡Ìfl˘ËıÒfl ̇ ÒÚ‡Ìˈ‡ı USER Ë
FLOPPY DISK. åÓÊÌÓ
ËÒÔÓθÁÓ‚‡Ú¸ „ÓÎÓÒ‡ ̇ ÒÚ‡ÌˈÂ
PRESET, Ӊ̇ÍÓ ÔË ˝ÚÓÏ Ëı
ÚÂÏ· ÏÓÊÂÚ Ò΄͇ ÓÚ΢‡Ú¸Òfl
ÓÚ ËÒıÓ‰ÌÓ„Ó.
PSR-2100/1100
99
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ — Song Creator
A
F
B
G
C
H
D
I
E
J
■ í‡ÍÚ/‰ÓÎfl/ÒËÌıÓÌËÁ‡ˆËfl
■ ëÍÓÓÒÚ¸ ̇ʇÚËfl
Ç Ô˂‰ÂÌÌÓÈ ÌËÊ ڇ·Îˈ Û͇Á‡Ì˚ ÒÓÓÚÌÓ¯ÂÌËfl ÏÂÊ‰Û Á̇˜ÂÌËflÏË ÒÍÓÓÒÚË Ì‡Ê‡ÚËfl Ë ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË „‡‰‡ˆËflÏË
‰Ë̇Ï˘ÂÒÍËı ÓÚÚÂÌÍÓ‚.
ÑË̇ÏË͇ fff ff f mf mp p pp ppp
î‡ÍÚ˘ÂÒÍ
‡fl ÒË·
̇ʇÚËfl
127 111 95 79 63 47 31 15
̇
Í·‚˯Û
■ ÇÂÏfl Á‚Û˜‡ÌËfl
ÍÚ ˄˚ ÓÔ‰ÂÎflÂÚÒfl ÒÎÂ‰Û˛˘ËÏË ‚‡Ë‡ÌÚ‡ÏË Á‚Û˜‡ÌËfl ÓÚ‰ÂθÌ˚ı ÌÓÚ:
Normal (Òڇ̉‡ÚÌÓ Á̇˜ÂÌËÂ)....................... 80%
Tenuto (Ò‚flÁÌÓ) ................................................... 99%
Staccato (ÓÚ˚‚ËÒÚÓ) ......................................... 40%
Staccatissimo (¢ ·ÓΠÓÚ˚‚ËÒÚÓ) ............ 20%
Manual (‚Û˜ÌÛ˛)................................................ ÇÂÏfl Á‚Û˜‡ÌËfl (‰ÎËÚÂθÌÓÒÚ¸ ÌÓÚ˚) ÏÓÊÌÓ Á‡‰‡Ú¸ Ò ÔÓÏÓ˘¸˛
[DATA ENTRY]
.
100
PSR-2100/1100
81 2 3 4 5 6 7
óÚÓ·˚ ‚‚ÂÒÚË ÌÓÚÛ, Á‡‰‡ÈÚ ̇ ˝Í‡Ì Â ‰ÎËÚÂθÌÓÒÚ¸ Ë ÛÓ‚Â̸ „ÓÏÍÓÒÚË, ‡ Á‡ÚÂÏ Á‡‰‡ÈÚ ‚˚ÒÓÚÛ,
6
̇ʇ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Í·‚Ë¯Û Ì‡ Í·‚ˇÚÛÂ.
ùÚ‡ ÍÌÓÔ͇ Á‡‰‡ÂÚ ÒÍÓÓÒÚ¸
̇ʇÚËfl Í·‚Ë¯Ë („ÓÏÍÓÒÚ¸
‚‚Ó‰ËÏÓÈ ÌÓÚ˚) Ë
ÙÛÌ͈ËÓÌËÛÂÚ Î˯¸ ÔË Á‡ÔËÒË
ÏÂÎÓ‰ËË. ÑÓÔÓÎÌËÚÂθÌ˚Â
äÌÓÔÍË ÔÂÂÏ¢ÂÌËfl
҂‰ÂÌËfl Ó Ô‡‡ÏÂÚ‡ı ÒÍÓÓÒÚË
ÍÛÒÓ‡ ‚‚Âı-‚ÌËÁ.
̇ʇÚËfl Ô˂‰ÂÌ˚ ÌËÊÂ.
ÇÓÁ‚‡Ú Í Ì‡˜‡ÎÛ ÔÂÒÌË
ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸
(Ô‚‡fl ÌÓÚ‡ ÔÂ‚Ó„Ó Ú‡ÍÚ‡).
