Yamaha PSR-1100 – страница 9

Инструкция к Синтезатору/фортепиано Yamaha PSR-1100

èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ÒËÌÚÂÁ‡ÚÓÛ PSR-2100/1100

ëÓ‚ÏÂÒÚËÏÓÒÚ¸ ‰‡ÌÌ˚ı

îÓÏ‡Ú ÒÂÍ‚Â̈ËË

ëËÒÚÂχ Á‡ÔËÒË ÓÚÌÓÒfl˘ËıÒfl Í ÔÂÒÌ ‰‡ÌÌ˚ı ̇Á˚‚‡ÂÚÒfl

Ç ˝ÚÓÏ ‡Á‰ÂΠÔ˂‰ÂÌ˚ ÓÒÌÓ‚Ì˚ ҂‰ÂÌËfl Ó

ÙÓχÚÓÏ ÒÂÍ‚Â̈ËË.

ÒÓ‚ÏÂÒÚËÏÓÒÚË ‰‡ÌÌ˚ı. ä‡Ê‰Ó„Ó ÔÓθÁÓ‚‡ÚÂÎfl ËÌÚÂÂÒÛÂÚ,

ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Ò ‰ËÒÍÂÚ˚ ‚ÓÁÏÓÊÌÓ Î˯¸ ‚ ÚÓÏ

ÒÔÓÒÓ·Ì˚ ÎË ‰Û„Ë MIDI-ÛÒÚÓÈÒÚ‚‡ ÔÓË„˚‚‡Ú¸ Ù‡ÈÎ˚,

ÒÎÛ˜‡Â, ÍÓ„‰‡ MIDI-ÛÒÚÓÈÒÚ‚Ó ÔÓ‰‰ÂÊË‚‡ÂÚ ‰‡ÌÌ˚È ÙÓχÚ

Á‡ÔËÒ‡ÌÌ˚Â Ò ÔÓÏÓ˘¸˛ PSR-2100/1100. à ÏÓÊÂÚ ÎË PSR-2100/

ÒÂÍ‚Â̈ËË. PSR-2100/1100 ÔÓ‰‰ÂÊË‚‡ÂÚ ÒÎÂ‰Û˛˘Ë ÙÓχÚ˚

1100 Ò‡Ï ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ Ëϲ˘ËÂÒfl ‚ ÔÓ‰‡Ê ÔÂÒÌË Ë MIDI-

Ù‡ÈÎÓ‚.

Ù‡ÈÎ˚, ÒÓÁ‰‡ÌÌ˚ ‰Îfl ‰Û„Ëı ÒËÌÚÂÁ‡ÚÓÓ‚ ËÎË Ì‡

ÍÓÏÔ¸˛ÚÂÂ? Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÍÓÌÍÂÚÌÓ„Ó ÚËÔ‡ MIDI-

SMF (Òڇ̉‡ÚÌ˚È Ù‡ÈÎ MIDI)

ÛÒÚÓÈÒÚ‚‡ Ë ı‡‡ÍÚÂËÒÚËÍ MIDI-Ù‡ÈÎÓ‚ ‚˚ ÎË·Ó ÏÓÊÂÚÂ

ùÚÓÚ ÙÓÏ‡Ú fl‚ÎflÂÚÒfl ̇˷ÓΠ‡ÒÔÓÒÚ‡ÌÂÌÌ˚Ï.

ÔÓË„˚‚‡Ú¸ Ù‡ÈÎ˚ ·ÂÁ ͇ÍËı ·˚ ÚÓ ÌË ·˚ÎÓ ÔÓ·ÎÂÏ, ÎË·Ó

ëڇ̉‡ÚÌ˚ هÈÎ˚ MIDI ‚ Ò‚Ó˛ Ó˜Â‰¸ ÔÓ‰‡Á‰ÂÎfl˛ÚÒfl ̇

‰ÓÎÊÌ˚ ÔÂ‰ ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ Ù‡ÈÎÓ‚ ‚˚ÔÓÎÌËÚ¸

‰‚‡ ÚËÔ‡: Format 0 Ë Format 1. åÌÓ„Ë MIDI-ÛÒÚÓÈÒÚ‚‡

ÓÔ‰ÂÎÂÌÌ˚È fl‰ ‰ÂÈÒÚ‚ËÈ. ÖÒÎË ÔË ÔÓË„˚‚‡ÌËË MIDI-

ÔÓ‰‰ÂÊË‚‡˛Ú Format 0. äÓÏ ÚÓ„Ó, ÏÌÓ„Ë Ëϲ˘ËÂÒfl ‚

Ù‡ÈÎÓ‚ ‚ÓÁÌË͇˛Ú ÔÓ·ÎÂÏ˚, Ó·‡ÚËÚÂÒ¸ Í Ô˂‰ÂÌÌ˚Ï ÌËÊÂ

ÔÓ‰‡Ê ÔÂÒÌË Á‡ÔËÒ‡Ì˚ ‚ ˝ÚÓÏ ÙÓχÚÂ.

‡Á‰Â·Ï.

PSR-2100/1100 ÔÓ‰‰ÂÊË‚‡ÂÚ Ó·‡ ÚËÔ‡ Òڇ̉‡ÚÌ˚ı

Ù‡ÈÎÓ‚.

îÓÏ‡Ú ‰ËÒÍÂÚ

èÂÒÌfl, Á‡ÔËÒ‡Ì̇fl Ò ÔÓÏÓ˘¸˛ PSR-2100/1100,

ÑËÒÍÂÚ˚ fl‚Îfl˛ÚÒfl Ó‰ÌËÏ ËÁ ÓÒÌÓ‚Ì˚ı Ò‰ÒÚ‚ Ó·ÏÂ̇

‡‚ÚÓχÚ˘ÂÒÍË ÒÓı‡ÌflÂÚÒfl ‚ ÙÓχÚ SMF Format 0.

ËÌÙÓχˆËÂÈ ÏÂÊ‰Û ‡Á΢Ì˚ÏË ÛÒÚÓÈÒÚ‚‡ÏË, ‚Íβ˜‡fl

èÂÒÌfl, Á‡„ÛÊÂÌ̇fl ‚ PSR-2100/1100, ‡‚ÚÓχÚ˘ÂÒÍË

ÍÓÏÔ¸˛ÚÂ. ëËÒÚÂÏ˚ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ‡Á΢Ì˚ Û ‡ÁÌ˚ı

ÒÓı‡ÌflÂÚÒfl ‚ ÙÓχÚ SMF Format 0 ‚Ì Á‡‚ËÒËÏÓÒÚË ÓÚ

ÛÒÚÓÈÒÚ‚. èÓ˝ÚÓÏÛ ÔÂʉ ‚ÒÂ„Ó ÌÂÓ·ıÓ‰ËÏÓ ÔÓ‰„ÓÚÓ‚ËÚ¸

ËÒıÓ‰ÌÓ„Ó ÙÓχڇ.

‰ËÒÍÂÚÛ ‰Îfl Ó·ÂÒÔ˜ÂÌËfl ÒÓ‚ÏÂÒÚËÏÓÒÚË Ò Ù‡ÈÎÓ‚ÓÈ ÒËÒÚÂÏÓÈ

Ëϲ˘Â„ÓÒfl ÛÒÚÓÈÒÚ‚‡. ùÚ‡ ÓÔÂ‡ˆËfl ̇Á˚‚‡ÂÚÒfl

ESEQ

ÙÓχÚËÓ‚‡ÌËÂÏ.

ùÚÓÚ ÙÓÏ‡Ú ÔÓ‰‰ÂÊË‚‡˛Ú ÏÌÓ„Ë MIDI-ÛÒÚÓÈÒÚ‚‡ χÍË

ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ÚËÔ‡ ‰ËÒÍÂÚ: MF2DD (‰‚ÛÒÚÓÓÌÌËÂ,

Yamaha, ‚ ÚÓÏ ˜ËÒÎÂ Ë ÒËÌÚÂÁ‡ÚÓ˚ ÒÂËË PSR-2100/1100. ùÚÓÚ

‰‚ÓÈÌÓÈ ÔÎÓÚÌÓÒÚË) Ë MF2HD (‰‚ÛÒÚÓÓÌÌËÂ, ‚˚ÒÓÍÓÈ

ÙÓÏ‡Ú Ú‡ÍÊ ¯ËÓÍÓ ÔÓ‰‰ÂÊË‚‡ÂÚÒfl ÏÛÁ˚͇θÌ˚ÏË

ÔÎÓÚÌÓÒÚË). ä‡Ê‰˚È ËÁ ˝ÚËı ÚËÔÓ‚ ÔÓ‰‰ÂÊË‚‡ÂÚ ‡ÁÌÓÂ

ÔËÎÓÊÂÌËflÏË, ‡Á‡·ÓÚ‡ÌÌ˚ÏË ÍÓÔÓ‡ˆËÂÈ Yamaha.

ÙÓχÚËÓ‚‡ÌËÂ.

XF

PSR-2100/1100 ÒÓ‚ÏÂÒÚËÏ Ò Ó·ÓËÏË ÚËÔ‡ÏË.

îÓÏ‡Ú XF, ‡Á‡·ÓÚ‡ÌÌ˚È ÍÓÔÓ‡ˆËÂÈ Yamaha,

ÖÏÍÓÒÚ¸ Ô‡ÏflÚË ‰ËÒÍÂÚ ÚËÔÓ‚ 2DD (‰ËÒÍÂÚ˚ ‰‚ÓÈÌÓÈ

Ô‰ÒÚ‡‚ÎflÂÚ ÒÓ·ÓÈ ÛÒÓ‚Â¯ÂÌÒÚ‚Ó‚‡ÌÌ˚È ‚‡ˇÌÚ Òڇ̉‡Ú‡

ÔÎÓÚÌÓÒÚË) Ë 2HD (‰ËÒÍÂÚ˚ ‚˚ÒÓÍÓÈ ÔÎÓÚÌÓÒÚË) ÔÓÒÎÂ

SMF (Standard MIDI File), ̇‰ÂÎÂÌÌ˚È ·Óθ¯ÂÈ

ÙÓχÚËÓ‚‡ÌËfl Ò ÔÓÏÓ˘¸˛ PSR-2100/1100 ÒÓÒÚ‡‚ÎflÂÚ 720

ÙÛÌ͈ËÓ̇θÌÓÒÚ¸˛ Ë ‚ÓÁÏÓÊÌÓÒÚflÏË ‰‡Î¸ÌÂȯ„Ó

ä· Ë 1440 ä·. ùÚÓ Á̇˜ËÚ, ˜ÚÓ Ì‡ Ú‡ÍËı ‰ËÒÍÂÚ‡ı ÏÓÊÌÓ

‡Ò¯ËÂÌËfl.

ÒÓı‡ÌflÚ¸ 720 ä· Ë 1440 ä· ËÌÙÓχˆËË ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ.

ë ÔÓÏÓ˘¸˛ ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100/1100 ÏÓÊÌÓ ‚˚‚Ó‰ËÚ¸ ̇

ùÚË Á̇˜ÂÌËfl Ú‡ÍÊ ÏÓÊÌÓ ‡ÒÒχÚË‚‡Ú¸ ‚ ͇˜ÂÒÚ‚Â ÚËÔ‡

˝Í‡Ì ÚÂÍÒÚ˚ ÔÂÒÂÌ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË Ù‡È· ‚ ÙÓχÚÂ

ÙÓχÚËÓ‚‡ÌËfl „Ë·ÍÓ„Ó ‰ËÒ͇.)

XF, ÒÓ‰Âʇ˘Â„Ó ÚÂÍÒÚ.

ÇÓÒÔÓËÁ‚‰ÂÌËÂ Ò ‰ËÒÍÂÚ˚ ‚ÓÁÏÓÊÌÓ Î˯¸ ‚ ÚÓÏ ÒÎÛ˜‡Â,

ÍÓ„‰‡ MIDI-ÛÒÚÓÈÒÚ‚Ó ÔÓ‰‰ÂÊË‚‡ÂÚ ÙÓÏ‡Ú ‰ËÒÍÂÚ˚.

î‡ÈÎ ÒÚËÎfl

îÓÏ‡Ú Style File Format (SFF) Ô‰ÒÚ‡‚ÎflÂÚ ÒÓ·ÓÈ

ÓË„Ë̇θÌ˚È ÙÓÏ‡Ú Ù‡È· ÒÚËÎfl, ‡Á‡·ÓÚ‡ÌÌ˚È

ÍÓÔÓ‡ˆËÂÈ Yamaha, ‚ ÍÓÚÓÓÏ ËÒÔÓθÁÛÂÚÒfl ÛÌË͇θ̇fl

ÒËÒÚÂχ ÔÂÓ·‡ÁÓ‚‡ÌËfl, ÔÓÁ‚ÓÎfl˛˘‡fl ‡‚ÚÓχÚ˘ÂÒÍË

ÒÓÁ‰‡‚‡Ú¸ ‚˚ÒÓÍÓ͇˜ÂÒÚ‚ÂÌÌ˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ì‡ ÓÒÌÓ‚Â

·Óθ¯Ó„Ó ÍÓ΢ÂÒÚ‚‡ ÚËÔÓ‚ ‡ÍÍÓ‰Ó‚.

PSR-2100/1100

161

èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ÒËÌÚÂÁ‡ÚÓÛ PSR-2100/1100

îÓÏ‡Ú ‡ÒÔ‰ÂÎÂÌËfl „ÓÎÓÒÓ‚

ÉÓÎÓÒ‡Ï MIDI ÔËÒ‚‡Ë‚‡˛ÚÒfl ÌÓÏÂ‡, ÔÓÎۘ˂¯Ë ̇Á‚‡ÌËÂ

«ÌÓÏÂÓ‚ ÔÓ„‡ÏÏ». ëڇ̉‡Ú ÔËÒ‚ÓÂÌËfl Ú‡ÍËı ÌÓÏÂÓ‚ Ë

̇Á˚‚‡ÂÚÒfl ÙÓχÚÓÏ ‡ÒÔ‰ÂÎÂÌËfl „ÓÎÓÒÓ‚.

ÖÒÎË ˝ÚÓÚ ÙÓÏ‡Ú Ì ÒÓ‚Ô‡‰‡ÂÚ Ò ÙÓχÚÓÏ, ‚˚·‡ÌÌ˚Ï ‰Îfl

‚ÓÒÔÓËÁ‚‰ÂÌËfl MIDI-Ù‡ÈÎÓ‚, „ÓÎÓÒ‡ ÏÓ„ÛÚ Á‚Û˜‡Ú¸

ÌÂÂÒÚÂÒÚ‚ÂÌÌÓ.

PSR-2100/1100 ÔÓ‰‰ÂÊË‚‡ÂÚ ÒÎÂ‰Û˛˘Ë ÙÓχÚ˚ Ù‡ÈÎÓ‚.

чÊ ÂÒÎË MIDI-ÛÒÚÓÈÒÚ‚‡ Ë MIDI-Ù‡ÈÎ˚ Û‰Ó‚ÎÂÚ‚Ófl˛Ú ‚ÒÂÏ

‚˚¯ÂÔÂ˜ËÒÎÂÌÌ˚Ï ÛÒÎÓ‚ËflÏ, ‰‡ÌÌ˚ ‚Ò ‡‚ÌÓ ÏÓ„ÛÚ Ó͇Á‡Ú¸Òfl Ì ‰Ó

ÍÓ̈‡ ÒÓ‚ÏÂÒÚËÏ˚ÏË. ꯇ˛˘Û˛ Óθ ÔË ˝ÚÓÏ Ë„‡˛Ú ÓÒÓ·ÂÌÌÓÒÚË

ÍÓÌÍÂÚÌÓ„Ó ÛÒÚÓÈÒÚ‚‡ Ë ÏÂÚÓ‰Ó‚ Á‡ÔËÒË ‰‡ÌÌ˚ı.

GM System Level 1

ùÚÓÚ ÙÓÏ‡Ú fl‚ÎflÂÚÒfl Ó‰ÌËÏ ËÁ ̇˷ÓΠ‡ÒÔÓÒÚ‡ÌÂÌÌ˚ı.

åÌÓ„Ë MIDI-ÛÒÚÓÈÒÚ‚‡ ÒÓ‚ÏÂÒÚËÏ˚ Ò ÙÓχÚÓÏ GM

System Level 1. íÓ Ê ÓÚÌÓÒËÚÒfl Ë Í ·Óθ¯ËÌÒÚ‚Û ÔÂÒÂÌ,

Ëϲ˘ËıÒfl ‚ ÔÓ‰‡ÊÂ.

XG

îÓÏ‡Ú XG fl‚ÎflÂÚÒfl Á̇˜ËÚÂθÌÓ ÛÒÓ‚Â¯ÂÌÒÚ‚Ó‚‡ÌÌ˚Ï

‡Ò¯ËÂÌËÂÏ Òڇ̉‡Ú‡ General MIDI (GM System level 1

format). äÓÏÔ‡ÌËfl Yamaha ‡Á‡·Óڇ· ˝ÚÛ ÒÔˆËÙË͇ˆË˛ Ò

ˆÂθ˛ Û‚Â΢ÂÌËfl ˜ËÒ· ‰ÓÒÚÛÔÌ˚ı „ÓÎÓÒÓ‚ Ë ‚ÓÁÏÓÊÌÓÒÚÂÈ

ÛÔ‡‚ÎÂÌËfl „ÓÎÓÒ‡ÏË Ë ˝ÙÙÂÍÚ‡ÏË, ‡ Ú‡ÍÊ ӷÂÒÔ˜ÂÌËfl

ÒÓ‚ÏÂÒÚËÏÓÒÚË MIDI-‰‡ÌÌ˚ı ‚ ·Û‰Û˘ÂÏ.

èÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ ̇ PSR-2100/1100 Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ

„ÓÎÓÒÓ‚ XG, ÒÓ‚ÏÂÒÚËÏ˚ Ò Î˛·˚ÏË ÛÒÚÓÈÒÚ‚‡ÏË,

ÔÓ‰‰ÂÊË‚‡˛˘ËÏË ÙÓÏ‡Ú XG.

DOC

ùÚÓÚ ÙÓÏ‡Ú ÔÓ‰‰ÂÊË‚‡˛Ú ÏÌÓ„Ë MIDI-ÛÒÚÓÈÒÚ‚‡ χÍË

Yamaha, ‚ ÚÓÏ ˜ËÒÎÂ Ë ÒËÌÚÂÁ‡ÚÓ˚ ÒÂËË PSR. ùÚÓÚ ÙÓχÚ

Ú‡ÍÊ ¯ËÓÍÓ ÔÓ‰‰ÂÊË‚‡ÂÚÒfl ÏÛÁ˚͇θÌ˚ÏË ÔËÎÓÊÂÌËflÏË,

‡Á‡·ÓÚ‡ÌÌ˚ÏË ÍÓÔÓ‡ˆËÂÈ Yamaha.

162

PSR-2100/1100

ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ

çÂÔÓ·‰Í‡ ÇÓÁÏÓÊ̇fl Ô˘Ë̇ Ë ÒÔÓÒÓ·˚ ÛÒÚ‡ÌÂÌËfl

ëËÌÚÂÁ‡ÚÓ PSR-2100/1100 Ì ‚Íβ˜‡ÂÚÒfl;

ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ PSR-2100/1100 ÔÓ‰Íβ˜ÂÌ Í ÓÁÂÚÍ ̇‰ÎÂʇ˘ËÏ Ó·‡ÁÓÏ (ÒÚ. 16).

ÓÚÒÛÚÒÚ‚ÛÂÚ ÔËÚ‡ÌËÂ.

èË ‚Íβ˜ÂÌËË Ë ÓÚÍβ˜ÂÌËË ÔËÚ‡ÌËfl ÒÎ˚¯Ì˚

í‡Í ‚Ò„‰‡ ÔÓËÒıÓ‰ËÚ ÔË ÔÓ‰‡˜Â Ë ˝ÎÂÍÚÓÔËÚ‡ÌËfl.

˘ÂΘÍË Ë ıÎÓÔÍË.

àÁ ‰Ë̇ÏËÍÓ‚ ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100/1100 ÒÎ˚¯ÂÌ

èË ËÒÔÓθÁÓ‚‡ÌËË ÏÓ·ËθÌÓ„Ó ÚÂÎÂÙÓ̇ fl‰ÓÏ Ò ÒËÌÚÂÁ‡ÚÓÓÏ PSR-2100/1100 ÏÓ„ÛÚ

¯ÛÏ.

‚ÓÁÌË͇ڸ ÔÓÏÂıË. ÇÓ ËÁ·ÂʇÌË ‚ÓÁÌËÍÌÓ‚ÂÌËfl ÔÓÏÂı ÓÚÍβ˜ËÚ ÏÓ·ËθÌ˚È ÚÂÎÂÙÓÌ ËÎË

ËÒÔÓθÁÛÈÚÂ Â„Ó Ì‡ Á̇˜ËÚÂθÌÓÏ ‡ÒÒÚÓflÌËË ÓÚ ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100/1100.

ùÍ‡Ì ÒÎ˯ÍÓÏ flÍËÈ ËÎË ÒÎ˯ÍÓÏ ÚÂÏÌ˚È, ÚÛ‰ÌÓ

üÍÓÒÚ¸ ˝Í‡Ì‡ ÏÓÊÂÚ Á‡‚ËÒÂÚ¸ ÓÚ ÚÂÏÔÂ‡ÚÛ˚ ÓÍÛʇ˛˘Â„Ó ‚ÓÁ‰Ûı‡; ÔÓÔÓ·ÛÈÚÂ

˜ÚÓ-ÎË·Ó ÔÓ˜ÂÒÚ¸.

ÓÚ„ÛÎËÓ‚‡Ú¸ ÍÓÌÚ‡ÒÚÌÓÒÚ¸ (ÒÚ. 17).

ä·‚ˇÚÛ‡ Á‚Û˜ËÚ ÒÎ˯ÍÓÏ ÚËıÓ ÔÓ Ò‡‚ÌÂÌ˲ Ò

鷢 Á‚Û˜‡ÌË Í·‚ˇÚÛ˚ ËÎË ÓÚ‰ÂθÌÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ ÏÓ„ÎÓ ·˚Ú¸ ÛÒÚ‡ÌÓ‚ÎÂÌÓ Ì‡

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ ËÎË ÔÂÒÌÂÈ.

ÌËÁÍËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË. ìÒÚ‡ÌÓ‚ËÚ ·ÓΠ‚˚ÒÓÍËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË „ÓÎÓÒÓ‚ MAIN/

LAYER/LEFT ËÎË ·ÓΠÌËÁÍËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ‰Îfl Ô‡‡ÏÂÚ‡ STYLE/SONG (èÂÒÌfl/

ÒÚËθ) ̇ ˝Í‡Ì BALANCE (ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË) (ÒÚ. 64).

Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ËÎË ÔÂÒÌfl Á‚Û˜‡Ú ÒÎ˯ÍÓÏ ÚËıÓ

ìÒÚ‡ÌÓ‚ÎÂÌ ÒÎ˯ÍÓÏ ÌËÁÍËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ‰Îfl Ó‰ÌÓÈ ËÎË ÌÂÒÍÓθÍËı ˜‡ÒÚÂÈ

ÔÓ Ò‡‚ÌÂÌ˲ Ò Í·‚ˇÚÛÓÈ.

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË Í‡Ì‡ÎÓ‚ ÔÂÒÌË. ìÒÚ‡ÌÓ‚ËÚ ·ÓΠ‚˚ÒÓÍËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ‰Îfl

‰‡ÌÌÓÈ ˜‡ÒÚË ËÎË Í‡Ì‡Î‡ ÔÂÒÌË Ì‡ ˝Í‡Ì MIXER (åËͯÂ) (ÒÚ. 125).

é·˘ËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ÒÎ˯ÍÓÏ ÌËÁÍËÈ, ËÎË

é·˘‡fl „ÓÏÍÓÒÚ¸ ÒÎ˯ÍÓÏ ÌËÁ͇; ÛÒÚ‡ÌÓ‚ËÚ ÌÛÊÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË Ò ÔÓÏÓ˘¸˛

Á‚ÛÍ ÓÚÒÛÚÒÚ‚ÛÂÚ ‚ÓÓ·˘Â.

‰ËÒ͇ ÛÔ‡‚ÎÂÌËfl [MASTER VOLUME].

ÇÓÁÏÓÊÌÓ, ÛÒÚ‡ÌÓ‚ÎÂÌ ÌËÁÍËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ‰Îfl ÓÚ‰ÂθÌ˚ı ˜‡ÒÚÂÈ. ì‚Â΢¸ÚÂ

„ÓÏÍÓÒÚ¸ ˜‡ÒÚÂÈ MAIN, LAYER, LEFT, STYLE Ë SONG ̇ ˝Í‡Ì BALANCE (ê„ÛÎËӂ͇

„ÓÏÍÓÒÚË) (ÒÚ. 64).

ì·Â‰ËÚÂÒ¸ Ú‡ÍÊÂ, ˜ÚÓ ÔÂÂÍβ˜‡ÚÂθ Ú·ÛÂÏÓ„Ó Í‡Ì‡Î‡ ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË ON

(ÇÍÎ.) (ÒÚ. 64, 81).

èË ÔÓ‰Íβ˜ÂÌÌ˚ı ̇ۯÌË͇ı ‚˚ıÓ‰ÌÓÈ Ò˄̇Π̇ ‰Ë̇ÏËÍË ÓÚÍβ˜‡ÂÚÒfl. éÚÍβ˜ËÚÂ

̇ۯÌËÍË.

ì·Â‰ËÚÂÒ¸, ˜ÚÓ ÙÛÌ͈Ëfl Local Control (ËÒÔÓθÁÓ‚‡ÌË ‚ÒÚÓÂÌÌ˚ı „ÓÎÓÒÓ‚) ÛÒÚ‡ÌÓ‚ÎÂ̇

‚ ÔÓÎÓÊÂÌËÂ ON (ÇÍÎ.) (ÒÚ. 148).

á‚Û˜‡Ú Ì ‚Ò ÌÓÚ˚, ÍÓÚÓ˚ ˄‡˛ÚÒfl

ÇÓÁÏÓÊÌÓ, ·˚ÎÓ Ô‚˚¯ÂÌÓ Ï‡ÍÒËχθÌÓ ÍÓ΢ÂÒÚ‚Ó „ÓÎÓÒÓ‚ ÔÓÎËÙÓÌËË ÒËÌÚÂÁ‡ÚÓ‡

Ó‰ÌÓ‚ÂÏÂÌÌÓ.

PSR-2100/1100. Ç Ú‡ÍËı ÒÎÛ˜‡flı ÌÓÚ˚, ÍÓÚÓ˚ ·˚ÎË Ò˚„‡Ì˚ ÔÂ‚˚ÏË, ÔÂÂÒÚ‡˛Ú

Á‚Û˜‡Ú¸, ˜ÚÓ·˚ ‰‡Ú¸ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓÁ‚Û˜‡Ú¸ ÔÓÒΉÌËÏ ËÁ Ò˚„‡ÌÌ˚ı ÌÓÚ. ÅÓÎÂÂ

ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó Ï‡ÍÒËχθÌÓÏ ÍÓ΢ÂÒÚ‚Â Ó‰ÌÓ‚ÂÏÂÌÌÓ Á‚Û˜‡˘Ëı „ÓÎÓÒÓ‚

(ÔÓÎËÙÓÌËË) ÒÏ. ̇ ÒÚ. 165.

ç ۉ‡ÂÚÒfl Á‡ÔÛÒÚËÚ¸ ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË

ÑÎfl Ò˄̇· ÒËÌıÓÌËÁ‡ˆËË (ÏÓÊÂÚ ·˚Ú¸ ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË «EXTERNAL»

ÔÂÒÌ˛.

(Ç̯ÌËÈ). ì·Â‰ËÚÂÒ¸, ˜ÚÓ ‰Îfl ÌÂ„Ó ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË «INTERNAL» (ÇÌÛÚÂÌÌËÈ)

(ÒÚ. 149).

ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ·˚· ̇ʇڇ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl ÍÌÓÔ͇ [START/STOP] (ÇÍÎ./

‚˚ÍÎ.). ÑÎfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇ÊÏËÚ ÍÌÓÔÍÛ STYLE

(ëÚËθ)[START/STOP] (ÒÚ. 64); ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË Ì‡ÊÏËÚ ÍÌÓÔÍÛ SONG

(èÂÒÌfl)[START/STOP] (ÒÚ. 79).

åÓ„ ·˚Ú¸ ‚˚·‡Ì Ô‡‡ÏÂÚ «çÓ‚‡fl ÔÂÒÌfl» (ÒÓÁ‰‡ÌË ÔÂÒÌË Ò «ÌÛÎfl»). Ç˚·ÂËÚ ̇

˝Í‡Ì SONG (èÂÒÌfl) (ÒÚ. 79) ÌÛÊÌÛ˛ ÔÂÒÌ˛.

ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Á‡ÍÓ̘ËÎÓÒ¸. ÇÂÌËÚÂÒ¸ ‚ ̇˜‡ÎÓ ÔÂÒÌË, ̇ʇ‚ ÍÌÓÔÍÛ [TOP]

(ÒÚ. 81).

ç ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl ÏÛθÚËÔ˝‰ ‰‡Ê ÔË Ì‡Ê‡ÚËË

ÑÎfl Ò˄̇· ÒËÌıÓÌËÁ‡ˆËË (ÏÓÊÂÚ ·˚Ú¸ ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË «EXTERNAL» (Ç̯ÌËÈ).

Ó‰ÌÓÈ ËÁ ÍÌÓÔÓÍ MULTI PAD.

ìÒÚ‡ÌÓ‚ËÚ Á̇˜ÂÌË «INTERNAL» (ÇÌÛÚÂÌÌËÈ) (ÒÚ. 149).

ÇÓÒÔÓËÁ‚Ó‰flÚÒfl ÚÓθÍÓ ËÚÏ˘ÂÒÍË ͇̇Î˚. ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ‚Íβ˜Â̇ ÙÛÌ͈Ëfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡; ̇ÊÏËÚ ÍÌÓÔÍÛ [ACMP].

ç ۉ‡ÂÚÒfl Á‡ÔÛÒÚËÚ¸ ÒÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ‰‡ÊÂ

ÇÓÁÏÓÊÌÓ, ·˚· ҉·̇ ÔÓÔ˚Ú͇ Á‡ÔÛÒÚËÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ò ÔÓÏÓ˘¸˛ Í·‚Ë¯Ë ‚ Ô‡‚ÓÈ

ÍÓ„‰‡ ÙÛÌ͈Ëfl ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒ͇ ̇ıÓ‰ËÚÒfl ‚

˜‡ÒÚË Í·‚ˇÚÛ˚. ç‡ÊÏËÚ Í·‚Ë¯Û ‚ ‡Á‰ÂΠÍ·‚ˇÚÛ˚ ‰Îfl ΂ÓÈ ÛÍË (‡Á‰ÂÎÂ

ÂÊËÏ ÓÊˉ‡ÌËfl Ë Ì‡Ê‡Ú‡ Í·‚˯‡ ̇

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡).

Í·‚ˇÚÛÂ.

çÛÊÌ˚È ‡ÍÍÓ‰ Ì ‡ÒÔÓÁ̇ÂÚÒfl ËÎË ÌÂ

ÇÓÁÏÓÊÌÓ, ·˚ÎË Ì‡Ê‡Ú˚ Ì‚ÂÌ˚ Í·‚Ë¯Ë ‰Îfl Û͇Á‡ÌËfl ‡ÍÍÓ‰‡. ëÏ. „·‚Û «íËÔ˚

‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl ÙÛÌ͈ËÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

‡ÍÍÓ‰Ó‚, ‡ÒÔÓÁ̇‚‡ÂÏ˚ ‚ ÂÊËÏ Fingered» ̇ (ÒÚ. 66).

ÇÓÁÏÓÊÌÓ, ·˚ÎË Ì‡Ê‡Ú˚ Í·‚˯Ë, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÂÊËÏÛ, ÓÚ΢ÌÓÏÛ ÓÚ ÚÂÍÛ˘Â„Ó.

èÓ‚Â¸ÚÂ, ͇ÍÓÈ ÂÊËÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚˚·‡Ì, Ë Ì‡ÊÏËÚ Í·‚˯Ë,

ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ˝ÚÓÏÛ ÂÊËÏÛ ÒÚ. 65).

ÇÓ ‚ÂÏfl ‚˚ÔÓÎÌÂÌËfl ‰ÂÈÒÚ‚Ëfl ·˚Î ÔÓÎÛ˜ÂÌ

ÖÒÎË ÔË ‚˚ÔÓÎÌÂÌËË ‰ÂÈÒÚ‚Ëfl ·˚ÎË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡Ê‡Ú˚ ÚË ËÎË ·ÓΠÍÌÓÔÓÍ, ÌÂ

ÌÂÓÊˉ‡ÌÌ˚È ÂÁÛÎ¸Ú‡Ú ËÎË ÔÓËÁÓ¯ÂÎ Ò·ÓÈ.

ÓÚÌÓÒfl˘ËıÒfl Í ‚˚ÔÓÎÌflÂÏÓÈ ÓÔÂ‡ˆËË ËÎË Í Ó·˚˜ÌÓÈ Ôӈ‰ÛÂ, ÏÓÊÂÚ ·˚Ú¸ ÔÓÎÛ˜ÂÌ

ÌÂÓÊˉ‡ÌÌ˚È ÂÁÛθڇÚ.

ÄÍÍÓ‰˚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‡ÒÔÓÁ̇˛ÚÒfl ‚ÌÂ

ùÚÓ Ó·˚˜ÌÓ ÔÓËÒıÓ‰ËÚ ‚ ÚÂı ÒÎÛ˜‡flı, ÍÓ„‰‡ ‚ ͇˜ÂÒÚ‚Â ÂÊËχ ‡ÔÔÎË͇ÚÛ˚ ÛÒÚ‡ÌÓ‚ÎÂÌÓ

Á‡‚ËÒËÏÓÒÚË ÓÚ ÛÒÚ‡ÌÓ‚ÎÂÌÌÓÈ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl

Á̇˜ÂÌË «Full Keyboard» (ÇÒfl Í·‚ˇÚÛ‡) ËÎË «AI Full Keyboard» (ÇÒfl Í·‚ˇÚÛ‡ AI). ÖÒÎË

Í·‚ˇÚÛ˚ ËÎË ÓÚ ÚÓ„Ó ÏÂÒÚ‡ ̇ Í·‚ˇÚÛÂ, „‰Â

‚˚·‡Ì Ó‰ËÌ ËÁ ˝ÚËı ÂÊËÏÓ‚, ‡ÍÍÓ‰˚ ‡ÒÔÓÁ̇˛ÚÒfl ÔÓ ‚ÒÂÏÛ ‰Ë‡Ô‡ÁÓÌÛ Í·‚ˇÚÛ˚ ‚ÌÂ

ÓÌË ·˚ÎË ‚ÁflÚ˚.

Á‡‚ËÒËÏÓÒÚË ÓÚ ÛÒÚ‡ÌÓ‚ÎÂÌÌÓÈ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚. èË ÌÂÓ·ıÓ‰ËÏÓÒÚË

ÛÒÚ‡ÌÓ‚ËÚ ‰Û„ÓÈ ÂÊËÏ ‡ÔÔÎË͇ÚÛ˚ (ÒÚ. 65).

PSR-2100/1100

163

ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ

çÂÔÓ·‰Í‡ ÇÓÁÏÓÊ̇fl Ô˘Ë̇ Ë ÒÔÓÒÓ·˚ ÛÒÚ‡ÌÂÌËfl

éÚ‰ÂθÌ˚ ÌÓÚ˚ Á‚Û˜‡Ú Ì ̇ ÚÓÈ ‚˚ÒÓÚÂ. ÑÎfl Ô‡‡ÏÂÚ‡ ÏÓ„ÎÓ ·˚Ú¸ ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌËÂ, ÓÚ΢ÌÓ ÓÚ «Equal» (ꇂÌÓÏÂ̇fl

ÚÂÏÔÂ‡ˆËfl), ˜ÚÓ Ë ÔË‚Ó‰ËÚ Í ËÁÏÂÌÂÌ˲ ÒËÒÚÂÏ˚ ̇ÒÚÓÈÍË (ÚÂÏÔÂ‡ˆËË) Í·‚ˇÚÛ˚.

ìÒÚ‡ÌÓ‚ËÚ ‰Îfl ‰‡ÌÌÓ„Ó ÒÚÓfl Á̇˜ÂÌË «Equal» (ꇂÌÓÏÂ̇fl ÚÂÏÔÂ‡ˆËfl) ̇ ÒÚ‡ÌˈÂ

Scale Tune (ÒÚ. 138).

çÂÍÓÚÓ˚ ͇̇Î˚ ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl ÌÂÔ‡‚ËθÌÓ

ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ‚Íβ˜ÂÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ͇̇ÎÓ‚ (ÒÚ. 81).

ÔË ÔÓË„˚‚‡ÌËË ÔÂÒÌË.

ÖÒÎË ÔË „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· Á‚ÛÍ ËÒ͇ʇÂÚÒfl

ÑÎfl ÛÒÚ‡ÌÂÌËfl ˝ÚÓÈ ÔÓ·ÎÂÏ˚ ÌÂÓ·ıÓ‰ËÏÓ ÔÓ‚ÂËÚ¸, Ì Û·‚ÎË‚‡ÂÚ ÎË ÏËÍÓÙÓÌ Í‡ÍËı-

ËÎË ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl Ì ̇ ÚÓÈ ‚˚ÒÓÚÂ, ‚ÓÁÏÓÊÌÓ,

ÎË·Ó ÔÓÒÚÓÓÌÌËı Á‚ÛÍÓ‚. èË ˝ÚÓÏ ÌÂÓ·ıÓ‰ËÏÓ ‚˚ÔÓÎÌËÚ¸ ÒÎÂ‰Û˛˘Ë ‰ÂÈÒÚ‚Ëfl.

ÏËÍÓÙÓÌ ÔË ÔÂÌËË ÔÓÔ‡‰‡˛Ú ÔÓÒÚÓÓÌÌË Á‚ÛÍË,

èË ÔÂÌËË ‰ÂÊËÚ ÏËÍÓÙÓÌ Í‡Í ÏÓÊÌÓ ·ÎËÊÂ Í „Û·‡Ï.

̇ÔËÏÂ, Á‚Û˜‡ÌË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

àÒÔÓθÁÛÈÚ ̇Ô‡‚ÎÂÌÌ˚È ÏËÍÓÙÓÌ.

ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100/1100. Ç ˜‡ÒÚÌÓÒÚË,

ìÏÂ̸¯ËÚ ӷ˘Û˛ „ÓÏÍÓÒÚ¸ ËÎË „ÓÏÍÓÒÚ¸ ͇ʉÓÈ ˜‡ÒÚË.

ËÒ͇ÊÂÌË „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· ÏÓÊÂÚ ·˚Ú¸

쉇ÎËÚ ÏËÍÓÙÓÌ Í‡Í ÏÓÊÌÓ ‰‡Î¸¯Â ÓÚ ‰Ë̇ÏËÍÓ‚ ËÌÒÚÛÏÂÌÚ‡.

‚˚Á‚‡ÌÓ ·‡Ò‡ÏË (PSR-2100).

ì·ÂËÚ ÌËÁÍË ˜‡ÒÚÓÚ˚ Ò ÔÓÏÓ˘¸˛ ÚÂıÔÓÎÓÒÌÓ„Ó ˝Í‚‡Î‡ÈÁÂ‡ ̇ ˝Í‡ÌÂ

MICROPHONE SETTING (ç‡ÒÚÓÈ͇ ÏËÍÓÙÓ̇) (ÒÚ. 133).

ì‚Â΢¸Ú ÛÓ‚Â̸ „ÓÏÍÓÒÚË ÏËÍÓÙÓÌÌÓ„Ó ‚˚ıÓ‰‡ («TH.») Ò ÔÓÏÓ˘¸˛ ÍÓÏÔÂÒÒÓ‡ ̇

˝Í‡Ì MICROPHONE SETTING (ç‡ÒÚÓÈ͇ ÏËÍÓÙÓ̇) (ÒÚ. 133).

ÇÓ͇θ̇fl „‡ÏÓÌËÁ‡ˆËfl Ì ‚ÓÒÔÓËÁ‚Ó‰ËÚ

ì·Â‰ËÚÂÒ¸, ˜ÚÓ ‰Îfl ÚÂÍÛ˘Â„Ó ÂÊËχ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· ËÒÔÓθÁÛÂÚÒfl

ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÌÓÚ˚ „‡ÏÓÌËÁ‡ˆËË (PSR-2100).

ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ÒÔÓÒÓ· ÓÔ‰ÂÎÂÌËfl ÌÓÚ „‡ÏÓÌËÁ‡ˆËË. ëÏ. ÒÚ. 134.

ç ‡·ÓÚ‡ÂÚ ÙÛÌ͈Ëfl „‡ÏÓÌËÁ‡ˆËË. ɇÏÓÌËÁ‡ˆËfl Ì ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ÔË ÛÒÚ‡ÌÓ‚ÎÂÌÌÓÏ ÂÊËÏ ‡ÔÔÎË͇ÚÛ «Full

Keyboard» (ÇÒfl Í·‚ˇÚÛ‡) ËÎË «AI Full Keyboard» (ÇÒfl Í·‚ˇÚÛ‡ AI). Ç˚·ÂËÚÂ

ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ÂÊËÏ ‡ÔÔÎË͇ÚÛ˚ (ÒÚ. 65).

ç ۉ‡ÂÚÒfl Á‡ÔËÒ‡Ú¸ ÒË„Ì‡Î Ò ÏËÍÓÙÓÌÌÓ„Ó ‚ıÓ‰‡

í‡Í Ë ‰ÓÎÊÌÓ ·˚Ú¸, Á‡ÔËÒ¸ Ò ÏËÍÓÙÓÌÌÓ„Ó ‡Û‰ËÓ‚ıÓ‰‡ Ì‚ÓÁÏÓÊ̇.

Ë „‡ÏÓÌËÁ‡ˆË˛ ‚Ó͇· (PSR-2100).

MIDI-ÒÒÓ·˘ÂÌËfl Ì ÔÂ‰‡˛ÚÒfl Ë Ì ÔËÌËχ˛ÚÒfl

éÚÒÓ‰ËÌËÚ ͇·Âθ USB ÓÚ USB-ÔÓÚ‡ ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100/1100.

˜ÂÂÁ ÔÓÚ˚ MIDI ‰‡Ê ÔË Ô‡‚ËθÌÓÏ

ÔÓ‰Íβ˜ÂÌËË Í‡·ÂÎÂÈ MIDI.

èË ÒÏÂÌ „ÓÎÓÒ‡ ËÁÏÂÌflÂÚÒfl ‡Ì ‚˚·‡ÌÌ˚È

ì Í‡Ê‰Ó„Ó „ÓÎÓÒ‡ ËϲÚÒfl Ò‚ÓË ÒÓ·ÒÚ‚ÂÌÌ˚ ‚ÒÚÓÂÌÌ˚ Á̇˜ÂÌËfl, ÍÓÚÓ˚Â

˝ÙÙÂÍÚ.

‡‚ÚÓχÚ˘ÂÒÍË ‡ÍÚË‚ËÛ˛ÚÒfl ÔË ‚Íβ˜ÂÌËË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı Ô‡‡ÏÂÚÓ‚ ÙÛÌ͈ËË Voice

Set (ÒÚ. 146).

èË Ë„ ̇ Í·‚ˇÚÛ ‡ÁÌ˚ ÌÓÚ˚ Á‚Û˜‡Ú Ò΄͇

í‡Í Ë ‰ÓÎÊÌÓ ·˚Ú¸, Ú‡ÍÓÈ ˝ÙÙÂÍÚ Ó·ÛÒÎÓ‚ÎÂÌ ÒËÒÚÂÏÓÈ Ò˝ÏÔÎËÓ‚‡ÌËfl PSR-2100/1100.

ÔÓ-‡ÁÌÓÏÛ.

çÂÍÓÚÓ˚ „ÓÎÓÒ‡ ÔÓÒÚÓÂÌ˚ ̇ ÓÒÌÓ‚Â

Á‡ˆËÍÎÂÌÌ˚ı Á‚ÛÍÓ‚˚ı Ù‡„ÏÂÌÚÓ‚ («ÔÂÚÂθ»).

èË ËÒÔÓθÁÓ‚‡ÌËË ÌÂÍÓÚÓ˚ı „ÓÎÓÒÓ‚ Ò

Û‚Â΢ÂÌËÂÏ ‚˚ÒÓÚ˚ ÌÓÚ ÒÎ˚¯ÂÌ ¯ÛÏ ËÎË ˝ÙÙÂÍÚ

‚Ë·‡ÚÓ.

çÂÍÓÚÓ˚ „ÓÎÓÒ‡ ÔË Ë„ ‚ ·ÓΠ‚˚ÒÓÍËı ËÎË

í‡Í Ë ‰ÓÎÊÌÓ ·˚Ú¸. çÂÍÓÚÓ˚ „ÓÎÓÒ‡ ËÏÂ˛Ú Ó„‡Ì˘ÂÌËfl ÔÓ ‚˚ÒÓÚÂ, ÔÓ˝ÚÓÏÛ ÔÓ

ÌËÁÍËı „ËÒÚ‡ı ËÁÏÂÌfl˛Ú ‚˚ÒÓÚÛ Á‚Û˜‡ÌËfl ̇

‰ÓÒÚËÊÂÌËË Ô‰ÂθÌÓÈ ‚˚ÒÓÚ˚ ÔÓËÒıÓ‰ËÚ Â ҉‚Ë„.

ˆÂÎÛ˛ ÓÍÚ‡‚Û.

ç‡ ˝Í‡Ì Open/Save ÓÚÓ·‡Ê‡ÂÚÒfl ‚ÒÚÓÂÌÌ˚È

í‡Í Ë ‰ÓÎÊÌÓ ·˚Ú¸. ÇÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ·Û‰ÂÚ ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÚÂÏ·.

ÚÂÏ·, ‰‡Ê ÂÒÎË ‚ ÛÒÚ‡Ìӂ͇ı „ËÒÚ‡ˆËÓÌÌÓÈ

èË „ËÒÚ‡ˆËË ÔÓθÁÓ‚‡ÚÂθÒÍÓ„Ó ÚÂÏ·‡ ‚ ‡Á‰ÂÎ Ô‡ÏflÚË USER ËÎË Ì‡ ‰ËÒÍÂÚÛ

Ô‡ÏflÚË Á‡ÔËÒ‡Ì ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÚÂÏ·.

„ËÒÚËÛÂÚÒfl ÒÎÂ‰Û˛˘ÂÂ: 1) ËÒıÓ‰Ì˚È ‚ÒÚÓÂÌÌ˚È ÚÂÏ·, Ë 2) ÛÒÚ‡ÌÓ‚ÍË Ô‡‡ÏÂÚÓ‚,

Á‡‰‡ÌÌ˚ ‚ ÙÛÌ͈ËË Sound Creator. èË ‚˚ÁÓ‚Â ÛÒÚ‡ÌÓ‚ÓÍ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË,

ÒÓ‰Âʇ˘Ëı ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÚÂÏ·, PSR-2100/1100 ‚˚·Ë‡ÂÚ ‚ÒÚÓÂÌÌ˚È ÚÂÏ· (̇

ÍÓÚÓÓÏ ÓÒÌÓ‚‡Ì ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÚÂÏ·) Ë ÔËÏÂÌflÂÚ Í ÌÂÏÛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ

̇ÒÚÓÈÍË Ô‡‡ÏÂÚÓ‚. Ç ÂÁÛθڇÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÚÂÏ·.

ëÓı‡ÌÂÌË ‰‡ÌÌ˚ı ̇ ‰ËÒÍÂÚ ÓÚÌËχÂÚ ÏÌÓ„Ó

í‡Í Ë ‰ÓÎÊÌÓ ·˚Ú¸. ëΉÛÂÚ ËÏÂÚ¸ ‚ ‚ˉÛ, ˜ÚÓ ‰Îfl ÒÓı‡ÌÂÌËfl 1 å·‡ÈÚ‡ ‰‡ÌÌ˚ı ̇ ‰ËÒÍÂÚÂ

‚ÂÏÂÌË.

Ú·ÛÂÚÒfl ÔË·ÎËÁËÚÂθÌÓ 1 ÏËÌÛÚ‡.

ÉÓÎÓÒ ÒÎ˯ÍÓÏ Á‡¯ÛÏÎÂÌ. éÚ‰ÂθÌ˚ „ÓÎÓÒ‡ ÏÓ„ÛÚ ËÏÂÚ¸ ¯ÛÏÓ‚˚ ÔËÁ‚ÛÍË, ˝ÚÓ Á‡‚ËÒËÚ ÓÚ Ô‡‡ÏÂÚÓ‚ Harmonic

Content (ÑÓ·‡‚ÎÂÌË „‡ÏÓÌËÍ) Ë/ËÎË Brightness (üÍÓÒÚ¸), ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ı ̇ ÒÚ‡ÌˈÂ

FILTER ˝Í‡Ì‡ Mixing Console (ÒÚ. 126).

á‚ÛÍ ËÒ͇ÊÂÌ, ÎË·Ó Á‡¯ÛÏÎÂÌ. ÇÓÁÏÓÊÌÓ, ÛÒÚ‡ÌÓ‚ÎÂÌ ÒÎ˯ÍÓÏ ‚˚ÒÓÍËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË. èÓ‚Â¸ÚÂ, Ô‡‚ËθÌÓ ÎË

̇ÒÚÓÂÌ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ԇ‡ÏÂÚ˚ „ÓÏÍÓÒÚË.

àÒ͇ÊÂÌË ÏÓÊÂÚ ·˚Ú¸ ‚˚Á‚‡ÌÓ ÓÚ‰ÂθÌ˚ÏË ˝ÙÙÂÍÚ‡ÏË. èÓÔÓ·ÛÈÚ ۷‡Ú¸ ‚ÒÂ

Î˯ÌË ˝ÙÙÂÍÚ˚, ÓÒÓ·ÂÌÌÓ ÚÂ, ÍÓÚÓ˚ ‚˚Á˚‚‡˛Ú ËÒ͇ÊÂÌË Á‚Û͇ (ÒÚ. 127).

çÂÍÓÚÓ˚ ԇ‡ÏÂÚ˚ ÙËθÚ‡ ÂÁÓ̇ÌÒ‡, ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ ̇ ˝Í‡Ì Custom Voice

Creator (ÒÚ. 92), ÏÓ„ÛÚ ‚˚Á˚‚‡Ú¸ ËÒ͇ÊÂÌË Á‚Û͇. èË ÌÂÓ·ıÓ‰ËÏÓÒÚË ÏÓÊÌÓ ËÁÏÂÌËÚ¸

˝ÚË Ô‡‡ÏÂÚ˚.

ÇÓÁÏÓÊÌÓ, ÔÓÎÓÒ‡ ÌËÁÍËı ˜‡ÒÚÓÚ ÒÎ˯ÍÓÏ ÛÒËÎÂ̇ ̇ ˝Í‡Ì Master Equalizer (Mixing

Console — ÒÚ. 130). (PSR-2100 )

ëÎ˚¯Ì˚ ÒÚ‡ÌÌ˚ Á‚ÛÍÓ‚˚ ˝ÙÙÂÍÚ˚,

ÑÎfl ˜‡ÒÚÂÈ Main Ë Layer ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË «ON» (ÇÍÎ.), Ë Ó·Â ÓÌË Ì‡ÒÚÓÂÌ˚ ̇

̇ÔÓÏË̇˛˘Ë Á‚Û˜‡ÌË ÙνÌÊÂ‡ ËÎË

‚ÓÒÔÓËÁ‚‰ÂÌË ӉÌÓ„Ó Ë ÚÓ„Ó Ê „ÓÎÓÒ‡. ìÒÚ‡ÌÓ‚ËÚ ‰Îfl ˜‡ÒÚË Layer Á̇˜ÂÌË «OFF»

«Û‰‚ÓÂÌÌÓ„Ó Á‚Û͇». äÓÏ ÚÓ„Ó, ͇ʉ˚È ‡Á ÔË

(Ç˚ÍÎ.) (ÒÚ. 59) ËÎË Ì‡Á̇˜¸Ú ҂ÓÈ „ÓÎÓÒ Í‡Ê‰ÓÈ ËÁ ˜‡ÒÚÂÈ (ÒÚ. 57).

̇ʇÚËË Í·‚˯ Á‚ÛÍ ÌÂÒÍÓθÍÓ ‰Û„ÓÈ.

164

PSR-2100/1100

íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË

: ËÏÂÂÚÒfl ‚ ÔÓ‰‡ÊÂ

ç‡Á‚‡ÌË ÏÓ‰ÂÎË PSR-2100 PSR-1100

àÒÚÓ˜ÌËÍ Á‚Û͇ ÑË̇Ï˘ÂÒÍÓ ÒÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌË „ÓÎÓÒÓ‚ AWM

ÑËÒÔÎÂÈ É‡Ù˘ÂÒÍËÈ Üä-‰ËÒÔÎÂÈ Ò ÔÓ‰Ò‚ÂÚÍÓÈ (320 240 ÚÓ˜ÂÍ)

ä·‚ˇÚÛ‡ 61 Í·‚˯‡ (ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÌÓÚ‡Ï ÓÚ C1 ‰Ó C6 Ò ÙÛÌ͈ËÂÈ Initial Touch)

ÉÓÎÓÒ èÓÎËÙÓÌËfl (χÍÒËχθ̇fl) 64 32

燷Ó „ÓÎÓÒÓ‚ 338 „ÓÎÓÒÓ‚ + 480 „ÓÎÓÒÓ‚ ‚ ÙÓχÚÂ

287 „ÓÎÓÒÓ‚ + 480 „ÓÎÓÒÓ‚ ‚ ÙÓχÚÂ

XG + 16 Û‰‡Ì˚ı ÛÒÚ‡ÌÓ‚ÓÍ

XG + 16 Û‰‡Ì˚ı ÛÒÚ‡ÌÓ‚ÓÍ

é·˚˜Ì˚È „ÓÎÓÒ 328 287

ÉÓÎÓÒ «Sweet» 14 8

ÉÓÎÓÒ «Cool» 6 2

ÉÓÎÓÒ «Live» 12 1

ÑÛ„ËÂ 296 276

ÉÛÔÔ‡ „ÓÎÓÒÓ‚ «Ó„‡ÌÌ˚Â

10 (8 ÒÓ˜ÂÚ‡ÌËÈ ÚÛ·)

ÙÎÂÈÚ˚»

îÛÌ͈Ëfl Sound creator

ùÙÙÂÍÚ˚

ê‚Â·Â‡ˆËfl 1

ïÓÛÒ 1

ÅÎÓÍË ˝ÙÙÂÍÚÓ‚

ñËÙÓ‚ÓÈ Ò˄̇θÌ˚È

41

ÔÓˆÂÒÒÓ

åËÍÓÙÓÌ 1

REVERB (ê‚Â·Â‡ˆËfl) 29 ‚ÒÚÓÂÌÌ˚ı+3 ÔÓθÁÓ‚‡ÚÂθÒÍËı 23 ‚ÒÚÓÂÌÌ˚ı+3 ÔÓθÁÓ‚‡ÚÂθÒÍËı

CHORUS (ïÓÛÒ) 25 ‚ÒÚÓÂÌÌ˚ı+3 ÔÓθÁÓ‚‡ÚÂθÒÍËı 15 ‚ÒÚÓÂÌÌ˚ı+3 ÔÓθÁÓ‚‡ÚÂθÒÍËı

DSP1/DSP 164 ‚ÒÚÓÂÌÌ˚ı+3 ÔÓθÁÓ‚‡ÚÂθÒÍËı 92 ‚ÒÚÓÂÌÌ˚ı+3 ÔÓθÁÓ‚‡ÚÂθÒÍËı

íËÔ˚ ˝ÙÙÂÍÚÓ‚

DSP2, 3, 4 88 ‚ÒÚÓÂÌÌ˚ı +10 ÔÓθÁÓ‚‡ÚÂθÒÍËı

Master EQ (é·˘‡fl ̇ÒÚÓÈ͇

5 ‚ÒÚÓÂÌÌ˚ı +2 ÔÓθÁÓ‚‡ÚÂθÒÍËı

˝Í‚‡Î‡ÈÁÂ‡)

Part EQ (ç‡ÒÚÓÈ͇

27 ˜‡ÒÚÂÈ

˝Í‚‡Î‡ÈÁÂ‡ ‰Îfl ˜‡ÒÚË)

ɇÏÓÌËÁ‡ˆËfl ‚Ó͇· 49 ‚ÒÚÓÂÌÌ˚ı +10 ÔÓθÁÓ‚‡ÚÂθÒÍËı

ëÚËθ

äÓ΢ÂÒÚ‚Ó ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ 197 181

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

äÓ΢ÂÒÚ‚Ó ÒÚËÎÂÈ ÒÂÒÒËÈ 6

ÄÔÔÎË͇ÚÛ‡ Single Finger (‰Îfl Ë„˚ Ó‰ÌËÏ Ô‡Î¸ˆÂÏ), Fingered (Ú‡‰ËˆËÓÌ̇fl), Fingered On Bass

(Ú‡‰ËˆËÓÌ̇fl Ò ·‡ÒÓÏ), Multi Finger (‰Îfl Ë„˚ ÌÂÒÍÓθÍËÏË Ô‡Î¸ˆ‡ÏË), AI Fingered

(Ú‡‰ËˆËÓÌ̇fl AI), Full Keyboard (‚Òfl Í·‚ˇÚÛ‡), AI Full Keyboard

(‚Òfl Í·‚ˇÚÛ‡ AI)

îÛÌ͈Ëfl Style Creator

OTS (ÛÒÚ‡ÌÓ‚ÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË») ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ˜ÂÚ‚ÂÚÂÈ

îÛÌ͈Ëfl OTS link (ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ̇ÒÚÓÂÍ «‚

Ó‰ÌÓ Í‡Ò‡ÌË»)

îÛÌ͈Ëfl Music

2500 (χÍÒËÏÛÏ) 1200 (χÍÒËÏÛÏ)

Finder

ꉇÍÚËÓ‚‡ÌËÂ

èÂÒÌfl îÓÏ‡Ú SMF (ÙÓÏ‡Ú 0,1), ESEQ

ÇÒÚÓÂÌÌ˚Â ÔÂÒÌË

íÂÍÒÚ˚ ÔÂÒÂÌ

è‡ÚËÚÛ‡

á‡ÔËÒ¸ êÂÊËÏ ·˚ÒÚÓÈ Á‡ÔËÒË, ÂÊËÏ Á‡ÔËÒË ÌÂÒÍÓθÍËı „ÓÎÓÒÓ‚, ÂÊËÏ ÔÓ¯‡„Ó‚ÓÈ

Á‡ÔËÒË, ‰‡ÍÚËÓ‚‡ÌË ÔÂÒÌË

ä‡Ì‡Î˚ Á‡ÔËÒË 16

åÛθÚËÔ˝‰ ÇÒÚÓÂÌÌ˚È 4 ÏÛθÚËÔ˝‰‡ 54 ·‡Ì͇

PSR-2100/1100

165

íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË

ç‡Á‚‡ÌË ÏÓ‰ÂÎË PSR-2100 PSR-1100

è‡ÏflÚ¸

ÑËÒÍÂÚ‡ (2HD, 2DD)

ìÒÚÓÈÒÚ‚Ó

îν¯-Ô‡ÏflÚ¸ (‚ÌÛÚÂÌÌflfl) 1524 ä·‡ÈÚ 698 ä·‡ÈÚ

íËÔ˚ Ù‡ÈÎÓ‚, ÔÓ‰‰ÂÊË‚‡ÂÏ˚ Ùν¯-Ô‡ÏflÚ¸˛ î‡ÈÎ˚ ÔÂÒÂÌ (ÙÓÏ‡Ú SMF), ÒÚËÎÂÈ (ÙÓÏ‡Ú SFF), „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË,

„ÓÎÓÒÓ‚ Ë Ú. Ô.

íÂÏÔ ÑˇԇÁÓÌ ÚÂÏÔ‡ 5 - 500

ëÓ·ÒÚ‚ÂÌÌ˚È ËÚÏ

åÂÚÓÌÓÏ

á‚ÛÍ á‚ÓÌÓÍ ‚ÍÎ./‚˚ÍÎ.

ê„ËÒÚ‡ˆËÓÌ̇fl

äÌÓÔÍË 8

Ô‡ÏflÚ¸

èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ Á‡„ÛÁÍË Ì‡·ÓÓ‚ Ô‡‡ÏÂÚÓ‚

ËÁ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË

îÛÌ͈Ëfl Freeze («Á‡ÏÓÓÁ͇»)

ÑÛ„Ë ÑÂÏÓÌÒÚ‡ˆËfl îÛÌ͈Ëfl, „ÓÎÓÒ, ÒÚËθ

üÁ˚Í 6 flÁ˚ÍÓ‚ (‡Ì„ÎËÈÒÍËÈ, flÔÓÌÒÍËÈ, ÌÂψÍËÈ, Ù‡ÌˆÛÁÒÍËÈ, ËÒÔ‡ÌÒÍËÈ, ËڇθflÌÒÍËÈ)

èÓ‰Ò͇ÁÍË

èflÏÓÈ ‰ÓÒÚÛÔ

é·˘‡fl ̇ÒÚÓÈ͇ „ÓÏÍÓÒÚË

èÓÒÚÂÔÂÌÌÓ ÛÒËÎÂÌËÂ/Á‡ÚÛı‡ÌË Á‚Û͇

í‡ÌÒÔÓÁˈËfl ä·‚ˇÚÛ‡/ÔÂÒÌfl/Ó·˘‡fl

ç‡ÒÚÓÈ͇ ‚˚ÒÓÚ˚

ëÚÓÈ ê‡‚ÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚‡ÌÌ˚È ÒÚÓÈ, ˜ËÒÚ˚È Ï‡ÊÓ/˜ËÒÚ˚È ÏËÌÓ,

ÔËÙ‡„ÓÂÈÒÍËÈ ÒÚÓÈ, ÒÚÓÈ MEAN-TONE, ÒÚÓÈ ÇÂÍχÈÒÚÂ‡/äËÌ·Â„Â‡,

‡‡·ÒÍËÈ ÒÚÓÈ 1/2

óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl 5 ÛÓ‚ÌÂÈ

ÉÌÂÁ‰‡/‡Á˙ÂÏ˚ DC IN (‰Îfl ÔÓ‰Íβ˜ÂÌËfl ËÒÚÓ˜ÌË͇ ÔÓÒÚÓflÌÌÓ„Ó ÚÓ͇ ̇ÔflÊÂÌËÂÏ 16 Ç), PHONES

(‰Îfl ÔÓ‰Íβ˜ÂÌËfl ̇ۯÌËÍÓ‚), MIDI (OUT, IN), USB (‰Îfl ÔÓ‰Íβ˜ÂÌËfl ‚̯ÌËı

ÛÒÚÓÈÒÚ‚), FOOT PEDAL1 (Ô‰‡Î¸-ÔÂÂÍβ˜‡ÚÂθ 1) (SWITCH), FOOT PEDAL2

(Ô‰‡Î¸ 2), AUX OUT (‰ÓÔÓÎÌËÚÂθÌ˚È ÒÚÂÂÓ‚˚ıÓ‰) (LEVEL FIXED) (L/R),

OUTPUT (L/L+R) (ÒÚÂÂÓ‚˚ıÓ‰)

MIC (ÏËÍÓÙÓÌÌ˚È ‚ıÓ‰), INPUT

VOLUME („ÛÎflÚÓ „ÓÏÍÓÒÚË ‚ıÓ‰ÌÓ„Ó

Ò˄̇·), MIC./ LINE (ÏËÍÓÙÓÌÌ˚È ‚ıÓ‰/

ÎËÌÂÈÌ˚È ‚ıÓ‰)

îÛÌ͈ËË Ô‰‡ÎË VOLUME („ÓÏÍÓÒÚ¸), SUSTAIN (ÒÛÒÚÂÈÌ), SOSTENUTO (ÒÓÒÚÂÌÛÚÓ), SOFT, GLIDE

(ÒÍÓθÊÂÌË ‚˚ÒÓÚ˚ Á‚Û͇), PORTAMENTO (ÔÓÚ‡ÏÂÌÚÓ), PITCHBEND (ËÁÏÂÌÂÌËÂ

‚˚ÒÓÚ˚ Á‚Û͇), MODULATION (ÏÓ‰ÛÎflˆËfl), DSP VARIATION (‚‡ˇˆËË,

Á‡‰‡‚‡ÂÏ˚ ˆËÙÓ‚˚Ï Ò˄̇θÌ˚Ï ÔÓˆÂÒÒÓÓÏ), SONG START/STOP

(‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ÂÊËχ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË), STYLE START/STOP

(‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ÂÊËχ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl) Ë Ú. Ô.

ìÒËÎËÚÂÎË/‰Ë̇ÏËÍË ìÒËÎËÚÂÎË 12 ÇÚ 2

ÑË̇ÏËÍË [12 ÒÏ + 4 ÒÏ (ÍÛÔÓÎÓÓ·‡ÁÌ˚Â)] 2 (12 ÒÏ + 5 ÒÏ) 2

èÓÚ·ÎflÂχfl ÏÓ˘ÌÓÒÚ¸ 31 ÇÚ

àÒÚÓ˜ÌËÍ ÔËÚ‡ÌËfl ĉ‡ÔÚÂ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇ Yamaha PA-300 (‚ıÓ‰ËÚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË)

*åÓÊÂÚ Ì ‚ıÓ‰ËÚ¸ ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË ‚ ‚‡¯ÂÏ „ËÓÌÂ. ë‚flÊËÚÂÒ¸ Ò

„ËÓ̇θÌ˚Ï ‰ËÎÂÓÏ ÍÓÔÓ‡ˆËË Yamaha.

ê‡ÁÏÂ˚ [òËË̇ ÑÎË̇ Ç˚ÒÓÚ‡]

973 399 161 ÏÏ

(·ÂÁ Ô˛ÔËÚ‡)

[38-5/16" 15-11/16" 6-5/16"]

ÇÂÒ 10,5 Í„ (23 ÙÛÌÚ‡, 2 Û̈ËË) 10,0 Í„ (22 ÙÛÌÚ‡., 1 Û̈Ëfl)

ÄÍÒÂÒÒÛ‡˚,

ç‡Û¯ÌËÍË HPE-150

ÔË·„‡˛˘ËÂÒfl ÔÓ

çÓÊÌÓÈ ÔÂÂÍβ˜‡ÚÂθ FC4 / FC5

Ê·Ì˲

ÔÓÍÛÔ‡ÚÂÎfl

çÓÊÌÓÈ ÍÓÌÚÓÎÎÂ FC7

èÓ‰ÒÚ‡‚͇ ‰Îfl Í·‚ˇÚÛ˚ L-6, L-7

* íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË Ë Ëı ÓÔËÒ‡ÌËfl ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl Ô‰̇Á̇˜ÂÌ˚ ÚÓθÍÓ ‰Îfl Ó·˘Â„Ó Ò‚Â‰ÂÌËfl. äÓÔÓ‡ˆËfl

Yamaha ÒÓı‡ÌflÂÚ Á‡ ÒÓ·ÓÈ Ô‡‚Ó ËÁÏÂÌflÚ¸ Ë ÏÓ‰ËÙˈËÓ‚‡Ú¸ ÔÓ‰ÛÍÚ˚ Ë Ëı ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË ·ÂÁ Ô‰‚‡ËÚÂθÌÓ„Ó Û‚Â‰ÓÏÎÂ-

ÌËfl. èÓÒÍÓθÍÛ ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË, ‚ıÓ‰fl˘Â ‚ ÍÓÏÔÎÂÍÚ Ó·ÓÛ‰Ó‚‡ÌËÂ Ë Â„Ó Ô‡‡ÏÂÚ˚ ÏÓ„ÛÚ ËÏÂÚ¸ ÌÂÍÓÚÓ˚ ÓÚ΢Ëfl ‚ Á‡‚ËÒË-

ÏÓÒÚË ÓÚ ÒÚ‡Ì˚, Ò‚flÊËÚÂÒ¸ Ò ÏÂÒÚÌ˚Ï ÚÓ„Ó‚˚Ï Ô‰ÒÚ‡‚ËÚÂθÒÚ‚ÓÏ ÍÓÔÓ‡ˆËË Yamaha ‰Îfl ÔÓÎÛ˜ÂÌËfl ‰ÓÔÓÎÌËÚÂθÌ˚ı ҂‰ÂÌËÈ.

166

PSR-2100/1100

èe‰ÏeÚÌ˚È Û͇Á‡Úeθ

0-9

L

3BAND EQ (ÚÂıÔÓÎÓÒÌ˚È ˝Í‚‡Î‡ÈÁÂ) .................................... 133

LCD (ÊˉÍÓÍËÒÚ‡Î΢ÂÒÍËÈ ˝Í‡Ì)...........................................15

LEFT CH (΂˚È Í‡Ì‡Î) ............................................................86

A

Live! (ËÌÒÚÛÏÂÌÚ: «ÊË‚ÓÈ»)......................................................58

AI.......................................................................................... 65

M

AI FINGERED (Ú‡‰ËˆËÓÌÌ˚È Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ËÒÍÛÒÒÚ‚ÂÌÌÓ„Ó

ËÌÚÂÎÎÂÍÚ‡) ........................................................................ 65

MAIN A/B/C/D (ÓÒÌӂ̇fl ˜‡ÒÚ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡) ...................67

AI FULL KEYBOARD (‚Òfl Í·‚ˇÚÛ‡ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ

MIC......................................................................................131

ËÒÍÛÒÒÚ‚ÂÌÌÓ„Ó ËÌÚÂÎÎÂÍÚ‡).................................................. 65

MICROPHONE SETTING .........................................................133

MIDI.....................................................................................148

B

MIDI IN.................................................................................156

MIDI OUT..............................................................................156

Bass (·‡Ò) .............................................................................. 97

MIDI-ÔÓÚ˚ ...........................................................................156

BEAT (‡ÁÏÂ).................................................................. 73, 74

MODULATION .........................................................................18

MODULATION (ÏÓ‰ÛÎflˆËfl) .......................................................61

C

MULTI FINGER (ÌÂÒÍÓθÍËÏË Ô‡Î¸ˆ‡ÏË) .....................................65

Chord (‡ÍÍÓ‰˚)...................................................................... 97

CHORUS DEPTH (Sound Creator)............................................... 93

N

COMPRESSOR (ÍÓÏÔÂÒÒÓ) .................................................. 134

NEW RECORD (ÌÓ‚‡fl Á‡ÔËÒ¸) ...................................................75

Cool! (ËÌÒÚÛÏÂÌÚ: «ÍÛÚÓÈ») .................................................... 58

NOISE GATE („ÂÈÚ) ................................................................133

Current Memory (Ó·˙ÂÍÚ ‚ Ô‡ÏflÚË) ............................................. 40

Note Limit (ÌÓÚÌ˚È ‰Ë‡Ô‡ÁÓÌ)...................................................120

NOTE NAME (̇Á‚‡ÌË ÌÓÚ˚)....................................................86

D

NTR (Ô‡‚ËÎÓ Ú‡ÌÒÔÓÁˈËË)...................................................119

DELETE RECORD (Û‰‡ÎÂÌË Á‡ÔËÒË) ......................................... 74

NTT (Ú‡·Îˈ‡ Ú‡ÌÒÔÓÁˈËË) ...................................................120

DOC.................................................................................... 162

Drum (ËÌÒÚÛÏÂÌÚ: ·‡‡·‡Ì˚) ................................................... 58

O

DSP DEPTH (Sound Creator)...................................................... 93

OCTAVE (Ò‰‚Ë„ ̇ ÓÍÚ‡‚Û) ......................................................126

DC IN .................................................................................. 156

Organ Flutes......................................................................94, 58

E

P

ECHO.................................................................................... 61

Pad («ÔӉͷ‰˚»)....................................................................97

EG („ÂÌÂ‡ÚÓ Ó„Ë·‡˛˘Ëı)....................................................... 92

PANEL SUSTAIN (Sound Creator)................................................93

ENDING ................................................................................. 69

Phrase (Ù‡Á˚) .......................................................................97

EQ (˝Í‚‡Î‡ÈÁÂ) ................................................................... 124

PITCH BEND ...............................................................18, 38, 61

ESEQ .................................................................................. 161

PITCH BEND RANGE (‰Ë‡Ô‡ÁÓÌ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚)...................126

PORTAMENTO TIME (‚ÂÏfl ÔÓÚ‡ÏÂÌÚÓ)..................................126

F

PRESET (Ô‰‚‡ËÚÂθÌ˚ ̇ÒÚÓÈÍË) ......................................40

FAVORITE (β·ËÏ˚Â).............................................................. 74

File (Ù‡ÈÎ) ............................................................................. 40

Q

FINGERED (Ú‡‰ËˆËÓÌÌ˚È) ...................................................... 65

QUANTIZE (Í‚‡ÌÚËÁ‡ˆËfl)..........................................................86

FINGERED ON BASS (Ú‡‰ËˆËÓÌÌ˚È Ò ·‡ÒÓÏ)............................. 65

Quick Start (ÙÛÌ͈Ëfl ·˚ÒÚÓ„Ó Á‡ÔÛÒ͇) ....................................140

FLOPPY DISK (‰ËÒÍÂÚ‡) ............................................... 40, 41, 42

FULL KEYBOARD (‚Òfl Í·‚ˇÚÛ‡)............................................ 65

R

G

REVERB DEPTH (Sound Creator) ................................................93

Rhythm (ËÚÏ) .........................................................................97

GENRE (ʇÌ).................................................................. 73, 75

RIGHT CH (Ô‡‚˚È Í‡Ì‡Î).........................................................86

GENRE NAME (̇Á‚‡ÌË ʇÌ‡) ............................................... 75

RTR (Ô‡‚ËÎÓ ÔÓ‚ÚÓÌÓ„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl).............................120

H

S

HARMONY ............................................................................. 61

SFX (ËÌÒÚÛÏÂÌÚ: ÒÔˆ˝ÙÙÂÍÚ˚)...............................................58

High Key (‚ÂıÌflfl ÌÓÚ‡) ......................................................... 120

SINGLE FINGER (Ó‰ÌËÏ Ô‡Î¸ˆÂÏ) ..............................................65

SMF (Òڇ̉‡ÚÌ˚È Ù‡ÈÎ MIDI) ................................................161

I

Sweet! (ËÌÒÚÛÏÂÌÚ: «Ò·‰ÍÓÁ‚Û˜Ì˚È»).......................................58

INTRO ................................................................................... 69

T

K

TEMPO FROM (ÔÓËÒÍ, ̇˜Ë̇fl Ò ÚÂÏÔ‡…)...................................73

KEY SIGNATURE (Íβ˜)........................................................... 86

TEMPO TO (ÔÓËÒÍ, Á‡Í‡Ì˜Ë‚‡fl ÚÂÏÔÓÏ...)....................................73

KEYWORD (Íβ˜Â‚Ó ÒÎÓ‚Ó).............................................. 73, 74

TUNING (̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚) ...................................................126

Kirnberger............................................................................. 139

PSR-2100/1100

167

èe‰ÏeÚÌ˚È Û͇Á‡Úeθ

U

‚˚Íβ˜‡ÚÂθ [STANDBY/ON] ........................................14, 18, 17

‚˚Íβ˜ÂÌË ͇̇ÎÓ‚ ...............................................................64

USB ...................................................................................... 17

‚˚‡‚ÌË‚‡ÌËÂ...............................................................105, 118

USB-ÔÓÚ ............................................................................... 15

‚˚ıÓ‰ ËÁ ‚ÂÏÂÌÌÓ„Ó ‡·Ó˜Â„Ó ÓÍ̇ ..........................................43

USER (ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ‡Á‰ÂÎ Ô‡ÏflÚË)................................... 40

Utility ................................................................................... 151

É

V

„‡Ïχ ..................................................................................139

„‡ÏÓÌËÁ‡ˆËfl .......................................................................146

VIBRATO................................................................................ 93

„‡ÏÓÌËÁ‡ˆËfl ‚Ó͇·...............................................................15

VOCAL HARMONY CONTROL ................................................. 134

„ÎÛ·Ë̇ ‚Ë·‡ÚÓ......................................................................93

„ÌÂÁ‰Ó [MIC./LINE IN]..............................................................155

W

„ÓÎÓÒ ‰Îfl ΂ÓÈ ÛÍË ...............................................................60

Werckmeister ........................................................................ 139

„ÓÎÓÒÓ‚˚Â ˝ÙÙÂÍÚ˚................................................................60

„Û‚.....................................................................................116

X

„ÛÔÔ‡ „ÓÎÓÒÓ‚ «Ó„‡ÌÌ˚ ÙÎÂÈÚ˚» ..........................................15

Ɉ........................................................................................138

XF................................................................................. 17, 161

XG ................................................................................ 17, 162

Ñ

Ä

‰Ë̇ÏË͇..............................................................................117

‰ËÒÍ ÛÔ‡‚ÎÂÌËfl [DATA ENTRY] ..........................................19, 49

‡‚ÚÓχÚ˘ÂÒ͇fl ÒÏÂ̇ ̇ÒÚÓÂÍ ÔË ÔÂÂıӉ ÓÚ Ó‰ÌÓÈ ÓÒÌÓ‚ÌÓÈ

‰ËÒÍÓ‚Ó‰ ..................................................................................7

˜‡ÒÚË Í ‰Û„ÓÈ..................................................................... 71

‰Ó·‡‚ËÚ¸ ................................................................................74

‡‚ÚÓχÚ˘ÂÒÍÓ ‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË Á‡ÔËÒË ....................... 104

‰Ó·‡‚ÎÂÌË „‡ÏÓÌËÍ...............................................................92

‡‚ÚÓχÚ˘ÂÒÍÓ ÔÓË„˚‚‡ÌË ‚ÒÚ‡‚ÓÍ ÔË ÔÂÂıӉ ÓÚ

‰ÓÔÓÎÌËÚÂθÌ˚ ÔË̇‰ÎÂÊÌÓÒÚË ...............................................6

Ó‰ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ............................................................ 69

‰ËÒÍÓ‚Ó‰ (‰Îfl 3,5 ‰˛ÈÏÓ‚˚ı ‰ËÒÍÂÚ)..........................................19

‡ÍÍÓ‰Ó‚‡fl ‡ÔÔÎË͇ÚÛ‡.......................................................... 65

‰ËÒÍÓ‚Ó‰ ..........................................................................41, 42

‡ÍÍÓ‰Ó‚˚ ÒÓ·˚ÚËfl ............................................................. 109

‰ËÒÍ ÛÔ‡‚ÎÂÌËfl [MASTER VOLUME]..........................................17

‡‡·ÒÍËÈ ÒÚÓÈ ..................................................................... 139

‡‡ÌÊËӂ͇ Ë ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ .......................................... 67

á

‡Ú‡Í‡..................................................................................... 92

Á‡„ÛÁ͇ Á‡„ËÒÚËÓ‚‡ÌÌ˚ı Ô‡‡ÏÂÚÓ‚..................................89

Å

Á‡„ÛÁ͇ ̇·Ó‡ Ô‡‡ÏÂÚÓ‚.....................................................89

Á‡ÏÂ̇ ËÒıÓ‰Ì˚ı Á̇˜ÂÌËÈ Ô‡‡ÏÂÚÓ‚ ÔÂÒÌË ÚÂÍÛ˘ËÏË ............107

·ÎÓÍ ˝ÙÙÂÍÚÓ‚..................................................................... 128

Á‡ÏÂÌËÚ¸................................................................................74

·ÎÓÍËӂ͇ Ô‡‡ÏÂÚ‡........................................................... 152

Á‡ÏÓÓÁ͇ ..............................................................................89

·˚ÒÚ˚È ‚˚·Ó ˝Í‡Ì‡ ............................................................ 50

Á‡ÔËÒ¸..............................................................................37, 72

Á‡ÔËÒ¸ ‚ ‡θÌÓÏ ‚ÂÏÂÌË ....................................................113

Ç

Á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ........................................95

‚‚Ó‰ ‡ÍÍÓ‰Ó‚ Ë ˜‡ÒÚÂÈ (ÔÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸ ‡ÍÍÓ‰Ó‚)................ 102

Á‡ÔËÒ¸ Á‡ÏÂÌ˚ ‡ÍÍÓ‰Ó‚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ..........................102

‚‚Ó‰ Ë ‰‡ÍÚËÓ‚‡ÌË ÚÂÍÒÚ‡ ÔÂÒÂÌ ....................................... 110

Á‡ÔËÒ¸ ÏÂÎÓ‰ËÈ.....................................................................101

‚‚Ó‰ ÔÓ˜Ëı ÒËÏ‚ÓÎÓ‚ ............................................................. 48

Á‡ÔËÒ¸ ÓÚ‰ÂθÌ˚ı ÌÓÚ ..............................................................99

‚‚Ó‰ ÒËÏ‚ÓÎÓ‚........................................................................ 48

Á‡ÔËÒ¸ ÔÂÒÂÌ...........................................................................95

‚‚Ó‰ ÒÔˆÒËÏ‚ÓÎÓ‚ (ÛÏÎflÛÚ, ÒËÏ‚ÓÎ Û‰‡ÂÌËfl,

Á‡ÔËÒ¸ ÔÓ ÔÂ‚ÓÈ Ò˚„‡ÌÌÓÈ ÌÓÚÂ............................................104

flÔÓÌÒÍËÂ ÒËÏ‚ÓÎ˚ Ë )...................................................... 48

Á‚ÛÍ ‰Îfl ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÚχ ..................................................152

‚‚Ó‰ ˆËÙ.............................................................................. 48

Á̇˜ÂÌËfl ‚˚ÒÓÚ ‰Îfl Í‡Ê‰Ó„Ó ÒÚÓfl..........................................139

‚Ë·‡ÚÓ ................................................................................. 93

‚Íβ˜ÂÌË ÔËÚ‡ÌËfl ........................................................... 16, 17

à

‚ÓÒÔÓËÁ‚‰ÂÌË ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ .......................................... 79

Ë„‡ Ó‰ÌÓ‚ÂÏÂÌÌÓ ‰‚ÛÏfl „ÓÎÓÒ‡ÏË...........................................26

‚ÓÒÔÓËÁ‚‰ÂÌË „ÓÎÓÒÓ‚ ........................................................ 25

Ë„‡ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÌÂÒÍÓθÍËı ÚÂÏ·Ó‚................................59

‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ Ò ‰ËÒÍÂÚ˚............................................. 81

ËÁÏÂÌÂÌË ‡‚ÚÓχÚ˘ÂÒÍË ‚˚·‡ÌÌ˚ı Ô‡‡ÏÂÚÓ‚ „ÓÎÓÒ‡ ..........146

‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ............................................... 21, 78, 79

ËÁÏÂÌÂÌË Á̇˜ÂÌËÈ ................................................................49

‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl ..................................................... 28, 62

ËÁÏÂÌÂÌË Á̇˜Í‡....................................................................49

‚ÓÒÔÓËÁ‚‰ÂÌË ÚÓθÍÓ ËÚÏ˘ÂÒÍËı ‰ÓÓÊÂÍ ÒÚËÎfl.................. 64

ËÁÏÂÌÂÌË ԇ‡ÏÂÚÓ‚, Ò‚flÁ‡ÌÌ˚ı Ò ‚˚ÒÓÚÓÈ Á‚Û͇...................126

‚ÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰Ì˚ı Ô‡‡ÏÂÚÓ‚ PSR-2100/1100............... 154

ËÁÏÂÌÂÌË ËÚχ...................................................................116

‚ÂÏfl Á‚Û˜‡ÌËfl .................................................................... 100

ËÁÏÂÌÂÌË ÒÍÓÓÒÚË Ì‡Ê‡ÚËfl..................................................118

‚ÒÚ‡‚͇.................................................................................. 69

ËÁÏÂÌÂÌËÂ ÚÂÏ·‡ „ÓÎÓÒ‡.......................................................126

‚˚·Ó ‡ÔÔÎË͇ÚÛ˚............................................................... 142

ËÁÏÂÌÂÌË ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í Ì‡Ê‡Ú˲, ̇ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚

‚˚·Ó „ÓÎÓÒ‡.......................................................................... 57

ÏÓ‰ÛÎflˆËË Ë Ú‡ÌÒÔÓÁˈËË ..................................................144

‚˚·Ó ËÏÂÌ ‰Îfl Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ ............................................... 44

Ë̉Ë͇ÚÓ˚ ÚÂÏÔ‡ — „·‚Ì˚È ˝Í‡Ì ..........................................54

‚˚·Ó Ó·˙ÂÍÚÓ‚...................................................................... 49

ËÒÔÓθÁÓ‚‡ÌË ‚ÒÚÓÂÌÌ˚ı „ÓÎÓÒÓ‚.........................................148

‚˚·Ó Ô‡‡ÏÂÚÓ‚ «Á‡ÏÓÓÁÍË»................................................ 89

ËÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ..............................................7

‚˚·Ó Ô‡‡ÏÂÚÓ‚ Á‡ÔËÒË: ̇˜‡ÎÓ, ÍÓ̈, ‡‚ÚÓχÚ˘ÂÒÍÓ ‚Íβ˜ÂÌËÂ

ËÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇ .....................................................131

Ë ‚˚Íβ˜ÂÌË Á‡ÔËÒË......................................................... 104

ËÒÔÓθÁÓ‚‡ÌË ÔÓÚ‡ USB ‰Îfl ÔÓ‰Íβ˜ÂÌËfl ˜ÂÂÁ ÛÒÚÓÈÒÚ‚Ó Ò

‚˚·Ó ÚÂÏÔÂ‡ˆËË ................................................................ 138

ËÌÚÂÙÂÈÒÓÏ USB/MIDI (ÏÓ‰Âθ UX256 Ë Ú. ‰.).......................158

‚˚·Ó ÚËÔÓ‚ ËÌÚÓ‰Û͈ËÈ Ë ÙË̇ÎÓ‚......................................... 69

ËÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Music Finder .........................................33

‚˚·Ó Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ............................................................. 43

ËÒÚÓ˜ÌËÍ ÔËÚ‡ÌËfl ....................................................................16

‚˚ÁÓ‚ ̇˷ÓΠۉ‡˜ÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ................................ 72

ËÒıÓ‰Ì˚È ÓÒÌÓ‚ÌÓÈ ÚÓÌ/‡ÍÍÓ‰................................................119

168

PSR-2100/1100

èe‰ÏeÚÌ˚È Û͇Á‡Úeθ

ä

ÍÌÓÔÍË STYLE ...................................................................18, 62

ÍÌÓÔÍË TEMPO [

E] [F] ..................................................53, 18

͇̇Π.............................................................. 64, 82, 118, 140

ÍÌÓÔÍË TRANSPOSE [E] [F].........................................18, 144

͇̇Î˚ MIDI ......................................................................... 160

ÍÌÓÔÍË VOICE ...................................................................15, 19

͇̇θÌ˚ MIDI-ÒÓÓ·˘ÂÌËfl .................................................... 159

ÍÌÓÔÍË VOICE („ÛÔÔ˚ „ÓÎÓÒÓ‚) .................................................57

ÍÌÓÔÍË [A] - [J]................................................................... 19, 43

ÍÓ̈‚Ó Á‡ÚÛı‡ÌË .................................................................92

ÍÌÓÔ͇ [ACMP] .................................................................. 18, 63

ÍÓÔËÓ‚‡ÌËÂ Ë ÙÓχÚËÓ‚‡ÌË ‰ËÒÍÂÚ ...................................153

ÍÌÓÔ͇ [AUTO FILL IN]........................................................ 18, 69

ÍÓÔËÓ‚‡ÌËÂ Ò ‰ËÒÍÂÚ˚ ̇ ‰ËÒÍÂÚÛ...........................................153

ÍÌÓÔ͇ [BACK] ............................................................ 19, 43, 49

ÍÓÔËÓ‚‡ÌË ڇÍÚÓ‚...............................................................118

ÍÌÓÔ͇ [BALANCE]............................................................. 19, 64

ÍÓÔËÓ‚‡ÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ ....................................................46

ÍÌÓÔ͇ [BREAK]................................................................. 18, 67

ÍÌÓÔ͇ [CHANNEL ON / OFF]......................................... 19, 64, 82

å

ÍÌÓÔ͇ [DEMO].................................................................. 14, 18

ÍÌÓÔ͇ [DIGITAL RECORDING] .............................. 14, 18, 95, 111

ÏÂÚÓÌÓÏ .............................................................................151

ÍÌÓÔ͇ [DIRECT ACCESS]................................................... 19, 50

ÏÓ‰ÛÎflˆËfl............................................................................144

ÍÌÓÔ͇ [DSP] ............................................................ 19, 60, 129

ÏÛθÚËÔ˝‰˚ ............................................................................14

ÍÌÓÔ͇ [EXIT].................................................................... 19, 43

ÍÌÓÔ͇ [EXTRA TRACKS (STYLE)]........................................ 18, 83

ç

ÍÌÓÔ͇ [EFFECT] ............................................................. 19, 131

̇Á̇˜ÂÌË ͇̇ÎÓ‚ ‰Îfl ‡ÍÍÓ‰Ó‚ ...........................................150

ÍÌÓÔ͇ [ENDING/rit.]..................................................... 18, 30, 68

̇Á̇˜ÂÌË ͇̇ÎÓ‚ ‰Îfl ÓÒÌÓ‚Ì˚ı ÚÓÌÓ‚..................................150

ÍÌÓÔ͇ [ENTER]................................................................. 19, 49

̇ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» .....................................................32

ÍÌÓÔ͇ [FF]....................................................................... 18, 81

̇ÒÚÓÈ͇ ‚˚·‡ÌÌÓ„Ó ÒÚËÎfl.....................................................70

ÍÌÓÔ͇ [FADE IN/OUT]........................................................ 18, 68

̇ÒÚÓÈ͇ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· Ë ÏËÍÓÙÓ̇...........................133

ÍÌÓÔ͇ [FUNCTION] ......................................................... 18, 136

̇ÒÚÓÈ͇ „ÓÏÍÓÒÚË ˜‡ÒÚÂÈ / ÔË„ÎÛ¯ÂÌË ÓÚ‰ÂθÌ˚ı ͇̇ÎÓ‚.....81

ÍÌÓÔ͇ [FREEZE]............................................................... 19, 89

̇ÒÚÓÈ͇ „ÓÏÍÓÒÚË ÏËÍÓÙÓ̇ Ë ÒÓÔÛÚÒÚ‚Û˛˘Ëı ˝ÙÙÂÍÚÓ‚.....135

ÍÌÓÔ͇ [HARMONY / ECHO] ................................................ 19, 61

̇ÒÚÓÈ͇ ‰ËÒÔÎÂfl Ë ÓÚÓ·‡ÊÂÌËfl ÌÓÏÂÓ‚ „ÓÎÓÒÓ‚ ..................152

ÍÌÓÔ͇ [HELP]................................................................... 18, 52

̇ÒÚÓÈ͇ ÍÓÌÚ‡ÒÚÌÓÒÚË ˝Í‡Ì‡ ...............................................17

ÍÌÓÔ͇ [INTRO] ........................................................... 18, 31, 67

̇ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚..................................................136

ÍÌÓÔ͇ [LEFT HOLD] .......................................................... 19, 61

̇ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ Í·‚ˇÚÛ˚ Ë Ô‰‡ÎÂÈ ...........................142

ÍÌÓÔ͇ [MIC. SETTING]..................................................... 19, 131

̇ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ ÙÂȉËÌ„‡, ÏÂÚÓÌÓχ, ‡ Ú‡ÍÊ ÙÛÌ͈ËÈ

ÍÌÓÔ͇ [MIXING CONSOLE]............................................... 18, 124

·ÎÓÍËÓ‚ÍË Ô‡‡ÏÂÚ‡ Ë Û͇Á‡ÌËfl ËÚχ...............................151

ÍÌÓÔ͇ [MONO] ................................................................. 19, 61

̇ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚, ÓÚÌÓÒfl˘ËıÒfl Í ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÛ.......141

ÍÌÓÔ͇ [MUSIC FINDER] ......................................... 15, 19, 72, 33

̇ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚, ÓÚÌÓÒfl˘ËıÒfl Í ÔÂÒÌ ............................140

ÍÌÓÔ͇ [MEMORY] ............................................................. 19, 87

̇ÒÚÓÈ͇ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ‚˚ÁÓ‚‡ „ËÒÚ‡ˆËÓÌÌ˚ı Ù‡ÈÎÓ‚,

ÍÌÓÔ͇ [METRONOME] ....................................................... 18, 53

Ô‡‡ÏÂÚÓ‚ «Á‡ÏÓÓÁÍË» Ë „ÓÎÓÒ‡........................................145

ÍÌÓÔ͇ [NEXT]............................................................. 19, 43, 49

̇ÒÚÓÈ͇ ÒÔËÒ͇ ÒÓ·˚ÚËÈ — ÙËθÚ.......................................110

ÍÌÓÔ͇ [OTS LINK] ............................................................. 18, 71

̇ÒÚÓÈ͇ ˝ÙÙÂÍÚÓ‚ .............................................................127

ÍÌÓÔ͇ [REC] .................................................................... 18, 95

̇ÒÚÓÈ͇ ˝ÙÙÂÍÚÓ‚ „‡ÏÓÌËÁ‡ˆËË Ë ˝ı‡ .................................146

ÍÌÓÔ͇ [REPEAT]............................................................... 18, 84

̇ۯÌËÍË .............................................................................155

ÍÌÓÔ͇ [REW].................................................................... 18, 81

ÌÓÚÌ˚Â ÒÓ·˚ÚËfl 1 - 16............................................................108

ÍÌÓÔ͇ [SOUND CREATOR]................................................. 90, 18

ÍÌÓÔ͇ [STOP] (MULTI PAD)................................................ 18, 76

é

ÍÌÓÔ͇ [SUSTAIN].............................................................. 19, 60

ÍÌÓÔ͇ [SYNC.START]........................................................ 18, 63

Ó·Ó„‡˘ÂÌË ÏÛÁ˚ÍË Ò ÔÓÏÓ˘¸˛ ‡‚ÚÓχÚ˘ÂÒÍËı ˝ÙÙÂÍÚÓ‚

ÍÌÓÔ͇ [SYNC.STOP] ......................................................... 18, 68

Harmony („‡ÏÓÌËÁ‡ˆËfl) Ë Echo (˝ıÓ)......................................29

ÍÌÓÔ͇ [TALK] ................................................................. 19, 131

Ó·˘‡fl ̇ÒÚÓÈ͇ (Ô‡‡ÏÂÚ˚ Local Control, Clock Ë Ú. ‰.) ............148

ÍÌÓÔ͇ [TAP TEMPO] ......................................................... 18, 54

Ó·˙‰ËÌÂÌË ͇̇ÎÓ‚ ............................................................106

ÍÌÓÔ͇ [TOP] .................................................................... 18, 81

Ó·˙ÂÍÚ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl.......................................................144

ÍÌÓÔ͇ [TOUCH] ................................................................ 19, 60

Ó‰ÌÓ‚ÂÏÂÌÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Ë ÒÚËÎfl

ÍÌÓÔ͇ [TRACK 1 (R)] ......................................................... 18, 83

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡............................................................80

ÍÌÓÔ͇ [TRACK 2 (L)].......................................................... 18, 83

ÓÔÂ‡ˆËË Ò Ù‡È·ÏË Ë Ô‡Ô͇ÏË.................................................44

ÍÌÓÔ͇ [UPPER OCTAVE] ................................................... 19, 61

Ó„‡ÌËÁ‡ˆËfl Ù‡ÈÎÓ‚ ÔÛÚÂÏ ÒÓÁ‰‡ÌËfl ÌÓ‚ÓÈ Ô‡ÔÍË .......................47

ÍÌÓÔ͇ [VARIATION]........................................................... 19, 61

ÓÒÌÓ‚Ì˚ ÓÔÂ‡ˆËË — Ó„‡ÌËÁ‡ˆËfl ‰‡ÌÌ˚ı ................................38

ÍÌÓÔ͇ [VOCAL HARMONY]............................................... 19, 131

ÓÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ÔË ÒÌflÚËË ÛÍ Ò Í·‚ˇÚÛ˚....68

ÍÌÓÔ͇ [VH TYPE SELECT]................................................ 19, 131

ÓÚÏÂÚ͇ «END» .....................................................................103

ÍÌÓÔ͇ MAIN [A] ................................................................ 18, 67

ÓÚÓ·‡ÊÂÌË ÌÓÚ.....................................................................85

ÍÌÓÔ͇ MAIN [B] ................................................................ 18, 67

ÓÚÓ·‡ÊÂÌË ÚÂÍÒÚ‡ ÔÂÒÌË .......................................................86

ÍÌÓÔ͇ MAIN [C] ................................................................ 18, 67

Ó˜ËÒÚ͇ Ú‡ÍÚÓ‚......................................................................118

ÍÌÓÔ͇ MAIN [D] ................................................................ 18, 67

ÍÌÓÔ͇ SONG [START / STOP]............................................. 18, 79

è

ÍÌÓÔ͇ STYLE [START / STOP] ............................................ 18, 63

Ô‡‡ÏÂÚ..............................................................................119

ÍÌÓÔ͇ VOICE PART ON / OFF [LAYER]................................. 19, 59

Ô‡‡ÏÂÚ˚ „Û‚‡...................................................................116

ÍÌÓÔ͇ VOICE PART ON / OFF [LEFT] ................................... 19, 59

Ô‡‡ÏÂÚ˚ Ó·˚˜ÌÓ„Ó „ÓÎÓÒ‡ .....................................................91

ÍÌÓÔ͇ VOICE PART ON / OFF [MAIN]................................... 19, 59

ÔÓÁˈËfl ÎÓ͇ÚÓ‡ ............................................................81, 140

ÍÌÓÔÍË [1▲▼] - [8▲▼] ................................................ 19, 38–48

ÔÓËÒÍ Ì‡Ë·ÓΠۉ‡˜ÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡..................................73

ÍÌÓÔÍË MIC. (PSR-2100).................................................... 19, 131

ÔÓËÒÍ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Music Finder ......................................73

ÍÌÓÔÍË MULTI PAD [1] - [4] .................................................. 18, 76

ÔÓËÒÍ ÒÂ‰Ë Á‡ÔËÒÂÈ Music Finder ..............................................34

ÍÌÓÔÍË ONE TOUCH SETTING [1] - [4]............................. 19, 70, 71

ÔÓ͇Á‡ÌËfl ÍÌÓÔÓÍ ‚˚·Ó‡ ˜‡ÒÚÂÈ — [BREAK], [INTRO], [MAIN],

ÍÌÓÔÍË REGISTRATION MEMORY [1] - [8].............................. 19, 87

[ENDING] ............................................................................67

PSR-2100/1100

169

èe‰ÏeÚÌ˚È Û͇Á‡Úeθ

ÔÂÓ·‡ÁÓ‚‡ÌË ËÏÂÌ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÒËÏ‚ÓÎÓ‚

‰‡ÍÚËÓ‚‡ÌË ‡ÍÍÓ‰Ó‚˚ı ÒÓ·˚ÚËÈ ......................................109

«Í‡Ì‰ÁË» (flÔÓÌÒÍËÈ flÁ˚Í) ..................................................... 48

‰‡ÍÚËÓ‚‡ÌË „ÓÎÓÒÓ‚ ..........................................................90

ÔËÂÏ MIDI-ÒÓÓ·˘ÂÌËÈ........................................................... 150

‰‡ÍÚËÓ‚‡ÌË Á‡ÔËÒÂÈ ..........................................................74

ÔË„ÎÛ¯ÂÌË ÓÚ‰ÂθÌ˚ı ˜‡ÒÚÂÈ ................................................ 83

‰‡ÍÚËÓ‚‡ÌË Á‡ÔËÒÂÈ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Music Finder ...........74

ÔËÏÂ ËÌÙÓχˆËË, Ò˜ËÚ˚‚‡ÂÏÓÈ Ò Í·‚ˇÚÛ˚...................... 159

‰‡ÍÚËÓ‚‡ÌË Á‡ÔËÒË..........................................................105

ÔËÏÂÌÂÌËÂ ˝ÙÙÂÍÚÓ‚ ............................................................ 60

‰‡ÍÚËÓ‚‡ÌË ÌÓÚÌ˚ı ÒÓ·˚ÚËÈ.............................................108

ÔËÏÂÌÂÌËfl „‡ÏÓÌËÁ‡ˆËË ..................................................... 147

‰‡ÍÚËÓ‚‡ÌË ԇ‡ÏÂÚÓ‚ ͇̇· ........................................118

ÔÓ‰ÓÎÊËÚÂθÌÓÒÚ¸ ÒÚ‡‰ËË Ì‡‡˘Ë‚‡ÌËfl „ÓÏÍÓÒÚË,

‰‡ÍÚËÓ‚‡ÌË ԇ‡ÏÂÚÓ‚, ÓÚÌÓÒfl˘ËıÒfl Í Í‡Ì‡Î‡Ï ................105

ÔÓ‰ÓÎÊËÚÂθÌÓÒÚ¸ ÒÚ‡‰ËË ÒÌËÊÂÌËfl „ÓÏÍÓÒÚË,

‰‡ÍÚËÓ‚‡ÌË ÒËÒÚÂÏÌ˚ı ÒÓ·˚ÚËÈ........................................109

ÔÓ‰ÓÎÊËÚÂθÌÓÒÚ¸ ÒÚ‡‰ËË ÌÛ΂ÓÈ „ÓÏÍÓÒÚË ..................... 151

‰‡ÍÚËÓ‚‡ÌË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ...................................116

ÔӘˠԇ‡ÏÂÚ˚ ................................................................ 151

ÂÊËÏ ·˚ÒÚÓÈ Á‡ÔËÒË.............................................................96

ÔӘˠԇ‡ÏÂÚ˚ ̇ ÒÚ‡Ìˈ «Basic» ................................... 114

ÂÊËÏ Á‡ÔËÒË ÌÂÒÍÓθÍËı „ÓÎÓÒÓ‚.............................................97

ÔӘˠÓÔÂ‡ˆËË, Ò‚flÁ‡ÌÌ˚Â Ò ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ....................... 81

ÂÊËÏ Ì‡ÎÓÊÂÌËfl Á‡ÔËÒË.......................................................111

ÔÓË„˚‚‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ .............................. 20, 55

ÂÁÓ̇ÌÒ ................................................................................92

ÔÓÒÎۯ˂‡ÌË PSR-2100/1100 ˜ÂÂÁ ÍÓÎÓÌÍË ‡Û‰ËÓÒËÒÚÂÏ˚

͇ۘ [INPUT VOLUME] ....................................................19, 155

Ë Á‡ÔËÒ¸ ̇ ‚̯Ì ÛÒÚÓÈÒÚ‚Ó.......................................... 156

ÔÂ‚˘ÌÓ Á‡ÚÛı‡ÌËÂ............................................................... 92

ë

ÔÂ‰‡˜‡ MIDI-ÒÓÓ·˘ÂÌËÈ...................................................... 149

Ò·Ó͇ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.................................................115

ÔÂ‰‡˜‡ Ò˄̇ÎÓ‚ ÒËÌıÓÌËÁ‡ˆËË .......................................... 149

Ò‚flÁË ÏÂÊ‰Û ˝ÙÙÂÍÚ‡ÏË........................................................129

ÔÂÂÏ¢ÂÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ .................................................. 45

ÒÂÍ‚ÂÌÒÓ.............................................................................159

ÔÂÂÍβ˜‡ÚÂθ ÚËÔ‡ ÒÓÓ·˘ÂÌËÈ ............................................. 149

ÒËÌıÓÌËÁ‡ˆËfl ......................................................................149

ÔÂÂıÓ‰ ̇ ÒÚ‡Ìˈ˚ ‚ÂıÌËı ÛÓ‚ÌÂÈ....................................... 47

ÒËÒÚÂÏÌ˚Â ÒÓ·˚ÚËfl ...............................................................109

ÔÂÍÛÒÒËÓÌ̇fl Í·‚ˇÚÛ‡ ....................................................... 58

ÒËÒÚÂÏÌ˚ ÒÓÓ·˘ÂÌËfl............................................................160

ÔÂÒÌfl............................................................................... 14, 78

ÒËÒÚÂÏÌ˚È ÂÊËÏ Ë ÂÊËÏ ‚ÒÚ‡‚ÍË.........................................129

ÔËÙ‡„ÓÂÈÒÍËÈ ÒÚÓÈ ............................................................ 139

ÒÍÓÓÒÚ¸ ‚Ë·‡ÚÓ ....................................................................93

ÔÓ‚ÚÓ ÓÔ‰ÂÎÂÌÌÓ„Ó Ù‡„ÏÂÌÚ‡ ÔÂÒÌË.................................... 83

ÒÍÓÓÒÚ¸ ̇ʇÚËfl..........................................................100, 117

ÔÓ‰‰ÂÊË‚‡ÂÏ˚ ÚËÔ˚ ÔÂÒÂÌ ................................................... 78

Òϯ˂‡ÌË ‰‚Ûı ‡ÁÌ˚ı „ÓÎÓÒÓ‚..............................................59

ÔÓ‰Íβ˜ÂÌË ‚̯ÌËı MIDI-ÛÒÚÓÈÒÚ‚..................................... 156

ÒÎÓÈ.......................................................................................59

ÔÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ÒËÌÚÂÁ‡ÚÓÛ........................ 155

ÒÓ‚ÏÂÒÚËÏÓÒÚ¸ ‰‡ÌÌ˚ı...........................................................161

ÔÓ‰Íβ˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ.................................................... 157

ÒÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌÓÈ Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË» .....................71

ÔÓ‰Íβ˜ÂÌË ÏËÍÓÙÓ̇ ËÎË „ËÚ‡˚ (PSR-2100) ...................... 155

ÒÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡............................................111

ÔÓ‰Ò͇ÁÍË ÏÓ„ÛÚ ÓÚÓ·‡Ê‡Ú¸Òfl ̇ ÒÎÂ‰Û˛˘Ëı flÁ˚͇ı.................. 52

ÒÓÓ·˘ÂÌËfl................................................................................8

ÔÓ‰ÒÚÓÈ͇ ‚˚ÒÓÚ˚ ‚ÒÂı „ÓÎÓÒÓ‚ ............................................ 138

ÒÓı‡ÌÂÌËÂ.......................................................................39, 47

ÔÓ‰˚„˚‚‡ÂÏ ÔÂÒÌ ................................................................ 36

ÒÓı‡ÌÂÌË Á̇˜ÂÌËÈ, Á‡‰‡ÌÌ˚ı Ò ÔÂ‰ÌÂÈ Ô‡ÌÂÎË ...................145

ÔÓ‰˚„˚‚‡ÂÏ ÒËÌÚÂÁ‡ÚÓÛ ....................................................... 36

ÒÓı‡ÌÂÌË ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ ...............................................88

ÔÓÚ [TO HOST]....................................................................... 19

ÒÓı‡ÌÂÌË هÈÎÓ‚ .................................................................47

ÔÓÚ DC IN ............................................................................. 19

Òڇ̉‡Ú GM System Level 1..............................................17, 162

ÔÓÚ [USB]............................................................................ 157

Òڇ̉‡ÚÌÓ ‚Íβ˜ÂÌË Á‡ÔËÒË...............................................104

ÔÓÚ˚ MIDI [OUT] [IN]....................................................... 19, 156

ÒÚËθ ...............................................................................14, 62

ÔÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸ ........................................................... 99, 114

ÒÚ‡Ìˈ‡ ..........................91, 93, 101, 102, 104, 110, 127, 130

Ô˛ÔËÚ .................................................................................. 17

ÒÚ‡Ìˈ‡ (SOUND CREATOR) ...................................................92

ÒÚ‡Ìˈ‡ CHD.......................................................................109

ê

ÒÚ‡Ìˈ‡ Chord Detect............................................................150

‡‚ÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚‡ÌÌ˚È ÒÚÓÈ....................................... 139

ÒÚ‡Ìˈ‡ Chord Fingering ........................................................142

‡Á‰ÂÎ PRESET ...................................................................... 41

ÒÚ‡Ìˈ‡ CONFIG 1 ...............................................................151

‡Á‰ÂÎ USER.................................................................... 41, 42

ÒÚ‡Ìˈ‡ CONFIG 2 ...............................................................152

‡Á¯ÂÌË ‚˚‡‚ÌË‚‡ÌËfl..................................................... 105

ÒÚ‡Ìˈ‡ Controller.................................................................142

‡Á˙ÂÏ [PHONES] ........................................................... 18, 155

ÒÚ‡Ìˈ‡ Disk........................................................................153

‡Á˙ÂÏ [MIC. LINE IN] .............................................................. 19

ÒÚ‡Ìˈ‡ EFFECT/EQ...............................................................93

‡Á˙ÂÏ [FOOT PEDAL 1 (SWITCH) ] ........................................... 19

ÒÚ‡Ìˈ‡ Filter.......................................................................126

‡Á˙ÂÏ [FOOT PEDAL 1 (SWITCH)] .......................................... 156

ÒÚ‡Ìˈ‡ Freeze ....................................................................145

‡Á˙ÂÏ [FOOT PEDAL 2]................................................... 19, 156

ÒÚ‡Ìˈ‡ Keyboard/Panel ........................................................144

‡Á˙ÂÏ FOOT PEDAL 1/2........................................................ 156

ÒÚ‡Ìˈ‡ Master Tune.............................................................138

‡Á˙ÂÏ˚ AUX OUT (LEVEL FIXED) [L / L+R] [R] .................... 19, 156

ÒÚ‡Ìˈ‡ OVERALL SETTING ..................................................133

‡Á˙ÂÏ˚ OUTPUT [L / L+R] [R]................................................... 19

ÒÚ‡Ìˈ‡ Owner.....................................................................154

‡Á˙ÂÏ˚ OUTPUT [L / L+R] [R]................................................. 156

ÒÚ‡Ìˈ‡ Pedal......................................................................142

‡ÁÌ˚ „ÓÎÓÒ‡ ‰Îfl Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍ....................................... 27

ÒÚ‡Ìˈ‡ Receive...................................................................150

‚Â·Â‡ˆËfl....................................................................... 129

ÒÚ‡Ìˈ‡ Registration Sequence ...............................................145

„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸.......................................................... 87

ÒÚ‡Ìˈ‡ Root .......................................................................150

„ËÒÚ‡ˆËfl ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ ............................................. 87

ÒÚ‡Ìˈ‡ Scale Tune ..............................................................138

„ÛÎËӂ͇ „ÓÏÍÓÒÚË ...................................................... 17, 64

ÒÚ‡Ìˈ‡ Song Settings...........................................................140

„ÛÎËӂ͇ „ÓÏÍÓÒÚË Ë Á‡ÏÂ̇ „ÓÎÓÒÓ‚................................. 124

ÒÚ‡Ìˈ‡ Split Point ................................................................141

„ÛÎËӂ͇ ̇ÒÚÓÂÍ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· Ë ˝ÙÙÂÍÚÓ‚ ‰Îfl

ÒÚ‡Ìˈ‡ Style Setting.............................................................141

Ó·‡·ÓÚÍË ÏËÍÓÙÓÌÌÓ„Ó Ò˄̇·........................................ 133

ÒÚ‡Ìˈ‡ SYS/EX. (ËÒÍβ˜ËÚÂθÌ˚ ÒËÒÚÂÏÌ˚ ÒÓÓ·˘ÂÌËfl) .......109

„ÛÎËӂ͇ ÚÂÏÔ‡.................................................................. 53

ÒÚ‡Ìˈ‡ System ...................................................................148

„ÛÎflÚÓ [LCD CONTRAST] ............................................... 19, 17

ÒÚ‡Ìˈ‡ System Reset...........................................................154

„ÛÎflÚÓ [MASTER VOLUME] .................................................. 18

ÒÚ‡Ìˈ‡ TALK SETTING ........................................................135

170

PSR-2100/1100

èe‰ÏeÚÌ˚È Û͇Á‡Úeθ

ÒÚ‡Ìˈ‡ Transmit ................................................................. 149

ò

ÒÚ‡Ìˈ‡ Tune ...................................................................... 126

¯‡·ÎÓÌ˚ MIDI .......................................................................148

ÒÚ‡Ìˈ‡ Voice Set ................................................................ 146

ÒÚ‡Ìˈ‡ Volume/Voice........................................................... 125

ù

ÒÚÓÈ «mean-tone» ................................................................ 139

ÒÚÛÍÚÛ̇fl ÒıÂχ ˝ÙÙÂÍÚÓ‚ ................................................. 129

˝Í‡Ì REGISTRATION EDIT.......................................................88

ÒÛÒÚÂÈÌ (Ù‡Á‡ ÒÚ‡·ËθÌÓÈ „ÓÏÍÓÒÚË).................................. 92, 93

˝Í‡Ì˚ Open/Save ...................................................................39

˝ıÓ ......................................................................................146

í

ü

Ú‡·Îˈ‡ ÔflÏÓ„Ó ‰ÓÒÚÛÔ‡ ......................................................... 51

Ú‡ÍÚ/‰ÓÎfl/ÒËÌıÓÌËÁ‡ˆËfl ....................................................... 100

flÍÓÒÚ¸ ..................................................................................92

ÚÂÍÒÚ ÔÂÒÌË ............................................................................ 86

ÚËÔ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇·....................................................... 131

ÚËÔ˚ ‡ÍÍÓ‰Ó‚, ‡ÒÔÓÁ̇‚‡ÂÏ˚ ‚ ÂÊËÏ Fingered.................... 66

ÚËÔ˚ „‡ÏÓÌËÁ‡ˆËË ............................................................... 147

ÚËÔ˚ ‰‡ÌÌ˚ı ̇ ˝Í‡Ì MIDI TRANSMIT/RECEIVE ..................... 149

ÚÓÌ͇fl ̇ÒÚÓÈ͇ Ô‡ÚËÚÛ˚ .................................................... 86

Ú‡ÌÒÔÓÌËÓ‚‡ÌË ‚̯ÌÂ„Ó Ò˄̇· ...................................... 149

Ú‡ÌÒÔÓÌËÓ‚‡ÌË ͇̇· ...................................................... 107

Û

Û‰‡ÎÂÌË ‰‡ÌÌ˚ı ̇ ͇̇ÎÂ.................................................... 106

Û‰‡ÎÂÌË ÒÓ·˚ÚËfl................................................................. 118

Û‰‡ÎÂÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ......................................................... 46

Û͇Á‡ÌË ËÏÂÌË ÔÓθÁÓ‚‡ÚÂÎfl Ë ‚˚·Ó flÁ˚͇ ........................... 154

Û͇Á‡ÌË ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ‚˚ÁÓ‚‡ „ËÒÚ‡ˆËÓÌÌ˚ı Ù‡ÈÎÓ‚ 145

ÛÒÚ‡Ìӂ͇ „ÓÏÍÓÒÚË Ë „ÓÎÓÒ‡................................................. 125

ÛÒÚ‡Ìӂ͇ Ô‡‡ÏÂÚÓ‚ MIDI.................................................... 148

ÛÒÚ‡Ìӂ͇ Ô‡‡ÏÂÚÓ‚ هȷ SMF.......................................... 119

ÛÒÚ‡Ìӂ͇ ‡Á΢Ì˚ı „ÓÎÓÒÓ‚ ‰Îfl ΂ÓÈ Ë Ô‡‚ÓÈ ˜‡ÒÚË .............. 60

î

Ù‡ÈÎ ÒÚËÎfl .................................................................... 17, 161

Ù‡ÈÎ˚/Ô‡ÔÍË Ì‡ ‰ËÒÍÂÚÂ.......................................................... 45

ÙËθÚ .................................................................................. 92

ÙÓÏ‡Ú ‰ËÒÍÂÚ ..................................................................... 161

ÙÓÏ‡Ú ‡ÒÔ‰ÂÎÂÌËfl „ÓÎÓÒÓ‚.............................................. 162

ÙÓÏ‡Ú Disk Orchestra Collection ............................................... 17

ÙÓÏ‡Ú ÒÂÍ‚Â̈ËË ................................................................ 161

ÙÓÏ‡Ú Ù‡È· ÒÚËÎfl (SFF)..................................................... 112

ÙÓχÚËÓ‚‡ÌË ‰ËÒÍÂÚ ........................................................ 153

ÙÛÌ͈ËË, ÛÔ‡‚ÎflÂÏ˚ Ô‰‡ÎflÏË............................................ 143

ÙÛÌ͈Ëfl Auto Revoice ............................................................ 124

ÙÛÌ͈Ëfl Chord Tutor.............................................................. 142

ÙÛÌ͈Ëfl Song Creator .............................................................. 95

ÙÛÌ͈Ëfl Style Creator ............................................................ 111

ï

ı‡‡ÍÚÂËÒÚËÍË „ÓÎÓÒ‡ ............................................................ 58

ı‡‡ÍÚÂËÒÚËÍË Á‡ÔËÒË ‚ ‡θÌÓÏ ‚ÂÏÂÌË............................. 111

ıÓÛÒ................................................................................... 129

ñ

ˆÂÌÚ .................................................................................... 138

ˆËÍ΢ÂÒ͇fl Á‡ÔËÒ¸............................................................... 111

ó

˜‡ÒÚË..................................................................................... 30

˜‡ÒÚË ‰Îfl ÔËÂχ MIDI-ÒÓÓ·˘ÂÌËÈ .......................................... 150

˜‡ÒÚË ÒÚËÎfl............................................................................ 30

˜‡ÒÚË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.................................................... 97

˜ËÒÚ˚È Ï‡ÊÓ ...................................................................... 139

˜ËÒÚ˚È ÏËÌÓ ....................................................................... 139

˜ÚÓ ÏÓÊÌÓ ‰Â·ڸ Ò ÔÓÏÓ˘¸˛ MIDI?........................................ 160

˜ÚÓ Ú‡ÍÓ MIDI? .................................................................... 158

˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í Ì‡Ê‡Ú˲ ................................................. 144

PSR-2100/1100

171

Ñãü áÄåÖíéä

Limited Warranty

90 DAYS LABOR 1 YEAR PARTS

Yamaha Corporation of America, hereafter referred to as Yamaha, warrants to the original consumer of a product included in the cate-

gories listed below, that the product will be free of defects in materials and/or workmanship for the periods indicated. This warranty is

applicable to all models included in the following series of products:

PSR SERIES OF PORTATONE ELECTRONIC KEYBOARDS

If during the first 90 days that immediately follows the purchase date, your new Yamaha product covered by this warranty is found to

have a defect in material and/or workmanship, Yamaha and/or its authorized representative will repair such defect without charge for

parts or labor.

If parts should be required after this 90 day period but within the one year period that immediately follows the purchase date, Yamaha

will, subject to the terms of this warranty, supply these parts without charge. However, charges for labor, and/or any miscellaneous

expenses incurred are the consumers responsibility. Yamaha reserves the right to utilize reconditioned parts in repairing these products

and/or to use reconditioned units as warranty replacements.

THIS WARRANTY IS THE ONLY EXPRESS WARRANTY WHICH YAMAHA MAKES IN CONNECTION WITH THESE

PRODUCTS. ANY IMPLIED WARRANTY APPLICABLE TO THE PRODUCT, INCLUDING THE WARRANTY OF MER-

CHANT ABILITY IS LIMITED TO THE DURATION OF THE EXPRESS WARRANTY. YAMAHA EXCLUDES AND

SHALL NOT BE LIABLE IN ANY EVENT FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES.

Some states do not allow limitations that relate to implied warranties and/or the exclusion of incidental or consequential damages.

Therefore, these limitations and exclusions may not apply to you.

This warranty gives you specific legal rights. You may also have other rights which vary from state to state.

CONSUMERS RESPONSIBILITIES

If warranty service should be required, it is necessary that the consumer assume certain responsibilities:

1. Contact the Customer Service Department of the retailer selling the product, or any retail outlet authorized by Yamaha to sell the

product for assistance. You may also contact Yamaha directly at the address provided below.

2. Deliver the unit to be serviced under warranty to: the retailer selling the product, an authorized service center, or to Yamaha with an

explanation of the problem. Please be prepared to provide proof purchase date (sales receipt, credit card copy, etc.) when requesting

service and/or parts under warranty.

3. Shipping and/or insurance costs are the consumers responsibility.* Units shipped for service should be packed securely.

*Repaired units will be returned PREPAID if warranty service is required within the first 90 days.

IMPORTANT: Do NOT ship anything to ANY location without prior authorization. A Return Authorization (RA) will be

issued that has a tracking number assigned that will expedite the servicing of your unit and provide a tracking system if

needed.

4. Your owners manual contains important safety and operating instructions. It is your responsibility to be aware of the contents of

this manual and to follow all safety precautions.

EXCLUSIONS

This warranty does not apply to units whose trade name, trademark, and/or ID numbers have been altered, defaced, exchanged

removed, or to failures and/or damages that may occur as a result of:

1. Neglect, abuse, abnormal strain, modification or exposure to extremes in temperature or humidity.

2. Improper repair or maintenance by any person who is not a service representative of a retail outlet authorized by Yamaha to sell the

product, an authorized service center, or an authorized service representative of Yamaha.

3. This warranty is applicable only to units sold by retailers authorized by Yamaha to sell these products in the U.S.A., the District of

Columbia, and Puerto Rico. This warranty is not applicable in other possessions or territories of the U.S.A. or in any other country.

Please record the model and serial number of the product you have purchased in the spaces provided below.

Model________________________ Serial #_____________________________ Sales Slip #_____________________________

Purchased from______________________________________________________ Date__________________________________

(Retailer)

YAMAHA CORPORATION OF AMERICA

Electronic Service Division

6600 Orangethorpe Avenue

Buena Park, CA 90620

KEEP

THIS DOCUMENT FOR YOUR RECORDS. DO NOT MAIL!

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

other electronic devices. Compliance with FCC regula-

This product, when installed as indicated in the instruc-

tions does not guarantee that interference will not occur

tions contained in this manual, meets FCC require-

in all installations. If this product is found to be the

ments. Modifications not expressly approved by

source of interference, which can be determined by

Yamaha may void your authority, granted by the FCC, to

turning the unit “OFF” and “ON”, please try to eliminate

use the product.

the problem by using one of the following measures:

2. IMPORTANT: When connecting this product to acces-

Relocate either this product or the device that is being

sories and/or another product use only high quality

affected by the interference.

shielded cables. Cable/s supplied with this product

Utilize power outlets that are on different branch (circuit

MUST be used. Follow all installation instructions. Fail-

breaker or fuse) circuits or install AC line filter/s.

ure to follow instructions could void your FCC authori-

In the case of radio or TV interference, relocate/reorient

zation to use this product in the USA.

the antenna. If the antenna lead-in is 300 ohm ribbon

3. NOTE: This product has been tested and found to com-

lead, change the lead-in to co-axial type cable.

ply with the requirements listed in FCC Regulations,

If these corrective measures do not produce satisfac-

Part 15 for Class “B” digital devices. Compliance with

tory results, please contact the local retailer authorized

these requirements provides a reasonable level of

to distribute this type of product. If you can not locate

assurance that your use of this product in a residential

the appropriate retailer, please contact Yamaha Corpo-

environment will not result in harmful interference with

ration of America, Electronic Service Division, 6600

other electronic devices. This equipment generates/

Orangethorpe Ave, Buena Park, CA90620

uses radio frequencies and, if not installed and used

The above statements apply ONLY to those products

according to the instructions found in the users manual,

distributed by Yamaha Corporation of America or its

may cause interference harmful to the operation of

subsidiaries.

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)

OBSERVERA!

Apparaten kopplas inte ur växelströmskällan (nätet) sá länge som

den ar ansluten till vägguttaget, även om själva apparaten har

stängts av.

ADVARSEL: Netspæendingen til dette apparat er IKKE afbrudt,

sálæenge netledningen siddr i en stikkontakt, som er t endt — ogsá

selvom der or slukket pá apparatets afbryder.

VAROITUS: Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko

laitetta verkosta.

(standby)

For details of products, please contact your nearest Yamaha or the

Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten

authorized distributor listed below.

Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen

Bestimmungsländern erhältlich.

Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou

au distributeur le plus proche de vous figurant dans la liste suivante.

ᇠ·ÓΠÔÓ‰Ó·ÌÓÈ ËÌÙÓχˆËÂÈ Ó·‡˘‡ÈÚÂÒ¸ Í Ó‰ÌÓÏÛ ËÁ

ÒÎÂ‰Û˛˘Ëı ‡‚ÚÓËÁÓ‚‡ÌÌ˚ı ‰ËÒÚË·¸˛ÚÓÓ‚ Yamaha.

NORTH AMERICA

FRANCE

ASIA

Yamaha Musique France, S.A.

CANADA

HONG KONG

Division Professionnelle

Yamaha Canada Music Ltd.

Tom Lee Music Co., Ltd.

BP 70-77312 Marne-la-Vallée Cedex 2, France

135 Milner Avenue, Scarborough, Ontario,

11/F., Silvercord Tower 1, 30 Canton Road,

Tel: 01-64-61-4000

M1S 3R1, Canada

Tsimshatsui, Kowloon, Hong Kong

Tel: 416-298-1311

ITALY

Tel: 2737-7688

Yamaha Musica Italia S.P.A.

U.S.A.

INDONESIA

Combo Division

Yamaha Corporation of America

PT. Yamaha Music Indonesia (Distributor)

Viale Italia 88, 20020 Lainate (Milano), Italy

6600 Orangethorpe Ave., Buena Park, Calif. 90620,

PT. Nusantik

Tel: 02-935-771

U.S.A.

Gedung Yamaha Music Center, Jalan Jend. Gatot

Tel: 714-522-9011

SPAIN/PORTUGAL

Subroto Kav. 4, Jakarta 12930, Indonesia

Yamaha-Hazen Música, S.A.

Tel: 21-520-2577

Ctra. de la Coruna km. 17, 200, 28230

CENTRAL & SOUTH AMERICA

KOREA

Las Rozas (Madrid), Spain

Yamaha Music Korea Ltd.

Tel: 91-201-0700

MEXICO

Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong,

Yamaha de Mexico S.A. De C.V.,

GREECE

Youngdungpo-ku, Seoul, Korea

Departamento de ventas

Philippos Nakas S.A. The Music House

Tel: 02-3770-0661

Javier Rojo Gomez No.1149, Col. Gpe Del

147 Skiathou Street, 112-55 Athens, Greece

MALAYSIA

Moral, Deleg. Iztapalapa, 09300 Mexico, D.F.

Tel: 01-228 2160

Tel: 686-00-33

Yamaha Music Malaysia, Sdn., Bhd.

SWEDEN

Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,

BRAZIL

Yamaha Scandinavia AB

Petaling Jaya, Selangor, Malaysia

Yamaha Musical do Brasil LTDA.

J. A. Wettergrens Gata 1

Tel: 3-703-0900

Av. Rebouças 2636, São Paulo, Brasil

Box 30053

PHILIPPINES

Tel: 011-853-1377

S-400 43 Göteborg, Sweden

Yupangco Music Corporation

Tel: 031 89 34 00

ARGENTINA

339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,

Yamaha de Panamá S.A. Sucursal de Argentina

DENMARK

Makati, Metro Manila, Philippines

Viamonte 1145 Piso2-B 1053,

YS Copenhagen Liaison Office

Tel: 819-7551

Buenos Aires, Argentina

Generatorvej 8B

SINGAPORE

Tel: 1-4371-7021

DK-2730 Herlev, Denmark

Yamaha Music Asia Pte., Ltd.

Tel: 44 92 49 00

PANAMA AND OTHER LATIN

11 Ubi Road #06-00, Meiban Industrial Building,

AMERICAN COUNTRIES/

FINLAND

Singapore

CARIBBEAN COUNTRIES

F-Musiikki Oy

Tel: 65-747-4374

Yamaha de Panamá S.A.

Kluuvikatu 6, P.O. Box 260,

TAIWAN

Torre Banco General, Piso 7, Urbanización Marbella,

SF-00101 Helsinki, Finland

Yamaha KHS Music Co., Ltd.

Calle 47 y Aquilino de la Guardia,

Tel: 09 618511

3F, #6, Sec.2

Ciudad de Panamá, Panamá

NORWAY

Nan Jing E. Rd. Taipei.

Tel: +507-269-5311

Norsk filial av Yamaha Scandinavia AB

Taiwan 104, R.O.C.

Grini Næringspark 1

Tel: 02-2511-8688

EUROPE

N-1345 Østerås, Norway

THAILAND

Tel: 67 16 77 70

THE UNITED KINGDOM

Siam Music Yamaha Co., Ltd.

ICELAND

121/60-61 RS Tower 17th Floor,

Yamaha-Kemble Music (U.K.) Ltd.

Skifan HF

Ratchadaphisek RD., Dindaeng,

Sherbourne Drive, Tilbrook, Milton Keynes,

Skeifan 17 P.O. Box 8120

Bangkok 10320, Thailand

MK7 8BL, England

IS-128 Reykjavik, Iceland

Tel: 02-641-2951

Tel: 01908-366700

Tel: 525 5000

THE PEOPLE’S REPUBLIC OF CHINA

IRELAND

OTHER EUROPEAN COUNTRIES

AND OTHER ASIAN COUNTRIES

Danfay Ltd.

Yamaha Music Central Europe GmbH

61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin

Yamaha Corporation,

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: 01-2859177

Asia-Pacific Music Marketing Group

Tel: +49-4101-3030

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

GERMANY

Tel: +81-53-460-2317

Yamaha Music Central Europe GmbH

AFRICA

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: 04101-3030

OCEANIA

Yamaha Corporation,

SWITZERLAND/LIECHTENSTEIN

Asia-Pacific Music Marketing Group

AUSTRALIA

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Yamaha Music Central Europe GmbH,

Yamaha Music Australia Pty. Ltd.

Tel: +81-53-460-2312

Branch Switzerland

Level 1, 99 Queensbridge Street, Southbank,

Seefeldstrasse 94, 8008 Zürich, Switzerland

Victoria 3006, Australia

Tel: 01-383 3990

Tel: 3-9693-5111

MIDDLE EAST

AUSTRIA

NEW ZEALAND

TURKEY/CYPRUS

Yamaha Music Central Europe GmbH,

Music Houses of N.Z. Ltd.

Yamaha Music Central Europe GmbH

Branch Austria

146/148 Captain Springs Road, Te Papapa,

Siemensstraße 22-34, 25462 Rellingen, Germany

Schleiergasse 20, A-1100 Wien, Austria

Auckland, New Zealand

Tel: 04101-3030

Tel: 01-60203900

Tel: 9-634-0099

OTHER COUNTRIES

THE NETHERLANDS

COUNTRIES AND TRUST

Yamaha Music Gulf FZE

Yamaha Music Central Europe GmbH,

TERRITORIES IN PACIFIC OCEAN

LB21-128 Jebel Ali Freezone

Branch Nederland

Yamaha Corporation,

P.O.Box 17328, Dubai, U.A.E.

Clarissenhof 5-b, 4133 AB Vianen, The Netherlands

Asia-Pacific Music Marketing Group

Tel: +971-4-881-5868

Tel: 0347-358 040

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: +81-53-460-2312

BELGIUM/LUXEMBOURG

Yamaha Music Central Europe GmbH,

Branch Belgium

Rue de Geneve (Genevastraat) 10, 1140 - Brussels,

Belgium

Tel: 02-726 6032

HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: +81-53-460-2445

[PK] 25

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Yamaha PK CLUB (̇ ‡Ì„ÎËÈÒÍÓÏ flÁ˚ÍÂ):

http://www.yamahaPKclub.com/

ëÓ·‡ÌË ÛÍÓ‚Ó‰ÒÚ‚ ‰Îfl ÔÓ‰Û͈ËË Yamaha:

http://www2.yamaha.co.jp/manual/english/

© 2003 Yamaha Corporation