Yamaha PSR-1100 – страница 5

Инструкция к Синтезатору/фортепиано Yamaha PSR-1100

ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË

ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ Ò ‰ËÒÍÂÚ˚

ÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰.

èÂʉ ‚ÒÂ„Ó ÓÁ̇ÍÓϸÚÂÒ¸ Ò

‡Á‰ÂÎÓÏ «àÒÔÓθÁÓ‚‡ÌËÂ

‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ» (ÒÚ. 7).

åÓÊÌÓ Û͇Á‡Ú¸, ·Û‰ÂÚ ÎË PSR-

2100/1100 ‡‚ÚÓχÚ˘ÂÒÍË

ÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ Ó·Ú˛‡ÚÓÓÏ

‚˚Á˚‚‡Ú¸ ÔÂ‚Û˛ ÔÂÒÌ˛ ̇

‚ÔÂ‰, ̇ÍÎÂÈÍÓÈ ‚‚Âı.

‰ËÒÍÂÚ ÔÓÒΠ ÔÓÏ¢ÂÌËfl ‚

‰ËÒÍÓ‚Ó‰ (ÒÚ. 153).

èӈ‰Û‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÂÌ Ë‰ÂÌÚ˘̇ Ôӈ‰ÛÂ, ÓÔËÒ‡ÌÌÓÈ ‚ ‡Á‰ÂΠ«ÇÓÒÔÓËÁ‚‰ÂÌËÂ

çÂÍÓÚÓ˚ ËÁ ‚ÒÚÓÂÌÌ˚ı ‚ ÒËÌ-

‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ» (ÒÚ. 79). Ö‰ËÌÒÚ‚ÂÌÌÓ ÓÚ΢ˠÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ Ì‡ ˝Í‡Ì SONG ÒΉÛÂÚ

ÚÂÁ‡ÚÓ PSR-2100/1100 ÔÂÒÂÌ

ÔÂÂÈÚË Ì‡ ÒÚ‡ÌËˆÛ FLOPPY DISK.

Á‡ÔËÒ‡Ì˚ ‚ Ú‡Í Ì‡Á˚‚‡ÂÏÓÏ

«Ò‚Ó·Ó‰ÌÓÏ ÚÂÏÔ». èË ‚ÓÒ-

ÔÓËÁ‚‰ÂÌËË Ú‡ÍËı ÔÂÒÂÌ ÓÚÓ-

·‡Ê‡ÂÏ˚ ̇ ˝Í‡Ì Á̇˜ÂÌËfl

Ì ËÏÂ˛Ú ÓÚÌÓ¯ÂÌËfl Í Ù‡ÍÚË-

˜ÂÒÍÓÏÛ ‡ÁÏÂÛ ÔÂÒÌË. éÌË

èӘˠÓÔÂ‡ˆËË, Ò‚flÁ‡ÌÌ˚Â Ò ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ

Î˯¸ ÔÓ͇Á˚‚‡˛Ú, ͇͇fl ˜‡ÒÚ¸

ÔÂÒÌË ÛÊ ·˚· ‚ÓÒÔÓËÁ‚‰Â̇.

Repeat (ÔÓ‚ÚÓÂÌËÂ)/Rewind (ÔÂÂÏÓÚ͇ ̇Á‡‰)/Fast forward (ÔÂÂÏÓÚ͇ ‚ÔÂ‰)

ç‡Ê‡‚ ˝ÚÛ ÍÌÓÔÍÛ ‚ ıӉ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË, ‚˚ ÏÓÊÂÚ ‚ÂÌÛÚ¸Òfl Í Â ̇˜‡ÎÛ Ë

èÂÒÌË, ÒÓ‰Âʇ˘Ë ·Óθ¯ÓÂ

ÔÓË„‡Ú¸  ÒÌÓ‚‡. ÖÒÎË ‚ÓÒÔÓËÁ‚‰ÂÌË ÓÒÚ‡ÌÓ‚ÎÂÌÓ, ÚÓ Ì‡Ê‡ÚË ‰‡ÌÌÓÈ ÍÌÓÔÍË

ÍÓ΢ÂÒÚ‚Ó ‰‡ÌÌ˚ı, ÏÓ„ÛÚ

Ô˂‰ÂÚ Í ÔÂÂÏÓÚÍ ÔÂÒÌË Ì‡ ̇˜‡ÎÓ.

‚˚Á‚‡Ú¸ Ò·ÓÈ ÔË ˜ÚÂÌËË Ëı

ÒËÌÚÂÁ‡ÚÓÓÏ ËÎË Ëı ‚˚·Ó-

REC REW FF

TOP

START/STOP

Â. å‡ÍÒËχθÌ˚È ‡ÁÏÂ

ÔÂÒÌË ÓÍÓÎÓ 200–300KÅ.

éÌ Á‡‚ËÒËÚ ÓÚ ÒÓ‰ÂÊËÏÓ„Ó

NEW SONG SYNC. START

ÔÂÒÌË.

ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ SONG POSITION (ÒÏ. ÌËÊÂ).

óÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í ˝Í‡ÌÛ SONG, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT].

˝Í‡Ì SONG POSITION

Ç˚·‡‚ ÒÚÓÍÛ BAR, ÏÓÊÌÓ Á‡‰‡Ú¸ ÌÓÏÂ Ú‡ÍÚ‡ (Ò˜ËÚ‡fl Ò Ì‡˜‡Î‡ ÍÓÏÔÓÁˈËË) Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ

[REW] Ë [FF].

èÓÁˈËfl ÎÓ͇ÚÓ‡

Ç˚·‡‚ ÒÚÓÍÛ PHRASE MARK, ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [REW] Ë [FF] Á‡‰‡Ú¸ ÔÓÁËˆË˛ ÎÓ͇ÚÓ‡.

á̇˜ÂÌË ÔÓÁˈËË ÎÓ͇ÚÓ‡

Û͇Á˚‚‡ÂÚ Ì‡ ÓÔ‰ÂÎÂÌÌÓÂ

ÏÂÒÚÓ ‚ ÔÂÒÌÂ.

“ëÚÓ͇ PHRASE MARK ‚˚‚Ó‰ËÚÒfl Î˯¸ ÚÓ„‰‡, ÍÓ„‰‡ ÔÂÒÌfl ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚ ÔÓ ÔÓÁˈËflÏ

ÎÓ͇ÚÓ‡. Ç˚·ÂËÚ ÒÚÓÍÛ BAR ËÎË PHRASE MARK Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [J], ‡ Á‡ÚÂÏ

Û͇ÊËÚ ÌÛÊÌ˚È Ú‡ÍÚ ËÎË ÔÓÁËˆË˛ ÎÓ͇ÚÓ‡, ‚ÓÒÔÓθÁÓ‚‡‚¯ËÒ¸ ÍÌÓÔ͇ÏË [REW] Ë [FF].

ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË ˜‡ÒÚÂÈ/ÔË„ÎÛ¯ÂÌË ÓÚ‰ÂθÌ˚ı ͇̇ÎÓ‚

BALANCE

ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ BALANCE (ÒÚ. 64).

CHANNEL ON/OFF

ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ CHANNEL ON/OFF (ÒÏ. ÌËÊÂ).

PART

˝Í‡Ì CHANNEL ON/OFF

ä‡Ì‡Î

ùÚË Ë̉Ë͇ÚÓ˚ Û͇Á˚‚‡˛Ú

͇̇ΠMIDI, ËÒÔÓθÁÛÂÏ˚È ‚

ÔÂÒÌÂ. Ç PSR-2100/1100 ͇̇Î˚

‡ÒÔ‰ÂÎfl˛ÚÒfl Ú‡Í:

ç‡Ê‡‚ ÍÌÓÔÍÛ [CHANNEL ON/OFF], ÔÂÂȉËÚÂ Í ‚Í·‰Í [SONG] Ë ÔË„ÎÛ¯ËÚ ÌÛÊÌ˚È Í‡Ì‡Î, Á‡‰‡‚

èÂÒÌfl

‰Îfl ÌÂ„Ó Á̇˜ÂÌË [OFF]. óÚÓ·˚ ҉·ڸ ͇̇ΠÒÓÎËÛ˛˘ËÏ, ÒΉÛÂÚ Û‰ÂÊË‚‡Ú¸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛-

1 - 16

˘Û˛ ÂÏÛ ÍÌÓÔÍÛ. óÚÓ·˚ Á‡ÒÚ‡‚ËÚ¸ Â„Ó ÒÌÓ‚‡ Á‚Û˜‡Ú¸ ‚ÏÂÒÚÂ Ò ‰Û„ËÏË Í‡Ì‡Î‡ÏË, ¢ ‡Á ̇ÊÏËÚÂ

ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

9 - 16

ÍÌÓÔÍÛ Í‡Ì‡Î‡.

PSR-2100/1100

81

ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË

èË„ÎÛ¯ÂÌË ÓÚ‰ÂθÌ˚ı ˜‡ÒÚÂÈ — ‰ÓÔÓÎÌËÚÂθÌ˚ ‰ÓÓÊÍË

чÌ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÔË„ÎÛ¯‡Ú¸ ÓÚ‰ÂθÌ˚ ˜‡ÒÚË ÔÂÒÌË (ÔÂ‚Û˛, ‚ÚÓÛ˛ ËÎË ‰ÓÔÓÎÌËÚÂθÌ˚ ‰ÓÓÊÍË). ç‡ÔËÏÂ, ÂÒÎË

‚˚ ıÓÚËÚ Á‡ÔÓÏÌËÚ¸ ÏÂÎӉ˲ ͇ÍÓÈ-ÎË·Ó ÔÂÒÌË, ‚˚ ÏÓÊÂÚ ÔË„ÎÛ¯ËÚ¸ ˜‡ÒÚ¸ Ò „ÓÎÓÒÓÏ ‰Îfl Ô‡‚ÓÈ ÛÍË Ë ÔÓÔÓ·Ó‚‡Ú¸ Ò˚„‡Ú¸

ÏÂÎӉ˲ Ò‡ÏÓÒÚÓflÚÂθÌÓ.

Ç˚·ÂËÚ ÔÂÒÌ˛ (ÒÚ. 78).

1

èÂ‚ÓÈ Ë ‚ÚÓÓÈ ‰ÓÓÊÍ ÏÓ„ÛÚ

·˚Ú¸ ÔËÒ‚ÓÂÌ˚ ‡Á΢Ì˚Â

͇̇Î˚ (ÒÚ. 140). ùÚÓ ÔÓÁ‚ÓÎËÚ

ÏÂÌflÚ¸ ͇̇Î˚ Ë Û͇Á˚‚‡Ú¸

˜‡ÒÚË, ÍÓÚÓ˚ ·Û‰ÛÚ

ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÍÌÓÔÍË ÏÓÊÌÓ ‚Íβ˜ËÚ¸/ÓÚÍβ˜ËÚ¸ ‰ÓÔÓÎÌËÚÂθÌ˚Â

ÔË„ÎÛ¯ÂÌ˚ ÔÓÒΠ̇ʇÚËfl

˜‡ÒÚË (ÚÓ ÂÒÚ¸ ‚ÒÂ, ÍÓÏ ˜‡ÒÚÂÈ ‰Îfl ΂ÓÈ Ë Ô‡‚ÓÈ ÛÍË).

ÍÌÓÔÓÍ [TRACK 1]/[TRACK 2]/

2

[EXTRA TRACKS].

SONG

EXTRA

TRACK

TRACK

METRO-

TRACKS

2

1

NOMEREPEAT

чÌ̇fl ÍÌÓÔ͇ Ô‰̇Á̇˜Â̇ ‰Îfl

‚Íβ˜ÂÌËfl/ÓÚÍβ˜ÂÌËfl ˜‡ÒÚË ‰Îfl

Ô‡‚ÓÈ ÛÍË.

(STYLE) (R)(L)

èË ‚˚·ÓÂ ÌÓ‚ÓÈ ÔÂÒÌË ‚ÒÂ

чÌ̇fl ÍÌÓÔ͇ Ô‰̇Á̇˜Â̇ ‰Îfl ‚Íβ˜ÂÌËfl/ÓÚÍβ˜ÂÌËfl ˜‡ÒÚË ‰Îfl ΂ÓÈ ÛÍË.

‰ÓÓÊÍË ÔÓ ÛÏÓΘ‡Ì˲

‚Íβ˜ÂÌ˚.

á‡ÔÛÒÚËÚ ÔÂÒÌ˛.

3

éÚ„ÛÎËÛÈÚ ÚÂÏÔ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [ ] [ ] (ÒÚ. 53).

END

REC REW FF

TOP

START/STOP

óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ÔÂÒÌ˛, ¢ ‡Á

START/STOP

̇ÊÏËÚ ÍÌÓÔÍÛ .

NEW SONG SYNC. START

èÓ‚ÚÓ ÓÔ‰ÂÎÂÌÌÓ„Ó Ù‡„ÏÂÌÚ‡ ÔÂÒÌË

чÌ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸ „‡Ìˈ˚ Ù‡„ÏÂÌÚ‡ ÚӘ͇ÏË Ä Ë Ç (Point A Ë Point B), ˜ÚÓ·˚ Á‡ÚÂÏ ˆËÍ΢ÂÒÍË ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸

„Ó.

á‡ÔÛÒÚËÚ ÔÂÒÌ˛ (ÒÚ. 79, 81).

ÑÎfl Û͇Á‡ÌËfl ÚÓ˜ÂÍ Ä Ë Ç ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌ˛ Ì ӷflÁ‡ÚÂθÌÓ. ìÒÚ‡ÌÓ‚ËÚ ÚÓ˜ÍÛ A,

1

̇ʇ‚ ÍÌÓÔÍÛ [REPEAT], ‡ Á‡ÚÂÏ ÓÚÏÓÚ‡ÈÚ ÔÂÒÌ˛ ‚ÔÂ‰ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [FF].

ÑÓÒÚË„ÌÛ‚ Ê·ÂÏÓÈ ÔÓÁˈËË ÓÍÓ̘‡ÌËfl Á‡ˆËÍÎÂÌÌÓ„Ó Ù‡„ÏÂÌÚ‡, ÛÒÚ‡ÌÓ‚ËÚ ÚÓ˜ÍÛ Ç,

ÒÌÓ‚‡ ̇ʇ‚ ÍÌÓÔÍÛ [REPEAT].

SONG

ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÍÌÓÔÍË ÏÓÊÌÓ Á‡‰‡Ú¸

EXTRA

TRACK

TRACK

METRO-

TRACKS

2

1

NOMEREPEAT

̇˜‡ÎÓ Ë ÍÓ̈ Á‡ˆËÍÎÂÌÌÓ„Ó Ù‡„ÏÂÌÚ‡

óÚÓ·˚ ËÏÂÚ¸ ‚ÓÁÏÓÊÌÓÒÚ¸

2

ÔÂÒÌË (ÚÓ˜ÍË Ä Ë Ç).

ÛÒÚ‡ÌÓ‚ËÚ¸ ÚÓ˜ÍÛ Ç,

(STYLE) (R)(L)

ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÍÌÓÔÍË ÏÓÊÌÓ Á‡‰‡Ú¸ ÍÓ̈

ÌÂÓ·ıÓ‰ËÏÓ Ò̇˜‡Î‡

ÔÓ‚ÚÓfl˛˘Â„ÓÒfl Ù‡„ÏÂÌÚ‡ (ÚÓ˜ÍÛ Ç).

ÛÒÚ‡ÌÓ‚ËÚ¸ ÚÓ˜ÍÛ Ä.

ì͇Á‡ÌË ӉÌÓÈ Î˯¸ ÚÓ˜ÍË Ä

ÔË‚Ó‰ËÚ Í Á‡ˆËÍÎË‚‡Ì˲

옇ÒÚÓÍ ÓÚ ÚÓ˜ÍË Ä ‰Ó ÚÓ˜ÍË Ç ÔÓ‚ÚÓflÂÚÒfl ˆËÍ΢ÂÒÍË ÔÓÒΠ‡‚ÚÓχÚ˘ÂÒÍË

Ù‡„ÏÂÌÚ‡ ÓÚ ˝ÚÓÈ ÚÓ˜ÍË ‰Ó

3

‚ÒÚ‡‚ÎflÂÏÓ„Ó ‚ÒÚÛÔÎÂÌËfl (ÔÓÏÓ„‡˛˘Â„Ó ÔÓ‰„ÓÚÓ‚ËÚ¸Òfl Í ‚ÓÒÔÓËÁ‚‰ÂÌ˲

ÍÓ̈‡ ÔÂÒÌË.

Ù‡„ÏÂÌÚ‡).

ÇÌ Á‡‚ËÒËÏÓÒÚË ÓÚ ÚÓ„Ó, ÔÓË„˚‚‡ÂÚÒfl ÎË ÔÂÒÌfl ËÎË ÌÂÚ, ÔË Ì‡Ê‡ÚËË ÍÌÓÔÍË [TOP]

ÔÓËÒıÓ‰ËÚ ÔÂÂıÓ‰ Í ÚӘ͠Ä.

ì͇Á‡ÌÌ˚ ÚÓ˜ÍË Û‰‡Îfl˛ÚÒfl

ÔË ‚˚·ÓÂ ÔÂÒÌË Ò ‰Û„ËÏ

ÌÓÏÂÓÏ, ‚˚Íβ˜ÂÌËË ÙÛÌ͈ËË

ÔÓ‚ÚÓ‡ (Repeat) Ë ‚˚·ÓÂ

‰Û„Ó„Ó ÂÊËχ ÔÓ‚ÚÓ‡,

éÒÚ‡ÌÓ‚ËÚ ÔÂÒÌ˛.

̇ÔËÏÂ Phrase Repeat

4

(ÔÓ‚ÚÓ Ù‡Á˚) ËÎË Song Chain

END

START/STOP

Play (ÔÓ‚ÚÓ ÔË

‚ÓÒÔÓËÁ‚‰ÂÌËË

óÚÓ·˚ ÓÚÍβ˜ËÚ¸ ÙÛÌÍˆË˛ ÔÓ‚ÚÓ‡, ¢ ‡Á

ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ÔÂÒÂÌ)

REPEAT

̇ÊÏËÚ ÍÌÓÔÍÛ .

(ÒÚ. 136).

82

PSR-2100/1100

ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË

éÚÓ·‡ÊÂÌË ÌÓÚ — Ô‡ÚËÚÛ‡

ÇÍβ˜Ë‚ ÂÊËÏ ÔÓÒÏÓÚ‡ Ô‡ÚËÚÛ˚, ÏÓÊÌÓ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË ÔÓÒχÚË‚‡Ú¸ ÌÓÚ˚ ̇ ˝Í‡ÌÂ. ùÚ‡ ÙÛÌ͈Ëfl

ÔÓ‰‰ÂÊË‚‡ÂÚ ÓÚÓ·‡ÊÂÌË ÌÓÚ Í‡Í ‰Îfl ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ, Ú‡Í Ë ‰Îfl ÍÓÏÔÓÁˈËÈ ‚‡¯Â„Ó ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÒÓ˜ËÌÂÌËfl.

A

B

C

D

E

PSR-2100/1100

83

81 2 3 4 5 6 7

Ç˚·ÂËÚÂ

1

ÖÒÎË Ò΂‡ Ì ÓÚÓ·‡Ê‡ÂÚÒfl

2

ÔÂÒÌ˛

„·‚Ì˚È ˝Í‡Ì (MAIN), Ò̇˜‡Î‡

(ÒÚ. 79, 81).

̇ÊÏËÚ ÍÌÓÔÍÛ [DIRECT

ACCESS], ‡ Á‡ÚÂÏ — ÍÌÓÔÍÛ

[EXIT].

éÚÓ·‡Ê‡ÂÏ˚ PSR-2100/1100

ÌÓÚ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú

ÔÓË„˚‚‡ÂÏÓÈ ‚ ‰‡ÌÌ˚È

ÏÓÏÂÌÚ ÔÂÒÌÂ Ë „ÂÌÂËÛ˛ÚÒfl

ÒËÌÚÂÁ‡ÚÓÓÏ ‚ ‡θÌÓÏ

‚ÂÏÂÌË. èÓ˝ÚÓÏÛ ‚̯ÌËÈ ‚ˉ

ÔÓÎۘ˂¯ÂÈÒfl ‚ ËÚÓ„Â

Ô‡ÚËÚÛ˚ ÏÓÊÂÚ ÓÚ΢‡Ú¸Òfl

ÓÚ Ô‡ÚËÚÛ˚ ÚÓÈ ÊÂ ÔÂÒÌË,

ÍÓÚÓÛ˛ ÏÓÊÌÓ ÔËÓ·ÂÒÚË ‚

χ„‡ÁËÌÂ. ê‡Á΢Ëfl ÓÒÓ·ÂÌÌÓ

Á‡ÏÂÚÌ˚ ÔË Ò‡‚ÌÂÌËË

3

ÒÎÓÊÌ˚ı Ô‡ÒÒ‡ÊÂÈ ËÎË

‰ÎËÌÌÓÈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË

ÍÓÓÚÍËı ÌÓÚ.

ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú ‚Íβ˜ËÚ¸/ÓÚÍβ˜ËÚ¸ ÂÊËÏ

ÓÚÓ·‡ÊÂÌËfl Ô‡ÚËË ‰Îfl ΂ÓÈ ÛÍË. Ç Á‡‚ËÒËÏÓÒÚË ÓÚ

Á̇˜ÂÌËfl ‰Û„Ëı Ô‡‡ÏÂÚÓ‚ ‰‡ÌÌ˚È Ô‡‡ÏÂÚ ÏÓÊÂÚ

çÂÍÓÚÓ˚ ËÁ ‚ÒÚÓÂÌÌ˚ı ‚

·˚Ú¸ ̉ÓÒÚÛÔÂÌ. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ

ÒËÌÚÂÁ‡ÚÓ PSR-2100/1100

ÔÂÒÂÌ ·˚ÎË Á‡ÔËÒ‡Ì˚ ‚ Ú‡Í

Ë̉Ë͇ÚÓ ̇ ˝Í‡Ì ·Û‰ÂÚ ÓÍ‡¯ÂÌ ‚ ÒÂ˚È ˆ‚ÂÚ. ÖÒÎË

̇Á˚‚‡ÂÏÓÏ «Ò‚Ó·Ó‰ÌÓÏ

Ô‡‡ÏÂÚ ̉ÓÒÚÛÔÂÌ, ÚÓ ‚˚ ÏÓÊÂÚ ÔÂÂÈÚË Í ˝Í‡ÌÛ

ÚÂÏÔ». íÂÏÔ, ËÚÏ, ‡ÁÏÂ Ë

ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍË (detailed setting) Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ

Ô‡ÚËÚÛ‡ Ú‡ÍËı ÔÂÒÂÌ ·Û‰ÛÚ

[8▲▼] Ë Á‡‰‡Ú¸ Ô‡‡ÏÂÚ LEFT CH. ‰Îfl ‚ÒÂı ͇̇ÎÓ‚, Á‡

ÓÚÓ·‡Ê‡Ú¸Òfl Ì‚ÂÌÓ.

ËÒÍβ˜ÂÌËÂÏ Í‡Ì‡Î‡ AUTO. äÓÏ ÚÓ„Ó, ÏÓÊÌÓ ‚˚Á‚‡Ú¸

˝Í‡Ì SONG SETTING ËÁ ÏÂÌ˛ Function (ÒÚ. 136) Ë

Á‡‰‡Ú¸ Ô‡‡ÏÂÚ TRACK 2 ‰Îfl ‚ÒÂı ͇̇ÎÓ‚, ÍÓÏÂ

ç‚ÓÁÏÓÊÌÓ ÓÚÍβ˜ËÚ¸

͇̇· OFF.

Ó‰ÌÓ‚ÂÏÂÌÌÓ ˜‡ÒÚË [RIGHT] Ë

[LEFT].

ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú ‚Íβ˜ËÚ¸/ÓÚÍβ˜ËÚ¸ ÂÊËÏ

ç‡Á‚‡ÌË ÌÓÚ˚ Û͇Á˚‚‡ÂÚÒfl

ÓÚÓ·‡ÊÂÌËfl Ô‡ÚËË ‰Îfl Ô‡‚ÓÈ ÛÍË.

Ò΂‡ ÓÚ Â ËÁÓ·‡ÊÂÌËfl. ÖÒÎË

‡ÒÒÚÓflÌË ÏÂÊ‰Û ÌÓÚ‡ÏË

ÖÒÎË Ì‡ ˝Í‡Ì SONG SETTING (ÒÚ. 140) ÔÂ‚ÓÈ ‰ÓÓÊÍÂ

ÒÎ˯ÍÓÏ Ï‡ÎÓ, ̇Á‚‡ÌË ÌÓÚ˚

([TRACK1] ) ÔËÒ‚ÓÂÌÓ Á̇˜ÂÌË [OFF], ÔÂ‚˚È Í‡Ì‡Î

ÏÓÊÂÚ ·˚Ú¸ ‚˚‚‰ÂÌÓ Ò΂‡

‚˚·Ë‡ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË.

̇‰ ÌÓÚÓÈ.

äÌÓÔÍË ‚Íβ˜ÂÌËfl/ÓÚÍβ˜ÂÌËfl ÔÓ͇Á‡ ÚÂÍÒÚ‡.

ÖÒÎË ÔÂÒÌfl Ì ÒÓ‰ÂÊËÚ ÚÂÍÒÚ‡, ÓÌ Ì ·Û‰ÂÚ ÓÚÓ·‡Ê‡Ú¸Òfl.

óÂÏ ·Óθ¯Â ̇ ˝Í‡ÌÂ

ÓÚÓ·‡Ê‡ÂÚÒfl ‡Á΢ÌÓÈ

‰ÓÔÓÎÌËÚÂθÌÓÈ ËÌÙÓχˆËË

äÌÓÔÍË ‚Íβ˜ÂÌËfl/ÓÚÍβ˜ÂÌËfl ÔÓ͇Á‡ ‡ÍÍÓ‰Ó‚.

(̇Á‚‡ÌËÈ ˜‡ÒÚÂÈ Ë ‡ÍÍÓ‰Ó‚,

ÚÂÍÒÚ‡ ÔÂÒÌË Ë Ú. ‰.), ÚÂÏ

ÖÒÎË ÔÂÒÌfl Ì ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚ı Ó· ‡ÍÍÓ‰‡ı, ÓÌË Ì ·Û‰ÂÚ ÓÚÓ·‡Ê‡Ú¸Òfl.

ÏÂ̸¯Â ÛÏ¢‡ÂÚÒfl ̇ ÌÂÏ

Ú‡ÍÚÓ‚.

ÇÍβ˜ÂÌËÂ/ÓÚÍβ˜ÂÌË ÔÓ͇Á‡ ̇Á‚‡ÌËfl ÌÓÚ˚ (‚˚ÒÓÚ˚ Á‚Û͇).

ÖÒÎË ÌÓÚ˚ Ë Á̇ÍË ‡Î¸ÚÂ‡ˆËË

ùÚË ÍÌÓÔÍË Á‡‰‡˛Ú ‡Á¯ÂÌË ˝Í‡Ì‡ (χүڇ· ÓÚÓ·‡ÊÂÌËfl Ô‡ÚËÚÛ˚).

(‰ËÂÁ˚ Ë ·ÂÏÓÎË) ÌÂ

SMALL.......... åÂÎÍËÈ Ï‡Ò¯Ú‡·.

ÔÓÏ¢‡˛ÚÒfl ‚ fl‰, ÚÓ ÓÌË

LARGE ......... äÛÔÌ˚È Ï‡Ò¯Ú‡·.

ÔÂÂÌÓÒflÚÒfl ‚ ÔÂ‚˚È Ú‡ÍÚ

ÒÎÂ‰Û˛˘ÂÈ ÒÚÓÍË, ̇˜Ë̇fl Ò

Ç˚ÁÓ‚ ˝Í‡Ì‡ ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍË Ô‡ÚËÚÛ˚. ÑÓÔÓÎÌËÚÂθÌ˚Â

ÒÂ‰ËÌ˚ Ú‡ÍÚ‡.

҂‰ÂÌËfl Ô˂‰ÂÌ˚ ̇ ÒÎÂ‰Û˛˘ÂÈ ÒÚ‡ÌˈÂ.

îÛÌ͈ËË Ô‡ÚËÚÛ˚ ÌÂ

ÔÓÁ‚ÓÎfl˛Ú ÒÓÁ‰‡‚‡Ú¸ ÔÂÒÌË

ÔÛÚÂÏ ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓ„Ó

‚‚Ó‰‡ ÌÓÚ. 낉ÂÌËfl Ó

ÒÓÁ‰‡ÌËË ÔÂÒÂÌ Ô˂‰ÂÌ˚ ̇

ÒÚ. 99.

ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË

íÓÌ͇fl ̇ÒÚÓÈ͇ Ô‡ÚËÚÛ˚

äÓ„‰‡ Ô‡ÚËË Ô‡‚ÓÈ Ë Î‚ÓÈ

ÛÍË (LEFT Ë RIGHT) ̇Á̇˜ÂÌ˚

Ó‰ÌÓÏÛ Ë ÚÓÏÛ Ê ͇̇ÎÛ,

Ô‡ÚËÚÛ‡ ̇ ˝Í‡Ì ÒÚ‡ÌÓ‚ËÚÒfl

ÔÓıÓʇ ̇ ÙÓÚÂÔˇÌÌÛ˛ (‰‚‡

ÌÓÚÌ˚ı Òڇ̇).

[1▲▼] LEFT CH/[2▲▼] RIGHT CH

äÌÓÔÍË Ì‡ÒÚÓÈÍË ÎÂ‚Ó„Ó Ë Ô‡‚Ó„Ó Í‡Ì‡ÎÓ‚ (‰Îfl Ô‡ÚËË Î‚ÓÈ Ë Ô‡‚ÓÈ ÛÍË ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ). èË ‚˚·Ó ÌÓ‚ÓÈ ÔÂÒÌË ÔÓ

ÛÏÓΘ‡Ì˲ ÛÒڇ̇‚ÎË‚‡ÂÚÒfl Á̇˜ÂÌË AUTO.

AUTO ................................ä‡Ì‡Î˚ ÔËÒ‚‡Ë‚‡˛ÚÒfl Ô‡ÚËflÏ Î‚ÓÈ Ë Ô‡‚ÓÈ ÛÍË ‡‚ÚÓχÚ˘ÂÒÍË. è‡ÚËË ‡ÒÔÓ·„‡˛ÚÒfl ÔÓ

͇̇·Ï, Û͇Á‡ÌÌ˚Ï Ì‡ ˝Í‡Ì SONG SETTING ÏÂÌ˛ Function (ÒÚ. 140).

1-16 ...................................è‡ÚËfl ÔË‚flÁ˚‚‡ÂÚÒfl Í ÓÔ‰ÂÎÂÌÌÓÏÛ Í‡Ì‡ÎÛ (Ò ÔÂ‚Ó„Ó ÔÓ ¯ÂÒÚ̇‰ˆ‡Ú˚È).

OFF (ÚÓθÍÓ LEFT CH) ...èËÒ‚ÓÂÌË ͇̇· ÓÚÒÛÚÒÚ‚ÛÂÚ.

[3▲▼], [4▲▼] KEY SIGNATURE

ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ËÁÏÂÌflÚ¸ ÚÓ̇θÌÓÒÚ¸ ‚ β·ÓÏ ÏÂÒÚÂ, „‰Â ÔÂÒÌfl ÓÒÚ‡ÌÓ‚ÎÂ̇. ùÚÓ ÔÓÎÂÁÌÓ ‚ ÒÎÛ˜‡flı, ÍÓ„‰‡ ‚˚·‡Ì̇fl

ÔÂÒÌfl Ì ÒÓ‰ÂÊËÚ Ì‡ÒÚÓÂÍ ÚÓ̇θÌÓÒÚË ‰Îfl ‚˚‚Ó‰‡ ̇ ˝Í‡Ì. ëÔËÒÓÍ Íβ˜Â‚˚ı Á̇ÍÓ‚ ‰Îfl χÊÓÌ˚ı ÚÓ̇θÌÓÒÚÂÈ ÒÓ Á̇-

͇ÏË ‡Î¸ÚÂ‡ˆËË Ë Ô‡‡ÎÎÂθÌ˚ÏË ÏËÌÓÌ˚ÏË ÚÓ̇θÌÓÒÚflÏË Ô˂‰ÂÌ ÌËÊÂ.

[5▲▼] QUANTIZE (Í‚‡ÌÚËÁ‡ˆËfl)

ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú Á‡‰‡‚‡Ú¸ ÌÓÚÌÓ ‡Á¯ÂÌË ԇÚËÚÛ˚. ùÚÓ ÓÁ̇˜‡ÂÚ, ‚ÓÁÏÓÊÌÓÒÚ¸

Ò‰‚Ë„‡Ú¸ ËÎË ÍÓÂÍÚËÓ‚‡Ú¸ ‚ÂÏfl Á‚Û˜‡ÌËfl ÓÚÓ·‡Ê‡ÂÏ˚ı ÌÓÚ ‚ ˆÂÎflı ‚˚‡‚ÌË‚‡ÌËfl

Ô‡ÚËÚÛ˚. á̇˜ÂÌË ÌÓÚÌÓ„Ó ‡Á¯ÂÌËfl ‰ÓÎÊÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ ÏËÌËχθÌÓÈ ‰ÎËÚÂθÌÓÒÚË,

ËÒÔÓθÁÛÂÏÓÈ ‚ ÔÂÒÌÂ.

LJˇÌÚ˚ ÌÓÚÌÓ„Ó ‡Á¯ÂÌËfl:

1/4, 1/8, 1/16, 1/32, ÚËÓθ ËÁ ˜ÂÚ‚ÂÚÂÈ, ÚËÓθ ËÁ ‚ÓÒ¸Ï˚ı, ÚËÓθ ËÁ ¯ÂÒÚ̇‰ˆ‡Ú˚ı, ÚËÓθ ËÁ

Úˉˆ‡Ú¸ ‚ÚÓ˚ı

84

PSR-2100/1100

81 2 3 4 5 6 7

äβ˜Â‚˚ Á̇ÍË Ë Á̇ÍË ‡Î¸ÚÂ‡ˆËË

C Maj (A min) G Maj (E min) D Maj (B min) A Maj (F

min) E Maj (C

min) B Maj (G

min) F

Maj (D

min) C

Maj (A

min)

C

Maj (A

min) G

Maj (E

min) D Maj (B

min) A

Maj (F min) E

Maj (C min) B

Maj (G min) F Maj (D min)

CËÏ‚ÓÎ Û͇Á˚‚‡eÚ ÓÒÌÓ‚ÌÓÈ ÚÓÌ Ï‡ÊÓÌÓÈ ÚÓ̇θÌÓÒÚË, ‡ - ÒÓÓÚ‚eÚÒÚ‚Û˛˘eÈ eÈ ÏËÌÓÌÓÈ ÚÓ̇θÌÓÒÚË.

äÓÓÚÍËÂ ÌÓÚ˚ Ë ÏÂÎËÁÏ˚

(ÚÂÎË, ÙÓ¯Î‡„Ë, ÙËÓËÚÛ˚)

Ò ‰ÎËÚÂθÌÓÒÚ¸˛ ÏÂ̸¯ÂÈ, ˜ÂÏ

ÌÓÚÌÓ ‡Á¯ÂÌË (̇ËÏÂ̸-

¯‡fl ‰ÎËÚÂθÌÓÒÚ¸ ÓÚÓ·‡Ê‡Â-

ÏÓÈ ÌÓÚ˚), ·Û‰ÛÚ ÓÚÒÛÚÒÚ‚Ó‚‡Ú¸

‚ Ô‡ÚËÚÛÂ.

ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË

[6▲▼] NOTE NAME (̇Á‚‡ÌË ÌÓÚ˚)

Ç˚·ÂËÚ ӉËÌ ËÁ ÚÂı ÚËÔÓ‚ ̇Á‚‡ÌËfl ÌÓÚ˚ ÔË ‚Íβ˜ÂÌÌÓÏ ÂÊËÏ NOTE (ÒÚ. 83).

ABC.......................ç‡Á‚‡ÌËfl ÌÓÚ ‚˚‚Ó‰flÚÒfl ̇ ˝Í‡Ì ‚ ‚ˉ ·ÛÍ‚ (C, D, E, F, G, A, B).

Fixed Do ...............ç‡Á‚‡ÌËfl ÌÓÚ ‚˚‚Ó‰flÚÒfl ̇ ˝Í‡Ì ‚ ‚ˉ ÔËÌflÚ˚ı ‚ ÒÓθÙ‰ÊËÓ Ó·ÓÁ̇˜ÂÌËÈ, ÍÓÚÓ˚ Á‡‚ËÒflÚ ÓÚ

‚˚·‡ÌÌÓ„Ó flÁ˚͇ (ÒÚ. 52).

ÄÌ„ÎËÈÒÍËÈ.........Do Re Mi Fa Sol La Ti

î‡ÌˆÛÁÒÍËÈ......Ut Re Mi Fa Sol La Si

àڇθflÌÒÍËÈ.......Do Re Mi Fa Sol La Si

çÂψÍËÈ.............Do Re Mi Fa Sol La Si

àÒÔ‡ÌÒÍËÈ...........Do re Mi Fa Sol La Si

üÔÓÌÒÍËÈ.............

Movable Do

(ÔÓ‰‚ËÊÌÓÂ

«‰Ó»)..................... ç‡Á‚‡ÌËfl ÌÓÚ ‚˚‚Ó‰flÚÒfl ̇ ˝Í‡Ì ‚ ‚ˉ ÔËÌflÚ˚ı ‚ ÒÓθÙ‰ÊËÓ Ó·ÓÁ̇˜ÂÌËÈ Ë Á‡‚ËÒflÚ ÓÚ ‚˚·‡ÌÌÓÈ ÚÓ-

̇θÌÓÒÚË. éÒÌÓ‚ÌÓÈ ÚÓÌ Ó·ÓÁ̇˜‡ÂÚÒfl Í‡Í «‰Ó». ç‡ÔËÏÂ, ‚ ÚÓ̇θÌÓÒÚË ÒÓθ-χÊÓ ÓÒÌÓ‚ÌÓÈ ÚÓÌ «ÒÓθ»

·Û‰ÂÚ ÛÒÎÓ‚ÌÓ Ì‡Á˚‚‡Ú¸Òfl «‰Ó». ä‡Í Ë ‚ ÒÎÛ˜‡Â Ò ‚‡ˇÌÚÓÏ «Fixed Do», Ó·ÓÁ̇˜ÂÌËfl ÌÓÚ Á‡‚ËÒflÚ ÓÚ

‚˚·‡ÌÌÓ„Ó flÁ˚͇.

[8] OK

ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl Á‡Í˚ÚËfl ˝Í‡Ì‡ ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍË Ë Á‡ÔÛÒ͇ ÔÓˆÂÒÒ‡ ÒÓÁ‰‡ÌËfl

èÂÂıÓ‰ËÚ¸ ÓÚ Ó‰ÌÓÈ ÒÚ‡Ìˈ˚

Ô‡ÚËÚÛ˚. íÛ Ê ÓÔÂ‡ˆË˛ ÏÓÊÌÓ ‚˚ÔÓÎÌËÚ¸, ̇ʇ‚ ÍÌÓÔÍÛ [ENTER] ̇ ÔÂ‰ÌÂÈ Ô‡ÌÂÎË.

˝Í‡Ì‡ Í ‰Û„ÓÈ ÏÓÊÌÓ Ò

ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/[NEXT]

ËÎË Ô‰‡ÎË (ÒÚ. 142).

[8] CANCEL (ÓÚÏÂ̇)

ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl Á‡Í˚ÚËfl ˝Í‡Ì‡ ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍË ·ÂÁ ËÁÏÂÌÂÌËfl Ô‡‡ÏÂÚÓ‚. íÛ ÊÂ

ÓÔÂ‡ˆË˛ ÏÓÊÌÓ ‚˚ÔÓÎÌËÚ¸, ̇ʇ‚ ÍÌÓÔÍÛ [EXIT] ̇ ÔÂ‰ÌÂÈ Ô‡ÌÂÎË.

PSR-2100/1100

85

ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË

éÚÓ·‡ÊÂÌË ÚÂÍÒÚ‡ ÔÂÒÌË

ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÓÚÓ·‡Ê‡Ú¸ ÚÂÍÒÚ ÔÂÒÌË ‚Ó ‚ÂÏfl  ‚ÓÒÔÓËÁ‚‰ÂÌËfl — Ú‡Í, ˜ÚÓ·˚ ‚˚ ÏÓ„ÎË Ì‡Ô‚‡Ú¸ ÂÂ, Ì ÓÚ‚ÎÂ͇flÒ¸

ÓÚ Ë„˚.

* åËÍÓÙÓÌÌ˚È ‚ıÓ‰ ËÏÂÂÚÒfl ÚÓθÍÓ Û ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100.

Ç˚·ÂËÚÂ

íÂÍÒÚ ÔÂÒÌË ÓÚÓ·‡Ê‡ÂÚÒfl ̇

1

2

ÔÂÒÌ˛

flÁ˚Í ÓË„Ë̇·. ÖÒÎË ÚÂÍÒÚ

A

ËÒ͇ÊÂÌ ËÎË ÌÂÛ‰Ó·Ó˜ËÚ‡ÂÏ,

(ÒÚ. 79, 81).

‚˚ ÏÓÊÂÚ ËÒÔ‡‚ËÚ¸ „Ó,

B

ËÁÏÂÌË‚ Ô‡‡ÏÂÚ LYRICS

C

LANGUAGE ̇ ˝Í‡Ì SONG

SETTING (ÒÚ. 140).

D

E

ÖÒÎË ÔÂÒÌfl Ì ÒÓ‰ÂÊËÚ ÚÂÍÒÚ‡,

3

ÓÌ Ì ·Û‰ÂÚ ÓÚÓ·‡Ê‡Ú¸Òfl.

Ç ‰‡ÌÌÓÏ ÔËÏÂ ÒΉÛÂÚ

‚˚·‡Ú¸ Ó·˙ÂÍÚ «Lyrics» ‚

Ô‡ÔÍ «Function» ̇ ÒÚ‡ÌˈÂ

PRESET (SONG).

ÖÒÎË ‚˚·‡Ì̇fl ÔÂÒÌfl

ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚ ӷ ‡ÍÍÓ‰‡ı,

̇Á‚‡ÌËfl ‡ÍÍÓ‰Ó‚ ·Û‰ÛÚ

ÓÚÓ·‡Ê‡Ú¸Òfl ‚ÏÂÒÚÂ Ò ÚÂÍÒÚÓÏ

SONG

ÔÂÒÌË.

á‡ÔÛÒÚËÚ ÔÂÒÌ˛.

EXTRA

TRACK

TRACK

METRO-

TRACKS

2

1 REPEAT

NOME

4

(STYLE) (R)(L)

REC REW FF

TOP

START/STOP

NEW SONG SYNC. START

ëÚÓÍË ÚÂÍÒÚ‡

SONG

EXTRA

TRACK

TRACK

METRO-

íÂÍÒÚ ÔÂÒÌË ÏÓÊÌÓ ËÁÏÂÌËÚ¸

5

TRACKS

2

1 REPEAT

NOME

ÒÏÂÌfl˛ÚÒfl ̇

(ÒÚ. 110).

END

˝Í‡Ì ÔÓ ÏÂÂ

(STYLE) (R)(L)

‚ÓÒÔÓËÁ‚‰ÂÌË

REC REW FF

TOP

START/STOP

fl ÔÂÒÌË.

NEW SONG SYNC. START

éÒÚ‡ÌÓ‚ËÚ ÔÂÒÌ˛.

óÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÈ ÒÚ‡ÌˈÂ, ̇ÊÏËÚÂ

ÍÌÓÔÍÛ .

EXIT

86

PSR-2100/1100

ëÓı‡ÌÂÌËÂ Ë Á‡„ÛÁ͇ ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇·ÓÓ‚

Ô‡‡ÏÂÚÓ‚ — „ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸

ê„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ — ˝ÚÓ ÏÓ˘ÌÓ Ò‰ÒÚ‚Ó Ì‡ÒÚÓÈÍË PSR-2100/1100. ë Â„Ó ÔÓÏÓ˘¸˛ ‚˚ ÏÓÊÂÚ ‚˚·Ë‡Ú¸ Ú·ÛÂÏ˚Â

„ÓÎÓÒ‡ Ë ÒÚËÎË, Á‡‰‡‚‡Ú¸ Ô‡‡ÏÂÚ˚ ˝ÙÙÂÍÚÓ‚, ‡ Á‡ÚÂÏ ÒÓı‡ÌflÚ¸ ‚Ò ˝ÚË ‰‡ÌÌ˚ ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ‚ ·Û‰Û˘ÂÏ. ÇÔÓÒΉÒÚ‚ËË

‚ÒflÍËÈ ‡Á, ÍÓ„‰‡ ÔÓÚ·ÛÂÚÒfl Á‡‰‡Ú¸ ˝ÚÓÚ Ì‡·Ó Ô‡‡ÏÂÚÓ‚, ‰ÓÒÚ‡ÚÓ˜ÌÓ ·Û‰ÂÚ Î˯¸ ̇ʇڸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ

REGISTRATION MEMORY („ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸).

BACK NEXT

LEFT

HOLD

VOICE EFFECT

SUSTAIN

ECHO

HARMONY/

MONOTOUCH

DSP

VARIATION

SOUND CREATOR

DIGITAL

STUDIO

PIANO & HARPSI.

VOICE

MAIN

E.PIANO

ACCORDION

ORGAN &

PERCUSSION

DIGITAL RECORDING

A

F

GUITAR

G

LAYER

BASS

BRASS

WOODWIND

B

MIXING CONSOLE

C

H

LEFT

STRINGS CHOIR & PAD

SYNTH.

XG

MENU

D

I

DEMO

E

J

USER

ORGAN FLUTES

FINDER

MUSIC

UPPER OCTAVE

HELP

MIC.

OVER

SELECT

VH TYPE

SETTING

MIC.

VOCAL

RESET

HARMONY

TALK

EFFECT

FUNCTION

SIGNAL

ONE TOUCH SETTING

ACCESS

DIRECT

BALANCE

EXIT

ENTER

CHANNEL ON/OFF

PART

DATA ENTRY

REGISTRATION MEMORY

FREEZE MEMORY

Ç ˝ÚÓÏ ‡Á‰ÂΠÓÔËÒ˚‚‡ÂÚÒfl Ôӈ‰Û‡ „ËÒÚ‡ˆËË (Á‡ÍÂÔÎÂÌËfl ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ Á‡

ÍÌÓÔ͇ÏË REGISTRATION MEMORY). ᇉ‡ÈÚ β·˚ ԇ‡ÏÂÚ˚ Ò ÔÓÏÓ˘¸˛ ˝ÎÂÏÂÌÚÓ‚

ÛÔ‡‚ÎÂÌËfl, ‡ÒÔÓÎÓÊÂÌÌ˚ı ̇ ÔÂ‰ÌÂÈ Ô‡ÌÂÎË, Ë „ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ «Á‡ÔÓÏÌËÚ» Ëı.

PSR-2100/1100

87

81 2 3 4 5 6 7

SONG

TRACKS

EXTRA

TRACK

2

TRACK

1 REPEAT

NOME

METRO-

(STYLE) (R)(L)

REC REW FF

TOP

START/STOP

STYLE

NEW SONG SYNC. START

POP & ROCK

SWING &

JAZZ

BALLROOM

MARCH &

WALTZ

BALLAD USERLATIN

DANCE

PART

TRANSPOSE

TEMPO

TAP TEMPO

MASTER VOLUME

RESET

RESET

STOP

FADE

MULTI PAD

MIN MAX

IN/OUT

REGISTRATION MEMORY

STYLE CONTROL

FREEZE MEMORY

STANDBY

ACMP

BREAK

INTRO

MAIN

ENDING

/ rit.

FILL IN

AUTO

SYNC.

START/STOP

ON

OTS

LINK

STOP

START

SYNC.

ê„ËÒÚ‡ˆËfl ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ — „ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸

àÏÂÈÚ ‚ ‚ˉÛ, ˜ÚÓ ÔÂÒÌË, ÒÚËÎË

ËÎË ÏÛθÚËÔ˝‰˚, ı‡Ìfl˘ËÂÒfl ̇

‰ËÒÍÂÚÂ, Ì‚ÓÁÏÓÊÌÓ Á‡ÌÂÒÚË ‚

„ËÒÚ‡ˆËÓÌÌÛ˛ Ô‡ÏflÚ¸. ÖÒÎË

‚˚ ıÓÚËÚ Á‡„ËÒÚËÓ‚‡Ú¸ ÔÂÒ-

Ì˛, ÒÚËθ ËÎË ÏÛθÚËÔ˝‰, ı‡Ìfl-

˘ËÂÒfl ̇ ‰ËÒÍÂÚÂ, ÔÂÂÌÂÒËÚÂ

ÌÂÓ·ıÓ‰ËÏ˚ ‰‡ÌÌ˚ ‚ ‡Á‰ÂÎ

Ô‡ÏflÚË USER ̇ ˝Í‡Ì SONG/

STYLE/MULTI PAD (ÒÚ. 39) Ë Á‡-

„ËÒÚËÛÈÚ Ëı ÔÓ ÓÚ‰ÂθÌÓÒÚË.

F

G

H

I

J

END

81 2 3 4 5 6 7

ᇉ‡ÈÚ ÌÂÓ·ıÓ‰ËÏ˚ ԇ‡ÏÂÚ˚ Ò ÔÓÏÓ˘¸˛ ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl.

1

ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Ô‡‡ÏÂÚ‡ı, ÍÓÚÓ˚ ÏÓÊÌÓ ÒÓı‡ÌflÚ¸ ‚

„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË, Ô˂‰ÂÌ˚ ‚ Ò·ÓÌËÍ ڇ·Îˈ (퇷Îˈ‡ Ô‡‡ÏÂÚÓ‚).

REGISTRATION MEMORY

FREEZE MEMORY

2

3

Ç˚·ÂËÚ „ÛÔÔ˚ Ô‡‡ÏÂÚÓ‚, ÍÓÚÓ˚Â

äÌÓÔ͇ ÓÚÏÂÌ˚ „ËÒÚ‡ˆËË Ë

Ú·ÛÂÚÒfl ̇ÒÚÓËÚ¸ Ë ÒÓı‡ÌËÚ¸. ÑÎfl

ÔÂÂıÓ‰‡ Í „·‚ÌÓÏÛ ˝Í‡ÌÛ.

ÔÂÂıÓ‰‡ ÓÚ Ó‰ÌÓÈ „ÛÔÔ˚ Í ‰Û„ÓÈ ÏÓÊÌÓ

ÑÎfl ˝ÚÓ„Ó ÏÓÊÌÓ Ú‡ÍÊÂ

ËÒÔÓθÁÓ‚‡Ú¸ ‰ËÒÍ ÛÔ‡‚ÎÂÌËfl [DATA ENTRY].

‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ÍÌÓÔÍÓÈ [EXIT].

óÚÓ·˚ Á‡„ËÒÚËÓ‚‡Ú¸ „ÛÔÔÛ Ô‡‡ÏÂÚÓ‚,

ÔÓÒÚ‡‚¸Ú fl‰ÓÏ Ò ÌÂÈ „‡ÎÓ˜ÍÛ. è‡‡ÏÂÚ˚,

Á‡‰‡ÌÌ˚ ‰Îfl „ÛÔÔ, Ì ÔÓϘÂÌÌ˚ı

„‡ÎӘ͇ÏË, Ì ·Û‰ÛÚ ÒÓı‡ÌÂÌ˚ ‚ ‚ˉ هÈ·

̇·Ó‡ Ô‡‡ÏÂÚÓ‚. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ÒÓı‡ÌflÚ¸

äÌÓÔ͇ ÛÒÚ‡ÌÓ‚ÍË „‡ÎÓ˜ÍË.

ÓÔ‰ÂÎÂÌÌ˚ ̇ÒÚÓÈÍË ‰‡Ê ÔË ÒÏÂÌÂ

åÓÊÌÓ Ú‡ÍÊ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl

̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚, ‚ÁflÚ˚ı ËÁ

‰Îfl ˝ÚÓ„Ó ÍÌÓÔÍÓÈ [ENTER].

„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË. ë ÚÓÈ Ê ˆÂθ˛

ÏÓÊÌÓ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ÙÛÌ͈ËÂÈ Freeze

(«Á‡ÏÓÓÁËÚ¸») (ÒÚ. 89), ÍÓÚÓ‡fl ÔÓÁ‚ÓÎflÂÚ

Ë„ÌÓËÓ‚‡Ú¸ ËÁÏÂÌÂÌËfl „ËÒÚ‡ˆËÓÌÌÓÈ

äÌÓÔ͇ Û‰‡ÎÂÌËfl „‡ÎÓ˜ÍË. íÓ ÊÂ

Ô‡ÏflÚË, ÓÚÌÓÒfl˘ËÂÒfl Í «Á‡ÏÓÓÊÂÌÌ˚Ï»

Ò‡ÏÓ ÏÓÊÌÓ Ò‰Â·ڸ Ò ÔÓÏÓ˘¸˛

Ô‡‡ÏÂÚ‡Ï.

ÍÌÓÔÍË [ENTER].

óÚÓ·˚ Á‡„ËÒÚËÓ‚‡Ú¸

REGISTRATION MEMORY

FREEZE MEMORY

̇·Ó Ô‡‡ÏÂÚÓ‚, ̇ÊÏËÚÂ

óÚÓ·˚ Û‰‡ÎËÚ¸ ‚ÒÂ

ÚÓθÍÓ ˜ÚÓ Á‡‰‡ÌÌ˚Â

Ó‰ÌÛ ËÁ ÒÎÂ‰Û˛˘Ëı ÍÌÓÔÓÍ.

Ô‡‡ÏÂÚ˚, ̇ÊÏËÚÂ

Ó‰ÌÓ‚ÂÏÂÌÌÓ ‚Âı-

áÂÎÂÌ˚È Ò‚ÂÚÓ‰ËÓ‰ ...... 燷Ó Ô‡‡ÏÂÚÓ‚ Á‡„ËÒÚËÓ‚‡Ì, ÌÓ Ì ‚˚·‡Ì.

Ì˛˛ Í·‚Ë¯Û Ç Ë

ä‡ÒÌ˚È Ò‚ÂÚÓ‰ËÓ‰ ...... 燷Ó Ô‡‡ÏÂÚÓ‚ Á‡„ËÒÚËÓ‚‡Ì Ë ‚˚·‡Ì.

Í·‚Ë¯Û ÔËÚ‡ÌËfl.

ë‚ÂÚÓ‰ËÓ‰ Ì „ÓËÚ ....... 燷Ó Ô‡‡ÏÂÚÓ‚ Ì Á‡„ËÒÚËÓ‚‡Ì.

ëÏ. ËÌÙÓχˆË˛ Ó ÒÓı‡ÌÂÌËË Á‡„ËÒÚËÓ‚‡ÌÌ˚ı ̇ÒÚÓÂÍ Ì‡ ÒÎÂ‰Û˛˘ÂÈ ÒÚ‡ÌˈÂ.

ëÓı‡ÌÂÌËÂ Ë ‚˚ÁÓ‚ ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ — Registration Memory

ëÓı‡ÌÂÌË ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚

燷Ó Ô‡‡ÏÂÚÓ‚, Á‡ÍÂÔÎÂÌÌ˚È Á‡ ͇ʉÓÈ ËÁ ÍÌÓÔÓÍ REGISTRATION MEMORY [1] - [8], ÒÓı‡ÌflÂÚÒfl ‚ ‚ˉ ÓÚ‰ÂθÌÓ„Ó Ù‡È·.

ç Á‡·˚‚‡ÈÚÂ, ˜ÚÓ ‡ÁÏÂ

هȷ ‚ „ËÒÚ‡ˆËÓÌÌÓÏ ·‡ÌÍÂ

á‡ÍÂÔÎÂÌÌ˚È Á‡ ͇ʉÓÈ ËÁ ÍÌÓÔÓÍ [1] -

(‡ Á̇˜ËÚ, Ë Ó·˙ÂÏ Á‡ÌËχÂÏÓÈ

[8] ̇·Ó Ô‡‡ÏÂÚÓ‚ ̇Á˚‚‡ÂÚÒfl ·‡ÌÍÓÏ.

ËÏ Ô‡ÏflÚË) Á‡‚ËÒËÚ ÓÚ ˜ËÒ·

î‡ÈÎ˚ „ËÒÚ‡ˆËÓÌÌ˚ı ·‡ÌÍÓ‚ ÒΉÛÂÚ

BANK 01

Á‡‰‡‚‡ÂÏ˚ı ÙÛÌ͈ËÈ.

ÒÓı‡ÌflÚ¸ ‚ ‡Á‰ÂΠԇÏflÚË «USER» ËÎË

̇ ‰ËÒÍÂÚÂ.

F

G

H

I

J

ùÍ‡Ì REGISTRATION EDIT

ëÓ‰ÂÊËÏÓ ÚÂÍÛ˘Â„Ó ·‡Ì͇ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË (REGIST.) ‚˚‚Ó‰ËÚÒfl ̇ ˝Í‡Ì REGISTRATION EDIT. ç‡Á‚‡ÌËfl

ÒÓı‡ÌÂÌÌ˚ı ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ ÓÚÓ·‡Ê‡˛ÚÒfl ̇ ˝Í‡ÌÂ. ë‚ÂÚÓ‰ËÓ‰˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ÍÌÓÔÓÍ REGISTRATION

MEMORY ÒÚ‡ÌÓ‚flÚÒfl ÁÂÎÂÌ˚ÏË.

ç‡ ˝ÚÓÏ ˝Í‡Ì ‚˚ ÏÓÊÂÚ ‚˚·‡Ú¸, Û‰‡ÎËÚ¸ ̇·Ó Ô‡‡ÏÂÚÓ‚ ËÎË Ì‡Á̇˜ËÚ¸ ÂÏÛ ËÏfl.

Ç˚·Ó

.................. ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [A] - [J]. äÌÓÔÍË REGISTRATION MEMORY [1] - [8] Ò‚flÁ‡Ì˚ Ò ˝Í‡ÌÓÏ REGIST. èË

‚˚·Ó ӉÌÓ„Ó ËÁ ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ Ò‚ÂÚÓ‰ËÓ‰ ̇‰ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÂÏÛ ÍÌÓÔÍÓÈ ÒÚ‡ÌÓ‚ËÚÒfl Í‡ÒÌ˚Ï.

ç‡Á̇˜ÂÌËÂ

ËÏÂÌË ...................èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ ÔË ‚˚ÔÓÎÌÂÌËË ˝ÚÓÈ ÓÔÂ‡ˆËË Ë‰ÂÌÚ˘̇ Ôӈ‰ÛÂ, ÓÔËÒ‡ÌÌÓÈ ‚ ‡Á‰ÂÎÂ

«Ç˚·Ó ËÏÂÌ ‰Îfl Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ» (ÒÚ. 44) „·‚˚ «éÒÌÓ‚Ì˚ ÓÔÂ‡ˆËË — Ó„‡ÌËÁ‡ˆËfl ‰‡ÌÌ˚ı».

쉇ÎÂÌË .............èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ ÔË ‚˚ÔÓÎÌÂÌËË ˝ÚÓÈ ÓÔÂ‡ˆËË Ë‰ÂÌÚ˘̇ Ôӈ‰ÛÂ, ÓÔËÒ‡ÌÌÓÈ ‚ ‡Á‰ÂÎÂ

«ì‰‡ÎÂÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ» (ÒÚ. 46) „·‚˚ «éÒÌÓ‚Ì˚ ÓÔÂ‡ˆËË — Ó„‡ÌËÁ‡ˆËfl ‰‡ÌÌ˚ı».

èÓÒΠÓÔÂ‡ˆËÈ Name/Delete ‚ÂÌËÚÂÒ¸ ̇ ˝Í‡Ì REGISTRATION BANK Ë Ì‡ÊÏËÚ [8], ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ ‰‡ÌÌ˚Â.

88

PSR-2100/1100

81 2 3 4 5 6 7

óÚÓ·˚ ÔÂÂÈÚË Í „·‚ÌÓÏÛ

˝Í‡ÌÛ, Ò̇˜‡Î‡ ̇ÊÏËÚ ÍÌÓÔÍÛ

[DIRECT ACCESS], ‡ Á‡ÚÂÏ —

1

ÍÌÓÔÍÛ [EXIT].

ëÓı‡ÌËÚ ̇·Ó Ô‡‡ÏÂÚÓ‚ ‚ ‚ˉ ‰ËÌÓ„Ó Ù‡È·

2

„ËÒÚ‡ˆËÓÌÌÓ„Ó ·‡Ì͇ (ÒÚ. 47).

èÓfl‚ËÚÒfl ˝Í‡Ì REGISTRATION EDIT.

ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó· ˝ÚÓÏ

˝Í‡Ì Ô˂‰ÂÌ˚ ÌËÊÂ.

ëÓı‡ÌÂÌËÂ Ë ‚˚ÁÓ‚ ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ — Registration Memory

ᇄÛÁ͇ ̇·Ó‡ Ô‡‡ÏÂÚÓ‚

åÓÊÌÓ Á‡„ÛÁËÚ¸ Í‡Í ‚ÂÒ¸ ̇·Ó ̇ÒÚÓÂÍ, Ú‡Í Ë ÓÚ‰ÂθÌ˚ ԇ‡ÏÂÚ˚. ç‡ÔËÏÂ, ÔË ÒÌflÚËË „‡ÎÓ˜ÍË Ò „ÛÔÔ˚ «STYLE» ̇ ˝Í‡ÌÂ

REGISTRATION MEMORY, ÚÂÍÛ˘ËÈ ÒÚËθ Ì ËÁÏÂÌËÚÒfl, ‰‡Ê ÂÒÎË Á‡„ÛÁËÚ¸ ÌÓ‚˚È ·‡ÌÍ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË.

ᇄÛÁ͇ Á‡„ËÒÚËÓ‚‡ÌÌ˚ı Ô‡‡ÏÂÚÓ‚

Ç˚·ÂËÚ ÌÂÓ·ıÓ‰ËÏ˚È ·‡ÌÍ Ì‡ ˝Í‡Ì REGISTRATION BANK (ÒÚ. 88).

óÚÓ·˚ Á‡„ÛÁËÚ¸ ÌÂÓ·ıÓ‰ËÏ˚ Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚, ̇ÊÏËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ

ëÛ˘ÂÒÚ‚ÛÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸

REGISTRATION MEMORY (Ò‚ÂÚÓ‰ËÓ‰ ̇‰ ÌÂÈ ‰ÓÎÊÂÌ ·˚Ú¸ ÁÂÎÂÌ˚Ï).

ÔÓÒΉӂ‡ÚÂθÌÓ Á‡„Ûʇڸ

ÌÂÒÍÓθÍÓ Ì‡·ÓÓ‚ Ô‡‡ÏÂÚÓ‚

REGISTRATION MEMORY

‚ β·ÓÏ ÔÓfl‰ÍÂ. ÅÛ‰Û˜Ë

FREEZE MEMORY

Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚ÏË, ·‡ÌÍË

1 - 8 ÏÓ„ÛÚ ·˚Ú¸

ÔÓÒΉӂ‡ÚÂθÌÓ ‚˚Á‚‡Ì˚ Ò

ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/[NEXT]

ËÎË Ô‰‡ÎË (ÒÚ. 145).

Ç˚·Ó Ô‡‡ÏÂÚÓ‚ «Á‡ÏÓÓÁÍË»

MENU

1

DEMO

HELP

FUNCTION

REGISTRATION MEMORY

FREEZE MEMORY

REGISTRATION MEMORY

FREEZE MEMORY

PSR-2100/1100

89

81 2 3 4 5 6 7

2

èÂÂȉËÚ ̇ ÒÚ‡ÌˈÛ

«FREEZE» ˝Í‡Ì‡

REGIST.SEQUENCE/

äÌÓÔ͇ ÛÒÚ‡ÌÓ‚ÍË

FREEZE/VOICE SET

„‡ÎÓ˜ÍË.

(ÒÚ. 145).

äÌÓÔ͇ Û‰‡ÎÂÌËfl

„‡ÎÓ˜ÍË.

äÌÓÔÍË ‚˚·Ó‡ Ô‡‡ÏÂÚÓ‚ «Á‡ÏÓÓÁÍË».

ç‡ÊÏËÚ ÍÌÓÔÍÛ [FREEZE]. ÖÒÎË ÂÊËÏ «Á‡ÏÓÓÁÍË» ‚Íβ˜ÂÌ („ÓËÚ Ò‚ÂÚÓ‰ËÓ‰ fl‰ÓÏ Ò ÍÌÓÔÍÓÈ FREEZE),

3

ÚÓ Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚, Û͇Á‡ÌÌ˚ı ̇ ÒÚ‡Ìˈ «Freeze», ÓÒÚ‡ÌÛÚÒfl ÌÂÚÓÌÛÚ˚ÏË ‰‡Ê ÔË ÒÏÂÌ ·‡ÌÍÓ‚

„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË.

óÚÓ·˚ Á‡„ÛÁËÚ¸ ÌÂÓ·ıÓ‰ËÏ˚ Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚, ̇ÊÏËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ REGISTRATION

4

MEMORY (Ò‚ÂÚÓ‰ËÓ‰ ̇‰ ÌÂÈ ‰ÓÎÊÂÌ ·˚Ú¸ ÁÂÎÂÌ˚Ï).

ꉇÍÚËÓ‚‡ÌË „ÓÎÓÒÓ‚ — Sound Creator

PSR-2100/1100 ӷ·‰‡ÂÚ ÙÛÌ͈ËÂÈ Sound Creator, ÍÓÚÓ‡fl ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ „ÓÎÓÒ‡

ÔÛÚÂÏ ‰‡ÍÚËÓ‚‡ÌËfl ÌÂÍÓÚÓ˚ı Ô‡‡ÏÂÚÓ‚ Ëϲ˘ËıÒfl „ÓÎÓÒÓ‚. èÓÒΠÒÓÁ‰‡ÌËfl „ÓÎÓÒ‡ „Ó

ÉÓÎÓÒ‡ ÏÓÊÌÓ Ì‡ÒÚ‡Ë‚‡Ú¸ ‚

ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ ‚ ‡Á‰ÂΠԇÏflÚË USER ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ‚ ·Û‰Û˘ÂÏ.

‡θÌÓÏ ‚ÂÏÂÌË, ÌÂ

ÔÂ˚‚‡fl ‚ÓÒÔÓËÁ‚‰ÂÌËfl

HOLD

LEFT

VOICE EFFECT

BACK NEXT

SUSTAIN

HARMONY/

ECHO

MONOTOUCH

DSP

VARIATION

ÔÂÒÌË/ÒÚËÎfl.

STUDIO

DIGITAL

VOIC E

PIANO & HARPSI.

E.PIANO

ACCORDION

ORGAN &

SOUND CREATOR

MAIN

PERCUSSION

àÏÂÈÚ ‚ ‚ˉÛ, ˜ÚÓ ÔË

DIGITAL RECORDING

A

F

B

G

LAYER

GUITAR

BASS

BRASS

WOODWIND

ÓÔ‰ÂÎÂÌÌ˚ı

MIXING CONSOLE

C

H

LEFT

STRINGS CHOIR & PAD

SYNTH.

XG

D

I

USER

ORGAN FLUTES

ÔÂ‚Ó̇˜‡Î¸Ì˚ı ̇ÒÚÓÈ͇ı

DEMO

MENU

E

J

MUSIC

UPPER OCTAVE

FINDER

HELP

MIC.

RESET

„ÓÎÓÒ‡ „ÛÎËӂ͇ „Ó

OVER

SELECT

VH TYPE

SETTING

MIC.

HARMONY

VOCAL

TALK

EFFECT

FUNCTION

SIGNAL

ONE TOUCH SETTING

ACCESS

DIRECT

BALANCE

Ô‡‡ÏÂÚÓ‚ ÏÓÊÂÚ Ò΄͇

EXIT

ENTER

CHANNEL ON/OFF

ÓÚ‡Ê‡Ú¸Òfl ̇ Ù‡ÍÚ˘ÂÒÍÓÏ

PART

REGISTRATION MEMORY

DATA ENTRY

FREEZE MEMORY

Á‚Û˜‡ÌËË ÚÂÏ·‡.

90

PSR-2100/1100

81 2 3 4 5 6 7

SONG

TRACKS

EXTRA

TRACK

2

TRACK

1 REPEAT

NOME

METRO-

(STYLE) (R)(L)

REC REW FF

TOP

START/STOP

STYLE

NEW SONG SYNC. START

POP & ROCK

SWING &

JAZZ

BALLROOM

MARCH &

WALTZ

BALLAD USERLATIN

DANCE

PART

TRANSPOSE

TEMPO

TAP TEMPO

MASTER VOLUME

RESET

RESET

STOP

FADE

MULTI PAD

IN/OUT

MIN MAX

STYLE CONTROL

DIGITAL

ACMP

BREAK

INTRO

MAIN

ENDING

/ rit.

STOP

SYNC.

SYNC.

AUTO

OTS

START

STUDIO

START/STOP

ON

STANDBY

FILL IN

LINK

SOUND CREATOR

èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ

óÚÓ·˚ ‚˚·‡Ú¸ Ô‡Ú˲ (MAIN, LAYER ËÎË

ç‡ÊÏËÚ ÍÌÓÔÍÛ

1

2

ÉÓÎÓÒ ÏÓÊÌÓ Ú‡ÍÊ ‚˚·‡Ú¸ ̇

LEFT), ÒÓ‰Âʇ˘Û˛ ËÒıÓ‰Ì˚È „ÓÎÓÒ,

[SOUND

˝Í‡Ì SOUND CREATOR.

̇ÊÏËÚ ÍÌÓÔÍÛ [F], [G] ËÎË [H].

CREATOR].

DIGITAL

ÇçàåÄçàÖ!

F

STUDIO

SOUND CREATOR

ÖÒÎË Á‡ÏÂÌËÚ¸ „ÓÎÓÒ ‰‡Í-

G

ÚËÛÂÏÓÈ Ô‡ÚËË, ÚÓ Á‡‰‡ÌÌ˚Â

H

Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚ ·Û‰ÛÚ

DIGITAL RECORDING

I

ÛÚÂflÌ˚. LJÊÌ˚ ‰‡ÌÌ˚Â

J

ÒΉÛÂÚ ÒÓı‡ÌflÚ¸ ‚ ‡Á‰ÂÎÂ

MIXING CONSOLE

Ô‡ÏflÚË USER ËÎË Ì‡ ‰ËÒÍÂÚÂ.

PART

éÚ‰‡ÍÚËÛÈÚ ԇ‡ÏÂÚ˚ „ÓÎÓÒ‡.

3

èÓfl‰ÓÍ ËÒÔÓθÁÓ‚‡ÌËfl ‚˚·Ë‡ÂÏ˚ı ̇ ˝ÚÓÏ ˝Ú‡Ô ÙÛÌ͈ËÈ ‰ÂڇθÌÓ ËÁÎÓÊÂÌ Ì‡ ÒÚ. 92 (Ó·˚˜Ì˚ „ÓÎÓÒ‡) Ë

ÒÚ. 94 (Ó„‡ÌÌ˚ ÙÎÂÈÚ˚).

Ç˚·ÂËÚ Ú·ÛÂÏÓ ÏÂÌ˛ Ò

é·˚˜Ì˚È „ÓÎÓÒ

ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [NEXT]/[BACK].

é„‡ÌÌ˚ ÙÎÂÈÚ˚ (PSR-2100)

á‰ÂÒ¸ ÓÚÓ·‡Ê‡˛ÚÒfl

A

F

‰ÓÒÚÛÔÌ˚ ‰Îfl

B

G

‰‡ÍÚËÓ‚‡ÌËfl

C

H

Ô‡‡ÏÂÚ˚. éÌË

D

I

ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú

E

J

Ô‡‡ÏÂÚ‡Ï/Á̇˜ÂÌËflÏ,

Û͇Á‡ÌÌ˚Ï ‚ ÌËÊÌÂÈ

˜‡ÒÚË ˝Í‡Ì‡.

Ç ÔÓˆÂÒÒ ‡·ÓÚ˚ ÏÓÊÌÓ Ò‡‚ÌË‚‡Ú¸

äÌÓÔÍË ‚˚·Ó‡/̇ÒÚÓÈÍË Ô‡‡ÏÂÚÓ‚.

ËÒıÓ‰Ì˚È „ÓÎÓÒ Ò ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚Ï.

äÌÓÔÍË ‚˚·Ó‡ ÏÂÌ˛.

ùÚ‡ ÍÌÓÔ͇ ÓÚÍ˚‚‡ÂÚ ˝Í‡Ì Save (Voice), Ò ÔÓÏÓ˘¸˛ ÍÓÚÓÓ„Ó ÏÓÊÌÓ

Ç ‚˚·‡ÌÌÓÏ ÏÂÌ˛ ÙÓÌ ÒÚ‡ÌÓ‚ËÚÒfl ˜ÂÌ˚Ï, ‡ ·ÛÍ‚˚ — ·ÂÎ˚ÏË.

ÒÓı‡ÌËÚ¸ ‰‡ÍÚËÛÂÏ˚È „ÓÎÓÒ ‚ ‡Á‰ÂΠԇÏflÚË USER (ÒÚ. 47).

ëÓı‡ÌËÚ ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚È „ÓÎÓÒ ‚

óÚÓ·˚ ‚˚·‡Ú¸ ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚È

4

‡Á‰ÂΠԇÏflÚË USER (Flash ROM) ‚ ‚ˉÂ

5

„ÓÎÓÒ, ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔÍÓÈ [USER].

ÔÓθÁÓ‚‡ÚÂθÒÍÓ„Ó „ÓÎÓÒ‡ (User) (ÒÚ. 47).

ꉇÍÚËÓ‚‡ÌË „ÓÎÓÒ‡ — SOUND CREATOR

è‡‡ÏÂÚ˚ Ó·˚˜ÌÓ„Ó „ÓÎÓÒ‡

COMMON (Ó·˚˜Ì˚Â) ᇉ‡˛ÚÒfl Ó·˚˜Ì˚ ԇ‡ÏÂÚ˚, ̇ÔËÏÂ „ÓÏÍÓÒÚ¸ „ÓÎÓÒ‡ ËÎË ÓÍÚ‡‚‡.

ëΉÛÂÚ ËÏÂÚ¸ ‚ ‚ˉÛ, ˜ÚÓ

̇ÒÚÓÈ͇ ÌÂÍÓÚÓ˚ı ËÁ

SOUND (Á‚ÛÍÓ‚˚Â) ç‡ÒÚ‡Ë‚‡˛ÚÒfl Ô‡‡ÏÂÚ˚ ÚÂÏ·‡/ÙÛÌ͈ËË Envelope Generator („ÂÌÂ‡ÚÓ

ÒÛ˘ÂÒÚ‚Û˛˘Ëı Ô‡‡ÏÂÚÓ‚ Ò

Ó„Ë·‡˛˘Ëı)/‚Ë·‡ÚÓ.

ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Sound Creator

EFFECT/EQ (˝ÙÙÂÍÚ˚ Ë

ÔË‚Ó‰ËÚ ÚÓθÍÓ Í ËÁÏÂÌÂÌ˲

˝Í‚‡Î‡ÈÁÂ) (PSR-2100)

ᇉ‡˛ÚÒfl ÚËÔ/„ÎÛ·Ë̇ ‚ÓÁ‰ÂÈÒÚ‚Ëfl ˝ÙÙÂÍÚ‡ Ë Ô‡‡ÏÂÚ˚ ˝Í‚‡Î‡ÈÁÂ‡.

„ÓÎÓÒ‡ „·‚ÌÓÈ ˜‡ÒÚË.

EFFECT (˝ÙÙÂÍÚ˚) (PSR-1100)

HARMONY („‡ÏÓÌËÁ‡ˆËfl) ᇉ‡˛ÚÒfl Ô‡‡ÏÂÚ˚ „‡ÏÓÌËÁ‡ˆËË Ë ˝ı‡.

è‡‡ÏÂÚ˚ ‰Îfl Ó„‡ÌÌ˚ı ÙÎÂÈÚ ÒÏ. ÒÚ. 94

èÂ˜ËÒÎÂÌÌ˚ ÌËÊ ԇ‡ÏÂÚ˚ ÏÓÊÌÓ Ì‡ÒÚ‡Ë‚‡Ú¸ Ì ÚÓθÍÓ Ì‡ ˝Í‡Ì ‰‡ÍÚËÓ‚‡ÌËfl „ÓÎÓÒÓ‚, ÌÓ Ì‡ ‰Û„Ëı ˝Í‡Ì‡ı.

è‡‡ÏÂÚ ÄθÚÂ̇ÚË‚Ì˚È ˝Í‡Ì ̇ÒÚÓÈÍË

MONO (ÏÓÌÓÙÓÌËfl) „ÛÔÔ‡ ÍÌÓÔÓÍ VOICE EFFECT (Ô‡ÌÂθ ÛÔ‡‚ÎÂÌËfl) ÒÚ. 61

PORTAMENTO TIME (ÔÓÚ‡ÏÂÌÚÓ) MIXING CONSOLE (ÍÓÌÒÓθ ÏËͯÂ‡) ÒÚ. 126

FILTER BRIGHTNESS (ÙËθÚ «flÍÓÒÚË» ÚÂÏ·‡) MIXING CONSOLE ÒÚ. 126

FILTER HARMONIC CONTENT (ÙËθÚ „‡ÏÓÌËÍ) MIXING CONSOLE ÒÚ. 126

REVERB DEPTH („ÎÛ·Ë̇ ‚Â·Â‡ˆËË) MIXING CONSOLE ÒÚ. 127

CHORUS DEPTH („ÎÛ·Ë̇ ıÓÛÒ‡) MIXING CONSOLE ÒÚ. 127

DSP ON/OFF (‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ˆËÙÓ‚Ó„Ó Ò˄̇θÌÓ„Ó ÔÓˆÂÒÒÓ‡) VOICE EFFECT (Ô‡ÌÂθ ÛÔ‡‚ÎÂÌËfl) ÒÚ. 60

DSP DEPTH („ÎÛ·Ë̇ Ó·‡·ÓÚÍË Ò˄̇· ˆËÙÓ‚˚Ï Ò˄̇θÌ˚Ï

MIXING CONSOLE ÒÚ. 127

ÔÓˆÂÒÒÓÓÏ)

DSP TYPE/VARIATION (ÚËÔ Ó·‡·ÓÚÍË/‚‡ˇˆËË) MIXING CONSOLE/VOICE EFFECT ÒÚ. 61, 127

EQ LOW/GAIN (ÛÒËÎÂÌË ÌËÁÍËı ˜‡ÒÚÓÚ) MIXING CONSOLE ÒÚ. 124

EQ HIGH/GAIN (ÛÒËÎÂÌË ‚˚ÒÓÍËı ˜‡ÒÚÓÚ) MIXING CONSOLE ÒÚ. 124

HARMONY/ECHO TYPE (ÚËÔ „‡ÏÓÌËÁ‡ˆËË/˝ı‡) ˝Í‡Ì HARMONY/ECHO (ÍÌÓÔ͇ FUNCTION) ÒÚ. 146

HARMONY/ECHO VOLUME („ÓÏÍÓÒÚ¸ ‰Ó·‡‚ÎÂÌÌÓ„Ó Ò˄̇·) HARMONY/ECHO (FUNCTION) ÒÚ. 146

HARMONY/ECHO SPEED (˜‡ÒÚÓÚ‡ „‡ÏÓÌËÁ‡ˆËË/‰Ó·‡‚ÎÂÌËfl ˝ı‡) HARMONY/ECHO (FUNCTION) ÒÚ. 146

HARMONY/ECHO ASSIGN (‚‡ˇÌÚ˚ ÔËÏÂÌÂÌËfl ˝ÙÙÂÍÚ‡) HARMONY/ECHO (FUNCTION) ÒÚ. 146

HARMONY/ECHO CHORD NOTE ONLY (˝ÙÙÂÍÚ „‡ÏÓÌËÁ‡ˆËË/˝ı‡

HARMONY/ECHO (FUNCTION) ÒÚ. 146

Á‡Ú‡„Ë‚‡ÂÚ ÚÓθÍÓ ÓÒÌÓ‚ÌÓÈ ÚÓÌ ‡ÍÍÓ‰‡)

HARMONY/ECHO TOUCH LIMIT (ÔÓÓ„ ÒËÎ˚ ̇ʇÚËfl) HARMONY/ECHO (FUNCTION) ÒÚ. 146

é·˚˜Ì˚ ԇ‡ÏÂÚ˚

Ç ‰‡ÌÌÓÏ ‡Á‰ÂΠÔ˂‰ÂÌ˚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó ¯‡„ ‹3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚ. 90.

PSR-2100/1100

91

81 2 3 4 5 6 7

äÌÓÔÍË „ÛÎËÓ‚ÍË „ÓÏÍÓÒÚË

‰‡ÍÚËÛÂÏÓ„Ó „ÓÎÓÒ‡.

äÌÓÔÍË „ÛÎËÓ‚ÍË ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË

äÌÓÔÍË ÛÒÚ‡ÌÓ‚ÍË ‚ÂÏÂÌË

Í·‚ˇÚÛ˚ Í Ì‡Ê‡Ú˲ (Á‡‰‡ÂÚÒfl

ÔÓÚ‡ÏÂÌÚÓ ‰Îfl ͇ʉÓÈ ˜‡ÒÚË (MAIN/

ÒÚÂÔÂ̸ Á‡‚ËÒËÏÓÒÚË ËÁÏÂÌÂÌËfl

LAYER/VOICE) (ÒÚ. 126).

„ÓÏÍÓÒÚË „ÓÎÓÒ‡ ÓÚ ËÁÏÂÌÂÌËfl ÒËÎ˚

Û‰‡‡ ÔÓ Í·‚˯‡Ï).

0.......... ìÓ‚Â̸ „ÓÏÍÓÒÚË ËÁÏÂÌflÂÚÒfl

äÌÓÔ͇ ÔÂÂÍβ˜ÂÌËfl ÏÂʉÛ

‚ Á̇˜ËÚÂθÌ˚ı Ô‰Â·ı ÔË

ÔÓÎËÙÓÌ˘ÂÒÍËÏ Ë ÏÓÌÓÙÓÌ˘ÂÒÍËÏ

‰‚‡ Á‡ÏÂÚÌÓÏ ËÁÏÂÌÂÌËË

ÂÊËÏÓÏ Á‚Û˜‡ÌËfl „ÓÎÓÒ‡ (ÒÚ. 61).

ÒËÎ˚ ̇ʇÚËfl.

64........ ä·‚ˇÚÛ‡ ‡„ËÛÂÚ Ì‡

äÌÓÔ͇ Ò‰‚Ë„‡ ‚˚·‡ÌÌÓ„Ó „ÓÎÓÒ‡ ̇

̇ʇÚË ӷ˚˜Ì˚Ï Ó·‡ÁÓÏ.

ÓÍÚ‡‚Û(˚) ‚‚Âı ËÎË ‚ÌËÁ. ÖÒÎË

127...... ÉÓÎÓÒ Á‚Û˜ËÚ Ó‰Ë̇ÍÓ‚Ó „ÓÏÍÓ

‚˚·‡Ì „ÓÎÓÒ ‰Îfl „·‚ÌÓÈ ˜‡ÒÚË ËÎË

ÔË Î˛·ÓÈ ÒËΠ̇ʇÚËfl

˜‡ÒÚË ÒÎÓfl, Á‡‰‡ÂÚÒfl Ô‡‡ÏÂÚ M/LYR.

(ÙËÍÒËÓ‚‡ÌÌ˚È ÛÓ‚Â̸

ÖÒÎË ‚˚·‡Ì „ÓÎÓÒ ‰Îfl Ô‡ÚËË Î‚ÓÈ

˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË)

ÛÍË, ÚÓ Á‡‰‡ÂÚÒfl Ô‡‡ÏÂÚ LEFT.

ꉇÍÚËÓ‚‡ÌË „ÓÎÓÒ‡ — SOUND CREATOR

á‚ÛÍÓ‚˚ ԇ‡ÏÂÚ˚

Ç ‰‡ÌÌÓÏ ‡Á‰ÂΠÔ˂‰ÂÌ˚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó ¯‡„ ‹3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚ. 90.

îËθÚ

è‡‡ÏÂÚ˚ ÙËθÚ‡ ÓÔ‰ÂÎfl˛Ú Ó·˘ËÈ ı‡‡ÍÚÂ Á‚Û˜‡ÌËfl ÚÂÏ·‡, ÔÓÁ‚ÓÎflfl ÛÒËÎË‚‡Ú¸ ËÎË

«ÒÂÁ‡Ú¸» ÓÔ‰ÂÎÂÌÌ˚È ˜‡ÒÚÓÚÌ˚È ‰Ë‡Ô‡ÁÓÌ.

EG („ÂÌÂ‡ÚÓ Ó„Ë·‡˛˘Ëı)

àÁÏÂÌÂÌË ԇ‡ÏÂÚÓ‚ „ÂÌÂ‡ÚÓ‡ Ó„Ë·‡˛˘Ëı ‚ÎËflÂÚ Ì‡ ‰Ë̇ÏËÍÛ Á‚Û͇. ë ÔÓÏÓ˘¸˛ Ó„Ë·‡˛˘Ëı ÏÓÊÌÓ ËÏËÚËÓ‚‡Ú¸ ÏÌÓ„ËÂ

ÓÒÓ·ÂÌÌÓÒÚË Á‚Û˜‡ÌËfl ‡ÍÛÒÚ˘ÂÒÍËı ËÌÒÚÛÏÂÌÚÓ‚. ç‡ÔËÏÂ, ÔÂÍÛÒÒËÓÌÌ˚ Á‚ÛÍË ÓÚ΢‡˛ÚÒfl ·˚ÒÚÓÈ ‡Ú‡ÍÓÈ Ë ·˚ÒÚ˚Ï

Á‡ÚÛı‡ÌËÂÏ, ‚ ÚÓ ‚ÂÏfl Í‡Í Á‚ÛÍ ÙÓÚÂÔˇÌÓ, ̇ ÍÓÚÓÓÏ Ë„‡˛Ú Ò Ì‡Ê‡ÚÓÈ Ô‡‚ÓÈ Ô‰‡Î¸˛, Ó·˚˜ÌÓ ‰ÓÎ„Ó Ì Á‡ÚÛı‡ÂÚ.

• ATTACK (‡Ú‡Í‡)

éÔ‰ÂÎflÂÚ, ̇ÒÍÓθÍÓ ·˚ÒÚÓ ÔÓÒΠ̇ʇÚËfl Í·‚Ë¯Ë Á‚ÛÍ

‰ÓÒÚË„‡ÂÚ Ï‡ÍÒËχθÌÓÈ „ÓÏÍÓÒÚË. óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ

ωÎÂÌÌ ˝ÚÓ ÔÓËÒıÓ‰ËÚ.

• DECAY (ÔÂ‚˘ÌÓ Á‡ÚÛı‡ÌËÂ)

éÔ‰ÂÎflÂÚ, ̇ÒÍÓθÍÓ ·˚ÒÚÓ Á‚ÛÍ ‰ÓÒÚË„‡ÂÚ ÛÓ‚Ìfl ÒÛÒÚÂÈ̇

(„ÓÏÍÓÒÚ¸ ÌÂÏÌÓ„Ó ÌËÊ χÍÒËχθÌÓÈ). óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ,

ÚÂÏ Ï‰ÎÂÌÌ Á‡ÚÛı‡ÂÚ Á‚ÛÍ.

• RELEASE (ÍÓ̈‚Ó Á‡ÚÛı‡ÌËÂ)

éÔ‰ÂÎflÂÚ ‚ÂÏfl, ÌÂÓ·ıÓ‰ËÏÓ ‰Îfl ÔÓÎÌÓ„Ó Á‡ÚÛı‡ÌËfl Á‚Û͇ ÔÓÒÎÂ

ÓÚÔÛÒ͇ÌËfl Í·‚˯Ë. óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ ‰Óθ¯Â ˝ÚÓ ÔÓËÒıÓ‰ËÚ.

92

PSR-2100/1100

81 2 3 4 5 6 7

äÌÓÔÍË Ì‡ÒÚÓÈÍË ÙËθÚ‡,

„ÂÌÂ‡ÚÓ‡ Ó„Ë·‡˛˘Ëı (EG)

Ë ‚Ë·‡ÚÓ (ÒÏ. ÌËÊÂ).

îËθÚ Ì ÚÓθÍÓ ÒÔÓÒÓ·ÂÌ

Ôˉ‡Ú¸ ÚÂÏ·Û Ïfl„ÍÓÒÚ¸ ËÎË

ÂÁÍÓÒÚ¸ — Â„Ó Ú‡ÍÊ ÏÓÊÌÓ

BRI

ÉÓÏÍÓÒÚ¸

ó‡ÒÚÓÚ‡ ÒeÁ‡

ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ÒÓÁ‰‡ÌËfl

«˝ÎÂÍÚÓÌÌ˚ı»,

«ÒËÌÚÂÁ‡ÚÓÌ˚ı» ˝ÙÙÂÍÚÓ‚.

ó‡ÒÚÓÚ‡

(‚˚ÒÓÚ‡

ó‡ÒÚÓÚ˚, ÔÓÔÛÒ͇eÏ˚e

ÑˇԇÁÓÌ ÒeÁ‡

Á‚Û͇)

ÙËθÚÓÏ.

G

HTNE

SS

(

flÍÓÒÚ¸)

ùÚÓÚ Ô‡‡ÏÂÚ Á‡‰‡ÂÚ ˜‡ÒÚÓÚÛ ÒÂÁ‡ ËÎË

‰Ë‡Ô‡ÁÓÌ ˝ÙÙÂÍÚË‚Ì˚ı ˜‡ÒÚÓÚ (ÂÁÓ̇ÌÒ)

ÚÂÏ·‡ (ÒÏ. ‰Ë‡„‡ÏÏÛ). óÂÏ ‚˚¯Â „Ó

Á̇˜ÂÌËÂ, ÚÂÏ fl˜Â Á‚Û˜‡ÌË ÚÂÏ·‡.

Harmonic Content (‰Ó·‡‚ÎÂÌË „‡ÏÓÌËÍ)

ÉÓÏÍÓÒÚ¸

éÔ‰ÂÎflÂÚ ÛÓ‚Â̸ ÛÒËÎÂÌËfl ˜‡ÒÚÓÚ,

êÂÁÓ̇ÌÒ

êeÁÓ̇ÌÒ

ÔË΄‡˛˘Ëı Í Á‡‰‡ÌÌÓÈ ˜‡ÒÚÓÚ ÒÂÁ‡ (ÒÏ.

‰Ë‡„‡ÏÏÛ). óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ ·ÓÎÂÂ

‚˚‡ÊÂÌÌ˚Ï ÒÚ‡ÌÓ‚ËÚÒfl ˝ÙÙÂÍÚ.

ó‡ÒÚÓÚ‡

(‚˚ÒÓÚ‡ Á‚Û͇)

YÓ‚e̸

Ò˄̇·

ATTACK RELEASE

DECAY

ÇeÏfl

ä·‚˯‡ ̇ʇڇ

ä·‚˯‡ ÓÚÔÛ˘ė

óÂÏ ·Óθ¯Â Á̇˜ÂÌËÂ

Ô‡‡ÏÂÚ‡ RELEASE, ÚÂÏ

‰Óθ¯Â ‰ÎËÚÒfl Ù‡Á‡ ÒÛÒÚÂÈ̇.

ꉇÍÚËÓ‚‡ÌË „ÓÎÓÒ‡ — SOUND CREATOR

ÇË·‡ÚÓ

• DEPTH („ÎÛ·Ë̇)

VIBRATO (‚Ë·‡ÚÓ)

ᇉ‡ÂÚ ÒÚÂÔÂ̸ ‚˚‡ÊÂÌÌÓÒÚË ˝ÙÙÂÍÚ‡ ‚Ë·‡ÚÓ (ÒÏ. ‰Ë‡„‡ÏÏÛ). óÂÏ ‚˚¯Â

ᇠҘÂÚ ÔÂËӉ˘ÂÒÍÓ„Ó

˝ÚÓ Á̇˜ÂÌËÂ, ÚÂÏ ·ÓΠÓÌ ‚˚‡ÊÂÌ.

ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇

ÒÓÁ‰‡ÂÚÒfl ˝ÙÙÂÍÚ «‰ÓʇÌËfl».

• SPEED (ÔÂËÓ‰)

ᇉ‡ÂÚ ÔÂËÓ‰ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ (ÒÏ. ‰Ë‡„‡ÏÏÛ).

• DELAY (Á‡‰ÂÊ͇)

éÔ‰ÂÎflÂÚ ÔÂËÓ‰ ‚ÂÏÂÌË ÏÂÊ‰Û Ì‡Ê‡ÚËÂÏ Ì‡ Í·‚Ë¯Û Ë

Á‡ÔÛÒÍÓÏ ˝ÙÙÂÍÚ‡ ‚Ë·‡ÚÓ (ÒÏ. ‰Ë‡„‡ÏÏÛ). óÂÏ ‚˚¯Â ˝ÚÓ

Á̇˜ÂÌËÂ, ÚÂÏ ·Óθ¯Â Á‡‰ÂÊ͇.

ùÙÙÂÍÚ˚ Ë ˝Í‚‡Î‡ÈÁÂ

Ç ‰‡ÌÌÓÏ ‡Á‰ÂΠÔ˂‰ÂÌ˚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó ¯‡„ ‹3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚ. 90.

HARMONY („‡ÏÓÌËÁ‡ˆËfl)

Ç ‰‡ÌÌÓÏ ‡Á‰ÂΠÔ˂‰ÂÌ˚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó ¯‡„ ‹3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚ. 90.

éÚÓ·‡Ê‡ÂÏ˚ ̇ ‰‡ÌÌÓÏ ˝Í‡Ì ԇ‡ÏÂÚ˚ ˉÂÌÚ˘Ì˚ Ô‡‡ÏÂÚ‡Ï ̇ ˝Í‡Ì HARMONY/ECHO, ÍÓÚÓ˚È ÏÓÊÌÓ ‚˚Á‚‡Ú¸,

̇ʇ‚ ÍÌÓÔÍÛ FUNCTION. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ô˂‰ÂÌ˚ ̇ ÒÚ. 147.

PSR-2100/1100

93

SPEED

YÓ‚e̸

Ò˄̇·

DEPTH

DELAY

ÇeÏfl

81 2 3 4 5 6 7

Ç ˝ÚÓÈ ÒÚÓÍ ÏÓÊÌÓ Á‡‰‡Ú¸ ÚËÔ

Ó·‡·ÓÚÍË Ò˄̇· Ò ÔÓÏÓ˘¸˛ DSP

(ˆËÙÓ‚ÓÈ Ò˄̇θÌ˚È ÔÓˆÂÒÒÓ).

ëÚÛÍÚÛÌ˚ ÒıÂÏ˚ ÔÓıÓʉÂÌËfl

Ó·‡·‡Ú˚‚‡ÂÏÓ„Ó ˝ÙÙÂÍÚ‡ÏË

Ò˄̇· Ô˂‰ÂÌ˚ ̇ ÒÚ. 129;

ÔÂ˜Â̸ ÚËÔÓ‚ ˝ÙÙÂÍÚÓ‚

ÒÓ‰ÂÊËÚÒfl ‚ Ò·ÓÌËÍ ڇ·Îˈ.

ùÚ‡ ÒÚÓ͇ ÔÓÁ‚ÓÎflÂÚ ÓÔ‰ÂÎËÚ¸

˜‡ÒÚÓÚ˚ Ë ÛÓ‚Â̸ ÛÒËÎÂÌËfl,

Á‡‰‡‚‡ÂÏ˚ ‰Îfl ÔÓÎÓÒ ÌËÁÍËı

Ë ‚˚ÒÓÍËı ˜‡ÒÚÓÚ (PSR-2100).

ùÚË ÍÌÓÔÍË ‚˚ÔÓÎÌfl˛Ú ÚÛ Ê Óθ, ˜ÚÓ Ë

‚ ÍÓÌÒÓÎË ÏËͯÂ‡ (ÒÏ. ÒÚ. 127).

äÌÓÔÍË „ÛÎËÓ‚ÍË ÛÓ‚Ìfl ÒÛÒÚÂÈ̇ ‰Îfl Í‡Ê‰Ó„Ó „ÓÎÓÒ‡

(‰ÂÈÒÚ‚Û˛Ú Î˯¸ ÔË ‚Íβ˜ÂÌËË ÍÌÓÔÍË [SUSTAIN].

ꉇÍÚËÓ‚‡ÌË „ÓÎÓÒ‡ — SOUND CREATOR

é„‡ÌÌ˚ ÙÎÂÈÚ˚ (PSR-2100)

èÓÏËÏÓ ÏÌÓÊÂÒÚ‚‡ ÚÂÏ·Ó‚ Ó„‡ÌÓ‚, Ëϲ˘ËıÒfl ‚ „ÛÔÔ „ÓÎÓÒÓ‚ ORGAN, PSR-2100/1100 ӷ·‰‡ÂÚ „ÓÎÓÒÓÏ ORGAN FLUTES

(«Ó„‡ÌÌ˚ ÙÎÂÈÚ˚»).

ì͇Á‡ÌÌ˚ Á‰ÂÒ¸ Ó·˙flÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û ‹3 ÒÏ. ÒÚ. 90.

ìÒÚ‡ÌÓ‚ËÚ ÌÛÊÌÓ «ÒÓ˜ÂÚ‡ÌË ÚÛ·».

è‡‡ÏÂÚ˚

Organ Type (ÚËÔ Ó„‡Ì‡) íËÔ ËÏËÚËÛÂÏÓ„Ó Ó„‡ÌÌÓ„Ó ÚÂÏ·‡: Ò ÒËÌÛÒÓˉ‡Î¸ÌÓÈ Á‚ÛÍÓ‚ÓÈ ‚ÓÎÌÓÈ ËÎË Ò ‚ÓÎÌÓÈ, ËÏËÚËÛ˛˘ÂÈ Á‚ÛÍ

ÒÚ‡ËÌÌÓ„Ó Ó„‡Ì‡.

Rotary SP Speed

äÌÓÔ͇ «Rotary SP Speed» ([C]) ÔÓÁ‚ÓÎflÂÚ ‚˚·‡Ú¸ ·˚ÒÚÛ˛ ËÎË Ï‰ÎÂÌÌÛ˛ ÒÍÓÓÒÚ¸ ‚‡˘ÂÌËfl ‰Ë̇ÏË͇.

(ÒÍÓÓÒÚ¸ ‚‡˘ÂÌËfl ‰Ë̇ÏË͇)

óÚÓ·˚ Á‡‰ÂÈÒÚ‚Ó‚‡Ú¸ ˝ÙÙÂÍÚ «‚‡˘‡˛˘Â„ÓÒfl ‰Ë̇ÏË͇», Â„Ó ÌÂÓ·ıÓ‰ËÏÓ ‚˚·‡Ú¸ ‰Îfl „ÓÎÓÒ‡ Organ Flutes

(ÒÏ. ÌËÊ ÒÚÓÍÛ «DSP Type»). äÓÏ ÚÓ„Ó, ÌÂÓ·ıÓ‰ËÏÓ ‚Íβ˜ËÚ¸ ÍÌÓÔÍÛ VOICE EFFECT [DSP]. äÌÓÔ͇

«Rotary SP Speed» Ë„‡ÂÚ ÚÛ Ê Óθ, ˜ÚÓ Ë ÍÌÓÔ͇ VOICE EFFECT [VARIATION]).

Vibrato On/Off

ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË ([G]) ÏÓÊÌÓ ‚Íβ˜‡Ú¸ Ë ÓÚÍβ˜‡Ú¸ ˝ÙÙÂÍÚ ‚Ë·‡ÚÓ ‰Îfl «Ó„‡ÌÌ˚ı ÙÎÂÈÚ».

(‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ‚Ë·‡ÚÓ)

Vibrato Depth („ÎÛ·Ë̇ ‚Ë·‡ÚÓ) ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË ([H]) ‚˚ ÏÓÊÂÚ Á‡‰‡Ú¸ Ó‰ËÌ ËÁ ÚÂı ÛÓ‚ÌÂÈ, ÓÔ‰ÂÎfl˛˘Ëı Ò‰‚Ë„ ‚˚ÒÓÚ˚ ÚÓ̇, ÍÓÚÓ˚È

Ë ÒÓÁ‰‡ÂÚ ˝ÙÙÂÍÚ ‚Ë·‡ÚÓ. ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ ÔÓÒΉӂ‡ÚÂθÌÓ Á‡‰‡Ú¸ „ÎÛ·ËÌÛ ‚Ë·‡ÚÓ «1», «2» Ë «3».

Footage (ÒÓ˜ÂÚ‡ÌË ÚÛ·) ùÚÓÚ Ô‡‡ÏÂÚ ÓÚÌÓÒËÚÒfl Í ÓÒÌÓ‚Â ÚÂÏ·‡ «Ó„‡ÌÌ˚ı ÙÎÂÈÚ». àÒÔÓθÁÓ‚‡ÌË ‚˚‡ÊÂÌËfl «footage» (‰ÎË̇

Ó„‡ÌÌÓÈ ÚÛ·˚ ‚ ÙÛÚ‡ı) — ˝ÚÓ ‰‡Ì¸ Ú‡‰ËˆËË. ë‡Ï ÚÂÏËÌ ‚ÓÁÌËÍ ‚ ˝ÔÓıÛ ÒÚ‡ËÌÌ˚ı Ó„‡ÌÓ‚, ‰Îfl ÍÓÚÓ˚ı

ËÒÚÓ˜ÌËÍÓÏ Á‚Û͇ ·˚Π̇·Ó ÚÛ· ‡Á΢ÌÓÈ ‰ÎËÌ˚. óÂÏ ‰ÎËÌÌ ÚÛ·‡, ÚÂÏ ·ÓΠÌËÁÍËÈ Á‚ÛÍ Ó̇ ËÁ‰‡‚‡Î‡.

èÓ˝ÚÓÏÛ Ô‡‡ÏÂÚ 16’ (ÚÛ·‡ ‰ÎËÌÓÈ ‚ 16 ÙÛÚÓ‚) Á‡‰‡ÂÚ ‚Í·‰ ‚ Ó·˘Â Á‚Û˜‡ÌË ̇˷ÓΠÌËÁÍÓ„Ó

ÍÓÏÔÓÌÂÌÚ‡ ÚÂÏ·‡, ÚÓ„‰‡ Í‡Í Ô‡‡ÏÂÚ 1’ — ‚Í·‰ ̇˷ÓΠ‚˚ÒÓÍÓ„Ó ÍÓÏÔÓÌÂÌÚ‡. óÂÏ ·Óθ¯Â Á̇˜ÂÌËÂ

ÚÓ„Ó ËÎË ËÌÓ„Ó Ô‡‡ÏÂÚ‡, ÚÂÏ „ÓϘ Á‚Û˜ËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl ÂÏÛ «ÚÛ·‡». ëÓÁ‰‡‚‡fl ÒÓ˜ÂÚ‡ÌËfl ÚÛ· Ò

‡Á΢ÌÓÈ „ÓÏÍÓÒÚ¸˛, ‚˚ ÔÓÎÛ˜‡ÂÚ ‚ ËÚÓ„Â ÛÌË͇θÌ˚ Ó„‡ÌÌ˚ ÚÂÏ·˚.

Volume (VOL) („ÓÏÍÓÒÚ¸) ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË „ÓÎÓÒ‡ ‚ ˆÂÎÓÏ. ìÓ‚Â̸ „ÓÏÍÓÒÚË ÓÚ‡Ê‡ÂÚÒfl Ë̉Ë͇ÚÓÓÏ „ÓÏÍÓÒÚË ‚ ‚ˉÂ

ÔflÏÓÛ„ÓθÌË͇.

Response (RESP) (ÓÚÍÎËÍ) ùÚÓÚ Ô‡‡ÏÂÚ ÒÔÓÒÓ·ÂÌ ‚ÓÁ‰ÂÈÒÚ‚Ó‚‡Ú¸ ̇ Ù‡Á˚ ‡Ú‡ÍË Ë ÒÛÒÚÂÈ̇ Ó„Ë·‡˛˘ÂÈ. ë Â„Ó ÔÓÏÓ˘¸˛ ÏÓÊÌÓ

Û‚Â΢ËÚ¸ ËÎË ÛÏÂ̸¯ËÚ¸ ‚ÂÏfl «‡͈ËË» „ÓÎÓÒ‡ ̇ ̇ʇÚË Í·‚Ë¯Ë Ò Û˜ÂÚÓÏ Á̇˜ÂÌËÈ, Á‡‰‡ÌÌ˚ı ‰Îfl

Ô‡‡ÏÂÚ‡ FOOTAGE («ÒÓ˜ÂÚ‡ÌË ÚÛ·»). óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ Ï‰ÎÂÌÌ ̇‡ÒÚ‡ÂÚ „ÓÏÍÓÒÚ¸ Á‚Û͇ Ë

ÚÂÏ ‰Óθ¯Â ‰ÎËÚÒfl ÍÓ̈‚Ó Á‡ÚÛı‡ÌËÂ.

Vibrato Speed (VIB.SPEED)

ᇉ‡ÂÚ ÔÂËÓ‰ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ ÔË ‚Íβ˜ÂÌÌÓÏ ˝ÙÙÂÍÚ ‚Ë·‡ÚÓ. ìÔ‡‚ÎflÚ¸ ˝ÙÙÂÍÚÓÏ ÏÓÊÌÓ Ò

(ÒÍÓÓÒÚ¸ ‚Ë·‡ÚÓ)

ÔÓÏÓ˘¸˛ Ô‡‡ÏÂÚÓ‚ Vibrato On/Off Ë Vibrato Depth, ÓÔËÒ‡ÌÌ˚ı ‚˚¯Â.

Mode (ÂÊËÏ) Ç˚ ÏÓÊÂÚ ‚˚·‡Ú¸ Ó‰ËÌ ËÁ ‰‚Ûı ÂÊËÏÓ‚: FIRST Ë EACH. Ç ÂÊËÏ FIRST Ù‡Á‡ ‡Ú‡ÍË ËÏÂÂÚÒfl Î˯¸ Û ÚÂı

ÌÓÚ, ÍÓÚÓ˚ ·˚ÎË Ò˚„‡Ì˚ Ë Û‰ÂʇÌ˚ ÔÂ‚˚ÏË. èÓ͇ ‚˚ Ëı Ì ÓÚÔÛÒÚËÎË, β·˚ ÔÓÒÎÂ‰Û˛˘Ë ÌÓÚ˚ ·Û‰ÛÚ

Î˯ÂÌ˚ ˝ÚÓÈ Ù‡Á˚. Ç ÂÊËÏ EACH Ù‡Á‡ ‡Ú‡ÍË ËÏÂÂÚÒfl Û ‚ÒÂı ÌÓÚ.

Attack

åÂÌflfl Á̇˜ÂÌËfl ˝ÚËı Ô‡‡ÏÂÚÓ‚, ‚˚ ÏÓÊÂÚ ‚ÎËflÚ¸ ̇ Ù‡ÁÛ ‡Ú‡ÍË ÓÚ‰ÂθÌ˚ı ÍÓÏÔÓÌÂÌÚÓ‚ „ÓÎÓÒ‡. àÌ˚ÏË

(‡Ú‡Í‡ ‰Îfl ÚÂÏ·‡ «ÚÛ·» 4’, 2 2/3’, 2’)

ÒÎÓ‚‡ÏË, ÏÓÊÌÓ ÛÒËÎË‚‡Ú¸ ËÎË ÓÒ··ÎflÚ¸ ‡Ú‡ÍÛ ‚ ÚÂÏ·‡ı «ÚÛ·» 4’, 2 2/3 ‘ Ë 2’. óÂÏ ‰ÎËÌÌ Ë̉Ë͇ÚÓ ‚

‚ˉ ÔflÏÓÛ„ÓθÌË͇, ÚÂÏ fl˜Â ‚˚‡ÊÂ̇ ‡Ú‡Í‡.

Length (LENG) (‰ÎË̇) ùÚÓÚ Ô‡‡ÏÂÚ Ô‰̇Á̇˜ÂÌ ‰Îfl „ÛÎËÓ‚ÍË Ù‡Á˚ ÔÂ‚˘ÌÓ„Ó Á‡ÚÛı‡ÌËfl, Ë‰Û˘ÂÈ Ò‡ÁÛ ÔÓÒΠهÁ˚ ‡Ú‡ÍË.

ÑÎË̇ Ù‡Á˚ ÓÚ‡Ê‡ÂÚÒfl Ë̉Ë͇ÚÓÓÏ ‚ ‚ˉ ÔflÏÓÛ„ÓθÌË͇. óÂÏ ÓÌ ‰ÎËÌÌÂÂ, ÚÂÏ ‰Óθ¯Â ‰ÎËÚÒfl

Á‡ÚÛı‡ÌËÂ.

Reverb Depth („ÎÛ·Ë̇ ‚Â·Â‡ˆËË)

ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ˆËÙÓ‚˚ı ˝ÙÙÂÍÚ‡ı Ô˂‰ÂÌ˚ ̇ ÒÚ. 60, 127.

Chorus Depth („ÎÛ·Ë̇ ıÓÛÒ‡)

DSP on/off (‚ÍÎ./‚˚ÍÎ. DSP)

DSP Depth („ÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ DSP)

DSP Type (ÚËÔ ˝ÙÙÂÍÚ‡ DSP) éÔ‰ÂÎflÂÚ ÚËÔ ˝ÙÙÂÍÚ‡ DSP, ÔËÏÂÌflÂÏÓ„Ó Í „ÓÎÓÒÛ. é·˚˜ÌÓ ˝ÚÓ Ó‰ËÌ ËÁ ÒÂÏË ˝ÙÙÂÍÚÓ‚ «‚‡˘‡˛˘Â„ÓÒfl

‰Ë̇ÏË͇». èË ‚˚·Ó β·Ó„Ó ‰Û„Ó„Ó ˝ÙÙÂÍÚ‡ ÍÌÓÔ͇ ([C]) ̇ ˝Í‡Ì‡ı FOOTAGE Ë VOL/ATTACK ÌÂ

‚ÎËflÂÚ Ì‡ ÒÍÓÓÒÚ¸ ‚‡˘ÂÌËfl ‰Ë̇ÏË͇. ÇÏÂÒÚÓ ˝ÚÓ„Ó Ó̇ ·Û‰ÂÚ Ë„‡Ú¸ ÚÛ Ê Óθ, ˜ÚÓ Ë ÍÌÓÔ͇ VOICE

EFFECT [VARIATION].

Variation (‚‡ˇˆËfl) LJˇˆËfl èÓÁ‚ÓÎflÂÚ ‚˚·‡Ú¸ ÒÍÓÓÒÚ¸ ‚‡ˇˆËË DSP ‰Îfl „ÓÎÓÒ‡ «é„‡ÌÌ˚ ÙÎÂÈÚ˚» ÔË ‚Íβ˜ÂÌÌÓÈ ÙÛÌ͈ËË Voice

Set (ÒÏ. ÒÚ. 146).

á̇˜ÂÌË ìÒڇ̇‚ÎË‚‡ÂÚ Á̇˜ÂÌË ԇ‡ÏÂÚ‡ «‚‡ˇˆËfl DSP» (̇ÔËÏÂ, Á̇˜ÂÌË «LFO Freq» ‰Îfl ˝ÙÙÂÍÚ‡

«‚‡˘‡˛˘Â„ÓÒfl ‰Ë̇ÏË͇»), ÂÒÎË ‚‡ˇˆËfl ‚Íβ˜Â̇.

EQ Low (ÔÓÎÓÒ‡ ÌËÁÍËı ˜‡ÒÚÓÚ ‚

ùÚË Ô‡‡ÏÂÚ˚ ˝Í‚‡Î‡ÈÁÂ‡ ÓÔ‰ÂÎfl˛Ú ˜‡ÒÚÓÚ˚ Ë ÛÓ‚Â̸ ÛÒËÎÂÌËfl, Á‡‰‡‚‡ÂÏ˚ ‰Îfl ÔÓÎÓÒ ÌËÁÍËı Ë

˝Í‚‡Î‡ÈÁÂÂ)

‚˚ÒÓÍËı ˜‡ÒÚÓÚ.

EQ High (ÔÓÎÓÒ‡ ‚˚ÒÓÍËı ˜‡ÒÚÓÚ ‚

˝Í‚‡Î‡ÈÁÂÂ)

94

PSR-2100/1100

á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ

— Song Creator

îÛÌ͈ËË Á‡ÔËÒË, ‡ÎËÁÓ‚‡ÌÌ˚ ‚ ÒËÌÚÂÁ‡ÚÓÂ, ÔÓÒÚ˚ ‰Îfl ÓÒ‚ÓÂÌËfl Ë ÔË ˝ÚÓÏ Ó·Î‡‰‡˛Ú ‚Ô˜‡ÚÎfl˛˘ËÏË ‚ÓÁÏÓÊÌÓÒÚflÏË.

ë Ëı ÔÓÏÓ˘¸˛ ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ Ë ÒÓı‡ÌflÚ¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ÍÓÏÔÓÁˈËË. ëÛ˘ÂÒÚ‚ÛÂÚ ÌÂÒÍÓθÍÓ ÏÂÚÓ‰Ó‚ Á‡ÔËÒË: Quick Recording

(ÒÚ. 96) — Ò‡Ï˚È ÔÓÒÚÓÈ ËÁ ‚ÒÂı; Multi Recording (ÒÚ. 97), ÔÓÁ‚ÓÎfl˛˘ËÈ ÒÓÁ‰‡‚‡Ú¸ ÌÂÒÍÓθÍÓ ˜‡ÒÚÂÈ, Ë Step Recording (ÒÚ. 99),

Ô‰̇Á̇˜ÂÌÌ˚È ‰Îfl ÔÓ¯‡„Ó‚Ó„Ó ‚‚Ó‰‡ ÌÓÚ. èÂÒÌË ÏÓ„ÛÚ ‚Íβ˜‡Ú¸ Ì ÚÓθÍÓ „ÓÎÓÒÓ‚˚ ԇ‡ÏÂÚ˚ ˜‡ÒÚÂÈ, Ë„‡ÂÏ˚ı Ò Í·‚Ë-

‡ÚÛ˚ (Main, Layer, Left), ÌÓ Ú‡ÍÊ ԇ‡ÏÂÚ˚ ˝ÙÙÂÍÚÓ‚, „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· Ë ˜‡ÒÚÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. á‡ÔËÒ‡ÌÌ˚ ÔÂÒÌË

ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ ‚ Ô‡ÏflÚË ÒËÌÚÂÁ‡ÚÓ‡ ËÎË Ì‡ ‰ËÒÍÂÚ (ÒÚ. 38, 47).

LEFT

HOLD

VOICE EFFECT

BACK NEXT

SUSTAIN

HARMONY/

ECHO

MONOTOUCH

DSP

VARIATION

DIGITAL

STUDIO

VOIC E

PIANO & HARPSI.

E.PIANO

ACCORDION

ORGAN &

SOUND CREATOR

MAIN

PERCUSSION

DIGITAL RECORDING

A

F

GUITAR

BASS

BRASS

WOODWIND

B

G

LAYER

MIXING CONSOLE

C

H

LEFT

STRINGS CHOIR & PAD

SYNTH.

XG

D

I

MENU

USER

ORGAN FLUTES

DEMO

E

J

MUSIC

UPPER OCTAVE

FINDER

HELP

MIC.

RESET

SELECT

VH TYPE

SETTING

MIC.

HARMONY

VOCAL

TALK

EFFECT

FUNCTION

SIGNAL

OVER

ACCESS

DIRECT

BALANCE

EXIT

ENTER

ONE TOUCH SETTING

CHANNEL ON/OFF

PART

REGISTRATION MEMORY

DATA ENTRY

FREEZE MEMORY

é Á‡ÔËÒË ÔÂÒÂÌ

ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ÒÔÓÒÓ·‡ Á‡ÔËÒË ÔÂÒÂÌ: ‚ ÂÊËÏ ‡θÌÓ„Ó ‚ÂÏÂÌË Ë ÔÓ¯‡„Ó‚ÓÏ ÂÊËÏÂ.

Realtime Recording

àÒÔÓÎÌflÂÏÓ ÔÓËÁ‚‰ÂÌË Á‡ÔËÒ˚‚‡ÂÚÒfl ‚ ‡θÌÓÏ ‚ÂÏÂÌË. ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ÂÊËχ

Á‡ÔËÒË: Quick Ë Multi.

êÂÊËÏ ·˚ÒÚÓÈ Á‡ÔËÒË — Quick Recording (ÒÚ. 96)

ùÚÓ Ò‡Ï˚È ÔÓÒÚÓÈ ÏÂÚÓ‰ Á‡ÔËÒË. ë Â„Ó ÔÓÏÓ˘¸˛ ÏÓÊÌÓ, ̇ÔËÏÂ, ·˚ÒÚÓ Á‡ÔËÒ‡Ú¸

ÔÂÒÌ˛, ÍÓÚÓÛ˛ ‚˚ ‡Áۘ˂‡ÂÚ ̇ ÙÓÚÂÔˇÌÓ. Ç˚·ÂËÚ ˜‡ÒÚ¸ (˜‡ÒÚË) ‰Îfl Á‡ÔËÒË:

Ô‡Ú˲ Ô‡‚ÓÈ ÛÍË, Ô‡Ú˲ ΂ÓÈ ÛÍË Ë Ô‡ÚËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡/ÏÛθÚËÔ˝‰. í‡Í,

̇ÔËÏÂ, ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ÚÓθÍÓ Ô‡Ú˲ Ô‡‚ÓÈ ÛÍË ËÎË Ê ӉÌÓ‚ÂÏÂÌÌÓ Ô‡Ú˲

Ô‡‚ÓÈ ÛÍË Ë ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ.

êÂÊËÏ Á‡ÔËÒË ÌÂÒÍÓθÍËı „ÓÎÓÒÓ‚ — Multi Recording (ÒÚ. 97)

ùÚÓÚ ÂÊËÏ ÔÓÁ‚ÓÎflÂÚ Á‡ÔËÒ‡Ú¸ ÍÓÏÔÓÁËˆË˛ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÌÂÒÍÓθÍËı ‡Á΢Ì˚ı

ËÌÒÚÛÏÂÌÚÓ‚; ÏÓÊÌÓ ‰‡Ê ÔÓÔ˚Ú‡Ú¸Òfl ‚ÓÒÔÓËÁ‚ÂÒÚË Á‚Û˜‡ÌË ·Ë„-·˝Ì‰‡ ËÎË

ÒËÏÙÓÌ˘ÂÒÍÓ„Ó ÓÍÂÒÚ‡. á‡Ô˯ËÚ ԇÚ˲ Í‡Ê‰Ó„Ó ËÌÒÚÛÏÂÌÚ‡ ÔÓ ÓÚ‰ÂθÌÓÒÚË, ‡

Á‡ÚÂÏ ÒÓÁ‰‡ÈÚ ÓÍÂÒÚÓ‚ÍÛ. äÓÏ ÚÓ„Ó, ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌÛ˛ Ô‡Ú˲ ÔÓ‚Âı

ÍÓÏÔÓÁˈËË, Ëϲ˘ÂÈÒfl ‚ Ô‡ÏflÚË ÒËÌÚÂÁ‡ÚÓ‡ ËÎË Ì‡ ‰ËÒÍÂÚÂ.

êÂÊËÏ ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË — Step Recording (ÒÚ. 99)

ùÚËÏ ÒÔÓÒÓ·ÓÏ ÏÓÊÌÓ ÒÓÒÚ‡‚ÎflÚ¸ ËÒÔÓÎÌÂÌËÂ, «Á‡ÔËÒ˚‚‡fl» Â„Ó ÒÓ·˚ÚËfl ÔÓÓ˜Â‰ÌÓ.

á‡ÔËÒ¸ ‚‰ÂÚÒfl ‚Û˜ÌÛ˛ Ë Ì ‚ ‡θÌÓÏ ‚ÂÏÂÌË. ùÚÓ ‡Ì‡Îӄ˘ÌÓ Á‡ÔËÒË ÌÓÚ Ì‡ ·Ûχ„Û.

èÓθÁÛflÒ¸ ÒÔËÒÍÓÏ ÒÓ·˚ÚËÈ (ÒÚ. 108-110), ÏÓÊÌÓ ‚‚Ó‰ËÚ¸ ÌÓÚ˚, ‡ÍÍÓ‰˚ Ë ‰Û„ËÂ

ÒÓ·˚ÚËfl ÔÓ Ó‰ÌÓÏÛ.

ꉇÍÚËÓ‚‡ÌË ÔÂÒÂÌ (ÒÚ. 105)

ë ÔÓÏÓ˘¸˛ PSR-2100/1100 ‚˚ ÏÓÊÂÚ ‰‡ÍÚËÓ‚‡Ú¸ ÔÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ ‚ β·ÓÏ

ÂÊËÏÂ.

èË ÔÂÂÁ‡ÔËÒË Ù‡„ÏÂÌÚ‡ ÔÂÒÌË ËÒÔÓθÁÛÈÚ ÙÛÌÍˆË˛ Punch IN/OUT (ÒÚ. 104).

PSR-2100/1100

95

81 2 3 4 5 6 7

SONG

EXTRA

TRACKS

TRACK

2

TRACK

1 REPEAT

NOME

METRO-

(STYLE) (R)(L)

REC REW FF

TOP

START/STOP

STYLE

NEW SONG SYNC. START

POP & ROCK

SWING &

JAZZ

BALLROOM

MARCH &

WALTZ

BALLAD USERLATIN

DANCE

PART

TRANSPOSE

TEMPO

TAP TEMPO

MASTER VOLUME

RESET

RESET

STOP

FADE

MULTI PAD

IN/OUT

MIN MAX

STYLE CONTROL

ACMP

BREAK

INTRO

MAIN

ENDING

/ rit.

STOP

SYNC.

SYNC.

START

START/STOP

ON

STANDBY

AUTO

FILL IN

OTS

LINK

SONG

DIGITAL RECORDING

EXTRA

TRACK

TRACK

METRO-

TRACKS

2

1 REPEAT

NOME

(STYLE) (R)(L)

REC REW FF

TOP

START/STOP

NEW SONG SYNC. START

ÖÏÍÓÒÚ¸ Ô‡ÏflÚË PSR-2100/1100

ÒÓÒÚ‡‚ÎflÂÚ ÓÍÓÎÓ 1520 K· (PSR-2100)/

700 K· (PSR-1100). é·˙ÂÏ ‰ËÒÍÂÚ ÚËÔÓ‚

2DD (‰ËÒÍÂÚ˚ ‰‚ÓÈÌÓÈ ÔÎÓÚÌÓÒÚË) Ë 2HD

(‰ËÒÍÂÚ˚ ‚˚ÒÓÍÓÈ ÔÎÓÚÌÓÒÚË)

ÒÓÒÚ‡‚ÎflÂÚ 720 ä· Ë 1,44 å·

ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ. èË ÒÓı‡ÌÂÌËË

‰‡ÌÌ˚ı ̇ ‰ËÒÍÂÚ‡ı ‚Ò ÚËÔ˚ Ù‡ÈÎÓ‚,

ÔÓ‰‰ÂÊË‚‡ÂÏ˚ PSR-2100/1100

(Ù‡ÈÎ˚ „ÓÎÓÒ‡, ÒÚËÎfl, ÔÂÒÌË,

„ËÒÚ‡ˆËÓÌÌ˚ هÈÎ˚ Ë Ú. ‰.),

ÒÓı‡Ìfl˛ÚÒfl ‚ Ó‰ÌÓÏ ÏÂÒÚÂ.

ëË„Ì‡Î Ò ÏËÍÓÙÓÌÌÓ„Ó ‚ıÓ‰‡ (PSR-

2100) Á‡ÔËÒ‡Ú¸ ÌÂθÁfl.

Ç PSR-2100/1100 Á‡ÔËÒ¸

ÓÒÛ˘ÂÒÚ‚ÎflÂÚÒfl ‚ ÙÓχÚ SMF

(Standard MIDI File format 0).

ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó SMF

Ô˂‰ÂÌ˚ ̇ ÒÚ. 161).

á‡ÔËÒ‡Ì̇fl ÔÂÒÌfl ÏÓÊÂÚ

‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ˜ÂÂÁ ÔÓÚ MIDI OUT.

ùÚÓ ÔÓÁ‚ÓÎflÂÚ ‚‡Ï ËÒÔÓθÁÓ‚‡Ú¸

ÚÂÏ·˚ ‚̯ÌÂ„Ó ÚÓÌ-„ÂÌÂ‡ÚÓ‡,

ÔÓ‰Íβ˜ÂÌÌÓ„Ó Í ˝ÚÓÏÛ ÔÓÚÛ (ÒÚ. 149).

ìÓ‚Â̸ „ÓÏÍÓÒÚË Í‡Ê‰Ó„Ó Í‡Ì‡Î‡

ÔÂÒÌË ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ Ò ÔÓÏÓ˘¸˛

ÍÓÌÒÓÎË ÏËͯÂ‡, ‡ Á‡ÚÂÏ ÒÓı‡ÌËÚ¸

ÒÓ˜ÂÚ‡ÌË ԇ‡ÏÂÚÓ‚ ÏËͯÂ‡. ÅÓÎÂÂ

ÚÓ„Ó, ‰‡Ê ÍÓ„‰‡ „ÓÎÓÒ ‰Îfl Á‡ÔËÒË ÛÊÂ

‚˚·‡Ì, ‚˚ ÏÓÊÂÚ Á‡ÔÓ„‡ÏÏËÓ‚‡Ú¸

‡‚ÚÓχÚ˘ÂÒÍÛ˛ ÒÏÂÌÛ „ÓÎÓÒÓ‚ ÔË

‚ÓÒÔÓËÁ‚‰ÂÌËË Á‡ÔËÒ‡ÌÌÓÈ ÔÂÒÌË

(ÒÚ. 107).

á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ — Song Creator

Å˚ÒÚ‡fl Á‡ÔËÒ¸

ùÚÓ Ò‡Ï˚È ÔÓÒÚÓÈ ÏÂÚÓ‰, ÔÓÁ‚ÓÎfl˛˘ËÈ ·˚ÒÚÓ Á‡ÔËÒ‡Ú¸, ‡ Á‡ÚÂÏ ÔÓÒÎÛ¯‡Ú¸ ÔÂÒÌ˛, ÍÓÚÓÛ˛ ‚˚ ‡Áۘ˂‡ÂÚ ̇ ÙÓÚÂÔˇÌÓ,

˜ÚÓ·˚ ÔÓÒΉËÚ¸ Á‡ Ò‚ÓÂÈ Ë„ÓÈ.

ÇçàåÄçàÖ

ÖÒÎË Á‡ÔËÒ¸ Ú·ÛÂÚÒfl ÒÓı‡ÌËÚ¸, Ó·flÁ‡ÚÂθÌÓ ÒÍÓÔËÛÈڠ ̇ ‰ËÒÍÂÚÛ ËÎË Á‡ÌÂÒËÚ ‚ ‡Á‰ÂÎ Ô‡ÏflÚË USER (ÒÚ. 39, 47).

ÖÒÎË Ì ÒÓı‡ÌËÚ¸ ‡·ÓÚÛ, ÚÓ ÔË ÓÚÍβ˜ÂÌËË ÔËÚ‡ÌËfl ËÎË Á‡ÔËÒË ÔÓ‚Âı ÒÛ˘ÂÒÚ‚Û˛˘ÂÈ ‰ÓÓÊÍË ‚Ò Ô‰˚‰Û˘Ë Á‡ÔËÒË ·Û‰ÛÚ ÒÚÂÚ˚.

èË Á‡ÔËÒË ÒÓ·ÒÚ‚ÂÌÌÓÈ Ô‡ÚËË ÔÓ‚Âı

èË ÒÓÁ‰‡ÌËË ÌÓ‚ÓÈ ÔÂÒÌË:

ÍÓÏÔÓÁˈËË, Ëϲ˘ÂÈÒfl ‚ Ô‡ÏflÚË ÒËÌÚÂÁ‡ÚÓ‡

REC REW FF

TOP

START/STOP

ËÎË Ì‡ ‰ËÒÍÂÚÂ:

1

NEW SONG SYNC. START

Ç˚·ÂËÚ ÔÂÒÌ˛ (ÒÚ. 79, 81).

1

Ç˚·ÂËÚ „ÓÎÓÒ Ë ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÍÓÚÓ˚ ·Û‰ÛÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‚ ÔÂÒÌÂ.

2

ÖÒÎË Ú·ÛÂÚÒfl Á‡ÔËÒ‡Ú¸ „ÓÎÓÒ‡ MAIN/LAYER/LEFT, ۷‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ÍÌÓÔÍË [MAIN]/[LAYER]/[LEFT] ‚Íβ˜ÂÌ˚.

ç‡ÒÚÓÈÚ ÔӘˠԇ‡ÏÂÚ˚ (‚Â·Â‡ˆËfl, ıÓÛÒ Ë Ú. ‰.).

ÖÒÎË ÔÂ‰ ̇ʇÚËÂÏ ÍÌÓÔÍË

ÑÎfl Á‡ÔËÒË ·ÂÁ Û͇Á‡ÌËfl ÓÔ‰ÂÎÂÌÌÓÈ ‰ÓÓÊÍË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [REC].

3

REC ‚Íβ˜ÂÌ˚ ÍÌÓÔÍË LAYER

Ç ˝ÚÓÏ ÒÎÛ˜‡Â ‡‚ÚÓχÚ˘ÂÒÍË Á‡ÔËÒ˚‚‡ÂÚÒfl TRACK 1 (‰ÓÓÊ͇ 1).

ËÎË LEFT, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ

ÖÒÎË ÌÛÊÌÓ ‚˚·‡Ú¸ ÓÔ‰ÂÎÂÌÌÛ˛ ‰ÓÓÊÍÛ ‰Îfl Á‡ÔËÒË, Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [REC],

˜‡ÒÚË ‡‚ÚÓχÚ˘ÂÒÍË

Á‡ÔËÒ˚‚‡˛ÚÒfl ̇ ‡ÁÌ˚Â

̇ÊÏËÚ ÍÌÓÔÍÛ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÌÓÏÂÛ ‰ÓÓÊÍË, ÍÓÚÓÛ˛ ÌÛÊÌÓ Á‡ÔËÒ‡Ú¸.

͇̇Î˚.

é‰ÌÓ‚ÂÏÂÌÌÓ ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ ÒÎÂ‰Û˛˘Ë ÒÓ˜ÂÚ‡ÌËfl ‰ÓÓÊÂÍ: TRACK 1 + EXTRA

TRACKS Ë TRACK 2 + EXTRA TRACKS.

ëÓ‰ÂÊËÏÓ ‰ÓÓÊÂÍ 1 Ë 2

Ç˚·Ó ‰ÓÓÊÍË ‰Îfl Á‡ÔËÒË

Á‡ÔËÒ˚‚‡ÂÚÒfl ̇ ͇̇Î,

óÚÓ·˚ Á‡ÔËÒ‡Ú¸ Ë„Û Ì‡ Í·‚ˇÚÛÂ:

REC

EXTRA

TRACK

TRACK

TRACKS

2

1

Û͇Á‡ÌÌ˚È Ì‡ ˝Í‡Ì SONG

̇ÊÏËÚÂ

[TRACK 1]

ËÎË

[TRACK 2]

.

SETTING (ÒÚ. 140).

óÚÓ·˚ Á‡ÔËÒ‡Ú¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ

(STYLE) (R)(L)

Ë ÏÛθÚËÔ˝‰˚:

è‡Ú˲ Ô‡‚ÓÈ ÛÍË (‚Íβ˜‡fl

̇ÊÏËÚ ÍÌÓÔÍÛ

[EXTRA TRACKS]

.

„ÓÎÓÒ‡ ÒÎÓ‚), Á‡ÔËÒ‡ÌÌÛ˛ ̇

‰ÓÓÊÍÛ 1, ÏÓÊÌÓ ÔÂÂÔËÒ‡Ú¸ ̇

óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ÔÂÒÌ˛, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ

[REC]

.

‰ÓÓÊÍÛ 2. ÑÎfl ˝ÚÓ„Ó ÓÚÍβ˜ËÚÂ

ÍÌÓÔÍÛ

[LEFT]

Ë ÔÓ‚ÚÓËÚ ¯‡„Ë

2 Ë 3.

á‡ÔËÒ¸ ÔÂÒÌË Ì‡˜ÌÂÚÒfl Ò‡ÁÛ ÊÂ, Í‡Í ÚÓθÍÓ ‚˚ ÍÓÒÌÂÚÂÒ¸ Í·‚˯.

4

óÚÓ·˚ ҉·ڸ Ô‡ÛÁÛ ‚Ó ‚ÂÏfl

á‡ÔËÒ¸ ÏÓÊÌÓ Á‡ÔÛÒÚËÚ¸ Ë ‰Û„ËÏ ÒÔÓÒÓ·ÓÏ — ̇ʇ‚

Á‡ÔËÒË, ̇ÊÏËÚ ÍÌÓÔÍÛ SONG

ÍÌÓÔÍÛ

SONG/STYLE [START/STOP]

. äÓÏÂ ÚÓ„Ó, Í

[START/STOP]

. óÚÓ·˚

Á‡ÔËÒË ÏÓÊÌÓ ÔËÒÚÛÔËÚ¸, ̇ʇ‚ ÌÓ„ÓÈ Ô‰‡Î¸. ÑÎfl

‚ÓÁÓ·ÌÓ‚ËÚ¸ Á‡ÔËÒ¸, ÒÌÓ‚‡

˝ÚÓ„Ó ÒΉÛÂÚ Á‡‡Ì ÔËÒ‚ÓËÚ¸ Ô‰‡ÎË ÙÛÌÍˆË˛

̇ÊÏËÚ ÍÌÓÔÍÛ SONG

[START/

STOP]

.

Á‡ÔÛÒ͇/ÓÒÚ‡ÌÓ‚ÍË ÔÂÒÌË (ÒÚ. 142).

ÑÎfl ‚˚‡‚ÌË‚‡ÌËfl Á‡ÔËÒË ÏÓÊÌÓ

‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ÏÂÚÓÌÓÏÓÏ.

óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ Á‡ÔËÒ¸, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [RECORD].

á‚ÛÍ ÏÂÚÓÌÓχ ÌÂ

äÓÏ ÚÓ„Ó, Á‡ÔËÒ¸ ÏÓÊÌÓ ÔËÓÒÚ‡ÌÓ‚ËÚ¸, ̇ʇ‚ ÌÓ„ÓÈ Ô‰‡Î¸. ÑÎfl ˝ÚÓ„Ó

Á‡ÔËÒ˚‚‡ÂÚÒfl.

END

ÒΉÛÂÚ Á‡‡Ì ÔËÒ‚ÓËÚ¸ Ô‰‡ÎË ÙÛÌÍˆË˛ Á‡ÔÛÒ͇/ÓÒÚ‡ÌÓ‚ÍË ÔÂÒÌË (

ÒÚ. 142

).

ÇÓÒÔÓËÁ‚‰ÂÌË Á‡ÔËÒ‡ÌÌÓÈ ÍÓÏÔÓÁˈËË

óÚÓ·˚ ÔÓÒÎÛ¯‡Ú¸ Á‡ÔËÒ¸, ‚ÂÌËÚÂÒ¸ Í Ì‡˜‡ÎÛ ÔÂÒÌË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [TOP], ‡ Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ SONG [START/STOP].

ÇÓÒÔÓËÁ‚‰ÂÌË ‡‚ÚÓχÚ˘ÂÒÍË ÓÒڇ̇‚ÎË‚‡ÂÚÒfl ‚ ÍÓ̈ ÔÂÒ, Ë ÔÂÒÌfl «ÔÂÂχÚ˚‚‡ÂÚÒfl» ‚ ̇˜‡ÎÓ.

ùÍ‡Ì˚ SONG CREATOR (1 - 16) Ô‰̇Á̇˜ÂÌ˚ ‰Îfl ‰‡ÍÚËÓ‚‡ÌËfl Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ (ÒÚ. 108).

óÚÓ·˚ ÒÓı‡ÌËÚ¸ Á‡ÔËÒ¸, ̇ÊÏËÚ ̇ ˝Í‡Ì SONG ÍÌÓÔÍÛ [6] (ÒÚ. 38, 47).

96

PSR-2100/1100

á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ — Song Creator

êÂÊËÏ Á‡ÔËÒË ÌÂÒÍÓθÍËı „ÓÎÓÒÓ‚

ùÚÓÚ ÂÊËÏ ÔÓÁ‚ÓÎflÂÚ Á‡ÔËÒ‡Ú¸ ÔÂÒÌ˛ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÌÂÒÍÓθÍËı ‡Á΢Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚ (‰Ó 16 ͇̇ÎÓ‚). ç‡ÔËÏÂ, ÏÓÊÌÓ

‚ÓÒÔÓËÁ‚ÂÒÚË Á‚Û˜‡ÌË ·Ë„-·˝Ì‰‡ ËÎË ÒËÏÙÓÌ˘ÂÒÍÓ„Ó ÓÍÂÒÚ‡. ëÚÛÍÚÛ‡ ͇̇ÎÓ‚ Ë ˜‡ÒÚÂÈ ÓÚÓ·‡ÊÂ̇ ‚ Ú‡·Îˈ ÌËÊÂ.

ó‡ÒÚË (̇ÒÚÓÈÍË ÔÓ

ó‡ÒÚË (̇ÒÚÓÈÍË ÔÓ

ä‡Ì‡Î˚

ÑÓÒÚÛÔÌ˚ ˜‡ÒÚË ä‡Ì‡Î˚

ÑÓÒÚÛÔÌ˚ ˜‡ÒÚË

ÛÏÓΘ‡Ì˲)

ÛÏÓΘ‡Ì˲)

ÉÓÎÓÒ‡ MAIN, LAYER, LEFT

ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

ÉÓÎÓÒ‡ MAIN, LAYER, LEFT

1 É·‚Ì˚È „ÓÎÓÒ (MAIN)

9

åÛθÚËÔ˝‰ 1

RHYTHM 1

åÛθÚËÔ˝‰ 1

åÛθÚËÔ˝‰ 2

ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

åÛθÚËÔ˝‰ 2

2 É·‚Ì˚È „ÓÎÓÒ 10

åÛθÚËÔ˝‰ 3

RHYTHM 2

åÛθÚËÔ˝‰ 3

åÛθÚËÔ˝‰ 4

åÛθÚËÔ˝‰ 4

ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

3 É·‚Ì˚È „ÓÎÓÒ 11

ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ RHYTHM 1

ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ RHYTHM 1

BASS

ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ RHYTHM 2

ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ RHYTHM 2

ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ BASS

ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ BASS

4 É·‚Ì˚È „ÓÎÓÒ 12

ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ CHORD1

CHORD1

ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ CHORD1

ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ CHORD2

ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ CHORD2

5 É·‚Ì˚È „ÓÎÓÒ 13

ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PAD

CHORD2

ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PAD

ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PHRASE1

ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PHRASE1

ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

6 É·‚Ì˚È „ÓÎÓÒ 14

ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PHRASE2

ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PHRASE2

PAD

MIDI

MIDI

ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

7 É·‚Ì˚È „ÓÎÓÒ 15

PHRASE1

ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

8 É·‚Ì˚È „ÓÎÓÒ 16

PHRASE2

é ˜‡ÒÚflı ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

Rhythm (ËÚÏ).......... ùÚÓ ÓÒÌÓ‚‡ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. чÌ̇fl ˜‡ÒÚ¸ ÒÓÒÚÓËÚ ËÁ ÔÓ‚ÚÓfl˛˘ËıÒfl ËÚÏ˘ÂÒÍËı Ù‡„ÏÂÌÚÓ‚, ÒÓÒÚ‡‚ÎÂÌÌ˚ı ËÁ Á‚ÛÍÓ‚ Û‰‡Ì˚ı Ë

ÔÂÍÛÒÒËË. é·˚˜ÌÓ ‰Îfl Ëı ÒÓÒÚ‡‚ÎÂÌËfl ËÒÔÓθÁÛÂÚÒfl Ӊ̇ ËÁ ‚ÒÚÓÂÌÌ˚ı Û‰‡Ì˚ı ÛÒÚ‡ÌÓ‚ÓÍ.

Bass (·‡Ò) .................ùÚ‡ ˜‡ÒÚ¸ ÒÓÒÚ‡‚ÎflÂÚÒfl ËÁ Á‚ÛÍÓ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ÒÚËβ ËÌÒÚÛÏÂÌÚÓ‚ — Ú‡ÍËı, Í‡Í ‡ÍÛÒÚ˘ÂÒÍËÈ ·‡Ò, ÒËÌÚÂÚ˘ÂÒÍËÈ ·‡Ò Ë Ú. Ô.

Chord (‡ÍÍÓ‰˚)......ëÓÒÚÓËÚ ËÁ ËÚÏ˘ÂÒÍÓÈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ‡ÍÍÓ‰Ó‚. é·˚˜ÌÓ ‰Îfl ˝ÚÓÈ ˜‡ÒÚË ËÒÔÓθÁÛ˛ÚÒfl ÚÂÏ·˚ ÙÓÚÂÔˇÌÓ ËÎË „ËÚ‡˚.

Pad («ÔӉͷ‰˚»)....ÑÎfl ˝ÚÓÈ ˜‡ÒÚË ıÓÓ¯Ó ÔÓ‰ıÓ‰flÚ «‰Ó΄ÓË„‡˛˘Ë ‡ÍÍÓ‰˚» Ë Ì‡Ò˚˘ÂÌÌ˚ ÚÂÏ·˚ ÒÚÛÌÌ˚ı, Ó„‡Ì‡ Ë ıÓ‡.

Phrase (Ù‡Á˚)........ êËÙÙ˚ Ë Ù‡Á˚ (̇ÔËÏÂ, ÍÓÓÚÍË ԇÚËË Ï‰Ì˚ı ‰ÛıÓ‚˚ı ËÎË ‡Ô‰ÊËÓ), ËÒÔÓθÁÛÂÏ˚ ‚ ˝ÚÓÈ ˜‡ÒÚË, ÒÎÛÊ‡Ú ‰Îfl ÛÍ‡¯ÂÌËfl

ËÚÏËÍÓ-ÏÂÎӉ˘ÂÒÍÓÈ ÒÚÛÍÚÛ˚ ÔÂÒÌË.

ÇçàåÄçàÖ

ÖÒÎË Á‡ÔËÒ¸ Ú·ÛÂÚÒfl ÒÓı‡ÌËÚ¸, Ó·flÁ‡ÚÂθÌÓ ÒÍÓÔËÛÈڠ ̇ ‰ËÒÍÂÚÛ ËÎË Á‡ÌÂÒËÚ ‚ ‡Á‰ÂÎ Ô‡ÏflÚË USER (

ÒÚ. 39, 47

).

ÖÒÎË Ì ÒÓı‡ÌËÚ¸ ‡·ÓÚÛ, ÚÓ ÔË ÓÚÍβ˜ÂÌËË ÔËÚ‡ÌËfl ËÎË Á‡ÔËÒË ÔÓ‚Âı ÒÛ˘ÂÒÚ‚Û˛˘ÂÈ ‰ÓÓÊÍË ‚Ò Ô‰˚‰Û˘Ë Á‡ÔËÒË ÒÓÚÛÚÒfl.

REC REW FF

TOP

START/STOP

NEW SONG SYNC. START

REC

PSR-2100/1100

97

81 2 3 4 5 6 7

èË Á‡ÔËÒË ÒÓ·ÒÚ‚ÂÌÌÓÈ Ô‡ÚËË ÔÓ‚Âı

èË ÒÓÁ‰‡ÌËË ÌÓ‚ÓÈ ÔÂÒÌË:

ÍÓÏÔÓÁˈËË ‚ Ô‡ÏflÚË ÒËÌÚÂÁ‡ÚÓ‡ ËÎË Ì‡

‰ËÒÍÂÚÂ:

1

Ç˚·ÂËÚ ÔÂÒÌ˛ (ÒÚ. 79, 81).

1

Ç˚·ÂËÚ ͇̇Π‰Îfl Á‡ÔËÒË (ÔÂ‚‰ËÚÂ Â„Ó ‚ ÂÊËÏ «REC»). ÑÎfl ˝ÚÓ„Ó Ì‡ÊÏËÚÂ

ó‡ÒÚ¸ ‡‚ÚÓχÚ˘ÂÒÍË

2

Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ [1▲▼] - [8▲▼], Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [REC]. é‰ÌÓ‚ÂÏÂÌÌÓ ÏÓÊÌÓ

‚˚·Ë‡ÂÚÒfl, ÂÒÎË ÌÂÒÍÓθÍÓ

͇̇ÎÓ‚ Ó‰ÌÓ‚ÂÏÂÌÌÓ

‚˚·‡Ú¸ ÌÂÒÍÓθÍÓ Í‡Ì‡ÎÓ‚.

ÔÂ‚‰ÂÌ˚ ‚ ÂÊËÏ «REC».

REC

................................ä‡Ì‡Î „ÓÚÓ‚ Í Á‡ÔËÒË

ON

..................................ä‡Ì‡Î „ÓÚÓ‚ Í ‚ÓÒÔÓËÁ‚‰ÂÌ˲

OFF

................................ä‡Ì‡Î ÔË„ÎÛ¯ÂÌ

óÚÓ·˚ ÓÚÏÂÌËÚ¸ ËÎË

Á‡ÔÂÚËÚ¸ Á‡ÔËÒ¸, ¢Â

‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ

[REC]

.

á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ — Song Creator

Ç˚·ÂËÚ ˜‡ÒÚ¸, ÍÓÚÓÛ˛ ÒΉÛÂÚ ÔËÒ‚ÓËÚ¸ Á‡ÔËÒ˚‚‡ÂÏÓÏÛ Í‡Ì‡ÎÛ.

èË ‚˚·Ó ˜‡ÒÚË MIDI

3

èË ˝ÚÓÏ ÓÔ‰ÂÎflÂÚÒfl, ͇ÍË ËÁ ˜‡ÒÚÂÈ, Ë„‡ÂÏ˚ı Ò Í·‚ˇÚÛ˚ (Main/Layer/Left), Ë

Ç˚‰ÂÎÂÌË ӉÌÓ„Ó Í‡Ì‡Î‡

˜‡ÒÚÂÈ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (RHYTHM 1/2, BASS Ë Ú. ‰.) Á‡ÔËÒ˚‚‡˛ÚÒfl ̇ ͇̇Î˚,

‰Îfl MIDI

á‡ÔËÒ˚‚‡˛ÚÒfl ‚Ò MIDI-

‚˚·‡ÌÌ˚ ‚ ¯‡„ ‹2.

ÒÓÓ·˘ÂÌËfl, ÔÓÒÚÛÔ‡˛˘Ë ÔÓ

ëÔËÒÓÍ ËÒıÓ‰Ì˚ı

β·ÓÏÛ ËÁ 16 ͇̇ÎÓ‚ MIDI.

ÔËÒ‚ÓÂÌËÈ ÔÓ

ÖÒÎË Á‡ÔËÒ¸ ÔÓËÁ‚Ó‰ËÚÒfl Ò

‚̯ÌÂÈ MIDI-Í·‚ˇÚÛ˚ ËÎË

ÛÏÓΘ‡Ì˲ Ô˂‰ÂÌ Ì‡

MIDI-ÍÓÌÚÓÎÎÂ‡, ‚‡Ï ÌÂ

ÒÚ. 97.

ÔˉÂÚÒfl ̇ÒÚ‡Ë‚‡Ú¸ ͇̇Î˚

C

MIDI ˝ÚÓ„Ó ÛÒÚÓÈÒÚ‚‡.

Ç˚‰ÂÎÂÌË ÌÂÒÍÓθÍËı

D

͇̇ÎÓ‚ ‰Îfl MIDI

ÖÒÎË Á‡ÔËÒ¸ ÔÓËÁ‚Ó‰ËÚÒfl Ò

‚̯ÌÂÈ MIDI-Í·‚ˇÚÛ˚ ËÎË

MIDI-ÍÓÌÚÓÎÎÂ‡, ‰‡ÌÌ˚Â

Á‡ÔËÒ˚‚‡˛ÚÒfl Î˯¸ ̇

Á‡‰‡ÌÌ˚È Í‡Ì‡Î. ùÚÓ Á̇˜ËÚ,

˜ÚÓ ‚̯Ì ÛÒÚÓÈÒÚ‚Ó

‰ÓÎÊÌÓ ·˚Ú¸ ̇ÒÚÓÂÌÓ Ì‡

‚ÓÒÔÓËÁ‚‰ÂÌËÂ Ò ˝ÚÓ„Ó

͇̇·.

á‡ÔËÒ¸ ÔÂÒÌË Ì‡˜ÌÂÚÒfl Ò‡ÁÛ ÊÂ, Í‡Í ÚÓθÍÓ ‚˚ ÍÓÒÌÂÚÂÒ¸ Í·‚˯.

4

çÂθÁfl ̇Á̇˜ËÚ¸ Ó‰ÌÛ ˜‡ÒÚ¸ (Á‡

á‡ÔÛÒÍ ÒÚËÎÂÈ ÏÓÊÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸Òfl ̇ʇÚËÂÏ ÍÌÓÔÍË

ËÒÍβ˜ÂÌËÂÏ ˜‡ÒÚÂÈ MIDI) Ò‡ÁÛ

SONG/STYLE

[START/STOP]

. äÓÏ ÚÓ„Ó, Á‡ÔËÒ¸ ÏÓÊÌÓ

̇ ÌÂÒÍÓθÍÓ Í‡Ì‡ÎÓ‚.

̇˜‡Ú¸/ÓÒÚ‡ÌÓ‚ËÚ¸, ̇ʇ‚ ÌÓ„ÓÈ Ô‰‡Î¸. ÑÎfl ˝ÚÓ„Ó

ÒΉÛÂÚ Á‡‡Ì ÔËÒ‚ÓËÚ¸ Ô‰‡ÎË ÙÛÌÍˆË˛

‡‚ÚÓχÚ˘ÂÒÍÓ„Ó ‚Íβ˜ÂÌËfl/‚˚Íβ˜ÂÌËfl Á‡ÔËÒË

è‡‡ÏÂÚ˚ Á‡ÔËÒ‡ÌÌ˚ı ˜‡ÒÚÂÈ

‚ÂÏÂÌÌÓ ÒÓı‡Ìfl˛ÚÒfl ‰Ó ÚÂı

(ÒÚ. 104).

ÔÓ, ÔÓ͇ ‚˚ Ì ‚˚ÔÓÎÌËÚÂ

«·˚ÒÚÛ˛ Á‡ÔËÒ¸», Ì ‚˚·ÂÂÚÂ

ÔÂÒÌ˛ ËÎË Ì ‚˚Íβ˜ËÚÂ

ÒËÌÚÂÁ‡ÚÓ.

óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ Á‡ÔËÒ¸, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [REC].

5

éÒÚ‡ÌÓ‚ËÚ¸ Á‡ÔËÒ¸ ÏÓÊÌÓ Ú‡ÍÊÂ, ÓÚÔÛÒÚË‚ Ô‰‡Î¸. èË ˝ÚÓÏ Ô‰‡ÎË ‰ÓÎÊ̇ ·˚Ú¸

óÚÓ·˚ ҉·ڸ Ô‡ÛÁÛ ‚Ó ‚ÂÏfl

Á‡‡Ì ÔËÒ‚ÓÂ̇ ÙÛÌ͈Ëfl ‡‚ÚÓχÚ˘ÂÒÍÓ„Ó ‚Íβ˜ÂÌËfl/‚˚Íβ˜ÂÌËfl Á‡ÔËÒË

Á‡ÔËÒË, ̇ÊÏËÚ ÍÌÓÔÍÛ SONG

(ÒÚ. 104).

[START/STOP]

. óÚÓ·˚

‚ÓÁÓ·ÌÓ‚ËÚ¸ Á‡ÔËÒ¸, ÒÌÓ‚‡

̇ÊÏËÚ ÍÌÓÔÍÛ SONG

[START/

STOP]

.

ÇÓÒÔÓËÁ‚‰ÂÌË Á‡ÔËÒ‡ÌÌÓÈ ÍÓÏÔÓÁˈËË.

6

óÚÓ·˚ ÔÓÒÎÛ¯‡Ú¸ Á‡ÔËÒ¸, ‚ÂÌËÚÂÒ¸ Í Ì‡˜‡ÎÛ ÔÂÒÌË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [TOP], ‡

ÑÎfl ‚˚‡‚ÌË‚‡ÌËfl Á‡ÔËÒË ÏÓÊÌÓ

Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ SONG

[START/STOP]

.

‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ÏÂÚÓÌÓÏÓÏ.

ÇÓÒÔÓËÁ‚‰ÂÌË ‡‚ÚÓχÚ˘ÂÒÍË ÓÒڇ̇‚ÎË‚‡ÂÚÒfl ‚ ÍÓ̈ ÔÂÒÌË, Ë ÔÂÒÌfl

á‚ÛÍ ÏÂÚÓÌÓχ ÌÂ

«ÔÂÂχÚ˚‚‡ÂÚÒfl» ̇ ̇˜‡ÎÓ.

Á‡ÔËÒ˚‚‡ÂÚÒfl.

óÚÓ·˚ Á‡ÔËÒ‡Ú¸ ¢ ӉÌÛ ˜‡ÒÚ¸, ÔÓ‚ÚÓËÚ ¯‡„Ë 2 - 6.

èË Á‡ÔËÒË ÌÓ‚˚ı ˜‡ÒÚÂÈ ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ‡Ì Á‡ÔËÒ‡ÌÌ˚ ˜‡ÒÚË.

END

ÑÂÈÒÚ‚Ûfl Ú‡ÍËÏ Ó·‡ÁÓÏ, ‚˚ ÔÓÎÛ˜ËÚ ‚ ËÚÓ„Â Á‡ÍÓ̘ÂÌÌÛ˛ ÍÓÏÔÓÁËˆË˛.

ùÍ‡Ì˚ SONG CREATOR (1 - 16) Ô‰̇Á̇˜ÂÌ˚ ‰Îfl ‰‡ÍÚËÓ‚‡ÌËfl

Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ (ÒÚ. 108).

óÚÓ·˚ ÒÓı‡ÌËÚ¸ Á‡ÔËÒ¸, ̇ ˝Í‡Ì Open/Save ̇ÊÏËÚ ‰Îfl ÔÂÒÌË ÍÌÓÔÍÛ

[6] (ÒÚ. 38, 47).

98

PSR-2100/1100

á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ — Song Creator

á‡ÔËÒ¸ ÓÚ‰ÂθÌ˚ı ÌÓÚ — èÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸

ùÚÓÚ ÏÂÚÓ‰ ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ ÍÓÏÔÓÁËˆË˛ ÔÛÚÂÏ ÔÓÒΉӂ‡ÚÂθÌÓ„Ó ‚‚Ó‰‡ ÌÓÚ; ÔË ˝ÚÓÏ ÌÂÚ ÌÂÓ·ıÓ‰ËÏÓÒÚË ËÒÔÓÎÌflÚ¸  ‚

‡θÌÓÏ ‚ÂÏÂÌË. ì‰Ó·ÒÚ‚Ó ˝ÚÓ„Ó ÂÊËχ ÔÓfl‚ÎflÂÚÒfl Ú‡ÍÊ ÔË Á‡ÔËÒË ‡ÍÍÓ‰Ó‚ Ë ÏÂÎÓ‰ËË ÔÓ ÓÚ‰ÂθÌÓÒÚË.

èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ

Ç˚·ÂËÚ ÔÂÒÌ˛ (ÒÚ. 79, 81), ÍÓÚÓÛ˛ ÌÛÊÌÓ

óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì Song Creator, ̇ÊÏËÚÂ

1

3

ÔÂÂÔËÒ‡Ú¸ ËÎË ‰ÓÔÓÎÌËÚ¸ ÌÓ‚˚ÏË ˜‡ÒÚflÏË.

ÍÌÓÔÍÛ [A].

ÖÒÎË ÌÛÊÌÓ ÒÓÁ‰‡Ú¸ ÌÓ‚Û˛ ÔÂÒÌ˛, Ó‰ÌÓ‚Â-

ÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [REC] Ë [TOP].

A

B

ç‡ÊÏËÚ ÍÌÓÔÍÛ [DIGITAL RECORDING].

2

C

DIGITAL

STUDIO

SOUND CREATOR

D

E

DIGITAL RECORDING

MIXING CONSOLE

PART

Ç˚·ÂËÚ ‚Í·‰ÍÛ «1 - 16»

BACK NEXT

4

‰Îfl Á‡ÔËÒË ÏÂÎӉ˘ÂÒÍÓÈ

ÎËÌËË Ë ‰Û„Ëı ˜‡ÒÚÂÈ Ò

ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/

[NEXT] ËÎË ‚Í·‰ÍÛ «CHD»

F

(ÄÍÍÓ‰) ‰Îfl Á‡ÔËÒË

G

‡ÍÍÓ‰Ó‚. èÓÒΠ˝ÚÓ„Ó Ì‡

H

‚Í·‰Í «1 - 16» ‚˚·ÂËÚÂ

I

͇̇Π‰Îfl Á‡ÔËÒË Ò ÔÓÏÓ˘¸˛

ÍÌÓÔÍË [F] (CH).

J

ç‡ÊÏËÚ ÍÌÓÔÍÛ [G],

5

˜ÚÓ·˚ ÔÂÂÈÚË Í ˝Í‡ÌÛ

èË ÔÂÂıӉ ̇ ÒÚ‡ÌËˆÛ CHD

(ÄÍÍÓ‰) Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚,

Step Record.

Á‡‰‡ÌÌ˚ ‚ ÍÓÌÒÓÎË ÏËͯÂ‡,

‡‚ÚÓχÚ˘ÂÒÍË ÔËÌËχ˛Ú

F

Á̇˜ÂÌËfl ÔÓ ÛÏÓΘ‡Ì˲.

G

H

I

êÂÊËÏ ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË ÌÂ

J

ÔÓ‰‰ÂÊË‚‡ÂÚ Á‡ÔËÒ¸ „ÓÎÓÒÓ‚,

ı‡Ìfl˘ËıÒfl ̇ ÒÚ‡Ìˈ‡ı USER Ë

FLOPPY DISK. åÓÊÌÓ

ËÒÔÓθÁÓ‚‡Ú¸ „ÓÎÓÒ‡ ̇ ÒÚ‡ÌˈÂ

PRESET, Ӊ̇ÍÓ ÔË ˝ÚÓÏ Ëı

ÚÂÏ· ÏÓÊÂÚ Ò΄͇ ÓÚ΢‡Ú¸Òfl

ÓÚ ËÒıÓ‰ÌÓ„Ó.

PSR-2100/1100

99

á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ — Song Creator

A

F

B

G

C

H

D

I

E

J

í‡ÍÚ/‰ÓÎfl/ÒËÌıÓÌËÁ‡ˆËfl

ëÍÓÓÒÚ¸ ̇ʇÚËfl

Ç Ô˂‰ÂÌÌÓÈ ÌËÊ ڇ·Îˈ Û͇Á‡Ì˚ ÒÓÓÚÌÓ¯ÂÌËfl ÏÂÊ‰Û Á̇˜ÂÌËflÏË ÒÍÓÓÒÚË Ì‡Ê‡ÚËfl Ë ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË „‡‰‡ˆËflÏË

‰Ë̇Ï˘ÂÒÍËı ÓÚÚÂÌÍÓ‚.

ÑË̇ÏË͇ fff ff f mf mp p pp ppp

î‡ÍÚ˘ÂÒÍ

‡fl ÒË·

̇ʇÚËfl

127 111 95 79 63 47 31 15

̇

Í·‚˯Û

ÇÂÏfl Á‚Û˜‡ÌËfl

ï‡‡ÍÚÂ Ë„˚ ÓÔ‰ÂÎflÂÚÒfl ÒÎÂ‰Û˛˘ËÏË ‚‡ˇÌÚ‡ÏË Á‚Û˜‡ÌËfl ÓÚ‰ÂθÌ˚ı ÌÓÚ:

Normal (Òڇ̉‡ÚÌÓ Á̇˜ÂÌËÂ)....................... 80%

Tenuto (Ò‚flÁÌÓ) ................................................... 99%

Staccato (ÓÚ˚‚ËÒÚÓ) ......................................... 40%

Staccatissimo (¢ ·ÓΠÓÚ˚‚ËÒÚÓ) ............ 20%

Manual (‚Û˜ÌÛ˛)................................................ ÇÂÏfl Á‚Û˜‡ÌËfl (‰ÎËÚÂθÌÓÒÚ¸ ÌÓÚ˚) ÏÓÊÌÓ Á‡‰‡Ú¸ Ò ÔÓÏÓ˘¸˛

[DATA ENTRY]

.

100

PSR-2100/1100

81 2 3 4 5 6 7

óÚÓ·˚ ‚‚ÂÒÚË ÌÓÚÛ, Á‡‰‡ÈÚ ̇ ˝Í‡Ì Â ‰ÎËÚÂθÌÓÒÚ¸ Ë ÛÓ‚Â̸ „ÓÏÍÓÒÚË, ‡ Á‡ÚÂÏ Á‡‰‡ÈÚ ‚˚ÒÓÚÛ,

6

̇ʇ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Í·‚Ë¯Û Ì‡ Í·‚ˇÚÛÂ.

ùÚ‡ ÍÌÓÔ͇ Á‡‰‡ÂÚ ÒÍÓÓÒÚ¸

̇ʇÚËfl Í·‚Ë¯Ë („ÓÏÍÓÒÚ¸

‚‚Ó‰ËÏÓÈ ÌÓÚ˚) Ë

ÙÛÌ͈ËÓÌËÛÂÚ Î˯¸ ÔË Á‡ÔËÒË

ÏÂÎÓ‰ËË. ÑÓÔÓÎÌËÚÂθÌ˚Â

äÌÓÔÍË ÔÂÂÏ¢ÂÌËfl

҂‰ÂÌËfl Ó Ô‡‡ÏÂÚ‡ı ÒÍÓÓÒÚË

ÍÛÒÓ‡ ‚‚Âı-‚ÌËÁ.

̇ʇÚËfl Ô˂‰ÂÌ˚ ÌËÊÂ.

ÇÓÁ‚‡Ú Í Ì‡˜‡ÎÛ ÔÂÒÌË

ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸

(ÔÂ‚‡fl ÌÓÚ‡ ÔÂ‚Ó„Ó Ú‡ÍÚ‡).

‰ÎËÚÂθÌÓÒÚ¸ ÌÓÚ˚ (‚

ÔÓˆÂÌÚ‡ı) Ò Û˜ÂÚÓÏ ÂÂ

Ô‰ÔÓ·„‡ÂÏÓÈ ÔÓÁˈËË ‚

ÔÂÒÌÂ. (чÌ̇fl ÙÛÌ͈Ëfl

‰ÓÒÚÛÔ̇ Î˯¸ ÔË Á‡ÔËÒË

ÏÂÎӉ˘ÂÒÍÓÈ ÎËÌËË).

ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó

Ô‡‡ÏÂÚ‡ı ‚ÂÏÂÌË Á‚Û˜‡ÌËfl

Ô˂‰ÂÌ˚ ÌËÊÂ.

äÌÓÔÍË, ÔÓÁ‚ÓÎfl˛˘ËÂ

ÔÂÂÏ¢‡Ú¸ ‚˚·‡ÌÌÓÂ

ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÍÌÓÔÍË ‚˚ ÏÓÊÂÚÂ

ÒÓ·˚ÚË (̇ÔËÏÂ, ÌÓÚÛ)

‚˚·‡Ú¸ ÌÂÓ·ıÓ‰ËÏ˚È ÚËÔ ÌÓÚ˚ ‚

‚ÔÂ‰ ËÎË Ì‡Á‡‰ ̇

ÌËÊÌÂÈ ˜‡ÒÚË ˝Í‡Ì‡. ÇÒÂ„Ó Ì‡ ‚˚·Ó

ÓÔ‰ÂÎÂÌÌÓ ˜ËÒÎÓ Ú‡ÍÚÓ‚,

Ô‰·„‡ÂÚÒfl ÚË ÚËÔ‡ ÌÓÚ:

‰ÓÎÂÈ Ú‡ÍÚ‡ ËÎË Â‰ËÌˈ

Òڇ̉‡ÚÌ˚Â, ÌÓÚ˚ Ò ÚÓ˜ÍÓÈ Ë ÚËÓÎË.

‚ÂÏÂÌË. ÑÓÔÓÎÌËÚÂθÌ˚Â

(чÌ̇fl ÙÛÌ͈Ëfl ‰ÓÒÚÛÔ̇ Î˯¸ ÔË

҂‰ÂÌËfl Ó Ô‡‡ÏÂÚ‡ı Ú‡ÍÚÓ‚/

åÓÊÌÓ Á‡‰‡Ú¸ ÚËÔ ÒÎÂ‰Û˛˘ÂÈ ÌÓÚ˚. (Ç˚·Ó ¯ÂÒÚ̇‰ˆ‡Ú˚ı

Á‡ÔËÒË ÏÂÎÓ‰ËË.)

‰ÓÎÂÈ Ú‡ÍÚ‡/‰ËÌˈ ‚ÂÏÂÌË

‰ÓÒÚÛÔÂÌ Î˯¸ ÔË Á‡ÔËÒË ÏÂÎÓ‰ËË.) äÓÏ ÚÓ„Ó, Ò ÔÓÏÓ˘¸˛ ˝ÚËı

Ô˂‰ÂÌ˚ ÌËÊÂ.

ÍÌÓÔÓÍ ÏÓÊÌÓ Û͇Á‡Ú¸ ¯‡„ ÔÂÂÏ¢ÂÌËfl ÍÛÒÓ‡ (‡ÒÒÚÓflÌËÂ, ̇

äÌÓÔ͇ Û‰‡ÎÂÌËfl ÒÓ·˚ÚËfl (ÌÓÚ˚, Ô‡ÛÁ˚ Ë

ÍÓÚÓÓ ÍÛÒÓ Ò‰‚Ë„‡ÂÚÒfl ‚ÔÂ‰ ÔÓÒΠ‚‚Ó‰‡ ÌÓÚ˚).

Ú. ‰.) ÔÂ‰ ÍÛÒÓÓÏ.

óÚÓ·˚ Á‡Í˚Ú¸ ˝Í‡Ì STEP RECORD, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. óÚÓ·˚ ÒÓı‡ÌËÚ¸ Á‡ÔËÒ¸, ÒΉÛÂÚ

̇ʇڸ ÍÌÓÔÍÛ [I] (SAVE) (ÒÚ. 47).

END

í‡ÍÚ

1

2

ÑÓÎfl

1

2

3

4

1

2

3

4

ëËÌı.

000-

000-

000-

000-

000-

000-

000-

000-

1919

1919

1919

1919

1919

1919

1919

1919