Yamaha CLP-280 – страница 5

ç‡ÒÚÓÈÍË ‰Îfl ˝ÙÙÂÍÚ‡ iAFC

– ÍÌÓÔ͇ [iAFC SETTING]

ÖÒÎË ËÒÔÓθÁÛ˛ÚÒfl ˝ÙÙÂÍÚ˚ iAFC, Á‚ÛÍ ËÌÒÚÛÏÂÌÚ‡ Clavinova ÔËÓ·ÂÚ‡ÂÚ ‰ÓÔÓÎÌËÚÂθÌÛ˛

„ÎÛ·ËÌÛ Ë ÂÁÓ̇ÌÒ, ÔË·ÎËʇflÒ¸ Í Á‚Û˜‡Ì˲ ‡ÍÛÒÚ˘ÂÒÍËı ËÌÒÚÛÏÂÌÚÓ‚. ùÚÓ ÔÓÁ‚ÓÎflÂÚ

ÔÓ˜Û‚ÒÚ‚Ó‚‡Ú¸ Á‚ÛÍÓ‚Û˛ ‡ÚÏÓÒÙÂÛ Ë ‚Â·Â‡ˆË˛, ı‡‡ÍÚÂÌ˚ ‰Îfl ËÒÔÓÎÌÂÌËfl ̇ ÒˆÂÌÂ, ËÎË

‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÓ‰ÎÂÌÌ˚È Á‚ÛÍ, ÍÓÚÓ˚È ÔÓÎÛ˜‡ÂÚÒfl, ÂÒÎË Ì‡ ÓflΠ̇ÊËχ˛Ú Ô‡‚Û˛ Ô‰‡Î¸.

Ç ˝ÚÓÏ ‡Á‰ÂΠÒÓ‰ÂʇÚÒfl ҂‰ÂÌËfl Ó ‡Á΢Ì˚ı ̇ÒÚÓÈ͇ı ÙÛÌ͈ËË iAFC. óÚÓ·˚ ‰Ó·ËÚ¸Òfl

ÓÔÚËχθÌÓ„Ó ˝ÙÙÂÍÚ‡ iAFC, ÏÓÊÌÓ Ú‡ÍÊ ÔÓ‚ÂÒÚË ‡‚ÚÓχÚ˘ÂÒÍÛ˛ ̇ÒÚÓÈÍÛ.

ÑÂÈÒÚ‚Ëfl

óÚÓ·˚ ÔÂÂÈÚË ‚ ÂÊËÏ Ì‡ÒÚÓÈÍË ˝ÙÙÂÍÚ‡ iAFC, ̇ÊÏËÚ ÍÌÓÔÍÛ

[iAFC SETTING].

äÌÓÔ͇ [iAFC SETTING]

EXTRA

PARTS

LEFT

RIGHT

SELECT

SONG

ON/OFF

METRONOME

SETTING

A

B

CONTRAST

PIANO 1

GRAND

GRAND

PIANO 2

E.PIANO

1

E.PIANO

2

HARPSI-

CHORD

E.CLAVI-

CHORD

VIBRA-

PHONE

GUITAR

SETTING

VOICE

CHORUSREVERB

SETTING

iAFC

SONG

KEYBOARD

REPEAT

PLAY/PAUSESTOPREC

FILE/SONG

SETTING

DOWN

UP

NO YES

ORGAN

CHURCH

ORGAN

JAZZ

STRINGS

CHOIR

SYNTH.

PAD

WOOD

BASS

E.BASS

XG

SPLIT

MELLOW BRIGHT

BRILLIANCE

FUNCTION

EXIT

MIN MAX

NEW SONG

SYNC START

MASTER VOLUME

DEMOSONG BALANCE

SONG

TEMPO

C

D

VOICE

é·flÁ‡ÚÂθÌÓ ËÒÔÓθÁÛÈÚ ‡‚ÚÓχÚ˘ÂÒÍÛ˛ „ÛÎËÓ‚ÍÛ (͇ÎË·Ó‚ÍÛ). é̇ Ú·ÛÂÚÒfl ÔË ÔÂ‚ÓÏ ‚Íβ˜ÂÌËË Ë

ÔÓÒÎÂ Í‡Ê‰Ó„Ó ÔÂÂÏ¢ÂÌËfl ËÌÒÚÛÏÂÌÚ‡ Clavinova (ÒÚ. 82).

íÓÌ͇fl ̇ÒÚÓÈ͇

ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [iAFC SETTING] ‰Ó ‚˚ÔÓÎÌÂÌËfl ‡‚ÚÓχÚ˘ÂÒÍÓÈ Ì‡ÒÚÓÈÍË, ÔÓfl‚ËÚÒfl

˝Í‡Ì «ä‡ÎË·Ó‚ÍË».

ä ëÇÖÑÖçàû

ùÙÙÂÍÚ iAFC ÌÂθÁfl ËÒÔÓθÁÓ‚‡Ú¸ ‚ ÒÎÂ‰Û˛˘Ëı ÒÎÛ˜‡flı.

• ÖÒÎË Ô‡‡ÏÂÚ Speaker ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ Normal Ë ÔÓ‰Íβ˜ÂÌ˚ ̇ۯÌËÍË.

• ÖÒÎË Á̇˜ÂÌË ԇ‡ÏÂÚ‡ Speaker ‡‚ÌÓ Off.

ä ëÇÖÑÖçàû

ÖÒÎË ËÒÔÓθÁÛÂÚÒfl iAFC, Ì ÓÚÍβ˜‡ÈÚ ‰Ë̇ÏËÍ Ì‡ Á‡‰ÌÂÈ Ô‡ÌÂÎË ËÌÒÚÛÏÂÌÚ‡ Clavinova. ÖÒÎË ˝ÚÓÚ ‰Ë̇ÏËÍ ˜ÂÏ-ÚÓ Á‡Í˚Ú, ÚÓ ‰ÓÒÚ˘¸ ÓÔÚËχθÌÓ„Ó

˝ÙÙÂÍÚ‡ iAFC Ì‚ÓÁÏÓÊÌÓ.

ä ëÇÖÑÖçàû

ÑÎfl ·Óθ¯ÂÈ ÛÒÚÓȘ˂ÓÒÚË Í ‡ÍÛÒÚ˘ÂÒÍÓÈ Ó·‡ÚÌÓÈ Ò‚flÁË ‚ iAFC ËÒÔÓθÁÛÂÚÒfl ÚÂıÌÓÎÓ„Ëfl EMR (Electronic Microphone Rotator) ÙËÏ˚ Yamaha.

ÇÍβ˜ÂÌËÂ/Ç˚Íβ˜ÂÌË ˝ÙÙÂÍÚ‡ iAFC –

ç‡ÒÚÓÈ͇ „ÎÛ·ËÌ˚ ˝ÙÙÂÍÚ‡ Dynamic

[iAFC]

Damper

–

[DynDmpFX Depth]

ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.

ùÙÙÂÍÚ Dynamic Damper – ˝ÚÓ Ó‰ËÌ ËÁ

˝ÙÙÂÍÚÓ‚ iAFC. ùÙÙÂÍÚ Dynamic Damper

A

B

ËÏËÚËÛÂÚ ÔÓ‰ÎÂÌÌ˚È Á‚ÛÍ, ‚ÓÁÌË͇˛˘ËÈ

iAFC

NO YES

ÔË Ì‡Ê‡ÚËË Ô‡‚ÓÈ Ô‰‡ÎË ÓflÎfl.

On

ÇÌÛÚÂÌÌË ÏËÍÓÙÓÌ˚ Ì ËÒÔÓθÁÛ˛ÚÒfl, ÌÓ

C

D

ÔË Ë„ ̇ Í·‚ˇÚÛÂ Ò Ì‡Ê‡ÚÓÈ Ô‡‚ÓÈ

Ô‰‡Î¸˛ Á‚ÛÍ, ÔÓËÁ‚Ó‰ËÏ˚È ‚ ˆËÙÓ‚ÓÏ

ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:

ÔˇÌËÌÓ Clavinova, ÔÓıÓ‰ËÚ Ó·‡·ÓÚÍÛ ‰Îfl

On/Off

ÒÓÁ‰‡ÌËfl ÔÓÒÚ‡ÌÒÚ‚ÂÌÌÓ„Ó ˝ÙÙÂÍÚ‡.

ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.

A

B

DynDmpFX Depth

NO YES

98

C

D

ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:

0 - 127

CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 81

ç‡ÒÚÓÈÍË ‰Îfl ˝ÙÙÂÍÚ‡ iAFC – ÍÌÓÔ͇ [iAFC SETTING]

ç‡ÒÚÓÈ͇ „ÎÛ·ËÌ˚ ˝ÙÙÂÍÚ‡ Spatial –

ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ̇ÒÚÓÂÍ Í‡ÎË·Ó‚ÍË ÔÓ

[SpatialFX Depth]

ÛÏÓΘ‡Ì˲ – ÍÌÓÔ͇ [iAFC Default]

ùÙÙÂÍÚ Spatial – ˝ÚÓ Ó‰ËÌ ËÁ ˝ÙÙÂÍÚÓ‚ iAFC.

ç‡ÒÚÓÈÍË ÙÛÌ͈ËË Í‡ÎË·Ó‚ÍË

ùÙÙÂÍÚ Spatial ÒÓÁ‰‡ÂÚ Ó˘Û˘ÂÌËÂ

‚ÓÒÒڇ̇‚ÎË‚‡˛ÚÒfl ‚ Á̇˜ÂÌËË ÔÓ ÛÏÓΘ‡Ì˲.

‚Â·Â‡ˆËË Ë ÔÓÒÚ‡ÌÒÚ‚ÂÌÌÓ„Ó Á‚Û˜‡ÌËfl.

ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.

ÑÎfl ˝ÚÓ„Ó Á‚ÛÍ, ÔÓÒÚÛÔ‡˛˘ËÈ Ì‡ ‚ÌÛÚÂÌÌËÂ

A

B

ÏËÍÓÙÓÌ˚, ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl ‰Ë̇ÏË͇ÏË Ì‡

Á‡‰ÌÂÈ Ô‡ÌÂÎË ËÌÒÚÛÏÂÌÚ‡. òËÓÚ‡ Ë

iAFC Default Set?-->

NO YES

ÔÓÒÚ‡ÌÒÚ‚ÂÌÌÓÒÚ¸ Á‚Û͇ Á‡‚ËÒflÚ ÓÚ Ì‡ÒÚÓÂÍ

C

D

„ÎÛ·ËÌ˚. èË Ì·Óθ¯ÓÈ „ÎÛ·ËÌ Á‡ Ò˜ÂÚ

ÒÓÁ‰‡ÌËfl ‚ËÚۇθÌÓÈ ‰ÂÍË ÒÓÁ‰‡ÂÚÒfl

ÂÁÓ̇ÌÒ Ë ÛÒËÎË‚‡ÂÚÒfl ‡ÍÛÒÚ˘ÂÒ͇fl

íÓÌ͇fl ̇ÒÚÓÈ͇

‡ÎËÒÚ˘ÌÓÒÚ¸ Á‚Û͇, ÚËÔ˘ÌÓ„Ó ‰Îfl

‡ÍÛÒÚ˘ÂÒÍËı ËÌÒÚÛÏÂÌÚÓ‚. èË ·Óθ¯ÓÈ

„ÎÛ·ËÌÂ Á‚ÛÍ ËÌÒÚÛÏÂÌÚ‡ Ë Á‚ÛÍË ÔÂÌËfl ËÎË

Ë„‡˛˘Ëı fl‰ÓÏ ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚

Û·‚ÎË‚‡˛ÚÒfl ‚ÌÛÚÂÌÌËÏË ÏËÍÓÙÓ̇ÏË Ë

Ó·‡·‡Ú˚‚‡˛ÚÒfl ‰Îfl ËÏËÚ‡ˆËË

ÔÓÒÚ‡ÌÒÚ‚ÂÌÌ˚ı ı‡‡ÍÚÂËÒÚËÍ ÒÓ‚ÏÂÒÚÌÓÈ

Ë„˚ ̇ ÒˆÂÌÂ.

ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.

A

B

SpatialFX Depth

NO YES

10

C

D

ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:

0 – 127

ä‡ÎË·ӂ͇ (‡‚ÚÓχÚ˘ÂÒ͇fl ̇ÒÚÓÈ͇) –

ÍÌÓÔ͇ [Calibration]

ÇÓ ‚ÂÏfl ͇ÎË·Ó‚ÍË ‡‚ÚÓχÚ˘ÂÒÍË

„ÛÎËÛ˛ÚÒfl Ô‡‡ÏÂÚ˚ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Ë

‡͈ËË iAFC ‰Îfl ‰ÓÒÚËÊÂÌËfl ̇ËÎÛ˜¯Â„Ó

˝ÙÙÂÍÚ‡.

