Yamaha PSR-1100 – страница 4

Инструкция к Синтезатору/фортепиано Yamaha PSR-1100

ÉÓÎÓÒ‡

ÉÓÎÓÒ‡

VARIATION (‚‡ˇˆËfl)

ùÙÙÂÍÚ ‚‡ˇˆËË ‚Íβ˜‡ÂÚ ‚ Ò·fl Ò‡ÁÛ ÌÂÒÍÓθÍÓ ‚ˉӂ Ó·‡·ÓÚÍË Ò˄̇·. ÇÓÁ¸ÏÂÏ, Í ÔËÏÂÛ, ˝ÙÙÂÍÚ Rotary Speaker

(‚‡˘‡˛˘ËÈÒfl ‰Ë̇ÏËÍ) (ÒÚ. 127). ìÔ‡‚Îflfl ˝ÚËÏ ˝ÙÙÂÍÚÓÏ, ‚˚ ÏÓÊÂÚ Á‡‰‡Ú¸ ÒÍÓÓÒÚ¸ ‚‡˘ÂÌËfl ‚ÓÓ·‡Ê‡ÂÏÓ„Ó ËÒÚÓ˜ÌË͇

Á‚Û͇.

HARMONY/ECHO

ùÙÙÂÍÚ Portamento (ÔÓÚ‡ÏÂÌÚÓ)

ÑÓ·‡‚ÎÂÌË ˝ı‡ Ë „‡ÏÓÌËÁ‡ˆËfl „ÓÎÓÒÓ‚, ËÒÔÓθÁÛÂÏ˚ı ‚ Ô‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ (ÒÚ. 146).

ÔÓÁ‚ÓÎflÂÚ Ô·‚ÌÓ ÒÏ¢‡Ú¸ ‚˚ÒÓÚÛ

Á‚Û͇ ÓÚ ÌÓÚ˚ Í ÌÓÚ ÔË

ÔÓÒΉӂ‡ÚÂθÌÓÏ Ì‡Ê‡ÚËË

MONO

ÌÂÒÍÓθÍËı Í·‚˯.

ìÒÚ‡Ìӂ͇ ÂÊËÏÓ‚ ÔÓÎËÙÓÌËË (ÌÂÒÍÓθÍÓ ÌÓÚ ÏÓ„ÛÚ Á‚Û˜‡Ú¸ Ó‰ÌÓ‚ÂÏÂÌÌÓ) ÎË·Ó ÏÓÌÓÙÓÌËË ‰Îfl

ëéÇÖí

Í‡Ê‰Ó„Ó ÚËÔ‡ „ÓÎÓÒ‡ (MAIN/LAYER/LEFT). ÉÓfl˘‡fl ·ÏÔӘ͇ fl‰ÓÏ Ò ÔÂÂÍβ˜‡ÚÂÎÂÏ ÓÁ̇˜‡ÂÚ

Ç˚ ÏÓÊÂÚ ÔÓ‰˜ÂÍÌÛÚ¸

ÂÊËÏ MONO. Ç˚Íβ˜ÂÌ̇fl ·ÏÔӘ͇ Û͇Á˚‚‡ÂÚ Ì‡ ËÒÔÓθÁÓ‚‡ÌË ÔÓÎËÙÓÌËË. Ç ÂÊËÏ MONO

ÏÂÎӉ˘ÂÒÍÛ˛ ÎËÌ˲, ÍÓÚÓ‡fl

‚‰ÂÚÒfl ‚ Ó·‡ÏÎÂÌËË ‡ÍÍÓ‰Ó‚.

Á‚Û˜ËÚ Î˯¸ ÌÓÚ‡, Ò˚„‡Ì̇fl ÔÓÒΉÌÂÈ. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ÔÓ‚˚ÒËÚ¸ ‡ÎËÒÚ˘ÌÓÒÚ¸ Á‚Û˜‡ÌËfl

ÑÎfl ˝ÚÓ„Ó ÌÂÓ·ıÓ‰ËÏÓ ËÒÔÓθÁÓ‚‡Ú¸

ÙÛÌÍˆË˛ ÒÎÓfl Ë Ò‰Â·ڸ ‚Â‰Û˘Û˛

‰ÛıÓ‚˚ı ËÌÒÚÛÏÂÌÚÓ‚. äÓÏ ÚÓ„Ó, ‰‡ÌÌ˚È ÂÊËÏ ÏÓÊÂÚ Ò‰Â·ڸ ËÒÔÓθÁÓ‚‡ÌË «ÔÓÚ‡ÏÂÌÚÓ»

Ô‡Ú˲ ÏÓÌÓÙÓÌ˘ÂÒÍÓÈ.

·ÓΠ˝ÙÙÂÍÚÌ˚Ï ÔË Ë„ Î„‡ÚÓ.

ìÒÚ‡ÌÓ‚ËÚ ÔÓÎËÙÓÌ˘ÂÒÍËÈ ÂÊËÏ

‰Îfl „·‚ÌÓ„Ó „ÓÎÓÒ‡ (Main) Ë

ÏÓÌÓÙÓÌ˘ÂÒÍËÈ (MONO) — ‰Îfl

„ÓÎÓÒ‡ ÒÎÓfl (Layer). Ç ˝ÚÓÏ ÒÎÛ˜‡Â

LEFT HOLD (Û‰ÂʇÌË „ÓÎÓÒ‡ ‰Îfl ΂ÓÈ ÛÍË)

‚‡¯‡ ÏÂÎÓ‰Ëfl, ‚ ÚÓÏ ˜ËÒÎÂ

ùÚ‡ ÙÛÌ͈Ëfl Á‡ÒÚ‡‚ÎflÂÚ „ÓÎÓÒ ‰Îfl ΂ÓÈ ÛÍË Á‡ÏË‡Ú¸ ωÎÂÌÌÂÂ. ä·‚Ë¯Ë ÛÊ ÓÚÔÛ˘ÂÌ˚, ‡

̇˷ÓΠ‚˚ÒÓÍË ÌÓÚ˚ β·˚ı

‡ÍÍÓ‰Ó‚, ·Û‰ÂÚ Á‚Û˜‡Ú¸

Á‚ÛÍ Â˘Â ÚflÌÂÚÒfl. ùÙÙÂÍÚ Â ÚÓÚ ÊÂ, ˜ÚÓ Ë ÔË ËÒÔÓθÁÓ‚‡ÌËË Ô‰‡ÎË ÒÛÒÚÂÈ̇. ùÚ‡ ÙÛÌ͈Ëfl

ÏÓÌÓÙÓÌ˘ÂÒÍË.

ÓÒÓ·ÂÌÌÓ ÔÓÎÂÁ̇ ÔË ‚Íβ˜ÂÌÌÓÏ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ. ç‡ÔËÏÂ, ÂÒÎË ‚˚ ‚ÓÁ¸ÏÂÚ ‡ÍÍÓ‰ ‚

èÓÔÓ·ÛÈÚÂ ÔËÏÂÌËÚ¸ ˝ÚÓÚ ˝ÙÙÂÍÚ

Í ÒÎÂ‰Û˛˘ËÏ „ÓÎÓÒ‡Ï.

ÚÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚, ÍÓÚÓ‡fl Óڂ‰Â̇ ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, Á‡ÚÂÏ ÓÚÔÛÒÚËÚ Í·‚Ë¯Ë (ÔË

É·‚Ì˚È „ÓÎÓÒ: ÔÓÎËÙÓÌ˘ÂÒ͇fl

‰ÛıÓ‚‡fl ÒÂ͈Ëfl (Brass Section) +

‚Íβ˜ÂÌÌÓÏ ‡Á‰ÂÎÂÌËË Í·‚ˇÚÛ˚; „ÓÎÓÒ ‰Îfl ΂ÓÈ ÛÍË — ÒÚÛÌÌ˚ (Strings)), ‡ÍÍÓ‰ ·Û‰ÂÚ

„ÓÎÓÒ ÒÎÓ: ÏÓÌÓÙÓÌ˘ÂÒ͇fl

ÔÓ‰ÓÎʇڸ Á‚Û˜‡Ú¸, Ôˉ‡‚‡fl ̇Ò˚˘ÂÌÌÓÒÚ¸ Ó·˘ÂÏÛ Á‚Û˜‡Ì˲ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

«Ò·‰ÍÓÁ‚ۘ̇fl» ÚÛ·‡ (Sweet

Trump).

äÓÎÂÒ‡ ÛÔ‡‚ÎÂÌËfl ‚˚ÒÓÚÓÈ Á‚Û͇ (PITCH BEND) Ë ÏÓ‰ÛÎflˆËÂÈ

äÓÎÂÒÓ ÛÔ‡‚ÎÂÌËfl ‚˚ÒÓÚÓÈ Á‚Û͇ PSR-2100/

1100 (PITCH BEND) ÔÓÁ‚ÓÎflÂÚ «ÔÓ‰Úfl„Ë‚‡Ú¸»

Á‚ÛÍ ‚‚Âı (ÍÓÎÂÒÓ ÓÚ Ò·fl) ËÎË ‚ÌËÁ (ÍÓÎÂÒÓ Í

Ò·Â), Ì ÔÂÍ‡˘‡fl Ë„‡Ú¸ ̇ Í·‚ˇÚÛÂ.

äÓÎÂÒÓ ÛÔ‡‚ÎÂÌËfl ‚˚ÒÓÚÓÈ Á‚Û͇ ˆÂÌÚËÛÂÚÒfl

‡‚ÚÓχÚ˘ÂÒÍË. ùÚÓ Á̇˜ËÚ, ˜ÚÓ ÓÚÔÛÒ͇ÌËÂ

ÍÓÎÂÒ‡ ÔË‚Ó‰ËÚ Í ÌÓχÎËÁ‡ˆËË ‚˚ÒÓÚ˚

Á‚Û˜‡ÌËfl.

îÛÌ͈Ëfl ÏÓ‰ÛÎflˆËË Ôˉ‡ÂÚ ÚÂÏ·Û ˝ÙÙÂÍÚ

‚Ë·‡ÚÓ (PSR-2100). èÓ‚ÂÌÛ‚ ÍÓÎÂÒÓ

ÏÓ‰ÛÎflˆËË (MODULATION) ‰Ó ÛÔÓ‡ Í Ò·Â, ‚˚

҉·ÂÚÂ Â„Ó ‚ÓÁ‰ÂÈÒÚ‚Ë ÏËÌËχθÌ˚Ï, ÚÓ„‰‡

Í‡Í Ó·‡ÚÌÓ ‰‚ËÊÂÌË ۂÂ΢ËÚ ÛÓ‚Â̸

‚ÓÁ‰ÂÈÒÚ‚Ëfl ˝ÙÙÂÍÚ‡.

äÌÓÔ͇ [UPPER OCTAVE] ÔÓÁ‚ÓÎflÂÚ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ú‡ÌÒÔÓÌËÓ‚‡Ú¸ „·‚ÌÛ˛ (MAIN) ˜‡ÒÚ¸ Ë ˜‡ÒÚ¸

ÒÎÓfl (LAYER) ̇ ÓÍÚ‡‚Û ‚‚Âı ËÎË ‚ÌËÁ.

PSR-2100/1100

61

PITCH BEND

å‡ÍÒËχθÌ˚È ‰Ë‡Ô‡ÁÓÌ

ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û˜‡ÌËfl

ÏÓÊÌÓ ËÁÏÂÌËÚ¸ (ÒÚ. 126).

MODULATION

óÚÓ·˚ ËÁ·Âʇڸ ÒÎÛ˜‡ÈÌÓ„Ó

ÌÂÊ·ÚÂθÌÓ„Ó ÔËÏÂÌÂÌËfl

‰‡ÌÌÓ„Ó ˝ÙÙÂÍÚ‡, ÛÒÚ‡ÌÓ‚ËÚÂ

Â„Ó „ÎÛ·ËÌÛ Ì‡ ÏËÌËχθÌ˚È

ÛÓ‚Â̸.

ê„ÛÎËӂ͇ Ô‡‡ÏÂÚ‡ Octave (Ú‡ÌÒÔÓÌËÓ‚‡ÌË ̇ ÓÍÚ‡‚Û)

ë ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Mixing

Console (ÍÓÌÒÓθ ÏËͯÂ‡) ‚˚

UPPER OCTAVE

ÏÓÊÂÚ ÓÒÛ˘ÂÒÚ‚ËÚ¸ ·ÓΠÚÓÌ-

ÍÛ˛ ̇ÒÚÓÈÍÛ Ô‡‡ÏÂÚÓ‚, ÓÚ-

RESET

ÌÓÒfl˘ËıÒfl Í Ú‡ÌÒÔÓÌËÓ‚‡Ì˲

̇ ÓÍÚ‡‚Û (ÒÚ. 126).

ëÚËÎË

Ç PSR-2100/1100 ‚ÒÚÓÂÌ˚ ÒÚËÎË (‚‡ˇÌÚ˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡), ı‡‡ÍÚÂÌ˚ ‰Îfl ÏÌÓÊÂÒÚ‚‡ ÏÛÁ˚͇θÌ˚ı ʇÌÓ‚, ‚Íβ˜‡fl ÔÓÔ-

ÏÛÁ˚ÍÛ, ‰Ê‡Á, ·ÚËÌÓ‡ÏÂË͇ÌÒÍÛ˛ Ë Ú‡ÌˆÂ‚‡Î¸ÌÛ˛ ÏÛÁ˚ÍÛ. óÚÓ·˚ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ËÏË, ‰ÓÒÚ‡ÚÓ˜ÌÓ ÔÓÒÚÓ ·‡Ú¸ ΂ÓÈ ÛÍÓÈ

‡ÍÍÓ‰˚. Ç˚·‡ÌÌ˚È ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ·Û‰ÂÚ ‡‚ÚÓχÚ˘ÂÒÍË ‚‡Ï ÔÓ‰˚„˚‚‡Ú¸, Ï„ÌÓ‚ÂÌÌÓ ‡„ËÛfl ̇ ÒÏÂÌÛ ‡ÍÍÓ‰‡.

èÓÔÓ·ÛÈÚ ‚˚·‡Ú¸ ÌÂÒÍÓθÍÓ ÒÚËÎÂÈ (ÒÏ. ‰ÓÔÓÎÌËÚÂθÌ˚È ÒÔËÒÓÍ) Ë ‚ÓÒÔÓËÁ‚ÂÒÚË Ëı.

BACK NEXT

LEFT

HOLD

VOICE EFFECT

SUSTAIN

HARMONY/

ECHO

MONOTOUCH

DSP

VARIATION

DIGITAL

STUDIO

VOIC E

SOUND CREATOR

MAIN

PIANO & HARPSI.

E.PIANO

ACCORDION

ORGAN &

PERCUSSION

DIGITAL RECORDING

A

F

LAYER

GUITAR

BASS

BRASS

WOODWIND

B

G

MIXING CONSOLE

C

H

LEFT

STRINGS CHOIR & PAD

SYNTH.

XG

D

I

USER

ORGAN FLUTES

DEMO

MENU

E

J

UPPER OCTAVE

FINDER

MUSIC

HELP

MIC.

VH TYPE

SELECT

SETTING

MIC.

VOCAL

RESET

OVER

HARMONY

TALK

EFFECT

FUNCTION

SIGNAL

ONE TOUCH SETTING

ACCESS

DIRECT

BALANCE

EXIT

ENTER

CHANNEL ON/OFF

PART

REGISTRATION MEMORY

DATA ENTRY

FREEZE MEMORY

62

PSR-2100/1100

81 2 3 4 5 6 7

STYLE CONTROL

MAIN

ENDING

SYNC.

SYNC.

ACMP INTRO

BREAK

/ rit.

STOP

START

START/STOP

AUTO

OTS

FILL IN

LINK

SONG

TRACKS

EXTRA

TRACK

2

TRACK

1 REPEAT

METRO-

NOME

(STYLE) (R)(L)

REC REW FF

TOP

START/STOP

STYLE

NEW SONG SYNC. START

POP & ROCK

SWING &

JAZZ

BALLROOM

MARCH &

WALTZ

BALLAD USERLATIN

DANCE

PART

TRANSPOSE

TEMPO

TAP TEMPO

MASTER VOLUME

RESET

RESET

STOP

IN/OUT

FADE

MULTI PAD

MIN MAX

STYLE CONTROL

ACMP

BREAK

INTRO

MAIN

ENDING

/ rit.

SYNC.

SYNC.

STANDBY

AUTO

STOP

START

FILL IN

LINK

OTS

START/STOP

ON

ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl

BACK NEXT

A

F

B

G

C

H

D

I

E

J

81 2 3 4 5 6 7

HOLD

LEFT

VOICE EFFECT

BACK NEXT

SUSTAIN

HARMONY/

ECHO

MONOTOUCH

DSP

VARIATION

DIGITAL

STUDIO

VOIC E

SOUND CREATOR

MAIN

PIANO & HARPSI.

E.PIANO

ACCORDION

ORGAN &

PERCUSSION

DIGITAL RECORDING

A

F

GUITAR

BASS

BRASS

WOODWIND

B

G

LAYER

MIXING CONSOLE

C

H

LEFT

STRINGS CHOIR & PAD

SYNTH.

XG

D

I

MENU

USER

ORGAN FLUTES

DEMO

E

J

FINDER

MUSIC

UPPER OCTAVE

HELP

MIC.

OVER

SELECT

VH TYPE

RESET

SETTING

MIC.

HARMONY

VOCAL

TALK

EFFECT

FUNCTION

SIGNAL

DIRECT

BALANCE

ONE TOUCH SETTING

ACCESS

EXIT

ENTER

CHANNEL ON/OFF

PART

REGISTRATION MEMORY

DATA ENTRY

FREEZE MEMORY

81 2 3 4 5 6 7

1

SONG

TRACKS

EXTRA

TRACK

2

TRACK

1 REPEAT

NOME

METRO-

(STYLE) (R)(L)

REC REW FF

TOP

START/STOP

STYLE

SWING &

MARCH &

POP & ROCK BALLROOM

JAZZ

WA LTZ

STYLE

NEW SONG SYNC. START

POP & ROCK

SWING &

JAZZ

BALLROOM

MARCH &

WALTZ

BALLAD USERLATIN

DANCE

PART

TRANSPOSE

TEMPO

TAP TEMPO

BALLAD USERLATIN

DANCE

MASTER VOLUME

RESET

RESET

STOP

FADE

MULTI PAD

IN/OUT

MIN MAX

STYLE CONTROL

ACMP

BREAK

INTRO

MAIN

ENDING

/ rit.

SYNC.

STOP

SYNC.

STANDBY

FILL IN

AUTO

OTS

START

LINK

START/STOP

ON

èÂ˜Â̸ ‚ÒÚÓÂÌÌ˚ı

2

ÒÚËÎÂÈ ÒÓ‰ÂÊËÚÒfl ‚

‰ÓÔÓÎÌËÚÂθÌÓÏ ÒÔËÒÍÂ.

2-1 Ç˚·ÂËÚ ‡Á‰ÂÎ

Ô‡ÏflÚË (Preset, User,

Floppy Disk) ‰Îfl

ÒÓı‡ÌÂÌËfl ÒÚËÎfl.

2-2 Ç˚·ÂËÚ ÒÚËθ.

èË ÓÚÍ˚ÚËË Í‡Ú‡ÎÓ„‡ ÌËÊÌÂ„Ó ÛÓ‚Ìfl ˝Ú‡

ÍÌÓÔ͇ (UP) ÔÓÁ‚ÓÎflÂÚ ÔÂÂÈÚË Ì‡ ‚ÂıÌËÈ

ÛÓ‚Â̸, „‰Â ‚˚ ÏÓÊÂÚ ‚˚·‡Ú¸ „ÛÔÔÛ ÒÚËÎÂÈ.

ëÚËÎË

ÇÍβ˜Ë‚ ÍÌÓÔÍÛ [ACMP], ‚˚ ÏÓÊÂÚ ·‡Ú¸ ËÎË Û͇Á˚‚‡Ú¸ ‡ÍÍÓ‰˚ Ò ÔÓÏÓ˘¸˛ ‡Á‰Â·

Ç˚ ÏÓÊÂÚ ÛÒÚ‡ÌÓ‚ËÚ¸ „‡Ìˈ˚

3

Í·‚ˇÚÛ˚, Óڂ‰ÂÌÌÓ„Ó ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. (Ç Á‡‚ËÒËÏÓÒÚË ÓÚ Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚

‡Á‰Â· Í·‚ˇÚÛ˚ ‰Îfl

˝ÚËÏ ‡Á‰ÂÎÓÏ ÏÓÊÂÚ ·˚Ú¸ ÁÓ̇, Óڂ‰ÂÌ̇fl ÔÓ‰ „ÓÎÓÒ ‰Îfl ΂ÓÈ ÛÍË, ÎË·Ó ‚Òfl Í·‚ˇÚÛ‡).

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 141).

STYLE CONTROL

MAIN

ENDING

SYNC.

SYNC.

ACMP INTRO

BREAK

/ rit.

STOP

START

START/STOP

AUTO

OTS

FILL IN

LINK

ÇÍβ˜ËÚ ÍÌÓÔÍÛ SYNC. START (ÒËÌıÓÌÌ˚È Á‡ÔÛÒÍ).

4

Sync. Start

STYLE CONTROL

MAIN

ENDING

SYNC.

SYNC.

ÖÒÎË ˝Ú‡ ÍÌÓÔ͇ ‚Íβ˜Â̇, ÚÓ

ACMP INTRO

BREAK

/ rit.

STOP

START

START/STOP

AUTO

OTS

‰Îfl Á‡ÔÛÒ͇ ÒÚËÎfl ‰ÓÒÚ‡ÚÓ˜ÌÓ

FILL IN

LINK

ÔÓÒÚÓ Ì‡˜‡Ú¸ Ë„‡Ú¸ ̇

Í·‚ˇÚÛÂ.

á‡ÔÛÒÍ ËÚÏ˘ÂÒÍËı ͇̇ÎÓ‚

(‰ÓÓÊÂÍ) ÒÚËÎfl

ÔÓËÁ‚Ó‰ËÚÒfl ̇ʇÚËÂÏ

ÍÌÓÔÍË [START/STOP].

ëÚËθ Á‡ÔÛÒÚËÚÒfl Ò‡ÁÛ, Í‡Í ÚÓθÍÓ ‚˚ ‚ÓÁ¸ÏÂÚ ‡ÍÍÓ‰ ‚ ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

5

ùÚË ‰ÓÓÊÍË ÏÓÊÌÓ Ú‡ÍÊÂ

낉ÂÌËfl Ó· ‡ÔÔÎË͇ÚÛ ‡ÍÍÓ‰Ó‚ ÒÏ. ÒÚ. 65.

TӘ͇ ‡Á‰eÎeÌËfl Í·‚ˇÚÛ˚

Á‡ÔÛÒÚËÚ¸, Û‰‡Ë‚ ÔÓ ÍÌÓÔÍÂ

íÂÏÔ ÏÓÊÌÓ ËÁÏÂÌflÚ¸ Ò ÔÓÏÓ˘¸˛

[TAP TEMPO]. éÒÚ‡ÌÓ‚ËÚÂ

ÍÌÓÔÓÍ TEMPO [ ] [ ] Ë [TAP

‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl Ë

TEMPO].

Û‰‡¸Ú ÔÓ ÍÌÓÔÍ [TAP

ëÍÓÓÒÚ¸ ÒÂËË Û‰‡Ó‚ ÔÓ ÍÌÓÔÍÂ

TEMPO] ÚË, ˜ÂÚ˚ ËÎË

[TAP TEMPO] Á‡‰‡ÂÚ ‚Â΢ËÌÛ

ÔflÚ¸ ‡Á (ÚË ‡Á‡ — ‰Îfl

ÚÂÏÔ‡.

‡ÁÏÂ‡ 3/4, ˜ÂÚ˚ — ‰Îfl

ê‡Á‰eÎ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌeÏeÌÚ‡

‡ÁÏÂÓ‚ 2/4 Ë 4/4, ÔflÚ¸ ‡Á

— ‰Îfl ‡ÁÏÂ‡ 5/4).

äÓ„‰‡ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò ÔÂÒÌÂÈ

éÒÚ‡ÌÓ‚ËÚ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ

‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl ͇ÍÓÈ-ÎË·Ó

6

ÒÚËÎfl.

END

éÚÍβ˜ËÚ ÍÌÓÔÍÛ ACMP.

ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÚÓ

SYNC.

SYNC.

˜‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡,

STOP

START

START/STOP

STYLE CONTROL

Á‡ÔËÒ‡ÌÌ˚ ̇ ͇̇Î˚ 9 - 16,

ACMP INTROBREAK

‚ÂÏÂÌÌÓ Á‡ÏÂÌfl˛ÚÒfl

‚˚·‡ÌÌ˚Ï ÒÚËÎÂÏ

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. í‡ÍËÏ

Ó·‡ÁÓÏ, ‚˚ ÔÓÎÛ˜‡ÂÚÂ

‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓËÒ͇ڸ ÒÚËθ,

̇˷ÓΠÔÓ‰ıÓ‰fl˘ËÈ ‰Îfl

‰‡ÌÌÓÈ ÔÂÒÌË (ÒÚ. 80).

ï‡‡ÍÚÂËÒÚËÍË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

íËÔ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë Â„Ó ı‡‡ÍÚÂËÒÚËÍË ÓÚÓ·‡Ê‡˛ÚÒfl ̇‰ ËÏÂÌÂÏ ÒÚËÎfl.

Session!

ùÚË ÒÚËÎË ÓÚ΢‡˛ÚÒfl ÔÓ‚˚¯ÂÌÌ˚Ï ‡ÎËÁÏÓÏ Ë ÂÒÚÂÒÚ‚ÂÌÌÓÒÚ¸˛ ÒÓÔÓ‚ÓʉÂÌËfl. í‡ÍÓÈ ˝ÙÙÂÍÚ ‰ÓÒÚË„‡ÂÚÒfl Á‡ Ò˜ÂÚ ÏËͯËÓ‚‡ÌËfl ËÒıÓ‰Ì˚ı Ë

ËÁÏÂÌÂÌÌ˚ı ÚËÔÓ‚ ‡ÍÍÓ‰Ó‚. äÓÏ ÚÓ„Ó, ÒÓÎÓ ÏÓÊÂÚ „‡ÏÓÌËÁËÓ‚‡Ú¸Òfl ËÙÙ‡ÏË Ò ÏÓ‰ËÙˈËÓ‚‡ÌÌÓÈ ‡ÍÍÓ‰Ó‚ÓÈ ÒÚÛÍÚÛÓÈ. чÌÌ˚ ÒÚËÎË ÒÓÁ‰‡‚‡ÎËÒ¸

‰Îfl ÚÓ„Ó, ˜ÚÓ·˚ ‰Ó·‡‚ËÚ¸ «ËÁ˛ÏËÌÍÛ» ‚‡¯ËÏ ‚˚ÒÚÛÔÎÂÌËflÏ Ë Á‡ÒÚ‡‚ËÚ¸ Ëı Á‚Û˜‡Ú¸ ·ÓΠÔÓÙÂÒÒËÓ̇θÌÓ. èË ËÒÔÓθÁÓ‚‡ÌËË ˝ÚËı ÒÚËÎÂÈ ÌÂÓ·ıÓ‰ËÏÓ

Û˜ËÚ˚‚‡Ú¸, ˜ÚÓ ÓÌË ÔÓ‰ıÓ‰flÚ Ì ‰Îfl ‚ÒÂı ÔÂÒÂÌ Ë Ì ‰Îfl ‚ÒÂı ʇÌÓ‚. èÓ˝ÚÓÏÛ ÔË ËÒÔÓθÁÓ‚‡ÌËË ÓÔ‰ÂÎÂÌÌ˚ı ÒÚËÎÂÈ Ë„˚ ‡ÍÍÓ‰‡ÏË ÔËÏÂÌÂÌË ڇÍÓ„Ó

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÏÓÊÂÚ Ó͇Á‡Ú¸Òfl ӯ˷ÍÓÈ Ë ‰‡Ê ÔË‚ÂÒÚË Í Ì‡Û¯ÂÌËflÏ „‡ÏÓÌËË. Ç ÌÂÍÓÚÓ˚ı ÒËÚÛ‡ˆËflı ‚ÁflÚË ÔÓÒÚÓ„Ó Ï‡ÊÓÌÓ„Ó ÚÂÁ‚Û˜Ëfl ÏÓÊÂÚ

ÔË‚ÂÒÚË Í ‚ÓÒÔÓËÁ‚‰ÂÌ˲ ÒÂÔÚ‡ÍÍÓ‰‡ ÎË·Ó, ̇ÔËÏÂ, ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌËÂÏ ÌÓÚ(˚) ‚ ·‡ÒÓ‚ÓÏ „ËÒÚ ÏÓÊÂÚ ·˚Ú¸ Ó·˚„‡Ì ÌÂÓÊˉ‡ÌÌ˚Ï Ó·‡ÁÓÏ ËÎË

ÌÂÔ‡‚ËθÌÓ.

PSR-2100/1100

63

ëÚËÎË

ÇÓÒÔÓËÁ‚‰ÂÌË ÚÓθÍÓ ËÚÏ˘ÂÒÍËı ‰ÓÓÊÂÍ ÒÚËÎfl

Ç˚·ÂËÚ ÒÚËθ (ÒÚ. 62).

êËÚÏ˘ÂÒÍË ͇̇Î˚ (‰ÓÓÊÍË)

1

fl‚Îfl˛ÚÒfl ÒÓÒÚ‡‚Ì˚ÏË ˜‡ÒÚflÏË

ÒÚËÎÂÈ. ÑÎfl Í‡Ê‰Ó„Ó ÒÚËÎfl

ÔËÏÂÌfl˛ÚÒfl ÓÒÓ·˚Â

ËÚÏ˘ÂÒÍË ÛÁÓ˚.

ÖÒÎË Á‡‰ÂÈÒÚ‚Ó‚‡Ì‡ ÙÛÌ͈Ëfl

2

á‡ÔÛÒÍ ËÚχ.

ÒËÌıÓÒÚ‡Ú‡ (Sync Start), Á‡ÔÛÒÍ

ËÚÏ˘ÂÒÍËı ͇̇ÎÓ‚

ÔÓËÁ‚Ó‰ËÚÒfl ̇ʇÚËÂÏ Î˛·ÓÈ

STYLE CONTROL

MAIN

ENDING

SYNC.

SYNC.

ACMP INTRO

BREAK

/ rit.

STOP

START

START/STOP

Í·‚Ë¯Ë (ÍÌÓÔ͇ [SYNC.START]).

AUTO

OTS

FILL IN

LINK

Ç˚Íβ˜ËÚ ÍÌÓÔÍÛ.

à„‡ÈÚÂ Ò ‚Íβ˜ÂÌÌ˚Ï ËÚÏÓÏ.

3

íÂÏÔ ÏÓÊÌÓ ËÁÏÂÌflÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [ ][ ] Ë [TAP TEMPO].

ëÍÓÓÒÚ¸ ÒÂËË Û‰‡Ó‚ ÔÓ ÍÌÓÔÍ [TAP TEMPO] Á‡‰‡ÂÚ ‚Â΢ËÌÛ ÚÂÏÔ‡.

óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ËÚχ,

END

̇ÊÏËÚ ÍÌÓÔÍÛ [START/STOP].

ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË/‚˚Íβ˜ÂÌË ͇̇ÎÓ‚

˝Í‡Ì BALANCE (·‡Î‡ÌÒ)

˜‡ÒÚ¸ MULTI PAD

˜‡ÒÚ¸ MIC (ÏËÍÓÙÓÌ)

Ç˚ÁÓ‚ËÚ ˝Í‡Ì

˜‡ÒÚ¸ STYLE (‡Á‰ÂÎ, Óڂ‰ÂÌÌ˚È

BALANCE.

ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ)

ó‡ÒÚË, ÍÓÚÓ˚ ˄‡˛ÚÒfl ̇

Í·‚ˇÚÛ (MAIN/LAYER/LEFT)

˜‡ÒÚ¸ SONG (ÔÂÒÌfl)

BALANCE

éÚ„ÛÎËÛÈÚ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ˜‡ÒÚË.

CHANNEL ON/OFF

PART

ä‡Ì‡Î

˝Í‡Ì CHANNEL ON/OFF

ì͇Á˚‚‡ÂÚ Í‡Ì‡Î MIDI,

ËÒÔÓθÁÛÂÏ˚È ‚ ÔÂÒÌÂ

(ÒÚ. 160). ä‡Ì‡Î˚

Ç˚ÁÓ‚ËÚ ˝Í‡Ì

‡ÒÔ‰ÂÎfl˛ÚÒfl ÒÎÂ‰Û˛˘ËÏ

Channel ON/

Ó·‡ÁÓÏ.

OFF.

ÔÂÒÌfl

Ç˚ÁÓ‚ËÚ ˝Í‡Ì STYLE Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [CHANNEL ON/OFF], ‡ Á‡ÚÂÏ

1 - 16

ÓÚÍβ˜ËÚ ÌÂÌÛÊÌ˚È ËÌÒÚÛÏÂÌÚ.

ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

9 - 16

64

PSR-2100/1100

ëÚËÎË

ÄÍÍÓ‰Ó‚‡fl ‡ÔÔÎË͇ÚÛ‡

ÇÓÒÔÓËÁ‚‰ÂÌËÂÏ ÒÚËÎfl ÏÓÊÌÓ ÛÔ‡‚ÎflÚ¸ Ò ÔÓÏÓ˘¸˛ ‡ÍÍÓ‰Ó‚ Ò΂‡ ÓÚ ÚÓ˜ÍË ‡Á·ËÂÌËfl Í·‚ˇÚÛ˚. çËÊ Ô˂‰ÂÌÓ ÓÔËÒ‡ÌËÂ

ÒÂÏË ÚËÔÓ‚ ‡ÔÔÎË͇ÚÛ˚. èÂÂȉËÚ ̇ ÒÚ‡ÌËˆÛ CHORD FINGERING (ÒÚ. 142) Ë ‚˚·ÂËÚ ӷ˙ÂÍÚ Chord Fingerings (ÚËÔ˚

‡ÍÍÓ‰Ó‚ÓÈ ‡ÔÔÎË͇ÚÛ˚). Ç˚ ۂˉËÚ ‚‡ˇÌÚ˚ ‡ÍÍÓ‰Ó‚ ‰Îfl ΂ÓÈ ÛÍË.

SINGLE FINGER (Ó‰ÌËÏ Ô‡Î¸ˆÂÏ)

чÌÌ˚È ‚‡ˇÌÚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ ÔÂÍ‡ÒÌ˚ ÓÍÂÒÚÓ‚ÍË Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ Ï‡ÊÓÌ˚ı Ë ÏËÌÓÌ˚ı

‡ÍÍÓ‰Ó‚, ‡ Ú‡ÍÊ ÒÂÔÚ‡ÍÍÓ‰Ó‚. èË ˝ÚÓÏ ‰ÓÒÚ‡ÚÓ˜ÌÓ Á‡‰ÂÈÒÚ‚Ó‚‡Ú¸ Î˯¸ ÏËÌËÏÛÏ Í·‚˯ ‚ ‡Á‰ÂΠÍ·‚ˇÚÛ˚, Óڂ‰ÂÌÌÓÏ

ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. Ç ‰‡ÌÌÓÏ ÂÊËÏ ËÒÔÓθÁÛÂÚÒfl ÛÔÓ˘ÂÌ̇fl ‡ÍÍÓ‰Ó‚‡fl ‡ÔÔÎË͇ÚÛ‡ (ÒÏ. ÌËÊÂ).

ÑÎfl ÚÓ„Ó ˜ÚÓ·˚ ‚ÁflÚ¸ χÊÓÌ˚È ‡ÍÍÓ‰, ‰ÓÒÚ‡ÚÓ˜ÌÓ

óÚÓ·˚ ‚ÁflÚ¸ ÏËÌÓÌ˚È ‡ÍÍÓ‰, ̇ÊÏËÚ ӉÌÓ‚ÂÏÂÌÌÓ

‚ÁflÚ¸ Î˯¸ Â„Ó ÓÒÌÓ‚ÌÓÈ ÚÓÌ.

Í·‚Ë¯Û ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ Ë ˜ÂÌÛ˛ Í·‚Ë¯Û Ò΂‡ ÓÚ ÌÂÂ.

C

Cm

óÚÓ·˚ ‚ÁflÚ¸ ÒÂÔÚ‡ÍÍÓ‰, ̇ÊÏËÚ ӉÌÓ‚ÂÏÂÌÌÓ

óÚÓ·˚ ‚ÁflÚ¸ ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰, ̇ÊÏËÚÂ

Í·‚Ë¯Û ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ Ë ·ÂÎÛ˛ Í·‚Ë¯Û Ò΂‡ ÓÚ ÌÂÂ.

Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò Í·‚˯ÂÈ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ·ÂÎÛ˛ Ë

˜ÂÌÛ˛ Í·‚Ë¯Ë Ò΂‡ ÓÚ ÌÂÂ.

C7

Cm7

MULTI FINGER (ÌÂÒÍÓθÍËÏË Ô‡Î¸ˆ‡ÏË)

Ç ÂÊËÏ Multi Finger ‡ÔÔÎË͇ÚÛ‡ ‡ÍÍÓ‰Ó‚, Á‡‰‡ÌÌ˚ı ÏÂÚÓ‰‡ÏË Single Finger Ë Fingered,

îÛÌ͈Ëfl ‡ÒÔÓÁ̇‚‡ÌËfl

‡ÍÍÓ‰Ó‚ ‚ ÂÊËÏ AI Full

‡ÒÔÓÁ̇ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË. ùÚÓ Û‰Ó·ÌÓ, Ú‡Í Í‡Í ÔÓÁ‚ÓÎflÂÚ ËÒÔÓθÁÓ‚‡Ú¸ β·ÓÈ ËÁ ˝ÚËı ÚËÔÓ‚

Keyboard (‚Òfl Í·‚ˇÚÛ‡)

‡ÔÔÎË͇ÚÛ˚ ·ÂÁ ÌÂÓ·ıÓ‰ËÏÓÒÚË ÔÂÂÍβ˜ÂÌËfl ÂÊËÏÓ‚. ÖÒÎË ‚ ÂÊËÏ MULTI FINGER

ÔÓ‰‰ÂÊË‚‡ÂÚÒfl ‰Îfl ‡ÍÍÓ‰Ó‚

Ú·ÛÂÚÒfl ‚ÁflÚ¸ ÏËÌÓÌ˚È ‡ÍÍÓ‰, ÒÂÔÚ‡ÍÍÓ‰ ËÎË ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ ÏÂÚÓ‰ÓÏ SINGLE

‰ÎËÚÂθÌÓÒÚ¸˛ ÔËÏÂÌÓ ÓÚ

Ó‰ÌÓÈ ‚ÓÒ¸ÏÓÈ. ÄÍÍÓ‰˚ ÏÂÌÂÂ

FINGER, ‚Ò„‰‡ ̇ÊËχÈÚ ˜ÂÌ˚Â/·ÂÎ˚ Í·‚˯Ë, ·ÎËʇȯËÂ Í ÓÒÌÓ‚ÌÓÏÛ ÚÓÌÛ ‡ÍÍÓ‰‡.

ÔÓ‰ÓÎÊËÚÂθÌÓ„Ó Á‚Û˜‡ÌËfl,

˜ÂÏ Ó‰Ì‡ ‚ÓҸχfl, ÏÓ„ÛÚ ÌÂ

FINGERED (Ú‡‰ËˆËÓÌÌ˚È)

‡ÒÔÓÁ̇‚‡Ú¸Òfl.

Ç ˝ÚÓÏ ÂÊËÏ ‚˚ ÏÓÊÂÚ ·‡Ú¸ ‡ÍÍÓ‰˚ ‚ ‡Á‰ÂÎÂ, Óڂ‰ÂÌÌÓÏ ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ,

ÔË‚˚˜Ì˚Ï ÒÔÓÒÓ·ÓÏ. ç‡ ÒÎÂ‰Û˛˘ÂÈ ÒÚ‡Ìˈ Ô‰ÒÚ‡‚ÎÂÌ ÒÔËÒÓÍ ÚËÔÓ‚ ‡ÍÍÓ‰Ó‚,

‡ÒÔÓÁ̇‚‡ÂÏ˚ı ‚ ÂÊËÏ Fingered.

FINGERED ON BASS (Ú‡‰ËˆËÓÌÌ˚È Ò ·‡ÒÓÏ)

чÌÌ˚È ÂÊËÏ ÔÓ‰‰ÂÊË‚‡ÂÚ ÚÛ Ê ‡ÔÔÎË͇ÚÛÛ, ˜ÚÓ Ë ÂÊËÏ FINGERED. éÚ΢ˠÒÓÒÚÓËÚ ‚

Ç ÂÊËÏÂ Full Keyboard (‚Òfl

ÚÓÏ, ˜ÚÓ Ò‡Ï‡fl ÌËÁ͇fl ÌÓÚ‡, Ò˚„‡Ì̇fl ‚ ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ËÒÔÓθÁÛÂÚÒfl ‚ ͇˜ÂÒÚ‚Â

Í·‚ˇÚÛ‡) ‡ÍÍÓ‰

·‡ÒÓ‚ÓÈ ÌÓÚ˚. í‡ÍËÏ Ó·‡ÁÓÏ, ‚˚ ÔÓÎÛ˜‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ·‡Ú¸ ‡ÍÍÓ‰˚ Ò ·‡ÒÓ‚ÓÈ ÌÓÚÓÈ.

‡ÒÔÓÁ̇ÂÚÒfl ÔÓ ‰‚ÛÏ ÌËÊÌËÏ

ÌÓÚ‡Ï. ÖÒÎË Ó·Â ˝ÚË ÌÓÚ˚

ç‡ÔËÏÂ, ˜ÚÓ·˚ Û͇Á‡Ú¸ ‰Ó-χÊÓÌÓ ÚÂÁ‚Û˜ËÂ Ò ·‡ÒÓÏ «ÏË», ‚ÓÁ¸ÏËÚ ‡ÍÍÓ‰ Ú‡ÍËÏ Ó·‡ÁÓÏ,

‡ÒÔÓÎÓÊÂÌ˚ ‚ Ô‰Â·ı Ó‰ÌÓÈ

˜ÚÓ·˚ «ÏË» Ó͇Á‡Î‡Ò¸ Ò‡ÏÓÈ ÌËÁÍÓÈ ÌÓÚÓÈ (ÏË-ÒÓθ-‰Ó).

ÓÍÚ‡‚˚, ÓÌË ‚ÓÒÔËÌËχ˛ÚÒfl

Í‡Í ‡ÍÍÓ‰. ÖÒÎË ËÌÚÂ‚‡Î

FULL KEYBOARD (‚Òfl Í·‚ˇÚÛ‡)

ÏÂÊ‰Û ÌËÏË Ô‚˚¯‡ÂÚ ÓÍÚ‡‚Û,

ùÚÓÚ ÏÂÚÓ‰ ÔÓÁ‚ÓÎflÂÚ ‡ÒÔÓÁ̇‚‡Ú¸ ‡ÍÍÓ‰˚, ‚ÁflÚ˚ ‚ β·ÓÏ ÏÂÒÚ Í·‚ˇÚÛ˚. ê‡ÒÔÓÁ̇‚‡ÌËÂ

҇χfl ÌËÁ͇fl ÌÓÚ‡ ÔËÌËχÂÚÒfl

‡ÍÍÓ‰Ó‚ ̇ÔÓÏË̇ÂÚ ÏÂÚÓ‰, ÔËÌflÚ˚È ‚ ÂÊËÏ Fingered. ÄÍÍÓ‰˚ ÓÔ‰ÂÎfl˛ÚÒfl ‰‡Ê ‚

Á‡ ·‡Ò, ‡ ‡ÍÍÓ‰ ÓÔ‰ÂÎflÂÚÒfl

̇ ÓÒÌÓ‚Â ‚ÚÓÓÈ ÌÓÚ˚ Ë ‰Û„Ëı

ÒÎÛ˜‡flı, ÍÓ„‰‡ ÓÌË ·ÂÛÚÒfl Ò‡ÁÛ ‰‚ÛÏfl Û͇ÏË: ̇ÔËÏÂ, ÍÓ„‰‡ ΂ÓÈ ‚˚ ·ÂÂÚ ·‡ÒÓ‚Û˛ ÌÓÚÛ, ‡

‡ÒÔÓÎÓÊÂÌÌ˚ı ‚ ÚÓÈ Ê ÓÍÚ‡‚Â

Ô‡‚ÓÈ — ‡ÍÍÓ‰, ËÎË ÍÓ„‰‡ ‡ÍÍÓ‰ ·ÂÂÚÒfl ΂ÓÈ ÛÍÓÈ, ‚ ÚÓ ‚ÂÏfl Í‡Í Ô‡‚‡fl ‚‰ÂÚ

ÌÓÚ.

ÏÂÎӉ˘ÂÒÍÛ˛ ÎËÌ˲.

AI FINGERED (Ú‡‰ËˆËÓÌÌ˚È Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ËÒÍÛÒÒÚ‚ÂÌÌÓ„Ó ËÌÚÂÎÎÂÍÚ‡)

Ç ÓÒÌÓ‚Â Ò‚ÓÂÈ ˝ÚÓÚ ÂÊËÏ Ì‡ÔÓÏË̇ÂÚ ÂÊËÏ FINGERED. Ö‰ËÌÒÚ‚ÂÌÌÓ ÓÚ΢ˠÒÓÒÚÓËÚ ‚ ÚÓÏ,

˜ÚÓ ‰Îfl Û͇Á‡ÌËfl ‡ÍÍÓ‰‡ ‰ÓÒÚ‡ÚÓ˜ÌÓ ‚ÁflÚ¸ Ì ÚË ÌÓÚ˚, ‡ ÏÂ̸¯Â. ÑÎfl ‚ÓÒÒÓÁ‰‡ÌËfl ‡ÍÍÓ‰‡

AI

ËÒÔÓθÁÛ˛ÚÒfl ҂‰ÂÌËfl Ó ÔÓÒΉÌÂÏ Ò˚„‡ÌÌÓÏ ‡ÍÍÓ‰Â Ë Ú. ‰.

àÒÍÛÒÒÚ‚ÂÌÌ˚È ËÌÚÂÎÎÂÍÚ

AI FULL KEYBOARD (‚Òfl Í·‚ˇÚÛ‡ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ËÒÍÛÒÒÚ‚ÂÌÌÓ„Ó ËÌÚÂÎÎÂÍÚ‡)

èË ‚˚·Ó ˝ÚÓ„Ó ÛÒÎÓÊÌÂÌÌÓ„Ó ÂÊËχ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PSR-2100/1100 ·Û‰ÂÚ ‡‚ÚÓχÚ˘ÂÒÍË

‡ÍÍÓÏÔ‡ÌËÓ‚‡Ú¸ ‚‡Ï ‚Ì Á‡‚ËÒËÏÓÒÚË ÓÚ Ò˚„‡ÌÌ˚ı ‚‡ÏË ÌÓÚ Ë ‡Á‰Â· Í·‚ˇÚÛ˚. à„‡Ú¸ ÔË ˝ÚÓÏ ÏÓÊÌÓ Ó·ÂËÏË Û͇ÏË. LJÏ

Ì ÔˉÂÚÒfl ÛÚÛʉ‡Ú¸ Ò·fl Û͇Á‡ÌËÂÏ ‡ÍÍÓ‰Ó‚ ‰Îfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ïÓÚfl ÂÊËÏ AI Full Keyboard Ô‰̇Á̇˜ÂÌ ‰Îfl

‡ÍÍÓÏÔ‡ÌËÓ‚‡ÌËfl ÏÌÓ„ËÏ ÔÂÒÌflÏ, ‰Îfl ÌÂÍÓÚÓ˚ı ‡‡ÌÊËÓ‚ÓÍ ÓÌ ÏÓÊÂÚ Ó͇Á‡Ú¸Òfl ÌÂÔËÂÏÎÂÏ˚Ï.

Ç ÓÒÌÓ‚Â Ò‚ÓÂÈ ˝ÚÓÚ ÂÊËÏ Ì‡ÔÓÏË̇ÂÚ ÂÊËÏ FULL KEYBOARD. Ö‰ËÌÒÚ‚ÂÌÌÓ ÓÚ΢ˠÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ ‰Îfl Û͇Á‡ÌËfl ‡ÍÍÓ‰‡

‰ÓÒÚ‡ÚÓ˜ÌÓ ‚ÁflÚ¸ Ì ÚË ÌÓÚ˚, ‡ ÏÂ̸¯Â. ÑÎfl ‚ÓÒÒÓÁ‰‡ÌËfl ‡ÍÍÓ‰‡ ËÒÔÓθÁÛ˛ÚÒfl ҂‰ÂÌËfl Ó ÔÓÒΉÌÂÏ Ò˚„‡ÌÌÓÏ ‡ÍÍÓ‰Â Ë Ú. ‰.)

çÓ̇ÍÍÓ‰˚ Ë Û̉ˆËχÍÍÓ‰˚ Ì ÔÓ‰‰ÂÊË‚‡˛ÚÒfl.

PSR-2100/1100

65

ëÚËÎË

íËÔ˚ ‡ÍÍÓ‰Ó‚, ‡ÒÔÓÁ̇‚‡ÂÏ˚ ‚ ÂÊËÏ Fingered (‚ ͇˜ÂÒÚ‚Â ÔËÏÂ‡ Ô˂‰ÂÌ˚ ‡ÍÍÓ‰˚ Ò ÓÒÌÓ‚Ì˚Ï ÚÓÌÓÏ «‰Ó»)

9

9

11

5

C

C9

C6

C6

CM7

CM7

CM7

C

5

CM7

( )

( )

( )

( )

( )

9

11

Csus4

Caug

CM7aug

Cm

Cm9

Cm6

Cm7

Cm7

Cm7

( )

( )

( )

( )

( )

9

5

9

13

CmM7

CmM7

Cm7

5

CmM7

Cdim

Cdim7

C7

C7

C7

( )

( )

( )

( )

9

11

13

9

5

C7

C7

C7

C7

C7

C7aug

C7sus4 Csus2

( )

( )

( )

( )

ç‡Á‚‡ÌË ‡ÍÍÓ‰‡ [ÒÓÍ‡˘ÂÌÌÓ] é·˚˜Ì˚È ÔÓfl‰ÓÍ

ìÒÎÓ‚ÌÓ ӷÓÁ̇˜ÂÌËÂ

ÒΉӂ‡ÌËfl ÒÚÛÔÂÌÂÈ

‡ÍÍÓ‰‡ (Ò ÓÒÌÓ‚Ì˚Ï

çÓÚ˚, Á‡Íβ˜ÂÌÌ˚ ‚

ÚÓÌÓÏ «‰Ó»)

ÍÛ„Î˚Â ÒÍÓ·ÍË, ÏÓÊÌÓ ÌÂ

Ë„‡Ú¸.

å‡ÊÓÌÓ ÚÂÁۂۘˠ[M] 1 - 3 - 5 C

èË Ì‡Ê‡ÚËË ÚÂı

çÓ̇ÍÍÓ‰ [9] 1 - 2 - 3 - 5 C9

‡ÒÔÓÎÓÊÂÌÌ˚ı fl‰ÓÏ

Í·‚˯ (‚Íβ˜‡fl ˜ÂÌ˚Â)

ëÂÍÒÚ‡ÍÍÓ‰ [6] 1 - (3) - 5 - 6 C6

‡ÍÍÓ‰ ÔÂÂÒÚ‡ÌÂÚ Á‚Û˜‡Ú¸,

9

9

ëÂÍÒÚ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ÌÓÌÓÈ [6

] 1 - 2 - 3 - (5) - 6 ËÎË 3 - 6 - 2* C6

‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ·Û‰ÂÚ

ÚÓθÍÓ ËÚÏ (ÙÛÌ͈Ëfl Chord

å‡ÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [M7] 1 - 3 - (5) - 7 CM7

Cancel). í‡ÍËÏ Ó·‡ÁÓÏ, ‚˚

9

9

å‡ÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ÌÓÌÓÈ [M7

] 1 - 2 - 3 - (5)j - 7 CM7

ÏÓÊÂÚ ‚ β·ÓÈ ÏÓÏÂÌÚ

♯♯

11

11

Ó„‡Ì˘ËÚ¸ Ô‡Ú˲

å‡ÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ Û̉ˆËÏÓÈ [M7]

]

1 - (2) - 3 - 4 - 5 - 7 ËÎË 1 - 2 - 3 - 4

CM7

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

- (5) - 7

ËÚÏ˘ÂÒÍËÏË ÙË„Û‡ÏË.

♭♭

å‡ÊÓÌÓ ÚÂÁ‚Û˜ËÂ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ 5] 1 - 3 - 5 C 5

ÇÁfl‚ ÓÒÌÓ‚ÌÓÈ ÚÓÌ ˜ÂÂÁ

♭♭

5

5

ÓÍÚ‡‚Û, ‚˚ ÛÒÎ˚¯ËÚÂ

å‡ÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [M7]

] 1 - 3 - 5 - 7 CM7

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ÓÒÌÓ‚‡ÌÌ˚È

å‡ÊÓÌÓ ÚÂÁ‚Û˜ËÂ Ò Á‡‰ÂʇÌÌÓÈ Í‚‡ÚÓÈ [sus4] 1 - 4 - 5 Csus4

Î˯¸ ̇ ÓÒÌÓ‚ÌÓÏ ÚÓÌÂ.

ÇÁfl‚ ˜ËÒÚÛ˛ Í‚ËÌÚÛ (1 + 5),

ì‚Â΢ÂÌÌÓ χÊÓÌÓ ÚÂÁ‚ۘˠ[aug] 1 - 3 - 5 Caug

‚˚ ÛÒÎ˚¯ËÚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ,

ì‚Â΢ÂÌÌ˚È Ï‡ÊÓÌÓ χÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [M7] 1 - (3) - 5 - 7 CM7aug

ÓÒÌÓ‚‡ÌÌ˚È Ì‡ ÓÒÌÓ‚ÌÓÏ

ÚÓÌÂ Ë Í‚ËÌÚÂ.

åËÌÓÌÓ ÚÂÁ‚ۘˠ[m] 1 - 3 - 5 Cm

àÌÓ„‰‡ ÒÚËθ

åËÌÓÌ˚È ÌÓ̇ÍÍÓ‰ [m9] 1 - 2 - 3 - 5 Cm9

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÌÂ

ÏÂÌflÂÚÒfl ÔË

åËÌÓÌ˚È ÒÂÍÒÚ‡ÍÍÓ‰ [m6] 1 - 3 - 5 - 6 Cm6

ÔÓÒΉӂ‡ÚÂθÌÓÏ ‚ÁflÚËË

♭♭

åËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [m7] 1 - 3 - (5) - 7 Cm7

·ÎËÁÍËı ÔÓ Á‚Û˜‡Ì˲

9

♭♭

9

‡ÍÍÓ‰Ó‚ (̇ÔËÏÂ, ÍÓ„‰‡

åËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ÌÓÌÓÈ [m7

] 1 - 2 - 3 - (5) - 7 ËÎË 3 - 7 - 2 Cm7

ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰

11

11

åËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ Û̉ˆËÏÓÈ [M7

] 1 - (2) - 3 - 4 - 5 - ( 7) Cm7

ÒΉÛÂÚ Á‡ ÏËÌÓÌ˚ÏË

å‡ÊÓÌÓ-ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [m7] 1 - 3 - (5) - 7 CmM7

ÚÂÁ‚Û˜ËflÏË).

Ç ÒËÌÚÂÁ‡ÚÓ PSR-2100/1100

9

9

å‡ÊÓÌÓ-ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ÌÓÌÓÈ [mM7

]

1 - 2 - 3 - (5) - 7 CmM7

Ô‰ÛÒÏÓÚÂ̇ ‚ÓÁÏÓÊÌÓÒÚ¸

5

åËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [m7]

] 1 - 3 - 5 - 7 Cm7 5

Ó·Û˜ÂÌËfl ËÒÔÓÎÌËÚÂÎfl

‡ÍÍÓ‰Ó‚ÓÈ Ë„ ‚ ÂÊËÏÂ

5

5

å‡ÊÓÌÓ-ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [mM7

]

1 - 3 - 5 - 7 CmM7

Fingered. ÖÒÎË ‚‡Ò ËÌÚÂÂÒÛÂÚ

ìÏÂ̸¯ÂÌÌÓ ÚÂÁ‚ۘˠ[dim] 1 - 3 - 5 Cdim

ÒÓ˜ÂÚ‡ÌË Í·‚˯ ‚ ͇ÍÓÏ-

ÎË·Ó ‡ÍÍÓ‰Â, Û͇ÊËÚÂ Â„Ó Ì‡

ìÏÂ̸¯ÂÌÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [dim7] 1 - 3 - 5 - 6 Cdim7

˝Í‡Ì CHORD FINGERING

ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓ‰ [7] 1 - 3 - (5) - 7 ËÎË 1 - (3) - 5 - 7 C7

(ÒÚ. 142), Ë ‚˚ Ò‡ÁÛ ÊÂ

9

9

ۂˉËÚÂ, ͇ÍË Í·‚˯Ë

ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [7

] 1 - 2 - 3 - (5) - 7 C7

ÌÂÓ·ıÓ‰ËÏÓ Ì‡Ê‡Ú¸.

13

13

ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ ÚÂˆ‰ÂˆËÏÓÈ [7

] 1 - 3 - 5 - 6 - 7 C7

9

9

ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ÌÓÌÓÈ [7

] 1 - 2 - 3 - (5) - 7 ËÎË 3 - 7 - 2* C7

11

11

ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓ‚˚¯ÂÌÌÓÈ Û̉ˆËÏÓÈ [7

]

1 - (2) - 3 - 4 - 5 - 7 ËÎË 1 - 2 - 3 - 4

C7

- (5) - 7

13

13

ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ÚÂˆ‰ÂˆËÏÓÈ [7

] 1 - 3 - (5) - 6 - 7 ËÎË 3 - 6 - 7 C7

9

9

ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓ‰ Ë ÔÓ‚˚¯ÂÌÌÓÈ ÌÓÌÓÈ [7

] 1 - 2 - 3 - (5) - 7 C7

5

5

ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [7

] 1 - 3 - 5 - 7 C7

ì‚Â΢ÂÌÌ˚È ‰ÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓ‰ [7aug] 1 - 3 - 5 - 7 C7aug

ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓ‰ Ò Á‡‰ÂʇÌÌÓÈ Í‚‡ÚÓÈ [7sus4] 1 - 4 - 5 - 7 C7sus4

å‡ÊÓÌÓ ÚÂÁ‚Û˜ËÂ Ò Á‡‰ÂʇÌÌÓÈ ÒÂÍÛ̉ÓÈ [sus2] 1 - 2 - 5 Csus2

* ê‡ÒÔÓÁ̇ÂÚÒfl Î˯¸ ˝Ú‡ ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ÒÚÛÔÂÌÂÈ (Ó·‡˘ÂÌËÂ). ÑÎfl ‡ÍÍÓ‰Ó‚, Ì ÓÚϘÂÌÌ˚ı Á‚ÂÁ‰Ó˜ÍÓÈ, ‰ÓÔÛÒÚËÏ˚ β·˚ ӷ‡˘ÂÌËfl.

66

PSR-2100/1100

♭♭

♭♭

♭♭

♭♭

♭♭

♭♭

♭♭

♭♭

♯♯

♭♭

♯♯

♭♭

ëÚËÎË

Ä‡ÌÊËӂ͇ Ë ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ

(óÄëíà: MAIN A/B/C/D (ÓÒÌӂ̇fl), INTRO

(ËÌÚÓ‰Û͈Ëfl), ENDING (ÙË̇Î), BREAK (·ÂÈÍ))

PSR-2100/1100 ‡ÒÔÓ·„‡ÂÚ ‡Á΢Ì˚ÏË ÚËÔ‡ÏË ˜‡ÒÚÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (Auto

Accompaniment Sections), ÍÓÚÓ˚ ÔÓÁ‚ÓÎfl˛Ú ‚‡¸ËÓ‚‡Ú¸ ‡‡ÌÊËÓ‚ÍÛ ‚ Ô‰Â·ı ÒÚËÎfl. ùÚË

чÌ̇fl ÙÛÌ͈Ëfl ÏÓÊÂÚ Ú‡ÍÊÂ

˜‡ÒÚË Ì‡Á˚‚‡˛ÚÒfl: Intro (ËÌÚÓ‰Û͈Ëfl), Main (ÓÒÌӂ̇fl), Break (·ÂÈÍ) Ë Ending (ÙË̇Î). èÂÂıÓ‰fl

ËÒÔÓθÁÓ‚‡Ú¸Òfl ÚÓθÍÓ ‰Îfl

‚ÓÒÔÓËÁ‚‰ÂÌËfl ËÚÏ˘ÂÒÍËı

‚ ÔÓˆÂÒÒ ˄˚ ÓÚ Ó‰ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ, ‚˚ ÏÓÊÂڠ΄ÍÓ ‚‚Ó‰ËÚ¸ ‚ Ò‚ÓË ‡‡ÌÊËÓ‚ÍË ˝ÎÂÏÂÌÚ

ÙË„Û (ÒÚ. 64).

ÔÓÙÂÒÒËÓ̇θÌÓ„Ó ÓÚÌÓ¯ÂÌËfl Í ‰Ë̇ÏËÍ ‡Á‚ËÚËfl ÚÂÏ˚.

Ç˚·ÂËÚ ÒÚËθ (ÒÚ. 62).

ÖÒÎË ‚˚ ̇ÊÏÂÚ ÍÌÓÔÍÛ

1

[INTRO], ‚ÓÒÔÓËÁ‚‰ÂÚÒfl

ËÌÚÓ‰Û͈Ëfl (Intro) ‚

ÒÓÔÓ‚ÓʉÂÌËË

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

èÓ͇Á‡ÌËfl ÍÌÓÔÓÍ ‚˚·Ó‡

˜‡ÒÚÂÈ — [BREAK], [INTRO],

[MAIN], [ENDING]

ÁÂÎÂÌ˚È Ò‚ÂÚÓ‰ËÓ‰

2

2-1 ÇÍβ˜ËÚ ÍÌÓÔÍÛ ACMP.

— ˜‡ÒÚ¸ Ì ‚˚·‡Ì‡.

Í‡ÒÌ˚È Ò‚ÂÚÓ‰ËÓ‰

— ˜‡ÒÚ¸ ‚˚·‡Ì‡.

STYLE CONTROL

MAIN

ENDING

SYNC.

SYNC.

Ò‚ÂÚÓ‰ËÓ‰ Ì „ÓËÚ

ACMP INTRO

BREAK

/ rit.

STOP

START

START/STOP

AUTO

OTS

— ˜‡ÒÚ¸ Ì ÒÓ‰ÂÊËÚ

FILL IN

LINK

‰‡ÌÌ˚ı Ë Ì ÏÓÊÂÚ ·˚Ú¸

ÔÓË„‡Ì‡.

Ç˚ ÏÓÊÂÚ ‰Ë̇Ï˘ÂÒÍË

2-3 ÇÍβ˜ËÚ ÍÌÓÔÍÛ SYNC. START.

ÍÓÌÚÓÎËÓ‚‡Ú¸ ÛÓ‚Â̸

„ÓÏÍÓÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡,

ÔÓÒÍÓθÍÛ Ó̇ ÏÓÊÂÚ

2-2 ç‡ÊÏËÚ ÍÌÓÔÍÛ [INTRO]. óÚÓ·˚ ˜‡ÒÚ¸ INTRO Ì ‚ÓÒÔÓËÁ‚Ӊ˷Ҹ ‚ ̇˜‡ÎÂ

Á‡‚ËÒÂÚ¸ ÓÚ ÒËÎ˚,

‡‡ÌÊËÓ‚ÍË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [INTRO].

ÔËÎÓÊÂÌÌÓÈ Í Í·‚˯‡Ï

(ÒÚ. 141).

ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [SYNC.

START] ÔË ‚Íβ˜ÂÌÌÓÏ

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ, ÓÌ

ÓÒÚ‡ÌÓ‚ËÚÒfl Ë ÒËÌÚÂÁ‡ÚÓ

PSR-2100/1100 ÔÂÂȉÂÚ ‚

ó‡ÒÚ¸ Intro Á‡ÔÛÒ͇ÂÚÒfl ÔÓ ÔÂ‚ÓÏÛ Ì‡Ê‡Ú˲ Í·‚Ë¯Ë ‚ ‡Á‰ÂΠÍ·‚ˇÚÛ˚,

ÂÊËÏ ÓÊˉ‡ÌËfl Ò ÙÛÌ͈ËÂÈ

3

ÒËÌıÓÒÚ‡Ú‡.

Óڂ‰ÂÌÌÓÏ ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, Ë ÒÏÂÌflÂÚÒfl ˜‡ÒÚ¸˛ Main.

ÑÎfl ÔÂÂıÓ‰‡ ÓÚ ˜‡ÒÚË Í

˜‡ÒÚË ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸

Ô‰‡Î¸ (ÒÚ. 142).

TӘ͇ ‡Á‰eÎeÌËfl Í·‚ˇÚÛ˚

ó‡ÒÚ¸ Break ÔÓÁ‚ÓÎflÂÚ

Ó·Ó„‡ÚËÚ¸ ËÚÏ˘ÂÒÍËÈ ÛÁÓ

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

‰Ë̇Ï˘ÂÒÍËÏË ‚‡ˇˆËflÏË

Ë ·ÂÈ͇ÏË. ùÚÓ ÔÓ‚˚¯‡ÂÚ

ÔÓÙÂÒÒËÓ̇ÎËÁÏ Á‚Û˜‡ÌËfl,

˜ÚÓ ÓÒÓ·ÂÌÌÓ ‚‡ÊÌÓ ‰Îfl

ê‡Á‰eÎ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌeÏeÌÚ‡

‚˚ÒÚÛÔÎÂÌËÈ ‚ÊË‚Û˛. ÖÒÎË

ÔË ‚Íβ˜ÂÌÌÓÏ

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚˚

̇ÊÏÂÚ ÍÌÓÔÍÛ [BREAK],

ËÚÏ˘ÂÒ͇fl ‚ÒÚ‡‚͇ ·Û‰ÂÚ

‚ÓÒÔÓËÁ‚‰Â̇ ¢ ‡Á.

ÇÓ ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl

·ÂÈ͇ ·Û‰ÂÚ ÏË„‡Ú¸

Ò‚ÂÚÓ‰ËÓ‰, Û͇Á˚‚‡˛˘ËÈ Ì‡

4

ÒÎÂ‰Û˛˘Û˛ ÔÓ ÔÓfl‰ÍÛ

éÒÌÓ‚Ì˚ ˜‡ÒÚË ÏÓÊÌÓ ÔÂÂÏ¢‡Ú¸.

˜‡ÒÚ¸ (MAIN A/B/C/D).

ÖÒÎË ÔË ‚Íβ˜ÂÌÌÓÈ ÍÌÓÔÍÂ

STYLE CONTROL

MAIN

ENDING

SYNC.

SYNC.

[AUTO FILLIN] ‚˚ ̇ÊÏÂÚÂ

ACMP INTRO

BREAK

/ rit.

STOP

START

START/STOP

AUTO

OTS

Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ MAIN [A]/[B]/

FILL IN

LINK

[C]/[D] Ò‡ÁÛ ÔÓÒΠÚÓ„Ó, ͇Í

ÓÚÁ‚Û˜ËÚ ÔÓÒΉÌflfl ‚ÓҸχfl

‚ Ú‡ÍÚÂ, ·ÂÈÍ Ì‡˜ÌÂÚÒfl ÒÓ

ÒÎÂ‰Û˛˘Â„Ó Ú‡ÍÚ‡.

ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ ‰Ó·‡‚ÎflÚ¸ ÌÓ‚˚ ·ÂÈÍË.

PSR-2100/1100

67

ëÚËÎË

äÌÓÔ͇ ÔÂÂıÓ‰‡ Í ÙË̇θÌÓÈ ˜‡ÒÚË. èÓ Á‡‚Â¯ÂÌËË ÙË̇θÌÓÈ ˜‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ

á‡ÔÛÒÍ ÒÚËÎÂÈ ÏÓÊÂÚ

5

‚˚Íβ˜‡ÂÚÒfl. èÓÒÚÂÔÂÌÌÓ Á‡Ï‰ÎÂÌË ÙË̇θÌÓÈ ˜‡ÒÚË ‰ÓÒÚË„‡ÂÚÒfl ÔÛÚÂÏ ÔÓ‚ÚÓÌÓ„Ó

ÓÒÛ˘ÂÒÚ‚ÎflÚ¸Òfl ̇ʇÚËÂÏ

̇ʇÚËfl ÍÌÓÔÍË [ENDING/rit.] ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÙË̇θÌÓÈ ˜‡ÒÚË.

ÍÌÓÔÍË STYLE [START/STOP].

óÚÓ·˚ ‚˚·‡Ú¸ ÚËÔ

STYLE CONTROL

ËÌÚÓ‰Û͈ËË (Intro) Ë ÙË̇·

MAIN

ENDING

SYNC.

SYNC.

ACMP INTRO

BREAK

/ rit.

STOP

START

START/STOP

(Ending), ÌÂÓ·ıÓ‰ËÏÓ Ì‡Ê‡Ú¸

AUTO

OTS

FILL IN

LINK

ÍÌÓÔÍÛ [E] ̇ „·‚ÌÓÏ ˝Í‡ÌÂ

(MAIN) (ÒÚ. 69).

ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [INTRO]

‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl

ÙË̇·, ˜‡ÒÚ¸ Intro ̇˜ÌÂÚ

Fade-in (ÔÓÒÚÂÔÂÌÌÓ ÛÒËÎÂÌË Á‚Û͇) Ë Fade-out (ÔÓÒÚÂÔÂÌÌÓ Á‡ÚÛı‡ÌË Á‚Û͇)

‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl Ò‡ÁÛ ÔÓ

ëÛ˘ÂÒÚ‚ÛÂÚ Û‰Ó·Ì‡fl ÙÛÌ͈Ëfl Fade-in/Fade-out, ÔÓÁ‚ÓÎfl˛˘‡fl ‰Ó·Ë‚‡Ú¸Òfl ÔÓÒÚÂÔÂÌÌÓ„Ó ÛÒËÎÂÌËfl

ÓÍÓ̘‡ÌËË ÙË̇·.

ÖÒÎË ÔË ‚Íβ˜ÂÌÌÓÈ ÍÌÓÔÍÂ

ËÎË Á‡ÚÛı‡ÌËfl Á‚Û͇ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. óÚÓ·˚ ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl Ò Ì‡‡ÒÚ‡˛˘ÂÈ

[AUTO FILLIN] ‚˚ ̇ÊËχÂÚÂ

„ÓÏÍÓÒÚ¸˛, ̇ÊÏËÚ ÍÌÓÔÍÛ [FADE IN/OUT], ‡ Á‡ÚÂÏ ‚Íβ˜ËÚ ÍÌÓÔÍÛ SYNC. START

ÍÌÓÔÍÛ MAIN ‚Ó ‚ÂÏfl

(ÒËÌıÓÌÌ˚È Á‡ÔÛÒÍ). óÚÓ·˚ ÓÚÏÂÌËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl Ò Ì‡‡ÒÚ‡˛˘ÂÈ „ÓÏÍÓÒÚ¸˛, ¢Â

‚ÓÒÔÓËÁ‚‰ÂÌËfl ÙË̇·,

·ÂÈÍ Ì‡˜ÌÂÚ

‡Á ̇ÊÏËÚ ÚÛ Ê ÍÌÓÔÍÛ.

‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl

óÚÓ·˚ Á‡‰‡Ú¸ ÔÓÒÚÂÔÂÌÌÓ ÒÌËÊÂÌË „ÓÏÍÓÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ̇ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ ‚Ó ‚ÂÏfl

ÌÂωÎÂÌÌÓ Ë ·Û‰ÂÚ

Â„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl. ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Ú‡ÍÊ Á‡‰‡Ú¸ ‚ÂÏÂÌÌ˚ ԇ‡ÏÂÚ˚ (ÒÚ. 151).

ÔÓË„˚‚‡Ú¸Òfl ‚ÏÂÒÚ Ò

ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚ¸˛.

ÄÍÍÓÏÔ‡ÌÂÏÂÌÚ ÏÓÊÌÓ

éÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ÔË ÒÌflÚËË ÛÍ Ò Í·‚ˇÚÛ˚

Á‡ÔÛÒÚËÚ¸, ËÒÔÓθÁÛfl ÙË̇Î

‚ÏÂÒÚÓ ËÌÚÓ‰Û͈ËË. Ç ˝ÚÓÏ

(SYNC. STOP)

ÒÎÛ˜‡Â ‡‚ÚÓ‡ÍÍÓχÌÂÏÂÌÚ

·Û‰ÂÚ ÔÓ‰ÓÎʇڸ

‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ÔÓÒÎÂ

ÇÍβ˜ÂÌË ÙÛÌ͈ËË Synchro Stop (ÒËÌıÓÌ̇fl ÓÒÚ‡Ìӂ͇) ÔË‚Ó‰ËÚ Í ÚÓÏÛ, ˜ÚÓ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ

Á‡‚Â¯ÂÌËfl ÙË̇θÌÓÈ

ÓÒڇ̇‚ÎË‚‡ÂÚÒfl ÔË ÓÚÒÛÚÒÚ‚ËË Ì‡Ê‡Ú˚ı Í·‚˯ ‚ ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. èÓÒΠÚÓ„Ó, ͇Í

˜‡ÒÚË.

·Û‰ÂÚ Ì‡Ê‡Ú‡ Ӊ̇ ËÁ Í·‚˯ ‚ ‰‡ÌÌÓÏ ‡Á‰ÂΠÍ·‚ˇÚÛ˚, ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Á‡ÔÛÒÚËÚÒfl ÒÌÓ‚‡.

ÖÒÎË ‚˚ ¯ËÚ ÒÏÂÌËÚ¸

ÒÚËθ ‚ ÂÊËÏÂ

ÓÚÍβ˜ÂÌÌÓ„Ó

ÇÍβ˜ËÚ ÍÌÓÔÍÛ ACMP (‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ).

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÚÂÏÔ

1

ÌÓ‚Ó„Ó ÒÚËÎfl ·Û‰ÂÚ ‚˚·‡Ì ÔÓ

ÛÏÓΘ‡Ì˲. í‡ Ê ÓÔÂ‡ˆËfl

ÔË ‚Íβ˜ÂÌÌÓÏ

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ÌÂ

ÔË‚Ó‰ËÚ Í ÒÏÂÌ ÚÂÏÔ‡.

ÇÍβ˜ËÚ ÍÌÓÔÍÛ SYNC. STOP (ÒËÌıÓÌ̇fl ÓÒÚ‡Ìӂ͇). èË ˝ÚÓÏ

èË ‚Íβ˜ÂÌÌÓÈ ÍÌÓÔÍÂ

2

‡‚ÚÓχÚ˘ÂÒÍË ‚Íβ˜‡ÂÚÒfl ÂÊËÏ SYNC. START (ÒËÌıÓÌÌ˚È Á‡ÔÛÒÍ).

STOP ACMP Ë ÓÚÍβ˜ÂÌÌÓÏ

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚ ‡Á‰ÂÎÂ

STYLE CONTROL

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÏÓÊÌÓ

MAIN

ENDING

SYNC.

SYNC.

ACMP INTRO

BREAK

/ rit.

STOP

START

START/STOP

Í‡Í ·‡Ú¸ ‡ÍÍÓ‰˚, Ú‡Í Ë

AUTO

OTS

FILL IN

LINK

‚ÂÒÚË ·‡ÒÓ‚Û˛ ÎËÌ˲

(ÒÚ. 141).

ëÚËθ Á‡ÔÛÒÚËÚÒfl Ò‡ÁÛ, Í‡Í ÚÓθÍÓ ‚˚ ‚ÓÁ¸ÏÂÚ ‡ÍÍÓ‰ ‚ ‡Á‰ÂÎÂ

3

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

TӘ͇ ‡Á‰eÎeÌËfl Í·‚ˇÚÛ˚

îÛÌÍˆË˛ SYNC. STOP ÏÓÊÌÓ

ËÒÔÓθÁÓ‚‡Ú¸ ÔË

Í‡ÚÍÓ‚ÂÏÂÌÌÓÏ Ì‡Ê‡ÚËË

Í·‚˯ ‚ ‡Á‰ÂÎÂ

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 141).

ê‡Á‰eÎ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌeÏeÌÚ‡

è‡ÚËfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ·Û‰ÂÚ ÓÒڇ̇‚ÎË‚‡Ú¸Òfl ‚ÒflÍËÈ ‡Á ‚ Ô‡ÛÁ‡ı ÏÂʉÛ

4

Ô‡ÚËflÏË Î‚ÓÈ ÛÍË.

ëËÌıÓÌ̇fl ÓÒÚ‡Ìӂ͇ ÌÂ

ÏÓÊÂÚ ·˚Ú¸ Á‡‰ÂÈÒÚ‚Ó‚‡Ì‡ ÔË

‚˚·Ó ÂÊËχ Full Keyboard/

AI Full Keyboard ËÎË ÔË

ÓÚÍβ˜ÂÌÌÓÏ

ÖÒÎË ‚˚ ‚ÓÁ¸ÏÂڠ΂ÓÈ ÛÍÓÈ

ë˜ÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸

5

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ.

‡ÍÍÓ‰, Ô‡ÚËfl

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ̇ÊÏËÚÂ

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇˜ÌÂÚ

END

¢ ‡Á ÍÌÓÔÍÛ SYNC.

‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl Ò Ì‡˜‡Î‡.

[STOP]/[SYNC. START].

68

PSR-2100/1100

ëÚËÎË

Ç˚·Ó ÚËÔÓ‚ ËÌÚÓ‰Û͈ËÈ Ë ÙË̇ÎÓ‚ (INTRO/ENDING)

óÚÓ·˚ ÔÂÂÈÚË Í „·‚ÌÓÏÛ

1

˝Í‡ÌÛ [MAIN], Ò̇˜‡Î‡ ̇ÊÏËÚÂ

ÍÌÓÔÍÛ [DIRECT ACCESS], ‡

A

Á‡ÚÂÏ — ÍÌÓÔÍÛ [EXIT].

B

C

D

E

D

èÓË„‡ÈÚ ÒÚËθ

2

3

E

Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ

ËÌÚÓ‰Û͈ËË (Intro)

Ç˚·ÂËÚ ËÌÚÓ‰ÛÍˆË˛

ËÎË ÙË̇· (Ending)

Ç˚·ÂËÚ ÙË̇Î

(ÒÚ. 30, 31).

Ä‚ÚÓχÚ˘ÂÒÍÓ ÔÓË„˚‚‡ÌË ‚ÒÚ‡‚ÓÍ ÔË ÔÂÂıÓ‰Â

ÇÒÚ‡‚͇

ÓÚ Ó‰ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ — Auto Fill In

äÓÓÚ͇fl ÏÛÁ˚͇θ̇fl Ù‡Á‡,

ÔËÏÂÌflÂχfl ‰Îfl ‚‡¸ËÓ‚‡ÌËfl

ÒÚËÎfl.

STYLE CONTROL

MAIN

ENDING

SYNC.

SYNC.

1

ACMP INTRO

BREAK

/ rit.

STOP

START

START/STOP

AUTO

OTS

FILL IN

LINK

óÚÓ·˚ ‰Ó·‡‚ËÚ¸ ‚ÒÚ‡‚ÍÛ,

èÓË„‡ÈÚ ÒÚËθ Ë ÔÓÔÓ·ÛÈÚ ‚Ó ‚ÂÏfl Ë„˚ ÔÂÂÍβ˜‡Ú¸ ˜‡ÒÚË

2

ÏÓÊÌÓ Ú‡ÍÊ ̇ʇڸ ¢ ‡Á

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 30, 31).

ÍÌÓÔÍÛ MAIN.

ÇÒÚ‡‚ÍË ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË ‚ ÔÂÂ˚‚‡ı ÏÂÊ‰Û ÓÒÌÓ‚Ì˚ÏË ˜‡ÒÚflÏË.

îÛÌÍˆË˛ Auto Fill In

(‡‚ÚÓÁ‡ÔÓÎÌÂÌËÂ) ÏÓÊÌÓ

‚ÂÏÂÌÌÓ ÓÚÍβ˜ËÚ¸ ÔÛÚÂÏ

·˚ÒÚÓ„Ó ‰‚ÛÍ‡ÚÌÓ„Ó Ì‡Ê‡ÚËfl

óÚÓ·˚ ÓÚÍβ˜ËÚ¸ ÙÛÌÍˆË˛ Auto Fill, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [AUTO FILLIN].

ÍÌÓÔÍË, ÓÚÌÓÒfl˘ÂÈÒfl Í

END

ÒÎÂ‰Û˛˘ÂÈ ÔÓ ÔÓfl‰ÍÛ ˜‡ÒÚË.

PSR-2100/1100

69

ëÚËÎË

ç‡ÒÚÓÈ͇ ‚˚·‡ÌÌÓ„Ó ÒÚËÎfl

ÛÌ͈Ëfl ONE TOUCH SETTING)

ì‰Ó·ÒÚ‚Ó ÙÛÌ͈ËË One Touch Setting (̇ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË») ÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ Ó̇ ӷ΄˜‡ÂÚ ÔÓ‰·Ó ̇˷ÓΠÔÓ‰ıÓ‰fl˘Ëı ‰Îfl

ÒÚËÎfl „ÓÎÓÒÓ‚ Ë ˝ÙÙÂÍÚÓ‚. ä‡Ê‰˚È ËÁ ‚ÒÚÓÂÌÌ˚ı ÒÚËÎÂÈ ÒÛ˘ÂÒÚ‚ÛÂÚ ‚ ˜ÂÚ˚Âı ‚‡ˇÌÚ‡ı, ÍÓÚÓ˚ ÏÓÊÌÓ ‚˚·Ë‡Ú¸ ·ÛÍ‚‡Î¸ÌÓ «‚

Ó‰ÌÓ Í‡Ò‡ÌË».

BACK NEXT

HOLD

LEFT

VOICE EFFECT

SUSTAIN

ECHO

HARMONY/

MONOTOUCH

DSP

VARIATION

DIGITAL

VOIC E

SOUND CREATOR

STUDIO

MAIN

PIANO & HARPSI.

E.PIANO

ACCORDION

ORGAN &

PERCUSSION

DIGITAL RECORDING

A

F

GUITAR

BASS

BRASS

WOODWIND

B

G

LAYER

MIXING CONSOLE

C

H

LEFT

STRINGS CHOIR & PAD

SYNTH.

XG

D

I

MENU

USER

ORGAN FLUTES

DEMO

E

J

MUSIC

UPPER OCTAVE

FINDER

HELP

MIC.

VH TYPE

OVER

SELECT

SETTING

MIC.

HARMONY

VOCAL

RESET

TALK

EFFECT

FUNCTION

SIGNAL

DIRECT

BALANCE

ENTER

ONE TOUCH SETTING

ACCESS

EXIT

CHANNEL ON/OFF

PART

REGISTRATION MEMORY

DATA E NTRY

FREEZE MEMORY

70

PSR-2100/1100

81 2 3 4 5 6 7

SONG

TRACKS

EXTRA

TRACK

2

TRACK

1 REPEAT

NOME

METRO-

(STYLE) (R)(L)

REC REW FF

TOP

START/STOP

STYLE

NEW SONG SYNC. START

POP & ROCK

SWING &

JAZZ

BALLROOM

MARCH &

WALTZ

BALLAD USERLATIN

DANCE

PART

TRANSPOSE

TEMPO

TAP TEMPO

ONE TOUCH SETTING

MASTER VOLUME

RESET

RESET

STOP

FADE

MULTI PAD

IN/OUT

MIN MAX

STYLE CONTROL

ACMP

BREAK

INTRO

MAIN

ENDING

/ rit.

SYNC.

STOP

START

SYNC.

STANDBY

AUTO

FILL IN

LINK

OTS

START/STOP

ON

Ç˚·ÂËÚ ÒÚËθ (ÒÚ. 62).

1

ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ ONE TOUCH SETTING ([1] - [4]).

ëÚËθ Á‡ÔÛÒÚËÚÒfl Ò‡ÁÛ,

2

3

Í‡Í ÚÓθÍÓ ‚˚ ‚ÓÁ¸ÏÂÚÂ

Í‡ÒÌ˚È Ò‚ÂÚÓ‰ËÓ‰ — ̇ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» ‚˚·‡Ì‡.

‡ÍÍÓ‰ ‚ ‡Á‰ÂÎÂ

ONE TOUCH SETTING

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

Ò‚ÂÚÓ‰ËÓ‰ Ì „ÓËÚ — ‰‡ÌÌ˚ı

TӘ͇ ‡Á‰eÎeÌËfl Í·‚ˇÚÛ˚

ÔÓ Ì‡ÒÚÓÈÍ «‚ Ó‰ÌÓ Í‡Ò‡ÌË»

ÌÂÚ. äÌÓÔ͇ ̇ÒÚÓÈÍË ÌÂ

ÙÛÌ͈ËÓÌËÛÂÚ.

ÁÂÎÂÌ˚È Ò‚ÂÚÓ‰ËÓ‰ — ̇ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» Ì ‚˚·‡Ì‡.

ê‡Á‰eÎ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌeÏeÌÚ‡

ëÛ˘ÂÒÚ‚ÛÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ Ï„ÌÓ‚ÂÌÌÓ„Ó ËÁÏÂÌÂÌËfl ˆÂÎÓ„Ó fl‰‡ ÓÚÌÓÒfl˘ËıÒfl Í ÒÚËβ

Ô‡‡ÏÂÚÓ‚ (̇ÔËÏÂ, „ÓÎÓÒ‡, ˝ÙÙÂÍÚÓ‚ Ë Ú. ‰.) èË ˝ÚÓÏ Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚ ·ÂÛÚÒfl

ËÁ Ô‡ÏflÚË ÒËÌÚÂÁ‡ÚÓ‡, ÍÛ‰‡ ÓÌË ·˚ÎË ‡Ì Á‡ÌÂÒÂÌ˚. äÓ„‰‡ ÒÚËθ Ì ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl,

ÙÛÌ͈ËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒ͇ ‚Íβ˜‡˛ÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË.

ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Ô‡‡ÏÂÚ‡ı ̇ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË» Ô˂‰ÂÌ˚ ‚

Ò·ÓÌËÍ ڇ·Îˈ (Ú‡·Îˈ‡ Ô‡‡ÏÂÚÓ‚).

éÒÚ‡ÌÓ‚ËÚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ.

4

STYLE CONTROL

MAIN

ENDING

SYNC.

SYNC.

ACMP INTRO

BREAK

/ rit.

STOP

START

START/STOP

AUTO

OTS

FILL IN

LINK

èÓÔÓ·ÛÈÚ ËÒÔÓθÁÓ‚‡Ú¸ ‰Û„Û˛ ̇ÒÚÓÈÍÛ. Ç˚ ÏÓÊÂÚ ڇÍÊ ÒÓÁ‰‡Ú¸

5

̇ÒÚÓÈÍÛ Ò‡ÏÓÒÚÓflÚÂθÌÓ. (ÒÚ. 71).

ONE TOUCH SETTING

ëÚËÎË

Ä‚ÚÓχÚ˘ÂÒ͇fl ÒÏÂ̇ ̇ÒÚÓÂÍ ÔË ÔÂÂıӉ ÓÚ Ó‰ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ — OTS Link

ì‰Ó·ÒÚ‚Ó ÙÛÌ͈ËË OTS Link (ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ̇ÒÚÓÂÍ «‚ Ó‰ÌÓ Í‡Ò‡ÌË») ÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ Ó̇ ÔÓÁ‚ÓÎflÂÚ ÏÂÌflÚ¸ ̇ÒÚÓÈÍË

ÔË ÔÂÂıӉ ÓÚ Ó‰ÌÓÈ ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ (A – D).

èË ˝ÚÓÏ ‚˚ÁÓ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ Ì‡ÒÚÓÈÍË

ëÏÂ̇ ̇ÒÚÓÂÍ ÔË ÔÂÂıÓ‰Â

AUTO

OTS

1

2

FILL IN

LINK

ÓÚ ˜‡ÒÚË Í ˜‡ÒÚË ÏÓÊÂÚ

ÔÓËÁ‚Ó‰ËÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË.

ÔÓËÒıÓ‰ËÚ¸ ‚ ‡ÁÌÓ ‚ÂÏfl

éÒÌÓ‚Ì˚ ˜‡ÒÚË A, B, C Ë D ÔË‚flÁ‡Ì˚ Í ÍÌÓÔ͇Ï

(ÒÚ. 141):

̇ÒÚÓÈÍË 1, 2, 3 Ë 4 ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ.

Ò‡ÁÛ ÔÓÒΠ̇ʇÚËfl ÍÌÓÔÍË,

ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ˝ÚÓÈ

˜‡ÒÚË;

Ò Ì‡˜‡ÎÓÏ ÒÎÂ‰Û˛˘Â„Ó

(ÔÓÒΠ̇ʇÚËfl ÍÌÓÔÍË)

Ú‡ÍÚ‡ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

óÚÓ·˚ ‚˚Íβ˜ËÚ¸ ÙÛÌÍˆË˛ OTS Link, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [OTS LINK].

END

ëÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌÓÈ Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË» (ONE TOUCH SETTING)

ùÚÓÚ ‡Á‰ÂÎ ÔÓÒ‚fl˘ÂÌ ÒÓÁ‰‡Ì˲ ÒÓ·ÒÚ‚ÂÌÌ˚ı ̇ÒÚÓÂÍ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» (˜ÂÚ˚ ̇ÒÚÓÈÍË Ì‡ ÒÚËθ). ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl

Ó Ô‡‡ÏÂÚ‡ı ̇ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË» Ô˂‰ÂÌ˚ ‚ Ò·ÓÌˈ ڇ·Îˈ (Ú‡·Îˈ‡ Ô‡‡ÏÂÚÓ‚).

MEMORY

Ç˚·ÂËÚ ÒÚËθ.

éÚ‰‡ÍÚËÛÈÚÂ

ç‡ÊÏËÚ ÍÌÓÔÍÛ

1

2

3

Ô‡‡ÏÂÚ˚ ̇ÒÚÓÈÍË Ò

[MEMORY].

ÔÓÏÓ˘¸˛ ˝ÎÂÏÂÌÚÓ‚

ÛÔ‡‚ÎÂÌËfl ̇ ÔÂ‰ÌÂÈ

Ô‡ÌÂÎË.

ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ ONE TOUCH SETTING ([1] - [4]).

4

ONE TOUCH SETTING

ç‡ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» ÔÓ‰‰ÂÊË‚‡ÂÚ Á‡ÔÓÏË̇ÌË ڇÍËı Ô‡‡ÏÂÚÓ‚, Í‡Í Voice („ÓÎÓÒ), Harmony

(„‡ÏÓÌËfl), Multi Pad (ÏÛθÚËÔ˝‰) Ë Pedal (Ô‰‡Î¸).

çÂÒÓı‡ÌÂÌÌ˚ Á̇˜ÂÌËfl

èÓfl‚ÎflÂÚÒfl Ô‰ÎÓÊÂÌË ÒÓı‡ÌËÚ¸ ÚÂÍÛ˘ËÈ ÒÚËθ. Ç˚·ÂËÚ ÓÚ‚ÂÚ ‚‡ˇÌÚ

Ô‡‡ÏÂÚÓ‚ ÒÚË‡˛ÚÒfl ÔË

ÔÂÂıÓ‰Â Í ‰Û„ÓÏÛ ÒÚËβ

YES, ˜ÚÓ·˚ ÔÂÂÈÚË Í ˝Í‡ÌÛ STYLE, ‡ Á‡ÚÂÏ ÒÓı‡ÌËÚ ԇ‡ÏÂÚ˚ ̇ÒÚÓÈÍË

END

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

(ÒÚ. 39, 47).

PSR-2100/1100

71

ëÚËÎË

Ç˚ÁÓ‚ ̇˷ÓΠۉ‡˜ÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ — Music Finder

чÌ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Ï„ÌÓ‚ÂÌÌÓ ‚˚Á˚‚‡Ú¸ ÌÂÓ·ıÓ‰ËÏ˚ ÍÓÌÙË„Û‡ˆËË Á̇˜ÂÌËÈ Ú‡ÍËı

Ô‡‡ÏÂÚÓ‚, ͇Í, ̇ÔËÏÂ, „ÓÎÓÒ, ÒÚËθ ËÎË Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË». ÑÎfl ˝ÚÓ„Ó ‰ÓÒÚ‡ÚÓ˜ÌÓ

á‡ÔËÒË Ë ‰ÂÈÒÚ‚Ëfl Ò ÌËÏË,

Î˯¸ ‚˚·‡Ú¸ ̇Á‚‡ÌË ÔÂÒÌË. ÖÒÎË Ú·ÛÂÚÒfl ‚ÓÒÔÓËÁ‚ÂÒÚË ÓÔ‰ÂÎÂÌÌÛ˛ ÔÂÒÌ˛, ‡ ‚˚ ÌÂ

Ô˂‰ÂÌÌ˚ ‚ ÓÔËÒ‡ÌËË

Á̇ÂÚÂ, Í‡Í ÎÛ˜¯Â ‚ÒÂ„Ó Ì‡ÒÚÓËÚ¸ Ô‡‡ÏÂÚ˚ „ÓÎÓÒ‡ Ë ÒÚËÎfl, Music Finder ÔÓÏÓÊÂÚ ‚‡Ï ‚ ˝ÚÓÏ.

ÙÛÌ͈ËË MUSIC FINDER, ‰‡Ì˚

Î˯¸ ‰Îfl ÔËÏÂ‡. Ç˚ ÏÓÊÂÚÂ

«á‡ÔËÒ¸», ÒÓÒÚÓfl˘Û˛ ËÁ ÂÍÓÏẨÛÂÏ˚ı Á̇˜ÂÌËÈ Ô‡‡ÏÂÚÓ‚, ÏÓÊÌÓ ‰‡ÍÚËÓ‚‡Ú¸ Ë

Ò‡ÏÓÒÚÓflÚÂθÌÓ Á‡‰‡‚‡Ú¸

ÒÓı‡ÌflÚ¸. í‡ÍËÏ Ó·‡ÁÓÏ, ‚˚ ÔÓÎÛ˜‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÒÓÁ‰‡‚‡Ú¸ Ë ÒÓı‡ÌflÚ¸ Á‡ÔËÒË Music Finder

Ô‡‡ÏÂÚ˚ ‚ÓÒÔÓËÁ‚‰ÂÌËfl

‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ‚ ·Û‰Û˘ÂÏ.

β·ËÏ˚ı ÔÂÒÂÌ.

VOICE EFFECT

BACK NEXT

LEFT

HOLD

SUSTAIN

HARMONY/

ECHO

MONOTOUCH

DSP

VARIATION

èÓÏÌËÚÂ, ˜ÚÓ MUSIC FINDER

DIGITAL

VOIC E

E.PIANO

ACCORDION

ORGAN &

SOUND CREATOR

STUDIO

MAIN

PIANO & HARPSI.

PERCUSSION

˝ÙÙÂÍÚË‚Ì˚È ÔÓÏÓ˘ÌËÍ ‰Îfl

DIGITAL RECORDING

A

F

BASS

B

LAYER

GUITAR

BRASS

WOODWIND

G

‡‚ÚÓχÚ˘ÂÒÍÓ„Ó Ì‡ıÓʉÂÌËfl

MIXING CONSOLE

C

H

LEFT

STRINGS CHOIR & PAD

SYNTH.

XG

D

I

MENU

USER

ORGAN FLUTES

ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ÒÚËÎÂÈ ‡Í-

DEMO

E

J

FINDER

MUSIC

UPPER OCTAVE

HELP

MIC.

VH TYPE

MIC.

VOCAL

RESET

ÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë „ÓÎÓÒÓ‚ ‰Îfl

OVER

SELECT

SETTING

HARMONY

TALK

EFFECT

FUNCTION

SIGNAL

BALANCE

ONE TOUCH SETTING

‚‡¯Â„Ó ËÒÔÓÎÌÂÌËfl. çÓ ‰‡ÊÂ

ACCESS

DIRECT

EXIT

ENTER

CHANNEL ON/OFF

ÂÒÎË ‚˚ Û͇ÊÂÚ ̇Á‚‡ÌËÂ

PART

REGISTRATION MEMORY

DATA ENTRY

FREEZE MEMORY

ÔÂÒÌË, ‚ ÌÂÈ ÏÓÊÂÚ Ì ÒÓ‰Â-

ʇڸÒfl ‰‡ÌÌ˚ı.

72

PSR-2100/1100

81 2 3 4 5 6 7

MUSIC

SONG

TRACKS

EXTRA

TRACK

2

TRACK

1 REPEAT

NOME

METRO-

FINDER

(STYLE) (R)(L)

REC REW FF

TOP

START/STOP

STYLE

NEW SONG SYNC. START

POP & ROCK

SWING &

JAZZ

BALLROOM

MARCH &

WALTZ

BALLAD USERLATIN

DANCE

PART

TRANSPOSE

TEMPO

TAP TEMPO

MASTER VOLUME

RESET

RESET

STOP

MULTI PAD

IN/OUT

FADE

MIN MAX

STYLE CONTROL

ACMP

BREAK

INTRO

MAIN

ENDING

/ rit.

SYNC.

SYNC.

FILL IN

AUTO

OTS

STOP

START

LINK

START/STOP

ON

STANDBY

F

G

H

I

J

81 2 3 4 5 6 7

MUSIC

FINDER

1

Ç˚·ÂËÚ Á‡ÔËÒ¸. ÇÓÁ¸ÏËÚÂ, ̇ÔËÏÂ, ‚ÂıÌ˛˛

Á‡ÔËÒ¸ ‚ ÒÔËÒÍÂ Ë ÔËÏÂÌËÚÂ Í ÌÂÈ ÂÍÓÏẨӂ‡ÌÌ˚Â

ALL (‚ÒÂ)............................. éÚÓ·‡ÊÂÌË ‚ÒÂı Á‡ÔËÒÂÈ.

2

̇ÒÚÓÈÍË, ̇ʇ‚ ÍÌÓÔÍÛ [1▲▼].

FAVORITE (β·ËÏ˚Â)....... Ç˚‚Ó‰ ̇ ˝Í‡Ì ‚ÒÂı Á‡ÔËÒÂÈ Ì‡ ÒÚ‡Ìˈ «Favorite».

чÌÌ˚Â, ÍÓÚÓ˚ ‚˚ ۂˉËÚÂ, Ë Ì‡Á˚‚‡˛ÚÒfl

SEARCH1,2 (ÔÓËÒÍ 1,2) .....éÚÓ·‡ÊÂÌË ÂÁÛθڇÚÓ‚ ÙÛÌ͈ËË SEARCH (ÔÓËÒÍ) (ÒÚ. 73).

«Á‡ÔËÒ¸˛».

äÌÓÔ͇ ÒÓÚËÓ‚ÍË Á‡ÔËÒÂÈ

MUSIC (̇Á‚‡ÌËÂ) .....ÔÓ Ì‡Á‚‡ÌËflÏ ÔÂÒÂÌ.

STYLE (ÒÚËθ)............ÔÓ Ì‡Á‚‡ÌËflÏ ÒÚËÎÂÈ.

BEAT (‡ÁÏÂ)...........ÔÓ ‡ÁÏÂÛ ÔÂÒÌË.

TEMPO (ÚÂÏÔ) ............ÔÓ ÚÂÏÔÛ.

äÌÓÔ͇ ËÁÏÂÌÂÌËfl ÔÓfl‰Í‡ Ô‰ÒÚ‡‚ÎÂÌËfl

Á‡ÔËÒÂÈ (ÓÚ «Ä» ‰Ó «ü» ËÎË Ì‡Ó·ÓÓÚ).

äÌÓÔ͇ ‰Ó·‡‚ÎÂÌËfl ‚˚‰ÂÎÂÌÌÓÈ Á‡ÔËÒË Ì‡ ÒÚ‡ÌËˆÛ FAVORITE

Ç˚·ÂËÚÂ

èË Ì‡Ê‡ÚËË ÍÌÓÔÍË [H], ÔÓfl‚ÎflÂÚÒfl ‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ «Add

Á‡ÔËÒ¸ ÔÓ

selected data to the favorite list? YES/NO».

̇Á‚‡Ì˲ ÔÂÒÌË.

óÚÓ·˚ Á‡ÌÂÒÚË ‚˚‰ÂÎÂÌÌÛ˛ ÒÚ‡ÌËˆÛ Ì‡ ÒÚ‡ÌËˆÛ FAVORITE,

ëÓÚËÛfl Á‡ÔËÒË

‚˚·ÂËÚÂ ÓÚ-‚ÂÚ [YES].

ÔÓ Ì‡Á‚‡ÌËflÏ

óËÒÎÓ Á‡ÔËÒÂÈ

ÑÎfl Û‰‡ÎÂÌËfl Á‡ÔËÒË, ‚˚·ÂËÚ Á‡ÔËÒ¸ ̇ ÒÚ‡ÌˈÂ

ÔÂÒÂÌ, ÏÓÊÌÓ

̇ ÒÚ‡ÌˈÂ.

«FAVORITE» Ë Ì‡ÊÏËÚ [H](DELETE FROM FAVORITE).

ÔÂÂÏ¢‡Ú¸Òfl ÔÓ

‡ÎÙ‡‚ËÚÌÓÏÛ

ÒÔËÒÍÛ Ò

ÔÓÏÓ˘¸˛ ÍÌÓÔÍË

èÓËÒÍ Á‡ÔËÒÂÈ Ç‚Â‰ËÚ ÛÒÎÓ‚Ë ÔÓËÒ͇ ̇ ˝Í‡Ì MUSIC FINDER

[1▲▼]. óÚÓ·˚

SEARCH (ÒÚ. 73). êÂÁÛθڇÚ˚ SEARCH 1 (ÔÂ‚Ó„Ó ÔÓËÒ͇) ËÎË 2

ÔÂÂÈÚË Í ÔÂ‚ÓÈ

(‚ÚÓÓ„Ó ÔÓËÒ͇) ÓÚÓ·‡Ê‡˛ÚÒfl ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ Ì‡ ÒÚ‡Ìˈ‡ı

Á‡ÔËÒË ‚ ÒÔËÒÍÂ,

(SEARCH 1 or SEARCH 2).

Ó‰ÌÓ‚ÂÏÂÌÌÓ

̇ÊÏËÚ ÍÌÓÔÍË

äÌÓÔÍË ‚˚ÁÓ‚‡ ˝Í‡Ì‡ MUSIC FINDER RECORD EDIT (ÒÚ. 74) (˝Í‡Ì

[▲▼].

Ç˚·ÂËÚ Á‡ÔËÒ¸ ÔÓ Ì‡Á‚‡Ì˲ ÔÂÒÌË. èË

‰‡ÍÚËÓ‚‡ÌËfl ‚˚‰ÂÎÂÌÌÓÈ Á‡ÔËÒË).

ÒÓÚËÓ‚Í Á‡ÔËÒÂÈ ÔÓ Ì‡Á‚‡ÌËflÏ ÔÂÒÂÌ ˝ÚË

ÍÌÓÔÍË ËÒÔÓθÁÛ˛ÚÒfl ‰Îfl ‚˚·Ó‡ ÒÚËÎÂÈ

ÇÍβ˜ÂÌËÂ/ÓÚÍβ˜ÂÌË ÍÌÓÔÍË TEMPO LOCK. îÛÌ͈Ëfl TEMPO LOCK

(Ô‰˚‰Û˘ËÈ ÒÚËθ/ÒÎÂ‰Û˛˘ËÈ ÒÚËθ).

ÔÓÁ‚ÓÎflÂÚ ËÁ·Âʇڸ ËÁÏÂÌÂÌËfl ÚÂÏÔ‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

óÚÓ·˚ ÔÂÂÈÚË Í ÔÂ‚ÓÈ Á‡ÔËÒË ‚ ÒÔËÒÍÂ,

ÔË ‚˚·Ó ‰Û„ÓÈ Á‡ÔËÒË. ÇÍβ˜ÂÌËÂ/ÓÚÍβ˜ÂÌË ‰‡ÌÌÓÈ ÙÛÌ͈ËË ‚ÎËflÂÚ

Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [▲▼].

̇ ‚Ò ÒÚ‡Ìˈ˚ (ALL/FAVORITE/SEARCH 1/SEARCH 2).

éˆÂÌËÚ Á‚Û˜‡ÌË ÒÚËÎfl (ÒÚ. 63).

á‡ÔËÒË ÏÓÊÌÓ ‚˚·Ë‡Ú¸,

3

‚‡˘‡fl ‰ËÒÍ ÛÔ‡‚ÎÂÌËfl [DATA

ENTRY] Ë Ì‡ÊËχfl ÍÌÓÔÍÛ

[ENTER] ‰Îfl ÔÓ‰Ú‚ÂʉÂÌËfl

‚˚·Ó‡.

ëÚËÎË

èÓËÒÍ Ì‡Ë·ÓΠۉ‡˜ÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ — Music Finder

àÒ͇ڸ Á‡ÔËÒË ÏÓÊÌÓ ÔÓ Ì‡Á‚‡Ì˲ ÍÓÏÔÓÁˈËË ËÎË ÔÓ Íβ˜Â‚˚Ï ÒÎÓ‚‡Ï. êÂÁÛθڇÚ˚ ÔÓËÒ͇ ‚˚‚Ó‰flÚÒfl ̇ ˝Í‡Ì.

A

F

B

G

C

H

D

I

E

J

[A] MUSIC (ÍÓÏÔÓÁˈËfl)

èÓËÒÍ ÔÓ Ì‡Á‚‡Ì˲ ÍÓÏÔÓÁˈËË. ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ‚‚Ó‰‡

̇Á‚‡ÌËfl ÔÂÒÌË.

Ç ÂÊËÏ ÔÓËÒ͇ ÔÓ Ì‡Á‚‡Ì˲ ÍÓÏÔÓÁˈËË (ÒÚ. 48) ÓÚÓ·‡Ê‡˛ÚÒfl ‚Ò ÍÓÏÔÓÁˈËË,

ÒÓ‰Âʇ˘Ë ‚ ̇Á‚‡ÌËË Á‡‰‡ÌÌÓ ÒÎÓ‚Ó (ÒÎÓ‚‡).

[B] KEYWORD (Íβ˜Â‚Ó ÒÎÓ‚Ó)

èÓËÒÍ ÔÓ Íβ˜Â‚ÓÏÛ ÒÎÓ‚Û. ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ‚‚Ó‰‡ Íβ˜Â‚Ó„Ó

ÒÎÓ‚‡.

Ç ÂÊËÏ ÔÓËÒ͇ ÔÓ Íβ˜Â‚ÓÏÛ ÒÎÓ‚Û (ÒÚ. 48) ÓÚÓ·‡Ê‡˛ÚÒfl ‚Ò ÍÓÏÔÓÁˈËË, ÒÓ‰Âʇ˘Ë Á‡‰‡ÌÌÓ ÒÎÓ‚Ó (ÒÎÓ‚‡). èÓËÒÍ ÏÓÊÌÓ

ÔÓËÁ‚Ó‰ËÚ¸ Ò‡ÁÛ ÔÓ ÌÂÒÍÓθÍËÏ Íβ˜Â‚˚Ï ÒÎÓ‚‡Ï, ‡Á‰ÂÎÂÌÌ˚Ï Á‡ÔflÚÓÈ. îÛÌ͈Ëfl ÔÓËÒ͇ ̇ıÓ‰ËÚ Ë ‚˚‚Ó‰ËÚ Ì‡ ˝Í‡Ì ‚ÒÂ

Á‡ÔËÒË, ÒÓ‰Âʇ˘Ë ıÓÚfl ·˚ Ó‰ÌÓ ËÁ Á‡‰‡ÌÌ˚ı ÒÎÓ‚.

[C] STYLE (Ù‡ÈÎ ÒÚËÎfl)

èÓËÒÍ ÔÓËÁ‚Ó‰ËÚÒfl ÔÓ ËÏÂÌË Ù‡È· ÒÚËÎfl. ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ STYLE FILE

SELECT. ê‡ÒÔÓÎÓÊÂÌÌ˚ ̇ ˝Í‡Ì ÍÌÓÔÍË [A] - [J] ÔÓÁ‚ÓÎfl˛Ú ‚˚·‡Ú¸ ÌÛÊÌ˚È ÒÚËθ

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. чÌ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Ì‡ÈÚË ‚Ò ÔÂÒÌË, ‚ ÍÓÚÓ˚ı ËÒÔÓθÁÛÂÚÒfl

ÓÔ‰ÂÎÂÌÌ˚È ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

[D] BEAT (‡ÁÏÂ)

èÓËÒÍ ÔÓËÁ‚Ó‰ËÚÒfl ÔÓ ‡ÁÏÂÛ, ‚ ÍÓÚÓÓÏ Ì‡ÔË҇̇ ÍÓÏÔÓÁˈËfl, ËÎË ÔÓ ı‡‡ÍÚÂÌÓÏÛ ‰Îfl Ì ËÚÏ˘ÂÒÍÓÏÛ ËÒÛÌÍÛ.

[E] SEARCH AREA (ӷ·ÒÚ¸ ÔÓËÒ͇)

ì͇Á‡ÌË ӷ·ÒÚË ÔÓËÒ͇. é̇ ÏÓÊÂÚ ·˚Ú¸ ÒÛÊÂ̇ Ò Û˜ÂÚÓÏ ÂÁÛθڇÚÓ‚ ÔÓËÒ͇ (SEARCH 1 Ë 2).

[F]~[H] CLEAR (Û‰‡ÎÂÌË ӷ˙ÂÍÚ‡)

ùÚË ÍÌÓÔÍË ÒÎÛÊ‡Ú ‰Îfl Ó˜ËÒÚÍË ÔÓÎÂÈ, ‡ÒÔÓÎÓÊÂÌÌ˚ı Ò΂‡ ÓÚ ÌËı.

[1▲▼] TEMPO FROM (ÚÂÏÔ, ̇˜Ë̇fl Ò...)

åÓÊÌÓ ÒÛÁËÚ¸ ӷ·ÒÚ¸ ÔÓËÒ͇, Á‡‰‡‚ ‰Ë‡Ô‡ÁÓÌ ÚÂÏÔ‡. чÌ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ‚‚ÂÒÚË Á̇˜ÂÌË ÏËÌËχθÌÓ„Ó ÚÂÏÔ‡ ËÒÍÓÏ˚ı

ÍÓÏÔÓÁˈËÈ. óÚÓ·˚ Á‡‰‡Ú¸ ÏËÌËχθÌÓ ‚ÓÁÏÓÊÌÓ Á̇˜ÂÌËÂ, Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [▲▼].

[2▲▼] TEMPO TO (ÚÂÏÔ, Á‡Í‡Ì˜Ë‚‡fl...)

åÓÊÌÓ ÒÛÁËÚ¸ ӷ·ÒÚ¸ ÔÓËÒ͇, Á‡‰‡‚ ‰Ë‡Ô‡ÁÓÌ ÚÂÏÔ‡. чÌ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ‚‚ÂÒÚË Á̇˜ÂÌË χÍÒËχθÌÓ„Ó ÚÂÏÔ‡ ËÒÍÓÏ˚ı

ÍÓÏÔÓÁˈËÈ. óÚÓ·˚ Á‡‰‡Ú¸ χÍÒËχθÌÓ ‚ÓÁÏÓÊÌÓ Á̇˜ÂÌËÂ, Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [▲▼].

[3▲▼]~[5▲▼] GENRE (ʇÌ)

ì͇Á‡ÌË ËÒÍÓÏÓ„Ó Ê‡Ì‡. ëÔËÒÓÍ ‚ÓÁÏÓÊÌ˚ı Á̇˜ÂÌËÈ ‚Íβ˜‡ÂÚ: ‚Ò ʇÌ˚ (ANY), ‚ÒÚÓÂÌÌ˚ ʇÌ˚, ‡ Ú‡ÍÊ β·˚ ʇÌ˚,

̇Á‚‡ÌËfl ÍÓÚÓ˚ı ‚˚ ‚‚‰ÂÚ ҇ÏÓÒÚÓflÚÂθÌÓ (ÒÚ. 72).

[8] CANCEL (ÓÚÏÂ̇)

ç‡Ê‡‚ ˝ÚÛ ÍÌÓÔÍÛ, ‚˚ ÏÓÊÂÚ ÓÚÏÂÌËÚ¸ ÓÔÂ‡ˆË˛ Ë ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ.

PSR-2100/1100

73

81 2 3 4 5 6 7

ç‡ÊÏËÚ ÍÌÓÔÍÛ [I]

ǂ‰ËÚ ÛÒÎÓ‚Ëfl

1

2

(SEARCH 1) ËÎË

ÔÓËÒ͇

ÍÌÓÔÍÛ [J]

(ÒÏ. ÌËÊÂ), ‡

(SEARCH 2) ̇

Á‡ÚÂÏ Á‡ÔÛÒÚËÚÂ

˝Í‡Ì MUSIC

ÔÓ„‡ÏÏÛ

FINDER.

ÔÓËÒ͇, ̇ʇ‚

ÍÌÓÔÍÛ [START

SEARCH].

êÂÁÛθڇÚ˚, Û‰Ó‚ÎÂÚ‚Ófl˛˘ËÂ

‚ÒÂÏ ÛÒÎÓ‚ËflÏ ÔÓËÒ͇,

‚˚‚Ó‰flÚÒfl ̇ ÒÚ‡ÌˈÂ

SEARCH. ÑÓÔÓÎÌËÚÂθÌ˚Â

҂‰ÂÌËfl Ó Ô‡‡ÏÂÚ‡ı ÔÓËÒ͇

Ô˂‰ÂÌ˚ ÌËÊÂ.

ùÍ‡Ì STYLE FILE SELECT

ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl Î˯¸ ‰Îfl

ÔÓËÒ͇ ÔÓ Ì‡Á‚‡Ì˲ ÒÚËÎfl;

‚˚Á˚‚‡Ú¸ ÒÚËÎË Ò Â„Ó ÔÓÏÓ˘¸˛

Ì‚ÓÁÏÓÊÌÓ.

ëÚËÎË

ꉇÍÚËÓ‚‡ÌË Á‡ÔËÒÂÈ — Music Finder

ç‡ ˝ÚÓÏ ˝Í‡Ì ÏÓÊÌÓ ‚˚Á‚‡Ú¸ ÒÛ˘ÂÒÚ‚Û˛˘Ë Á‡ÔËÒË Ë ÓÚ‰‡ÍÚËÓ‚‡Ú¸ Ëı. Ç˚ ÏÓÊÂÚÂ

Ú‡ÍÊ ÒÓÁ‰‡‚‡Ú¸ Ò Â„Ó ÔÓÏÓ˘¸˛ ÒÓ·ÒÚ‚ÂÌÌ˚ Á‡ÔËÒË.

[A] MUSIC (ÍÓÏÔÓÁˈËfl)

ꉇÍÚËÓ‚‡ÌË ̇Á‚‡ÌËfl ÍÓÏÔÓÁˈËË. ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ‚‚Ó‰‡

̇Á‚‡ÌËfl ÔÂÒÌË. ç‡ÊÏËÚ ÂÂ, ‡ Á‡ÚÂÏ ‚‚‰ËÚ ÌÓ‚Ó ̇Á‚‡ÌËÂ.

[B] KEYWORD (Íβ˜Â‚Ó ÒÎÓ‚Ó)

ꉇÍÚËÓ‚‡ÌË Íβ˜Â‚Ó„Ó ÒÎÓ‚‡. ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ‚‚Ó‰‡

Íβ˜Â‚Ó„Ó ÒÎÓ‚‡. ç‡ÊÏËÚ ÂÂ, ‡ Á‡ÚÂÏ ‚‚‰ËÚ ÌÓ‚Ó ̇Á‚‡ÌËÂ.

Ç‚Ó‰ËÚ¸ ÏÓÊÌÓ Ò‡ÁÛ ÌÂÒÍÓθÍÓ Íβ˜Â‚˚ı ÒÎÓ‚, ‡Á‰ÂÎÂÌÌ˚ı Á‡ÔflÚÓÈ.

[C] STYLE (Ù‡ÈÎ ÒÚËÎfl)

ꉇÍÚËÓ‚‡ÌË ËÏÂÌË Ù‡È· ÒÚËÎfl. èË „ËÒÚ‡ˆËË ÌÓ‚ÓÈ Á‡ÔËÒË ‚Ò„‰‡ ÒΉÛÂÚ ‚‚Ó‰ËÚ¸ ËÏfl.

ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ STYLE FILE SELECT. ê‡ÒÔÓÎÓÊÂÌÌ˚ ̇ ˝Í‡Ì ÍÌÓÔÍË [A] -

[J], ÔÓÁ‚ÓÎfl˛Ú ‚˚·‡Ú¸ ÌÛÊÌ˚È Ù‡ÈÎ, ÍÓÚÓ˚È Ú·ÛÂÚÒfl ËÁÏÂÌËÚ¸, Û‰‡ÎËÚ¸ ËÎË

Á‡„ËÒÚËÓ‚‡Ú¸.

[D] BEAT (‡ÁÏÂ)

ꉇÍÚËÓ‚‡ÌË ‡ÁÏÂ‡, ‚ ÍÓÚÓÓÏ ·˚· ̇ÔË҇̇ ÍÓÏÔÓÁˈËfl. èË ‚˚·Ó ‰Û„Ó„Ó Ù‡È· Ò

ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [C] ÚÂÍÛ˘Â Á̇˜ÂÌË ‡ÁÏÂ‡ Á‡ÏÂÌflÂÚÒfl Á̇˜ÂÌËÂÏ, Á‡‰‡ÌÌ˚Ï ‚ ‰‡ÌÌÓÏ Ù‡ÈÎÂ.

[E] FAVORITE (β·ËÏ˚Â)

ÑÓ·‡‚ÎÂÌË ‚˚‰ÂÎÂÌÌÓÈ Á‡ÔËÒË Ì‡ ÒÚ‡ÌËˆÛ FAVORITE(ÒÚ. 72).

[F]~[H] CLEAR (Û‰‡ÎÂÌË ӷ˙ÂÍÚ‡)

ùÚË ÍÌÓÔÍË ÒÎÛÊ‡Ú ‰Îfl Ó˜ËÒÚÍË ÔÓÎÂÈ, ‡ÒÔÓÎÓÊÂÌÌ˚ı Ò΂‡ ÓÚ ÌËı.

[I] DELETE RECORD (Û‰‡ÎÂÌË Á‡ÔËÒË)

쉇ÎÂÌË ‚˚·‡ÌÌÓÈ Á‡ÔËÒË. èË ˝ÚÓÏ ÓÒ‚Ó·Óʉ‡ÂÚÒfl ÌÓÏÂ Û‰‡ÎÂÌÌÓÈ Á‡ÔËÒË. èË Ì‡Ê‡ÚËË ˝ÚÓÈ ÍÌÓÔÍË ÔÓfl‚ÎflÂÚÒfl ‰Ë‡ÎÓ„Ó‚ÓÂ

ÓÍÌÓ Ò Ô‰ÎÓÊÂÌËÂÏ ‚˚·‡Ú¸ ‚˚ÔÓÎÌÂÌËÂ, ÔÂÍ‡˘ÂÌË ËÎË ÓÚÏÂÌÛ ÓÔÂ‡ˆËË.

YES................. ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ Û‰‡ÎËÚ¸ Á‡ÔËÒ¸ Ë Á‡Í˚Ú¸ ˝Í‡Ì.

NO .................. ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ Á‡Í˚Ú¸ ˝Í‡Ì, Ì ۉ‡Îflfl Á‡ÔËÒ¸.

CANCEL......... ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔÂ‡ˆË˛, Á‡Í˚Ú¸ ‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ Ë ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ.

74

PSR-2100/1100

äÓÏÂ ÚÓ„Ó, ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ËÎË

Û‰‡ÎËÚ¸ Á‡ÔËÒ¸, ‚ÌÂÒÂÌÌÛ˛

ËÁ„ÓÚÓ‚ËÚÂÎÂÏ ÒËÌÚÂÁ‡ÚÓ‡. óÚÓ·˚

ËÁ·Âʇڸ ËÁÏÂÌÂÌËfl (Û‰‡ÎÂÌËfl)

‰‡ÍÚËÛÂÏÓÈ Á‡ÔËÒË, ÔÓ

ÓÍÓ̘‡ÌËË ‰‡ÍÚËÓ‚‡ÌËfl

ÒÓı‡ÌËڠ ÔÓ‰ ‰Û„ËÏ ËÏÂÌÂÏ.

ÇÒ Á‡ÔËÒË ÏÓ„ÛÚ ·˚Ú¸ ÒÓı‡ÌÂÌ˚ ‚

‚ˉ ӉÌÓ„Ó Ù‡È· (ÒÚ. 154). èË

‚˚ÁÓ‚Â ‰‡ÌÌÓ„Ó Ù‡È· ÔÓfl‚ÎflÂÚÒfl

‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ Ò Ô‰ÎÓÊÂÌËÂÏ

Á‡ÏÂÌËÚ¸ ÒÚ‡Û˛ Á‡ÔËÒ¸ ÌÓ‚ÓÈ ËÎË

‰Ó·‡‚ËÚ¸ ÌÓ‚Û˛ Á‡ÔËÒ¸.

A

F

á‡ÏÂÌËÚ¸:

B

G

ÇÒ ÚÂÍÛ˘Ë Á‡ÔËÒË Music Finder

C

H

Û‰‡Îfl˛ÚÒfl Ë Á‡ÏÂÌfl˛ÚÒfl

Á‡ÔËÒflÏË, ÒÓ‰Âʇ˘ËÏËÒfl ‚

D

I

‚˚‰ÂÎÂÌÌÓÏ Ù‡ÈÎÂ.

E

J

ÑÓ·‡‚ËÚ¸:

çÓ‚˚Ï Á‡ÔËÒflÏ ÔËÒ‚‡Ë‚‡˛ÚÒfl

Ò‚Ó·Ó‰Ì˚ ÌÓÏÂ‡.

81 2 3 4 5 6 7

ç‡ ˝Í‡Ì MUSIC FINDER ̇ÊÏËÚ ÍÌÓÔÍÛ [8 ▲▼] (RECORD EDIT).

1

àÁÏÂÌËÚ ËÎË Û‰‡ÎËÚ Á‡ÔËÒ¸. äÓÏ ÚÓ„Ó, ‚˚ ÏÓÊÂÚ Á‡„ËÒÚË-

2

Ó‚‡Ú¸ ÌÓ‚˚ Á‡ÔËÒË. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó·Ó ‚ÒÂı Ô‡‡

ÏÂÚ‡ı Ë ÓÔÂ‡ˆËflı Ô˂‰ÂÌ˚ ÌËÊÂ.

ùÍ‡Ì STYLE FILE SELECT

ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl Î˯¸ ‰Îfl

‚˚·Ó‡ ̇Á‚‡ÌËfl ÒÚËÎfl ÔË

ÌÂÓ·ıÓ‰ËÏÓÒÚË ÓÚ‰‡ÍÚËÓ‚‡Ú¸

Á‡ÔËÒ¸; ‚˚Á˚‚‡Ú¸ ÒÚËÎË Ò Â„Ó

ÔÓÏÓ˘¸˛ Ì‚ÓÁÏÓÊÌÓ.

àÏÂÈÚ ‚ ‚ˉÛ, ˜ÚÓ ËÁÏÂÌÂÌËfl

ÓÚÓ·‡Ê‡˛˘Â„ÓÒfl ̇ ˝Í‡ÌÂ

Ô‡‡ÏÂÚ‡ Beat (‡ÁÏÂ)

ÓÚÌÓÒflÚÒfl ÚÓθÍÓ Í ÙÛÌ͈ËË

ÔÓËÒ͇ Ë Ì ‚ÎËfl˛Ú ̇ Ò‡Ï ÒÚËθ

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

ëÚËÎË

[J] NEW RECORD (ÌÓ‚‡fl Á‡ÔËÒ¸)

ê„ËÒÚ‡ˆËfl ÌÓ‚ÓÈ Á‡ÔËÒË. èË „ËÒÚ‡ˆËË ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ì ̇ËÏÂ̸¯ËÈ ËÁ Ò‚Ó·Ó‰Ì˚ı ÌÓÏÂÓ‚

å‡ÍÒËχθÌÓ ˜ËÒÎÓ Á‡ÔËÒÂÈ

ÒÓÒÚ‡‚ÎflÂÚ 2500 (PSR-2100)/

Á‡ÔËÒÂÈ. èÓÒΠ̇ʇÚËfl ˝ÚÓÈ ÍÌÓÔÍË ÔÓfl‚ÎflÂÚÒfl ‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ Ò Ô‰ÎÓÊÂÌËÂÏ ‚˚·‡Ú¸

1200 (PSR-1100), ‚Íβ˜‡fl

‚˚ÔÓÎÌÂÌËÂ, ÔÂÍ‡˘ÂÌË ËÎË ÓÚÏÂÌÛ ÓÔÂ‡ˆËË.

‚ÌÛÚÂÌÌË Á‡ÔËÒË.

YES................. ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ Á‡„ËÒÚËÓ‚‡Ú¸ Á‡ÔËÒ¸ Ë Á‡Í˚Ú¸ ˝Í‡Ì.

NO.................. ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ Á‡Í˚Ú¸ ˝Í‡Ì, Ì „ËÒÚËÛfl Á‡ÔËÒ¸.

CANCEL......... ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔÂ‡ˆË˛, Á‡Í˚Ú¸ ‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ Ë ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ.

[1▼▲] TEMPO (ÚÂÏÔ)

ì͇Á‡ÌË ÚÂÏÔ‡ ‚˚·‡ÌÌÓÈ Á‡ÔËÒË. èÓÒΠÒÏÂÌ˚ هȷ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [C] ÚÂÍÛ˘ËÈ ÚÂÏÔ ‡‚ÚÓχÚ˘ÂÒÍË ÔÓ‰ÒÚ‡Ë‚‡ÂÚÒfl ÔÓ‰

ÚÂÏÔ, Á‡‰‡ÌÌ˚È ‚ ÌÓ‚ÓÏ Ù‡ÈÎÂ.

[3▼▲]~[5▼▲] GENRE (ʇÌ)

ꉇÍÚËÓ‚‡ÌË ÓÔ‰ÂÎÂÌÌÓ„Ó Ê‡Ì‡. ëÔËÒÓÍ ‚ÓÁÏÓÊÌ˚ı Á̇˜ÂÌËÈ ‚Íβ˜‡ÂÚ ‚ÒÚÓÂÌÌ˚ ʇÌ˚, ‡ Ú‡ÍÊ β·˚ ʇÌ˚,

̇Á‚‡ÌËfl ÍÓÚÓ˚ı ‚˚ ‚‚‰ÂÚ ҇ÏÓÒÚÓflÚÂθÌÓ.

[6▼▲] GENRE NAME (̇Á‚‡ÌË ʇÌ‡)

óÚÓ·˚ ‚‚ÂÒÚË Ì‡Á‚‡ÌË ʇÌ‡, ̇ÊÏËÚ ‰‡ÌÌÛ˛ ÍÌÓÔÍÛ. èÓfl‚ËÚÒfl ˝Í‡Ì ‚‚Ó‰‡

̇Á‚‡ÌËfl ʇÌ‡, ÔÓÁ‚ÓÎfl˛˘ËÈ Á‡‰‡Ú¸ ÌÂÓ·ıÓ‰ËÏÓ ̇Á‚‡ÌËÂ. å‡ÍÒËχθÌÓ ˜ËÒÎÓ

̇Á‚‡ÌËÈ Ê‡ÌÓ‚ ÒÓÒÚ‡‚ÎflÂÚ 200.

ǂ‰ÂÌÌÓ ̇Á‚‡ÌË ʇÌ‡ ÒÚ‡ÌÓ‚ËÚÒfl ‰ÂÈÒÚ‚ËÚÂθÌ˚Ï ÔË ‰‡ÍÚËÓ‚‡ÌËË (ÔÂÂÔËÒ˚‚‡ÌËË) ÚÂÍÛ˘ÂÈ Á‡ÔËÒË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË

[8] (OK) ÎË·Ó ÔË „ËÒÚ‡ˆËË ÌÓ‚ÓÈ Á‡ÔËÒË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [J] (NEW RECORD).

ÖÒÎË ‚˚ Á‡ÍÓÂÚ ˝Í‡Ì MUSIC FINDER EDIT, Ì ÓÚ‰‡ÍÚËÓ‚‡‚ ÒÛ˘ÂÒÚ‚Û˛˘Û˛ Á‡ÔËÒ¸ Ë Ì Á‡„ËÒÚËÓ‚‡‚ ÌÓ‚Û˛, ‚‚‰ÂÌÌÓÂ

̇Á‚‡ÌË ʇÌ‡ Û‰‡ÎflÂÚÒfl.

[8] OK

Ç˚ÔÓÎÌÂÌË ‚ÒÂı Û͇Á‡ÌÌ˚ı ÓÔÂ‡ˆËÈ ‰‡ÍÚËÓ‚‡ÌËfl. èË Ì‡Ê‡ÚËË ˝ÚÓÈ ÍÌÓÔÍË ÔÓfl‚ÎflÂÚÒfl ‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ Ò Ô‰ÎÓÊÂÌËÂÏ

‚˚·‡Ú¸ ‚˚ÔÓÎÌÂÌËÂ, ÔÂÍ‡˘ÂÌË ËÎË ÓÚÏÂÌÛ ÓÔÂ‡ˆËË.

YES ................ ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ Á‡ÏÂÌËÚ¸ Á‡ÔËÒ¸ Ë Á‡Í˚Ú¸ ˝Í‡Ì.

NO .................. ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ Á‡Í˚Ú¸ ˝Í‡Ì, Ì Á‡ÏÂÌflfl Á‡ÔËÒ¸.

CANCEL ........ ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔÂ‡ˆË˛, Á‡Í˚Ú¸ ‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ Ë ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ.

[8] CANCEL (ÓÚÏÂ̇)

ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ ÓÚÏÂÌËÚ¸ ÓÔÂ‡ˆË˛ Ë ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ (MUSIC FINDER).

ÇçàåÄçàÖ!

óÚÓ·˚ ‚ÔÓÒΉÒÚ‚ËË ÏÓÊÌÓ ·˚ÎÓ ‡·ÓÚ‡Ú¸ Ò ËÁÏÂÌÂÌÌ˚ÏË Ë Á‡„ËÒÚËÓ‚‡ÌÌ˚ÏË ‰‡ÌÌ˚ÏË, Ì Á‡·Û‰¸Ú ÒÓı‡ÌËÚ¸ ‚Ò Á‡ÔËÒË Music Finder ‚ ‚ˉÂ

Ù‡ÈÎÓ‚ (ÒÚ. 154). ÖÒÎË ˝ÚÓ„Ó Ì ҉·ڸ, ‰‡ÌÌ˚ ·Û‰ÛÚ ÛÚÂflÌ˚, ‚ ÏÓÏÂÌÚ ‚˚ÁÓ‚‡ ‰Û„Ó„Ó Ù‡È· Music Finder ËÎË ÔË ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËË Á‡‚Ó‰ÒÍËı

̇ÒÚÓÂÍ (ÒÚ. 154).

PSR-2100/1100

75

åÛθÚËÔ˝‰˚

åÛθÚËÔ˝‰˚ — ˝ÚÓ ÍÓÓÚÍË ËÚÏ˘ÂÒÍËÂ Ë ÏÂÎӉ˘ÂÒÍË Ù‡Á˚, ‚ÒÚÓÂÌÌ˚ ‚ ÒËÌÚÂÁ‡ÚÓ PSR-2100/1100. éÌË ÒÔÓÒÓ·Ì˚ Ôˉ‡Ú¸

‚‡¯ÂÏÛ ‚˚ÒÚÛÔÎÂÌ˲ ·Óθ¯Â ‡ÁÌÓÓ·‡ÁËÂ Ë ÚÂÏ Ò‡Ï˚Ï ÛÒËÎËÚ¸ ‚Ô˜‡ÚÎÂÌËÂ.

åÛθÚËÔ˝‰˚

ÇÓÒÔÓËÁ‚‰ÂÌË ÏÛθÚËÔ˝‰Ó‚

Ç˚·ÂËÚ ÌÛÊÌ˚È ·‡ÌÍ Ì‡ ˝Í‡Ì MULTI PAD Bank (ÒÚ. 38).

1

óÚÓ·˚ ‚ÓÒÔÓËÁ‚ÂÒÚË

ç‡ÊÏËÚ β·Û˛ ËÁ ÍÌÓÔÓÍ ÏÛθÚËÔ˝‰Ó‚.

ÓÔ‰ÂÎÂÌÌÛ˛ Ù‡ÁÛ ‚

2

ÚÂÍÛ˘ÂÏ ÚÂÏÔÂ, ‰ÓÒÚ‡ÚÓ˜ÌÓ

STOP

ÔÓÒÚÓ Ì‡Ê‡Ú¸

ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ

MULTI PAD

ÏÛθÚËÔ˝‰‡.

é‰ÌÓ‚ÂÏÂÌÌÓ ÏÓÊÌÓ

‚ÓÒÔÓËÁ‚ÂÒÚË ‰Ó ˜ÂÚ˚Âı

ÏÛθÚÔ˝‰Ó‚.

èÓ‚ÚÓÌÓ ̇ʇÚË ÍÌÓÔÍË

î‡Á‡, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl Ó‰ÌÓÈ ËÁ ÍÌÓÔÓÍ (̇ÔËÏÂ, ÍÌÓÔÍ [4]), ̇˜ÌÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl

ÏÛθÚËÔ˝‰‡ ‚ ıÓ‰Â

‚ÓÒÔÓËÁ‚‰ÂÌËfl Ù‡Á˚

ÔÓÎÌÓÒÚ¸˛ Ò‡ÁÛ ÔÓÒΠ ̇ʇÚËfl.

Ô˂‰ÂÚ Í ÓÒÚ‡ÌÓ‚Í Ë

èÂ‚‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË Ù‡Á˚ ÏÓÊÌÓ ‰‚ÛÏfl ÒÔÓÒÓ·‡ÏË:

ÔÓ‚ÚÓÌÓÏÛ ÔÓË„˚‚‡Ì˲

óÚÓ·˚ ÔÂ‚‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ‚ÒÂı Ù‡Á, ̇ÊÏËÚÂ Ë ÓÚÔÛÒÚËÚ ÍÌÓÔÍÛ [STOP].

Ù‡Á˚ Ò Ì‡˜‡Î‡.

óÚÓ·˚ ÔÂ‚‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÓÔ‰ÂÎÂÌÌ˚ı Ù‡Á, ̇ÊÏËÚ ÍÌÓÔÍÛ [STOP] Ë,

Û‰ÂÊË‚‡fl ÂÂ, ̇ÊÏËÚ ÍÌÓÔÍË, ÓÚÌÓÒfl˘ËÂÒfl Í ÚÂÏ ÏÛθÚËÔ˝‰‡Ï, ÍÓÚÓ˚ Ú·ÛÂÚÒfl

ÓÒÚ‡ÌÓ‚ËÚ¸.

ç‡ÒÚÓÈ͇ ̇ ‡ÍÍÓ‰

ÇÍβ˜ËÚ ÍÌÓÔÍÛ ACMP (ÒÚ. 63).

1

ÇÓÁ¸ÏËڠ΂ÓÈ ÛÍÓÈ ‡ÍÍÓ‰ Ë Ì‡ÊÏËÚ β·Û˛ ËÁ ÍÌÓÔÓÍ ÏÛθÚËÔ˝‰Ó‚.

2

TӘ͇ ‡Á‰eÎeÌËfl Í·‚ˇÚÛ˚

îÛÌ͈Ëfl ̇ÒÚÓÈÍË Ì‡ ‡ÍÍÓ‰ ÔÓ

ÛÏÓΘ‡Ì˲ ‚Íβ˜Â̇ ‚ Ó‰ÌËı

·‡Ì͇ı ÏÛθÚËÔ˝‰Ó‚ Ë

ÓÚÍβ˜Â̇ ‚ ‰Û„Ëı.

ê‡Á‰eÎ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌeÏeÌÚ‡

STOP

MULTI PAD

Ç ‰‡ÌÌÓÏ ÔËÏÂ Ù‡Á‡, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl ÍÌÓÔÍ [1], ÔÂ‰ ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ·Û‰ÂÚ Ú‡ÌÒÔÓÌËÓ‚‡Ì‡ ‚ ÚÓ̇θÌÓÒÚ¸ Ù‡-χÊÓ.

èÓÔÓ·ÛÈÚ ‚˚·‡Ú¸ ‰Û„Ë ‡ÍÍÓ‰˚ Ë ÏÛθÚËÔ˝‰˚. ëΉÛÂÚ ÔÓÏÌËÚ¸, ˜ÚÓ ‚ ıӉ ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ù‡Á˚ ÏÓÊÌÓ ·‡Ú¸ Ë ‰Û„ËÂ

‡ÍÍÓ‰˚.

76

PSR-2100/1100

åÛθÚËÔ˝‰

ꉇÍÚËÓ‚‡ÌË ÏÛθÚËÔ˝‰Ó‚

чÌ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÍÓÔËÓ‚‡Ú¸ ÓÚ‰ÂθÌ˚ ԇ‡ÏÂÚ˚ ÏÛθÚËÔ˝‰‡, ÔÂÂÌÓÒfl Ëı ËÁ Ó‰ÌÓ„Ó ·‡Ì͇ ‚ ‰Û„ÓÈ.

A

F

B

G

C

H

D

I

E

J

PSR-2100/1100

77

81 2 3 4 5 6 7

Ç˚·ÂËÚ ÌÛÊÌ˚È ÏÛθÚËÔ˝‰ ËÎË ÌÂÒÍÓθÍÓ ÏÛθÚËÔ˝‰Ó‚.

ùÍ‡Ì «éÚÍ˚Ú¸/ëÓı‡ÌËÚ¸» ‰Îfl ÏÛθÚËÔ˝‰‡ (ÒÚ. 38)

à‰ÂÌÚ˘ÂÌ ˝Í‡Ì‡Ï, ÓÔËÒ‡ÌÌ˚Ï Ì‡

èÂÂıÓ‰ ̇ Ó‰ËÌ

ÒÚ. 44 Ë 47.

ÛÓ‚Â̸ ‚‚Âı ‚

͇ڇÎÓ„Â.

ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË

éÁ̇ÍÓÏË‚¯ËÒ¸ Ò ˝ÚËÏ ‡Á‰ÂÎÓÏ, ‚˚ ̇ۘËÚÂÒ¸ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌË. èÂÒÌË ÏÓ„ÛÚ ·˚Ú¸ ÒÎÂ‰Û˛˘Ëı ÚËÔÓ‚: ‚ÒÚÓÂÌÌ˚Â,

Á‡ÔËÒ‡ÌÌ˚ (ÒÚ. 95) ‚·‰ÂθˆÂÏ ÒËÌÚÂÁ‡ÚÓ‡ Ë ÔÂÒÌË Ò ÌÓÒËÚÂÎÂÈ, Ëϲ˘ËıÒfl ‚ ÔÓ‰‡ÊÂ. ÇÓÁÏÓÊÌÓÒÚË ÙÛÌ͈ËË

‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË ‚ÂҸχ ÏÌÓ„ÓÓ·‡ÁÌ˚. åÓÊÌÓ, ̇ÔËÏÂ, ÔÓ‰˚„˚‚‡Ú¸ ‡Ì Á‡ÔËÒ‡ÌÌÓÈ ÔÂÒÌÂ. äÓÏ ÚÓ„Ó,

ÏÓÊÌÓ ‚˚‚ÂÒÚË Ì‡ ˝Í‡Ì ÌÓÚ˚ ÔÂÒÌË (PSR-2100) ËÎË Â ÚÂÍÒÚ.

èÓ‰Íβ˜Ë‚ Í PSR-2100 ÏËÍÓÙÓÌ, ‚˚ ÏÓÊÂÚ ÔÂÚ¸ ‚ ÌÂ„Ó Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌ˛ ËÎË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ.

èË ˝ÚÓÏ ‚Ó͇Π·Û‰ÂÚ ‡‚ÚÓχÚ˘ÂÒÍË Á‡ÔËÒ˚‚‡Ú¸Òfl ÔÓ‚Âı ÒÛ˘ÂÒÚ‚Û˛˘Ëı ‰ÓÓÊÂÍ (ÒÚ. 131).

VOICE EFFECT

BACK NEXT

HOLD

LEFT

SUSTAIN

ECHO

HARMONY/

MONOTOUCH

DSP

VARIATION

DIGITAL

STUDIO

VOIC E

MAIN

PIANO & HARPSI.

E.PIANO

ACCORDION

ORGAN &

SOUND CREATOR

PERCUSSION

DIGITAL RECORDING

A

F

LAYER

GUITAR

BASS

BRASS

WOODWIND

B

G

MIXING CONSOLE

C

H

LEFT

STRINGS CHOIR & PAD

SYNTH.

XG

D

I

MENU

USER

ORGAN FLUTES

DEMO

E

J

MUSIC

UPPER OCTAVE

FINDER

HELP

MIC.

VH TYPE

SELECT

SETTING

MIC.

HARMONY

VOCAL

RESET

OVER

TALK

EFFECT

FUNCTION

SIGNAL

ONE TOUCH SETTING

ACCESS

DIRECT

BALANCE

EXIT

ENTER

CHANNEL ON/OFF

PART

REGISTRATION MEMORY

DATA ENTRY

FREEZE MEMORY

èÂÒÌË, Ëϲ˘ËÂÒfl ‚ ÔÓ‰‡ÊÂ.

ÑËÒÍË Ò Ú‡ÍÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂÊ‡Ú ÔÂÒÌË ‚ ÙÓχÚ GM (General MIDI).

ÑËÒÍË Ò Ú‡ÍÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂÊ‡Ú ÔÂÒÌË ‚ ÙÓχÚ XG. ùÚÓÚ ÙÓχÚ

Ô‰ÒÚ‡‚ÎflÂÚ ÒÓ·ÓÈ Á̇˜ËÚÂθÌÓ ÛÒÓ‚Â¯ÂÌÒÚ‚Ó‚‡ÌÌÓ ‡Ò¯ËÂÌË Òڇ̉‡Ú‡

General MIDI (GM System level 1 format). äÓÏÔ‡ÌËfl Yamaha ‡Á‡·Óڇ· ˝ÚÛ

ÒÔˆËÙË͇ˆË˛ Ò ˆÂθ˛ Û‚Â΢ÂÌËfl ˜ËÒ· ‰ÓÒÚÛÔÌ˚ı „ÓÎÓÒÓ‚, ‡Ò¯ËÂÌËfl

‚ÓÁÏÓÊÌÓÒÚÂÈ ÛÔ‡‚ÎÂÌËfl „ÓÎÓÒ‡ÏË Ë ˝ÙÙÂÍÚ‡ÏË, ‡ Ú‡ÍÊ ӷÂÒÔ˜ÂÌËfl

ÔÓ‰‰ÂÊÍË ·Óθ¯Â„Ó ˜ËÒ· ˝ÙÙÂÍÚÓ‚ Ë Ëı ÚËÔÓ‚.

ÑËÒÍË Ò Ú‡ÍÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂÊ‡Ú ÔÂÒÌË ‚ ÙÓχÚ DOC (Disk Orchestra

Collection), ‡Á‡·ÓÚ‡ÌÌÓÏ ÍÓÔÓ‡ˆËÂÈ Yamaha.

ÑËÒÍË Ò Ú‡ÍÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂÊ‡Ú ÔÂÒÌË ‚ ÙÓχÚ XF, ÒÓÁ‰‡ÌÌÓÏ ÍÓÔÓ‡ˆËÂÈ Yamaha.

èÂÒÌË, ÍÓÚÓ˚ ‚˚ Á‡ÔËÒ‡ÎË (ÒÚ. 95) Ë ÒÓı‡ÌËÎË ‚ Ô‡ÏflÚË ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100/1100 ËÎË Ì‡ ‰ËÒÍÂÚÂ.

78

PSR-2100/1100

81 2 3 4 5 6 7

SONG

EXTRA

TRACKS

TRACK

2

TRACK

1 REPEAT

METRO-

NOME

(STYLE) (R)(L)

REC REW FF

TOP

START/STOP

STYLE

NEW SONG SYNC. START

POP & ROCK

SWING &

JAZZ

BALLROOM

WALTZ

MARCH &

BALLAD USERLATIN

DANCE

PART

TRANSPOSE

TEMPO

TAP TEMPO

MASTER VOLUME

RESET

RESET

STOP

FADE

MULTI PAD

IN/OUT

MIN MAX

SONG

STYLE CONTROL

EXTRA

TRACK

TRACK

ACMP

BREAK

INTRO

MAIN

ENDING

/ rit.

SYNC.

STOP

SYNC.

METRO-

TRACKS

2

AUTO

FILL IN

OTS

1 REPEAT

START

LINK

START/STOP

STANDBY

NOME

ON

(STYLE) (R)(L)

REC REW FF

TOP

START/STOP

NEW SONG SYNC. START

èÓ‰‰ÂÊË‚‡ÂÏ˚ ÚËÔ˚ ÔÂÒÂÌ

èÂÒÌË, Ëϲ˘ËÂÒfl ‚ ÔÓ‰‡ÊÂ,

Ô‰̇Á̇˜ÂÌ˚ ÚÓθÍÓ ‰Îfl

΢ÌÓ„Ó ÔÓθÁÓ‚‡ÌËfl, ÔÓÒÍÓθÍÛ

Ëı ‡ÒÔÓÒÚ‡ÌÂÌË ӄ‡Ì˘ÂÌÓ

Á‡ÍÓÌÓÏ Ó· ‡‚ÚÓÒÍÓÏ Ô‡‚Â.

ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó

ÔÓ‰‰ÂÊË‚‡ÂÏ˚ı PSR-2100/

1100 ÚËÔ‡ı ÔÂÒÂÌ Ô˂‰ÂÌ˚ ̇

ÒÚ. 161.

ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË

ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË

ÇÓÒÔÓËÁ‚‰ÂÌË ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ

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ÖÒÎË Ò΂‡ Ì ÓÚÓ·‡Ê‡ÂÚÒfl

1

„·‚Ì˚È ˝Í‡Ì (MAIN), Ò̇˜‡Î‡

̇ÊÏËÚ ÍÌÓÔÍÛ [DIRECT

ACCESS], ‡ Á‡ÚÂÏ — ÍÌÓÔÍÛ

[EXIT].

A

F

äÓÏ ÚÓ„Ó, ÏÓÊÌÓ Á‡‰‡Ú¸

B

G

ÏÌÓÊÂÒÚ‚Ó Ô‡‡ÏÂÚÓ‚ (ÚÂÏÔ,

C

H

„ÓÎÓÒ Ë Ú. Ô.), ÍÓÚÓ˚Â ·Û‰ÛÚ

‡‚ÚÓχÚ˘ÂÒÍË ‚˚Á˚‚‡Ú¸Òfl ÔË

D

I

‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË

E

J

(ÒÚ. 107).

óÚÓ·˚ ‚Íβ˜ËÚ¸ ÙÛÌÍˆË˛ ÒËÌ-

ıÓÌÌ˚È Á‡ÔÛÒÍ) ‰Îfl ͇ÍÓÈ-ÎË·Ó

ÔÂÒÌË, Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚÂ

ÍÌÓÔÍË [TOP] Ë SONG [START/

STOP]. ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË

̇˜ÌÂÚÒfl Ò‡ÁÛ ÊÂ, Í‡Í ÚÓθÍÓ

2-1 èÂÂȉËÚ ̇ ‚Í·‰ÍÛ PRESET Ò

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‚˚ ÍÓÒÌÂÚÂÒ¸ Í·‚˯. чÌÌÛ˛

2

ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [BACK].

ÙÛÌÍˆË˛ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸

‚ÏÂÒÚÂ Ò ÙÛÌ͈ËÂÈ Style’s

Synchro Start (ÒËÌıÓÌÌ˚È

Á‡ÔÛÒÍ ÒÚËÎfl) (ÒÚ. 63).

A

F

B

G

àÏÂÂÚÒfl ‚ÓÁÏÓÊÌÓÒÚ¸

C

H

‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌË Ò

ÙÂȉËÌ„ÓÏ ‚ ̇˜‡ÎÂ Ë ÍÓ̈Â

D

I

ÍÓÏÔÓÁˈËË. èË ˝ÚÓÏ

E

J

„ÓÏÍÓÒÚ¸ ‚ ̇˜‡Î ÔÂÒÌË ·Û‰ÂÚ

Ô·‚ÌÓ Ì‡‡ÒÚ‡Ú¸, ‡ ‚ ÍÓ̈ —

ÒÌËʇڸÒfl. ÑÎfl ˝ÚÓ„Ó

2-2 éÚÍÓÈÚÂ Ô‡ÔÍÛ Ë

‰ÓÒÚ‡ÚÓ˜ÌÓ ÔÓÒÚÓ Ì‡Ê‡Ú¸

‚˚·ÂËÚ ÔÂÒÌ˛.

ÍÌÓÔÍÛ [FADEIN/OUT] ‚ ̇˜‡ÎÂ

ÔÂÒÌË, ‡ Á‡ÚÂÏ ÒÌÓ‚‡ ̇ʇڸ ÂÂ

ÌÂÁ‡‰ÓÎ„Ó ‰Ó ÓÍÓ̘‡ÌËfl.

Ç˚·‡Ì̇fl ÔÂÒÌfl ̇˜ÌÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl.

3

END

SONG

EXTRA

TRACK

TRACK

METRO-

TRACKS

2

1 REPEAT

NOME

óÚÓ·˚ Ò‡ÁÛ Ê ÓÒÚ‡ÌÓ‚ËÚ¸ ÔÂÒÌ˛, ¢ ‡Á ̇ÊÏËÚÂ

START/STOP

ÍÌÓÔÍÛ .

(STYLE) (R)(L)

REC REW FF

TOP

START/STOP

NEW SONG SYNC. START

óÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ, ̇ÊÏËÚÂ

ÍÌÓÔÍÛ .

EXIT

íÂÏÔ ÏÓÊÌÓ ËÁÏÂÌflÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [ ] [ ]

(ÒÚ. 53) ËÎË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [TAP TEMPO].

óÚÓ·˚ ËÁÏÂÌËÚ¸ ÒÍÓÓÒÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËfl, ‰ÓÒÚ‡ÚÓ˜ÌÓ ‰‚‡Ê‰˚

Û‰‡ËÚ¸ ‚ ÌÛÊÌÓÏ ÚÂÏÔ ÔÓ ÍÌÓÔÍ [TAP TEMPO].

åÓÊÌÓ Ì‡ÒÚÓËÚ¸ ÔÂÒÌË Ì‡

ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ Ì‡ÒÚÓÈ͇ flÁ˚͇

ÔÓÒÚÓflÌÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ.

‰Îfl ÒËÌÚÂÁ‡ÚÓ‡ (ÒÚ. 154) ÒÓ‚Ô‡‰‡ÂÚ

Ç ÓÍÌ SONG SETTING Á‡‰‡ÈÚÂ

Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ Ì‡ÒÚÓÈÍÓÈ Ù‡È·

Ô‡‡ÏÂÚÛ SONG CHAIN PLAY

‚ÓÒÔÓËÁ‚Ó‰ËÏÓÈ ÔÂÒÌË.

Á̇˜ÂÌË ON (ÒÚ. 140).

PSR-2100/1100

79

ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË

éÒÚ‡ÌÓ‚Ë‚ ÔÂÒÌ˛, ‚˚ ÓÒÚ‡ÌÓ-

é‰ÌÓ‚ÂÏÂÌÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Ë ÒÚËÎfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

‚ËÚ ڇÍÊÂ Ë ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ.

èË Ó‰ÌÓ‚ÂÏÂÌÌÓÏ ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË Ë ÒÚËÎfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ͇̇Î˚ 9 - 16

ÖÒÎË ÔÓË„˚‚‡ÌË ÔÂÒÌË Ì‡-

˜Ë̇ÂÚÒfl ÔË ‚Íβ˜ÂÌÌÓÏ ‡Í-

Á‡ÏÂÌfl˛ÚÒfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË Í‡Ì‡Î‡ÏË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ‚ÏÂÒÚÓ ‡ÌÂÂ

ÍÓÏÔ‡ÌÂÏÂÌÚÂ, ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ

Á‡ÔËÒ‡ÌÌ˚ı ˜‡ÒÚÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÔÂÒÌË ËÒÔÓθÁÓ‚‡Ú¸ ÒÚËÎË Ë ‚ÓÁÏÓÊÌÓÒÚË

‡‚ÚÓχÚ˘ÂÒÍË ÔÂÍ‡˘‡ÂÚ

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÌÚ‡. Ç˚ÔÓÎÌËÚ ÓÔËÒ‡ÌÌ˚ ÌËÊ ‰ÂÈÒÚ‚Ëfl Ë Á‡ÏÂÌËÚ ‡ÍÍÓ‰˚ ÔÂÒÌË Ò‚ÓËÏË

Á‚Û˜‡Ú¸.

ÒÓ·ÒÚ‚ÂÌÌ˚ÏË.

• ÍÌÓÔ͇ [ACMP].......................... ON

• ÍÌÓÔ͇ [AUTO FILL IN] ............. ON

Ç˚·ÂËÚ ÔÂÒÌ˛ Ë Á‡ÔÛÒÚËÚ ÂÂ, ̇ʇ‚ ÍÌÓÔÍÛ SONG [START/STOP].

1

èÓ‰·ÂËÚ ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

2

á‡ÔÛÒÍ ÒÚËÎfl ÏÓÊÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸Òfl ̇ʇÚËÂÏ ÍÌÓÔÍË STYLE [START/STOP].

3

Ç ÔÓˆÂÒÒ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË ‚˚ ÏÓÊÂÚ ‚ÒÚ‡‚ÎflÚ¸ ·ÂÈÍË ËÎË ÔÂÂıÓ‰ËÚ¸ ÓÚ

4

Ó‰ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ (Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ ‚˚·Ó‡ ˜‡ÒÚÂÈ ‚ „ÛÔÔ Style).

ÇÓ ‚ÂÏfl ÔÂÂÍβ˜ÂÌËfl ˜‡ÒÚÂÈ ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl ‚ÒÚ‡‚ÍË (·ÂÈÍË).

END

ëÚËθ ‡‚ÚÓχÚ˘ÂÒÍË ÔÂÂÒÚ‡ÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ÔÓ ÓÍÓ̘‡ÌËË ÔÂÒÌË ËÎË ÔË ÓÒÚ‡ÌÓ‚ÍÂ.

çÂÍÓÚÓ˚ ‚ÌÛÚÂÌÌË ÔÂÒÌË ÒÓÁ‰‡Ì˚ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ÑÎfl Ú‡ÍËı ÔÂÒÂÌ ÒÚËÎË

‡ÍÍÓχÌÂÏÂÌÚ‡ ‚Íβ˜‡˛ÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË ÔË Ì‡˜‡Î ‚ÓÒÔÓËÁ‚‰ÂÌËfl.

80

PSR-2100/1100