Yamaha PSR-1100 – страница 7

ëÓÁ‰‡ÌË ÏÛθÚËÔ˝‰‡ — Multi Pad Creator

ëËÌÚÂÁ‡ÚÓ PSR-2100/1100 ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ÓË„Ë̇θÌ˚ Ù‡Á˚-ÏÛθÚËÔ˝‰˚, ÍÓÚÓ˚ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‚Ó

‚ÂÏfl ‚˚ÒÚÛÔÎÂÌËÈ Ì‡‡‚Ì ÒÓ ‚ÒÚÓÂÌÌ˚ÏË ÏÛθÚËÔ˝‰‡ÏË.

HOLD

LEFT

VOICE EFFECT

BACK NEXT

SUSTAIN

HARMONY/

ECHO

MONOTOUCH

DSP

VARIATION

DIGITAL

ORGAN &

SOUND CREATOR

STUDIO

VOIC E

MAIN

PIANO & HARPSI.

E.PIANO

ACCORDION

PERCUSSION

DIGITAL RECORDING

A

F

LAYER

GUITAR

BASS

BRASS

WOODWIND

B

G

MIXING CONSOLE

C

H

LEFT

STRINGS CHOIR & PAD

SYNTH.

XG

D

I

MENU

USER

ORGAN FLUTES

DEMO

E

J

MUSIC

UPPER OCTAVE

FINDER

HELP

MIC.

VH TYPE

RESET

OVER

SELECT

SETTING

MIC.

HARMONY

VOCAL

TALK

EFFECT

FUNCTION

SIGNAL

ONE TOUCH SETTING

ACCESS

DIRECT

BALANCE

EXIT

ENTER

CHANNEL ON/OFF

PART

REGISTRATION MEMORY

DATA ENTRY

FREEZE MEMORY

PSR-2100/1100

121

SONG

TRACKS

EXTRA

TRACK

2

TRACK

1 REPEAT

NOME

METRO-

(STYLE) (R)(L)

REC REW FF

TOP

START/STOP

STYLE

NEW SONG SYNC. START

POP & ROCK

SWING &

JAZZ

BALLROOM

MARCH &

WALTZ

BALLAD USERLATIN

DANCE

PART

TRANSPOSE

TEMPO

TAP TEMPO

MASTER VOLUME

RESET

RESET

STOP

FADE

MULTI PAD

IN/OUT

MIN MAX

STYLE CONTROL

ACMP

BREAK

INTRO

MAIN

ENDING

/ rit.

SYNC.

START

FILL IN

AUTO

OTS

STOP

SYNC.

LINK

START/STOP

STANDBY

ON

STOP

MULTI PAD

èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ

Ç˚·ÂËÚ ÌÛÊÌ˚È ·‡ÌÍ ÏÛθÚËÔ˝‰Ó‚ ‰Îfl

1

‰‡ÍÚËÓ‚‡ÌËfl. óÚÓ·˚ Á‡ÔËÒ‡Ú¸ ÌÓ‚˚È

3

ÏÛθÚËÔ˝‰ «Ò ÌÛÎfl», ÓÚÍÓÈÚ ÒÚ‡ÌˈÛ

RECORD ˝Í‡Ì‡ Multi Pad Creator Ë ‚˚·ÂËÚÂ

Ô‡‡ÏÂÚ «New Bank»(çÓ‚˚È ·‡ÌÍ), ̇ʇ‚

A

ÍÌÓÔÍÛ [C] (NEW BANK).

B

C

D

DIGITAL

STUDIO

SOUND CREATOR

E

2

DIGITAL RECORDING

MIXING CONSOLE

PART

á‡ÔËÒ¸ Ë ‰‡ÍÚËÓ‚‡ÌË ÏÛθÚËÔ˝‰‡. èÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó

4

éÚÍÓÈÚ ˝Í‡Ì Multi Pad

ÔÓfl‰Í ‡·ÓÚ˚ Ò Í‡Ê‰ÓÈ ÒÚ‡ÌˈÂÈ ˝Í‡Ì‡ Multi Pad Creator ÒÏ. ‰‡ÎÂÂ,

5

(ÏÛθÚËÔ˝‰), ̇ʇ‚ ÍÌÓÔÍÛ

̇˜Ë̇fl ÒÓ ÒÎÂ‰Û˛˘ÂÈ ÒÚ‡Ìˈ˚.

[I] (SAVE) (ÒÓı‡ÌËÚ¸), Ë

BACK NEXT

ÒÓı‡ÌËÚ Á‡ÔËÒ‡ÌÌ˚Â/

ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚Â

‰‡ÌÌ˚ ̇ ‰ËÒÍÂÚ ËÎË ‚

ÑÎfl ÔÂÂıÓ‰‡ ̇

‡Á‰ÂΠԇÏflÚË USER.

ÒÚ‡ÌËˆÛ RECORD

F

ËÎË EDIT

G

ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË

[BACK]/[NEXT].

H

I

óÚÓ·˚ ‚˚ÈÚË ËÁ

J

˝Í‡Ì‡ MULTI PAD,

END

̇ÊÏËÚ ÍÌÓÔÍÛ

[EXIT].

ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË Ë Á‡ÏÂ̇ „ÓÎÓÒÓ‚

— Mixing Console

F

G

H

I

J

ÅÎÓÍ ˝ÙÙÂÍÚÓ‚

ÅÎÓÍ ó‡ÒÚË ï‡‡ÍÚÂËÒÚËÍË äÓ΢ÂÒÚ‚Ó

ÔÓθÁÓ‚‡ÚÂθÒÍËı

˝ÙÙÂÍÚÓ‚

REVERB (‚Â·Â‡ˆËfl)

ÇÓÒÒÓÁ‰‡ÂÚ «ÚÂÔÎÛ˛» ‡ÍÛÒÚËÍÛ ÍÓ̈ÂÚÌÓ„Ó Á‡Î‡ ËÎË

ÇÒ ˜‡ÒÚË

3

‰Ê‡ÁÓ‚Ó„Ó ÍÎÛ·‡.

CHORUS (ıÓÛÒ)

Ñ·ÂÚ Á‚ÛÍ Ì‡Ò˚˘ÂÌÌ˚Ï, ÒÓÁ‰‡‚‡fl ËÎβÁ˲

ÇÒ ˜‡ÒÚË

Ó‰ÌÓ‚ÂÏÂÌÌÓ„Ó Á‚Û˜‡ÌËfl Ò‡ÁÛ ÌÂÒÍÓθÍËı

3

ÌÂÁ̇˜ËÚÂθÌÓ ÓÚ΢‡˛˘ËıÒfl ÔÓ ÚÂÏ·Û ËÌÒÚÛÏÂÌÚÓ‚.

DSP 1 (PSR-2100)

Main, Layer, Left, Song (Ch. 1 - 16), MIC

èÓÏËÏÓ ‚Â·Â‡ˆËË Ë ıÓÛÒ‡ ˝ÚÓÚ ·ÎÓÍ ÒÓ‰ÂÊËÚ fl‰

3

DSP (PSR-1100)

(PSR-2100), Style

ÓÒÓ·˚ı ˝ÙÙÂÍÚÓ‚, ‚Íβ˜‡fl ‰ËÒÚÓ¯Ì.

DSP2 - 4 (PSR-2100)

éÒÚ‡‚¯ËÂÒfl ÌÂÓ·‡·ÓÚ‡ÌÌ˚ÏË ‡ÍÚË‚Ì˚ ˜‡ÒÚË

Main, Layer, Left, Song (Ch. 1 - 16), MIC

‡‚ÚÓχÚ˘ÂÒÍË Ò‚flÁ˚‚‡˛ÚÒfl Ò ÌÂËÒÔÓθÁÓ‚‡ÌÌ˚ÏË

10

(̇Á̇˜‡ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË)

·ÎÓ͇ÏË ˝ÙÙÂÍÚÓ‚ DSP.

128

PSR-2100/1100

äÌÓÔ͇ ‚˚ÁÓ‚‡ ˝Í‡Ì‡

A

‰Îfl ÒÓı‡ÌÂÌËfl

˝ÙÙÂÍÚ‡.

B

C

D

E

éÔ‰ÂÎflÂÚ ÛÓ‚Â̸ ˝ÙÙÂÍÚ‡

(ÛÓ‚Â̸ ‚ÓÁ‚‡Ú‡). ê„ÛÎËӂ͇

ÛÓ‚Ìfl Ì‚ÓÁÏÓÊ̇, ÍÓ„‰‡

Á̇˜ÂÌË ԇ‡ÏÂÚ‡ BLOCK —

«DSP1/DSP», Ô‡‡ÏÂÚ‡

PARAMETER — «CONNECTION»,

‡ Ô‡‡ÏÂÚ‡ VALUE — «Insertion»,

ÎË·Ó ÍÓ„‰‡ Ô‡‡ÏÂÚÛ BLOCK

ÔËÒ‚ÓÂÌÓ Á̇˜ÂÌË «DSP2-4»

äÌÓÔÍË ‚˚·Ó‡

(PSR-2100).

·ÎÓ͇ ˝ÙÙÂÍÚÓ‚.

äÌÓÔÍË ‚˚·Ó‡ Á̇˜ÂÌËfl

äÌÓÔÍË ‚˚·Ó‡ ͇Ú„ÓËË ˝ÙÙÂÍÚÓ‚.

ÚÂÍÛ˘Â„Ó Ô‡‡ÏÂÚ‡.

äÌÓÔÍË ‚˚·Ó‡ ÚËÔ‡ ˝ÙÙÂÍÚ‡.

äÌÓÔÍË ‚˚·Ó‡ ̇ÒÚ‡Ë‚‡ÂÏÓ„Ó Ô‡‡ÏÂÚ‡ ˝ÙÙÂÍÚ‡.

äÌÓÔ͇ ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ‰Îfl

̇Á̇˜ÂÌËfl ËÏÂÌË

F

ÔÓθÁÓ‚‡ÚÂθÒÍÓÏÛ

˝ÙÙÂÍÚÛ (ÒÚ. 48).

G

H

I

J

3

äÌÓÔÍË ÔÂÂÍβ˜ÂÌËfl

ÏÂÊ‰Û ‚ÂıÌËÏ Ë

ÌËÊÌËÏ Ô‡‡ÏÂÚÓÏ.

ÉÎÛ·ËÌÛ ÌËÊÌ„Ó

Ô‡‡ÏÂÚ‡ ÏÓÊÌÓ

ËÁÏÂÌËÚ¸ ÔË

‚Íβ˜ÂÌÌÓÈ ÍÌÓÔÍÂ

[VARIATION].

çÂÓ·ıÓ‰ËÏÓ ËÏÂÚ¸ ‚ ‚ˉÛ, ˜ÚÓ ‚

4

ÌÂÍÓÚÓ˚ı ÒÎÛ˜‡flı „ÛÎËӂ͇

Ô‡‡ÏÂÚÓ‚ ‚Ó ‚ÂÏfl Ë„˚

ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓfl‚ÎÂÌ˲

¯Ûχ.

Ç˚·ÂËÚÂ ÒÚÓÍÛ

‰Îfl ÒÓı‡ÌÂÌËfl

äÌÓÔ͇ ÒÓı‡ÌÂÌËfl ËÁÏÂÌÂÌÌ˚ı

˝ÙÙÂÍÚ‡.

Ô‡‡ÏÂÚÓ‚ ˝ÙÙÂÍÚ‡ ‚ ‡Á‰ÂÎÂ

äÓ΢ÂÒÚ‚Ó

Ô‡ÏflÚË User Effect (SYSTEM). óÚÓ·˚

‰ÓÒÚÛÔÌ˚ı ÒÚÓÍ

‚˚Á‚‡Ú¸ ˝ÙÙÂÍÚ, ‚ ÒÚÓηˆÂ

‡Á΢ÌÓ ‰Îfl

CATEGORY ‚˚·ÂËÚÂ ÒÚÓÍÛ USER, ‡

Í‡Ê‰Ó„Ó ·ÎÓ͇

Á‡ÚÂÏ ‚˚·ÂËÚ Ú·ÛÂÏ˚È ˝ÙÙÂÍÚ ‚

˝ÙÙÂÍÚÓ‚ (ÒÏ.

ÒÚÓηˆÂ TYPE.

Ú‡·ÎËˆÛ ÌËÊÂ).

ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË Ë Á‡ÏÂ̇ „ÓÎÓÒÓ‚

— Mixing Console

ëÚÛÍÚÛ̇fl ÒıÂχ ˝ÙÙÂÍÚÓ‚

PSR-2100/1100 ӷ·‰‡ÂÚ ÒÎÂ‰Û˛˘ËÏË ÒËÒÚÂχÏË ˆËÙÓ‚˚ı ˝ÙÙÂÍÚÓ‚. ë ÔÓÏÓ˘¸˛ ‡ÒÔÓÎÓÊÂÌÌ˚ı ̇ ÔÂ‰ÌÂÈ Ô‡ÌÂÎË ˝ÎÂÏÂÌÚÓ‚

ÛÔ‡‚ÎÂÌËfl ÏÓÊÌÓ Á‡‰‡Ú¸ ÚËÔ ˝ÙÙÂÍÚ‡, Â„Ó „ÎÛ·ËÌÛ Ë ÔӘˠԇ‡ÏÂÚ˚.

é Ò‚flÁflı ÏÂÊ‰Û ˝ÙÙÂÍÚ‡ÏË — ÒËÒÚÂÏÌ˚È ÂÊËÏ Ë ÂÊËÏ ‚ÒÚ‡‚ÍË

ÇÒ ·ÎÓÍË ˝ÙÙÂÍÚÓ‚ ÔÓ‰‰ÂÊË‚‡˛Ú Ó‰ËÌ ËÁ ‰‚Ûı ÂÊËÏÓ‚ ÒÓ‰ËÌÂÌËfl: ÒËÒÚÂÏÌ˚È ÂÊËÏ Ë ÂÊËÏ ‚ÒÚ‡‚ÍË. Ç ÒËÒÚÂÏÌÓÏ ÂÊËÏÂ

‚˚·‡ÌÌ˚È ˝ÙÙÂÍÚ ÔËÏÂÌflÂÚÒfl ÍÓ ‚ÒÂÏ ˜‡ÒÚflÏ Ò‡ÁÛ, ‡ ‚ ÂÊËÏ ‚ÒÚ‡‚ÍË — ÚÓθÍÓ Í Í‡ÍÓÈ-ÎË·Ó Ó‰ÌÓÈ ˜‡ÒÚË. èÓ˝ÚÓÏÛ ‚Â·Â‡ˆËfl

Ë ıÓÛÒ Ì‡Á˚‚‡˛ÚÒfl ÒËÒÚÂÏÌ˚ÏË ˝ÙÙÂÍÚ‡ÏË, ‡ DSP 2 - DSP 4 (PSR-2100) — ˝ÙÙÂÍÚ‡ÏË ‚ÒÚ‡‚ÍË. óÚÓ Í‡Ò‡ÂÚÒfl ·ÎÓÍÓ‚ DSP1/DSP, ÚÓ Ëı

ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‚ Ó·ÓËı ÂÊËχı.

èË‚Ó‰Ëχfl ÌËÊ ÒıÂχ ‰‡ÂÚ Ô‰ÒÚ‡‚ÎÂÌËÂ Ó ÒËÒÚÂÏ ҂flÁÂÈ ÏÂÊ‰Û ÓÚ‰ÂθÌ˚ÏË ·ÎÓ͇ÏË Ë ÔÓÁ‚ÓÎflÂÚ ÔÓÒΉËÚ¸ ÔÛÚ¸ ÔÓıÓʉÂÌËfl

Ò˄̇· ÔÓ ÎËÌËflÏ ÔÓÒ˚· Ë ‚ÓÁ‚‡Ú‡ ‚ PSR-2100/1100.

çeËÒÔÓθÁÓ‚‡ÌÌ˚e ·ÎÓÍË ˝ÙÙeÍÚÓ‚ DSP ‡‚ÚÓχÚ˘eÒÍË ÔËÒ‚‡Ë‚‡˛ÚÒfl

PSR-2100

DRY LINE

ÓÒÚ‡‚¯ËÏÒfl ÌeÓ·‡·ÓÚ‡ÌÌ˚ÏË ‡ÍÚË‚Ì˚Ï ˜‡ÒÚflÏ.

Dry

REVERB

MAIN VOICE

DSP2

Rev Send

C˄̇ΠÔÓÒÎe

ÔËÏeÌeÌËfl

Cho Send

e‚e·e‡ˆËË

DSP Send

Dry

LAYER VOICE

DSP3

Rev Send

Cho Send

Dry

LEFT VOICE

DSP4

Rev Send

CHORUS

Master EQ

C˄̇Î

Cho Send

C˄̇ΠÔÓÒÎe

̇

ÔËÏeÌeÌËfl ıÓÛÒ‡

ÅÎÓÍ

‚˚ıÓ‰e

Dry

Ó·‡·ÓÚÍË

ɇÏÓÌËÁ‡ˆËfl

MIC

ÏËÍÓÙÓÌÌÓ„Ó

‚Ó͇·

Rev Send

Ò˄̇·

Cho Send

DSP Send

SONG

Dry

(͇ʉ˚È Í‡Ì‡Î)

Rev Send

Cho Send

DSP Send

STYLE

Dry

(͇ʉ˚È Í‡Ì‡Î)

ÖÒÎË DSP ËÒÔÓθÁÛeÚÒfl Í‡Í ÒËÒÚeÏÌ˚È

DSP1

Rev Send

˝ÙÙeÍÚ, ÚÓ ËÏ Ó·‡·‡Ú˚‚‡eÚÒfl ‡Û‰ËÓÔÓÚÓÍ

Cho Send

‚ ˝ÚÓÈ ÚÓ˜Íe.

ÖÒÎË DSP ËÒÔÓθÁÛeÚÒfl Í‡Í ˝ÙÙeÍÚ ‚ÒÚ‡‚ÍË (‚ ‰‡ÌÌÓÏ ÒÎÛ˜‡e

˜‡ÒÚ¸ (PART) ̇Á̇˜ė Ó‰ÌÓÏÛ ËÁ ͇̇ÎÓ‚ ÒÚËÎfl (STYLE),

DSP Send

DSP1

ÚÓ ËÏ Ó·‡·‡Ú˚‚‡eÚÒfl ‡Û‰ËÓÔÓÚÓÍ ‚ ˝ÚÓÈ ÚÓ˜Íe.

C˄̇Î, Ó·‡·ÓÚ‡ÌÌ˚È DSP

DRY LINE

PSR-1100

Dry

REVERB

MAIN VOICE

DSP

Rev Send

C˄̇ΠÔÓÒÎe

ÔËÏeÌeÌËfl

Cho Send

e‚e·e‡ˆËË

ÖÒÎË DSP ËÒÔÓθÁÛeÚÒfl Í‡Í ˝ÙÙeÍÚ ‚ÒÚ‡‚ÍË (‚ ‰‡ÌÌÓÏ ÒÎÛ˜‡e

˜‡ÒÚ¸ (PART) ̇Á̇˜ė ͇̇ÎÛ MAIN),

DSP Send

ÚÓ ËÏ Ó·‡·‡Ú˚‚‡eÚÒfl ‡Û‰ËÓÔÓÚÓÍ ‚ ˝ÚÓÈ ÚÓ˜Íe.

Dry

LAYER VOICE

Rev Send

Cho Send

DSP Send

CHORUS

OUT

Dry

C˄̇ΠÔÓÒÎe

LEFT VOICE

ÔËÏeÌeÌËfl ıÓÛÒ‡

Rev Send

Cho Send

DSP Send

Dry

STYLE/SONG

Rev Send

ÖÒÎË DSP ËÒÔÓθÁÛeÚÒfl Í‡Í ÒËÒÚeÏÌ˚È

(͇ʉ˚È Í‡Ì‡Î)

˝ÙÙeÍÚ, ÚÓ ËÏ Ó·‡·‡Ú˚‚‡eÚÒfl ‡Û‰ËÓÔÓÚÓÍ

Cho Send

‚ ˝ÚÓÈ ÚÓ˜Íe.

DSP Send

DSP

C˄̇Î, Ó·‡·ÓÚ‡ÌÌ˚È DSP

PSR-2100/1100

129

ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË Ë Á‡ÏÂ̇ „ÓÎÓÒÓ‚

— Mixing Console

ç‡ÒÚÓÈ͇ ˝Í‚‡Î‡ÈÁÂ‡ — EQ (PSR-2100)

ùÍ‚‡Î‡ÈÁÂ, Í‡Í Ô‡‚ËÎÓ, ÔËÏÂÌflÂÚÒfl ‰Îfl ÍÓÂÍÚËÓ‚ÍË ‚˚ıÓ‰ÌÓ„Ó Ò˄̇· ÛÒËÎËÚÂÎÂÈ/ÍÓÎÓÌÓÍ Ò Û˜ÂÚÓÏ ‡ÍÛÒÚËÍË ÔÓÏ¢ÂÌËfl. ùÚÓÚ

ÔË·Ó ‰ÂÎËÚ Á‚ÛÍ Ì‡ ÌÂÒÍÓθÍÓ ˜‡ÒÚÓÚÌ˚ı ÔÓÎÓÒ, ÔÓÁ‚ÓÎflfl ÔÓ‚˚¯‡Ú¸ ËÎË ÔÓÌËʇڸ ÛÓ‚Â̸ ͇ʉÓÈ ÔÓÎÓÒ˚. èÂ‰ ‚˚ÒÚÛÔÎÂÌËÂÏ ‚˚

ÏÓÊÂÚÂ Ò Â„Ó ÔÓÏÓ˘¸˛ ‰Ó·ËÚ¸Òfl ÓÔÚËχθÌÓ„Ó ‰Îfl ÚÓ„Ó ËÎË ËÌÓ„Ó ÔÓÏ¢ÂÌËfl ÚÂÏ·‡. äÓÏ ÚÓ„Ó, Ú‡ÍËÏ Ó·‡ÁÓÏ ÏÓÊÌÓ ÍÓÏÔÂÌÒËÓ-

‚‡Ú¸ ÌÂÍÓÚÓ˚ Ì‰ÓÒÚ‡ÚÍË ‡ÍÛÒÚËÍË ‚‡¯ÂÈ ‰Óχ¯ÌÂÈ ÒÚÛ‰ËË. ç‡ÔËÏÂ, ÔÂ‰ ‚˚ÒÚÛÔÎÂÌËÂÏ Ì‡ ÒˆÂÌÂ Ò „ÛÎÍËÏ ˝ıÓÏ ËÎË ‚ ·Óθ¯ÓÈ

ÒÚÛ‰ËË ÏÓÊÌÓ «ÒÂÁ‡Ú¸» ÓÔ‰ÂÎÂÌÌ˚È ‰Ë‡Ô‡ÁÓÌ ÌËÁÍËı ˜‡ÒÚÓÚ ËÎË «ÔËÔÓ‰ÌflÚ¸» ‚ÂıÌË ˜‡ÒÚÓÚ˚ ‰Îfl Ë„˚ ‚ ÍÓÏ̇Ú ËÎË Í‡ÍÓÏ-ÎË·Ó

ËÌÓÏ Á‡ÏÍÌÛÚÓÏ ÔÓÒÚ‡ÌÒÚ‚Â Ò «ÏÂÚ‚ÓÈ», ÔÓ˜ÚË Î˯ÂÌÌÓÈ ˝ı‡ ‡ÍÛÒÚËÍÓÈ. PSR-2100 ӷ·‰‡ÂÚ ‚˚ÒÓÍÓÍ·ÒÒÌ˚Ï ÔflÚËÔÓÎÓÒÌ˚Ï ˆËÙ-

Ó‚˚Ï ˝Í‚‡Î‡ÈÁÂÓÏ. ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ Á‡‰‡Ú¸ ÚÂÏ· ËÌÒÚÛÏÂÌÚ‡ ÔÓÒΠ̇ÒÚÓÈÍË ‚ÒÂı ÓÒڇθÌ˚ı Ô‡‡ÏÂÚÓ‚.

éÔËÒ‡ÌÌ˚ ̇ ˝ÚÓÈ ÒÚ‡Ìˈ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û ‹2 ËÌÒÚÛ͈ËË Ì‡ ÒÚ. 124.

A

F

B

G

C

H

D

I

E

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A

F

B

G

C

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D

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130

PSR-2100/1100

1

äÌÓÔ͇ ‚˚ÁÓ‚‡ ˝Í‡Ì‡

MASTER EQ EDIT

äÌÓÔÍË ‚˚·Ó‡

ÚËÔ‡ Ó·˘ÂÈ

̇ÒÚÓÈÍË

äÌÓÔÍË ‚˚·Ó‡ ÚËÔ‡ ̇ÒÚÓÈÍË

˝Í‚‡Î‡ÈÁÂ‡.

˝Í‚‡Î‡ÈÁÂ‡ ‰Îfl ̇ÒÚÓÈÍË EQ

HIGH (‚˚ÒÓÍËı ˜‡ÒÚÓÚ) Ò ÔÓÏÓ˘¸˛

ÍÌÓÔÓÍ [1▲▼] - [8▲▼].

äÌÓÔÍË ‚˚·Ó‡ ÚËÔ‡ ̇ÒÚÓÈÍË

˝Í‚‡Î‡ÈÁÂ‡ ‰Îfl ̇ÒÚÓÈÍË EQ

LOW (ÌËÁÍËı ˜‡ÒÚÓÚ) Ò ÔÓÏÓ˘¸˛

ÍÌÓÔÓÍ [1▲▼] - [8▲▼].

2

äÌÓÔÍË ‚˚·Ó‡

ÚËÔ‡ Ó·˘ÂÈ

̇ÒÚÓÈÍË

˝Í‚‡Î‡ÈÁÂ‡.

éÚ‰‡ÍÚËÓ‚‡ÌÌÛ˛ ÍË‚Û˛

̇ÒÚÓÈÍË ˝Í‚‡Î‡ÈÁÂ‡

(PRESET ËÎË USER) ÏÓÊÌÓ

ÒÓı‡ÌËÚ¸ Í‡Í USER 1 Ë USER 2.

äË‚˚ PRESET Ë USER ‰‡ÍÚËÛ˛ÚÒfl ÔÛÚÂÏ

ÔÂÂÏ¢ÂÌËfl ÔÓÎÁÛÌÍÓ‚ ̇ ˝Í‡Ì (EQ1 — EQ5).

ìÓ‚Â̸ ͇ʉÓÈ ˜‡ÒÚÓÚÌÓÈ ÔÓÎÓÒ˚ ÏÓÊÌÓ ÔÓ‰ÌflÚ¸

(ÔÓÎÓÊËÚÂθÌ˚ Á̇˜ÂÌËfl) ËÎË ÒÌËÁËÚ¸

(ÓÚˈ‡ÚÂθÌ˚ Á̇˜ÂÌËfl) χÍÒËÏÛÏ Ì‡ 12 ‰Å.

äÌÓÔÍË „ÛÎËÓ‚ÍË Ó·˘Â„Ó ÛÒËÎÂÌËfl

Q

(Ó‰ÌÓ‚ÂÏÂÌÌÓ ÛÒËÎË‚‡˛ÚÒfl ‚Ò ÔÓÎÓÒ˚ ˜‡ÒÚÓÚ).

ÄÏÔÎËÚÛ‰‡

ä‡Ê‰˚È ‡Á ÔË Ì‡ÒÚÓÈÍ ӉÌÓÈ ËÁ ÔÓÎÓÒ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â Á̇˜ÂÌË EQ ‚˚‰ÂÎflÂÚÒfl ˆ‚ÂÚÓÏ, ‡ ̇‰ Ó„‡Ì‡ÏË

ÛÔ‡‚ÎÂÌËfl Q Ë FREQ ÔÓfl‚ÎflÂÚÒfl ËÁÓ·‡ÊÂÌË ÌÓÏÂ‡ ÔÓÎÓÒ˚. ë ÔÓÏÓ˘¸˛ ˝ÚËı Ó„‡ÌÓ‚ ÛÔ‡‚ÎÂÌËfl ÏÓÊÌÓ

„ÛÎËÓ‚‡Ú¸ Ô‡‡ÏÂÚ˚ Q (¯ËË̇ ÔÓÎÓÒ˚) Ë FREQ (ˆÂÌÚ‡Î¸Ì‡fl ˜‡ÒÚÓÚ‡) ‰Îfl ‚˚·‡ÌÌÓÈ ÔÓÎÓÒ˚ ˜‡ÒÚÓÚ. óÂÏ ‚˚¯Â

FREQó‡ÒÚÓÚ‡

Á̇˜ÂÌË Q, ÚÂÏ ÛÊ ÔÓÎÓÒ‡ ˜‡ÒÚÓÚ. ÑˇԇÁÓÌ Á̇˜ÂÌËÈ Ô‡‡ÏÂÚ‡ FREQ ‡Á΢ÂÌ ‰Îfl ͇ʉÓÈ ÔÓÎÓÒ˚.

àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇ — MIC (PSR-2100)

ùÚ‡ ËÒÍβ˜ËÚÂθÌÓ ÏÓ˘Ì‡fl ÙÛÌ͈Ëfl ‡Á‡·Óڇ̇ Ò ÔËÏÂÌÂÌËÂÏ ÔÂ‰ӂÓÈ ÚÂıÌÓÎÓ„ËË Ó·‡·ÓÚÍË „ÓÎÓÒ‡, Ô‰̇Á̇˜ÂÌÌÓÈ ‰Îfl

‡‚ÚÓχÚ˘ÂÒÍÓÈ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· ̇ ÓÒÌÓ‚Â Ó‰ÌÓ„Ó ‚Â‰Û˘Â„Ó „ÓÎÓÒ‡. àϲÚÒfl ˜ÂÚ˚ ‡ÁÌ˚ı ÂÊËχ „‡ÏÓÌËÁ‡ˆËË Ì‡fl‰Û

Ò ¯ËÓÍËÏ ‚˚·ÓÓÏ Ô‰ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ı ÚËÔÓ‚ „‡ÏÓÌËÁ‡ˆËË. èÓÏËÏÓ Ó·˚˜ÌÓÈ „‡ÏÓÌËÁ‡ˆËË ÒËÌÚÂÁ‡ÚÓ PSR-2100 ÔÓÁ‚ÓÎflÂÚ

Ú‡ÍÊ ËÁÏÂÌflÚ¸ ÔÓÎ ËÒÔÓÎÌËÚÂÎfl ÔË „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· Ë/ËÎË Á‚Û˜‡ÌËfl ‚Â‰Û˘Â„Ó ‚Ó͇·. ç‡ÔËÏÂ, β·ÓÈ Ô‚ˆ ÏÓÊÂÚ Ò

ÔÓÏÓ˘¸˛ ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100 ‡‚ÚÓχÚ˘ÂÒÍË ÒÓÁ‰‡Ú¸ ‰‚ ԇÚËË ÊÂÌÒÍÓ„Ó ·˝Í-‚Ó͇·. ÅÓθ¯ÓÈ ‚˚·Ó Ô‡‡ÏÂÚÓ‚ ÔÓÁ‚ÓÎflÂÚ

ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ ËÒÍβ˜ËÚÂθÌÓ ÚÓ˜ÌÓÂ Ë „Ë·ÍÓ ÛÔ‡‚ÎÂÌË Á‚Û˜‡ÌËÂÏ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇·.

ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó

ÔÓ‰Íβ˜ÂÌËË ÏËÍÓÙÓ̇ ÒÏ.

̇ ÒÚ. 155.

HOLD

LEFT

VOICE EFFECT

BACK NEXT

SUSTAIN

ECHO

HARMONY/

MONOTOUCH

DSP

VARIATION

STUDIO

DIGITAL

VOIC E

ORGAN &

SOUND CREATOR

MAIN

PIANO & HARPSI.

E.PIANO

ACCORDION

PERCUSSION

DIGITAL RECORDING

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F

B

G

LAYER

GUITAR

BASS

BRASS

WOODWIND

MIXING CONSOLE

C

H

LEFT

STRINGS CHOIR & PAD

SYNTH.

XG

D

I

USER

ORGAN FLUTES

DEMO

MENU

E

J

UPPER OCTAVE

FINDER

MUSIC

HELP

MIC.

VH TYPE

RESET

SELECT

MIC.

VOCAL

OVER

SETTING

HARMONY

TALK

EFFECT

FUNCTION

SIGNAL

ONE TOUCH SETTING

ACCESS

DIRECT

BALANCE

EXIT

ENTER

CHANNEL ON/OFF

PART

REGISTRATION MEMORY

DATA ENTRY

FREEZE MEMORY

Ç˚·Ó ÚËÔ‡ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇·

PSR-2100

131

MIC.

VH TYPE

MIC.

VOCAL

SELECT

SETTING

HARMONY

TALK

EFFECT

OVER

SIGNAL

SONG

EXTRA

TRACKS

TRACK

2

TRACK

1 REPEAT

METRO-

NOME

(STYLE) (R)(L)

REC REW FF

TOP

START/STOP

STYLE

NEW SONG SYNC. START

POP & ROCK

SWING &

JAZZ

BALLROOM

MARCH &

WALTZ

BALLAD USERLATIN

DANCE

PART

TRANSPOSE

TEMPO

TAP TEMPO

MASTER VOLUME

RESET

RESET

STOP

FADE

MULTI PAD

IN/OUT

MIN MAX

STYLE CONTROL

ACMP

BREAK

INTRO

MAIN

ENDING

/ rit.

SYNC.

STOP

SYNC.

START

STANDBY

FILL IN

AUTO

ON

LINK

OTS

START/STOP

ë ÔÓÏÓ˘¸˛ Ë̉Ë͇ÚÓÓ‚ SIGNAL Ë OVER ‚˚·ÂËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ̇ÒÚÓÈÍÛ (ÒÚ. 155).

MIC.

VH TYPE

MIC.

VOCAL

SELECT

SETTING

HARMONY

TALK

EFFECT

OVER

SIGNAL

è‰̇Á̇˜Â̇ ‰Îfl ‚Íβ˜ÂÌËfl/‚˚Íβ˜ÂÌËfl

Ó·‡·ÓÚÍË ÏËÍÓÙÓÌÌÓ„Ó Ò˄̇· ˝ÙÙÂÍ-

ÚÓÏ, Á‡‰‡ÌÌ˚Ï Ì‡ ˝Í‡Ì MIXING CONSOLE

(ÒÚ. 127).

ùÚ‡ ÍÌÓÔ͇ ËÒÔÓθÁÛÂÚÒfl ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡

VOCAL HARMONY TYPE (ÒÚ. 131), ÔÓÁ‚ÓÎflfl

ùÚ‡ ۉӷ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ‚ÂÏÂÌÌÓ ÓÚÍβ˜‡Ú¸ „‡ÏÓÌË-

Á‡‰‡‚‡Ú¸ Ú·ÛÂÏ˚È ÚËÔ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇·.

Á‡ˆË˛ ‚Ó͇· Ë ‰Û„Ë ˝ÙÙÂÍÚ˚ ÔË ËÒÔÓθÁÓ‚‡ÌËË ÔÓ‰Íβ-

˜ÂÌÌÓ„Ó ÏËÍÓÙÓ̇. ùÚÓ Û‰Ó·ÌÓ, ÍÓ„‰‡ ËÒÔÓÎÌËÚÂθ ‡Á„Ó‚‡Ë-

‚‡ÂÚ Ò ÔÛ·ÎËÍÓÈ ÏÂÊ‰Û ËÒÔÓÎÌÂÌËÂÏ ÔÂÒÂÌ ‚Ó ‚ÂÏfl ÍÓ̈ÂÚ‡.

ùÚ‡ ÍÌÓÔ͇ ËÒÔÓθÁÛÂÚÒfl ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡

MICROPHONE SETTING (̇ÒÚÓÈÍË ÏËÍÓÙÓ̇)

èÓ‰Íβ˜Ë‚ Í PSR-2100 ÏËÍÓÙÓÌ, ‚˚ ÏÓÊÂÚ ÔÂÚ¸ ‚ ÌÂ„Ó Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ

(ÒÚ. 133), ÔÓÁ‚ÓÎflfl „ÛÎËÓ‚‡Ú¸ „ÓÏÍÓÒÚ¸

‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌ˛ ËÎË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. èË ˝ÚÓÏ ‚Ó͇Π·Û‰ÂÚ

ÏËÍÓÙÓ̇ Ë „‡ÏÓÌËÁ‡ˆËË ‚Ó͇·.

‡‚ÚÓχÚ˘ÂÒÍË Á‡ÔËÒ˚‚‡Ú¸Òfl ÔÓ‚Âı ÒÛ˘ÂÒÚ‚Û˛˘Ëı ‰ÓÓÊÂÍ.

A

F

B

G

C

H

D

I

E

J

Ç˚·Ó ÚËÔ‡ „‡ÏÓ-

ç‡ÊÏËÚ ÍÌÓÔÍÛ

ÌËÁ‡ˆËË ‚Ó͇·.

1

2

[VH TYPE SELECT].

ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ

„ÛÎËÓ‚‡Ú¸ ÛÓ‚Â̸

ÔÓÒ˚· ˝ÙÙÂÍÚ‡.

àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇ — MIC. (PSR-2100)

A

F

B

G

C

H

D

I

E

J

è‡‡ÏÂÚ˚ ˝ÙÙÂÍÚ‡ Vocal Harmony

íËÔ CHORDAL/ÚËÔ VOCODER éÔ‰ÂÎflÂÚ, Í‡Í ÔËÏÂÌfl˛ÚÒfl ÌÓÚ˚ „‡ÏÓÌËË.

íËÔ Ó‰‡ „‡ÏÓÌËË ÇÓÁÏÓÊÌ˚ ÂÊËÏ˚ «Off» Ë «Auto». Ç ÂÊËÏ «Auto» Ó‰ Á‚Û͇ „‡ÏÓÌËË ËÁÏÂÌflÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË.

íËÔ Ó‰‡ ‚Â‰Û˘Â„Ó ÚÂÏ·‡ éÔ‰ÂÎflÂÚ, ·Û‰ÂÚ ÎË ËÁÏÂÌflÚ¸Òfl Ó‰ Á‚Û͇ ‚Â‰Û˘Â„Ó ‚Ó͇· (Ú.Â. Á‚ÛÍ, Ë‰Û˘ËÈ ÔflÏÓ ÓÚ ÏËÍÓÙÓ̇) Ë Í‡ÍËÏ Ó·‡ÁÓÏ.

Ç ÂÊËÏ «Off» Ó‰ Ì ËÁÏÂÌflÂÚÒfl. èË ‚˚·Ó «Unison» (ÛÌËÒÓÌ), «Male» (ÏÛÊÒÍÓÈ „ÓÎÓÒ) ËÎË «Female» (ÊÂÌÒÍËÈ „ÓÎÓÒ)

ÏÂÌflÂÚÒfl Ó‰ Á‚Û͇ ‚Â‰Û˘Â„Ó ‚Ó͇·. (Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÍÓ΢ÂÒÚ‚Ó ÌÓÚ „‡ÏÓÌËË, ÒÓÔÓ‚Óʉ‡˛˘Ëı ‚Â‰Û˘ËÈ ‚Ó͇Î,

ÛÏÂ̸¯ËÚÒfl ‰Ó Ó‰ÌÓÈ.)

ÉÎÛ·Ë̇ Ó‰‡ ‚Â‰Û˘Â„Ó ÚÂÏ·‡ ç‡ÒÚÓÈÚ ÒÚÂÔÂ̸ ËÁÏÂÌÂÌËfl Ó‰‡ ‚Â‰Û˘Â„Ó ‚Ó͇· ÔË ‚˚·Ó ӉÌÓ„Ó ËÁ Â„Ó ÚËÔÓ‚ (ÒÏ. ‚˚¯Â).

àÁÏÂÌÂÌË ‚˚ÒÓÚ˚ ‚Â‰Û˘Â„Ó

ÖÒÎË ‚˚·‡ÌÓ Á̇˜ÂÌË «Correct», ‚˚ÒÓÚ‡ Á‚Û͇ ‚Â‰Û˘Â„Ó ‚Ó͇· ÔÂÂÏ¢‡ÂÚÒfl Ò ËÌÚÂ‚‡ÎÓÏ ÚÓ˜ÌÓ ‚ ÔÓÎÚÓ̇.

ÚÂÏ·‡

ùÚÓÚ Ô‡‡ÏÂÚ ‰ÂÈÒÚ‚ÛÂÚ ÚÓθÍÓ ÔË ‚˚·Ó ӉÌÓ„Ó ËÁ ÚËÔÓ‚ Ó‰‡ ‚Â‰Û˘Â„Ó ‚Ó͇·.

Ä‚ÚÓχÚ˘ÂÒÍËÈ ÔÓÓ„ ‚ÂıÌ„Ó

êÓ‰ ËÁÏÂÌËÚÒfl, ÂÒÎË ‚˚ÒÓÚ‡ Á‚Û͇ „‡ÏÓÌËË ÔÓ‰ÌËÏÂÚÒfl ̇ Û͇Á‡ÌÌÓ ˜ËÒÎÓ ÔÓÎÛÚÓÌÓ‚ (ËÎË Ì‡ ·Óθ¯Â ˜ËÒÎÓ ÔÓÎÛÚÓÌÓ‚)

Ó‰‡

‚˚¯Â ‚˚ÒÓÚ˚ Á‚Û͇ ‚Â‰Û˘Â„Ó ‚Ó͇·.

Ä‚ÚÓχÚ˘ÂÒÍËÈ ÔÓÓ„ ÌËÊÌ„Ó

êÓ‰ ËÁÏÂÌËÚÒfl, ÂÒÎË ‚˚ÒÓÚ‡ Á‚Û͇ „‡ÏÓÌËË ÒÚ‡ÌÂÚ Ì‡ Û͇Á‡ÌÌÓ ˜ËÒÎÓ ÔÓÎÛÚÓÌÓ‚ (ËÎË Ì‡ ·Óθ¯Â ˜ËÒÎÓ ÔÓÎÛÚÓÌÓ‚)

Ó‰‡

ÌËÊ ‚˚ÒÓÚ˚ Á‚Û͇ ‚Â‰Û˘Â„Ó ‚Ó͇·.

ÉÎÛ·Ë̇ ‚ÂıÌÂ„Ó Ó‰‡ ç‡ÒÚ‡Ë‚‡ÂÚ ÒÚÂÔÂ̸ ËÁÏÂÌÂÌËfl Ó‰‡, ÔËÏÂÌflÂÏÓ„Ó Í ÌÓÚ‡Ï „‡ÏÓÌËË, ·ÓΠ‚˚ÒÓÍËÏ, ˜ÂÏ ÛÒÚ‡ÌÓ‚ÎÂÌÓ ‚ Ô‡‡ÏÂÚÂ

AUTO UPPER GENDER THRESHOLD.

ÉÎÛ·Ë̇ ÌËÊÌÂ„Ó Ó‰‡ ç‡ÒÚ‡Ë‚‡ÂÚ ÒÚÂÔÂ̸ ËÁÏÂÌÂÌËfl Ó‰‡, ÔËÏÂÌflÂÏÓ„Ó Í ÌÓÚ‡Ï „‡ÏÓÌËË, ÏÂÌ ‚˚ÒÓÍËÏ, ˜ÂÏ ÛÒÚ‡ÌÓ‚ÎÂÌÓ ‚ Ô‡‡ÏÂÚÂ

AUTO LOWER GENDER THRESHOLD.

ÉÎÛ·Ë̇ ‚Ë·‡ÚÓ ìÒڇ̇‚ÎË‚‡ÂÚ „ÎÛ·ËÌÛ ‚Ë·‡ÚÓ, ÔËÏÂÌflÂÏÛ˛ Í Á‚ÛÍÛ „‡ÏÓÌËË. í‡ÍÊ ‚ÎËflÂÚ Ì‡ Á‚Û˜‡ÌË ‚Â‰Û˘Â„Ó ‚Ó͇·.

ëÍÓÓÒÚ¸ ‚Ë·‡ÚÓ ìÒڇ̇‚ÎË‚‡ÂÚ ÒÍÓÓÒÚ¸ ˝ÙÙÂÍÚ‡ ‚Ë·‡ÚÓ.

ᇉÂÊ͇ ‚Ë·‡ÚÓ ÖÒÎË ÒËÌÚÂÁËÛÂÚÒfl ÌÓÚ‡, Û͇Á˚‚‡ÂÚ ÔÓ‰ÓÎÊËÚÂθÌÓÒÚ¸ Á‡‰ÂÊÍË ÔÂ‰ ̇˜‡ÎÓÏ ‰ÂÈÒÚ‚Ëfl ˝ÙÙÂÍÚ‡ ‚Ë·‡ÚÓ.

ÉÓÏÍÓÒÚ¸ Harmony1 ìÒڇ̇‚ÎË‚‡ÂÚ „ÓÏÍÓÒÚ¸ ÔÂ‚ÓÈ ÌÓÚ˚ „‡ÏÓÌËË.

ÉÓÏÍÓÒÚ¸ Harmony2 ìÒڇ̇‚ÎË‚‡ÂÚ „ÓÏÍÓÒÚ¸ ‚ÚÓÓÈ ÌÓÚ˚ „‡ÏÓÌËË.

è‡ÌÓ‡Ï‡ Harmony1 ìÒڇ̇‚ÎË‚‡ÂÚ ÒÚÂÂÓ-ÔÓÁËˆË˛ (Ô‡ÌÓ‡ÏÛ) ÔÂ‚ÓÈ ÌÓÚ˚ „‡ÏÓÌËË. èË ‚˚·Ó ÂÊËχ "Random" ÒÚÂÂÓ-ÔÓÁˈËfl Á‚Û͇

·Û‰ÂÚ ÒÎÛ˜‡ÈÌÓ ËÁÏÂÌflÚ¸Òfl ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË Ì‡ Í·‚˯Ë.

è‡ÌÓ‡Ï‡ Harmony2 ìÒڇ̇‚ÎË‚‡ÂÚ ÒÚÂÂÓ-ÔÓÁËˆË˛ (Ô‡ÌÓ‡ÏÛ) ‚ÚÓÓÈ ÌÓÚ˚ „‡ÏÓÌËË. èË ‚˚·Ó ÂÊËχ "Random" ÒÚÂÂÓ-ÔÓÁˈËfl Á‚Û͇

·Û‰ÂÚ ÒÎÛ˜‡ÈÌÓ ËÁÏÂÌflÚ¸Òfl ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË Ì‡ Í·‚˯Ë.

ëÏ¢ÂÌË Harmony1 ëÏ¢ÂÌË ÔÂ‚ÓÈ ÌÓÚ˚ „‡ÏÓÌËË Ì‡ Û͇Á‡ÌÌ˚È ÔÓˆÂÌÚ.

ëÏ¢ÂÌË Harmony2 ëÏ¢ÂÌË ‚ÚÓÓÈ ÌÓÚ˚ „‡ÏÓÌËË Ì‡ Û͇Á‡ÌÌ˚È ÔÓˆÂÌÚ.

Pitch to Note Ç ÂÊËÏ «ON» (ÇÍÎ.) Á‚ÛÍ ‚Â‰Û˘Â„Ó ‚Ó͇· ÔÓË„˚‚‡ÂÚÒfl ÒËÒÚÂÏÓÈ ÚÓÌ-„ÂÌÂ‡ÚÓ‡ ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100. (é‰Ì‡ÍÓ

‰Ë̇Ï˘ÂÒÍË ËÁÏÂÌÂÌËfl Á‚Û˜‡ÌËfl ‚Ó͇· Ì ‚ÎËfl˛Ú ̇ „ÓÏÍÓÒÚ¸ ÚÓÌ-„ÂÌÂ‡ÚÓ‡.)

ó‡ÒÚ¸ Pitch to Note éÔ‰ÂÎflÂÚ, ͇͇fl ËÁ ˜‡ÒÚÂÈ ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100 ·Û‰ÂÚ ÛÔ‡‚ÎflÚ¸Òfl ‚Â‰Û˘ËÏ ‚Ó͇ÎÓÏ, ÂÒÎË ‰Îfl Ô‡‡ÏÂÚ‡ PITCH TO

NOTE ‚˚·‡ÌÓ Á̇˜ÂÌË ON.

132

PSR-2100

3

ëÓı‡ÌÂÌË ËÁÏÂÌÂÌÌ˚ı

‰‡ÌÌ˚ı (ÒÚ. 38, 47).

Ç˚·Ó ÚËÔ‡ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇·.

ÇÓÁ‚‡Ú Í ˝Í‡ÌÛ VOCAL HARMONY

TYPE.

Ç˚·Ó Ô‡‡ÏÂÚ‡ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇·. Ç˚·Ó Á̇˜ÂÌËfl Ô‡‡ÏÂÚ‡.

ç‡ÒÚÓÈ͇Ï, ÒÓı‡ÌÂÌÌ˚Ï Ì‡

ÒÚ‡Ìˈ USER, ÏÓÊÌÓ Ì‡Á̇˜ËÚ¸

ËÏfl (ÒÚ. 44). äÓÏÂ ÚÓ„Ó, Ëı ÏÓÊÌÓ

Û‰‡ÎËÚ¸ (ÒÚ. 46).

óÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ, ̇ÊÏËÚÂ

ÍÌÓÔÍÛ [EXIT].

END

àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇ — MIC. (ÚÓθÍÓ PSR-2100)

ç‡ÒÚÓÈ͇ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· Ë ÏËÍÓÙÓ̇ — MICROPHONE

SETTING

èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ

ç‡ÊÏËÚÂ

Ç˚·ÂËÚ ÌÛÊÌÛ˛ ÒÚ‡ÌËˆÛ ˝Í‡Ì‡ MICROPHONE SETTING Ò ÔÓÏÓ˘¸˛

1

2

ÍÌÓÔÍÛ [MIC.

ÍÌÓÔÓÍ [BACK]/[NEXT] Ë ÛÒÚ‡ÌÓ‚ËÚ ԇ‡ÏÂÚ˚.

SETTING]

ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ‡Á΢Ì˚ı Ô‡‡ÏÂÚ‡ı Ë ÒÔÓÒÓ·‡ı Ëı

BACK NEXT

̇ÒÚÓÈÍË ÒÏ. ‰‡ÎÂÂ.

A

F

END

B

G

óÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í

C

H

Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ,

D

I

̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT].

E

J

ç‡ÒÚÓÈ͇ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· Ë ˝ÙÙÂÍÚÓ‚ ‰Îfl Ó·‡·ÓÚÍË ÏËÍÓÙÓÌÌÓ„Ó

Ò˄̇· — OVERALL SETTING

ëÓ‰ÂʇÌË ‰‡ÌÌÓ„Ó ‡Á‰Â· ÓÚÌÓÒËÚÒfl Í ¯‡„Û 2, ÓÔËÒ‡ÌÌÓÏÛ ‚˚¯Â.

A

F

B

G

C

H

D

I

E

J

■ 3BAND EQ (ÚÂıÔÓÎÓÒÌ˚È ˝Í‚‡Î‡ÈÁÂ)

ùÍ‚‡Î‡ÈÁÂ, Í‡Í Ô‡‚ËÎÓ, ÔËÏÂÌflÂÚÒfl ‰Îfl ÍÓÂÍÚËÓ‚ÍË ‚˚ıÓ‰ÌÓ„Ó Ò˄̇· ÛÒËÎËÚÂÎÂÈ/ÍÓÎÓÌÓÍ Ò Û˜ÂÚÓÏ ‡ÍÛÒÚËÍË

ÔÓÏ¢ÂÌËfl. ùÚÓÚ ÔË·Ó ‰ÂÎËÚ Á‚ÛÍ Ì‡ ÌÂÒÍÓθÍÓ ˜‡ÒÚÓÚÌ˚ı ÔÓÎÓÒ, ÔÓÁ‚ÓÎflfl ÔÓ‚˚¯‡Ú¸/ÔÓÌËʇڸ ÛÓ‚Â̸ ͇ʉÓÈ ÔÓÎÓÒ˚.

ëËÌÚÂÁ‡ÚÓ PSR-2100 ӷ·‰‡ÂÚ ‚˚ÒÓÍÓÍ·ÒÒÌ˚Ï ÚÂıÔÓÎÓÒÌ˚Ï ˆËÙÓ‚˚Ï ˝Í‚‡Î‡ÈÁÂÓÏ ‰Îfl Ó·‡·ÓÚÍË ÏËÍÓÙÓÌÌÓ„Ó

Ò˄̇·.

Hz ................... ê„ÛÎËӂ͇ ˆÂÌÚ‡Î¸ÌÓÈ ˜‡ÒÚÓÚ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÔÓÎÓÒ˚.

dB................... èÓ‰ÌflÚË ËÎË ÒÌËÊÂÌË ÛÓ‚Ìfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÔÓÎÓÒ˚ ̇ ‚Â΢ËÌÛ ‰Ó 12 ‰Å.

■ NOISE GATE („ÂÈÚ)

ùÚÓÚ ˝ÙÙÂÍÚ ÔÓÁ‚ÓÎflÂÚ ÔË„ÎÛ¯‡Ú¸ ‚ıÓ‰ÌÓÈ Ò˄̇Π‚ ÚÂı ÒÎÛ˜‡flı, ÍÓ„‰‡ ÒË„Ì‡Î Ò ÏËÍÓÙÓÌÌÓ„Ó ‚ıÓ‰‡ Ô‡‰‡ÂÚ ÌËÊ Û͇Á‡ÌÌÓ„Ó

ÛÓ‚Ìfl. Ç ÂÁÛθڇÚ ÒÛ˘ÂÒÚ‚ÂÌÌÓ ÒÌËʇÂÚÒfl ÛÓ‚Â̸ ÔÓÒÚÓÓÌÌËı ¯ÛÏÓ‚, ÔÓÁ‚ÓÎflfl ÔÓıÓ‰ËÚ¸ ÌÛÊÌÓÏÛ Ò˄̇ÎÛ (ÔÂÌ˲ Ë Ú. Ô.).

SW.................. «SW» — ˝ÚÓ ‡··‚ˇÚÛ‡ ‡Ì„ÎËÈÒÍÓ„Ó ÒÎÓ‚‡ Switch (ÔÂÂÍβ˜‡ÚÂθ). чÌÌ˚È ÔÂÂÍβ˜‡ÚÂθ ËÒÔÓθÁÛÂÚÒfl ‰Îfl

‚Íβ˜ÂÌËfl Ë ‚˚Íβ˜ÂÌËfl „ÂÈÚ‡.

TH................... «TH.» — ˝ÚÓ ‡··‚ˇÚÛ‡ ‡Ì„ÎËÈÒÍÓ„Ó ÒÎÓ‚‡ Threshold (ÔÓÓ„). чÌÌ˚È „ÛÎflÚÓ ËÒÔÓθÁÛÂÚÒfl ‰Îfl ÛÒÚ‡ÌÓ‚ÍË

ÛÓ‚Ìfl ¯Ûχ, ÔË ÍÓÚÓÓÏ „ÂÈÚ Ì‡˜Ë̇ÂÚ «ÓÚÍ˚‚‡Ú¸Òfl».

PSR-2100

133

Ç˚·Ó Ô‡‡ÏÂÚ‡ 3BAND EQ

(ÚÂıÔÓÎÓÒÌ˚È ˝Í‚‡Î‡ÈÁÂ).

Ç˚·Ó Ô‡‡ÏÂÚÓ‚ NOISE GATE

(„ÂÈÚ)/COMPRESSOR (ÍÓÏÔÂÒÒÓ).

Ç˚·Ó Ô‡‡ÏÂÚÓ‚ VOCAL HARMONY

CONTROL (ÛÔ‡‚ÎÂÌË „‡ÏÓÌËÁ‡ˆËÂÈ

‚Ó͇·)/MIC (ÏËÍÓÙÓÌ).

ùÚË ÍÌÓÔÍË ËÒÔÓθÁÛ˛ÚÒfl ‰Îfl ËÁÏÂÌÂÌËfl Á̇˜ÂÌËfl

ÙÛÌ͈ËÈ Ë Ì‡ÒÚÓÂÍ. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl ÒÏ.

ÌËÊÂ.

àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇ — MIC. (PSR-2100)

■ COMPRESSOR (ÍÓÏÔÂÒÒÓ)

ùÚÓÚ ˝ÙÙÂÍÚ ÔÓÁ‚ÓÎflÂÚ ÒÌËʇڸ ‚˚ıÓ‰ÌÓÈ Ò˄̇Π‚ ÚÂı ÒÎÛ˜‡flı, ÍÓ„‰‡ ÒË„Ì‡Î Ò ÏËÍÓÙÓÌÌÓ„Ó ‚ıÓ‰‡ Ô‚˚¯‡ÂÚ Û͇Á‡ÌÌ˚È

ÛÓ‚Â̸. Ö„Ó ËÒÔÓθÁÓ‚‡ÌË ÔÓÏÓ„‡ÂÚ ÔË Á‡ÔËÒË Ò˄̇· Ò ·Óθ¯ËÏ ‰Ë̇Ï˘ÂÒÍËÏ ‰Ë‡Ô‡ÁÓÌÓÏ. èË ËÒÔÓθÁÓ‚‡ÌËË ˝ÚÓ„Ó

˝ÙÙÂÍÚ‡ ÔÓËÒıÓ‰ËÚ ˝ÙÙÂÍÚË‚ÌÓ «ÒʇÚË» Ò˄̇·, ÍÓ„‰‡ ·ÓΠÚËıË ˜‡ÒÚË ÒÚ‡ÌÓ‚flÚÒfl „ÓϘÂ, ‡ „ÓÏÍË — Ú˯Â.

SW.................. «SW» — ˝ÚÓ ‡··‚ˇÚÛ‡ ÒÎÓ‚‡ Switch (ÔÂÂÍβ˜‡ÚÂθ). чÌÌ˚È ÔÂÂÍβ˜‡ÚÂθ ËÒÔÓθÁÛÂÚÒfl ‰Îfl ‚Íβ˜ÂÌËfl Ë

‚˚Íβ˜ÂÌËfl ÍÓÏÔÂÒÒÓ‡.

TH................... «TH.» — ˝ÚÓ ‡··‚ˇÚÛ‡ ÒÎÓ‚‡ Threshold (ÔÓÓ„). чÌÌ˚È „ÛÎflÚÓ ËÒÔÓθÁÛÂÚÒfl ‰Îfl ÛÒÚ‡ÌÓ‚ÍË ÛÓ‚Ìfl

Á‚ÛÍÓ‚Ó„Ó Ò˄̇· ̇ ‚ıÓ‰Â, ̇˜Ë̇fl Ò ÍÓÚÓÓ„Ó Ì‡˜Ë̇ÂÚ ÔËÏÂÌflÚ¸Òfl ÒʇÚËÂ.

RATIO ............ ùÚÓÚ „ÛÎflÚÓ ËÒÔÓθÁÛÂÚÒfl ‰Îfl ̇ÒÚÓÈÍË ÍÓ˝ÙÙˈËÂÌÚ‡ ÒʇÚËfl.

OUT................ ç‡ÒÚÓÈ͇ ÛÓ‚Ìfl ÓÍÓ̘‡ÚÂθÌÓ„Ó ‚˚ıÓ‰ÌÓ„Ó Ò˄̇·.

■ VOCAL HARMONY CONTROL (Ô‡‡ÏÂÚ˚ ÛÔ‡‚ÎÂÌËfl „‡ÏÓÌËÁ‡ˆËÂÈ ‚Ó͇·)

è˂‰ÂÌÌ˚ ÌËÊ ԇ‡ÏÂÚ˚ ÓÔ‰ÂÎfl˛Ú ÒÔÓÒÓ· ÛÔ‡‚ÎÂÌËfl „‡ÏÓÌËÁ‡ˆËÂÈ.

VOCODER CONTROL (‚ÓÍÓ‰Â)

ùÙÙÂÍÚ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· ÛÔ‡‚ÎflÂÚÒfl Ò ÔÓÏÓ˘¸˛ ÌÓÚÌ˚ı ‰‡ÌÌ˚ı: ÚÓ ÂÒÚ¸, ÚÂı ÌÓÚ, ÍÓÚÓ˚ ‚‚Ó‰flÚÒfl ÔË Ë„ ̇

ÒËÌÚÂÁ‡ÚÓÂ, Ë/ËÎË ÌÓÚ, ËÒÔÓθÁÛÂÏ˚ı ‚ Ù‡ÈΠÔÂÒÌË. чÌÌ˚È Ô‡‡ÏÂÚ ÔÓÁ‚ÓÎflÂÚ ÓÔ‰ÂÎËÚ¸, ͇ÍË ÌÓÚ˚ ‰ÓÎÊÌ˚ ÛÔ‡‚ÎflÚ¸

„‡ÏÓÌËÁ‡ˆËÂÈ.

• SONG CHANNEL (͇̇ΠÔÂÒÌË)

MUTE/PLAY (‚˚ÍÎ./‚ÍÎ.):

èË ÛÒÚ‡ÌÓ‚Í Á̇˜ÂÌËfl «MUTE» (‚˚ÍÎ.) ‚Ó ‚ÂÏfl Ë„˚ ̇ ÒËÌÚÂÁ‡ÚÓ ËÎË ‚ÓÒÔÓËÁ‚‰ÂÌËfl هȷ ÔÂÒÌË ‚˚·‡ÌÌ˚È

͇̇ΠÔË„ÎÛ¯‡ÂÚÒfl (ÓÚÍβ˜‡ÂÚÒfl).

OFF:

Ç˚Íβ˜ÂÌË ԇ‡ÏÂÚ‡ ÛÔ‡‚ÎÂÌËfl „‡ÏÓÌËÁ‡ˆËÂÈ ‚Ó͇· Ò ÔÓÏÓ˘¸˛ ‰‡ÌÌ˚ı, ‚ÁflÚ˚ı ËÁ هȷ ÔÂÒÌË.

1-16:

èË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË Ò ‰ËÒÍÂÚ˚ ËÎË Ò ‚̯ÌÂ„Ó MIDI-ÒËÌÚÂÁ‡ÚÓ‡ ÌÓÚÌ˚ ‰‡ÌÌ˚Â, Á‡ÔËÒ‡ÌÌ˚ ‚ Á‡‰‡ÌÌ˚È Í‡Ì‡Î

ÔÂÒÌË, ÓÔ‰ÂÎfl˛Ú „‡ÏÓÌËÁ‡ˆË˛.

• KEYBOARD (Í·‚ˇÚÛ‡)

OFF: Ç˚Íβ˜ÂÌË ԇ‡ÏÂÚ‡ ÛÔ‡‚ÎÂÌËfl „‡ÏÓÌËÁ‡ˆËÂÈ Ò Í·‚ˇÚÛ˚.

UPPER (‚˚¯Â): ɇÏÓÌËÁ‡ˆË˛ Á‡‰‡˛Ú ÌÓÚ˚, ‡ÒÔÓÎÓÊÂÌÌ˚ ÒÔ‡‚‡ ÓÚ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚.

LOWER (ÌËÊÂ): ɇÏÓÌËÁ‡ˆË˛ Á‡‰‡˛Ú ÌÓÚ˚, ‡ÒÔÓÎÓÊÂÌÌ˚ Ò΂‡ ÓÚ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl.

BALANCE („ÛÎËӂ͇ „ÓÏÍÓÒÚË)

ùÚÓÚ „ÛÎflÚÓ ÔÓÁ‚ÓÎflÂÚ Ì‡ÒÚ‡Ë‚‡Ú¸ ÒÓÓÚÌÓ¯ÂÌË „ÓÏÍÓÒÚË ‚Ó͇· (‚‡¯Â„Ó ÒÓ·ÒÚ‚ÂÌÌÓ„Ó „ÓÎÓÒ‡) Ë „‡ÏÓÌËÁ‡ˆËË ‚Ó͇·.

ì‚Â΢ÂÌË Á̇˜ÂÌËfl ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ ÔË‚Ó‰ËÚ Í ÛÒËÎÂÌ˲ „ÓÏÍÓÒÚË „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· Ë ÛÏÂ̸¯ÂÌ˲ „ÓÏÍÓÒÚË

‚Â‰Û˘Â„Ó ‚Ó͇·. äÓ„‰‡ „ÛÎflÚÓ ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ Á̇˜ÂÌË L<H63 („‰Â L — ‚Â‰Û˘ËÈ ‚Ó͇Î, ‡ H — „‡ÏÓÌËÁ‡ˆËfl ‚Ó͇·), ̇

‚˚ıӉ ÛÒËÎËÚÂÎfl ÓÒÚ‡ÂÚÒfl ÚÓθÍÓ „‡ÏÓÌËÁ‡ˆËfl ‚Ó͇·; ‡ ÍÓ„‰‡ ÓÌ ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ Á̇˜ÂÌË L63>H, ̇ ‚˚ıÓ‰ ÔÓ‰‡ÂÚÒfl ÚÓθÍÓ

‚Â‰Û˘ËÈ ‚Ó͇Î.

MODE (ÂÊËÏ „‡ÏÓÌËÁ‡ˆËË)

ÇÒ ÚËÔ˚ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· ÔÓ‰‡Á‰ÂÎfl˛ÚÒfl ̇ ÚË ÂÊËχ, ÔË ÍÓÚÓ˚ı „‡ÏÓÌËÁ‡ˆËfl ÔÓËÁ‚Ó‰ËÚÒfl ‡Á΢Ì˚Ï Ó·‡ÁÓÏ.

ùÙÙÂÍÚ „‡ÏÓÌËÁ‡ˆËË Á‡‚ËÒËÚ ÓÚ ‚˚·Ó‡ ‰ÓÓÊÍË Ë ÂÊËχ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇·, ˝ÚÓÚ Ô‡‡ÏÂÚ ÓÔ‰ÂÎflÂÚ, ͇ÍËÏ Ó·‡ÁÓÏ

·Û‰ÂÚ ÔÓËÁ‚Ó‰ËÚ¸Òfl „‡ÏÓÌËÁ‡ˆËfl „ÓÎÓÒ‡. ÇÒ ÚË ÂÊËχ ÓÔËÒ‡Ì˚ ÌËÊÂ.

VOCODER (‚ÓÍÓ‰Â):

çÓÚ˚ „‡ÏÓÌËÁ‡ˆËË Á‡‰‡˛ÚÒfl ÌÓÚ‡ÏË, ‚‚Ó‰ËÏ˚ÏË ÔË Ë„ ̇ Í·‚ˇÚÛ (Main, Layer Ë Left), Ë/ ËÎË ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË

هȷ ÔÂÒÌË, ÒÓ‰Âʇ˘Â„Ó ‰ÓÓÊÍË „‡ÏÓÌËÁ‡ˆËË ‚Ó͇·.

CHORDAL (‡ÍÍÓ‰˚):

èË ‚ÓÒÔÓËÁ‚‰ÂÌËË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÚËÔ „‡ÏÓÌËÁ‡ˆËË Á‡‰‡˛Ú ‡ÍÍÓ‰˚, ÍÓÚÓ˚ ˄‡˛ÚÒfl ‚ ‡Á‰ÂÎÂ

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Í·‚ˇÚÛ˚. èË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË ÚËÔ „‡ÏÓÌËÁ‡ˆËË Á‡‰‡˛Ú ‡ÍÍÓ‰˚, ÒÓ‰Âʇ˘ËÂÒfl ‚ Ù‡ÈÎÂ

ÔÂÒÌË. (чÌÌ˚È Ô‡‡ÏÂÚ ̉ÓÒÚÛÔÂÌ, ÂÒÎË Ù‡ÈÎ ÔÂÒÌË Ì ÒÓ‰ÂÊËÚ ‡ÍÍÓ‰Ó‚.)

AUTO (‡‚ÚÓχÚ˘ÂÒÍËÈ):

ÖÒÎË ‰Îfl Ô‡ÚËË Î‚ÓÈ ÛÍË ËÎË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË ON Ë ÂÒÎË ‚ Ù‡ÈΠÔÂÒÌË ÒÓ‰ÂʇÚÒfl ‡ÍÍÓ‰˚,

ÂÊËÏÛ „‡ÏÓÌËÁ‡ˆËË ‡‚ÚÓχÚ˘ÂÒÍË ÔËÒ‚‡Ë‚‡ÂÚÒfl Á̇˜ÂÌË CHORDAL (‡ÍÍÓ‰˚). ÇÓ ‚ÒÂı ‰Û„Ëı ÒÎÛ˜‡flı ÂÊËÏÛ

‡‚ÚÓχÚ˘ÂÒÍË ÔËÒ‚‡Ë‚‡ÂÚÒfl Á̇˜ÂÌË VOCODER (‚ÓÍÓ‰Â).

CHORD (‡ÍÍÓ‰)

èÂ˜ËÒÎÂÌÌ˚ ÌËÊ ԇ‡ÏÂÚ˚ Á‡‰‡˛Ú Ú ‰‡ÌÌ˚ ‚ Ù‡ÈΠÔÂÒÌË, ÍÓÚÓ˚ ·Û‰ÛÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‰Îfl ‡ÒÔÓÁ̇‚‡ÌËfl

‡ÍÍÓ‰Ó‚.

OFF: ÄÍÍÓ‰˚ Ì ‡ÒÔÓÁ̇˛ÚÒfl.

XF: ê‡ÒÔÓÁ̇˛ÚÒfl ‡ÍÍÓ‰˚ ‚ ÙÓχÚ XF.

1-16: ê‡ÒÔÓÁ̇˛ÚÒfl ‡ÍÍÓ‰˚ ËÁ ÌÓÚÌ˚ı ‰‡ÌÌ˚ı ‚ Á‡‰‡ÌÌÓÏ Í‡Ì‡Î ÔÂÒÌË.

■ MIC (MICROPHONE) (ÏËÍÓÙÓÌ)

è˂‰ÂÌÌ˚ ÌËÊ ԇ‡ÏÂÚ˚ Á‡‰‡˛Ú ÒÔÓÒÓ·˚ ÛÔ‡‚ÎÂÌËfl ÏËÍÓÙÓÌÌ˚Ï Ò˄̇ÎÓÏ.

MUTE ................................Ç ÔÓÎÓÊÂÌËË OFF ÏËÍÓÙÓÌ ÓÚÍβ˜ÂÌ.

VOLUME („ÓÏÍÓÒÚ¸).....ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË ÏËÍÓÙÓÌÌÓ„Ó Ò˄̇·.

134

PSR-2100

àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇ — MIC. (ÚÓθÍÓ PSR-2100)

ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË ÏËÍÓÙÓ̇ Ë ÒÓÔÛÚÒÚ‚Û˛˘Ëı ˝ÙÙÂÍÚÓ‚ — TALK SETTING

ᇉ‡ÂÚ Ô‡‡ÏÂÚ˚ ÔË ‚Íβ˜ÂÌÌÓÈ ÍÌÓÔÍ [TALK] (˜¸).

è˂‰ÂÌÌ˚ ҂‰ÂÌËfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 2 ̇ ÒÚ. 133.

VOLUME/PAN/REVERB DEPTH/CHORUS DEPTH/TOTAL VOLUME ATTENUATOR („ÓÏÍÓÒÚ¸/Ô‡ÌÓ‡ÏÌÓÂ

Á‚Û˜‡ÌËÂ/„ÎÛ·Ë̇ ‚Â·Â‡ˆËË/„ÎÛ·Ë̇ ıÓÛÒ‡/Ó·˘ËÈ ÛÓ‚Â̸ Á‡ÚÛı‡ÌËfl)

A

F

B

G

C

H

D

I

E

J

DSP/TYPE/DEPTH (DSP/ÚËÔ/„ÎÛ·Ë̇)

PSR-2100

135

ùÚ‡ ÍÌÓÔ͇ Á‡‰‡ÂÚ „ÓÏÍÓÒÚ¸

ùÚË ÍÌÓÔÍË ÓÔ‰ÂÎfl˛Ú ‚Â΢ËÌÛ ÍÓ˝ÙÙË-

Á‚Û˜‡ÌËfl ÏËÍÓÙÓ̇.

ˆËÂÌÚ‡ Á‡ÚÛı‡ÌËfl, ÍÓÚÓ‡fl ‰ÓÎÊ̇ ·˚Ú¸ ÔË-

ÏÂÌÂ̇ Í Ó·˘ÂÏÛ Á‚Û˜‡Ì˲ (Á‡ ËÒÍβ˜ÂÌËÂÏ

‚ıÓ‰‡ ÏËÍÓÙÓ̇), ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ ˝ÙÙÂÍÚË‚-

ÌÓ „ÛÎËÓ‚‡Ú¸ ÒÓÓÚÌÓ¯ÂÌË ÏÂÊ‰Û „ÓÎÓ-

ÒÓÏ ËÒÔÓÎÌËÚÂÎfl Ë Ó·˘ËÏ Á‚Û˜‡ÌËÂÏ ËÌÒÚÛ-

ÏÂÌÚ‡.

ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÍÌÓÔÍË ÏÓÊÌÓ Á‡‰‡Ú¸ ÔÓÎÓÊÂÌËÂ

ùÚË ÍÌÓÔÍË Á‡‰‡˛Ú „ÎÛ·ËÌÛ ‚Â·Â‡ˆËË Ë ıÓÛÒ‡,

ÏËÍÓÙÓÌÌÓ„Ó Ò˄̇· ̇ ÒÚÂÂÓ·‡Á (Ô‡ÌÓ‡Ï‡).

ÔËÏÂÌflÂÏ˚ı Í ÏËÍÓÙÓÌÌÓÏÛ Ò˄̇ÎÛ.

A

F

B

G

C

H

D

I

E

J

ᇉ‡ÂÚ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ DSP,

ÔËÏÂÌflÂÏÓ„Ó Í ÏËÍÓÙÓÌÌÓÏÛ Ò˄̇ÎÛ.

ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË (ON/OFF) ˝ÙÙÂÍÚ‡ DSP,

Ç˚·Ó ÚËÔ‡ ˝ÙÙÂÍÚ‡ DSP, ÍÓÚÓ˚È ‰ÓÎÊÂÌ ·˚Ú¸

ÔËÏÂÌÂÌÌÓ„Ó Í ÏËÍÓÙÓÌÌÓÏÛ Ò˄̇ÎÛ.

ÔËÏÂÌÂÌ Í ÏËÍÓÙÓÌÌÓÏÛ Ò˄̇ÎÛ.

ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ — ÏÂÌ˛ Function

Ç ÂÊËÏ Function ‰ÓÒÚÛÔ̇ ̇ÒÚÓÈ͇ fl‰‡ ÙÛÌ͈ËÈ, ‚ÓÁ‰ÂÈÒÚ‚Û˛˘Ëı ̇ ÒËÌÚÂÁ‡ÚÓ Í‡Í Ì‡ ‰ËÌÓ ˆÂÎÓÂ. ë ÔÓÏÓ˘¸˛ ˝ÚËı

ÒÎÓÊÌ˚ı ÙÛÌ͈ËÈ ‚˚ ÏÓÊÂÚ ̇ÒÚÓËÚ¸ PSR-2100/1100 ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË ÒÓ Ò‚ÓËÏË ÔÓÚ·ÌÓÒÚflÏË Ë Ô‰ÔÓ˜ÚÂÌËflÏË.

HOLD

VOICE EFFECT

BACK NEXT

LEFT

SUSTAIN

HARMONY/

ECHO

MONOTOUCH

DSP

VARIATION

DIGITAL

STUDIO

VOIC E

PIANO & HARPSI.

E.PIANO

ACCORDION

ORGAN &

SOUND CREATOR

MAIN

PERCUSSION

DIGITAL RECORDING

A

F

LAYER

GUITAR

BASS

BRASS

WOODWIND

B

G

MIXING CONSOLE

C

H

LEFT

STRINGS CHOIR & PAD

SYNTH.

XG

D

I

DEMO

MENU

USER

ORGAN FLUTES

E

J

MUSIC

UPPER OCTAVE

FINDER

HELP

MIC.

VH TYPE

SELECT

SETTING

MIC.

VOCAL

RESET

OVER

HARMONY

TALK

EFFECT

FUNCTION

SIGNAL

BALANCE

ONE TOUCH SETTING

ACCESS

DIRECT

EXIT

ENTER

CHANNEL ON/OFF

PART

REGISTRATION MEMORY

DATA ENTRY

FREEZE MEMORY

ê„ÛÎËӂ͇ ‚˚ÒÓÚ˚ Ë Ì‡ÒÚÓÈ͇ ËÌÒÚÛÏÂÌÚ‡ — Master Tune Ë Scale Tune

■ Master Tune (Ó·˘‡fl ̇ÒÚÓÈ͇) (ÒÚ. 138)

ùÚÓÚ Ô‡‡ÏÂÚ Óڂ˜‡ÂÚ Á‡ ÚÓÌÍÛ˛ ÔÓ‰ÒÚÓÈÍÛ ‚˚ÒÓÚ˚ ÒËÌÚÂÁ‡ÚÓ‡. ë Â„Ó ÔÓÏÓ˘¸˛ ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ ÒËÌÚÂÁ‡ÚÓ ̇ ‰Û„ÓÈ

ËÌÒÚÛÏÂÌÚ.

■ Scale Tune (̇ÒÚÓÈ͇ Òӄ·ÒÌÓ ÒÚÓ˛) (ÒÚ. 138)

чÌÌ˚È Ô‡‡ÏÂÚ ÒÎÛÊËÚ ‰Îfl Û͇Á‡ÌËfl ÓÔ‰ÂÎÂÌÌÓÈ ÒËÒÚÂÏ˚ ̇ÒÚÓÈÍË (ÚÂÏÔÂ‡ˆËË) ËÌÒÚÛÏÂÌÚ‡. ùÚ‡ ‚ÓÁÏÓÊÌÓÒÚ¸

ÊËÁÌÂÌÌÓ ‚‡Ê̇ ÔË ËÒÔÓÎÌÂÌËË ÒÚ‡ËÌÌ˚ı Ô¸ÂÒ, ̇ÔËÒ‡ÌÌ˚ı Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÚÂÏÔÂ‡ˆËË, ÔËÌflÚÓÈ ‚ ÚÛ ˝ÔÓıÛ.

ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚, ÓÚÌÓÒfl˘ËıÒfl Í ÔÂÒÌ — Song Settings (ÒÚ. 140)

ç‡ ˝ÚÓÏ ˝Í‡Ì Á‡‰‡˛ÚÒfl Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚, ÓÚÌÓÒfl˘ËıÒfl Í ‚ÓÒÔÓËÁ‚‰ÂÌ˲ ÔÂÒÌË.

ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚, ÓÚÌÓÒfl˘ËıÒfl Í ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÛ — Style Setting, Split Point Ë Chord

Fingering

■ Style Setting/Split Point (̇ÒÚÓÈ͇ ÒÚËÎfl/ÚӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚) (ÒÚ. 141)

чÌÌ˚È ˝Í‡Ì ÒÎÛÊËÚ ‰Îfl Û͇Á‡ÌËfl ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ Ë Ì‡ÒÚÓÈÍË Ô‡‡ÏÂÚÓ‚, Ò‚flÁ‡ÌÌ˚ı Ò

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ.

■ Chord Fingering (‡ÍÍÓ‰Ó‚‡fl ‡ÔÔÎË͇ÚÛ‡) (ÒÚ. 142)

á‰ÂÒ¸ ÏÓÊÌÓ ‚˚·‡Ú¸ ÏÂÚÓ‰ ‚ÁflÚËfl/ÓÚÓ·‡ÊÂÌËfl ‡ÍÍÓ‰Ó‚ ÔË ËÒÔÓθÁÓ‚‡ÌËË ÙÛÌ͈ËÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. Ç˚ ÏÓÊÂÚ ‰‡ÊÂ

ÛÁ̇ڸ, Í‡Í ·‡Ú¸ ÚÓÚ ËÎË ËÌÓÈ ‡ÍÍÓ‰, ÔÓÒÍÓθÍÛ ÓÚ‰ÂθÌ˚ ÌÓÚ˚ ‚˚‚Ó‰flÚÒfl ̇ ˝Í‡ÌÂ.

136

PSR-2100/1100

SONG

TRACKS

EXTRA

TRACK

2

TRACK

1 REPEAT

NOME

METRO-

(STYLE) (R)(L)

REC REW FF

TOP

START/STOP

STYLE

NEW SONG SYNC. START

POP & ROCK

SWING &

JAZZ

BALLROOM

MARCH &

WALTZ

BALLAD USERLATIN

DANCE

PART

TRANSPOSE

TEMPO

TAP TEMPO

MASTER VOLUME

RESET

RESET

STOP

FADE

MULTI PAD

IN/OUT

MIN MAX

STYLE CONTROL

ACMP

BREAK

INTRO

MAIN

ENDING

/ rit.

SYNC.

FILL IN

AUTO

LINK

OTS

STOP

SYNC.

START

START/STOP

ON

STANDBY

FUNCTION

èÓfl‰ÓÍ ‰ÂÈÒÚ‚ËÈ

MENU

Ç˚·ÂËÚ ÌÂÓ·ıÓ‰ËÏÛ˛ ÙÛÌÍˆË˛.

DEMO

2

1

HELP

FUNCTION

ç‡ÒÚÓÈÚ ԇ‡ÏÂÚ˚ ‚˚·‡ÌÌÓÈ

3

ÙÛÌ͈ËË.

èÓfl‰ÓÍ Ì‡ÒÚÓÈÍË Í‡Ê‰ÓÈ ÙÛÌ͈ËË

ÓÔËÒ‡Ì ÌËÊÂ.

óÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ,

̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT].

END

ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ — Function

ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ Í·‚ˇÚÛ˚ Ë Ô‰‡ÎÂÈ —

ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ MIDI

˝Í‡Ì Controller

■ System (ÒËÒÚÂÏÌ˚ ÒÓÓ·˘ÂÌËfl) (ÒÚ. 148)

■ ÒÚ‡Ìˈ‡ Pedal (ÒÚ. 142)

èÓÁ‚ÓÎflÂÚ Û͇Á‡Ú¸ Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚ ‡Á΢Ì˚ı

ùÚË Ô‡‡ÏÂÚ˚ ÓÔ‰ÂÎfl˛Ú ÔÓfl‰ÓÍ ËÒÔÓθÁÓ‚‡ÌËfl

ÒËÒÚÂÏÌ˚ı ÒÓÓ·˘ÂÌËÈ (˜‡Ò˚, ‚ÍÎ./‚˚ÍÎ., ËÒÍβ˜ËÚÂθÌ˚Â

ÌÓÊÌ˚ı Ô‰‡ÎÂÈ (‚Íβ˜‡fl ÌÓÊÌ˚ ÍÓÌÚÓÎÎÂ˚ Ë

ÒËÒÚÂÏÌ˚ ÒÓÓ·˘ÂÌËfl Ë Ú. Ô.), ‡ Ú‡ÍÊ ‚Íβ˜ËÚ¸ ËÎË

ÔÂÂÍβ˜‡ÚÂÎË), ÍÓÚÓ˚Ï ÏÓÊÌÓ ÔËÒ‚ÓËÚ¸ ˆÂÎ˚È fl‰

‚˚Íβ˜ËÚ¸ ÂÊËÏ ËÒÔÓθÁÓ‚‡ÌËfl ‚ÒÚÓÂÌÌ˚ı „ÓÎÓÒÓ‚.

ÙÛÌ͈ËÈ. í‡ÍËÏ Ó·‡ÁÓÏ, ‚˚ ÔÓÎÛ˜‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸

■ Transmit (ÔÂ‰‡˜‡) (ÒÚ. 149)

ÔËÏÂÌflÚ¸ ÌÓÊÌÓ ÛÔ‡‚ÎÂÌË ڇÍËÏË ÙÛÌ͈ËflÏË, ͇Í

ùÚÓÚ ˝Í‡Ì ÒÎÛÊËÚ ‰Îfl Û͇Á‡ÌËfl ÒıÂÏ˚ ÔÂ‰‡˜Ë ÍÓχ̉

‚Íβ˜ÂÌËÂ/ÓÚÍβ˜ÂÌË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ‚Íβ˜ÂÌËÂ

ÔÓ‰Íβ˜ÂÌÌ˚Ï MIDI-ÛÒÚÓÈÒÚ‚‡Ï. á‰ÂÒ¸ ÏÓÊÌÓ

‚ÒÚ‡‚ÓÍ (Ù‡Á Fill In).

‡ÒÔ‰ÂÎËÚ¸ ˜‡ÒÚË ÔÓ Í‡Ì‡Î‡Ï MIDI Transmit. äÓÏ ÚÓ„Ó,

■ Keyboard/Panel (Í·‚ˇÚÛ‡/ÔÂ‰Ìflfl Ô‡ÌÂθ)

‚˚ ÏÓÊÂÚ Û͇Á‡Ú¸ ÚËÔ ÍÓχ̉, ÓÚÒ˚·ÂÏ˚ı ÔÓ Í‡Ê‰ÓÏÛ

(ÒÚ. 144)

ËÁ Á‡‰ÂÈÒÚ‚Ó‚‡ÌÌ˚ı ͇̇ÎÓ‚.

ùÚË Ô‡‡ÏÂÚ˚ Á‡‰‡˛Ú ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í·‚ˇÚÛ˚ Í

■ Receive (ÔËÂÏ) (ÒÚ. 150)

̇ʇÚ˲ (Á‡‚ËÒËÏÓÒÚ¸ ÛÓ‚Ìfl „ÓÏÍÓÒÚË ÓÚ ÒËÎ˚ ̇ʇÚËfl

ùÚÓÚ ˝Í‡Ì ÒÎÛÊËÚ ‰Îfl Û͇Á‡ÌËfl ÏÂÚÓ‰‡ Ó·‡·ÓÚÍË

̇ Í·‚˯Ë), ‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ÍÓÎÂÒ‡ ÏÓ‰ÛÎflˆËË

ÍÓχ̉, ÔÂÂÒ˚·ÂÏ˚ı ÔÓ‰Íβ˜ÂÌÌ˚ÏË MIDI-

(PSR-2100), ‡ Ú‡ÍÊ ̇ÒÚÓÈÍË Ú‡ÌÒÔÓÁˈËË (Í·‚ˇÚÛ˚,

ÛÒÚÓÈÒÚ‚‡ÏË PSR-2100/1100. á‰ÂÒ¸ ÏÓÊÌÓ ‡ÒÔ‰ÂÎËÚ¸

ÔÂÒÌË ËÎË ËÌÒÚÛÏÂÌÚ‡ ‚ ˆÂÎÓÏ).

˜‡ÒÚË ÔÓ Í‡Ì‡Î‡Ï MIDI Receive. äÓÏ ÚÓ„Ó, ‚˚ ÏÓÊÂÚÂ

Û͇Á‡Ú¸ ÚËÔ ÍÓχ̉, ÔËÌËχÂÏ˚ı ÔÓ Í‡Ê‰ÓÏÛ ËÁ

Á‡‰ÂÈÒÚ‚Ó‚‡ÌÌ˚ı ͇̇ÎÓ‚.

ç‡ÒÚÓÈ͇ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ‚˚ÁÓ‚‡

„ËÒÚ‡ˆËÓÌÌ˚ı Ù‡ÈÎÓ‚, Ô‡‡ÏÂÚÓ‚

■ Root (ÓÒÌÓ‚ÌÓÈ ÚÓÌ) (ÒÚ. 150)

á‰ÂÒ¸ ÏÓÊÌÓ Û͇Á‡Ú¸ ͇̇Î˚, Óڂ‰ÂÌÌ˚ ÔÓ‰

Á‡ÏÓÓÁÍË Ë „ÓÎÓÒ‡

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ë ÓÔÓÁ̇‚‡ÂÏ˚ ÔÓ ÓÒÌÓ‚Ì˚Ï ÚÓ̇Ï.

■ èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‚˚ÁÓ‚‡ „ËÒÚ‡ˆËÓÌÌ˚ı

Ù‡ÈÎÓ‚ (ÒÚ. 145)

■ Chord Detect (‡ÒÔÓÁ̇‚‡ÌË ‡ÍÍÓ‰Ó‚) (ÒÚ. 150)

éÔ‰ÂÎflÂÚ ÔÓfl‰ÓÍ ‚˚ÁÓ‚‡ ÒÓı‡ÌÂÌÌ˚ı ‚ „ËÒÚ‡ˆËÓÌ-

á‰ÂÒ¸ ÏÓÊÌÓ Û͇Á‡Ú¸ ͇̇Î˚, Óڂ‰ÂÌÌ˚ ÔÓ‰

ÌÓÈ Ô‡ÏflÚË Ì‡·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ (1 - 8) Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ë ÓÔÓÁ̇‚‡ÂÏ˚ ÔÓ ÒÓ‰Âʇ˘ËÏÒfl ‚

[BACK]/[NEXT] ËÎË Ô‰‡ÎË.

ÌËı ‡ÍÍÓ‰‡Ï.

■ Freeze («Á‡ÏÓÓÁ͇») (ÒÚ. 145)

èӘˠԇ‡ÏÂÚ˚ — ˝Í‡Ì Utility

èÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸ ̇·Ó Ô‡‡ÏÂÚÓ‚, ÒÓı‡ÌflÂÏ˚ı ÔË

■ ÒÚ‡Ìˈ‡ Config 1 (ÒÚ. 151)

ÒÏÂÌ „ËÒÚ‡ˆËÓÌÌ˚ı Ù‡ÈÎÓ‚.

ùÚ‡ ÒÚ‡Ìˈ‡ ÔÓÁ‚ÓÎflÂÚ Ì‡ÒÚÓËÚ¸ Ô‡‡ÏÂÚ˚ ÙÂȉËÌ„‡,

■ Voice Set (̇·Ó „ÓÎÓÒÓ‚˚ı Ô‡‡ÏÂÚÓ‚) (ÒÚ. 146)

ÏÂÚÓÌÓχ, ÙÛÌ͈ËË ·ÎÓÍËÓ‚ÍË Ô‡‡ÏÂÚ‡ Ë Û͇Á‡Ú¸

èÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸ ̇·Ó „ÓÎÓÒÓ‚˚ı Ô‡‡ÏÂÚÓ‚

Á‚ÛÍ, ‚ÓÒÔÓËÁ‚Ó‰ËÏ˚È ÔË Ì‡Ê‡ÚËË ÍÌÓÔÍË «Tap tempo».

(̇ÔËÏÂ, ˝ÙÙÂÍÚ˚, ˝Í‚‡Î‡ÈÁÂ, „‡ÏÓÌËÁ‡ˆËfl Ë Ú. ‰.),

■ Config 2 (ÒÚ. 152)

Á̇˜ÂÌËfl ÍÓÚÓ˚ı ·Û‰ÛÚ ‡‚ÚÓχÚ˘ÂÒÍË Á‡„ÛʇڸÒfl ÔË

á‰ÂÒ¸ ‚˚ ÏÓÊÂÚ ÓÚ„ÛÎËÓ‚‡Ú¸ ˝Í‡Ì Ë ËÁÏÂÌËÚ¸

‚˚·Ó ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó „ÓÎÓÒ‡.

ÔÓfl‰ÓÍ Ô‰ÒÚ‡‚ÎÂÌËfl ÌÓÏÂÓ‚ „ÓÎÓÒÓ‚.

■ Disk (‰ËÒÍÂÚ‡) (ÒÚ. 153)

ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ „‡ÏÓÌËÁ‡ˆËË Ë ˝ı‡

á‰ÂÒ¸ ‚˚ ÏÓÊÂÚ ÙÓχÚËÓ‚‡Ú¸ ‰ËÒÍÂÚ˚ Ë ÍÓÔËÓ‚‡Ú¸

(ÒÚ. 146)

Ù‡ÈÎ˚ Ò Ó‰ÌÓÈ ‰ËÒÍÂÚ˚ ̇ ‰Û„Û˛.

ç‡ ˝ÚÓÏ ˝Í‡Ì ÏÓÊÌÓ Á‡‰‡Ú¸ ÚËÔ Ë ÒËÎÛ ‚ÓÁ‰ÂÈÒÚ‚Ëfl

■ Owner (‚·‰ÂΈ) (ÒÚ. 154)

˝ÙÙÂÍÚÓ‚ „‡ÏÓÌËÁ‡ˆËË ËÎË ˝ı‡, ÔËÏÂÌflÂÏ˚ı Í „ÓÎÓÒ‡Ï,

á‰ÂÒ¸ ÏÓÊÌÓ Á‡‰‡Ú¸ flÁ˚Í ËÌÚÂÙÂÈÒ‡ Ë ‚‚ÂÒÚË

Ë„‡ÂÏ˚Ï Ò Í·‚ˇÚÛ˚.

ÒÓ·ÒÚ‚ÂÌÌÓ ËÏfl, ÍÓÚÓÓ ·Û‰ÂÚ ÓÚÓ·‡Ê‡Ú¸Òfl ̇ ˝Í‡ÌÂ

͇ʉ˚È ‡Á ÔË ‚Íβ˜ÂÌËË ÒËÌÚÂÁ‡ÚÓ‡.

■ System Reset (Ò·ÓÒ ÒËÒÚÂÏ˚) (ÒÚ. 154)

ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ËÒıÓ‰Ì˚Â

Á̇˜ÂÌËfl ÔÓ ÛÏÓΘ‡Ì˲ ‰Îfl PSR-2100/1100. äÓÏ ÚÓ„Ó,

ÏÓÊÌÓ Û͇Á‡Ú¸, ͇ÍË ÚËÔ˚ Ô‡‡ÏÂÚÓ‚ ÌÂÓ·ıÓ‰ËÏÓ

‚ÓÒÒÚ‡ÌÓ‚ËÚ¸, ‡ Ú‡ÍÊ ÒÓı‡ÌËÚ¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ̇ÒÚÓÈÍË

‰Îfl ‰‡Î¸ÌÂÈ¯Â„Ó ËÒÔÓθÁÓ‚‡ÌËfl.

PSR-2100/1100

137