Yamaha DGX-203: инструкция

Раздел: Бытовая, кухонная техника, электроника и оборудование

Тип: Синтезатор/фортепиано

Инструкция к Синтезатору/фортепиано Yamaha DGX-203

Portable Grand

DGX-205/203

PortaTone

PSR-295/293

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl DGX-205/203, PSR-295/293 1

SPECIAL MESSAGE SECTION

This product utilizes batteries or an external power supply (adapter).

This product may also use “household” type batteries. Some of these

DO NOT connect this product to any power supply or adapter other

may be rechargeable. Make sure that the battery being charged is a

than one described in the manual, on the name plate, or specifically

rechargeable type and that the charger is intended for the battery being

recommended by Yamaha.

charged.

This product should be used only with the components supplied or; a

When installing batteries, do not mix batteries with new, or with batter-

cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is

ies of a different type. Batteries MUST be installed correctly. Mis-

used, please observe all safety markings and instructions that accom-

matches or incorrect installation may result in overheating and battery

pany the accessory product.

case rupture.

SPECIFICATIONS SUBJECT TO CHANGE:

Warning:

The information contained in this manual is believed to be correct at the

Do not attempt to disassemble, or incinerate any battery. Keep all bat-

time of printing. However, Yamaha reserves the right to change or mod-

teries away from children. Dispose of used batteries promptly and as

ify any of the specifications without notice or obligation to update exist-

regulated by the laws in your area. Note: Check with any retailer of

ing units.

household type batteries in your area for battery disposal information.

This product, either alone or in combination with an amplifier and head-

Disposal Notice:

phones or speaker/s, may be capable of producing sound levels that

Should this product become damaged beyond repair, or for some rea-

could cause permanent hearing loss. DO NOT operate for long periods

son its useful life is considered to be at an end, please observe all local,

of time at a high volume level or at a level that is uncomfortable. If you

state, and federal regulations that relate to the disposal of products that

experience any hearing loss or ringing in the ears, you should consult

contain lead, batteries, plastics, etc. If your dealer is unable to assist

an audiologist.

you, please contact Yamaha directly.

IMPORTANT: The louder the sound, the shorter the time period before

damage occurs.

NAME PLATE LOCATION:

The name plate is located on the bottom of the product. The model

NOTICE:

number, serial number, power requirements, etc., are located on this

Service charges incurred due to a lack of knowledge relating to how a

plate. You should record the model number, serial number, and the date

function or effect works (when the unit is operating as designed) are not

of purchase in the spaces provided below and retain this manual as a

covered by the manufacturer’s warranty, and are therefore the owners

permanent record of your purchase.

responsibility. Please study this manual carefully and consult your

dealer before requesting service.

ENVIRONMENTAL ISSUES:

Model

Yamaha strives to produce products that are both user safe and envi-

ronmentally friendly. We sincerely believe that our products and the pro-

duction methods used to produce them, meet these goals. In keeping

Serial No.

with both the letter and the spirit of the law, we want you to be aware of

the following:

Purchase Date

Battery Notice:

This product MAY contain a small non-rechargeable battery which (if

applicable) is soldered in place. The average life span of this type of

battery is approximately five years. When replacement becomes neces-

sary, contact a qualified service representative to perform the replace-

ment.

PLEASE KEEP THIS MANUAL

92-BP (bottom)

2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl DGX-205/203, PSR-295/293

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

not guarantee that interference will not occur in all installations. If

This product, when installed as indicated in the instructions con-

this product is found to be the source of interference, which can be

tained in this manual, meets FCC requirements. Modifications not

determined by turning the unit “OFF” and “ON”, please try to elimi-

expressly approved by Yamaha may void your authority, granted by

nate the problem by using one of the following measures:

the FCC, to use the product.

Relocate either this product or the device that is being affected by

the interference.

2. IMPORTANT: When connecting this product to accessories and/

or another product use only high quality shielded cables. Cable/s

Utilize power outlets that are on different branch (circuit breaker or

supplied with this product MUST be used. Follow all installation

fuse) circuits or install AC line filter/s.

instructions. Failure to follow instructions could void your FCC

In the case of radio or TV interference, relocate/reorient the

authorization to use this product in the USA.

antenna. If the antenna lead-in is 300 ohm ribbon lead, change the

lead-in to co-axial type cable.

3. NOTE: This product has been tested and found to comply with the

requirements listed in FCC Regulations, Part 15 for Class “B” digital

If these corrective measures do not produce satisfactory results,

devices. Compliance with these requirements provides a reason-

please contact the local retailer authorized to distribute this type of

able level of assurance that your use of this product in a residential

product. If you can not locate the appropriate retailer, please contact

environment will not result in harmful interference with other elec-

Yamaha Corporation of America, Electronic Service Division, 6600

tronic devices. This equipment generates/uses radio frequencies

Orangethorpe Ave, Buena Park, CA90620

and, if not installed and used according to the instructions found in

The above statements apply ONLY to those products distributed by

the users manual, may cause interference harmful to the operation

Yamaha Corporation of America or its subsidiaries.

of other electronic devices. Compliance with FCC regulations does

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

(class B)

OBSERVERA!

Apparaten kopplas inte ur växelströmskällan (nätet) så länge som den ar

ansluten till vägguttaget, även om själva apparaten har stängts av.

ADVARSEL: Netspæendingen til dette apparat er IKKE afbrudt, sålæenge

netledningen siddr i en stikkontakt, som er t endt — også selvom der or

slukket på apparatets afbryder.

VAROITUS: Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko laitetta

verkosta.

(standby)

Entsorgung leerer Batterien (nur innerhalb Deutschlands)

Leisten Sie einen Beitrag zum Umweltschutz. Verbrauchte Batterien oder

Akkumulatoren dürfen nicht in den Hausmüll. Sie können bei einer Sam-

melstelle für Altbatterien bzw. Sondermüll abgegeben werden. Informieren

Sie sich bei Ihrer Kommune.

(battery)

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl DGX-205/203, PSR-295/293 3

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(4)-8 1/2

4 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl DGX-205/203, PSR-295/293

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ÏÂÚ˚ ‚ ÓÚ‚ÂÒÚËfl ̇ Ô‡ÌÂÎË Ë Í·‚ˇÚÛÂ. ÖÒÎË ˝ÚÓ ÒÎÛ˜ËÎÓÒ¸, ÌÂω-

åÂÒÚÓ ÛÒÚ‡ÌÓ‚ÍË

ÎÂÌÌÓ ‚˚Íβ˜ËÚ ËÌÒÚÛÏÂÌÚ Ë ‚˚̸Ú ͇·Âθ ÔËÚ‡ÌËfl ËÁ ÓÁÂÚÍË.

á‡ÚÂÏ Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í ÒÔˆˇÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌ˘ÂÒÍÓ„Ó

ÇÓ ËÁ·ÂʇÌË ‰ÂÙÓχˆËË Ô‡ÌÂÎË Ë ÔÓ‚ÂʉÂÌËfl ‚ÌÛÚÂÌÌËı ÍÓÏÔÓ-

Ó·ÒÎÛÊË‚‡ÌËfl ÍÓÔÓ‡ˆËË Yamaha.

ÌÂÌÚÓ‚ ·Â„ËÚ ËÌÒÚÛÏÂÌÚ ÓÚ ˜ÂÁÏÂÌÓÈ Ô˚ÎË Ë ÒËθÌÓÈ ‚Ë·‡ˆËË

ç Í·‰ËÚ ̇ ËÌÒÚÛÏÂÌÚ Ô‰ÏÂÚ˚ ËÁ ‚ËÌË·, Ô·ÒÚχÒÒ˚ ËÎË ÂÁË-

Ë Ì ËÒÔÓθÁÛÈÚÂ Â„Ó ÔË Ó˜Â̸ ‚˚ÒÓÍÓÈ ËÎË ÌËÁÍÓÈ ÚÂÏÔÂ‡ÚÛ (̇Ô-

Ì˚: ˝ÚÓ ÏÓÊÂÚ ‚˚Á‚‡Ú¸ Ó·ÂÒˆ‚˜˂‡ÌË ԇÌÂÎË ËÎË Í·‚ˇÚÛ˚.

ËÏÂ, ̇ ÒÓÎ̈Â, fl‰ÓÏ Ò Ì‡„‚‡ÚÂÎÂÏ ËÎË ‚ χ¯ËÌ ‚ ‰Ì‚ÌÓ ‚ÂÏfl).

ç ӷÎÓ͇˜Ë‚‡ÈÚÂÒ¸ ̇ ËÌÒÚÛÏÂÌÚ, Ì ÒÚ‡‚¸Ú ̇ ÌÂ„Ó ÚflÊÂÎ˚ Ô‰-

ç ËÒÔÓθÁÛÈÚ ËÌÒÚÛÏÂÌÚ ‚ ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓÈ ·ÎËÁÓÒÚË ÓÚ ÚÂ΂Ë-

ÏÂÚ˚ Ë Ì ÔËÍ·‰˚‚‡ÈÚ ÒÎ˯ÍÓÏ ·Óθ¯ÓÈ ÒËÎ˚ ÔË ÔÓθÁÓ‚‡ÌËË

ÁÓ‡, ‡‰ËÓÔËÂÏÌË͇, ÒÚÂÂÓÓ·ÓÛ‰Ó‚‡ÌËfl, ÏÓ·ËθÌÓ„Ó ÚÂÎÂÙÓ̇ Ë

ÍÌÓÔ͇ÏË, ‚˚Íβ˜‡ÚÂÎflÏË Ë ‡Á˙ÂχÏË.

‰Û„Ëı ˝ÎÂÍÚÓÔË·ÓÓ‚. Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ‚ ËÌÒÚÛÏÂÌÚÂ, ÚÂ΂Ë-

ÁÓ ËÎË ‡‰ËÓÔËÂÏÌËÍ ÏÓ„ÛÚ ‚ÓÁÌËÍÌÛÚ¸ ÔÓÏÂıË.

ç ‡·ÓÚ‡ÈÚ ‰ÓÎ„Ó Ò ‚˚ÒÓÍËÏ ËÎË ÌÂÍÓÏÙÓÚÌ˚Ï ÛÓ‚ÌÂÏ „ÓÏÍÓÒÚË,

Ú‡Í Í‡Í ˝ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚÂ ÒÎÛı‡. èË ÛıÛ‰¯ÂÌËË ÒÎÛı‡ ËÎË

ÇÓ ËÁ·ÂʇÌË ÒÎÛ˜‡ÈÌÓ„Ó Ô‡‰ÂÌËfl ËÌÒÚÛÏÂÌÚ‡ Ì ÓÒÚ‡‚ÎflÈÚÂ Â„Ó ‚

Á‚ÓÌ ‚ Û¯‡ı Ó·‡ÚËÚÂÒ¸ Í ‚‡˜Û.

ÌÂÛÒÚÓȘ˂ÓÏ ÔÓÎÓÊÂÌËË.

èÂ‰ ÔÂÂÏ¢ÂÌËÂÏ ËÌÒÚÛÏÂÌÚ‡ ÓÚÒÓ‰ËÌËÚ ͇·Âθ ‡‰‡ÔÚÂ‡ Ë

‰Û„Ë ͇·ÂÎË.

ëÓı‡ÌÂÌË ‰‡ÌÌ˚ı

àÒÔÓθÁÛÈÚ ÚÓθÍÓ ÔÓ‰ÒÚ‡‚ÍÛ ËÎË ÒÚÓÈÍÛ, ÒÔˆˇθÌÓ Ô‰̇Á̇˜ÂÌ-

ëÓı‡ÌÂÌËÂ Ë ÂÁÂ‚ÌÓ ÍÓÔËÓ‚‡ÌË ‰‡ÌÌ˚ı

Ì˚ ‰Îfl ËÌÒÚÛÏÂÌÚ‡. ÑÎfl ÍÂÔÎÂÌËfl ÒÚÓÈÍË ËÎË ÔÓ‰ÒÚ‡‚ÍË ËÒÔÓθÁÛÈ-

ç‡ÒÚÓÈÍË Ô‡ÌÂÎË ÛÔ‡‚ÎÂÌËfl Ë ÌÂÍÓÚÓ˚ ‰Û„Ë ÚËÔ˚ ‰‡ÌÌ˚ı

Ú ÚÓθÍÓ ‚ËÌÚ˚, ÔÓÒÚ‡‚ÎflÂÏ˚ ‚ ÍÓÏÔÎÂÍÚÂ. Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ‚ÓÁ-

(ÒÏ. ÒÚ. 42) ·Û‰ÛÚ ÛÚÂflÌ˚, ÂÒÎË Ì ÒÓı‡ÌËÚ¸ Ëı ÔÂʉÂ, ˜ÂÏ ·Û‰ÂÚ

ÏÓÊÌÓ ÔÓ‚ÂʉÂÌË ‚ÌÛÚÂÌÌËı ÍÓÏÔÓÌÂÌÚÓ‚ Ë Ô‡‰ÂÌË ËÌÒÚÛÏÂÌÚ‡.

‚˚Íβ˜ÂÌÓ ÔËÚ‡ÌËÂ. èÂʉ ˜ÂÏ ‚˚Íβ˜‡Ú¸ ÔËÚ‡ÌËÂ, ÒÓı‡ÌËÚÂ

ÌÛÊÌ˚ ‰‡ÌÌ˚ ‚Ó ‚ÌÛÚÂÌÌ˛˛ Ùν¯-Ô‡ÏflÚ¸ (ÒÚ. 42). ÇÓÁÏÓÊ̇

èÓ‰Íβ˜ÂÌËÂ

ÔÓÚÂfl ÒÓı‡ÌÂÌÌ˚ı ‰‡ÌÌ˚ı ËÁ-Á‡ ÌÂËÒÔ‡‚ÌÓÒÚË ËÎË ÌÂÔ‡‚ËθÌÓÈ

‡·ÓÚ˚ ËÌÒÚÛÏÂÌÚ‡. ëÓı‡ÌflÈÚ ‚‡ÊÌ˚ ‰‡ÌÌ˚ ̇ ÍÓÏÔ¸˛ÚÂÂ.

èÂ‰ ÔÓ‰Íβ˜ÂÌËÂÏ ËÌÒÚÛÏÂÌÚ‡ Í ‰Û„ËÏ ˝ÎÂÍÚÓÌÌ˚Ï ÍÓÏÔÓÌÂÌÚ‡Ï

낉ÂÌËfl Ó ÔÂ‰‡˜Â ‰‡ÌÌ˚ı ÒÏ. ̇ ÒÚ. 64 (‡Á‰ÂÎ FUNCTION Bulk

ÓÚÍβ˜ËÚ Ëı ÔËÚ‡ÌËÂ. èÂ‰ ‚Íβ˜ÂÌËÂÏ ËÎË ÓÚÍβ˜ÂÌËÂÏ ˝ÎÂÍÚÓÌ-

Send (ÙÛÌ͈Ëfl Bulk Send))

Ì˚ı ÍÓÏÔÓÌÂÌÚÓ‚ ÛÒÚ‡ÌÓ‚ËÚ ÏËÌËχθÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË. ì·Â‰Ë-

ÚÂÒ¸ Ú‡ÍÊ ‚ ÚÓÏ, ˜ÚÓ Ì‡ ‚ÒÂı ÍÓÏÔÓÌÂÌÚ‡ı ÛÒÚ‡ÌÓ‚ÎÂÌ ÏËÌËχθÌ˚È

ÛÓ‚Â̸ „ÓÏÍÓÒÚË, ‡ ‚Ó ‚ÂÏfl Ë„˚ ̇ ËÌÒÚÛÏÂÌÚ ÔÓÒÚÂÔÂÌÌÓ Û‚Â-

΢¸Ú „ÓÏÍÓÒÚ¸ ‰Ó ÌÛÊÌÓÈ.

äÓÔÓ‡ˆËfl Yamaha Ì ÌÂÒÂÚ ÓÚ‚ÂÚÒÚ‚ÂÌÌÓÒÚË Á‡ ÔÓ‚ÂʉÂÌËfl, ‚˚Á‚‡ÌÌ˚ ÌÂÔ‡‚ËθÌÓÈ ˝ÍÒÔÎÛ‡Ú‡ˆËÂÈ ËÎË ÏÓ‰ËÙË͇ˆËÂÈ ËÌÒÚÛÏÂÌÚ‡,

‡ Ú‡ÍÊ Á‡ ÛÚÂflÌÌ˚ ËÎË ËÒÔÓ˜ÂÌÌ˚ ‰‡ÌÌ˚Â.

ÇÒ„‰‡ ‚˚Íβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ, ÂÒÎË ÓÌ Ì ËÒÔÓθÁÛÂÚÒfl.

èË ËÒÔÓθÁÓ‚‡ÌËË ‡‰‡ÔÚÂ‡ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇, ‰‡Ê ÂÒÎË ‚˚Íβ˜‡ÚÂθ ÔËÚ‡ÌËfl ̇ıÓ‰ËÚÒfl ‚ ÒÓÒÚÓflÌËË STANDBY, ËÌÒÚÛÏÂÌÚ ÔÓ‰ÓÎʇÂÚ ÔÓÚ·ÎflÚ¸

˝ÎÂÍÚÓ˝ÌÂ„˲ ̇ ÏËÌËχθÌÓÏ ÛÓ‚ÌÂ. ÖÒÎË ËÌÒÚÛÏÂÌÚ Ì ËÒÔÓθÁÛÂÚÒfl ‰ÎËÚÂθÌÓ ‚ÂÏfl, ÓÚÍβ˜ËÚ ‡‰‡ÔÚÂ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇ ÓÚ ÓÁÂÚÍË.

ìÚËÎËÁËÛÈÚ ËÒÔÓθÁÓ‚‡ÌÌ˚ ·‡Ú‡ÂË ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò Ô‡‚Ë·ÏË, ÔËÌflÚ˚ÏË ‚ ‚‡¯ÂÏ „ËÓÌÂ.

àÎβÒÚ‡ˆËË Ë ËÒÛÌÍË Üä-˝Í‡ÌÓ‚ Ô˂‰ÂÌ˚ ‚ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl ÚÓθÍÓ ‚ ͇˜ÂÒÚ‚Â ÔËÏÂÓ‚ Ë Ì‡ ‚‡¯ÂÏ ËÌÒÚÛÏÂÌÚ ÏÓ„ÛÚ

·˚Ú¸ ‰Û„ËÏË.

ÖÒÎË Ì Û͇Á‡ÌÓ ËÌÓÂ, ÚÓ Ì‡ ËÒÛÌ͇ı ËÁÓ·‡ÊÂÌ˚ Ô‡ÌÂθ ÛÔ‡‚ÎÂÌËfl, Í·‚ˇÚÛ‡ Ë Üä-˝Í‡Ì ËÌÒÚÛÏÂÌÚ‡ DGX-205.

é·‡ÚËÚ ‚ÌËχÌËÂ, ˜ÚÓ Û ÒËÌÚÂÁ‡ÚÓÓ‚ DGX-205/203 Ë PSR-295/293 ‡ÁÌÓ ÍÓ΢ÂÒÚ‚Ó Í·‚˯: Û ÒËÌÚÂÁ‡ÚÓ‡ DGX-205/203 76 Í·‚˯,

‡ Û PSR-295/293 61 Í·‚˯‡.

íÓ‚‡Ì˚ Á̇ÍË

®

•Windows fl‚ÎflÂÚÒfl Óı‡ÌflÂÏ˚Ï ÚÓ‚‡Ì˚Ï Á̇ÍÓÏ ÍÓÔÓ‡ˆËË å‡ÈÍÓÒÓÙÚ (Microsoft

Corporation).

•ÇÒ ÓÒڇθÌ˚ ÚÓ‚‡Ì˚ Á̇ÍË fl‚Îfl˛ÚÒfl ÒÓ·ÒÚ‚ÂÌÌÓÒÚ¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ‚·‰ÂθˆÂ‚.

(4)-8 2/2

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl DGX-205/203, PSR-295/293 5

삉ÓÏÎÂÌË ӷ ‡‚ÚÓÒÍËı Ô‡‚‡ı

çËÊ Û͇Á‡Ì˚ ӷ·‰‡ÚÂÎË ‡‚ÚÓÒÍËı Ë ‰Û„Ëı Ô‡‚ ̇ ÚË (3) ÔÂÒÌË, ‚ÒÚÓÂÌÌ˚ ‚ ˝ÚÛ

˝ÎÂÍÚÓÌÌÛ˛ Í·‚ˇÚÛÛ:

Don’t Know Why

ÇÒ Ô‡‚‡ Á‡˘Ë˘ÂÌ˚. çÂÒ‡Ì͈ËÓÌËÓ‚‡ÌÌÓ ÍÓÔËÓ-

ëÎÓ‚‡ Ë ÏÛÁ˚͇ ÑÊÂÒÒË ï‡ËÒ‡ (Jesse Harris)

‚‡ÌËÂ, ÔÛ·Î˘ÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ Ë Ú‡ÌÒÎflˆËfl ˝ÚËı

© 2002 Sony/ATV Songs LLC Ë Beanly Songs

ÚÂı ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ÒÚÓ„Ó Á‡Ô¢ÂÌ˚.

ìÔ‡‚ÎÂÌË ‚ÒÂÏË Ô‡‚‡ÏË ÓÒÛ˘ÂÒÚ‚ÎflÂÚ ÍÓÔÓ‡ˆËfl

Sony/ATV Music Publishing, 8 Music Square West,

ìÇÖÑéåãÖçàÖ éÅ ÄÇíéêëäàï èêÄÇÄï

Nashville, TN 37203

Ç

˝ÚÓÏ ÔÓ‰ÛÍÚ ӷ˙‰ËÌÂÌ˚ ÍÓÏÔ¸˛ÚÂÌ˚ ÔÓ„-

åÂʉÛ̇Ó‰Ì˚ ‡‚ÚÓÒÍË Ô‡‚‡ Á‡˘Ë˘ÂÌ˚

ÇÒ Ô‡‚‡ Á‡˘Ë˘ÂÌ˚

‡ÏÏ˚ Ë ËÌÙÓχˆËÓÌÌÓ ÒÓ‰ÂÊËÏÓÂ, ̇ ÍÓÚÓ˚Â

ÍÓÔÓ‡ˆËfl Yamaha ËÏÂÂÚ ‡‚ÚÓÒÍË Ô‡‚‡ ËÎË ÎË-

My Favorite Things ËÁ Í/Ù THE SOUND OF MUSIC

ˆÂÌÁËË ÓÚ ‰Û„Ëı ÙËÏ. ä Ú‡ÍËÏ Ï‡ÚÂˇ·Ï, Á‡˘Ë-

ëÎÓ‚‡ éÒ͇‡ ï‡ÏÏÂ¯ÚÂÈ̇ II (Oscar Hammerstein II)

˘ÂÌÌ˚Ï ‡‚ÚÓÒÍËÏË Ô‡‚‡ÏË, ÓÚÌÓÒflÚÒfl ‚Ò ÍÓÏ-

åÛÁ˚͇ ê˘‡‰‡ êÓ‰ÊÂÒ‡ (Richard Rodgers)

Ô¸˛ÚÂÌ˚ ÔÓ„‡ÏÏ˚, Ù‡ÈÎ˚ ÒÚËÎÂÈ, Ù‡ÈÎ˚ MIDI,

© 1959 Richard Rodgers Ë Oscar Hammerstein II

‰‡ÌÌ˚ WAVE, Á‚ÛÍÓÁ‡ÔËÒË Ë Ú.Ô. ã˛·Ó ÌÂÒ‡Ì͈ËÓ-

Ä‚ÚÓÒÍÓ Ô‡‚Ó ‚ÓÁÓ·ÌÓ‚ÎÂÌÓ

ÌËÓ‚‡ÌÌÓ ËÒÔÓθÁÓ‚‡ÌË ڇÍËı ÔÓ„‡ÏÏ Ë ÒÓ‰Â-

WILLIAMSON MUSIC – ‚·‰ÂΈ Ô‡‚‡ ÔÛ·ÎË͇ˆËË

ÊËÏÓ„Ó, ‚˚ıÓ‰fl˘Â Á‡ ‡ÏÍË Î˘ÌÓ„Ó ËÒÔÓθÁÓ‚‡-

Ë ÒÏÂÊÌ˚ı Ô‡‚ ‚Ó ‚ÒÂÏ ÏËÂ

ÌËfl, Á‡Ô¢ÂÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË Á‡ÍÓ̇ÏË. ã˛-

åÂʉÛ̇Ó‰Ì˚ ‡‚ÚÓÒÍË Ô‡‚‡ Á‡˘Ë˘ÂÌ˚

·Ó ̇Û¯ÂÌË ‡‚ÚÓÒÍËı Ô‡‚ ÔÂÒΉÛÂÚÒfl ÔÓ Á‡-

ÇÒ Ô‡‚‡ Á‡˘Ë˘ÂÌ˚

ÍÓÌÛ. çÖ ëéáÑÄÇÄЙíÖ, çÖ êÄëèêéëíêÄçüЙíÖ

à çÖ àëèéãúáìЙíÖ çÖáÄäéççõÖ äéèàà.

Killing Me Softly With His Song

ëÎÓ‚‡ çÓχ̇ ÉËϷ· (Norman Gimbel)

åÛÁ˚͇ ó‡θÁ‡ îÓÍÒ‡ (Charles Fox)

äÓÔËÓ‚‡ÌË ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ˜ÂÌËfl, Ëϲ˘Â„ÓÒfl ‚

© 1972 Rodali Music Ë Fox-Gimbel Productions, Inc.

ÔÓ‰‡ÊÂ, ‡Á¯ÂÌÓ ÚÓθÍÓ ‰Îfl ΢ÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl.

(P.O. Box 15221, Beverly Hills, CA 90209 USA)

Ä‚ÚÓÒÍÓ Ô‡‚Ó ‚ÓÁÓ·ÌÓ‚ÎÂÌÓ

ìÔ‡‚ÎÂÌË ‚ÒÂÏË Ô‡‚‡ÏË ÓÚ ËÏÂÌË Rodali Music

ÓÒÛ˘ÂÒÚ‚ÎflÂÚ ÍÓÔÓ‡ˆËfl Sony/ATV Music Publishing,

8 Music Square West, Nashville, TN 37203

åÂʉÛ̇Ó‰Ì˚ ‡‚ÚÓÒÍË Ô‡‚‡ Á‡˘Ë˘ÂÌ˚

ÇÒ Ô‡‚‡ Á‡˘Ë˘ÂÌ˚

ãÓ„ÓÚËÔ˚ ̇ Ô‡ÌÂÎË

GM System Level 1

ùÚÓ ‰ÓÔÓÎÌÂÌËÂ Í MIDI-Òڇ̉‡ÚÛ, ·Î‡„Ó‰‡fl ÍÓÚÓÓÏÛ Î˛·˚ GM-ÒÓ‚ÏÂÒÚËÏ˚ ÏÛÁ˚͇θÌ˚Â

‰‡ÌÌ˚ ÏÓ„ÛÚ ·˚Ú¸ ÚÓ˜ÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌ˚ β·˚Ï GM-ÒÓ‚ÏÂÒÚËÏ˚Ï ÚÓÌ-„ÂÌÂ‡ÚÓÓÏ ÌÂÁ‡‚ËÒË-

ÏÓ ÓÚ ÙËÏ˚-ËÁ„ÓÚÓ‚ËÚÂÎfl. å‡ÍËӂ͇ GM ÒÚ‡‚ËÚÒfl ̇ ‚Ò ÔÓ„‡ÏÏÌÓ ӷÂÒÔ˜ÂÌËÂ Ë Ó·ÓÛ-

‰Ó‚‡ÌËÂ, ÔÓ‰‰ÂÊË‚‡˛˘Â Òڇ̉‡Ú GM System Level.

ëڇ̉‡Ú XGlite

XGlite – ˝ÚÓ ÛÔÓ˘ÂÌ̇fl ‚ÂÒËfl ÙÓχڇ ‚˚ÒÓÍÓ͇˜ÂÒÚ‚ÂÌÌ˚ı ÚÓÌ-„ÂÌÂ‡ÚÓÓ‚ XG ÍÓÔÓ‡ˆËË

Yamaha. ÖÒÚÂÒÚ‚ÂÌÌÓ, Ò ÔÓÏÓ˘¸˛ ÚÓÌ-„ÂÌÂ‡ÚÓ‡ XGlite ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚ÂÒÚË Î˛·Û˛ ÔÂÒÌ˛ ‚

ÙÓχÚ XG. é‰Ì‡ÍÓ ËÏÂÈÚ ‚ ‚ˉÛ, ˜ÚÓ ËÁ-Á‡ ÒÓÍ‡˘ÂÌÌÓ„Ó Ì‡·Ó‡ Ô‡‡ÏÂÚÓ‚ ÛÔ‡‚ÎÂÌËfl Ë

˝ÙÙÂÍÚÓ‚ ÌÂÍÓÚÓ˚ ÔÂÒÌË ÏÓ„ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl Ì ڇÍ, Í‡Í ÓË„Ë̇Î.

USB

USB — ˝ÚÓ ÒÓÍ‡˘ÂÌË ÓÚ Universal Serial Bus (ÛÌË‚Â҇θ̇fl ÔÓÒΉӂ‡ÚÂθ̇fl ¯Ë̇). ùÚÓ ÔÓÒ-

Ήӂ‡ÚÂθÌ˚È ËÌÚÂÙÂÈÒ ‰Îfl Ò‚flÁË ÍÓÏÔ¸˛ÚÂ‡ Ò ÔÂËÙÂËÈÌ˚ÏË ÛÒÚÓÈÒÚ‚‡ÏË. éÌ ÔÓÁ‚ÓÎflÂÚ

ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ “„Ófl˜Û˛” Á‡ÏÂÌÛ ÔÂËÙÂËÈÌ˚ı ÛÒÚÓÈÒÚ‚ (·ÂÁ ‚˚Íβ˜ÂÌËfl ÔËÚ‡ÌËfl ÍÓÏÔ¸˛ÚÂ‡).

6 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl DGX-205/203, PSR-295/293

èÓÁ‰‡‚ÎflÂÏ Ò ÔÓÍÛÔÍÓÈ Ë ·Î‡„Ó‰‡ËÏ Á‡ ‚˚·Ó

Yamaha DGX-205/203 Portable Grand ËÎË PSR-295/293 PortaTone!

èÂʉ ˜ÂÏ ÔÓθÁÓ‚‡Ú¸Òfl ËÌÒÚÛÏÂÌÚÓÏ, ‚ÌËχÚÂθÌÓ ÔÓ˜ËÚ‡ÈÚ ˝ÚÓ

ÛÍÓ‚Ó‰ÒÚ‚Ó, ˜ÚÓ·˚ ‚ ÔÓÎÌÓÈ ÏÂ ÔÓθÁÓ‚‡Ú¸Òfl ‚ÒÂÏË Â„Ó ‚ÓÁÏÓÊÌÓÒÚflÏË.

ï‡ÌËÚ ÛÍÓ‚Ó‰ÒÚ‚Ó ‚ ̇‰ÂÊÌÓÏ Ë Û‰Ó·ÌÓÏ ÏÂÒÚÂ, ˜ÚÓ·˚ Ó·‡˘‡Ú¸Òfl Í ÌÂÏÛ

‚ ‰‡Î¸ÌÂȯÂÏ Á‡ ÔÓ‰Ó·ÌÓÈ ËÌÙÓχˆËÂÈ Ó· ÓÔÂ‡ˆËflı ËÎË ÙÛÌ͈Ëflı.

èË̇‰ÎÂÊÌÓÒÚË, ‚ıÓ‰fl˘Ë ‚ ÔÓÒÚ‡‚ÍÛ

Ç ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË DGX-205/203, PSR-295/293 ‚ıÓ‰flÚ ÒÎÂ‰Û˛˘Ë ÔË̇‰ÎÂÊÌÓÒÚË (ÔÓ‚Â¸ÚÂ

Ëı ̇΢ËÂ).

• è˛ÔËÚ • äÓÏÔ‡ÍÚ-‰ËÒÍ “Accessory CD-ROM”

• êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl (‰‡Ì̇fl ÍÌË„‡) • äÌË„‡ ÔÂÒÂÌ

èË·„‡ÂÏ˚È ÍÓÏÔ‡ÍÚ-‰ËÒÍ

ç‡ ÍÓÏÔ‡ÍÚ-‰ËÒÍÂ, ‚ıÓ‰fl˘ÂÏ ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË, ̇ıÓ‰ËÚÒfl ÒÎÂ‰Û˛˘Â ÔÓ„‡ÏÌÓ ӷÂÒÔ˜ÂÌËÂ,

ÛÔÓ˘‡˛˘Â ӷÏÂÌ ‰‡ÌÌ˚ÏË ÏÂÊ‰Û ÍÓÏÔ¸˛ÚÂÓÏ Ë ËÌÒÚÛÏÂÌÚÓÏ.

ùÚÓ ÔÓ„‡ÏÏÌÓ ӷÂÒÔ˜ÂÌË ÒÓ‚ÏÂÒÚËÏÓ ÚÓθÍÓ ÓÔÂ‡ˆËÓÌÌ˚ÏË ÒËÒÚÂχÏË Windows.

• Ñ‡È‚Â USB

• Musicsoft Downloader (Á‡„ÛÁ˜ËÍ ÏÛÁ˚͇θÌ˚ı ÔÓ„‡ÏÏ)

Ñ‡È‚Â USB Ó·ÂÒÔ˜˂‡ÂÚ Ó·ÏÂÌ ‰‡ÌÌ˚ÏË Ò ÍÓÏÔ¸˛ÚÂÓÏ ˜ÂÂÁ ¯ËÌÛ USB. èËÎÓÊÂÌË Musicsoft

Downloader ÔÓÁ‚ÓÎflÂÚ Á‡ÔËÒ˚‚‡Ú¸ ÔÂÒÌË, Á‡„ÛÊÂÌÌ˚ ËÁ ÒÂÚË àÌÚÂÌÂÚ, ‡ Ú‡ÍÊ ÔÂÒÌË Ò ÍÓÏÔ‡ÍÚ-

‰ËÒ͇ Accessory CD-ROM, ‚Ó ‚ÌÛÚÂÌÌ˛˛ Ùν¯-Ô‡ÏflÚ¸ ËÌÒÚÛÏÂÌÚ‡. ÅÓΠÔÓ‰Ó·ÌÛ˛ ËÌÙÓχ-

ˆË˛ ÒÏ. ‚ “êÛÍÓ‚Ó‰ÒÚ‚Â ÔÓ ÛÒÚ‡ÌÓ‚Í ÍÓÏÔ‡ÍÚ-‰ËÒ͇ “Accesory CD-ROM” (ÒÚ. 70) Ë ‚ ÓÔÂ‡ÚË‚-

ÌÓÈ ÒÔ‡‚Í ÔÓ Í‡Ê‰ÓÈ ÔÓ„‡ÏÏÂ.

ВНИМАНИЕ

çËÍÓ„‰‡ Ì ÔÓË„˚‚‡ÈÚ ÔÓÒÚ‡‚ÎflÂÏ˚È ÍÓÏÔ‡ÍÚ-‰ËÒÍ Ì‡ ÔÓË„˚‚‡ÚÂΠ‡Û‰ËÓ‰ËÒÍÓ‚. ùÚÓ ÏÓÊÂÚ ÔÓ‚‰ËÚ¸

‡Û‰ËÓÓ·ÓÛ‰Ó‚‡ÌËÂ, ‰Ë̇ÏËÍË Ë ‰‡Ê ÒÎÛı!

è˛ÔËÚ

ÇÒÚ‡‚¸Ú ԲÔËÚ ‚ „ÌÂÁ‰‡,

Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ.

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl DGX-205/203, PSR-295/293 7

ëÔˆˇθÌ˚ ‚ÓÁÏÓÊÌÓÒÚË ÒËÌÚÂÁ‡ÚÓÓ‚ DGX-205/203, PSR-295/293

íÂıÌÓÎÓ„Ëfl Performance Assistant ÒÚ. 14

à„‡ÈÚ ÏÂÎӉ˲ ̇ Í·‚ˇÚÛ ‚ÏÂÒÚÂ Ò ËÌÒÚÛÏÂÌÚÓÏ ‚Ó ‚ÂÏfl

‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË, Ë ÂÁÛÎ¸Ú‡Ú ‚Ò„‰‡ ·Û‰ÂÚ Ô‚ÓÒıÓ‰Ì˚Ï,

‰‡Ê ÂÒÎË ‚˚ ̇ÊËχÂÚ Ì Ú Í·‚˯Ë! ÑÓÒÚ‡ÚÓ˜ÌÓ Ì‡ÊËχڸ

Í·‚Ë¯Ë ‚ Ú‡ÍÚ ÏÛÁ˚Í (̇ÔËÏÂ, ÔÓÔÂÂÏÂÌÌÓ ‚ ΂ÓÈ Ë Ô‡-

‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚), Ë ËÒÔÓÎÌÂÌË ·Û‰ÂÚ Á‚Û˜‡Ú¸ ‚ÔÓÎÌÂ

ÔÓÙÂÒÒËÓ̇θÌÓ

.

ÇÓÒÔÓËÁ‚‰ÂÌË ‡ÁÌ˚ı ÚÂÏ·Ó‚ ËÌÒÚÛÏÂÌÚÓ‚ ÒÚ. 18

ÇÓ ‚ÂÏfl ËÒÔÓÎÌÂÌËfl ÏÓÊÌÓ ËÁÏÂÌflÚ¸ ÚÂÏ· ËÌÂÒÚÛÏÂÌÚ‡ ̇

ÒÍËÔÍÛ, ÙÎÂÈÚÛ, ‡ÙÛ ËÎË Î˛·ÓÈ ‰Û„ÓÈ ÚÂÏ· ËÁ Ó„ÓÏÌÓ„Ó Ì‡-

·Ó‡ ÚÂÏ·Ó‚. åÓÊÌÓ ËÁÏÂÌËÚ¸ ̇ÒÚÓÂÌË ÔÂÒÌË – ̇ÔËÏÂ,

҉·ڸ Ú‡Í, ˜ÚÓ·˚ ÔÂÒÌfl, ̇ÔËÒ‡Ì̇fl ‰Îfl ÙÓÚÂÔˇÌÓ, Á‚Û˜‡Î‡

‚ ÒÍËÔ˘ÌÓÏ ËÒÔÓÎÌÂÌËË. éÍÛÌËÚÂÒ¸ ‚ ÌÓ‚˚È ÏË ÏÛÁ˚͇θ-

ÌÓ„Ó ‡ÁÌÓÓ·‡ÁËfl!

ê‡Áۘ˂‡Ú¸ ÏÛÁ˚͇θÌ˚ ÔÓËÁ‚‰ÂÌËfl ΄ÍÓ Ë ‚ÂÒÂÎÓ ÒÚ. 32

Ç ˝ÚÓÏ ËÌÒÚÛÏÂÌÚ ÒÓ‰ÂÊËÚÒfl ˆÂÎ˚È Ì‡·Ó „ÓÚÓ‚˚ı ÔÂÒÂÌ Ò‡-

Ï˚ı ‡ÁÌ˚ı ʇÌÓ‚, ÍÓÚÓ˚ ÔËflÚÌÓ Í‡Í ÒÎÛ¯‡Ú¸, Ú‡Í Ë ËÒÔÓÎ-

ÌflÚ¸ Ò‡ÏÓÏÛ. åÓÊÌÓ Ì‡˜‡Ú¸ Ò ÛÔ‡ÊÌÂÌËÈ Ó‰ÌÓÈ ÛÍÓÈ Ë Ë„‡Ú¸

ÔÓ Ó‰ÌÓÈ ÌÓÚ ‚ Û‰Ó·ÌÓÏ ‰Îfl ‚‡Ò ÚÂÏÔ ‰Ó ÚÂı ÔÓ, ÔÓ͇ ‚˚ Ì ̇Û-

Excellen

˜ËÚÂÒ¸ Ë„‡Ú¸ ‚ ÌÛÊÌÓÏ ÚÂÏÔÂ. èÂÒÌfl ·Û‰ÂÚ ‡‚ÚÓχÚ˘ÂÒÍË ‚ÓÒ-

ÔÓËÁ‚Ó‰ËÚ¸Òfl ‚ Á‡‰‡ÌÌÓÏ ‚‡ÏË ÚÂÏÔÂ. ÑÎfl ÛÓÍÓ‚ ÏÓÊÌÓ Ú‡ÍÊÂ

ËÒÔÓθÁÓ‚‡Ú¸ ÔÂÒÌË, Á‡„ÛÊÂÌÌ˚ ËÁ àÌÚÂÌÂÚ‡, ‡ ˝ÚÓ ÓÁ̇˜‡ÂÚ,

˜ÚÓ Í·‰Ó‚‡fl ‚‡¯Ëı ÏÛÁ˚͇θÌ˚ı ÂÒÛÒÓ‚ Ô‡ÍÚ˘ÂÒÍË ÌÂËÒ˜Â-

Ô‡Âχ! àÌÒÚÛÏÂÌÚ ÏÓÊÂÚ ‰‡Ê “ÔÓÒÎÛ¯‡Ú¸” ‚‡¯Â ËÒÔÓÎÌÂÌËÂ

Ë ÔÓÒÚ‡‚ËÚ¸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÓˆÂÌÍÛ!

à„‡ÈÚ ӉÌÓ‚ÂÏËÂÌÌÓ Ò ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ÒÚËÎÂÈ ÒÚ. 24

ïÓÚËÚ ˄‡Ú¸ Ò ÔÓÎÌ˚Ï ‡ÍÍÓÏÔ‡ÌÂÏÂÚÓÏ? èÓÔÓ·ÛÈÚ Ò˚„‡Ú¸

‚ÏÂÒÚ ÒÓ ÒÚËÎflÏË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ëÚËÎË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂ-

ÏÂÌÚ‡ Ó·ÂÒÔ˜˂‡˛Ú ÔÓ‰‰ÂÊÍÛ, ˝Í‚Ë‚‡ÎÂÌÚÌÛ˛ ÔÓÎÌÓÏÛ ÓÍÂÒÚ-

PopBossa

Û, Ò Ó„ÓÏÌ˚Ï ‡ÁÌÓÓ·‡ÁËÂÏ ÒÚËÎÂÈ – ÓÚ ‚‡Î¸ÒÓ‚ ‰Ó ‚Ó-Ú‡Ì-

080

Ò‡ Ë ‰‡ÎÂÂ. Ç˚·ÂËÚ ÒÚËθ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ÏÛÁ˚ÍÂ, ÍÓÚÓÛ˛

ıÓÚËÚ Ò˚„‡Ú¸, ËÎË ˝ÍÒÔÂËÏÂÌÚËÛÈÚÂ Ò ÌÓ‚˚ÏË ÒÚËÎflÏË,

˜ÚÓ·˚ ‡Á¯ËËÚ¸ Ò‚ÓË ÏÛÁ˚͇θÌ˚ „ÓËÁÓÌÚ˚.

8 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl DGX-205/203, PSR-295/293

ëÓ‰ÂʇÌËÂ

삉ÓÏÎÂÌË ӷ ‡‚ÚÓÒÍËı Ô‡‚‡ı ......................................................... 6

ëÔ‡‚Ó˜ÌËÍ

ãÓ„ÓÚËÔ˚ ̇ Ô‡ÌÂÎË.................................................................................. 6

èË̇‰ÎÂÊÌÓÒÚË, ‚ıÓ‰fl˘Ë ‚ ÔÓÒÚ‡‚ÍÛ................................................. 7

ì‰Ó·Ì˚ ÙÛÌ͈ËË ‚ÓÒÔÓËÁ‚‰ÂÌËfl 46

ëÔˆˇθÌ˚ ‚ÓÁÏÓÊÌÓÒÚË ÒËÌÚÂÁ‡ÚÓÓ‚ DGX-205/203,

PSR-295/293 ........................................................................................ 8

ÑÓ·‡‚ÎÂÌË ‚Â·Â‡ˆËË .....................................................................46

ÑÓ·‡‚ÎÂÌË ˝ÙÙÂÍÚ‡ Chorus.................................................................47

ìÒÚ‡Ìӂ͇ 10

åÂÚÓÌÓÏ..................................................................................................48

óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl ........................................................49

í·ӂ‡ÌËfl Í ˝ÎÂÍÚÓÔËÚ‡Ì˲ .............................................................. 10

ç‡ÒÚÓÈ͇ “‚ Ó‰ÌÓ Í‡Ò‡ÌË”....................................................................49

èÓ‰Íβ˜ÂÌË ̇ۯÌËÍÓ‚

(‡Á˙ÂÏ PHONES/OUTPUT) ............................................................. 11

ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ ÚÂÏ·‡ ..............................................................50

èÓ‰Íβ˜ÂÌË Ô‰‡Î¸ÌÓ„Ó ÔÂÂÍβ˜‡ÚÂÎfl (‡Á˙ÂÏ SUSTAIN) .......... 11

ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË „‡ÏÓÌËÁ‡ˆËË......................................................50

èÓ‰Íβ˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ (USB-ÔÓÚ)............................................... 11

è‡‡ÏÂÚ Panel Sustain...........................................................................50

ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl ................................................................................ 11

îÛÌ͈ËË ÒÚËÎfl (Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡) 51

è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚ 12

ìÒÚ‡Ìӂ͇ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ (Split Point).........................51

èÂ‰Ìflfl Ô‡ÌÂθ..................................................................................... 13

ÇÓÒÔÓËÁ‚‰ÂÌË ÚÓθÍÓ ËÚχ ÒÚËÎfl...................................................51

ᇉÌflfl Ô‡ÌÂθ......................................................................................... 13

ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl Ò ‡ÍÍÓ‰‡ÏË, ÌÓ ·ÂÁ ËÚχ

(ÓÒÚ‡Ìӂ͇ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡)............................................................52

ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË ÒÚËÎfl....................................................................52

èÓË„˚‚‡ÌË ‡ÍÍÓ‰Ó‚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ....................................53

é·ÁÓ

ä‡Í ÔÓÒÏÓÚÂÚ¸ ‡ÍÍÓ‰˚ ‚ ÒÎÓ‚‡ ‡ÍÍÓ‰Ó‚ ......................................55

ì˜ËÏÒfl Ë„‡Ú¸ ̇ ÙÓÚÂÔˇÌÓ 14

ç‡ÒÚÓÈÍË ÔÂÒÌË 57

à„‡ Ó·ÂËÏË Û͇ÏË................................................................................ 14

ÉÓÏÍÓÒÚ¸ ÔÂÒÌË (Song Volume) .............................................................57

àÁÏÂÌÂÌË ÚÂÏÔ‡ ÔÂÒÌË (Ô‡‡ÏÂÚ Tempo) ......................................... 17

îÛÌ͈Ëfl A-B Repeat.................................................................................57

ÇÓÒÔÓËÁ‚‰ÂÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÔÂÒÌË ........................................ 17

èË„ÎÛ¯ÂÌË ÌÂÁ‡‚ËÒËÏ˚ı ˜‡ÒÚÂÈ ÔÂÒÌË .............................................57

àÁÏÂÌÂÌË ÚÓ̇θÌÓÒÚË ÔÂÒÌË...............................................................58

èÓÔÓ·ÛÈÚ ‚ÓÒÔÓËÁ‚ÂÒÚË ‡ÁÌ˚ ÚÂÏ·˚ 18

èÂÂÏÓÚ͇ ÔÂÒÌË ‚ÔÂ‰, ̇Á‡‰ Ë Ô‡ÛÁ‡...............................................58

Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ – MAIN......................... 18

àÁÏÂÌÂÌË ÚÂÏ·‡ ÏÂÎÓ‰ËË ...................................................................59

à„‡ Ó‰ÌÓ‚ÂÏÂÌÌÓ ‰‚ÛÏfl ÚÂÏ·‡ÏË – DUAL...................................... 19

à„‡ ‚ ‡ÁÌ˚ı ÚÂÏ·‡ı Ô‡‚ÓÈ Ë Î‚ÓÈ Û͇ÏË – SPLIT..................... 20

ëÓı‡ÌÂÌË ÛÒÚ‡ÌÓ‚ÓÍ Ô‡ÌÂÎË 60

à„‡ ÚÂÏ·ÓÏ Grand Piano (ÙÓÚÂÔˇÌÓ)............................................. 22

ëÓı‡ÌÂÌË ̇ÒÚÓÂÍ ‚ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË................................60

àÁÏÂÌÂÌË ‚˚ÒÓÚ˚ Á‚Û͇ (ÚÓθÍÓ ‰Îfl DGX-205/203) .......................... 22

óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl........................................................ 22

ç‡ÒÚÓÈÍË ‚ ÂÊËÏ Function 62

ᇷ‡‚Ì˚ Á‚ÛÍË 23

ä‡Í ̇ÈÚË Ë ËÁÏÂÌËÚ¸ ̇ÒÚÓÈÍË, ‚˚ÔÓÎÌflÂÏ˚Â

‚ ÂÊËÏÂ Function .............................................................................62

燷Ó˚ ÚÂÏ·Ó‚ Û‰‡Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚.............................................. 23

á‚ÛÍÓ‚˚Â ˝ÙÙÂÍÚ˚ ................................................................................ 23

èÓ‰Íβ˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ 65

é Òڇ̉‡Ú MIDI .....................................................................................65

ëÚËÎË (‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ) 24

èÓ‰Íβ˜ÂÌË USB ...................................................................................66

à„‡ Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ – STYLE ................................................ 24

ç‡ÒÚÓÈÍË MIDI ........................................................................................66

ɇÏÓÌËÁ‡ˆËfl (˝ÙÙÂÍÚ Harmony) ......................................................... 26

ç‡ÒÚÓÈÍË MIDI ‰Îfl ÔÓ‰Íβ˜ÂÌËfl Í ÍÓÏÔ¸˛ÚÂÛ (ÂÊËÏ PC) ............67

ëÔÓÒÓ·˚ Á‡ÔÛÒ͇ Ë ÓÒÚ‡ÌÓ‚ÍË ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ...................... 28

ÑËÒڇ̈ËÓÌÌÓ ÛÔ‡‚ÎÂÌË MIDI-ÛÒÚÓÈÒÚ‚‡ÏË...................................67

èÂ‰‡˜‡ Ù‡ÈÎÓ‚ ÔÂÒÂÌ Ò ÍÓÏÔ¸˛ÚÂ‡.................................................68

àÒÔÓθÁÓ‚‡ÌË ÔÂÒÂÌ 30

Ç˚·Ó Ë ÔÓÒÎۯ˂‡ÌË ÔÂÒÂÌ.............................................................. 30

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓ ÛÒÚ‡ÌÓ‚Í ÔÓ„‡ÏÏ

íËÔ˚ ÔÂÒÂÌ............................................................................................... 31

Ò ÔÓÒÚ‡‚ÎflÂÏÓ„Ó ‰ËÒ͇ “Accessory CD-ROM” 70

ëÓ‰ÂʇÌË ÍÓÏÔ‡ÍÚ-‰ËÒ͇ ...................................................................70

Ç˚·ÂËÚ ÔÂÒÌ˛ ‰Îfl ÛÓ͇ 32

ëËÒÚÂÏÌ˚ Ú·ӂ‡ÌËfl...........................................................................71

ìÓÍ 1: è‡‚ËθÌ˚ ÌÓÚ˚ (Waiting)....................................................... 32

ìÒÚ‡Ìӂ͇ ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ˜ÂÌËfl .................................................71

ìÓÍ 2: íÂÏÔ (Your Tempo) ..................................................................... 34

ìÓÍ 3: åËÌÛÒ 1 (Minus One)................................................................... 35

èËÎÓÊÂÌËÂ

èÓ‚ÚÓÂÌË – χڸ Û˜ÂÌËfl: ÙÛÌ͈Ëfl “Repeat and Learn” .................... 35

ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ .........................................................................75

àÁÏÂÌËÚ ÒÚËθ ÔÂÒÌË 36

íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË..............................................................77

îÛÌ͈Ëfl Easy Song Arranger .................................................................. 36

ëÔËÒÓÍ ÚÂÏ·Ó‚ .....................................................................................78

ëÔËÒÓÍ Ì‡·ÓÓ‚ Û‰‡Ì˚ı ÚÂÏ·Ó‚ (Drum Kit)..................................82

á‡Ô˯ËÚ ÒÓ·ÒÚ‚ÂÌÌÓ ËÒÔÓÎÌÂÌË 38

ëÔËÒÓÍ ÒÚËÎÂÈ .......................................................................................84

äÓÌÙË„Û‡ˆËfl ‰ÓÓÊÍË.......................................................................... 38

ëÔËÒÓÍ ÔÂÒÂÌ ..........................................................................................85

èӈ‰Û‡ Á‡ÔËÒË ................................................................................... 39

ëÔËÒÓÍ ÚËÔÓ‚ ˝ÙÙÂÍÚÓ‚ ......................................................................86

îÛÌ͈Ëfl Song Clear – Û‰‡ÎÂÌË ÔÂÒÌË ÔÓθÁÓ‚‡ÚÂÎfl ......................... 41

퇷Îˈ‡ ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡........................................87

îÛÌ͈Ëfl Track Clear – Û‰‡ÎÂÌË ‰ÓÓÊÍË ‚ ÔÂÒÌ ÔÓθÁÓ‚‡ÚÂÎfl...... 41

îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı .............................................................................88

è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ.........................................................................89

êÂÁÂ‚ÌÓ ÍÓÔËÓ‚‡ÌËÂ Ë ËÌˈˇÎËÁ‡ˆËfl ‰‡ÌÌ˚ı 42

êÂÁÂ‚ÌÓ ÍÓÔËÓ‚‡ÌË ......................................................................... 42

àÌˈˇÎËÁ‡ˆËfl........................................................................................ 42

éÒÌÓ‚Ì˚ ÓÔÂ‡ˆËË Ë Ó·ÓÁ̇˜ÂÌËfl ̇ ˝Í‡Ì 43

éÒÌÓ‚Ì˚ ÓÔÂ‡ˆËË................................................................................ 43

ùÎÂÏÂÌÚ˚ ˝Í‡Ì‡ .................................................................................... 45

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl DGX-205/203, PSR-295/293 9

ìÒÚ‡Ìӂ͇

èêÖÜÑÖ óÖå ‚Íβ˜‡Ú¸ ÔËÚ‡ÌËÂ, ‚˚ÔÓÎÌËÚ ÒÎÂ‰Û˛˘Ë ‰ÂÈÒÚ‚Ëfl.

í·ӂ‡ÌËfl Í ˝ÎÂÍÚÓÔËÚ‡Ì˲

ïÓÚfl ËÌÒÚÛÏÂÌÚ ÏÓÊÂÚ ‡·ÓÚ‡Ú¸ Ë ÓÚ ‰ÓÔÓÎÌËÚÂθÌÓ„Ó ‡‰‡ÔÚÂ‡ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇, Ë ÓÚ ·‡Ú‡ÂÈ,

ÍÓÔÓ‡ˆËfl Yamaha ÂÍÓÏẨÛÂÚ ÔÓ ‚ÓÁÏÓÊÌÓÒÚË ËÒÔÓθÁÓ‚‡Ú¸ ‡‰‡ÔÚÂ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇. éÌ

·ÂÁÓÔ‡ÒÌ ·‡Ú‡ÂÈ Ò ˝ÍÓÎӄ˘ÂÒÍÓÈ ÚÓ˜ÍË ÁÂÌËfl Ë „Ó‡Á‰Ó ˝ÍÓÌÓÏ˘ÌÂÂ.

ĉ‡ÔÚÂ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇

1

ìÒÚ‡ÌÓ‚ËÚ ÔÂÂÍβ˜‡ÚÂθ [STANDBY/ON]

‚ ÔÓÎÓÊÂÌËÂ STANDBY.

ПРЕДУПРЕЖДЕНИЕ

ÑÎfl ÔËÚ‡ÌËfl ËÌÒÚÛÏÂÌÚ‡ ÓÚ ˝ÎÂÍÚÓÒÂÚË ËÒÔÓθÁÛÈÚ íéãúäé ‡‰‡Ô-

ÚÂ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇ Yamaha PA-5D ËÎË PA-3C (ËÎË ‰Û„ÓÈ, ÂÍÓÏÂÌ-

‰Ó‚‡ÌÌ˚È ÍÓÔÓ‡ˆËÂÈ Yamaha). àÒÔÓθÁÓ‚‡ÌË ËÌ˚ı ‡‰‡ÔÚÂÓ‚ ÏÓ-

ÊÂÚ Ì‡ÌÂÒÚË ÌÂÔÓÔ‡‚ËÏ˚È ‚‰ ‡‰‡ÔÚÂÛ Ë ÒËÌÚÂÁ‡ÚÓÛ.

2 èÓ‰Íβ˜ËÚ ‡‰‡ÔÚÂ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇

(PA-5D, PA-3C ËÎË ‰Û„ÓÈ, ÂÍÓÏẨӂ‡Ì-

Ì˚È ÍÓÔÓ‡ˆËÂÈ Yamaha) Í ‡Á˙ÂÏÛ ÔËÚ‡-

ÌËfl ÒËÌÚÂÁ‡ÚÓ‡.

3 èÓ‰Íβ˜ËÚ ‡‰‡ÔÚÂ Í ˝ÎÂÍÚÓÒÂÚË.

ВНИМАНИЕ

éÚÍβ˜‡ÈÚ ‡‰‡ÔÚÂ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇, ÂÒÎË ËÌÒÚÛÏÂÌÚ Ì ËÒÔÓθ-

ÁÛÂÚÒfl, ‡ Ú‡ÍÊ ‚Ó ‚ÂÏfl „ÓÁ˚.

ÑÎfl ‡·ÓÚ˚ ÒËÌÚÂÁ‡ÚÓ‡ Ú·ÛÂÚÒfl ¯ÂÒÚ¸ ·‡Ú‡ÂÈ ‚ 1,5 Ç

‡ÁÏÂ‡ "D", R20P (LR20) ËÎË ‡Ì‡Îӄ˘Ì˚Â. (PÂÍÓÏÂÌ‰Û˛ÚÒfl

˘ÂÎÓ˜Ì˚ ·‡Ú‡ÂË.) ÖÒÎË ÏÓ˘ÌÓÒÚË ·‡Ú‡ÂÈ Ì ı‚‡Ú‡ÂÚ ‰Îfl

ÌÓχθÌÓÈ ‡·ÓÚ˚ ÒËÌÚÂÁ‡ÚÓ‡, ̇ ˝Í‡Ì ÏË„‡ÂÚ Ë̉Ë͇ÚÓ

ÒÏÂÌ˚ ·‡Ú‡ÂÈ. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÌÂÓ·ıÓ‰ËÏÓ Á‡ÏÂÌËÚ¸ ‚Ò ·‡Ú‡-

ÂË, Òӷ≇fl ÓÒÌÓ‚Ì˚ ÏÂ˚ Ô‰ÓÒÚÓÓÊÌÓÒÚË, Ô˂‰ÂÌ-

Ì˚Â ÌËÊÂ.

2

èÓÒÍÓθÍÛ ÔË Á‡ÏÂÌ ·‡Ú‡ÂÈ ÔÓθÁÓ‚‡ÚÂθÒÍË ̇ÒÚÓÈÍË

Ô‡ÌÂÎË ·Û‰ÛÚ ÛÚÂflÌ˚, ÒÓı‡ÌËÚ ‚‡ÊÌ˚ ÔÓθÁÓ‚‡ÚÂθÒÍËÂ

‰‡ÌÌ˚ (ÒÏ. ÒÚ. 42).

3

ВНИМАНИЕ

PA-5D

êÓÁÂÚ͇

àÒÔÓθÁÛÈÚ ÚÓθÍÓ Ï‡„‡ÌˆÂ‚˚ ËÎË ˘ÂÎÓ˜Ì˚ ·‡Ú‡ÂË. ÑÛ„Ë ÚËÔ˚

ËÎË PA-3C

˝ÎÂÍÚÓÔËÚ‡ÌËfl

·‡Ú‡ÂÈ (‚Íβ˜‡fl ‡ÍÍÛÏÛÎflÚÓÌ˚Â) ÏÓ„ÛÚ ‚˚Á‚‡Ú¸ ÔÂÂÔ‡‰˚ ̇ÔflÊÂÌËfl

ÔË ÒÌËÊÂÌËË ÏÓ˘ÌÓÒÚË ·‡Ú‡ÂË. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚÂ ‰‡ÌÌ˚ı ‚

Ùν¯-Ô‡ÏflÚË.

ìÒÚ‡ÌÓ‚ËÚ ÌÓ‚˚ ·‡Ú‡ÂË, Òӷ≇fl Ô‡‚ËθÌÛ˛ ÔÓÎflÌÓÒÚ¸ (Í‡Í ˝ÚÓ ÔÓ-

͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ). çÂÔ‡‚ËθÌÓ ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ ·‡Ú‡ÂË ÏÓ„ÛÚ ÒÚ‡Ú¸ ÔË-

˜ËÌÓÈ ÔÂ„‚‡, ÔÓʇ‡ ËÎË ÛÚ˜ÍË Â‰ÍËı ıËÏË͇ÎËÈ.

ÖÒÎË ·‡Ú‡ÂË ‡ÁflÊÂÌ˚, Á‡ÏÂÌËÚ ‚ÂÒ¸ ̇·Ó ËÁ ¯ÂÒÚË ·‡Ú‡ÂÈ. çÖ ËÒÔÓθ-

àÒÔÓθÁÓ‚‡ÌË ·‡Ú‡ÂÈ

ÁÛÈÚ ÒÚ‡˚ ·‡Ú‡ÂË ‚ÏÂÒÚÂ Ò ÌÓ‚˚ÏË. ç ËÒÔÓθÁÛÈÚ ӉÌÓ‚ÂÏÂÌÌÓ ‡Á-

Ì˚ ÚËÔ˚ ·‡Ú‡ÂÈ (̇ÔËÏÂ, ˘ÂÎÓ˜Ì˚Â Ë Ï‡„‡ÌˆÂ‚˚Â).

1

éÚÍÓÈÚ Í˚¯ÍÛ ÓÚÒÂ͇ ‰Îfl ·‡Ú‡ÂÈ, ‡ÒÔÓ-

ÖÒÎË ËÌÒÚÛÏÂÌÚ ‰ÓÎ„Ó Ì ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl, ‚˚̸Ú ·‡Ú‡ÂË, ˜ÚÓ·˚

ÎÓÊÂÌÌÛ˛ ̇ ÌËÊÌÂÈ Ô‡ÌÂÎË ËÌÒÚÛÏÂÌÚ‡.

ËÁ·Âʇڸ ‚ÓÁÏÓÊÌÓÈ ÛÚ˜ÍË ˝ÎÂÍÚÓÎËÚ‡.

2 ÇÒÚ‡‚¸Ú ¯ÂÒÚ¸ ÌÓ‚˚ı ·‡Ú‡ÂÈ. é·‡ÚËÚÂ

èË ÔÂÂÌÓÒ ‰‡ÌÌ˚ı ̇ Ùν¯-Ô‡ÏflÚ¸ ÒΉÛÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ‡‰‡ÔÚÂ ÔÂÂ-

ÏÂÌÌÓ„Ó ÚÓ͇. ŇڇÂË (‚Íβ˜‡fl ‡ÍÍÛÏÛÎflÚÓÌ˚Â) ‚Ó ‚ÂÏfl ˝ÚÓÈ ÓÔÂ‡ˆËË

‚ÌËχÌË ̇ χÍËÓ‚ÍÛ ÔÓÎflÌÓÒÚË ‚ÌÛÚ-

‡Áflʇ˛ÚÒfl Ó˜Â̸ ËÌÚÂÌÒË‚ÌÓ. ÖÒÎË ·‡Ú‡ÂË ‡Áfl‰flÚÒfl ‚Ó ‚ÂÏfl ÔÂÂ-

Ë ÓÚÒÂ͇.

‰‡˜Ë ‰‡ÌÌ˚ı, ÚÓ ‚Ò ‰‡ÌÌ˚ – Ë ÔÂ‰‡‚‡ÂÏ˚Â, Ë ÛÊ ˜‡ÒÚ˘ÌÓ ÔÂ‰‡ÌÌ˚ –

·Û‰ÛÚ ÛÚÂflÌ˚.

3 á‡ÍÓÈÚÂ Ë Á‡˘ÂÎÍÌËÚ Í˚¯ÍÛ ÓÚÒÂ͇.

ПРИМЕЧАНИЕ

èË ÔÓ‰Íβ˜ÂÌËË ‡‰‡ÔÚÂ‡ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇ ÔËÚ‡ÌË ‡‚ÚÓχÚ˘ÂÒÍË Ì‡˜Ë̇ÂÚ

ÔÓÒÚÛÔ‡Ú¸ ÓÚ ˝ÎÂÍÚÓÒÂÚË, ‰‡Ê ÂÒÎË ‚ ÒËÌÚÂÁ‡ÚÓ ÛÒÚ‡ÌÓ‚ÎÂÌ˚ ·‡Ú‡ÂË.

10 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl DGX-205/203, PSR-295/293

ìÒÚ‡Ìӂ͇

ÇÒ ÌÂÓ·ıÓ‰ËÏ˚ ÔÓ‰Íβ˜ÂÌËfl ÒΉÛÂÚ ‚˚ÔÓÎÌËÚ¸ Ñé ‚Íβ˜ÂÌËfl ÔËÚ‡ÌËfl.

èÓ‰Íβ˜ÂÌË ̇ۯÌËÍÓ‚

èÓ‰Íβ˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ (USB-ÔÓÚ)

(‡Á˙ÂÏ PHONES/OUTPUT)

èË ÔÓ‰Íβ˜ÂÌËË Ì‡Û¯ÌËÍÓ‚ ‚ ˝ÚÓÚ ‡Á˙ÂÏ ‰Ë-

̇ÏËÍË ÒËÌÚÂÁ‡ÚÓÓ‚ DGX-205/203, PSR-295/293

‡‚ÚÓχÚ˘ÂÒÍË ÓÚÍβ˜‡˛ÚÒfl.

èÓ‰Íβ˜ËÚ USB-ÔÓÚ ËÌÒÚÛÏÂÌÚ‡ Í USB-ÔÓÚÛ

ÍÓÏÔ¸˛ÚÂ‡, Ë ‚˚ ÒÏÓÊÂÚ ÔÂ‰‡‚‡Ú¸ ÏÂÊ‰Û ÌË-

ê‡Á˙ÂÏ PHONES/OUTPUT Ú‡ÍÊ ‡·ÓÚ‡ÂÚ Í‡Í

ÏË ‰‡ÌÌ˚ ӷ ËÒÔÓÎÌÂÌËË Ë Ù‡ÈÎ˚ ÔÂÒÂÌ (ÒÚ. 66).

„ÌÂÁ‰Ó ‚̯ÌÂ„Ó ‚˚ıÓ‰‡.

óÚÓ·˚ ËÒÔÓθÁÓ‚‡Ú¸ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÂ‰‡˜Ë ‰‡Ì-

ê‡Á˙ÂÏ PHONES/OUTPUT ÏÓÊÌÓ ÔÓ‰Íβ˜ËÚ¸

Ì˚ı ˜ÂÂÁ USB, ÌÂÓ·ıÓ‰ËÏÓ ‚˚ÔÓÎÌËÚ¸ ÒÎÂ‰Û˛-

Í ÛÒËÎËÚÂβ Í·‚ˇÚÛ˚, ÒÚÂÂÓÒËÒÚÂÏÂ, ÏËͯÂ-

˘Ë ‰ÂÈÒÚ‚Ëfl:

Û, ͇ÒÒÂÚÌÓÏÛ Ï‡„ÌËÚÓÙÓÌÛ ËÎË ‰Û„ÓÏÛ ‡Û‰ËÓ-

èÓ‰Íβ˜ËÚ USB-ÔÓÚ ÍÓÏÔ¸˛ÚÂ‡ Í USB-ÔÓÚÛ

ÛÒÚÓÈÒÚ‚Û Ò ÎËÌÂÈÌ˚Ï ‚ıÓ‰ÓÏ Ë ÔÓÒ˚·ڸ ̇

ËÌÒÚÛÏÂÌÚ‡ Ò ÔÓÏÓ˘¸˛ Òڇ̉‡ÚÌÓ„Ó Í‡·ÂÎfl USB.

ÌÂ„Ó ‚˚ıÓ‰ÌÓÈ ÒË„Ì‡Î Ò ËÌÒÚÛÏÂÌÚ‡.

ìÒÚ‡ÌÓ‚ËÚ ̇ ÍÓÏÔ¸˛ÚÂ ‰‡È‚Â USB MIDI.

ìÒÚ‡Ìӂ͇ ‰‡È‚Â‡ USB MIDI ÓÔË҇̇ ̇ ÒÚ. 71.

ПРЕДУПРЕЖДЕНИЕ

èÓθÁÛflÒ¸ ÒÓ‰ËÌÂÌËÂÏ USB, ÏÓÊÌÓ, ̇ÔËÏÂ,

ç ÒΉÛÂÚ ‰ÓÎ„Ó ËÒÔÓθÁÓ‚‡Ú¸ ̇ۯÌËÍË ÔË ÔÓ‚˚¯ÂÌÌÓÏ ÛÓ‚Ì „ÓÏ-

ÍÓÒÚË. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í Ì‡Û¯ÂÌËflÏ ÒÎÛı‡.

Ò ÔÓÏÓ˘¸˛ ÔÓ„‡ÏÏ˚ Musicsoft Downloader, ‚ıÓ-

‰fl˘ÂÈ ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË Ì‡ ÍÓÏÔ‡ÍÚ-‰ËÒÍÂ,

ÔÂ‰‡‚‡Ú¸ ÔÂÒÌË Ò ÍÓÏÔ¸˛ÚÂ‡ ‚Ó Ùν¯-Ô‡ÏflÚ¸

ВНИМАНИЕ

ËÌÒÚÛÏÂÌÚ‡.

óÚÓ·˚ Ì ÔÓ‚‰ËÚ¸ ‰Ë̇ÏËÍË, ÔÂ‰ ÔÓ‰Íβ˜ÂÌËÂÏ ÛÒÚ‡ÌÓ‚ËÚ ̇ ‚̯-

ÌËı ÛÒÚÓÈÒÚ‚‡ı ÏËÌËχθÌÛ˛ „ÓÏÍÓÒÚ¸. çÂÒӷβ‰ÂÌË ˝ÚÓ„Ó Ô‡‚Ë·

ПРИМЕЧАНИЕ

ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‡ÊÂÌ˲ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ ËÎË ÔÓ‚ÂʉÂÌ˲

Ç‡Ï ÔÓÚ·ÛÂÚÒfl ÔËÓ·ÂÒÚË Í‡·Âθ USB. ë‰Â·ڸ ˝ÚÓ ÏÓÊÌÓ ‚ ÏÛÁ˚͇θÌÓÏ

Ó·ÓÛ‰Ó‚‡ÌËfl. ìÒÚ‡ÌÓ‚ËÚ ̇ ‚ÒÂı ÛÒÚÓÈÒÚ‚‡ı ÏËÌËχθÌÛ˛ „ÓÏÍÓÒÚ¸

ËÎË ÍÓÏÔ¸˛ÚÂÌÓÏ Ï‡„‡ÁËÌÂ, ÎË·Ó ‚ χ„‡ÁËÌ ˝ÎÂÍÚÓÔË·ÓÓ‚.

Ë ‚Ó ‚ÂÏfl Ë„˚ ̇ ËÌÒÚÛÏÂÌÚ ÔÓÒÚÂÔÂÌÌÓ Û‚Â΢˂‡Èڠ ‰Ó ÌÂÓ·ıÓ-

‰ËÏÓ„Ó ÛÓ‚Ìfl.

ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl

èÓ‰Íβ˜ÂÌË Ô‰‡Î¸ÌÓ„Ó ÔÂÂÍβ˜‡ÚÂÎfl

ìÒÚ‡ÌÓ‚ËÚ ÏËÌËχθÌÛ˛ „ÓÏÍÓÒÚ¸, ÔÓ‚ÂÌÛ‚

(‡Á˙ÂÏ SUSTAIN)

„ÛÎflÚÓ [MASTER VOLUME] ‚΂Ó, Ë ‚Íβ˜Ë-

Ú ÔËÚ‡ÌËÂ, ̇ʇ‚ ÔÂÂÍβ˜‡ÚÂθ [STANDBY/ON].

èÓ‚ÚÓÌÓ ̇ʇÚË ÔË‚Ó‰ËÚ Í ÓÚÍβ˜ÂÌ˲ ÔË-

Ú‡ÌËfl.

îÛÌ͈Ëfl SUSTAIN ÔÓÁ‚ÓÎflÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸

‰ÎËÚÂθÌÓ Á‚Û˜‡ÌË ÌÓÚ˚ ÔÛÚÂÏ Ì‡Ê‡ÚËfl Ô‰‡Î¸-

ÌÓ„Ó ÔÂÂÍβ˜‡ÚÂÎfl. èÓ‰Íβ˜ËÚÂ Í ˝ÚÓÏÛ ‡Á˙Â-

èË ‚Íβ˜ÂÌËË ÔËÚ‡ÌËfl ‰‡ÌÌ˚ ËÁ Ùν¯-Ô‡Ïfl-

ÏÛ Ô‰‡Î¸Ì˚È ÔÂÂÍβ˜‡ÚÂθ FC4 ËÎË FC5 Ë ËÒ-

ÚË (ÒÏ. ÒÚ. 42) Á‡„Ûʇ˛ÚÒfl ‚ ÒËÌÚÂÁ‡ÚÓ. ÖÒÎË

ÔÓθÁÛÈÚÂ Â„Ó ‰Îfl ‚Íβ˜ÂÌËfl ËÎË ÓÚÍβ˜ÂÌËfl

‚Ó Ùν¯-Ô‡ÏflÚË ÓÚÒÛÚÒÚ‚Û˛Ú ‰‡ÌÌ˚ ÂÁÂ‚ÌÓ„Ó

˝ÙÙÂÍÚ‡ “ÒÛÒÚÂÈÌ”.

ÍÓÔËÓ‚‡ÌËfl, ÚÓ ÔË ‚Íβ˜ÂÌËË ÔËÚ‡ÌËfl ·Û‰ÛÚ

‚ÓÁ‚‡˘ÂÌ˚ ‚Ò ËÒıÓ‰Ì˚ ̇ÒÚÓÈÍË ÔÓËÁ‚Ó-

ПРИМЕЧАНИЕ

‰ËÚÂÎfl.

èÂ‰ ‚Íβ˜ÂÌËÂÏ ÔËÚ‡ÌËfl ۷‰ËÚÂÒ¸, ˜ÚÓ Ô‰‡Î¸Ì˚È ÔÂÂÍβ˜‡ÚÂθ Ô‡‚ËθÌÓ

ÔÓ‰ÒÓ‰ËÌÂÌ Í „ÌÂÁ‰Û SUSTAIN.

ВНИМАНИЕ

ç ̇ÊËχÈÚ ̇ Ô‰‡Î¸ ‚ ÏÓÏÂÌÚ ‚Íβ˜ÂÌËfl ÔËÚ‡ÌËfl. Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ÔÂ-

чÊ ÂÒÎË ÔÂÂÍβ˜‡ÚÂθ ̇ıÓ‰ËÚÒfl ‚ ÔÓÎÓÊÂÌËË STANDBY, ËÌÒÚÛÏÂÌÚ

‰‡Î¸ ËÁÏÂÌËÚ ÔÓÎflÌÓÒÚ¸, Ë Ì‡ÊËχfl  ‚Ó ‚ÂÏfl Ë„˚ ‚˚ ÔÓÎÛ˜ËÚ ÔÓÚË‚ÓÔÓ-

ÔÓ‰ÓÎʇÂÚ ‚ ÏËÌËχθÌ˚ı ÍÓ΢ÂÒÚ‚‡ı ÔÓÚ·ÎflÚ¸ ˝ÎÂÍÚÓ˝ÌÂ„˲.

ÎÓÊÌ˚È ˝ÙÙÂÍÚ.

ÖÒÎË ÒËÌÚÂÁ‡ÚÓ ‰ÓÎ„Ó Ì ËÒÔÓθÁÛÂÚÒfl, ÓÚÍβ˜ËÚ ÓÚ ÒÂÚË ‡‰‡ÔÚÂ ÔÂÂ-

ÏÂÌÌÓ„Ó ÚÓ͇ Ë/ËÎË ‚˚̸Ú ·‡Ú‡ÂË.

ВНИМАНИЕ

ç ÓÚÍβ˜‡ÈÚ ÔËÚ‡ÌËÂ, ÂÒÎË Ì‡ ˝Í‡Ì ‚˚‚‰ÂÌÓ ÒÓÓ·˘ÂÌËÂ Ó Á‡ÔËÒË ‰‡Ì-

Ì˚ı “WRITING!”. ùÚÓ ÏÓÊÂÚ ÔÓ‚‰ËÚ¸ ‚ÒÚÓÂÌÌÛ˛ Ùν¯-Ô‡ÏflÚ¸ Ë ÔË‚ÂÒÚË

Í ÔÓÚÂ ‰‡ÌÌ˚ı.

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl DGX-205/203, PSR-295/293 11

è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚

DGX-205/203

PSR-295/293

DGX-205/203, PSR-295/293

12 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl DGX-205/203, PSR-295/293

GrandPno

092 001

001

ëÔËÒÓÍ Í‡Ú„ÓËÈ ÔÂÒÂÌ

ëÔËÒÓÍ Í‡Ú„ÓËÈ ÒÚËÎÂÈ

ùÍ‡Ì

(ÒÚ. 31, 85)

(ÒÚ. 84)

(ÒÚ. 45)

q

e

u

!2

r

i

o

!3

t

!0

!4

w

y

!1

!5

#2

@3

@4 @5 @6 @7 @8 @9

ëÔËÒÓÍ Í‡Ú„ÓËÈ ÔÂÒÂÌ

ëÔËÒÓÍ Í‡Ú„ÓËÈ ÒÚËÎÂÈ

ùÍ‡Ì

(ÒÚ. 31, 85)

(ÒÚ. 84)

(ÒÚ. 45)

q

e

u

!2

r

i o

!3

GrandPno

092 001

t

!0

!4

001

w

y

!1

!5

@3

@4 @5 @6 @7 @8 @9

#3 #4 #5 #6

è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚

èÂ‰Ìflfl Ô‡ÌÂθ

q [STANDBY/ON], ÔÂÂÍβ˜‡ÚÂθ ....................................... ÒÚ. 11

ëÔËÒÓÍ Í‡Ú„ÓËÈ ÚÂÏ·Ó‚

(ÒÚ. 78)

w [MASTER VOLUME], „ÛÎflÚÓ ................................... ÒÚ. 11, 24

e [TOUCH], ÍÌÓÔ͇ ............................................................ ÒÚ. 22, 49

r [HARMONY], ÍÌÓÔ͇............................................................. ÒÚ. 26

t [DUAL], ÍÌÓÔ͇ ..................................................................... ÒÚ. 19

y [SPLIT], ÍÌÓÔ͇..................................................................... ÒÚ. 20

u [DEMO], ÍÌÓÔ͇ .................................................................... ÒÚ. 17

i [LESSON MODE], ÍÌÓÔ͇..................................................... ÒÚ. 33

o [LESSON L/R], ÍÌÓÔ͇.......................................................... ÒÚ. 32

!8

!

0

[LESSON REPEAT & LEARN], ÍÌÓÔ͇................................ ÒÚ. 35

!9

!6

!7

@2

!

1

[PERFORMANCE ASSISTANT], ÍÌÓÔ͇.............................. ÒÚ. 14

@0

!

2

[FUNCTION], ÍÌÓÔ͇............................................................. ÒÚ. 62

@1

!

3

[PC], ÍÌÓÔ͇ .......................................................................... ÒÚ. 67

!4 [METRONOME], ÍÌÓÔ͇ ....................................................... ÒÚ. 48

!

5

[PORTABLE GRAND], ÍÌÓÔ͇ ............................................. ÒÚ. 22

!

6

ÑËÒÍ ÛÔ‡‚ÎÂÌËfl........................................................... ÒÚ. 44, 62

#0 #1

!

7

CATEGORY [ ] / [ ], ÍÌÓÔÍË .................................... ÒÚ. 44, 62

f

r

!

8

[SONG], ÍÌÓÔ͇..................................................................... ÒÚ. 30

!

9

[EASY SONG ARRANGER], ÍÌÓÔ͇.................................... ÒÚ. 36

@

0

[STYLE], ÍÌÓÔ͇.................................................................... ÒÚ. 24

ëÔËÒÓÍ Í‡Ú„ÓËÈ ÚÂÏ·Ó‚

@1 [VOICE], ÍÌÓÔ͇.................................................................... ÒÚ. 18

(ÒÚ. 78)

@2 [0] – [9], [+] Ë [-], ÍÌÓÔÍË ............................................. ÒÚ. 44, 62

@

3

[ACMP ON/OFF] / [ ], ÍÌÓÔ͇............................ ÒÚ. 24, 57

@

4

[SYNC STOP], ÍÌÓÔ͇ .......................................................... ÒÚ. 28

@

5

[SYNC START] / [ ], ÍÌÓÔ͇........................................ ÒÚ. 25, 58

@6 [INTRO/ENDING/rit.] / [ ], ÍÌÓÔ͇............................. ÒÚ. 25, 58

rr

rr

@

7

[MAIN/AUTO FILL] / [ ], ÍÌÓÔ͇................................ ÒÚ. 26, 58

ff

ff

@

8

[START/STOP] / [ ], ÍÌÓÔ͇ ............................ ÒÚ. 24, 30, 44

>>

>>

/

!8

@

9

[TEMPO/TAP], ÍÌÓÔ͇ .......................................................... ÒÚ. 17

!9

!6

!7

@2

#

0

REGIST. MEMORY

@0

[] (MEMORY/BANK), [1], [2], ÍÌÓÔÍË................................ ÒÚ. 60

@1

#

1

SONG MEMORY

[REC], [1] – [5], [A], ÍÌÓÔÍË.................................................. ÒÚ. 39

#

2

PITCH BEND, ÍÓÎÂÒËÍÓ (ÚÓθÍÓ ‰Îfl DGX-205/203)......... ÒÚ. 22

#0 #1

ᇉÌflfl Ô‡ÌÂθ

#3 USB-ÔÓÚ....................................................................... ÒÚ. 11, 66

#

4

SUSTAIN, „ÌÂÁ‰Ó.................................................................. ÒÚ. 11

#

5

PHONES/OUTPUT, „ÌÂÁ‰Ó .................................................. ÒÚ. 11

#

6

DC IN, 12Ç, p‡Á˙ÂÏ .............................................................. ÒÚ. 10

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl DGX-205/203, PSR-295/293 13

б

з

о

О

р

ì˜ËÏÒfl Ë„‡Ú¸ ̇ ÙÓÚÂÔˇÌÓ

é·ÁÓ

Ç ‰‡ÌÌÓÏ ÒËÌÚÂÁ‡ÚÓ ‡ÎËÁÓ‚‡Ì‡ ÚÂıÌÓÎÓ„Ëfl performance assistant (ÔÓÏÓ˘ÌËÍ ÏÛÁ˚͇ÌÚ‡),

ÍÓÚÓ‡fl ÔÓÁ‚ÓÎflÂÚ ÔÓÙÂÒÒËÓ̇θÌÓ ËÒÔÓÎÌflÚ¸ ÏÛÁ˚ÍÛ, ‚ÒÂ„Ó Î˯¸ ÔÓÔ‡‰‡fl ‚ ËÚÏ Á‚Û˜‡-

˘ÂÈ ÔÂÒÌË (Ô˘ÂÏ Ì‚‡ÊÌÓ, ÒÍÓθÍÓ Ó¯Ë·ÓÍ ‚˚ ÒÓ‚Â¯ËÚ ‚ ıӉ ËÒÔÓÎÌÂÌËfl)! Ç˚ ÏÓÊÂÚÂ

̇ÊËχڸ ÒÓ‚Â¯ÂÌÌÓ Î˛·˚ ÌÓÚ˚, ‡ ÒÎÛ¯‡ÚÂÎË ·Û‰ÛÚ Û‚ÂÂÌ˚, ˜ÚÓ ‚˚ÒÚÛÔ‡ÂÚ ÔÓÙÂÒÒËÓ-

̇θÌ˚È ÏÛÁ˚͇ÌÚ! í‡Í ˜ÚÓ ÂÒÎË ‚˚ ‚ÓÓ·˘Â Ì ÛÏÂÂÚ ˄‡Ú¸ ̇ ÙÓÚÂÔˇÌÓ ËÎË Ì Á̇ÂÚÂ

ÌÓÚÌÓÈ „‡ÏÓÚ˚, ˝ÚÓÚ ÔËÂÏ ÒÚÓËÚ ÔÓÔÓ·Ó‚‡Ú¸ ıÓÚfl ·˚ ‰Îfl ‡Á‚ΘÂÌËfl.

ëÂÍÂÚ ÚÂıÌÓÎÓ„ËË performance assistant, Ô‚‡˘‡˛˘ËÈ ÒÎÛ˜‡ÈÌ˚ Á‚ÛÍË ‚ ÓÒÏ˚ÒÎÂÌÌÛ˛ ÏÛÁ˚ÍÛ,

‡ÒÍ˚Ú Ì‡ ÒÚ. 16. ë̇˜‡Î‡ ÔÓ˝ÍÒÔÂËÏÂÌÚËÛÈÚÂ Ò ˝ÚÓÈ ÙÛÌ͈ËÂÈ, ‡ Á‡ÚÂÏ ÛÁ̇ÈÚÂ, Í‡Í Ó̇ ‡·Ó-

Ú‡ÂÚ.

à„‡ Ó·ÂËÏË Û͇ÏË

ÑÎfl ËÒÔÓθÁÓ‚‡ÌËfl ÚÂıÌÓÎÓ„ËË performance assistant ÔÓË„˚‚‡Âχfl ÔÂÒÌfl ‰ÓÎÊ̇ ÒÓ‰Âʇڸ

‰‡ÌÌ˚ ӷ ‡ÍÍÓ‰‡ı.

1

ç‡ÊÏËÚ ÍÌÓÔÍÛ [SONG].

ÅÛ‰ÛÚ ÓÚÓ·‡Ê‡Ú¸Òfl ÌÓÏÂ ÔÂÒÌË Ë Â ̇Á‚‡ÌËÂ. ÑÎfl ‚˚·Ó‡ ‰Û„ÓÈ

ПРИМЕЧАНИЕ

èÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó· ‡ÍÍÓ‰‡ı

ÔÂÒÌË ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰ËÒÍ ÛÔ‡‚ÎÂÌËfl ËÎË ‰Û„Ë ˝ÎÂÏÂÌÚ˚

ÒÏ. ̇ ÒÚ. 53, 54.

‚˚·Ó‡.

ç‡Á‚‡ÌË ÔÂÒÌË

DontKnow

çÓÏÂ ÔÂÒÌË

001

2

Ç˚·ÂËÚ ÔÂÒÌ˛.

Ç‡˘‡fl ‰ËÒÍ ÛÔ‡‚ÎÂÌËfl, ÒΉËÚ Á‡ ̇Á‚‡ÌËflÏË ÓÚÓ·‡Ê‡ÂÏ˚ı

ПРИМЕЧАНИЕ

èÂÒÌË ‚ ÙÓχÚ MIDI, ‚Íβ˜ÂÌÌ˚Â

ÔÂÒÂÌ. ÑÎfl ˝ÚÓ„Ó ÔËÏÂ‡ Ì‡Ï ÌÛÊ̇ ÔÂÒÌfl “026 Twinkle Star”.

‚ ÔÓÒÚ‡‚ÎflÂÏ˚È Ò ËÌÒÚÛÏÂÌÚÓÏ

ÍÓÏÔ‡ÍÚ-‰ËÒÍ “Accessory CD-ROM”,

ÏÓÊÌÓ Ú‡ÍÊ ÔÂ‰‡Ú¸ ‚ Ô‡ÏflÚ¸

ËÌÒÚÛÏÂÌÚ‡ Ë ËÒÔÓθÁÓ‚‡Ú¸ ÔË

‡·ÓÚÂ Ò ÚÂıÌÓÎÓ„ËÂÈ performance

assistant. (CÚ. 16, 68)

Twinkle

026

èÓË„˚‚‡Ú¸Òfl ·Û‰ÂÚ

‚˚‰ÂÎÂÌ̇fl ÔÂÒÌfl.

3

ç‡ÊÏËÚ ÍÌÓÔÍÛ [PERFORMANCE ASSISTANT].

ÇÍβ˜ËÚÒfl ÚÂıÌÓÎÓ„Ëfl performance assistant.

èÓÒΠÒÓÓ·˘ÂÌËfl “PERFORMANCE ASSISTANT” ÔÓfl‚ËÚÒfl

 Á̇˜ÓÍ.

14 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl DGX-205/203, PSR-295/293

ì˜ËÏÒfl Ë„‡Ú¸ ̇ ÙÓÚÂÔˇÌÓ

é·ÁÓ

Twinkle

026

ç‡ÊÏËÚ ÍÌÓÔÍÛ [PERFORMANCE ASSISTANT],

á̇˜ÓÍ ÔÓfl‚ÎflÂÚÒfl, ÂÒÎË ÚÂıÌÓÎÓ„Ëfl

˜ÚÓ·˚ ‚Íβ˜ËÚ¸ ËÎË ÓÚÍβ˜ËÚ¸ ˝ÚÛ ÙÛÌÍˆË˛.

performance assistant ‚Íβ˜Â̇.

4

ç‡ÊÏËÚ ÍÌÓÔÍÛ [START/STOP].

燘ÌÂÚÒfl ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË.

ÑÎfl ̇ÒÚÓÈÍË Ó·˘ÂÈ „ÓÏÍÓÒÚË ËÒÔÓθÁÛÈÚ „ÛÎflÚÓ

[MASTER VOLUME].

ç‡ÒÚÓÈ͇

„ÓÏÍÓÒÚË

5

燘ÌËÚ ˄‡Ú¸ ̇ Í·‚ˇÚÛÂ.

ÑÎfl ̇˜‡Î‡ ÔÓÒÚ‡‡ÈÚÂÒ¸ ÔÓ˜Û‚ÒÚ‚Ó‚‡Ú¸ ËÚÏ ÔÂÒÌË. á‡ÚÂÏ,

‡ÒÒÚ‡‚Ë‚ ÛÍË, Í‡Í ˝ÚÓ ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ, ÔÓÒÚÓ Ì‡˜ÌËÚÂ

Ë„‡Ú¸ ̇ Í·‚ˇÚÛ ÔÓÔÂÂÏÂÌÌÓ ÚÓ Î‚ÓÈ, ÚÓ Ô‡‚ÓÈ ÛÍÓÈ

(̇ҘÂÚ ÌÓÚ Ì ‚ÓÎÌÛÈÚÂÒ¸ – ÏÓÊÂÚ ̇ÊËχڸ β·˚Â).

åÓÊÌÓ ‰ÓÒÚ˘¸ ¢Â

·ÓÎÂÂ ˝ÙÙÂÍÚÌ˚ı Â-

ëÓÁ‰‡ÂÚÒfl ÔÓÎÌÓÂ

ÁÛθڇÚÓ‚, ÂÒÎË Î‚ÓÈ

‚Ô˜‡ÚÎÂÌËÂ, ·Û‰ÚÓ

ÛÍÓÈ Á‡‰‡‚‡Ú¸ ËÚÏ ‚

‚˚ Ë„‡ÂÚ Ô‡‚Ëθ-

ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ËÚÏÓÏ

Ì˚Â ÌÓÚ˚!

ÏË„‡ÌËfl Ë̉Ë͇ÚÓ‡

‡ÍÍÓ‰Ó‚ ̇ ˝Í‡ÌÂ.

ä‡ÍÓ‚Ó? Å·„Ó‰‡fl ÚÂıÌÓÎÓ„ËË performance assistant ÔÓÎÛ˜‡˛ÚÒfl

‚Ô˜‡ÚÎfl˛˘Ë ÂÁÛθڇÚ˚, ͇ÍË ·˚ Í·‚Ë¯Ë ‚˚ Ì ̇ÊËχÎË!

íÂÔÂ¸ ‰‡‚‡ÈÚ ÔÓÔÓ·ÛÂÏ Ì‡Û˜ËÚ¸Òfl ÚÂÏ ÒÔÓÒÓ·‡Ï Ë„˚,

ÔÓËÎβÒÚËÓ‚‡ÌÌ˚Ï ÌËÊÂ. à„‡fl ‡ÁÌ˚ÏË ÒÔÓÒÓ·‡ÏË, Ï˚

ÔÓÎÛ˜ËÏ ‡ÁÌ˚ ÂÁÛθڇÚ˚.

ëËÌıÓÌ̇fl Ë„‡ ΂ÓÈ Ë Ô‡‚ÓÈ

ëËÌıÓÌ̇fl Ë„‡ ΂ÓÈ Ë Ô‡‚ÓÈ

èÓÔÂÂÏÂÌ̇fl Ë„‡ ΂ÓÈ

Û͇ÏË – ÒÔÓÒÓ· 1.

Û͇ÏË – ÒÔÓÒÓ· 2.

Ë Ô‡‚ÓÈ Û͇ÏË – ÒÔÓÒÓ· 3.

ë˚„‡ÈÚ ӉÌÓ‚ÂÏÂÌÌÓ

ë˚„‡ÈÚ ÔÓ Ó‰ÌÓÈ ÌÓÚ Ô‡‚ÓÈ ÛÍÓÈ

ë˚„‡ÈÚ ӉÌÓ‚ÂÏÂÌÌÓ

3 ÌÓÚ˚ Ô‡‚ÓÈ ÛÍÓÈ.

(̇ÔËÏÂ: Û͇Á‡ÚÂθÌ˚Ï Ô‡Î¸ˆÂÏ

3 ÌÓÚ˚ Ô‡‚ÓÈ ÛÍÓÈ.

Ò‰ÌËÏ Ô‡Î¸ˆÂÏ

·ÂÁ˚ÏflÌÌ˚Ï Ô‡Î¸ˆÂÏ).

á‡ÚÂÏ ÔÓÔÓ·ÛÈڠ΂ÓÈ ÛÍÓÈ Ë„‡Ú¸ ‡ÍÍÓ‰˚, ‡ Ô‡‚ÓÈ ÏÂÎӉ˲,

ËÎË ÔÓ˝ÍÒÔÂËÏÂÌÚËÛÈÚÂ Ò ‰Û„ËÏË ‚‡ˇÌÚ‡ÏË.

ÇÓÒÔÓËÁ‚‰ÂÌË ÓÒÚ‡ÌÓ‚ËÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË, ÍÓ„‰‡ ÔÂÒÌfl

ÔÓË„‡ÂÚÒfl ‰Ó ÍÓ̈‡.

éÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÏÓÊÌÓ ‚ β·Ó ‚ÂÏfl Ò ÔÓÏÓ˘¸˛

ÍÌÓÔÍË [START/STOP].

ÖÒÎË ‚˚ ıÓÚËÚ Á‡‚Â¯ËÚ¸ ‡·ÓÚÛ Ò ÚÂıÌÓÎÓ„ËÂÈ performance

assistant, ̇ÊÏËÚ ÍÌÓÔÍÛ [PERFORMANCE ASSISTANT].

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl DGX-205/203, PSR-295/293 15

é·ÁÓ

ì˜ËÏÒfl Ë„‡Ú¸ ̇ ÙÓÚÂÔˇÌÓ

— ëÂÍÂÚ ÚÂıÌÓÎÓ„ËË performance assistant —

ä‡Í ËÁ ÒÎÛ˜‡ÈÌ˚ı ÌÓÚ ÒÓÁ‰‡ÂÚÒfl ÏÛÁ˚͇

èË ËÒÔÓθÁÓ‚‡ÌËË ÚÂıÌÓÎÓ„ËË performance assistant ËÁ ÔÂÒÌË Ò˜ËÚ˚‚‡˛ÚÒfl ‰‡ÌÌ˚ ‡ÍÍÓ‰‡,

Ë ÔËÏÂÌfl˛ÚÒfl ÚÓθÍÓ Ú ÌÓÚ˚, ÍÓÚÓ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú Í·‚ˇÚÛ ‚ ‰‡ÌÌ˚È ÏÓÏÂÌÚ ‚ÂÏÂÌË.

èÓÒÍÓθÍÛ ‡ÍÍÓ‰˚ ÔÂÒÌË ÔÓÒÚÓflÌÌÓ ÏÂÌfl˛ÚÒfl, ‰‡Ê ÔË Ì‡Ê‡ÚËË Ó‰ÌËı Ë ÚÂı Ê Í·‚˯

·Û‰ÛÚ Á‚Û˜‡Ú¸ ‡ÁÌ˚ ÌÓÚ˚ Ë ‡ÍÍÓ‰˚.

èÂÒÌfl

• чÌÌ˚ ÏÂÎÓ‰ËË

• чÌÌ˚ ‡ÍÍÓ‰Ó‚

• чÌÌ˚ ËÚχ

ÇÓÒÔÓËÁ‚‰ÂÌËÂ

íÂıÌÓÎÓ„Ëfl

performance assistant

ä·‚ˇÚÛÂ, Ú‡ÍËÏ Ó·‡ÁÓÏ,

̇Á̇˜‡˛ÚÒfl ÚÓÌ˚ ‡ÍÍÓ‰Ó‚

Ë ‰Û„Ë ËÒÔÓθÁÛÂÏ˚ ÌÓÚ˚.

çÂÁ‡‚ËÒËÏÓ ÓÚ ÚÓ„Ó, ͇ÍËÂ

Í·‚Ë¯Ë ‚˚ ̇ÊËχÂÚÂ,

·Û‰ÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl

„‡ÏÓÌ˘̇fl „ÛÔÔ‡ ÌÓÚ.

èÂÒÌË, ËÒÔÓθÁÛÂÏ˚Â Ò ÚÂıÌÓÎÓ„ËÂÈ performance assistant

ë ÚÂıÌÓÎÓ„ËÂÈ performance assistant ËÒÔÓθÁÛ˛ÚÒfl ÚÓθÍÓ Ú ÔÂÒÌË, ‰Îfl ÍÓÚÓ˚ı ÂÒÚ¸ ‰‡ÌÌ˚ ӷ

‡ÍÍÓ‰‡ı. ÇÒÚÓÂÌÌ˚ ÔÂÒÌË ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÚÂıÌÓÎÓ„ËÂÈ performance assistant, Ú‡Í Í‡Í ÓÌË

‚Íβ˜‡˛Ú ‰‡ÌÌ˚ ‡ÍÍÓ‰Ó‚.

èÂÒÌË ËÁ ‚̯ÌËı ËÒÚÓ˜ÌËÍÓ‚ Ë ÚÂıÌÓÎÓ„Ëfl performance assistant

èË ‡·ÓÚÂ Ò ÚÂıÌÓÎÓ„ËÂÈ performance assistant ÍÓÏ ‚ÒÚÓÂÌÌ˚ı ‚ ËÌÒÚÛÏÂÌÚ ÔÂÒÂÌ ÏÓÊÌÓ Ú‡Í-

Ê ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl 70 ÔÂÒÌflÏË, ÔÓÒÚ‡‚ÎflÂÏ˚ÏË Ì‡ ÍÓÏÔ‡ÍÚ-‰ËÒÍ “Accessory CD-ROM” (ÒÚ. 70).

èÓÎÌ˚È ÒÔËÒÓÍ ÔÂÒÂÌ ‚ ÙÓχÚ MIDI, ‚Íβ˜ÂÌÌ˚ı ‚ ÍÓÏÔ‡ÍÚ-‰ËÒÍ “Accessory CD-ROM”, ÔË-

‚‰ÂÌ Ì‡ ÒÚ. 85.

ë ÚÂıÌÓÎÓ„ËÂÈ performance assistant ÏÓÊÌÓ Ú‡ÍÊ ËÒÔÓθÁÓ‚‡Ú¸ ÔÂÒÌË, Á‡„ÛÊÂÌÌ˚ ËÁ àÌÚÂÌÂÚ‡,

ÔË ÛÒÎÓ‚ËË, ˜ÚÓ ÓÌË ÒÓ‰ÂÊ‡Ú ÌÂÓ·ıÓ‰ËÏ˚ ‰‡ÌÌ˚ ‡ÍÍÓ‰Ó‚. èÂÂÔ˯ËÚ هÈÎ˚ ÔÂÒÂÌ ËÁ ÍÓÏ-

Ô¸˛ÚÂ‡ ‚Ó Ùν¯-Ô‡ÏflÚ¸ ËÌÒÚÛÏÂÌÚ‡ (ÒÚ. 68).

16 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl DGX-205/203, PSR-295/293

ì˜ËÏÒfl Ë„‡Ú¸ ̇ ÙÓÚÂÔˇÌÓ

é·ÁÓ

àÁÏÂÌÂÌË ÚÂÏÔ‡ ÔÂÒÌË (Ô‡‡ÏÂÚ Tempo)

èË ËÒÔÓθÁÓ‚‡ÌËË ÚÂıÌÓÎÓ„ËË performance assistant ËÎË ‚ ‰Û„Ëı ÒËÚÛ‡ˆËflı ÚÂÏÔ ËÒÔÓÎÌÂÌËfl ÔÂ-

ÒÂÌ ÏÓÊÂÚ ÔÓ͇Á‡Ú¸Òfl ‚‡Ï ÒÎ˯ÍÓÏ ·˚ÒÚ˚Ï ËÎË ÒÎ˯ÍÓÏ Ï‰ÎÂÌÌ˚Ï. Ç ˝ÚËı ÒÎÛ˜‡flı ÚÂÏÔ ÔÂÒÌË

ÏÓÊÌÓ ËÁÏÂÌËÚ¸. ç‡ÊÏËÚ ÍÌÓÔÍÛ [TEMPO/TAP]. èÓfl‚ËÚÒfl ˝Í‡Ì ÚÂÏÔ‡, Ë ‚˚ Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇

ÛÔ‡‚ÎÂÌËfl, ÍÌÓÔÓÍ [+] Ë [-] ËÎË ˆËÙÓ‚˚ı ÍÌÓÔÓÍ [0] – [9] ÏÓÊÂÚ ÛÒÚ‡ÌÓ‚ËÚ¸ ÚÂÏÔ ËÒÔÓÎÌÂÌËfl

‚ β·Ó Á̇˜ÂÌË ÓÚ 032 ‰Ó 280 ˜ÂÚ‚ÂÚÂÈ ‚ ÏËÌÛÚÛ.

Tempo

090 001

090

íÂÍÛ˘Â Á̇˜ÂÌË ԇ‡ÏÂÚ‡ Tempo

ᇉ‡Ú¸ ÚÂÏÔ ÏÓÊÌÓ Ë ÔÓ-‰Û„ÓÏÛ: ̇ÊÏËÚ ÍÌÓÔÍÛ [TEMPO/TAP] ‚ Ú·ÛÂÏÓÏ ÚÂÏÔ – 4 ‡Á‡ ‰Îfl

‡ÁÏÂ‡ ‚ ˜ÂÚ‚ÂÚflı, Ë ÚË ‡Á‡ ‰Îfl ‡ÁÏÂ‡ ÚÂÚflı. åÓÊÌÓ ËÁÏÂÌËÚ¸ ÚÂÏÔ ‚Ó ‚ÂÏfl ÔÓË„˚‚‡ÌËfl

ÔÂÒÌË, ̇ʇ‚ ˝ÚÛ ÍÌÓÔÍÛ ‰‚‡Ê‰˚.

ä ËÒıÓ‰ÌÓÏÛ ÚÂÏÔÛ ÏÓÊÌÓ ‚ÂÌÛÚ¸Òfl, Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡Ê‡‚ ÍÌÓÔÍË [+] Ë [-].

éÚÓ·‡ÊÂÌË ‰ÓÎÂÈ Ì‡ ˝Í‡ÌÂ

ëÚÂÎÍË Ì‡ ˝Í‡Ì ‰ÓÎÂÈ ÏË„‡˛Ú ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ËÚÏÓÏ ÔÂÒÌË ËÎË ÒÚËÎfl.

èÂ‚‡fl ‰ÓÎfl Ú‡ÍÚ‡ íÂÚ¸fl ‰ÓÎfl

ÇÚÓ‡fl ‰ÓÎfl óÂÚ‚ÂÚ‡fl ‰ÓÎfl

ÇÓÒÔÓËÁ‚‰ÂÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÔÂÒÌË

Ç ÒËÌÚÂÁ‡ÚÓ‡ı DGX-205/203 Ë PSR-295/293 ËÏÂÂÚÒfl 30 ÔÂÒÂÌ, ‚Íβ˜‡fl ÚË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚Â.

èÓÒÎÛ¯‡ÈÚ ÌÂÍÓÚÓ˚ ËÁ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚ ËÌÒÚÛÏÂÌÚ‡! íÂıÌÓÎӄ˲ performance assistant

ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ Ò ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ÏË ÔÂÒÌflÏË.

1

ç‡ÊÏËÚ ÍÌÓÔÍÛ [DEMO].

燘ÌÂÚÒfl ‚ÓÒÔÓËÁ‚‰ÂÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÔÂÒÌË.

èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÂÌ ·Û‰ÂÚ ÔÓ‚ÚÓflÚ¸Òfl:

001

002

003

001 ...

éÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÔÂÒÌË ÏÓÊÌÓ

‚ β·Ó ‚ÂÏfl, ̇ʇ‚ ÍÌÓÔÍÛ [START/STOP].

DontKnow

001

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl DGX-205/203, PSR-295/293 17

б

з

о

О

р

èÓÔÓ·ÛÈÚ ‚ÓÒÔÓËÁ‚ÂÒÚË ‡ÁÌ˚ ÚÂÏ·˚

èÓÏËÏÓ “Òڇ̉‡ÚÌ˚ı” Í·‚˯Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚ (ÙÓÚÂÔˇÌÓ, Ó„‡Ì Ë Ô.)

‚ ˝ÚÓÏ ËÌÒÚÛÏÂÌÚ Á‡ÎÓÊÂÌ ˆÂÎ˚È fl‰ ÚÂÏ·Ó‚ „ËÚ‡˚, ·‡Ò‡, ÒÚÛÌÌ˚ı,

Ò‡ÍÒÓÙÓ̇, ÚÛ·˚, Û‰‡Ì˚ı Ë ÔÂÍÛÒÒËÓÌÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚, Ô‰ÛÒÏÓÚÂÌ˚

‡Á΢Ì˚ Á‚ÛÍÓ‚˚ ˝ÙÙÂÍÚ˚ … ‚Ò ÌÂÓ·ÓÁËÏÓ ÏÌÓÊÂÒÚ‚Ó ÏÛÁ˚͇θÌ˚ı

Á‚ÛÍÓ‚ ÔÓÒÚÓ Ì ÔÂ˜ËÒÎËÚ¸.

Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ – MAIN

Ç ÓÔËÒ‡ÌÌÓÈ ÌËÊ Ôӈ‰Û ‚˚·Ë‡ÂÚÒfl ÚÂÏ· ‰Îfl Ë„˚ ̇ Í·‚ˇÚÛÂ. ùÚÓÚ ÚÂÏ· ̇Á˚‚‡ÂÚÒfl

“ÓÒÌÓ‚Ì˚Ï ÚÂÏ·ÓÏ”.

1

ç‡ÊÏËÚ ÍÌÓÔÍÛ [VOICE].

ÅÛ‰ÛÚ ÓÚÓ·‡Ê‡Ú¸Òfl ÌÓÏÂ ÚÂÏ·‡ Ë Â„Ó Ì‡Á‚‡ÌËÂ. ÑÎfl ‚˚·Ó‡

‰Û„ÓÈ ÔÂÒÌË ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰ËÒÍ ÛÔ‡‚ÎÂÌËfl ËÎË ‰Û„ËÂ

˝ÎÂÏÂÌÚ˚ ‚˚·Ó‡.

GrandPno

̇Á‚‡ÌË ÚÂÏ·‡

001

ÌÓÏÂ ÚÂÏ·‡

2

Ç˚·ÂËÚÂ ÚÂÏ·, ÍÓÚÓ˚È ıÓÚËÚÂ Ë„‡Ú¸.

Ç‡˘‡ÈÚ ‰ËÒÍ ÛÔ‡‚ÎÂÌËfl, Ó·‡˘‡fl ‚ÌËχÌË ̇ ̇Á‚‡ÌËfl

ПРИМЕЧАНИЕ

çÛÊÌ˚È ÚÂÏ· ÏÓÊÌÓ Ú‡ÍÊÂ

ÚÂÏ·Ó‚ ̇ ˝Í‡ÌÂ. ÑÓÒÚÛÔÌ˚ ÚÂÏ·˚ ·Û‰ÛÚ ‚˚·Ë‡Ú¸Òfl Ë

‚˚·‡Ú¸ ÔË ÔÓÏÓ˘Ë ÍÌÓÔÓÍ

ÓÚÓ·‡Ê‡Ú¸Òfl ÔÓÓ˜Â‰ÌÓ. Ç˚·‡ÌÌ˚È ÚÂÏ· ÒÚ‡ÌÓ‚ËÚÒfl

CATEGORY [ ], [ ] ÔÓÒÎÂ

f

r

̇ʇÚËfl ÍÌÓÔÍË [VOICE].

ÓÒÌÓ‚Ì˚Ï ÚÂÏ·ÓÏ.

ÑÎfl ̇¯Â„Ó ÔËÏÂ‡ ‚˚·ÂÂÏ ÚÂÏ· 090 Flute (ÙÎÂÈÚ‡).

Flute

Ç·ÂËÚÂ ÚÂÏ· 090 Flute

090

3

èÓË„‡ÈÚ ̇ Í·‚ˇÚÛÂ.

èÓÔÓ·ÛÈÚ ‚˚·‡Ú¸ Ë ÔÓË„‡Ú¸ ‡ÁÌ˚ ÚÂÏ·˚.

18 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl DGX-205/203, PSR-295/293

èÓÔÓ·ÛÈÚ ‚ÓÒÔÓËÁ‚ÂÒÚË ‡ÁÌ˚ ÚÂÏ·˚

é·ÁÓ

à„‡ Ó‰ÌÓ‚ÂÏÂÌÌÓ ‰‚ÛÏfl ÚÂÏ·‡ÏË – DUAL

èË Ë„ ̇ Í·‚ˇÚÛ ‚˚ ÏÓÊÂÚ ‚˚·‡Ú¸ ¢ ӉËÌ ÚÂÏ·, ÍÓÚÓ˚È ·Û‰ÂÚ Ë„‡Ú¸Òfl ‚ ‰Ó·‡‚ÎÂÌËÂ

Í ÓÒÌÓ‚ÌÓÏÛ. ùÚÓÚ ‰ÓÔÓÎÌËÚÂθÌ˚È ÚÂÏ· Ú‡Í Ë Ì‡Á˚‚‡˛Ú – “̇ÎÓÊÂÌÌ˚Ï”, ËÎË “‚ÚÓ˚Ï”.

1

ç‡ÊÏËÚ ÍÌÓÔÍÛ [DUAL].

äÌÓÔ͇ [DUAL] ËÒÔÓθÁÛÂÚÒfl ‰Îfl ‚Íβ˜ÂÌËfl Ë ÓÚÍβ˜ÂÌËfl

ПРИМЕЧАНИЕ

ç‡ÎÓÊÂÌË ÚÂÏ·Ó‚ (ÙÛÌ͈Ëfl Dual

ÂÊËχ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚.

Voice) ÌÂθÁfl ÔËÏÂÌflÚ¸, ‚Ó ‚ÂÏfl

èË ‚Íβ˜ÂÌËË ˝ÚÓ„Ó ÂÊËχ ̇ ˝Í‡Ì ÔÓfl‚ÎflÂÚÒfl Á̇˜ÓÍ

‡Áۘ˂‡ÌËfl ÔÂÒÂÌ (ÙÛÌ͈Ëfl Song

Lesson) (ÒÚ. 32).

‚ÚÓÓ„Ó ÚÂÏ·‡. íÂÔÂ¸ ÔË Ë„Â Ò Í·‚ˇÚÛ˚ ‚ ‰Ó·‡‚ÎÂÌËÂ

Í ÓÒÌÓ‚ÌÓÏÛ ÚÂÏ·Û ·Û‰ÂÚ Á‚Û˜‡Ú¸ Ú‡ÍÊ ‚ÚÓÓÈ ÚÂÏ·.

Flute

090

á̇˜ÓÍ ‚ÚÓÓ„Ó ÚÂÏ·‡

2

ç‡ÊÏËÚÂ Ë Û‰ÂÊË‚‡ÈÚ ÍÌÓÔÍÛ [DUAL] ‰Óθ¯Â ÒÂÍÛ̉˚.

ç‡ ÌÂÒÍÓθÍÓ ÒÂÍÛ̉ ̇ ˝Í‡Ì ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË “D. VOICE”,

ПРИМЕЧАНИЕ

Ç˚ ÏÓÊÂÚ ڇÍÊ ‚˚·‡Ú¸

Á‡ÚÂÏ ÓÚÓ·‡ÁËÚÒfl ‚˚·‡ÌÌ˚È ÚÂÏ·.

˝Í‡Ì Dual Voice, ̇ʇ‚ ÍÌÓÔÍÛ

[FUNCTION] Ë Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ

CATEGORY ‚˚·‡‚ ÔÛÌÍÚ “D.Voice”.

Marimba

108

ì‰ÂÊË‚‡ÈÚ ÍÌÓÔÍÛ

íÂÍÛ˘ËÈ ‚ÚÓÓÈ ÚÂÏ·

‰Óθ¯Â Ó‰ÌÓÈ ÒÂÍÛ̉˚.

3

Ç˚·ÂËÚÂ ‚ÚÓÓÈ ÚÂÏ·.

ëΉfl Á‡ ̇Á‚‡ÌËflÏË Ì‡ÎÓÊÂÌÌ˚ı ÚÂÏ·Ó‚ ̇ ˝Í‡ÌÂ, ‚‡˘‡ÈÚÂ

‰ËÒÍ ÛÔ‡‚ÎÂÌËfl, ÔÓ͇ Ì ÔÓfl‚ËÚÒfl ÌÛÊÌ˚È ÚÂÏ·. Ç˚·‡ÌÌ˚È

ÚÂÏ· ÒÚ‡ÌÓ‚ËÚÒfl ‚ÚÓ˚Ï ÚÂÏ·ÓÏ.

Ç˚·ÂÂÏ, ̇ÔËÏÂ, ÚÂÏ· 107 Vibraphone (ÇË·ÓÙÓÌ).

Vibes

107

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl DGX-205/203, PSR-295/293 19

é·ÁÓ

èÓÔÓ·ÛÈÚ ‚ÓÒÔÓËÁ‚ÂÒÚË ‡ÁÌ˚ ÚÂÏ·˚

4

èÓË„‡ÈÚ ̇ Í·‚ˇÚÛÂ.

Ñ‚‡ ÚÂÏ·‡ ·Û‰ÛÚ Á‚Û˜‡Ú¸

Ó‰ÌÓ‚ÂÏÂÌÌÓ.

èÓÔÓ·ÛÈÚ ‚˚·‡Ú¸ Ë ÔÓË„‡Ú¸ ‡ÁÌ˚ ‚ÚÓ˚ ÚÂÏ·˚.

à„‡ ‚ ‡ÁÌ˚ı ÚÂÏ·‡ı Ô‡‚ÓÈ Ë Î‚ÓÈ Û͇ÏË – SPLIT

Ç ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ Ò΂‡ Ë ÒÔ‡‚‡ ÓÚ “ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl” Í·‚ˇÚÛ˚ (Split Point) ÏÓÊ-

ÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ‡ÁÌ˚ ÚÂÏ·˚. éÒÌÓ‚ÌÓÈ Ë ‚ÚÓÓÈ ÚÂÏ· ÏÓÊÌÓ Ë„‡Ú¸ ̇ Í·‚ˇÚÛ ÒÔ‡‚‡

ÓÚ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl, ‡ ÚÂÏ·, ÍÓÚÓ˚È ËÒÔÓÎÌflÂÚÒfl Ò΂‡ ÓÚ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl, ̇Á˚‚‡ÂÚÒfl “‡Á‰Â-

ÎÂÌÌ˚Ï ÚÂÏ·ÓÏ”, ËÎË “ÌËÊÌËÏ”. è‡‡ÏÂÚ˚ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ ÏÓÊÌÓ ËÁÏÂÌflÚ¸ ÔÓ

Ê·Ì˲ (ÒÚ. 24).

íӘ͇ ‡Á‰ÂÎÂÌËfl

Í·‚ˇÚÛ˚

éÒÌÓ‚ÌÓÈ Ë ‚ÚÓÓÈ ÚÂÏ·˚çËÊÌËÈ ÚÂÏ·

1

ç‡ÊÏËÚ ÍÌÓÔÍÛ [SPLIT].

äÌÓÔ͇ [SPLIT] ËÒÔÓθÁÛÂÚÒfl ‰Îfl ‚Íβ˜ÂÌËfl Ë ÓÚÍβ˜ÂÌËfl

ПРИМЕЧАНИЕ

îÛÌÍˆË˛ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚

ÂÊËχ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚.

(Split Voice) ÌÂθÁfl ËÒÔÓθÁÓ‚‡Ú¸

èË ‚Íβ˜ÂÌËË ˝ÚÓ„Ó ÂÊËχ ̇ ˝Í‡Ì ÔÓfl‚ÎflÂÚÒfl Á̇˜ÓÍ

‚ ÂÊËÏ ‡Áۘ˂‡ÌËfl ÔÂÒÌË

(Song Lesson) (ÒÚ. 32).

‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚. íÂÍÛ˘ËÈ ‚˚·‡ÌÌ˚È ÌËÊÌËÈ ÚÂÏ·

·Û‰ÂÚ Á‚Û˜‡Ú¸ ÔË Ì‡Ê‡ÚËË Ì‡ Í·‚˯Ë, ̇ıÓ‰fl˘ËÂÒfl ΂ÂÂ

ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚.

Flute

090

á̇˜ÓÍ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚

2

ç‡ÊÏËÚÂ Ë Û‰ÂÊË‚‡ÈÚ ÒÂÍÛ̉˚ ÍÌÓÔÍÛ [FUNCTION] ‰Óθ¯Â ÒÂÍÛ̉˚.

ç‡ ÌÂÒÍÓθÍÓ ÒÂÍÛ̉ ̇ ˝Í‡Ì ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË “S. VOICE”,

ПРИМЕЧАНИЕ

Ç˚ ÏÓÊÂÚ ڇÍÊ ‚˚·‡Ú¸ ˝Í‡Ì

Á‡ÚÂÏ ÓÚÓ·‡ÁËÚÒfl ‚˚·‡ÌÌ˚È ÚÂÏ·.

Split Voice, ̇ʇ‚ ÍÌÓÔÍÛ

[FUNCTION] Ë Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ

CATEGORY ‚˚·‡‚ ˝ÎÂÏÂÌÚ

“S.Voice”.

FngrBass

041

ì‰ÂÊË‚‡ÈÚ ÍÌÓÔÍÛ ‰Óθ¯Â

íÂÍÛ˘ËÈ ÌËÊÌËÈ ÚÂÏ·

Ó‰ÌÓÈ ÒÂÍÛ̉˚.

20 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl DGX-205/203, PSR-295/293

èÓÔÓ·ÛÈÚ ‚ÓÒÔÓËÁ‚ÂÒÚË ‡ÁÌ˚ ÚÂÏ·˚

é·ÁÓ

3

Ç˚·ÂËÚÂ ÌËÊÌËÈ ÚÂÏ·.

ëΉfl Á‡ ̇Á‚‡ÌËflÏË ÌËÊÌËı ÚÂÏ·Ó‚ ̇ ˝Í‡ÌÂ, ‚‡˘‡ÈÚ ‰ËÒÍ

ÛÔ‡‚ÎÂÌËfl, ÔÓ͇ Ì ÔÓfl‚ËÚÒfl ÌÛÊÌ˚È ÚÂÏ·. Ç˚·‡ÌÌ˚È ÚÂÏ·

ÒÚ‡ÌÓ‚ËÚÒfl ÌËÊÌËÏ ÚÂÏ·ÓÏ, ÍÓÚÓ˚È ·Û‰ÂÚ Á‚Û˜‡Ú¸ Ò΂‡ ÓÚ ÚÓ˜ÍË

‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚. ÑÎfl ˝ÚÓ„Ó ÔËÏÂ‡ ‚˚·ÂÂÏ ÚÂÏ· 031 Folk

Guitar.

Folk Gtr

031

4

èÓË„‡ÈÚ ̇ Í·‚ˇÚÛÂ.

èÓÔÓ·ÛÈÚ ‚˚·‡Ú¸ Ë ÔÓË„‡Ú¸ ‡ÁÌ˚ ÌËÊÌË ÚÂÏ·˚.

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl DGX-205/203, PSR-295/293 21

é·ÁÓ

èÓÔÓ·ÛÈÚ ‚ÓÒÔÓËÁ‚ÂÒÚË ‡ÁÌ˚ ÚÂÏ·˚

à„‡ ÚÂÏ·ÓÏ Grand Piano (ÙÓÚÂÔˇÌÓ)

ÑÎfl Ó·˚˜ÌÓÈ Ë„˚ ̇ ÙÓÚÂÔˇÌÓ ‰ÓÒÚ‡ÚÓ˜ÌÓ Ì‡Ê‡Ú¸ Ó‰ÌÛ ÍÌÓÔÍÛ.

ç‡ÊÏËÚ ÍÌÓÔÍÛ [PORTABLE GRAND].

ÅÛ‰ÂÚ ‚˚·‡Ì ÚÂÏ· “001 Grand Piano”.

ПРИМЕЧАНИЕ

èË Ì‡Ê‡ÚËËË ÍÌÓÔÍË [PORTABLE

GRAND] ‚Ò ̇ÒÚÓÈÍË, ÍÓÏ ԇ‡

-

ÏÂÚÓ‚ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í·‚ˇÚÛ

-

˚ Í Ì‡Ê‡Ú˲, ÓÚÍβ˜‡˛ÚÒfl. êÂÊË

-

Ï˚ ‚ÚÓÓ„Ó Ë ÌËÊÌÂ„Ó ÚÂÏ·Ó‚ Ú‡Í

-

Ê ÓÚÍβ˜‡˛ÚÒfl; ÚÂÏ· Grand Piano,

Ú‡ÍËÏ Ó·‡ÁÓÏ, ·Û‰ÂÚ ‚ÓÒÔÓËÁ‚Ó

-

‰ËÚ¸Òfl ̇ ‚ÒÂÈ Í·‚ˇÚÛÂ.

àÁÏÂÌÂÌË ‚˚ÒÓÚ˚ Á‚Û͇ (ÚÓθÍÓ ‰Îfl DGX-205/203)

ÑÎfl ‚ÌÂÒÂÌËfl Ô·‚Ì˚ı ËÁÏÂÌÂÌËÈ ‚ ‚˚ÒÓÚÛ ÌÓÚ, ‚ÓÒÔÓËÁ‚Ó‰ËÏ˚ı ̇ Í·‚ˇÚÛÂ, ËÒÔÓθÁÛÂÚÒfl

ÍÓÎÂÒËÍÓ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ (Pitch Bend). èË ‚‡˘ÂÌËË ÍÓÎÂÒË͇ ‚‚Âı ‚˚ÒÓÚ‡ Á‚Û͇ Û‚Â-

΢˂‡ÂÚÒfl, ÔË ‚‡˘ÂÌËË ‚ÌËÁ – ÛÏÂ̸¯‡ÂÚÒfl.

ÖÒÎË ËÒÔÓθÁÓ‚‡Ú¸ ˝ÚÛ ÙÛÌÍˆË˛ ‰Îfl ÚÂÏ·‡ „ËÚ‡˚ “038 Overdriven” (ÒÚ. 18), ÏÓÊÌÓ ÔÓÎÛ˜ËÚ¸

Á‡Ï˜‡ÚÂθÌ˚ ‡ÎËÒÚ˘Ì˚ ˝ÙÙÂÍÚ˚ Á‚Û˜‡ÌËfl ÒÚÛÌ.

óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl

èË ‚Íβ˜ÂÌÌÓÏ ÂÊËÏ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í ÒËΠ̇ʇÚËfl ÏÓÊÌÓ ÛÔ‡‚ÎflÚ¸ „ÓÏÍÓÒÚ¸˛ ‚ÓÒÔÓ-

ËÁ‚Ó‰ËÏ˚ı ÌÓÚ, ‰Û„ËÏË ÒÎÓ‚‡ÏË, ˜ÂÏ ÒËθÌ ‚˚ ·Û‰ÂÚ ۉ‡flÚ¸ ÔÓ Í·‚˯‡Ï, ÚÂÏ „ÓϘ ·Û‰ÂÚ

ÔÓÎÛ˜‡Ú¸Òfl Á‚ÛÍ – ÒÓ‚ÒÂÏ Í‡Í Ì‡ ̇ÒÚÓfl˘ÂÏ ÙÓÚÂÔ¸flÌÓ, ‚ ÍÓÚÓÓÏ Á̇˜ÂÌË ËÏÂ˛Ú Ï‡ÎÂȯËÂ

Ì˛‡ÌÒ˚ ̇ʇÚËfl. ÖÒÎË Ê ˝ÚÓÚ ÂÊËÏ ÓÚÍβ˜ÂÌ, ÚÓ Ò Í‡ÍÓÈ ·˚ ÒËÎÓÈ ‚˚ Ì ̇ÊËχÎË Í·‚˯Ë,

‚ÓÒÔÓËÁ‚Ó‰ËÏ˚È Á‚ÛÍ ‚Ò„‰‡ ·Û‰ÂÚ ËÏÂÚ¸ Ó‰ÌÛ Ë ÚÛ Ê „ÓÏÍÓÒÚ¸.

ç‡ÊÏËÚ ÍÌÓÔÍÛ [TOUCH].

äÌÓÔ͇ [TOUCH] ‚Íβ˜‡ÂÚ Ë ÓÚÍβ˜‡ÂÚ ÂÊËÏ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË

ПРИМЕЧАНИЕ

Í ÒËΠ̇ʇÚËfl. é·˚˜ÌÓ ÂÊËÏ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË ‚Íβ˜ÂÌ. èË

óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl

ÏÓÊÌÓ ÓÚ„ÛÎËÓ‚‡Ú¸ ‚ ÚË ÔËÂχ

‚Íβ˜ÂÌÌÓÏ ÂÊËÏ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í ÒËΠ̇ʇÚËfl ̇ ˝Í‡ÌÂ

(ÒÚ. 49).

ÔÓfl‚ÎflÂÚÒfl Á̇˜ÓÍ ÂÊËχ.

GrandPno

001

á̇˜ÓÍ ÂÊËχ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË

Í ÒËΠ̇ʇÚËfl

22 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl DGX-205/203, PSR-295/293

ᇷ‡‚Ì˚ Á‚ÛÍË

Ç ˝ÚÓÏ ÒËÌÚÂÁ‡ÚÓ ‡ÎËÁÓ‚‡Ì ˆÂÎ˚È Ì‡·Ó ÚÂÏ·Ó‚ Û‰‡Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚ Ë ÌÂÓ·˚˜-

Ì˚ı Á‚ÛÍÓ‚˚ı ˝ÙÙÂÍÚÓ‚, ÍÓÚÓ˚Â Ò ÛÒÔÂıÓÏ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ÓÊË‚ÎÂÌËfl ÏÛÁ˚-

͇θÌÓ„Ó ËÒÔÓÎÌÂÌËfl. ëÂ‰Ë ‚ÒÚÓÂÌÌ˚ı Á‚ÛÍÓ‚˚ı ˝ÙÙÂÍÚÓ‚ ÂÒÚ¸ ˜ÂÎӂ˜ÂÒÍËÈ ÒÏÂı,

ÊÛ˜‡ÌË ‚Ó‰˚ ‚ Û˜¸Â, ‡ÌÚÛ‡Ê ‡ÍÚË‚ÌÓ„Ó Ò‡ÏÓÎÂÚ‡, ‚ÒflÍË ÁÎӂ¢Ë Á‚ÛÍË Ë ÏÌÓ„Ó

˜Â„Ó Â˘Â. ùÚË Á‚ÛÍË ÏÓ„ÛÚ ÒÎÛÊËÚ¸ ÔÂÍ‡ÒÌ˚Ï ÔÓ‰ÒÔÓ¸ÂÏ, ÂÒÎË ‚˚ ıÓÚËÚ Ôˉ‡Ú¸

Ò‚ÓÂÏÛ ËÒÔÓÎÌÂÌ˲ ÚÓ ËÎË ËÌÓ ̇ÒÚÓÂÌËÂ.

燷Ó˚ ÚÂÏ·Ó‚ Û‰‡Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚

燷Ó˚ ÚÂÏ·Ó‚ Û‰‡Ì˚ı Ô‰ÒÚ‡‚Îfl˛Ú ÒÓ·ÓÈ ÒÓ‚ÓÍÛÔÌÓÒÚ¸ Á‚ÛÍÓ‚ Û‰‡Ì˚ı Ë ÔÂÍÛÒÒËÓÌÌ˚ı ËÌÒÚÛÏÂÌ-

ÚÓ‚. ÖÒÎË, ̇ÔËÏÂ, ‚˚ ‚˚·ÂÂÚ ‚ ͇˜ÂÒÚ‚Â ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ ÒÍËÔÍÛ ËÎË ‰Û„ÓÈ Ó·˚˜Ì˚È ËÌÒÚÛÏÂÌÚ,

ÚÓ ‚Ò Í·‚Ë¯Ë Ì‡ Í·‚ˇÚÛ ·Û‰ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ‚˚·‡ÌÌ˚È ÚÂÏ·, ÚÓθÍÓ Ò ‡ÁÌ˚ÏË ‚˚ÒÓÚ‡ÏË ÚÓÌÓ‚.

ÖÒÎË Ê ‚˚·‡Ú¸ ‚ ͇˜ÂÒÚ‚Â ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ ̇·Ó Û‰‡Ì˚ı, ÚÓ Í‡Ê‰‡fl Í·‚˯‡ ·Û‰ÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸

Á‚ÛÍ ‡Á΢Ì˚ı Û‰‡Ì˚ı ËÎË ÔÂÍÛÒÒËÓÌÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚.

èӈ‰Û‡ ‚˚·Ó‡ ̇·Ó‡ ÚÂÏ·Ó‚ Û‰‡Ì˚ı (ÒÏ. ¯‡„Ë 1 Ë 2 ̇ ÒÚ. 18)

1

ç‡ÊÏËÚ ÍÌÓÔÍÛ [VOICE].

2

ë ÔÓÏÓ˘¸˛ ‰ËÒ͇ ÛÔ‡‚ÎÂÌËfl ‚˚·ÂËÚ “115 Std.Kit1”.

3

éˆÂÌËÚ Á‚Û˜‡ÌË ͇ʉÓÈ Í·‚˯Ë, ̇Ò·‰ËÚÂÒ¸ Á‚Û͇ÏË

Û‰‡Ì˚ı Ë ÔÂÍÛÒÒËÓÌÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚!

ç Á‡·˚‚‡ÈÚ ÔÓ ˜ÂÌ˚ Í·‚˯Ë! Ç˚

ÛÒ-

Î˚¯ËÚ Á‚ÛÍË ÚÂÛ„ÓθÌË͇, χ‡Í‡Ò‡,

·ÓÌ„Ó,

·‡‡·‡ÌÓ‚… èÂ‰ ‚‡ÏË – ÔÓÎ̇fl

ÍÓÎÎÂ͈Ëfl

Á‚ÛÍÓ‚ Û‰‡Ì˚ı Ë ÔÂÍÛÒÒËÓÌ

Ì˚ı ËÌÒÚÛÏÂÌ-

ÚÓ‚. ÅÓΠÔÓ‰Ó·ÌÓ Ó· ËÌÒÚÛÏÂÌÚ‡ı, ‚ıÓ‰fl-

˘Ëı ‚ ̇·Ó ÚÂÏ·Ó‚ Û‰‡Ì˚ı (ÌÓÏÂ‡ ÚÂÏ·-

Ó‚ 115 -126),

ÒÏ. ‚ “ëÔËÒÍ ̇·ÓÓ‚ ÚÂÏ·Ó‚

Û‰‡Ì˚ı –

Drum Kit” ̇ ÒÚ. 82.

á‚ÛÍÓ‚˚Â ˝ÙÙÂÍÚ˚

á‚ÛÍÓ‚˚ ˝ÙÙÂÍÚ˚ ‚ıÓ‰flÚ ‚ „ÛÔÔÛ Ì‡·Ó‡ ÚÂÏ·Ó‚ Û‰‡Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚(ÌÓÏÂ‡ ÚÂÏ·Ó‚ 125 Ë 126).

èË ‚˚·Ó β·Ó„Ó ËÁ ˝ÚËı ÚÂÏ·Ó‚ ÔÓfl‚ÎflÂÚÒfl ‚ÓÁÏÓÊÌÓÒÚ¸ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÏÌÓÊÂÒÚ‚Ó Á‚ÛÍÓ‚˚ı

˝ÙÙÂÍÚÓ‚ ̇ Í·‚ˇÚÛÂ.

èӈ‰Û‡ ‚˚·Ó‡ Á‚ÛÍÓ‚˚ı ˝ÙÙÂÍÚÓ‚ (ÒÏ. ¯‡„Ë 1 Ë 2 ̇ ÒÚ. 18)

1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [VOICE] ̇ „·‚ÌÓÏ ˝Í‡ÌÂ.

2

àÒÔÓθÁÛfl ‰ËÒÍ ÛÔ‡‚ÎÂÌËfl, ‚˚·ÂËÚ ̇·Ó “126 SFX Kit2”.

3

èÓÔÓ·ÛÈÚ Á‚Û˜‡ÌË ͇ʉÓÈ Í·‚Ë¯Ë Ë Ì‡Ò·‰ËÚÂÒ¸ Á‚ÛÍÓ‚˚ÏË

˝ÙÙÂÍÚ‡ÏË!

ç‡ÊËχfl ‡ÁÌ˚ Í·‚˯Ë, ‚˚ ÒÏÓÊÂÚ ÛÒ-

Î˚¯‡Ú¸ Á‚ÛÍË ÔÓ‰‚Ó‰ÌÓÈ ÎÓ‰ÍË, ÚÂÎÂÙÓÌ-

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„Ëı ÔÓÎÂÁÌ˚ı Á‚ÛÍÓ‚˚ı ˝ÙÙÂÍ

ÚÓ‚. Ç Ì‡·Ó

“125 SFX Kit1” ‚ıÓ‰flÚ Á‚ÛÍË ÏÓÎÌËË,

Ô‡‰‡˛˘ÂÈ ‚Ó‰˚, Î‡È ÒÓ·‡Í Ë ‰Û„ËÂ. çÂÍÓ-

ÚÓ˚Ï Í·‚˯‡Ï Á‚ÛÍÓ‚˚ ˝ÙÙÂÍÚ˚ ÌÂ

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‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl Ì ·Û‰ÂÚ.

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Ú‡ı, ‚ıÓ‰fl˘Ëı ‚ ̇·Ó ÚÂÏ·Ó‚ SFX kit, ÒÏ.

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Í ̇·ÓÓ‚ ÚÂÏ·Ó‚ Û‰‡Ì˚ı – Drum kit”

̇ ÒÚ. 83.

DGX-205/203, PSR-295/293 Owner’s Manual 23

Аннотации для Синтезатора/фортепиано Yamaha DGX-203 в формате PDF