‰ÎËÚÂθÌÓÒÚ¸ ÌÓÚ˚ (‚
ÔÓˆÂÌÚ‡ı) Ò Û˜ÂÚÓÏ ÂÂ
Ô‰ÔÓ·„‡ÂÏÓÈ ÔÓÁˈËË ‚
ÔÂÒÌÂ. (чÌ̇fl ÙÛÌ͈Ëfl
‰ÓÒÚÛÔ̇ Î˯¸ ÔË Á‡ÔËÒË
ÏÂÎӉ˘ÂÒÍÓÈ ÎËÌËË).
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó
Ô‡‡ÏÂÚ‡ı ‚ÂÏÂÌË Á‚Û˜‡ÌËfl
Ô˂‰ÂÌ˚ ÌËÊÂ.
äÌÓÔÍË, ÔÓÁ‚ÓÎfl˛˘ËÂ
ÔÂÂÏ¢‡Ú¸ ‚˚·‡ÌÌÓÂ
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÍÌÓÔÍË ‚˚ ÏÓÊÂÚÂ
ÒÓ·˚ÚË (̇ÔËÏÂ, ÌÓÚÛ)
‚˚·‡Ú¸ ÌÂÓ·ıÓ‰ËÏ˚È ÚËÔ ÌÓÚ˚ ‚
‚Ô‰ ËÎË Ì‡Á‡‰ ̇
ÌËÊÌÂÈ ˜‡ÒÚË ˝Í‡Ì‡. ÇÒÂ„Ó Ì‡ ‚˚·Ó
ÓÔ‰ÂÎÂÌÌÓ ˜ËÒÎÓ Ú‡ÍÚÓ‚,
Ô‰·„‡ÂÚÒfl ÚË ÚËÔ‡ ÌÓÚ:
‰ÓÎÂÈ Ú‡ÍÚ‡ ËÎË Â‰ËÌˈ
Òڇ̉‡ÚÌ˚Â, ÌÓÚ˚ Ò ÚÓ˜ÍÓÈ Ë ÚËÓÎË.
‚ÂÏÂÌË. ÑÓÔÓÎÌËÚÂθÌ˚Â
(чÌ̇fl ÙÛÌ͈Ëfl ‰ÓÒÚÛÔ̇ Î˯¸ ÔË
҂‰ÂÌËfl Ó Ô‡‡ÏÂÚ‡ı Ú‡ÍÚÓ‚/
åÓÊÌÓ Á‡‰‡Ú¸ ÚËÔ ÒÎÂ‰Û˛˘ÂÈ ÌÓÚ˚. (Ç˚·Ó ¯ÂÒÚ̇‰ˆ‡Ú˚ı
Á‡ÔËÒË ÏÂÎÓ‰ËË.)
‰ÓÎÂÈ Ú‡ÍÚ‡/‰ËÌˈ ‚ÂÏÂÌË
‰ÓÒÚÛÔÂÌ Î˯¸ ÔË Á‡ÔËÒË ÏÂÎÓ‰ËË.) äÓÏ ÚÓ„Ó, Ò ÔÓÏÓ˘¸˛ ˝ÚËı
Ô˂‰ÂÌ˚ ÌËÊÂ.
ÍÌÓÔÓÍ ÏÓÊÌÓ Û͇Á‡Ú¸ ¯‡„ ÔÂÂÏ¢ÂÌËfl ÍÛÒÓ‡ (‡ÒÒÚÓflÌËÂ, ̇
äÌÓÔ͇ Û‰‡ÎÂÌËfl ÒÓ·˚ÚËfl (ÌÓÚ˚, Ô‡ÛÁ˚ Ë
ÍÓÚÓÓ ÍÛÒÓ Ò‰‚Ë„‡ÂÚÒfl ‚Ô‰ ÔÓÒΠ‚‚Ó‰‡ ÌÓÚ˚).
Ú. ‰.) Ô‰ ÍÛÒÓÓÏ.
óÚÓ·˚ Á‡Í˚Ú¸ ˝Í‡Ì STEP RECORD, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. óÚÓ·˚ ÒÓı‡ÌËÚ¸ Á‡ÔËÒ¸, ÒΉÛÂÚ
̇ʇڸ ÍÌÓÔÍÛ [I] (SAVE) (ÒÚ. 47).
END
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