Yamaha CLP-280 – страница 2

èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ

ê„ÛÎËӂ͇ ÚÂÏÔ‡

ÑÎfl „ÛÎËÓ‚ÍË ÚÂÏÔ‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÍÌÓÔÍË

ä ëÇÖÑÖçàû

TEMPO [DOWN][UP]. ÇÓÁ‚‡Ú Í ÚÂÏÔÛ ÔÂÒÌË ÔÓ ÛÏÓΘ‡Ì˲

àÁÏÂÌËÚ¸ ÚÂÏÔ ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛

ÔÓËÒıÓ‰ËÚ ÔË Ó‰ÌÓ‚ÂÏÂÌÌÓÏ Ì‡Ê‡ÚËË ÍÌÓÔÓÍ [DOWN] Ë [UP].

ÍÌÓÔÓÍ D [–][+].

ÑÎfl ‚ÓÁ‚‡Ú‡ Í ˝Í‡ÌÛ ‚˚·Ó‡ ÔÂÒÌË Ì‡ÊÏËÚ β·Û˛ ËÁ ÍÌÓÔÓÍ

ä ëÇÖÑÖçàû

[SONG SELECT].

ÇÓÁ‚‡Ú Í Òڇ̉‡ÚÌÓÏÛ ÚÂÏÔÛ

ä‡Ê‰˚È ‡Á, ÍÓ„‰‡ ‚˚·Ë‡ÂÚÒfl

A

B

ÌÓ‚‡fl ‚ÒÚÓÂÌ̇fl ÔÂÒÌfl,

Tempo

NO YES

ÔÓËÒıÓ‰ËÚ ‡‚ÚÓχÚ˘ÂÒÍËÈ

86

‚ÓÁ‚‡Ú Í ËÒıÓ‰ÌÓÏÛ ÚÂÏÔÛ ‰Îfl ˝ÚÓÈ

ÔÂÒÌË.

C

D

éÒÌÓ‚Ì˚ ÓÔÂ‡ˆËË

3. éÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl.

äÓ„‰‡ ÔÂÒÌfl Á‡Í‡Ì˜Ë‚‡ÂÚÒfl, ‚ÓÒÔÓËÁ‚‰ÂÌË ‡‚ÚÓχÚ˘ÂÒÍË

ÔÂÍ‡˘‡ÂÚÒfl, Ë ÔˇÌËÌÓ Clavinova ̇ıÓ‰ËÚ Ì‡˜‡ÎÓ ÔÂÒÌË.

óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ÔÂÒÌ˛ ̇ ÒÂ‰ËÌÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [STOP].

èÂ‚‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÏÓÊÌÓ Ë Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË

[PLAY/PAUSE]. ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÍ‡˘‡ÂÚÒfl ‚ ÏÓÏÂÌÚ

̇ʇÚËfl ÍÌÓÔÍË.

Å˚ÒÚ‡fl ÔÂÂÏÓÚ͇ ‚ÔÂ‰ Ë Ì‡Á‡‰

ç‡ ˝Í‡Ì ‚˚·Ó‡ ÔÂÒÌË ÏÓÊÌÓ ‚˚ÔÓÎÌËÚ¸ ÒÎÂ‰Û˛˘Ë ÓÔÂ‡ˆËË:

• ÑÎfl ·˚ÒÚÓÈ ÔÂÂÏÓÚÍË Ì‡Á‡‰ Ë ‚ÔÂ‰ (‚Ó ‚ÂÏfl

ÔÓË„˚‚‡ÌËfl ÔÂÒÌË ËÎË ÍÓ„‰‡ ÔÂÒÌfl ÓÒÚ‡ÌÓ‚ÎÂ̇)

ÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË B [–][+].

• ÑÎfl ̇˜‡Î‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ò Ô‰˚‰Û˘ÂÈ ÔÂÒÌË Ì‡ÊÏËÚÂ

ÍÌÓÔÍÛ C [–].

• ÑÎfl ̇˜‡Î‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÓ ÒÎÂ‰Û˛˘ÂÈ ÔÂÒÌË Ì‡ÊÏËÚÂ

ÍÌÓÔÍÛ C [+].

• ç‡ÊÏËÚ ÍÌÓÔÍÛ [STOP] ËÎË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË

B [–][+] ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ËÎË ÍÓ„‰‡ ÔÂÒÌfl

ÓÒÚ‡ÌÓ‚ÎÂ̇, ˜ÚÓ·˚ ̇ÈÚË Ì‡˜‡ÎÓ ÔÂÒÌË.

4. ÇÓÁ‚‡Ú Í „·‚ÌÓÏÛ ˝Í‡ÌÛ.

íÖêåàçéãéÉàü

ç‡ÊÏËÚ ÍÌÓÔÍÛ [EXIT].

ùÍ‡Ì ÔÓ ÛÏÓΘ‡Ì˲

ùÍ‡Ì ÔÓ ÛÏÓΘ‡Ì˲ – ˝ÚÓ ˝Í‡Ì

‚˚·Ó‡ ÚÂÏ·‡ (ÒÚ. 25), ÍÓÚÓ˚È

ÔÓfl‚ÎflÂÚÒfl ÔË ‚Íβ˜ÂÌËË ÔˇÌËÌÓ

Clavinova.

CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 21

èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ

ìÔ‡ÊÌÂÌËfl ‰Îfl Ó‰ÌÓÈ ÛÍË Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ

50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ

50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ Á‡ÔËÒ‡Ì˚ Ú‡Í, ˜ÚÓ Ô‡ÚËË Î‚ÓÈ Ë Ô‡‚ÓÈ ÛÍË Ì‡ıÓ‰flÚÒfl ‚ ‡ÁÌ˚ı Ô‡ÚËflı.

éÒÌÓ‚Ì˚ ÓÔÂ‡ˆËË

èÓ Ê·Ì˲ ÏÓÊÌÓ ÓÚÍβ˜ËÚ¸ Ô‡ÚËË Î‚ÓÈ, Ô‡‚ÓÈ ËÎË Ó·ÂËı ÛÍ, ˜ÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸

‡Áۘ˂‡Ú¸ Í‡Ê‰Û˛ ËÁ ÌËı ÓÚ‰ÂθÌÓ. ÑÎfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ô‡ÚËË Ô‡‚ÓÈ ÛÍË Ì‡‰Ó ̇ʇڸ ÍÌÓÔÍÛ

[RIGHT], ‡ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ô‡ÚËË Î‚ÓÈ ÛÍË – ÍÌÓÔÍÛ [LEFT].

1

EXTRA

PARTS

LEFT

RIGHT

SELECT

SONG

ON/OFF

METRONOME

SETTING

A

B

CONTRAST

PIANO 1

GRAND

GRAND

PIANO 2

E.PIANO

1

E.PIANO

2

HARPSI-

CHORD

E.CLAVI-

CHORD

PHONE

VIBRA-

GUITAR

SETTING

VOICE

CHORUSREVERB

SETTING

iAFC

SONG

KEYBOARD

REPEAT

PLAY/PAUSESTOPREC

FILE/SONG

SETTING

DOWN

UP

NO YES

CHURCH

ORGAN

ORGAN

JAZZ

STRINGS

CHOIR

SYNTH.

PAD

WOOD

BASS

E.BASS

XG

SPLIT

MELLOW BRIGHT

BRILLIANCE

FUNCTION

EXIT

MIN MAX

NEW SONG

SYNC START

MASTER VOLUME

DEMOSONG BALANCE

SONG

TEMPO

C

D

VOICE

3

2

ÑÂÈÒÚ‚Ëfl

1. éÚÍβ˜ÂÌË ԇÚËË, ÍÓÚÓÛ˛ ‚˚ ıÓÚËÚ ‡ÁÛ˜ËÚ¸.

ä ëÇÖÑÖçàû

è‡ÚËË ÏÓÊÌÓ Á‡„ÎÛ¯‡Ú¸ Ë

Ç˚·‡‚ ÔÂÒÌ˛ ‰Îfl ÛÔ‡ÊÌÂÌËÈ, ÓÚÍβ˜ËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛

‚Íβ˜‡Ú¸ ‰‡Ê ‚Ó ‚ÂÏfl

Ô‡Ú˲ ÍÌÓÔÍÓÈ [RIGHT] ËÎË [LEFT].

‚ÓÒÔÓËÁ‚‰ÂÌËfl.

èÓÒΠ‚˚·Ó‡ ÔÂÒÌË Á‡„Ó‡˛ÚÒfl Ó·‡ Ë̉Ë͇ÚÓ‡ – [RIGHT] Ë

[LEFT]. ùÚÓ ÓÁ̇˜‡ÂÚ, ˜ÚÓ ·Û‰ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl Ó·Â Ô‡ÚËË.

ÖÒÎË Ì‡Ê‡Ú¸ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ Ë̉Ë͇ÚÓ

ÔÓ„‡ÒÌÂÚ, Ë Ô‡ÚËfl Á‚Û˜‡Ú¸ Ì ·Û‰ÂÚ. ç‡Ê‡ÚË ÍÌÓÔÍË

ÔÓÔÂÂÏÂÌÌÓ ‚Íβ˜‡ÂÚ Ë ‚˚Íβ˜‡ÂÚ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ.

2. ÇÓÒÔÓËÁ‚‰ÂÌËÂ Ë Ë„‡ ̇ Í·‚˯‡ı.

óÚÓ·˚ ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [PLAY/PAUSE].

éÚÍβ˜ÂÌÌÛ˛ Ô‡Ú˲ Ë„‡ÈÚ ̇ Í·‚˯‡ı.

Ä‚ÚÓχÚ˘ÂÒÍËÈ Á‡ÔÛÒÍ ‚ÓÒÔÓËÁ‚‰ÂÌËfl, ÍÓ„‰‡ ‚˚ ̇˜Ë̇ÂÚÂ

íÖêåàçéãéÉàü

Ë„Û Ì‡ Í·‚˯‡ı (Sync Start)

Sync

é‰ÌÓ‚ÂÏÂÌÌ˚È, ̇˜Ë̇˛˘ËÈÒfl

åÓÊÌÓ Ò‰Â·ڸ Ú‡Í, ˜ÚÓ·˚ ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Ì‡˜Ë̇ÎÓÒ¸

Ó‰ÌÓ‚ÂÏÂÌÌÓ

‡‚ÚÓχÚ˘ÂÒÍË, Í‡Í ÚÓθÍÓ ‚˚ ̇˜Ë̇ÂÚ ˄‡Ú¸ ̇ Í·‚˯‡ı

(Sync Start).

ç‡ÊÏËÚ ÍÌÓÔÍÛ [STOP] Ë ÍÌÓÔÍÛ [PLAY/PAUSE]. à̉Ë͇ÚÓ

[PLAY/PAUSE] Á‡ÏË„‡ÂÚ, Ë Clavinova ·Û‰ÂÚ Ê‰‡Ú¸ ÒËÌıÓÌÌÓ„Ó

Á‡ÔÛÒ͇ (Sync Start).

íÂÔÂ¸ ÔÓË„˚‚‡ÌË ÔÂÒÌË Ì‡˜ÌÂÚÒfl, Í‡Í ÚÓθÍÓ ‚˚ ÍÓÒÌÂÚÂÒ¸

Í·‚˯.

ÖÒÎË ‚Ó ‚ÂÏfl ÓÊˉ‡ÌËfl ̇ʇڸ ÍÌÓÔÍÛ [STOP], ÒËÌıÓÌÌ˚È

Á‡ÔÛÒÍ ·Û‰ÂÚ ÓÚÏÂÌÂÌ.

22 CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ

3. éÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl.

äÓ„‰‡ ÔÂÒÌfl Á‡Í‡Ì˜Ë‚‡ÂÚÒfl, ‚ÓÒÔÓËÁ‚‰ÂÌË ‡‚ÚÓχÚ˘ÂÒÍË

ä ëÇÖÑÖçàû

ÔÂÍ‡˘‡ÂÚÒfl, Ë ÔˇÌËÌÓ Clavinova ̇ıÓ‰ËÚ Ì‡˜‡ÎÓ ÔÂÒÌË.

ÇÍβ˜ÂÌË ‚ÓÒÔÓËÁ‚‰ÂÌËfl

óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ÔÂÒÌ˛ ̇ ÒÂ‰ËÌÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [STOP].

Ô‡ÚËÈ

èË ‚˚·ÓÂ ÌÓ‚ÓÈ ÔÂÒÌË

èÂ‚‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÏÓÊÌÓ Ë Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [PLAY/

‡‚ÚÓχÚ˘ÂÒÍË ‚Íβ˜‡˛ÚÒfl Ó·Â

PAUSE]. ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÍ‡˘‡ÂÚÒfl ‚ ÏÓÏÂÌÚ Ì‡Ê‡ÚËfl

Ô‡ÚËË.

ÍÌÓÔÍË.

ìÔ‡ÊÌÂÌËfl Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÙÛÌ͈ËË Repeat

éÒÌÓ‚Ì˚ ÓÔÂ‡ˆËË

Playback Ë ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ

îÛÌ͈Ëfl ˆËÍ΢ÂÒÍÓ„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl Song Repeat ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‰Îfl ÔÓ‚ÚÓ‡ ÔÂÒÌË

ËÎË Á‡‰‡ÌÌÓ„Ó ‰Ë‡Ô‡ÁÓ̇ Ú‡ÍÚÓ‚. ùÚÓ Û‰Ó·ÌÓ ‰Îfl ÛÔ‡ÊÌÂÌËfl ‚ ÚÛ‰Ì˚ı Ù‡„ÏÂÌÚ‡ı.

èÓ‚ÚÓÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË

ÑÂÈÒÚ‚Ëfl

1. ÇıÓ‰ ‚ ÂÊËÏ Repeat.

ä ëÇÖÑÖçàû

åÓÊÌÓ ÔÓ‚ÚÓÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸

Ç˚·ÂËÚ ÔÂÒÌ˛ ‰Îfl ‡Áۘ˂‡ÌËfl Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [REPEAT].

‚Ò ÔÂÒÌË ËÁ ÒÔËÒ͇ 50 ‚ÒÚÓÂÌÌ˚ı

ÔÂÒÂÌ ËÎË Ò USB-ÛÒÚÓÈÒÚ‚

ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (ÒÚ. 71).

2. á‡ÔÛÒÍ ÔÓ‚ÚÓÌÓ„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl.

óÚÓ·˚ ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [PLAY/PAUSE].

3. Ç˚ıÓ‰ ËÁ ÂÊËχ ÔÓ‚ÚÓÌÓ„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl Repeat

Ë ‚ÓÁ‚‡Ú ‚ Ó·˚˜Ì˚È ÂÊËÏ ‚ÓÒÔÓËÁ‚‰ÂÌËfl.

ç‡ÊÏËÚ ÍÌÓÔÍÛ [STOP], ˜ÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ,

‡ Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [REPEAT].

CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 23

èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ

Ç˚·Ó ‰Ë‡Ô‡ÁÓ̇ Ú‡ÍÚÓ‚ Ë Ëı ˆËÍ΢ÂÒÍÓ ‚ÓÒÔÓËÁ‚‰ÂÌË (A-B repeat)

ÑÂÈÒÚ‚Ëfl

éÒÌÓ‚Ì˚ ÓÔÂ‡ˆËË

1. Ç˚·Ó ÔÂÒÌË ‰Îfl ÛÔ‡ÊÌÂÌËfl Ë Â ‚ÓÒÔÓËÁ‚‰ÂÌËÂ.

óÚÓ·˚ ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [PLAY/PAUSE].

2. ìÒÚ‡Ìӂ͇ ‰Ë‡Ô‡ÁÓ̇ ‰Îfl ÔÓ‚ÚÓ‡.

ä ëÇÖÑÖçàû

ìÒÚ‡Ìӂ͇ ‰Ë‡Ô‡ÁÓ̇ ÔÓ‚ÚÓ‡

ç‡ÊÏËÚ ÍÌÓÔÍÛ [REPEAT] ‚ ÚӘ̇͠˜‡Î‡ ‰Ë‡Ô‡ÁÓ̇ (A). ç‡ÊÏËÚÂ

ÏÂÊ‰Û ÚÓ˜ÍÓÈ A Ë ÍÓ̈ÓÏ ÔÂÒÌË.

ÍÌÓÔÍÛ [REPEAT] ‚ ÍÓ̘ÌÓÈ ÚӘ͠(B).

ìÒÚ‡Ìӂ͇ Ó‰ÌÓÈ Î˯¸ ÚÓ˜ÍË Ä

ÔË‚Ó‰ËÚ Í ÔÓ‚ÚÓÌÓÏÛ

옇ÒÚÓÍ ÓÚ ÚÓ˜ÍË Ä ‰Ó ÚÓ˜ÍË Ç ÔÓ‚ÚÓflÂÚÒfl ˆËÍ΢ÂÒÍË ÔÓÒÎÂ

‚ÓÒÔÓËÁ‚‰ÂÌ˲ Ù‡„ÏÂÌÚ‡ ÓÚ

‡‚ÚÓχÚ˘ÂÒÍË ‚ÒÚ‡‚ÎflÂÏÓ„Ó ‚ÒÚÛÔÎÂÌËfl (ÔÓÏÓ„‡˛˘Â„Ó

˝ÚÓÈ ÚÓ˜ÍË ‰Ó ÍÓ̈‡ ÔÂÒÌË.

ÔÓ‰„ÓÚÓ‚ËÚ¸Òfl Í ‚ÓÒÔÓËÁ‚‰ÂÌ˲ Ù‡„ÏÂÌÚ‡).

ä ëÇÖÑÖçàû

ÖÒÎË ‚˚·‡Ú¸ ‰Û„Û˛ ÔÂÒÌ˛,

Û͇Á‡ÌÌ˚È ‰Ë‡Ô‡ÁÓÌ ‡‚ÚÓχÚ˘ÂÒÍË

3. éÚÏÂ̇ Û͇Á‡ÌÌÓ„Ó ‰Ë‡Ô‡ÁÓ̇ Ë ‚ÓÁ‚‡Ú ‚ Ó·˚˜Ì˚È ÂÊËÏ

ÓÚÏÂÌflÂÚÒfl, Ë ÔÓ‚ÚÓÌÓÂ

‚ÓÒÔÓËÁ‚‰ÂÌËfl.

‚ÓÒÔÓËÁ‚‰ÂÌË ÓÚÍβ˜‡ÂÚÒfl.

ç‡ÊÏËÚ ÍÌÓÔÍÛ [REPEAT].

24 CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚

Ç˚·Ó ÚÂÏ·Ó‚

2

1

äÌÓÔÍË „ÛÔÔ ÚÂÏ·Ó‚

PARTS

EXTRA

LEFT

RIGHT

SELECT

SONG

ON/OFF

METRONOME

SETTING

A

B

CONTRAST

GRAND

PIANO 1

PIANO 2

GRAND

E.PIANO

1

E.PIANO

2

HARPSI-

CHORD

E.CLAVI-

CHORD

VIBRA-

PHONE

GUITAR

SETTING

VOICE

CHORUSREVERB

SETTING

iAFC

SONG

KEYBOARD

REPEAT

PLAY/PAUSESTOPREC

FILE/SONG

SETTING

DOWN

UP

NO YES

CHURCH

ORGAN

ORGAN

JAZZ

STRINGS

CHOIR

SYNTH.

PAD

WOOD

BASS

E.BASS

XG

SPLIT

MELLOW BRIGHT

BRILLIANCE

FUNCTION

EXIT

MIN MAX

NEW SONG

SYNC START

MASTER VOLUME

DEMOSONG BALANCE

SONG

TEMPO

C

D

VOICE

ÑÂÈÒÚ‚Ëfl

1. Ç˚·Ó „ÛÔÔ˚ ÚÂÏ·Ó‚.

íÖêåàçéãéÉàü

VOICE (íÂÏ·)

éÒÌÓ‚Ì˚ ÓÔÂ‡ˆËË

ç‡ÊÏËÚ ÍÌÓÔÍÛ „ÛÔÔ˚ ÚÂÏ·Ó‚.

ÑÎfl ÔˇÌËÌÓ Clavinova «ÚÂÏ·»

(voice) ÓÁ̇˜‡ÂÚ «ÚÓÌ» ËÎË

«Á‚ÛÍÓ‚ÓÈ ÓÚÚÂÌÓÍ».

2. Ç˚·Ó ÚÂÏ·‡.

Ç˚·ÂËÚ ÚÂÏ· Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ A [–]/[+].

ä ëÇÖÑÖçàû

ëÏÂÌËÚ¸ ÚÂÏ· ‚ Ô‰Â·ı Ó‰ÌÓÈ Ë

ÉÛÔÔ‡ ÚÂÏ·Ó‚ ç‡Á‚‡ÌË ÚÂÏ·‡ ÉÛÔÔ‡ ÚÂÏ·Ó‚ ç‡Á‚‡ÌË ÚÂÏ·‡

ÚÓÈ ÊÂ „ÛÔÔ˚ ÏÓÊÌÓ ÔÓ‚ÚÓÌ˚Ï

GrandPiano1

PipeOrganPrincipal

̇ʇÚËÂÏ ÍÌÓÔÍË „ÛÔÔ˚ ÚÂÏ·Ó‚.

MellowPiano PipeOrganTutti

GRANDPIANO1

CHURCHORGAN

ä ëÇÖÑÖçàû

RockPiano PipeOrganFlute 1

HonkyTonkPiano PipeOrganFlute 2

óÚÓ·˚ ÔÓÁ̇ÍÓÏËÚ¸Òfl Ò ÚÂÏ·‡ÏË,

ÏÓÊÌÓ ÔÓÒÎÛ¯‡Ú¸

GrandPiano2

JazzOrgan

GRANDPIANO2

‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÏÂÎÓ‰ËË ‰Îfl

BrightPiano RotaryOrgan

JAZZORGAN

͇ʉÓÈ „ÛÔÔ˚ ÚÂÏ·Ó‚ (ÒÚ. 18). á‡

E.Piano1 MellowOrgan

E.PIANO1

·ÓΠÔÓ‰Ó·ÌÓÈ ËÌÙÓχˆËÂÈ Ó

SynthPiano

Strings

‚ÒÚÓÂÌÌ˚ı ÚÂÏ·‡ı Ó·‡ÚËÚÂÒ¸ Í

E.Piano2 SynthStrings

STRINGS

E.PIANO2

ÒÔËÒÍÛ ÚÂÏ·Ó‚ ̇ ÒÚ. 106.

Vintage E.Piano SlowStrings

Harpsichord8'

Choir

ä ëÇÖÑÖçàû

HARPSICHORD

Harpsichord8'+4' SlowChoir

CHOIR

ÉÓÏÍÓÒÚ¸ ÚÂÏ·‡ ÏÓÊÌÓ „ÛÎËÓ‚‡Ú¸

E.Clavichord Scat

ÒËÎÓÈ Ì‡Ê‡ÚËfl Í·‚˯, ıÓÚfl ÔË

E.CLAVICHORD

Wah Clavi.

SynthPad 1

ÌÂÍÓÚÓ˚ı ̇ÒÚÓÈ͇ı Ô‡‡ÏÂÚ‡

SYNTH.PAD

Vibraphone SynthPad 2

TouchSense ÒË· ̇ʇÚËfl Ô‡ÍÚ˘ÂÒÍË

Ì ‚ÎËflÂÚ Ì‡ Á‚Û˜‡ÌË ÌÂÍÓÚÓ˚ı

VIBRAPHONE

Marimba

WoodBass

WOOD BASS

ÏÛÁ˚͇θÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚. ëÏ.

Celesta Bass&Cymbal

«ëÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚» ̇

NylonGuitar

ElectricBass

GUITAR

E.BASS

ÒÚ. 106.

SteelGuitar FretlessBass

XG XGVoice

ä ëÇÖÑÖçàû

• èÓ‰Ó·ÌÛ˛ ËÌÙÓχˆË˛ Ó ÚÂÏ·‡ı XG ÒÏ. ‚ ÒÔËÒÍ ÚÂÏ·Ó‚ XG ‚ ÓÚ‰ÂθÌÓÏ ·ÛÍÎÂÚÂ Ò Ú‡·Îˈ‡ÏË.

ëÔˆËÙË͇ˆËfl

XG Ô‰ÒÚ‡‚ÎflÂÚ ÒÓ·ÓÈ

ÒÛ˘ÂÒÚ‚ÂÌÌÓ ‡Ò¯ËÂÌËÂ

ÖÒÎË ‚˚ ‚˚·‡ÎË XG

Òڇ̉‡Ú‡ GM System level 1 Ë

‡Á‡·Óڇ̇ ÙËÏÓÈ Yamaha

íÂÏ·˚ XG ÔÓ‰ÂÎÂÌ˚ ̇ ͇Ú„ÓËË Ë ‡ÁÏ¢ÂÌ˚ ‚ ÓÚ‰ÂθÌ˚ı Ô‡Ô͇ı.

ÒÔˆˇθÌÓ ‰Îfl Û‚Â΢ÂÌËfl ˜ËÒ·

ë̇˜‡Î‡ ÏÓÊÌÓ ‚˚·‡Ú¸ „ÛÔÔÛ ÚÂÏ·Ó‚ XG, ‡ Á‡ÚÂÏ ÌÛÊÌ˚È ÚÂÏ·.

ÚÂÏ·Ó‚ Ë Ëı ‡ÁÌӂˉÌÓÒÚÂÈ,

2-1. ÑÎfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡, „‰Â ÏÓÊÌÓ ‚˚·‡Ú¸ ÚÂÏ·˚ XG, ̇ÊÏËÚÂ

ÎÛ˜¯Â„Ó ÛÔ‡‚ÎÂÌËfl ÚÂÏ·‡ÏË Ë

˝ÙÙÂÍÚ‡ÏË, ‡ Ú‡ÍÊ ‰Îfl

Ó‰ÌÓ‚ÂÏÂÌÌÓ ÍÌÓÔÍË [–][+] fl‰ÓÏ Ò Ì‡Á‚‡ÌËÂÏ ÚÂÏ·‡ XG ̇

ÒÓ‚ÏÂÒÚËÏÓÒÚË MIDI-‰‡ÌÌ˚ı ‚

‰ËÒÔÎÂÂ.

·Û‰Û˘ÂÏ.

2-2. Ç˚·ÂËÚ „ÛÔÔÛ ÚÂÏ·Ó‚ Ò ÔÓÏÓ˘¸˛ A [–][+].

2-3. Ç˚·ÂËÚ ÚÂÏ· Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ C [–][+].

CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 25

Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚

4. ìÒÚ‡Ìӂ͇ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl (Ô‡‚ÓÈ Ë Î‚ÓÈ ˜‡ÒÚË

ä ëÇÖÑÖçàû

ᇉ‡Ì̇fl Í·‚˯‡ «‡Á‰ÂÎÂÌËfl

Í·‚ˇÚÛ˚).



Í·‚ˇÚÛ˚» (split point) ‚ıÓ‰ËÚ ‚

é·˚˜ÌÓ ÚÓ˜ÍÓÈ ‡Á‰ÂÎÂÌËfl fl‚ÎflÂÚÒfl Í·‚˯‡ «F

2».

ÎÂ‚Û˛ ˜‡ÒÚ¸.

ä ëÇÖÑÖçàû

éÒÌÓ‚Ì˚ ÓÔÂ‡ˆËË

ìÒÚ‡ÌÓ‚ËÚ¸ ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl

ÏÓÊÌÓ Ú‡ÍÊÂ Ò ÔÓÏÓ˘¸˛ Ô‡‡ÏÂÚ‡

[SplitPoint] ‚ ÏÂÌ˛ [FUNCTION]

(ÒÚ. 85).

ÑÑ

ÑÑ

ÎÎ

ÎÎ

flfl

flfl

ËË

ËË

ÁÁ

ÁÁ

ÏÏ

ÏÏ

ÂÂ

ÂÂ

ÌÌ

ÌÌ

ÂÂ

ÂÂ

ÌÌ

ÌÌ

ËË

ËË

flfl

flfl

ÚÚ

ÚÚ

ÓÓ

ÓÓ

˜˜

˜˜

ÍÍ

ÍÍ

ËË

ËË





‡‡

‡‡

ÁÁ

ÁÁ

‰‰

‰‰

ÂÂ

ÂÂ

ÎÎ

ÎÎ

ÂÂ

ÂÂ

ÌÌ

ÌÌ

ËË

ËË

flfl

flfl

..

..

ç‡ÊÏËÚ ÍÌÓÔÍÛ [SPLIT] ‚ÏÂÒÚÂ Ò ÍÌÓÔÍÓÈ D [–][+], ˜ÚÓ·˚ Á‡‰‡Ú¸ ÚÓ˜ÍÛ

‡Á‰ÂÎÂÌËfl.

ÑÛ„ÓÈ ÒÔÓÒÓ· – ̇ÊÏËÚ ÌÛÊÌÛ˛ Í·‚Ë¯Û ÔË Ì‡Ê‡ÚÓÈ ÍÌÓÔÍ [SPLIT].

A

B

SplitPoint

NO YES

F#2

C

D

óÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í „·‚ÌÓÏÛ ˝Í‡ÌÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [SPLIT].

5. Ç˚ıÓ‰ ËÁ ÂÊËχ Split Ë ‚ÓÁ‚‡Ú ‚ Ó·˚˜Ì˚È ÂÊËÏ.

ç‡ÊÏËÚ ÍÌÓÔÍÛ [SPLIT].

Ç ÂÊËÏ Split ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÂÊËÏ Dual Í‡Í ‚ ΂ÓÈ, Ú‡Í Ë ‚

Ô‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ (ÒÏ. ÒÚ. 29).

A

B

GrandPiano1 Harpsi.8'

NO YES

Vibraphone WoodBass

C

D

32 CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚

àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ

ÇÒÚÓÂÌÌ˚È ‚ ÔˇÌËÌÓ Clavinova ÏÂÚÓÌÓÏ (ÔË·Ó, Á‡‰‡˛˘ËÈ ÚÂÏÔ ËÒÔÓÎÌÂÌËfl) Û‰Ó·ÂÌ ‰Îfl

ÛÔ‡ÊÌÂÌËÈ.

1 2

EXTRA

PARTS

LEFT

RIGHT

SELECT

SONG

ON/OFF

METRONOME

SETTING

A

B

CONTRAST

GRAND

PIANO 1

GRAND

PIANO 2

E.PIANO

1

E.PIANO

2

HARPSI-

CHORD

E.CLAVI-

CHORD

VIBRA-

PHONE

GUITAR

SETTING

VOICE

CHORUSREVERB

SETTING

iAFC

SONG

KEYBOARD

REPEAT

PLAY/PAUSESTOPREC

FILE/SONG

SETTING

DOWN

UP

NO YES

CHURCH

ORGAN

ORGAN

JAZZ

STRINGS

CHOIR

SYNTH.

PAD

BASS

WOOD

E.BASS

XG

SPLIT

MELLOW BRIGHT

BRILLIANCE

FUNCTION

EXIT

MIN MAX

NEW SONG

SYNC START

MASTER VOLUME

DEMOSONG BALANCE

SONG

TEMPO

C

D

VOICE

äÌÓÔÍË TEMPO [DOWN] [UP]

éÒÌÓ‚Ì˚ ÓÔÂ‡ˆËË

ÑÂÈÒÚ‚Ëfl

1. á‡ÔÛÒÍ ÏÂÚÓÌÓχ.

ç‡ÊÏËÚ ÍÌÓÔÍÛ METRONOME [ON/OFF].

ê„ÛÎËӂ͇ ÚÂÏÔ‡

ç‡ÊÏËÚ ÍÌÓÔÍÛ TEMPO [DOWN] ËÎË [UP].

ä ëÇÖÑÖçàû

èÓ ÛÏÓΘ‡Ì˲ ÚÂÏÔ ‡‚ÂÌ 120.

A

B

(ÖÒÎË ‚˚·‡Ì‡ ÔÂÒÌfl, Ó̇

Tempo

NO YES

‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl ‚ Ò‚ÓÂÏ ËÒıÓ‰ÌÓÏ

120

ÚÂÏÔÂ.)

C

D

ÑÎfl „ÛÎËÓ‚ÍË ÚÂÏÔ‡ (˜ËÒÎÓ Û‰‡Ó‚ ‚ ÏËÌÛÚÛ: 5 – 500) ËÒÔÓθÁÛÈÚÂ

ä ëÇÖÑÖçàû

ÍÌÓÔÍË TEMPO [DOWN][UP] ËÎË D [–][+]. ÑÎfl ‚ÓÁ‚‡Ú‡ Í

ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË METRONOME

Òڇ̉‡ÚÌÓÏÛ ÚÂÏÔÛ (ËÒÔÓθÁÛÂÏÓÏÛ ÔÓ ÛÏÓΘ‡Ì˲) Ó‰ÌÓ‚ÂÏÂÌÌÓ

[SETTING] ÏÓÊÌÓ Á‡‰‡Ú¸ Ú‡ÍÚÓ‚˚È

‡ÁÏÂ (ÚÂÏÔ), „ÓÏÍÓÒÚ¸

̇ÊÏËÚ ÍÌÓÔÍË [DOWN] Ë [UP] ËÎË D [–] Ë [+].

ÏÂÚÓÌÓχ Ë ÚÓÌ Ò˄̇·.

óÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í Ó·˚˜ÌÓÏÛ ˝Í‡ÌÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT].

(ëÏ. ÒÚ. 74.)

2. éÒÚ‡Ìӂ͇ ÏÂÚÓÌÓχ.

ç‡ÊÏËÚ ÍÌÓÔÍÛ METRONOME [ON/OFF].

CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 33

á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËfl

Ç ˝ÚÓÈ „·‚ ÔÓ͇Á‡ÌÓ, Í‡Í Á‡ÔËÒ‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌÓ ËÒÔÓÎÌÂÌË Ò

ä ëÇÖÑÖçàû

ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Á‡ÔËÒË ËÌÒÚÛÏÂÌÚ‡ Clavinova.

á‡ÔËÒ‡Ú¸ Ò‚Ó ËÒÔÓÎÌÂÌËÂ

ç‡ÔËÏÂ, ‚Ó ‚ÂÏfl ÛÔ‡ÊÌÂÌËÈ ËÌÓ„‰‡ ÔÓÎÂÁÌÓ ÔÓÒÎÛ¯‡Ú¸

(Á‚ÛÍÓ‚˚ ‰‡ÌÌ˚Â) ÏÓÊÌÓ Ì‡

͇ÒÒÂÚÌ˚È Ï‡„ÌËÚÓÙÓÌ ËÎË

ÒÓ·ÒÚ‚ÂÌÌÛ˛ Ë„Û. åÓÊÌÓ Ú‡ÍÊ Á‡ÔËÒ‡Ú¸ ÚÓθÍÓ Ô‡Ú˲ ΂ÓÈ ÛÍË,

‰Û„Ë Á‡ÔËÒ˚‚‡˛˘ËÂ

‡ Á‡ÚÂÏ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸  ‚Ó ‚ÂÏfl ÛÔ‡ÊÌÂÌËÈ ‰Îfl Ô‡‚ÓÈ ÛÍË.

ÛÒÚÓÈÒÚ‚‡ ˜ÂÂÁ ‡Á˙ÂÏ AUX

í‡Í Í‡Í ‚ÒÂ„Ó ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ 16 Ô‡ÚËÈ, ˝ÚÓ ÔÓÁ‚ÓÎflÂÚ ÓÚ‰ÂθÌÓ ËÎË

OUT. (ëÏ. ÒÚ. 59.)

éÒÌÓ‚Ì˚ ÓÔÂ‡ˆËË

‰Û„ Á‡ ‰Û„ÓÏ Á‡ÔËÒ‡Ú¸ Ô‡ÚËË Î‚ÓÈ Ë Ô‡‚ÓÈ ÛÍË, Í‡Ê‰Û˛ Ô‡Ú˲

ÔË ËÒÔÓÎÌÂÌËË ‚ ˜ÂÚ˚ ÛÍË ËÎË Í‡Ê‰Û˛ Ô‡Ú˲ ‡Ì҇ϷÎfl.

íÖêåàçéãéÉàü

éÚ΢ˠÁ‡ÔËÒË ‰‡ÌÌ˚ı ÓÚ ÒÓı‡ÌÂÌËfl ‰‡ÌÌ˚ı

îÓÏ‡Ú ‰‡ÌÌ˚ı, ÍÓÚÓ˚ Á‡ÔËÒ˚‚‡˛ÚÒfl ̇ ͇ÒÒÂÚÛ, ÓÚ΢‡ÂÚÒfl ÓÚ ÙÓχڇ ‰‡ÌÌ˚ı, Á‡ÔËÒ˚‚‡ÂÏ˚ı ‚ Ô‡ÏflÚ¸ Ò‡ÏÓ„Ó ËÌÒÚÛÏÂÌÚ‡

Clavinova. ç‡ Í‡ÒÒÂÚÛ Á‡ÔËÒ˚‚‡˛ÚÒfl ‡Û‰ËÓÒ˄̇Î˚. Ä ÔˇÌËÌÓ Clavinova «ÒÓı‡ÌflÂÚ» ‰‡ÌÌ˚Â Ó ÒËÌıÓÌËÁ‡ˆËË ÌÓÚ, ÚÂÏ·‡ı Ë ÚÂÏÔÂ,

ÌÓ Ì ‡Û‰ËÓÒ˄̇Î˚. äÓ„‰‡ ‚˚ ÔÓË„˚‚‡ÂÚ Á‡ÔËÒ‡ÌÌ˚ ÔÂÒÌË, Clavinova „ÂÌÂËÛÂÚ Á‚ÛÍ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ËÌÙÓχˆËÂÈ, ÍÓÚÓ‡fl

ı‡ÌËÚÒfl ‚ Ô‡ÏflÚË. èÓ˝ÚÓÏÛ ÓÔÂ‡ˆË˛ Á‡ÔËÒË ‚ Ô‡ÏflÚ¸ ÔˇÌËÌÓ Clavinova ÚӘ̠·˚ÎÓ ·˚ ̇Á‚‡Ú¸ «ÒÓı‡ÌÂÌËÂÏ ËÌÙÓχˆËË».

çÓ ‚ ˝ÚÓÈ ÍÌË„Â ˜‡ÒÚÓ ËÒÔÓθÁÛÂÚÒfl ÒÎÓ‚Ó «Á‡ÔËÒ¸», Ú‡Í Í‡Í ˝ÚÓ Í‡ÊÂÚÒfl ·ÓΠÎӄ˘Ì˚Ï.

àÌÓ„‰‡ ‰Îfl ӷ΄˜ÂÌËfl ‚˚ÔÓÎÌÂÌËfl ÓÔÂ‡ˆËË Ì‡ ˝Í‡Ì ÔÓfl‚ÎflÂÚÒfl ÒÓÓ·˘ÂÌËÂ Ò ËÌÙÓχˆËÂÈ

ËÎË ‚ÓÔÓÒÓÏ. éÔËÒ‡ÌËÂ Í‡Ê‰Ó„Ó ÒÓÓ·˘ÂÌËfl, ÂÍÓÏẨÛÂÏ˚ ‰ÂÈÒÚ‚Ëfl Ë ÒÔÓÒÓ·˚ ÛÒÚ‡ÌÂÌËfl

ÌÂÔÓ·‰ÓÍ ÒÏ. ‚ «ëÔËÒÍ ÒÓÓ·˘ÂÌËÈ» ̇ ÒÚ. 93.

á‡ÔËÒ¸ ÌÓ‚ÓÈ ÔÂÒÌË

ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ÒÔÓÒÓ·‡ Á‡ÔËÒË ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl: ·˚ÒÚ‡fl Á‡ÔËÒ¸ ·ÂÁ Û͇Á‡ÌËfl

Á‡ÔËÒ˚‚‡ÂÏÓÈ Ô‡ÚËË ËÎË Á‡ÔËÒ¸ ÌÂÒÍÓθÍËı Ô‡ÚËÈ ‚ ‡ÁÌ˚ ԇÚËË. åÓÊÌÓ ‚˚·‡Ú¸

ÔÓ‰ıÓ‰fl˘ËÈ ‚‡Ï ÒÔÓÒÓ·.

■ á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËfl ·ÂÁ Û͇Á‡ÌËfl Á‡ÔËÒ˚‚‡ÂÏÓÈ Ô‡ÚËË (ÒÚ. 35)

ùÚÓÚ ÔÓÒÚÓÈ Ë Û‰Ó·Ì˚È ÒÔÓÒÓ· Á‡ÔËÒË ÔÓÁ‚ÓÎflÂÚ ·˚ÒÚÓ Á‡ÔËÒ‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌÓ ËÒÔÓÎÌÂÌË ·ÂÁ

Û͇Á‡ÌËfl Á‡ÔËÒ˚‚‡ÂÏÓÈ Ô‡ÚËË – ÓÌ ÔÓÎÂÁÂÌ, ̇ÔËÏÂ, ‰Îfl Á‡ÔËÒË ÒÓθÌ˚ı ÙÓÚÂÔˇÌÌ˚ı

ÔÓËÁ‚‰ÂÌËÈ.

í‡ÍËÏ Ó·‡ÁÓÏ ËÒÔÓÎÌÂÌË ‡‚ÚÓχÚ˘ÂÒÍË Á‡ÔËÒ˚‚‡ÂÚÒfl ‚ Ô‡Ú˲ 1 (Ô‡‚Û˛ Ô‡Ú˲).

■ á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËfl ÌÂÒÍÓθÍËı ‡ÁÌ˚ı Ô‡ÚËÈ (ÒÚ. 39)

ùÚÓÚ ÒÔÓÒÓ· ÔÓÁ‚ÓÎflÂÚ ÓÚ‰ÂθÌÓ Á‡ÔËÒ‡Ú¸ ÎÂ‚Û˛, Ô‡‚Û˛ Ë ‰ÓÔÓÎÌËÚÂθÌ˚ ԇÚËË. í‡Í Í‡Í ÏÓÊÌÓ

Á‡ÔËÒ‡Ú¸ ÎÂ‚Û˛ Ô‡Ú˲ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ô‡‚ÓÈ, ˝ÚÓÚ ÒÔÓÒÓ· ÔÓÎÂÁÂÌ ‰Îfl Á‡ÔËÒË ‰‚Ûı

Ô‡ÚËÈ ‰Û˝Ú‡. í‡Í Í‡Í ÏÓÊÌÓ ÓÚ‰ÂθÌÓ Á‡ÔËÒ‡Ú¸ ‰Ó ¯ÂÒÚ̇‰ˆ‡ÚË Ô‡ÚËÈ, Á‡Ô˯ËÚ ӉÌÛ Á‡ ‰Û„ÓÈ

Ô‡Ú˲ Í‡Ê‰Ó„Ó ËÌÒÚÛÏÂÌÚ‡, ‡ Á‡ÚÂÏ ÒÓÁ‰‡ÈÚ ÍÓÏÔÓÁËˆË˛ Ò ÔÓÎÌÓÈ ÓÍÂÒÚÓ‚ÍÓÈ.

ä ëÇÖÑÖçàû

ëÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ͇̇Î˚ (Ô‡ÚËË)

[RIGHT] ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Ô‡ÚËË 1.

‚ ÔÂÒÌ ·Û‰ÛÚ ‡‚ÚÓχÚ˘ÂÒÍË

á‡ÔËÒ˚‚‡ÈÚ ԇÚËË Ô‡‚ÓÈ ÛÍË ‰Îfl ÍÌÓÔÍË [RIGHT].

Á‡ÍÂÔÎÂÌ˚ Á‡ ÍÌÓÔ͇ÏË [RIGHT] Ë

[LEFT] ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Ô‡ÚËË 2.

[LEFT]. í‡Í, ÍÌÓÔÍÛ [RIGHT] ÏÓÊÌÓ

á‡ÔËÒ˚‚‡ÈÚ ԇÚËË Î‚ÓÈ ÛÍË ‰Îfl ÍÌÓÔÍË [LEFT].

Á‡ÍÂÔËÚ¸ Á‡ Ô‡ÚËÂÈ, ÓÚ΢ÌÓÈ ÓÚ

Ô‡ÚËË Part 1, ‡ ÍÌÓÔÍÛ [LEFT] – Á‡

Ô‡ÚËÂÈ, ÓÚ΢ÌÓÈ ÓÚ Ô‡ÚËË Part 2.

[EXTRA PARTS] ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Ô‡ÚËflÏ 3 – 16.

á‡ÔËÒ˚‚‡ÈÚ ԇÚËË 3 – 16 ‚ ‰ÓÔÓÎÌÂÌË Í

Ô‡ÚËflÏ 1 Ë 2 ÔË Á‡ÔËÒË ÔÂÒÂÌ, ÒÓÒÚÓfl˘Ëı ËÁ

ÌÂÒÍÓθÍËı Ô‡ÚËÈ, ̇ÔËÏÂ Ë„˚

ÒËÏÙÓÌ˘ÂÒÍÓ„Ó ÓÍÂÒÚ‡.

34 CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËfl

á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËfl ·ÂÁ Û͇Á‡ÌËfl Á‡ÔËÒ˚‚‡ÂÏÓÈ

Ô‡ÚËË

2

EXTRA

PARTS

LEFT

RIGHT

SELECT

SONG

ON/OFF

METRONOME

SETTING

A

B

CONTRAST

PIANO 1

GRAND

PIANO 2

GRAND

E.PIANO

1

E.PIANO

2

CHORD

HARPSI-

E.CLAVI-

CHORD

PHONE

VIBRA-

GUITAR

SETTING

VOICE

CHORUSREVERB

SETTING

iAFC

SONG

KEYBOARD

REPEAT

PLAY/PAUSESTOPREC

FILE/SONG

SETTING

DOWN

UP

NO YES

CHURCH

ORGAN

ORGAN

JAZZ

STRINGS

CHOIR

SYNTH.

PAD

WOOD

BASS

E.BASS

XG

SPLIT

MELLOW BRIGHT

BRILLIANCE

FUNCTION

EXIT

MIN MAX

NEW SONG

SYNC START

MASTER VOLUME

DEMOSONG BALANCE

SONG

TEMPO

C

D

VOICE

1 3

4 5

ÑÂÈÒÚ‚Ëfl

éÒÌÓ‚Ì˚ ÓÔÂ‡ˆËË

1. Ç˚·Ó «NewSong» ‰Îfl Á‡ÔËÒË.

ä ëÇÖÑÖçàû

ÖÒÎË ‚˚ ‚˚·Ë‡ÂÚ β·Û˛ ÔÂÒÌ˛,

é‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [REC] Ë [STOP].

ÍÓÏ «-----:NewSong», Ë Ô˯ÂÚ ‚

ùÍ‡Ì «NewSong»

Ô‡Ú˲, „‰Â ˜ÚÓ-ÚÓ ÛÊ Á‡ÔËÒ‡ÌÓ,

A

B

ÔÂÊÌË ‰‡ÌÌ˚ ·Û‰ÛÚ ÛÚÂflÌ˚.

------------- BAR 001

NO YES

-----:NewSong

C

D

2. Ç˚·Ó ÚÂÏ·‡.

ä ëÇÖÑÖçàû

ᇉ‡ÈÚ ÚÂÏÔ ‚ ¯‡„ 3.

Ç˚·ÂËÚ ÚÂÏ·(˚) ‰Îfl Á‡ÔËÒË (ÒÏ. ÒÚ. 25).

ᇉ‡ÈÚ ‰Û„Ë ԇ‡ÏÂÚ˚ – ‚Â·Â‡ˆË˛, ıÓÛÒ Ë Song

ä ëÇÖÑÖçàû

Balance.

àÌÙÓχˆË˛ Ó Á‡ÔËÒË ‚ ÂÊËÏÂ

Dual ËÎË Split ÒÏ. ̇ ÒÚ. 42.

ë ÔÓÏÓ˘¸˛ ‰ËÒ͇ ÛÔ‡‚ÎÂÌËfl [MASTER VOLUME] Á‡‰‡ÈÚÂ

ÌÛÊÌÛ˛ „ÓÏÍÓÒÚ¸. ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó ‰ËÒ͇ ÏÓÊÌÓ

„ÛÎËÓ‚‡Ú¸ „ÓÏÍÓÒÚ¸ Ë ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl.

èÓÒΠ‚˚·Ó‡ ÚÂÏÔ‡, ËÎË ÂÒÎË Ì ÔÓfl‚ÎflÂÚÒfl ˝Í‡Ì „ÓÚÓ‚ÌÓÒÚË

Í Á‡ÔËÒË, Ó‰ËÌ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [SONG SELECT], ˜ÚÓ·˚

‚ÂÌÛÚ¸Òfl Í ˝Í‡ÌÛ «NewSong».

3. ÇÍβ˜ÂÌË ÂÊËχ Á‡ÔËÒË.

ç‡ÊÏËÚ ÍÌÓÔÍÛ [REC].

à̉Ë͇ÚÓ˚ [REC] Ë [RIGHT] ÏË„‡˛Ú Í‡ÒÌ˚Ï ˆ‚ÂÚÓÏ.

(ÑÎfl ÔÂÍ‡˘ÂÌËfl Á‡ÔËÒË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [REC] ¢ ‡Á ËÎË

̇ÊÏËÚ ÍÌÓÔÍÛ [STOP].)

ùÍ‡Ì „ÓÚÓ‚ÌÓÒÚË Í Á‡ÔËÒË

A

B

SongRecording BAR 001

NO YES

-----:NewSong

C

D

ÖÒÎË Ú·ÛÂÚÒfl, Á‡‰‡ÈÚ ÚÂÏÔ.

ÖÒÎË ˝Í‡Ì „ÓÚÓ‚ÌÓÒÚË Í Á‡ÔËÒË Ì ÔÓfl‚ÎflÂÚÒfl, ̇ÊÏËÚ ӉËÌ

‡Á ÍÌÓÔÍÛ [SONG SELECT].

CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 35

á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËfl

4. á‡ÔÛÒÍ Ë ÓÒÚ‡Ìӂ͇ Á‡ÔËÒË.

ä ëÇÖÑÖçàû

àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ

á‡ÔËÒ¸ ̇˜Ë̇ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË, Í‡Í ÚÓθÍÓ ‚˚ ̇ÊËχÂÚ ̇

чÌÌ˚ ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ Ë ‚Ó

Í·‚˯Û.

‚ÂÏfl ‡·ÓÚ˚ ÏÂÚÓÌÓχ. ÑÎfl ˝ÚÓ„Ó

‚Íβ˜ËÚ ÏÂÚÓÌÓÏ ‰Ó ‚˚ÔÓÎÌÂÌËfl

(ÑÛ„ÓÈ ÒÔÓÒÓ·.) óÚÓ·˚ ̇˜‡Ú¸ Á‡ÔËÒ¸, ̇ÊÏËÚ ÍÌÓÔÍÛ

¯‡„‡ 4. ë˄̇Î˚ ÏÂÚÓÌÓχ ÌÂ

[PLAY/PAUSE].

Á‡ÔËÒ˚‚‡˛ÚÒfl.

éÒÌÓ‚Ì˚ ÓÔÂ‡ˆËË

ç‡ ˝Í‡Ì Á‡ÔËÒË ÓÚÓ·‡Ê‡ÂÚÒfl ÚÂÍÛ˘ËÈ ÌÓÏÂ Ú‡ÍÚ‡.

ùÍ‡Ì Á‡ÔËÒË

ä ëÇÖÑÖçàû

A

B

óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ Á‡ÔËÒ¸ ̇

ÒÂ‰ËÌÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [PLAY/

SongRecording BAR 012

NO YES

PAUSE]. ÑÎfl ‚ÓÁÓ·ÌÓ‚ÎÂÌËfl Á‡ÔËÒË

-----:NewSong

̇ÊÏËÚ ¢ ‡Á ÍÌÓÔÍÛ [PLAY/

C

D

PAUSE] ËÎË Í·‚Ë¯Û Ì‡ Í·‚ˇÚÛÂ.

çÓÏÂ Ú‡ÍÚ‡ ÔË Á‡ÔËÒË

óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ Á‡ÔËÒ¸, ̇ÊÏËÚ ÍÌÓÔÍÛ [STOP]. Clavinova

ä ëÇÖÑÖçàû

̇ȉÂÚ Ì‡˜‡ÎÓ ÔÂÒÌË.

ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [REC], Á‡ÔËÒ¸

ÔËÓÒÚ‡ÌÓ‚ËÚÒfl. óÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í

äÓ„‰‡ Á‡ÔËÒ¸ ÓÒÚ‡ÌÓ‚ÎÂ̇, ÔÂÒÌfl ‡‚ÚÓχÚ˘ÂÒÍË ÒÓı‡ÌflÂÚÒfl ‚

̇˜‡ÎÛ ÔÂÒÌË, ̇ÊÏËÚ ÍÌÓÔÍÛ

Ô‡ÏflÚË ‰Îfl ı‡ÌÂÌËfl (ÒÚ. 43). äÓ„‰‡ ÒÓı‡ÌÂÌË Á‡‚Â¯ÂÌÓ,

[REC].

ÔÓfl‚ÎflÂÚÒfl ˝Í‡Ì Ô‡ÏflÚË ‰Îfl ı‡ÌÂÌËfl.

ä ëÇÖÑÖçàû

A

B

èÂÂËÏÂÌÓ‚‡ÌË ÔÂÒÂÌ

SAVE Executing

NO YES

àÏÂ̇ Á‡ÔËÒ‡ÌÌ˚Ï ÔÂÒÌflÏ

-----:NewSong001.MID

ÔËÒ‚‡Ë‚‡˛ÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË, ÌÓ

ÔË Ê·ÌËË Ëı ÏÓÊÌÓ

C

D

ÔÂÂËÏÂÌÓ‚‡Ú¸ (ÒÚ. 48).

5. ÇÓÒÔÓËÁ‚‰ÂÌË Á‡ÔËÒ‡ÌÌÓ„Ó.

óÚÓ·˚ ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË Á‡ÔËÒ‡ÌÌÓ„Ó, ̇ÊÏËÚ ÍÌÓÔÍÛ

[PLAY/PAUSE].

äÓ„‰‡ ÔÂÒÌfl Á‡Í‡Ì˜Ë‚‡ÂÚÒfl, ‚ÓÒÔÓËÁ‚‰ÂÌË ‡‚ÚÓχÚ˘ÂÒÍË

ÔÂÍ‡˘‡ÂÚÒfl, Ë ÔˇÌËÌÓ Clavinova ̇ıÓ‰ËÚ Ì‡˜‡ÎÓ ÔÂÒÌË.

óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ÔÂÒÌ˛ ̇ ÒÂ‰ËÌÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [STOP].

èÂ‚‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÏÓÊÌÓ Ë Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË

[PLAY/PAUSE].

36 CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËfl

ó‡ÒÚ˘̇fl ÔÂÂÁ‡ÔËÒ¸ ÔÂÒÌË

Ç ˝ÚÓÏ ‡Á‰ÂΠÔÓ͇Á‡ÌÓ, Í‡Í ÔÂÂÁ‡ÔËÒ‡Ú¸ ˜‡ÒÚ¸ ÔÂÒÌË.

ÑÂÈÒÚ‚Ëfl

1. Ç˚·Ó ÏÂÚÓ‰‡ Á‡ÔËÒË.

1-1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [FILE/SONG SETTING].

1-2 ç‡ÊÏËÚ ÍÌÓÔÍË A [–][+], ˜ÚÓ·˚ ÓÚÍ˚Ú¸ ˝Í‡Ì «RecStart» ËÎË «RecEnd».

éÒÌÓ‚Ì˚ ÓÔÂ‡ˆËË

1-3 ç‡ÊÏËÚ ÍÌÓÔÍË D [–][+], ˜ÚÓ·˚ Û͇Á‡Ú¸, Í‡Í ‰ÓÎÊ̇ ̇˜Ë̇ڸÒfl Ë

Á‡Í‡Ì˜Ë‚‡Ú¸Òfl ÔÂÒÌfl.

åÂÚÓ‰˚ Á‡ÔÛÒ͇:

NN

NN

oo

oo

rr

rr

mm

mm

aa

aa

ll

ll

::

::

èÓÒΠ̇˜‡Î‡ Á‡ÔËÒË ‚Ò ÔÂÊÌË ‰‡ÌÌ˚ ÒÚË‡˛ÚÒfl.

FF

FF

ii

ii

rr

rr

ss

ss

tt

tt

KK

KK

ee

ee

yy

yy

OO

OO

nn

nn

::

::

чÌÌ˚ ‰Ó ÚÓ„Ó ÏÂÒÚ‡, „‰Â ‚˚ ̇ʇÎË Ì‡ Í·‚˯Û,

Ì ·Û‰ÛÚ ÒÚÂÚ˚.

åÂÚÓ‰˚ ÓÍÓ̘‡ÌËfl:

RR

RR

ee

ee

pp

pp

ll

ll

aa

aa

cc

cc

ee

ee

::

::

чÌÌ˚ ·Û‰ÛÚ ÒÚÂÚ˚ Ú‡ÍÊ ÔÓÒΠÚÓ„Ó ÏÂÒÚ‡, „‰Â ‚˚

ÓÒÚ‡ÌÓ‚ËÎË Á‡ÔËÒ¸.

PP

PP

uu

uu

nn

nn

cc

cc

hh

hh

OO

OO

uu

uu

tt

tt

::

::

чÌÌ˚ ÔÓÒΠÚÓ„Ó ÏÂÒÚ‡, „‰Â ‚˚ ÓÒÚ‡ÌÓ‚ËÎË Á‡ÔËÒ¸,

ÓÒÚ‡ÌÛÚÒfl.

2. éÒÚ‡ÌÓ‚ËÚ ÔÂÒÌ˛ ‚ ̇˜‡Î Ù‡„ÏÂÌÚ‡, ÍÓÚÓ˚È ıÓÚËÚÂ

ÔÂÂÁ‡ÔËÒ‡Ú¸.

äÓ„‰‡ ÔÓfl‚ËÚÒfl ˝Í‡Ì ‚ÓÒÔÓËÁ‚‰ÂÌËfl, ̇ȉËÚ ÌÛÊÌÓ ÏÂÒÚÓ,

ÔÂÂÏ¢‡flÒ¸ ÔÓ Ú‡ÍÚ‡Ï Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ B [–][+], ËÎË Ì‡˜ÌËÚÂ

‚ÓÒÔÓËÁ‚‰ÂÌË Á‡ÔËÒË Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [PLAY/PAUSE] ÌÂÏÌÓ„Ó

‡Ì¸¯Â Ù‡„ÏÂÌÚ‡, ÍÓÚÓ˚È ıÓÚËÚ ÔÂÂÁ‡ÔËÒ‡Ú¸.

ÖÒÎË ˝Í‡Ì ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ì ÔÓfl‚ÎflÂÚÒfl, ̇ÊÏËÚ ӉËÌ ‡Á

ÍÌÓÔÍÛ [SONG SELECT].

A

B

MEMORY BAR 009

NO YES

M-001:NewSong001.MID

C

D

3. Ç˚·Ó ÚÂÏ·‡ (ËÎË ÚÂÏ·Ó‚) ‰Îfl ÔÂÂÁ‡ÔËÒË.

ÖÒÎË ‚˚ ıÓÚËÚ ËÁÏÂÌËÚ¸ Ô‡‡ÏÂÚ˚, ÔÓ‚ÚÓËÚ ¯‡„ 2 ̇ ÒÚ. 35.

CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 37

á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËfl

4. ÇÍβ˜ÂÌË ÂÊËχ Á‡ÔËÒË.

ç‡ÊÏËÚ ÍÌÓÔÍÛ [REC].

ÑÎfl ÔÂÍ‡˘ÂÌËfl Á‡ÔËÒË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [REC] ¢ ‡Á ËÎË

̇ÊÏËÚ ÍÌÓÔÍÛ [STOP]. èÓÒΠ̇ʇÚËfl ÍÌÓÔÍË [REC] ËÎË

ÍÌÓÔÍË [STOP], ÂÒÎË ‰Îfl Ô‡‡ÏÂÚ‡ «RecStart» ‚˚·‡ÌÓ

éÒÌÓ‚Ì˚ ÓÔÂ‡ˆËË

Á̇˜ÂÌË «Normal» (ÒÚ. 37), ̇ ˝Í‡Ì ÔÓfl‚ËÚÒfl Á‡ÔÓÒ Ì‡

ÔÂÂÁ‡ÔËÒ¸ «Overwrite?». ÑÎfl ÓÚÏÂÌ˚ ÔÂÂÁ‡ÔËÒË Ì‡ÊÏËÚÂ

ÍÌÓÔÍÛ B [– (NO)].

5. á‡ÔÛÒÍ Ë ÓÒÚ‡Ìӂ͇ Á‡ÔËÒË.

á‡ÔËÒ¸ ̇˜Ë̇ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË, Í‡Í ÚÓθÍÓ ‚˚ ̇ÊÏÂÚ ̇

Í·‚˯Û.

(ÑÛ„ÓÈ ÒÔÓÒÓ·.) óÚÓ·˚ ̇˜‡Ú¸ Á‡ÔËÒ¸, ̇ÊÏËÚ ÍÌÓÔÍÛ

[PLAY/PAUSE].

óÚÓ·˚ ÔÂÍ‡ÚËÚ¸ Á‡ÔËÒ¸, ̇ÊÏËÚ ÍÌÓÔÍÛ [STOP]. Clavinova

̇ȉÂÚ Ì‡˜‡ÎÓ ÔÂÒÌË.

6. ëÓı‡ÌÂÌË Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ.

äÓ„‰‡ Á‡ÔËÒ¸ ÓÒÚ‡ÌÓ‚ÎÂ̇, ̇ ˝Í‡Ì ÔÓfl‚ÎflÂÚÒfl Á‡ÔÓÒ Ì‡

ÔÂÂÁ‡ÔËÒ¸ ÔÂÒÌË. óÚÓ·˚ ÔÂÂÁ‡ÔËÒ‡Ú¸ ÔÂÒÌ˛, ̇ÊÏËÚ ÍÌÓÔÍÛ B

[+ (YES)].

ÑÎfl ÓÚÏÂÌ˚ ÔÂÂÁ‡ÔËÒË Ì‡ÊÏËÚ ÍÌÓÔÍÛ B [– (NO)].

38 CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËfl

á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËfl ÌÂÒÍÓθÍËı ‡ÁÌ˚ı Ô‡ÚËÈ

2 3 2

1

EXTRA

PARTS

LEFT

RIGHT

SELECT

SONG

ON/OFF

METRONOME

SETTING

A

B

CONTRAST

PIANO 1

GRAND

PIANO 2

GRAND

E.PIANO

1

E.PIANO

2

HARPSI-

CHORD

E.CLAVI-

CHORD

PHONE

VIBRA-

GUITAR

SETTING

VOICE

CHORUSREVERB

SETTING

iAFC

SONG

KEYBOARD

REPEAT

PLAY/PAUSESTOPREC

FILE/SONG

SETTING

DOWN

UP

NO YES

CHURCH

ORGAN

ORGAN

JAZZ

STRINGS

CHOIR

SYNTH.

PAD

WOOD

BASS

E.BASS

XG

SPLIT

MELLOW BRIGHT

BRILLIANCE

FUNCTION

EXIT

MIN MAX

NEW SONG

SYNC START

MASTER VOLUME

DEMOSONG BALANCE

SONG

TEMPO

C

D

VOICE

1 2

4

ÑÂÈÒÚ‚Ëfl

éÒÌÓ‚Ì˚ ÓÔÂ‡ˆËË

1. Ç˚·Ó Ô‡‡ÏÂÚ‡ «New Song» Ë ÚÂÏ·‡ ‰Îfl Á‡ÔËÒË.

ä ëÇÖÑÖçàû

Ç˚ÔÓÎÌËÚ ¯‡„Ë ËÁ ‡Á‰Â· «á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËfl ·ÂÁ Û͇Á‡ÌËfl

ᇉ‡ÈÚ ÚÂÏÔ Ì‡ ¯‡„ 2.

Á‡ÔËÒ˚‚‡ÂÏÓÈ Ô‡ÚËË». ëÏ. ¯‡„Ë 1 – 2 ̇ ÒÚ. 35.

ä ëÇÖÑÖçàû

àÌÙÓχˆË˛ Ó Á‡ÔËÒË ‚ ÂÊËÏÂ

Dual ËÎË Split ÒÏ. ̇ ÒÚ. 42.

2. Ç˚·Ó Á‡ÔËÒ˚‚‡ÂÏ˚ı Ô‡ÚËÈ Ë ‚Íβ˜ÂÌË ÂÊËχ Á‡ÔËÒË.

á‡ÔËÒ¸ Ô‡‚ÓÈ (Ô‡ÚËfl 1) ËÎË Î‚ÓÈ (Ô‡ÚËfl 2) Ô‡ÚËË:

ç‡ÊÏËÚ ÍÌÓÔÍÛ [REC] ‚ÏÂÒÚÂ Ò ÍÌÓÔÍÓÈ [RIGHT]/[LEFT].

á‡ÔËÒ¸ ‰ÓÔÓÎÌËÚÂθÌ˚ı Ô‡ÚËÈ (Ô‡ÚËfl 3 – 16):

ç‡ÊÏËÚ ÍÌÓÔÍÛ [FILE/SONG SETTING] Ë ÍÌÓÔÍË A [–][+],

˜ÚÓ·˚ ÔÓfl‚ËÎÒfl ˝Í‡Ì «RecExtraPartsCh». ç‡ÊÏËÚ ÍÌÓÔÍË

D [–][+], ˜ÚÓ·˚ Û͇Á‡Ú¸ Á‡ÔËÒ˚‚‡ÂÏÛ˛ Ô‡Ú˲. ì͇Á‡Ì̇fl

Ô‡ÚËfl Á‡ÍÂÔÎflÂÚÒfl Á‡ ÍÌÓÔÍÓÈ [EXTRA PARTS].

èÓÒΠ‚˚·Ó‡ Á‡ÔËÒ‡ÌÌÓÈ Ô‡ÚËË ‰Îfl ÍÌÓÔÍË [EXTRA PARTS]

̇ÊÏËÚ ÍÌÓÔÍÛ [REC] ‚ÏÂÒÚÂ Ò ÍÌÓÔÍÓÈ [EXTRA PARTS].

à̉Ë͇ÚÓ˚ [REC] Ë Û͇Á‡ÌÌÓÈ Ô‡ÚËË ÏË„‡˛Ú Í‡ÒÌ˚Ï

ˆ‚ÂÚÓÏ.

(ÑÎfl ÔÂÍ‡˘ÂÌËfl Á‡ÔËÒË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [REC] ¢ ‡Á ËÎË

̇ÊÏËÚ ÍÌÓÔÍÛ [STOP].)

ùÍ‡Ì „ÓÚÓ‚ÌÓÒÚË Í Á‡ÔËÒË

A

B

SongRecording BAR 001

NO YES

-----:NewSong

C

D

ÖÒÎË Ú·ÛÂÚÒfl, Á‡‰‡ÈÚ ÚÂÏÔ.

ÖÒÎË ˝Í‡Ì „ÓÚÓ‚ÌÓÒÚË Í Á‡ÔËÒË Ì ÔÓfl‚ÎflÂÚÒfl, ̇ÊÏËÚ ӉËÌ

‡Á ÍÌÓÔÍÛ [SONG SELECT].

ÖÒÎË ‚˚ Ì ıÓÚËÚ ÒÎ˚¯‡Ú¸ ‚Ó ‚ÂÏfl Á‡ÔËÒË Ô‡‚Û˛/ÎÂ‚Û˛

Ô‡Ú˲, ̇ÊÏËÚ ÍÌÓÔÍÛ [RIGHT]/[LEFT], ˜ÚÓ·˚

ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ Ë̉Ë͇ÚÓ ÔÓ„‡Ò.

CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 39

á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËfl

3. á‡ÔÛÒÍ Ë ÓÒÚ‡Ìӂ͇ Á‡ÔËÒË

á‡ÔËÒ¸ ̇˜Ë̇ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË, Í‡Í ÚÓθÍÓ ‚˚ ̇ÊÏÂÚÂ

Í·‚˯Û.

(ÑÛ„ÓÈ ÒÔÓÒÓ·.) óÚÓ·˚ ̇˜‡Ú¸ Á‡ÔËÒ¸, ̇ÊÏËÚ ÍÌÓÔÍÛ

[PLAY/PAUSE].

éÒÌÓ‚Ì˚ ÓÔÂ‡ˆËË

óÚÓ·˚ ÔÂÍ‡ÚËÚ¸ Á‡ÔËÒ¸, ̇ÊÏËÚ ÍÌÓÔÍÛ [STOP]. Clavinova

̇ȉÂÚ Ì‡˜‡ÎÓ ÔÂÒÌË.

óÚÓ·˚ ÔÂÍ‡ÚËÚ¸ Á‡ÔËÒ¸, ̇ÊÏËÚ ÍÌÓÔÍÛ [STOP]. Clavinova

̇ȉÂÚ Ì‡˜‡ÎÓ ÔÂÒÌË.

äÓ„‰‡ Á‡ÔËÒ¸ ÓÒÚ‡ÌÓ‚ÎÂ̇, ÔÂÒÌfl ‡‚ÚÓχÚ˘ÂÒÍË ÒÓı‡ÌflÂÚÒfl ‚

Ô‡ÏflÚË ‰Îfl ı‡ÌÂÌËfl (ÒÚ. 43). äÓ„‰‡ ÒÓı‡ÌÂÌË Á‡‚Â¯ÂÌÓ,

ÔÓfl‚ÎflÂÚÒfl ˝Í‡Ì Ô‡ÏflÚË ‰Îfl ı‡ÌÂÌËfl.

ÑÛ„Ë ÏÂÚÓ‰˚ Á‡ÔËÒË

ÑÓ·‡‚ÎÂÌË ‰‡ÌÌ˚ı ËÎË Á‡ÔËÒ¸ ÔÓ‚Âı ÒÛ˘ÂÒÚ‚Û˛˘ÂÈ ÔÂÒÌË

Ç Ô‰˚‰Û˘ÂÏ ‡Á‰ÂΠÔÓ͇Á‡ÌÓ, Í‡Í Á‡ÔËÒ‡Ú¸ Ò‚Ó ËÒÔÓÎÌÂÌËÂ Ò Ò‡ÏÓ„Ó Ì‡˜‡Î‡, ‚˚·‡‚ ÔÛÒÚÛ˛

ÔÂÒÌ˛ «-----: NewSong». çÓ ÏÓÊÌÓ Ú‡ÍÊ ‰Ó·‡‚ÎflÚ¸ Ò‚Ó ËÒÔÓÎÌÂÌËÂ Í Á‡ÔËÒflÏ ËÎË

ÔÂÂÁ‡ÔËÒ˚‚‡Ú¸ ÒÛ˘ÂÒÚ‚Û˛˘Ë ÔÂÒÌË (‚ ˜‡ÒÚÌÓÒÚË, 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ [P-001 — P-050],

ÏÛÁ˚͇θÌ˚ Á‡ÔËÒË, ÔËÓ·ÂÚ‡ÂÏ˚ ‚ χ„‡ÁË̇ı <ÒÏ. ÒÚ. 57>, ËÎË Á‡ÔËÒË ‚‡¯Â„Ó ÒÓ·ÒÚ‚ÂÌÌÓ„Ó

ËÒÔÓÎÌÂÌËfl <ÒÏ. ÒÚ. 43>).

ÑÂÈÒÚ‚Ëfl

1. Ç˚·Ó ÔÂÒÌË ‰Îfl ÔÂÂÁ‡ÔËÒË.

ä ëÇÖÑÖçàû

óÚÓ·˚ ‚˚·‡Ú¸ ‚ÒÚÓÂÌÌÛ˛ ÔÂÒÌ˛, ̇ÊÏËÚ ÍÌÓÔÍÛ [SONG

ÖÒÎË Á‡ÔËÒ¸ ÔÓËÁ‚Ó‰ËÚÒfl ‰Îfl

Ô‡ÚËË, „‰Â ˜ÚÓ-ÚÓ ÛÊ Á‡ÔËÒ‡ÌÓ,

SELECT], Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍË A [–][+], ˜ÚÓ·˚ ÓÚÍ˚Ú¸

ÔÂÊÌË ‰‡ÌÌ˚ ԇÚËË ÒÚË‡˛ÚÒfl.

˝Í‡Ì «PRESET». Ç˚·ÂËÚ ÔÂÒÌ˛ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ C [–][+].

óÚÓ·˚ ‚˚·‡Ú¸ ÔËÓ·ÂÚÂÌÌÛ˛ ËÎË Á‡ÔËÒ‡ÌÌÛ˛ ÔÂÒÌ˛,

̇ÊÏËÚ ÍÌÓÔÍË A [–][+], ˜ÚÓ·˚ ‚˚‚ÂÒÚË Ô‡‡ÏÂÚ

«MEMORY» ËÎË «USB1» ̇ ˝Í‡Ì ‚˚·Ó‡ ÔÂÒÌË «Song Select»,

Ë Ì‡ÊÏËÚ ÍÌÓÔÍË C [–][+].

ÑÎfl ÔÓ‰ÓÎÊÂÌËfl Á‡ÔËÒË ÒΉÛÈÚ ËÌÒÚÛ͈ËflÏ ‚ ‡Á‰ÂÎÂ

«á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËfl ·ÂÁ Û͇Á‡ÌËfl Á‡ÔËÒ˚‚‡ÂÏÓÈ Ô‡ÚËË» ̇

ÒÚ. 35 ÔÓ 36.

äÓ„‰‡ Á‡ÔËÒ¸ ˉÂÚ ÔÓ‚Âı ‚ÒÚÓÂÌÌÓÈ ÔÂÒÌË, ÔÓÒΠÁ‡‚Â¯ÂÌËfl

Á‡ÔËÒË ÔÂÒÌfl ‡‚ÚÓχÚ˘ÂÒÍË ÒÓı‡ÌflÂÚÒfl ‚ Ô‡ÏflÚË (ÒÚ. 43).

äÓ„‰‡ Á‡ÔËÒ¸ ˉÂÚ ÔÓ‚Âı ÔËÓ·ÂÚÂÌÌÓÈ ËÎË Á‡ÔËÒ‡ÌÌÓÈ

ÔÂÒÌË, ÔÓfl‚ÎflÂÚÒfl Á‡ÔÓÒ Ì‡ ÔÂÂÁ‡ÔËÒ¸ ÔÂÒÌË (ÍÓ„‰‡ Á‡ÔËÒ¸

ÓÒÚ‡ÌÓ‚ÎÂ̇). óÚÓ·˚ ÔÂÂÁ‡ÔËÒ‡Ú¸ ÔÂÒÌ˛, ̇ÊÏËÚ ÍÌÓÔÍÛ B

[+ (YES)].

40 CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl