Yamaha P-2500S: инструкция
Характеристики, спецификации
Инструкция к Усилителю Мощности Yamaha P-2500S
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êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
RU
++ --
11
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BRIDGE
чÌÌ˚È ÁÌ‡Í Ó·ÓÁ̇˜‡ÂÚ ÓÔ‡ÒÌ˚È ÍÓÌÚ‡ÍÚ ÔÓ‰ ̇ÔflÊÂÌËÂÏ.
èÓ‰ÒÓ‰ËÌÂÌË ‚̯ÌÂ„Ó ÔÓ‚Ó‰‡ Í ˝ÚÓÏÛ ÍÓÌÚ‡ÍÚÛ ‰ÓÎÊÌÓ
‚˚ÔÓÎÌflÚ¸Òfl ÎË·Ó «ÎˈÓÏ, Ôӯ‰¯ËÏ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ËÌÒÚÛÍÚ‡Ê
ÔÓ Ó·‡˘ÂÌ˲», ÎË·Ó ÔË ÔÓÏÓ˘Ë ÔÓ‚Ó‰Ó‚ ËÎË Í‡·ÂÎfl, ÍÓÌÒÚÛ͈Ëfl
ÍÓÚÓ˚ı ÔÓÁ‚ÓÎflÂÚ Î„ÍÓ Ë ·ÂÁ ÔÓ·ÎÂÏ ÔÓËÁ‚ÂÒÚË ÔÓ‰ÒÓ‰ËÌÂÌËÂ.
2
åÂ˚ Ô‰ÓÒÚÓÓÊÌÓÒÚË
— Ç ˆÂÎflı ·ÂÁÓÔ‡ÒÌÓÈ ˝ÍÒÔÎÛ‡Ú‡ˆËË —
èêÖÑìèêÖÜÑÖçàÖ
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ç ÒÌËχÈÚ Í˚¯ÍÛ ÛÒÚÓÈÒÚ‚‡. Ç˚ ÔÓ‰‚„ÌÂÚ Ò·fl ËÒÍÛ
ìÒÚ‡Ìӂ͇
ÔÓ‡ÊÂÌËfl ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ. èË ÌÂÓ·ıÓ‰ËÏÓÒÚË ‚ÌÛÚÂÌÌ„Ó
ÓÒÏÓÚ‡, ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ËÎË ÂÏÓÌÚ‡ Ó·‡ÚËÚÂÒ¸ Í
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èÓ‰Íβ˜‡ÈÚ ¯ÌÛ ÔËÚ‡ÌËfl ‰‡ÌÌÓ„Ó ÛÒÚÓÈÒÚ‚‡ ÚÓθÍÓ Í ÓÁÂÚÍÂ
‚‡¯ÂÏÛ ‰ËÎÂÛ.
Ú‡ÍÓ„Ó ÚËÔ‡, ÍÓÚÓ˚È Û͇Á‡Ì ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl
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ç ÏÓ‰ËÙˈËÛÈÚ ÛÒÚÓÈÒÚ‚Ó. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÊ‡Û ËÎË
ËÎË Ì‡ Ò‡ÏÓÏ ÛÒÚÓÈÒÚ‚Â. çÂÒӷβ‰ÂÌË ˝ÚÓÈ ÏÂ˚ ÏÓÊÂÚ
ÔÓ‡ÊÂÌ˲ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ.
ÔË‚ÂÒÚË Í ÔÓÊ‡Û ËÎË ÔÓ‡ÊÂÌ˲ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ.
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Ç ÒÎÛ˜‡Â „ÓÁ˚ Í‡Í ÏÓÊÌÓ ÒÍÓ ‚˚Íβ˜ËÚ ÔËÚ‡ÌË ÛÒÚÓÈÒÚ‚‡
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ç ‰ÓÔÛÒ͇ÈÚ ÔÓÔ‡‰‡ÌËfl ‚Ó‰˚ ‚ ÛÒÚÓÈÒÚ‚Ó Ë Ì‡ Ì„Ó. Ç ÔÓÚË‚ÌÓÏ
Ò ÔÓÏÓ˘¸˛ ‚˚Íβ˜‡ÚÂÎfl Ë ÓÚÒÓ‰ËÌËÚ ‚ËÎÍÛ ¯ÌÛ‡ ÔËÚ‡ÌËfl ÓÚ
ÒÎÛ˜‡Â ÏÓÊÂÚ ÔÓËÁÓÈÚË ÔÓʇ ËÎË ÔÓ‡ÊÂÌË ˝ÎÂÍÚ˘ÂÒÍËÏ
ÓÁÂÚÍË.
ÚÓÍÓÏ.
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ÖÒÎË ÒÛ˘ÂÒÚ‚ÛÂÚ ‚ÂÓflÚÌÓÒÚ¸ ÔÓÔ‡‰‡ÌËfl ÏÓÎÌËË, Ì ͇҇ÈÚÂÒ¸
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ç ÒÚ‡‚¸Ú ÂÏÍÓÒÚË Ò ÊˉÍÓÒÚ¸˛ Ë Ì·Óθ¯Ë ÏÂÚ‡Î΢ÂÒÍËÂ
‚ËÎÍË ¯ÌÛ‡ ÔËÚ‡ÌËfl, ÍÓ„‰‡ Ó̇ ‚ÒÚ‡‚ÎÂ̇ ‚ ÓÁÂÚÍÛ. ùÚÓ ÏÓÊÂÚ
Ô‰ÏÂÚ˚ ̇ ÔÓ‚ÂıÌÓÒÚ¸ ÛÒÚÓÈÒÚ‚‡. ÜˉÍÓÒÚ¸ ËÎË ÏÂÚ‡Î΢ÂÒÍËÈ
ÔË‚ÂÒÚË Í ÔÓ‡ÊÂÌ˲ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ.
Ó·˙ÂÍÚ ÏÓÊÂÚ ÔÓÔ‡ÒÚ¸ ‚ÌÛÚ¸ ÛÒÚÓÈÒÚ‚‡ Ë ‚˚Á‚‡Ú¸ ÔÓʇ ËÎË
ÔÓ‡ÊÂÌË ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ.
éÚÍÎÓÌÂÌËfl ‚Ó ‚ÂÏfl ˝ÍÒÔÎÛ‡Ú‡ˆËË
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ç ÒÚ‡‚¸Ú ÚflÊÂÎ˚ Ô‰ÏÂÚ˚, ‚Íβ˜‡fl ‰‡ÌÌÓ ÛÒÚÓÈÒÚ‚Ó, ̇
¯ÌÛ ÔËÚ‡ÌËfl. èÓ‚ÂʉÂÌË ¯ÌÛ‡ ÔËÚ‡ÌËfl ÏÓÊÂÚ ÔË‚ÂÒÚË Í
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ÖÒÎË ¯ÌÛ ÔËÚ‡ÌËfl ÔÓ‚ÂʉÂÌ (Ú.Â. ‚ˉÌ˚ ÔÓÂÁ˚ ËÎË Ó„ÓÎÂÌÌ˚È
ÔÓÊ‡Û ËÎË ÔÓ‡ÊÂÌ˲ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ. Ç ˜‡ÒÚÌÓÒÚË,
ÔÓ‚Ó‰), Á‡ÔÓÒËÚ Á‡ÏÂÌÛ ¯ÌÛ‡ Û ‚‡¯Â„Ó ‰Ë·. àÒÔÓθÁÓ‚‡ÌËÂ
Òӷ≇ÈÚ ÓÒÚÓÓÊÌÓÒÚ¸ Ë Ì ÒÚ‡‚¸Ú ÚflÊÂÎ˚ Ô‰ÏÂÚ˚ ̇
ÛÒÚÓÈÒÚ‚‡ Ò ÔÓ‚ÂʉÂÌÌ˚Ï ¯ÌÛÓÏ ÔËÚ‡ÌËfl ÏÓÊÂÚ ÔË‚ÂÒÚË Í
¯ÌÛ ÔËÚ‡ÌËfl, ÍÓ„‰‡ Â„Ó Ì ‚ˉÌÓ ÔÓ‰ ÍÓ‚ÓÏ.
ÔÓÊ‡Û ËÎË ÔÓ‡ÊÂÌ˲ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ.
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èÓ‰Íβ˜‡ÈÚ ÚÓθÍÓ Í ˝ÎÂÍÚÓÒÂÚË Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ
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ÖÒÎË ÛÒÚÓÈÒÚ‚Ó ÛÔ‡ÎÓ ËÎË ·˚Î ÔÓ‚ÂʉÂÌ ÍÓÔÛÒ, ‚˚Íβ˜ËÚÂ
̇ÔflÊÂÌËÂÏ Ë Á‡˘ËÚÌ˚Ï Á‡ÁÂÏÎÂÌËÂÏ. çÂÔ‡‚ËθÌÓ Á‡ÁÂÏÎÂÌËÂ
ÔËÚ‡ÌËÂ Ò ÔÓÏÓ˘¸˛ ‚˚Íβ˜‡ÚÂÎfl, ÓÚÒÓ‰ËÌËÚ ¯ÌÛ ÔËÚ‡ÌËfl ÓÚ
ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‡ÊÂÌ˲ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ.
ÓÁÂÚÍË Ë Ò‚flÊËÚÂÒ¸ Ò ‰ËÎÂÓÏ. ÖÒÎË ÔÓ‰ÓÎÊËÚ¸ ËÒÔÓθÁÓ‚‡ÌËÂ
ÛÒÚÓÈÒÚ‚‡, Ì Òӷ≇fl ˝ÚÛ ÏÂÛ Ô‰ÓÒÚÓÓÊÌÓÒÚË, ÏÓÊÂÚ
ùÍÒÔÎÛ‡Ú‡ˆËfl
‚ÓÁÌËÍÌÛÚ¸ ÔÓʇ ËÎË ÔÓËÁÓÈÚË ÔÓ‡ÊÂÌË ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ.
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èË ÔÓfl‚ÎÂÌËË Î˛·˚ı ÓÚÍÎÓÌÂÌËÈ, ̇ÔËÏ ‰˚χ, Á‡Ô‡ı‡ ËÎË
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ç ˆ‡‡Ô‡ÈÚÂ, Ì ҄˷‡ÈÚÂ, Ì ÒÍۘ˂‡ÈÚÂ, Ì ÚflÌËÚÂ Ë ÌÂ
¯Ûχ, ÎË·Ó ÔÓÔ‡‰‡ÌËË ÔÓÒÚÓÓÌÌÂ„Ó Ô‰ÏÂÚ‡ ËÎË ÊˉÍÓÒÚË
‰ÓÔÛÒ͇ÈÚ ̇„‚‡ ¯ÌÛ‡ ÔËÚ‡ÌËfl. èÓ‚ÂʉÂÌË ¯ÌÛ‡ ÔËÚ‡ÌËfl
‚ÌÛÚ¸ ÛÒÚÓÈÒÚ‚‡ ÌÂωÎÂÌÌÓ ‚˚Íβ˜ËÚ „Ó. éÚÒÓ‰ËÌËÚ ¯ÌÛ
ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÊ‡Û ËÎË ÔÓ‡ÊÂÌ˲ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ.
ÔËÚ‡ÌËfl ÓÚ ÓÁÂÚÍË. é·‡ÚËÚÂÒ¸ Í ‚‡¯ÂÏÛ ‰ËÎÂÛ Á‡ ÂÏÓÌÚÓÏ.
àÒÔÓθÁÓ‚‡ÌË ÛÒÚÓÈÒÚ‚‡ ‚ Ú‡ÍÓÏ ÒÓÒÚÓflÌËË ÏÓÊÂÚ ÔË‚ÂÒÚË Í
ÔÓÊ‡Û ËÎË ÔÓ‡ÊÂÌ˲ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ.
ÇçàåÄçàÖ
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óÚÓ·˚ ÛÒÚ‡ÌÓ‚ËÚ¸ ÌÂÒÍÓθÍÓ Ú‡ÍËı ÛÒÚÓÈÒÚ‚ ‚ Òڇ̉‡ÚÌÛ˛
ìÒÚ‡Ìӂ͇
ÒÚÓÈÍÛ EIA, ÒÏ. ËÌÒÚÛ͈ËË ÔÓ ÛÒÚ‡ÌÓ‚Í ̇ ÒÚ. 11.
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óÚÓ·˚ ÔÂÂÏÂÒÚËÚ¸ ÛÒÚÓÈÒÚ‚Ó, ‚˚Íβ˜ËÚ ÔËÚ‡ÌËÂ Ò ÔÓÏÓ˘¸˛
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ç ËÒÔÓθÁÛÈÚÂ Ë Ì ı‡ÌËÚ ‰‡ÌÌÓ ÛÒÚÓÈÒÚ‚Ó ‚ ÒÎÂ‰Û˛˘Ëı ÏÂÒÚ‡ı:
‚˚Íβ˜‡ÚÂÎfl, ÓÚÒÓ‰ËÌËÚ ¯ÌÛ ÔËÚ‡ÌËfl ÓÚ ÓÁÂÚÍË, Á‡ÚÂÏ
-Ç ÏÂÒÚ‡ı, ÍÛ‰‡ ÔÓÔ‡‰‡˛Ú ·˚Á„Ë Ï‡Ò· ËÎË Ô‡, ̇ÔËÏÂ
ÓÚÒÓ‰ËÌËÚ ‚Ò ÒÓ‰ËÌËÚÂθÌ˚ ͇·ÂÎË. èÓ‚ÂʉÂÌË ͇·ÂÎÂÈ
‚ÓÁΠÍÛıÓÌÌ˚ı ÔÎËÚ, ۂ·ÊÌËÚÂÎÂÈ Ë Ú.‰.
ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÊ‡Û ËÎË ÔÓ‡ÊÂÌ˲ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ.
- ç‡ ÌÂÛÒÚÓȘ˂˚ı ÔÓ‚ÂıÌÓÒÚflı, ̇ÔËÏ ̇ ¯‡ÚÍËı ÒÚÓ·ı
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èË ÛÒÚ‡ÌÓ‚Í ËÌÒÚÛÏÂÌÚ‡ ۷‰ËÚÂÒ¸ ‚ ̇΢ËË Î„ÍÓ„Ó ‰ÓÒÚÛÔ‡ Í
ËÎË Ì‡ÍÎÓÌÌ˚ı ÔÓ‚ÂıÌÓÒÚflı.
‡·Ó˜ÂÈ ÓÁÂÚÍ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇. èË ‚ÓÁÌËÍÌÓ‚ÂÌËË Í‡ÍÓ„Ó-ÎË·Ó
-Ç ÏÂÒÚ‡ı ÒÓ ÒÎ˯ÍÓÏ ‚˚ÒÓÍÓÈ ÚÂÏÔ‡ÚÛÓÈ, ̇ÔËÏ ‚ÌÛÚË
Ò·Ófl ËÎË ÌÂËÒÔ‡‚ÌÓÒÚË ÌÂωÎÂÌÌÓ ÓÚÍβ˜ËÚ ÔËÚ‡ÌËÂ
‡‚ÚÓÏÓ·ËÎfl Ò Á‡Í˚Ú˚ÏË ÓÍ̇ÏË, ËÎË ‚ ÏÂÒÚ‡ı, ÍÛ‰‡ ÔÓÔ‡‰‡˛Ú
ËÌÒÚÛÏÂÌÚ‡ Ë ÓÚÒÓ‰ËÌËÚ ¯ÌÛ ÔËÚ‡ÌËfl ÓÚ ˝ÎÂÍÚÓÒÂÚË. чÊÂ
ÔflÏ˚ ÒÓÎ̘Ì˚ ÎÛ˜Ë.
ÂÒÎË ÔËÚ‡ÌË ÛÒÚÓÈÒÚ‚‡ ÓÚÍβ˜ÂÌÓ Ò ÔÓÏÓ˘¸˛ ‚˚Íβ˜‡ÚÂÎfl
-Ç ÏÂÒÚ‡ı ÒÓ ÒÎ˯ÍÓÏ ‚˚ÒÓÍÓÈ ÒÚÂÔÂ̸˛ ‚·ÊÌÓÒÚË ËÎË ‚˚ÒÓÍËÏ
˝ÎÂÍÚÓÔËÚ‡ÌËfl, ËÌÒÚÛÏÂÌÚ ÔÓ‰ÓÎʇÂÚ ‚ ÏËÌËχθÌÓÏ
ÒÓ‰ÂʇÌËÂÏ Ô˚ÎË.
ÍÓ΢ÂÒÚ‚Â ÔÓÚ·ÎflÚ¸ ˝ÎÂÍÚÓ˝Ì„˲. ÖÒÎË ÛÒÚÓÈÒÚ‚Ó ÌÂ
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ÑÂÊËÚ ¯ÌÛ ÔËÚ‡ÌËfl ̇ ‡ÒÒÚÓflÌËË ÓÚ Ó·Ó„Â‚‡ÚÂÎÂÈ. Ç
ËÒÔÓθÁÛÂÚÒfl ‚ Ú˜ÂÌË ‰ÎËÚÂθÌÓ„Ó ‚ÂÏÂÌË, ÓÚÍβ˜ËÚ ¯ÌÛ
ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ÏÓÊÂÚ ‡ÒÔ·‚ËÚ¸Òfl Ó·ÓÎӘ͇ Ë ÔÓËÁÓÈÚË
ÔËÚ‡ÌËfl ÓÚ ˝ÎÂÍÚÓÒÂÚË.
ÔÓʇ ËÎË ÔÓ‡ÊÂÌË ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ.
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ç ÔÓÏ¢‡ÈÚ ÛÒÚÓÈÒÚ‚Ó ‚ Ú‡ÍÓ ÏÂÒÚÓ, „‰Â ‚ÓÁÏÓÊÂÌ Â„Ó ÍÓÌÚ‡ÍÚ
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éÚÒÓ‰ËÌflÈÚ ¯ÌÛ ÔËÚ‡ÌËfl ÓÚ ÓÁÂÚÍË, ‰Âʇ Á‡ ‚ËÎÍÛ. çËÍÓ„‰‡
Ò ‡„ÂÒÒË‚Ì˚ÏË „‡Á‡ÏË ËÎË ÒÓÎÂÌ˚Ï ‚ÓÁ‰ÛıÓÏ. ùÚÓ ÏÓÊÂÚ ÒÚ‡Ú¸
Ì ÚflÌËÚ Á‡ ¯ÌÛ. èÓ‚ÂʉÂÌË ¯ÌÛ‡ ÔËÚ‡ÌËfl ÏÓÊÂÚ ÔË‚ÂÒÚË
Ô˘ËÌÓÈ ÌÂËÒÔ‡‚ÌÓÒÚË.
Í ÔÓÊ‡Û ËÎË ÔÓ‡ÊÂÌ˲ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ.
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ç ͇҇ÈÚÂÒ¸ ‚ËÎÍË ÏÓÍ˚ÏË Û͇ÏË. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í
ùÍÒÔÎÛ‡Ú‡ˆËfl
ÔÓ‡ÊÂÌ˲ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ.
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ÇÓ ËÁ·ÂʇÌË ÒÎ˯ÍÓÏ ‚˚ÒÓÍËı ‚ÌÛÚÂÌÌËı ÚÂÏÔ‡ÚÛ ÒÔÂÂ‰Ë Ë
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èÓ‰ÒÓ‰ËÌflÈÚ ‰Ë̇ÏËÍË Í ‚˚ıÓ‰‡Ï ÛÒËÎËÚÂÎfl ÚÓθÍÓ Ò ÔÓÏÓ˘¸˛
ÒÁ‡‰Ë ‰‡ÌÌÓ„Ó ÛÒÚÓÈÒÚ‚‡ ËϲÚÒfl ‚ÂÌÚËÎflˆËÓÌÌ˚ ÓÚ‚ÂÒÚËfl. çÂ
͇·ÂÎÂÈ ‰Ë̇ÏËÍÓ‚. àÒÔÓθÁÓ‚‡ÌË ͇·ÂÎÂÈ ‰Û„Ëı ÚËÔÓ‚ ÏÓÊÂÚ
·ÎÓÍËÛÈÚ ˝ÚË ÓÚ‚ÂÒÚËfl. ÅÎÓÍËÓ‚‡ÌË ‚ÂÌÚËÎflˆËÓÌÌ˚ı ÓÚ‚ÂÒÚËÈ
ÔË‚ÂÒÚË Í ÔÓʇÛ.
ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓʇÛ.
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Ç˚Íβ˜ËÚ ‚Ò ÏÛÁ˚͇θÌ˚ ËÌÒÚÛÏÂÌÚ˚, Á‚ÛÍÓ‚Ó ӷÓÛ‰Ó‚‡ÌËÂ
Ç ˜‡ÒÚÌÓÒÚË, Á‡Ô¢‡ÂÚÒfl ‰Â·ڸ ÒÎÂ‰Û˛˘ÂÂ:
Ë ‰Ë̇ÏËÍË ÔË Ëı ÔÓ‰Íβ˜ÂÌËË Í ÛÒÚÓÈÒÚ‚Û. èË ÔÓ‰Íβ˜ÂÌËË
- ÔÓÏ¢‡Ú¸ ÛÒÚÓÈÒÚ‚Ó Ì‡ ·ÓÍÓ‚Û˛ ÒÚÓÓÌÛ ËÎË ‚‚Âı ‰ÌÓÏ,
ËÒÔÓθÁÛÈÚ ԇ‚ËθÌ˚ ÒÓ‰ËÌËÚÂθÌ˚ ͇·ÂÎË Ë Òӷ≇ÈÚÂ
- ÔÓÏ¢‡Ú¸ ÛÒÚÓÈÒÚ‚Ó ‚ ÔÎÓıÓ ÔÓ‚ÂÚË‚‡ÂÏÓ ÏÂÒÚÓ, ̇ÔËÏÂ
ËÌÒÚÛ͈ËË.
ÍÌËÊÌ˚È ËÎË Ó·˚˜Ì˚È ¯Í‡Ù (ÍÓÏ ÒÎÛ˜‡Â‚, ÍÓ„‰‡ ÛÒÚÓÈÒÚ‚Ó
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ÇÒ„‰‡ ÛÒڇ̇‚ÎË‚‡ÈÚ ÏËÌËχθÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË Ô‰
ÛÒÚ‡ÌÓ‚ÎÂÌÓ ‚ ÒÚÓÈÍÂ),
‚Íβ˜ÂÌËÂÏ ÔËÚ‡ÌËfl ÛÒÚÓÈÒÚ‚‡. Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ÂÁÍËÈ Á‚ÛÍ
- ̇Í˚‚‡Ú¸ ÛÒÚÓÈÒÚ‚Ó Ò͇ÚÂÚ¸˛ ËÎË ÔÓÏ¢‡Ú¸ Â„Ó Ì‡ ÍÓ‚Â
ËÁ ‰Ë̇ÏËÍÓ‚ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲ Ó„‡ÌÓ‚ ÒÎÛı‡.
ËÎË ÍÓ‚‡Ú¸.
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ç ËÒÔÓθÁÛÈÚ ˝ÚÓÚ ÛÒËÎËÚÂθ ÌË ‚ ͇ÍËı ‰Û„Ëı ˆÂÎflı, ÍÓÏÂ
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é·ÂÒÔ˜¸Ú ‰ÓÒÚ‡ÚÓ˜ÌÓ Ò‚Ó·Ó‰ÌÓ„Ó ÔÓÒÚ‡ÌÒÚ‚‡ ‚ÓÍÛ„ ÛÒÚÓÈÒÚ‚‡
ÛÒËÎÂÌËfl Á‚Û͇ ‰Îfl ‰Ë̇ÏËÍÓ‚.
‰Îfl ÌÓχθÌÓÈ ‚ÂÌÚËÎflˆËË. çÂÓ·ıÓ‰ËÏÓ Òӷβ‰‡Ú¸ ÒÎÂ‰Û˛˘ËÂ
‡ÒÒÚÓflÌËfl: 5 ÒÏ ÓÚ ·ÓÍÓ‚˚ı ÒÚÓÓÌ, 10 ÒÏ ÓÚ Á‡‰ÌÂÈ ˜‡ÒÚË Ë 10 ÒÏ ÓÚ
●
ÖÒÎË Ì Ô·ÌËÛÂÚÒfl ËÒÔÓθÁÓ‚‡Ú¸ ‰‡ÌÌÓ ÛÒÚÓÈÒÚ‚Ó ‚ Ú˜ÂÌËÂ
‚ÂıÌÂÈ ˜‡ÒÚË.
‰ÎËÚÂθÌÓ„Ó ÒÓ͇, ̇ÔËÏ ÍÓ„‰‡ ‚˚ ·Û‰ÂÚ ‚ ÓÚÔÛÒÍÂ, ‚˚Ú‡˘ËÚÂ
ÖÒÎË ÔÓÚÓ͇ ‚ÓÁ‰Ûı‡ ̉ÓÒÚ‡ÚÓ˜ÌÓ, ÛÒÚÓÈÒÚ‚Ó Ì‡„ÂÂÚÒfl Ë ÏÓÊÂÚ
‚ËÎÍÛ ¯ÌÛ‡ ÔËÚ‡ÌËfl ËÁ ÓÁÂÚÍË. ÖÒÎË ÓÒÚ‡‚ËÚ¸  ‚ ÓÁÂÚÍÂ, ÏÓÊÂÚ
ÔÓËÁÓÈÚË ÔÓʇ.
‚ÓÁÌËÍÌÛÚ¸ ÔÓʇ.
3
— Ç ˆÂÎflı Ô‡‚ËθÌÓÈ ˝ÍÒÔÎÛ‡Ú‡ˆËË —
ê‡ÒÔ‰ÂÎÂÌË ÍÓÌÚ‡ÍÚÓ‚ ‚ ‡Á˙ÂÏÂ
èÓÏÂıË ÓÚ ÒÓÚÓ‚˚ı ÚÂÎÂÙÓÌÓ‚
●
ê‡Á˙ÂÏ˚ ÚËÔ‡ XLR ËÏÂ˛Ú ÒÎÂ‰Û˛˘Û˛ ÒıÂÏÛ ÒÓ‰ËÌÂÌËfl:
●
èË ËÒÔÓθÁÓ‚‡ÌËË ÏÓ·ËθÌÓ„Ó ÚÂÎÂÙÓ̇ ‚·ÎËÁË ‰‡ÌÌÓ„Ó
äÓÌÚ‡ÍÚ 1: Á‡ÁÂÏÎÂÌËÂ; ÍÓÌÚ‡ÍÚ 2: ÔÎ˛Ò (+); ÍÓÌÚ‡ÍÚ 3: ÏËÌÛÒ (–).
ÛÒÚÓÈÒÚ‚‡ ÏÓ„ÛÚ ‚ÓÁÌË͇ڸ ÔÓÏÂıË. èË ‚ÓÁÌËÍÌÓ‚ÂÌËË ÔÓÏÂı
ÓÚÓȉËÚÂ Ò ÚÂÎÂÙÓÌÓÏ ÓÚ ÛÒÚÓÈÒÚ‚‡.
ÇÒ„‰‡ ‚˚Íβ˜‡ÈÚ ÔËÚ‡ÌËÂ, ÍÓ„‰‡ ÛÒËÎËÚÂθ Ì ËÒÔÓθÁÛÂÚÒfl.
êËÒÛÌÍË ÔË‚Ó‰flÚÒfl ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ‚ ˆÂÎflı ‡Á˙flÒÌÂÌËfl ËÌÒÚÛ͈ËÈ, Ë ÓÌË ÏÓ„ÛÚ Ì ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ ‚‡¯ÂÏÛ ÛÒÚÓÈÒÚ‚Û.
ç‡Á‚‡ÌËfl ÍÓÏÔ‡ÌËÈ Ë Ì‡ËÏÂÌÓ‚‡ÌËfl ÔÓ‰ÛÍÚÓ‚ ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl fl‚Îfl˛ÚÒfl ÚÓ„Ó‚˚ÏË Á͇̇ÏË ËÎË Á‡Â„ËÒÚËÓ‚‡ÌÌ˚ÏË ÚÓ„Ó‚˚ÏË Á͇̇ÏË
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ‚·‰ÂθˆÂ‚.
àçîéêåÄñภéí îäë (ëòÄ)
1. ÇÄÜçéÖ èêàåÖóÄçàÖ: çÖ àáåÖç¸âíÖ ÑÄççéÖ ìëíêéâëíÇé!
чÌÌÓ ÛÒÚÓÈÒÚ‚Ó ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Ú·ӂ‡ÌËflÏ îäë, ÂÒÎË ÓÌÓ ÛÒÚ‡ÌÓ‚ÎÂÌÓ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ËÌÒÚÛ͈ËflÏË, ËÁÎÓÊÂÌÌ˚ÏË ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â.
àÁÏÂÌÂÌËfl, Ì ӉӷÂÌÌ˚ ‚ fl‚ÌÓÈ ÙÓÏ ÍÓÏÔ‡ÌËÂÈ Yamaha, ÏÓ„ÛÚ ÔË‚ÂÒÚË Í ÓÚÏÂÌ ԇ‚‡, Ô‰ÓÒÚ‡‚ÎÂÌÌÓ„Ó îäë, ̇ ËÒÔÓθÁÓ‚‡ÌË ‰‡ÌÌÓ„Ó
ÛÒÚÓÈÒÚ‚‡.
2. ÇÄÜçé: ÔË ÔÓ‰ÒÓ‰ËÌÂÌËË ‰‡ÌÌÓ„Ó ÛÒÚÓÈÒÚ‚‡ Í ÔË̇‰ÎÂÊÌÓÒÚflÏ Ë/ËÎË ‰Û„ÓÏÛ ÛÒÚÓÈÒÚ‚Û ËÒÔÓθÁÛÈÚ ÚÓθÍÓ ‚˚ÒÓÍÓ͇˜ÂÒÚ‚ÂÌÌ˚Â
˝Í‡ÌËÓ‚‡ÌÌ˚ ͇·ÂÎË. ÑéãÜçõ ËÒÔÓθÁÓ‚‡Ú¸Òfl ͇·ÂÎË, ÔË·„‡ÂÏ˚Â Í ‰‡ÌÌÓÏÛ ÛÒÚÓÈÒÚ‚Û. ëΉÛÈÚ ‚ÒÂÏ ËÌÒÚÛ͈ËflÏ ÔÓ ÛÒÚ‡ÌÓ‚ÍÂ.
çÂÒӷβ‰ÂÌË ËÌÒÚÛ͈ËÈ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÓÚÏÂÌ ԇ‚‡, Ô‰ÓÒÚ‡‚ÎÂÌÌÓ„Ó îäë, ̇ ËÒÔÓθÁÓ‚‡ÌË ˝ÚÓ„Ó ÛÒÚÓÈÒÚ‚‡ ‚ ëòÄ.
* ùÚÓ ÓÚÌÓÒËÚÒfl ÚÓθÍÓ Í ÛÒÚÓÈÒÚ‚‡Ï (P7000S, P5000S), ‡ÒÔÓÒÚ‡ÌflÂÏ˚Ï ÍÓÏÔ‡ÌËÂÈ YAMAHA CORPORATION OF AMERICA.
4
ǂ‰ÂÌËÂ
Å·„Ó‰‡ËÏ Á‡ ÔËÓ·ÂÚÂÌË ÛÒËÎËÚÂÎfl ÏÓ˘ÌÓÒÚË YAMAHA P7000S, P5000S, P3500S ËÎË P2500S. ùÚË
ÛÒËÎËÚÂÎË ÒÂËË P ÒÓ‚Ï¢‡˛Ú ‚ ÍÓÏÔ‡ÍÚÌÓÏ ÍÓÔÛÒ ‡ÁÏÂÓÏ 2U ËÁ‚ÂÒÚÌ˚ ÚÂıÌÓÎӄ˘ÂÒÍËÂ
‰ÓÒÚËÊÂÌËfl ÍÓÏÔ‡ÌËË Yamaha Ò ‚˚ÒÓÍÓÈ Ì‡‰ÂÊÌÓÒÚ¸˛, Ô‚ÓÒıÓ‰ÌÓÈ ÒÚ‡·ËθÌÓÒÚ¸˛ Ë ÓÚ΢Ì˚ÏË
‡ÍÛÒÚ˘ÂÒÍËÏË ı‡‡ÍÚÂËÒÚË͇ÏË.
îÛÌ͈ËË
• Å·„Ó‰‡fl ‚ıÓ‰Ì˚Ï „ÌÂÁ‰‡Ï ‰‚Ûı ÚËÔÓ‚ (·‡Î‡ÌÒÌ˚ „ÌÂÁ‰‡ ÚËÔ‡ XLR Ë ·‡Î‡ÌÒÌ˚ „ÌÂÁ‰‡ ‰Îfl ̇ۯÌËÍÓ‚)
Ë ‚˚ıÓ‰Ì˚Ï „ÌÂÁ‰‡Ï ÚÂı ÚËÔÓ‚ („ÌÂÁ‰‡ Speakon, „ÌÂÁ‰‡ Ò Á‡ÊËÏÓÏ Ë „ÌÂÁ‰‡ ‰Îfl ̇ۯÌËÍÓ‚), ÛÒËÎËÚÂÎË
ÒÂËË P ÔÓ‰ıÓ‰flÚ ‰Îfl Ò‡Ï˚ı ‡ÁÌ˚ı ӷ·ÒÚÂÈ ÔËÏÂÌÂÌËfl Ë ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ı ÒËÒÚÂÏ.
•Ç ÛÒÚÓÈÒÚ‚Â Ô‰ÛÒÏÓÚÂÌÓ ÚË ‡·Ó˜Ëı ÂÊËχ: STEREO (ÍÓ„‰‡ ͇̇Î˚ A Ë B ‡·ÓÚ‡˛Ú ÌÂÁ‡‚ËÒËÏÓ),
PARALLEL (ÍÓ„‰‡ ÛÒÚÓÈÒÚ‚Ó ‚˚‚Ó‰ËÚ ÏÓÌÓÁ‚ÛÍ ˜ÂÂÁ Ò‰‚ÓÂÌÌ˚ ÛÒËÎËÚÂÎË) Ë BRIDGE (ÍÓ„‰‡
ÛÒÚÓÈÒÚ‚Ó ‡·ÓÚ‡ÂÚ Í‡Í Ó‰ËÌ ÏÓ˘Ì˚È ÛÒËÎËÚÂθ).
• ä‡Ê‰˚È Í‡Ì‡Î ÓÒ̇˘ÂÌ ÌÂÁ‡‚ËÒËÏ˚Ï ÔÂÂÍβ˜‡ÚÂÎÂÏ OFF/LOW CUT/SUBWOOFER, ‚ ÍÓÚÓÓÏ
ÔÓÎÓÊÂÌË LOW CUT Óڂ˜‡ÂÚ Á‡ ‚Íβ˜ÂÌË ÙËθڇ ‚˚ÒÓÍËı ˜‡ÒÚÓÚ, ‡ ÔÓÎÓÊÂÌË SUBWOOFER —
ÙËθڇ ÌËÁÍËı ˜‡ÒÚÓÚ. ÖÒÎË ‚˚·‡ÌÓ ÔÓÎÓÊÂÌË LOW CUT ËÎË SUBWOOFER, ÏÓÊÌÓ Ì‡Òڇ˂‡Ú¸
˜‡ÒÚÓÚÛ ÓÚÒ˜ÍË ‚ ‰Ë‡Ô‡ÁÓÌ ÓÚ 25 ‰Ó 150 Ɉ.
• ç‡ Í‡Ê‰ÓÏ Í‡Ì‡Î ËϲÚÒfl ÒÓ·ÒÚ‚ÂÌÌ˚ Ë̉Ë͇ÚÓ˚ SIGNAL Ë CLIP.
• à̉Ë͇ÚÓ PROTECTION Á‡„Ó‡ÂÚÒfl (Ë ‚˚‚Ó‰ËÏ˚È Á‚ÛÍ ‡‚ÚÓχÚ˘ÂÒÍË ‚˚Íβ˜‡ÂÚÒfl), ÍÓ„‰‡
Ò‡·‡Ú˚‚‡ÂÚ Á‡˘ËÚ̇fl ÒıÂχ ÛÒÚÓÈÒÚ‚‡. à̉Ë͇ÚÓ TEMP Á‡„Ó‡ÂÚÒfl, ÍÓ„‰‡ ÛÒÚÓÈÒÚ‚Ó ÒËθÌÓ
̇„‚‡ÂÚÒfl.
• ÇÂÌÚËÎflÚÓ˚ Ò ÔÂÂÏÂÌÌÓÈ ÒÍÓÓÒÚ¸˛ ‚‡˘ÂÌËfl Ë ÌËÁÍËÏ ÛÓ‚ÌÂÏ ¯Ûχ Ó·ÂÒÔ˜˂‡˛Ú ‚˚ÒÓÍÛ˛
̇‰ÂÊÌÓÒÚ¸.
чÌÌÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl ÓÚÌÓÒËÚÒfl Í ˜ÂÚ˚ÂÏ ÏÓ‰ÂÎflÏ ÛÒËÎËÚÂÎfl ÏÓ˘ÌÓÒÚË: P7000S, P5000S,
P3500S Ë P2500S. è‰ ̇˜‡ÎÓÏ ËÒÔÓθÁÓ‚‡ÌËfl ÛÒËÎËÚÂÎfl ‚ÌËχÚÂθÌÓ ÔÓ˜ËÚ‡ÈÚ ‰‡ÌÌÓ ÛÍÓ‚Ó‰ÒÚ‚Ó.
ùÚÓ ÔÓÁ‚ÓÎËÚ ÔÓÎÌÓÒÚ¸˛ ËÒÔÓθÁÓ‚‡Ú¸ Â„Ó ‚ÓÁÏÓÊÌÓÒÚË Ë Ì‡Ò·ʉ‡Ú¸Òfl ·ÂÁÓÚ͇ÁÌÓÈ ‡·ÓÚÓÈ ‚ Ú˜ÂÌËÂ
ÏÌÓ„Ëı ÎÂÚ. èÓÒΠÔÓ˜ÚÂÌËfl ÛÍÓ‚Ó‰ÒÚ‚‡ ÔÓÏÂÒÚËÚÂ Â„Ó Ì‡ ı‡ÌÂÌË ‚ ·ÂÁÓÔ‡ÒÌÓ ÏÂÒÚÓ.
ëÓ‰ÂʇÌËÂ
ê„ÛÎflÚÓ˚ Ë ÙÛÌ͈ËË ......................................................6
è‰Ìflfl Ô‡ÌÂθ .................................................................6
ᇉÌflfl Ô‡ÌÂθ ......................................................................7
èÓ‰Íβ˜ÂÌË ‡ÍÛÒÚ˘ÂÒÍËı ÒËÒÚÂÏ ................................9
ëÓÔÓÚË‚ÎÂÌË ‰Ë̇ÏËÍÓ‚ .................................................9
ùÎÂÍÚÓÔӂӉ͇ ...............................................................10
ìÒÚ‡Ìӂ͇ ‚ ÒÚÓÈÍÛ .........................................................11
íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË .........................................12
鷢ˠı‡‡ÍÚÂËÒÚËÍË .....................................................12
ÅÎÓÍ-ÒıÂχ .........................................................................13
ê‡ÁÏÂ˚ ..............................................................................14
èÓÚ·ÎÂÌË ÚÓ͇...............................................................14
èÓËÒÍ Ë ÛÒÚ‡ÌÂÌË ÌÂËÒÔ‡‚ÌÓÒÚÂÈ ............................15
5
ê„ÛÎflÚÓ˚ Ë ÙÛÌ͈ËË
■
è‰Ìflfl Ô‡ÌÂθ
2 4
7361 58 8
1
èÂÂÍβ˜‡ÚÂθ Ë Ë̉Ë͇ÚÓ POWER
ì
ÒÚ‡Ìӂ͇ Á‡˘ËÚÌÓÈ Í˚¯ÍË
ç‡ÊÏËÚÂ, ˜ÚÓ·˚ ‚Íβ˜ËÚ¸ ËÎË ‚˚Íβ˜ËÚ¸ ÔËÚ‡ÌËÂ. à̉Ë͇ÚÓ
(1) ë ÔÓÏÓ˘¸˛ ÔË·„‡ÂÏÓ„Ó ¯ÂÒÚË„‡ÌÌÓ„Ó „‡Â˜ÌÓ„Ó Íβ˜‡
POWER Á‡„Ó‡ÂÚÒfl ÁÂÎÂÌ˚Ï ÔË ‚Íβ˜ÂÌËË ÔËÚ‡ÌËfl.
ËÁ‚ÎÂÍËÚ ˜ÂÚ˚ ÍÂÔÂÊÌ˚ı ‚ËÌÚ‡ ËÁ ÛÒËÎËÚÂÎfl.
(2) ê‡ÒÔÓÎÓÊËÚ Á‡˘ËÚÌÛ˛ Í˚¯ÍÛ Ú‡Í, ˜ÚÓ·˚ ÒÓ‚Ô‡ÎË ÓÚ‚ÂÒÚËfl
2
à̉Ë͇ÚÓ TEMP
‰Îfl ‚ËÌÚÓ‚. á‡ÍÂÔËÚ ÂÂ Ò ÔÓÏÓ˘¸˛ ÚÂı Ê ‚ËÌÚÓ‚.
ᇄӇÂÚÒfl ͇ÒÌ˚Ï, ÍÓ„‰‡ ÚÂÔÎÓÓÚ‚Ó‰ ̇„‚‡ÂÚÒfl ‰Ó
ÚÂÏÔ‡ÚÛ˚ ‚˚¯Â 85°C (185°F).
3
à̉Ë͇ÚÓ PROTECTION
ᇄӇÂÚÒfl ͇ÒÌ˚Ï, ÍÓ„‰‡ Ò‡·‡Ú˚‚‡ÂÚ ÒËÒÚÂχ Á‡˘ËÚ˚. Ç
˜‡ÒÚÌÓÒÚË, Á‡„Ó‡ÂÚÒfl ÔË Ô„‚ ÚÂÔÎÓÓÚ‚Ó‰‡ ËÎË
ӷ̇ÛÊÂÌËË ÔÓÒÚÓflÌÌÓ„Ó ÚÓ͇ ̇ ‚˚ıÓ‰‡ı ÛÒËÎËÚÂÎfl. ùÚÓÚ
Ë̉Ë͇ÚÓ Ú‡ÍÊ Á‡„Ó‡ÂÚÒfl ÔËÏÂÌÓ Ì‡ ÚË ÒÂÍÛ̉˚ ÔË
‚Íβ˜ÂÌËË ÔËÚ‡ÌËfl, ÍÓ„‰‡ ÛÒËÎËÚÂθ „ÓÚÓ‚ËÚÒfl Í ‡·ÓÚÂ. Ç
ˆÂÎflı Á‡˘ËÚ˚ ÛÒÚÓÈÒÚ‚Ó Ì ‚˚‚Ó‰ËÚ Á‚ÛÍ ˜ÂÂÁ ‰Ë̇ÏËÍË,
ÍÓ„‰‡ „ÓËÚ ˝ÚÓÚ Ë̉Ë͇ÚÓ. èÓÒΠÔÓ‰„ÓÚÓ‚ÍË ÛÒÚÓÈÒÚ‚‡ Í
‡·ÓÚ ËÎË ÛÒÚ‡ÌÂÌËfl ÔÓ·ÎÂÏ˚ Ë̉Ë͇ÚÓ ÔÓÚÛı‡ÂÚ, Ë
ÛÒÚÓÈÒÚ‚Ó ÔÓ‰ÓÎʇÂÚ ‡·ÓÚ‡Ú¸ ‚ ÌÓχθÌÓÏ ÂÊËÏÂ.
7
à̉Ë͇ÚÓ
ÉÓËÚ ÊÂÎÚ˚Ï, ÍÓ„‰‡ ÔÂÂÍβ˜‡ÚÂθ YS PROCESSING ̇ Á‡‰ÌÂÈ
4
à̉Ë͇ÚÓ CLIP
Ô‡ÌÂÎË ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË ON. (ëÏ. ÒÚ. 7).
ᇄӇÂÚÒfl, ÍÓ„‰‡ ËÒ͇ÊÂÌË ‚˚ıÓ‰ÌÓ„Ó Ò˄̇· ̇
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏ Í‡Ì‡Î Ô‚˚¯‡ÂÚ 1%, ÓÁ̇˜‡fl, ˜ÚÓ ËÁ Á‡
8
ÇÓÁ‰ÛıÓÁ‡·ÓÌËÍË
ÒÎ˯ÍÓÏ ‚˚ÒÓÍÓ„Ó ÛÓ‚Ìfl Ò˄̇· ÔÓËÁӯ· «ÓÚÒ˜͇».
ìÒËÎËÚÂθ Ó·ÓÛ‰Ó‚‡Ì ÒËÒÚÂÏÓÈ ÔËÌÛ‰ËÚÂθÌÓ„Ó ‚ÓÁ‰Û¯ÌÓ„Ó
Óı·ʉÂÌËfl. éı·ʉ‡˛˘Ë ‚ÂÌÚËÎflÚÓ˚ Á‡·Ë‡˛Ú ‚ÓÁ‰Ûı
5
à̉Ë͇ÚÓ SIGNAL
ÒÔÂÂ‰Ë Ë ‚˚ÔÛÒ͇˛Ú Â„Ó ÒÁ‡‰Ë. ì·Â‰ËÚÂÒ¸, ˜ÚÓ ‚ÓÁ‰ÛıÓÁ‡·ÓÌËÍË
ᇄӇÂÚÒfl ÁÂÎÂÌ˚Ï, ÍÓ„‰‡ ÛÓ‚Â̸ ‚˚ıÓ‰ÌÓ„Ó Ò˄̇· ̇
Ë ‚˚ÚflÊÌ˚ ÓÚ‚ÂÒÚËfl Ì Á‡·ÎÓÍËÓ‚‡Ì˚.
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏ Í‡Ì‡Î Ô‚˚¯‡ÂÚ 2 Ò‰ÌÂÍ‚‡‰‡Ú˘ÂÒÍËı
èêàåÖóÄçàÖ:
‚Óθڇ (‡‚ÌÓ 1/2 ÇÚ ÔË Ì‡„ÛÁÍ 8 éÏ ËÎË 1 ÇÚ ÔË Ì‡„ÛÁÍÂ
ÇÂÌÚËÎflÚÓ˚ Ì ̇˜Ë̇˛Ú ‡·ÓÚ‡Ú¸ ÔË ‚Íβ˜ÂÌËË ÔËÚ‡ÌËfl
4 éÏ).
ÛÒÚÓÈÒÚ‚‡, ‡ ‡‚ÚÓχÚ˘ÂÒÍË Á‡ÔÛÒ͇˛ÚÒfl, ÍÓ„‰‡ ÚÂÏÔ‡ÚÛ‡
6
ê„ÛÎflÚÓ˚ „ÓÏÍÓÒÚË
ÚÂÔÎÓÓÚ‚Ó‰‡ Ô‚˚¯‡ÂÚ 50°C (122°F). ëÍÓÓÒÚ¸ ‚ÂÌÚËÎflÚÓÓ‚
ä‡Ê‰˚È Â„ÛÎflÚÓ ÔÓÁ‚ÓÎflÂÚ Ì‡Òڇ˂‡Ú¸ „ÓÏÍÓÒÚ¸ Á‚Û͇ ̇
·Û‰ÂÚ ‡‚ÚÓχÚ˘ÂÒÍË ËÁÏÂÌflÚ¸Òfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÚÂÏÔ‡ÚÛ˚.
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏ Í‡Ì‡Î ‚ ԉ·ı 31 ¯‡„‡ — ÓÚ ‰Å ‰Ó 0 ‰Å.
èêàåÖóÄçàÖ:
ÖÒÎË Ú·ÛÂÚÒfl Á‡ÙËÍÒËÓ‚‡Ú¸ „ÛÎflÚÓ, ÏÓÊÌÓ ÔËÍÂÔËÚ¸
ÔË·„‡ÂÏÛ˛ Á‡˘ËÚÌÛ˛ Í˚¯ÍÛ Í Â„ÛÎflÚÓ‡Ï, ˜ÚÓ·˚ ÌËÍÚÓ ÌÂ
ÒÏÓ„ ËÁÏÂÌËÚ¸ ̇ÒÚÓÈÍÛ.
6
■
ᇉÌflfl Ô‡ÌÂθ
1 5
2
LOW CUT
SUB
WOOFER
OFF
OFF
SUB
WOOFER
LOW CUT
L
O
C
K
L
O
C
K
SPEAKERS
2332
90
90
50
ON
OFF
50
125
125
25 150
Hz
STEREO BRIDGE
PARALLEL
25 150
Hz
+
1
+
1
+
+
FREQUENCY
FREQUENCY
-
1
-
1
-
-
2
+
+
2
-
-
++ --
11
INPUT
(+)(-)
BRIDGE
4 6
3
1
èÂÂÍβ˜‡ÚÂθ FILTER Ë Â„ÛÎflÚÓ FREQUENCY (ÔÓ
2
èÂÂÍβ˜‡ÚÂθ ON/OFF
Ó‰ÌÓÈ Ô‡Â ‰Îfl Í‡Ê‰Ó„Ó Í‡Ì‡Î‡)
ÖÒÎË ÛÒÚ‡ÌÓ‚ËÚ¸ ˝ÚÓÚ ÔÂÂÍβ˜‡ÚÂθ ‚ ÔÓÎÓÊÂÌË ON,
ë ÔÓÏÓ˘¸˛ ˝ÚËı ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl ÏÓÊÌÓ ‚˚·‡Ú¸ ÚËÔ
ÛÒËÎËÚÂθ ‚˚ÔÓÎÌflÂÚ ÌËÁÍÓ˜‡ÒÚÓÚÌÛ˛ ÍÓÂÍˆË˛ ‰Îfl ÛÎÛ˜¯ÂÌËfl
ÙËθڇ Ë Ì‡ÒÚÓËÚ¸ ˜‡ÒÚÓÚÛ ÓÚÒ˜ÍË Ì‡ ͇ʉÓÏ Í‡Ì‡Î (A Ë B).
Á‚Û͇, ÍÓÚÓ˚È ‚˚‚Ó‰ËÚÒfl ˜ÂÂÁ ‰Ë̇ÏËÍË. êÂÁÛθڇÚ˚
èÂÂÍβ˜‡ÚÂθ FILTER ËÏÂÂÚ ÒÎÂ‰Û˛˘Ë ÔÓÎÓÊÂÌËfl.
(‡θÌÓ ËÁÏÂÌÂÌË ÌËÁÍÓ˜‡ÒÚÓÚÌÓ„Ó ·‡Î‡ÌÒ‡) ·Û‰ÛÚ ‡ÁÌ˚ÏË ‚
Á‡‚ËÒËÏÓÒÚË ÓÚ ÚËÔ‡ ‰Ë̇ÏËÍÓ‚. é·‡ÚËÚ ‚ÌËχÌË ̇ ÚÓ, ˜ÚÓ
SUB
˝ÚÓÚ ÔÂÂÍβ˜‡ÚÂθ ‡·ÓÚ‡ÂÚ, ÚÓθÍÓ ÂÒÎË ÔÂÂÍβ˜‡ÚÂθ
OFF
LOW CUT
WOOFER
FILTER ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË OFF.
èêàåÖóÄçàÖ:
ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÛÎÛ˜¯ËÚ¸ ˜‡ÒÚÓÚÌÛ˛ ı‡‡ÍÚÂËÒÚËÍÛ Ì‡
OFF..........................îËÎ¸Ú Ì ËÒÔÓθÁÛÂÚÒfl.
Ú‡ÍËı ‰Ë̇ÏË͇ı, Í‡Í YAMAHA S112 Ë S115.
SUBWOOFER..........àÒÔÓθÁÛÂÚÒfl ÙËÎ¸Ú ÌËÁÍËı ˜‡ÒÚÓÚ. óÂÂÁ
3
ÉÌÂÁ‰‡ INPUT (͇̇Î˚ A, B)
ÛÒËÎËÚÂθ ‚˚‚Ó‰flÚÒfl ˜‡ÒÚÓÚ˚ ÌËÊ Á̇˜ÂÌËfl
ÓÚÒ˜ÍË, ÛÒÚ‡ÌÓ‚ÎÂÌÌÓ„Ó Ò ÔÓÏÓ˘¸˛ „ÛÎfl-
ÑÎfl Í‡Ê‰Ó„Ó Í‡Ì‡Î‡ Ô‰ÛÒÏÓÚÂÌ˚ „ÌÂÁ‰‡ ‰‚Ûı ÚËÔÓ‚.
ÚÓ‡ FREQUENCY.
é·‡ÚËÚ ‚ÌËχÌË ̇ ÚÓ, ˜ÚÓ ‚ ÂÊËÏ BRIDGE ËÎË PARALLEL
LOW CUT ................àÒÔÓθÁÛÂÚÒfl ÙËÎ¸Ú ‚˚ÒÓÍËı ˜‡ÒÚÓÚ. ùÚÛ
‡·ÓÚ‡˛Ú ÚÓθÍÓ „ÌÂÁ‰‡ ͇̇· A.
̇ÒÚÓÈÍÛ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ÛÒÚ‡-
•ÉÌÂÁ‰Ó XLR-3-31
ÌÂÌËfl ÌÂÊ·ÚÂθÌ˚ı ÌËÁÍËı ËÎË ËÌÙ‡Á‚Û-
ÇıÓ‰Ì˚ „ÌÂÁ‰‡ XLR-3-31 ËÏÂ˛Ú ÒÎÂ‰Û˛˘Û˛ ÒıÂÏÛ ÒÓ‰ËÌÂÌËfl.
ÍÓ‚˚ı ˜‡ÒÚÓÚ.
ÖÒÎË ÔÂÂÍβ˜‡ÚÂθ ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË SUBWOOFER ËÎË
LOW CUT, ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ „ÛÎflÚÓ FREQUENCY ‰Îfl
̇ÒÚÓÈÍË ˜‡ÒÚÓÚ˚ ÓÚÒ˜ÍË. ÑˇԇÁÓÌ Â„ÛÎËÓ‚ÍË ÒÓÒÚ‡‚ÎflÂÚ
ÓÚ 25 Ɉ ‰Ó 150 Ɉ.
ó‡ÒÚÓÚ‡ ÓÚÒ˜ÍË
•òÚÂÍÂÌÓ „ÌÂÁ‰Ó
ÉÌÂÁ‰‡ ‰Îfl ̇ۯÌËÍÓ‚ ËÏÂ˛Ú ÒÎÂ‰Û˛˘Û˛ ÒıÂÏÛ ÒÓ‰ËÌÂÌËfl.
éÚ 25 ‰Ó 150 Ɉ
25 Hz-150 Hz
èêàåÖóÄçàÖ:
ÖÒÎË ÛÒËÎËÚÂθ ‡·ÓÚ‡ÂÚ ‚ ÂÊËÏ BRIDGE, ‰ÓÒÚÛÔÌ˚ ÚÓθÍÓ
ÔÂÂÍβ˜‡ÚÂθ Ë Â„ÛÎflÚÓ ‰Îfl ͇̇· A. (ê„ÛÎflÚÓ˚ ˜‡ÒÚÓÚ˚
͇̇· B ÓÚÍβ˜ÂÌ˚).
7
ÔβÒ
Á‡ÁÂÏÎÂÌËÂ
2
1
3
ÏËÌÛÒ
ÍÓθˆÓ (ÏËÌÛÒ)
̇ÍÓ̘ÌËÍ (ÔβÒ)„ËθÁ‡
(Á‡ÁÂÏÎÂÌËÂ)
4
èÂÂÍβ˜‡ÚÂθ STEREO/PARALLEL/BRIDGE
ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó ÔÂÂÍβ˜‡ÚÂÎfl ÏÓÊÌÓ ‚˚·‡Ú¸ ‡·Ó˜ËÈ
ÂÊËÏ.
•êÂÊËÏ STEREO
ä‡Ì‡Î˚ A Ë B ‡·ÓÚ‡˛Ú ÌÂÁ‡‚ËÒËÏÓ (Í‡Í ‚ Ó·˚˜ÌÓÏ
ÒÚÂÂÓÛÒËÎËÚÂÎÂ). ÇıÓ‰ÌÓÈ Ò˄̇Π͇̇· Ä ÔÓÒ˚·ÂÚÒfl ̇
‚˚ıÓ‰Ì˚ „ÌÂÁ‰‡ ͇̇· Ä, ‡ ‚ıÓ‰ÌÓÈ Ò˄̇Π͇̇· Ç — ̇
‚˚ıÓ‰Ì˚ „ÌÂÁ‰‡ ͇̇· Ç.
•êÂÊËÏ PARALLEL
ÇıÓ‰ÌÓÈ Ò˄̇Π͇̇· Ä ‚˚‚Ó‰ËÚÒfl ˜ÂÂÁ ‚˚ıÓ‰Ì˚ „ÌÂÁ‰‡
͇̇ÎÓ‚ Ä Ë Ç. ÇıÓ‰Ì˚ „ÌÂÁ‰‡ ͇̇· B ÔË ˝ÚÓÏ Ì ‡·ÓÚ‡˛Ú.
ìÓ‚Â̸ „ÓÏÍÓÒÚË ‰Îfl ͇̇ÎÓ‚ Ä Ë Ç ÏÓÊÌÓ Ì‡Òڇ˂‡Ú¸
ÌÂÁ‡‚ËÒËÏÓ.
•êÂÊËÏ BRIDGE
ÇıÓ‰ÌÓÈ Ò˄̇Π͇̇· Ä ‚˚‚Ó‰ËÚÒfl ˜ÂÂÁ ‚˚ıÓ‰Ì˚ „ÌÂÁ‰‡
BRIDGE. ÉÓÏÍÓÒÚ¸ ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ ÚÓθÍÓ Ò ÔÓÏÓ˘¸˛
„ÛÎflÚÓ‡ „ÓÏÍÓÒÚË Í‡Ì‡Î‡ Ä.
5
ÉÌÂÁ‰‡ SPEAKER
Ç˚ıÓ‰Ì˚ ‡Á˙ÂÏ˚ Neutrik NL4FC Speakon,
‚˚ıÓ‰Ì˚ „ÌÂÁ‰‡ Ò Á‡ÊËÏÓÏ,
‚˚ıÓ‰Ì˚ „ÌÂÁ‰‡ ‰Îfl ̇ۯÌËÍÓ‚.
åËÌËχθÌ˚ Á̇˜ÂÌËfl ÒÓÔÓÚË‚ÎÂÌËfl ‰Îfl ‰Ë̇ÏËÍÓ‚ ÒÏ. ̇
ÒÚ. 9.
6
äÓÌÚ‡ÍÚ GND
ùÚÓ Á‡ÁÂÏÎfl˛˘ËÈ ‚ËÌÚÓ‚ÓÈ ‚˚‚Ó‰. èË ‚ÓÁÌËÍÌÓ‚ÂÌËË „Û· ËÎË
¯Ûχ ÔÓ‰ÒÓ‰ËÌËÚ ÛÒÚÓÈÒÚ‚Ó Í Á‡ÁÂÏÎÂÌ˲ Ò ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó
‚˚‚Ó‰‡ ËÎË Í ÍÓÔÛÒÛ ÏËͯ‡, Ô‰ÛÒËÎËÚÂÎfl ËÎË ‰Û„Ó„Ó
ÛÒÚÓÈÒÚ‚‡ ‚ ‡ÍÛÒÚ˘ÂÒÍÓÈ ÒËÒÚÂÏÂ.
8
èÓ‰Íβ˜ÂÌË ‡ÍÛÒÚ˘ÂÒÍËı ÒËÒÚÂÏ
■
ëÓÔÓÚË‚ÎÂÌË ‰Ë̇ÏËÍÓ‚
ÑË̇ÏËÍË ÏÓÊÌÓ ÔÓ‰ÒÓ‰ËÌËÚ¸ Í ÛÒËÎËÚÂβ ÒÔÓÒÓ·ÓÏ, ÔÓ͇Á‡ÌÌ˚Ï ÌËÊÂ. é·‡ÚËÚ ‚ÌËχÌË ̇ ÚÓ, ˜ÚÓ ÒÓÔÓÚË‚ÎÂÌË ‰Ë̇ÏËÍÓ‚ ËÁÏÂÌflÂÚÒfl ‚
Á‡‚ËÒËÏÓÒÚË ÓÚ ÒıÂÏ˚ ÔÓ‰Íβ˜ÂÌËfl Ë ÍÓ΢ÂÒÚ‚‡ ‰Ë̇ÏËÍÓ‚. ì·Â‰ËÚÂÒ¸, ˜ÚÓ ÒÓÔÓÚË‚ÎÂÌË ‰Ë̇ÏËÍÓ‚ Ì ÌËÊ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó
ÏËÌËχθÌÓ„Ó Á̇˜ÂÌËfl, Û͇Á‡ÌÌÓ„Ó ÌËÊÂ.
ëıÂÏ˚ ÔÓ‰Íβ˜ÂÌËfl ‰Îfl ÂÊËÏÓ‚ STEREO Ë
ëıÂÏ˚ ÔÓ‰Íβ˜ÂÌËfl ‰Îfl ÂÊËχ BRIDGE
PARALLEL
èË ËÒÔÓθÁÓ‚‡ÌËË ‚˚ıÓ‰Ì˚ı „ÌÂÁ‰ Ò Á‡ÊËÏÓÏ
èË ËÒÔÓθÁÓ‚‡ÌËË ‚˚ıÓ‰Ì˚ı „ÌÂÁ‰ Ò Á‡ÊËÏÓÏ
++ --
11
STEREO BRIDGE
PARALLEL
(+)(-)
BRIDGE
ËÎË
STEREO BRIDGE
PARALLEL
åËÌËχθÌÓÂ
åËÌËχθÌÓÂ
ÒÓÔÓÚË‚ÎÂÌËÂ
ÒÓÔÓÚË‚ÎÂÌËÂ
‰Ë̇ÏËÍÓ‚:
‰Ë̇ÏËÍÓ‚:
4 Ω
4 Ω
èË ËÒÔÓθÁÓ‚‡ÌËË ‡Á˙Âχ Speakon
èË ËÒÔÓθÁÓ‚‡ÌËË ‡Á˙Âχ Speakon
L
O
C
K
L
O
C
K
SPEAKERS
2332
+
1
+
1
+
+
-
1
-
1
-
-
2
+
+
2
-
-
åËÌËχθÌÓÂ
ÒÓÔÓÚË‚ÎÂÌËÂ
‰Ë̇ÏËÍÓ‚:
4 Ω
èË ËÒÔÓθÁÓ‚‡ÌËË „ÌÂÁ‰‡ ‰Îfl ̇ۯÌËÍÓ‚
L
O
C
K
L
O
C
K
SPEAKERS
2332
+
1
+
1
+
+
-
1
-
1
-
-
2
+
+
2
-
-
åËÌËχθÌÓÂ
ÒÓÔÓÚË‚ÎÂÌËÂ
‰Ë̇ÏËÍÓ‚:
4 Ω
9
++ --
11
STEREO BRIDGE
PARALLEL
(+)(-)
BRIDGE
åËÌËχθÌÓÂ
ÒÓÔÓÚË‚ÎÂÌËÂ
‰Ë̇ÏËÍÓ‚:
8 Ω
L
O
C
K
L
O
C
K
SPEAKERS
2332
+
1
+
1
+
+
-
1
-
1
-
-
2
+
+
2
-
-
åËÌËχθÌÓÂ
ÒÓÔÓÚË‚ÎÂÌËÂ
‰Ë̇ÏËÍÓ‚:
8 Ω
■
ùÎÂÍÚÓÔӂӉ͇
á‡ÊËÏ
ê‡Á˙ÂÏ Speakon
(1) Ç˚Íβ˜ËÚ ÔËÚ‡ÌËÂ Ò ÔÓÏÓ˘¸˛ ÔÂÂÍβ˜‡ÚÂÎfl POWER.
(1) Ç˚Íβ˜ËÚ ÔËÚ‡ÌËÂ Ò ÔÓÏÓ˘¸˛ ÔÂÂÍβ˜‡ÚÂÎfl POWER.
(2) àÁ‚ÎÂÍËÚ ÍÂÔÂÊÌ˚ ‚ËÌÚ˚ ËÁ Á‡˘ËÚÌÓÈ Í˚¯ÍË Ë
(2) ÇÒÚ‡‚¸Ú ¯ÚÂÍ Neutrik NL4FC ‚ ‡Á˙ÂÏ Speakon ̇ Á‡‰ÌÂÈ
ÒÌËÏËÚ ÂÂ Ò ÍÓÌÚ‡ÍÚÓ‚ ‰Ë̇ÏË͇.
Ô‡ÌÂÎË ÛÒËÎËÚÂÎfl Ë ÔÓ‚ÂÌËÚÂ Â„Ó ÔÓ ˜‡ÒÓ‚ÓÈ ÒÚÂÎÍÂ,
˜ÚÓ·˚ Á‡ÍÂÔËÚ¸.
òÚÂÍÂ Neutrik NL4FC
ÇËÌÚ
äÄçÄã
STEREO ËÎË PARALLEL
BRIDGE
1+ A+ 1+ +
(3) 쉇ÎËÚ ÓÚÂÁÓÍ ËÁÓÎflˆËË ‰ÎËÌÓÈ ÔËÏÂÌÓ 15 ÏÏ Ò ÍÓ̈‡
1– A– 1–
Í‡Ê‰Ó„Ó Í‡·ÂÎfl ‰Ë̇ÏË͇ Ë ÔÓ‰Â̸Ú ӄÓÎÂÌÌ˚È ÔÓ‚Ó‰
2+ B+ 2+ –
˜ÂÂÁ ÓÚ‚ÂÒÚËfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ÍÓÌÚ‡ÍÚ‡ı ‰Ë̇ÏË͇.
2– B– 2–
á‡ÚflÌËÚ ÍÓÌÚ‡ÍÚ˚, ˜ÚÓ·˚ Á‡ÍÂÔËÚ¸ ÔÓ‚Ó‰‡. èÓÎflÌÓÒÚ¸
òÚÂÍÂ Neutrik NL4FC
‰Ë̇ÏËÍÓ‚ ÒÏ. ̇ ÒÚ. 9.
äÄçÄã
1+ B+
*
1– B–
15mm
òÚÂÍÂÌÓ „ÌÂÁ‰Ó
(1) Ç˚Íβ˜ËÚ ÔËÚ‡ÌËÂ Ò ÔÓÏÓ˘¸˛ ÔÂÂÍβ˜‡ÚÂÎfl POWER.
䇷Âθ ‰Ë̇ÏË͇
(2) ÇÒÚ‡‚¸Ú ¯ÚÂÍ ‰Îfl ̇ۯÌËÍÓ‚ ‚ „ÌÂÁ‰Ó ̇ Á‡‰ÌÂÈ Ô‡ÌÂÎË
ÛÒËÎËÚÂÎfl.
* ê‡θÌ˚È ‡ÁÏÂ
èËϘ‡ÌË ‰Îfl ÔÓθÁÓ‚‡ÚÂÎÂÈ ‚ ëòÄ:
àÒÔÓθÁÛÈÚ ÔÓ‚Ó‰ Í·ÒÒ‡ 3. (P7000S, P5000S)
àÒÔÓθÁÛÈÚ ÔÓ‚Ó‰ Í·ÒÒ‡ 2. (P3500S, P2500S)
èÓÒΉËÚ Á‡ ÚÂÏ, ˜ÚÓ·˚ Ó„ÓÎÂÌÌ˚ ÍÓ̈˚ ÔÓ‚Ó‰‡
Ì ‚˚ÒÚÛÔ‡ÎË ËÁ ÍÓÌÚ‡ÍÚÓ‚ Ë Ì ͇҇ÎËÒ¸ ÍÓÔÛÒ‡. ç‡
ÒÎÂ‰Û˛˘ÂÏ ËÒÛÌÍ ÔÓ͇Á‡ÌÓ, Í‡Í ‰ÓÎÊÂÌ ‚˚„Îfl‰ÂÚ¸
Ô‡‚ËθÌÓ ÔÓ‰ÒÓ‰ËÌÂÌÌ˚È Í‡·Âθ.
é„ÓÎÂÌÌ˚È ÔÓ‚Ó‰
äÓÔÛÒ
(4) ìÒÚ‡ÌÓ‚ËÚ Á‡˘ËÚÌÛ˛ Í˚¯ÍÛ Ó·‡ÚÌÓ Ì‡ ÍÓÌÚ‡ÍÚ˚
‰Ë̇ÏËÍÓ‚.
10
A
B
ìÒÚ‡Ìӂ͇ ‚ ÒÚÓÈÍÛ
ìÒÚ‡Ìӂ͇ ‚ Òڇ̉‡ÚÌÛ˛ ÒÚÓÈÍÛ EIA
èË ÛÒÚ‡ÌÓ‚Í ‚ ÒÚÓÈÍÛ ÌÂÒÍÓθÍËı ÛÒËÎËÚÂÎÂÈ ÏÓ˘ÌÓÒÚË Ó·flÁ‡ÚÂθÌÓ Ú‡ÍÊ ÛÒÚ‡ÌÓ‚ËÚ ‚ÂÌÚËÎflˆËÓÌÌ˚ ԇÌÂÎË, Í‡Í ˝ÚÓ ÔÓ͇Á‡ÌÓ ÌËÊÂ.
é·flÁ‡ÚÂθÌÓ Á‡ÍÂÔËÚ ÏÂÚ‡Î΢ÂÒÍË ÍÓ̯ÚÂÈÌ˚ (ÔÓ Ó‰ÌÓÏÛ Ò Í‡Ê‰ÓÈ ÒÚÓÓÌ˚) ‰Îfl ÔÓ‰‰ÂʇÌËfl Á‡‰ÌÂÈ ˜‡ÒÚË Í‡Ê‰Ó„Ó ÛÒËÎËÚÂÎfl.
èËϘ‡ÌËÂ. EIA ÓÁ̇˜‡ÂÚ Electronic Industries Alliance, ÄÒÒӈˇˆËfl ˝ÎÂÍÚÓÌÌÓÈ ÔÓÏ˚¯ÎÂÌÌÓÒÚË.
ÇÂÌÚËÎflˆËÓÌ̇fl Ô‡ÌÂθ
àÒÔÓθÁÛÈÚ „ÎÛıË ԇÌÂÎË ‡ÁÏÂÓÏ 1U.
480
44
Ö‰. ËÁÏÂ.: ÏÏ
èË ÛÒÚ‡ÌÓ‚Í ‰Ó ˜ÂÚ˚Âı ÛÒËÎËÚÂÎÂÈ ‚
èË ÛÒÚ‡ÌÓ‚Í ÔflÚË ËÎË ·Óθ¯Â
ÒÚÓÈÍ ·ÂÁ Á‡‰ÌÂÈ ÒÚÂÌÍË
ÛÒËÎËÚÂÎÂÈ ‚ ÒÚÓÈÍ ·ÂÁ Á‡‰ÌÂÈ ÒÚÂÌÍË
ÎË·Ó ÔË ÛÒÚ‡ÌÓ‚Í β·Ó„Ó ÍÓ΢ÂÒÚ‚‡
ìÒÚ‡ÌÓ‚ËÚ ‚ÂÌÚËÎflˆËÓÌÌÛ˛ Ô‡ÌÂθ, Í‡Í ÔÓ͇Á‡ÌÓ ÌËÊÂ.
ÛÒËÎËÚÂÎÂÈ ‚ ÒÚÓÈÍÂ Ò Á‡‰ÌÂÈ ÒÚÂÌÍÓÈ.
ìÒÚ‡ÌÓ‚ËÚ ‚ÂÌÚËÎflˆËÓÌÌ˚ ԇÌÂÎË Ò‚ÂıÛ Ë ÒÌËÁÛ Í‡Ê‰Ó„Ó
ÇÂÌÚËÎflˆËÓÌ̇fl
ÛÒËÎËÚÂÎfl, Í‡Í ÔÓ͇Á‡ÌÓ ÌËÊÂ.
Ô‡ÌÂθ (ÔËÍÂÔËÚÂ
ÒÔÂÂ‰Ë ËÎË ÒÁ‡‰Ë
ÒÚÓÈÍË).
11
íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË
■ 鷢ˠı‡‡ÍÚÂËÒÚËÍË
P7000S P5000S P3500S P2500S
ìÓ‚Â̸ ‚˚ıÓ‰ÌÓÈ ÏÓ˘ÌÓÒÚË (ÌÓÏË̇θ̇fl
8 éÏ/STEREO 750 ÇÚ
2 525 ÇÚ 2 390 ÇÚ 2 275 ÇÚ 2
ÏÓ˘ÌÓÒÚ¸)
1 ÍɈ 4 éÏ/STEREO 1100 ÇÚ
2 750 ÇÚ 2 590 ÇÚ 2 390 ÇÚ 2
éçà + N = 1% 8 éÏ/BRIDGE 2200 ÇÚ
1 1500 ÇÚ 1 1180 ÇÚ 1 780 ÇÚ 1
700 ÇÚ
2
650 ÇÚ 2
8 éÏ/STEREO
500 ÇÚ 2 350 ÇÚ 2 250 ÇÚ 2
(‚ÓÔÂÈÒ͇fl
ÏÓ‰Âθ)
20 Ɉ -20 ÍɈ 4 éÏ/STEREO 950 ÇÚ
2 700 ÇÚ 2 450 ÇÚ 2 310 ÇÚ 2
éçà + N = 0,1% 8 éÏ/BRIDGE 1900 ÇÚ
1 1400 ÇÚ 1 900 ÇÚ 1 620 ÇÚ 1
1 ÍɈ 2 éÏ/STEREO 1600 ÇÚ
2 1300 ÇÚ 2 1000 ÇÚ 2 650 ÇÚ 2
20 ÏÒ ·ÂÁ ÓÚÒ˜ÍË 4 éÏ/BRIDGE 3200 ÇÚ
1 2600 ÇÚ 1 2000 ÇÚ 1 1300 ÇÚ 1
òËË̇ ÔÓÎÓÒ˚ ˜‡ÒÚÓÚ Ì‡ ÛÓ‚Ì ÔÓÎÌÓÈ
èÓÎÓ‚ËÌ̇fl ÏÓ˘ÌÓÒÚ¸ 10 Ɉ – 40 ÍɈ (éçà + N = 0,5 %)
ÏÓ˘ÌÓÒÚË
鷢ˠÌÂÎËÌÂÈÌ˚ ËÒ͇ÊÂÌËfl (éçà + N) 4 éÏ – 8 éÏ/STEREO
≤
0,1 %
20 Ɉ – 20 ÍɈ, ÔÓÎÓ‚ËÌ̇fl ÏÓ˘ÌÓÒÚ¸ 8 éÏ/BRIDGE
RL = 8 éÏ, Po = 1 ÇÚ
ó‡ÒÚÓÚ̇fl ı‡‡ÍÚÂËÒÚË͇
+0 ‰Å, –1,5 ‰Å
ÓÚ 20 Ɉ ‰Ó 50 ÍɈ
àÌÚÂÏÓ‰ÛÎflˆËÓÌÌÓ ËÒ͇ÊÂÌË (IMD) 4 éÏ – 8 éÏ/STEREO
≤
0,1 %
60 Ɉ:7 ÍɈ, 4:1, ÔÓÎÓ‚ËÌ̇fl ÏÓ˘ÌÓÒÚ¸ 8 éÏ/BRIDGE
ê‡Á‰ÂÎÂÌË ͇̇ÎÓ‚ èÓÎÓ‚ËÌ̇fl ÏÓ˘ÌÓÒÚ¸ RL = 8 éÏ 1 ÍɈ
≥
70 ‰Å
å‡ÍÒ. „ÓÏÍÓÒÚ¸ ¯ÛÌÚ 600 éÏ ‰Îfl ‚ıÓ‰ÌÓ„Ó Ò˄̇·
éÒÚ‡ÚÓ˜Ì˚È ¯ÛÏ åËÌ. „ÓÏÍÓÒÚ¸ 20 Ɉ – 20 ÍɈ (DIN AUDIO)
≤
-70 ‰ÅÌ
éÚÌÓ¯ÂÌË Ò˄̇Î-¯ÛÏ 20 Ɉ – 20 ÍɈ (DIN AUDIO) 104 ‰Å 103 ‰Å 102 ‰Å 100 ‰Å
äÓ˝ÙÙˈËÂÌÚ ‰ÂÏÔÙËÓ‚‡ÌËfl RL = 8 éÏ, 1 ÍɈ
≥ ≥
350 200
RL = 8 éÏ
ÇıӉ̇fl ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸
+8,0 ‰ÅÌ +6,4 ‰ÅÌ +5,2 ‰ÅÌ +3,6 ‰ÅÌ
(1 ÍɈ, THD + N = 1 %)
ìÒËÎÂÌË ÔÓ Ì‡ÔflÊÂÌ˲ RL = 8 éÏ 32 ‰Å
ÇıÓ‰ÌÓ ÒÓÔÓÚË‚ÎÂÌË 30 kéÏ/Ò·‡Î‡ÌÒËÓ‚‡ÌÌÓÂ, 15 kéÏ/ÌÂÒ·‡Î‡ÌÒËÓ‚‡ÌÌÓÂ
ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl
èÂÂÍβ˜‡ÚÂθ POWER (ÍÌÓÔ͇ ‰Îfl ‚Íβ˜ÂÌËfl/‚˚Íβ˜ÂÌËfl)
ãˈ‚‡fl Ô‡ÌÂθ
Ñ‚‡ „ÛÎflÚÓ‡ „ÓÏÍÓÒÚË, ‡ÒÒ˜ËÚ‡ÌÌ˚ ̇ 31 ÛÓ‚Â̸ „ÓÏÍÓÒÚË (ÔÓ
Ó‰ÌÓÏÛ Ì‡ ͇̇Î)
èÂÂÍβ˜‡ÚÂθ MODE (STEREO/PARALLEL/BRIDGE)
Ñ‚‡ ÔÂÂÍβ˜‡ÚÂÎfl FILTER (SUBWOOFER/LOW CUT/OFF)
ᇉÌflfl Ô‡ÌÂθ
Ñ‚‡ „ÛÎflÚÓ‡ ˜‡ÒÚÓÚ˚ (ÓÚ 25 ‰Ó 150 Ɉ, 12 ‰Å/ÓÍÚ‡‚‡)
èÂÂÍβ˜‡ÚÂθ YS Processing (ON/OFF)
ê‡Á˙ÂÏ˚
ÉÌÂÁ‰‡ XLR-3-31 (ÔÓ Ó‰ÌÓÏÛ Ì‡ ͇̇Î)
ÇïéÑ
ÉÌÂÁ‰‡ ‰Îfl ̇ۯÌËÍÓ‚ TRS, 1/4 ‰˛Èχ (ÔÓ Ó‰ÌÓÏÛ Ì‡ ͇̇Î)
ÉÌÂÁ‰‡ Speakon (ÔÓ Ó‰ÌÓÏÛ Ì‡ ͇̇Î)
ÇõïéÑ
á‡ÊËÏ˚
ÉÌÂÁ‰‡ ‰Îfl ̇ۯÌËÍÓ‚, 1/4 ‰˛Èχ (ÔÓ Ó‰ÌÓÏÛ Ì‡ ͇̇Î)
à̉Ë͇ÚÓ˚ POWER × 1 (ÁÂÎÂÌ˚È)
PROTECTION × 1 (͇ÒÌ˚È)
TEMP
× 1 (͇ÒÌ˚È) (ÚÂÏÔ‡ÚÛ‡ ÚÂÔÎÓÓÚ‚Ó‰‡ 85°C)
≥
CLIP × 2 (͇ÒÌ˚È)
SIGNAL × 2 (ÁÂÎÂÌ˚È)
YS Processing × 1 (ÊÂÎÚ˚È)
èÂÂÍβ˜‡ÚÂθ POWER ON/OFF, ‚˚Íβ˜ÂÌË Á‚Û͇
ᇢËÚ‡ ÓÚ Ô„ÛÁÍË
éÚÍβ˜ÂÌË ‚ ÒÎÛ˜‡Â Ò·Ófl
é·Ì‡ÛÊÂÌË ÔÓÒÚÓflÌÌÓ„Ó ÚÓ͇
˝ÎÂÍÚÓÔËÚ‡ÌËfl
é·Ì‡ÛÊÂÌË ÚÂÏÔ‡ÚÛ˚ (ÚÂÏÔ‡ÚÛ‡ ÚÂÔÎÓÓÚ‚Ó‰‡ 90°C),
≤
ᇢËÚ‡ ÛÒËÎËÚÂÎfl
Ó„‡Ì˘ËÚÂθ ÚÓ͇ (RL 1 Ω)
≥
鄇Ì˘ËÚÂθ
äÓÏÔÂÒÒËfl: éçà 0,5 %
≥
Ñ‚‡ ‚ÂÌÚËÎflÚÓ‡ Ò ÔÂÂÏÂÌÌÓÈ
é‰ËÌ ‚ÂÌÚËÎflÚÓ Ò ÔÂÂÏÂÌÌÓÈ
éı·ʉÂÌËÂ
ÒÍÓÓÒÚ¸˛ ‚‡˘ÂÌËfl
ÒÍÓÓÒÚ¸˛ ‚‡˘ÂÌËfl
í·ӂ‡ÌËfl ÔÓ ÔËÚ‡Ì˲ 120 Ç, 220 – 240 Ç; 50/60 Ɉ
ç‡ÍÚË‚ÌÓ ÒÓÒÚÓflÌË 35 ÇÚ 35 ÇÚ 30 ÇÚ 25 ÇÚ
ùÌ„ÓÔÓÚ·ÎÂÌËÂ
Ç˚ıӉ̇fl ÏÓ˘ÌÓÒÚ¸, 4 éÏ 650 ÇÚ 500 ÇÚ 450 ÇÚ 320 ÇÚ
ê‡ÁÏÂ˚ (ò × Ç × É) 480 × 88 × 456 ÏÏ (18-7/8 ‰˛Èχ × 3-7/16 ‰˛Èχ × 17-15/16 ‰˛Èχ)
12,0 Í„
12,0 Í„
15,0 Í„
14,0 Í„
ÇÂÒ
(26,5 ÙÛÌÚ‡)
(26,5 ÙÛÌÚ‡)
(33,1 ÙÛÌÚ‡)
(30,9 ÙÛÌÚ‡)
èË̇‰ÎÂÊÌÓÒÚË, ‚ıÓ‰fl˘Ë ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË á‡˘ËÚ̇fl Í˚¯Í‡ (Ò ¯ÂÒÚË„‡ÌÌ˚Ï Íβ˜ÓÏ), ÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
0 ‰ÅÌ=0,775 Ò‰ÌÂÍ‚‡‰‡Ú˘ÂÒÍÓ„Ó ‚Óθڇ, ÔÓÎÓ‚ËÌ̇fl ÏÓ˘ÌÓÒÚ¸=1/2 ÛÓ‚Ìfl ‚˚ıÓ‰ÌÓÈ ÏÓ˘ÌÓÒÚË (ÌÓÏË̇θ̇fl ÏÓ˘ÌÓÒÚ¸)
íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË Ë ‡ÁÏÂ˚ ÔË‚Ó‰flÚÒfl ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl ËÒÍβ˜ËÚÂθÌÓ ‚ ÒÔ‡‚Ó˜Ì˚ı ˆÂÎflı. äÓÔÓ‡ˆËfl Yamaha Corp. ÓÒÚ‡‚ÎflÂÚ
Á‡ ÒÓ·ÓÈ Ô‡‚Ó ËÁÏÂÌflÚ¸ ËÎË ÏÓ‰ËÙˈËÓ‚‡Ú¸ ÔÓ‰ÛÍÚ˚ ËÎË ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË ‚ β·Ó ‚ÂÏfl ·ÂÁ Ô‰‚‡ËÚÂθÌÓ„Ó Û‚Â‰ÓÏÎÂÌËfl. í‡Í Í‡Í ÚÂıÌ˘ÂÒÍËÂ
ı‡‡ÍÚÂËÒÚËÍË, Ó·ÓÛ‰Ó‚‡ÌËÂ Ë ÍÓÏÔÓÌÂÌÚ˚ ÏÓ„ÛÚ ‡Á΢‡Ú¸Òfl ‚ ‡ÁÌ˚ı Òڇ̇ı, Ó·‡ÚËÚÂÒ¸ Á‡ ËÌÙÓχˆËÂÈ Í Ò‚ÓÂÏÛ ‰ËÎÂÛ Yamaha.
Ö‚ÓÔÂÈÒÍË ÏÓ‰ÂÎË
àÌÙÓχˆËfl Ó ÔÓÍÛÔ‡ÚÂÎÂ/ÔÓθÁÓ‚‡ÚÂΠÒÓ‰ÂÊËÚÒfl ‚ EN55103-1 Ë EN55103-2.
èÛÒÍÓ‚ÓÈ ÚÓÍ: 25 Ä (P7000S, P5000S)/66 Ä (P3500S)/68 Ä (P2500S)
ëÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Òڇ̉‡Ú‡Ï: E1, E2, E3 Ë E4
12
■ ÅÎÓÍ-ÒıÂχ
P7000S, P5000S
P3500S, P2500S
HPF
CHANNEL A
BA
LPF
ATT
Ach Power Amp
SPEAKERS
State variable
Active filter
Limiter
OFF
3
Frequency
1+
CHANNEL A
[25 Hz-150 Hz]
[BRIDGE]
SIGNAL
1-
2-
[PARALLEL]
2
YAMAHA
CLIP
CHANNEL A
SPEAKER
PROCESSING
2+
INV
Temperature
PROTECTION
1
INPUT
Sensor
Protection
ON
(Heat Sink)
Circuit
A+B BRIDGE
OFF
TEMP
YAMAHA
1
SPEAKER
PROCESSING
CLIP
2+
CHANNEL B
SIGNAL
1-
2
2-
CHANNEL B
CHANNEL B
PARALLEL
Bch Power Amp
1+
BA
OFF
ATT
State variable
BRIDGE
Limiter
Active filter
STEREO
3
LPF
HPF
Frequency
[25 Hz-150 Hz]
POWER
POWER CIRCUIT
+B
E
POWER SW
-B
+24
E
FAN
-24
13
■ ê‡ÁÏÂ˚
Ö‰. ËÁÏÂ.: ÏÏ
■ èÓÚ·ÎÂÌË ÚÓ͇
P7000S
ãËÌÂÈÌ˚È ÚÓÍ (Ä) åÓ˘ÌÓÒÚ¸ (ÇÚ) íÂÔÎÓ
‡
ÒÒÂflÌËÂ
100/120 Ç 230/240 Ç ç
‡
‚ıӉ ç
‡
‚˚ıӉ ê
‡
ÒÒÂflÌË ·ËÚ. ÚÂÔÎ. ‰./˜ ÍÍ
‡
Î/˜
ÂÊËÏ ÓÊˉ‡ÌËfl 0,08 0,04505174
̇·Ó˜Â ÒÓÒÚÓflÌË 1,0 0,5 35 0 35 119 30
1/8 ÏÓ˘ÌÓÒÚË 8Ω/͇̇Π5,4 3,0 379 188 191 653 165
4Ω/͇̇Π8,5 4,7 611 275 336 1150 289
1/3 ÏÓ˘ÌÓÒÚË 8Ω/͇̇Π12,8 7,0 918 500 418 1430 360
4Ω/͇̇Π20,6 11,3 1481 733 748 2550 643
P5000S
ãËÌÂÈÌ˚È ÚÓÍ (Ä) åÓ˘ÌÓÒÚ¸ (ÇÚ) íÂÔÎÓ
‡
ÒÒÂflÌËÂ
100/120 Ç 230/240 Ç ç
‡
‚ıӉ ç
‡
‚˚ıӉ ê
‡
ÒÒÂflÌË ·ËÚ. ÚÂÔÎ. ‰./˜ ÍÍ
‡
Î/˜
ÂÊËÏ ÓÊˉ‡ÌËfl 0,08 0,04505174
̇·Ó˜Â ÒÓÒÚÓflÌË 1,0 0,5 35 0 35 119 30
1/8 ÏÓ˘ÌÓÒÚË 8Ω/͇̇Π4,0 2,2 277 131 146 499 126
4Ω/͇̇Π6,2 3,4 436 188 249 848 214
1/3 ÏÓ˘ÌÓÒÚË 8Ω/͇̇Π9,3 5,1 673 350 323 1100 278
4Ω/͇̇Π14,7 8,1 1057 500 557 1900 479
P3500S
ãËÌÂÈÌ˚È ÚÓÍ (Ä) åÓ˘ÌÓÒÚ¸ (ÇÚ) íÂÔÎÓ
‡
ÒÒÂflÌËÂ
100/120 Ç 230/240 Ç ç
‡
‚ıӉ ç
‡
‚˚ıӉ ê
‡
ÒÒÂflÌË ·ËÚ. ÚÂÔÎ. ‰./˜ ÍÍ
‡
Î/˜
ÂÊËÏ ÓÊˉ‡ÌËfl 0,08 0,04505174
̇·Ó˜Â ÒÓÒÚÓflÌË 1,0 0,5 30 0 30 102 26
1/8 ÏÓ˘ÌÓÒÚË 8Ω/͇̇Π3,2 1,7 227 98 130 443 112
4Ω/͇̇Π5,0 2,8 378 148 231 787 198
1/3 ÏÓ˘ÌÓÒÚË 8Ω/͇̇Π7,3 4,0 551 260 291 993 250
4Ω/͇̇Π12,2 6,7 917 393 524 1790 450
14
P2500S
ãËÌÂÈÌ˚È ÚÓÍ (Ä) åÓ˘ÌÓÒÚ¸ (ÇÚ) íÂÔÎÓ
‡
ÒÒÂflÌËÂ
100/120 Ç 230/240 Ç ç
‡
‚ıӉ ç
‡
‚˚ıӉ ê
‡
ÒÒÂflÌË ·ËÚ. ÚÂÔÎ. ‰./˜ ÍÍ
‡
Î/˜
ÂÊËÏ ÓÊˉ‡ÌËfl 0,08 0,04505174
̇·Ó˜Â ÒÓÒÚÓflÌË 1,0 0,5 25 0 25 85 22
1/8 ÏÓ˘ÌÓÒÚË 8Ω/͇̇Π2,4 1,3 174 69 105 358 90
4Ω/͇̇Π3,6 2,0 271 98 173 592 149
1/3 ÏÓ˘ÌÓÒÚË 8Ω/͇̇Π5,6 3,1 421 183 238 811 204
4Ω/͇̇Π8,8 4,8 657 260 397 1350 341
1/8 ÏÓ˘ÌÓÒÚË — ÚËÔ˘Ì˚È ÔÓ͇Á‡ÚÂθ ÔÓ„‡ÏÏÌÓ„Ó Ï‡Ú¡· Ò Ì„ÛÎflÌ˚ÏË ÌÂÎËÌÂÈÌ˚ÏË ËÒ͇ÊÂÌËflÏË. ùÚË ˆËÙ˚ ÏÓ„ÛÚ
ËÒÔÓθÁÓ‚‡Ú¸Òfl ‚ ͇˜ÂÒÚ‚Â ÒÔ‡‚Ó˜Ì˚ı ‰‡ÌÌ˚ı ‰Îfl ·Óθ¯ËÌÒÚ‚‡ ÔËÎÓÊÂÌËÈ.
1/3 ÏÓ˘ÌÓÒÚË — ÔÓ͇Á‡ÚÂθ ÔÓ„‡ÏÏÌÓ„Ó Ï‡Ú¡· Ò Ô‰ÂθÌÓ ËÌÚÂÌÒË‚Ì˚ÏË ÌÂÎËÌÂÈÌ˚ÏË ËÒ͇ÊÂÌËflÏË.
íÂÒÚÓ‚˚È Ò˄̇Î: «ÓÁÓ‚˚È ¯ÛÏ», ÔÓÔÛÒÍ̇fl ÒÔÓÒÓ·ÌÓÒÚ¸ Ó„‡Ì˘Â̇ ‡ÏÔÎËÚÛ‰ÓÈ ÓÚ 22 Ɉ ‰Ó 22 ÍɈ
1 ÇÚ = 0,860 Í͇Î/˜, 1 ·ËÚ. ÚÂÔÎ. ‰. = 0,252 Í͇Î
ÇÌËχÌËÂ! ãËÌÂÈÌÓ ̇ÔflÊÂÌË [V] x ãËÌÂÈÌ˚È ÚÓÍ [A] = [VA], Ì fl‚ÎflÂÚÒfl ‡‚Ì˚Ï [W].
èÛÒÍÓ‚ÓÈ ÚÓÍ
P7000S, P5000S: 11 Ä (100 Ç), 13 Ä (120 Ç), 25 Ä (240 Ç)
P3500S: 71 Ä (100 Ç), 87 Ä (120 Ç), 66 Ä (240 Ç)
P2500S: 103 Ä (100 Ç), 150 Ä (120 Ç), 68 Ä (240 Ç)
èÓËÒÍ Ë ÛÒÚ‡ÌÂÌË ÌÂËÒÔ‡‚ÌÓÒÚÂÈ
Ç ÒÎÂ‰Û˛˘ÂÈ Ú‡·Îˈ Ô˜ËÒÎÂÌ˚ ÓÒÌÓ‚Ì˚ Ô˘ËÌ˚ ÌÂÌÓχθÌÓÈ ‡·ÓÚ˚ Ë ÌÂÓ·ıÓ‰ËÏ˚ ÏÂ˚ ÔÓ ÛÒÚ‡ÌÂÌ˲ ÔÓ·ÎÂÏ, ‡ Ú‡ÍÊ ÓÔËÒ‡ÌËÂ
‡·ÓÚ˚ Á‡˘ËÚÌÓÈ ÒıÂÏ˚ ‚ ͇ʉÓÏ ÒÎÛ˜‡Â.
à̉Ë͇ÚÓ˚ ÇÓÁÏÓÊ̇fl Ô˘Ë̇ åÂ˚ ÔÓ ÛÒÚ‡ÌÂÌ˲ ᇢËÚ̇fl ÒıÂχ
Ç ÍÓÌÚ‡ÍÚ ‰Ë̇ÏË͇, ÍÓÌÚ‡ÍÚÂ
éÔ‰ÂÎËÚ ÏÂÒÚÓÔÓÎÓÊÂÌË Ë
ÛÒËÎËÚÂÎfl ËÎË ÔӂӉ ÔÓËÁÓ¯ÎÓ
ÛÒÚ‡ÌËÚ Ô˘ËÌÛ ÍÓÓÚÍÓ„Ó
ÍÓÓÚÍÓ Á‡Ï˚͇ÌËÂ.
Á‡Ï˚͇ÌËfl.
鄇Ì˘ËÚÂθ ÒıÂÏ˚ Á‡˘ËÚ˚
ᇄӇÂÚÒfl Ë̉Ë͇ÚÓ CLIP.
‡·ÓÚ‡ÂÚ Ì‡ Á‡˘ËÚÛ ÏÓ˘Ì˚ı
àÒÔÓθÁÛÈÚ ‡ÍÛÒÚ˘ÂÒÍÛ˛ ÒËÒÚÂÏÛ Ò
Ú‡ÌÁËÒÚÓÓ‚.
ÒÓÔÓÚË‚ÎÂÌËÂÏ ıÓÚfl ·˚ 4 éÏ (ÂÊËÏ
èÓËÁӯ· Ô„ÛÁ͇ ÛÒËÎËÚÂÎfl.
STEREO/PARALLEL) ËÎË 8 éÏ (ÂÊËÏ
BRIDGE).
èӂ¸Ú ‚ÂÌÚËÎflˆËÓÌÌ˚ ÓÚ‚ÂÒÚËfl
à̉Ë͇ÚÓ TEMP Á‡„Ó‡ÂÚÒfl, ˜ÚÓ·˚
íÂÏÔ‡ÚÛ‡ ÚÂÔÎÓÓÚ‚Ó‰‡ Ô‚˚ÒË·
ᇄӇÂÚÒfl Ë̉Ë͇ÚÓ TEMP.
Ë Ó·ÂÒÔ˜¸Ú ·ÓΠ˝ÙÙÂÍÚË‚ÌÛ˛
Ô‰ÛÔ‰ËÚ¸ Ó ÒÎ˯ÍÓÈ ‚˚ÒÓÍÓÈ
85°C (185°F).
‚ÂÌÚËÎflˆË˛ ÛÒËÎËÚÂÎfl.
ÚÂÏÔ‡ÚÛÂ.
èӂ¸Ú ÛÒÎÓ‚Ëfl ‚ÂÌÚËÎflˆËË
íÂÏÔ‡ÚÛ‡ ÚÂÔÎÓÓÚ‚Ó‰‡ Ô‚˚ÒË·
ÛÒËÎËÚÂÎfl Ë ÔËÏËÚ ̇‰ÎÂʇ˘ËÂ
ëıÂχ ÚÂÔÎÓ‚ÓÈ Á‡˘ËÚ˚ ‡·ÓÚ‡ÂÚ Ì‡
ᇄӇÂÚÒfl Ë̉Ë͇ÚÓ PROTECTION.
95°C (203°F).
ÏÂ˚ ÔÓ ÛÎÛ˜¯ÂÌ˲ ÔËÚÓ͇ ‚ÓÁ‰Ûı‡ Í
Á‡˘ËÚÛ ÏÓ˘Ì˚ı Ú‡ÌÁËÒÚÓÓ‚.
ÛÒËÎËÚÂβ.
P3500S, P2500S
à̉Ë͇ÚÓ˚ ÇÓÁÏÓÊ̇fl Ô˘Ë̇ åÂ˚ ÔÓ ÛÒÚ‡ÌÂÌ˲ ᇢËÚ̇fl ÒıÂχ
Ç ‚˚ıÓ‰ÌÓÈ ÒıÂÏ ÛÒËÎËÚÂÎfl ÏÓ˘ÌÓÒÚË
é·‡ÚËÚÂÒ¸ Á‡ ÍÓÌÒÛθڇˆËÂÈ Í
êÂΠ‡·ÓÚ‡ÂÚ Ì‡ Á‡˘ËÚÛ
ᇄӇÂÚÒfl Ë̉Ë͇ÚÓ PROTECTION.
·˚ÎÓ Ó·Ì‡ÛÊÂÌÓ Ì‡ÔflÊÂÌËÂ
‚‡¯ÂÏÛ ‰ËÎÂÛ ËÎË ‚ ·ÎËʇȯËÈ
‡ÍÛÒÚ˘ÂÒÍÓÈ ÒËÒÚÂÏ˚.
ÔÓÒÚÓflÌÌÓ„Ó ÚÓ͇ ±2 Ç ËÎË ·Óθ¯Â.
Ò‚ËÒÌ˚È ˆÂÌÚ Yamaha.
P7000S, P5000S
à̉Ë͇ÚÓ˚ ÇÓÁÏÓÊ̇fl Ô˘Ë̇ åÂ˚ ÔÓ ÛÒÚ‡ÌÂÌ˲ ᇢËÚ̇fl ÒıÂχ
Ç ‚˚ıÓ‰ÌÓÈ ÒıÂÏ ÛÒËÎËÚÂÎfl ÏÓ˘ÌÓÒÚË
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15
одробную информацию о продуктах можно получить у ближайших представителей компании Yamaha или авторизованного
дистрибьютора, список которых приведен ниже.
THE NETHERLANDS/
NORTH AMERICA
ASIA
BELGIUM/LUXEMBOURG
CANADA
THE PEOPLE’S REPUBLIC OF CHINA
Ya ma ha Music Europe Branch Benelux
Yam a ha C a nada Music Ltd.
Ya ma ha Music & Electronics (China) Co.,Ltd.
Clarissenhof 5-b, 4133 AB Vianen, The Netherlands
135 Milner Avenue, Scarborough, Ontario,
2F, Yunhedasha, 1818 Xinzha-lu, Jingan-qu,
Tel: 0347-358 040
M1S 3R1, Canada
Shanghai, China
Tel: 416-298-1311
FRANCE
Tel: 0 21-6247-2211
Ya ma h a M u s i c Europe
U.S.A.
INDIA
7 rue Ambroise Croizat, Zone d'activites Pariest,
Ya ma ha Corporation of America
Ya ma ha Music India Pvt. Ltd.
77183 Croissy-Beaubourg, France
6600 Orangethorpe Ave., Buena Park, Calif. 90620,
Spazedge building, Ground Floor, Tower A, Sector
Tel: 01-64-61-4000
U.S.A.
47, Gurgaon- Sohna Road, Gurgaon, Haryana, India
Tel: 714-522-9011
ITALY
Tel: 0124-485-3300
Ya maha Music Europe GmbH, Branch Italy
INDONESIA
CENTRAL & SOUTH AMERICA
Viale Italia 88, 20020 Lainate (Milano), Italy
PT. Yamaha Musik Indonesia (Distributor)
Tel: 02-935-771
MEXICO
PT. Nusantik
Ya ma ha De México, S.A. de C.V.
SPAIN/PORTUGAL
Gedung Yamaha Music Center, Jalan Jend. Gatot
Av. Insurgentes Sur 1647 “Prisma Insurgentes”,
Ya maha Music Europe GmbH Ibérica, Sucursal
Subroto Kav. 4, Jakarta 12930, Indonesia
Col. San José Insurgentes, Del. Benito Juárez,
en España
Tel: 021-520-2577
03900, México, D.F.
Ctra. de la Coruna km. 17, 200, 28230
KOREA
Tel: 55-5804-0600
Las Rozas (Madrid), Spain
Ya ma ha Music Korea Ltd.
Tel: +34-902-39-8888
BRAZIL
8F, 9F, Dongsung Bldg. 158-9 Samsung-Dong,
Ya ma ha Musical do Brasil Ltda.
GREECE
Kangnam-Gu, Seoul, Korea
Rua Joaquim Floriano, 913 - 4' andar, Itaim Bibi,
Philippos Nakas S.A. The Music House
Tel: 02-3467-3300
CEP 04534-013 Sao Paulo, SP. BRAZIL
147 Skiathou Street, 112-55 Athens, Greece
MALAYSIA
Tel: 011-3704-1377
Tel: 01-228 2160
Ya maha Music (Malaysia) Sdn., Bhd.
ARGENTINA
SWEDEN/FINLAND/ICELAND
Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,
Ya maha Music Latin America, S.A.
Ya maha Music Europe GmbH Germany filial
Petaling Jaya, Selangor, Malaysia
Sucursal de Argentina
Scandinavia
Tel: 03-78030900
Olga Cossettini 1553, Piso 4 Norte
J. A. Wettergrens Gata 1, Box 30053
SINGAPORE
Madero Este-C1107CEK
S-400 43 Göteborg, Sweden
Ya ma ha Music (Asia) PRIVATE LIMITED
Buenos Aires, Argentina
Tel: 031 89 34 00
Blk 202 Hougang Street 21, #02-00,
Tel: 011-4119-7000
DENMARK
Singapore 530202, Singapore
PANAMA AND OTHER LATIN
Ya maha Music Europe GmbH, Tyskland – filial
Tel: 6747-4374
AMERICAN COUNTRIES/
Denmark
TAIWAN
CARIBBEAN COUNTRIES
Generatorvej 6A, DK-2730 Herlev, Denmark
Ya ma ha KHS Music Co., Ltd.
Tel: 44 92 49 00
Ya maha Music Latin America, S.A.
3F, #6, Sec.2, Nan Jing E. Rd. Taipei.
Torre Banco General, Piso 7, Urbanización Marbella,
NORWAY
Taiwan 104, R.O.C.
Calle 47 y Aquilino de la Guardia,
Ya maha Music Europe GmbH Germany -
Tel: 02-2511-8688
Ciudad de Panamá, Panamá
Norwegian Branch
THAILAND
Tel: +507-269-5311
Grini Næringspark 1, N-1345 Østerås, Norway
Siam Music Yamaha Co., Ltd.
Tel: 67 16 77 70
4, 6, 15 and 16th floor, Siam Motors Building,
EUROPE
RUSSIA
891/1 Rama 1 Road, Wangmai,
THE UNITED KINGDAM/IRELAND
Ya ma h a M u s i c (Russia)
Pathumwan, Bangkok 10330, Thailand
Yam a ha M u s i c Europe GmbH (UK)
Room 37, bld. 7, Kievskaya street, Moscow,
Tel: 02-215-2622
Sherbourne Drive, Tilbrook, Milton Keynes,
121059, Russia
VIETNAM
MK7 8BL, England
Tel: 495 626 5005
Ya maha Music Vietnam Company Limited
Tel: 01908-366700
OTHER EUROPEAN COUNTRIES
15th Floor, Nam A Bank Tower, 201-203 Cach
GERMANY
Ya maha Music Europe GmbH
Mang Thang Tam St., Ward 4, Dist.3,
Ya ma ha Music Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Ho Chi Minh City, Vietnam
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: +49-4101-3030
Tel: +84-8-3818-1122
Tel: 04101-3030
OTHER ASIAN COUNTRIES
SWITZERLAND/LIECHTENSTEIN
AFRICA
Yam a h a Co rporation,
Ya ma ha Music Europe GmbH
Ya ma h a C o r p oration,
Asia-Pacific Sales & Marketing Group
Branch Switzerland in Zürich
Asia-Pacific Sales & Marketing Group
Nakazawa-cho 10-1, Naka-ku, Hamamatsu,
Seefeldstrasse 94, 8008 Zürich, Switzerland
Nakazawa-cho 10-1, Naka-ku, Hamamatsu,
Japan 430-8650
Tel: 044-387-8080
Japan 430-8650
Tel: +81-53-460-2303
Tel: +81-53-460-2303
AUSTRIA/BULGARIA
Ya ma ha Music Europe GmbH Branch Austria
OCEANIA
MIDDLE EAST
Schleiergasse 20, A-1100 Wien, Austria
AUSTRALIA
Tel: 01-60203900
TURKEY
Ya ma ha Music Australia Pty. Ltd.
Ya maha Music Europe GmbH
CZECH REPUBLIC/HUNGARY/
Level 1, 99 Queensbridge Street, Southbank,
Merkezi Almanya Turkiye østanbul ùubesi
Victoria 3006, Australia
ROMANIA/SLOVAKIA/SLOVENIA
Maslak Meydan Sokak No:5 Spring Giz Plaza
Tel: 3-9693-5111
Ya ma ha Music Europe GmbH
Ba÷ımsız Bol. No:3, 34398 ùiúli østanbul
Branch Austria (Central Eastern Europe Office)
COUNTRIES AND TRUST
Tel: +90-212-999-8010
Schleiergasse 20, A-1100 Wien, Austria
TERRITORIES IN PACIFIC OCEAN
CYPRUS
Tel: 01-602039025
Ya ma ha Corporation,
Ya maha Music Europe GmbH
POLAND/LITHUANIA/LATVIA/ESTONIA
Asia-Pacific Sales & Marketing Group
Siemensstraße 22-34, 25462 Rellingen, Germany
Ya ma ha Music Europe GmbH
Nakazawa-cho 10-1, Naka-ku, Hamamatsu,
Tel: 04101-3030
Branch Poland Office
Japan 430-8650
OTHER COUNTRIES
ul. Wrotkowa 14 02-553 Warsaw, Poland
Tel: +81-53-460-2303
Tel: 022-500-2925
Ya ma ha Music Gulf FZE
LOB 16-513, P.O.Box 17328, Jubel Ali,
MALTA
Dubai, United Arab Emirates
Olimpus Music Ltd.
Tel: +971-4-881-5868
The Emporium, Level 3, St. Louis Street Msida
MSD06
Tel: 02133-2144
PA34
HEAD OFFICE
Yamaha Corporation, Pro Audio Division
Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650
C.S.G., Pro Audio Division
Ya maha Pro Audio global web site
© 2003 Yamaha Corporation
http://www.yamahaproaudio.com/
WB09700 305CRAPx.x-xxF0
Ya maha Manual Library
Printed in Vietnam
http://www.yamaha.co.jp/manual/