Yamaha CLP-280 – страница 4
Инструкция к Процессору Эффектов Yamaha CLP-280
èÓ‰Íβ˜ÂÌËÂ
èÓ‰Íβ˜ÂÌË USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı
Ç ËÌÒÚÛÏÂÌÚ ËÒÔÓθÁÛÂÚÒfl ‰‚‡ ÔÓÚ‡ USB [TO DEVICE]: Ó‰ËÌ
ä ëÇÖÑÖçàû
‡ÒÔÓÎÓÊÂÌ ‚ ΂ÓÈ ˜‡ÒÚË Ô‡ÌÂÎË, ‚ÚÓÓÈ – ÒÔ‰Ë.
ÖÒÎË USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl
‰‡ÌÌ˚ı ÔÓ‰Íβ˜ÂÌ˚ Í ‰‚ÛÏ ÔÓÚ‡Ï
USB [TO DEVICE], ÛÒÚÓÈÒÚ‚‡ ÏÓ„ÛÚ
‡·ÓÚ‡Ú¸ Ì‚ÂÌÓ.
éÒÌÓ‚Ì˚ ÓÔ‡ˆËË
ùÚË ÔÓÚ˚ ‡·ÓÚ‡˛Ú Ó‰Ë̇ÍÓ‚Ó, ÌÓ Ëı ÌÂθÁfl ËÒÔÓθÁÓ‚‡Ú¸
Ó‰ÌÓ‚ÂÏÂÌÌÓ. Ç˚·ÂËÚ ÌÛÊÌ˚È ÔÓÚ Ò ÔÓÏÓ˘¸˛ ÔÂÂÍβ˜‡ÚÂÎfl
[SELECT]. ÖÒÎË ‚˚·‡ÌÓ ÔÓÎÓÊÂÌË «A», ‡·ÓÚ‡ÂÚ ÔÓÚ ‚ ΂ÓÈ ˜‡ÒÚË
Ô‡ÌÂÎË, ÂÒÎË «B» – ÔÓÚ Ì‡ Ô‰ÌÂÈ Ô‡ÌÂÎË.
ÇÇ
ÇÇ
çç
çç
àà
àà
åå
åå
ÄÄ
ÄÄ
çç
çç
àà
àà
ÖÖ
ÖÖ
!!
!!
äÓ„‰‡ ËÌÒÚÛÏÂÌÚ ‡·ÓÚ‡ÂÚ Ò ‰‡ÌÌ˚ÏË (̇ÔËÏÂ, ÔË ‚˚ÔÓÎÌÂÌËË
ÒÓı‡ÌÂÌËfl, ÍÓÔËÓ‚‡ÌËfl Ë Û‰‡ÎÂÌËfl), çÖ ËÒÔÓθÁÛÈÚÂ
ÔÂÂÍβ˜‡ÚÂθ [SELECT]. ùÚÓ ÏÓÊÂÚ Ôӂ‰ËÚ¸ ÌÓÒËÚÂθ ËÎË ‰‡ÌÌ˚Â.
îÓχÚËÓ‚‡ÌË USB-ÌÓÒËÚÂÎfl
èË ‚˚ÔÓÎÌÂÌËË ÓÔ‡ˆËÈ Ò Ù‡È·ÏË Ò ÔÓ‰Íβ˜ÂÌÌ˚Ï USB-
ÛÒÚÓÈÒÚ‚ÓÏ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÏÓÊÂÚ ÔÓfl‚ËÚ¸Òfl ÒÓÓ·˘ÂÌËÂ Ó ÚÓÏ, ˜ÚÓ
ÛÒÚÓÈÒÚ‚Ó ËÎË ÌÓÒËÚÂθ Ì ÙÓχÚËÓ‚‡Ì˚.
ÖÒÎË ÒÓÓ·˘ÂÌË ÔÓfl‚ËÎÓÒ¸, ‚˚ÔÓÎÌËÚ ÙÓχÚËÓ‚‡ÌË (ÒÚ. 52).
ÇÇ
ÇÇ
çç
çç
àà
àà
åå
åå
ÄÄ
ÄÄ
çç
çç
àà
àà
ÖÖ
ÖÖ
!!
!!
èË ÙÓχÚËÓ‚‡ÌËË ‚Ò ‡Ì Á‡ÔËÒ‡ÌÌ˚ ‰‡ÌÌ˚ ۉ‡Îfl˛ÚÒfl.
ÑÂÈÒÚ‚ÛÈÚÂ ÓÒÚÓÓÊÌÓ.
ᇢËÚ‡ ‰‡ÌÌ˚ı (Á‡˘ËÚ‡ ÓÚ Á‡ÔËÒË)
óÚÓ·˚ Ô‰ÓÚ‚‡ÚËÚ¸ ÒÎÛ˜‡ÈÌÓ ÒÚˇÌË ‰‡ÌÌ˚ı, ÔËÏÂÌflÈÚÂ
Á‡˘ËÚÛ ÓÚ Á‡ÔËÒË, ÍÓÚÓÓÈ ÓÒ̇˘ÂÌÓ Í‡Ê‰Ó ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl
ËÎË ÌÓÒËÚÂθ. ÖÒÎË ‚˚ ÒÓı‡ÌflÂÚ ‰‡ÌÌ˚ ̇ USB-ÛÒÚÓÈÒÚ‚Ó
ı‡ÌÂÌËfl ‰‡ÌÌ˚ı, ۷‰ËÚÂÒ¸, ˜ÚÓ Á‡˘ËÚ‡ ÓÚ Á‡ÔËÒË ÓÚÍβ˜Â̇.
èÓÒÏÓÚ ‰‡ÌÌ˚ı Ò USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı
óÚÓ·˚ ÔÓÒÏÓÚÂÚ¸ ‰‡ÌÌ˚ USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ̇ ˝Í‡Ì CLP,
̇ÊÏËÚ ÍÌÓÔÍÛ [SONG SELECT], ˜ÚÓ·˚ ‚Íβ˜ËÚ¸ ÂÊËÏ ‚˚·Ó‡
ïÓÚfl ËÌÒÚÛÏÂÌÚ ÔÓ‰‰ÂÊË‚‡ÂÚ
ÔÂÒÌË, ËÎË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [FILE/SONG SETTING], ˜ÚÓ·˚ ‚Íβ˜ËÚ¸
Òڇ̉‡Ú USB 1.1, Í ÌÂÏÛ ÏÓÊÌÓ
ÔÓ‰Íβ˜ËÚ¸ Ú‡ÍÊ ÛÒÚÓÈÒÚ‚Ó
ÂÊËÏ ÛÒÚ‡ÌÓ‚ÍË [FILE/SONG]. ÖÒÎË ‚˚ ‚Ó¯ÎË ‚ Ó‰ËÌ ËÁ ˝ÚËı
ı‡ÌÂÌËfl USB 2.0. é‰Ì‡ÍÓ ÒÍÓÓÒÚ¸
ÂÊËÏÓ‚ ‰Ó ÔÓ‰Íβ˜ÂÌËfl USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı, ̇ÊÏËÚÂ
Ô‰‡˜Ë ‰‡ÌÌ˚ı ·Û‰ÂÚ
ÍÌÓÔÍÛ [EXIT], ˜ÚÓ·˚ ‚˚ÈÚË ËÁ ÌËı, Ë ‚ÓȉËÚ ‚ ÌËı ÒÌÓ‚‡.
ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ USB 1.1.
CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 61
SELECT
USB TO DEVICE
èÓÚ USB [TO DEVICE] A
Ç˚·ÂËÚÂ ÌÛÊÌ˚È ÔÓÚ
èÓÚ USB [TO DEVICE] Ç
ä ëÇÖÑÖçàû
èÓ‰Íβ˜ÂÌËÂ
êÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌË ‰‡ÌÌ˚ı ̇ ÍÓÏÔ¸˛ÚÂ
■ êÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌË ‰‡ÌÌ˚ı ËÌÒÚÛÏÂÌÚ‡ ̇ ÍÓÏÔ¸˛ÚÂ
èÓÒΠÚÓ„Ó Í‡Í ‚˚ ÒÓı‡ÌËÎË ‰‡ÌÌ˚ ̇ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl
‰‡ÌÌ˚ı, ÏÓÊÌÓ ÒÍÓÔËÓ‚‡Ú¸ ˝ÚË ‰‡ÌÌ˚ ̇ ÊÂÒÚÍËÈ ‰ËÒÍ
ÍÓÏÔ¸˛Ú‡, ‡ Á‡ÚÂÏ ‡ıË‚ËÓ‚‡Ú¸ Ë ÛÔÓfl‰Ó˜Ë‚‡Ú¸ ‰‡ÌÌ˚ ÔÓ
éÒÌÓ‚Ì˚ ÓÔ‡ˆËË
Ò‚ÓÂÏÛ Ê·Ì˲. èÓÒÚÓ ÔÓ‰Íβ˜ËÚ ÛÒÚÓÈÒÚ‚Ó Í ÍÓÏÔ¸˛ÚÂÛ,
Í‡Í ÔÓ͇Á‡ÌÓ ÌËÊÂ.
ëÓı‡ÌÂÌË ‚̯ÌËı ‰‡ÌÌ˚ı ̇ USB-ÛÒÚÓÈÒÚ‚Â
àÌÒÚÛÏÂÌÚ
USB [TO DEVICE], ÔÓÚ
USB-ÛÒÚÓÈÒÚ‚Ó
ı‡ÌÂÌËfl ‰‡ÌÌ˚ı
éÚÍβ˜ËÚ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ÓÚ ËÌÒÚÛÏÂÌÚ‡ Ë ÔÓ‰Íβ˜ËÚÂ Â„Ó Í
ÍÓÏÔ¸˛ÚÂÛ
ëÓı‡ÌÂÌË ÂÁ‚ÌÓÈ ÍÓÔËË ‰‡ÌÌ˚ı ̇ ÍÓÏÔ¸˛ÚÂ Ë ÛÔÓfl‰Ó˜ÂÌË هÈÎÓ‚
Ë Ô‡ÔÓÍ
äÓÏÔ¸˛ÚÂ
USB-ÛÒÚÓÈÒÚ‚Ó
■ äÓÔËÓ‚‡ÌË هÈÎÓ‚ Ò ÊÂÒÚÍÓ„Ó ‰ËÒ͇ ÍÓÏÔ¸˛Ú‡ ̇ USB-
ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı
î‡ÈÎ˚ Ò ÊÂÒÚÍÓ„Ó ‰ËÒ͇ ÍÓÏÔ¸˛Ú‡ ÏÓÊÌÓ ÔÂÂÌÂÒÚË Ì‡
ËÌÒÚÛÏÂÌÚ, Ò̇˜‡Î‡ ÒÍÓÔËÓ‚‡‚ Ëı ̇ Ò˙ÂÏÌ˚È ÌÓÒËÚÂθ, ‡ Á‡ÚÂÏ
ÔÓ‰Íβ˜Ë‚ ˝ÚÓÚ ÌÓÒËÚÂθ Í ËÌÒÚÛÏÂÌÚÛ.
ë ÊÂÒÚÍÓ„Ó ‰ËÒ͇ ÍÓÏÔ¸˛Ú‡ ̇ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı
ÏÓÊÌÓ ÒÍÓÔËÓ‚‡Ú¸ Ì ÚÓθÍÓ Ù‡ÈÎ˚, ÒÓÁ‰‡ÌÌ˚ ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓ
̇ ËÌÒÚÛÏÂÌÚÂ, ÌÓ Ë Òڇ̉‡ÚÌ˚ MIDI-Ù‡ÈÎ˚, ÒÓÁ‰‡ÌÌ˚ ̇
‰Û„Ëı ÛÒÚÓÈÒÚ‚‡ı. ëÍÓÔËÓ‚‡‚ ‰‡ÌÌ˚Â, ÔÓ‰Íβ˜ËÚ ÛÒÚÓÈÒÚ‚Ó Í
ÔÓÚÛ [USB TO DEVICE] ËÌÒÚÛÏÂÌÚ‡ Ë ‚ÓÒÔÓËÁ‚‰ËÚ ‰‡ÌÌ˚ ̇
ËÌÒÚÛÏÂÌÚÂ.
äÓÔËÓ‚‡ÌË هÈÎÓ‚ Ò ÊÂÒÚÍÓ„Ó ‰ËÒ͇ ÍÓÏÔ¸˛Ú‡ ̇ USB-ÛÒÚÓÈÒÚ‚Ó
ı‡ÌÂÌËfl ‰‡ÌÌ˚ı
äÓÏÔ¸˛ÚÂ
USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı
éÚÍβ˜ËÚ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÓÚ ÍÓÏÔ¸˛Ú‡ Ë ÔÓ‰Íβ˜ËÚ „Ó
Í ËÌÒÚÛÏÂÌÚÛ
ë˜ËÚ˚‚‡ÌË ËÌÒÚÛÏÂÌÚÓÏ Ù‡ÈÎÓ‚, ı‡Ìfl˘ËıÒfl ̇ USB-ÛÒÚÓÈÒÚ‚Â
ı‡ÌÂÌËfl ‰‡ÌÌ˚ı
àÌÒÚÛÏÂÌÚ
ÔÓÚ USB [TO DEVICE]
USB-ÛÒÚÓÈÒÚ‚Ó
ı‡ÌÂÌËfl ‰‡ÌÌ˚ı
62 CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
èÓ‰Íβ˜ÂÌËÂ
èÓ‰Íβ˜ÂÌËÂ Í ÔÂÒÓ̇θÌÓÏÛ ÍÓÏÔ¸˛ÚÂÛ
èÓ‰Íβ˜Ë‚ ÍÓÏÔ¸˛ÚÂ Í ËÌÒÚÛÏÂÌÚÛ ˜ÂÂÁ ÔÓÚ˚ USB [TO HOST] ËÎË MIDI, ‚˚ ÏÓÊÂÚÂ
Ô‰‡‚‡Ú¸ ‰‡ÌÌ˚ ÏÂÊ‰Û ÍÓÏÔ¸˛ÚÂÓÏ Ë ËÌÒÚÛÏÂÌÚÓÏ ˜ÂÂÁ ËÌÚÂÙÂÈÒ MIDI, ‡ Ú‡ÍÊÂ
ËÒÔÓθÁÓ‚‡Ú¸ ÔÂËÏÛ˘ÂÒÚ‚‡ ÒÎÓÊÌÓ„Ó ÍÓÏÔ¸˛ÚÂÌÓ„Ó ÏÛÁ˚͇θÌÓ„Ó ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ˜ÂÌËfl.
àÏÂÈÚ ‚ ‚ˉÛ, ˜ÚÓ ÔÓÚ·ÛÂÚÒfl Ú‡ÍÊ ÛÒÚ‡ÌÓ‚ËÚ¸ ÔÓ‰ıÓ‰fl˘ËÈ ‰‡È‚ USB MIDI.
èÓ‰Íβ˜ËÚ¸ ÔˇÌËÌÓ Clavinova Í èä ÏÓÊÌÓ ‰‚ÛÏfl ÒÔÓÒÓ·‡ÏË:
íÖêåàçéãéÉàü
1. ëÓ‰ËÌËÚ¸ ÔÓÚ USB ̇ èä Ò ‡Á˙ÂÏÓÏ USB [TO HOST]
чȂÂ
чȂ – ˝ÚÓ ÔÓ„‡Ïχ, ÍÓÚÓ‡fl
ËÌÒÚÛÏÂÌÚ‡ Clavinova (ÒÏ. ÌËÊÂ)
Ó·ÂÒÔ˜˂‡ÂÚ ËÌÚÂÙÂÈÒ Ô‰‡˜Ë
2. àÒÔÓθÁÓ‚‡Ú¸ MIDI-ËÌÚÂÙÂÈÒ Ë MIDI-‡Á˙ÂÏ˚ Clavinova
‰‡ÌÌ˚ı ÏÂÊ‰Û ÓÔ‡ˆËÓÌÌÓÈ
(ÒÚ. 64)
ÒËÒÚÂÏÓÈ ÍÓÏÔ¸˛Ú‡ Ë
éÒÌÓ‚Ì˚ ÓÔ‡ˆËË
ÔÓ‰ÒÓ‰ËÌÂÌÌ˚Ï Ó·ÓÛ‰Ó‚‡ÌËÂÏ.
ÖÒÎË ‚‡¯ ÍÓÏÔ¸˛Ú ӷÓÛ‰Ó‚‡Ì USB-ËÌÚÂÙÂÈÒÓÏ, Ï˚ ÂÍÓÏẨÛÂÏ
óÚÓ·˚ ÒÓ‰ËÌËÚ¸ ÍÓÏÔ¸˛Ú Ë
ÔÓ‰Íβ˜‡Ú¸ ËÌÒÚÛÏÂÌÚ Í ÍÓÏÔ¸˛ÚÂÛ Ò ÔÓÏÓ˘¸˛ USB, ‡ Ì MIDI.
ËÌÒÚÛÏÂÌÚ, ÌÂÓ·ıÓ‰ËÏÓ ÛÒÚ‡ÌÓ‚ËÚ¸
‰‡È‚ USB MIDI.
ᇠ·ÓΠÔÓ‰Ó·Ì˚Ï ÓÔËÒ‡ÌËÂÏ Ó·‡ÚËÚÂÒ¸ Í ÒÎÂ‰Û˛˘ËÏ ÒÚ‡Ìˈ‡Ï.
ÇçàåÄçàÖ!
èÓ‰Íβ˜‡fl ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova Í ÍÓÏÔ¸˛ÚÂÛ, ÒΉÛÂÚ Ò̇˜‡Î‡ ‚˚Íβ˜ËÚ¸ ÔËÚ‡ÌË ͇Í
ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova, Ú‡Í Ë ÍÓÏÔ¸˛Ú‡. èÓ‰Íβ˜Ë‚ ͇·ÂÎË, ÏÓÊÌÓ ‚Íβ˜‡Ú¸ ÔËÚ‡ÌËÂ
ÔˇÌËÌÓ Clavinova.
ÇçàåÄçàÖ!
ÖÒÎË ÔˇÌËÌÓ Clavinova Ì ÔÓ‰Íβ˜ÂÌÓ Í ÍÓÏÔ¸˛ÚÂÛ, ‚˚̸Ú ͇·Âθ ËÁ ‡Á˙Âχ USB [TO HOST].
ÖÒÎË Ì ÓÚÒÓ‰ËÌËÚ¸ ͇·Âθ, Clavinova ÏÓÊÂÚ ‡·ÓÚ‡Ú¸ ÌÂÔ‡‚ËθÌÓ.
ëÓ‰ËÌÂÌË ÔÓÚ‡ USB ̇ èä Ò ‡Á˙ÂÏÓÏ USB [TO HOST]
ËÌÒÚÛÏÂÌÚ‡ Clavinova
ÑÎfl ÒÓ‰ËÌÂÌËfl ÔÓÚ‡ USB ̇ èä Ò ‡Á˙ÂÏÓÏ USB [TO HOST] ̇
ä ëÇÖÑÖçàû
ËÌÒÚÛÏÂÌÚ Clavinova ËÒÔÓθÁÛÈÚ ͇·Âθ USB.
• àÌÒÚÛÏÂÌÚ Ì‡˜ÌÂÚ Ô‰‡˜Û
˜ÂÂÁ ÌÂÍÓÚÓÓ ‚ÂÏfl ÔÓÒÎÂ
ÛÒÚ‡ÌÓ‚ÍË USB-ÒÓ‰ËÌÂÌËfl.
• ÖÒÎË ‰Îfl ÔÓ‰Íβ˜ÂÌËfl
ËÌÒÚÛÏÂÌÚ‡ Í ÍÓÏÔ¸˛ÚÂÛ
ËÒÔÓθÁÛÂÚÒfl ͇·Âθ USB,
ÔÓ‰Íβ˜ÂÌË ‰ÓÎÊÌÓ ·˚Ú¸
ÔflÏ˚Ï (·ÂÁ ÔÓÏÂÊÛÚÓ˜ÌÓ„Ó
ÍÓ̈ÂÌÚ‡ÚÓ‡ USB).
• ÑÎfl ÔÓÎÛ˜ÂÌËfl ҂‰ÂÌËÈ ÔÓ
̇ÒÚÓÈÍ ÔÓ„‡ÏÏÌÓ„Ó
Ó·ÂÒÔ˜ÂÌËfl Ó·‡˘‡ÈÚÂÒ¸ Í
ÛÍÓ‚Ó‰ÒÚ‚Û ÔÓθÁÓ‚‡ÚÂÎfl ˝ÚÓ„Ó
ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ˜ÂÌËfl.
CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 63
èÓ‰Íβ˜ÂÌËÂ
ÇçàåÄçàÖ!
åÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË ÔË ËÒÔÓθÁÓ‚‡ÌËË ÔÓÚ‡ USB [TO HOST]
èÓ‰Íβ˜‡fl ÍÓÏÔ¸˛ÚÂ Í ÔÓÚÛ [USB TO HOST], ÒΉÛÈÚÂ
Ô˜ËÒÎÂÌÌ˚Ï ÌËÊ ԇ‚Ë·Ï. àı ÌÂÒӷβ‰ÂÌË ÏÓÊÂÚ ÔË‚ÂÒÚË
éÒÌÓ‚Ì˚ ÓÔ‡ˆËË
Í Á‡‚ËÒ‡Ì˲ ÍÓÏÔ¸˛Ú‡ Ë ÔÓ‚ÂʉÂÌ˲ ËÎË ÔÓÚ ‰‡ÌÌ˚ı. ÖÒÎË
ÍÓÏÔ¸˛Ú ËÎË ËÌÒÚÛÏÂÌÚ Á‡‚ËÒÎË, ‚˚Íβ˜ËÚ ÔËÚ‡ÌËÂ
ËÌÒÚÛÏÂÌÚ‡ Ë ÔÂÂÁ‡„ÛÁËÚ ÍÓÏÔ¸˛ÚÂ.
• èÂʉ ˜ÂÏ ÔÓ‰Íβ˜‡Ú¸ ÍÓÏÔ¸˛ÚÂ Í ÔÓÚÛ USB [TO HOST],
‚˚ȉËÚ ËÁ ˝Ì„Óҷ„‡˛˘Ëı ÂÊËÏÓ‚ ÍÓÏÔ¸˛Ú‡
(˝ÍÓÌÓÏ˘ÌÓ„Ó, ‰ÂÊÛÌÓ„Ó, ÂÊËχ ÓÊˉ‡ÌËfl), Á‡ÍÓÈÚ ‚ÒÂ
ÓÚÍ˚Ú˚ ÔËÎÓÊÂÌËfl, ‡ Ú‡ÍÊ ‚˚Íβ˜ËÚ ÔËÚ‡ÌË ËÌÒÚÛÏÂÌÚ‡.
• Ç˚ÔÓÎÌËÚ ÒÎÂ‰Û˛˘Ë ‰ÂÈÒÚ‚Ëfl, ÔÂʉ ˜ÂÏ ÓÚÍβ˜ËÚ¸ ÔËÚ‡ÌËÂ
ËÌÒÚÛÏÂÌÚ‡ ËÎË ÔÓ‰ÒÓ‰ËÌËÚ¸/ÓÚÒÓ‰ËÌËÚ¸ USB-͇·Âθ Í
ÍÓÏÔ¸˛ÚÂÛ ËÎË ËÌÒÚÛÏÂÌÚÛ/ÓÚ Ì„Ó.
-á‡ÍÓÈÚ ‚Ò ÓÚÍ˚Ú˚ ÔËÎÓÊÂÌËfl ̇ ÍÓÏÔ¸˛ÚÂÂ.
-ì·Â‰ËÚÂÒ¸, ˜ÚÓ Ì ˉÂÚ Ô‰‡˜‡ ‰‡ÌÌ˚ı Ò ËÌÒÚÛÏÂÌÚ‡. (чÌÌ˚Â
Ô‰‡˛ÚÒfl ÚÓθÍÓ ÔË Ì‡Ê‡ÚËË Í·‚˯ ̇ Í·‚ˇÚÛ ËÎË ÔË
‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË.)
• ÇÓ ‚ÂÏfl ÔÓ‰Íβ˜ÂÌËfl USB-ÛÒÚÓÈÒÚ‚‡ Í ËÌÒÚÛÏÂÌÚÛ ‰Â·ÈÚ ԇÛÁ˚ Ì ÏÂÌÂÂ
6 ÒÂÍÛ̉ ÏÂÊ‰Û ÒÎÂ‰Û˛˘ËÏË ÓÔ‡ˆËflÏË: ÏÂÊ‰Û ‚˚Íβ˜ÂÌËÂÏ Ë ‚Íβ˜ÂÌËÂÏ
ÔËÚ‡ÌËfl ËÌÒÚÛÏÂÌÚ‡, ‡ Ú‡ÍÊ ÏÂÊ‰Û ÔÓ‰ÒÓ‰ËÌÂÌËÂÏ Ë ÓÚÒÓ‰ËÌÂÌËÂÏ USB-
͇·ÂÎfl.
èË ÔÓÏÓ˘Ë MIDI-ËÌÚÂÙÂÈÒ‡ Ë MIDI-‡Á˙ÂÏÓ‚ ˆËÙÓ‚Ó„Ó
ÔˇÌËÌÓ Clavinova
àÒÔÓθÁÛÈÚ MIDI-ËÌÚÂÙÂÈÒÌÓ ÛÒÚÓÈÒÚ‚Ó ‰Îfl ÔÓ‰Íβ˜ÂÌËfl èä Í
ËÌÒÚÛÏÂÌÚÛ Clavinova Ò ÔÓÏÓ˘¸˛ ÒÔˆˇθÌ˚ı MIDI-͇·ÂÎÂÈ.
64 CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
íÓÌ͇fl ̇ÒÚÓÈ͇
CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 65
íÓÌ͇fl ̇ÒÚÓÈ͇
óÚÓ·˚ ̇ËÎÛ˜¯ËÏ Ó·‡ÁÓÏ ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌ͈ËË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova, ÏÓÊÌÓ Á‡‰‡‚‡Ú¸
‡Á΢Ì˚ ԇ‡ÏÂÚ˚, ̇ÔËÏÂ: ÚÓ˜ÌÛ˛ ̇ÒÚÓÈÍÛ ‚˚ÒÓÚ˚ Á‚Û͇, ÚÂÏ· ÏÂÚÓÌÓχ, ÔÓ‚ÚÓÌÓÂ
‚ÓÒÔÓËÁ‚‰ÂÌËÂ Ë Ú.‰. éÒÌÓ‚Ì˚ ‰ÂÈÒÚ‚Ëfl ÔÓ ÛÒÚ‡ÌÓ‚Í ˝ÚËı ̇ÒÚÓÂÍ ÓÔËÒ‡Ì˚ ̇ ÒÚ. 91.
ëÔËÒÓÍ Ô‡‡ÏÂÚÓ‚
á‡ÔËÒ¸ Ë ‚ÓÒÔÓËÁ‚‰ÂÌË – [FILE/SONG SETTING]
ç‡ÒÚÓÈÍË ç‡Á‚‡ÌË ԇ‡ÏÂÚ‡ ëÚ‡Ìˈ‡
íÓÌ͇fl ̇ÒÚÓÈ͇
ëÓı‡ÌÂÌË Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ Ì‡ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı Save 46
쉇ÎÂÌË ÔÂÒÌË ËÁ ÔÓÒÚÓflÌÌÓÈ Ô‡ÏflÚË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova
Delete 47
ËÎË ËÁ USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı
èÂÂËÏÂÌÓ‚‡ÌË هÈÎÓ‚ Rename 48
äÓÔËÓ‚‡ÌË هÈÎÓ‚ Copy 49
èÂÂÏ¢ÂÌË هÈÎÓ‚ Move 51
ëÓÁ‰‡ÌË ͇ڇÎÓ„Ó‚ ̇ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl ‰‡ÌÌ˚ı MakeDir 52
îÓχÚËÓ‚‡ÌË USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı Format 52
Ä‚ÚÓχÚ˘ÂÒÍËÈ ‚˚·Ó ÔÂÒÌË Ì‡ ÌÓÒËÚÂΠSongAutoOpen 53
àÁÏÂÌÂÌË ÚËÔ‡ ÒËÏ‚ÓÎÓ‚ ̇ ˝Í‡Ì CharacterCode 53
èÓ‚ÚÓÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË/‚ÒÂı ÔÂÒÂÌ SongRepeat 71
ÇÓÒÔÓËÁ‚‰ÂÌË هÁ˚ Ò Û͇Á‡ÌÌ˚Ï ÌÓÏÂÓÏ PhraseMark 71
äÓÂÍÚËӂ͇ ÏÛÁ˚͇θÌÓ„Ó ‡Áχ Quantize 72
燘‡ÎÓ ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ò‡ÁÛ Ò Ô‚ÓÈ ÌÓÚ˚ QuickPlay 72
èÓÒÎۯ˂‡ÌË ͇̇ÎÓ‚ ChannelListen 73
쉇ÎÂÌË ‰‡ÌÌ˚ı ËÁ ͇̇· ChannelClear 73
Ç˚·Ó ÏÂÚÓ‰‡ ̇˜‡Î‡ Á‡ÔËÒË RecStart 37
Ç˚·Ó ÏÂÚÓ‰‡ Á‡‚¯ÂÌËfl Á‡ÔËÒË RecEnd 37
á‡ÔËÒ¸ Ô‡ÚËÈ 3 – 16 (‰ÓÔÓÎÌËÚÂθÌ˚ ԇÚËË) RecExtraPartsCh 39
åÂÚÓÌÓÏ – [METRONOME SETTING]
ç‡ÒÚÓÈÍË ç‡Á‚‡ÌË ԇ‡ÏÂÚ‡ ëÚ‡Ìˈ‡
ç‡ÒÚÓÈ͇ ‡Áχ ‰Îfl ÏÂÚÓÌÓχ TimeSignature 74
ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË ÏÂÚÓÌÓχ MetronomeVolume 74
ç‡ÒÚÓÈ͇ ÚÂÏ·‡ ÏÂÚÓÌÓχ MetronomeSound 74
66 CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
íÓÌ͇fl ̇ÒÚÓÈ͇
íÂÏ·˚ – [VOICE SETTING]
Ç ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ Ô‡‡ÏÂÚ˚, ÔÓϘÂÌÌ˚ Á̇˜ÍÓÏ « », ÛÒڇ̇‚ÎË‚‡˛ÚÒfl ÓÚ‰ÂθÌÓ ‰Îfl
*
ÔÂ‚Ó„Ó Ë ‚ÚÓÓ„Ó ÚÂÏ·Ó‚.
ç‡ÒÚÓÈÍË ç‡Á‚‡ÌË ԇ‡ÏÂÚ‡ ëÚ‡Ìˈ‡
ç‡ÒÚÓÈ͇ ÓÍÚ‡‚˚* Octave 76
ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË* Volume 76
ç‡ÒÚÓÈ͇ ÔÓÎÓÊÂÌËfl Ô‡‚Ó„Ó Ë ÎÂ‚Ó„Ó Í‡Ì‡ÎÓ‚* Pan 76
íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇ (ÚÓθÍÓ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl
Detune 76
ÚÂÏ·Ó‚)
Ç˚·Ó ÚËÔ‡ ‚·‡ˆËË ReverbType 77
ç‡ÒÚÓÈ͇ „ÎÛ·ËÌ˚ ‚·‡ˆËË ReverbSend 77
Ç˚·Ó ÚËÔ‡ ıÓÛÒ‡ ChorusType 77
ç‡ÒÚÓÈ͇ „ÎÛ·ËÌ˚ ıÓÛÒ‡ ChorusSend 77
ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ıÓÛÒ‡ ChorusOnOff 78
Ç˚·Ó ÚËÔ‡ ˝ÙÙÂÍÚ‡ DSP* DSP Type (DSP) 78
íÓÌ͇fl ̇ÒÚÓÈ͇
ìÒÚ‡Ìӂ͇ ÒÍÓÓÒÚË ˝ÙÙÂÍÚ‡ ‚Ë·‡ÚÓ ‚Ë·ÓÙÓ̇* VibeRotorSpeed 78
VibeRotorOnOff
ÇÍβ˜ÂÌËÂ/Ç˚Íβ˜ÂÌË ˝ÙÙÂÍÚ‡ ‚Ë·‡ÚÓ ‚Ë·ÓÙÓ̇*
78
(RotorOnOff)
ç‡ÒÚÓÈ͇ ÒÍÓÓÒÚË ‚‡˘ÂÌËfl ‰Ë̇ÏË͇* RotarySpeed (Rot.Speed) 79
ç‡ÒÚÓÈ͇ „ÎÛ·ËÌ˚ ˝ÙÙÂÍÚ‡ DSP* DSPDepth 79
ç‡ÒÚÓÈ͇ flÍÓÒÚË Á‚Û͇* Brightness 79
HarmonicContent
ç‡ÒÚÓÈ͇ ˝ÙÙÂÍÚ‡ ÂÁÓ̇ÌÒ‡*
79
(Harmonic)
ç‡ÒÚÓÈ͇ ‰Ë‡Ô‡ÁÓ̇ ÌËÁÍËı ˜‡ÒÚÓÚ ˝Í‚‡Î‡ÈÁ‡* EQ LowFreq. (EQ L.Freq) 79
ç‡ÒÚÓÈ͇ ‰Ë‡Ô‡ÁÓ̇ ÛÒËÎÂÌËfl (Û‚Â΢ÂÌËfl/ÛÏÂ̸¯ÂÌËfl) ÌËÁÍËı
EQ LowGain 80
˜‡ÒÚÓÚ ˝Í‚‡Î‡ÈÁ‡*
ç‡ÒÚÓÈ͇ ‰Ë‡Ô‡ÁÓ̇ ‚˚ÒÓÍËı ˜‡ÒÚÓÚ ˝Í‚‡Î‡ÈÁ‡* EQ HighFreq. (EQ H.Freq) 80
ç‡ÒÚÓÈ͇ ‰Ë‡Ô‡ÁÓ̇ ÛÒËÎÂÌËfl (Û‚Â΢ÂÌËfl/ÛÏÂ̸¯ÂÌËfl) ‚˚ÒÓÍËı
EQ HighGain 80
˜‡ÒÚÓÚ ˝Í‚‡Î‡ÈÁ‡*
ç‡ÒÚÓÈ͇ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í ÒËΠ̇ʇÚËfl* TouchSense 80
ùÙÙÂÍÚ˚ iAFC – [iAFC SETTING]
ç‡ÒÚÓÈÍË ç‡Á‚‡ÌË ԇ‡ÏÂÚ‡ ëÚ‡Ìˈ‡
ÇÍβ˜ÂÌËÂ/Ç˚Íβ˜ÂÌË ˝ÙÙÂÍÚ‡ iAFC iAFC 81
ç‡ÒÚÓÈ͇ „ÎÛ·ËÌ˚ ˝ÙÙÂÍÚ‡ Dynamic Damper DynDmpFX Depth 81
ç‡ÒÚÓÈ͇ „ÎÛ·ËÌ˚ ˝ÙÙÂÍÚ‡ Spatial SpatialFX Depth 82
ä‡Î˷ӂ͇ (‡‚ÚÓχÚ˘ÂÒ͇fl ̇ÒÚÓÈ͇) Calibration 82
ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ̇ÒÚÓÂÍ Í‡ÎË·Ó‚ÍË ÔÓ ÛÏÓΘ‡Ì˲ iAFC Default 82
CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 67
íÓÌ͇fl ̇ÒÚÓÈ͇
ÑÛ„Ë ̇ÒÚÓÈÍË – [FUNCTION]
ç‡ÒÚÓÈÍË ç‡Á‚‡ÌË ԇ‡ÏÂÚ‡ ëÚ‡Ìˈ‡
àÁÏÂÌÂÌË ÚÓ̇θÌÓÒÚË Transpose 83
Ç˚·Ó ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í ÒËΠ̇ʇÚËfl TouchResponse 83
íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇ Tune 84
Ç˚·Ó ÏÂÎӉ˘ÂÒÍÓÈ ÍË‚ÓÈ ‰Îfl ÚÂÏ·‡ ÙÓÚÂÔ¸flÌÓ PianoTuningCurve 84
Ç˚·Ó ÒÚÓfl Scale 84
ìÒÚ‡Ìӂ͇ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ SplitPoint 85
ç‡ÒÚÓÈ͇ ÙÛÌ͈ËË Ô‡‚ÓÈ Ô‰‡ÎË RPedalFunc 85
íÓÌ͇fl ̇ÒÚÓÈ͇
ç‡ÒÚÓÈ͇ ÙÛÌ͈ËË Ò‰ÌÂÈ Ô‰‡ÎË CPedalFunc 85
ç‡ÒÚÓÈ͇ ÙÛÌ͈ËË Î‚ÓÈ Ô‰‡ÎË LPedalFunc 85
ç‡ÒÚÓÈ͇ ÙÛÌ͈ËË ‚ÒÔÓÏÓ„‡ÚÂθÌÓÈ Ô‰‡ÎË AuxPedalFunc 86
ÇÍβ˜ÂÌËÂ/Ç˚Íβ˜ÂÌË ÙÛÌ͈ËË Ô‡‚ÓÈ Ô‰‡ÎË RPedalOnOff 86
ÇÍβ˜ÂÌËÂ/Ç˚Íβ˜ÂÌË ÙÛÌ͈ËË Ò‰ÌÂÈ Ô‰‡ÎË CPedalOnOff 86
ÇÍβ˜ÂÌËÂ/Ç˚Íβ˜ÂÌË ÙÛÌ͈ËË Î‚ÓÈ Ô‰‡ÎË LPedalOnOff 86
ÇÍβ˜ÂÌËÂ/Ç˚Íβ˜ÂÌË ÙÛÌ͈ËË ‚ÒÔÓÏÓ„‡ÚÂθÌÓÈ Ô‰‡ÎË AuxPedalOnOff 87
èËÒ‚ÓÂÌË Ô‰‡ÎË ÙÛÌ͈ËË – SONG [PLAY/PAUSE] PedalPlay/Pause 87
Ç˚·Ó ÚËÔ‡ ‚ÒÔÓÏÓ„‡ÚÂθÌÓÈ Ô‰‡ÎË AuxPedalType 87
Ç˚·Ó ÚÓ˜ÍË, Ò ÍÓÚÓÓÈ Ô‡‚‡fl Ô‰‡Î¸ ̇˜Ë̇ÂÚ ‚ÎËflÚ¸ ̇ Á‚ÛÍ HalfPedalPoint 87
ìÒÚ‡Ìӂ͇ ıÓ‰‡ ΂ÓÈ Ô‰‡ÎË SoftPedalDepth 87
éÔ‰ÂÎÂÌË „ÎÛ·ËÌ˚ ÂÁÓ̇ÌÒ‡ ÒÚÛÌ StringResonanceDepth 88
éÔ‰ÂÎÂÌË „ÎÛ·ËÌ˚ ÒÛÒÚÂÈÌ-Ò˝ÏÔÎËÓ‚‡ÌËfl ‰Îfl Ô‡‚ÓÈ Ô‰‡ÎË SustainSamplingDepth 88
ìÒÚ‡Ìӂ͇ ÛÓ‚Ìfl „ÓÏÍÓÒÚË Á‚Û͇ ÓÚÔÛ˘ÂÌÌÓÈ Í·‚Ë¯Ë KeyOffSamplingDepth 88
ìÒÚ‡Ìӂ͇ ‰Ë‡Ô‡ÁÓ̇ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ PitchBendRange 88
ÇÍβ˜ÂÌËÂ/Ç˚Íβ˜ÂÌË ‰Ë̇ÏË͇ Speaker 88
Ç˚·Ó ÛÓ‚Ìfl AUX OUT (îËÍÒËÓ‚‡ÌÌ˚È/èÂÂÏÂÌÌ˚È) AuxOutLevel 89
ç‡ÒÚÓÈ͇ Ô‰‡˛˘Â„Ó Í‡Ì‡Î‡ MIDI MidiOutChannel 89
ç‡ÒÚÓÈ͇ ÔËÌËχ˛˘Â„Ó Í‡Ì‡Î‡ MIDI MidiInChannel 89
ÇÍβ˜ÂÌËÂ/Ç˚Íβ˜ÂÌË ÙÛÌ͈ËË Local LocalControl 90
Ç˚·Ó ‰Îfl Ô‰‡˜Ë ˜ÂÂÁ MIDI-ËÌÚÂÙÂÈÒ ÏÛÁ˚ÍË, ËÒÔÓÎÌflÂÏÓÈ
MidiOutSelect 90
̇ Í·‚ˇÚÛÂ, ËÎË ‰‡ÌÌ˚ı ÔÂÒÌË
Ç˚·Ó ÚËÔ‡ ‰‡ÌÌ˚ı, ÔÓÎÛ˜‡ÂÏ˚ı Ò ÔÓÏÓ˘¸˛ MIDI-ËÌÚÂÙÂÈÒ‡ ReceiveParameter 90
Ç˚·Ó ÚËÔ‡ ‰‡ÌÌ˚ı, Ô‰‡‚‡ÂÏ˚ı Ò ÔÓÏÓ˘¸˛ MIDI-ËÌÚÂÙÂÈÒ‡ TransmitParameter 90
艇˜‡ ̇˜‡Î¸Ì˚ı ̇ÒÚÓÂÍ Ì‡ Ô‡ÌÂÎË InitialSetup 91
Ç˚·Ó ˝ÎÂÏÂÌÚÓ‚, ÒÓı‡ÌÂÌÌ˚ı ÔË ÓÚÍβ˜ÂÌËË MemoryBackup 91
ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ӷ˚˜Ì˚ı (ÔÓ ÛÏÓΘ‡Ì˲) ̇ÒÚÓÂÍ FactorySet 91
êÂÁ‚ËÓ‚‡ÌË ‚ÌÛÚÂÌÌËı ‰‡ÌÌ˚ı ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova FullBackup 92
68 CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
íÓÌ͇fl ̇ÒÚÓÈ͇
ìÒÚ‡Ìӂ͇ ̇ÒÚÓÂÍ
1
2
3 4
11
EXTRA
PARTS
LEFT
RIGHT
SELECT
SONG
ON/OFF
METRONOME
SETTING
A
B
CONTRAST
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
CHORD
HARPSI-
E.CLAVI-
CHORD
VIBRA-
PHONE
GUITAR
SETTING
VOICE
CHORUSREVERB
SETTING
iAFC
SONG
KEYBOARD
REPEAT
PLAY/PAUSESTOPREC
FILE/SONG
SETTING
DOWN
UP
NO YES
ORGAN
CHURCH
ORGAN
JAZZ
STRINGS
CHOIR
SYNTH.
PAD
WOOD
BASS
E.BASS
XG
SPLIT
MELLOW BRIGHT
BRILLIANCE
FUNCTION
EXIT
MIN MAX
NEW SONG
SYNC START
MASTER VOLUME
DEMOSONG BALANCE
SONG
TEMPO
C
D
VOICE
12 3
3
5
1
ÑÂÈÒÚ‚Ëfl
1. ÑÓÒÚÛÔ Í ÏÂÌ˛ ̇ÒÚÓÈÍË.
óÚÓ·˚ ÔÂÂÈÚË Í ÌÛÊÌÓÏÛ ÏÂÌ˛, ̇ÊÏËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛
ÍÌÓÔÍÛ Ì‡ÒÚÓÈÍË ([FILE/SONG SETTING], METRONOME [SETTING],
[VOICE SETTING], [iAFC SETTING] ËÎË [FUNCTION].
íÓÌ͇fl ̇ÒÚÓÈ͇
óÚÓ·˚ Á‡Í˚Ú¸ ÏÂÌ˛ ̇ÒÚÓÈÍË, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT].
2. Ç˚·ÂËÚ ÌÛÊÌ˚È Ô‡‡ÏÂÚ ËÎË Ô‡Ú˲.
ç‡ÊËχÈÚ ÍÌÓÔÍË Ì‡ÒÚÓÈÍË (A [–]/[+] Ë C [–]/[+]) ÌÛÊÌÓÂ
ÍÓ΢ÂÒÚ‚Ó ‡Á.
3. ìÒÚ‡ÌÓ‚ËÚ ԇ‡ÏÂÚ ËÎË Ô‡Ú˲.
ì ÌÂÍÓÚÓ˚ı Ô‡‡ÏÂÚÓ‚ ËÎË Ô‡ÚËÈ ÂÒÚ¸ ‰ÓÔÓÎÌËÚÂθÌ˚ ÓÔˆËË.
ÑÎfl ‚˚·Ó‡ ËÎË ÛÒÚ‡ÌÓ‚ÍË ÓÔˆËË ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË B [– (NO)]/
[+ (YES)], C [–]/[+] Ë D [–]/[+].
ÑÎfl ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËË Ó·˚˜ÌÓ„Ó Á̇˜ÂÌËfl Ô‡‡ÏÂÚ‡
Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [–] Ë [+].
CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 69
íÓÌ͇fl ̇ÒÚÓÈ͇
4. á‡ÔËÒ¸, ‚˚ÔÓÎÌÂÌË ËÎË ÒÓı‡ÌÂÌË ‰‡ÌÌ˚ı.
éÚ‡„ËÓ‚‡Ú¸ ̇ ˝ÚÓ ÒÓÓ·˘ÂÌË ÏÓÊÌÓ ‰‚ÛÏfl ÒÔÓÒÓ·‡ÏË.
ÖÒÎË ÔÓfl‚ÎflÂÚÒfl ÒÓÓ·˘ÂÌË «Execute?→» ËÎË «Start?→»:
óÚÓ·˚ ‚˚‚ÂÒÚË Ì‡ ˝Í‡Ì ÔÓ‰Ú‚ÂʉÂÌË ([Sure?→]), ̇ÊÏËÚÂ
ÍÌÓÔÍÛ B [+(YES)]. ÑÎfl ÔÓ‰ÓÎÊÂÌËfl ̇ÊÏËÚ ÍÌÓÔÍÛ
B [+(YES)] ¢ ‡Á. ç‡ ‰ËÒÔΠˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova
ÔÓfl‚ËÚÒfl «Executing», Ë Ì‡˜ÌÂÚÒfl Á‡ÔËÒ¸ ‰‡ÌÌ˚ı. äÓ„‰‡
ÓÔ‡ˆËfl Á‡ÍÓ̘ËÚÒfl, ̇ ‰ËÒÔΠ̇ ÚË ÒÂÍÛ̉˚ ÔÓfl‚ËÚÒfl
̇‰ÔËÒ¸ «Completed», Á‡ÚÂÏ ‚ÂÌÂÚÒfl Ô‰˚‰Û˘ËÈ ˝Í‡Ì.
íÓÌ͇fl ̇ÒÚÓÈ͇
ÑÎfl ÓÚÏÂÌ˚ ÓÔ‡ˆËË ‚ÏÂÒÚÓ ÍÌÓÔÍË B [+(YES)] ̇ÊÏËÚÂ
ÍÌÓÔÍÛ B [–(NO)].
äÓ„‰‡ ÔÓÒΠÒÓÓ·˘ÂÌËfl «Completed» ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌËÂ
«Overwrite?→», ̇ÊÏËÚ ÍÌÓÔÍÛ B [+(YES)].
A
B
Quantize Execute?-->
NO YES
Strength=100% 1/4
C
D
ÖÒÎË ÔÓfl‚ÎflÂÚÒfl ÒÓÓ·˘ÂÌË «Set?→»:
ç‡ÊÏËÚ ÍÌÓÔÍÛ B [+(YES)] ‰Îfl ‚˚ÔÓÎÌÂÌËfl ̇ÒÚÓÈÍË. ç‡
‰ËÒÔΠˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ÔÓfl‚ËÚÒfl «Executing», Ë
̇˜ÌÂÚÒfl ÒÓı‡ÌÂÌË ‰‡ÌÌ˚ı. äÓ„‰‡ ÓÔ‡ˆËfl Á‡ÍÓ̘ËÚÒfl, ̇
‰ËÒÔΠ̇ ÚË ÒÂÍÛ̉˚ ÔÓfl‚ËÚÒfl ̇‰ÔËÒ¸ «Completed», Á‡ÚÂÏ
‚ÂÌÂÚÒfl Ô‰˚‰Û˘ËÈ ˝Í‡Ì.
A
B
Main Set?-->
NO YES
Octave 0
C
D
5. Ç˚ıÓ‰ ËÁ ÏÂÌ˛ ̇ÒÚÓÈÍË.
ç‡ÊÏËÚ ÍÌÓÔÍÛ [EXIT].
70 CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
íÓÌ͇fl ̇ÒÚÓÈ͇ Á‡ÔËÒË Ë
‚ÓÒÔÓËÁ‚‰ÂÌËfl – [FILE/SONG SETTING]
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Ì‡ÒÚÓÈ͇ı «Save» – «CharacterCode» ÒÏ. ‚ ‡Á‰ÂΠꇷÓÚ‡ Ò Ù‡È·ÏË, ̇ÔËÏÂ
Û‰‡ÎÂÌË هÈÎÓ‚ ÔÂÒÂÌ... [FILE/SONG SETTING] ÒÚ. 43.
åÓÊÌÓ Á‡‰‡Ú¸ ̇ÒÚÓÈÍË ‰Îfl ‚˚·‡ÌÌÓÈ ÔÂÒÌË. ÇÓ-Ô‚˚ı, ‚˚·ÂËÚ ÌÛÊÌÛ˛ ÔÂÒÌ˛ ËÁ
‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ («PRESET»), Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ («MEMORY») ËÎË ÔÂÒÂÌ Ò ‚̯ÌËı ÌÓÒËÚÂÎÂÈ
(«USB1») (ÒÏ. ÒÚ. 54).
ÑÂÈÒÚ‚Ëfl
ÑÎfl ‰ÓÒÚÛÔ‡ ‚ ÏÂÌ˛ ̇ÒÚÓÈÍË ÔÂÒÌË «File/Song Setting» ‚˚·ÂËÚ ÌÛÊÌÛ˛ ÔÂÒÌ˛ Ë Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ [FILE/SONG SETTING].
EXTRA
PARTS
LEFT
RIGHT
SELECT
SONG
ON/OFF
METRONOME
SETTING
A
B
CONTRAST
PIANO 1
GRAND
PIANO 2
GRAND
E.PIANO
1
E.PIANO
2
HARPSI-
CHORD
CHORD
E.CLAVI-
PHONE
VIBRA-
GUITAR
SETTING
VOICE
CHORUSREVERB
SETTING
iAFC
SONG
KEYBOARD
REPEAT
PLAY/PAUSESTOPREC
FILE/SONG
SETTING
DOWN
UP
NO YES
CHURCH
ORGAN
ORGAN
JAZZ
STRINGS
CHOIR
SYNTH.
PAD
WOOD
BASS
E.BASS
XG
SPLIT
MELLOW BRIGHT
BRILLIANCE
FUNCTION
EXIT
MIN MAX
NEW SONG
SYNC START
MASTER VOLUME
DEMOSONG BALANCE
SONG
TEMPO
C
D
VOICE
äÌÓÔ͇ [FILE/SONG SETTING]
èÓ‚ÚÓÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË/‚ÒÂı
ÇÓÒÔÓËÁ‚‰ÂÌË هÁ˚ Ò Û͇Á‡ÌÌ˚Ï
íÓÌ͇fl ̇ÒÚÓÈ͇
ÔÂÒÂÌ – [SongRepeat]
ÌÓÏÂÓÏ – [PhraseMark]
ÇÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÓ‚ÚÓÌÓ ÏÓÊÌÓ Ó‰ÌÛ ÔÂÒÌ˛
ÖÒÎË ‚˚·‡Ú¸ ÔÂÒÌ˛ Ò ‰ËÒ͇ Ò ÏÛÁ˚͇θÌ˚ÏË
ËÎË ‚Ò ÔÂÒÌË , ‚˚·‡ÌÌ˚ ËÁ 50 ‚ÒÚÓÂÌÌ˚ı
ÔÓËÁ‚‰ÂÌËflÏË, ̇ÔËÏÂ Ò ‰ËÒ͇ «Disk
ÔÂÒÂÌ ËÎË Ò USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı.
Orchestra Collection» ËÎË Ò Ó‰ÌÓ„Ó ËÁ ‰ËÒÍÓ‚
• äÓ„‰‡ ̇˜Ë̇ÂÚÒfl ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ˆËÙÓ‚ÓÂ
«XG for Piano», ÏÓÊÌÓ Û͇Á‡Ú¸ ÌÓχ Ù‡Á˚ ‚
ÔˇÌËÌÓ Clavinova ÔÓË„˚‚‡ÂÚ ÔÂÒÌ˛, ‚˚·‡Ì-
Ô‡ÚËÚÛ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ô‡ÚËÚÛ˚ Ò
ÌÛ˛ ̇ Ô‰ÌÂÈ Ô‡ÌÂÎË, Á‡ÚÂÏ Ì‡˜Ë̇ÂÚÒfl ‚ÓÒ-
ÓÚϘÂÌÌÓÈ ÚÓ˜ÍË ËÎË ‰Îfl ÔÓ‚ÚÓÌÓ„Ó
ÔÓËÁ‚‰ÂÌË Û͇Á‡ÌÌÓÈ ÔÂÒÌË, ÍÓÚÓÓ ÔÓ‰ÓÎ-
‚ÓÒÔÓËÁ‚‰ÂÌËfl ˝ÚÓÈ Ù‡Á˚.
ʇÂÚÒfl, ÔÓ͇ ‚˚ Ì ̇ÊÏÂÚ ÍÌÓÔÍÛ [STOP].
•ÖÒÎË Ì‡˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ Ò Ô‡‡ÏÂÚÓÏ
ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.
«Repeat On» (ÔÓ‚ÚÓÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ
èÂÂÍβ˜ÂÌË ÇÍÎ./Ç˚ÍÎ.
‚Íβ˜ÂÌÓ), ̇˜Ë̇ÂÚÒfl ÓÚÒ˜ÂÚ Ë Á‡ÚÂÏ
ÔÓ‚ÚÓÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË Û͇Á‡ÌÌÓÈ
A
B
Ù‡Á˚, ÍÓÚÓÓ ·Û‰ÂÚ ÔÓ‰ÓÎʇڸÒfl, ÔÓ͇ ‚˚
SongRepeat Off
NO YES
Ì ̇ÊÏÂÚ ÍÌÓÔÍÛ [STOP].
USBSongs
•ÖÒÎË ‚˚·‡Ú¸ Ô‡‡ÏÂÚ «Repeat Off»
C
D
(ÔÓ‚ÚÓÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ÓÚÍβ˜ÂÌÓ),
̇˜ÌÂÚÒfl Ó·˚˜ÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ·ÂÁ
ì͇Á‡ÌË ÔÂÒÂÌ ‰Îfl ÔÓ‚ÚÓ‡
ÔÓ‚ÚÓ‡.
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.
[USBSongs] ÇÒ ÔÂÒÌË Ò USB-ÛÒÚÓÈÒÚ‚‡
èÂÂÍβ˜ÂÌË ÔÓ‚ÚÓ‡ ÇÍÎ./Ç˚ÍÎ.
ı‡ÌÂÌËfl ‰‡ÌÌ˚ı
[MemorySongs] ÇÒ ÔÂÒÌË ËÁ Ô‡ÏflÚË ˆËÙÓ‚Ó„Ó
A
B
ÔˇÌËÌÓ Clavinova
PhraseMark RepeatOff
NO YES
[USB+Memory] ÇÒ ÔÂÒÌË ËÁ ‡Á‰ÂÎÓ‚ USB-ÛÒÚÓÈ-
001
ÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı Ë ËÁ Ô‡ÏflÚË
C
D
[PresetSongs] ÇÒÂ 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ
[ALL] ÇÒ ÔÂÒÌË Ò USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂ-
ìÒÚ‡Ìӂ͇ ÌÓχ Ù‡Á˚
ÌËfl ‰‡ÌÌ˚ı, ËÁ Ô‡ÏflÚË Ë ‚ÒÚÓÂÌÌ˚Â
[OneSong] é‰Ì‡ ÔÂÒÌfl, ‚˚·‡Ì̇fl ̇
ìÒÚ‡Ìӂ͇ ‰Ë‡Ô‡ÁÓ̇ ÌÓχ Ù‡Á˚:
Ô‰ÌÂÈ Ô‡ÌÂÎË
--- (Ì Û͇Á‡Ì)
ä ëÇÖÑÖçàû
0 – ÔÓÒΉÌËÈ ÌÓÏ هÁ˚ ÔÂÒÌË
äÓ„‰‡ ÔÓ‰Íβ˜ÂÌÓ ÌÂÒÍÓθÍÓ USB-ÛÒÚÓÈÒÚ‚ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı,
ÖÒÎË ÔÂÒÌfl ‚˚·‡Ì‡ ÌÂ Ò ‰ËÒ͇ «Disk Orchestra
ˆÂ΂˚Ï ÛÒÚÓÈÒÚ‚ÓÏ Ò˜ËÚ‡ÂÚÒfl ÚÓ, ̇ ÍÓÚÓÓÏ ÒÓ‰ÂÊËÚÒfl ‡ÌÂÂ
Collection» ËÎË Ó‰ÌÓ„Ó ËÁ ‰ËÒÍÓ‚ «XG for
‚˚·‡Ì̇fl ÔÂÒÌfl.
Piano», ÏÓÊÌÓ ‚˚·‡Ú¸ ÚÓθÍÓ Ô‡‡ÏÂÚ «Off».
CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 71
íÓÌ͇fl ̇ÒÚÓÈ͇ Á‡ÔËÒË Ë ‚ÓÒÔÓËÁ‚‰ÂÌËfl – [FILE/SONG SETTING]
ç‡ ˝ÚÓÏ ˝Í‡Ì ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸, ̇ÒÍÓθÍÓ
äÓÂÍÚËӂ͇ ÏÛÁ˚͇θÌÓ„Ó ‡Áχ –
·Û‰ÛÚ ‚˚Ó‚ÌÂÌ˚ ‡ÁÏÂ˚ ÌÓÚ. á̇˜ÂÌË 100
ÍÌÓÔ͇ [Quantize]
% ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ 100 % ÚÓ˜ÌÓÒÚË. ÖÒÎË
åÓÊÌÓ ËÁÏÂÌflÚ¸ ‡ÁÏ ÌÓÚ. ç‡ÔËÏÂ, ‰Îfl
Á̇˜ÂÌË ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ ÏÂ̸¯Â 100 %, ÌÓÚ˚
Á‡ÔËÒ‡ÌÌ˚ı ÌÓÚ ÏÓÊÌÓ ÚÓ˜ÌÓ Á‡‰‡Ú¸ ‡ÁÏÂ:
ÚÓθÍÓ Ò‰‚ËÌÛÚÒfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ Ó·‡ÁÓÏ ‚
Ӊ̇ ‚ÓҸχfl ËÎË Ó‰Ì‡ ¯ÂÒÚ̇‰ˆ‡Ú‡fl.
̇ԇ‚ÎÂÌËË ‚˚Ó‚ÌÂÌÌ˚ı ÔÓÁˈËÈ, ÌÓ ÌÂ
•àÁÏÂÌÂÌËfl ‚ÌÓÒflÚÒfl ‰Îfl ͇ʉÓÈ ÔÂÒÌË
Á‡ÈÏÛÚ Ëı. èÓ‰Ó·ÌÓ «ÌÂÔÓÎÌÓ»
ÓÚ‰ÂθÌÓ.
‚˚‡‚ÌË‚‡ÌË ÔÓÁ‚ÓÎflÂÚ ËÁ·Âʇڸ
ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.
«Ï‡¯ËÌÌÓ„Ó» ‚Ô˜‡ÚÎÂÌËfl ÓÚ Á‡ÔËÒË, ‰Â·fl
ëÓı‡ÌÂÌË ËÁÏÂÌÂÌÌÓÈ ‚Â΢ËÌ˚
Á‡ÔËÒ¸ ÔÓıÓÊÂÈ Ì‡ Ë„Û ˜ÂÎÓ‚Â͇.
A
B
Quantize Execute?-->
NO YES
íÓÌ͇fl ̇ÒÚÓÈ͇
Strength= 50% 1/8
C
D
ì͇Á‡ÌË ÚËÔ‡ ÌÓÚ˚
çÓÚ˚, ‡ÁÏ ÍÓÚÓ˚ı ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸:
1/4.................
Ӊ̇ ˜ÂÚ‚ÂÚ‡fl
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
1/6.................
ÚËÓθ ËÁ ˜ÂÚ‚ÂÚ˚ı
0 % – 100 %
1/8.................
Ӊ̇ ‚ÓҸχfl
1/12...............
ÚËÓθ ËÁ ‚ÓÒ¸Ï˚ı
燘‡ÎÓ ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ò Ô‚ÓÈ ÌÓÚ˚ –
1/16...............
Ӊ̇ ¯ÂÒÚ̇‰ˆ‡Ú‡fl
[QuickPlay]
1/24...............
ÚËÓθ ËÁ ¯ÂÒÚ̇‰ˆ‡Ú˚ı
ùÚÓÚ Ô‡‡ÏÂÚ ÔÓÁ‚ÓÎflÂÚ Û͇Á‡Ú¸, Í‡Í ‰ÓÎÊ̇
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ÔÂÒÌfl, ̇˜Ë̇˛˘‡flÒfl Ò
1/32...............
Ӊ̇ Úˉˆ‡Ú¸ ‚ÚÓ‡fl
Ò‰ËÌ˚ Ú‡ÍÚ‡ (Ò Ô‡ÛÁÓÈ Ô‰ Ô‚ÓÈ ÌÓÚÓÈ):
1/8+1/12...........
Ӊ̇ ‚ÓҸχfl + ÚËÓθ ËÁ ‚ÓÒ¸Ï˚ı*
Ò Ô‚ÓÈ ÌÓÚ˚ ËÎË Ò Ì‡˜‡Î‡ Ú‡ÍÚ‡ (Ò Ô‡ÛÁ˚ ËÎË
ÔÛÒÚÓÈ ÌÓÚ˚).
1/16+1/12.........
Ӊ̇ ¯ÂÒÚ̇‰ˆ‡Ú‡fl + ÚËÓθ ‚ÓÒ¸Ï˚ÏË*
ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.
1/16+1/24.........
Ӊ̇ ¯ÂÒÚ̇‰ˆ‡Ú‡fl + ÚËÓθ ËÁ ¯ÂÒÚ̇‰ˆ‡Ú˚ı*
LJˇÌÚ˚ ‚˚‡‚ÌË‚‡ÌËfl, ÓÚϘÂÌÌ˚ Á‚ÂÁ‰Ó˜ÍÓÈ (*), ˜ÂÁ‚˚˜‡ÈÌÓ
Û‰Ó·Ì˚, Ú‡Í Í‡Í ÔÓÁ‚ÓÎfl˛Ú Ó‰ÌÓ‚ÂÏÂÌÌÓ Ó·‡·‡Ú˚‚‡Ú¸ ÌÓÚ˚ ‡ÁÌÓÈ
‰ÎËÚÂθÌÓÒÚË. ç‡ÔËÏÂ, ÂÒÎË Ô‡ÚËfl ÒÓ‰ÂÊËÚ Ë ÌÓÚ˚, Ë ÚËÓÎË
‰ÎËÚÂθÌÓÒÚ¸˛ ‚ Ó‰ÌÛ ¯ÂÒÚ̇‰ˆ‡ÚÛ˛, ÔË ‚˚‡‚ÌË‚‡ÌËË Ò
‡Á¯ÂÌËÂÏ ‚ Ó‰ÌÛ ‚ÓÒ¸ÏÛ˛ ‚Ò ÚËÓÎË ÒÚ‡ÌÛÚ ‚ÓÒ¸Ï˚ÏË. çÓ ÂÒÎË
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
‚˚·‡Ú¸ ‡Á¯ÂÌË «‚ÓҸχfl + ÚËÓθ ËÁ ‚ÓÒ¸Ï˚ı», ÚÓ ÌÓÚ˚ Ó·ÓËı
[On] ÇÓÒÔÓËÁ‚‰ÂÌËÂ Ò Ô‚ÓÈ ÌÓÚ˚
ÚËÔÓ‚ ·Û‰ÛÚ ‚˚Ó‚ÌÂÌ˚ Ô‡‚ËθÌÓ.
[Off] ÇÓÒÔÓËÁ‚‰ÂÌËÂ Ò Ì‡˜‡Î‡ Ú‡ÍÚ‡
(‚Íβ˜‡fl Ô‡ÛÁÛ ËÎË ÔÛÒÚÛ˛ ÌÓÚÛ)
72 CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
é‰Ì‡ ˜ÂÚ‚ÂÚ‡fl
àÒıÓ‰Ì˚È
χÚ¡Î
íÓ˜ÌÓÒÚ¸
‚˚‡‚ÌË‚‡ÌËfl
=100
íÓ˜ÌÓÒÚ¸
‚˚‡‚ÌË‚‡ÌËfl
= 50
A
B
QuickPlay
NO YES
On
C
D
íÓÌ͇fl ̇ÒÚÓÈ͇ Á‡ÔËÒË Ë ‚ÓÒÔÓËÁ‚‰ÂÌËfl – [FILE/SONG SETTING]
èÓÒÎۯ˂‡ÌË ͇̇ÎÓ‚ –
쉇ÎÂÌË ‰‡ÌÌ˚ı ËÁ ͇̇· –
[ChannelListen]
[ChannelClear]
åÓÊÌÓ ‚˚·‡Ú¸ Ó‰ËÌ Í‡Ì‡Î Ë ÔÓÒÎÛ¯‡Ú¸ „Ó
åÓÊÌÓ Û‰‡ÎËÚ¸ ‰‡ÌÌ˚ ËÁ Í‡Ê‰Ó„Ó ËÁ 16
ÒÓ‰ÂÊËÏÓÂ. ÇÓÒÔÓËÁ‚‰ÂÌË ̇˜Ë̇ÂÚÒfl Ò
͇̇ÎÓ‚.
Ô‚ÓÈ ÌÓÚ˚.
ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.
ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.
쉇ÎÂÌË ‰‡ÌÌ˚ı
ÇÓÒÔÓËÁ‚‰ÂÌË ÔÓ‰ÓÎʇÂÚÒfl, ÔÓ͇ ‚˚
‰ÂÊËÚ ˝ÚÛ ÍÌÓÔÍÛ
A
B
A
B
ChannelClear Execute?-->
NO YES
Ch1
ChannelListen Start?-->
NO YES
C
D
Ch1
C
D
ìÒÚ‡Ìӂ͇ ÌÛÊÌÓ„Ó Í‡Ì‡Î‡ ‰Îfl Û‰‡ÎÂÌËfl
ìÒÚ‡Ìӂ͇ ÌÛÊÌÓ„Ó Í‡Ì‡Î‡ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
Ch1 - Ch16, ALL (͇̇Π1 – ͇̇Π16, ‚ÒÂ
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
͇̇Î˚)
Ch1 - Ch16 (͇̇Π1 – ͇̇Π16)
ä ëÇÖÑÖçàû
íÓÌ͇fl ̇ÒÚÓÈ͇
ä ëÇÖÑÖçàû
èÂÒÌfl ÒÓÒÚÓËÚ ËÁ 16 ͇̇ÎÓ‚. ä‡Ì‡Î ‚˚·Ë‡ÂÚÒfl ‰Îfl Ô‡ÚËË, ÔÓ˝ÚÓÏÛ ‚
èÂÒÌfl ÒÓÒÚÓËÚ ËÁ 16 ͇̇ÎÓ‚. ä‡Ì‡Î ‚˚·Ë‡ÂÚÒfl ‰Îfl Ô‡ÚËË, ÔÓ˝ÚÓÏÛ ‚
‰‡ÌÌÓÏ ËÌÒÚÛÏÂÌÚ ͇̇ΠÓÁ̇˜‡ÂÚ ÚÓ ÊÂ, ˜ÚÓ Ë Ô‡ÚËfl.
‰‡ÌÌÓÏ ËÌÒÚÛÏÂÌÚ ͇̇ΠÓÁ̇˜‡ÂÚ ÚÓ ÊÂ, ˜ÚÓ Ë Ô‡ÚËfl.
ä ëÇÖÑÖçàû
ä ëÇÖÑÖçàû
éÚÓ·‡Ê‡˛ÚÒfl ‰‡Ê ͇̇Î˚, ÍÓÚÓ˚ Ì ÒÓ‰ÂÊ‡Ú ÌË͇ÍËı ‰‡ÌÌ˚ı.
éÚÓ·‡Ê‡˛ÚÒfl ‰‡Ê ͇̇Î˚, ÍÓÚÓ˚ Ì ÒÓ‰ÂÊ‡Ú ÌË͇ÍËı ‰‡ÌÌ˚ı.
ä ëÇÖÑÖçàû
èË Ó˜ËÒÚÍ ‚ÒÂı ͇̇ÎÓ‚ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ Ô‡‡ÏÂÚ‡ «ALL» ‚˚
ÏÓÊÂÚ ÔÂÂÁ‡ÔËÒ‡Ú¸ ÔÂÒÌ˛. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÒÓı‡ÌflÂÚÒfl Ù‡ÈÎ, ‚
ÍÓÚÓÓÏ ‚ ̇ÒÚÓÈ͇ı ÔÂÒÌË ÓÚÒÛÚÒÚ‚Û˛Ú ‰‡ÌÌ˚Â Ó Ô‡‡ÏÂÚ‡ı
͇̇ÎÓ‚.
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Ì‡ÒÚÓÈ͇ı «RecStart» – «RecEnd» ÒÏ. ‚ ‡Á‰ÂΠ«ó‡ÒÚ˘̇fl ÔÂÂÁ‡ÔËÒ¸ ÔÂÒÌË» ̇
ÒÚ. 37.
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Ì‡ÒÚÓÈÍ «RecExtraPartsCh» ÒÏ. ‚ ‡Á‰ÂΠ«á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËfl ÌÂÒÍÓθÍËı
‡ÁÌ˚ı Ô‡ÚËÈ» ̇ ÒÚ. 39.
CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 73
ç‡ÒÚÓÈÍË ÏÂÚÓÌÓχ –
METRONOME
[SETTING]
åÓÊÌÓ Ì‡ÒÚÓËÚ¸ Û͇Á‡ÚÂθ ÚÂÏÔ‡, „ÓÏÍÓÒÚ¸ Ë ÚÂÏ· ÏÂÚÓÌÓχ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova.
ÑÂÈÒÚ‚Ëfl
ÑÎfl ‚˚ÁÓ‚‡ ÏÂÌ˛ ̇ÒÚÓÈÍË ÏÂÚÓÌÓχ ̇ÊÏËÚ ÍÌÓÔÍÛ [METRONOME SETTING].
ÍÌÓÔ͇ METRONOME [SETTING]
EXTRA
PARTS
LEFT
RIGHT
SELECT
SONG
ON/OFF
METRONOME
SETTING
A
B
CONTRAST
PIANO 1
GRAND
PIANO 2
GRAND
E.PIANO
1
E.PIANO
2
HARPSI-
CHORD
E.CLAVI-
CHORD
PHONE
VIBRA-
GUITAR
SETTING
VOICE
CHORUSREVERB
SETTING
iAFC
SONG
KEYBOARD
REPEAT
PLAY/PAUSESTOPREC
FILE/SONG
SETTING
DOWN
UP
NO YES
ORGAN
CHURCH
ORGAN
JAZZ
STRINGS
CHOIR
SYNTH.
PAD
WOOD
BASS
E.BASS
XG
SPLIT
MELLOW BRIGHT
BRILLIANCE
FUNCTION
EXIT
MIN MAX
NEW SONG
SYNC START
MASTER VOLUME
DEMOSONG BALANCE
SONG
TEMPO
C
D
VOICE
íÓÌ͇fl ̇ÒÚÓÈ͇
ç‡ÒÚÓÈÍË Û͇Á‡ÚÂÎfl ÚÂÏÔ‡ ÏÂÚÓÌÓχ –
Ç˚·Ó ÚÂÏ·‡ ÏÂÚÓÌÓχ –
[TimeSignature]
[MetronomeSound]
ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.
ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.
A
B
A
B
TimeSignature
NO YES
MetronomeSound
NO YES
4/ 4
BellOff
C
D
C
D
ᇉ‡Ú¸ ˜ËÒÎËÚÂθ ‰Îfl
ᇉ‡Ú¸ Á̇ÏÂ̇ÚÂθ
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
Ú‡ÍÚÓ‚Ó„Ó ‡Áχ
‰Îfl Ú‡ÍÚÓ‚Ó„Ó ‡Áχ
[BellOff] ôÂΘÓÍ (Òڇ̉‡ÚÌ˚È Á‚ÛÍ
ÏÂÚÓÌÓχ)
ç‡ÔËÏÂ, ‰Îfl Û͇Á‡ÌËfl ˜‡ÒÚÓÚ˚ «3/4»
[EnglishVoice] ôÂΘÓÍ Ë «1, 2, 3, 4» ̇
ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË C [–]/[+], ˜ÚÓ·˚ ‚˚·‡Ú¸
‡Ì„ÎËÈÒÍÓÏ flÁ˚ÍÂ
«3», Ë ÍÌÓÔÍË D [–]/[+], ˜ÚÓ·˚ ‚˚·‡Ú¸ «4».
[GermanVoice] ôÂΘÓÍ Ë «1, 2, 3, 4» ̇
ÑˇԇÁÓÌ ˜ËÒÎËÚÂÎfl:
ÌÂψÍÓÏ flÁ˚ÍÂ
1 – 16
[JapaneseVoice] ôÂΘÓÍ Ë «1, 2, 3, 4» ̇
ÑÓÔÛÒÚËÏ˚ Á̇˜ÂÌËfl Á̇ÏÂ̇ÚÂÎfl:
flÔÓÌÒÍÓÏ flÁ˚ÍÂ
2, 4 Ë 8
[FrenchVoice] ôÂΘÓÍ Ë «1, 2, 3, 4» ̇
ه̈ÛÁÒÍÓÏ flÁ˚ÍÂ
[SpanishVoice] ôÂΘÓÍ Ë «1, 2, 3, 4» ̇
ËÒÔ‡ÌÒÍÓÏ flÁ˚ÍÂ
ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË ÏÂÚÓÌÓχ –
[BellOn] ôÂΘÓÍ Ë Á‚ÓÌÓÍ
[MetronomeVolume]
ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.
ä ëÇÖÑÖçàû
óÚÓ·˚ ÓÚÍβ˜ËÚ¸ Ò˜ÂÚ ‰ÓÎÂÈ ‚ÒÎÛı, ‚˚·ÂËÚ ԇ‡ÏÂÚ «BellOff».
A
B
MetronomeVolume
NO YES
100
C
D
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
0 - 127
74 CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
ç‡ÒÚÓÈÍË ÚÂÏ·Ó‚ – [VOICE SETTING]
Ç ˝ÚÓÏ ÏÂÌ˛ ÏÓÊÌÓ Á‡‰‡Ú¸ ‡Á΢Ì˚ ̇ÒÚÓÈÍË ÚÂÏ·Ó‚ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ËÎË ‡Á‰ÂÎÂÌËfl Ë
˝ÙÙÂÍÚÓ‚. ùÚË Ì‡ÒÚÓÈÍË ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ Ë̉˂ˉۇθÌÓ ‰Îfl Í‡Ê‰Ó„Ó ÚÂÏ·‡ (ËÎË Í‡Ê‰ÓÈ
ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚). àÁÏÂÌflfl ̇ÒÚÓÈÍË, ÏÓÊÌÓ ÒÎ˚¯‡Ú¸ ÔÓË„˚‚‡ÂÏ˚ ÌÓÚ˚.
ÑÂÈÒÚ‚Ëfl
1. ÑÎfl ‰ÓÒÚÛÔ‡ ‚ ÏÂÌ˛ ̇ÒÚÓÈÍË ÚÂÏ·‡ «Voice Setting» ‚˚·ÂËÚ ÌÛÊÌ˚È ÚÂÏ· Ë
̇ÊÏËÚ ÍÌÓÔÍÛ [VOICE SETTING].
2
1
äÌÓÔ͇ [VOICE SETTING]
EXTRA
PARTS
LEFT
RIGHT
SELECT
SONG
ON/OFF
METRONOME
SETTING
A
B
CONTRAST
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
CHORD
HARPSI-
E.CLAVI-
CHORD
PHONE
VIBRA-
GUITAR
SETTING
VOICE
CHORUSREVERB
SETTING
iAFC
SONG
KEYBOARD
REPEAT
PLAY/PAUSESTOPREC
FILE/SONG
SETTING
DOWN
UP
NO YES
CHURCH
ORGAN
ORGAN
JAZZ
STRINGS
CHOIR
SYNTH.
PAD
WOOD
BASS
E.BASS
XG
SPLIT
MELLOW BRIGHT
BRILLIANCE
FUNCTION
EXIT
MIN MAX
NEW SONG
SYNC START
MASTER VOLUME
DEMOSONG BALANCE
SONG
TEMPO
C
D
VOICE
2. óÚÓ·˚ ‚˚·‡Ú¸ Ô‡Ú˲, ‰Îfl ÍÓÚÓÓÈ ‚˚ ıÓÚËÚ ËÁÏÂÌËÚ¸ ÚÂÏ·, ̇ÊËχÈÚÂ
ÍÌÓÔÍË A [–]/[+].
íÓÌ͇fl ̇ÒÚÓÈ͇
ÑˇԇÁÓÌ Ô‡ÚËË, ‚˚‚Ó‰ËÏÓÈ Ì‡ ‰ËÒÔÎÂÈ, Á‡‚ËÒËÚ ÓÚ ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡.
[Main] É·‚Ì˚ ÚÂÏ·˚ (‚˚‚Ó‰flÚÒfl ̇ ‰ËÒÔÎÂÈ ÔË Ë„Â Ó‰ÌËÏ ÚÂÏ·ÓÏ ËÎË ‚
ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚)
[Main × Layer] É·‚Ì˚È ÚÂÏ· 1 Ë ÚÂÏ· 2 (‚˚‚Ó‰flÚÒfl ̇ ‰ËÒÔÎÂÈ, ÂÒÎË ‰Îfl Ô‡‚ÓÈ ˜‡ÒÚË
Í·‚ˇÚÛ˚ ËÒÔÓθÁÛÂÚÒfl ÂÊËÏ Ì‡ÎÓÊÂÌËfl ÚÂÏ·Ó‚)
[Left] ã‚˚È ÚÂÏ· (‚˚‚Ó‰ËÚÒfl ̇ ‰ËÒÔÎÂÈ ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚)
[Left × Layer] ã‚˚È ÚÂÏ· 1 Ë ÚÂÏ· 2 (‚˚‚Ó‰flÚÒfl ̇ ‰ËÒÔÎÂÈ, ÂÒÎË ‰Îfl ΂ÓÈ ˜‡ÒÚË
Í·‚ˇÚÛ˚ ËÒÔÓθÁÛÂÚÒfl ÂÊËÏ Ì‡ÎÓÊÂÌËfl ÚÂÏ·Ó‚)
CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 75
ç‡ÒÚÓÈÍË ÚÂÏ·Ó‚ – [VOICE SETTING]
ä ëÇÖÑÖçàû
Ç ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ Ô‡‡ÏÂÚ˚, ÔÓϘÂÌÌ˚ Á̇˜ÍÓÏ «*»,
ç‡ÒÚÓÈ͇ ÔÓÎÓÊÂÌËfl Ô‡‚Ó„Ó Ë Î‚ӄÓ
ÛÒڇ̇‚ÎË‚‡˛ÚÒfl ÓÚ‰ÂθÌÓ ‰Îfl ÔÂ‚Ó„Ó Ë ‚ÚÓÓ„Ó ÚÂÏ·Ó‚.
͇̇ÎÓ‚ – [Pan]*
ä ëÇÖÑÖçàû
Ç ÒÚÂÂÓÔ‡ÌӇϠÏÓÊÌÓ Û͇Á‡Ú¸, ÓÚÍÛ‰‡ ‚˚
ç‡Á‚‡ÌËfl Ô‡‡ÏÂÚÓ‚, Á‡Íβ˜ÂÌÌ˚ ‚ ÒÍÓ·ÍË ( ), ‚˚‚Ó‰flÚÒfl ̇ ‰ËÒÔÎÂÈ
ÒÎ˚¯ËÚ Á‚ÛÍ.
‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚.
ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.
A
B
ç‡ÒÚÓÈ͇ ÓÍÚ‡‚˚ – [Octave]*
Main Set?-->
NO YES
Pan C
Ç˚ÒÓÚÛ ÌÓÚ˚ ÏÓÊÌÓ Ò‰‚Ë„‡Ú¸ ‚Ô‰ Ë Ì‡Á‡‰
C
D
̇ ˆÂÎ˚ ÓÍÚ‡‚˚.
ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.
Ç ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚:
íÓÌ͇fl ̇ÒÚÓÈ͇
A
B
A
B
Main Set?-->
NO YES
MainxLayer Set?-->
NO YES
Octave 0
Pan(GrndPno1) C
C
D
C
D
Ç ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚:
íÂÏ· ‰Îfl ‰‡ÍÚËÓ‚‡ÌËfl (ÚÂÏ· 1 ËÎË ÚÂÏ· 2)
A
B
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
MainxLayer Set?-->
NO YES
Octave(GrndPno1) 0
L64 (͇ÈÌflfl ΂‡fl) – C (ˆÂÌÚ) – R63
(͇ÈÌflfl Ô‡‚‡fl)
C
D
íÂÏ· ‰Îfl ‰‡ÍÚËÓ‚‡ÌËfl (ÚÂÏ· 1 ËÎË ÚÂÏ· 2)
íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇ (ÚÓθÍÓ ‚
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
–2 (̇ ‰‚ ÓÍÚ‡‚˚ ÌËÊÂ) – 0 (·ÂÁ Ò‰‚Ë„‡) – +2
ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚) – [Detune]
(̇ ‰‚ ÓÍÚ‡‚˚ ‚˚¯Â)
åÓÊÌÓ Ò‰Â·ڸ Ú‡Í, ˜ÚÓ·˚ ‰‚‡ Á‚Û͇,
‚˚·‡ÌÌ˚ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚,
·˚ÎË Ò΄͇ «ÒÏ¢ÂÌ˚» ÓÚÌÓÒËÚÂθÌÓ
ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË – [Volume]*
‰Û„ ‰Û„‡.
ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.
ÉÓÏÍÓÒÚ¸ ÏÓÊÌÓ Á‡‰‡Ú¸ ‰Îfl ͇ʉÓÈ Ô‡ÚËË.
ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.
A
B
A
B
MainxLayer Set?-->
NO YES
Detune + 3
Main Set?-->
NO YES
C
D
Volume 100
C
D
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
Ç ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚:
–20 – +20 (èÓÎÓÊËÚÂθÌÓ Á̇˜ÂÌË (+)
A
B
ÔÓ‚˚ÒËÚ ‚˚ÒÓÚÛ ÔÂ‚Ó„Ó Á‚Û͇ Ë ÔÓÌËÁËÚ
‚˚ÒÓÚÛ ‚ÚÓÓ„Ó Á‚Û͇. éÚˈ‡ÚÂθÌÓÂ
MainxLayer Set?-->
NO YES
Volume(GrndPno1) 100
Á̇˜ÂÌË (–) ҉·ÂÚ Ó·‡ÚÌÓÂ.)
C
D
íÂÏ· ‰Îfl ‰‡ÍÚËÓ‚‡ÌËfl (ÚÂÏ· 1 ËÎË ÚÂÏ· 2)
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
0 – 127
76 CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
ç‡ÒÚÓÈÍË ÚÂÏ·Ó‚ – [VOICE SETTING]
Ç˚·Ó ÚËÔ‡ ‚·‡ˆËË –
Ç˚·Ó ÚËÔ‡ ıÓÛÒ‡ –
[ReverbType]
[Chorus Type]
ä ëÇÖÑÖçàû
ä ëÇÖÑÖçàû
ùÚÓÚ Ô‡‡ÏÂÚ ÌÂθÁfl Á‡‰‡Ú¸ ‰Îfl Ô‡ÚËÈ «Left» Ë «LeftXLayer».
ùÚÓÚ Ô‡‡ÏÂÚ ÌÂθÁfl Á‡‰‡Ú¸ ‰Îfl Ô‡ÚËÈ «Left» Ë «Left × Layer».
ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.
ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.
A
B
A
B
Main Set?-->
NO YES
Main Set?-->
NO YES
ReverbType Hall1
ChorusType Chorus
C
D
C
D
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
Room àÏËÚ‡ˆËfl ‚·‡ˆËË ‚ ÍÓÏ̇ÚÂ.
Chorus ÑÓ·‡‚ÎflÂÚ Ì‡Ò˚˘ÂÌÌ˚È, Ó·˙ÂÏÌ˚È
Hall1 àÏËÚ‡ˆËfl ‚·‡ˆËË ‚ ÍÓ̈ÂÚÌÓÏ
Á‚ÛÍ.
Á‡ÎÂ.
Celeste ÑÓ·‡‚ÎflÂÚ ÔÓÒÚÂÔÂÌÌÓ Ì‡‡ÒÚ‡˛˘ËÂ
Hall2 ê‚·‡ˆËfl ÌÂÒÍÓθÍÓ ‰ÎËÌÌÂÂ, ˜ÂÏ
Ë Á‡ÚÛı‡˛˘Ë ˝ÙÙÂÍÚ˚ Ë Ó·˙ÂÏ.
ÔË Ô‡‡ÏÂÚ «Hall1».
Flanger ÑÓ·‡‚ÎflÂÚ ÔÓÒÚÂÔÂÌÌÓ Ì‡‡ÒÚ‡˛˘ËÂ
íÓÌ͇fl ̇ÒÚÓÈ͇
Stage ê‚·‡ˆËfl, ÔÓ‰ıÓ‰fl˘‡fl ‰Îfl Á‚Û͇
Ë Á‡ÚÛı‡˛˘Ë ˝ÙÙÂÍÚ˚ ‚ÁÎÂÚ‡˛˘Â„Ó
ÒÓθÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡.
ËÎË Ë‰Û˘Â„Ó Ì‡ ÔÓÒ‡‰ÍÛ
Plate ê‚·‡ˆËfl, ÒÓÁ‰‡‚‡Âχfl ‚Ë·‡ˆËÂÈ
‡ÍÚË‚ÌÓ„Ó Ò‡ÏÓÎÂÚ‡.
ÏÂÚ‡Î΢ÂÒÍÓÈ Ô·ÒÚËÌ˚.
ç‡ÒÚÓÈ͇ „ÎÛ·ËÌ˚ ıÓÛÒ‡ –
ç‡ÒÚÓÈ͇ „ÎÛ·ËÌ˚ ‚·‡ˆËË –
[ChorusSend]*
[ReverbSend]*
ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.
ä ëÇÖÑÖçàû
ÖÒÎË Á̇˜ÂÌË ԇ‡ÏÂÚ‡ «ReverbSend» ‡‚ÌÓ «0», ˝ÙÙÂÍÚ
A
B
‚·‡ˆËË Ì ‰ÂÈÒÚ‚ÛÂÚ.
Main Set?-->
NO YES
ChorusSend 48
ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.
C
D
A
B
Ç ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚:
Main Set?-->
NO YES
ReverbSend 14
A
B
C
D
MainxLayer Set?-->
NO YES
ChorusSend(E.Piano1) 72
Ç ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚:
C
D
A
B
íÂÏ· ‰Îfl ‰‡ÍÚËÓ‚‡ÌËfl (ÚÂÏ· 1 ËÎË ÚÂÏ· 2)
MainxLayer Set?-->
NO YES
ReverbSend(E.Piano1) 26
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
C
D
0 - 127
íÂÏ· ‰Îfl ‰‡ÍÚËÓ‚‡ÌËfl (ÚÂÏ· 1 ËÎË ÚÂÏ· 2)
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
0 - 127
CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 77
ç‡ÒÚÓÈÍË ÚÂÏ·Ó‚ – [VOICE SETTING]
AutoPan è‡ÌÓ‡ÏËÓ‚‡ÌË Á‚Û͇ Ò΂‡
ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ıÓÛÒ‡ –
̇ԇ‚Ó Ë ‚Ô‰ ̇Á‡‰.
[ChorusOnOff]
Phaser î‡Á‡ ÔÂËӉ˘ÂÒÍË
ÏÂÌflÂÚÒfl, Á‚ÛÍ ÚÓ Ì‡‡ÒÚ‡ÂÚ, ÚÓ
èË ÔÓÏÓ˘Ë ÍÌÓÔÍË [CHORUS] ÏÓÊÌÓ
Á‡ÚÛı‡ÂÚ.
‚Íβ˜‡Ú¸ Ë ‚˚Íβ˜‡Ú¸ ˝ÙÙÂÍÚ Chorus ‰Îfl
AutoWah èÂËӉ˘ÂÒÍË ËÁÏÂÌflÂÚÒfl
Í‡Ê‰Ó„Ó ÚÂÏ·‡. èË ‚˚·Ó ÚÂÏ·‡ ˝ÙÙÂÍÚ
ˆÂÌڇθ̇fl ˜‡ÒÚÓÚ‡ «‚‡Û»-
Chorus ‡‚ÚÓχÚ˘ÂÒÍË ‚Íβ˜‡ÂÚÒfl ËÎË
ÙËθڇ.
‚˚Íβ˜‡ÂÚÒfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ˝ÚÓ„Ó
SoundBoardRev àÏËÚ‡ˆËfl ‚·‡ˆËË ‰ÂÍË
Ô‡‡ÏÂÚ‡.
ÔˇÌËÌÓ.
ä ëÇÖÑÖçàû
Off ÅÂÁ ˝ÙÙÂÍÚ‡.
чÊ ÂÒÎË ˝ÚÓÚ Ô‡‡ÏÂÚ ‚Íβ˜ÂÌ, ˝ÙÙÂÍÚ ëhorus ·Û‰ÂÚ ÓÚÍβ˜ÂÌ,
ÂÒÎË Á̇˜ÂÌË ԇ‡ÏÂÚ‡ «ChorusSend» ‡‚ÌÓ «0».
íÓÌ͇fl ̇ÒÚÓÈ͇
ìÒÚ‡Ìӂ͇ ÒÍÓÓÒÚË ˝ÙÙÂÍÚ‡ ‚Ë·‡ÚÓ
ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.
‚Ë·ÓÙÓ̇* – [VibeRotorSpeed]
A
B
íÖêåàçéãéÉàü
Main Set?-->
NO YES
êÓÚÓ= LJ˘‡˛˘‡flÒfl ˜‡ÒÚ¸ ˝ÎÂÍÚÓÏÂı‡Ì˘ÂÒÍÓ„Ó ÛÒÚÓÈÒÚ‚‡ Ë Ú.‰.
ChorusOnOff Off
C
D
ùÚ‡ ̇‰ÔËÒ¸ ‚˚‚Ó‰ËÚÒfl ̇ ‰ËÒÔÎÂÈ, ÚÓθÍÓ
ÂÒÎË ‰Îfl Ô‡‡ÏÂÚ‡ ÚËÔ‡ ˝ÙÙÂÍÚ‡ DSP
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
‚˚·‡ÌÓ Á̇˜ÂÌË VibeRotor.
On/Off
ùÚÓÚ Ô‡‡ÏÂÚ Á‡‰‡ÂÚ ÒÍÓÓÒÚ¸ ˝ÙÙÂÍÚ‡
‚Ë·‡ÚÓ, ÔËÏÂÌfl˛˘Â„ÓÒfl, ÂÒÎË ‚˚·‡Ì ÚÂÏ·
‚Ë·ÓÙÓ̇ Ë ËÒÔÓθÁÛÂÚÒfl Ô‰‡Î¸ VibeRotor.
Ç˚·Ó ÚËÔ‡ ˝ÙÙÂÍÚ‡ DSP* –
ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.
[DSP Type (DSP)]
A
B
åÓÊÌÓ ‚˚·‡Ú¸ ‰Û„ËÂ ˝ÙÙÂÍÚ˚
Main Set?-->
NO YES
VibeRotorSpeed 6
(Ì ‚·‡ˆË˛ Ë Ì ˝ÙÙÂÍÚ ëhorus).
ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.
C
D
A
B
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
Main Set?-->
NO YES
1 - 10
DSP Type DelayLCR
C
D
ÇÍβ˜ÂÌËÂ/Ç˚Íβ˜ÂÌË ˝ÙÙÂÍÚ‡
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
DelayLCR ᇉÂÊ͇ ‚ ΂ÓÈ,
‚Ë·‡ÚÓ ‚Ë·ÓÙÓ̇* –
ˆÂÌڇθÌÓÈ Ë Ô‡‚ÓÈ
[VibeRotorOnOff (RotorOnOff)]
ÔÓÁˈËflı.
DelayLR ᇉÂÊ͇ ‚ ΂ÓÈ Ë Ô‡‚ÓÈ
ùÚ‡ ̇‰ÔËÒ¸ ‚˚‚Ó‰ËÚÒfl ̇ ‰ËÒÔÎÂÈ, ÚÓθÍÓ
ÔÓÁˈËflı.
ÂÒÎË ‰Îfl Ô‡‡ÏÂÚ‡ ÚËÔ‡ ˝ÙÙÂÍÚ‡ DSP
‚˚·‡ÌÓ Á̇˜ÂÌË VibeRotor.
Echo ᇉÂÊ͇, ÔÓıÓʇfl ̇ ˝ıÓ.
ùÚÓ ‚Íβ˜‡ÂÚ ËÎË ‚˚Íβ˜‡ÂÚ ˝ÙÙÂÍÚ ‚Ë·‡ÚÓ,
CrossDelay ᇉÂÊÍË Ò΂‡ Ë ÒÔ‡‚‡
‰ÂÈÒÚ‚Û˛˘ËÈ ÔË ËÒÔÓθÁÓ‚‡ÌËË Ô‰‡ÎË
ÔÂÂÒÂ͇˛ÚÒfl.
VibeRotor.
Symphonic ÑÓ·‡‚ÎflÂÚ Ì‡Ò˚˘ÂÌÌ˚È Ë
ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.
„ÎÛ·ÓÍËÈ ‡ÍÛÒÚ˘ÂÒÍËÈ
˝ÙÙÂÍÚ.
A
B
RotarySpeaker ÑÓ·‡‚ÎflÂÚ ˝ÙÙÂÍÚ ‚Ë·‡ÚÓ
Main Set?-->
NO YES
‚‡˘‡˛˘Â„ÓÒfl ‰Ë̇ÏË͇.
VibeRotorOnOff On
Tremolo Å˚ÒÚÓ ˆËÍ΢ÂÒÍÓÂ
C
D
ËÁÏÂÌÂÌËÂ ÛÓ‚Ìfl „ÓÏÍÓÒÚË.
VibeRotor ùÙÙÂÍÚ ‚Ë·‡ÚÓ ‚Ë·ÓÙÓ̇.
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
On/Off
78 CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
ç‡ÒÚÓÈÍË ÚÂÏ·Ó‚ – [VOICE SETTING]
ç‡ÒÚÓÈ͇ ÒÍÓÓÒÚË ‚‡˘ÂÌËfl ‰Ë̇ÏË͇* –
ç‡ÒÚÓÈ͇ ˝ÙÙÂÍÚ‡ ÂÁÓ̇ÌÒ‡* –
[
RotarySpeed (Rot.Speed)
]
[HarmonicContent (Harmonic)]
ùÚ‡ ̇‰ÔËÒ¸ ‚˚‚Ó‰ËÚÒfl ̇ ‰ËÒÔÎÂÈ, ÚÓθÍÓ ÂÒÎË
ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.
‰Îfl Ô‡‡ÏÂÚ‡ ÚËÔ‡ ˝ÙÙÂÍÚ‡ DSP ‚˚·‡ÌÓ
A
B
Á̇˜ÂÌË RotarySpeaker.
ùÚÓ Á‡‰‡ÂÚ ÒÍÓÓÒÚ¸ ‚‡˘ÂÌËfl ˝ÙÙÂÍÚ‡
Main Set?-->
NO YES
HarmonicContent 0
‚‡˘‡˛˘Â„ÓÒfl ‰Ë̇ÏË͇*.
ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.
C
D
A
B
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
Main Set?-->
NO YES
–64 - +63
RotarySpeed Slow
ä ëÇÖÑÖçàû
C
D
èË ÂÁÓ̇ÌÒ ÏÓÊÂÚ Ó·‡ÁÓ‚˚‚‡Ú¸Òfl ˜ÂÚÍËÈ «ÂÁÍËÈ» ÚÓÌ, ÍÓÚÓ˚È
‰Â·ÂÚ Á‚ÛÍ ·ÓΠflÍËÏ Ë ˝Ì„˘Ì˚Ï.
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
Slow/Fast
ç‡ÒÚÓÈ͇ ‰Ë‡Ô‡ÁÓ̇ ÌËÁÍËı ˜‡ÒÚÓÚ
íÓÌ͇fl ̇ÒÚÓÈ͇
ç‡ÒÚÓÈ͇ „ÎÛ·ËÌ˚ ˝ÙÙÂÍÚ‡ DSP*
˝Í‚‡Î‡ÈÁ‡* – [EQ LowFreq. (EQ L.Freq)]
[DSPDepth]
íÖêåàçéãéÉàü
ùÍ‚‡Î‡ÈÁÂ
ùÚÓ Á‡‰‡ÂÚ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ DSP (ÒÚ. 78).
ÄÛ‰Ëӽ͂‡Î‡ÈÁ ‡Á‰ÂÎflÂÚ ÒÔÂÍÚ ˜‡ÒÚÓÚ Ì‡ ÏÌÓ„Ó˜ËÒÎÂÌÌ˚Â
ÑÎfl ÌÂÍÓÚÓ˚ı ̇ÒÚÓÂÍ ÚËÔ‡ ˝ÙÙÂÍÚ‡ DSP
‰Ë‡Ô‡ÁÓÌ˚ Ë ÔÓÁ‚ÓÎflÂÚ ÔÓθÁÓ‚‡ÚÂβ ̇Òڇ˂‡Ú¸ ÓÚÌÓÒËÚÂθÌÛ˛
ÌÂθÁfl Á‡‰‡Ú¸ Ô‡‡ÏÂÚ DSPDepth.
‡ÏÔÎËÚÛ‰Û Í‡Ê‰Ó„Ó ‰Ë‡Ô‡ÁÓ̇.
ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.
A
B
Main Set?-->
NO YES
DSPDepth 127
C
D
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
1 (‚˚‚Ó‰ËÚÒfl ÚÓθÍÓ ËÒıÓ‰Ì˚È Á‚ÛÍ, ˝ÙÙÂÍÚ˚
ÔÓ˜ÚË Ì ÔËÏÂÌfl˛ÚÒfl) – 127 (‚˚‚Ó‰flÚÒfl
ÚÓθÍÓ Á‚ÛÍË, Ó·‡·ÓÚ‡ÌÌ˚Â Ò ÔÓÏÓ˘¸˛
˝ÙÙÂÍÚÓ‚)
ç‡ÒÚÓÈ͇ flÍÓÒÚË Á‚Û͇* – [Brightness]
ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.
ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.
A
B
Main Set?-->
NO YES
A
B
EQ LowFreq. 32
Main Set?-->
NO YES
C
D
Brightness 0
C
D
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
32 Ɉ – 2,0 ÍɈ
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
–64 - +63
CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 79
ç‡ÒÚÓÈÍË ÚÂÏ·Ó‚ – [VOICE SETTING]
ç‡ÒÚÓÈ͇ ‰Ë‡Ô‡ÁÓ̇ ÛÒËÎÂÌËfl
ç‡ÒÚÓÈ͇ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í ÒËÎÂ
(Û‚Â΢ÂÌËfl/ÛÏÂ̸¯ÂÌËfl) ÌËÁÍËı ˜‡ÒÚÓÚ
̇ʇÚËfl* –
˝Í‚‡Î‡ÈÁ‡* – [EQ LowGain]
[TouchSense]*
ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.
ùÚÓÚ Ô‡‡ÏÂÚ ÔÓÁ‚ÓÎflÂÚ Û͇Á‡Ú¸, Í‡Í Ë ‚
͇ÍÓÈ ÒÚÂÔÂÌË ·Û‰ÂÚ ËÁÏÂÌflÚ¸Òfl „ÓÏÍÓÒÚ¸ ‚
A
B
Á‡‚ËÒËÏÓÒÚË ÓÚ ÒËÎ˚ ̇ʇÚËfl ̇ Í·‚˯Ë.
Main Set?-->
NO YES
í‡Í Í‡Í „ÓÏÍÓÒÚ¸ Í·‚ÂÒË̇ Ë Ó„‡Ì‡ ÌÂ
EQ LowGain 0
Á‡‚ËÒËÚ ÓÚ ÒËÎ˚ ̇ʇÚËfl ̇ Í·‚˯Ë,
C
D
Ó·˚˜ÌÓ Á̇˜ÂÌË ԇ‡ÏÂÚ‡ ‰Îfl ˝ÚËı
ÚÂÏ·Ó‚ – 127. (ÑˇԇÁÓÌ Á̇˜ÂÌËÈ ÒÏ. ÌËÊÂ.)
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.
–12 – +12 ‰Å
íÓÌ͇fl ̇ÒÚÓÈ͇
A
B
Main Set?-->
NO YES
TouchSense 64
ç‡ÒÚÓÈ͇ ‰Ë‡Ô‡ÁÓ̇ ‚˚ÒÓÍËı ˜‡ÒÚÓÚ
C
D
˝Í‚‡Î‡ÈÁ‡* –
Ç ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚:
[EQ HighFreq. (EQ H.Freq)]
A
B
ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.
MainxLayer Set?-->
NO YES
A
B
TouchSense(GrndPno1) 64
C
D
Main Set?-->
NO YES
EQ HighFreq. 500
íÂÏ· ‰Îfl ‰‡ÍÚËÓ‚‡ÌËfl (ÚÂÏ· 1 ËÎË ÚÂÏ· 2)
C
D
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
0 (̇ËÏÂ̸¯‡fl ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸) – 64 (Ò‡ÏÓÂ
500 Ɉ – 16,0 ÍɈ
·Óθ¯Ó ËÁÏÂÌÂÌË ÛÓ‚Ìfl „ÓÏÍÓÒÚË) – 127
(Ò‡Ï˚È „ÓÏÍËÈ Ë ÔÓÒÚÓflÌÌ˚È Á‚ÛÍ)
ç‡ÒÚÓÈ͇ ‰Ë‡Ô‡ÁÓ̇ ÛÒËÎÂÌËfl
(Û‚Â΢ÂÌËfl/ÛÏÂ̸¯ÂÌËfl) ‚˚ÒÓÍËı ˜‡ÒÚÓÚ
˝Í‚‡Î‡ÈÁ‡* – [EQ HighGain]
ÑÂÈÒÚ‚Ëfl ÒÏ. ̇ ÒÚ. 69.
A
B
Main Set?-->
NO YES
EQ HighGain 0
C
D
ÑˇԇÁÓÌ Á̇˜ÂÌËÈ:
–12 – +12 ‰Å
80 CLP-280/270 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
