Yamaha CLP-280: инструкция

Раздел: Музыкальное Оборудование

Тип: Процессор Эффектов

Инструкция к Процессору Эффектов Yamaha CLP-280

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SPECIAL MESSAGE SECTION

PRODUCT SAFETY MARKINGS: Yamaha electronic

Battery Notice: This product MAY contain a small non-

products may have either labels similar to the graphics

rechargable battery which (if applicable) is soldered in

shown below or molded/stamped facsimiles of these

place. The average life span of this type of battery is

graphics on the enclosure. The explanation of these

approximately five years. When replacement becomes

graphics appears on this page. Please observe all cautions

necessary, contact a qualified service representative to

indicated on this page and those indicated in the safety

perform the replacement.

instruction section.

Warning: Do not attempt to recharge, disassemble, or

incinerate this type of battery. Keep all batteries away

CAUTION

from children. Dispose of used batteries promptly and as

RISK OF ELECTRIC SHOCK

regulated by applicable laws. Note: In some areas, the

DO NOT OPEN

servicer is required by law to return the defective parts.

However, you do have the option of having the servicer

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.

dispose of these parts for you.

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

Disposal Notice: Should this product become damaged

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

beyond repair, or for some reason its useful life is consid-

ered to be at an end, please observe all local, state, and

federal regulations that relate to the disposal of products

See bottom of Keyboard enclosure for graphic symbol markings

that contain lead, batteries, plastics, etc.

The exclamation point within the

NOTICE: Service charges incurred due to lack of knowl-

equilateral triangle is intended to alert

edge relating to how a function or effect works (when the

the user to the presence of important

unit is operating as designed) are not covered by the man-

operating and maintenance (servic-

ufacturer’s warranty, and are therefore the owners respon-

ing) instructions in the literature

sibility. Please study this manual carefully and consult

accompanying the product.

your dealer before requesting service.

The lightning flash with arrowhead

NAME PLATE LOCATION: The graphic below indi-

symbol, within the equilateral trian-

cates the location of the name plate. The model number,

gle, is intended to alert the user to the

serial number, power requirements, etc., are located on

presence of uninsulated “dangerous

this plate. You should record the model number, serial

voltage” within the product’s enclo-

number, and the date of purchase in the spaces provided

sure that may be of sufficient magni-

below and retain this manual as a permanent record of

tude to constitute a risk of electrical

your purchase.

shock.

IMPORTANT NOTICE: All Yamaha electronic products

are tested and approved by an independent safety testing

laboratory in order that you may be sure that when it is

properly installed and used in its normal and customary

manner, all foreseeable risks have been eliminated. DO

NOT modify this unit or commission others to do so

unless specifically authorized by Yamaha. Product perfor-

mance and/or safety standards may be diminished.

Claims filed under the expressed warranty may be denied

CLP-280/270

if the unit is/has been modified. Implied warranties may

also be affected.

SPECIFICATIONS SUBJECT TO CHANGE: The

information contained in this manual is believed to be

Model

correct at the time of printing. However, Yamaha reserves

the right to change or modify any of the specifications

Serial No.

without notice or obligation to update existing units.

ENVIRONMENTAL ISSUES: Yamaha strives to pro-

Purchase Date

duce products that are both user safe and environmentally

friendly. We sincerely believe that our products and the

production methods used to produce them, meet these

goals. In keeping with both the letter and the spirit of the

law, we want you to be aware of the following:

92-469 1

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ÔÓ‚ÂʉÂÌËfl Ó·ÓÛ‰Ó‚‡ÌËfl, ÔÓʇ‡ Ë ‰Û„Ëı Ë̈ˉÂÌÚÓ‚ ‚Ò„‰‡ Òӷ≇ÈÚ ÒÎÂ‰Û˛˘Ë ÏÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË:

(1)B-9 1/2

CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 3

àÒÔÓθÁÛÈÚ ÚÓθÍÓ Ì‡ÔflÊÂÌËÂ, Á‡‰‡ÌÌÓ ‰Îfl ËÌÒÚÛÏÂÌÚ‡.

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Ò Ì „flÁ¸ Ë Ô˚θ.

àÒÔÓθÁÛÈÚ ÚÓθÍÓ Í‡·Âθ ÔËÚ‡ÌËfl Ë ‡Á˙ÂÏ, ‚ıÓ‰fl˘Ë ‚ ÍÓÏÔÎÂÍÚ

ÔÓÒÚ‡‚ÍË.

䇷Âθ ÔËÚ‡ÌËfl Ì ‰ÓÎÊÂÌ Ì‡ıÓ‰ËÚ¸Òfl fl‰ÓÏ Ò ËÒÚÓ˜ÌË͇ÏË ÚÂÔ·

(̇„‚‡ÚÂÎflÏË, ‡‰Ë‡ÚÓ‡ÏË Ë ‰.). ç ‰ÓÔÛÒ͇ÈÚ ڇÍÊ ˜ÂÁÏÂ-

ÌÓ„Ó Ò„Ë·‡ÌËfl Ë ÔÓ‚ÂʉÂÌËfl ͇·ÂÎfl, Ì ÒÚ‡‚¸Ú ̇ ÌÂ„Ó ÚflÊÂÎ˚Â

Ô‰ÏÂÚ˚ Ë ‰ÂÊËÚÂ Â„Ó ‚ Ú‡ÍÓÏ ÏÂÒÚÂ, „‰Â ̇ ÌÂ„Ó ÌÂθÁfl ̇ÒÚÛ-

ÔËÚ¸, Á‡‰ÂÚ¸ ÌÓ„ÓÈ ËÎË ˜ÚÓ-ÌË·Û‰¸ ÔÓ ÌÂÏÛ ÔÂÂ͇ÚËÚ¸.

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ÍÓÚÓ˚ ‰ÓÎÊÂÌ Ó·ÒÎÛÊË‚‡Ú¸ ÔÓθÁÓ‚‡ÚÂθ. èË ÔÓfl‚ÎÂÌËË ÌÂËÒÔ‡‚-

ÌÓÒÚË ÌÂωÎÂÌÌÓ ÔÂÍ‡ÚËÚ ˝ÍÒÔÎÛ‡Ú‡ˆË˛ Ë Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛

Í Í‚‡ÎËÙˈËÓ‚‡ÌÌ˚Ï ÒÔˆˇÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡-

ÌËfl ÍÓÔÓ‡ˆËË Yamaha.

ÅÂ„ËÚ ËÌÒÚÛÏÂÌÚ ÓÚ ‰Óʉfl, Ì ËÒÔÓθÁÛÈÚÂ Â„Ó fl‰ÓÏ Ò ‚Ó‰ÓÈ,

‚ ÛÒÎÓ‚Ëflı Ò˚ÓÒÚË Ë ÔÓ‚˚¯ÂÌÌÓÈ ‚·ÊÌÓÒÚË; Ì ÒÚ‡‚¸Ú ̇ Ì„Ó

ÂÏÍÓÒÚË Ò ÊˉÍÓÒÚ¸˛, ÍÓÚÓ‡fl ÏÓÊÂÚ ‡ÁÎËÚ¸Òfl Ë ÔÓÔ‡ÒÚ¸ ‚ÌÛÚ¸.

çËÍÓ„‰‡ Ì ‚ÒÚ‡‚ÎflÈÚÂ Ë Ì ‚˚ÌËχÈÚ ‚ËÎÍÛ ˝ÎÂÍÚÓËÌÒÚÛÏÂÌÚ‡

ÏÓÍ˚ÏË Û͇ÏË.

ç ÒÚ‡‚¸Ú ̇ ËÌÒÚÛÏÂÌÚ „Ófl˘Ë Ô‰ÏÂÚ˚, ̇ÔËÏÂ ҂˜Ë.

ÉÓfl˘ËÈ Ô‰ÏÂÚ ÏÓÊÂÚ ÛÔ‡ÒÚ¸ Ë ‚˚Á‚‡Ú¸ ÔÓʇ.

Ç ÒÎÛ˜‡Â ËÁÌÓÒ‡ Ë ÔÓ‚ÂʉÂÌËfl ͇·ÂÎfl ÔËÚ‡ÌËfl ËÎË ‡Á˙Âχ, ‡ Ú‡ÍÊÂ

ÔË ‚ÌÂÁ‡ÔÌÓÏ ËÒ˜ÂÁÌÓ‚ÂÌËË Á‚Û͇ ‚Ó ‚ÂÏfl ˝ÍÒÔÎÛ‡Ú‡ˆËË, ÔË ÔÓfl‚-

ÎÂÌËË ÌÂÓ·˚˜ÌÓ„Ó Á‡Ô‡ı‡ Ë ‰˚χ ÌÂωÎÂÌÌÓ ÓÚÍβ˜ËÚ ˝ÎÂÍÚÓÔËÚ‡-

ÌËÂ, ‚˚̸Ú ‚ËÎÍÛ ËÁ ÓÁÂÚÍË Ë Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í ÒÔˆˇÎËÒ-

Ú‡Ï ˆÂÌÚ‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ÍÓÔÓ‡ˆËË Yamaha.

ÇçàåÄçàÖ!

ÇÓ ËÁ·ÂʇÌË ̇ÌÂÒÂÌËfl ÒÂ¸ÂÁÌ˚ı Ú‡‚Ï ÒÂ·Â Ë ÓÍÛʇ˛˘ËÏ, ‡ Ú‡ÍÊ ÔÓ‚ÂʉÂÌËfl ËÌÒÚÛÏÂÌÚ‡ Ë ‰Û„Ó„Ó

ËÏÛ˘ÂÒÚ‚‡, ÔÓÏËÏÓ ÔÓ˜Ëı ‚Ò„‰‡ Òӷ≇ÈÚ ÒÎÂ‰Û˛˘Ë ÏÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË:

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‚‡Ú¸ Â„Ó ‚ Ú˜ÂÌË ‰ÎËÚÂθÌÓ„Ó ‚ÂÏÂÌË, ‡ Ú‡ÍÊ ‚Ó ‚ÂÏfl „ÓÁ˚.

ç ÔÓ‰Íβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ Í Ó‰ÌÓÈ ˝ÎÂÍÚ˘ÂÒÍÓÈ ÓÁÂÚÍÂ Ò ‰Û„ËÏË

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ÊÂÌ˲ ͇˜ÂÒÚ‚‡ Á‚Û͇ ËÎË ÔÂ„Â‚Û ÓÁÂÚÍË.

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Í ÔÓ‚ÂʉÂÌ˲ ËÌÒÚÛÏÂÌÚ‡ ËÎË Ú‡‚χÏ.

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ÌÂÌÚÓ‚ ·Â„ËÚ ËÌÒÚÛÏÂÌÚ ÓÚ ˜ÂÁÏÂÌÓÈ Ô˚ÎË Ë ÒËθÌÓÈ ‚Ë·‡ˆËË

Ë Ì ËÒÔÓθÁÛÈÚÂ Â„Ó ÔË Ó˜Â̸ ‚˚ÒÓÍÓÈ ËÎË ÌËÁÍÓÈ ÚÂÏÔÂ‡ÚÛ (̇ÔË-

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ç ËÒÔÓθÁÛÈÚ ËÌÒÚÛÏÂÌÚ ‚ ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓÈ ·ÎËÁÓÒÚË ÓÚ ÚÂ΂Ë-

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‰Û„Ëı ˝ÎÂÍÚÓÔË·ÓÓ‚. Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ‚ ËÌÒÚÛÏÂÌÚÂ, ÚÂ΂Ë-

ÁÓ ËÎË ‡‰ËÓÔËÂÏÌËÍ ÏÓ„ÛÚ ‚ÓÁÌËÍÌÛÚ¸ ÔÓÏÂıË.

ÇÓ ËÁ·ÂʇÌË ÒÎÛ˜‡ÈÌÓ„Ó Ô‡‰ÂÌËfl ËÌÒÚÛÏÂÌÚ‡ Ì ÓÒÚ‡‚ÎflÈÚ „Ó

‚ ÌÂÛÒÚÓȘ˂ÓÏ ÔÓÎÓÊÂÌËË.

èÂ‰ ÔÂÂÏ¢ÂÌËÂÏ ËÌÒÚÛÏÂÌÚ‡ ÓÚÒÓ‰ËÌËÚ ‚Ò ͇·ÂÎË.

èÂ‰ ̇ÒÚÓÈÍÓÈ ËÌÒÚÛÏÂÌÚ‡ ۷‰ËÚÂÒ¸, ˜ÚÓ ËÒÔÓθÁÛÂχfl

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ÌÂÔÓ·‰ÓÍ ÌÂωÎÂÌÌÓ ‚˚Íβ˜ËÚ ËÌÒÚÛÏÂÌÚ Ë ÓÚÍβ˜ËÚÂ Â„Ó ÓÚ

˝ÎÂÍÚÓÒÂÚË.

ùÎÂÍÚÓÔËÚ‡ÌËÂ/͇·Âθ ÔËÚ‡ÌËfl

ÅÂ˜¸ ÓÚ ‚Ó‰˚

ÅÂ˜¸ ÓÚ Ó„Ìfl

Ç̯ڇÚÌ˚ ÒËÚÛ‡ˆËË

ç ÓÚÍ˚‚‡Ú¸

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åÂÒÚÓ ÛÒÚ‡ÌÓ‚ÍË

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ç ÛÒڇ̇‚ÎË‚‡ÈÚ ËÌÒÚÛÏÂÌÚ ‚ÔÎÓÚÌÛ˛ Í ÒÚÂÌ (ÌÂÓ·ıÓ‰ËÏ ıÓÚfl ·˚

3-Ò‡ÌÚËÏÂÚÓ‚˚È Á‡ÁÓ), ÔÓÒÍÓθÍÛ ˝ÚÓ ÏÓÊÂÚ ‚˚Á‚‡Ú¸ ÔÎÓıÛ˛ ˆËÍÛ-

ÎflˆË˛ ‚ÓÁ‰Ûı‡ Ë, Í‡Í ÒΉÒÚ‚ËÂ, ÔÂ„‚ ËÌÒÚÛÏÂÌÚ‡.

(1)B-9 2/2

4 CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

èÂ‰ ÔÓ‰Íβ˜ÂÌËÂÏ ËÌÒÚÛÏÂÌÚ‡ Í ‰Û„ËÏ ˝ÎÂÍÚÓÌÌ˚Ï ÍÓÏÔÓÌÂÌ-

Ú‡Ï ÓÚÍβ˜ËÚ Ëı ÔËÚ‡ÌËÂ. èÂ‰ ‚Íβ˜ÂÌËÂÏ ËÎË ÓÚÍβ˜ÂÌËÂÏ

˝ÎÂÍÚÓÌÌ˚ı ÍÓÏÔÓÌÂÌÚÓ‚ ÛÒÚ‡ÌÓ‚ËÚ ÏËÌËχθÌ˚È ÛÓ‚Â̸ „ÓÏ-

ÍÓÒÚË. ì·Â‰ËÚÂÒ¸ Ú‡ÍÊ ‚ ÚÓÏ, ˜ÚÓ Ì‡ ‚ÒÂı ÍÓÏÔÓÌÂÌÚ‡ı ÛÒÚ‡ÌÓ‚ÎÂÌ

ÏËÌËχθÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË, ‡ ‚Ó ‚ÂÏfl Ë„˚ ̇ ËÌÒÚÛÏÂÌÚÂ

ÔÓÒÚÂÔÂÌÌÓ Û‚Â΢¸Ú „ÓÏÍÓÒÚ¸ ‰Ó ÌÛÊÌÓÈ.

(ÑÎfl ÏÓ‰ÂÎË Ò ÔÓÎËÓ‚ÍÓÈ) 쉇ÎflÈÚ Ô˚θ Ë „flÁ¸ Ïfl„ÍÓÈ Ú̸͇˛. çÂ

ÚËÚ ÒÎ˯ÍÓÏ ÛÒÂ‰ÌÓ, ÔÓÒÍÓθÍÛ Ì·Óθ¯Ë ˜‡ÒÚˈ˚ „flÁË ÏÓ„ÛÚ

ÔÓˆ‡‡Ô‡Ú¸ ÔÓÎËÓ‚ÍÛ ËÌÒÚÛÏÂÌÚ‡.

ÑÎfl ˜ËÒÚÍË ËÌÒÚÛÏÂÌÚ‡ ÔÓθÁÛÈÚÂÒ¸ Ïfl„ÍÓÈ ÒÛıÓÈ ËÎË Ò΄͇ ‚·ÊÌÓÈ

Ú̸͇˛. çËÍÓ„‰‡ Ì ËÒÔÓθÁÛÈÚ ÔflÚÌÓ‚˚‚Ó‰ËÚÂÎË, ‡ÒÚ‚ÓËÚÂÎË, Êˉ-

ÍË ӘËÒÚËÚÂÎË ËÎË ˜ËÒÚfl˘Ë ҇ÎÙÂÚÍË Ò ÔÓÔËÚÍÓÈ.

ëΉËÚÂ, ˜ÚÓ·˚ Í˚¯Í‡ Í·‚ˇÚÛ˚ Ì Á‡˘ÂÏË· ‚‡Ï ԇθˆ˚,

Ì ‚ÒÚ‡‚ÎflÈÚ ԇθˆ˚ ËÎË ÛÍÛ ‚ ÓÚ‚ÂÒÚËfl ËÌÒÚÛÏÂÌÚ‡.

çËÍÓ„‰‡ Ì Á‡ÒÓ‚˚‚‡ÈÚÂ Ë Ì ÓÌflÈÚ ·Ûχ„Û, ÏÂÚ‡Î΢ÂÒÍËÂ Ë ÔÓ˜ËÂ

Ô‰ÏÂÚ˚ ‚ ÓÚ‚ÂÒÚËfl ̇ Í˚¯ÍÂ, Ô‡ÌÂÎË Ë Í·‚ˇÚÛÂ. ÖÒÎË ˝ÚÓ ÒÎÛ-

˜ËÎÓÒ¸, ÌÂωÎÂÌÌÓ ‚˚Íβ˜ËÚ ËÌÒÚÛÏÂÌÚ Ë ‚˚̸Ú ͇·Âθ ÔËÚ‡ÌËfl

ËÁ ÓÁÂÚÍË. á‡ÚÂÏ Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í ÒÔˆˇÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂı-

Ì˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ÍÓÔÓ‡ˆËË Yamaha.

ç Í·‰ËÚ ̇ ËÌÒÚÛÏÂÌÚ Ô‰ÏÂÚ˚ ËÁ ‚ËÌË·, Ô·ÒÚχÒÒ˚ ËÎË ÂÁË-

Ì˚: ˝ÚÓ ÏÓÊÂÚ ‚˚Á‚‡Ú¸ ‚˚ˆ‚ÂÚ‡ÌË ԇÌÂÎË ËÎË Í·‚ˇÚÛ˚.

(ÑÎfl ÏÓ‰ÂÎË Ò ÔÓÎËÓ‚ÍÓÈ) 쉇˚ ÏÂÚ‡Î΢ÂÒÍËÏË, Ù‡ÙÓÓ‚˚ÏË ËÎË

‰Û„ËÏË ÊÂÒÚÍËÏË Ô‰ÏÂÚ‡ÏË ÏÓ„ÛÚ ‚˚Á‚‡Ú¸ Ú¢ËÌ˚ ËÎË ¯ÂÎÛ¯ÂÌËÂ

ÔÓÎËÓ‚ÍË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ. åÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË ÔË ˝ÍÒÔÎÛ‡Ú‡ˆËË.

ç ӷÎÓ͇˜Ë‚‡ÈÚÂÒ¸ ̇ ËÌÒÚÛÏÂÌÚ, Ì ÒÚ‡‚¸Ú ̇ ÌÂ„Ó ÚflÊÂÎ˚ Ô‰-

ÏÂÚ˚ Ë Ì ÔËÍ·‰˚‚‡ÈÚ ÒÎ˯ÍÓÏ ·Óθ¯ÓÈ ÒËÎ˚ ÔË ÔÓθÁÓ‚‡ÌËË

ÍÌÓÔ͇ÏË, ‚˚Íβ˜‡ÚÂÎflÏË Ë ‡Á˙ÂχÏË.

ç ÒΉÛÂÚ ‰ÓÎ„Ó ‡·ÓÚ‡Ú¸ Ò ‚˚ÒÓÍËÏ ËÎË ÌÂÍÓÏÙÓÚÌ˚Ï ÛÓ‚ÌÂÏ

„ÓÏÍÓÒÚË, Ú‡Í Í‡Í ˝ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚÂ ÒÎÛı‡. èË ÛıÛ‰¯Â-

ÌËË ÒÎÛı‡ ËÎË Á‚ÓÌ ‚ Û¯‡ı Ó·‡ÚËÚÂÒ¸ Í ‚‡˜Û.

ÇÓ ËÁ·ÂʇÌË ÒÎÛ˜‡ÈÌÓ„Ó Ô‡‰ÂÌËfl Ò͇ϘÍË Ì ÓÒÚ‡‚ÎflÈڠ ‚ ÌÂ-

ÛÒÚÓȘ˂ÓÏ ÔÓÎÓÊÂÌËË.

ç ͇˜‡ÈÚÂÒ¸ ̇ Ò͇ÏÂÈÍÂ Ë Ì ˄‡ÈÚÂ, ÒÚÓfl ̇ ÌÂÈ. àÒÔÓθÁÓ‚‡ÌËÂ

Ò͇ÏÂÈÍË ‚ ͇˜ÂÒÚ‚Â ÒÚÂÏflÌÍË ËÎË ‚ ËÌ˚ı ˆÂÎflı ÏÓÊÂÚ ÔË‚ÂÒÚË Í

ÌÂÒ˜‡ÒÚÌÓÏÛ ÒÎÛ˜‡˛ ËÎË Ú‡‚ÏÂ.

ë͇ÏÂÈ͇ Ô‰̇Á̇˜Â̇ ÚÓθÍÓ ‰Îfl Ó‰ÌÓ„Ó ˜ÂÎÓ‚Â͇.

ÑÎfl ÏÓ‰ÂÎÂÈ, Û ÍÓÚÓ˚ı ÏÓÊÌÓ „ÛÎËÓ‚‡Ú¸ ‚˚ÒÓÚÛ Ò͇ÏÂÈÍË, ÌÂ

Ô˚Ú‡ÈÚÂÒ¸ „ÛÎËÓ‚‡Ú¸ ‚˚ÒÓÚÛ, Òˉfl ̇ Ò͇ÏÂÈÍÂ, ÔÓÒÍÓθÍÛ ˝ÚÓ

ÒÓÁ‰‡ÂÚ ˜ÂÁÏÂÌÛ˛ ̇„ÛÁÍÛ Ì‡ „ÛÎËÓ‚Ó˜Ì˚È ÏÂı‡ÌËÁÏ, ˜ÚÓ

ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲ ÏÂı‡ÌËÁχ ËÎË ‰‡Ê Ú‡‚ÏÂ.

ÖÒÎË ‚ËÌÚ˚ Ò͇ÏÂÈÍË ÒÚ‡ÎË Ò‚Ó·Ó‰Ì˚ÏË ‚ ÂÁÛθڇÚ ‰ÎËÚÂθÌÓ„Ó

ËÒÔÓθÁÓ‚‡ÌËfl, ÔÂËӉ˘ÂÒÍË Á‡‚Ë̘˂‡ÈÚ Ëı Ò ÔÓÏÓ˘¸˛ ÓÚ‚ÂÚÍË.

ëÓı‡ÌÂÌËÂ Ë ÂÁÂ‚ÌÓ ÍÓÔËÓ‚‡ÌË ‰‡ÌÌ˚ı

èÓ‰Íβ˜ÂÌËÂ

àÒÔÓθÁÓ‚‡ÌË Ò͇ÏÂÈÍË (ÂÒÎË Ó̇ ÂÒÚ¸)

é·ÒÎÛÊË‚‡ÌËÂ

ëÓı‡ÌÂÌË ‰‡ÌÌ˚ı

åÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË ÔË ˝ÍÒÔÎÛ‡Ú‡ˆËË

íÂÍÛ˘Ë ‰‡ÌÌ˚ (ÒÚ. 43) ÚÂfl˛ÚÒfl ÔË ÓÚÍβ˜ÂÌËË ÔËÚ‡ÌËfl

ËÌÒÚÛÏÂÌÚ‡ ·ÂÁ ÒÓı‡ÌÂÌËfl. ëÓı‡ÌËÚ ‰‡ÌÌ˚ ‚ USB- ËÎË ‰Û„ÓÂ

‚̯Ì ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı, ̇ÔËÏÂ ÍÓÏÔ¸˛ÚÂ.

ëÓı‡ÌÂÌÌ˚ ‰‡ÌÌ˚ ÏÓ„ÛÚ ·˚Ú¸ ÔÓÚÂflÌ˚ ËÁ-Á‡ ÌÂËÒÔ‡‚ÌÓÒÚË ËÎË

ÌÂÔ‡‚ËθÌÓÈ ‡·ÓÚ˚. ëÓı‡ÌËÚ ‚‡ÊÌ˚ ‰‡ÌÌ˚ ‚ USB- ËÎË ‰Û„ÓÂ

‚̯Ì ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı, ̇ÔËÏÂ ÍÓÏÔ¸˛ÚÂ.

äÓÔÓ‡ˆËfl Yamaha Ì ÌÂÒÂÚ ÓÚ‚ÂÚÒÚ‚ÂÌÌÓÒÚË Á‡ ÔÓ‚ÂʉÂÌËfl, ‚˚Á‚‡ÌÌ˚ ÌÂÔ‡‚ËθÌÓÈ ˝ÍÒÔÎÛ‡Ú‡ˆËÂÈ ËÎË ÏÓ‰ËÙË͇ˆËÂÈ ËÌÒÚÛÏÂÌÚ‡,

‡ Ú‡ÍÊ Á‡ ÔÓÚÂflÌÌ˚ ËÎË ËÒÔÓ˜ÂÌÌ˚ ‰‡ÌÌ˚Â.

ÇÒ„‰‡ ‚˚Íβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ, ÂÒÎË Ì ËÒÔÓθÁÛÂÚ „Ó.

Å·„Ó‰‡ËÏ Á‡ ‚˚·Ó ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Yamaha Clavinova. CLP-280/270.

óÚÓ·˚ ‚ ÔÓÎÌÓÈ ÏÂ ËÒÔÓθÁÓ‚‡Ú¸ ‚ÓÁÏÓÊÌÓÒÚË Ë ÓÒÓ·ÂÌÌÓÒÚË ‚‡¯Â„Ó ÔˇÌËÌÓ Clavinova,

‚ÌËχÚÂθÌÓ ÔÓ˜ÚËÚ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó Ë ÒÓı‡ÌËÚÂ Â„Ó ‰Îfl ÒÔ‡‚ÍË ‚ ‰‡Î¸ÌÂȯÂÏ.

é ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl Ë ÓÚ‰ÂθÌÓÏ ·ÛÍÎÂÚÂ Ò Ú‡·Îˈ‡ÏË

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl ÒÓÒÚÓËÚ ËÁ ˜ÂÚ˚Âı ÓÒÌÓ‚Ì˚ı ‡Á‰ÂÎÓ‚: «Ç‚‰ÂÌË», «éÒÌÓ‚Ì˚ Ò‰ÒÚ‚‡

ǂ‰ÂÌËÂ

ÛÔ‡‚ÎÂÌËfl», «íÓÌ͇fl ̇ÒÚÓÈ͇» Ë «èËÎÓÊÂÌË». äÓÏ ÚÓ„Ó, ÔÓÒÚ‡‚ÎflÂÚÒfl ÓÚ‰ÂθÌ˚È ·ÛÍÎÂÚ Ò

Ú‡·Îˈ‡ÏË.

ǂ‰ÂÌËÂ.

ë ˝ÚËÏ ‡Á‰ÂÎÓÏ ÒΉÛÂÚ ÓÁ̇ÍÓÏËÚ¸Òfl ‚ ÔÂ‚Û˛ Ó˜Â‰¸. àÁ ‡Á‰ÂÎÓ‚ «ëÔËÒÓÍ

Á‡‰‡˜» ̇ ÒÚ. 8 Ë «ë‚ÓÈÒÚ‚‡» ̇ ÒÚ. 10 ‚˚ ÛÁ̇ÂÚÂ, Í‡Í ËÒÔÓθÁÓ‚‡Ú¸ ÔˇÌËÌÓ

Clavinova Ë Â„Ó ÙÛÌ͈ËË ‚ ÍÓÌÍÂÚÌ˚ı ÒËÚÛ‡ˆËflı.

éÒÌÓ‚Ì˚ Ò‰ÒÚ‚‡ ê‡Á‰ÂÎ ÒÓ‰ÂÊËÚ Ò‚Â‰ÂÌËfl Ó· ÓÒÌÓ‚Ì˚ı ÙÛÌ͈ËÓ̇θÌ˚ı ‚ÓÁÏÓÊÌÓÒÚflı

ÛÔ‡‚ÎÂÌËfl. ËÌÒÚÛÏÂÌÚ‡. é·‡˘‡ÈÚÂÒ¸ Í ˝ÚÓÏÛ ‡Á‰ÂÎÛ ‚Ó ‚ÂÏfl Ë„˚ ̇ ËÌÒÚÛÏÂÌÚÂ. ÖÒÎË

Û ‚‡Ò ÂÒÚ¸ ‚ÓÔÓÒ˚ ËÎË Í‡ÍÓÂ-ÚÓ ÒÎÓ‚Ó ‚‡Ï ÌÂÁ̇ÍÓÏÓ, ÒÏ. ‡Á‰ÂÎ «ÇÓÔÓÒ˚ Ó ‡·ÓÚÂ

Ë ÙÛÌ͈Ëflı» ̇ ÒÚ. 99 ËÎË «è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ» ̇ ÒÚ. 117.

íÓÌ͇fl ̇ÒÚÓÈ͇. ùÚÓÚ ‡Á‰ÂÎ ÒÓ‰ÂÊËÚ Ò‚Â‰ÂÌËfl Ó ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍ ‡Á΢Ì˚ı ÙÛÌ͈ËÈ ˆËÙÓ‚Ó„Ó

ÔˇÌËÌÓ Clavinova. é·‡˘‡ÈÚÂÒ¸ Í ˝ÚÓÏÛ ‡Á‰ÂÎÛ ÔÓ ÌÂÓ·ıÓ‰ËÏÓÒÚË.

èËÎÓÊÂÌËÂ. Ç ˝ÚÓÏ ‡Á‰ÂΠÒÓ‰ÂÊËÚÒfl ËÌÙÓχˆËfl ÔÓ ÛÒÚ‡ÌÂÌ˲ ÌÂÔÓ·‰ÓÍ, ÓÔËÒ‡ÌËÂ

‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚ Ë ‰Û„Ë ÒÔ‡‚Ó˜Ì˚ χÚÂˇÎ˚.

ë·ÓÌËÍ Ú‡·Îˈ. ëÔËÒÓÍ ÚÂÏ·Ó‚ XG, ÙÓÏ‡Ú ‰‡ÌÌ˚ı MIDI Ë Ú.‰.

åÓ‰Âθ CLP-280/270 ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl Ó·ÓÁ̇˜‡ÂÚÒfl Í‡Í «CLP/Clavinova».

àÎβÒÚ‡ˆËË Ë ÒÌËÏÍË Üä-˝Í‡ÌÓ‚ Ô˂‰ÂÌ˚ ‚ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl ÚÓθÍÓ ‚ ͇˜ÂÒÚ‚Â ÔËÏÂÓ‚, ̇

‚‡¯ÂÏ ËÌÒÚÛÏÂÌÚ ‚Ò ÏÓÊÂÚ ‚˚„Îfl‰ÂÚ¸ ÌÂÒÍÓθÍÓ Ë̇˜Â.

äÓÔËÓ‚‡ÌË ÒÂËÈÌÓ„Ó ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ˜ÂÌËfl Ë ÏÛÁ˚͇θÌ˚ı ‰‡ÌÌ˚ı ‡Á¯ÂÌÓ ËÒÍβ˜ËÚÂθÌÓ ‰Îfl

΢ÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl.

ìÇÖÑéåãÖçàÖ éÅ ÄÇíéêëäàï èêÄÇÄï

Ç ˝ÚÓÏ ÔÓ‰ÛÍÚ ӷ˙‰ËÌÂÌ˚ ÍÓÏÔ¸˛ÚÂÌ˚ ÔÓ„‡ÏÏ˚ Ë ÒÓ‰ÂÊËÏÓÂ, ‡‚ÚÓÒÍË Ô‡‚‡ ̇ ÍÓÚÓ˚ ÔË̇‰ÎÂÊ‡Ú ÍÓÔÓ‡ˆËË Yamaha ËÎË Ô‡‚Ó

ËÒÔÓθÁÓ‚‡ÌËfl ÍÓÚÓ˚ı ÔÓÎÛ˜ÂÌÓ ÔÓ ÎˈÂÌÁËË ÓÚ ‰Û„Ëı ÙËÏ. ä Ú‡ÍËÏ Ï‡ÚÂˇ·Ï, Á‡˘Ë˘ÂÌÌ˚Ï ‡‚ÚÓÒÍËÏË Ô‡‚‡ÏË, ÓÚÌÓÒflÚÒfl ·ÂÁ Ó„‡Ì˘ÂÌËfl ‚ÒÂ

ÍÓÏÔ¸˛ÚÂÌ˚ ÔÓ„‡ÏÏ˚, Ù‡ÈÎ˚ MIDI Ë Ú.‰. ã˛·Ó ÌÂÒ‡Ì͈ËÓÌËÓ‚‡ÌÌÓ ËÒÔÓθÁÓ‚‡ÌË ڇÍËı ÔÓ„‡ÏÏ Ë ÒÓ‰ÂÊËÏÓ„Ó, ‚˚ıÓ‰fl˘Â Á‡ ‡ÏÍË Î˘ÌÓ„Ó

ÔÓθÁÓ‚‡ÌËfl, Á‡Ô¢ÂÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË Á‡ÍÓ̇ÏË. ã˛·Ó ̇Û¯ÂÌË ‡‚ÚÓÒÍËı Ô‡‚ ÔÂÒΉÛÂÚÒfl ÔÓ Á‡ÍÓÌÛ. çÖ ëéáÑÄÇÄâíÖ, çÖ

êÄëèêéëíêÄçüâíÖ à çÖ àëèéãúáìâíÖ çÖáÄäéççõÖ äéèàà. ùÚÓ ÛÒÚÓÈÒÚ‚Ó ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ‡Á΢Ì˚ ÚËÔ˚/ÙÓχÚ˚ ÏÛÁ˚͇θÌ˚ı ‰‡ÌÌ˚ı

ÔÛÚÂÏ ÔÂÓ·‡ÁÓ‚‡ÌËfl Ëı ‚ ÏÛÁ˚͇θÌ˚ ‰‡ÌÌ˚ ÌÛÊÌÓ„Ó ÙÓχڇ ‰Îfl ‰‡Î¸ÌÂÈ¯Â„Ó ËÒÔÓθÁÓ‚‡ÌËfl. í‡ÍËÏ Ó·‡ÁÓÏ, ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ‰‡ÌÌ˚ı

ÛÒÚÓÈÒÚ‚ÓÏ Á‚Û˜‡ÌË ÏÓÊÂÚ ÌÂÒÍÓθÍÓ ÓÚ΢‡Ú¸Òfl ÓÚ ËÒıÓ‰ÌÓ„Ó.

íÓ‚‡Ì˚ Á̇ÍË

Apple Ë Macintosh fl‚Îfl˛ÚÒfl ÚÓ‚‡Ì˚ÏË Á͇̇ÏË ÍÓÔÓ‡ˆËË Apple Computer Inc., Á‡„ËÒÚËÓ‚‡ÌÌ˚ÏË ‚ ëòÄ Ë ‰Û„Ëı ÒÚ‡Ì‡ı.

®

Windows fl‚ÎflÂÚÒfl Á‡„ËÒÚËÓ‚‡ÌÌ˚Ï ÚÓ‚‡Ì˚Ï Á̇ÍÓÏ ÍÓÔÓ‡ˆËË Microsoft

.

SmartMedia fl‚ÎflÂÚÒfl Á‡„ËÒÚËÓ‚‡ÌÌ˚Ï ÚÓ‚‡Ì˚Ï Á̇ÍÓÏ ÍÓÔÓ‡ˆËË Toshiba.

ÇÒ ÓÒڇθÌ˚ ÚÓ‚‡Ì˚ Á̇ÍË fl‚Îfl˛ÚÒfl ÒÓ·ÒÚ‚ÂÌÌÓÒÚ¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ‚·‰ÂθˆÂ‚.

ç‡ÒÚÓÈ͇

Ç ÓÚ΢ˠÓÚ ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÔˇÌËÌÓ, ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ̇ÒÚ‡Ë‚‡Ú¸ Ì ̇‰Ó. éÌÓ ‚Ò„‰‡

̇ÒÚÓÂÌÓ.

í‡ÌÒÔÓÚËӂ͇

èË ÔÂÂÂÁ‰Â ÔˇÌËÌÓ Clavinova ÏÓÊÌÓ ÔÂ‚ÓÁËÚ¸ ‚ÏÂÒÚÂ Ò ‰Û„ËÏË ‚¢‡ÏË. èÂÂÏ¢‡Ú¸

ËÌÒÚÛÏÂÌÚ ÏÓÊÌÓ Í‡Í ‚ ÒÓ·‡ÌÌÓÏ, Ú‡Í Ë ‚ ‡ÁÓ·‡ÌÌÓÏ ‚ˉÂ.

ä·‚ˇÚÛÛ ÒΉÛÂÚ Ú‡ÌÒÔÓÚËÓ‚‡Ú¸ ‚ „ÓËÁÓÌڇθÌÓÏ ÔÓÎÓÊÂÌËË. ç ÔËÒÎÓÌflÈÚ ÂÂ Í ÒÚÂÌ Ë

Ì ÒÚ‡‚¸Ú ̇ ·ÓÍ. ç ÔÓ‰‚Â„‡ÈÚ ËÌÒÚÛÏÂÌÚ ˜ÂÁÏÂÌÓÈ ‚Ë·‡ˆËË ËÎË ÒËθÌ˚Ï Û‰‡‡Ï.

èÓÒΠÚ‡ÌÒÔÓÚËÓ‚ÍË ËÌÒÚÛÏÂÌÚ‡ ‰Îfl Ó·ÂÒÔ˜ÂÌËfl ÓÔÚËχθÌÓÈ ‡·ÓÚ˚ ÙÛÌ͈ËË iAFC

ÌÂÓ·ıÓ‰ËÏÓ Ò‰Â·ڸ ÒÎÂ‰Û˛˘Â (ÒÚ. 81):

• èÓÒÚ‡‚¸Ú ÔˇÌËÌÓ Ú‡Í, ˜ÚÓ·˚ ‡ÒÒÚÓflÌË ÏÂÊ‰Û Â„Ó Á‡‰ÌÂÈ Ô‡ÌÂθ˛ Ë ÒÚÂÌÓÈ ·˚ÎÓ Ì ÏÂÌ 10 ÒÏ.

• Ç˚ÔÓÎÌËÚ ‡‚ÚÓχÚ˘ÂÒÍÛ˛ ̇ÒÚÓÈÍÛ ÙÛÌ͈ËË iAFC (ÒÚ. 82).

ÑÓÔÓÎÌËÚÂθÌ˚ ÔË̇‰ÎÂÊÌÓÒÚË

• äÓÎÎÂ͈Ëfl Ô‡ÚËÚÛ «50 ıËÚÓ‚ ‰Îfl ÙÓÚÂÔ¸flÌÓ» • ÑÓÔÓÎÌËÚÂθÌ˚È ÍÓÏÔ‡ÍÚ-‰ËÒÍ ‰Îfl Windows

• êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl • ÑÓÔÓÎÌËÚÂθÌ˚È ÍÓÏÔ‡ÍÚ-‰ËÒÍ Ò

• ë·ÓÌËÍ Ú‡·Îˈ ÛÍÓ‚Ó‰ÒÚ‚ÓÏ ÔÓ ÛÒÚ‡ÌÓ‚Í Windows

• ë͇ÏÂÈ͇ (‚ıÓ‰ËÚ ËÎË Ì ‚ıÓ‰ËÚ ‚ ÔÓÒÚ‡‚ÍÛ ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÏÂÒÚ‡ ÔÓÍÛÔÍË)

CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 5

é„·‚ÎÂÌËÂ

ǂ‰ÂÌËÂ

ǂ‰ÂÌËÂ

é ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl Ë ÓÚ‰ÂθÌÓÏ ·ÛÍÎÂÚÂ Ò Ú‡·Îˈ‡ÏË......................................................................5

ÑÓÔÓÎÌËÚÂθÌ˚ ÔË̇‰ÎÂÊÌÓÒÚË ...................................................................................................................5

ëÔËÒÓÍ Á‡‰‡˜ ................................................................................................................................................................................. 8

è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚............................................................................................................................................... 10

éÒÌÓ‚˚ ÛÔ‡‚ÎÂÌËfl ................................................................................................................................................................... 12

èÓ‰„ÓÚӂ͇ Í ‡·ÓÚÂ.................................................................................................................................................................. 14

ä˚¯Í‡ Í·‚ˇÚÛ˚ ........................................................................................................................................14

è˛ÔËÚ............................................................................................................................................................. 14

ëÍÓ·ÍË-Ó„‡Ì˘ËÚÂÎË ‰Îfl ÌÓÚ ........................................................................................................................14

ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl.........................................................................................................................................15

ç‡ÒÚÓÈ͇ ÍÓÌÚ‡ÒÚÌÓÒÚË ˝Í‡Ì‡...................................................................................................................16

ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË ................................................................................................................................... 16

àÒÔÓθÁÓ‚‡ÌË ̇ۯÌËÍÓ‚ ............................................................................................................................. 16

Ä‚ÚÓχÚ˘ÂÒ͇fl „ÛÎËӂ͇ iAFC................................................................................................................. 16

éÒÌÓ‚Ì˚ ÓÔÂ‡ˆËË.............................................................17

èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ...................................................................................................................... 18

èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ................................................................................................................................... 20

ÇÓÒÔÓËÁ‚‰ÂÌË 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ .......................................................................................................... 20

ìÔ‡ÊÌÂÌËfl‰Îfl Ó‰ÌÓÈ ÛÍË Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ.......................................................... 22

ìÔ‡ÊÌÂÌËfl Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÙÛÌ͈ËË Repeat Playback (ˆËÍ΢ÂÒÍÓ„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl)

Ë ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ .........................................................................................................................................23

Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚....................................................................................................................................... 25

Ç˚·Ó ÚÂÏ·Ó‚ .................................................................................................................................................25

àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎÂÈ................................................................................................................................... 26

LJ¸ËÓ‚‡ÌË Á‚Û˜‡ÌËfl [BRILLIANCE]/[REVERB]/[CHORUS] ................................................................27

ç‡ÎÓÊÂÌË ÚÂÏ·Ó‚ .........................................................................................................................................29

ê‡Á‰ÂÎÂÌË Í·‚ˇÚÛ˚ Ë ÚÂÏ·Ó‚ ................................................................................................................. 31

àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ..............................................................................................................................33

á‡ÔËÒ¸ËÒÔÓÎÌÂÌËfl ..................................................................................................................................................................... 34

á‡ÔËÒ¸ ÌÓ‚ÓÈ ÔÂÒÌË .........................................................................................................................................34

á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËfl ·ÂÁ Û͇Á‡ÌËfl Á‡ÔËÒ˚‚‡ÂÏÓÈ Ô‡ÚËË...............................................................................35

á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËfl ÌÂÒÍÓθÍËı ‡ÁÌ˚ı Ô‡ÚËÈ ............................................................................................ 39

ÑÛ„Ë ÏÂÚÓ‰˚ Á‡ÔËÒË .....................................................................................................................................40

ꇷÓÚ‡ Ò Ù‡È·ÏË, ̇ÔËÏÂ Û‰‡ÎÂÌË هÈÎÓ‚ ÔÂÒÂÌ... [FILE/SONG SETTING] ............................................................ 43

ëÓı‡ÌÂÌË Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ Ì‡ USB-ÛÒÚÓÈÒÚ‚Â… [Save]......................................................................... 46

쉇ÎÂÌË ÔÂÒÌË ËÁ Ô‡ÏflÚË ‰Îfl ı‡ÌÂÌËfl ÔˇÌËÌÓ Clavinova ËÎË

Ò USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı… [Delete] .............................................................................................. 47

èÂÂËÏÂÌÓ‚‡ÌË هÈÎÓ‚… [Rename] .............................................................................................................48

äÓÔËÓ‚‡ÌË هÈÎÓ‚… [Copy]........................................................................................................................49

èÂÂÏ¢ÂÌË هÈÎÓ‚… [Move]....................................................................................................................... 51

ëÓÁ‰‡ÌË ԇÔÓÍ Ì‡ USB-ÛÒÚÓÈÒÚ‚Â… [MakeDir] ..........................................................................................52

îÓχÚËÓ‚‡ÌË USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı… [Format]..................................................................52

Ä‚ÚÓχÚ˘ÂÒÍËÈ ‚˚·Ó ÔÂÒÌË Ò ÌÓÒËÚÂÎfl… [SongAutoOpen]........................................................................ 53

àÁÏÂÌÂÌË ÚËÔ‡ ÒËÏ‚ÓÎÓ‚ ̇ ˝Í‡ÌÂ... [CharacterCode] ..............................................................................53

6 CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

ÇÓÒÔÓËÁ‚‰ÂÌË Á‡ÔËÒ‡ÌÌ˚ı Ë ÔËÓ·ÂÚÂÌÌ˚ı Á‡ÔËÒÂÈ ............................................................................................... 54

ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË...................................................................................................................................54

ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ô‡ÚËË..................................................................................... 57

ǂ‰ÂÌËÂ

èÓ‰‰ÂÊË‚‡ÂÏ˚ ÚËÔ˚ ‰‡ÌÌ˚ı.......................................................................................................................57

èÓ‰Íβ˜ÂÌËÂ............................................................................................................................................................................... 58

ê‡Á˙ÂÏ˚ ............................................................................................................................................................58

èÓ‰Íβ˜ÂÌË USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı .........................................................................................60

èÓ‰Íβ˜ÂÌËÂ Í ÔÂÒÓ̇θÌÓÏÛ ÍÓÏÔ¸˛ÚÂÛ................................................................................................. 63

íÓÌ͇fl ̇ÒÚÓÈ͇.................................................................65

íÓÌ͇fl ̇ÒÚÓÈ͇ ....................................................................................................................................................................... 66

ëÔËÒÓÍ Ô‡‡ÏÂÚÓ‚..........................................................................................................................................66

ìÒÚ‡Ìӂ͇ ̇ÒÚÓÂÍ .........................................................................................................................................69

íÓÌ͇fl ̇ÒÚÓÈ͇ Á‡ÔËÒË Ë ‚ÓÒÔÓËÁ‚‰ÂÌËfl – [FILE/SONG SETTING]........................................................................... 71

ç‡ÒÚÓÈÍË ÏÂÚÓÌÓχ – METRONOME [SETTING]................................................................................................................. 74

ç‡ÒÚÓÈÍË ÚÂÏ·Ó‚ – [VOICE SETTING].................................................................................................................................. 75

ç‡ÒÚÓÈÍË ‰Îfl ˝ÙÙÂÍÚ‡ iAFC – ÍÌÓÔ͇ [iAFC SETTING] ..................................................................................................... 81

ÑÛ„Ë ̇ÒÚÓÈÍË – [FUNCTION].............................................................................................................................................. 83

ëÔËÒÓÍ ÒÓÓ·˘ÂÌËÈ ..................................................................................................................................................................... 93

ÇÓÔÓÒ˚ Ó· ÓÔÂ‡ˆËflı Ë ÙÛÌ͈Ëflı........................................................................................................................................ 99

èËÎÓÊÂÌËÂ.........................................................................101

ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ ............................................................................................................................................................ 102

ëÓ‚ÏÂÒÚËÏÓÒÚ¸ ‰‡ÌÌ˚ı........................................................................................................................................................... 104

Ç ÒÚÓÂÌÌ˚Â ÚÂÏ·˚ ............................................................................................................................................................... 106

èËÏÂ˚ ÒÓ˜ÂÚ‡ÌËÈ ÚÂÏ·Ó‚ (ÂÊËÏ˚ Dual Ë Split) ......................................................................................................... 108

CLP-280/270: ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚............................................................................................................... 109

àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚ (FDD) Ë ‰ËÒÍÂÚ (èÓÒÚ‡‚ÎflÂÚÒfl ÔÓ Á‡Í‡ÁÛ) ............................................... 114

ìÒÚ‡Ìӂ͇ ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚ (ÔÓÒÚ‡‚ÎflÂÚÒfl ÔÓ Á‡Í‡ÁÛ) .................................................................................... 115

íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË................................................................................................................................................. 116

è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ ........................................................................................................................................................... 117

CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 7

ëÔËÒÓÍ Á‡‰‡˜

ùÚÓÚ ÒÔËÒÓÍ ÏÓÊÂÚ ÔË„Ó‰ËÚ¸Òfl, ‰Îfl ÚÓ„Ó ˜ÚÓ·˚ ·˚ÒÚÓ Ì‡ÈÚË ÒÚ‡Ìˈ˚ Ò ÓÔËÒ‡ÌËÂÏ ÌÂflÒÌÓ„Ó ‚ÓÔÓÒ‡.

ǂ‰ÂÌËÂ

èÓÒÎۯ˂‡ÌËÂ

èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ

................................................................«èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ» ̇ ÒÚ. 18

«ÇÓÒÔÓËÁ‚‰ÂÌË 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ» ̇ ÒÚ. 20

èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ c ‡ÁÌ˚ÏË ÚÂÏ·‡ÏË

................................................................«èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ» ̇ ÒÚ. 18

èÓÒÎۯ˂‡ÌË ÔÂÒÂÌ ËÁ Ò·ÓÌË͇ «50 ıËÚÓ‚ ‰Îfl ÙÓÚÂÔ¸flÌÓ»

...........................................................................«ÇÓÒÔÓËÁ‚‰ÂÌË 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ» ̇ ÒÚ. 20

èÓÒÎۯ˂‡ÌË Á‡ÔËÒË ÒÓ·ÒÚ‚ÂÌÌÓÈ Ë„˚

............................................. «ÇÓÒÔÓËÁ‚‰ÂÌË Á‡ÔËÒ‡ÌÌ˚ı Ë ÔËÓ·ÂÚÂÌÌ˚ı Á‡ÔËÒÂÈ» ̇ ÒÚ. 54

èÓÒÎۯ˂‡ÌË ÔÂÒÂÌ Ò USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı

..........................................................«èÓ‰Íβ˜ÂÌË USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı» ̇ ÒÚ. 60

«ÇÓÒÔÓËÁ‚‰ÂÌË Á‡ÔËÒ‡ÌÌ˚ı Ë ÔËÓ·ÂÚÂÌÌ˚ı Á‡ÔËÒÂÈ» ̇ ÒÚ. 54

à„‡ ̇ Í·‚ˇÚÛÂ

àÒÔÓθÁÓ‚‡ÌË ÚÂı Ô‰‡ÎÂÈ ................................................... «àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎÂÈ» ̇ ÒÚ. 26

Ç˚·Ó ÌÛÊÌÓÈ ‚˚ÒÓÚ˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ .........«àÁÏÂÌÂÌË ÚÓ̇θÌÓÒÚË – [Transpose]» ̇ ÒÚ. 83

àÁÏÂÌÂÌË Á‚ÛÍÓ‚Ó„Ó ÓÚÚÂÌ͇

èÓÒÏÓÚ ÒÔËÒ͇ ÚÂÏ·Ó‚.............................................................«ÇÒÚÓÂÌÌ˚ ÚÂÏ·˚» ̇ ÒÚ. 106

àÏËÚ‡ˆËfl ÍÓ̈ÂÚÌÓ„Ó Á‡Î‡.......................................................................... «[REVERB]» ̇ ÒÚ. 28

ëÓ˜ÂÚ‡ÌË ‰‚Ûı ÚÂÏ·Ó‚ ..................................................................«ç‡ÎÓÊÂÌË ÚÂÏ·Ó‚» ̇ ÒÚ. 29

ê‡ÁÌ˚ ÚÂÏ·˚ ‰Îfl ΂ÓÈ Ë Ô‡‚ÓÈ ÛÍ

...................................................................................«ê‡Á‰ÂÎÂÌË Í·‚ˇÚÛ˚ Ë ÚÂÏ·Ó‚» ̇ ÒÚ. 31

ä‡Í ҉·ڸ ÚÂÏ· ·ÓΠflÍËÏ Ë ÂÁÍËÏ ËÎË ·ÓΠÏfl„ÍËÏ Ë Ô·‚Ì˚Ï

................................................................................................................. «[BRILLIANCE]» ̇ ÒÚ. 27

ê‡Ò¯ËÂÌË Á‚Û͇.......................................................................................... «[CHORUS]» ̇ ÒÚ. 28

ä‡Í ҉·ڸ Á‚ÛÍ ÚÂıÏÂÌ˚Ï

........................................... «ç‡ÒÚÓÈÍË ‰Îfl ˝ÙÙÂÍÚ‡ iAFC – ÍÌÓÔ͇ [iAFC SETTING]» ̇ ÒÚ. 81

ìÔ‡ÊÌÂÌËfl

éÚÍβ˜ÂÌË Á‚Û͇ ‰Îfl Ô‡ÚËË Î‚ÓÈ ËÎË Ô‡‚ÓÈ ÛÍË

......................... «ìÔ‡ÊÌÂÌËfl ‰Îfl Ó‰ÌÓÈ ÛÍË Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ» ̇ ÒÚ. 22

à„‡ Ò Òӷβ‰ÂÌËÂÏ ˜ÂÚÍÓ„Ó ËÚχ ................................... «àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ» ̇ ÒÚ. 33

à„‡ ÔË ÔÓÏÓ˘Ë Á‡ÔËÒ‡ÌÌÓÈ ÔÂÒÌË............................................. «á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËfl» ̇ ÒÚ. 34

..................................................... «ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ô‡ÚËË» ̇ ÒÚ. 57

8 CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

ëÔËÒÓÍ Á‡‰‡˜

ùÚÓÚ ÒÔËÒÓÍ ÏÓÊÂÚ ÔË„Ó‰ËÚ¸Òfl ‰Îfl ÚÓ„Ó, ˜ÚÓ·˚ ·˚ÒÚÓ Ì‡ÈÚË ÒÚ‡Ìˈ˚ Ò ÓÔËÒ‡ÌËÂÏ ÌÂflÒÌÓ„Ó ‚ÓÔÓÒ‡.

á‡ÔËÒ¸

ǂ‰ÂÌËÂ

á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl .................................................. «á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËfl» ̇ ÒÚ. 34

쉇ÎÂÌË ËÎË ÍÓÔËÓ‚‡ÌË Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ

...... «ê‡·ÓÚ‡ Ò Ù‡È·ÏË, ̇ÔËÏÂ Û‰‡ÎÂÌË هÈÎÓ‚ ÔÂÒÂÌ... [FILE/SONG SETTING]» ̇ ÒÚ. 43

ç‡ÒÚÓÈÍË

íÓÌ͇fl ̇ÒÚÓÈ͇ Á‡ÔËÒË Ë ‚ÓÒÔÓËÁ‚‰ÂÌËfl

.................. «íÓÌ͇fl ̇ÒÚÓÈ͇ Á‡ÔËÒË Ë ‚ÓÒÔÓËÁ‚‰ÂÌËfl – [FILE/SONG SETTING]» ̇ ÒÚ. 71

íÓÌ͇fl ̇ÒÚÓÈ͇ ÏÂÚÓÌÓχ

... «ç‡ÒÚÓÈÍË ÏÂÚÓÌÓχ – METRONOME [SETTING]» ̇ ÒÚ. 74

íÓÌ͇fl ̇ÒÚÓÈ͇ ÚÂÏ·Ó‚..........................«ç‡ÒÚÓÈÍË ÚÂÏ·Ó‚ – [VOICE SETTING]» ̇ ÒÚ. 75

íÓÌ͇fl ̇ÒÚÓÈ͇ ÔˇÌËÌÓ Clavinova ................... «ÑÛ„Ë ̇ÒÚÓÈÍË – [FUNCTION]» ̇ ÒÚ. 83

èÓ‰Íβ˜ÂÌË ÔˇÌËÌÓ Clavinova Í ‰Û„ËÏ ÛÒÚÓÈÒÚ‚‡Ï

óÚÓ Ú‡ÍÓ MIDI...............................................................................«é MIDI-ËÌÚÂÙÂÈÒ» ̇ ÒÚ. 58

íÓÌ͇fl ̇ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ MIDI

«ç‡ÒÚÓÈ͇ ͇̇· ÔÂ‰‡˜Ë MIDI» – «Ç˚·Ó ÚËÔ‡ ‰‡ÌÌ˚ı, ÔÂ‰‡‚‡ÂÏ˚ı ˜ÂÂÁ

MIDI-ËÌÚÂÙÂÈÒ» ........................................................................................................ ̇ ÒÚ. 89 – 90

á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl ............... «òÚ˚¸ÍÓ‚˚ ‡Á˙ÂÏ˚ AUX OUT [L] [R]» ̇ ÒÚ. 59

ì‚Â΢ÂÌË „ÓÏÍÓÒÚË ..................................«òÚ˚¸ÍÓ‚˚ ‡Á˙ÂÏ˚ AUX OUT [L] [R]» ̇ ÒÚ. 59

Ç˚‚Ó‰ Á‚Û͇ ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚ ̇ ÔˇÌËÌÓ Clavinova

........................................................................................ «ê‡Á˙ÂÏ˚ AUX IN [L/L+R], [R]» ̇ ÒÚ. 59

èÓ‰Íβ˜ÂÌË USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı

..........................................................«èÓ‰Íβ˜ÂÌË USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı» ̇ ÒÚ. 60

èÓ‰Íβ˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ.................. «èÓ‰Íβ˜ÂÌËÂ Í ÔÂÒÓ̇θÌÓÏÛ ÍÓÏÔ¸˛ÚÂÛ» ̇ ÒÚ. 63

ë·Ó͇

ë·Ó͇/ê‡Á·Ó͇ ÔˇÌËÌÓ Clavinova

.........................................................«CLP-280/270: ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚» ̇ ÒÚ. 109

Å˚ÒÚÓ ¯ÂÌË ÔÓ·ÎÂÏ

óÚÓ Ô‰·„‡ÂÚ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova .............................................«ëÔËÒÓÍ Á‡‰‡˜» ̇ ÒÚ. 8

.........................................................................................«è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚» ̇ ÒÚ. 10

ÇÓÁ‚‡Ú Í ÓÒÌÓ‚ÌÓÏÛ ˝Í‡ÌÛ...................................................................... ÍÌÓÔ͇ «EXIT» ̇ ÒÚ. 13

ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰Ì˚ı Ô‡‡ÏÂÚÓ‚ ÔˇÌËÌÓ Clavinova

................ «ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ӷ˚˜Ì˚ı (ÔÓ ÛÏÓΘ‡Ì˲) ̇ÒÚÓÂÍ – ÍÌÓÔ͇ [FactorySet]» ̇ ÒÚ. 91

á̇˜ÂÌË ÒÓÓ·˘ÂÌËÈ........................................................................«ëÔËÒÓÍ ÒÓÓ·˘ÂÌËÈ» ̇ ÒÚ. 93

ÇÓÔÓÒ˚ Ó· ÓÔÂ‡ˆËflı Ë ÙÛÌ͈Ëflı.......................«ÇÓÔÓÒ˚ Ó· ÓÔÂ‡ˆËflı Ë ÙÛÌ͈Ëflı» ̇ ÒÚ. 99

ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ ............................................................. «ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ» ̇ ÒÚ. 102

CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 9

ǂ‰ÂÌËÂ

EXTRA

SONG

METRONOME

PARTS

LEFT

RIGHT

SELECT

ON/OFF

SETTING

A

PLAY/PAUSESTOPREC

FILE/SONG

SONG

KEYBOARD

REPEAT

SETTING

DOWN

UP

MIN MAX

NEW SONG

SYNC START

TEMPO

C

MASTER VOLUME

DEMOSONG BALANCE

SONG

CONTRAST

GRAND

GRAND

E.PIANO

E.PIANO

HARPSI-

E.CLAVI-

iAFC

B

VIBRA-

VOICE

PIANO 1

PIANO 2

1

2

CHORD

CHORD

PHONE

GUITAR

SETTING

CHORUSREVERB

SETTING

NO YES

CHURCH

JAZZ

SYNTH.

WOOD

BRILLIANCE

ORGAN

ORGAN

STRINGS

CHOIR

PAD

BASS

E.BASS

XG

SPLIT

MELLOW BRIGHT

FUNCTION

EXIT

D

IN

OUT

THRU

L/L+R

R

L

R

USB

TO DEVICE

TO HOST

MIDI

AUX PEDAL

AUX IN

AUX OUT

10 CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

SELECT

USB TO DEVICE

è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚

èˇÌËÌÓ Yamaha CLP-280/270 Clavinova Ô‰ÒÚ‡‚ÎflÂÚ ÌË Ò ˜ÂÏ Ì Ò‡‚ÌËÏÛ˛ ‡ÎËÒÚ˘ÌÓÒÚ¸ Á‚Û͇,

ۉ˂ËÚÂθÌ˚Â Ó˘Û˘ÂÌËfl, Í‡Í ÓÚ Ë„˚ ̇ ̇ÒÚÓfl˘ÂÏ ÓflÎÂ, ‚ ÌÂÏ Ú‡ÍÊ ‡ÎËÁÓ‚‡Ì‡ ÓË„Ë̇θ̇fl

ÚÂıÌÓÎÓ„Ëfl „ÂÌÂ‡ˆËË ÚÓ̇ AWM Dynamic Stereo Sampling (‰Ë̇Ï˘ÂÒÍÓ ÒÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌË AWM)

ÍÓÔÓ‡ˆËË Yamaha, ÔÓÁ‚ÓÎfl˛˘‡fl ÒÓÁ‰‡‚‡Ú¸ ̇Ò˚˘ÂÌÌ˚Â, ‡ÎËÒÚ˘Ì˚ ÏÛÁ˚͇θÌ˚ ÚÂÏ·˚.

Ç ÔˇÌËÌÓ CLP-270 ËÒÔÓθÁÛÂÚÒfl ÒÔˆˇθ̇fl Í·‚ˇÚÛ‡ GH3 (Graded Hammer 3), ̇ ÍÓÚÓÓÈ ‚ÂÒ

Í·‚Ë¯Ë Á‡‚ËÒËÚ ÓÚ Â ‡ÒÔÓÎÓÊÂÌËfl, ‡ ‚ ÏÓ‰ÂÎË CLP-280 ËÒÔÓθÁÛÂÚÒfl Í·‚ˇÚÛ‡ ËÁ ̇ÚÛ‡Î¸ÌÓ„Ó

‰Â‚‡, ‚ ÍÓÚÓÓÈ ‚ÓÁÏÓÊÌÓÒÚË GH3 ‰ÓÔÓÎÌÂÌ˚ ̇ÒÚÓfl˘ËÏË ‰Â‚flÌÌ˚ÏË Í·‚˯‡ÏË, ˜ÚÓ·˚ Í‡Í ÏÓÊÌÓ

ÚӘ̠‚ÓÒÔÓËÁ‚ÂÒÚË ‚Ô˜‡ÚÎÂÌË ˄˚ ̇ ̇ÒÚÓfl˘ÂÏ ÓflÎÂ.

ä‡Ê‰‡fl ËÁ ˝ÚËı ‰‚Ûı Í·‚ˇÚÛ ÔÓÁ‚ÓÎflÂÚ ÔËÏÂÌflÚ¸ ÔËÂÏ˚ Ë„˚, ÍÓÚÓ˚ ‡Ì¸¯Â ·˚ÎË ‰ÓÒÚÛÔÌ˚

ÚÓθÍÓ Ì‡ ÓflÎÂ. ç‡ÔËÏÂ, ÔË ÔÓ‚ÚÓÌÓÏ ÔÓË„˚‚‡ÌËË Ó‰ÌÓÈ Ë ÚÓÈ Ê ÌÓÚ˚ Á‚ÛÍ Ô·‚ÌÓ ÒÎË‚‡ÂÚÒfl

‰‡Ê ·ÂÁ ËÒÔÓθÁÓ‚‡ÌËfl Ô‡‚ÓÈ Ô‰‡ÎË, ‡ ÔË ·˚ÒÚÓÏ Ì‡Ê‡ÚËË Ì‡ Ó‰ÌÛ Ë ÚÛ Ê Í·‚Ë¯Û Á‚ÛÍ ÔÓÎÛ˜‡ÂÚÒfl

ÓÚ˜ÂÚÎË‚˚Ï, ·ÂÁ ÌÂÂÒÚÂÒÚ‚ÂÌÌÓ„Ó Ó·˚‚‡. àÒÍβ˜ËÚÂθÌÓ ‡ÎËÒÚ˘Ì˚È ÚÂÏ· Grand Piano 1 ̇ Ó·ÓËı

ËÌÒÚÛÏÂÌÚ‡ı Ú‡ÍÊ ‚Íβ˜‡ÂÚ:

‰Ë̇Ï˘ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌËÂ, ÔË ÍÓÚÓÓÏ ÔÂÂÍβ˜ÂÌË ÏÂÊ‰Û Ò˝ÏÔ·ÏË ÓÔ‰ÂÎflÂÚÒfl ÒÍÓÓÒÚ¸˛

̇ʇÚËfl Í·‚˯, Ôˉ‡‚‡fl Á‚Û˜‡Ì˲ ‰ÓÔÓÎÌËÚÂθÌÛ˛ ‡ÎËÒÚ˘ÌÓÒÚ¸;

ÒÚÛÌÌ˚È ÂÁÓ̇ÌÒ (ÒÚ. 88), ÍÓÚÓ˚È ‚ÓÒÒÓÁ‰‡ÂÚ Ì‡Ò˚˘ÂÌÌ˚È ÂÁÓ̇ÌÒ ÒÚÛÌ ÔˇÌËÌÓ;

ÒÛÒÚ˝ÈÌ-Ò˝ÏÔÎËÓ‚‡ÌË (ÒÚ. 88), ËÒÔÓθÁÛ˛˘ÂÂ Ò˝ÏÔÎ˚ ÂÁÓ̇ÌÒ‡ ‰ÂÍË Ë ÒÚÛÌ ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÓflÎfl

ÔË Ì‡Ê‡ÚËË Ì‡ Ô‡‚Û˛ Ô‰‡Î¸, ‡ Ú‡ÍÊÂ

Ò˝ÏÔÎ˚ ÓÚÔÛ˘ÂÌÌÓÈ Í·‚˯Ë, ÍÓÚÓ˚ ‰Ó·‡‚Îfl˛Ú ı‡‡ÍÚÂÌ˚È ÚËıËÈ Á‚ÛÍ, ‚ÓÁÌË͇˛˘ËÈ ÔË

ÓÚÔÛÒ͇ÌËË Í·‚˯.

2 3 4 9

6 !

#

5

7 )

8 @

#

$

& ¡

(

VOICE

% *

^

º

ÇÂıÌflfl Ô‡ÌÂθ

£

1

¢

ê‡Á˙ÂÏ˚ Ë ÔÓÚ˚

£ § ª

è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚

1 Ç˚Íβ˜‡ÚÂθ [POWER] (ÔËÚ‡ÌËÂ) . . . . . . . . ÒÚ. 15

( äÌÓÔÍË [REVERB] (‚Â·Â‡ˆËfl),

[CHORUS] (ıÓÛÒ). . . . . . . . . . . . . . . . . . . . . . . ÒÚ. 28

2 ÑËÒÍ ÛÔ‡‚ÎÂÌËfl [MASTER VOLUME]

ÑÓ·‡‚ÎÂÌËÂ Í Á‚Û˜‡Ì˲ ˝ÙÙÂÍÚÓ‚ ‚Â·Â‡ˆËË Ë ıÓÛÒ‡.

(ÓÒÌӂ̇fl „ÓÏÍÓÒÚ¸) . . . . . . . . . . . . . . . . . . ÒÚ. 16

ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË Á‚Û͇ Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇.

º äÌÓÔÍË BRILLIANCE [MELLOW][BRIGHT] (flÍÓÒÚ¸

ÒÔÓÍÓÈ̇fl/‚˚ÒÓ͇fl) . . . . . . . . . . . . . . . . . . . . ÒÚ. 27

3 èÓÎÁÛÌÍÓ‚˚È „ÛÎflÚÓ [SONG BALANCE]

ç‡ÒÚÓÈ͇ flÍÓÒÚË Á‚Û͇.

(·‡Î‡ÌÒ „ÓÏÍÓÒÚË ÔÂÒÌË). . . . . . . . . . . . . . . ÒÚ. 42

ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó „ÛÎflÚÓ‡ ÛÒڇ̇‚ÎË‚‡ÂÚÒfl

¡ äÌÓÔ͇ [iAFC SETTING] (̇ÒÚÓÈÍË iAFC)

ÒÓÓÚÌÓ¯ÂÌË ÏÂÊ‰Û „ÓÏÍÓÒÚ¸˛ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË Ë

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ÒÚ‡Ìˈ˚ 67, 81

ǂ‰ÂÌËÂ

„ÓÏÍÓÒÚ¸˛ Ë„˚ ̇ Í·‚ˇÚÛÂ.

èË ËÒÔÓθÁÓ‚‡ÌËË ˝ÙÙÂÍÚÓ‚ iAFC Á‚ÛÍ ˆËÙÓ‚Ó„Ó

4 äÌÓÔ͇ [DEMO]

ÔˇÌËÌÓ Clavinova ÔËÓ·ÂÚ‡ÂÚ ‰ÓÔÓÎÌËÚÂθÌÛ˛ „ÎÛ·ËÌÛ Ë

ÂÁÓ̇ÌÒ, ÔË·ÎËʇflÒ¸ Í Á‚Û˜‡Ì˲ ̇ÒÚÓfl˘Ëı

(‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚È ÂÊËÏ). . . . . . . . . . . . . ÒÚ. 18

‡ÍÛÒÚ˘ÂÒÍËı ËÌÒÚÛÏÂÌÚÓ‚. åÓÊÌÓ ‚Íβ˜ËÚ¸ ËÎË

ÑÂÏÓÌÒÚ‡ˆËÓÌÌÛ˛ ÏÂÎӉ˲ ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚ÂÒÚË ‚

‚˚Íβ˜ËÚ¸ ÙÛÌÍˆË˛ iAFC ËÎË ÔÓ‚ÂÒÚË ÚÓÌÍÛ˛ ̇ÒÚÓÈÍÛ

β·ÓÏ ÚÂÏ·Â.

˝ÙÙÂÍÚÓ‚ iAFC.

5 äÌÓÔ͇ [REPEAT] (ÔÓ‚ÚÓ) . . . . . . . . . . . . . . ÒÚ. 23

èÓ‚ÚÓÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ӉÌÓÈ ÔÂÒÌË ËÎË ÛÒÚ‡Ìӂ͇

óÚÓ·˚ ÔÓÎÛ˜ËÚ¸ ÓÔÚËχθÌ˚ ÂÁÛθڇÚ˚ ÓÚ ËÒÔÓθÁÓ‚‡ÌËfl

‰Ë‡Ô‡ÁÓ̇ (‚ ‰ÓÎflı) ‚ Ô‰Â·ı ÔÂÒÌË ‰Îfl ÔÓ‚ÚÓÌÓ„Ó

iAFC, ‚˚ÔÓÎÌËÚ ÒÎÂ‰Û˛˘Ë ÂÍÓÏẨ‡ˆËË.

‚ÓÒÔÓËÁ‚‰ÂÌËfl.

èÓÒÚ‡‚¸Ú ÔˇÌËÌÓ Ú‡Í, ˜ÚÓ·˚ ‡ÒÒÚÓflÌË ÏÂÊ‰Û Â„Ó

Á‡‰ÌÂÈ Ô‡ÌÂθ˛ Ë ÒÚÂÌÓÈ ·˚ÎÓ Ì ÏÂÌ 10 ÒÏ.

6

äÌÓÔ͇ [RIGHT] (Ô‡‚‡fl), [LEFT] (΂‡fl), [EXTRA PARTS]

èÓ‚Ó‰ËÚ ‡‚ÚÓχÚ˘ÂÒÍÛ˛ „ÛÎËÓ‚ÍÛ (͇ÎË·Ó‚ÍÛ)

(‰ÓÔÓÎÌËÚÂθÌ˚ ԇÚËË). . . . ÒÚ‡Ìˈ˚ 22, 34, 39

ÔË ÔÂ‚ÓÏ ‚Íβ˜ÂÌËË Ë ÔÓÒÎÂ Í‡Ê‰Ó„Ó ÔÂÂÏ¢ÂÌËfl

éÚÍβ˜ÂÌË ԇÚËË Î‚ÓÈ, Ô‡‚ÓÈ ËÎË Ó·ÂËı ÛÍ, ˜ÚÓ ‰‡ÂÚ

ËÌÒÚÛÏÂÌÚ‡ (ÒÚ. 82).

‚ÓÁÏÓÊÌÓÒÚ¸ ÛÔ‡ÊÌflÚ¸Òfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ

(‚˚Íβ˜ÂÌÌÓÈ) Ô‡ÚËË ÓÚ‰ÂθÌÓ.

äÌÓÔ͇ [FUNCTION] (ÙÛÌ͈Ëfl) . . . ÒÚ‡Ìˈ˚ 68, 83

7 äÌÓÔ͇ [REC] (Á‡ÔËÒ¸) . . . . . . . . . . . . . . . . . . ÒÚ. 34

èÓÁ‚ÓÎflÂÚ „ÛÎËÓ‚‡Ú¸ ̇ÒÚÓÈÍË, Ú‡ÍË ͇Í

á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓÈ Ë„˚ ̇ Í·‚ˇÚÛÂ.

˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl ̇ Í·‚˯Ë, ËÎË

8

äÌÓÔ͇

[PLAY/PAUSE] (‚ÓÒÔÓËÁ‚‰ÂÌËÂ/Ô‡ÛÁ‡),

‚˚ÔÓÎÌflÚ¸ ÚÓÌÍÛ˛ ̇ÒÚÓÈÍÛ ‚˚ÒÓÚ˚ Á‚Û͇ ËÎË Ô‡‡ÏÂÚÓ‚

MIDI.

[STOP] (ÓÒÚ‡Ìӂ͇) . . . . . . . . . . . . . ÒÚ‡Ìˈ˚ 20, 54

ÇÓÒÔÓËÁ‚‰ÂÌË ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ, Á‡ÔËÒ‡ÌÌÓ„Ó

£ èÓÚ˚ USB [TO DEVICE] (̇ÍÓÔËÚÂθ). . . . . ÒÚ. 58

χÚÂˇ·, ÍÓÏÏÂ˜ÂÒÍËı ÏÛÁ˚͇θÌ˚ı Á‡ÔËÒÂÈ Ë Ú.‰.

èÓÁ‚ÓÎfl˛Ú ÔÓ‰Íβ˜‡Ú¸ ËÌÒÚÛÏÂÌÚ Í USB-ÛÒÚÓÈÒÚ‚Û ı‡ÌÂÌËfl

‰‡ÌÌ˚ı ‰Îfl ÒÓı‡ÌÂÌËfl ËÎË Á‡„ÛÁÍË ‰‡ÌÌ˚ı. àÌÒÚÛÏÂÌÚ

9 äÌÓÔ͇ [SONG SELECT]

Ò̇·ÊÂÌ ‰‚ÛÏfl ÔÓÚ‡ÏË [TO DEVICE], A Ë B, ÍÓÚÓ˚Â

(‚˚·Ó ÔÂÒÌË) . . . . . . . . . . . . . . . . . ÒÚ‡Ìˈ˚ 20, 54

‚˚·Ë‡˛ÚÒfl Ò ÔÓÏÓ˘¸˛ ÔÂÂÍβ˜‡ÚÂÎfl [SELECT] (‚˚·Ó).

Ç˚·Ó ÔÂÒÌË ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ËÎË ‰‡ÍÚËÓ‚‡ÌËfl.

¢ 艇θ ÔË„ÎÛ¯ÂÌËfl Á‚Û͇ (΂‡fl), Ô‰‡Î¸

)

äÌÓÔ͇ [FILE/SONG SETTING]

ÒÓÒÚÂÌÛÚÓ (Ò‰Ìflfl), ‰ÂÏÔÙÂ̇fl Ô‰‡Î¸

(̇ÒÚÓÈÍË Ù‡È·/ÔÂÒÌË) . . . . . . . . . . ÒÚ‡Ìˈ˚ 43, 71

(Ô‡‚‡fl) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ÒÚ. 26

ëÓı‡ÌÂÌË Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ Ë ÛÔ‡‚ÎÂÌË هÈ·ÏË

èÓÁ‚ÓÎfl˛Ú ÒÓÁ‰‡‚‡Ú¸ ÏÌÓÊÂÒÚ‚Ó ‚˚‡ÁËÚÂθÌ˚ı ˝ÙÙÂÍÚÓ‚

ÔÂÒÂÌ. íÓÌ͇fl ̇ÒÚÓÈ͇ Á‡ÔËÒË Ë ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË.

‡Ì‡Îӄ˘ÌÓ Ô‰‡ÎflÏ ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÔˇÌËÌÓ. ùÚËÏ

! äÌÓÔÍË METRONOME [ON/OFF]

Ô‰‡ÎflÏ Ú‡ÍÊ ÏÓÊÌÓ ÔËÒ‚‡Ë‚‡Ú¸ ‡Á΢Ì˚ ÙÛÌ͈ËË.

(ÏÂÚÓÌÓÏ ‚ÍÎ./‚˚ÍÎ.), METRONOME [SETTING]

ê‡Á˙ÂÏ˚ [PHONES] (̇ۯÌËÍË). . . . . . . . . . . ÒÚ. 16

(̇ÒÚÓÈÍË ÏÂÚÓÌÓχ) . . . . . . ÒÚ‡Ìˈ˚ 33, 66, 74

èÓÁ‚ÓÎfl˛Ú ÔÓ‰Íβ˜‡Ú¸ Òڇ̉‡ÚÌ˚ ÒÚÂÂÓ̇ۯÌËÍË,

àÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËÈ ÏÂÚÓÌÓχ.

˜ÚÓ·˚ Ë„‡Ú¸, ̠ϯ‡fl ÓÍÛʇ˛˘ËÏ.

@ äÌÓÔÍË TEMPO [UP][DOWN]

§ ê‡Á˙ÂÏ USB [TO HOST]

(ÚÂÏÔ ‚˚¯Â/ÌËÊÂ) . . . . . . . . . . . . . . . . . . . . . . ÒÚ. 33

(ÛÒÚÓÈÒÚ‚Ó Ó·‡·ÓÚÍË). . . . . . . . . . . . . . . . . ÒÚ. 58

àÁÏÂÌÂÌË ÚÂÏÔ‡ (ÒÍÓÓÒÚË) ÔÂÒÌË Ë ÏÂÚÓÌÓχ.

èÓÁ‚ÓÎflÂÚ ÔÓ‰Íβ˜‡Ú¸ ËÌÒÚÛÏÂÌÚ Í ÍÓÏÔ¸˛ÚÂÛ ‰Îfl

Ó·ÏÂ̇ MIDI-‰‡ÌÌ˚ÏË ÏÂÊ‰Û ÔˇÌËÌÓ Ë ÍÓÏÔ¸˛ÚÂÓÏ.

# ùÍ‡Ì, ÍÌÓÔÍË A – D [–][+] . . . . . . . . . . . . . . . ÒÚ. 12

èÓÚ˚ MIDI [IN][OUT][THRU]. . . . . . . . . . . . . . ÒÚ. 58

$ ê„ÛÎflÚÓ [CONTRAST] (ÍÓÌÚ‡ÒÚÌÓÒÚ¸) . . ÒÚ. 16

èÓÁ‚ÓÎfl˛Ú ÔÓ‰Íβ˜‡Ú¸ ‚̯ÌË MIDI-ÛÒÚÓÈÒÚ‚‡ ‰Îfl

ç‡ÒÚÓÈ͇ ÍÓÌÚ‡ÒÚÌÓÒÚË ˝Í‡Ì‡.

ËÒÔÓθÁÓ‚‡ÌËfl ‡Á΢Ì˚ı MIDI-ÙÛÌ͈ËÈ.

% äÌÓÔ͇ [EXIT] (‚˚ıÓ‰). . . . . . . . . . . . . . . . . . . ÒÚ. 13

ê‡Á˙ÂÏ [AUX PEDAL]

èË Ì‡Ê‡ÚËË ˝ÚÓÈ ÍÌÓÔÍË ÔÓËÒıÓ‰ËÚ ‚ÓÁ‚‡˘ÂÌË Í

(‚ÒÔÓÏÓ„‡ÚÂθ̇fl Ô‰‡Î¸) . . . . . . . . . . . . . . ÒÚ. 58

„·‚ÌÓÏÛ ˝Í‡ÌÛ (ÓÚÓ·‡Ê‡ÂÚÒfl ÔË ‚Íβ˜ÂÌËË ÔËÚ‡ÌËfl).

èÓÁ‚ÓÎflÂÚ ÔÓ‰Íβ˜‡Ú¸ ‰ÓÔÓÎÌËÚÂθÌÛ˛ Ô‰‡Î¸ ‰Îfl

^ äÌÓÔÍË „ÛÔÔ ÚÂÏ·Ó‚. . . . . . . . . . . . . . . . . . ÒÚ. 25

Û‰Ó·ÒÚ‚‡ ÌÓÊÌÓ„Ó ÛÔ‡‚ÎÂÌËfl ‡Á΢Ì˚ÏË ÙÛÌ͈ËflÏË.

Ç˚·Ó „ÛÔÔ ÚÂÏ·Ó‚. ÑÓÒÚÛÔÌÓ ¯ÂÒÚ̇‰ˆ‡Ú¸ „ÛÔÔ

ª ê‡Á˙ÂÏ˚ AUX IN [L/L+R] [R] (‚ÒÔÓÏÓ„‡ÚÂθÌ˚È

ÚÂÏ·Ó‚, ‚Íβ˜‡fl Óflθ. åÓÊÌÓ Ú‡ÍÊ ÒÍÓÏ·ËÌËÓ‚‡Ú¸ ‰‚‡

‚ıÓ‰ ΂./΂. + Ô‡‚./Ô‡‚.) . . . . . . . . . . . . . ÒÚ. 59

ÚÂÏ·‡ Ë ËÒÔÓθÁÓ‚‡Ú¸ Ëı ‚ÏÂÒÚÂ.

èÓÁ‚ÓÎflÂÚ ÔÓ‰Íβ˜‡Ú¸ ‚̯ÌËÈ „ÂÌÂ‡ÚÓ ÚÓ̇ ‰Îfl

& äÌÓÔ͇ [VOICE SETTING]

‚ÓÒÔÓËÁ‚‰ÂÌËfl Â„Ó Á‚Û͇ ˜ÂÂÁ ‚ÒÚÓÂÌÌÛ˛ ‡ÍÛÒÚ˘ÂÒÍÛ˛

(̇ÒÚÓÈÍË ÚÂÏ·‡) . . . . . . . . . . . . ÒÚ‡Ìˈ˚ 67, 75

ÒËÒÚÂÏÛ Ë ‰Ë̇ÏËÍË ÔˇÌËÌÓ.

íÓÌ͇fl ̇ÒÚÓÈ͇ Á‚Û˜‡ÌËfl ÚÂÏ·‡ Ë ˝ÙÙÂÍÚÓ‚.

ê‡Á˙ÂÏ˚ AUX OUT [L][R]

* äÌÓÔ͇ [SPLIT] (‡Á‰ÂÎÂÌË ÚÂÏ·Ó‚) . . . . ÒÚ. 31

(‚ÒÔÓÏÓ„‡ÚÂθÌ˚È ‚˚ıÓ‰ ΂./Ô‡‚.) . . . . . ÒÚ. 59

èÓË„˚‚‡ÌË ԇÚËÈ Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍË ‚ ‡ÁÌ˚ı

èÓÁ‚ÓÎfl˛Ú ‚˚‚Ó‰ËÚ¸ Á‚ÛÍ ÔˇÌËÌÓ Ì‡ ‚ÌÂ¯Ì˛˛ ‡Û‰ËÓÒËÒÚÂÏÛ

ÚÂÏ·‡ı.

ËÎË ÔÓ‰Íβ˜‡Ú¸ Â„Ó Í ‰Û„ÓÏÛ ÛÒÚÓÈÒÚ‚Û (͇ÒÒÂÚÌÓÏÛ

χ„ÌËÚÓÙÓÌÛ Ë Ú.‰.) ‰Îfl Á‡ÔËÒË ÒÓ·ÒÚ‚ÂÌÌÓÈ Ë„˚.

CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 11

Аннотации для Процессора Эффектов Yamaha CLP-280 в формате PDF