Yamaha PSR-1100 – страница 9

èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ÒËÌÚÂÁ‡ÚÓÛ PSR-2100/1100

ëÓ‚ÏÂÒÚËÏÓÒÚ¸ ‰‡ÌÌ˚ı

îÓÏ‡Ú ÒÂÍ‚Â̈ËË

ëËÒÚÂχ Á‡ÔËÒË ÓÚÌÓÒfl˘ËıÒfl Í ÔÂÒÌ ‰‡ÌÌ˚ı ̇Á˚‚‡ÂÚÒfl

Ç ˝ÚÓÏ ‡Á‰ÂΠÔ˂‰ÂÌ˚ ÓÒÌÓ‚Ì˚ ҂‰ÂÌËfl Ó

ÙÓχÚÓÏ ÒÂÍ‚Â̈ËË.

ÒÓ‚ÏÂÒÚËÏÓÒÚË ‰‡ÌÌ˚ı. ä‡Ê‰Ó„Ó ÔÓθÁÓ‚‡ÚÂÎfl ËÌÚÂÂÒÛÂÚ,

ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Ò ‰ËÒÍÂÚ˚ ‚ÓÁÏÓÊÌÓ Î˯¸ ‚ ÚÓÏ

ÒÔÓÒÓ·Ì˚ ÎË ‰Û„Ë MIDI-ÛÒÚÓÈÒÚ‚‡ ÔÓË„˚‚‡Ú¸ Ù‡ÈÎ˚,

ÒÎÛ˜‡Â, ÍÓ„‰‡ MIDI-ÛÒÚÓÈÒÚ‚Ó ÔÓ‰‰ÂÊË‚‡ÂÚ ‰‡ÌÌ˚È ÙÓχÚ

Á‡ÔËÒ‡ÌÌ˚Â Ò ÔÓÏÓ˘¸˛ PSR-2100/1100. à ÏÓÊÂÚ ÎË PSR-2100/

ÒÂÍ‚Â̈ËË. PSR-2100/1100 ÔÓ‰‰ÂÊË‚‡ÂÚ ÒÎÂ‰Û˛˘Ë ÙÓχÚ˚

1100 Ò‡Ï ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ Ëϲ˘ËÂÒfl ‚ ÔÓ‰‡Ê ÔÂÒÌË Ë MIDI-

Ù‡ÈÎÓ‚.

Ù‡ÈÎ˚, ÒÓÁ‰‡ÌÌ˚ ‰Îfl ‰Û„Ëı ÒËÌÚÂÁ‡ÚÓÓ‚ ËÎË Ì‡

ÍÓÏÔ¸˛ÚÂÂ? Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÍÓÌÍÂÚÌÓ„Ó ÚËÔ‡ MIDI-

■ SMF (Òڇ̉‡ÚÌ˚È Ù‡ÈÎ MIDI)

ÛÒÚÓÈÒÚ‚‡ Ë ı‡‡ÍÚÂËÒÚËÍ MIDI-Ù‡ÈÎÓ‚ ‚˚ ÎË·Ó ÏÓÊÂÚÂ

ùÚÓÚ ÙÓÏ‡Ú fl‚ÎflÂÚÒfl ̇˷ÓΠ‡ÒÔÓÒÚ‡ÌÂÌÌ˚Ï.

ÔÓË„˚‚‡Ú¸ Ù‡ÈÎ˚ ·ÂÁ ͇ÍËı ·˚ ÚÓ ÌË ·˚ÎÓ ÔÓ·ÎÂÏ, ÎË·Ó

ëڇ̉‡ÚÌ˚ هÈÎ˚ MIDI ‚ Ò‚Ó˛ Ó˜Â‰¸ ÔÓ‰‡Á‰ÂÎfl˛ÚÒfl ̇

‰ÓÎÊÌ˚ ÔÂ‰ ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ Ù‡ÈÎÓ‚ ‚˚ÔÓÎÌËÚ¸

‰‚‡ ÚËÔ‡: Format 0 Ë Format 1. åÌÓ„Ë MIDI-ÛÒÚÓÈÒÚ‚‡

ÓÔ‰ÂÎÂÌÌ˚È fl‰ ‰ÂÈÒÚ‚ËÈ. ÖÒÎË ÔË ÔÓË„˚‚‡ÌËË MIDI-

ÔÓ‰‰ÂÊË‚‡˛Ú Format 0. äÓÏ ÚÓ„Ó, ÏÌÓ„Ë Ëϲ˘ËÂÒfl ‚

Ù‡ÈÎÓ‚ ‚ÓÁÌË͇˛Ú ÔÓ·ÎÂÏ˚, Ó·‡ÚËÚÂÒ¸ Í Ô˂‰ÂÌÌ˚Ï ÌËÊÂ

ÔÓ‰‡Ê ÔÂÒÌË Á‡ÔËÒ‡Ì˚ ‚ ˝ÚÓÏ ÙÓχÚÂ.

‡Á‰Â·Ï.

• PSR-2100/1100 ÔÓ‰‰ÂÊË‚‡ÂÚ Ó·‡ ÚËÔ‡ Òڇ̉‡ÚÌ˚ı

Ù‡ÈÎÓ‚.

îÓÏ‡Ú ‰ËÒÍÂÚ

• èÂÒÌfl, Á‡ÔËÒ‡Ì̇fl Ò ÔÓÏÓ˘¸˛ PSR-2100/1100,

ÑËÒÍÂÚ˚ fl‚Îfl˛ÚÒfl Ó‰ÌËÏ ËÁ ÓÒÌÓ‚Ì˚ı Ò‰ÒÚ‚ Ó·ÏÂ̇

‡‚ÚÓχÚ˘ÂÒÍË ÒÓı‡ÌflÂÚÒfl ‚ ÙÓχÚ SMF Format 0.

ËÌÙÓχˆËÂÈ ÏÂÊ‰Û ‡Á΢Ì˚ÏË ÛÒÚÓÈÒÚ‚‡ÏË, ‚Íβ˜‡fl

• èÂÒÌfl, Á‡„ÛÊÂÌ̇fl ‚ PSR-2100/1100, ‡‚ÚÓχÚ˘ÂÒÍË

ÍÓÏÔ¸˛ÚÂ. ëËÒÚÂÏ˚ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ‡Á΢Ì˚ Û ‡ÁÌ˚ı

ÒÓı‡ÌflÂÚÒfl ‚ ÙÓχÚ SMF Format 0 ‚Ì Á‡‚ËÒËÏÓÒÚË ÓÚ

ÛÒÚÓÈÒÚ‚. èÓ˝ÚÓÏÛ ÔÂʉ ‚ÒÂ„Ó ÌÂÓ·ıÓ‰ËÏÓ ÔÓ‰„ÓÚÓ‚ËÚ¸

ËÒıÓ‰ÌÓ„Ó ÙÓχڇ.

‰ËÒÍÂÚÛ ‰Îfl Ó·ÂÒÔ˜ÂÌËfl ÒÓ‚ÏÂÒÚËÏÓÒÚË Ò Ù‡ÈÎÓ‚ÓÈ ÒËÒÚÂÏÓÈ

Ëϲ˘Â„ÓÒfl ÛÒÚÓÈÒÚ‚‡. ùÚ‡ ÓÔÂ‡ˆËfl ̇Á˚‚‡ÂÚÒfl

■ ESEQ

ÙÓχÚËÓ‚‡ÌËÂÏ.

ùÚÓÚ ÙÓÏ‡Ú ÔÓ‰‰ÂÊË‚‡˛Ú ÏÌÓ„Ë MIDI-ÛÒÚÓÈÒÚ‚‡ χÍË

• ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ÚËÔ‡ ‰ËÒÍÂÚ: MF2DD (‰‚ÛÒÚÓÓÌÌËÂ,

Yamaha, ‚ ÚÓÏ ˜ËÒÎÂ Ë ÒËÌÚÂÁ‡ÚÓ˚ ÒÂËË PSR-2100/1100. ùÚÓÚ

‰‚ÓÈÌÓÈ ÔÎÓÚÌÓÒÚË) Ë MF2HD (‰‚ÛÒÚÓÓÌÌËÂ, ‚˚ÒÓÍÓÈ

ÙÓÏ‡Ú Ú‡ÍÊ ¯ËÓÍÓ ÔÓ‰‰ÂÊË‚‡ÂÚÒfl ÏÛÁ˚͇θÌ˚ÏË

ÔÎÓÚÌÓÒÚË). ä‡Ê‰˚È ËÁ ˝ÚËı ÚËÔÓ‚ ÔÓ‰‰ÂÊË‚‡ÂÚ ‡ÁÌÓÂ

ÔËÎÓÊÂÌËflÏË, ‡Á‡·ÓÚ‡ÌÌ˚ÏË ÍÓÔÓ‡ˆËÂÈ Yamaha.

ÙÓχÚËÓ‚‡ÌËÂ.

■ XF

• PSR-2100/1100 ÒÓ‚ÏÂÒÚËÏ Ò Ó·ÓËÏË ÚËÔ‡ÏË.

îÓÏ‡Ú XF, ‡Á‡·ÓÚ‡ÌÌ˚È ÍÓÔÓ‡ˆËÂÈ Yamaha,

• ÖÏÍÓÒÚ¸ Ô‡ÏflÚË ‰ËÒÍÂÚ ÚËÔÓ‚ 2DD (‰ËÒÍÂÚ˚ ‰‚ÓÈÌÓÈ

Ô‰ÒÚ‡‚ÎflÂÚ ÒÓ·ÓÈ ÛÒÓ‚Â¯ÂÌÒÚ‚Ó‚‡ÌÌ˚È ‚‡ˇÌÚ Òڇ̉‡Ú‡

ÔÎÓÚÌÓÒÚË) Ë 2HD (‰ËÒÍÂÚ˚ ‚˚ÒÓÍÓÈ ÔÎÓÚÌÓÒÚË) ÔÓÒÎÂ

SMF (Standard MIDI File), ̇‰ÂÎÂÌÌ˚È ·Óθ¯ÂÈ

ÙÓχÚËÓ‚‡ÌËfl Ò ÔÓÏÓ˘¸˛ PSR-2100/1100 ÒÓÒÚ‡‚ÎflÂÚ 720

ÙÛÌ͈ËÓ̇θÌÓÒÚ¸˛ Ë ‚ÓÁÏÓÊÌÓÒÚflÏË ‰‡Î¸ÌÂȯ„Ó

ä· Ë 1440 ä·. ùÚÓ Á̇˜ËÚ, ˜ÚÓ Ì‡ Ú‡ÍËı ‰ËÒÍÂÚ‡ı ÏÓÊÌÓ

‡Ò¯ËÂÌËfl.

ÒÓı‡ÌflÚ¸ 720 ä· Ë 1440 ä· ËÌÙÓχˆËË ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ.

• ë ÔÓÏÓ˘¸˛ ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100/1100 ÏÓÊÌÓ ‚˚‚Ó‰ËÚ¸ ̇

ùÚË Á̇˜ÂÌËfl Ú‡ÍÊ ÏÓÊÌÓ ‡ÒÒχÚË‚‡Ú¸ ‚ ͇˜ÂÒÚ‚Â ÚËÔ‡

˝Í‡Ì ÚÂÍÒÚ˚ ÔÂÒÂÌ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË Ù‡È· ‚ ÙÓχÚÂ

ÙÓχÚËÓ‚‡ÌËfl „Ë·ÍÓ„Ó ‰ËÒ͇.)

XF, ÒÓ‰Âʇ˘Â„Ó ÚÂÍÒÚ.

• ÇÓÒÔÓËÁ‚‰ÂÌËÂ Ò ‰ËÒÍÂÚ˚ ‚ÓÁÏÓÊÌÓ Î˯¸ ‚ ÚÓÏ ÒÎÛ˜‡Â,

ÍÓ„‰‡ MIDI-ÛÒÚÓÈÒÚ‚Ó ÔÓ‰‰ÂÊË‚‡ÂÚ ÙÓÏ‡Ú ‰ËÒÍÂÚ˚.

■ î‡ÈÎ ÒÚËÎfl

îÓÏ‡Ú Style File Format (SFF) Ô‰ÒÚ‡‚ÎflÂÚ ÒÓ·ÓÈ

ÓË„Ë̇θÌ˚È ÙÓÏ‡Ú Ù‡È· ÒÚËÎfl, ‡Á‡·ÓÚ‡ÌÌ˚È

ÍÓÔÓ‡ˆËÂÈ Yamaha, ‚ ÍÓÚÓÓÏ ËÒÔÓθÁÛÂÚÒfl ÛÌË͇θ̇fl

ÒËÒÚÂχ ÔÂÓ·‡ÁÓ‚‡ÌËfl, ÔÓÁ‚ÓÎfl˛˘‡fl ‡‚ÚÓχÚ˘ÂÒÍË

ÒÓÁ‰‡‚‡Ú¸ ‚˚ÒÓÍÓ͇˜ÂÒÚ‚ÂÌÌ˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ì‡ ÓÒÌÓ‚Â

·Óθ¯Ó„Ó ÍÓ΢ÂÒÚ‚‡ ÚËÔÓ‚ ‡ÍÍÓ‰Ó‚.

PSR-2100/1100

161

èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ÒËÌÚÂÁ‡ÚÓÛ PSR-2100/1100

îÓÏ‡Ú ‡ÒÔ‰ÂÎÂÌËfl „ÓÎÓÒÓ‚

ÉÓÎÓÒ‡Ï MIDI ÔËÒ‚‡Ë‚‡˛ÚÒfl ÌÓÏÂ‡, ÔÓÎۘ˂¯Ë ̇Á‚‡ÌËÂ

«ÌÓÏÂÓ‚ ÔÓ„‡ÏÏ». ëڇ̉‡Ú ÔËÒ‚ÓÂÌËfl Ú‡ÍËı ÌÓÏÂÓ‚ Ë

̇Á˚‚‡ÂÚÒfl ÙÓχÚÓÏ ‡ÒÔ‰ÂÎÂÌËfl „ÓÎÓÒÓ‚.

ÖÒÎË ˝ÚÓÚ ÙÓÏ‡Ú Ì ÒÓ‚Ô‡‰‡ÂÚ Ò ÙÓχÚÓÏ, ‚˚·‡ÌÌ˚Ï ‰Îfl

‚ÓÒÔÓËÁ‚‰ÂÌËfl MIDI-Ù‡ÈÎÓ‚, „ÓÎÓÒ‡ ÏÓ„ÛÚ Á‚Û˜‡Ú¸

ÌÂÂÒÚÂÒÚ‚ÂÌÌÓ.

PSR-2100/1100 ÔÓ‰‰ÂÊË‚‡ÂÚ ÒÎÂ‰Û˛˘Ë ÙÓχÚ˚ Ù‡ÈÎÓ‚.

чÊ ÂÒÎË MIDI-ÛÒÚÓÈÒÚ‚‡ Ë MIDI-Ù‡ÈÎ˚ Û‰Ó‚ÎÂÚ‚Ófl˛Ú ‚ÒÂÏ

‚˚¯ÂÔÂ˜ËÒÎÂÌÌ˚Ï ÛÒÎÓ‚ËflÏ, ‰‡ÌÌ˚ ‚Ò ‡‚ÌÓ ÏÓ„ÛÚ Ó͇Á‡Ú¸Òfl Ì ‰Ó

ÍÓ̈‡ ÒÓ‚ÏÂÒÚËÏ˚ÏË. ꯇ˛˘Û˛ Óθ ÔË ˝ÚÓÏ Ë„‡˛Ú ÓÒÓ·ÂÌÌÓÒÚË

ÍÓÌÍÂÚÌÓ„Ó ÛÒÚÓÈÒÚ‚‡ Ë ÏÂÚÓ‰Ó‚ Á‡ÔËÒË ‰‡ÌÌ˚ı.

■ GM System Level 1

ùÚÓÚ ÙÓÏ‡Ú fl‚ÎflÂÚÒfl Ó‰ÌËÏ ËÁ ̇˷ÓΠ‡ÒÔÓÒÚ‡ÌÂÌÌ˚ı.

• åÌÓ„Ë MIDI-ÛÒÚÓÈÒÚ‚‡ ÒÓ‚ÏÂÒÚËÏ˚ Ò ÙÓχÚÓÏ GM

System Level 1. íÓ Ê ÓÚÌÓÒËÚÒfl Ë Í ·Óθ¯ËÌÒÚ‚Û ÔÂÒÂÌ,

Ëϲ˘ËıÒfl ‚ ÔÓ‰‡ÊÂ.

■ XG

îÓÏ‡Ú XG fl‚ÎflÂÚÒfl Á̇˜ËÚÂθÌÓ ÛÒÓ‚Â¯ÂÌÒÚ‚Ó‚‡ÌÌ˚Ï

‡Ò¯ËÂÌËÂÏ Òڇ̉‡Ú‡ General MIDI (GM System level 1

format). äÓÏÔ‡ÌËfl Yamaha ‡Á‡·Óڇ· ˝ÚÛ ÒÔˆËÙË͇ˆË˛ Ò

ˆÂθ˛ Û‚Â΢ÂÌËfl ˜ËÒ· ‰ÓÒÚÛÔÌ˚ı „ÓÎÓÒÓ‚ Ë ‚ÓÁÏÓÊÌÓÒÚÂÈ

ÛÔ‡‚ÎÂÌËfl „ÓÎÓÒ‡ÏË Ë ˝ÙÙÂÍÚ‡ÏË, ‡ Ú‡ÍÊ ӷÂÒÔ˜ÂÌËfl

ÒÓ‚ÏÂÒÚËÏÓÒÚË MIDI-‰‡ÌÌ˚ı ‚ ·Û‰Û˘ÂÏ.

• èÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ ̇ PSR-2100/1100 Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ

„ÓÎÓÒÓ‚ XG, ÒÓ‚ÏÂÒÚËÏ˚ Ò Î˛·˚ÏË ÛÒÚÓÈÒÚ‚‡ÏË,

ÔÓ‰‰ÂÊË‚‡˛˘ËÏË ÙÓÏ‡Ú XG.

■ DOC

ùÚÓÚ ÙÓÏ‡Ú ÔÓ‰‰ÂÊË‚‡˛Ú ÏÌÓ„Ë MIDI-ÛÒÚÓÈÒÚ‚‡ χÍË

Yamaha, ‚ ÚÓÏ ˜ËÒÎÂ Ë ÒËÌÚÂÁ‡ÚÓ˚ ÒÂËË PSR. ùÚÓÚ ÙÓχÚ

Ú‡ÍÊ ¯ËÓÍÓ ÔÓ‰‰ÂÊË‚‡ÂÚÒfl ÏÛÁ˚͇θÌ˚ÏË ÔËÎÓÊÂÌËflÏË,

‡Á‡·ÓÚ‡ÌÌ˚ÏË ÍÓÔÓ‡ˆËÂÈ Yamaha.

162

PSR-2100/1100

ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ

çÂÔÓ·‰Í‡ ÇÓÁÏÓÊ̇fl Ô˘Ë̇ Ë ÒÔÓÒÓ·˚ ÛÒÚ‡ÌÂÌËfl

• ëËÌÚÂÁ‡ÚÓ PSR-2100/1100 Ì ‚Íβ˜‡ÂÚÒfl;

ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ PSR-2100/1100 ÔÓ‰Íβ˜ÂÌ Í ÓÁÂÚÍ ̇‰ÎÂʇ˘ËÏ Ó·‡ÁÓÏ (ÒÚ. 16).

ÓÚÒÛÚÒÚ‚ÛÂÚ ÔËÚ‡ÌËÂ.

• èË ‚Íβ˜ÂÌËË Ë ÓÚÍβ˜ÂÌËË ÔËÚ‡ÌËfl ÒÎ˚¯Ì˚

í‡Í ‚Ò„‰‡ ÔÓËÒıÓ‰ËÚ ÔË ÔÓ‰‡˜Â Ë ˝ÎÂÍÚÓÔËÚ‡ÌËfl.

˘ÂΘÍË Ë ıÎÓÔÍË.

• àÁ ‰Ë̇ÏËÍÓ‚ ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100/1100 ÒÎ˚¯ÂÌ

èË ËÒÔÓθÁÓ‚‡ÌËË ÏÓ·ËθÌÓ„Ó ÚÂÎÂÙÓ̇ fl‰ÓÏ Ò ÒËÌÚÂÁ‡ÚÓÓÏ PSR-2100/1100 ÏÓ„ÛÚ

¯ÛÏ.

‚ÓÁÌË͇ڸ ÔÓÏÂıË. ÇÓ ËÁ·ÂʇÌË ‚ÓÁÌËÍÌÓ‚ÂÌËfl ÔÓÏÂı ÓÚÍβ˜ËÚ ÏÓ·ËθÌ˚È ÚÂÎÂÙÓÌ ËÎË

ËÒÔÓθÁÛÈÚÂ Â„Ó Ì‡ Á̇˜ËÚÂθÌÓÏ ‡ÒÒÚÓflÌËË ÓÚ ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100/1100.

• ùÍ‡Ì ÒÎ˯ÍÓÏ flÍËÈ ËÎË ÒÎ˯ÍÓÏ ÚÂÏÌ˚È, ÚÛ‰ÌÓ

üÍÓÒÚ¸ ˝Í‡Ì‡ ÏÓÊÂÚ Á‡‚ËÒÂÚ¸ ÓÚ ÚÂÏÔÂ‡ÚÛ˚ ÓÍÛʇ˛˘Â„Ó ‚ÓÁ‰Ûı‡; ÔÓÔÓ·ÛÈÚÂ

˜ÚÓ-ÎË·Ó ÔÓ˜ÂÒÚ¸.

ÓÚ„ÛÎËÓ‚‡Ú¸ ÍÓÌÚ‡ÒÚÌÓÒÚ¸ (ÒÚ. 17).

• ä·‚ˇÚÛ‡ Á‚Û˜ËÚ ÒÎ˯ÍÓÏ ÚËıÓ ÔÓ Ò‡‚ÌÂÌ˲ Ò

鷢 Á‚Û˜‡ÌË Í·‚ˇÚÛ˚ ËÎË ÓÚ‰ÂθÌÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ ÏÓ„ÎÓ ·˚Ú¸ ÛÒÚ‡ÌÓ‚ÎÂÌÓ Ì‡

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ ËÎË ÔÂÒÌÂÈ.

ÌËÁÍËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË. ìÒÚ‡ÌÓ‚ËÚ ·ÓΠ‚˚ÒÓÍËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË „ÓÎÓÒÓ‚ MAIN/

LAYER/LEFT ËÎË ·ÓΠÌËÁÍËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ‰Îfl Ô‡‡ÏÂÚ‡ STYLE/SONG (èÂÒÌfl/

ÒÚËθ) ̇ ˝Í‡Ì BALANCE (ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË) (ÒÚ. 64).

• Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ËÎË ÔÂÒÌfl Á‚Û˜‡Ú ÒÎ˯ÍÓÏ ÚËıÓ

ìÒÚ‡ÌÓ‚ÎÂÌ ÒÎ˯ÍÓÏ ÌËÁÍËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ‰Îfl Ó‰ÌÓÈ ËÎË ÌÂÒÍÓθÍËı ˜‡ÒÚÂÈ

ÔÓ Ò‡‚ÌÂÌ˲ Ò Í·‚ˇÚÛÓÈ.

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË Í‡Ì‡ÎÓ‚ ÔÂÒÌË. ìÒÚ‡ÌÓ‚ËÚ ·ÓΠ‚˚ÒÓÍËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ‰Îfl

‰‡ÌÌÓÈ ˜‡ÒÚË ËÎË Í‡Ì‡Î‡ ÔÂÒÌË Ì‡ ˝Í‡Ì MIXER (åËͯÂ) (ÒÚ. 125).

• é·˘ËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ÒÎ˯ÍÓÏ ÌËÁÍËÈ, ËÎË

• é·˘‡fl „ÓÏÍÓÒÚ¸ ÒÎ˯ÍÓÏ ÌËÁ͇; ÛÒÚ‡ÌÓ‚ËÚ ÌÛÊÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË Ò ÔÓÏÓ˘¸˛

Á‚ÛÍ ÓÚÒÛÚÒÚ‚ÛÂÚ ‚ÓÓ·˘Â.

‰ËÒ͇ ÛÔ‡‚ÎÂÌËfl [MASTER VOLUME].

• ÇÓÁÏÓÊÌÓ, ÛÒÚ‡ÌÓ‚ÎÂÌ ÌËÁÍËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ‰Îfl ÓÚ‰ÂθÌ˚ı ˜‡ÒÚÂÈ. ì‚Â΢¸ÚÂ

„ÓÏÍÓÒÚ¸ ˜‡ÒÚÂÈ MAIN, LAYER, LEFT, STYLE Ë SONG ̇ ˝Í‡Ì BALANCE (ê„ÛÎËӂ͇

„ÓÏÍÓÒÚË) (ÒÚ. 64).

• ì·Â‰ËÚÂÒ¸ Ú‡ÍÊÂ, ˜ÚÓ ÔÂÂÍβ˜‡ÚÂθ Ú·ÛÂÏÓ„Ó Í‡Ì‡Î‡ ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË ON

(ÇÍÎ.) (ÒÚ. 64, 81).

• èË ÔÓ‰Íβ˜ÂÌÌ˚ı ̇ۯÌË͇ı ‚˚ıÓ‰ÌÓÈ Ò˄̇Π̇ ‰Ë̇ÏËÍË ÓÚÍβ˜‡ÂÚÒfl. éÚÍβ˜ËÚÂ

̇ۯÌËÍË.

• ì·Â‰ËÚÂÒ¸, ˜ÚÓ ÙÛÌ͈Ëfl Local Control (ËÒÔÓθÁÓ‚‡ÌË ‚ÒÚÓÂÌÌ˚ı „ÓÎÓÒÓ‚) ÛÒÚ‡ÌÓ‚ÎÂ̇

‚ ÔÓÎÓÊÂÌËÂ ON (ÇÍÎ.) (ÒÚ. 148).

• á‚Û˜‡Ú Ì ‚Ò ÌÓÚ˚, ÍÓÚÓ˚ ˄‡˛ÚÒfl

ÇÓÁÏÓÊÌÓ, ·˚ÎÓ Ô‚˚¯ÂÌÓ Ï‡ÍÒËχθÌÓ ÍÓ΢ÂÒÚ‚Ó „ÓÎÓÒÓ‚ ÔÓÎËÙÓÌËË ÒËÌÚÂÁ‡ÚÓ‡

Ó‰ÌÓ‚ÂÏÂÌÌÓ.

PSR-2100/1100. Ç Ú‡ÍËı ÒÎÛ˜‡flı ÌÓÚ˚, ÍÓÚÓ˚ ·˚ÎË Ò˚„‡Ì˚ ÔÂ‚˚ÏË, ÔÂÂÒÚ‡˛Ú

Á‚Û˜‡Ú¸, ˜ÚÓ·˚ ‰‡Ú¸ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓÁ‚Û˜‡Ú¸ ÔÓÒΉÌËÏ ËÁ Ò˚„‡ÌÌ˚ı ÌÓÚ. ÅÓÎÂÂ

ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó Ï‡ÍÒËχθÌÓÏ ÍÓ΢ÂÒÚ‚Â Ó‰ÌÓ‚ÂÏÂÌÌÓ Á‚Û˜‡˘Ëı „ÓÎÓÒÓ‚

(ÔÓÎËÙÓÌËË) ÒÏ. ̇ ÒÚ. 165.

• ç ۉ‡ÂÚÒfl Á‡ÔÛÒÚËÚ¸ ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË

• ÑÎfl Ò˄̇· ÒËÌıÓÌËÁ‡ˆËË (ÏÓÊÂÚ ·˚Ú¸ ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË «EXTERNAL»

ÔÂÒÌ˛.

(Ç̯ÌËÈ). ì·Â‰ËÚÂÒ¸, ˜ÚÓ ‰Îfl ÌÂ„Ó ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË «INTERNAL» (ÇÌÛÚÂÌÌËÈ)

(ÒÚ. 149).

• ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ·˚· ̇ʇڇ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl ÍÌÓÔ͇ [START/STOP] (ÇÍÎ./

‚˚ÍÎ.). ÑÎfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇ÊÏËÚ ÍÌÓÔÍÛ STYLE

(ëÚËθ)[START/STOP] (ÒÚ. 64); ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË Ì‡ÊÏËÚ ÍÌÓÔÍÛ SONG

(èÂÒÌfl)[START/STOP] (ÒÚ. 79).

• åÓ„ ·˚Ú¸ ‚˚·‡Ì Ô‡‡ÏÂÚ «çÓ‚‡fl ÔÂÒÌfl» (ÒÓÁ‰‡ÌË ÔÂÒÌË Ò «ÌÛÎfl»). Ç˚·ÂËÚ ̇

˝Í‡Ì SONG (èÂÒÌfl) (ÒÚ. 79) ÌÛÊÌÛ˛ ÔÂÒÌ˛.

• ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Á‡ÍÓ̘ËÎÓÒ¸. ÇÂÌËÚÂÒ¸ ‚ ̇˜‡ÎÓ ÔÂÒÌË, ̇ʇ‚ ÍÌÓÔÍÛ [TOP]

(ÒÚ. 81).

• ç ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl ÏÛθÚËÔ˝‰ ‰‡Ê ÔË Ì‡Ê‡ÚËË

ÑÎfl Ò˄̇· ÒËÌıÓÌËÁ‡ˆËË (ÏÓÊÂÚ ·˚Ú¸ ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË «EXTERNAL» (Ç̯ÌËÈ).

Ó‰ÌÓÈ ËÁ ÍÌÓÔÓÍ MULTI PAD.

ìÒÚ‡ÌÓ‚ËÚ Á̇˜ÂÌË «INTERNAL» (ÇÌÛÚÂÌÌËÈ) (ÒÚ. 149).

• ÇÓÒÔÓËÁ‚Ó‰flÚÒfl ÚÓθÍÓ ËÚÏ˘ÂÒÍË ͇̇Î˚. ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ‚Íβ˜Â̇ ÙÛÌ͈Ëfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡; ̇ÊÏËÚ ÍÌÓÔÍÛ [ACMP].

• ç ۉ‡ÂÚÒfl Á‡ÔÛÒÚËÚ¸ ÒÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ‰‡ÊÂ

ÇÓÁÏÓÊÌÓ, ·˚· ҉·̇ ÔÓÔ˚Ú͇ Á‡ÔÛÒÚËÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ò ÔÓÏÓ˘¸˛ Í·‚Ë¯Ë ‚ Ô‡‚ÓÈ

ÍÓ„‰‡ ÙÛÌ͈Ëfl ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒ͇ ̇ıÓ‰ËÚÒfl ‚

˜‡ÒÚË Í·‚ˇÚÛ˚. ç‡ÊÏËÚ Í·‚Ë¯Û ‚ ‡Á‰ÂΠÍ·‚ˇÚÛ˚ ‰Îfl ΂ÓÈ ÛÍË (‡Á‰ÂÎÂ

ÂÊËÏ ÓÊˉ‡ÌËfl Ë Ì‡Ê‡Ú‡ Í·‚˯‡ ̇

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡).

Í·‚ˇÚÛÂ.

• çÛÊÌ˚È ‡ÍÍÓ‰ Ì ‡ÒÔÓÁ̇ÂÚÒfl ËÎË ÌÂ

• ÇÓÁÏÓÊÌÓ, ·˚ÎË Ì‡Ê‡Ú˚ Ì‚ÂÌ˚ Í·‚Ë¯Ë ‰Îfl Û͇Á‡ÌËfl ‡ÍÍÓ‰‡. ëÏ. „·‚Û «íËÔ˚

‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl ÙÛÌ͈ËÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

‡ÍÍÓ‰Ó‚, ‡ÒÔÓÁ̇‚‡ÂÏ˚ ‚ ÂÊËÏ Fingered» ̇ (ÒÚ. 66).

• ÇÓÁÏÓÊÌÓ, ·˚ÎË Ì‡Ê‡Ú˚ Í·‚˯Ë, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÂÊËÏÛ, ÓÚ΢ÌÓÏÛ ÓÚ ÚÂÍÛ˘Â„Ó.

èÓ‚Â¸ÚÂ, ͇ÍÓÈ ÂÊËÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚˚·‡Ì, Ë Ì‡ÊÏËÚ Í·‚˯Ë,

ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ˝ÚÓÏÛ ÂÊËÏÛ ÒÚ. 65).

• ÇÓ ‚ÂÏfl ‚˚ÔÓÎÌÂÌËfl ‰ÂÈÒÚ‚Ëfl ·˚Î ÔÓÎÛ˜ÂÌ

ÖÒÎË ÔË ‚˚ÔÓÎÌÂÌËË ‰ÂÈÒÚ‚Ëfl ·˚ÎË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡Ê‡Ú˚ ÚË ËÎË ·ÓΠÍÌÓÔÓÍ, ÌÂ

ÌÂÓÊˉ‡ÌÌ˚È ÂÁÛÎ¸Ú‡Ú ËÎË ÔÓËÁÓ¯ÂÎ Ò·ÓÈ.

ÓÚÌÓÒfl˘ËıÒfl Í ‚˚ÔÓÎÌflÂÏÓÈ ÓÔÂ‡ˆËË ËÎË Í Ó·˚˜ÌÓÈ Ôӈ‰ÛÂ, ÏÓÊÂÚ ·˚Ú¸ ÔÓÎÛ˜ÂÌ

ÌÂÓÊˉ‡ÌÌ˚È ÂÁÛθڇÚ.

• ÄÍÍÓ‰˚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‡ÒÔÓÁ̇˛ÚÒfl ‚ÌÂ

ùÚÓ Ó·˚˜ÌÓ ÔÓËÒıÓ‰ËÚ ‚ ÚÂı ÒÎÛ˜‡flı, ÍÓ„‰‡ ‚ ͇˜ÂÒÚ‚Â ÂÊËχ ‡ÔÔÎË͇ÚÛ˚ ÛÒÚ‡ÌÓ‚ÎÂÌÓ

Á‡‚ËÒËÏÓÒÚË ÓÚ ÛÒÚ‡ÌÓ‚ÎÂÌÌÓÈ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl

Á̇˜ÂÌË «Full Keyboard» (ÇÒfl Í·‚ˇÚÛ‡) ËÎË «AI Full Keyboard» (ÇÒfl Í·‚ˇÚÛ‡ AI). ÖÒÎË

Í·‚ˇÚÛ˚ ËÎË ÓÚ ÚÓ„Ó ÏÂÒÚ‡ ̇ Í·‚ˇÚÛÂ, „‰Â

‚˚·‡Ì Ó‰ËÌ ËÁ ˝ÚËı ÂÊËÏÓ‚, ‡ÍÍÓ‰˚ ‡ÒÔÓÁ̇˛ÚÒfl ÔÓ ‚ÒÂÏÛ ‰Ë‡Ô‡ÁÓÌÛ Í·‚ˇÚÛ˚ ‚ÌÂ

ÓÌË ·˚ÎË ‚ÁflÚ˚.

Á‡‚ËÒËÏÓÒÚË ÓÚ ÛÒÚ‡ÌÓ‚ÎÂÌÌÓÈ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚. èË ÌÂÓ·ıÓ‰ËÏÓÒÚË

ÛÒÚ‡ÌÓ‚ËÚ ‰Û„ÓÈ ÂÊËÏ ‡ÔÔÎË͇ÚÛ˚ (ÒÚ. 65).

PSR-2100/1100

163

ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ

çÂÔÓ·‰Í‡ ÇÓÁÏÓÊ̇fl Ô˘Ë̇ Ë ÒÔÓÒÓ·˚ ÛÒÚ‡ÌÂÌËfl

• éÚ‰ÂθÌ˚ ÌÓÚ˚ Á‚Û˜‡Ú Ì ̇ ÚÓÈ ‚˚ÒÓÚÂ. ÑÎfl Ô‡‡ÏÂÚ‡ ÏÓ„ÎÓ ·˚Ú¸ ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌËÂ, ÓÚ΢ÌÓ ÓÚ «Equal» (ꇂÌÓÏÂ̇fl

ÚÂÏÔÂ‡ˆËfl), ˜ÚÓ Ë ÔË‚Ó‰ËÚ Í ËÁÏÂÌÂÌ˲ ÒËÒÚÂÏ˚ ̇ÒÚÓÈÍË (ÚÂÏÔÂ‡ˆËË) Í·‚ˇÚÛ˚.

ìÒÚ‡ÌÓ‚ËÚ ‰Îfl ‰‡ÌÌÓ„Ó ÒÚÓfl Á̇˜ÂÌË «Equal» (ꇂÌÓÏÂ̇fl ÚÂÏÔÂ‡ˆËfl) ̇ ÒÚ‡ÌˈÂ

Scale Tune (ÒÚ. 138).

• çÂÍÓÚÓ˚ ͇̇Î˚ ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl ÌÂÔ‡‚ËθÌÓ

ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ‚Íβ˜ÂÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ͇̇ÎÓ‚ (ÒÚ. 81).

ÔË ÔÓË„˚‚‡ÌËË ÔÂÒÌË.

• ÖÒÎË ÔË „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· Á‚ÛÍ ËÒ͇ʇÂÚÒfl

ÑÎfl ÛÒÚ‡ÌÂÌËfl ˝ÚÓÈ ÔÓ·ÎÂÏ˚ ÌÂÓ·ıÓ‰ËÏÓ ÔÓ‚ÂËÚ¸, Ì Û·‚ÎË‚‡ÂÚ ÎË ÏËÍÓÙÓÌ Í‡ÍËı-

ËÎË ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl Ì ̇ ÚÓÈ ‚˚ÒÓÚÂ, ‚ÓÁÏÓÊÌÓ, ‚

ÎË·Ó ÔÓÒÚÓÓÌÌËı Á‚ÛÍÓ‚. èË ˝ÚÓÏ ÌÂÓ·ıÓ‰ËÏÓ ‚˚ÔÓÎÌËÚ¸ ÒÎÂ‰Û˛˘Ë ‰ÂÈÒÚ‚Ëfl.

ÏËÍÓÙÓÌ ÔË ÔÂÌËË ÔÓÔ‡‰‡˛Ú ÔÓÒÚÓÓÌÌË Á‚ÛÍË,

• èË ÔÂÌËË ‰ÂÊËÚ ÏËÍÓÙÓÌ Í‡Í ÏÓÊÌÓ ·ÎËÊÂ Í „Û·‡Ï.

̇ÔËÏÂ, Á‚Û˜‡ÌË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

• àÒÔÓθÁÛÈÚ ̇Ô‡‚ÎÂÌÌ˚È ÏËÍÓÙÓÌ.

ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100/1100. Ç ˜‡ÒÚÌÓÒÚË,

• ìÏÂ̸¯ËÚ ӷ˘Û˛ „ÓÏÍÓÒÚ¸ ËÎË „ÓÏÍÓÒÚ¸ ͇ʉÓÈ ˜‡ÒÚË.

ËÒ͇ÊÂÌË „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· ÏÓÊÂÚ ·˚Ú¸

• 쉇ÎËÚ ÏËÍÓÙÓÌ Í‡Í ÏÓÊÌÓ ‰‡Î¸¯Â ÓÚ ‰Ë̇ÏËÍÓ‚ ËÌÒÚÛÏÂÌÚ‡.

‚˚Á‚‡ÌÓ ·‡Ò‡ÏË (PSR-2100).

• ì·ÂËÚ ÌËÁÍË ˜‡ÒÚÓÚ˚ Ò ÔÓÏÓ˘¸˛ ÚÂıÔÓÎÓÒÌÓ„Ó ˝Í‚‡Î‡ÈÁÂ‡ ̇ ˝Í‡ÌÂ

MICROPHONE SETTING (ç‡ÒÚÓÈ͇ ÏËÍÓÙÓ̇) (ÒÚ. 133).

• ì‚Â΢¸Ú ÛÓ‚Â̸ „ÓÏÍÓÒÚË ÏËÍÓÙÓÌÌÓ„Ó ‚˚ıÓ‰‡ («TH.») Ò ÔÓÏÓ˘¸˛ ÍÓÏÔÂÒÒÓ‡ ̇

˝Í‡Ì MICROPHONE SETTING (ç‡ÒÚÓÈ͇ ÏËÍÓÙÓ̇) (ÒÚ. 133).

• ÇÓ͇θ̇fl „‡ÏÓÌËÁ‡ˆËfl Ì ‚ÓÒÔÓËÁ‚Ó‰ËÚ

ì·Â‰ËÚÂÒ¸, ˜ÚÓ ‰Îfl ÚÂÍÛ˘Â„Ó ÂÊËχ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· ËÒÔÓθÁÛÂÚÒfl

ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÌÓÚ˚ „‡ÏÓÌËÁ‡ˆËË (PSR-2100).

ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ÒÔÓÒÓ· ÓÔ‰ÂÎÂÌËfl ÌÓÚ „‡ÏÓÌËÁ‡ˆËË. ëÏ. ÒÚ. 134.

• ç ‡·ÓÚ‡ÂÚ ÙÛÌ͈Ëfl „‡ÏÓÌËÁ‡ˆËË. ɇÏÓÌËÁ‡ˆËfl Ì ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ÔË ÛÒÚ‡ÌÓ‚ÎÂÌÌÓÏ ÂÊËÏ ‡ÔÔÎË͇ÚÛ «Full

Keyboard» (ÇÒfl Í·‚ˇÚÛ‡) ËÎË «AI Full Keyboard» (ÇÒfl Í·‚ˇÚÛ‡ AI). Ç˚·ÂËÚÂ

ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ÂÊËÏ ‡ÔÔÎË͇ÚÛ˚ (ÒÚ. 65).

• ç ۉ‡ÂÚÒfl Á‡ÔËÒ‡Ú¸ ÒË„Ì‡Î Ò ÏËÍÓÙÓÌÌÓ„Ó ‚ıÓ‰‡

í‡Í Ë ‰ÓÎÊÌÓ ·˚Ú¸, Á‡ÔËÒ¸ Ò ÏËÍÓÙÓÌÌÓ„Ó ‡Û‰ËÓ‚ıÓ‰‡ Ì‚ÓÁÏÓÊ̇.

Ë „‡ÏÓÌËÁ‡ˆË˛ ‚Ó͇· (PSR-2100).

• MIDI-ÒÒÓ·˘ÂÌËfl Ì ÔÂ‰‡˛ÚÒfl Ë Ì ÔËÌËχ˛ÚÒfl

éÚÒÓ‰ËÌËÚ ͇·Âθ USB ÓÚ USB-ÔÓÚ‡ ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100/1100.

˜ÂÂÁ ÔÓÚ˚ MIDI ‰‡Ê ÔË Ô‡‚ËθÌÓÏ

ÔÓ‰Íβ˜ÂÌËË Í‡·ÂÎÂÈ MIDI.

• èË ÒÏÂÌ „ÓÎÓÒ‡ ËÁÏÂÌflÂÚÒfl ‡Ì ‚˚·‡ÌÌ˚È

ì Í‡Ê‰Ó„Ó „ÓÎÓÒ‡ ËϲÚÒfl Ò‚ÓË ÒÓ·ÒÚ‚ÂÌÌ˚ ‚ÒÚÓÂÌÌ˚ Á̇˜ÂÌËfl, ÍÓÚÓ˚Â

˝ÙÙÂÍÚ.

‡‚ÚÓχÚ˘ÂÒÍË ‡ÍÚË‚ËÛ˛ÚÒfl ÔË ‚Íβ˜ÂÌËË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı Ô‡‡ÏÂÚÓ‚ ÙÛÌ͈ËË Voice

Set (ÒÚ. 146).

• èË Ë„ ̇ Í·‚ˇÚÛ ‡ÁÌ˚ ÌÓÚ˚ Á‚Û˜‡Ú Ò΄͇

í‡Í Ë ‰ÓÎÊÌÓ ·˚Ú¸, Ú‡ÍÓÈ ˝ÙÙÂÍÚ Ó·ÛÒÎÓ‚ÎÂÌ ÒËÒÚÂÏÓÈ Ò˝ÏÔÎËÓ‚‡ÌËfl PSR-2100/1100.

ÔÓ-‡ÁÌÓÏÛ.

• çÂÍÓÚÓ˚ „ÓÎÓÒ‡ ÔÓÒÚÓÂÌ˚ ̇ ÓÒÌÓ‚Â

Á‡ˆËÍÎÂÌÌ˚ı Á‚ÛÍÓ‚˚ı Ù‡„ÏÂÌÚÓ‚ («ÔÂÚÂθ»).

• èË ËÒÔÓθÁÓ‚‡ÌËË ÌÂÍÓÚÓ˚ı „ÓÎÓÒÓ‚ Ò

Û‚Â΢ÂÌËÂÏ ‚˚ÒÓÚ˚ ÌÓÚ ÒÎ˚¯ÂÌ ¯ÛÏ ËÎË ˝ÙÙÂÍÚ

‚Ë·‡ÚÓ.

• çÂÍÓÚÓ˚ „ÓÎÓÒ‡ ÔË Ë„ ‚ ·ÓΠ‚˚ÒÓÍËı ËÎË

í‡Í Ë ‰ÓÎÊÌÓ ·˚Ú¸. çÂÍÓÚÓ˚ „ÓÎÓÒ‡ ËÏÂ˛Ú Ó„‡Ì˘ÂÌËfl ÔÓ ‚˚ÒÓÚÂ, ÔÓ˝ÚÓÏÛ ÔÓ

ÌËÁÍËı „ËÒÚ‡ı ËÁÏÂÌfl˛Ú ‚˚ÒÓÚÛ Á‚Û˜‡ÌËfl ̇

‰ÓÒÚËÊÂÌËË Ô‰ÂθÌÓÈ ‚˚ÒÓÚ˚ ÔÓËÒıÓ‰ËÚ Â ҉‚Ë„.

ˆÂÎÛ˛ ÓÍÚ‡‚Û.

• ç‡ ˝Í‡Ì Open/Save ÓÚÓ·‡Ê‡ÂÚÒfl ‚ÒÚÓÂÌÌ˚È

í‡Í Ë ‰ÓÎÊÌÓ ·˚Ú¸. ÇÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ·Û‰ÂÚ ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÚÂÏ·.

ÚÂÏ·, ‰‡Ê ÂÒÎË ‚ ÛÒÚ‡Ìӂ͇ı „ËÒÚ‡ˆËÓÌÌÓÈ

èË „ËÒÚ‡ˆËË ÔÓθÁÓ‚‡ÚÂθÒÍÓ„Ó ÚÂÏ·‡ ‚ ‡Á‰ÂÎ Ô‡ÏflÚË USER ËÎË Ì‡ ‰ËÒÍÂÚÛ

Ô‡ÏflÚË Á‡ÔËÒ‡Ì ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÚÂÏ·.

„ËÒÚËÛÂÚÒfl ÒÎÂ‰Û˛˘ÂÂ: 1) ËÒıÓ‰Ì˚È ‚ÒÚÓÂÌÌ˚È ÚÂÏ·, Ë 2) ÛÒÚ‡ÌÓ‚ÍË Ô‡‡ÏÂÚÓ‚,

Á‡‰‡ÌÌ˚ ‚ ÙÛÌ͈ËË Sound Creator. èË ‚˚ÁÓ‚Â ÛÒÚ‡ÌÓ‚ÓÍ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË,

ÒÓ‰Âʇ˘Ëı ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÚÂÏ·, PSR-2100/1100 ‚˚·Ë‡ÂÚ ‚ÒÚÓÂÌÌ˚È ÚÂÏ· (̇

ÍÓÚÓÓÏ ÓÒÌÓ‚‡Ì ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÚÂÏ·) Ë ÔËÏÂÌflÂÚ Í ÌÂÏÛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ

̇ÒÚÓÈÍË Ô‡‡ÏÂÚÓ‚. Ç ÂÁÛθڇÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÚÂÏ·.

• ëÓı‡ÌÂÌË ‰‡ÌÌ˚ı ̇ ‰ËÒÍÂÚ ÓÚÌËχÂÚ ÏÌÓ„Ó

í‡Í Ë ‰ÓÎÊÌÓ ·˚Ú¸. ëΉÛÂÚ ËÏÂÚ¸ ‚ ‚ˉÛ, ˜ÚÓ ‰Îfl ÒÓı‡ÌÂÌËfl 1 å·‡ÈÚ‡ ‰‡ÌÌ˚ı ̇ ‰ËÒÍÂÚÂ

‚ÂÏÂÌË.

Ú·ÛÂÚÒfl ÔË·ÎËÁËÚÂθÌÓ 1 ÏËÌÛÚ‡.

• ÉÓÎÓÒ ÒÎ˯ÍÓÏ Á‡¯ÛÏÎÂÌ. éÚ‰ÂθÌ˚ „ÓÎÓÒ‡ ÏÓ„ÛÚ ËÏÂÚ¸ ¯ÛÏÓ‚˚ ÔËÁ‚ÛÍË, ˝ÚÓ Á‡‚ËÒËÚ ÓÚ Ô‡‡ÏÂÚÓ‚ Harmonic

Content (ÑÓ·‡‚ÎÂÌË „‡ÏÓÌËÍ) Ë/ËÎË Brightness (üÍÓÒÚ¸), ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ı ̇ ÒÚ‡ÌˈÂ

FILTER ˝Í‡Ì‡ Mixing Console (ÒÚ. 126).

• á‚ÛÍ ËÒ͇ÊÂÌ, ÎË·Ó Á‡¯ÛÏÎÂÌ. • ÇÓÁÏÓÊÌÓ, ÛÒÚ‡ÌÓ‚ÎÂÌ ÒÎ˯ÍÓÏ ‚˚ÒÓÍËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË. èÓ‚Â¸ÚÂ, Ô‡‚ËθÌÓ ÎË

̇ÒÚÓÂÌ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ԇ‡ÏÂÚ˚ „ÓÏÍÓÒÚË.

• àÒ͇ÊÂÌË ÏÓÊÂÚ ·˚Ú¸ ‚˚Á‚‡ÌÓ ÓÚ‰ÂθÌ˚ÏË ˝ÙÙÂÍÚ‡ÏË. èÓÔÓ·ÛÈÚ ۷‡Ú¸ ‚ÒÂ

Î˯ÌË ˝ÙÙÂÍÚ˚, ÓÒÓ·ÂÌÌÓ ÚÂ, ÍÓÚÓ˚ ‚˚Á˚‚‡˛Ú ËÒ͇ÊÂÌË Á‚Û͇ (ÒÚ. 127).

• çÂÍÓÚÓ˚ ԇ‡ÏÂÚ˚ ÙËθÚ‡ ÂÁÓ̇ÌÒ‡, ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ ̇ ˝Í‡Ì Custom Voice

Creator (ÒÚ. 92), ÏÓ„ÛÚ ‚˚Á˚‚‡Ú¸ ËÒ͇ÊÂÌË Á‚Û͇. èË ÌÂÓ·ıÓ‰ËÏÓÒÚË ÏÓÊÌÓ ËÁÏÂÌËÚ¸

˝ÚË Ô‡‡ÏÂÚ˚.

• ÇÓÁÏÓÊÌÓ, ÔÓÎÓÒ‡ ÌËÁÍËı ˜‡ÒÚÓÚ ÒÎ˯ÍÓÏ ÛÒËÎÂ̇ ̇ ˝Í‡Ì Master Equalizer (Mixing

Console — ÒÚ. 130). (PSR-2100 )

• ëÎ˚¯Ì˚ ÒÚ‡ÌÌ˚ Á‚ÛÍÓ‚˚ ˝ÙÙÂÍÚ˚,

ÑÎfl ˜‡ÒÚÂÈ Main Ë Layer ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË «ON» (ÇÍÎ.), Ë Ó·Â ÓÌË Ì‡ÒÚÓÂÌ˚ ̇

̇ÔÓÏË̇˛˘Ë Á‚Û˜‡ÌË ÙνÌÊÂ‡ ËÎË

‚ÓÒÔÓËÁ‚‰ÂÌË ӉÌÓ„Ó Ë ÚÓ„Ó Ê „ÓÎÓÒ‡. ìÒÚ‡ÌÓ‚ËÚ ‰Îfl ˜‡ÒÚË Layer Á̇˜ÂÌË «OFF»

«Û‰‚ÓÂÌÌÓ„Ó Á‚Û͇». äÓÏ ÚÓ„Ó, ͇ʉ˚È ‡Á ÔË

(Ç˚ÍÎ.) (ÒÚ. 59) ËÎË Ì‡Á̇˜¸Ú ҂ÓÈ „ÓÎÓÒ Í‡Ê‰ÓÈ ËÁ ˜‡ÒÚÂÈ (ÒÚ. 57).

̇ʇÚËË Í·‚˯ Á‚ÛÍ ÌÂÒÍÓθÍÓ ‰Û„ÓÈ.

164

PSR-2100/1100

íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË

: ËÏÂÂÚÒfl ‚ ÔÓ‰‡ÊÂ

ç‡Á‚‡ÌË ÏÓ‰ÂÎË PSR-2100 PSR-1100

àÒÚÓ˜ÌËÍ Á‚Û͇ ÑË̇Ï˘ÂÒÍÓ ÒÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌË „ÓÎÓÒÓ‚ AWM

ÑËÒÔÎÂÈ É‡Ù˘ÂÒÍËÈ Üä-‰ËÒÔÎÂÈ Ò ÔÓ‰Ò‚ÂÚÍÓÈ (320 ✕ 240 ÚÓ˜ÂÍ)

ä·‚ˇÚÛ‡ 61 Í·‚˯‡ (ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÌÓÚ‡Ï ÓÚ C1 ‰Ó C6 Ò ÙÛÌ͈ËÂÈ Initial Touch)

ÉÓÎÓÒ èÓÎËÙÓÌËfl (χÍÒËχθ̇fl) 64 32

燷Ó „ÓÎÓÒÓ‚ 338 „ÓÎÓÒÓ‚ + 480 „ÓÎÓÒÓ‚ ‚ ÙÓχÚÂ

287 „ÓÎÓÒÓ‚ + 480 „ÓÎÓÒÓ‚ ‚ ÙÓχÚÂ

XG + 16 Û‰‡Ì˚ı ÛÒÚ‡ÌÓ‚ÓÍ

XG + 16 Û‰‡Ì˚ı ÛÒÚ‡ÌÓ‚ÓÍ

é·˚˜Ì˚È „ÓÎÓÒ 328 287

ÉÓÎÓÒ «Sweet» 14 8

ÉÓÎÓÒ «Cool» 6 2

ÉÓÎÓÒ «Live» 12 1

ÑÛ„ËÂ 296 276

ÉÛÔÔ‡ „ÓÎÓÒÓ‚ «Ó„‡ÌÌ˚Â

10 (8 ÒÓ˜ÂÚ‡ÌËÈ ÚÛ·) —

ÙÎÂÈÚ˚»

îÛÌ͈Ëfl Sound creator

ùÙÙÂÍÚ˚

ê‚Â·Â‡ˆËfl 1

ïÓÛÒ 1

ÅÎÓÍË ˝ÙÙÂÍÚÓ‚

ñËÙÓ‚ÓÈ Ò˄̇θÌ˚È

41

ÔÓˆÂÒÒÓ

åËÍÓÙÓÌ 1 —

REVERB (ê‚Â·Â‡ˆËfl) 29 ‚ÒÚÓÂÌÌ˚ı+3 ÔÓθÁÓ‚‡ÚÂθÒÍËı 23 ‚ÒÚÓÂÌÌ˚ı+3 ÔÓθÁÓ‚‡ÚÂθÒÍËı

CHORUS (ïÓÛÒ) 25 ‚ÒÚÓÂÌÌ˚ı+3 ÔÓθÁÓ‚‡ÚÂθÒÍËı 15 ‚ÒÚÓÂÌÌ˚ı+3 ÔÓθÁÓ‚‡ÚÂθÒÍËı

DSP1/DSP 164 ‚ÒÚÓÂÌÌ˚ı+3 ÔÓθÁÓ‚‡ÚÂθÒÍËı 92 ‚ÒÚÓÂÌÌ˚ı+3 ÔÓθÁÓ‚‡ÚÂθÒÍËı

íËÔ˚ ˝ÙÙÂÍÚÓ‚

DSP2, 3, 4 88 ‚ÒÚÓÂÌÌ˚ı +10 ÔÓθÁÓ‚‡ÚÂθÒÍËı —

Master EQ (é·˘‡fl ̇ÒÚÓÈ͇

5 ‚ÒÚÓÂÌÌ˚ı +2 ÔÓθÁÓ‚‡ÚÂθÒÍËı —

˝Í‚‡Î‡ÈÁÂ‡)

Part EQ (ç‡ÒÚÓÈ͇

27 ˜‡ÒÚÂÈ —

˝Í‚‡Î‡ÈÁÂ‡ ‰Îfl ˜‡ÒÚË)

ɇÏÓÌËÁ‡ˆËfl ‚Ó͇· 49 ‚ÒÚÓÂÌÌ˚ı +10 ÔÓθÁÓ‚‡ÚÂθÒÍËı —

ëÚËθ

äÓ΢ÂÒÚ‚Ó ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ 197 181

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

äÓ΢ÂÒÚ‚Ó ÒÚËÎÂÈ ÒÂÒÒËÈ 6

ÄÔÔÎË͇ÚÛ‡ Single Finger (‰Îfl Ë„˚ Ó‰ÌËÏ Ô‡Î¸ˆÂÏ), Fingered (Ú‡‰ËˆËÓÌ̇fl), Fingered On Bass

(Ú‡‰ËˆËÓÌ̇fl Ò ·‡ÒÓÏ), Multi Finger (‰Îfl Ë„˚ ÌÂÒÍÓθÍËÏË Ô‡Î¸ˆ‡ÏË), AI Fingered

(Ú‡‰ËˆËÓÌ̇fl AI), Full Keyboard (‚Òfl Í·‚ˇÚÛ‡), AI Full Keyboard

(‚Òfl Í·‚ˇÚÛ‡ AI)

îÛÌ͈Ëfl Style Creator

OTS (ÛÒÚ‡ÌÓ‚ÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË») ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ˜ÂÚ‚ÂÚÂÈ

îÛÌ͈Ëfl OTS link (ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ̇ÒÚÓÂÍ «‚

Ó‰ÌÓ Í‡Ò‡ÌË»)

îÛÌ͈Ëfl Music

2500 (χÍÒËÏÛÏ) 1200 (χÍÒËÏÛÏ)

Finder

ꉇÍÚËÓ‚‡ÌËÂ

èÂÒÌfl îÓÏ‡Ú SMF (ÙÓÏ‡Ú 0,1), ESEQ

ÇÒÚÓÂÌÌ˚Â ÔÂÒÌË

íÂÍÒÚ˚ ÔÂÒÂÌ

è‡ÚËÚÛ‡

á‡ÔËÒ¸ êÂÊËÏ ·˚ÒÚÓÈ Á‡ÔËÒË, ÂÊËÏ Á‡ÔËÒË ÌÂÒÍÓθÍËı „ÓÎÓÒÓ‚, ÂÊËÏ ÔÓ¯‡„Ó‚ÓÈ

Á‡ÔËÒË, ‰‡ÍÚËÓ‚‡ÌË ÔÂÒÌË

ä‡Ì‡Î˚ Á‡ÔËÒË 16

åÛθÚËÔ˝‰ ÇÒÚÓÂÌÌ˚È 4 ÏÛθÚËÔ˝‰‡ ✕ 54 ·‡Ì͇

PSR-2100/1100

165

íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË

ç‡Á‚‡ÌË ÏÓ‰ÂÎË PSR-2100 PSR-1100

è‡ÏflÚ¸

ÑËÒÍÂÚ‡ (2HD, 2DD)

ìÒÚÓÈÒÚ‚Ó

îν¯-Ô‡ÏflÚ¸ (‚ÌÛÚÂÌÌflfl) 1524 ä·‡ÈÚ 698 ä·‡ÈÚ

íËÔ˚ Ù‡ÈÎÓ‚, ÔÓ‰‰ÂÊË‚‡ÂÏ˚ Ùν¯-Ô‡ÏflÚ¸˛ î‡ÈÎ˚ ÔÂÒÂÌ (ÙÓÏ‡Ú SMF), ÒÚËÎÂÈ (ÙÓÏ‡Ú SFF), „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË,

„ÓÎÓÒÓ‚ Ë Ú. Ô.

íÂÏÔ ÑˇԇÁÓÌ ÚÂÏÔ‡ 5 - 500

ëÓ·ÒÚ‚ÂÌÌ˚È ËÚÏ

åÂÚÓÌÓÏ

á‚ÛÍ á‚ÓÌÓÍ ‚ÍÎ./‚˚ÍÎ.

ê„ËÒÚ‡ˆËÓÌ̇fl

äÌÓÔÍË 8

Ô‡ÏflÚ¸

èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ Á‡„ÛÁÍË Ì‡·ÓÓ‚ Ô‡‡ÏÂÚÓ‚

ËÁ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË

îÛÌ͈Ëfl Freeze («Á‡ÏÓÓÁ͇»)

ÑÛ„Ë ÑÂÏÓÌÒÚ‡ˆËfl îÛÌ͈Ëfl, „ÓÎÓÒ, ÒÚËθ

üÁ˚Í 6 flÁ˚ÍÓ‚ (‡Ì„ÎËÈÒÍËÈ, flÔÓÌÒÍËÈ, ÌÂψÍËÈ, Ù‡ÌˆÛÁÒÍËÈ, ËÒÔ‡ÌÒÍËÈ, ËڇθflÌÒÍËÈ)

èÓ‰Ò͇ÁÍË

èflÏÓÈ ‰ÓÒÚÛÔ

é·˘‡fl ̇ÒÚÓÈ͇ „ÓÏÍÓÒÚË

èÓÒÚÂÔÂÌÌÓ ÛÒËÎÂÌËÂ/Á‡ÚÛı‡ÌË Á‚Û͇

í‡ÌÒÔÓÁˈËfl ä·‚ˇÚÛ‡/ÔÂÒÌfl/Ó·˘‡fl

ç‡ÒÚÓÈ͇ ‚˚ÒÓÚ˚

ëÚÓÈ ê‡‚ÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚‡ÌÌ˚È ÒÚÓÈ, ˜ËÒÚ˚È Ï‡ÊÓ/˜ËÒÚ˚È ÏËÌÓ,

ÔËÙ‡„ÓÂÈÒÍËÈ ÒÚÓÈ, ÒÚÓÈ MEAN-TONE, ÒÚÓÈ ÇÂÍχÈÒÚÂ‡/äËÌ·Â„Â‡,

‡‡·ÒÍËÈ ÒÚÓÈ 1/2

óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl 5 ÛÓ‚ÌÂÈ

ÉÌÂÁ‰‡/‡Á˙ÂÏ˚ DC IN (‰Îfl ÔÓ‰Íβ˜ÂÌËfl ËÒÚÓ˜ÌË͇ ÔÓÒÚÓflÌÌÓ„Ó ÚÓ͇ ̇ÔflÊÂÌËÂÏ 16 Ç), PHONES

(‰Îfl ÔÓ‰Íβ˜ÂÌËfl ̇ۯÌËÍÓ‚), MIDI (OUT, IN), USB (‰Îfl ÔÓ‰Íβ˜ÂÌËfl ‚̯ÌËı

ÛÒÚÓÈÒÚ‚), FOOT PEDAL1 (Ô‰‡Î¸-ÔÂÂÍβ˜‡ÚÂθ 1) (SWITCH), FOOT PEDAL2

(Ô‰‡Î¸ 2), AUX OUT (‰ÓÔÓÎÌËÚÂθÌ˚È ÒÚÂÂÓ‚˚ıÓ‰) (LEVEL FIXED) (L/R),

OUTPUT (L/L+R) (ÒÚÂÂÓ‚˚ıÓ‰)

MIC (ÏËÍÓÙÓÌÌ˚È ‚ıÓ‰), INPUT

VOLUME („ÛÎflÚÓ „ÓÏÍÓÒÚË ‚ıÓ‰ÌÓ„Ó

—

Ò˄̇·), MIC./ LINE (ÏËÍÓÙÓÌÌ˚È ‚ıÓ‰/

ÎËÌÂÈÌ˚È ‚ıÓ‰)

îÛÌ͈ËË Ô‰‡ÎË VOLUME („ÓÏÍÓÒÚ¸), SUSTAIN (ÒÛÒÚÂÈÌ), SOSTENUTO (ÒÓÒÚÂÌÛÚÓ), SOFT, GLIDE

(ÒÍÓθÊÂÌË ‚˚ÒÓÚ˚ Á‚Û͇), PORTAMENTO (ÔÓÚ‡ÏÂÌÚÓ), PITCHBEND (ËÁÏÂÌÂÌËÂ

‚˚ÒÓÚ˚ Á‚Û͇), MODULATION (ÏÓ‰ÛÎflˆËfl), DSP VARIATION (‚‡ˇˆËË,

Á‡‰‡‚‡ÂÏ˚ ˆËÙÓ‚˚Ï Ò˄̇θÌ˚Ï ÔÓˆÂÒÒÓÓÏ), SONG START/STOP

(‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ÂÊËχ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË), STYLE START/STOP

(‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ÂÊËχ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl) Ë Ú. Ô.

ìÒËÎËÚÂÎË/‰Ë̇ÏËÍË ìÒËÎËÚÂÎË 12 ÇÚ ✕ 2

ÑË̇ÏËÍË [12 ÒÏ + 4 ÒÏ (ÍÛÔÓÎÓÓ·‡ÁÌ˚Â)] ✕ 2 (12 ÒÏ + 5 ÒÏ) ✕ 2

èÓÚ·ÎflÂχfl ÏÓ˘ÌÓÒÚ¸ 31 ÇÚ

àÒÚÓ˜ÌËÍ ÔËÚ‡ÌËfl ĉ‡ÔÚÂ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇ Yamaha PA-300 (‚ıÓ‰ËÚ ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË)

*åÓÊÂÚ Ì ‚ıÓ‰ËÚ¸ ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË ‚ ‚‡¯ÂÏ „ËÓÌÂ. ë‚flÊËÚÂÒ¸ Ò

„ËÓ̇θÌ˚Ï ‰ËÎÂÓÏ ÍÓÔÓ‡ˆËË Yamaha.

ê‡ÁÏÂ˚ [òËË̇ ✕ ÑÎË̇ ✕ Ç˚ÒÓÚ‡]

973 ✕ 399 ✕ 161 ÏÏ

(·ÂÁ Ô˛ÔËÚ‡)

[38-5/16" ✕ 15-11/16" ✕ 6-5/16"]

ÇÂÒ 10,5 Í„ (23 ÙÛÌÚ‡, 2 Û̈ËË) 10,0 Í„ (22 ÙÛÌÚ‡., 1 Û̈Ëfl)

ÄÍÒÂÒÒÛ‡˚,

ç‡Û¯ÌËÍË HPE-150

ÔË·„‡˛˘ËÂÒfl ÔÓ

çÓÊÌÓÈ ÔÂÂÍβ˜‡ÚÂθ FC4 / FC5

Ê·Ì˲

ÔÓÍÛÔ‡ÚÂÎfl

çÓÊÌÓÈ ÍÓÌÚÓÎÎÂ FC7

èÓ‰ÒÚ‡‚͇ ‰Îfl Í·‚ˇÚÛ˚ L-6, L-7

* íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË Ë Ëı ÓÔËÒ‡ÌËfl ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl Ô‰̇Á̇˜ÂÌ˚ ÚÓθÍÓ ‰Îfl Ó·˘Â„Ó Ò‚Â‰ÂÌËfl. äÓÔÓ‡ˆËfl

Yamaha ÒÓı‡ÌflÂÚ Á‡ ÒÓ·ÓÈ Ô‡‚Ó ËÁÏÂÌflÚ¸ Ë ÏÓ‰ËÙˈËÓ‚‡Ú¸ ÔÓ‰ÛÍÚ˚ Ë Ëı ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË ·ÂÁ Ô‰‚‡ËÚÂθÌÓ„Ó Û‚Â‰ÓÏÎÂ-

ÌËfl. èÓÒÍÓθÍÛ ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË, ‚ıÓ‰fl˘Â ‚ ÍÓÏÔÎÂÍÚ Ó·ÓÛ‰Ó‚‡ÌËÂ Ë Â„Ó Ô‡‡ÏÂÚ˚ ÏÓ„ÛÚ ËÏÂÚ¸ ÌÂÍÓÚÓ˚ ÓÚ΢Ëfl ‚ Á‡‚ËÒË-

ÏÓÒÚË ÓÚ ÒÚ‡Ì˚, Ò‚flÊËÚÂÒ¸ Ò ÏÂÒÚÌ˚Ï ÚÓ„Ó‚˚Ï Ô‰ÒÚ‡‚ËÚÂθÒÚ‚ÓÏ ÍÓÔÓ‡ˆËË Yamaha ‰Îfl ÔÓÎÛ˜ÂÌËfl ‰ÓÔÓÎÌËÚÂθÌ˚ı ҂‰ÂÌËÈ.

166

PSR-2100/1100

èe‰ÏeÚÌ˚È Û͇Á‡Úeθ

0-9

L

3BAND EQ (ÚÂıÔÓÎÓÒÌ˚È ˝Í‚‡Î‡ÈÁÂ) .................................... 133

LCD (ÊˉÍÓÍËÒÚ‡Î΢ÂÒÍËÈ ˝Í‡Ì)...........................................15

LEFT CH (΂˚È Í‡Ì‡Î) ............................................................86

A

Live! (ËÌÒÚÛÏÂÌÚ: «ÊË‚ÓÈ»)......................................................58

AI.......................................................................................... 65

M

AI FINGERED (Ú‡‰ËˆËÓÌÌ˚È Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ËÒÍÛÒÒÚ‚ÂÌÌÓ„Ó

ËÌÚÂÎÎÂÍÚ‡) ........................................................................ 65

MAIN A/B/C/D (ÓÒÌӂ̇fl ˜‡ÒÚ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡) ...................67

AI FULL KEYBOARD (‚Òfl Í·‚ˇÚÛ‡ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ

MIC......................................................................................131

ËÒÍÛÒÒÚ‚ÂÌÌÓ„Ó ËÌÚÂÎÎÂÍÚ‡).................................................. 65

MICROPHONE SETTING .........................................................133

MIDI.....................................................................................148

B

MIDI IN.................................................................................156

MIDI OUT..............................................................................156

Bass (·‡Ò) .............................................................................. 97

MIDI-ÔÓÚ˚ ...........................................................................156

BEAT (‡ÁÏÂ).................................................................. 73, 74

MODULATION .........................................................................18

MODULATION (ÏÓ‰ÛÎflˆËfl) .......................................................61

C

MULTI FINGER (ÌÂÒÍÓθÍËÏË Ô‡Î¸ˆ‡ÏË) .....................................65

Chord (‡ÍÍÓ‰˚)...................................................................... 97

CHORUS DEPTH (Sound Creator)............................................... 93

N

COMPRESSOR (ÍÓÏÔÂÒÒÓ) .................................................. 134

NEW RECORD (ÌÓ‚‡fl Á‡ÔËÒ¸) ...................................................75

Cool! (ËÌÒÚÛÏÂÌÚ: «ÍÛÚÓÈ») .................................................... 58

NOISE GATE („ÂÈÚ) ................................................................133

Current Memory (Ó·˙ÂÍÚ ‚ Ô‡ÏflÚË) ............................................. 40

Note Limit (ÌÓÚÌ˚È ‰Ë‡Ô‡ÁÓÌ)...................................................120

NOTE NAME (̇Á‚‡ÌË ÌÓÚ˚)....................................................86

D

NTR (Ô‡‚ËÎÓ Ú‡ÌÒÔÓÁˈËË)...................................................119

DELETE RECORD (Û‰‡ÎÂÌË Á‡ÔËÒË) ......................................... 74

NTT (Ú‡·Îˈ‡ Ú‡ÌÒÔÓÁˈËË) ...................................................120

DOC.................................................................................... 162

Drum (ËÌÒÚÛÏÂÌÚ: ·‡‡·‡Ì˚) ................................................... 58

O

DSP DEPTH (Sound Creator)...................................................... 93

OCTAVE (Ò‰‚Ë„ ̇ ÓÍÚ‡‚Û) ......................................................126

DC IN .................................................................................. 156

Organ Flutes......................................................................94, 58

E

P

ECHO.................................................................................... 61

Pad («ÔӉͷ‰˚»)....................................................................97

EG („ÂÌÂ‡ÚÓ Ó„Ë·‡˛˘Ëı)....................................................... 92

PANEL SUSTAIN (Sound Creator)................................................93

ENDING ................................................................................. 69

Phrase (Ù‡Á˚) .......................................................................97

EQ (˝Í‚‡Î‡ÈÁÂ) ................................................................... 124

PITCH BEND ...............................................................18, 38, 61

ESEQ .................................................................................. 161

PITCH BEND RANGE (‰Ë‡Ô‡ÁÓÌ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚)...................126

PORTAMENTO TIME (‚ÂÏfl ÔÓÚ‡ÏÂÌÚÓ)..................................126

F

PRESET (Ô‰‚‡ËÚÂθÌ˚ ̇ÒÚÓÈÍË) ......................................40

FAVORITE (β·ËÏ˚Â).............................................................. 74

File (Ù‡ÈÎ) ............................................................................. 40

Q

FINGERED (Ú‡‰ËˆËÓÌÌ˚È) ...................................................... 65

QUANTIZE (Í‚‡ÌÚËÁ‡ˆËfl)..........................................................86

FINGERED ON BASS (Ú‡‰ËˆËÓÌÌ˚È Ò ·‡ÒÓÏ)............................. 65

Quick Start (ÙÛÌ͈Ëfl ·˚ÒÚÓ„Ó Á‡ÔÛÒ͇) ....................................140

FLOPPY DISK (‰ËÒÍÂÚ‡) ............................................... 40, 41, 42

FULL KEYBOARD (‚Òfl Í·‚ˇÚÛ‡)............................................ 65

R

G

REVERB DEPTH (Sound Creator) ................................................93

Rhythm (ËÚÏ) .........................................................................97

GENRE (ʇÌ).................................................................. 73, 75

RIGHT CH (Ô‡‚˚È Í‡Ì‡Î).........................................................86

GENRE NAME (̇Á‚‡ÌË ʇÌ‡) ............................................... 75

RTR (Ô‡‚ËÎÓ ÔÓ‚ÚÓÌÓ„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl).............................120

H

S

HARMONY ............................................................................. 61

SFX (ËÌÒÚÛÏÂÌÚ: ÒÔˆ˝ÙÙÂÍÚ˚)...............................................58

High Key (‚ÂıÌflfl ÌÓÚ‡) ......................................................... 120

SINGLE FINGER (Ó‰ÌËÏ Ô‡Î¸ˆÂÏ) ..............................................65

SMF (Òڇ̉‡ÚÌ˚È Ù‡ÈÎ MIDI) ................................................161

I

Sweet! (ËÌÒÚÛÏÂÌÚ: «Ò·‰ÍÓÁ‚Û˜Ì˚È»).......................................58

INTRO ................................................................................... 69

T

K

TEMPO FROM (ÔÓËÒÍ, ̇˜Ë̇fl Ò ÚÂÏÔ‡…)...................................73

KEY SIGNATURE (Íβ˜)........................................................... 86

TEMPO TO (ÔÓËÒÍ, Á‡Í‡Ì˜Ë‚‡fl ÚÂÏÔÓÏ...)....................................73

KEYWORD (Íβ˜Â‚Ó ÒÎÓ‚Ó).............................................. 73, 74

TUNING (̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚) ...................................................126

Kirnberger............................................................................. 139

PSR-2100/1100

167

èe‰ÏeÚÌ˚È Û͇Á‡Úeθ

U

‚˚Íβ˜‡ÚÂθ [STANDBY/ON] ........................................14, 18, 17

‚˚Íβ˜ÂÌË ͇̇ÎÓ‚ ...............................................................64

USB ...................................................................................... 17

‚˚‡‚ÌË‚‡ÌËÂ...............................................................105, 118

USB-ÔÓÚ ............................................................................... 15

‚˚ıÓ‰ ËÁ ‚ÂÏÂÌÌÓ„Ó ‡·Ó˜Â„Ó ÓÍ̇ ..........................................43

USER (ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ‡Á‰ÂÎ Ô‡ÏflÚË)................................... 40

Utility ................................................................................... 151

É

V

„‡Ïχ ..................................................................................139

„‡ÏÓÌËÁ‡ˆËfl .......................................................................146

VIBRATO................................................................................ 93

„‡ÏÓÌËÁ‡ˆËfl ‚Ó͇·...............................................................15

VOCAL HARMONY CONTROL ................................................. 134

„ÎÛ·Ë̇ ‚Ë·‡ÚÓ......................................................................93

„ÌÂÁ‰Ó [MIC./LINE IN]..............................................................155

W

„ÓÎÓÒ ‰Îfl ΂ÓÈ ÛÍË ...............................................................60

Werckmeister ........................................................................ 139

„ÓÎÓÒÓ‚˚Â ˝ÙÙÂÍÚ˚................................................................60

„Û‚.....................................................................................116

X

„ÛÔÔ‡ „ÓÎÓÒÓ‚ «Ó„‡ÌÌ˚ ÙÎÂÈÚ˚» ..........................................15

Ɉ........................................................................................138

XF................................................................................. 17, 161

XG ................................................................................ 17, 162

Ñ

Ä

‰Ë̇ÏË͇..............................................................................117

‰ËÒÍ ÛÔ‡‚ÎÂÌËfl [DATA ENTRY] ..........................................19, 49

‡‚ÚÓχÚ˘ÂÒ͇fl ÒÏÂ̇ ̇ÒÚÓÂÍ ÔË ÔÂÂıӉ ÓÚ Ó‰ÌÓÈ ÓÒÌÓ‚ÌÓÈ

‰ËÒÍÓ‚Ó‰ ..................................................................................7

˜‡ÒÚË Í ‰Û„ÓÈ..................................................................... 71

‰Ó·‡‚ËÚ¸ ................................................................................74

‡‚ÚÓχÚ˘ÂÒÍÓ ‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË Á‡ÔËÒË ....................... 104

‰Ó·‡‚ÎÂÌË „‡ÏÓÌËÍ...............................................................92

‡‚ÚÓχÚ˘ÂÒÍÓ ÔÓË„˚‚‡ÌË ‚ÒÚ‡‚ÓÍ ÔË ÔÂÂıӉ ÓÚ

‰ÓÔÓÎÌËÚÂθÌ˚ ÔË̇‰ÎÂÊÌÓÒÚË ...............................................6

Ó‰ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ............................................................ 69

‰ËÒÍÓ‚Ó‰ (‰Îfl 3,5 ‰˛ÈÏÓ‚˚ı ‰ËÒÍÂÚ)..........................................19

‡ÍÍÓ‰Ó‚‡fl ‡ÔÔÎË͇ÚÛ‡.......................................................... 65

‰ËÒÍÓ‚Ó‰ ..........................................................................41, 42

‡ÍÍÓ‰Ó‚˚ ÒÓ·˚ÚËfl ............................................................. 109

‰ËÒÍ ÛÔ‡‚ÎÂÌËfl [MASTER VOLUME]..........................................17

‡‡·ÒÍËÈ ÒÚÓÈ ..................................................................... 139

‡‡ÌÊËӂ͇ Ë ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ .......................................... 67

á

‡Ú‡Í‡..................................................................................... 92

Á‡„ÛÁ͇ Á‡„ËÒÚËÓ‚‡ÌÌ˚ı Ô‡‡ÏÂÚÓ‚..................................89

Å

Á‡„ÛÁ͇ ̇·Ó‡ Ô‡‡ÏÂÚÓ‚.....................................................89

Á‡ÏÂ̇ ËÒıÓ‰Ì˚ı Á̇˜ÂÌËÈ Ô‡‡ÏÂÚÓ‚ ÔÂÒÌË ÚÂÍÛ˘ËÏË ............107

·ÎÓÍ ˝ÙÙÂÍÚÓ‚..................................................................... 128

Á‡ÏÂÌËÚ¸................................................................................74

·ÎÓÍËӂ͇ Ô‡‡ÏÂÚ‡........................................................... 152

Á‡ÏÓÓÁ͇ ..............................................................................89

·˚ÒÚ˚È ‚˚·Ó ˝Í‡Ì‡ ............................................................ 50

Á‡ÔËÒ¸..............................................................................37, 72

Á‡ÔËÒ¸ ‚ ‡θÌÓÏ ‚ÂÏÂÌË ....................................................113

Ç

Á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ........................................95

‚‚Ó‰ ‡ÍÍÓ‰Ó‚ Ë ˜‡ÒÚÂÈ (ÔÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸ ‡ÍÍÓ‰Ó‚)................ 102

Á‡ÔËÒ¸ Á‡ÏÂÌ˚ ‡ÍÍÓ‰Ó‚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ..........................102

‚‚Ó‰ Ë ‰‡ÍÚËÓ‚‡ÌË ÚÂÍÒÚ‡ ÔÂÒÂÌ ....................................... 110

Á‡ÔËÒ¸ ÏÂÎÓ‰ËÈ.....................................................................101

‚‚Ó‰ ÔÓ˜Ëı ÒËÏ‚ÓÎÓ‚ ............................................................. 48

Á‡ÔËÒ¸ ÓÚ‰ÂθÌ˚ı ÌÓÚ ..............................................................99

‚‚Ó‰ ÒËÏ‚ÓÎÓ‚........................................................................ 48

Á‡ÔËÒ¸ ÔÂÒÂÌ...........................................................................95

‚‚Ó‰ ÒÔˆÒËÏ‚ÓÎÓ‚ (ÛÏÎflÛÚ, ÒËÏ‚ÓÎ Û‰‡ÂÌËfl,

Á‡ÔËÒ¸ ÔÓ ÔÂ‚ÓÈ Ò˚„‡ÌÌÓÈ ÌÓÚÂ............................................104

flÔÓÌÒÍËÂ ÒËÏ‚ÓÎ˚ Ë )...................................................... 48

Á‚ÛÍ ‰Îfl ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÚχ ..................................................152

‚‚Ó‰ ˆËÙ.............................................................................. 48

Á̇˜ÂÌËfl ‚˚ÒÓÚ ‰Îfl Í‡Ê‰Ó„Ó ÒÚÓfl..........................................139

‚Ë·‡ÚÓ ................................................................................. 93

‚Íβ˜ÂÌË ÔËÚ‡ÌËfl ........................................................... 16, 17

à

‚ÓÒÔÓËÁ‚‰ÂÌË ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ .......................................... 79

Ë„‡ Ó‰ÌÓ‚ÂÏÂÌÌÓ ‰‚ÛÏfl „ÓÎÓÒ‡ÏË...........................................26

‚ÓÒÔÓËÁ‚‰ÂÌË „ÓÎÓÒÓ‚ ........................................................ 25

Ë„‡ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÌÂÒÍÓθÍËı ÚÂÏ·Ó‚................................59

‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ Ò ‰ËÒÍÂÚ˚............................................. 81

ËÁÏÂÌÂÌË ‡‚ÚÓχÚ˘ÂÒÍË ‚˚·‡ÌÌ˚ı Ô‡‡ÏÂÚÓ‚ „ÓÎÓÒ‡ ..........146

‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ............................................... 21, 78, 79

ËÁÏÂÌÂÌË Á̇˜ÂÌËÈ ................................................................49

‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl ..................................................... 28, 62

ËÁÏÂÌÂÌË Á̇˜Í‡....................................................................49

‚ÓÒÔÓËÁ‚‰ÂÌË ÚÓθÍÓ ËÚÏ˘ÂÒÍËı ‰ÓÓÊÂÍ ÒÚËÎfl.................. 64

ËÁÏÂÌÂÌË ԇ‡ÏÂÚÓ‚, Ò‚flÁ‡ÌÌ˚ı Ò ‚˚ÒÓÚÓÈ Á‚Û͇...................126

‚ÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰Ì˚ı Ô‡‡ÏÂÚÓ‚ PSR-2100/1100............... 154

ËÁÏÂÌÂÌË ËÚχ...................................................................116

‚ÂÏfl Á‚Û˜‡ÌËfl .................................................................... 100

ËÁÏÂÌÂÌË ÒÍÓÓÒÚË Ì‡Ê‡ÚËfl..................................................118

‚ÒÚ‡‚͇.................................................................................. 69

ËÁÏÂÌÂÌËÂ ÚÂÏ·‡ „ÓÎÓÒ‡.......................................................126

‚˚·Ó ‡ÔÔÎË͇ÚÛ˚............................................................... 142

ËÁÏÂÌÂÌË ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í Ì‡Ê‡Ú˲, ̇ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚

‚˚·Ó „ÓÎÓÒ‡.......................................................................... 57

ÏÓ‰ÛÎflˆËË Ë Ú‡ÌÒÔÓÁˈËË ..................................................144

‚˚·Ó ËÏÂÌ ‰Îfl Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ ............................................... 44

Ë̉Ë͇ÚÓ˚ ÚÂÏÔ‡ — „·‚Ì˚È ˝Í‡Ì ..........................................54

‚˚·Ó Ó·˙ÂÍÚÓ‚...................................................................... 49

ËÒÔÓθÁÓ‚‡ÌË ‚ÒÚÓÂÌÌ˚ı „ÓÎÓÒÓ‚.........................................148

‚˚·Ó Ô‡‡ÏÂÚÓ‚ «Á‡ÏÓÓÁÍË»................................................ 89

ËÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ..............................................7

‚˚·Ó Ô‡‡ÏÂÚÓ‚ Á‡ÔËÒË: ̇˜‡ÎÓ, ÍÓ̈, ‡‚ÚÓχÚ˘ÂÒÍÓ ‚Íβ˜ÂÌËÂ

ËÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇ .....................................................131

Ë ‚˚Íβ˜ÂÌË Á‡ÔËÒË......................................................... 104

ËÒÔÓθÁÓ‚‡ÌË ÔÓÚ‡ USB ‰Îfl ÔÓ‰Íβ˜ÂÌËfl ˜ÂÂÁ ÛÒÚÓÈÒÚ‚Ó Ò

‚˚·Ó ÚÂÏÔÂ‡ˆËË ................................................................ 138

ËÌÚÂÙÂÈÒÓÏ USB/MIDI (ÏÓ‰Âθ UX256 Ë Ú. ‰.).......................158

‚˚·Ó ÚËÔÓ‚ ËÌÚÓ‰Û͈ËÈ Ë ÙË̇ÎÓ‚......................................... 69

ËÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Music Finder .........................................33

‚˚·Ó Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ............................................................. 43

ËÒÚÓ˜ÌËÍ ÔËÚ‡ÌËfl ....................................................................16

‚˚ÁÓ‚ ̇˷ÓΠۉ‡˜ÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ................................ 72

ËÒıÓ‰Ì˚È ÓÒÌÓ‚ÌÓÈ ÚÓÌ/‡ÍÍÓ‰................................................119

168

PSR-2100/1100

èe‰ÏeÚÌ˚È Û͇Á‡Úeθ

ä

ÍÌÓÔÍË STYLE ...................................................................18, 62

ÍÌÓÔÍË TEMPO [

E] [F] ..................................................53, 18

͇̇Π.............................................................. 64, 82, 118, 140

ÍÌÓÔÍË TRANSPOSE [E] [F].........................................18, 144

͇̇Î˚ MIDI ......................................................................... 160

ÍÌÓÔÍË VOICE ...................................................................15, 19

͇̇θÌ˚ MIDI-ÒÓÓ·˘ÂÌËfl .................................................... 159

ÍÌÓÔÍË VOICE („ÛÔÔ˚ „ÓÎÓÒÓ‚) .................................................57

ÍÌÓÔÍË [A] - [J]................................................................... 19, 43

ÍÓ̈‚Ó Á‡ÚÛı‡ÌË .................................................................92

ÍÌÓÔ͇ [ACMP] .................................................................. 18, 63

ÍÓÔËÓ‚‡ÌËÂ Ë ÙÓχÚËÓ‚‡ÌË ‰ËÒÍÂÚ ...................................153

ÍÌÓÔ͇ [AUTO FILL IN]........................................................ 18, 69

ÍÓÔËÓ‚‡ÌËÂ Ò ‰ËÒÍÂÚ˚ ̇ ‰ËÒÍÂÚÛ...........................................153

ÍÌÓÔ͇ [BACK] ............................................................ 19, 43, 49

ÍÓÔËÓ‚‡ÌË ڇÍÚÓ‚...............................................................118

ÍÌÓÔ͇ [BALANCE]............................................................. 19, 64

ÍÓÔËÓ‚‡ÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ ....................................................46

ÍÌÓÔ͇ [BREAK]................................................................. 18, 67

ÍÌÓÔ͇ [CHANNEL ON / OFF]......................................... 19, 64, 82

å

ÍÌÓÔ͇ [DEMO].................................................................. 14, 18

ÍÌÓÔ͇ [DIGITAL RECORDING] .............................. 14, 18, 95, 111

ÏÂÚÓÌÓÏ .............................................................................151

ÍÌÓÔ͇ [DIRECT ACCESS]................................................... 19, 50

ÏÓ‰ÛÎflˆËfl............................................................................144

ÍÌÓÔ͇ [DSP] ............................................................ 19, 60, 129

ÏÛθÚËÔ˝‰˚ ............................................................................14

ÍÌÓÔ͇ [EXIT].................................................................... 19, 43

ÍÌÓÔ͇ [EXTRA TRACKS (STYLE)]........................................ 18, 83

ç

ÍÌÓÔ͇ [EFFECT] ............................................................. 19, 131

̇Á̇˜ÂÌË ͇̇ÎÓ‚ ‰Îfl ‡ÍÍÓ‰Ó‚ ...........................................150

ÍÌÓÔ͇ [ENDING/rit.]..................................................... 18, 30, 68

̇Á̇˜ÂÌË ͇̇ÎÓ‚ ‰Îfl ÓÒÌÓ‚Ì˚ı ÚÓÌÓ‚..................................150

ÍÌÓÔ͇ [ENTER]................................................................. 19, 49

̇ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» .....................................................32

ÍÌÓÔ͇ [FF]....................................................................... 18, 81

̇ÒÚÓÈ͇ ‚˚·‡ÌÌÓ„Ó ÒÚËÎfl.....................................................70

ÍÌÓÔ͇ [FADE IN/OUT]........................................................ 18, 68

̇ÒÚÓÈ͇ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· Ë ÏËÍÓÙÓ̇...........................133

ÍÌÓÔ͇ [FUNCTION] ......................................................... 18, 136

̇ÒÚÓÈ͇ „ÓÏÍÓÒÚË ˜‡ÒÚÂÈ / ÔË„ÎÛ¯ÂÌË ÓÚ‰ÂθÌ˚ı ͇̇ÎÓ‚.....81

ÍÌÓÔ͇ [FREEZE]............................................................... 19, 89

̇ÒÚÓÈ͇ „ÓÏÍÓÒÚË ÏËÍÓÙÓ̇ Ë ÒÓÔÛÚÒÚ‚Û˛˘Ëı ˝ÙÙÂÍÚÓ‚.....135

ÍÌÓÔ͇ [HARMONY / ECHO] ................................................ 19, 61

̇ÒÚÓÈ͇ ‰ËÒÔÎÂfl Ë ÓÚÓ·‡ÊÂÌËfl ÌÓÏÂÓ‚ „ÓÎÓÒÓ‚ ..................152

ÍÌÓÔ͇ [HELP]................................................................... 18, 52

̇ÒÚÓÈ͇ ÍÓÌÚ‡ÒÚÌÓÒÚË ˝Í‡Ì‡ ...............................................17

ÍÌÓÔ͇ [INTRO] ........................................................... 18, 31, 67

̇ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚..................................................136

ÍÌÓÔ͇ [LEFT HOLD] .......................................................... 19, 61

̇ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ Í·‚ˇÚÛ˚ Ë Ô‰‡ÎÂÈ ...........................142

ÍÌÓÔ͇ [MIC. SETTING]..................................................... 19, 131

̇ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ ÙÂȉËÌ„‡, ÏÂÚÓÌÓχ, ‡ Ú‡ÍÊ ÙÛÌ͈ËÈ

ÍÌÓÔ͇ [MIXING CONSOLE]............................................... 18, 124

·ÎÓÍËÓ‚ÍË Ô‡‡ÏÂÚ‡ Ë Û͇Á‡ÌËfl ËÚχ...............................151

ÍÌÓÔ͇ [MONO] ................................................................. 19, 61

̇ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚, ÓÚÌÓÒfl˘ËıÒfl Í ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÛ.......141

ÍÌÓÔ͇ [MUSIC FINDER] ......................................... 15, 19, 72, 33

̇ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚, ÓÚÌÓÒfl˘ËıÒfl Í ÔÂÒÌ ............................140

ÍÌÓÔ͇ [MEMORY] ............................................................. 19, 87

̇ÒÚÓÈ͇ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ‚˚ÁÓ‚‡ „ËÒÚ‡ˆËÓÌÌ˚ı Ù‡ÈÎÓ‚,

ÍÌÓÔ͇ [METRONOME] ....................................................... 18, 53

Ô‡‡ÏÂÚÓ‚ «Á‡ÏÓÓÁÍË» Ë „ÓÎÓÒ‡........................................145

ÍÌÓÔ͇ [NEXT]............................................................. 19, 43, 49

̇ÒÚÓÈ͇ ÒÔËÒ͇ ÒÓ·˚ÚËÈ — ÙËθÚ.......................................110

ÍÌÓÔ͇ [OTS LINK] ............................................................. 18, 71

̇ÒÚÓÈ͇ ˝ÙÙÂÍÚÓ‚ .............................................................127

ÍÌÓÔ͇ [REC] .................................................................... 18, 95

̇ÒÚÓÈ͇ ˝ÙÙÂÍÚÓ‚ „‡ÏÓÌËÁ‡ˆËË Ë ˝ı‡ .................................146

ÍÌÓÔ͇ [REPEAT]............................................................... 18, 84

̇ۯÌËÍË .............................................................................155

ÍÌÓÔ͇ [REW].................................................................... 18, 81

ÌÓÚÌ˚Â ÒÓ·˚ÚËfl 1 - 16............................................................108

ÍÌÓÔ͇ [SOUND CREATOR]................................................. 90, 18

ÍÌÓÔ͇ [STOP] (MULTI PAD)................................................ 18, 76

é

ÍÌÓÔ͇ [SUSTAIN].............................................................. 19, 60

ÍÌÓÔ͇ [SYNC.START]........................................................ 18, 63

Ó·Ó„‡˘ÂÌË ÏÛÁ˚ÍË Ò ÔÓÏÓ˘¸˛ ‡‚ÚÓχÚ˘ÂÒÍËı ˝ÙÙÂÍÚÓ‚

ÍÌÓÔ͇ [SYNC.STOP] ......................................................... 18, 68

Harmony („‡ÏÓÌËÁ‡ˆËfl) Ë Echo (˝ıÓ)......................................29

ÍÌÓÔ͇ [TALK] ................................................................. 19, 131

Ó·˘‡fl ̇ÒÚÓÈ͇ (Ô‡‡ÏÂÚ˚ Local Control, Clock Ë Ú. ‰.) ............148

ÍÌÓÔ͇ [TAP TEMPO] ......................................................... 18, 54

Ó·˙‰ËÌÂÌË ͇̇ÎÓ‚ ............................................................106

ÍÌÓÔ͇ [TOP] .................................................................... 18, 81

Ó·˙ÂÍÚ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl.......................................................144

ÍÌÓÔ͇ [TOUCH] ................................................................ 19, 60

Ó‰ÌÓ‚ÂÏÂÌÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Ë ÒÚËÎfl

ÍÌÓÔ͇ [TRACK 1 (R)] ......................................................... 18, 83

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡............................................................80

ÍÌÓÔ͇ [TRACK 2 (L)].......................................................... 18, 83

ÓÔÂ‡ˆËË Ò Ù‡È·ÏË Ë Ô‡Ô͇ÏË.................................................44

ÍÌÓÔ͇ [UPPER OCTAVE] ................................................... 19, 61

Ó„‡ÌËÁ‡ˆËfl Ù‡ÈÎÓ‚ ÔÛÚÂÏ ÒÓÁ‰‡ÌËfl ÌÓ‚ÓÈ Ô‡ÔÍË .......................47

ÍÌÓÔ͇ [VARIATION]........................................................... 19, 61

ÓÒÌÓ‚Ì˚ ÓÔÂ‡ˆËË — Ó„‡ÌËÁ‡ˆËfl ‰‡ÌÌ˚ı ................................38

ÍÌÓÔ͇ [VOCAL HARMONY]............................................... 19, 131

ÓÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ÔË ÒÌflÚËË ÛÍ Ò Í·‚ˇÚÛ˚....68

ÍÌÓÔ͇ [VH TYPE SELECT]................................................ 19, 131

ÓÚÏÂÚ͇ «END» .....................................................................103

ÍÌÓÔ͇ MAIN [A] ................................................................ 18, 67

ÓÚÓ·‡ÊÂÌË ÌÓÚ.....................................................................85

ÍÌÓÔ͇ MAIN [B] ................................................................ 18, 67

ÓÚÓ·‡ÊÂÌË ÚÂÍÒÚ‡ ÔÂÒÌË .......................................................86

ÍÌÓÔ͇ MAIN [C] ................................................................ 18, 67

Ó˜ËÒÚ͇ Ú‡ÍÚÓ‚......................................................................118

ÍÌÓÔ͇ MAIN [D] ................................................................ 18, 67

ÍÌÓÔ͇ SONG [START / STOP]............................................. 18, 79

è

ÍÌÓÔ͇ STYLE [START / STOP] ............................................ 18, 63

Ô‡‡ÏÂÚ..............................................................................119

ÍÌÓÔ͇ VOICE PART ON / OFF [LAYER]................................. 19, 59

Ô‡‡ÏÂÚ˚ „Û‚‡...................................................................116

ÍÌÓÔ͇ VOICE PART ON / OFF [LEFT] ................................... 19, 59

Ô‡‡ÏÂÚ˚ Ó·˚˜ÌÓ„Ó „ÓÎÓÒ‡ .....................................................91

ÍÌÓÔ͇ VOICE PART ON / OFF [MAIN]................................... 19, 59

ÔÓÁˈËfl ÎÓ͇ÚÓ‡ ............................................................81, 140

ÍÌÓÔÍË [1▲▼] - [8▲▼] ................................................ 19, 38–48

ÔÓËÒÍ Ì‡Ë·ÓΠۉ‡˜ÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡..................................73

ÍÌÓÔÍË MIC. (PSR-2100).................................................... 19, 131

ÔÓËÒÍ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Music Finder ......................................73

ÍÌÓÔÍË MULTI PAD [1] - [4] .................................................. 18, 76

ÔÓËÒÍ ÒÂ‰Ë Á‡ÔËÒÂÈ Music Finder ..............................................34

ÍÌÓÔÍË ONE TOUCH SETTING [1] - [4]............................. 19, 70, 71

ÔÓ͇Á‡ÌËfl ÍÌÓÔÓÍ ‚˚·Ó‡ ˜‡ÒÚÂÈ — [BREAK], [INTRO], [MAIN],

ÍÌÓÔÍË REGISTRATION MEMORY [1] - [8].............................. 19, 87

[ENDING] ............................................................................67

PSR-2100/1100

169