Yamaha CLP-280 – страница 6

èËÎÓÊÂÌËÂ

CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 101

ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ

èÓ·ÎÂχ è˘Ë̇ ê¯ÂÌËÂ

çÂÚ ÔËÚ‡ÌËfl. ç ÔÓ‰ÒÓ‰ËÌÂÌ Í‡·Âθ ÔËÚ‡ÌËfl

èÓ‰ÒÓ‰ËÌËÚ ͇·Âθ ÔËÚ‡ÌËfl Í

(Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova ËÎË Í

ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova Ë Í

˝ÎÂÍÚÓÒÂÚË).

˝ÎÂÍÚÓÒÂÚË Ò ÌÛÊÌ˚Ï Ì‡ÔflÊÂÌËÂÏ

(ÒÚ. 15).

èË Ì‡Ê‡ÚËË ÍÌÓÔÍË [POWER] ‰Îfl

ùÚÓ ‚˚Á‚‡ÌÓ ˝ÎÂÍÚ˘ÂÒÍËÏ

ç fl‚ÎflÂÚÒfl ÌÂËÒÔ‡‚ÌÓÒÚ¸˛.

‚Íβ˜ÂÌËfl ËÎË ‚˚Íβ˜ÂÌËfl ËÌÒÚÛÏÂÌÚ‡

̇ÔflÊÂÌËÂÏ ‚ÌÛÚË ËÌÒÚÛÏÂÌÚ‡.

ÒÎ˚¯Ì˚ ˘ÂΘÍË.

àÁ ‰Ë̇ÏËÍÓ‚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ

ÇÓÁÏÓÊÌÓ, ‚·ÎËÁË ËÌÒÚÛÏÂÌÚ‡

Ç˚Íβ˜ËÚ ÔÂÂÌÓÒÌÓÈ ÚÂÎÂÙÓÌ,

Clavinova ÒÎ˚¯ÂÌ ¯ÛÏ.

ËÒÔÓθÁÛÂÚÒfl ËÎË Á‚ÓÌËÚ ÔÂÂÌÓÒÌÓÈ

̇ıÓ‰fl˘ËÈÒfl fl‰ÓÏ Ò ËÌÒÚÛÏÂÌÚÓÏ.

ÚÂÎÂÙÓÌ.

ÖÒÎË ‚·ÎËÁË ËÌÒÚÛÏÂÌÚ‡ ËÒÔÓθÁÛÂÚÒfl

ËÎË Á‚ÓÌËÚ ÔÂÂÌÓÒÌÓÈ ÚÂÎÂÙÓÌ, ÏÓÊÂÚ

·˚Ú¸ ÒÎ˚¯ÂÌ ¯ÛÏ.

ëÎ˯ÍÓÏ ÌËÁ͇fl Ó·˘‡fl „ÓÏÍÓÒÚ¸,

ëÎ˯ÍÓÏ ÌËÁÍËÈ ÛÓ‚Â̸ ‰ËÒ͇

ì‚Â΢¸Ú ÛÓ‚Â̸ [MASTER VOLUME]

ËÎË ‚ÓÓ·˘Â ÌÂÚ Á‚Û͇.

ÛÔ‡‚ÎÂÌËfl „ÓÏÍÓÒÚ¸˛ [MASTER

(ÒÚ. 16).

VOLUME].

ÑÎfl «ÊË‚Ó„Ó» ËÒÔÓÎÌÂÌËfl ̇ Í·‚ˇÚÛÂ

èÂ‰‚Ë̸Ú ÔÓÎÁÛÌÓÍ [SONG BALANCE]

ÛÒÚ‡ÌÓ‚ÎÂÌ ÒÎ˯ÍÓÏ ÌËÁÍËÈ ÛÓ‚Â̸

Í ÏÂÚÍ KEYBOARD, ˜ÚÓ·˚ Û‚Â΢ËÚ¸

èËÎÓÊÂÌËÂ

„ÓÏÍÓÒÚË.

„ÓÏÍÓÒÚ¸ Í·‚ˇÚÛ˚.

èÓ‰Íβ˜ÂÌ˚ ̇ۯÌËÍË (ÚÓθÍÓ ÂÒÎË

éÚÍβ˜ËÚ ̇ۯÌËÍË.

̇ÒÚÓÈ͇ [Speaker] ‡‚̇ «Normal

HeadphoneSW»). (ÒÚ. 88)

ç‡ÒÚÓÈ͇ [Speaker] ‡‚̇ «Off». ìÒÚ‡ÌÓ‚ËÚ ̇ÒÚÓÈÍÛ [Speaker] ̇

«Normal» ËÎË «On» (ÒÚ. 88).

[Local Control] ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ «Off». ìÒÚ‡ÌÓ‚ËÚ [Local Control] ‚ Á̇˜ÂÌËÂ

«On» (ÒÚ. 90).

îÛÌ͈Ëfl «Expression» ÔËÒ‚ÓÂ̇ Ô‡‚ÓÈ

ë‚flÊËÚÂ Ò Ô‰‡Î¸˛ β·Û˛ ‰Û„Û˛

Ô‰‡ÎË ËÎË Ô‰‡ÎË AUX.

ÙÛÌÍˆË˛.

ÉÓÏÍÓÒÚ¸ Í·‚ˇÚÛ˚ ÌËÊÂ, ˜ÂÏ

ÑÎfl «ÊË‚Ó„Ó» ËÒÔÓÎÌÂÌËfl ̇ Í·‚ˇÚÛÂ

èÂ‰‚Ë̸Ú ÔÓÎÁÛÌÓÍ [SONG BALANCE]

„ÓÏÍÓÒÚ¸ ÔÓË„˚‚‡ÌËfl ÔÂÒÌË.

ÛÒÚ‡ÌÓ‚ÎÂÌ ÒÎ˯ÍÓÏ ÌËÁÍËÈ ÛÓ‚Â̸

Í ÏÂÚÍ KEYBOARD, ˜ÚÓ·˚ Û‚Â΢ËÚ¸

„ÓÏÍÓÒÚË.

„ÓÏÍÓÒÚ¸ Í·‚ˇÚÛ˚.

ëÎ˚¯ÂÌ Á‚ÛÍ ËÁ ‰Ë̇ÏËÍÓ‚, ‰‡Ê ÂÒÎË

ç‡ÒÚÓÈ͇ [Speaker] ‡‚̇ «On». ëÏÂÌËÚ Á̇˜ÂÌË ԇ‡ÏÂÚ‡ [Speaker]

ÔÓ‰Íβ˜ÂÌ˚ ̇ۯÌËÍË.

̇ «Normal (HeadphoneSW)» (ÒÚ. 88).

äÓ„‰‡ ‚˚ ‚Íβ˜‡ÂÚ ˝ÙÙÂÍÚ iAFC,

ùÙÙÂÍÚ iAFC Ì ·˚Î ‡‚ÚÓχÚ˘ÂÒÍË

ìÒÚ‡ÌÓ‚ËÚ ‰Îfl iAFC Á̇˜ÂÌË «Off» Ë

‚ÓÁÌË͇ÂÚ Ó·‡Ú̇fl Ò‚flÁ¸.

ÓÚ„ÛÎËÓ‚‡Ì.

‚˚ÔÓÎÌËÚ ‡‚ÚÓχÚ˘ÂÒÍÛ˛ „ÛÎËÓ‚ÍÛ

(ÒÚ. 82).

è‡‚‡fl Ô‰‡Î¸ Ì ‡·ÓÚ‡ÂÚ, ËÎË ÌÓÚ˚

䇷Âθ Ô‰‡ÎË Ì ÔÓ‰Íβ˜ÂÌ Í ‡Á˙ÂÏÛ

èÓ‰Íβ˜ËÚ ͇·Âθ Ô‰‡ÎË Í ‡Á˙ÂÏÛ

Û‰ÎËÌfl˛ÚÒfl, ‰‡Ê ÍÓ„‰‡ Ó̇ Ì ̇ʇڇ.

[PEDAL].

[PEDAL]. (ëÏ. ‡Á‰ÂÎ “CLP-280/270:

ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚” ̇

ÒÚ. 109.)

102 CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ

èÓ·ÎÂχ è˘Ë̇ ê¯ÂÌËÂ

àÌÒÚÛÏÂÌÚ Ì ‡ÒÔÓÁ̇ÂÚ USB-

USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÏÓÊÂÚ

éÚÒÓ‰ËÌËÚ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl

ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı.

Ì ‡ÒÔÓÁ̇‚‡Ú¸Òfl ‚ÒΉÒÚ‚Ë Ì‚ÂÌÓÈ

‰‡ÌÌ˚ı, ÒÌÓ‚‡ ÔÓ‰Íβ˜ËÚÂ Â„Ó Ë

ÒËÌıÓÌËÁ‡ˆËË ÔÓ‰Íβ˜ÂÌËfl ˝ÚÓ„Ó

‚˚·ÂËÚ ÛÒÚÓÈÒÚ‚Ó Ò ÔÓÏÓ˘¸˛

ÛÒÚÓÈÒÚ‚‡ ËÎË ÛÒÚ‡ÌÓ‚ÓÍ

ÔÂÂÍβ˜‡ÚÂÎfl [SELECT]. óÚÓ·˚

ÔÂÂÍβ˜‡ÚÂÎfl [SELECT].

ÔÓÒÏÓÚÂÚ¸ ‰‡ÌÌ˚ USB-ÛÒÚÓÈÒÚ‚‡

ı‡ÌÂÌËfl ̇ ˝Í‡Ì CLP, ̇ÊÏËÚ ÍÌÓÔÍÛ

[SONG SELECT], ˜ÚÓ·˚ ‚Íβ˜ËÚ¸ ÂÊËÏ

‚˚·Ó‡ ÔÂÒÌË, ËÎË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [FILE/

SONG SETTING], ˜ÚÓ·˚ ‚Íβ˜ËÚ¸ ÂÊËÏ

ÛÒÚ‡ÌÓ‚ÍË [FILE/SONG]. ÖÒÎË ‚˚ ‚Ó¯ÎË ‚

Ó‰ËÌ ËÁ ˝ÚËı ÂÊËÏÓ‚ ‰Ó ÔÓ‰Íβ˜ÂÌËfl

USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı,

̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT], ˜ÚÓ·˚ ‚˚ÈÚË ËÁ

ÌËı, Ë ‚ÓȉËÚ ‚ ÌËı ÒÌÓ‚‡. ÖÒÎË

ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‚Ò ¢ ÌÂ

‡ÒÔÓÁ̇ÂÚÒfl, ÚÓ, ‚ÓÁÏÓÊÌÓ, ÓÌÓ ÌÂ

ÔÓ‰‰ÂÊË‚‡ÂÚÒfl Yamaha. àÒÔÓθÁÛÈÚÂ

ÚÓθÍÓ Ú ÛÒÚÓÈÒÚ‚‡, ÍÓÚÓ˚Â

ÔÓ‰‰ÂÊË‚‡˛ÚÒfl Yamaha (ÒÚ. 60).

USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı

USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı

àÒÔÓθÁÛÈÚ ÚÓθÍÓ Ú ÛÒÚÓÈÒÚ‚‡, ˜¸fl

Á‡‚ËÒÎÓ (Ì Óڂ˜‡ÂÚ).

ÌÂÒÓ‚ÏÂÒÚËÏÓ Ò ËÌÒÚÛÏÂÌÚÓÏ.

ÒÓ‚ÏÂÒÚËÏÓÒÚ¸ Ò ÔˇÌËÌÓ ÔÓ‰Ú‚ÂʉÂ̇

ÍÓÔÓ‡ˆËÂÈ Yamaha (ÒÚ. 60).

USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı

éÚÒÓ‰ËÌËÚ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl

‡·ÓÚ‡ÂÚ ÌÂÔ‡‚ËθÌÓ.

‰‡ÌÌ˚ı, ÒÌÓ‚‡ ÔÓ‰Íβ˜ËÚ „Ó.

èËÎÓÊÂÌËÂ

CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 103

ëÓ‚ÏÂÒÚËÏÓÒÚ¸ ‰‡ÌÌ˚ı

Ç ˝ÚÓÏ ‡Á‰ÂΠӷÒÛʉ‡˛ÚÒfl ÓÒÌÓ‚Ì˚ ‚ÓÔÓÒ˚ ÒÓ‚ÏÂÒÚËÏÓÒÚË ‰‡ÌÌ˚ı: ÏÓ„ÛÚ ÎË ‰Û„Ë MIDI-ÛÒÚÓÈÒÚ‚‡

ÔÓË„˚‚‡Ú¸ Ù‡ÈÎ˚, Á‡ÔËÒ‡ÌÌ˚ ̇ ÔˇÌËÌÓ CLP-280/270, Ë ÏÓÊÂÚ ÎË CLP-280/270 ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸

ÍÓÏÏÂ˜ÂÒÍË Á‡ÔËÒË Ë MIDI-Ù‡ÈÎ˚, ÒÓÁ‰‡ÌÌ˚ ‰Îfl ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚ ËÎË Ì‡ ÍÓÏÔ¸˛ÚÂÂ.

Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÚËÔ‡ MIDI-ÛÒÚÓÈÒÚ‚‡ Ë ı‡‡ÍÚÂËÒÚËÍ ‰‡ÌÌ˚ı ÏÓÊÌÓ ÎË·Ó Ò‡ÁÛ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ˝ÚË

‰‡ÌÌ˚Â, ÎË·Ó Ò̇˜‡Î‡ ̇‰Ó ‚˚ÔÓÎÌËÚ¸ ÌÂÍÓÚÓ˚ ‰ÂÈÒÚ‚Ëfl. ÖÒÎË ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ‰‡ÌÌ˚ı ‚ÓÁÌË͇˛Ú

ÔÓ·ÎÂÏ˚, ÒÏ. ÒÎÂ‰Û˛˘Ë ‡Á‰ÂÎ˚.

éÒÌÓ‚ÌÓÂ, ˜ÚÓ ÌÛÊÌÓ ÔÓ‚ÂËÚ¸

îÓÏ‡Ú ‡ÒÔ‰ÂÎÂÌËfl ÚÂÏ·Ó‚

чÌÌ˚Â Ë MIDI-ÛÒÚÓÈÒÚ‚Ó ‰ÓÎÊÌ˚ ·˚Ú¸

Ç MIDI ÚÂÏ·˚ ÔËÔËÒ˚‚‡˛ÚÒfl Í Ú‡Í

ÒÓ‚ÏÂÒÚËÏ˚ ÔÓ ÒÎÂ‰Û˛˘ËÏ Ô‡‡ÏÂÚ‡Ï:

̇Á˚‚‡ÂÏ˚Ï «ÌÓÏÂ‡Ï ÔÓ„‡ÏÏ». ëڇ̉‡Ú

• îÓÏ‡Ú ÒÂÍ‚Â̈ËË

ÔËÒ‚ÓÂÌËfl Ú‡ÍËı ÌÓÏÂÓ‚ (ÔÓfl‰ÓÍ

• îÓÏ‡Ú ‡ÒÔ‰ÂÎÂÌËfl ÚÂÏ·Ó‚

‡ÒÔ‰ÂÎÂÌËfl ÚÂÏ·Ó‚) Ë Ì‡Á˚‚‡ÂÚÒfl «ÙÓχÚÓÏ

• îÓÏ‡Ú ‰ËÒÍÓ‚ (‰ËÒÍÓ‚Ó‰ ‰Îfl „Ë·ÍËı ‰ËÒÍÓ‚

‡ÒÔ‰ÂÎÂÌËfl ÚÂÏ·Ó‚».

ÔÓÒÚ‡‚ÎflÂÚÒfl ‰ÓÔÓÎÌËÚÂθÌÓ)

íÂÏ·˚ ÏÓ„ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ÌÂÔ‡‚ËθÌÓ,

ÂÒÎË ˝ÚÓÚ ÙÓÏ‡Ú ‰‡ÌÌ˚ı ÔÂÒÌË Ì ÒÓ‚Ô‡‰‡ÂÚ Ò

ÙÓχÚÓÏ ‚ÓÒÔÓËÁ‚Ó‰fl˘Â„Ó MIDI-ÛÒÚÓÈÒÚ‚‡.

ëËÌÚÂÁ‡ÚÓ CLP-280/270 ÔÓ‰‰ÂÊË‚‡ÂÚ

îÓÏ‡Ú ÒÂÍ‚Â̈ËË

ÒÎÂ‰Û˛˘Ë ÙÓχÚ˚.

ëËÒÚÂχ, Á‡ÔËÒ˚‚‡˛˘‡fl ‰‡ÌÌ˚Â Ó ÔÂÒÌÂ,

èËÎÓÊÂÌËÂ

̇Á˚‚‡ÂÚÒfl ÙÓχÚÓÏ ÒÂÍ‚Â̈ËË.

■ ëڇ̉‡Ú GM System Level 1

ÇÓÒÔÓËÁ‚‰ÂÌË ‚ÓÁÏÓÊÌÓ, ÚÓθÍÓ ÂÒÎË MIDI-

ùÚÓ Ó‰ËÌ ËÁ Ò‡Ï˚ı ‡ÒÔÓÒÚ‡ÌÂÌÌ˚ı

ÛÒÚÓÈÒÚ‚Ó ÔÓ‰‰ÂÊË‚‡ÂÚ ÙÓÏ‡Ú ÒÂÍ‚Â̈ËË,

ÙÓχÚÓ‚ ‡ÒÔ‰ÂÎÂÌËfl ÚÂÏ·Ó‚.

ËÒÔÓθÁÓ‚‡ÌÌ˚È Ì‡ ‰ËÒÍÂÚÂ.

åÌÓ„Ë MIDI-ÛÒÚÓÈÒÚ‚‡ ÒÓ‚ÏÂÒÚËÏ˚ Ò

ÙÓχÚÓÏ GM System Level 1, ÔÓÒÍÓθÍÛ ˝ÚÓ

ëËÌÚÂÁ‡ÚÓ CLP-280/270 ÔÓ‰‰ÂÊË‚‡ÂÚ

Ò‡Ï˚È ‰ÓÒÚÛÔÌ˚È ËÁ ÍÓÏÏÂ˜ÂÒÍËı ÙÓχÚÓ‚.

ÒÎÂ‰Û˛˘Ë ÙÓχÚ˚.

■ ëڇ̉‡Ú GM System Level 2

■ SMF (Òڇ̉‡ÚÌ˚È Ù‡ÈÎ MIDI)

«GM System Level 2» — ˝ÚÓ Òڇ̉‡Ú̇fl

ùÚÓ Ò‡Ï˚È ‡ÒÔÓÒÚ‡ÌÂÌÌ˚È ÙÓχÚ.

ÒÔˆËÙË͇ˆËfl, fl‚Îfl˛˘‡flÒfl ÛÎÛ˜¯ÂÌÌ˚Ï

•ÖÒÚ¸ ‰‚‡ ÚËÔ‡ ÙÓχڇ SMF: Format 0 Ë

‚‡ˇÌÚÓÏ Òڇ̉‡Ú‡ «GM System Level 1»,

Format 1.

ÔÓ‚˚¯‡ÂÚ ÒÓ‚ÏÂÒÚËÏÓÒÚ¸ ‰‡ÌÌ˚ı ÔÂÒÌË. ùÚÓÚ

•åÌÓ„Ë MIDI-ÛÒÚÓÈÒÚ‚‡ ÔÓ‰‰ÂÊË‚‡˛Ú

Òڇ̉‡Ú Ó·ÂÒÔ˜˂‡ÂÚ ÛÎÛ˜¯ÂÌÌÛ˛

Format 0. ÅÓθ¯ËÌÒÚ‚Ó ÍÓÏÏÂ˜ÂÒÍËı

ÔÓÎËÙÓÌ˲, ӷ·‰‡ÂÚ ·Óθ¯ËÏ ‚˚·ÓÓÏ

ÍÓÏÔÓÁˈËÈ Ú‡ÍÊ Á‡ÔËÒ˚‚‡ÂÚÒfl ‚ ˝ÚÓÏ

ÚÂÏ·Ó‚, ‡Ò¯ËflÂÚ Ô‡‡ÏÂÚ˚ ÚÂÏ·Ó‚ Ë

ÙÓχÚÂ.

‰Â·ÂÚ ‚ÓÁÏÓÊÌÓÈ ËÌÚ„ËÓ‚‡ÌÌÛ˛ Ó·‡·ÓÚÍÛ

•CLP-280/270 ÔÓ‰‰ÂÊË‚‡ÂÚ Ó·‡ ÙÓχڇ.

˝ÙÙÂÍÚÓ‚.

•Ñ‡ÌÌ˚ ËÒÔÓÎÌÂÌËfl, Á‡ÔËÒ‡ÌÌ˚Â Ò ÔÓÏÓ˘¸˛

CLP-280/270, ÒÓı‡Ìfl˛ÚÒfl ‚ ÙÓχÚ SMF

■ XG

Format 0.

îÓÏ‡Ú XG fl‚ÎflÂÚÒfl ‡Ò¯ËÂÌËÂÏ Òڇ̉‡Ú‡

General MIDI (GM System level 1 format).

■ ESEQ

îËχ Yamaha ‡Á‡·Óڇ· ˝ÚÛ ÒÔˆËÙË͇ˆË˛

ùÚÓÚ ÙÓÏ‡Ú ÒÂÍ‚Â̈ËË ÔÓ‰‰ÂÊË‚‡˛Ú ÏÌÓ„ËÂ

‰Îfl Û‚Â΢ÂÌËfl ˜ËÒ· ‰ÓÒÚÛÔÌ˚ı ÚÂÏ·Ó‚ Ë

MIDI-ÛÒÚÓÈÒÚ‚‡ ÍÓÔÓ‡ˆËË Yamaha,

ÎÛ˜¯Â„Ó ÛÔ‡‚ÎÂÌËfl ÚÂÏ·‡ÏË Ë ˝ÙÙÂÍÚ‡ÏË, ‡

‚Íβ˜‡fl ÒÂ˲ ËÌÒÚÛÏÂÌÚÓ‚ Clavinova. ùÚÓ

Ú‡ÍÊ ‰Îfl ÒÓ‚ÏÂÒÚËÏÓÒÚË MIDI-‰‡ÌÌ˚ı ‚

Ó·˚˜Ì˚È ÙÓχÚ, ÍÓÚÓ˚È ËÒÔÓθÁÛÂÚÒfl

·Û‰Û˘ÂÏ.

‡ÁÌ˚Ï ÔÓ„‡ÏÏÌ˚Ï Ó·ÂÒÔ˜ÂÌËÂÏ Yamaha.

èÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ ̇ CLP-280/270 Ò

ËÒÔÓθÁÓ‚‡ÌËÂÏ ÚÂÏ·Ó‚ XG, ÒÓ‚ÏÂÒÚËÏ˚ Ò

β·˚ÏË ÛÒÚÓÈÒÚ‚‡ÏË, ÔÓ‰‰ÂÊË‚‡˛˘ËÏË

ÙÓÏ‡Ú XG.

104 CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

ëÓ‚ÏÂÒÚËÏÓÒÚ¸ ‰‡ÌÌ˚ı

■ îÓÏ‡Ú DOC (Disk Orchestra Collection)

ùÚÓÚ ÙÓÏ‡Ú ‡ÒÔ‰ÂÎÂÌËfl ÚÂÏ·Ó‚

ÔÓ‰‰ÂÊË‚‡˛Ú ÏÌÓ„Ë MIDI-ÛÒÚÓÈÒÚ‚‡

ÍÓÔÓ‡ˆËË Yamaha, ‚Íβ˜‡fl ËÌÒÚÛÏÂÌÚ˚

ÒÂËË Clavinova.

ùÚÓÚ Ó·˘ËÈ ÙÓÏ‡Ú ËÒÔÓθÁÛÂÚÒfl ‚ ‡Á΢ÌÓÏ

ÔÓ„‡ÏÏÌÓÏ Ó·ÂÒÔ˜ÂÌËË Yamaha.

■ GS

îÓÏ‡Ú GS ·˚Î ‡Á‡·ÓÚ‡Ì ÍÓÔÓ‡ˆËÂÈ

Roland.

í‡Í ÊÂ Í‡Í Ë Òڇ̉‡Ú XG ÍÓÔÓ‡ˆËË Yamaha,

ÙÓÏ‡Ú GS – ˝ÚÓ Á̇˜ËÚÂθÌÓ

ÛÒÓ‚Â¯ÂÌÒÚ‚Ó‚‡ÌÌÓ ‡Ò¯ËÂÌË Òڇ̉‡Ú‡

GM, Ó·ÂÒÔ˜˂‡˛˘Â ·Óθ¯Â ÍÓ΢ÂÒÚ‚Ó

‰ÓÒÚÛÔÌ˚ı ÚÂÏ·Ó‚ Ë Ì‡·ÓÓ‚ Û‰‡Ì˚ı

ËÌÒÚÛÏÂÌÚÓ‚ Ë Ëı ‚‡ˇˆËÈ, ‡ Ú‡ÍÊ ÎÛ˜¯ÂÂ

ÛÔ‡‚ÎÂÌË ÚÂÏ·‡ÏË Ë ˝ÙÙÂÍÚ‡ÏË.

чÊ ÂÒÎË MIDI-ÛÒÚÓÈÒÚ‚‡ Ë ËÒÔÓθÁÛÂÏ˚Â

‰‡ÌÌ˚ ۉӂÎÂÚ‚Ófl˛Ú ‚ÒÂÏ ‚˚¯ÂÔÂ˜ËÒÎÂÌÌ˚Ï

ÛÒÎÓ‚ËflÏ, ‰‡ÌÌ˚ ‚Ò ‡‚ÌÓ ÏÓ„ÛÚ Ó͇Á‡Ú¸Òfl

ÌÂÒÓ‚ÏÂÒÚËÏ˚ÏË ËÁ-Á‡ ÓÒÓ·ÂÌÌÓÒÚÂÈ ÛÒÚÓÈÒÚ‚ Ë

ÏÂÚÓ‰Ó‚ Á‡ÔËÒË ‰‡ÌÌ˚ı.

èËÎÓÊÂÌËÂ

îÓÏ‡Ú ‰ËÒÍÂÚ

Ç̇˜‡Î ÌÂÓ·ıÓ‰ËÏÓ ÒÍÓÌÙË„ÛËÓ‚‡Ú¸ ‰ËÒÍÂÚÛ,

˜ÚÓ·˚ Ó̇ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Î‡ ËÒÔÓθÁÛÂÏÓÏÛ

ÛÒÚÓÈÒÚ‚Û. ùÚ‡ ÓÔÂ‡ˆËfl ̇Á˚‚‡ÂÚÒfl

«ÙÓχÚËÓ‚‡ÌËÂÏ».

• ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ÚËÔ‡ ‰ËÒÍÂÚ: MF2DD

(‰‚ÛÒÚÓÓÌÌËÂ, ‰‚ÓÈÌÓÈ ÔÎÓÚÌÓÒÚË) Ë MF2HD

(‰‚ÛÒÚÓÓÌÌËÂ, ‚˚ÒÓÍÓÈ ÔÎÓÚÌÓÒÚË). ä‡Ê‰˚È

ËÁ ˝ÚËı ÚËÔÓ‚ ÔÓ‰‰ÂÊË‚‡ÂÚ ‡ÁÌÓÂ

ÙÓχÚËÓ‚‡ÌËÂ.

• ÇÓÒÔÓËÁ‚‰ÂÌËÂ Ò ‰ËÒÍÂÚ˚ ‚ÓÁÏÓÊÌÓ Î˯¸ ‚

ÚÓÏ ÒÎÛ˜‡Â, ÂÒÎË MIDI-ÛÒÚÓÈÒÚ‚Ó

ÔÓ‰‰ÂÊË‚‡ÂÚ ÙÓÏ‡Ú ‰ËÒÍÂÚ˚.

CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 105

CLP-280/270: ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚

5. èÓ‰ÒÓ‰ËÌËÚ ͇·Âθ ‰Ë̇ÏËÍÓ‚.

7. èËÍÂÔËÚÂ ë.

5-1 ëÌËÏËÚ ÍÂÔÎÂÌËÂ Ò Í‡·ÂÎfl ‰Ë̇ÏËÍÓ‚.

7-1 èÓÏÂÒÚËÚ ̇ D (‰Â‚flÌÌ˚ ÒÚÓÔÓ˚

‰ÓÎÊÌ˚ ̇ıÓ‰ËÚ¸Òfl ̇ ÌËÊÌËı ÍÓÏ͇ı C)

5-2 ÇÒÚ‡‚¸Ú ¯ÚÂÍÂ ͇·ÂÎfl ‰Ë̇ÏËÍÓ‚ ‚

Ë Á‡ÍÂÔËÚ ‚ÂıÌ˛˛ ˜‡ÒÚ¸.

‡Á˙ÂÏ, ˜ÚÓ·˚ ÍÓÌÚ‡ÍÚ ÔË ‚Á„Îfl‰Â ÒÁ‡‰Ë

‚˚‰‚Ë„‡ÎÒfl ‚ÔÂ‰.

7-2 á‡ÍÂÔËÚ Ô‡‚Û˛ Ë ÎÂ‚Û˛ ˜‡ÒÚË C Ò

ÔÓÏÓ˘¸˛ ‰‚Ûı ÚÓÌÍËı ¯ÛÛÔÓ‚ 4 x 14 ÏÏ.

7-2

7-1

6. èÓ‰ÒÓ‰ËÌËÚ ͇·Âθ Ô‰‡ÎÂÈ.

7-3

6-1 ÇÒÚ‡‚¸Ú ¯ÚÂÍÂ ͇·ÂÎfl Ô‰‡ÎË ‚ ‡Á˙ÂÏ

èËÎÓÊÂÌËÂ

[PEDAL].

6-2 èËÒÓ‰ËÌËÚÂ Í ËÌÒÚÛÏÂÌÚÛ ‰ÂʇÚÂÎË

͇·ÂÎÂÈ , Á‡ÚÂÏ Á‡˘ÂÎÍÌËÚ ‰ÂʇÚÂÎË.

é·‡ÚËÚ ‚ÌËχÌË ̇ ÚÓ, ˜ÚÓ·˚ ͇·Âθ

Ô‰‡ÎÂÈ Ì ‚ËÒÂÎ ÏÂÊ‰Û ¯ÚÂÍÂÓÏ Ë

‰ÂʇÚÂÎÂÏ Í‡·ÂÎÂÈ.

7-3 á‡ÍÂÔËÚ ‚ÂıÌ˛˛ ˆÂÌÚ‡Î¸ÌÛ˛ Ë

ÌËÊÌ˛˛ ˜‡ÒÚË C Ò ÔÓÏÓ˘¸˛ ÔflÚË

6-3 ë‚flÊËÚ ͇·Âθ Ô‰‡ÎÂÈ Ò ÔÓÏÓ˘¸˛

Ò‡ÏÓÂÁÓ‚ 4 x 20 ÏÏ.

ÍÂÔÎÂÌËfl ‰Îfl ͇·ÂÎÂÈ.

6-1

8. èÓ‰ÒÓ‰ËÌËÚ ͇·Âθ ÔËÚ‡ÌËfl.

ÇÒÚ‡‚¸Ú ‚ËÎÍÛ Í‡·ÂÎfl ÔËÚ‡ÌËfl

‚ [AC INLET].

6-2

6-3

Ç ÏÓ‰ÂÎflı Ò

240

ÔÂÂÍβ˜‡ÚÂÎflÏË

110

̇ÔflÊÂÌËfl

220

ÔÓÒÚ‡‚¸Ú ÔÂÂÍβ˜‡ÚÂθ

127

̇ÔflÊÂÌËfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÂ

Á̇˜ÂÌËÂ.

112 CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

CLP-280/270: ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚

èÂÂÍβ˜‡ÚÂθ ̇ÔflÊÂÌËfl

èÓÒΠҷÓÍË ÔÓ‚Â¸Ú ÒÎÂ‰Û˛˘ÂÂ.

Ç ÌÂÍÓÚÓ˚ı „ËÓ̇ı ËÒÔÓθÁÛÂÚÒfl ÔÂÂÍβ˜‡ÚÂθ

•ç ÓÒÚ‡ÎÓÒ¸ ÎË «Î˯ÌËı» ‰ÂÚ‡ÎÂÈ?

̇ÔflÊÂÌËfl. èÂʉ ˜ÂÏ ÔÓ‰Íβ˜‡Ú¸ ͇·Âθ

èÓ‚Â¸Ú ҷÓÍÛ Ë ËÒÔ‡‚¸Ú ӯ˷ÍË.

ÔËÚ‡ÌËfl, ÔÓ‚Â¸ÚÂ, Ô‡‚ËθÌÓ ÎË ÓÌ ÛÒÚ‡ÌÓ‚ÎÂÌ.

•ç Ï¯‡ÂÚ ÎË ÔˇÌËÌÓ Clavinova ÓÚÍ˚‚‡Ú¸

ÑÎfl ÛÒÚ‡ÌÓ‚ÍË ÔÂÂÍβ˜‡ÚÂÎfl ̇ 110, 127, 220 ËÎË

‰‚ÂË Ë ÔÂÂÏ¢‡Ú¸ Ô‰ÏÂÚ˚?

240 ‚ÓθÚ, Ò ÔÓÏÓ˘¸˛ ÓÚ‚ÂÚÍË ÔÓ‚ÂÌËÚ ‰ËÒÍ Ú‡Í,

èÓÒÚ‡‚¸Ú ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ‚

˜ÚÓ·˚ Ô‡‚ËθÌÓ ̇ÔflÊÂÌË ‰Îfl ‚‡¯Â„Ó „ËÓ̇

̇ıÓ‰ËÎÓÒ¸ ̇ÔÓÚË‚ Û͇Á‡ÚÂÎfl ̇ Ô‡ÌÂÎË. èË

Û‰Ó·ÌÓÂ ÏÂÒÚÓ.

ÔÓÒÚ‡‚Í ÔÂÂÍβ˜‡ÚÂθ ̇ÔflÊÂÌËfl ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡

•ç «·ÓÎÚ‡ÂÚÒfl» ÎË ËÌÒÚÛÏÂÌÚ Clavinova, ÍÓ„‰‡

̇ÔflÊÂÌË ‚ 240 Ç.

‚˚ Â„Ó ÚflÒÂÚ (Ó· ˝ÚÓÏ ÏÓÊÌÓ ÒÛ‰ËÚ¸ ÔÓ

Ç˚·‡‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â ̇ÔflÊÂÌËÂ, ÔÓ‰Íβ˜ËÚÂ

ÒÍËÔfl˘ÂÏÛ Á‚ÛÍÛ)?

͇·Âθ ÔËÚ‡ÌËfl Í ‡Á˙ÂÏÛ AC INLET Ë Í

á‡ÚflÌËÚ ‚Ò ¯ÛÛÔ˚.

˝ÎÂÍÚÓÒÂÚË. Ç ÌÂÍÓÚÓ˚ı „ËÓ̇ı ‰Îfl

•ç ÒÏ¢‡ÂÚÒfl ÎË Ô‰‡Î¸Ì˚È ·ÎÓÍ Ë Ì ÒÎ˚¯ÌÓ

ÔÓ‰Íβ˜ÂÌËfl Í ˝ÎÂÍÚÓÒÂÚË ÚÂ·Û˛ÚÒfl ÔÂÂıÓ‰ÌËÍË

ÎË „ÓıÓÚ‡ ÔË Ì‡Ê‡ÚËË Ì‡ Ô‰‡ÎË?

Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ‡ÒÔÓÎÓÊÂÌËÂÏ ÍÓÌÚ‡ÍÚÓ‚.

ìÒÚ‡ÌÓ‚ËÚ „ÛÎflÚÓ ‚˚ÒÓÚ˚ Ú‡Í, ˜ÚÓ·˚

ËÌÒÚÛÏÂÌÚ Ú‚Â‰Ó ÒÚÓflΠ̇ ÔÓÎÛ.

èêÖÑìèêÖÜÑÖçàÖ

çÂÔ‡‚Ëθ̇fl ÛÒÚ‡Ìӂ͇ ̇ÔflÊÂÌËfl ÏÓÊÂÚ

•èÎÓÚÌÓ ÎË ‚ÒÚ‡‚ÎÂÌ˚ ‚ ‡Á˙ÂÏ˚ ͇·ÂÎË Ô‰‡ÎË

ÒÂ¸ÂÁÌÓ ÔÓ‚‰ËÚ¸ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ËÎË

Ë ÔËÚ‡ÌËfl?

‚˚Á‚‡Ú¸ ÌÂÔ‡‚ËθÌÛ˛ ‡·ÓÚÛ.

èÓ‚Â¸Ú ÒÓ‰ËÌÂÌËfl.

•ÖÒÎË ÔË Ë„ ̇ Í·‚˯‡ı ÓÒÌӂ̇fl ˜‡ÒÚ¸

ËÌÒÚÛÏÂÌÚ‡ ÒÍËÔËÚ ËÎË ÌÂÛÒÚÓȘ˂‡,

ÔÓÒÏÓÚËÚ ÒıÂÏÛ Ò·ÓÍË Ë Á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚.

9. ìÒÚ‡ÌÓ‚ËÚ „ÛÎflÚÓ ‚˚ÒÓÚ˚.

èÓ‚Ó‡˜Ë‚‡ÈÚ ÙËÍÒËÛ˛˘ËÈ ‚ËÌÚ ‰Ó ÚÂı

ÇçàåÄçàÖ!

ÔÓ, ÔÓ͇ ÓÌ Ì ÔˉÂÚ ‚ ÚÂÒÌÓÂ

èË ÔÂÂÒÚ‡ÌÓ‚Í ËÌÒÚÛÏÂÌÚ‡ ÔÓÒΠҷÓÍË

ÒÓÔËÍÓÒÌÓ‚ÂÌËÂ Ò ÔÓ‚ÂıÌÓÒÚ¸˛ ÔÓ·.

‚Ò„‰‡ ‰ÂÊËÚÂ Â„Ó Á‡ ÌËÊÌ˛˛ ˜‡ÒÚ¸ Ë Á‡

Û˜ÍË Ì‡ Á‡‰ÌÂÈ Ô‡ÌÂÎË.

ç ‰ÂÊËÚ Á‡ Í˚¯ÍÛ Í·‚ˇÚÛ˚.

çÂÔ‡‚Ëθ̇fl ÔÂÂÌÓÒ͇ ÏÓÊÂÚ ÔË‚ÂÒÚË Í

èËÎÓÊÂÌËÂ

‚˚ıÓ‰Û ËÌÒÚÛÏÂÌÚ‡ ËÁ ÒÚÓfl ËÎË Í Ú‡‚ÏÂ.

10.èËÍÂÔËÚ Í˛˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚.

åÓÊÌÓ ÔËÍÂÔËÚ¸ Í˛˜ÓÍ Í ÔˇÌËÌÓ

Clavinova, ˜ÚÓ·˚ ‚¯‡Ú¸ ̇ Ì„Ó

̇ۯÌËÍË.

á‡ÍÂÔËÚ Í˛˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚ ̇

ÍÓÔÛÒÂ Ò ÔÓÏÓ˘¸˛ ‰‚Ûı ‚ËÌÚÓ‚

(4 ı 10 ÏÏ), Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ.

ÅÂËÚÂÒ¸ Á‰ÂÒ¸.

ç ·ÂËÚÂÒ¸ Á‰ÂÒ¸.

èÓÒΠÚ‡ÌÒÔÓÚËÓ‚ÍË ËÌÒÚÛÏÂÌÚ‡

ÔӉ·ÈÚ ÒÎÂ‰Û˛˘ÂÂ, ˜ÚÓ·˚ ۷‰ËÚ¸Òfl ‚

ÓÔÚËχθÌÓÈ ‡·ÓÚ ÙÛÌ͈ËË iAFC (ÒÚ. 81):

•ìÒÚ‡ÌÓ‚ËÚ ÔˇÌËÌÓ Clavinova Ú‡Í, ˜ÚÓ·˚

‡ÒÒÚÓflÌË ÏÂÊ‰Û Â„Ó Á‡‰ÌÂÈ Ô‡ÌÂθ˛ Ë

ÒÚÂÌÓÈ ·˚ÎÓ ÌÂ ÏÂÌÂÂ 10 ÒÏ.

•Ç˚ÔÓÎÌËÚ ‡‚ÚÓχÚ˘ÂÒÍÛ˛ ̇ÒÚÓÈÍÛ

ÙÛÌ͈ËË iAFC (ÒÚ. 82).

CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 113

àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚

(FDD) Ë ‰ËÒÍÂÚ (ÔÓÒÚ‡‚ÎflÂÚÒfl ÔÓ Á‡Í‡ÁÛ)

ç‡ ËÌÒÚÛÏÂÌÚ ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ‰ÓÔÓÎÌËÚÂθÌ˚È

ÇçàåÄçàÖ!

‰ËÒÍÓ‚Ó‰ UD-FD01. ëÏ. ËÌÒÚÛ͈ËË ÔÓ ÛÒÚ‡ÌÓ‚ÍÂ

ç ‚˚ÌËχÈÚ ‰ËÒÍÂÚÛ Ë Ì ‚˚Íβ˜‡ÈÚÂ

‰ËÒÍÓ‚Ó‰‡ ̇ ÒÚ. 115.

ËÌÒÚÛÏÂÌÚ, ÂÒÎË ÂÒÚ¸ Ó·‡˘ÂÌËÂ Í ‰ËÒÍÂÚÂ.

ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚÂ ‰‡ÌÌ˚ı Ë Í

Ç˚ ÏÓÊÂÚ ı‡ÌËÚ¸ Ò‚ÓË ‰‡ÌÌ˚ ̇ ‰ËÒÍÂÚ Ë

ÔÓ‚ÂʉÂÌ˲ ‰ËÒÍÓ‚Ó‰‡.

Á‡„Ûʇڸ Ëı Ò ‰ËÒ͇ ̇ ËÌÒÚÛÏÂÌÚ.

• èÂʉ ˜ÂÏ ÓÚÍβ˜‡Ú¸ ÔËÚ‡ÌËÂ, ۷‰ËÚÂÒ¸, ˜ÚÓ ‚

ÅÂÂÊÌÓ Ó·‡˘‡ÈÚÂÒ¸ Ò ‰ËÒÍÂÚ‡ÏË Ë ‰ËÒÍÓ‚Ó‰ÓÏ.

‰ËÒÍӂӉ ÌÂÚ ‰ËÒÍÂÚ˚. ÖÒÎË ‰ËÒÍÂÚ‡ ̇ıÓ‰ËÚÒfl ‚

èËÌËχÈÚ ‚Ò Û͇Á‡ÌÌ˚ ÏÂ˚

‰ËÒÍӂӉ ‰ÎËÚÂθÌÓ ‚ÂÏfl, Ó̇ ÏÓÊÂÚ ÔÓÍ˚Ú¸Òfl Ô˚θ˛

Ô‰ÓÒÚÓÓÊÌÓÒÚË.

Ë „flÁ¸˛, ‡ ˝ÚÓ ‚˚Á˚‚‡ÂÚ Ó¯Ë·ÍË ÔË ˜ÚÂÌËË ËÎË Á‡ÔËÒË.

ëÓ‚ÏÂÒÚËÏ˚ ‰ËÒÍÂÚ˚

é˜ËÒÚ͇ „ÓÎÓ‚ÍË ‰ËÒÍÓ‚Ó‰‡ ‰Îfl ˜ÚÂÌËfl/

Á‡ÔËÒË ‰‡ÌÌ˚ı

• åÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰ËÒÍÂÚ˚ 3,5" 2DD Ë 2HD.

• çÂÓ·ıÓ‰ËÏÓ „ÛÎflÌÓ ˜ËÒÚËÚ¸ „ÓÎÓ‚ÍÛ ˜ÚÂÌËfl/Á‡ÔËÒË

îÓχÚËÓ‚‡ÌË ‰ËÒÍÂÚ˚

‰‡ÌÌ˚ı. àÌÒÚÛÏÂÌÚ ÓÒ̇˘ÂÌ Ï‡„ÌËÚÌÓÈ „ÓÎÓ‚ÍÓÈ ‚˚ÒÓÍÓÈ

ÚÓ˜ÌÓÒÚË, ̇ ÍÓÚÓÓÈ ÔÓÒΠ‰ÎËÚÂθÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl

• ÖÒÎË Ì ۉ‡ÂÚÒfl ËÒÔÓθÁÓ‚‡Ú¸ ÌÓ‚˚ ˜ËÒÚ˚ ‰ËÒÍÂÚ˚ ËÎË

Ó·‡ÁÛÂÚÒfl ÒÎÓÈ Ï‡„ÌËÚÌ˚ı ˜‡ÒÚˈ Ò ‰ËÒÍÂÚ, ˜ÚÓ ÒÓ ‚ÂÏÂÌÂÏ

‰ËÒÍÂÚ˚, ÍÓÚÓ˚ ËÒÔÓθÁÓ‚‡ÎËÒ¸ ̇ ‰Û„Ëı ÛÒÚÓÈÒÚ‚‡ı,

ÏÓÊÂÚ ÔË‚ÂÒÚË Í Ó¯Ë·Í‡Ï ‚Ó ‚ÂÏfl ˜ÚÂÌËfl Ë Á‡ÔËÒË ‰‡ÌÌ˚ı.

Ëı ÌÛÊÌÓ ÓÚÙÓχ-ÚËÓ‚‡Ú¸. àÌÒÚÛ͈ËË ÔÓ

• óÚÓ·˚ ÔÓ‰‰ÂÊË‚‡Ú¸ ‰ËÒÍÓ‚Ó‰ ‚ ‡·Ó˜ÂÏ ÒÓÒÚÓflÌËË,

ÙÓχÚËÓ‚‡Ì˲ ‰ËÒÍÂÚ˚ ÒÏ. ̇ ÒÚ. 52. èÓÏÌËÚÂ, ˜ÚÓ

ÍÓÔÓ‡ˆËfl Yamaha ÂÍÓÏẨÛÂÚ ‡Á ‚ ÏÂÒflˆ

ÔÓÒΠÙÓχÚËÓ‚‡ÌËfl ‚Ò ‰‡ÌÌ˚ ̇ ‰ËÒÍÂÚ ·Û‰ÛÚ

ËÒÔÓθÁÓ‚‡Ú¸ ÒÔˆˇθÌÛ˛ ‰ËÒ-ÍÂÚÛ ÒÛıÓ„Ó ÚËÔ‡

ÛÌ˘ÚÓÊÂÌ˚. á‡‡Ì ÔÓ‚Â¸ÚÂ, ÂÒÚ¸ ÎË ‰ËÒÍÂÚ ‚‡ÊÌ˚Â

(Ëϲ˘Û˛Òfl ‚ ÔÓ‰‡ÊÂ) ‰Îfl Ó˜ËÒÚÍË „ÓÎÓ‚ÍË. Ç˚flÒÌËÚ¸,

ÂÒÚ¸ ÎË ‚ ÔÓ‰‡Ê ˜ËÒÚfl˘Ë ‰ËÒÍÂÚ˚, ÏÓÊÌÓ Û ÏÂÒÚÌÓ„Ó

èËÎÓÊÂÌËÂ

‰‡ÌÌ˚Â.

Ô‰ÒÚ‡‚ËÚÂÎfl ÍÓÔÓ‡ˆËË Yamaha.

èêàåÖóÄçàÖ:

ÑËÒÍÂÚ˚, ÓÚÙÓχÚËÓ‚‡ÌÌ˚ ̇ ˝ÚÓÏ ÛÒÚÓÈÒÚ‚Â, ÏÓ„ÛÚ

ÑËÒÍÂÚ˚

·˚Ú¸ ÌÂÔË„Ó‰Ì˚ ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ̇ ‰Û„ÓÏ ÛÒÚÓÈÒÚ‚Â.

é·‡˘‡ÈÚÂÒ¸ Ò ‰ËÒÍÂÚ‡ÏË ‡ÍÍÛ‡ÚÌÓ Ë Òӷ≇ÈÚÂ

ìÒÚ‡Ìӂ͇ Ë Û‰‡ÎÂÌË ‰ËÒÍÂÚ:

ÒÎÂ‰Û˛˘Ë ÏÂ˚ Ô‰ÓÒÚÓÓÊÌÓÒÚË:

• ç ÒÚ‡‚¸Ú ̇ ‰ËÒÍÂÚ˚ ÚflÊÂÎ˚ Ô‰ÏÂÚ˚, Ì ҄˷‡ÈÚ Ë

ìÒÚ‡Ìӂ͇ ‰ËÒÍÂÚ˚ ‚ ‰ËÒÍÓ‚Ó‰

Ì ÔËÏÂÌflÈÚ ÒËÎÛ ÔË Ó·‡˘ÂÌËË Ò ÌËÏË. äÓ„‰‡ ‰ËÒÍÂÚ˚

• ÑÂÊËÚ ‰ËÒÍÂÚÛ Ì‡ÍÎÂÈÍÓÈ ‚‚Âı, ÒÍÓθÁfl˘ÂÈ ¯ÚÓÍÓÈ

Ì ËÒÔÓθÁÛ˛ÚÒfl, ı‡ÌËÚ Ëı ‚ ÍÓӷ͇ı.

• ç ÔÓ‰‚Â„‡ÈÚ ‰ËÒÍÂÚ˚ ‚ÓÁ‰ÂÈÒڂ˲ ÔflÏÓ„Ó ÒÓÎ̘ÌÓ„Ó

‚ÔÂ‰ ÔÓ Ì‡Ô‡‚ÎÂÌ˲ Í ÔÓÂÁË ‰ËÒÍÓ‚Ó‰‡. éÒÚÓÓÊÌÓ

Ò‚ÂÚ‡, ÒÎ˯ÍÓÏ ÌËÁÍËı Ë ‚˚ÒÓÍËı ÚÂÏÔÂ‡ÚÛ, ËÁ·˚ÚÓ˜ÌÓÈ

‚ÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ‚ „ÌÂÁ‰Ó Ë Ïfl„ÍÓ ÚÓÎÍÌËÚ ‚ÔÂ‰, ÔÓ͇

‚·ÊÌÓÒÚË, ËÁ·Â„‡ÈÚ Ò͇ÔÎË‚‡ÌËfl ̇ ÌËı Ô˚ÎË Ë

Ì ÛÒÎ˚¯ËÚ ˘ÂΘÓÍ Ë Ì ‚˚ÒÍÓ˜ËÚ ÍÌÓÔ͇ ‰ËÒÍÓ‚Ó‰‡.

ÔÓÔ‡‰‡ÌËfl ÊˉÍÓÒÚË.

èêàåÖóÄçàÖ:

• ç ÒΉÛÂÚ ÓÚÍ˚‚‡Ú¸ ¯ÚÓÍÛ Ë ÔË͇҇ڸÒfl Í Ï‡„ÌËÚÌÓÈ

ç ‚ÒÚ‡‚ÎflÈÚ ‚ ‰ËÒÍÓ‚Ó‰ Ì˘„Ó, ÍÓÏ ‰ËÒÍÂÚ.

ÔÓ‚ÂıÌÓÒÚË ‰ËÒÍÂÚ˚.

ÑÛ„Ë Ô‰ÏÂÚ˚ ÏÓ„ÛÚ ÔÓ‚‰ËÚ¸ ‰ËÒÍÓ‚Ó‰ ËÎË

• ç ÔÓ‰‚Â„‡ÈÚ ‰ËÒÍÂÚ˚ ‚ÓÁ‰ÂÈÒڂ˲ χ„ÌËÚÌ˚ı ÔÓÎÂÈ

‰ËÒÍÂÚÛ.

ÚÂ΂ËÁÓÓ‚, ‰Ë̇ÏËÍÓ‚, ˝ÎÂÍÚÓÏÓÚÓÓ‚ Ë Ú.‰., Ú‡Í Í‡Í

χ„ÌËÚÌ˚ ÔÓÎfl ÏÓ„ÛÚ ÔÓÎÌÓÒÚ¸˛ ËÎË ˜‡ÒÚ˘ÌÓ ÒÚÂÂÚ¸

쉇ÎÂÌË ‰ËÒÍÂÚ˚

‰‡ÌÌ˚ ̇ ‰ËÒÍÂÚÂ, ҉·‚  ÌÂÔË„Ó‰ÌÓÈ ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl.

• ì·Â‰Ë‚¯ËÒ¸, ˜ÚÓ ËÌÒÚÛÏÂÌÚ Ì ӷ‡˘‡ÂÚÒfl* Í ‰ËÒÍÂÚÂ

• çËÍÓ„‰‡ Ì ËÒÔÓθÁÛÈÚ ‰ËÒÍÂÚ˚ Ò ‰ÂÙÓÏËÓ‚‡ÌÌÓÈ

(Ë̉Ë͇ÚÓ fl‰ÓÏ Ò „ÌÂÁ‰ÓÏ ‰ËÒÍÓ‚Ó‰‡ Ì „ÓËÚ), ̇ÊÏËÚÂ

¯ÚÓÍÓÈ ËÎË ÍÓÔÛÒÓÏ.

̇ ÍÌÓÔÍÛ ‚˚‰‚ËÊÂ-ÌËfl, ‡ÒÔÓÎÓÊÂÌÌÛ˛ ÒÔ‡‚‡ ÔÓ‰

•

ç ̇ÍÎÂË‚‡ÈÚ ̇ ‰ËÒÍÂÚÛ Ì˘„Ó, ÍÓÏ ÔÓÒÚ‡‚ÎflÂÏ˚ı Ò ÌÂÈ

„ÌÂÁ‰ÓÏ. äÓ„‰‡ ‰ËÒÍÂÚ‡ ‚˚‰‚ËÌÂÚ-Òfl, ‚˚Ú‡˘Ëڠ ËÁ

̇ÍÎÂÂÍ.

èËÍÂÔÎflÈÚ ̇ÍÎÂÈÍË ‚ Ô‰̇Á̇˜ÂÌÌÓÏ ‰Îfl

‰ËÒÍÓ‚Ó‰‡. ÖÒÎË ‰ËÒÍÂÚÛ Ì ۉ‡ÂÚÒfl ‚˚Ú‡˘ËÚ¸, ÌÂ

˝ÚÓ„Ó ÏÂÒÚÂ.

ÔËÏÂÌflÈÚ ÒËÎÛ. ֢ ‡Á ÔÓÔÓ·ÛÈÚ ̇ʇڸ ̇ ÍÌÓÔÍÛ

ᇢËÚ‡ ‰‡ÌÌ˚ı (Á‡˘ËÚ‡ ÓÚ Á‡ÔËÒË):

‚˚‰‚Ë-ÊÂÌËfl ËÎË ÔÓ‚ÚÓÌÓ ‚ÒÚ‡‚ËÚ¸ ‰ËÒÍÂÚÛ Ë ÔÓÔ˚Ú‡Ú¸Òfl

• óÚÓ·˚ ÒÎÛ˜‡ÈÌÓ Ì ۉ‡ÎËÚ¸ ‚‡ÊÌ˚ ‰‡ÌÌ˚Â, ÔÂÂÏÂÒÚËÚÂ

‚˚‰‚ËÌÛÚ¸ ÂÂ.

Á‡˘ÂÎÍÛ ‚ ÔÓÎÓÊÂÌË «Á‡˘ËÚ˚» (ÓÚ‚ÂÒÚË ÓÚÍ˚ÚÓ).

*ç ‚˚ÔÓÎÌfl˛ÚÒfl ÓÔÂ‡ˆËË, Ú‡ÍËÂ Í‡Í Á‡ÔËÒ¸,

äÓ„‰‡ ÌÛÊÌÓ Á‡ÔËÒ‡Ú¸ ‰‡ÌÌ˚Â, Á‡˘ÂÎ͇ ‰ÓÎÊ̇ ·˚Ú¸ ‚

‚ÓÒÔÓËÁ‚‰ÂÌË ËÎË Û‰‡ÎÂ-ÌË ‰‡ÌÌ˚ı. ÖÒÎË ÔËÚ‡ÌËÂ

ÔÓÎÓÊÂÌËË «Á‡ÔËÒ¸» (ÓÚ‚ÂÒÚË Á‡Í˚ÚÓ).

‚Íβ˜ÂÌÓ Ë ‚˚ ‚ÒÚ‡‚ÎflÂÚ ‰ËÒÍÂÚÛ, ËÌÒÚÛÏÂÌÚ

‡‚ÚÓχÚ˘ÂÒÍË Ó·‡˘‡ÂÚÒfl Í ÌÂÈ, ˜ÚÓ·˚ ÔÓ‚ÂËÚ¸

̇΢ˠ‰‡ÌÌ˚ı.

114 CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

ìÒÚ‡Ìӂ͇ ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚

(ÔÓÒÚ‡‚ÎflÂÚÒfl ÔÓ Á‡Í‡ÁÛ)

çÂÓ·flÁ‡ÚÂθÌ˚È ‰ËÒÍÓ‚Ó‰ UD-FD01 ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ‚ ÌËÊÌÂÈ ˜‡ÒÚË ËÌÒÚÛÏÂÌÚ‡ Ò ÔÓÏÓ˘¸˛ ÍÓÊÛı‡ Ë

‚ËÌÚÓ‚, ‚ıÓ‰fl˘Ëı ‚ ÔÓÒÚ‡‚ÍÛ.

1. 쉇ÎËÚ ÚË ·ÛχÊÌ˚ ÔÓ‰ÎÓÊÍË Ò

3. èËÍÂÔËÚ ‰ËÒÍÓ‚Ó‰ ‚ ÍÓÊÛıÂ

ÍÎÂÈÍÓÈ ÎÂÌÚ˚ ‚ ÍÓÊÛıÂ Ë ÔÓÏÂÒÚËÚÂ

Í ÌËÊÌÂÈ Î‚ÓÈ ÒÚÓÓÌ ËÌÒÚÛÏÂÌÚ‡

‰ËÒÍÓ‚Ó‰ ‚ ÍÓÊÛı.

Ò ÔÓÏÓ˘¸˛ ˜ÂÚ˚Âı ÔË·„‡ÂÏ˚ı

‚ËÌÚÓ‚ (4 ÏÏ x 10 ÏÏ).

ÇÒÚ‡‚¸Ú ‰ËÒÍÓ‚Ó‰ ‚ ÍÓÊÛı.

ëÚÓÓ̇ Ò ÂÁËÌÓ‚˚ÏË Ó„‡Ì˘ËÚÂÎflÏË ‰ÓÎÊ̇ ·˚Ú¸

Ó·‡˘Â̇ Í ÍÓÊÛıÛ.

èËÎÓÊÂÌËÂ

4. èÓ‰Íβ˜ËÚ ͇·Âθ USB Í ‡Á˙ÂÏÛ

Ñ‚ÛÒÚÓÓÌÌflfl ÍÎÂÈ͇fl ÎÂÌÚ‡

[TO DEVICE].

2. ê‡ÒÔÓÎÓÊËÚ ͇·Âθ USB ‚ÌÛÚË ÍÓÊÛı‡,

Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ.

CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 115

íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË

àÁ‰ÂÎË CLP-280 CLP-270

ä·‚ˇÚÛ‡

ä·‚ˇÚÛ‡ ËÁ ̇ÚÛ‡Î¸ÌÓ„Ó ‰Â‚‡

ä·‚ˇÚÛ‡ GH3 Ò 88 Í·‚˯‡ÏË

(88 Í·‚˯) (A-1 – C7)

(A-1 – C7)

àÒÚÓ˜ÌËÍ Á‚Û͇

ÑË̇Ï˘ÂÒÍÓ ÒÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌË AWM

èÓÎËÙÓÌËfl (χÍÒËχθ̇fl)

128

Ç˚·Ó ÚÂÏ·‡

è‰‚‡ËÚÂθÌ˚ ÛÒÚ‡ÌÓ‚ÍË ‰Îfl Û˜ÌÓ„Ó ËÒÔÓÎÌÂÌËfl: 38 ÚÂÏ·Ó‚,

ÚÂÏ·˚ XG: 480 ÚÂÏ·Ó‚ + 12 ÚÂÏ·Ó‚ Û‰‡Ì˚ı,

ÚÂÏ·˚ GM2 Ë GS ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÂÌ GM2/GS

ùÙÙÂÍÚ (Effect)

ê‚Â·Â‡ˆËfl (Reverb), ıÓ (Chorus), flÍÓÒÚ¸ (Brilliance), ˝ÙÙÂÍÚ ‚‡ˇˆËË

(Variation), ˝ÙÙÂÍÚ ‚ÒÚ‡‚ÍË (Insertion) x 3, iAFC

ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl

Dual, Split

ùÍ‡Ì

Üä-‰ËÒÔÎÂÈ

á‡ÔËÒ¸/ÇÓÒÔÓËÁ‚‰ÂÌËÂ

16-‰ÓÓʘ̇fl Á‡ÔËÒ¸/‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ÒÚÓÈ͇ ÚÂÏÔ‡

èËÎÓÊÂÌËÂ

ìÒÚÓÈÒÚ‚Ó Ô‡ÏflÚË

çÂÓ·flÁ‡ÚÂθÌÓ ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl USB (˜ÂÂÁ ‡Á˙ÂÏ USB TO DEVICE)

îν¯-Ô‡ÏflÚ¸ (‚ÌÛÚÂÌÌflfl): 1,7 åÅ

艇θ

ÑÂÏÔÙÂ̇fl (Ò ˝ÙÙÂÍÚÓÏ ÔÓÎÛÔ‰‡ÎË), ÒÓÒÚÂÌÛÚÓ, ÔË„ÎÛ¯‡˛˘‡fl Á‚ÛÍ

ÑÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÔÂÒÌË

16 ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ ÚÂÏ·Ó‚, 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ

ÉÌÂÁ‰‡/ê‡Á˙ÂÏ˚

MIDI (IN/OUT/THRU), PHONES x 2, AUX IN (L/L+R, R), AUX OUT (L, R), USB TO HOST,

USB TO DEVICE, AUX PEDAL

ÉÌÂÁ‰‡/ëÓ‰ËÌËÚÂθÌ˚Â

2 60-‚‡ÚÚÌ˚ı ‡Á˙Âχ, 2 20-‚‡ÚÚÌ˚ı ‡Á˙Âχ

‡Á˙ÂÏ˚

ÑË̇ÏËÍË

2 ¯Ú. 16 ÒÏ x 2, 2.5 ÒÏ (DOME), 4 ¯Ú. 2, 8 ÒÏ

ɇ·‡ËÚ˚

1 418 ÏÏ x 520 ÏÏ x 919 ÏÏ

1 417 ÏÏ x 519 ÏÏ x 915 ÏÏ

(¯ËË̇ x ‰ÎË̇ x ‚˚ÒÓÚ‡)

[55 13/16 " x 20 1/2 ‰˛Èχ x 36 3/16

[55 13/16 " x 20 7/16 ‰˛Èχ x 36 ‰˛ÈÏÓ‚]

‰˛Èχ]

(1 417 ÏÏ x 519 ÏÏ x 1 009 ÏÏ)

(Ò Ô˛ÔËÚÓÏ)

1 418 ÏÏ x 520 ÏÏ x 1 010 ÏÏ

[55 13/16 " x 20 7/16 ‰˛Èχ x 39 3/4

[55 13/16 " x 20 1/2 ‰˛Èχ x 39 3/4

‰˛Èχ]

‰˛Èχ]

ÇÂÒ

92 Í„ (202 ÙÛÌÚ‡ 13/16 Û̈ËË) 91 Í„ (202 ÙÛÌÚ‡ 5/8 Û̈ËË)

ÑÓÔÓÎÌËÚÂθÌ˚Â

“50 ıËÚÓ‚ ‰Îfl ÙÓÚÂÔ¸flÌÓ” ̇·Ó ÌÓÚ, ÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl, Ò·ÓÌËÍ Ú‡·Îˈ,

ÔË̇‰ÎÂÊÌÓÒÚË

Ò͇ÏÂÈ͇ (‚ıÓ‰ËÚ ËÎË Ì ‚ıÓ‰ËÚ ‚ ÔÓÒÚ‡‚ÍÛ ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÏÂÒÚ‡ ÔÓÍÛÔÍË),

‰ÓÔÓÎÌËÚÂθÌ˚È ÍÓÏÔ‡ÍÚ-‰ËÒÍ ‰Îfl Windows, ‰ÓÔÓÎÌËÚÂθÌ˚È ÍÓÏÔ‡ÍÚ-‰ËÒÍ Ò

ÛÍÓ‚Ó‰ÒÚ‚ÓÏ ÔÓ ÛÒÚ‡ÌÓ‚Í Windows

* íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË Ë Ëı ÓÔËÒ‡ÌËfl ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl Ô‰̇Á̇˜ÂÌ˚ ÚÓθÍÓ ‰Îfl Ó·˘Â„Ó Ò‚Â‰ÂÌËfl. äÓÔÓ‡ˆËfl Yamaha

ÒÓı‡ÌflÂÚ Á‡ ÒÓ·ÓÈ Ô‡‚Ó ÏÓ‰ËÙˈËÓ‚‡Ú¸ Ò‚ÓË ËÁ‰ÂÎËfl Ë ÏÂÌflÚ¸ Ëı ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË ·ÂÁ Ô‰‚‡ËÚÂθÌÓ„Ó Û‚Â‰ÓÏÎÂÌËfl. èÓÒÍÓθÍÛ

ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË, Ó·ÓÛ‰Ó‚‡ÌËÂ Ë Ì‡·Ó ‚ÓÁÏÓÊÌÓÒÚÂÈ ÏÓ„ÛÚ ‡Á΢‡Ú¸Òfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ „ËÓ̇, Ó·‡˘‡ÈÚÂÒ¸ Á‡ ËÌÙÓχˆËÂÈ Í

ÏÂÒÚÌÓÏÛ Ô‰ÒÚ‡‚ËÚÂβ ÍÓÔÓ‡ˆËË Yamaha.

116 CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ

çÛÊÌ˚È ‡Á‰ÂÎ ÏÓÊÌÓ Ì‡ÈÚË Ì ÚÓθÍÓ ÔË ÔÓÏÓ˘Ë ÚÂÏË̇, ÌÓ Ë ÔË ÔÓÏÓ˘Ë

Ó·˘ÂÛÔÓÚ·ËÚÂθÌ˚ı ÒÎÓ‚.

á̇˜ÓÍ * Û͇Á˚‚‡ÂÚ, ˜ÚÓ ‚ Ô‡‚ÓÈ ÍÓÎÓÌÍ ̇ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÒÚ‡Ìˈ ÒÓ‰ÂÊËÚÒfl Ó·˙flÒÌÂÌËÂ

ËÒÔÓθÁÓ‚‡ÌÌ˚ı ÚÂÏËÌÓ‚.

ñËÙ˚

F

P

50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îfl

FactorySet .......................................91

P .....................................................44

ÙÓÚÂÔ¸flÌÓ ................................... 20

FILE*..............................................43

[PHONES], ‡Á˙ÂÏ˚ .....................16

ÛÔ‡ÊÌÂÌË ‰Îfl Ó‰ÌÓÈ ÛÍË ... 22

[FILE/SONG SETTING],

PhraseMark.....................................71

50 ıËÚÓ‚ ‰Îfl ÙÓÚÂÔ¸flÌÓ................ 5

ÍÌÓÔ͇...................................... 43, 71

PLAY/PAUSE

Format ............................................52

50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îfl

A

[FUNCTION], ÍÌÓÔ͇ ............68, 83

ÙÓÚÂÔ¸flÌÓ ..............................20

Á‡ÔËÒ‡ÌÌ˚ ÔÂÒÌË

A-B Repeat, ÙÛÌ͈Ëfl .................... 24

G

Ë Á‚ÛÍÓÁ‡ÔËÒË...........................55

AUX IN [L / L+R] [R], ‡Á˙ÂÏ˚... 59

[PLAY/PAUSE], ÍÌÓÔ͇ ......... 20, 55

AUX OUT [L] [R], ‡Á˙ÂÏ˚.......... 59

GM System Level 1, Òڇ̉‡Ú.......104

[POWER], ‚˚Íβ˜‡ÚÂθ................15

[AUX PEDAL], ‡Á˙ÂÏ ................. 58

GM System Level 2, Òڇ̉‡Ú.......104

PRESET .........................................55

GS.................................................105

PRESET, ÌÓÒËÚÂθ

B

50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îfl

I

ÙÓÚÂÔ¸flÌÓ ..............................20

Backup ........................................... 91

BRILLIANCE [MELLOW]/

iAFC

R

[BRIGHT], ÍÌÓÔÍË....................... 27

̇ÒÚÓÈÍË ˝ÙÙÂÍÚ‡ iAFC ........81

[iAFC SETTING], ÍÌÓÔ͇.......67, 81

[REC], ÍÌÓÔ͇ ...............................35

C

Rename...........................................48

K

[REPEAT], ÍÌÓÔ͇ ........................23

Calibration...................................... 82

[REVERB], ÍÌÓÔ͇........................28

CharacterCode ............................... 53

KeyOffSampling ..............................88

[RIGHT], ÍÌÓÔ͇ .............. 22, 34, 39

èËÎÓÊÂÌËÂ

[CHORUS], ÍÌÓÔ͇ ...................... 28

RIGHT/LEFT

CONTRAST*................................. 16

L

50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îfl

[CONTRAST], „ÛÎflÚÓ.............. 16

[LEFT], ÍÌÓÔ͇.................. 22, 34, 39

ÙÓÚÂÔ¸flÌÓ ..............................22

Copy............................................... 49

M

S

D

M ....................................................44

Save ................................................46

Delete............................................. 47

MakeDir..........................................52

Scale ...............................................84

[DEMO], ÍÌÓÔ͇........................... 18

MASTER VOLUME* .....................16

[SELECT], ÔÂÂÍβ˜‡ÚÂθ............61

DOC (Disk Orchestra Collection),

[MASTER VOLUME], ‰ËÒÍ

SMF (Òڇ̉‡ÚÌ˚È Ù‡ÈÎ MIDI).104

ÙÓχÚ..........................................105

ÛÔ‡‚ÎÂÌËfl.....................................16

[SONG BALANCE], „ÛÎflÚÓ.....42

DOWN (TEMPO)

MEMORY ......................................55

SONG SELECT

50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îfl

ÙÓÚÂÔ¸flÌÓ.............................. 21

MemoryBackup...............................91

Á‡ÔËÒ‡ÌÌ˚ ÔÂÒÌË

Ë Á‚ÛÍÓÁ‡ÔËÒË...........................54

ÏÂÚÓÌÓÏ ................................. 33

METRONOME [ON/OFF],

ÍÌÓÔ͇............................................33

[SONG SELECT], ÍÌÓÔ͇....... 20, 54

Dual

Á‡ÔËÒ¸....................................... 42

METRONOME [SETTING],

SongAutoOpen................................53

ÍÌÓÔ͇...................................... 66, 74

Dual mode

Split

➔ (̇ÎÓÊÂÌË ÚÂÏ·Ó‚) ............... 29

MIDI [IN][OUT][THRU], ÔÓÚ˚..58

Á‡ÔËÒ¸ .......................................42

Dual, ÂÊËÏ

MIDI-͇·ÂÎË .................................64

[SPLIT], ÍÌÓÔ͇ ............................31

ÚÓÌ͇fl ̇ÒÚÓÈ͇ .................... 75

MIDI-‡Á˙ÂÏ˚...............................64

Split, ÂÊËÏ

Move ...............................................51

ÚÓÌ͇fl ̇ÒÚÓÈ͇.....................75

E

MP ..................................................44

Split

➔ ÂÊËÏ, Ë„‡ ‚ ‰‚Ûı

ÚÂÏ·‡ı...........................................31

MS ..................................................44

Effect, ÙÛÌ͈Ëfl ............................. 27

STOP

Ms ...................................................44

ESEQ ............................................104

Á‡ÔËÒ‡ÌÌ˚ ÔÂÒÌË

[EXIT], ÍÌÓÔ͇.............................. 13

Ë Á‚ÛÍÓÁ‡ÔËÒË...........................56

N

[EXTRA PARTS], ÍÌÓÔ͇ ........34, 39

STOP (ëÚÓÔ)

New Song........................................34

50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îfl

ÙÓÚÂÔ¸flÌÓ ..............................21

[STOP], ÍÌÓÔ͇ ....................... 21, 56

CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 117

è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ

StringResonance............................. 88

‚˚·Ó

å

SustainSampling ............................. 88

50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îfl

ÙÓÚÂÔ¸flÌÓ...............................20

Sync Start

ÏÛÁ˚͇θÌ˚ Á‡ÔËÒË .....................54

‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÔÂÒÌË .......19

50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ............... 22

Á‡ÔËÒ‡ÌÌ˚ ÔÂÒÌË

Á‡ÔËÒ‡ÌÌ˚ ÔÂÒÌË

ç

Ë Á‚ÛÍÓÁ‡ÔËÒË...........................54

Ë Á‚ÛÍÓÁ‡ÔËÒË .......................... 55

‚˚·Ó ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í ÒËÎÂ

̇ÎÓÊÂÌË ÚÂÏ·Ó‚

̇ʇÚËfl..........................................83

➔ Dual mode).................................29

T

̇ÒÚÓÈÍË MIDI............................68

TEMPO

É

̇ۯÌËÍË ......................................16

50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îfl

ÙÓÚÂÔ¸flÌÓ.............................. 21

„ÓÏÍÓÒÚ¸

è

Á‡ÔËÒ‡ÌÌ˚ ÔÂÒÌË

·‡Î‡ÌÒ (SONG BLANCE) ........42

Ë Á‚ÛÍÓÁ‡ÔËÒË .......................... 56

̇ÒÚÓÈ͇ .................................16

Ô‡ÏflÚ¸ ............................................43

ÏÂÚÓÌÓÏ ................................. 33

Ô‡ÏflÚ¸ ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ .............43

TEMPO [DOWN] [UP], ÍÌÓÔÍË... 33

Ñ

Ô‡ÏflÚ¸ ‰Îfl ı‡ÌÂÌËfl .....................43

TouchResponse .............................. 83

Ô‰‡ÎË ............................................26

‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÏÂÎÓ‰ËË ........18

Transpose ....................................... 83

ÔÂÂÏÓÚ͇ ‚ÔÂ‰ .................... 21, 55

‰ËÒÍÂÚ‡ ................................. 114, 115

Tune ............................................... 84

ÔÂÂÏÓÚ͇ ̇Á‡‰ ...................... 21, 55

‰ËÒÍÓ‚Ó‰ „Ë·ÍËı ‰ËÒÍÓ‚..............115

ÔÂÒÌfl

‰ÓÔÓÎÌËÚÂθÌ˚Â

U

ÔÓ‚ÚÓÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ....71

ÔË̇‰ÎÂÊÌÓÒÚË............................. 5

ÚËÔ ‰‡ÌÌ˚ı ...............................57

èËÎÓÊÂÌËÂ

U1 .................................................. 44

‰‡È‚Â...........................................63

ÚÓÌ͇fl ̇ÒÚÓÈ͇.....................71

U1P................................................ 44

ÔÂÒÌfl ‚ Ô‡ÏflÚË ..............................43

Ü

U1S ................................................ 44

èä..................................................63

U1s................................................. 44

Üä-➔‰ËÒÔÎÂÈ

ÔÓ‚ÚÓÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ

UP (TEMPO)

ÍÓÌÚ‡ÒÚÌÓÒÚ¸ ..........................16

(ÔÂÒÌË) ...........................................71

50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îfl

ÔÓ‚ÚÓÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ

ÙÓÚÂÔ¸flÌÓ.............................. 21

á

ÔÂÒÌË..............................................23

ÏÂÚÓÌÓÏ ................................. 33

ÔÓ‰Íβ˜ÂÌËÂ

USB [TO DEVICE], ÔÓÚ.............. 58

Á‡ÔËÒ¸

USB [TO HOST].......................63

USB [TO HOST], ÔÓÚ .................. 58

χ„ÌËÚÓÙÓÌ..............................59

‡Û‰ËÓ.........................................59

USB1.............................................. 55

Á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó

‰Ë̇ÏËÍ....................................59

ËÒÔÓÎÌÂÌËfl....................................34

USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl

‰Û„Ë ÍÓÏÔÓÌÂÌÚ˚ .................58

‰‡ÌÌ˚ı........................................... 60

Á‡ÔËÒ¸, Dual ...................................42

ÍÓÏÔ¸˛ÚÂ................................63

Á‡ÔËÒ¸, Split....................................42

ÔÓÚ˚;‡Á˙ÂÏ˚

V

Á‚ÛÍ

MIDI [IN] [OUT] [THRU] 58, 64

‚˚‡ÁËÚÂθÌÓÒÚ¸ ......................27

USB [TO DEVICE]...................58

[VOICE SETTING], ÍÌÓÔ͇....67, 75

‚Â·Â‡ˆËfl............................28

USB [TO HOST].......................58

¯ËÓÚ‡ Ë Ó·˙ÂÏÌÓÒÚ¸...............28

Ô‡‚‡fl Ô‰‡Î¸ ................................26

X

flÍÓÒÚ¸ .....................................27

Ô‡‚‡fl Ô‰‡Î¸ (‰ÂÏÔÙÂ̇fl).........26

XG ................................................104

ÔË„ÎÛ¯ÂÌÌ˚È Á‚ÛÍ, ΂‡fl

à

Ô‰‡Î¸.............................................26

Ç

ÔËÒ‚ÓÂÌË Ô‰‡ÎË ÙÛÌ͈ËË –

Ë„‡ ‚ ‰‚Ûı

SONG [PLAY/PAUSE]..................87

ÚÂÏ·‡ı, ➔ ÂÊËÏ Split .................31

‚‡¸ËÓ‚‡ÌË Á‚Û˜‡ÌËfl

ÔӘˠ̇ÒÚÓÈÍË .........................83

➔ ÙÛÌ͈Ëfl Effect.......................... 27

Ô˛ÔËÚ...........................................14

ä

‚̯Ìflfl ÔÂÒÌfl.............................. 43

‚ÓÒÔÓËÁ‚‰ÂÌËÂ

ÍÌÓÔÍË A – D [–][+] .....................12

ê

50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îfl

ÍÌÓÔÍË „ÛÔÔ ÚÂÏ·Ó‚.............25, 31

ÙÓÚÂÔ¸flÌÓ.............................. 20

‡Á˙ÂÏ˚

ÍÓÌÚ‡ÒÚÌÓÒÚ¸ ˝Í‡Ì‡ ...................16

‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÔÂÒÌË ...... 19

AUX IN.....................................59

ÍÓ̈ÂÌÚ‡ÚÓ.................................60

Á‡ÔËÒ‡ÌÌ˚ ÔÂÒÌË

AUX OUT .................................59

Í˚¯Í‡ Í·‚ˇÚÛ˚ ......................14

Ë Á‚ÛÍÓÁ‡ÔËÒË .......................... 55

AUX PEDAL.............................58

PHONES ..................................16

ã

‡Á‰ÂÎÂÌË Í·‚ˇÚÛ˚

Ë ÚÂÏ·Ó‚ .......................................31

΂‡fl Ô‰‡Î¸...................................26

‚Â·Â‡ˆËfl ‰ÂÍË ........................28

ÂÁÂ‚ÌÓ ÍÓÔËÓ‚‡ÌË ................92

118 CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ

ë

ó

Ò·Ó͇...........................................109

˜‡ÒÚ˘̇fl ÔÂÂÁ‡ÔËÒ¸ ÔÂÒÌË ........37

ÒËÏ‚ÓÎ˚ ........................................ 53

Ò͇ÏÂÈ͇.......................................... 5

ù

ÒÍÓ·ÍË-Ó„‡Ì˘ËÚÂÎË ‰Îfl ÌÓÚ...... 14

˝Í‚‡Î‡ÈÁÂ .....................................79

ÒÓ‚ÏÂÒÚËÏÓÒÚ¸ ‰‡ÌÌ˚ı ................104

˝Í‡Ì..............................................12

ÒÓÒÚÂÌÛÚÓ, Ò‰Ìflfl Ô‰‡Î¸............ 26

ÒÔËÒÓÍ

‚ÒÚÓÂÌÌ˚È ÚÂÏ· ..................106

‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÏÂÎÓ‰ËË .. 18

ÒÓÓ·˘ÂÌË ............................... 93

ÚÓÌ͇fl ̇ÒÚÓÈ͇ .................... 66

ÒÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚........106

ÒÔËÒÓÍ Á‡‰‡˜.................................... 8

ÒÔËÒÓÍ Ô‡‡ÏÂÚÓ‚ ....................... 66

ÒÔËÒÓÍ ÒÓÓ·˘ÂÌËÈ........................ 93

Ò‰Ìflfl Ô‰‡Î¸.............................. 26

Òڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇*................ 27

í

ÚÂÍÛ˘‡fl Ô‡ÏflÚ¸............................. 43

ÚÂÍÛ˘‡fl ÔÂÒÌfl............................... 43

ÚÂÏ·˚* ......................................... 25

ÚÓÌ͇fl ̇ÒÚÓÈ͇ .................... 75

èËÎÓÊÂÌËÂ

ÚËÔ ‰‡ÌÌ˚ı.................................... 57

ÚËÔ ‰‡ÌÌ˚ı (Á‡ÔËÒ‡ÌÌ˚ı) ............ 99

ÚËÔ ÒËÏ‚ÓÎÓ‚ ................................ 53

ÚÓÌ͇fl ̇ÒÚÓÈ͇.......................... 66

Function ................................... 83

iAFC ......................................... 81

Á‡ÔËÒ¸ Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ...... 71

ÏÂÚÓÌÓÏ ................................. 74

ÚÂÏ·˚ ..................................... 75

ÚӘ͇ ‡Á‰ÂÎÂÌËfl .......................... 32

ì

ÛÔ‡ÊÌÂÌË ‰Îfl Ó‰ÌÓÈ ÛÍË Ò

ËÒÔÓθÁÓ‚‡ÌËÂÏ 50 ‚ÒÚÓÂÌÌ˚ı

ÔÂÒÂÌ.............................................. 22

ÛÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ .................102

î

ÙÛÌ͈ËË Ô‰‡ÎË

‚ÒÔÓÏÓ„‡ÚÂθ̇fl ..................... 86

΂‡fl......................................... 85

Ô‡‚‡fl ...................................... 85

ˆÂÌÚ‡Î¸Ì‡fl............................. 85

ÙÛÌ͈Ëfl ‚ÒÔÓÏÓ„‡ÚÂθÌÓÈ

Ô‰‡ÎË............................................ 86

ÙÛÌ͈Ëfl ΂ÓÈ Ô‰‡ÎË ................. 85

ÙÛÌ͈Ëfl Ô‡‚ÓÈ Ô‰‡ÎË ............... 85

ÙÛÌ͈Ëfl Ò‰ÌÂÈ Ô‰‡ÎË.............. 85

CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 119

ÑÑ

ÑÑ

ãã

ãã

üü

üü

áá

áá

ÄÄ

ÄÄ

åå

åå

ÖÖ

ÖÖ

íí

íí

éé

éé

ää

ää

120 CLP-280/270 Owner’s Manual