Ç Ì‡˜‡Î ‡‚ÚÓχÚ˘ÂÒÍÓÈ Ì‡ÒÚÓÈÍË ‚ Ú˜ÂÌËÂ

ÓÍÓÎÓ ÔflÚË ÒÂÍÛ̉ ËÁ‰‡ÂÚÒfl ÚÂÒÚÓ‚˚È Á‚ÛÍ

(¯ÛÏ).

ç ¯ÛÏËÚ ÔÓ·ÎËÁÓÒÚË ÓÚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ

Clavinova ‚Ó ‚ÂÏfl ‡‚ÚÓχÚ˘ÂÒÍÓÈ Ì‡ÒÚÓÈÍË.

ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.

A

B

Calibration Sure?-->

NO YES

Test sound is output.

C

D

ä ëÇÖÑÖçàû

ÇÓ ‚ÂÏfl ‡‚ÚÓχÚ˘ÂÒÍÓÈ Ì‡ÒÚÓÈÍË Í·‚ˇÚÛ‡ Ì ÔÓËÁ‚Ó‰ËÚ ÌË͇ÍËı

Á‚ÛÍÓ‚. çÂθÁfl Ú‡ÍÊ ̇ÒÚÓËÚ¸ „ÓÏÍÓÒÚ¸ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ

Clavinova.

82 CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

ÑÛ„Ë ̇ÒÚÓÈÍË – [FUNCTION]

åÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ̇ÒÚÓÈÍË ‰Îfl ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË, ‚˚ÒÓÚ˚ Á‚Û͇, ÒÚÓfl Ë Ú.‰.

ÑÂÈÒÚ‚Ëfl

ç‡ÊÏËÚ ÍÌÓÔÍÛ [FUNCTION] ‰Îfl ‚ıÓ‰‡ ‚ ÂÊËÏ Function.

EXTRA

PARTS

LEFT

RIGHT

SELECT

SONG

ON/OFF

METRONOME

SETTING

A

B

CONTRAST

PIANO 1

GRAND

PIANO 2

GRAND

E.PIANO

1

E.PIANO

2

HARPSI-

CHORD

E.CLAVI-

CHORD

PHONE

VIBRA-

GUITAR

SETTING

VOICE

CHORUSREVERB

SETTING

iAFC

SONG

KEYBOARD

REPEAT

PLAY/PAUSESTOPREC

FILE/SONG

SETTING

DOWN

UP

NO YES

CHURCH

ORGAN

ORGAN

JAZZ

STRINGS

CHOIR

SYNTH.

PAD

WOOD

BASS

E.BASS

XG

SPLIT

MELLOW BRIGHT

BRILLIANCE

FUNCTION

EXIT

MIN MAX

NEW SONG

SYNC START

MASTER VOLUME

DEMOSONG BALANCE

SONG

TEMPO

C

D

VOICE

ÍÌÓÔ͇ [FUNCTION]

àÁÏÂÌÂÌË ÚÓ̇θÌÓÒÚË – [Transpose]

Ç˚·Ó ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í ÒËΠ̇ʇÚËfl –

[TouchResponse]

ä ëÇÖÑÖçàû

TRANSPOSE= àÁÏÂÌÂÌË ÚÓ̇θÌÓÒÚË

åÓÊÌÓ Á‡‰‡Ú¸ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËÎÂ

(àÁÏÂÌÂÌË ÚÓ̇θÌÓÒÚË – ÔÓ‚˚¯ÂÌË ËÎË ÔÓÌËÊÂÌË ӷ˘ÂÈ ‚˚ÒÓÚ˚

̇ʇÚËfl (ÓÔ‰ÂÎËÚ¸, Í‡Í ·Û‰ÂÚ ËÁÏÂÌflÚ¸Òfl

Á‚Û͇ ‚ÒÂÈ ÔÂÒÌË.)

îÛÌ͈Ëfl Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ‚ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova ÔÓÁ‚ÓÎflÂÚ

Á‚ÛÍ ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÒËÎ˚ ̇ʇÚËfl ̇

íÓÌ͇fl ̇ÒÚÓÈ͇

ÔÓ‚˚¯‡Ú¸ ËÎË ÔÓÌËʇڸ ‚˚ÒÓÚÛ Á‚Û͇ ‚ÒÂÈ Í·‚ˇÚÛ˚ Ò ËÌÚÂ‚‡ÎÓÏ,

Í·‚˯Û).

‡‚Ì˚Ï ÔÓÎÛÚÓÌÛ, ˜ÚÓ·˚ ӷ΄˜ËÚ¸ Ë„Û ‚ ÒÎÓÊÌ˚ı ÚÓ̇θÌÓÒÚflı, Ë

ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.

‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ΄ÍÓ ÔÓ‰Ó·‡Ú¸ ‚˚ÒÓÚÛ Á‚Û͇ Í·‚ˇÚÛ˚,

ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ‰Ë‡Ô‡ÁÓÌÛ „ÓÎÓÒ‡ Ô‚ˆ‡ ËÎË ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚.

A

B

ç‡ÔËÏÂ, ÂÒÎË ÛÒÚ‡ÌÓ‚ËÚ¸ ‚Â΢ËÌÛ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ̇ «5», ÚÓ ÔË

̇ʇÚËË Ì‡ Í·‚ˇÚÛ Í·‚Ë¯Ë C («‰Ó») ·Û‰ÂÚ Á‚Û˜‡Ú¸ ÌÓÚ‡ F («Ù‡»).

TouchResponse Vel= 64

NO YES

Fixed

í‡ÍËÏ Ó·‡ÁÓÏ, ÏÓÊÌÓ Ë„‡Ú¸ ÔÂÒÌ˛ Ú‡Í ÊÂ, Í‡Í ‚ ÚÓ̇θÌÓÒÚË ÒË-

χÊÓ, ‡ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova Ú‡ÌÒÔÓÌËÛÂÚ Á‚ÛÍ ‚

C

D

ÚÓ̇θÌÓÒÚ¸ Ù‡-χÊÓ.

ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:

A

B

Light Ç˚ÒÓ͇fl ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸,

Transpose

NO YES

ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova

Master 0

ÒËÌÚÂÁËÛÂÚ „ÓÏÍËÈ Á‚ÛÍ. ÉÓÏÍÓÒÚ¸

C

D

ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ÒËΠ̇ʇÚËfl.

Medium ëڇ̉‡ÚÌÓ Á̇˜ÂÌËÂ

ç‡ÒÚÓÈ͇ ‰Îfl Ô‰‡ÎÂÈ:

˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË.

Master á‚ÛÍ ‚ÒÂ„Ó ËÌÒÚÛÏÂÌÚ‡ (Á‚ÛÍË,

Heavy óÚÓ·˚ ÔÓÎÛ˜ËÚ¸ „ÓÏÍËÈ Á‚ÛÍ, ̇‰Ó

ÔÓË„˚‚‡ÂÏ˚ ̇ Í·‚ˇÚÛÂ, Ë

Ó˜Â̸ ÒËθÌÓ Û‰‡ËÚ¸ ÔÓ Í·‚˯‡Ï.

‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ)

ùÚÓ ÔÓÁ‚ÓÎflÂÚ ËÒÔÓθÁÓ‚‡Ú¸

Keyboard á‚ÛÍË, ÔÓË„˚‚‡ÂÏ˚ ̇

Í·‚ˇÚÛÂ

‡ÁÌÓÓ·‡ÁÌ˚ ‚˚‡ÁËÚÂθÌ˚Â

Song ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË

Ò‰ÒÚ‚‡, ÓÚ ÔˇÌËÒÒËÏÓ ‰Ó

ÙÓÚËÒÒËÏÓ.

ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:

Fixed óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl

–12 (–1 ÓÍÚ‡‚‡) – 0 (Ó·˚˜Ì‡fl ‚˚ÒÓÚ‡) – +12

ÓÚÍβ˜Â̇. ÉÓÏÍÓÒÚ¸ Ì Á‡‚ËÒËÚ ÓÚ

(+1 ÓÍÚ‡‚‡)

ÒËÎ˚ ̇ʇÚËfl. ÑÎfl ÛÒÚ‡ÌÓ‚ÍË

„ÓÏÍÓÒÚË ËÒÔÓθÁÛÈÚÂ

ÍÌÓÔÍË B [–]/[+].

ÑˇԇÁÓÌ „ÓÏÍÓÒÚË Á‚Û͇ Ô‡‡ÏÂÚ‡ «Fixed»:

1 - 127

CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 83

ÑÛ„Ë ̇ÒÚÓÈÍË – [FUNCTION]

íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇ – [Tune]

Ç˚·Ó ÒÚÓfl – [Scale]

åÓÊÌÓ Ì‡ÒÚÓËÚ¸ ‚˚ÒÓÚÛ Á‚Û͇ ‚Ò„Ó

åÓÊÌÓ ‚˚·‡Ú¸ ‡Á΢Ì˚ ÒÚÓË.

ËÌÒÚÛÏÂÌÚ‡. ùÚ‡ ÙÛÌ͈Ëfl ÔÓÎÂÁ̇, ÂÒÎË Ì‡

Equal Temperament (‡‚ÌÓÏÂÌÓ

ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova Ë„‡˛Ú ‚

ÚÂÏÔÂËÓ‚‡ÌÌ˚È ÒÚÓÈ) – ˝ÚÓ Ì‡Ë·ÓΠ˜‡ÒÚÓ

ÒÓÔÓ‚ÓʉÂÌËË ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚ ËÎË

ËÒÔÓθÁÛÂÏ˚È ÒÓ‚ÂÏÂÌÌ˚È ÏÂÎӉ˘ÂÒÍËÈ

ÏÛÁ˚ÍË Ò ÍÓÏÔ‡ÍÚ-‰ËÒ͇.

ÒÚÓÈ ÙÓÚÂÔ¸flÌÓ. é‰Ì‡ÍÓ ‚ ËÒÚÓËË

ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.

ÒÛ˘ÂÒÚ‚Ó‚‡ÎÓ ·Óθ¯Ó ÍÓ΢ÂÒÚ‚Ó ‰Û„Ëı

ÒÚÓ‚, ÏÌÓ„Ë ËÁ ÍÓÚÓ˚ı fl‚Îfl˛ÚÒfl ÓÒÌÓ‚ÓÈ

A

B

ÓÔ‰ÂÎÂÌÌ˚ı ÏÛÁ˚͇θÌ˚ı ʇÌÓ‚. åÓÊÌÓ

Tune

NO YES

ËÒÔÓθÁÓ‚‡Ú¸ ̇ÒÚÓÈÍË ˝ÚËı ʇÌÓ‚.

A3=440.0Hz

ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.

C

D

íÓÌ͇fl ̇ÒÚÓÈ͇

A

B

ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:

Scale BaseNote=C

NO YES

PureMajor

A3 = 414,8 Ɉ – 466,8 Ɉ (¯‡„ – 0,2 Ɉ)

C

D

ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:

Ç˚·Ó ÏÂÎӉ˘ÂÒÍÓÈ ÍË‚ÓÈ ‰Îfl ÚÂÏ·‡

Equal éÍÚ‡‚‡ ‰ÂÎËÚÒfl ̇ ‰‚Â̇‰ˆ‡Ú¸ ‡‚Ì˚ı

ÙÓÚÂÔ¸flÌÓ

–

[PianoTuningCurve]

ËÌÚÂ‚‡ÎÓ‚. ç‡Ë·ÓΠÔÓÔÛÎflÌ˚È

ÒÓ‚ÂÏÂÌÌ˚È ÏÂÎӉ˘ÂÒÍËÈ ÒÚÓÈ.

åÓÊÌÓ ‚˚·‡Ú¸ ÏÂÎӉ˘ÂÒÍÛ˛ ÍË‚Û˛ ËÁ

PureMajor/PureMinor

éÒÌÓ‚‡Ì ̇ ÂÒÚÂÒÚ‚ÂÌÌ˚ı Ó·ÂÚÓ̇ı, ÚË

ÚÂÏ·‡ «GrandPiano1» Ë «GrandPiano2». ÖÒÎË

χÊÓÌ˚ı ‡ÍÍÓ‰‡ ÔË ÔÓÏÓ˘Ë ˝ÚÓ„Ó ÒÚÓfl

‚‡Ï ͇ÊÂÚÒfl, ˜ÚÓ ÏÂÎӉ˘ÂÒ͇fl ÍË‚‡fl ÚÂÏ·‡

ÒÓÁ‰‡˛Ú ÔÂÍ‡ÒÌ˚È, ˜ËÒÚ˚È Á‚ÛÍ.

ÙÓÚÂÔ¸flÌÓ Ì ÒÓ‚ÒÂÏ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ

èËÙ‡„ÓÂÈÒÍËÈ ÒÚÓÈ (Pythagorean)

ÏÂÎӉ˘ÂÒÍËÏ ÍË‚˚Ï ‰Û„Ëı ÚÂÏ·Ó‚,

ùÚÓÚ ÒÚÓÈ, ‡Á‡·ÓÚ‡ÌÌ˚È

‰‚Ì„˜ÂÒÍËÏ ÙËÎÓÒÓÙÓÏ èËÙ‡„ÓÓÏ,

‚˚·ÂËÚ ̇ÒÚÓÈÍÛ «Flat».

ÓÒÌÓ‚‡Ì ̇ ˜ËÒÚÓÈ Í‚ËÌÚÂ. Ç ˝ÚÓÏ ÒÎÛ˜‡Â

ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.

ÚÂˆËfl ÌÂÒÚ‡·Ëθ̇, ıÓÚfl Í‚‡Ú‡ Ë Í‚ËÌÚ‡

Á‚Û˜‡Ú ÔÂÍ‡ÒÌÓ Ë ÔÓ‰ıÓ‰flÚ ‰Îfl ÌÂÍÓÚÓ˚ı

A

B

ÏÂÎÓ‰ËÈ.

PianoTuningCurve

NO YES

MeanTone

Stretch

ùÚÓÚ ÒÚÓÈ fl‚ÎflÂÚÒfl ÛÎÛ˜¯ÂÌÌ˚Ï

‚‡ˇÌÚÓÏ ÔËÙ‡„ÓÂÈÒÍÓ„Ó ÒÚÓfl, ‚ ÌÂÏ

C

D

ÛÒÚ‡ÌÂ̇ ÌÂÒÚ‡·ËθÌÓÒÚ¸ ÚÂˆËË. éÌ ·˚Î

‡ÒÔÓÒÚ‡ÌÂÌ Ò ÍÓ̈‡ 16 ‰Ó ÍÓ̈‡ 18 ‚Â͇.

ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:

ùÚÓÚ ÒÚÓÈ ËÒÔÓθÁÓ‚‡Î ÉẨÂθ.

Stretch åÂÎӉ˘ÂÒ͇fl ÍË‚‡fl ÒÔˆˇθÌÓ

Werckmeister/Kirnberger

ùÚË ÒÚÓË fl‚Îfl˛ÚÒfl ÂÁÛθڇڇÏË

‰Îfl ÙÓÚÂÔ¸flÌÓ.

‡Á΢Ì˚ı ÒÓ˜ÂÚ‡ÌËÈ ÒÚÓ‚ Mean Tone Ë

Flat åÂÎӉ˘ÂÒ͇fl ÍË‚‡fl, ‚ ÍÓÚÓÓÈ

Pythagorean. Ç ˝ÚËı ÒÚÓflı Ô‰ÒÚ‡‚ÎÂÌË Ë

˜‡ÒÚÓÚ‡ Û‰‚‡Ë‚‡ÂÚÒfl ̇ ÓÍÚ‡‚Û ÔÓ ‚ÒÂÈ

Ó˘Û˘ÂÌË ÓÚ ÔÂÒÂÌ ÏÂÌflÂÚÒfl Ò ÔÓÏÓ˘¸˛

ÏÓ‰ÛÎflˆËË. éÌË ˜‡ÒÚÓ ËÒÔÓθÁÓ‚‡ÎËÒ¸ ‚

Í·‚ˇÚÛÂ.

˝ÔÓıÛ Å‡ı‡ Ë ÅÂÚıÓ‚Â̇. àı Ú‡ÍÊ ˜‡ÒÚÓ

ËÒÔÓθÁÛ˛Ú Ì‡ Í·‚ÂÒËÌÂ, ˜ÚÓ·˚

‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÏÛÁ˚ÍÛ ÚÓÈ ˝ÔÓıË.

ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇:

Equal

ÖÒÎË ‚˚·‡Ì β·ÓÈ ‰Û„ÓÈ ÒÚÓÈ, ÔÓÚ·ÛÂÚÒfl

Û͇Á‡Ú¸ ÚÓÌËÍÛ ÔË ÔÓÏÓ˘Ë ÍÌÓÔÓÍ B [–]/[+].

A

B

Scale BaseNote=C

NO YES

PureMajor

C

D

ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:



♭



♭

♭

C, C

, D, E

, E, F, F

, G, A

, A, B

, B

84 CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

ÑÛ„Ë ̇ÒÚÓÈÍË – [FUNCTION]

ì͇Á‡ÌË ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ –

ç‡ÒÚÓÈ͇ ÙÛÌ͈ËË Ò‰ÌÂÈ Ô‰‡ÎË,

[Split Point]

ÍÌÓÔ͇ – [CPedalFunc]

åÓÊÌÓ Û͇Á‡Ú¸ ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚

ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.

(„‡ÌËˆÛ Ì‡ Í·‚ˇÚÛ ÏÂÊ‰Û Ó·Î‡ÒÚ¸˛ ΂ÓÈ

A

B

ÛÍË Ë Ó·Î‡ÒÚ¸˛ Ô‡‚ÓÈ ÛÍË).

ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.

CPedalFunc Set?-->

NO YES

Sostenuto

A

B

C

D

SplitPoint

NO YES

F#2

ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:

C

D

í‡ÍÓÈ ÊÂ, Í‡Í Û ÙÛÌ͈ËË Ô‡‚ÓÈ Ô‰‡ÎË (ÒÏ.

‚˚¯Â), Á‡ ËÒÍβ˜ÂÌËÂÏ ÒÎÂ‰Û˛˘Ëı

ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:

Ô‡‡ÏÂÚÓ‚.

A-1 - C7

• SustainCont

• Expression

ä ëÇÖÑÖçàû

• PitchBend Up

ÑÎfl Û͇Á‡ÌËfl ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ ÏÓÊÌÓ Ú‡ÍÊ ËÒÔÓθÁÓ‚‡Ú¸

• PitchBend Down

ÍÌÓÔÍÛ [SPLIT] (ÒÚ. 32).

ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇:

íÓÌ͇fl ̇ÒÚÓÈ͇

Sostenuto

ç‡ÒÚÓÈ͇ ÙÛÌ͈ËË Ô‡‚ÓÈ Ô‰‡ÎË –

ÍÌÓÔ͇ [RPedalFunc]

ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.

ç‡ÒÚÓÈ͇ ÙÛÌ͈ËË Î‚ÓÈ Ô‰‡ÎË –

[LPedalFunc]

A

B

RPedalFunc Set?-->

NO YES

ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.

SustainCont

C

D

A

B

LPedalFunc Set?-->

NO YES

ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:

Soft

Sustain ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË Ô‡‚ÓÈ

C

D

Ô‰‡ÎË

SustainCont èÓ‰ÎÂÌË Á‚Û͇ ‚ Á‡‚ËÒËÏÓÒÚË

ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:

ÓÚ „ÎÛ·ËÌ˚ ̇ʇÚËfl Ô‰‡ÎË

í‡ÍÓÈ ÊÂ, Í‡Í Û ÙÛÌ͈ËË Ô‡‚ÓÈ Ô‰‡ÎË (ÒÏ.

Sostenuto ë‰Ìflfl Ô‰‡Î¸ (ÒÓÒÚÂÌÛÚÓ) (ÒÚ. 26)

‚˚¯Â), Á‡ ËÒÍβ˜ÂÌËÂÏ ÒÎÂ‰Û˛˘Ëı

Soft ょfl Ô‰‡Î¸ (Ô‰‡Î¸

Ô‡‡ÏÂÚÓ‚.

ÔË„ÎÛ¯ÂÌËfl) (ÒÚ. 26)

Expression îÛÌ͈Ëfl, ÔÓÁ‚ÓÎfl˛˘‡fl ËÁÏÂÌflÚ¸

• SustainCont

‰Ë̇ÏËÍÛ („ÓÏÍÓÒÚ¸) ‚Ó ‚ÂÏfl Ë„˚

• Expression

PitchBend Up îÛÌ͈Ëfl, Ô·‚ÌÓ ÔÓ‚˚¯‡˛˘‡fl

• PitchBend Up

‚˚ÒÓÚÛ Á‚Û͇

• PitchBend Down

PitchBend Down

îÛÌ͈Ëfl, Ô·‚ÌÓ ÔÓÌËʇ˛˘‡fl

ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇:

‚˚ÒÓÚÛ Á‚Û͇

Soft (‰Îfl ‚ÒÂı ÚÂÏ·Ó‚, ÍÓÏ JazzOrgan,

RotarySpeed àÁÏÂÌflÂÚ ÒÍÓÓÒÚ¸ ‚‡˘ÂÌËfl

‚‡˘‡˛˘Â„ÓÒfl ‰Ë̇ÏË͇

MellowOrgan Ë VibraPhone), Rotary Speed

JazzOrgan (ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË

(JazzOrgan Ë MellowOrgan), VibeRotor

Ô‰‡ÎË ÔÓËÒıÓ‰ËÚ ÔÂÂÍβ˜ÂÌËÂ

(Vibraphone)

ÏÂÊ‰Û ·˚ÒÚ˚Ï Ë Ï‰ÎÂÌÌ˚Ï

ÂÊËÏÓÏ)

Viberotor ÇÍβ˜ÂÌËÂ Ë ÓÚÍβ˜ÂÌË ‚Ë·‡ÚÓ

‚Ë·ÓÙÓ̇ (ÔÂÂÍβ˜ÂÌËÂ

ÔÓËÒıÓ‰ËÚ ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË

Ô‰‡ÎË)

ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇:

SustainCont

CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 85

ÑÛ„Ë ̇ÒÚÓÈÍË – [FUNCTION]

ç‡ÒÚÓÈ͇ ÙÛÌ͈ËË ‚ÒÔÓÏÓ„‡ÚÂθÌÓÈ

ÇÍβ˜ÂÌËÂ/Ç˚Íβ˜ÂÌË ÙÛÌ͈ËË

Ô‰‡ÎË – ÍÌÓÔ͇ [AuxPedalFunc]

Ò‰ÌÂÈ Ô‰‡ÎË – [CPedalOnOff]

åÓÊÌÓ Á‡‰‡Ú¸ ÙÛÌ͈ËË Ô‰‡ÎË,

ÇÍβ˜‡ÂÚ ËÎË ‚˚Íβ˜‡ÂÚ ÙÛÌÍˆË˛ Ò‰ÌÂÈ

ÔÓ‰ÒÓ‰ËÌÂÌÌÓÈ Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ

Ô‰‡ÎË ‰Îfl ÌÛÊÌÓÈ Ô‡ÚËË. ÑÛ„ËÏË ÒÎÓ‚‡ÏË,

Clavinova ˜ÂÂÁ „ÌÂÁ‰Ó AUX PEDAL („ÌÂÁ‰Ó

‚˚ ÏÓÊÂÚ ‚˚·‡Ú¸ ÌÛÊÌÛ˛ Ô‡Ú˲ (Main,

‚ÒÔÓÏÓ„‡ÚÂθÌÓÈ Ô‰‡ÎË).

MainLayer, Left, LeftLayer) Ë Á‡‰‡Ú¸, ·Û‰ÂÚ ÎË

ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.

ÙÛÌ͈Ëfl Ò‰ÌÂÈ Ô‰‡ÎË (̇ÒÚÓÈ͇ ÒÚ. 85)

A

B

‚ÎËflÚ¸ ̇ ˝ÚÛ Ô‡Ú˲ ËÎË ÌÂÚ.

ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.

AuxPedalFunc Set?-->

NO YES

Expression

A

B

C

D

CPedalOnOff Set?-->

NO YES

íÓÌ͇fl ̇ÒÚÓÈ͇

Main On

ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:

C

D

í‡ÍÓÈ ÊÂ, Í‡Í ‚ ‡Á‰ÂΠ«ç‡ÒÚÓÈ͇ ÙÛÌ͈ËË

Ô‡‚ÓÈ Ô‰‡ÎË» (ÒÚ. 85).

ìÒÚ‡Ìӂ͇ Ô‡ÚËË, ‰Îfl ÍÓÚÓÓÈ

èÂÂÍβ˜ÂÌËÂ

ÌÛÊÌÓ ‚Íβ˜ËÚ¸ ËÎË ‚˚Íβ˜ËÚ¸

ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇:

ÙÛÌÍˆË˛ Ò‰ÌÂÈ Ô‰‡ÎË

Expression

ç‡ÒÚÓÈ͇ ‰Îfl Ô‰‡ÎÂÈ:

ä ëÇÖÑÖçàû

Main, MLayer (MainLayer), Left, LLayer

çÓÊÌÓÈ ÍÓÌÚÓÎÎÂ YAMAHA FC7

ùÚÓÚ ÌÓÊÌÓÈ ÍÓÌÚÓÎÎÂ Û‰Ó·ÂÌ ‰Îfl ÛÔ‡‚ÎÂÌËfl ÙÛÌ͈ËflÏË Expression,

(LeftLayer)

SustainCont ËÎË PitchBend Up/Down.

ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:

çÓÊÌÓÈ ÔÂÂÍβ˜‡ÚÂθ YAMAHA FC4

ÇÍÎ./Ç˚ÍÎ.

çÓÊÌÓÈ ÔÂÂÍβ˜‡ÚÂθ YAMAHA FC4

ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇:

ùÚË ÌÓÊÌ˚ ÔÂÂÍβ˜‡ÚÂÎË Û‰Ó·Ì˚ ‰Îfl ÛÔ‡‚ÎÂÌËfl ÙÛÌ͈ËflÏË

ë‚Ófl ‰Îfl ͇ʉÓÈ ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚.

Sustain, Sostenuto, Soft, RotarySpeed ËÎË VibeRotor.

ÇÍβ˜ÂÌËÂ/Ç˚Íβ˜ÂÌË ÙÛÌ͈ËË Î‚ÓÈ

ÇÍβ˜ÂÌËÂ/Ç˚Íβ˜ÂÌË ÙÛÌ͈ËË Ô‡‚ÓÈ

Ô‰‡ÎË – [LPedalOnOff]

Ô‰‡ÎË ÍÌÓÔ͇ – [RPedalOnOff]

ÇÍβ˜‡ÂÚ ËÎË ‚˚Íβ˜‡ÂÚ ÙÛÌÍˆË˛ ΂ÓÈ

ÇÍβ˜‡ÂÚ ËÎË ‚˚Íβ˜‡ÂÚ ÙÛÌÍˆË˛ Ô‡‚ÓÈ

Ô‰‡ÎË ‰Îfl ÌÛÊÌÓÈ Ô‡ÚËË. ÑÛ„ËÏË ÒÎÓ‚‡ÏË,

Ô‰‡ÎË ‰Îfl ÌÛÊÌÓÈ Ô‡ÚËË. ÑÛ„ËÏË ÒÎÓ‚‡ÏË,

‚˚ ÏÓÊÂÚ ‚˚·‡Ú¸ ÌÛÊÌÛ˛ Ô‡Ú˲ (Main,

‚˚ ÏÓÊÂÚ ‚˚·‡Ú¸ ÌÛÊÌÛ˛ Ô‡Ú˲ (Main,

MainLayer, Left, LeftLayer) Ë Á‡‰‡Ú¸, ·Û‰ÂÚ ÎË

MainLayer, Left, LeftLayer) Ë Á‡‰‡Ú¸, ·Û‰ÂÚ ÎË

ÙÛÌ͈Ëfl ΂ÓÈ Ô‰‡ÎË (̇ÒÚÓÈ͇ ÒÚ. 85)

ÙÛÌ͈Ëfl Ô‡‚ÓÈ Ô‰‡ÎË (̇ÒÚÓÈ͇ ÒÚ. 85)

‚ÎËflÚ¸ ̇ ˝ÚÛ Ô‡Ú˲ ËÎË ÌÂÚ.

‚ÎËflÚ¸ ̇ ˝ÚÛ Ô‡Ú˲ ËÎË ÌÂÚ.

ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.

ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.

A

B

A

B

LPedalOnOff Set?-->

NO YES

RPedalOnOff Set?-->

NO YES

Main On

Main On

C

D

C

D

ìÒÚ‡Ìӂ͇ Ô‡ÚËË, ‰Îfl ÍÓÚÓÓÈ

èÂÂÍβ˜ÂÌËÂ

ìÒÚ‡Ìӂ͇ Ô‡ÚËË, ‰Îfl ÍÓÚÓÓÈ

èÂÂÍβ˜ÂÌËÂ

ÌÛÊÌÓ ‚Íβ˜ËÚ¸ ËÎË ‚˚Íβ˜ËÚ¸

ÇÍÎ./Ç˚ÍÎ.

ÌÛÊÌÓ ‚Íβ˜ËÚ¸ ËÎË ‚˚Íβ˜ËÚ¸

ÇÍÎ./Ç˚ÍÎ.

ÙÛÌÍˆË˛ ΂ÓÈ Ô‰‡ÎË

ÙÛÌÍˆË˛ Ô‡‚ÓÈ Ô‰‡ÎË

ç‡ÒÚÓÈ͇ ‰Îfl Ô‰‡ÎÂÈ:

ç‡ÒÚÓÈ͇ ‰Îfl Ô‰‡ÎÂÈ:

Main, MLayer (MainLayer), Left, LLayer

Main, MLayer (MainLayer), Left, LLayer

(LeftLayer)

(LeftLayer)

ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:

ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:

ÇÍÎ./Ç˚ÍÎ.

ÇÍÎ./Ç˚ÍÎ.

ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇:

ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇:

ë‚Ófl ‰Îfl ͇ʉÓÈ ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚.

ë‚Ófl ‰Îfl ͇ʉÓÈ ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚.

86 CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

ÑÛ„Ë ̇ÒÚÓÈÍË – [FUNCTION]

ÇÍβ˜ÂÌËÂ/Ç˚Íβ˜ÂÌË ÙÛÌ͈ËË

Ç˚·Ó ÚËÔ‡ ‚ÒÔÓÏÓ„‡ÚÂθÌÓÈ Ô‰‡ÎË –

‚ÒÔÓÏÓ„‡ÚÂθÌÓÈ Ô‰‡ÎË – [AuxPedalOnOff]

ÍÌÓÔ͇ [AuxPedalType]

ÇÍβ˜‡ÂÚ ËÎË ‚˚Íβ˜‡ÂÚ ÙÛÌÍˆË˛

艇θ, ÔÓ‰Íβ˜ÂÌÌÛ˛ ˜ÂÂÁ ‡Á˙ÂÏ [AUX

‚ÒÔÓÏÓ„‡ÚÂθÌÓÈ Ô‰‡ÎË ‰Îfl ÌÛÊÌÓÈ Ô‡ÚËË.

PEDAL], ÏÓÊÌÓ ‚Íβ˜‡Ú¸ Ë ‚˚Íβ˜‡Ú¸ ÔÓ-

ÑÛ„ËÏË ÒÎÓ‚‡ÏË, ‚˚ ÏÓÊÂÚ ‚˚·‡Ú¸ ÌÛÊÌÛ˛

‡ÁÌÓÏÛ. ç‡ÔËÏÂ, ÔË Ì‡Ê‡ÚËË Ì‡ Ô‰‡Î¸

Ô‡Ú˲ (Main, MainLayer, Left, LeftLayer) Ë

ÌÂÍÓÚÓ˚ Ô‰‡ÎË ‚Íβ˜‡˛Ú ˝ÙÙÂÍÚ˚, ‡

Á‡‰‡Ú¸, ·Û‰ÂÚ ÎË ÙÛÌ͈Ëfl ‚ÒÔÓÏÓ„‡ÚÂθÌÓÈ

ÌÂÍÓÚÓ˚ ÓÚÍβ˜‡˛Ú Ëı.

Ô‰‡ÎË (̇ÒÚÓÈ͇ ÒÚ. 86) ‚ÎËflÚ¸ ̇ ˝ÚÛ

óÚÓ·˚ ËÁÏÂÌËÚ¸ ˝ÚÓÚ ÏÂı‡ÌËÁÏ Ì‡ ÔÓÚË‚Ó-

Ô‡Ú˲ ËÎË ÌÂÚ.

ÔÓÎÓÊÌ˚È, ËÒÔÓθÁÛÈÚ ˝ÚÓÚ Ô‡‡ÏÂÚ.

ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.

ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.

A

B

A

B

AuxPedalOnOff Set?-->

NO YES

AuxPedalType

NO YES

Main On

Make

C

D

C

D

ìÒÚ‡Ìӂ͇ Ô‡ÚËË, ‰Îfl ÍÓÚÓÓÈ

èÂÂÍβ˜ÂÌËÂ

ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:

ÌÛÊÌÓ ‚Íβ˜ËÚ¸ ËÎË ‚˚Íβ˜ËÚ¸

Make (Á‡‰ÂÈÒÚ‚Ó‚‡Ú¸), Break (ÔÂ‚‡Ú¸)

ÙÛÌÍˆË˛ ‚ÒÔÓÏÓ„‡ÚÂθÌÓÈ

íÓÌ͇fl ̇ÒÚÓÈ͇

ç‡ÒÚÓÈ͇ ‰Îfl Ô‰‡ÎÂÈ:

Ç˚·Ó ÚÓ˜ÍË, ‚ ÍÓÚÓÓÈ Ô‡‚‡fl Ô‰‡Î¸

Main, MLayer (MainLayer), Left, LLayer

̇˜Ë̇ÂÚ ‚ÎËflÚ¸ ̇ Á‚ÛÍ – ÍÌÓÔ͇

(LeftLayer)

[HalfPedalPoint]

ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:

ÇÍÎ./Ç˚ÍÎ.

á‰ÂÒ¸ ÏÓÊÌÓ Û͇Á‡Ú¸ ÚÓ˜ÍÛ, ‰Ó ÍÓÚÓÓÈ Ì‡‰Ó

̇‰‡‚ËÚ¸ ̇ Ô‰‡Î¸ (Ô‡‚Û˛ Ë

ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇:

‚ÒÔÓÏÓ„‡ÚÂθÌÛ˛), ˜ÚÓ·˚ ̇˜‡ÎÓÒ¸ ‰ÂÈÒÚ‚ËÂ

ë‚Ófl ‰Îfl ͇ʉÓÈ ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚.

Á‡ÍÂÔÎÂÌÌÓ„Ó Á‡ ÌÂÈ ˝ÙÙÂÍÚ‡. ùÚ‡ ̇ÒÚÓÈ͇

ÔËÏÂÌflÂÚÒfl ÚÓθÍÓ Í ˝ÙÙÂÍÚÛ «SustainCont»

(ÒÚ. 85), ÍÓÚÓ˚È Á‡ÍÂÔÎÂÌ Á‡ Ô‡‚ÓÈ ËÎË

èËÒ‚ÓÂÌË Ô‰‡ÎË ÙÛÌ͈ËË – SONG

‚ÒÔÓÏÓ„‡ÚÂθÌÓÈ Ô‰‡Î¸˛.

[PLAY/PAUSE] –

A

B

[PedalPlay/Pause]

HalfPedalPoint

NO YES

ä ëÇÖÑÖçàû

0

ÖÒÎË Á‡ÍÂÔËÚ¸ Á‡ Ô‰‡Î¸˛ ÙÛÌÍˆË˛ SONG PLAY/PAUSE (ÙÛÌ͈Ëfl

C

D

̇˜‡Î‡/ÓÒÚ‡ÌÓ‚ÍË ÔÂÒÌË) Ë ‚Íβ˜ËÚ¸ ÂÂ, ÚÓ ÙÛÌ͈Ëfl, ÔËÒ‚ÓÂÌ̇fl

Ô‰‡ÎË ‚ ÏÂÌ˛ Function (ÒÚ. 85 Ë 86), ÓÚÍβ˜‡ÂÚÒfl.

ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:

ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.

–2 (‰ÂÈÒÚ‚ÛÂÚ ÔË Ò‡ÏÓÏ Ì„ÎÛ·ÓÍÓÏ Ì‡Ê‡ÚËË)

A

B

– 0 – +2 (‰ÂÈÒÚ‚ÛÂÚ ÔË Ò‡ÏÓÏ ÌËÁÍÓÏ

̇ʇÚËË)

PedalPlay/Pause

NO YES

Center Off

C

D

ìÒÚ‡Ìӂ͇ „ÎÛ·ËÌ˚ ÔË„ÎÛ¯ÂÌËfl Á‚Û͇ –

[SoftPedalDepth]

Ç˚·Ó Ô‰‡ÎË ‰Îfl Á‡‰‡ÌËfl

èÂÂÍβ˜ÂÌËÂ

ÙÛÌ͈ËË

ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.

ç‡ÒÚÓÈ͇ ‰Îfl Ô‰‡ÎÂÈ:

A

B

Left, Center, AUX

SoftPedalDepth

NO YES

ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:

5

ÇÍÎ./Ç˚ÍÎ.

C

D

ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇:

ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:

«Off» – ÓÚÍβ˜Â̇ ‰Îfl ‚ÒÂı Ô‰‡ÎÂÈ

1 - 10

CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 87

ÑÛ„Ë ̇ÒÚÓÈÍË – [FUNCTION]

éÔ‰ÂÎÂÌË „ÎÛ·ËÌ˚ ÂÁÓ̇ÌÒ‡ ÒÚÛÌ –

ìÒÚ‡Ìӂ͇ ‰Ë‡Ô‡ÁÓ̇ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚

[StringResonanceDepth]

Á‚Û͇ – [PitchBendRange]

ùÚÓÚ Ô‡‡ÏÂÚ ‰ÂÈÒÚ‚ÛÂÚ ‰Îfl Ú‡ÍËı ÚÂÏ·Ó‚,

ᇉ‡ÂÚ Á̇˜ÂÌËÂ, ̇ ÍÓÚÓÓ ÏÓÊÌÓ ËÁÏÂÌËÚ¸

Í‡Í «Grand Piano 1».

‚˚ÒÓÚÛ Á‚Û͇ ÔË ÔÓÏÓ˘Ë ÙÛÌ͈ËË ËÁÏÂÌÂÌËfl

ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.

‚˚ÒÓÚ˚ Á‚Û͇.

•ùÚ‡ ̇ÒÚÓÈ͇ ÔËÏÂÌËχ ÚÓθÍÓ ‰Îfl

A

B

Á‚ÛÍÓ‚, ÔÓË„˚‚‡ÂÏ˚ı ̇ Í·‚ˇÚÛÂ

StringResonanceDepth

NO YES

(‚Û˜ÌÛ˛).

5

•ò‡„ÓÏ Ì‡ÒÚÓÈÍË fl‚ÎflÂÚÒfl ÔÓÎÛÚÓÌ.

C

D

•îÛÌÍˆË˛ Ô‰‡ÎË (ÒÚ. 85) ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸

Ú‡Í, ˜ÚÓ·˚ Û͇Á‡Ú¸ ÔÓ‚˚¯‡Ú¸ ËÎË ÔÓÌËʇڸ

ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:

‚˚ÒÓÚÛ Á‚Û͇.

íÓÌ͇fl ̇ÒÚÓÈ͇

Off, 1 – 10

ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.

A

B

éÔ‰ÂÎÂÌË „ÎÛ·ËÌ˚ ÒÛÒÚÂÈÌ-

PitchBendRange

NO YES

Ò˝ÏÔÎËÓ‚‡ÌËfl ‰Îfl Ô‡‚ÓÈ Ô‰‡ÎË –

2

[SustainSamplingDepth]

C

D

ùÚÓÚ Ô‡‡ÏÂÚ ‰ÂÈÒÚ‚ÛÂÚ ÚÓθÍÓ ‰Îfl „ÛÔÔ˚

ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:

ÚÂÏ·Ó‚ «GRANDPIANO1».

0 - +12 (ç‡Ê‡ÚË ̇ Ô‰‡Î¸ ÔÓ‚˚¯‡ÂÚ/

ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.

ÔÓÌËʇÂÚ ‚˚ÒÓÚÛ Á‚Û͇ ̇ 12 ÔÓÎÛÚÓÌÓ‚

[1 ÓÍÚ‡‚‡])

A

B

ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇:

SustainSamplingDepth

NO YES

5

–2

C

D

ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:

ÇÍβ˜ÂÌËÂ/éÚÍβ˜ÂÌË ‰Ë̇ÏË͇ –

Off, 1 – 10

ÍÌÓÔ͇ [Speaker]

ùÚ‡ ̇ÒÚÓÈ͇ ÔÓÁ‚ÓÎflÂÚ ‚Íβ˜‡Ú¸ Ë

ìÒÚ‡Ìӂ͇ ÛÓ‚Ìfl „ÓÏÍÓÒÚË Á‚Û͇

ÓÚÍβ˜‡Ú¸ ‰Ë̇ÏËÍ.

ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.

ÓÚÔÛ˘ÂÌÌÓÈ Í·‚Ë¯Ë – ÍÌÓÔ͇

[KeyOffSamplingDepth]

A

B

Speaker

NO YES

åÓÊÌÓ Ì‡ÒÚÓËÚ¸ „ÓÏÍÓÒÚ¸ ÓÚÔÛ˘ÂÌÌÓÈ

Normal(HeadphoneSW)

Í·‚Ë¯Ë (ÚÓÌÍËÈ Á‚ÛÍ, ÍÓÚÓ˚È ÒÎ˚¯ÂÌ, ÍÓ„‰‡

C

D

ÓÚÔÛÒ͇˛Ú Í·‚˯Û).

ùÚÓ ÔËÏÂÌËÏÓ Í „ÛÔÔ‡Ï ÚÂÏ·Ó‚ «Grand

Normal (HeadphoneSW)

Piano1», «Harpsichord», «E.Clavichord» Ë

ÑË̇ÏËÍ ‡·ÓÚ‡ÂÚ, ÚÓθÍÓ ÂÒÎË ÌÂ

ÚÂÏ·Û «E.Piano2».

ÔÓ‰Íβ˜ÂÌ˚ ̇ۯÌËÍË.

ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.

On ÑË̇ÏËÍ ‡·ÓÚ‡ÂÚ ‚Ò„‰‡.

On ÑË̇ÏËÍ Ì ‡·ÓÚ‡ÂÚ.

A

B

KeyOffSamplingDepth

NO YES

5

C

D

ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:

Off, 1 – 10

88 CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

ÑÛ„Ë ̇ÒÚÓÈÍË – [FUNCTION]

Ç˚·Ó ÛÓ‚Ìfl Ò˄̇· Ò ‚˚ıÓ‰‡ AUX OUT –

ç‡ÒÚÓÈ͇ ͇̇· ÔËÂχ MIDI – ÍÌÓÔ͇

[AuxOutLevel]

[MidiInChannel]

Ç˚·Ó ÛÓ‚Ìfl „ÓÏÍÓÒÚË Á‚Û͇ ̇ ‡Á˙Âχı

åÓÊÌÓ Û͇Á‡Ú¸, ·Û‰ÂÚ ÎË ÔËÌËχڸÒfl ͇ʉ˚È

AUX OUT. èË ‚˚·Ó «Fixed» ÛÓ‚Â̸

͇̇Π‰‡ÌÌ˚ı ËÁ ‡Á˙ÂÏÓ‚ MIDI [IN] Ë USB

Ò˄̇· ÌÂθÁfl ËÁÏÂÌflÚ¸ Ò ÔÓÏÓ˘¸˛

[TO HOST].

„ÛÎflÚÓ‡ [MASTER VOLUME]. èË ‚˚·ÓÂ

ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.

«Variable» ÛÓ‚Â̸ Ò˄̇· ÌÂθÁfl ËÁÏÂÌflÚ¸ Ò

A

B

ÔÓÏÓ˘¸˛ „ÛÎflÚÓ‡ [MASTER VOLUME].

MidiInChannel

NO YES

ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.

Midi/Usb1Ch1 Song

A

B

C

D

AuxOutLevel

NO YES

Ç˚·ÂËÚ ͇̇ΠÇ˚·Ó Ô‡ÚËË ÔËÂχ ‰‡ÌÌ˚ı MIDI

Fixed

C

D

ç‡ÒÚÓÈ͇ ‰Îfl Ô‰‡ÎÂÈ:

Midi/Usb1 Ch1 – Ch16

ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:

Usb2 Ch1 – 16

Fixed/Variable

ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:

ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇:

Song, Main, Left, Layer, LeftLayer, Keyboard,

íÓÌ͇fl ̇ÒÚÓÈ͇

Fixed

Off

ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇:

Midi/Usb1 Ch1- Ch16 — Song

ç‡ÒÚÓÈ͇ ͇̇· ÔÂ‰‡˜Ë MIDI – ÍÌÓÔ͇

Usb2 Ch1 — Keyboard

[MidiOutChannel]

Usb2 Ch2 — Main

Usb2 Ch3 — Left

ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ ÏÓÊÌÓ Û͇Á‡Ú¸

Usb2 Ch4 — Layer

͇̇Î, ÔÓ ÍÓÚÓÓÏÛ ˆËÙÓ‚Ó ÔˇÌËÌÓ

Usb2 Ch5 — LeftLayer

Clavinova ·Û‰ÂÚ ÔÂ‰‡‚‡Ú¸ MIDI-‰‡ÌÌ˚Â.

Others — Off

ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.

A

B

MIDI IN

USB TO HOST

MidiOutChannel

NO YES

Main Midi/Usb1Ch1

C

D

Ç˚·ÂËÚ ԇÚ˲ (Á‚Û˜‡ÌËfl ËÌÒÚÛÏÂÌÚ‡) ì͇ÊËÚ ͇̇Î

Midi/Usb1

Usb2

Ch1 – Ch16

Ch1 – Ch16

ç‡ÒÚÓÈ͇ ‰Îfl Ô‰‡ÎÂÈ:

Main („·‚Ì˚È), Left (΂˚È), Layer (ÒÎÓÈ),

Left Layer (΂˚È ÒÎÓÈ)

ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:

Song

Keyboard

– LeftLayer

Midi/Usb1 Ch1 – Ch16, Off (‰‡ÌÌ˚ ÌÂ

ÔÂ‰‡˛ÚÒfl)

ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇:

Main — Midi/Usb1 Ch1

Left — Midi/Usb1 Ch2

Layer — Midi/Usb1 Ch3

Left Layer — Midi/Usb1 Ch4

CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 89

ëÔËÒÓÍ ÒÓÓ·˘ÂÌËÈ

ëÓÓ·˘ÂÌË á̇˜ÂÌËÂ

Ç˚ Ô˚Ú‡ÎËÒ¸ ÔÂÂËÏÂÌÓ‚‡Ú¸ ÔÂÒÌ˛, ÍÓÚÓÓÈ ÌÂÚ ‚ Ô‡ÏflÚË ‰Îfl

NoSongToRename

ı‡ÌÂÌËfl ËÎË Ì‡ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl ‰‡ÌÌ˚ı. Ç˚·ÂËÚÂ

Á‡ÔËÒ‡ÌÌÛ˛ ÔÂÒÌ˛ ËÎË ÔÂÒÌ˛ ËÁ ‚̯ÌÂ„Ó ËÒÚÓ˜ÌË͇ Ò

ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [SONG SELECT].

ùÚÓ ÒÓÓ·˘ÂÌË Á‡Ô‡¯Ë‚‡ÂÚ ÔÓ‰Ú‚ÂʉÂÌË ̇ Á‡ÔËÒ¸ ÌÓ‚˚ı

Overwrite?-->

‰‡ÌÌ˚ı ‚ÏÂÒÚÓ ÒÚ‡˚ı.. óÚÓ·˚ ‡Á¯ËÚ¸ ÔÂÂÁ‡ÔËÒ¸, ̇ÊÏËÚÂ

ÍÌÓÔÍÛ B [+ (YES)]. ÑÎfl ÓÚÏÂÌ˚ ̇ÊÏËÚ ÍÌÓÔÍÛ B [– (NO)].

ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl, ÍÓ„‰‡ ̇ ÍÓÏÔ¸˛ÚÂÂ,

PC<->CLP

ÔÓ‰Íβ˜ÂÌÌÓÏ Í ËÌÒÚÛÏÂÌÚÛ, Á‡ÔÛ˘ÂÌÓ ÔËÎÓÊÂÌËÂ

íÓÌ͇fl ̇ÒÚÓÈ͇

InCommunication

Musicsoft Downloader. äÓ„‰‡ ÔÓfl‚ÎflÂÚÒfl ˝ÚÓ ÒÓÓ·˘ÂÌËÂ, ‚˚ ÌÂ

ÏÓÊÂÚ ‡·ÓÚ‡Ú¸ Ò ËÌÒÚÛÏÂÌÚÓÏ.

ë‡ÁÛ ÔÓÒΠ‚˚·Ó‡ ÔÂÒÌË ·˚· ҉·̇ ÔÓÔ˚Ú͇ ̇˜‡Ú¸

PleaseWait

‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ËÎË ‚˚ÔÓÎÌËÚ¸ ‰Û„Û˛ ÓÔÂ‡ˆË˛.

èÓ‰ÓʉËÚÂ, ÔÓ͇ ÒÓÓ·˘ÂÌË ËÒ˜ÂÁÌÂÚ.

ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl ÔË ÔÓÔ˚ÚÍ Á‡ÔËÒË (ÒÓı‡ÌÂÌËfl),

ProtectedDrive

ÍÓÔËÓ‚‡ÌËfl ËÎË Û‰‡ÎÂÌËfl ‰‡ÌÌ˚ı ̇ Á‡˘Ë˘ÂÌÌÓÏ ‰ËÒÍÂ/

ÌÓÒËÚÂÎÂ. ì·ÂËÚ Á‡˘ËÚÛ Ë ÔÓ‚ÚÓËÚ ÔÓÔ˚ÚÍÛ. ÖÒÎË ‚˚ ‚ÒÂ

¢ ‚ˉËÚ ˝ÚÓ ÒÓÓ·˘ÂÌËÂ, Û ‰ËÒÍÂÚ˚ ÂÒÚ¸ ‚ÌÛÚÂÌÌflfl Á‡˘ËÚ‡

(̇ÔËÏÂ, Í‡Í Û ÍÓÏÏÂ˜ÂÒÍËı ÏÛÁ˚͇θÌ˚ı ‰‡ÌÌ˚ı).

á‡ÔËÒ˚‚‡Ú¸ ËÎË ÍÓÔËÓ‚‡Ú¸ ‰‡ÌÌ˚ ̇ Ú‡ÍË ‰ËÒÍÂÚ˚ ÌÂθÁfl.

ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl, ÍÓ„‰‡ Á‡˘Ë˘ÂÌ̇fl ÔÂÒÌfl Ë ÌÓÒËÚÂθ

ProtectedDriveError

ÌÂÒÓ‚ÏÂÒÚËÏ˚. ÇÓÒÔÓθÁÛÈÚÂÒ¸ ÌÓÒËÚÂÎÂÏ, ˜¸fl ÒÓ‚ÏÂÒÚËÏÓÒÚ¸ Ò

ÔˇÌËÌÓ ÔÓ‰Ú‚ÂʉÂ̇ ÍÓÔÓ‡ˆËÂÈ Yamaha (ÒÚ. 60).

Ç˚ Ô˚Ú‡ÎËÒ¸ ÒÍÓÔËÓ‚‡Ú¸ ËÎË Û‰‡ÎËÚ¸ ‰‡ÌÌ˚ ËÁ Ù‡ÈÎÓ‚ Ò

ProtectedFile

‚ÌÛÚÂÌÌÂÈ Á‡˘ËÚÓÈ (̇ÔËÏÂ, ÒÂËÈÌ˚ ÏÛÁ˚͇θÌ˚ ‰‡ÌÌ˚Â).

á‡ÔËÒ˚‚‡Ú¸ ËÎË ÍÓÔËÓ‚‡Ú¸ Ú‡ÍË هÈÎ˚, ‡ Ú‡ÍÊ ۉ‡ÎflÚ¸ Ëı ÌÂθÁfl.

ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl ÔË ÔÓÔ˚ÚÍ ‚ÓÒÔÓËÁ‚‰ÂÌËfl

ProtectedFileFormatError

Á‡˘Ë˘ÂÌÌÓÈ ÔÂÒÌË, ‚ ÍÓÚÓÓÈ Ì‡Û¯ÂÌ ÙÓÏ‡Ú Ù‡È·.

èÓÒΠÁ‡„ÛÁÍË ÔÂÒÌË Ò ‚ÌÛÚÂÌÌÂÈ Á‡˘ËÚÓÈ ‚ ÓÔÂ‡ÚË‚ÌÛ˛ ËÎË

ProtectedSong

ÔÓÒÚÓflÌÌÛ˛ Ô‡ÏflÚ¸ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ·˚·

Ô‰ÔËÌflÚ‡ ÔÓÔ˚Ú͇ ÒÓı‡ÌËÚ¸ ˝ÚÛ ÔÂÒÌ˛ ̇ USB-ÛÒÚÓÈÒÚ‚Â

ı‡ÌÂÌËfl ‰‡ÌÌ˚ı. ëÓı‡ÌËÚ¸ Ú‡ÍÛ˛ ÔÂÒÌ˛ ̇ ‰Û„ÓÈ ‰ËÒÍÂÚ ÌÂθÁfl.

á‡ÔËÒ˚‚‡Ú¸ ËÎË ÍÓÔËÓ‚‡Ú¸ ‰‡ÌÌ˚ ̇ Ú‡ÍË ‰ËÒÍÂÚ˚ ÌÂθÁfl.

ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl ÔË ÔÓÔ˚ÚÍ ÒÍÓÔËÓ‚‡Ú¸

Á‡˘Ë˘ÂÌÌÛ˛ ÔÂÒÌ˛. ᇢˢÂÌÌ˚ ÔÂÒÌË ÌÂθÁfl ÍÓÔËÓ‚‡Ú¸.

ProtectedSong:UseMove

é‰Ì‡ÍÓ ÏÓÊÌÓ ÔÂÂÏÂÒÚËÚ¸ Ú‡ÍÛ˛ ÔÂÒÌ˛ (ÒÚ. 51).

ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl ÔË ÔÓÔ˚ÚÍ ÒÓı‡ÌËÚ¸

SecuritySongIsProtected

Á‡˘Ë˘ÂÌÌÛ˛ ÔÂÒÌ˛ (Óı‡ÌflÂÏÛ˛ ÔÂÒÌ˛). ᇢˢÂÌÌ˚ ÔÂÒÌË

CannotSave

ÌÂθÁfl ÒÓı‡ÌflÚ¸.

Ç ˝ÚÓÏ ÒÓÓ·˘ÂÌËË „Ó‚ÓËÚÒfl, ˜ÚÓ ‚˚ ‰ÓÎÊÌ˚ Û͇Á‡Ú¸, ̇‰Ó ÎË

Set?-->

ÒÓı‡ÌËÚ¸ ËÁÏÂÌÂÌÌ˚ ̇ÒÚÓÈÍË. óÚÓ·˚ ÒÓı‡ÌËÚ¸ ̇ÒÚÓÈÍË,

̇ÊÏËÚ ÍÌÓÔÍÛ B [+ (YES)]. óÚÓ·˚ ÓÚÏÂÌËÚ¸ ÒÓı‡ÌÂÌËÂ, ̇ÊÏËÚÂ

ÍÌÓÔÍÛ [EXIT].

96 CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

ëÔËÒÓÍ ÒÓÓ·˘ÂÌËÈ

ëÓÓ·˘ÂÌË á̇˜ÂÌËÂ

ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl, ÂÒÎË ÔË Á‡ÔËÒË ËÎË ‰‡ÍÚËÓ‚‡ÌËË

SongChanged Clear?

Á‡˘Ë˘ÂÌÌÓÈ ÔÂÒÌË ‚˚ ‚˚·Ë‡ÂÚ ‰Û„Û˛ ÔÂÒÌ˛. á‡ÔËÒ‡ÌÌ˚ ËÎË

‰‡ÍÚËÓ‚‡ÌÌ˚ Á‡˘Ë˘ÂÌÌ˚ ÔÂÒÌË ÌÂθÁfl ÒÓı‡ÌflÚ¸. èË

‚˚·Ó ‰Û„ÓÈ ÔÂÒÌË ˝Ú‡ ÔÂÒÌfl ·Û‰ÂÚ Û‰‡ÎÂ̇.

Ç˚ Ô˚Ú‡ÎËÒ¸ ‚˚ÔÓÎÌËÚ¸ ‰Û„Û˛ ÓÔÂ‡ˆË˛, ‰Ó ÚÓ„Ó Í‡Í

SongChanged Save?

Á‡ÔËÒ‡Ì̇fl ÔÂÒÌfl ·˚· ÒÓı‡ÌÂ̇ ‚ Ô‡ÏflÚË Á‡ÔÓÏË̇˛˘Â„Ó

ÛÒÚÓÈÒÚ‚‡ ËÎË Ì‡ ‚̯ÌÂÏ ÛÒÚÓÈÒÚ‚Â. ÖÒÎË ÔÓ‰ÓÎÊËÚ¸ ˝ÚÛ

ÓÔÂ‡ˆË˛, Á‡ÔËÒ‡Ì̇fl ÔÂÒÌfl ·Û‰ÂÚ ÔÓÚÂfl̇. óÚÓ·˚ Û‰‡ÎËÚ¸

ÌÓ‚Û˛ Á‡ÔËÒ¸, ̇ÊÏËÚ ÍÌÓÔÍÛ B [– (NO)]. óÚÓ·˚ ÒÓı‡ÌËÚ¸

˝ÚÛ Á‡ÔËÒ¸, ̇ÊÏËÚ ÍÌÓÔÍÛ B [+ (YES)]. èˇÌËÌÓ Clavinova

ÔÓ͇ÊÂÚ ˝Í‡Ì «Save». ëÓı‡ÌËÚ Á‡ÔËÒ‡ÌÌÛ˛ ÔÂÒÌ˛ Ë

ÔÂÂȉËÚÂ Í ÒÎÂ‰Û˛˘ÂÏÛ ‰ÂÈÒڂ˲.

ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ËÚÒfl, ÂÒÎË ÔË ‚˚·Ó ËÎË

SongError

‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË ‚ÓÁÌËÍÌÂÚ ÔÓ·ÎÂχ Ò ‰‡ÌÌ˚ÏË

ÔÂÒÌË. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ‚˚·ÂËÚ ˝ÚÛ ÔÂÒÌ˛ ¢ ‡Á Ë ÒÌÓ‚‡

ÔÓÔÓ·ÛÈڠ ‚ÓÒÔÓËÁ‚ÂÒÚË. ÖÒÎË ÒÓÓ·˘ÂÌË ‚Ò ¢Â

íÓÌ͇fl ̇ÒÚÓÈ͇

ÔÓfl‚ÎflÂÚÒfl, ‰‡ÌÌ˚ ÔÂÒÌË ÏÓ„ÛÚ ·˚Ú¸ ÔÓ‚ÂʉÂÌ˚.

1. ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ËÚÒfl, ÂÒÎË ÔË Á‡ÔËÒË ÔÂÒÌË ÚÂÍÛ˘‡fl

SongTooBig

Ô‡ÏflÚ¸ ·Û‰ÂÚ ÔÂÂÔÓÎÌÂ̇. á‡ÔËÒ¸ ‡‚ÚÓχÚ˘ÂÒÍË

ÓÒÚ‡ÌÓ‚ËÚÒfl ‚ ˝ÚÓÏ ÏÂÒÚÂ. чÌÌ˚Â, Á‡ÔËÒ‡ÌÌ˚ ‰Ó ˝ÚÓ„Ó

ÏÂÒÚ‡, ÓÒÚ‡ÌÛÚÒfl. ùÚÓ ÒÓÓ·˘ÂÌË ڇÍÊ ÏÓÊÂÚ ÔÓfl‚ËÚÒfl,

ÂÒÎË ‚˚ Ô˚Ú‡ÂÚÂÒ¸ ‚ÓÈÚË ‚ ÂÊËÏ Record, ˜ÚÓ·˚ ÔÓ‚ÂÒÚË

‰ÓÔÓÎÌËÚÂθÌÛ˛ Á‡ÔËÒ¸, ‡ ÔÂÒÌfl ÛÊ Á‡Ìfl· ‚Ò˛ ÚÂÍÛ˘Û˛

Ô‡ÏflÚ¸. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ‰ÓÔÓÎÌËÚÂθ̇fl Á‡ÔËÒ¸ ·Û‰ÂÚ

Ì‚ÓÁÏÓÊ̇. ÖÒÎË ‰‡ÌÌ˚ ̇ ÛÊ Á‡ÔËÒ‡ÌÌÓÈ Ô‡ÚËË ‚‡Ï ÌÂ

ÌÛÊÌ˚, ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ «ChannelClear»

(ÒÚ. 73), ˜ÚÓ·˚ Û‰‡ÎËÚ¸ Ëı, ÚÓ„‰‡ ‚˚ ÒÏÓÊÂÚ Á‡ÔËÒ‡Ú¸

‡‚ÌÓ ÍÓ΢ÂÒÚ‚Ó ‰ÓÔÓÎÌËÚÂθÌÓ„Ó Ï‡ÚÂˇ·.

2. ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ËÚÒfl, ÂÒÎË ‡ÁÏÂ ‚˚·‡ÌÌÓÈ ÔÂÒÌË

Ô‚˚¯‡ÂÚ Ó·˙ÂÏ ÚÂÍÛ˘ÂÈ Ô‡ÏflÚË (ÒÚ. 100). ùÚÛ ÔÂÒÌ˛

ÌÂθÁfl Á‡„ÛÁËÚ¸ ‚ ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-280/270 Ë ÌÂθÁfl

‚ÓÒÔÓËÁ‚ÂÒÚË. Ç˚·ÂËÚ ‰Û„Û˛ ÔÂÒÌ˛.

ùÚÓ ÒÓÓ·˘ÂÌË Û͇Á˚‚‡ÂÚ, ˜ÚÓ ‚˚ ‰ÓÎÊÌ˚ ̇˜‡Ú¸ ÓÔÂ‡ˆË˛.

Start?-->

óÚÓ·˚ ̇˜‡Ú¸ ÓÔÂ‡ˆË˛, ̇ÊÏËÚ ÍÌÓÔÍÛ B [+ (YES)]. óÚÓ·˚

ÓÚÏÂÌËÚ¸ ÓÔÂ‡ˆË˛, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT].

ùÚÓ ÒÓÓ·˘ÂÌË Û͇Á˚‚‡ÂÚ, ˜ÚÓ ‚˚ ‰ÓÎÊÌ˚ ÔÓ‰Ú‚Â‰ËÚ¸

Sure?-->

‚˚ÔÓÎÌÂÌËÂ. ÑÎfl ÔÓ‰ÓÎÊÂÌËfl ̇ÊÏËÚ ÍÌÓÔÍÛ B [+ (YES)].

ÑÎfl ÓÚÏÂÌ˚ ̇ÊÏËÚ ÍÌÓÔÍÛ B [– (NO)].

ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl, ÍÓ„‰‡ ˜ËÒÎÓ Ù‡ÈÎÓ‚ Ë Í‡Ú‡ÎÓ„Ó‚

SystemLimit

Ô‚˚¯‡ÂÚ ÒËÒÚÂÏÌ˚ ӄ‡Ì˘ÂÌËfl. å‡ÍÒËχθÌÓ ˜ËÒÎÓ

Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ, ÍÓÚÓ˚ ÏÓ„ÛÚ ı‡ÌËÚ¸Òfl ‚ Ô‡ÔÍÂ, ‡‚ÌÓ 250.

èÓ‚ÚÓËÚ ÔÓÔ˚ÚÍÛ ÔÓÒΠۉ‡ÎÂÌËfl/ÔÂÂÏ¢ÂÌËfl ÌÂÌÛÊÌ˚ı

Ù‡ÈÎÓ‚.

Ç˚ Ô˚Ú‡ÎËÒ¸ ‚˚ÔÓÎÌËÚ¸ ÓÔÂ‡ˆË˛ Ò Ù‡È·ÏË ËÎË ‰ËÒÍÓÏ Ì‡

UnformattedDrive

ÌÂÙÓχÚËÓ‚‡ÌÌÓÏ ÌÓÒËÚÂÎÂ. Ç˚̸Ú ÌÓÒËÚÂθ,

ÓÚÙÓχÚËÛÈÚ „Ó, ËÒÔÓθÁÛfl Ô‡‡ÏÂÚ «FormatDisk»

(ÒÚ. 52), Ë ÔÓ‚ÚÓËÚÂ ÔÓÔ˚ÚÍÛ.

CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 97

ëÔËÒÓÍ ÒÓÓ·˘ÂÌËÈ

ëÓÓ·˘ÂÌË á̇˜ÂÌËÂ

Ç˚ Ô˚Ú‡ÎËÒ¸ ‚˚ÔÓÎÌËÚ¸ ÓÔÂ‡ˆË˛ Ò Ù‡È·ÏË ËÎË ‰ËÒÍÓÏ Ì‡

ÌÂÙÓχÚËÓ‚‡ÌÌÓÏ ÌÓÒËÚÂÎÂ. ÑÎfl ÓÚÏÂÌ˚ ÓÔÂ‡ˆËË

UnformattedDrive Format?

̇ÊÏËÚ ÍÌÓÔÍÛ B [– (NO)]. óÚÓ·˚ ÓÚÙÓχÚËÓ‚‡Ú¸ ‰ËÒÍÂÚÛ

Ë ÔÓ‚ÚÓËÚ¸ ÔÓÔ˚ÚÍÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ B [+ (YES)] ‰Îfl ‚˚‚Ó‰‡

̇ ‰ËÒÔÎÂÈ Ô‡‡ÏÂÚ‡ «FormatDisk» (ÒÚ. 52).

ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl ÔË ÔÓ‰Íβ˜ÂÌËË

UnsupportedDrive

ÌÂÔÓ‰‰ÂÊË‚‡ÂÏÓ„Ó ÌÓÒËÚÂÎfl. ÇÓÒÔÓθÁÛÈÚÂÒ¸ ÌÓÒËÚÂÎÂÏ, ˜¸fl

ÒÓ‚ÏÂÒÚËÏÓÒÚ¸ Ò ÔˇÌËÌÓ ÔÓ‰Ú‚ÂʉÂ̇ ÍÓÔÓ‡ˆËÂÈ Yamaha

(ÒÚ. 60).

íÓÌ͇fl ̇ÒÚÓÈ͇

• èÓ‰Íβ˜ÂÌÌ˚È ÌÓÒËÚÂθ Ì ÔÓ‰‰ÂÊË‚‡ÂÚ ‡·ÓÚÛ Ò

WrongDrive

Á‡˘Ë˘ÂÌÌ˚ÏË ÔÂÒÌflÏË. àÒÔÓθÁÛÈÚ ÚÓθÍÓ Ú ÌÓÒËÚÂÎË,

˜¸fl ÒÓ‚ÏÂÒÚËÏÓÒÚ¸ Ò ÔˇÌËÌÓ ÔÓ‰Ú‚ÂʉÂ̇ ÍÓÔÓ‡ˆËÂÈ

Yamaha (ÒÚ. 60).

• ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl, ÍÓ„‰‡ ÔÓ‰Íβ˜ÂÌÌÓ USB-

ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÔÓ‚ÂʉÂÌÓ Ë ‰ÓÒÚÛÔ Í ÌÂÏÛ

Ì‚ÓÁÏÓÊÂÌ.

Ç˚ ËÒÔÓθÁÓ‚‡ÎË ‚ ̇˜‡Î ËÏÂÌË ÔÂÒÌË ÔÓÏÂÊÛÚÓÍ ËÎË

WrongName

ÔÓ·ÂÎ ËÎË ÔÓÔ˚Ú‡ÎËÒ¸ ËÁÏÂÌËÚ¸ ËÏfl ÔÂÒÌË, ‚Íβ˜‡˛˘Â ‚

Ò·fl ÒËÏ‚ÓÎ (ËÎË ÒËÏ‚ÓÎ˚), ÍÓÚÓ˚ Ì ÔÓ‰‰ÂÊË‚‡˛ÚÒfl

ˆËÙÓ‚˚Ï ÔˇÌËÌÓ CLP-280/270, Ë ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-

280/270 Ì ÏÓÊÂÚ Ó·‡·ÓÚ‡Ú¸ ˝ÚÓ ËÏfl. óÂÂÁ ÚË ÒÂÍÛ̉˚

ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ‚ÓÒÒÚ‡ÌÓ‚ËÚ Ô‰˚‰Û˘ËÈ ˝Í‡Ì.

è‡‚ËθÌÓ ÔÂÂËÏÂÌÛÈÚ ÔÂÒÌ˛.

ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl, ÍÓ„‰‡ ÔË ÍÓÔËÓ‚‡ÌËË ÔÂÒÌË ‚

WrongSelection

͇˜ÂÒÚ‚Â ËÒıÓ‰ÌÓ„Ó Ë ÍÓ̘ÌÓ„Ó ÏÂÒÚ‡ ‚˚·‡Ì‡ Ӊ̇ Ô‡Ô͇.

çÂθÁfl ‚˚·Ë‡Ú¸ Ó‰ÌÛ Ô‡ÔÍÛ ‚ ͇˜ÂÒÚ‚Â ËÒıÓ‰ÌÓ„Ó Ë

ÍÓ̘ÌÓ„Ó ÏÂÒÚ‡ ‰Îfl ÍÓÔËÓ‚‡ÌËfl. ì͇ÊËÚ ‰Û„Û˛ Ô‡ÔÍÛ ‚

͇˜ÂÒÚ‚Â ÍÓ̘ÌÓÈ.

98 CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

ÇÓÔÓÒ˚ Ó· ÓÔÂ‡ˆËflı Ë ÙÛÌ͈Ëflı

■ äÌÓÔÍË Ì ‡·ÓÚ‡˛Ú.

■ àÒÔÓÎÌÂÌË ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ËÎË ‡Á‰ÂÎÂÌËfl

äÓ„‰‡ ‚˚ ËÒÔÓθÁÛÂÚ ͇ÍÛ˛-ÎË·Ó

ÚÂÏ·Ó‚ Ì Á‡ÔËÒ˚‚‡ÂÚÒfl.

ÙÛÌÍˆË˛, ÌÂÍÓÚÓ˚ ÍÌÓÔÍË, ÍÓÚÓ˚ ‰Îfl

■ чÌÌ˚ ԇÚËË ÌÂÓÊˉ‡ÌÌÓ ÔÓÚÂflÌ˚.

Ì ̠ÌÛÊÌ˚, ÓÚÍβ˜‡˛ÚÒfl. ÖÒÎË Ë‰ÂÚ

èË Á‡ÔËÒË ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ËÎË

‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ÓÒÚ‡ÌÓ‚ËÚ „Ó. àÎË ÊÂ

‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ Ô‡ÚËfl ‰Îfl Á‡ÔËÒË

̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT], ˜ÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í

‚ÚÓÓ„Ó ÚÂÏ·‡ (ÚÂÏ·‡ ‰Îfl Ô‡ÚËË Î‚ÓÈ

„·‚ÌÓÏÛ ˝Í‡ÌÛ. á‡ÚÂÏ ‚˚ÔÓÎÌËÚ ÌÛÊÌÛ˛

ÛÍË) ‚˚·Ë‡ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË (ÒÚ. 29).

ÓÔÂ‡ˆË˛.

í‡ÍËÏ Ó·‡ÁÓÏ, ÂÒÎË ‚ Ô‡ÚËË ÛÊ ÂÒÚ¸

■ èË Ì‡Ê‡ÚËË Ì‡ Ô‰‡Î¸ ÒÓÒÚÂÌÛÚÓ Á‚ÛÍ

‰‡ÌÌ˚Â, ÓÌË ·Û‰ÛÚ ÔÂÂÁ‡ÔËÒ‡Ì˚. í‡ÍÊ ÌÂ

ÔӉ΂‡ÂÚÒfl Ë Ì Á‡ÚÛı‡ÂÚ.

Á‡ÔËÒ˚‚‡ÂÚÒfl ÔÂÂÍβ˜ÂÌË ‚ ÂÊËÏ

ë ÚÂÏ·‡ÏË „ÛÔÔ CHURCH ORGAN,

̇ÎÓÊÂÌËfl ËÎË ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚,

JAZZ ORGAN, STRINGS Ë CHOIR, ‡

҉·ÌÌÓ ‚ ÒÂ‰ËÌ ÔÂÒÌË. í‡ÍËÏ

Ú‡ÍÊÂ Ò ÌÂÍÓÚÓ˚ÏË ÚÂÏ·‡ÏË „ÛÔÔ˚ XG

Ó·‡ÁÓÏ, ÌÓÚ˚, ËÒÔÓÎÌflÂÏ˚ ‚Ó ‚ÚÓÓÏ

Á‚ÛÍ ÔӉ΂‡ÂÚÒfl, ÔÓ͇ Ô‰‡Î¸ ÒÓÒÚÂÌÛÚÓ

ÚÂÏ· (ËÎË ÌÓÚ˚ ÌËÊ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl),

Û‰ÂÊË‚‡ÂÚÒfl ̇ʇÚÓÈ.

Ì Á‡ÔËÒ˚‚‡˛ÚÒfl.

■ ÅÓΠ‚˚ÒÓÍË ËÎË ·ÓΠÌËÁÍË ÌÓÚ˚ Á‚Û˜‡Ú

■ ä‡ÍÓÈ ÚËÔ ‰‡ÌÌ˚ı Á‡ÔËÒ˚‚‡ÂÚÒfl?

ÌÂÔ‡‚ËθÌÓ, ÂÒÎË ‚˚ÔÓÎÌÂÌÓ Ú‡ÌÒÔÓÌËÓ‚‡ÌËÂ

чÌÌ˚Â, Á‡ÔËÒ˚‚‡ÂÏ˚ ‚ Ô‡ÚËË:

ËÎË Ì‡ÒÚÓÈ͇ ÓÍÚ‡‚˚.

•çÓÚÌ˚ ‰‡ÌÌ˚ (ÔÓË„˚‚‡ÂÏ˚ ‚‡ÏË

ÑˇԇÁÓÌ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl Ë Ì‡ÒÚÓÈÍË

ÌÓÚ˚)

íÓÌ͇fl ̇ÒÚÓÈ͇

•Ç˚·Ó ÚÂÏ·‡

ÓÍÚ‡‚˚ ‡‚ÂÌ C-2 – G8. (èË Ó·˚˜ÌÓÈ

•àÌÙÓχˆËfl Ó ÚÓÏ, ‚Íβ˜ÂÌ˚ ËÎË ÌÂÚ

̇ÒÚÓÈÍ 88 Í·‚˯ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ

Ô‰‡ÎË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova Ë

Clavinova Óı‚‡Ú˚‚‡˛Ú ‰Ë‡Ô‡ÁÓÌ A-1 – C7.)

‚̯Ìflfl Ô‰‡Î¸

ÖÒÎË Ò‡Ï‡fl ÌËÁ͇fl ÚÓ̇θÌÓÒÚ¸

•ÉÎÛ·Ë̇ ‚Â·Â‡ˆËË, ÍÌÓÔ͇

ÛÒÚ‡ÌÓ‚ÎÂ̇ ÌËÊ ÌÓÚ˚ C-2,

[ReverbSend]

ÒËÌÚÂÁËÓ‚‡ÌÌ˚È Á‚ÛÍ ·Û‰ÂÚ ‚˚¯Â ̇ Ó‰ÌÛ

•ÉÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ Chorus, ÍÌÓÔ͇

ÓÍÚ‡‚Û. ÖÒÎË Ò‡Ï‡fl ‚˚ÒÓ͇fl ÚÓ̇θÌÓÒÚ¸

[ChorusSend]

ÛÒÚ‡ÌÓ‚ÎÂ̇ ÌËÊ ÌÓÚ˚ G8,

•ÉÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ DSP, ÍÌÓÔ͇

ÒËÌÚÂÁËÓ‚‡ÌÌ˚È Á‚ÛÍ ·Û‰ÂÚ ÌËÊ ̇ Ó‰ÌÛ

[DSPDepth]

ÓÍÚ‡‚Û.

•üÍÓÒÚ¸ Á‚Û͇, ÍÌÓÔ͇ [Brightness]

•ç‡ÒÚÓÈ͇ ˝ÙÙÂÍÚ‡ ÂÁÓ̇ÌÒ‡, ÍÌÓÔ͇

■ ä‡Í ‚ÂÌÛÚ¸Òfl Í ˝Í‡ÌÛ Á‡ÔËÒË ËÎË ‚˚·Ó‡ ÔÂÒÌË

[Harmonic Content]

‚Ó ‚ÂÏfl Á‡ÔËÒË ËÎË ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË?

•ç‡ÒÚÓÈ͇ ÌËÁÍÓÈ ˜‡ÒÚÓÚ˚ ˝Í‚‡Î‡ÈÁÂ‡,

ç‡ÊÏËÚ ÍÌÓÔÍÛ [SONG SELECT] (Ç˚·Ó

ÍÌÓÔ͇ [EQLowFreq.]

ÔÂÒÌË).

• ç‡ÒÚÓÈ͇ ÛÏÂ̸¯ÂÌËfl ‰Ë‡Ô‡ÁÓ̇ ÌËÁÍËı

˜‡ÒÚÓÚ ˝Í‚‡Î‡ÈÁÂ‡, ÍÌÓÔ͇ [EQLowGain]

■ íÂÏÔ Ì ËÁÏÂÌflÂÚÒfl, ıÓÚfl Á‡ÔËÒ¸ ÔӂӉ˷Ҹ Ò

•ç‡ÒÚÓÈ͇ ‰Ë‡Ô‡ÁÓ̇ ‚˚ÒÓÍËı ˜‡ÒÚÓÚ

ËÁÏÂÌÂÌËflÏË ÚÂÏÔ‡.

˝Í‚‡Î‡ÈÁÂ‡, ÍÌÓÔ͇ [EQHighFreq.]

Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÚÓ„Ó, ÍÓ„‰‡ ·˚Î ËÁÏÂÌÂÌ

•ç‡ÒÚÓÈ͇ Û‚Â΢ÂÌËfl ‰Ë‡Ô‡ÁÓ̇

ÚÂÏÔ, ˝ÚË ËÁÏÂÌÂÌËfl ÏÓ„ÛÚ ·˚Ú¸ ÌÂ

‚˚ÒÓÍËı ˜‡ÒÚÓÚ ˝Í‚‡Î‡ÈÁÂ‡, ÍÌÓÔ͇

Á‡ÔËÒ‡Ì˚. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ‚ÓÒÔÓËÁ‚‰ÂÌËÂ

[EQHighGain]

Á‡ÔËÒË ·Û‰ÂÚ Ë‰ÚË ‚ ËÒıÓ‰ÌÓÏ ÚÂÏÔÂ.

•ç‡ÒÚÓÈ͇ ÓÍÚ‡‚˚ ‰Îfl ÚÂÏ·‡, ÍÌÓÔ͇

àÁÏÂÌËÚ ÚÂÏÔ, ÍÓ„‰‡ ‚˚·‡Ì‡ Ô‡ÚËfl ‰Îfl

[Octave]

•ÉÓÏÍÓÒÚ¸ Í‡Ê‰Ó„Ó ÚÂÏ·‡, ÍÌÓÔ͇

Á‡ÔËÒË Ë Í‡ÒÌ˚È Ë̉Ë͇ÚÓ Ô‡ÚËË

[Volume]

ÏË„‡ÂÚ. íÓ Ê ҇ÏÓ ÏÓÊÌÓ Ò‰Â·ڸ Ë ÔË

•ã‚ÓÂ/Ô‡‚Ó ÔÓÎÓÊÂÌËÂ Í‡Ê‰Ó„Ó Á‚Û͇,

ËÁÏÂÌÂÌËË ÚÂÏÔ‡ ÔÓÒΠÁ‡ÔËÒË.

ÍÌÓÔ͇ [Pan]

•ç‡ÒÚÓÈÍË Á‚Û͇ ‰‚Ûı ÚÂÏ·Ó‚ (ÚÓθÍÓ ‚

ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚), ÍÌÓÔ͇

[Detune]

•ÉÓÏÍÓÒÚ¸ Á‚Û͇, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl ÒËÎÂ

̇ʇÚËfl ̇ Í·‚Ë¯Û ‰Îfl Í‡Ê‰Ó„Ó ÚÂÏ·‡,

ÍÌÓÔ͇ [TouchSense]

CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 99

ÇÓÔÓÒ˚ Ó· ÓÔÂ‡ˆËflı Ë ÙÛÌ͈Ëflı

чÌÌ˚Â, Á‡ÔËÒ˚‚‡ÂÏ˚ Ò‡ÁÛ ‚Ó ‚Ò ԇÚËË:

■ ÇÓ ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË Ò ÔÓÏÓ˘¸˛

•íÂÏÔ

ÍÌÓÔÍË [FILE/SONG SETTING] ÏÓÊÌÓ ‚˚·‡Ú¸

•ó‡ÒÚÓÚ‡ Ò˄̇·

ÚÓθÍÓ Ô‡‡ÏÂÚ «PhraseMark».

•íËÔ ‚Â·Â‡ˆËË

è‡‡ÏÂÚ «PhraseMark» ‚Ó ‚ÂÏfl

•íËÔ ˝ÙÙÂÍÚ‡ Chorus

‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË ÏÓÊÌÓ Á‡‰‡Ú¸

•íËÔ ˝ÙÙÂÍÚ‡ DSP

ÚÓθÍÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [FILE/SONG

SETTING]. ÖÒÎË ÌÂÓ·ıÓ‰ËÏÓ ‚˚·‡Ú¸

èÓÒΠÁ‡ÔËÒË ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ‚Ò ‰‡ÌÌ˚Â,

‰Û„Ë ԇ‡ÏÂÚ˚, ÓÒÚ‡ÌÓ‚ËÚ ÔÂÒÌ˛ Ë

ÍÓÏ ÌÓÚÌ˚ı ‰‡ÌÌ˚ı, ̇ÒÚÓÂÍ ÓÍÚ‡‚˚ Ë

ÔÓ‚ÚÓËÚÂ ÔÓÔ˚ÚÍÛ.

Ú‡ÍÚÓ‚Ó„Ó ‡ÁÏÂ‡.

■ ëÍÓθÍÓ ‰‡ÌÌ˚ı ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸?

•íÂÍÛ˘‡fl Ô‡ÏflÚ¸ (ÒÚ. 46): ÓÍÓÎÓ 300 äÅ

íÓÌ͇fl ̇ÒÚÓÈ͇

•á‡ÔÓÏË̇˛˘Â ÛÒÚÓÈÒÚ‚Ó (ÒÚ. 46):

ÓÍÓÎÓ 1,750 äÅ

■ àÒÔÓθÁÛÂÚÒfl Ó·‡ÚÌÓ ‰ÂÈÒÚ‚Ë Ô‰‡ÎË,

ÔÓ‰Íβ˜ÂÌÌÓÈ Í ‡Á˙ÂÏÛ AUX PEDAL.

çÂÍÓÚÓ˚ Ô‰‡ÎË ÏÓ„ÛÚ ‚Íβ˜‡Ú¸Òfl Ë

‚˚Íβ˜‡Ú¸Òfl ÔÓ-‡ÁÌÓÏÛ. óÚÓ·˚ ËÁÏÂÌËÚ¸

̇ÒÚÓÈÍÛ ‚ÒÔÓÏÓ„‡ÚÂθÌÓÈ Ô‰‡ÎË,

ËÒÔÓθÁÛÈÚ ԇ‡ÏÂÚ «AuxPedalType»

(ÒÚ. 86) ‚ ÏÂÌ˛ «FUNCTION».

■ ᇄÓÎÓ‚ÓÍ ÔÂÒÌË Ì‚ÂÂÌ.

ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚ‡ «CharacterCode»

ÏÓÊÂÚ ÓÚ΢‡Ú¸Òfl ÓÚ ËÒÔÓθÁÓ‚‡ÌÌÓÈ ÔË

̇Á‚‡ÌËË ÔÂÒÌË. ᇄÓÎÓ‚ÓÍ ÏÓÊÂÚ

ÓÚÓ·‡Ê‡Ú¸Òfl Ì‚ÂÌÓ, Ú‡ÍÊ ÂÒÎË ÔÂÒÌfl

·˚· Á‡ÔË҇̇ ̇ ‰Û„ÓÏ ËÌÒÚÛÏÂÌÚÂ.

óÚÓ·˚ ËÁÏÂÌËÚ¸ ̇ÒÚÓÈÍÛ, ËÒÔÓθÁÛÈÚÂ

Ô‡‡ÏÂÚ «CharacterCode» (ÒÚ. 53) ‚ ÏÂÌ˛

«FILE/SONG SETTING». é‰Ì‡ÍÓ, ÂÒÎË

ÔÂÒÌfl ·˚· Á‡ÔË҇̇ ̇ ‰Û„ÓÏ

ËÌÒÚÛÏÂÌÚÂ, ËÁÏÂÌÂÌË ԇ‡ÏÂÚ‡

«CharacterCode» ÏÓÊÂÚ Ì ¯ËÚ¸ ˝ÚÓÈ

ÔÓ·ÎÂÏ˚.

■ Ç ˜ÂÏ ‡ÁÌˈ‡ ÏÂÊ‰Û MIDI-‰‡ÌÌ˚ÏË «TouchSense»

Ë «TouchResponse»?

«TouchSense» ÔÓÁ‚ÓÎflÂÚ Û͇Á‡Ú¸, Í‡Í Ë ‚

͇ÍÓÈ ÒÚÂÔÂÌË ËÁÏÂÌflÂÚÒfl „ÓÏÍÓÒÚ¸

ÚÂÏ·‡ ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÒËÎ˚ ̇ʇÚËfl ̇

Í·‚˯Ë. MIDI-‰‡ÌÌ˚Â Ó ÒËΠ̇ʇÚËfl

(note-on velocity) Ì ÏÂÌfl˛ÚÒfl. ÉÓÏÍÓÒÚ¸

ËÁÏÂÌflÂÚÒfl ÔË Ó‰ÌËı Ë ÚÂı Ê ‰‡ÌÌ˚ı Ó

ÒËΠ̇ʇÚËfl.

«TouchResponse» ÓÔ‰ÂÎflÂÚ

˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ ËÌÒÚÛÏÂÌÚ‡ Í ÒËÎÂ

̇ʇÚËfl ̇ Í·‚˯Ë. MIDI-‰‡ÌÌ˚Â Ó ÒËÎÂ

̇ʇÚËfl ̇ Í·‚Ë¯Û ÏÂÌfl˛ÚÒfl, ÂÒÎË ‚˚

̇ÊËχÂÚ ̇ Í·‚Ë¯Ë Ò ÔÓÒÚÓflÌÌÓÈ

ÒËÎÓÈ.

100 CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl