Yamaha PSR-1100 – страница 4
Инструкция к Синтезатору/фортепиано Yamaha PSR-1100
ÉÓÎÓÒ‡
ÉÓÎÓÒ‡
■ VARIATION (‚‡Ë‡ˆËfl)
ùÙÙÂÍÚ ‚‡Ë‡ˆËË ‚Íβ˜‡ÂÚ ‚ Ò·fl Ò‡ÁÛ ÌÂÒÍÓθÍÓ ‚ˉӂ Ó·‡·ÓÚÍË Ò˄̇·. ÇÓÁ¸ÏÂÏ, Í ÔËÏÂÛ, ˝ÙÙÂÍÚ Rotary Speaker
(‚‡˘‡˛˘ËÈÒfl ‰Ë̇ÏËÍ) (ÒÚ. 127). ìÔ‡‚Îflfl ˝ÚËÏ ˝ÙÙÂÍÚÓÏ, ‚˚ ÏÓÊÂÚ Á‡‰‡Ú¸ ÒÍÓÓÒÚ¸ ‚‡˘ÂÌËfl ‚ÓÓ·‡Ê‡ÂÏÓ„Ó ËÒÚÓ˜ÌË͇
Á‚Û͇.
■ HARMONY/ECHO
ùÙÙÂÍÚ Portamento (ÔÓÚ‡ÏÂÌÚÓ)
ÑÓ·‡‚ÎÂÌË ˝ı‡ Ë „‡ÏÓÌËÁ‡ˆËfl „ÓÎÓÒÓ‚, ËÒÔÓθÁÛÂÏ˚ı ‚ Ô‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ (ÒÚ. 146).
ÔÓÁ‚ÓÎflÂÚ Ô·‚ÌÓ ÒÏ¢‡Ú¸ ‚˚ÒÓÚÛ
Á‚Û͇ ÓÚ ÌÓÚ˚ Í ÌÓÚ ÔË
ÔÓÒΉӂ‡ÚÂθÌÓÏ Ì‡Ê‡ÚËË
■ MONO
ÌÂÒÍÓθÍËı Í·‚˯.
ìÒÚ‡Ìӂ͇ ÂÊËÏÓ‚ ÔÓÎËÙÓÌËË (ÌÂÒÍÓθÍÓ ÌÓÚ ÏÓ„ÛÚ Á‚Û˜‡Ú¸ Ó‰ÌÓ‚ÂÏÂÌÌÓ) ÎË·Ó ÏÓÌÓÙÓÌËË ‰Îfl
ëéÇÖí
Í‡Ê‰Ó„Ó ÚËÔ‡ „ÓÎÓÒ‡ (MAIN/LAYER/LEFT). ÉÓfl˘‡fl ·ÏÔӘ͇ fl‰ÓÏ Ò ÔÂÂÍβ˜‡ÚÂÎÂÏ ÓÁ̇˜‡ÂÚ
Ç˚ ÏÓÊÂÚ ÔÓ‰˜ÂÍÌÛÚ¸
ÂÊËÏ MONO. Ç˚Íβ˜ÂÌ̇fl ·ÏÔӘ͇ Û͇Á˚‚‡ÂÚ Ì‡ ËÒÔÓθÁÓ‚‡ÌË ÔÓÎËÙÓÌËË. Ç ÂÊËÏ MONO
ÏÂÎӉ˘ÂÒÍÛ˛ ÎËÌ˲, ÍÓÚÓ‡fl
‚‰ÂÚÒfl ‚ Ó·‡ÏÎÂÌËË ‡ÍÍÓ‰Ó‚.
Á‚Û˜ËÚ Î˯¸ ÌÓÚ‡, Ò˚„‡Ì̇fl ÔÓÒΉÌÂÈ. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ÔÓ‚˚ÒËÚ¸ ‡ÎËÒÚ˘ÌÓÒÚ¸ Á‚Û˜‡ÌËfl
ÑÎfl ˝ÚÓ„Ó ÌÂÓ·ıÓ‰ËÏÓ ËÒÔÓθÁÓ‚‡Ú¸
ÙÛÌÍˆË˛ ÒÎÓfl Ë Ò‰Â·ڸ ‚Â‰Û˘Û˛
‰ÛıÓ‚˚ı ËÌÒÚÛÏÂÌÚÓ‚. äÓÏ ÚÓ„Ó, ‰‡ÌÌ˚È ÂÊËÏ ÏÓÊÂÚ Ò‰Â·ڸ ËÒÔÓθÁÓ‚‡ÌË «ÔÓÚ‡ÏÂÌÚÓ»
Ô‡Ú˲ ÏÓÌÓÙÓÌ˘ÂÒÍÓÈ.
·ÓΠ˝ÙÙÂÍÚÌ˚Ï ÔË Ë„Â Î„‡ÚÓ.
ìÒÚ‡ÌÓ‚ËÚ ÔÓÎËÙÓÌ˘ÂÒÍËÈ ÂÊËÏ
‰Îfl „·‚ÌÓ„Ó „ÓÎÓÒ‡ (Main) Ë
ÏÓÌÓÙÓÌ˘ÂÒÍËÈ (MONO) — ‰Îfl
„ÓÎÓÒ‡ ÒÎÓfl (Layer). Ç ˝ÚÓÏ ÒÎÛ˜‡Â
■ LEFT HOLD (Û‰ÂʇÌË „ÓÎÓÒ‡ ‰Îfl ΂ÓÈ ÛÍË)
‚‡¯‡ ÏÂÎÓ‰Ëfl, ‚ ÚÓÏ ˜ËÒÎÂ
ùÚ‡ ÙÛÌ͈Ëfl Á‡ÒÚ‡‚ÎflÂÚ „ÓÎÓÒ ‰Îfl ΂ÓÈ ÛÍË Á‡Ïˇڸ ωÎÂÌÌÂÂ. ä·‚Ë¯Ë ÛÊ ÓÚÔÛ˘ÂÌ˚, ‡
̇˷ÓΠ‚˚ÒÓÍË ÌÓÚ˚ β·˚ı
‡ÍÍÓ‰Ó‚, ·Û‰ÂÚ Á‚Û˜‡Ú¸
Á‚ÛÍ Â˘Â ÚflÌÂÚÒfl. ùÙÙÂÍÚ Â ÚÓÚ ÊÂ, ˜ÚÓ Ë ÔË ËÒÔÓθÁÓ‚‡ÌËË Ô‰‡ÎË ÒÛÒÚÂÈ̇. ùÚ‡ ÙÛÌ͈Ëfl
ÏÓÌÓÙÓÌ˘ÂÒÍË.
ÓÒÓ·ÂÌÌÓ ÔÓÎÂÁ̇ ÔË ‚Íβ˜ÂÌÌÓÏ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ. ç‡ÔËÏÂ, ÂÒÎË ‚˚ ‚ÓÁ¸ÏÂÚ ‡ÍÍÓ‰ ‚
èÓÔÓ·ÛÈÚÂ ÔËÏÂÌËÚ¸ ˝ÚÓÚ ˝ÙÙÂÍÚ
Í ÒÎÂ‰Û˛˘ËÏ „ÓÎÓÒ‡Ï.
ÚÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚, ÍÓÚÓ‡fl Óڂ‰Â̇ ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ‡ Á‡ÚÂÏ ÓÚÔÛÒÚËÚ Í·‚Ë¯Ë (ÔË
É·‚Ì˚È „ÓÎÓÒ: ÔÓÎËÙÓÌ˘ÂÒ͇fl
‰ÛıÓ‚‡fl ÒÂ͈Ëfl (Brass Section) +
‚Íβ˜ÂÌÌÓÏ ‡Á‰ÂÎÂÌËË Í·‚ˇÚÛ˚; „ÓÎÓÒ ‰Îfl ΂ÓÈ ÛÍË — ÒÚÛÌÌ˚ (Strings)), ‡ÍÍÓ‰ ·Û‰ÂÚ
„ÓÎÓÒ ÒÎÓfl: ÏÓÌÓÙÓÌ˘ÂÒ͇fl
ÔÓ‰ÓÎʇڸ Á‚Û˜‡Ú¸, Ôˉ‡‚‡fl ̇Ò˚˘ÂÌÌÓÒÚ¸ Ó·˘ÂÏÛ Á‚Û˜‡Ì˲ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
«Ò·‰ÍÓÁ‚ۘ̇fl» ÚÛ·‡ (Sweet
Trump).
äÓÎÂÒ‡ ÛÔ‡‚ÎÂÌËfl ‚˚ÒÓÚÓÈ Á‚Û͇ (PITCH BEND) Ë ÏÓ‰ÛÎflˆËÂÈ
äÓÎÂÒÓ ÛÔ‡‚ÎÂÌËfl ‚˚ÒÓÚÓÈ Á‚Û͇ PSR-2100/
1100 (PITCH BEND) ÔÓÁ‚ÓÎflÂÚ «ÔÓ‰Úfl„Ë‚‡Ú¸»
Á‚ÛÍ ‚‚Âı (ÍÓÎÂÒÓ ÓÚ Ò·fl) ËÎË ‚ÌËÁ (ÍÓÎÂÒÓ Í
Ò·Â), Ì ÔÂ͇˘‡fl Ë„‡Ú¸ ̇ Í·‚ˇÚÛÂ.
äÓÎÂÒÓ ÛÔ‡‚ÎÂÌËfl ‚˚ÒÓÚÓÈ Á‚Û͇ ˆÂÌÚËÛÂÚÒfl
‡‚ÚÓχÚ˘ÂÒÍË. ùÚÓ Á̇˜ËÚ, ˜ÚÓ ÓÚÔÛÒ͇ÌËÂ
ÍÓÎÂÒ‡ ÔË‚Ó‰ËÚ Í ÌÓχÎËÁ‡ˆËË ‚˚ÒÓÚ˚
Á‚Û˜‡ÌËfl.
îÛÌ͈Ëfl ÏÓ‰ÛÎflˆËË Ôˉ‡ÂÚ ÚÂÏ·Û ˝ÙÙÂÍÚ
‚Ë·‡ÚÓ (PSR-2100). èÓ‚ÂÌÛ‚ ÍÓÎÂÒÓ
ÏÓ‰ÛÎflˆËË (MODULATION) ‰Ó ÛÔÓ‡ Í Ò·Â, ‚˚
҉·ÂÚÂ Â„Ó ‚ÓÁ‰ÂÈÒÚ‚Ë ÏËÌËχθÌ˚Ï, ÚÓ„‰‡
Í‡Í Ó·‡ÚÌÓ ‰‚ËÊÂÌË ۂÂ΢ËÚ ÛÓ‚Â̸
‚ÓÁ‰ÂÈÒÚ‚Ëfl ˝ÙÙÂÍÚ‡.
äÌÓÔ͇ [UPPER OCTAVE] ÔÓÁ‚ÓÎflÂÚ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ú‡ÌÒÔÓÌËÓ‚‡Ú¸ „·‚ÌÛ˛ (MAIN) ˜‡ÒÚ¸ Ë ˜‡ÒÚ¸
ÒÎÓfl (LAYER) ̇ ÓÍÚ‡‚Û ‚‚Âı ËÎË ‚ÌËÁ.
PSR-2100/1100
61
PITCH BEND
å‡ÍÒËχθÌ˚È ‰Ë‡Ô‡ÁÓÌ
ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û˜‡ÌËfl
ÏÓÊÌÓ ËÁÏÂÌËÚ¸ (ÒÚ. 126).
MODULATION
óÚÓ·˚ ËÁ·Âʇڸ ÒÎÛ˜‡ÈÌÓ„Ó
ÌÂÊ·ÚÂθÌÓ„Ó ÔËÏÂÌÂÌËfl
‰‡ÌÌÓ„Ó ˝ÙÙÂÍÚ‡, ÛÒÚ‡ÌÓ‚ËÚÂ
Â„Ó „ÎÛ·ËÌÛ Ì‡ ÏËÌËχθÌ˚È
ÛÓ‚Â̸.
ê„ÛÎËӂ͇ Ô‡‡ÏÂÚ‡ Octave (Ú‡ÌÒÔÓÌËÓ‚‡ÌË ̇ ÓÍÚ‡‚Û)
ë ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Mixing
Console (ÍÓÌÒÓθ ÏËͯ‡) ‚˚
UPPER OCTAVE
ÏÓÊÂÚ ÓÒÛ˘ÂÒÚ‚ËÚ¸ ·ÓΠÚÓÌ-
ÍÛ˛ ̇ÒÚÓÈÍÛ Ô‡‡ÏÂÚÓ‚, ÓÚ-
RESET
ÌÓÒfl˘ËıÒfl Í Ú‡ÌÒÔÓÌËÓ‚‡Ì˲
̇ ÓÍÚ‡‚Û (ÒÚ. 126).
ëÚËÎË
Ç PSR-2100/1100 ‚ÒÚÓÂÌ˚ ÒÚËÎË (‚‡Ë‡ÌÚ˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡), ı‡‡ÍÚÂÌ˚ ‰Îfl ÏÌÓÊÂÒÚ‚‡ ÏÛÁ˚͇θÌ˚ı ʇÌÓ‚, ‚Íβ˜‡fl ÔÓÔ-
ÏÛÁ˚ÍÛ, ‰Ê‡Á, ·ÚËÌÓ‡ÏÂË͇ÌÒÍÛ˛ Ë Ú‡ÌˆÂ‚‡Î¸ÌÛ˛ ÏÛÁ˚ÍÛ. óÚÓ·˚ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ËÏË, ‰ÓÒÚ‡ÚÓ˜ÌÓ ÔÓÒÚÓ ·‡Ú¸ ΂ÓÈ ÛÍÓÈ
‡ÍÍÓ‰˚. Ç˚·‡ÌÌ˚È ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ·Û‰ÂÚ ‡‚ÚÓχÚ˘ÂÒÍË ‚‡Ï ÔÓ‰˚„˚‚‡Ú¸, Ï„ÌÓ‚ÂÌÌÓ Â‡„ËÛfl ̇ ÒÏÂÌÛ ‡ÍÍÓ‰‡.
èÓÔÓ·ÛÈÚ ‚˚·‡Ú¸ ÌÂÒÍÓθÍÓ ÒÚËÎÂÈ (ÒÏ. ‰ÓÔÓÎÌËÚÂθÌ˚È ÒÔËÒÓÍ) Ë ‚ÓÒÔÓËÁ‚ÂÒÚË Ëı.
BACK NEXT
LEFT
HOLD
VOICE EFFECT
SUSTAIN
HARMONY/
ECHO
MONOTOUCH
DSP
VARIATION
DIGITAL
STUDIO
VOIC E
SOUND CREATOR
MAIN
PIANO & HARPSI.
E.PIANO
ACCORDION
ORGAN &
PERCUSSION
DIGITAL RECORDING
A
F
LAYER
GUITAR
BASS
BRASS
WOODWIND
B
G
MIXING CONSOLE
C
H
LEFT
STRINGS CHOIR & PAD
SYNTH.
XG
D
I
USER
ORGAN FLUTES
DEMO
MENU
E
J
UPPER OCTAVE
FINDER
MUSIC
HELP
MIC.
VH TYPE
SELECT
SETTING
MIC.
VOCAL
RESET
OVER
HARMONY
TALK
EFFECT
FUNCTION
SIGNAL
ONE TOUCH SETTING
ACCESS
DIRECT
BALANCE
EXIT
ENTER
CHANNEL ON/OFF
PART
REGISTRATION MEMORY
DATA ENTRY
FREEZE MEMORY
62
PSR-2100/1100
81 2 3 4 5 6 7
STYLE CONTROL
MAIN
ENDING
SYNC.
SYNC.
ACMP INTRO
BREAK
/ rit.
STOP
START
START/STOP
AUTO
OTS
FILL IN
LINK
SONG
TRACKS
EXTRA
TRACK
2
TRACK
1 REPEAT
METRO-
NOME
(STYLE) (R)(L)
REC REW FF
TOP
START/STOP
STYLE
NEW SONG SYNC. START
POP & ROCK
SWING &
JAZZ
BALLROOM
MARCH &
WALTZ
BALLAD USERLATIN
DANCE
PART
TRANSPOSE
TEMPO
TAP TEMPO
MASTER VOLUME
RESET
RESET
STOP
IN/OUT
FADE
MULTI PAD
MIN MAX
STYLE CONTROL
ACMP
BREAK
INTRO
MAIN
ENDING
/ rit.
SYNC.
SYNC.
STANDBY
AUTO
STOP
START
FILL IN
LINK
OTS
START/STOP
ON
ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl
BACK NEXT
A
F
B
G
C
H
D
I
E
J
81 2 3 4 5 6 7
HOLD
LEFT
VOICE EFFECT
BACK NEXT
SUSTAIN
HARMONY/
ECHO
MONOTOUCH
DSP
VARIATION
DIGITAL
STUDIO
VOIC E
SOUND CREATOR
MAIN
PIANO & HARPSI.
E.PIANO
ACCORDION
ORGAN &
PERCUSSION
DIGITAL RECORDING
A
F
GUITAR
BASS
BRASS
WOODWIND
B
G
LAYER
MIXING CONSOLE
C
H
LEFT
STRINGS CHOIR & PAD
SYNTH.
XG
D
I
MENU
USER
ORGAN FLUTES
DEMO
E
J
FINDER
MUSIC
UPPER OCTAVE
HELP
MIC.
OVER
SELECT
VH TYPE
RESET
SETTING
MIC.
HARMONY
VOCAL
TALK
EFFECT
FUNCTION
SIGNAL
DIRECT
BALANCE
ONE TOUCH SETTING
ACCESS
EXIT
ENTER
CHANNEL ON/OFF
PART
REGISTRATION MEMORY
DATA ENTRY
FREEZE MEMORY
81 2 3 4 5 6 7
1
SONG
TRACKS
EXTRA
TRACK
2
TRACK
1 REPEAT
NOME
METRO-
(STYLE) (R)(L)
REC REW FF
TOP
START/STOP
STYLE
SWING &
MARCH &
POP & ROCK BALLROOM
JAZZ
WA LTZ
STYLE
NEW SONG SYNC. START
POP & ROCK
SWING &
JAZZ
BALLROOM
MARCH &
WALTZ
BALLAD USERLATIN
DANCE
PART
TRANSPOSE
TEMPO
TAP TEMPO
BALLAD USERLATIN
DANCE
MASTER VOLUME
RESET
RESET
STOP
FADE
MULTI PAD
IN/OUT
MIN MAX
STYLE CONTROL
ACMP
BREAK
INTRO
MAIN
ENDING
/ rit.
SYNC.
STOP
SYNC.
STANDBY
FILL IN
AUTO
OTS
START
LINK
START/STOP
ON
è˜Â̸ ‚ÒÚÓÂÌÌ˚ı
2
ÒÚËÎÂÈ ÒÓ‰ÂÊËÚÒfl ‚
‰ÓÔÓÎÌËÚÂθÌÓÏ ÒÔËÒÍÂ.
2-1 Ç˚·ÂËÚ ‡Á‰ÂÎ
Ô‡ÏflÚË (Preset, User,
Floppy Disk) ‰Îfl
ÒÓı‡ÌÂÌËfl ÒÚËÎfl.
2-2 Ç˚·ÂËÚ ÒÚËθ.
èË ÓÚÍ˚ÚËË Í‡Ú‡ÎÓ„‡ ÌËÊÌÂ„Ó ÛÓ‚Ìfl ˝Ú‡
ÍÌÓÔ͇ (UP) ÔÓÁ‚ÓÎflÂÚ ÔÂÂÈÚË Ì‡ ‚ÂıÌËÈ
ÛÓ‚Â̸, „‰Â ‚˚ ÏÓÊÂÚ ‚˚·‡Ú¸ „ÛÔÔÛ ÒÚËÎÂÈ.
ëÚËÎË
ÇÍβ˜Ë‚ ÍÌÓÔÍÛ [ACMP], ‚˚ ÏÓÊÂÚ ·‡Ú¸ ËÎË Û͇Á˚‚‡Ú¸ ‡ÍÍÓ‰˚ Ò ÔÓÏÓ˘¸˛ ‡Á‰Â·
Ç˚ ÏÓÊÂÚ ÛÒÚ‡ÌÓ‚ËÚ¸ „‡Ìˈ˚
3
Í·‚ˇÚÛ˚, Óڂ‰ÂÌÌÓ„Ó ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. (Ç Á‡‚ËÒËÏÓÒÚË ÓÚ Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚
‡Á‰Â· Í·‚ˇÚÛ˚ ‰Îfl
˝ÚËÏ ‡Á‰ÂÎÓÏ ÏÓÊÂÚ ·˚Ú¸ ÁÓ̇, Óڂ‰ÂÌ̇fl ÔÓ‰ „ÓÎÓÒ ‰Îfl ΂ÓÈ ÛÍË, ÎË·Ó ‚Òfl Í·‚ˇÚÛ‡).
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 141).
STYLE CONTROL
MAIN
ENDING
SYNC.
SYNC.
ACMP INTRO
BREAK
/ rit.
STOP
START
START/STOP
AUTO
OTS
FILL IN
LINK
ÇÍβ˜ËÚ ÍÌÓÔÍÛ SYNC. START (ÒËÌıÓÌÌ˚È Á‡ÔÛÒÍ).
4
Sync. Start
STYLE CONTROL
MAIN
ENDING
SYNC.
SYNC.
ÖÒÎË ˝Ú‡ ÍÌÓÔ͇ ‚Íβ˜Â̇, ÚÓ
ACMP INTRO
BREAK
/ rit.
STOP
START
START/STOP
AUTO
OTS
‰Îfl Á‡ÔÛÒ͇ ÒÚËÎfl ‰ÓÒÚ‡ÚÓ˜ÌÓ
FILL IN
LINK
ÔÓÒÚÓ Ì‡˜‡Ú¸ Ë„‡Ú¸ ̇
Í·‚ˇÚÛÂ.
• á‡ÔÛÒÍ ËÚÏ˘ÂÒÍËı ͇̇ÎÓ‚
(‰ÓÓÊÂÍ) ÒÚËÎfl
ÔÓËÁ‚Ó‰ËÚÒfl ̇ʇÚËÂÏ
ÍÌÓÔÍË [START/STOP].
ëÚËθ Á‡ÔÛÒÚËÚÒfl Ò‡ÁÛ, Í‡Í ÚÓθÍÓ ‚˚ ‚ÓÁ¸ÏÂÚ ‡ÍÍÓ‰ ‚ ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
5
• ùÚË ‰ÓÓÊÍË ÏÓÊÌÓ Ú‡ÍÊÂ
낉ÂÌËfl Ó· ‡ÔÔÎË͇ÚÛ ‡ÍÍÓ‰Ó‚ ÒÏ. ÒÚ. 65.
TӘ͇ ‡Á‰eÎeÌËfl Í·‚ˇÚÛ˚
Á‡ÔÛÒÚËÚ¸, Û‰‡Ë‚ ÔÓ ÍÌÓÔÍÂ
íÂÏÔ ÏÓÊÌÓ ËÁÏÂÌflÚ¸ Ò ÔÓÏÓ˘¸˛
[TAP TEMPO]. éÒÚ‡ÌÓ‚ËÚÂ
ÍÌÓÔÓÍ TEMPO [ ] [ ] Ë [TAP
‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl Ë
TEMPO].
Û‰‡¸Ú ÔÓ ÍÌÓÔÍ [TAP
ëÍÓÓÒÚ¸ ÒÂËË Û‰‡Ó‚ ÔÓ ÍÌÓÔÍÂ
TEMPO] ÚË, ˜ÂÚ˚ ËÎË
[TAP TEMPO] Á‡‰‡ÂÚ ‚Â΢ËÌÛ
ÔflÚ¸ ‡Á (ÚË ‡Á‡ — ‰Îfl
ÚÂÏÔ‡.
‡Áχ 3/4, ˜ÂÚ˚ — ‰Îfl
ê‡Á‰eÎ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌeÏeÌÚ‡
‡ÁÏÂÓ‚ 2/4 Ë 4/4, ÔflÚ¸ ‡Á
— ‰Îfl ‡Áχ 5/4).
äÓ„‰‡ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò ÔÂÒÌÂÈ
éÒÚ‡ÌÓ‚ËÚ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ
‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl ͇ÍÓÈ-ÎË·Ó
6
ÒÚËÎfl.
END
éÚÍβ˜ËÚ ÍÌÓÔÍÛ ACMP.
ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÚÓ
SYNC.
SYNC.
˜‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡,
STOP
START
START/STOP
STYLE CONTROL
Á‡ÔËÒ‡ÌÌ˚ ̇ ͇̇Î˚ 9 - 16,
ACMP INTROBREAK
‚ÂÏÂÌÌÓ Á‡ÏÂÌfl˛ÚÒfl
‚˚·‡ÌÌ˚Ï ÒÚËÎÂÏ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. í‡ÍËÏ
Ó·‡ÁÓÏ, ‚˚ ÔÓÎÛ˜‡ÂÚÂ
‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓËÒ͇ڸ ÒÚËθ,
̇˷ÓΠÔÓ‰ıÓ‰fl˘ËÈ ‰Îfl
‰‡ÌÌÓÈ ÔÂÒÌË (ÒÚ. 80).
ÍÚÂËÒÚËÍË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
íËÔ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë Â„Ó ı‡‡ÍÚÂËÒÚËÍË ÓÚÓ·‡Ê‡˛ÚÒfl ̇‰ ËÏÂÌÂÏ ÒÚËÎfl.
Session!
ùÚË ÒÚËÎË ÓÚ΢‡˛ÚÒfl ÔÓ‚˚¯ÂÌÌ˚Ï Â‡ÎËÁÏÓÏ Ë ÂÒÚÂÒÚ‚ÂÌÌÓÒÚ¸˛ ÒÓÔÓ‚ÓʉÂÌËfl. í‡ÍÓÈ ˝ÙÙÂÍÚ ‰ÓÒÚË„‡ÂÚÒfl Á‡ Ò˜ÂÚ ÏËͯËÓ‚‡ÌËfl ËÒıÓ‰Ì˚ı Ë
ËÁÏÂÌÂÌÌ˚ı ÚËÔÓ‚ ‡ÍÍÓ‰Ó‚. äÓÏ ÚÓ„Ó, ÒÓÎÓ ÏÓÊÂÚ „‡ÏÓÌËÁËÓ‚‡Ú¸Òfl ËÙÙ‡ÏË Ò ÏÓ‰ËÙˈËÓ‚‡ÌÌÓÈ ‡ÍÍÓ‰Ó‚ÓÈ ÒÚÛÍÚÛÓÈ. чÌÌ˚ ÒÚËÎË ÒÓÁ‰‡‚‡ÎËÒ¸
‰Îfl ÚÓ„Ó, ˜ÚÓ·˚ ‰Ó·‡‚ËÚ¸ «ËÁ˛ÏËÌÍÛ» ‚‡¯ËÏ ‚˚ÒÚÛÔÎÂÌËflÏ Ë Á‡ÒÚ‡‚ËÚ¸ Ëı Á‚Û˜‡Ú¸ ·ÓΠÔÓÙÂÒÒËÓ̇θÌÓ. èË ËÒÔÓθÁÓ‚‡ÌËË ˝ÚËı ÒÚËÎÂÈ ÌÂÓ·ıÓ‰ËÏÓ
Û˜ËÚ˚‚‡Ú¸, ˜ÚÓ ÓÌË ÔÓ‰ıÓ‰flÚ Ì ‰Îfl ‚ÒÂı ÔÂÒÂÌ Ë Ì ‰Îfl ‚ÒÂı ʇÌÓ‚. èÓ˝ÚÓÏÛ ÔË ËÒÔÓθÁÓ‚‡ÌËË ÓÔ‰ÂÎÂÌÌ˚ı ÒÚËÎÂÈ Ë„˚ ‡ÍÍÓ‰‡ÏË ÔËÏÂÌÂÌË ڇÍÓ„Ó
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÏÓÊÂÚ Ó͇Á‡Ú¸Òfl ӯ˷ÍÓÈ Ë ‰‡Ê ÔË‚ÂÒÚË Í Ì‡Û¯ÂÌËflÏ „‡ÏÓÌËË. Ç ÌÂÍÓÚÓ˚ı ÒËÚÛ‡ˆËflı ‚ÁflÚË ÔÓÒÚÓ„Ó Ï‡ÊÓÌÓ„Ó ÚÂÁ‚Û˜Ëfl ÏÓÊÂÚ
ÔË‚ÂÒÚË Í ‚ÓÒÔÓËÁ‚‰ÂÌ˲ ÒÂÔÚ‡ÍÍÓ‰‡ ÎË·Ó, ̇ÔËÏÂ, ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌËÂÏ ÌÓÚ(˚) ‚ ·‡ÒÓ‚ÓÏ Â„ËÒÚ ÏÓÊÂÚ ·˚Ú¸ Ó·˚„‡Ì ÌÂÓÊˉ‡ÌÌ˚Ï Ó·‡ÁÓÏ ËÎË
ÌÂÔ‡‚ËθÌÓ.
PSR-2100/1100
63
ëÚËÎË
ÇÓÒÔÓËÁ‚‰ÂÌË ÚÓθÍÓ ËÚÏ˘ÂÒÍËı ‰ÓÓÊÂÍ ÒÚËÎfl
Ç˚·ÂËÚ ÒÚËθ (ÒÚ. 62).
êËÚÏ˘ÂÒÍË ͇̇Î˚ (‰ÓÓÊÍË)
1
fl‚Îfl˛ÚÒfl ÒÓÒÚ‡‚Ì˚ÏË ˜‡ÒÚflÏË
ÒÚËÎÂÈ. ÑÎfl Í‡Ê‰Ó„Ó ÒÚËÎfl
ÔËÏÂÌfl˛ÚÒfl ÓÒÓ·˚Â
ËÚÏ˘ÂÒÍË ÛÁÓ˚.
ÖÒÎË Á‡‰ÂÈÒÚ‚Ó‚‡Ì‡ ÙÛÌ͈Ëfl
2
á‡ÔÛÒÍ ËÚχ.
ÒËÌıÓÒÚ‡Ú‡ (Sync Start), Á‡ÔÛÒÍ
ËÚÏ˘ÂÒÍËı ͇̇ÎÓ‚
ÔÓËÁ‚Ó‰ËÚÒfl ̇ʇÚËÂÏ Î˛·ÓÈ
STYLE CONTROL
MAIN
ENDING
SYNC.
SYNC.
ACMP INTRO
BREAK
/ rit.
STOP
START
START/STOP
Í·‚Ë¯Ë (ÍÌÓÔ͇ [SYNC.START]).
AUTO
OTS
FILL IN
LINK
Ç˚Íβ˜ËÚ ÍÌÓÔÍÛ.
à„‡ÈÚÂ Ò ‚Íβ˜ÂÌÌ˚Ï ËÚÏÓÏ.
3
íÂÏÔ ÏÓÊÌÓ ËÁÏÂÌflÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [ ][ ] Ë [TAP TEMPO].
ëÍÓÓÒÚ¸ ÒÂËË Û‰‡Ó‚ ÔÓ ÍÌÓÔÍ [TAP TEMPO] Á‡‰‡ÂÚ ‚Â΢ËÌÛ ÚÂÏÔ‡.
óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ËÚχ,
END
̇ÊÏËÚ ÍÌÓÔÍÛ [START/STOP].
ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË/‚˚Íβ˜ÂÌË ͇̇ÎÓ‚
˝Í‡Ì BALANCE (·‡Î‡ÌÒ)
˜‡ÒÚ¸ MULTI PAD
˜‡ÒÚ¸ MIC (ÏËÍÓÙÓÌ)
Ç˚ÁÓ‚ËÚ ˝Í‡Ì
˜‡ÒÚ¸ STYLE (‡Á‰ÂÎ, Óڂ‰ÂÌÌ˚È
BALANCE.
ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ)
ó‡ÒÚË, ÍÓÚÓ˚ ˄‡˛ÚÒfl ̇
Í·‚ˇÚÛ (MAIN/LAYER/LEFT)
˜‡ÒÚ¸ SONG (ÔÂÒÌfl)
BALANCE
éÚ„ÛÎËÛÈÚ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ˜‡ÒÚË.
CHANNEL ON/OFF
PART
ä‡Ì‡Î
˝Í‡Ì CHANNEL ON/OFF
ì͇Á˚‚‡ÂÚ Í‡Ì‡Î MIDI,
ËÒÔÓθÁÛÂÏ˚È ‚ ÔÂÒÌÂ
(ÒÚ. 160). ä‡Ì‡Î˚
Ç˚ÁÓ‚ËÚ ˝Í‡Ì
‡ÒÔ‰ÂÎfl˛ÚÒfl ÒÎÂ‰Û˛˘ËÏ
Channel ON/
Ó·‡ÁÓÏ.
OFF.
ÔÂÒÌfl
Ç˚ÁÓ‚ËÚ ˝Í‡Ì STYLE Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [CHANNEL ON/OFF], ‡ Á‡ÚÂÏ
1 - 16
ÓÚÍβ˜ËÚ ÌÂÌÛÊÌ˚È ËÌÒÚÛÏÂÌÚ.
ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
9 - 16
64
PSR-2100/1100
ëÚËÎË
ÄÍÍÓ‰Ó‚‡fl ‡ÔÔÎË͇ÚÛ‡
ÇÓÒÔÓËÁ‚‰ÂÌËÂÏ ÒÚËÎfl ÏÓÊÌÓ ÛÔ‡‚ÎflÚ¸ Ò ÔÓÏÓ˘¸˛ ‡ÍÍÓ‰Ó‚ Ò΂‡ ÓÚ ÚÓ˜ÍË ‡Á·ËÂÌËfl Í·‚ˇÚÛ˚. çËÊ Ô˂‰ÂÌÓ ÓÔËÒ‡ÌËÂ
ÒÂÏË ÚËÔÓ‚ ‡ÔÔÎË͇ÚÛ˚. èÂÂȉËÚ ̇ ÒÚ‡ÌËˆÛ CHORD FINGERING (ÒÚ. 142) Ë ‚˚·ÂËÚ ӷ˙ÂÍÚ Chord Fingerings (ÚËÔ˚
‡ÍÍÓ‰Ó‚ÓÈ ‡ÔÔÎË͇ÚÛ˚). Ç˚ ۂˉËÚ ‚‡Ë‡ÌÚ˚ ‡ÍÍÓ‰Ó‚ ‰Îfl ΂ÓÈ ÛÍË.
SINGLE FINGER (Ó‰ÌËÏ Ô‡Î¸ˆÂÏ)
чÌÌ˚È ‚‡Ë‡ÌÚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ ÔÂ͇ÒÌ˚ ÓÍÂÒÚÓ‚ÍË Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ Ï‡ÊÓÌ˚ı Ë ÏËÌÓÌ˚ı
‡ÍÍÓ‰Ó‚, ‡ Ú‡ÍÊ ÒÂÔÚ‡ÍÍÓ‰Ó‚. èË ˝ÚÓÏ ‰ÓÒÚ‡ÚÓ˜ÌÓ Á‡‰ÂÈÒÚ‚Ó‚‡Ú¸ Î˯¸ ÏËÌËÏÛÏ Í·‚˯ ‚ ‡Á‰ÂΠÍ·‚ˇÚÛ˚, Óڂ‰ÂÌÌÓÏ
ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. Ç ‰‡ÌÌÓÏ ÂÊËÏ ËÒÔÓθÁÛÂÚÒfl ÛÔÓ˘ÂÌ̇fl ‡ÍÍÓ‰Ó‚‡fl ‡ÔÔÎË͇ÚÛ‡ (ÒÏ. ÌËÊÂ).
ÑÎfl ÚÓ„Ó ˜ÚÓ·˚ ‚ÁflÚ¸ χÊÓÌ˚È ‡ÍÍÓ‰, ‰ÓÒÚ‡ÚÓ˜ÌÓ
óÚÓ·˚ ‚ÁflÚ¸ ÏËÌÓÌ˚È ‡ÍÍÓ‰, ̇ÊÏËÚ ӉÌÓ‚ÂÏÂÌÌÓ
‚ÁflÚ¸ Î˯¸ Â„Ó ÓÒÌÓ‚ÌÓÈ ÚÓÌ.
Í·‚Ë¯Û ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ Ë ˜ÂÌÛ˛ Í·‚Ë¯Û Ò΂‡ ÓÚ ÌÂÂ.
C
Cm
óÚÓ·˚ ‚ÁflÚ¸ ÒÂÔÚ‡ÍÍÓ‰, ̇ÊÏËÚ ӉÌÓ‚ÂÏÂÌÌÓ
óÚÓ·˚ ‚ÁflÚ¸ ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰, ̇ÊÏËÚÂ
Í·‚Ë¯Û ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ Ë ·ÂÎÛ˛ Í·‚Ë¯Û Ò΂‡ ÓÚ ÌÂÂ.
Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò Í·‚˯ÂÈ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ·ÂÎÛ˛ Ë
˜ÂÌÛ˛ Í·‚Ë¯Ë Ò΂‡ ÓÚ ÌÂÂ.
C7
Cm7
MULTI FINGER (ÌÂÒÍÓθÍËÏË Ô‡Î¸ˆ‡ÏË)
Ç ÂÊËÏ Multi Finger ‡ÔÔÎË͇ÚÛ‡ ‡ÍÍÓ‰Ó‚, Á‡‰‡ÌÌ˚ı ÏÂÚÓ‰‡ÏË Single Finger Ë Fingered,
îÛÌ͈Ëfl ‡ÒÔÓÁ̇‚‡ÌËfl
‡ÍÍÓ‰Ó‚ ‚ ÂÊËÏ AI Full
‡ÒÔÓÁ̇ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË. ùÚÓ Û‰Ó·ÌÓ, Ú‡Í Í‡Í ÔÓÁ‚ÓÎflÂÚ ËÒÔÓθÁÓ‚‡Ú¸ β·ÓÈ ËÁ ˝ÚËı ÚËÔÓ‚
Keyboard (‚Òfl Í·‚ˇÚÛ‡)
‡ÔÔÎË͇ÚÛ˚ ·ÂÁ ÌÂÓ·ıÓ‰ËÏÓÒÚË ÔÂÂÍβ˜ÂÌËfl ÂÊËÏÓ‚. ÖÒÎË ‚ ÂÊËÏ MULTI FINGER
ÔÓ‰‰ÂÊË‚‡ÂÚÒfl ‰Îfl ‡ÍÍÓ‰Ó‚
Ú·ÛÂÚÒfl ‚ÁflÚ¸ ÏËÌÓÌ˚È ‡ÍÍÓ‰, ÒÂÔÚ‡ÍÍÓ‰ ËÎË ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ ÏÂÚÓ‰ÓÏ SINGLE
‰ÎËÚÂθÌÓÒÚ¸˛ ÔËÏÂÌÓ ÓÚ
Ó‰ÌÓÈ ‚ÓÒ¸ÏÓÈ. ÄÍÍÓ‰˚ ÏÂÌÂÂ
FINGER, ‚Ò„‰‡ ̇ÊËχÈÚ ˜ÂÌ˚Â/·ÂÎ˚ Í·‚˯Ë, ·ÎËʇȯËÂ Í ÓÒÌÓ‚ÌÓÏÛ ÚÓÌÛ ‡ÍÍÓ‰‡.
ÔÓ‰ÓÎÊËÚÂθÌÓ„Ó Á‚Û˜‡ÌËfl,
˜ÂÏ Ó‰Ì‡ ‚ÓҸχfl, ÏÓ„ÛÚ ÌÂ
FINGERED (Ú‡‰ËˆËÓÌÌ˚È)
‡ÒÔÓÁ̇‚‡Ú¸Òfl.
Ç ˝ÚÓÏ ÂÊËÏ ‚˚ ÏÓÊÂÚ ·‡Ú¸ ‡ÍÍÓ‰˚ ‚ ‡Á‰ÂÎÂ, Óڂ‰ÂÌÌÓÏ ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ,
ÔË‚˚˜Ì˚Ï ÒÔÓÒÓ·ÓÏ. ç‡ ÒÎÂ‰Û˛˘ÂÈ ÒÚ‡Ìˈ Ô‰ÒÚ‡‚ÎÂÌ ÒÔËÒÓÍ ÚËÔÓ‚ ‡ÍÍÓ‰Ó‚,
‡ÒÔÓÁ̇‚‡ÂÏ˚ı ‚ ÂÊËÏ Fingered.
FINGERED ON BASS (Ú‡‰ËˆËÓÌÌ˚È Ò ·‡ÒÓÏ)
чÌÌ˚È ÂÊËÏ ÔÓ‰‰ÂÊË‚‡ÂÚ ÚÛ Ê ‡ÔÔÎË͇ÚÛÛ, ˜ÚÓ Ë ÂÊËÏ FINGERED. éÚ΢ˠÒÓÒÚÓËÚ ‚
Ç ÂÊËÏÂ Full Keyboard (‚Òfl
ÚÓÏ, ˜ÚÓ Ò‡Ï‡fl ÌËÁ͇fl ÌÓÚ‡, Ò˚„‡Ì̇fl ‚ ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ËÒÔÓθÁÛÂÚÒfl ‚ ͇˜ÂÒÚ‚Â
Í·‚ˇÚÛ‡) ‡ÍÍÓ‰
·‡ÒÓ‚ÓÈ ÌÓÚ˚. í‡ÍËÏ Ó·‡ÁÓÏ, ‚˚ ÔÓÎÛ˜‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ·‡Ú¸ ‡ÍÍÓ‰˚ Ò ·‡ÒÓ‚ÓÈ ÌÓÚÓÈ.
‡ÒÔÓÁ̇ÂÚÒfl ÔÓ ‰‚ÛÏ ÌËÊÌËÏ
ÌÓÚ‡Ï. ÖÒÎË Ó·Â ˝ÚË ÌÓÚ˚
ç‡ÔËÏÂ, ˜ÚÓ·˚ Û͇Á‡Ú¸ ‰Ó-χÊÓÌÓ ÚÂÁ‚Û˜ËÂ Ò ·‡ÒÓÏ «ÏË», ‚ÓÁ¸ÏËÚ ‡ÍÍÓ‰ Ú‡ÍËÏ Ó·‡ÁÓÏ,
‡ÒÔÓÎÓÊÂÌ˚ ‚ ԉ·ı Ó‰ÌÓÈ
˜ÚÓ·˚ «ÏË» Ó͇Á‡Î‡Ò¸ Ò‡ÏÓÈ ÌËÁÍÓÈ ÌÓÚÓÈ (ÏË-ÒÓθ-‰Ó).
ÓÍÚ‡‚˚, ÓÌË ‚ÓÒÔËÌËχ˛ÚÒfl
Í‡Í ‡ÍÍÓ‰. ÖÒÎË ËÌÚ‚‡Î
FULL KEYBOARD (‚Òfl Í·‚ˇÚÛ‡)
ÏÂÊ‰Û ÌËÏË Ô‚˚¯‡ÂÚ ÓÍÚ‡‚Û,
ùÚÓÚ ÏÂÚÓ‰ ÔÓÁ‚ÓÎflÂÚ ‡ÒÔÓÁ̇‚‡Ú¸ ‡ÍÍÓ‰˚, ‚ÁflÚ˚ ‚ β·ÓÏ ÏÂÒÚ Í·‚ˇÚÛ˚. ê‡ÒÔÓÁ̇‚‡ÌËÂ
҇χfl ÌËÁ͇fl ÌÓÚ‡ ÔËÌËχÂÚÒfl
‡ÍÍÓ‰Ó‚ ̇ÔÓÏË̇ÂÚ ÏÂÚÓ‰, ÔËÌflÚ˚È ‚ ÂÊËÏ Fingered. ÄÍÍÓ‰˚ ÓÔ‰ÂÎfl˛ÚÒfl ‰‡Ê ‚
Á‡ ·‡Ò, ‡ ‡ÍÍÓ‰ ÓÔ‰ÂÎflÂÚÒfl
̇ ÓÒÌÓ‚Â ‚ÚÓÓÈ ÌÓÚ˚ Ë ‰Û„Ëı
ÒÎÛ˜‡flı, ÍÓ„‰‡ ÓÌË ·ÂÛÚÒfl Ò‡ÁÛ ‰‚ÛÏfl Û͇ÏË: ̇ÔËÏÂ, ÍÓ„‰‡ ΂ÓÈ ‚˚ ·ÂÂÚ ·‡ÒÓ‚Û˛ ÌÓÚÛ, ‡
‡ÒÔÓÎÓÊÂÌÌ˚ı ‚ ÚÓÈ Ê ÓÍÚ‡‚Â
Ô‡‚ÓÈ — ‡ÍÍÓ‰, ËÎË ÍÓ„‰‡ ‡ÍÍÓ‰ ·ÂÂÚÒfl ΂ÓÈ ÛÍÓÈ, ‚ ÚÓ ‚ÂÏfl Í‡Í Ô‡‚‡fl ‚‰ÂÚ
ÌÓÚ.
ÏÂÎӉ˘ÂÒÍÛ˛ ÎËÌ˲.
AI FINGERED (Ú‡‰ËˆËÓÌÌ˚È Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ËÒÍÛÒÒÚ‚ÂÌÌÓ„Ó ËÌÚÂÎÎÂÍÚ‡)
Ç ÓÒÌÓ‚Â Ò‚ÓÂÈ ˝ÚÓÚ ÂÊËÏ Ì‡ÔÓÏË̇ÂÚ ÂÊËÏ FINGERED. Ö‰ËÌÒÚ‚ÂÌÌÓ ÓÚ΢ˠÒÓÒÚÓËÚ ‚ ÚÓÏ,
˜ÚÓ ‰Îfl Û͇Á‡ÌËfl ‡ÍÍÓ‰‡ ‰ÓÒÚ‡ÚÓ˜ÌÓ ‚ÁflÚ¸ Ì ÚË ÌÓÚ˚, ‡ ÏÂ̸¯Â. ÑÎfl ‚ÓÒÒÓÁ‰‡ÌËfl ‡ÍÍÓ‰‡
AI
ËÒÔÓθÁÛ˛ÚÒfl ҂‰ÂÌËfl Ó ÔÓÒΉÌÂÏ Ò˚„‡ÌÌÓÏ ‡ÍÍÓ‰Â Ë Ú. ‰.
àÒÍÛÒÒÚ‚ÂÌÌ˚È ËÌÚÂÎÎÂÍÚ
AI FULL KEYBOARD (‚Òfl Í·‚ˇÚÛ‡ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ËÒÍÛÒÒÚ‚ÂÌÌÓ„Ó ËÌÚÂÎÎÂÍÚ‡)
èË ‚˚·Ó ˝ÚÓ„Ó ÛÒÎÓÊÌÂÌÌÓ„Ó ÂÊËχ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PSR-2100/1100 ·Û‰ÂÚ ‡‚ÚÓχÚ˘ÂÒÍË
‡ÍÍÓÏÔ‡ÌËÓ‚‡Ú¸ ‚‡Ï ‚Ì Á‡‚ËÒËÏÓÒÚË ÓÚ Ò˚„‡ÌÌ˚ı ‚‡ÏË ÌÓÚ Ë ‡Á‰Â· Í·‚ˇÚÛ˚. à„‡Ú¸ ÔË ˝ÚÓÏ ÏÓÊÌÓ Ó·ÂËÏË Û͇ÏË. LJÏ
Ì ÔˉÂÚÒfl ÛÚÛʉ‡Ú¸ Ò·fl Û͇Á‡ÌËÂÏ ‡ÍÍÓ‰Ó‚ ‰Îfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ïÓÚfl ÂÊËÏ AI Full Keyboard Ô‰̇Á̇˜ÂÌ ‰Îfl
‡ÍÍÓÏÔ‡ÌËÓ‚‡ÌËfl ÏÌÓ„ËÏ ÔÂÒÌflÏ, ‰Îfl ÌÂÍÓÚÓ˚ı ‡‡ÌÊËÓ‚ÓÍ ÓÌ ÏÓÊÂÚ Ó͇Á‡Ú¸Òfl ÌÂÔËÂÏÎÂÏ˚Ï.
Ç ÓÒÌÓ‚Â Ò‚ÓÂÈ ˝ÚÓÚ ÂÊËÏ Ì‡ÔÓÏË̇ÂÚ ÂÊËÏ FULL KEYBOARD. Ö‰ËÌÒÚ‚ÂÌÌÓ ÓÚ΢ˠÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ ‰Îfl Û͇Á‡ÌËfl ‡ÍÍÓ‰‡
‰ÓÒÚ‡ÚÓ˜ÌÓ ‚ÁflÚ¸ Ì ÚË ÌÓÚ˚, ‡ ÏÂ̸¯Â. ÑÎfl ‚ÓÒÒÓÁ‰‡ÌËfl ‡ÍÍÓ‰‡ ËÒÔÓθÁÛ˛ÚÒfl ҂‰ÂÌËfl Ó ÔÓÒΉÌÂÏ Ò˚„‡ÌÌÓÏ ‡ÍÍÓ‰Â Ë Ú. ‰.)
çÓ̇ÍÍÓ‰˚ Ë Û̉ˆËχÍÍÓ‰˚ Ì ÔÓ‰‰ÂÊË‚‡˛ÚÒfl.
PSR-2100/1100
65
ëÚËÎË
íËÔ˚ ‡ÍÍÓ‰Ó‚, ‡ÒÔÓÁ̇‚‡ÂÏ˚ ‚ ÂÊËÏ Fingered (‚ ͇˜ÂÒÚ‚Â ÔËχ Ô˂‰ÂÌ˚ ‡ÍÍÓ‰˚ Ò ÓÒÌÓ‚Ì˚Ï ÚÓÌÓÏ «‰Ó»)
9
9
♯
11
♭
♭
5
C
C9
C6
C6
CM7
CM7
CM7
C
5
CM7
( )
( )
( )
( )
( )
9
11
Csus4
Caug
CM7aug
Cm
Cm9
Cm6
Cm7
Cm7
Cm7
( )
( )
( )
( )
( )
9
♭
♭
5
♭
9
♭
13
CmM7
CmM7
Cm7
5
CmM7
Cdim
Cdim7
C7
C7
C7
( )
( )
( )
( )
9
♯
11
13
♯
9
♭
5
C7
C7
C7
C7
C7
C7aug
C7sus4 Csus2
( )
( )
( )
( )
ç‡Á‚‡ÌË ‡ÍÍÓ‰‡ [ÒÓ͇˘ÂÌÌÓ] é·˚˜Ì˚È ÔÓfl‰ÓÍ
ìÒÎÓ‚ÌÓ ӷÓÁ̇˜ÂÌËÂ
ÒΉӂ‡ÌËfl ÒÚÛÔÂÌÂÈ
‡ÍÍÓ‰‡ (Ò ÓÒÌÓ‚Ì˚Ï
• çÓÚ˚, Á‡Íβ˜ÂÌÌ˚ ‚
ÚÓÌÓÏ «‰Ó»)
ÍÛ„Î˚Â ÒÍÓ·ÍË, ÏÓÊÌÓ ÌÂ
Ë„‡Ú¸.
å‡ÊÓÌÓ ÚÂÁۂۘˠ[M] 1 - 3 - 5 C
• èË Ì‡Ê‡ÚËË ÚÂı
çÓ̇ÍÍÓ‰ [9] 1 - 2 - 3 - 5 C9
‡ÒÔÓÎÓÊÂÌÌ˚ı fl‰ÓÏ
Í·‚˯ (‚Íβ˜‡fl ˜ÂÌ˚Â)
ëÂÍÒÚ‡ÍÍÓ‰ [6] 1 - (3) - 5 - 6 C6
‡ÍÍÓ‰ ÔÂÂÒÚ‡ÌÂÚ Á‚Û˜‡Ú¸,
9
9
ëÂÍÒÚ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ÌÓÌÓÈ [6
] 1 - 2 - 3 - (5) - 6 ËÎË 3 - 6 - 2* C6
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ·Û‰ÂÚ
ÚÓθÍÓ ËÚÏ (ÙÛÌ͈Ëfl Chord
å‡ÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [M7] 1 - 3 - (5) - 7 CM7
Cancel). í‡ÍËÏ Ó·‡ÁÓÏ, ‚˚
9
9
å‡ÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ÌÓÌÓÈ [M7
] 1 - 2 - 3 - (5)j - 7 CM7
ÏÓÊÂÚ ‚ β·ÓÈ ÏÓÏÂÌÚ
♯♯ ♯♯
11
11
Ó„‡Ì˘ËÚ¸ Ô‡Ú˲
å‡ÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ Û̉ˆËÏÓÈ [M7]
]
1 - (2) - 3 - 4 - 5 - 7 ËÎË 1 - 2 - 3 - 4
CM7
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
- (5) - 7
ËÚÏ˘ÂÒÍËÏË ÙË„Û‡ÏË.
♭♭ ♭
å‡ÊÓÌÓ ÚÂÁ‚Û˜ËÂ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ 5] 1 - 3 - 5 C 5
• ÇÁfl‚ ÓÒÌÓ‚ÌÓÈ ÚÓÌ ˜ÂÂÁ
♭♭ ♭
5
5
ÓÍÚ‡‚Û, ‚˚ ÛÒÎ˚¯ËÚÂ
å‡ÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [M7]
] 1 - 3 - 5 - 7 CM7
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ÓÒÌÓ‚‡ÌÌ˚È
å‡ÊÓÌÓ ÚÂÁ‚Û˜ËÂ Ò Á‡‰ÂʇÌÌÓÈ Í‚‡ÚÓÈ [sus4] 1 - 4 - 5 Csus4
Î˯¸ ̇ ÓÒÌÓ‚ÌÓÏ ÚÓÌÂ.
♯
• ÇÁfl‚ ˜ËÒÚÛ˛ Í‚ËÌÚÛ (1 + 5),
ì‚Â΢ÂÌÌÓ χÊÓÌÓ ÚÂÁ‚ۘˠ[aug] 1 - 3 - 5 Caug
‚˚ ÛÒÎ˚¯ËÚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ,
♯
ì‚Â΢ÂÌÌ˚È Ï‡ÊÓÌÓ χÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [M7] 1 - (3) - 5 - 7 CM7aug
ÓÒÌÓ‚‡ÌÌ˚È Ì‡ ÓÒÌÓ‚ÌÓÏ
♭
ÚÓÌÂ Ë Í‚ËÌÚÂ.
åËÌÓÌÓ ÚÂÁ‚ۘˠ[m] 1 - 3 - 5 Cm
• àÌÓ„‰‡ ÒÚËθ
♭
åËÌÓÌ˚È ÌÓ̇ÍÍÓ‰ [m9] 1 - 2 - 3 - 5 Cm9
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÌÂ
♭
ÏÂÌflÂÚÒfl ÔË
åËÌÓÌ˚È ÒÂÍÒÚ‡ÍÍÓ‰ [m6] 1 - 3 - 5 - 6 Cm6
ÔÓÒΉӂ‡ÚÂθÌÓÏ ‚ÁflÚËË
♭♭
åËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [m7] 1 - 3 - (5) - 7 Cm7
·ÎËÁÍËı ÔÓ Á‚Û˜‡Ì˲
9
♭♭♭♭
9
‡ÍÍÓ‰Ó‚ (̇ÔËÏÂ, ÍÓ„‰‡
åËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ÌÓÌÓÈ [m7
] 1 - 2 - 3 - (5) - 7 ËÎË 3 - 7 - 2 Cm7
ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰
11
♭
11
åËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ Û̉ˆËÏÓÈ [M7
] 1 - (2) - 3 - 4 - 5 - ( 7) Cm7
ÒΉÛÂÚ Á‡ ÏËÌÓÌ˚ÏË
å‡ÊÓÌÓ-ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [m7] 1 - 3 - (5) - 7 CmM7
ÚÂÁ‚Û˜ËflÏË).
• Ç ÒËÌÚÂÁ‡ÚÓ PSR-2100/1100
9
9
å‡ÊÓÌÓ-ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ÌÓÌÓÈ [mM7
]
1 - 2 - 3 - (5) - 7 CmM7
Ô‰ÛÒÏÓÚÂ̇ ‚ÓÁÏÓÊÌÓÒÚ¸
5
åËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [m7]
] 1 - 3 - 5 - 7 Cm7 5
Ó·Û˜ÂÌËfl ËÒÔÓÎÌËÚÂÎfl
‡ÍÍÓ‰Ó‚ÓÈ Ë„Â ‚ ÂÊËÏÂ
5
5
å‡ÊÓÌÓ-ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [mM7
]
1 - 3 - 5 - 7 CmM7
Fingered. ÖÒÎË ‚‡Ò ËÌÚÂÂÒÛÂÚ
ìÏÂ̸¯ÂÌÌÓ ÚÂÁ‚ۘˠ[dim] 1 - 3 - 5 Cdim
ÒÓ˜ÂÚ‡ÌË Í·‚˯ ‚ ͇ÍÓÏ-
ÎË·Ó ‡ÍÍÓ‰Â, Û͇ÊËÚÂ Â„Ó Ì‡
ìÏÂ̸¯ÂÌÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [dim7] 1 - 3 - 5 - 6 Cdim7
˝Í‡Ì CHORD FINGERING
ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓ‰ [7] 1 - 3 - (5) - 7 ËÎË 1 - (3) - 5 - 7 C7
(ÒÚ. 142), Ë ‚˚ Ò‡ÁÛ ÊÂ
9
9
ۂˉËÚÂ, ͇ÍË Í·‚˯Ë
ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [7
] 1 - 2 - 3 - (5) - 7 C7
ÌÂÓ·ıÓ‰ËÏÓ Ì‡Ê‡Ú¸.
13
13
ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ Úˆ‰ÂˆËÏÓÈ [7
] 1 - 3 - 5 - 6 - 7 C7
9
9
ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ÌÓÌÓÈ [7
] 1 - 2 - 3 - (5) - 7 ËÎË 3 - 7 - 2* C7
11
11
ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓ‚˚¯ÂÌÌÓÈ Û̉ˆËÏÓÈ [7
]
1 - (2) - 3 - 4 - 5 - 7 ËÎË 1 - 2 - 3 - 4
C7
- (5) - 7
13
13
ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ Úˆ‰ÂˆËÏÓÈ [7
] 1 - 3 - (5) - 6 - 7 ËÎË 3 - 6 - 7 C7
9
9
ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓ‰ Ë ÔÓ‚˚¯ÂÌÌÓÈ ÌÓÌÓÈ [7
] 1 - 2 - 3 - (5) - 7 C7
5
5
ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [7
] 1 - 3 - 5 - 7 C7
ì‚Â΢ÂÌÌ˚È ‰ÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓ‰ [7aug] 1 - 3 - 5 - 7 C7aug
ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓ‰ Ò Á‡‰ÂʇÌÌÓÈ Í‚‡ÚÓÈ [7sus4] 1 - 4 - 5 - 7 C7sus4
å‡ÊÓÌÓ ÚÂÁ‚Û˜ËÂ Ò Á‡‰ÂʇÌÌÓÈ ÒÂÍÛ̉ÓÈ [sus2] 1 - 2 - 5 Csus2
* ê‡ÒÔÓÁ̇ÂÚÒfl Î˯¸ ˝Ú‡ ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ÒÚÛÔÂÌÂÈ (Ó·‡˘ÂÌËÂ). ÑÎfl ‡ÍÍÓ‰Ó‚, Ì ÓÚϘÂÌÌ˚ı Á‚ÂÁ‰Ó˜ÍÓÈ, ‰ÓÔÛÒÚËÏ˚ β·˚ ӷ‡˘ÂÌËfl.
66
PSR-2100/1100
♭
♭
♭
♭♭♭♭ ♭
♭♭♭ ♭
♭♭
♭♭
♭♭
♭♭♭ ♭
♭♭♭ ♭
♭♭
♯♯
♭
♯
♯
♭
♭♭
♯♯
♭
♯
♭♭♭ ♭
♯
♭
♭
ëÚËÎË
ćÌÊËӂ͇ Ë ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ
(óÄëíà: MAIN A/B/C/D (ÓÒÌӂ̇fl), INTRO
(ËÌÚÓ‰Û͈Ëfl), ENDING (ÙË̇Î), BREAK (·ÂÈÍ))
PSR-2100/1100 ‡ÒÔÓ·„‡ÂÚ ‡Á΢Ì˚ÏË ÚËÔ‡ÏË ˜‡ÒÚÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (Auto
Accompaniment Sections), ÍÓÚÓ˚ ÔÓÁ‚ÓÎfl˛Ú ‚‡¸ËÓ‚‡Ú¸ ‡‡ÌÊËÓ‚ÍÛ ‚ ԉ·ı ÒÚËÎfl. ùÚË
чÌ̇fl ÙÛÌ͈Ëfl ÏÓÊÂÚ Ú‡ÍÊÂ
˜‡ÒÚË Ì‡Á˚‚‡˛ÚÒfl: Intro (ËÌÚÓ‰Û͈Ëfl), Main (ÓÒÌӂ̇fl), Break (·ÂÈÍ) Ë Ending (ÙË̇Î). èÂÂıÓ‰fl
ËÒÔÓθÁÓ‚‡Ú¸Òfl ÚÓθÍÓ ‰Îfl
‚ÓÒÔÓËÁ‚‰ÂÌËfl ËÚÏ˘ÂÒÍËı
‚ ÔÓˆÂÒÒ ˄˚ ÓÚ Ó‰ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ, ‚˚ ÏÓÊÂڠ΄ÍÓ ‚‚Ó‰ËÚ¸ ‚ Ò‚ÓË ‡‡ÌÊËÓ‚ÍË ˝ÎÂÏÂÌÚ
ÙË„Û (ÒÚ. 64).
ÔÓÙÂÒÒËÓ̇θÌÓ„Ó ÓÚÌÓ¯ÂÌËfl Í ‰Ë̇ÏËÍ ‡Á‚ËÚËfl ÚÂÏ˚.
Ç˚·ÂËÚ ÒÚËθ (ÒÚ. 62).
• ÖÒÎË ‚˚ ̇ÊÏÂÚ ÍÌÓÔÍÛ
1
[INTRO], ‚ÓÒÔÓËÁ‚‰ÂÚÒfl
ËÌÚÓ‰Û͈Ëfl (Intro) ‚
ÒÓÔÓ‚ÓʉÂÌËË
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
• èÓ͇Á‡ÌËfl ÍÌÓÔÓÍ ‚˚·Ó‡
˜‡ÒÚÂÈ — [BREAK], [INTRO],
[MAIN], [ENDING]
ÁÂÎÂÌ˚È Ò‚ÂÚÓ‰ËÓ‰
2
2-1 ÇÍβ˜ËÚ ÍÌÓÔÍÛ ACMP.
— ˜‡ÒÚ¸ Ì ‚˚·‡Ì‡.
͇ÒÌ˚È Ò‚ÂÚÓ‰ËÓ‰
— ˜‡ÒÚ¸ ‚˚·‡Ì‡.
STYLE CONTROL
MAIN
ENDING
SYNC.
SYNC.
Ò‚ÂÚÓ‰ËÓ‰ Ì „ÓËÚ
ACMP INTRO
BREAK
/ rit.
STOP
START
START/STOP
AUTO
OTS
— ˜‡ÒÚ¸ Ì ÒÓ‰ÂÊËÚ
FILL IN
LINK
‰‡ÌÌ˚ı Ë Ì ÏÓÊÂÚ ·˚Ú¸
ÔÓË„‡Ì‡.
• Ç˚ ÏÓÊÂÚ ‰Ë̇Ï˘ÂÒÍË
2-3 ÇÍβ˜ËÚ ÍÌÓÔÍÛ SYNC. START.
ÍÓÌÚÓÎËÓ‚‡Ú¸ ÛÓ‚Â̸
„ÓÏÍÓÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡,
ÔÓÒÍÓθÍÛ Ó̇ ÏÓÊÂÚ
2-2 ç‡ÊÏËÚ ÍÌÓÔÍÛ [INTRO]. óÚÓ·˚ ˜‡ÒÚ¸ INTRO Ì ‚ÓÒÔÓËÁ‚Ӊ˷Ҹ ‚ ̇˜‡ÎÂ
Á‡‚ËÒÂÚ¸ ÓÚ ÒËÎ˚,
‡‡ÌÊËÓ‚ÍË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [INTRO].
ÔËÎÓÊÂÌÌÓÈ Í Í·‚˯‡Ï
(ÒÚ. 141).
• ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [SYNC.
START] ÔË ‚Íβ˜ÂÌÌÓÏ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ, ÓÌ
ÓÒÚ‡ÌÓ‚ËÚÒfl Ë ÒËÌÚÂÁ‡ÚÓ
PSR-2100/1100 ÔÂÂȉÂÚ ‚
ó‡ÒÚ¸ Intro Á‡ÔÛÒ͇ÂÚÒfl ÔÓ Ô‚ÓÏÛ Ì‡Ê‡Ú˲ Í·‚Ë¯Ë ‚ ‡Á‰ÂΠÍ·‚ˇÚÛ˚,
ÂÊËÏ ÓÊˉ‡ÌËfl Ò ÙÛÌ͈ËÂÈ
3
ÒËÌıÓÒÚ‡Ú‡.
Óڂ‰ÂÌÌÓÏ ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, Ë ÒÏÂÌflÂÚÒfl ˜‡ÒÚ¸˛ Main.
• ÑÎfl ÔÂÂıÓ‰‡ ÓÚ ˜‡ÒÚË Í
˜‡ÒÚË ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸
Ô‰‡Î¸ (ÒÚ. 142).
TӘ͇ ‡Á‰eÎeÌËfl Í·‚ˇÚÛ˚
• ó‡ÒÚ¸ Break ÔÓÁ‚ÓÎflÂÚ
Ó·Ó„‡ÚËÚ¸ ËÚÏ˘ÂÒÍËÈ ÛÁÓ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
‰Ë̇Ï˘ÂÒÍËÏË ‚‡Ë‡ˆËflÏË
Ë ·ÂÈ͇ÏË. ùÚÓ ÔÓ‚˚¯‡ÂÚ
ÔÓÙÂÒÒËÓ̇ÎËÁÏ Á‚Û˜‡ÌËfl,
˜ÚÓ ÓÒÓ·ÂÌÌÓ ‚‡ÊÌÓ ‰Îfl
ê‡Á‰eÎ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌeÏeÌÚ‡
‚˚ÒÚÛÔÎÂÌËÈ ‚ÊË‚Û˛. ÖÒÎË
ÔË ‚Íβ˜ÂÌÌÓÏ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚˚
̇ÊÏÂÚ ÍÌÓÔÍÛ [BREAK],
ËÚÏ˘ÂÒ͇fl ‚ÒÚ‡‚͇ ·Û‰ÂÚ
‚ÓÒÔÓËÁ‚‰Â̇ ¢ ‡Á.
• ÇÓ ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl
·ÂÈ͇ ·Û‰ÂÚ ÏË„‡Ú¸
Ò‚ÂÚÓ‰ËÓ‰, Û͇Á˚‚‡˛˘ËÈ Ì‡
4
ÒÎÂ‰Û˛˘Û˛ ÔÓ ÔÓfl‰ÍÛ
éÒÌÓ‚Ì˚ ˜‡ÒÚË ÏÓÊÌÓ ÔÂÂÏ¢‡Ú¸.
˜‡ÒÚ¸ (MAIN A/B/C/D).
• ÖÒÎË ÔË ‚Íβ˜ÂÌÌÓÈ ÍÌÓÔÍÂ
STYLE CONTROL
MAIN
ENDING
SYNC.
SYNC.
[AUTO FILLIN] ‚˚ ̇ÊÏÂÚÂ
ACMP INTRO
BREAK
/ rit.
STOP
START
START/STOP
AUTO
OTS
Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ MAIN [A]/[B]/
FILL IN
LINK
[C]/[D] Ò‡ÁÛ ÔÓÒΠÚÓ„Ó, ͇Í
ÓÚÁ‚Û˜ËÚ ÔÓÒΉÌflfl ‚ÓҸχfl
‚ Ú‡ÍÚÂ, ·ÂÈÍ Ì‡˜ÌÂÚÒfl ÒÓ
ÒÎÂ‰Û˛˘Â„Ó Ú‡ÍÚ‡.
ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ ‰Ó·‡‚ÎflÚ¸ ÌÓ‚˚ ·ÂÈÍË.
PSR-2100/1100
67
ëÚËÎË
äÌÓÔ͇ ÔÂÂıÓ‰‡ Í ÙË̇θÌÓÈ ˜‡ÒÚË. èÓ Á‡‚¯ÂÌËË ÙË̇θÌÓÈ ˜‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ
• á‡ÔÛÒÍ ÒÚËÎÂÈ ÏÓÊÂÚ
5
‚˚Íβ˜‡ÂÚÒfl. èÓÒÚÂÔÂÌÌÓ Á‡Ï‰ÎÂÌË ÙË̇θÌÓÈ ˜‡ÒÚË ‰ÓÒÚË„‡ÂÚÒfl ÔÛÚÂÏ ÔÓ‚ÚÓÌÓ„Ó
ÓÒÛ˘ÂÒÚ‚ÎflÚ¸Òfl ̇ʇÚËÂÏ
̇ʇÚËfl ÍÌÓÔÍË [ENDING/rit.] ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÙË̇θÌÓÈ ˜‡ÒÚË.
ÍÌÓÔÍË STYLE [START/STOP].
• óÚÓ·˚ ‚˚·‡Ú¸ ÚËÔ
STYLE CONTROL
ËÌÚÓ‰Û͈ËË (Intro) Ë ÙË̇·
MAIN
ENDING
SYNC.
SYNC.
ACMP INTRO
BREAK
/ rit.
STOP
START
START/STOP
(Ending), ÌÂÓ·ıÓ‰ËÏÓ Ì‡Ê‡Ú¸
AUTO
OTS
FILL IN
LINK
ÍÌÓÔÍÛ [E] ̇ „·‚ÌÓÏ ˝Í‡ÌÂ
(MAIN) (ÒÚ. 69).
• ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [INTRO]
‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl
ÙË̇·, ˜‡ÒÚ¸ Intro ̇˜ÌÂÚ
Fade-in (ÔÓÒÚÂÔÂÌÌÓ ÛÒËÎÂÌË Á‚Û͇) Ë Fade-out (ÔÓÒÚÂÔÂÌÌÓ Á‡ÚÛı‡ÌË Á‚Û͇)
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl Ò‡ÁÛ ÔÓ
ëÛ˘ÂÒÚ‚ÛÂÚ Û‰Ó·Ì‡fl ÙÛÌ͈Ëfl Fade-in/Fade-out, ÔÓÁ‚ÓÎfl˛˘‡fl ‰Ó·Ë‚‡Ú¸Òfl ÔÓÒÚÂÔÂÌÌÓ„Ó ÛÒËÎÂÌËfl
ÓÍÓ̘‡ÌËË ÙË̇·.
• ÖÒÎË ÔË ‚Íβ˜ÂÌÌÓÈ ÍÌÓÔÍÂ
ËÎË Á‡ÚÛı‡ÌËfl Á‚Û͇ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. óÚÓ·˚ ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl Ò Ì‡‡ÒÚ‡˛˘ÂÈ
[AUTO FILLIN] ‚˚ ̇ÊËχÂÚÂ
„ÓÏÍÓÒÚ¸˛, ̇ÊÏËÚ ÍÌÓÔÍÛ [FADE IN/OUT], ‡ Á‡ÚÂÏ ‚Íβ˜ËÚ ÍÌÓÔÍÛ SYNC. START
ÍÌÓÔÍÛ MAIN ‚Ó ‚ÂÏfl
(ÒËÌıÓÌÌ˚È Á‡ÔÛÒÍ). óÚÓ·˚ ÓÚÏÂÌËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl Ò Ì‡‡ÒÚ‡˛˘ÂÈ „ÓÏÍÓÒÚ¸˛, ¢Â
‚ÓÒÔÓËÁ‚‰ÂÌËfl ÙË̇·,
·ÂÈÍ Ì‡˜ÌÂÚ
‡Á ̇ÊÏËÚ ÚÛ Ê ÍÌÓÔÍÛ.
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl
óÚÓ·˚ Á‡‰‡Ú¸ ÔÓÒÚÂÔÂÌÌÓ ÒÌËÊÂÌË „ÓÏÍÓÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ̇ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ ‚Ó ‚ÂÏfl
ÌÂωÎÂÌÌÓ Ë ·Û‰ÂÚ
Â„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl. ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Ú‡ÍÊ Á‡‰‡Ú¸ ‚ÂÏÂÌÌ˚ ԇ‡ÏÂÚ˚ (ÒÚ. 151).
ÔÓË„˚‚‡Ú¸Òfl ‚ÏÂÒÚ Ò
ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚ¸˛.
• ÄÍÍÓÏÔ‡ÌÂÏÂÌÚ ÏÓÊÌÓ
éÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ÔË ÒÌflÚËË ÛÍ Ò Í·‚ˇÚÛ˚
Á‡ÔÛÒÚËÚ¸, ËÒÔÓθÁÛfl ÙË̇Î
‚ÏÂÒÚÓ ËÌÚÓ‰Û͈ËË. Ç ˝ÚÓÏ
(SYNC. STOP)
ÒÎÛ˜‡Â ‡‚ÚÓ‡ÍÍÓχÌÂÏÂÌÚ
·Û‰ÂÚ ÔÓ‰ÓÎʇڸ
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ÔÓÒÎÂ
ÇÍβ˜ÂÌË ÙÛÌ͈ËË Synchro Stop (ÒËÌıÓÌ̇fl ÓÒÚ‡Ìӂ͇) ÔË‚Ó‰ËÚ Í ÚÓÏÛ, ˜ÚÓ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ
Á‡‚¯ÂÌËfl ÙË̇θÌÓÈ
ÓÒڇ̇‚ÎË‚‡ÂÚÒfl ÔË ÓÚÒÛÚÒÚ‚ËË Ì‡Ê‡Ú˚ı Í·‚˯ ‚ ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. èÓÒΠÚÓ„Ó, ͇Í
˜‡ÒÚË.
·Û‰ÂÚ Ì‡Ê‡Ú‡ Ӊ̇ ËÁ Í·‚˯ ‚ ‰‡ÌÌÓÏ ‡Á‰ÂΠÍ·‚ˇÚÛ˚, ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Á‡ÔÛÒÚËÚÒfl ÒÌÓ‚‡.
• ÖÒÎË ‚˚ ¯ËÚ ÒÏÂÌËÚ¸
ÒÚËθ ‚ ÂÊËÏÂ
ÓÚÍβ˜ÂÌÌÓ„Ó
ÇÍβ˜ËÚ ÍÌÓÔÍÛ ACMP (‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ).
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÚÂÏÔ
1
ÌÓ‚Ó„Ó ÒÚËÎfl ·Û‰ÂÚ ‚˚·‡Ì ÔÓ
ÛÏÓΘ‡Ì˲. í‡ Ê ÓÔ‡ˆËfl
ÔË ‚Íβ˜ÂÌÌÓÏ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ÌÂ
ÔË‚Ó‰ËÚ Í ÒÏÂÌ ÚÂÏÔ‡.
ÇÍβ˜ËÚ ÍÌÓÔÍÛ SYNC. STOP (ÒËÌıÓÌ̇fl ÓÒÚ‡Ìӂ͇). èË ˝ÚÓÏ
• èË ‚Íβ˜ÂÌÌÓÈ ÍÌÓÔÍÂ
2
‡‚ÚÓχÚ˘ÂÒÍË ‚Íβ˜‡ÂÚÒfl ÂÊËÏ SYNC. START (ÒËÌıÓÌÌ˚È Á‡ÔÛÒÍ).
STOP ACMP Ë ÓÚÍβ˜ÂÌÌÓÏ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚ ‡Á‰ÂÎÂ
STYLE CONTROL
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÏÓÊÌÓ
MAIN
ENDING
SYNC.
SYNC.
ACMP INTRO
BREAK
/ rit.
STOP
START
START/STOP
Í‡Í ·‡Ú¸ ‡ÍÍÓ‰˚, Ú‡Í Ë
AUTO
OTS
FILL IN
LINK
‚ÂÒÚË ·‡ÒÓ‚Û˛ ÎËÌ˲
(ÒÚ. 141).
ëÚËθ Á‡ÔÛÒÚËÚÒfl Ò‡ÁÛ, Í‡Í ÚÓθÍÓ ‚˚ ‚ÓÁ¸ÏÂÚ ‡ÍÍÓ‰ ‚ ‡Á‰ÂÎÂ
3
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
TӘ͇ ‡Á‰eÎeÌËfl Í·‚ˇÚÛ˚
îÛÌÍˆË˛ SYNC. STOP ÏÓÊÌÓ
ËÒÔÓθÁÓ‚‡Ú¸ ÔË
͇ÚÍÓ‚ÂÏÂÌÌÓÏ Ì‡Ê‡ÚËË
Í·‚˯ ‚ ‡Á‰ÂÎÂ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 141).
ê‡Á‰eÎ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌeÏeÌÚ‡
è‡ÚËfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ·Û‰ÂÚ ÓÒڇ̇‚ÎË‚‡Ú¸Òfl ‚ÒflÍËÈ ‡Á ‚ Ô‡ÛÁ‡ı ÏÂʉÛ
4
Ô‡ÚËflÏË Î‚ÓÈ ÛÍË.
ëËÌıÓÌ̇fl ÓÒÚ‡Ìӂ͇ ÌÂ
ÏÓÊÂÚ ·˚Ú¸ Á‡‰ÂÈÒÚ‚Ó‚‡Ì‡ ÔË
‚˚·Ó ÂÊËχ Full Keyboard/
AI Full Keyboard ËÎË ÔË
ÓÚÍβ˜ÂÌÌÓÏ
ÖÒÎË ‚˚ ‚ÓÁ¸ÏÂڠ΂ÓÈ ÛÍÓÈ
ë˜ÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸
5
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ.
‡ÍÍÓ‰, Ô‡ÚËfl
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ̇ÊÏËÚÂ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇˜ÌÂÚ
END
¢ ‡Á ÍÌÓÔÍÛ SYNC.
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl Ò Ì‡˜‡Î‡.
[STOP]/[SYNC. START].
68
PSR-2100/1100
ëÚËÎË
Ç˚·Ó ÚËÔÓ‚ ËÌÚÓ‰Û͈ËÈ Ë ÙË̇ÎÓ‚ (INTRO/ENDING)
óÚÓ·˚ ÔÂÂÈÚË Í „·‚ÌÓÏÛ
1
˝Í‡ÌÛ [MAIN], Ò̇˜‡Î‡ ̇ÊÏËÚÂ
ÍÌÓÔÍÛ [DIRECT ACCESS], ‡
A
Á‡ÚÂÏ — ÍÌÓÔÍÛ [EXIT].
B
C
D
E
D
èÓË„‡ÈÚ ÒÚËθ
2
3
E
Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ
ËÌÚÓ‰Û͈ËË (Intro)
Ç˚·ÂËÚ ËÌÚÓ‰ÛÍˆË˛
ËÎË ÙË̇· (Ending)
Ç˚·ÂËÚ ÙË̇Î
(ÒÚ. 30, 31).
Ä‚ÚÓχÚ˘ÂÒÍÓ ÔÓË„˚‚‡ÌË ‚ÒÚ‡‚ÓÍ ÔË ÔÂÂıÓ‰Â
ÇÒÚ‡‚͇
ÓÚ Ó‰ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ — Auto Fill In
äÓÓÚ͇fl ÏÛÁ˚͇θ̇fl Ù‡Á‡,
ÔËÏÂÌflÂχfl ‰Îfl ‚‡¸ËÓ‚‡ÌËfl
ÒÚËÎfl.
STYLE CONTROL
MAIN
ENDING
SYNC.
SYNC.
1
ACMP INTRO
BREAK
/ rit.
STOP
START
START/STOP
AUTO
OTS
FILL IN
LINK
óÚÓ·˚ ‰Ó·‡‚ËÚ¸ ‚ÒÚ‡‚ÍÛ,
èÓË„‡ÈÚ ÒÚËθ Ë ÔÓÔÓ·ÛÈÚ ‚Ó ‚ÂÏfl Ë„˚ ÔÂÂÍβ˜‡Ú¸ ˜‡ÒÚË
2
ÏÓÊÌÓ Ú‡ÍÊ ̇ʇڸ ¢ ‡Á
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 30, 31).
ÍÌÓÔÍÛ MAIN.
ÇÒÚ‡‚ÍË ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË ‚ ÔÂÂ˚‚‡ı ÏÂÊ‰Û ÓÒÌÓ‚Ì˚ÏË ˜‡ÒÚflÏË.
îÛÌÍˆË˛ Auto Fill In
(‡‚ÚÓÁ‡ÔÓÎÌÂÌËÂ) ÏÓÊÌÓ
‚ÂÏÂÌÌÓ ÓÚÍβ˜ËÚ¸ ÔÛÚÂÏ
·˚ÒÚÓ„Ó ‰‚Û͇ÚÌÓ„Ó Ì‡Ê‡ÚËfl
óÚÓ·˚ ÓÚÍβ˜ËÚ¸ ÙÛÌÍˆË˛ Auto Fill, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [AUTO FILLIN].
ÍÌÓÔÍË, ÓÚÌÓÒfl˘ÂÈÒfl Í
END
ÒÎÂ‰Û˛˘ÂÈ ÔÓ ÔÓfl‰ÍÛ ˜‡ÒÚË.
PSR-2100/1100
69
ëÚËÎË
ç‡ÒÚÓÈ͇ ‚˚·‡ÌÌÓ„Ó ÒÚËÎfl
(ÙÛÌ͈Ëfl ONE TOUCH SETTING)
ì‰Ó·ÒÚ‚Ó ÙÛÌ͈ËË One Touch Setting (̇ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË») ÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ Ó̇ ӷ΄˜‡ÂÚ ÔÓ‰·Ó ̇˷ÓΠÔÓ‰ıÓ‰fl˘Ëı ‰Îfl
ÒÚËÎfl „ÓÎÓÒÓ‚ Ë ˝ÙÙÂÍÚÓ‚. ä‡Ê‰˚È ËÁ ‚ÒÚÓÂÌÌ˚ı ÒÚËÎÂÈ ÒÛ˘ÂÒÚ‚ÛÂÚ ‚ ˜ÂÚ˚Âı ‚‡Ë‡ÌÚ‡ı, ÍÓÚÓ˚ ÏÓÊÌÓ ‚˚·Ë‡Ú¸ ·ÛÍ‚‡Î¸ÌÓ «‚
Ó‰ÌÓ Í‡Ò‡ÌË».
BACK NEXT
HOLD
LEFT
VOICE EFFECT
SUSTAIN
ECHO
HARMONY/
MONOTOUCH
DSP
VARIATION
DIGITAL
VOIC E
SOUND CREATOR
STUDIO
MAIN
PIANO & HARPSI.
E.PIANO
ACCORDION
ORGAN &
PERCUSSION
DIGITAL RECORDING
A
F
GUITAR
BASS
BRASS
WOODWIND
B
G
LAYER
MIXING CONSOLE
C
H
LEFT
STRINGS CHOIR & PAD
SYNTH.
XG
D
I
MENU
USER
ORGAN FLUTES
DEMO
E
J
MUSIC
UPPER OCTAVE
FINDER
HELP
MIC.
VH TYPE
OVER
SELECT
SETTING
MIC.
HARMONY
VOCAL
RESET
TALK
EFFECT
FUNCTION
SIGNAL
DIRECT
BALANCE
ENTER
ONE TOUCH SETTING
ACCESS
EXIT
CHANNEL ON/OFF
PART
REGISTRATION MEMORY
DATA E NTRY
FREEZE MEMORY
70
PSR-2100/1100
81 2 3 4 5 6 7
SONG
TRACKS
EXTRA
TRACK
2
TRACK
1 REPEAT
NOME
METRO-
(STYLE) (R)(L)
REC REW FF
TOP
START/STOP
STYLE
NEW SONG SYNC. START
POP & ROCK
SWING &
JAZZ
BALLROOM
MARCH &
WALTZ
BALLAD USERLATIN
DANCE
PART
TRANSPOSE
TEMPO
TAP TEMPO
ONE TOUCH SETTING
MASTER VOLUME
RESET
RESET
STOP
FADE
MULTI PAD
IN/OUT
MIN MAX
STYLE CONTROL
ACMP
BREAK
INTRO
MAIN
ENDING
/ rit.
SYNC.
STOP
START
SYNC.
STANDBY
AUTO
FILL IN
LINK
OTS
START/STOP
ON
Ç˚·ÂËÚ ÒÚËθ (ÒÚ. 62).
1
ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ ONE TOUCH SETTING ([1] - [4]).
ëÚËθ Á‡ÔÛÒÚËÚÒfl Ò‡ÁÛ,
2
3
Í‡Í ÚÓθÍÓ ‚˚ ‚ÓÁ¸ÏÂÚÂ
͇ÒÌ˚È Ò‚ÂÚÓ‰ËÓ‰ — ̇ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» ‚˚·‡Ì‡.
‡ÍÍÓ‰ ‚ ‡Á‰ÂÎÂ
ONE TOUCH SETTING
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
Ò‚ÂÚÓ‰ËÓ‰ Ì „ÓËÚ — ‰‡ÌÌ˚ı
TӘ͇ ‡Á‰eÎeÌËfl Í·‚ˇÚÛ˚
ÔÓ Ì‡ÒÚÓÈÍ «‚ Ó‰ÌÓ Í‡Ò‡ÌË»
ÌÂÚ. äÌÓÔ͇ ̇ÒÚÓÈÍË ÌÂ
ÙÛÌ͈ËÓÌËÛÂÚ.
ÁÂÎÂÌ˚È Ò‚ÂÚÓ‰ËÓ‰ — ̇ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» Ì ‚˚·‡Ì‡.
ê‡Á‰eÎ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌeÏeÌÚ‡
ëÛ˘ÂÒÚ‚ÛÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ Ï„ÌÓ‚ÂÌÌÓ„Ó ËÁÏÂÌÂÌËfl ˆÂÎÓ„Ó fl‰‡ ÓÚÌÓÒfl˘ËıÒfl Í ÒÚËβ
Ô‡‡ÏÂÚÓ‚ (̇ÔËÏÂ, „ÓÎÓÒ‡, ˝ÙÙÂÍÚÓ‚ Ë Ú. ‰.) èË ˝ÚÓÏ Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚ ·ÂÛÚÒfl
ËÁ Ô‡ÏflÚË ÒËÌÚÂÁ‡ÚÓ‡, ÍÛ‰‡ ÓÌË ·˚ÎË ‡Ì Á‡ÌÂÒÂÌ˚. äÓ„‰‡ ÒÚËθ Ì ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl,
ÙÛÌ͈ËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒ͇ ‚Íβ˜‡˛ÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË.
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Ô‡‡ÏÂÚ‡ı ̇ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË» Ô˂‰ÂÌ˚ ‚
Ò·ÓÌËÍ ڇ·Îˈ (Ú‡·Îˈ‡ Ô‡‡ÏÂÚÓ‚).
éÒÚ‡ÌÓ‚ËÚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ.
4
STYLE CONTROL
MAIN
ENDING
SYNC.
SYNC.
ACMP INTRO
BREAK
/ rit.
STOP
START
START/STOP
AUTO
OTS
FILL IN
LINK
èÓÔÓ·ÛÈÚ ËÒÔÓθÁÓ‚‡Ú¸ ‰Û„Û˛ ̇ÒÚÓÈÍÛ. Ç˚ ÏÓÊÂÚ ڇÍÊ ÒÓÁ‰‡Ú¸
5
̇ÒÚÓÈÍÛ Ò‡ÏÓÒÚÓflÚÂθÌÓ. (ÒÚ. 71).
ONE TOUCH SETTING
ëÚËÎË
Ä‚ÚÓχÚ˘ÂÒ͇fl ÒÏÂ̇ ̇ÒÚÓÂÍ ÔË ÔÂÂıӉ ÓÚ Ó‰ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ — OTS Link
ì‰Ó·ÒÚ‚Ó ÙÛÌ͈ËË OTS Link (ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ̇ÒÚÓÂÍ «‚ Ó‰ÌÓ Í‡Ò‡ÌË») ÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ Ó̇ ÔÓÁ‚ÓÎflÂÚ ÏÂÌflÚ¸ ̇ÒÚÓÈÍË
ÔË ÔÂÂıӉ ÓÚ Ó‰ÌÓÈ ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ (A – D).
èË ˝ÚÓÏ ‚˚ÁÓ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ Ì‡ÒÚÓÈÍË
ëÏÂ̇ ̇ÒÚÓÂÍ ÔË ÔÂÂıÓ‰Â
AUTO
OTS
1
2
FILL IN
LINK
ÓÚ ˜‡ÒÚË Í ˜‡ÒÚË ÏÓÊÂÚ
ÔÓËÁ‚Ó‰ËÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË.
ÔÓËÒıÓ‰ËÚ¸ ‚ ‡ÁÌÓ ‚ÂÏfl
éÒÌÓ‚Ì˚ ˜‡ÒÚË A, B, C Ë D ÔË‚flÁ‡Ì˚ Í ÍÌÓÔ͇Ï
(ÒÚ. 141):
̇ÒÚÓÈÍË 1, 2, 3 Ë 4 ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ.
• Ò‡ÁÛ ÔÓÒΠ̇ʇÚËfl ÍÌÓÔÍË,
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ˝ÚÓÈ
˜‡ÒÚË;
• Ò Ì‡˜‡ÎÓÏ ÒÎÂ‰Û˛˘Â„Ó
(ÔÓÒΠ̇ʇÚËfl ÍÌÓÔÍË)
Ú‡ÍÚ‡ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
óÚÓ·˚ ‚˚Íβ˜ËÚ¸ ÙÛÌÍˆË˛ OTS Link, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [OTS LINK].
END
ëÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌÓÈ Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË» (ONE TOUCH SETTING)
ùÚÓÚ ‡Á‰ÂÎ ÔÓÒ‚fl˘ÂÌ ÒÓÁ‰‡Ì˲ ÒÓ·ÒÚ‚ÂÌÌ˚ı ̇ÒÚÓÂÍ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» (˜ÂÚ˚ ̇ÒÚÓÈÍË Ì‡ ÒÚËθ). ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl
Ó Ô‡‡ÏÂÚ‡ı ̇ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË» Ô˂‰ÂÌ˚ ‚ Ò·ÓÌˈ ڇ·Îˈ (Ú‡·Îˈ‡ Ô‡‡ÏÂÚÓ‚).
MEMORY
Ç˚·ÂËÚ ÒÚËθ.
éÚ‰‡ÍÚËÛÈÚÂ
ç‡ÊÏËÚ ÍÌÓÔÍÛ
1
2
3
Ô‡‡ÏÂÚ˚ ̇ÒÚÓÈÍË Ò
[MEMORY].
ÔÓÏÓ˘¸˛ ˝ÎÂÏÂÌÚÓ‚
ÛÔ‡‚ÎÂÌËfl ̇ Ô‰ÌÂÈ
Ô‡ÌÂÎË.
ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ ONE TOUCH SETTING ([1] - [4]).
4
ONE TOUCH SETTING
ç‡ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» ÔÓ‰‰ÂÊË‚‡ÂÚ Á‡ÔÓÏË̇ÌË ڇÍËı Ô‡‡ÏÂÚÓ‚, Í‡Í Voice („ÓÎÓÒ), Harmony
(„‡ÏÓÌËfl), Multi Pad (ÏÛθÚËÔ˝‰) Ë Pedal (Ô‰‡Î¸).
çÂÒÓı‡ÌÂÌÌ˚ Á̇˜ÂÌËfl
èÓfl‚ÎflÂÚÒfl Ô‰ÎÓÊÂÌË ÒÓı‡ÌËÚ¸ ÚÂÍÛ˘ËÈ ÒÚËθ. Ç˚·ÂËÚ ÓÚ‚ÂÚ ‚‡Ë‡ÌÚ
Ô‡‡ÏÂÚÓ‚ ÒÚˇ˛ÚÒfl ÔË
ÔÂÂıÓ‰Â Í ‰Û„ÓÏÛ ÒÚËβ
YES, ˜ÚÓ·˚ ÔÂÂÈÚË Í ˝Í‡ÌÛ STYLE, ‡ Á‡ÚÂÏ ÒÓı‡ÌËÚ ԇ‡ÏÂÚ˚ ̇ÒÚÓÈÍË
END
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
(ÒÚ. 39, 47).
PSR-2100/1100
71
ëÚËÎË
Ç˚ÁÓ‚ ̇˷ÓΠۉ‡˜ÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ — Music Finder
чÌ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Ï„ÌÓ‚ÂÌÌÓ ‚˚Á˚‚‡Ú¸ ÌÂÓ·ıÓ‰ËÏ˚ ÍÓÌÙË„Û‡ˆËË Á̇˜ÂÌËÈ Ú‡ÍËı
Ô‡‡ÏÂÚÓ‚, ͇Í, ̇ÔËÏÂ, „ÓÎÓÒ, ÒÚËθ ËÎË Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË». ÑÎfl ˝ÚÓ„Ó ‰ÓÒÚ‡ÚÓ˜ÌÓ
á‡ÔËÒË Ë ‰ÂÈÒÚ‚Ëfl Ò ÌËÏË,
Î˯¸ ‚˚·‡Ú¸ ̇Á‚‡ÌË ÔÂÒÌË. ÖÒÎË Ú·ÛÂÚÒfl ‚ÓÒÔÓËÁ‚ÂÒÚË ÓÔ‰ÂÎÂÌÌÛ˛ ÔÂÒÌ˛, ‡ ‚˚ ÌÂ
Ô˂‰ÂÌÌ˚ ‚ ÓÔËÒ‡ÌËË
Á̇ÂÚÂ, Í‡Í ÎÛ˜¯Â ‚ÒÂ„Ó Ì‡ÒÚÓËÚ¸ Ô‡‡ÏÂÚ˚ „ÓÎÓÒ‡ Ë ÒÚËÎfl, Music Finder ÔÓÏÓÊÂÚ ‚‡Ï ‚ ˝ÚÓÏ.
ÙÛÌ͈ËË MUSIC FINDER, ‰‡Ì˚
Î˯¸ ‰Îfl ÔËχ. Ç˚ ÏÓÊÂÚÂ
«á‡ÔËÒ¸», ÒÓÒÚÓfl˘Û˛ ËÁ ÂÍÓÏẨÛÂÏ˚ı Á̇˜ÂÌËÈ Ô‡‡ÏÂÚÓ‚, ÏÓÊÌÓ Â‰‡ÍÚËÓ‚‡Ú¸ Ë
Ò‡ÏÓÒÚÓflÚÂθÌÓ Á‡‰‡‚‡Ú¸
ÒÓı‡ÌflÚ¸. í‡ÍËÏ Ó·‡ÁÓÏ, ‚˚ ÔÓÎÛ˜‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÒÓÁ‰‡‚‡Ú¸ Ë ÒÓı‡ÌflÚ¸ Á‡ÔËÒË Music Finder
Ô‡‡ÏÂÚ˚ ‚ÓÒÔÓËÁ‚‰ÂÌËfl
‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ‚ ·Û‰Û˘ÂÏ.
β·ËÏ˚ı ÔÂÒÂÌ.
VOICE EFFECT
BACK NEXT
LEFT
HOLD
SUSTAIN
HARMONY/
ECHO
MONOTOUCH
DSP
VARIATION
èÓÏÌËÚÂ, ˜ÚÓ MUSIC FINDER
DIGITAL
VOIC E
E.PIANO
ACCORDION
ORGAN &
SOUND CREATOR
STUDIO
MAIN
PIANO & HARPSI.
PERCUSSION
˝ÙÙÂÍÚË‚Ì˚È ÔÓÏÓ˘ÌËÍ ‰Îfl
DIGITAL RECORDING
A
F
BASS
B
LAYER
GUITAR
BRASS
WOODWIND
G
‡‚ÚÓχÚ˘ÂÒÍÓ„Ó Ì‡ıÓʉÂÌËfl
MIXING CONSOLE
C
H
LEFT
STRINGS CHOIR & PAD
SYNTH.
XG
D
I
MENU
USER
ORGAN FLUTES
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ÒÚËÎÂÈ ‡Í-
DEMO
E
J
FINDER
MUSIC
UPPER OCTAVE
HELP
MIC.
VH TYPE
MIC.
VOCAL
RESET
ÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë „ÓÎÓÒÓ‚ ‰Îfl
OVER
SELECT
SETTING
HARMONY
TALK
EFFECT
FUNCTION
SIGNAL
BALANCE
ONE TOUCH SETTING
‚‡¯Â„Ó ËÒÔÓÎÌÂÌËfl. çÓ ‰‡ÊÂ
ACCESS
DIRECT
EXIT
ENTER
CHANNEL ON/OFF
ÂÒÎË ‚˚ Û͇ÊÂÚ ̇Á‚‡ÌËÂ
PART
REGISTRATION MEMORY
DATA ENTRY
FREEZE MEMORY
ÔÂÒÌË, ‚ ÌÂÈ ÏÓÊÂÚ Ì ÒÓ‰Â-
ʇڸÒfl ‰‡ÌÌ˚ı.
72
PSR-2100/1100
81 2 3 4 5 6 7
MUSIC
SONG
TRACKS
EXTRA
TRACK
2
TRACK
1 REPEAT
NOME
METRO-
FINDER
(STYLE) (R)(L)
REC REW FF
TOP
START/STOP
STYLE
NEW SONG SYNC. START
POP & ROCK
SWING &
JAZZ
BALLROOM
MARCH &
WALTZ
BALLAD USERLATIN
DANCE
PART
TRANSPOSE
TEMPO
TAP TEMPO
MASTER VOLUME
RESET
RESET
STOP
MULTI PAD
IN/OUT
FADE
MIN MAX
STYLE CONTROL
ACMP
BREAK
INTRO
MAIN
ENDING
/ rit.
SYNC.
SYNC.
FILL IN
AUTO
OTS
STOP
START
LINK
START/STOP
ON
STANDBY
F
G
H
I
J
81 2 3 4 5 6 7
MUSIC
FINDER
1
Ç˚·ÂËÚ Á‡ÔËÒ¸. ÇÓÁ¸ÏËÚÂ, ̇ÔËÏÂ, ‚ÂıÌ˛˛
Á‡ÔËÒ¸ ‚ ÒÔËÒÍÂ Ë ÔËÏÂÌËÚÂ Í ÌÂÈ ÂÍÓÏẨӂ‡ÌÌ˚Â
ALL (‚ÒÂ)............................. éÚÓ·‡ÊÂÌË ‚ÒÂı Á‡ÔËÒÂÈ.
2
̇ÒÚÓÈÍË, ̇ʇ‚ ÍÌÓÔÍÛ [1▲▼].
FAVORITE (β·ËÏ˚Â)....... Ç˚‚Ó‰ ̇ ˝Í‡Ì ‚ÒÂı Á‡ÔËÒÂÈ Ì‡ ÒÚ‡Ìˈ «Favorite».
чÌÌ˚Â, ÍÓÚÓ˚ ‚˚ ۂˉËÚÂ, Ë Ì‡Á˚‚‡˛ÚÒfl
SEARCH1,2 (ÔÓËÒÍ 1,2) .....éÚÓ·‡ÊÂÌË ÂÁÛθڇÚÓ‚ ÙÛÌ͈ËË SEARCH (ÔÓËÒÍ) (ÒÚ. 73).
«Á‡ÔËÒ¸˛».
äÌÓÔ͇ ÒÓÚËÓ‚ÍË Á‡ÔËÒÂÈ
MUSIC (̇Á‚‡ÌËÂ) .....ÔÓ Ì‡Á‚‡ÌËflÏ ÔÂÒÂÌ.
STYLE (ÒÚËθ)............ÔÓ Ì‡Á‚‡ÌËflÏ ÒÚËÎÂÈ.
BEAT (‡ÁÏÂ)...........ÔÓ ‡ÁÏÂÛ ÔÂÒÌË.
TEMPO (ÚÂÏÔ) ............ÔÓ ÚÂÏÔÛ.
äÌÓÔ͇ ËÁÏÂÌÂÌËfl ÔÓfl‰Í‡ Ô‰ÒÚ‡‚ÎÂÌËfl
Á‡ÔËÒÂÈ (ÓÚ «Ä» ‰Ó «ü» ËÎË Ì‡Ó·ÓÓÚ).
äÌÓÔ͇ ‰Ó·‡‚ÎÂÌËfl ‚˚‰ÂÎÂÌÌÓÈ Á‡ÔËÒË Ì‡ ÒÚ‡ÌËˆÛ FAVORITE
Ç˚·ÂËÚÂ
èË Ì‡Ê‡ÚËË ÍÌÓÔÍË [H], ÔÓfl‚ÎflÂÚÒfl ‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ «Add
Á‡ÔËÒ¸ ÔÓ
selected data to the favorite list? YES/NO».
̇Á‚‡Ì˲ ÔÂÒÌË.
óÚÓ·˚ Á‡ÌÂÒÚË ‚˚‰ÂÎÂÌÌÛ˛ ÒÚ‡ÌËˆÛ Ì‡ ÒÚ‡ÌËˆÛ FAVORITE,
ëÓÚËÛfl Á‡ÔËÒË
‚˚·ÂËÚÂ ÓÚ-‚ÂÚ [YES].
ÔÓ Ì‡Á‚‡ÌËflÏ
óËÒÎÓ Á‡ÔËÒÂÈ
ÑÎfl Û‰‡ÎÂÌËfl Á‡ÔËÒË, ‚˚·ÂËÚ Á‡ÔËÒ¸ ̇ ÒÚ‡ÌˈÂ
ÔÂÒÂÌ, ÏÓÊÌÓ
̇ ÒÚ‡ÌˈÂ.
«FAVORITE» Ë Ì‡ÊÏËÚ [H](DELETE FROM FAVORITE).
ÔÂÂÏ¢‡Ú¸Òfl ÔÓ
‡ÎÙ‡‚ËÚÌÓÏÛ
ÒÔËÒÍÛ Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÍË
èÓËÒÍ Á‡ÔËÒÂÈ Ç‚Â‰ËÚ ÛÒÎÓ‚Ë ÔÓËÒ͇ ̇ ˝Í‡Ì MUSIC FINDER
[1▲▼]. óÚÓ·˚
SEARCH (ÒÚ. 73). êÂÁÛθڇÚ˚ SEARCH 1 (ÔÂ‚Ó„Ó ÔÓËÒ͇) ËÎË 2
ÔÂÂÈÚË Í Ô‚ÓÈ
(‚ÚÓÓ„Ó ÔÓËÒ͇) ÓÚÓ·‡Ê‡˛ÚÒfl ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ Ì‡ ÒÚ‡Ìˈ‡ı
Á‡ÔËÒË ‚ ÒÔËÒÍÂ,
(SEARCH 1 or SEARCH 2).
Ó‰ÌÓ‚ÂÏÂÌÌÓ
̇ÊÏËÚ ÍÌÓÔÍË
äÌÓÔÍË ‚˚ÁÓ‚‡ ˝Í‡Ì‡ MUSIC FINDER RECORD EDIT (ÒÚ. 74) (˝Í‡Ì
[▲▼].
Ç˚·ÂËÚ Á‡ÔËÒ¸ ÔÓ Ì‡Á‚‡Ì˲ ÔÂÒÌË. èË
‰‡ÍÚËÓ‚‡ÌËfl ‚˚‰ÂÎÂÌÌÓÈ Á‡ÔËÒË).
ÒÓÚËÓ‚Í Á‡ÔËÒÂÈ ÔÓ Ì‡Á‚‡ÌËflÏ ÔÂÒÂÌ ˝ÚË
ÍÌÓÔÍË ËÒÔÓθÁÛ˛ÚÒfl ‰Îfl ‚˚·Ó‡ ÒÚËÎÂÈ
ÇÍβ˜ÂÌËÂ/ÓÚÍβ˜ÂÌË ÍÌÓÔÍË TEMPO LOCK. îÛÌ͈Ëfl TEMPO LOCK
(Ô‰˚‰Û˘ËÈ ÒÚËθ/ÒÎÂ‰Û˛˘ËÈ ÒÚËθ).
ÔÓÁ‚ÓÎflÂÚ ËÁ·Âʇڸ ËÁÏÂÌÂÌËfl ÚÂÏÔ‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
óÚÓ·˚ ÔÂÂÈÚË Í Ô‚ÓÈ Á‡ÔËÒË ‚ ÒÔËÒÍÂ,
ÔË ‚˚·Ó ‰Û„ÓÈ Á‡ÔËÒË. ÇÍβ˜ÂÌËÂ/ÓÚÍβ˜ÂÌË ‰‡ÌÌÓÈ ÙÛÌ͈ËË ‚ÎËflÂÚ
Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [▲▼].
̇ ‚Ò ÒÚ‡Ìˈ˚ (ALL/FAVORITE/SEARCH 1/SEARCH 2).
éˆÂÌËÚ Á‚Û˜‡ÌË ÒÚËÎfl (ÒÚ. 63).
á‡ÔËÒË ÏÓÊÌÓ ‚˚·Ë‡Ú¸,
3
‚‡˘‡fl ‰ËÒÍ ÛÔ‡‚ÎÂÌËfl [DATA
ENTRY] Ë Ì‡ÊËχfl ÍÌÓÔÍÛ
[ENTER] ‰Îfl ÔÓ‰Ú‚ÂʉÂÌËfl
‚˚·Ó‡.
ëÚËÎË
èÓËÒÍ Ì‡Ë·ÓΠۉ‡˜ÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ — Music Finder
àÒ͇ڸ Á‡ÔËÒË ÏÓÊÌÓ ÔÓ Ì‡Á‚‡Ì˲ ÍÓÏÔÓÁˈËË ËÎË ÔÓ Íβ˜Â‚˚Ï ÒÎÓ‚‡Ï. êÂÁÛθڇÚ˚ ÔÓËÒ͇ ‚˚‚Ó‰flÚÒfl ̇ ˝Í‡Ì.
A
F
B
G
C
H
D
I
E
J
■ [A] MUSIC (ÍÓÏÔÓÁˈËfl)
èÓËÒÍ ÔÓ Ì‡Á‚‡Ì˲ ÍÓÏÔÓÁˈËË. ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ‚‚Ó‰‡
̇Á‚‡ÌËfl ÔÂÒÌË.
Ç ÂÊËÏ ÔÓËÒ͇ ÔÓ Ì‡Á‚‡Ì˲ ÍÓÏÔÓÁˈËË (ÒÚ. 48) ÓÚÓ·‡Ê‡˛ÚÒfl ‚Ò ÍÓÏÔÓÁˈËË,
ÒÓ‰Âʇ˘Ë ‚ ̇Á‚‡ÌËË Á‡‰‡ÌÌÓ ÒÎÓ‚Ó (ÒÎÓ‚‡).
■ [B] KEYWORD (Íβ˜Â‚Ó ÒÎÓ‚Ó)
èÓËÒÍ ÔÓ Íβ˜Â‚ÓÏÛ ÒÎÓ‚Û. ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ‚‚Ó‰‡ Íβ˜Â‚Ó„Ó
ÒÎÓ‚‡.
Ç ÂÊËÏ ÔÓËÒ͇ ÔÓ Íβ˜Â‚ÓÏÛ ÒÎÓ‚Û (ÒÚ. 48) ÓÚÓ·‡Ê‡˛ÚÒfl ‚Ò ÍÓÏÔÓÁˈËË, ÒÓ‰Âʇ˘Ë Á‡‰‡ÌÌÓ ÒÎÓ‚Ó (ÒÎÓ‚‡). èÓËÒÍ ÏÓÊÌÓ
ÔÓËÁ‚Ó‰ËÚ¸ Ò‡ÁÛ ÔÓ ÌÂÒÍÓθÍËÏ Íβ˜Â‚˚Ï ÒÎÓ‚‡Ï, ‡Á‰ÂÎÂÌÌ˚Ï Á‡ÔflÚÓÈ. îÛÌ͈Ëfl ÔÓËÒ͇ ̇ıÓ‰ËÚ Ë ‚˚‚Ó‰ËÚ Ì‡ ˝Í‡Ì ‚ÒÂ
Á‡ÔËÒË, ÒÓ‰Âʇ˘Ë ıÓÚfl ·˚ Ó‰ÌÓ ËÁ Á‡‰‡ÌÌ˚ı ÒÎÓ‚.
■ [C] STYLE (Ù‡ÈÎ ÒÚËÎfl)
èÓËÒÍ ÔÓËÁ‚Ó‰ËÚÒfl ÔÓ ËÏÂÌË Ù‡È· ÒÚËÎfl. ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ STYLE FILE
SELECT. ê‡ÒÔÓÎÓÊÂÌÌ˚ ̇ ˝Í‡Ì ÍÌÓÔÍË [A] - [J] ÔÓÁ‚ÓÎfl˛Ú ‚˚·‡Ú¸ ÌÛÊÌ˚È ÒÚËθ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. чÌ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Ì‡ÈÚË ‚Ò ÔÂÒÌË, ‚ ÍÓÚÓ˚ı ËÒÔÓθÁÛÂÚÒfl
ÓÔ‰ÂÎÂÌÌ˚È ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
■ [D] BEAT (‡ÁÏÂ)
èÓËÒÍ ÔÓËÁ‚Ó‰ËÚÒfl ÔÓ ‡ÁÏÂÛ, ‚ ÍÓÚÓÓÏ Ì‡ÔË҇̇ ÍÓÏÔÓÁˈËfl, ËÎË ÔÓ ı‡‡ÍÚÂÌÓÏÛ ‰Îfl Ì ËÚÏ˘ÂÒÍÓÏÛ ËÒÛÌÍÛ.
■ [E] SEARCH AREA (ӷ·ÒÚ¸ ÔÓËÒ͇)
ì͇Á‡ÌË ӷ·ÒÚË ÔÓËÒ͇. é̇ ÏÓÊÂÚ ·˚Ú¸ ÒÛÊÂ̇ Ò Û˜ÂÚÓÏ ÂÁÛθڇÚÓ‚ ÔÓËÒ͇ (SEARCH 1 Ë 2).
■ [F]~[H] CLEAR (Û‰‡ÎÂÌË ӷ˙ÂÍÚ‡)
ùÚË ÍÌÓÔÍË ÒÎÛÊ‡Ú ‰Îfl Ó˜ËÒÚÍË ÔÓÎÂÈ, ‡ÒÔÓÎÓÊÂÌÌ˚ı Ò΂‡ ÓÚ ÌËı.
■ [1▲▼] TEMPO FROM (ÚÂÏÔ, ̇˜Ë̇fl Ò...)
åÓÊÌÓ ÒÛÁËÚ¸ ӷ·ÒÚ¸ ÔÓËÒ͇, Á‡‰‡‚ ‰Ë‡Ô‡ÁÓÌ ÚÂÏÔ‡. чÌ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ‚‚ÂÒÚË Á̇˜ÂÌË ÏËÌËχθÌÓ„Ó ÚÂÏÔ‡ ËÒÍÓÏ˚ı
ÍÓÏÔÓÁˈËÈ. óÚÓ·˚ Á‡‰‡Ú¸ ÏËÌËχθÌÓ ‚ÓÁÏÓÊÌÓ Á̇˜ÂÌËÂ, Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [▲▼].
■ [2▲▼] TEMPO TO (ÚÂÏÔ, Á‡Í‡Ì˜Ë‚‡fl...)
åÓÊÌÓ ÒÛÁËÚ¸ ӷ·ÒÚ¸ ÔÓËÒ͇, Á‡‰‡‚ ‰Ë‡Ô‡ÁÓÌ ÚÂÏÔ‡. чÌ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ‚‚ÂÒÚË Á̇˜ÂÌË χÍÒËχθÌÓ„Ó ÚÂÏÔ‡ ËÒÍÓÏ˚ı
ÍÓÏÔÓÁˈËÈ. óÚÓ·˚ Á‡‰‡Ú¸ χÍÒËχθÌÓ ‚ÓÁÏÓÊÌÓ Á̇˜ÂÌËÂ, Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [▲▼].
■ [3▲▼]~[5▲▼] GENRE (ʇÌ)
ì͇Á‡ÌË ËÒÍÓÏÓ„Ó Ê‡Ì‡. ëÔËÒÓÍ ‚ÓÁÏÓÊÌ˚ı Á̇˜ÂÌËÈ ‚Íβ˜‡ÂÚ: ‚Ò ʇÌ˚ (ANY), ‚ÒÚÓÂÌÌ˚ ʇÌ˚, ‡ Ú‡ÍÊ β·˚ ʇÌ˚,
̇Á‚‡ÌËfl ÍÓÚÓ˚ı ‚˚ ‚‚‰ÂÚ ҇ÏÓÒÚÓflÚÂθÌÓ (ÒÚ. 72).
■ [8▼] CANCEL (ÓÚÏÂ̇)
ç‡Ê‡‚ ˝ÚÛ ÍÌÓÔÍÛ, ‚˚ ÏÓÊÂÚ ÓÚÏÂÌËÚ¸ ÓÔ‡ˆË˛ Ë ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ.
PSR-2100/1100
73
81 2 3 4 5 6 7
ç‡ÊÏËÚ ÍÌÓÔÍÛ [I]
ǂ‰ËÚ ÛÒÎÓ‚Ëfl
1
2
(SEARCH 1) ËÎË
ÔÓËÒ͇
ÍÌÓÔÍÛ [J]
(ÒÏ. ÌËÊÂ), ‡
(SEARCH 2) ̇
Á‡ÚÂÏ Á‡ÔÛÒÚËÚÂ
˝Í‡Ì MUSIC
ÔÓ„‡ÏÏÛ
FINDER.
ÔÓËÒ͇, ̇ʇ‚
ÍÌÓÔÍÛ [START
SEARCH].
êÂÁÛθڇÚ˚, Û‰Ó‚ÎÂÚ‚Ófl˛˘ËÂ
‚ÒÂÏ ÛÒÎÓ‚ËflÏ ÔÓËÒ͇,
‚˚‚Ó‰flÚÒfl ̇ ÒÚ‡ÌˈÂ
SEARCH. ÑÓÔÓÎÌËÚÂθÌ˚Â
҂‰ÂÌËfl Ó Ô‡‡ÏÂÚ‡ı ÔÓËÒ͇
Ô˂‰ÂÌ˚ ÌËÊÂ.
ùÍ‡Ì STYLE FILE SELECT
ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl Î˯¸ ‰Îfl
ÔÓËÒ͇ ÔÓ Ì‡Á‚‡Ì˲ ÒÚËÎfl;
‚˚Á˚‚‡Ú¸ ÒÚËÎË Ò Â„Ó ÔÓÏÓ˘¸˛
Ì‚ÓÁÏÓÊÌÓ.
ëÚËÎË
ꉇÍÚËÓ‚‡ÌË Á‡ÔËÒÂÈ — Music Finder
ç‡ ˝ÚÓÏ ˝Í‡Ì ÏÓÊÌÓ ‚˚Á‚‡Ú¸ ÒÛ˘ÂÒÚ‚Û˛˘Ë Á‡ÔËÒË Ë ÓÚ‰‡ÍÚËÓ‚‡Ú¸ Ëı. Ç˚ ÏÓÊÂÚÂ
Ú‡ÍÊ ÒÓÁ‰‡‚‡Ú¸ Ò Â„Ó ÔÓÏÓ˘¸˛ ÒÓ·ÒÚ‚ÂÌÌ˚ Á‡ÔËÒË.
■ [A] MUSIC (ÍÓÏÔÓÁˈËfl)
ꉇÍÚËÓ‚‡ÌË ̇Á‚‡ÌËfl ÍÓÏÔÓÁˈËË. ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ‚‚Ó‰‡
̇Á‚‡ÌËfl ÔÂÒÌË. ç‡ÊÏËÚ ÂÂ, ‡ Á‡ÚÂÏ ‚‚‰ËÚ ÌÓ‚Ó ̇Á‚‡ÌËÂ.
■ [B] KEYWORD (Íβ˜Â‚Ó ÒÎÓ‚Ó)
ꉇÍÚËÓ‚‡ÌË Íβ˜Â‚Ó„Ó ÒÎÓ‚‡. ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ‚‚Ó‰‡
Íβ˜Â‚Ó„Ó ÒÎÓ‚‡. ç‡ÊÏËÚ ÂÂ, ‡ Á‡ÚÂÏ ‚‚‰ËÚ ÌÓ‚Ó ̇Á‚‡ÌËÂ.
Ç‚Ó‰ËÚ¸ ÏÓÊÌÓ Ò‡ÁÛ ÌÂÒÍÓθÍÓ Íβ˜Â‚˚ı ÒÎÓ‚, ‡Á‰ÂÎÂÌÌ˚ı Á‡ÔflÚÓÈ.
■ [C] STYLE (Ù‡ÈÎ ÒÚËÎfl)
ꉇÍÚËÓ‚‡ÌË ËÏÂÌË Ù‡È· ÒÚËÎfl. èË Â„ËÒÚ‡ˆËË ÌÓ‚ÓÈ Á‡ÔËÒË ‚Ò„‰‡ ÒΉÛÂÚ ‚‚Ó‰ËÚ¸ ËÏfl.
ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ STYLE FILE SELECT. ê‡ÒÔÓÎÓÊÂÌÌ˚ ̇ ˝Í‡Ì ÍÌÓÔÍË [A] -
[J], ÔÓÁ‚ÓÎfl˛Ú ‚˚·‡Ú¸ ÌÛÊÌ˚È Ù‡ÈÎ, ÍÓÚÓ˚È Ú·ÛÂÚÒfl ËÁÏÂÌËÚ¸, Û‰‡ÎËÚ¸ ËÎË
Á‡Â„ËÒÚËÓ‚‡Ú¸.
■ [D] BEAT (‡ÁÏÂ)
ꉇÍÚËÓ‚‡ÌË ‡Áχ, ‚ ÍÓÚÓÓÏ ·˚· ̇ÔË҇̇ ÍÓÏÔÓÁˈËfl. èË ‚˚·Ó ‰Û„Ó„Ó Ù‡È· Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [C] ÚÂÍÛ˘Â Á̇˜ÂÌË ‡Áχ Á‡ÏÂÌflÂÚÒfl Á̇˜ÂÌËÂÏ, Á‡‰‡ÌÌ˚Ï ‚ ‰‡ÌÌÓÏ Ù‡ÈÎÂ.
■ [E] FAVORITE (β·ËÏ˚Â)
ÑÓ·‡‚ÎÂÌË ‚˚‰ÂÎÂÌÌÓÈ Á‡ÔËÒË Ì‡ ÒÚ‡ÌËˆÛ FAVORITE(ÒÚ. 72).
■ [F]~[H] CLEAR (Û‰‡ÎÂÌË ӷ˙ÂÍÚ‡)
ùÚË ÍÌÓÔÍË ÒÎÛÊ‡Ú ‰Îfl Ó˜ËÒÚÍË ÔÓÎÂÈ, ‡ÒÔÓÎÓÊÂÌÌ˚ı Ò΂‡ ÓÚ ÌËı.
■ [I] DELETE RECORD (Û‰‡ÎÂÌË Á‡ÔËÒË)
쉇ÎÂÌË ‚˚·‡ÌÌÓÈ Á‡ÔËÒË. èË ˝ÚÓÏ ÓÒ‚Ó·Óʉ‡ÂÚÒfl ÌÓÏ ۉ‡ÎÂÌÌÓÈ Á‡ÔËÒË. èË Ì‡Ê‡ÚËË ˝ÚÓÈ ÍÌÓÔÍË ÔÓfl‚ÎflÂÚÒfl ‰Ë‡ÎÓ„Ó‚ÓÂ
ÓÍÌÓ Ò Ô‰ÎÓÊÂÌËÂÏ ‚˚·‡Ú¸ ‚˚ÔÓÎÌÂÌËÂ, ÔÂ͇˘ÂÌË ËÎË ÓÚÏÂÌÛ ÓÔ‡ˆËË.
YES................. ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ Û‰‡ÎËÚ¸ Á‡ÔËÒ¸ Ë Á‡Í˚Ú¸ ˝Í‡Ì.
NO .................. ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ Á‡Í˚Ú¸ ˝Í‡Ì, Ì ۉ‡Îflfl Á‡ÔËÒ¸.
CANCEL......... ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔ‡ˆË˛, Á‡Í˚Ú¸ ‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ Ë ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ.
74
PSR-2100/1100
äÓÏÂ ÚÓ„Ó, ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ËÎË
Û‰‡ÎËÚ¸ Á‡ÔËÒ¸, ‚ÌÂÒÂÌÌÛ˛
ËÁ„ÓÚÓ‚ËÚÂÎÂÏ ÒËÌÚÂÁ‡ÚÓ‡. óÚÓ·˚
ËÁ·Âʇڸ ËÁÏÂÌÂÌËfl (Û‰‡ÎÂÌËfl)
‰‡ÍÚËÛÂÏÓÈ Á‡ÔËÒË, ÔÓ
ÓÍÓ̘‡ÌËË Â‰‡ÍÚËÓ‚‡ÌËfl
ÒÓı‡ÌËڠ ÔÓ‰ ‰Û„ËÏ ËÏÂÌÂÏ.
ÇÒ Á‡ÔËÒË ÏÓ„ÛÚ ·˚Ú¸ ÒÓı‡ÌÂÌ˚ ‚
‚ˉ ӉÌÓ„Ó Ù‡È· (ÒÚ. 154). èË
‚˚ÁÓ‚Â ‰‡ÌÌÓ„Ó Ù‡È· ÔÓfl‚ÎflÂÚÒfl
‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ Ò Ô‰ÎÓÊÂÌËÂÏ
Á‡ÏÂÌËÚ¸ ÒÚ‡Û˛ Á‡ÔËÒ¸ ÌÓ‚ÓÈ ËÎË
‰Ó·‡‚ËÚ¸ ÌÓ‚Û˛ Á‡ÔËÒ¸.
A
F
• á‡ÏÂÌËÚ¸:
B
G
ÇÒ ÚÂÍÛ˘Ë Á‡ÔËÒË Music Finder
C
H
Û‰‡Îfl˛ÚÒfl Ë Á‡ÏÂÌfl˛ÚÒfl
Á‡ÔËÒflÏË, ÒÓ‰Âʇ˘ËÏËÒfl ‚
D
I
‚˚‰ÂÎÂÌÌÓÏ Ù‡ÈÎÂ.
E
J
• ÑÓ·‡‚ËÚ¸:
çÓ‚˚Ï Á‡ÔËÒflÏ ÔËÒ‚‡Ë‚‡˛ÚÒfl
Ò‚Ó·Ó‰Ì˚ ÌÓχ.
81 2 3 4 5 6 7
ç‡ ˝Í‡Ì MUSIC FINDER ̇ÊÏËÚ ÍÌÓÔÍÛ [8 ▲▼] (RECORD EDIT).
1
àÁÏÂÌËÚ ËÎË Û‰‡ÎËÚ Á‡ÔËÒ¸. äÓÏ ÚÓ„Ó, ‚˚ ÏÓÊÂÚ Á‡Â„ËÒÚË-
2
Ó‚‡Ú¸ ÌÓ‚˚ Á‡ÔËÒË. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó·Ó ‚ÒÂı Ô‡‡
ÏÂÚ‡ı Ë ÓÔ‡ˆËflı Ô˂‰ÂÌ˚ ÌËÊÂ.
ùÍ‡Ì STYLE FILE SELECT
ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl Î˯¸ ‰Îfl
‚˚·Ó‡ ̇Á‚‡ÌËfl ÒÚËÎfl ÔË
ÌÂÓ·ıÓ‰ËÏÓÒÚË ÓÚ‰‡ÍÚËÓ‚‡Ú¸
Á‡ÔËÒ¸; ‚˚Á˚‚‡Ú¸ ÒÚËÎË Ò Â„Ó
ÔÓÏÓ˘¸˛ Ì‚ÓÁÏÓÊÌÓ.
àÏÂÈÚ ‚ ‚ˉÛ, ˜ÚÓ ËÁÏÂÌÂÌËfl
ÓÚÓ·‡Ê‡˛˘Â„ÓÒfl ̇ ˝Í‡ÌÂ
Ô‡‡ÏÂÚ‡ Beat (‡ÁÏÂ)
ÓÚÌÓÒflÚÒfl ÚÓθÍÓ Í ÙÛÌ͈ËË
ÔÓËÒ͇ Ë Ì ‚ÎËfl˛Ú ̇ Ò‡Ï ÒÚËθ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
ëÚËÎË
■ [J] NEW RECORD (ÌÓ‚‡fl Á‡ÔËÒ¸)
ê„ËÒÚ‡ˆËfl ÌÓ‚ÓÈ Á‡ÔËÒË. èË Â„ËÒÚ‡ˆËË ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ì ̇ËÏÂ̸¯ËÈ ËÁ Ò‚Ó·Ó‰Ì˚ı ÌÓÏÂÓ‚
å‡ÍÒËχθÌÓ ˜ËÒÎÓ Á‡ÔËÒÂÈ
ÒÓÒÚ‡‚ÎflÂÚ 2500 (PSR-2100)/
Á‡ÔËÒÂÈ. èÓÒΠ̇ʇÚËfl ˝ÚÓÈ ÍÌÓÔÍË ÔÓfl‚ÎflÂÚÒfl ‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ Ò Ô‰ÎÓÊÂÌËÂÏ ‚˚·‡Ú¸
1200 (PSR-1100), ‚Íβ˜‡fl
‚˚ÔÓÎÌÂÌËÂ, ÔÂ͇˘ÂÌË ËÎË ÓÚÏÂÌÛ ÓÔ‡ˆËË.
‚ÌÛÚÂÌÌË Á‡ÔËÒË.
YES................. ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ Á‡Â„ËÒÚËÓ‚‡Ú¸ Á‡ÔËÒ¸ Ë Á‡Í˚Ú¸ ˝Í‡Ì.
NO.................. ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ Á‡Í˚Ú¸ ˝Í‡Ì, Ì „ËÒÚËÛfl Á‡ÔËÒ¸.
CANCEL......... ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔ‡ˆË˛, Á‡Í˚Ú¸ ‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ Ë ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ.
■ [1▼▲] TEMPO (ÚÂÏÔ)
ì͇Á‡ÌË ÚÂÏÔ‡ ‚˚·‡ÌÌÓÈ Á‡ÔËÒË. èÓÒΠÒÏÂÌ˚ هȷ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [C] ÚÂÍÛ˘ËÈ ÚÂÏÔ ‡‚ÚÓχÚ˘ÂÒÍË ÔÓ‰Òڇ˂‡ÂÚÒfl ÔÓ‰
ÚÂÏÔ, Á‡‰‡ÌÌ˚È ‚ ÌÓ‚ÓÏ Ù‡ÈÎÂ.
■ [3▼▲]~[5▼▲] GENRE (ʇÌ)
ꉇÍÚËÓ‚‡ÌË ÓÔ‰ÂÎÂÌÌÓ„Ó Ê‡Ì‡. ëÔËÒÓÍ ‚ÓÁÏÓÊÌ˚ı Á̇˜ÂÌËÈ ‚Íβ˜‡ÂÚ ‚ÒÚÓÂÌÌ˚ ʇÌ˚, ‡ Ú‡ÍÊ β·˚ ʇÌ˚,
̇Á‚‡ÌËfl ÍÓÚÓ˚ı ‚˚ ‚‚‰ÂÚ ҇ÏÓÒÚÓflÚÂθÌÓ.
■ [6▼▲] GENRE NAME (̇Á‚‡ÌË ʇ̇)
óÚÓ·˚ ‚‚ÂÒÚË Ì‡Á‚‡ÌË ʇ̇, ̇ÊÏËÚ ‰‡ÌÌÛ˛ ÍÌÓÔÍÛ. èÓfl‚ËÚÒfl ˝Í‡Ì ‚‚Ó‰‡
̇Á‚‡ÌËfl ʇ̇, ÔÓÁ‚ÓÎfl˛˘ËÈ Á‡‰‡Ú¸ ÌÂÓ·ıÓ‰ËÏÓ ̇Á‚‡ÌËÂ. å‡ÍÒËχθÌÓ ˜ËÒÎÓ
̇Á‚‡ÌËÈ Ê‡ÌÓ‚ ÒÓÒÚ‡‚ÎflÂÚ 200.
ǂ‰ÂÌÌÓ ̇Á‚‡ÌË ʇ̇ ÒÚ‡ÌÓ‚ËÚÒfl ‰ÂÈÒÚ‚ËÚÂθÌ˚Ï ÔË Â‰‡ÍÚËÓ‚‡ÌËË (ÔÂÂÔËÒ˚‚‡ÌËË) ÚÂÍÛ˘ÂÈ Á‡ÔËÒË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË
[8▲] (OK) ÎË·Ó ÔË Â„ËÒÚ‡ˆËË ÌÓ‚ÓÈ Á‡ÔËÒË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [J] (NEW RECORD).
ÖÒÎË ‚˚ Á‡ÍÓÂÚ ˝Í‡Ì MUSIC FINDER EDIT, Ì ÓÚ‰‡ÍÚËÓ‚‡‚ ÒÛ˘ÂÒÚ‚Û˛˘Û˛ Á‡ÔËÒ¸ Ë Ì Á‡Â„ËÒÚËÓ‚‡‚ ÌÓ‚Û˛, ‚‚‰ÂÌÌÓÂ
̇Á‚‡ÌË ʇ̇ Û‰‡ÎflÂÚÒfl.
■ [8▲] OK
Ç˚ÔÓÎÌÂÌË ‚ÒÂı Û͇Á‡ÌÌ˚ı ÓÔ‡ˆËÈ Â‰‡ÍÚËÓ‚‡ÌËfl. èË Ì‡Ê‡ÚËË ˝ÚÓÈ ÍÌÓÔÍË ÔÓfl‚ÎflÂÚÒfl ‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ Ò Ô‰ÎÓÊÂÌËÂÏ
‚˚·‡Ú¸ ‚˚ÔÓÎÌÂÌËÂ, ÔÂ͇˘ÂÌË ËÎË ÓÚÏÂÌÛ ÓÔ‡ˆËË.
YES ................ ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ Á‡ÏÂÌËÚ¸ Á‡ÔËÒ¸ Ë Á‡Í˚Ú¸ ˝Í‡Ì.
NO .................. ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ Á‡Í˚Ú¸ ˝Í‡Ì, Ì Á‡ÏÂÌflfl Á‡ÔËÒ¸.
CANCEL ........ ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔ‡ˆË˛, Á‡Í˚Ú¸ ‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ Ë ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ.
■ [8▼] CANCEL (ÓÚÏÂ̇)
ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ ÓÚÏÂÌËÚ¸ ÓÔ‡ˆË˛ Ë ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ (MUSIC FINDER).
ÇçàåÄçàÖ!
óÚÓ·˚ ‚ÔÓÒΉÒÚ‚ËË ÏÓÊÌÓ ·˚ÎÓ ‡·ÓÚ‡Ú¸ Ò ËÁÏÂÌÂÌÌ˚ÏË Ë Á‡Â„ËÒÚËÓ‚‡ÌÌ˚ÏË ‰‡ÌÌ˚ÏË, Ì Á‡·Û‰¸Ú ÒÓı‡ÌËÚ¸ ‚Ò Á‡ÔËÒË Music Finder ‚ ‚ˉÂ
Ù‡ÈÎÓ‚ (ÒÚ. 154). ÖÒÎË ˝ÚÓ„Ó Ì ҉·ڸ, ‰‡ÌÌ˚ ·Û‰ÛÚ ÛÚÂflÌ˚, ‚ ÏÓÏÂÌÚ ‚˚ÁÓ‚‡ ‰Û„Ó„Ó Ù‡È· Music Finder ËÎË ÔË ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËË Á‡‚Ó‰ÒÍËı
̇ÒÚÓÂÍ (ÒÚ. 154).
PSR-2100/1100
75
åÛθÚËÔ˝‰˚
åÛθÚËÔ˝‰˚ — ˝ÚÓ ÍÓÓÚÍË ËÚÏ˘ÂÒÍËÂ Ë ÏÂÎӉ˘ÂÒÍË هÁ˚, ‚ÒÚÓÂÌÌ˚ ‚ ÒËÌÚÂÁ‡ÚÓ PSR-2100/1100. éÌË ÒÔÓÒÓ·Ì˚ Ôˉ‡Ú¸
‚‡¯ÂÏÛ ‚˚ÒÚÛÔÎÂÌ˲ ·Óθ¯Â ‡ÁÌÓÓ·‡ÁËÂ Ë ÚÂÏ Ò‡Ï˚Ï ÛÒËÎËÚ¸ ‚Ô˜‡ÚÎÂÌËÂ.
åÛθÚËÔ˝‰˚
ÇÓÒÔÓËÁ‚‰ÂÌË ÏÛθÚËÔ˝‰Ó‚
Ç˚·ÂËÚ ÌÛÊÌ˚È ·‡ÌÍ Ì‡ ˝Í‡Ì MULTI PAD Bank (ÒÚ. 38).
1
• óÚÓ·˚ ‚ÓÒÔÓËÁ‚ÂÒÚË
ç‡ÊÏËÚ β·Û˛ ËÁ ÍÌÓÔÓÍ ÏÛθÚËÔ˝‰Ó‚.
ÓÔ‰ÂÎÂÌÌÛ˛ Ù‡ÁÛ ‚
2
ÚÂÍÛ˘ÂÏ ÚÂÏÔÂ, ‰ÓÒÚ‡ÚÓ˜ÌÓ
STOP
ÔÓÒÚÓ Ì‡Ê‡Ú¸
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ
MULTI PAD
ÏÛθÚËÔ˝‰‡.
• é‰ÌÓ‚ÂÏÂÌÌÓ ÏÓÊÌÓ
‚ÓÒÔÓËÁ‚ÂÒÚË ‰Ó ˜ÂÚ˚Âı
ÏÛθÚÔ˝‰Ó‚.
• èÓ‚ÚÓÌÓ ̇ʇÚË ÍÌÓÔÍË
î‡Á‡, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl Ó‰ÌÓÈ ËÁ ÍÌÓÔÓÍ (̇ÔËÏÂ, ÍÌÓÔÍ [4]), ̇˜ÌÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl
ÏÛθÚËÔ˝‰‡ ‚ ıÓ‰Â
‚ÓÒÔÓËÁ‚‰ÂÌËfl Ù‡Á˚
ÔÓÎÌÓÒÚ¸˛ Ò‡ÁÛ ÔÓÒΠ ̇ʇÚËfl.
Ô˂‰ÂÚ Í ÓÒÚ‡ÌÓ‚Í Ë
肇ڸ ‚ÓÒÔÓËÁ‚‰ÂÌË هÁ˚ ÏÓÊÌÓ ‰‚ÛÏfl ÒÔÓÒÓ·‡ÏË:
ÔÓ‚ÚÓÌÓÏÛ ÔÓË„˚‚‡Ì˲
• óÚÓ·˚ Ô‚‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ‚ÒÂı Ù‡Á, ̇ÊÏËÚÂ Ë ÓÚÔÛÒÚËÚ ÍÌÓÔÍÛ [STOP].
Ù‡Á˚ Ò Ì‡˜‡Î‡.
• óÚÓ·˚ Ô‚‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÓÔ‰ÂÎÂÌÌ˚ı Ù‡Á, ̇ÊÏËÚ ÍÌÓÔÍÛ [STOP] Ë,
Û‰ÂÊË‚‡fl ÂÂ, ̇ÊÏËÚ ÍÌÓÔÍË, ÓÚÌÓÒfl˘ËÂÒfl Í ÚÂÏ ÏÛθÚËÔ˝‰‡Ï, ÍÓÚÓ˚ Ú·ÛÂÚÒfl
ÓÒÚ‡ÌÓ‚ËÚ¸.
ç‡ÒÚÓÈ͇ ̇ ‡ÍÍÓ‰
ÇÍβ˜ËÚ ÍÌÓÔÍÛ ACMP (ÒÚ. 63).
1
ÇÓÁ¸ÏËڠ΂ÓÈ ÛÍÓÈ ‡ÍÍÓ‰ Ë Ì‡ÊÏËÚ β·Û˛ ËÁ ÍÌÓÔÓÍ ÏÛθÚËÔ˝‰Ó‚.
2
TӘ͇ ‡Á‰eÎeÌËfl Í·‚ˇÚÛ˚
îÛÌ͈Ëfl ̇ÒÚÓÈÍË Ì‡ ‡ÍÍÓ‰ ÔÓ
ÛÏÓΘ‡Ì˲ ‚Íβ˜Â̇ ‚ Ó‰ÌËı
·‡Ì͇ı ÏÛθÚËÔ˝‰Ó‚ Ë
ÓÚÍβ˜Â̇ ‚ ‰Û„Ëı.
ê‡Á‰eÎ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌeÏeÌÚ‡
STOP
MULTI PAD
Ç ‰‡ÌÌÓÏ ÔËÏ هÁ‡, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl ÍÌÓÔÍ [1], Ô‰ ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ·Û‰ÂÚ Ú‡ÌÒÔÓÌËÓ‚‡Ì‡ ‚ ÚÓ̇θÌÓÒÚ¸ Ù‡-χÊÓ.
èÓÔÓ·ÛÈÚ ‚˚·‡Ú¸ ‰Û„Ë ‡ÍÍÓ‰˚ Ë ÏÛθÚËÔ˝‰˚. ëΉÛÂÚ ÔÓÏÌËÚ¸, ˜ÚÓ ‚ ıӉ ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ù‡Á˚ ÏÓÊÌÓ ·‡Ú¸ Ë ‰Û„ËÂ
‡ÍÍÓ‰˚.
76
PSR-2100/1100
åÛθÚËÔ˝‰
ꉇÍÚËÓ‚‡ÌË ÏÛθÚËÔ˝‰Ó‚
чÌ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÍÓÔËÓ‚‡Ú¸ ÓÚ‰ÂθÌ˚ ԇ‡ÏÂÚ˚ ÏÛθÚËÔ˝‰‡, ÔÂÂÌÓÒfl Ëı ËÁ Ó‰ÌÓ„Ó ·‡Ì͇ ‚ ‰Û„ÓÈ.
A
F
B
G
C
H
D
I
E
J
PSR-2100/1100
77
81 2 3 4 5 6 7
Ç˚·ÂËÚ ÌÛÊÌ˚È ÏÛθÚËÔ˝‰ ËÎË ÌÂÒÍÓθÍÓ ÏÛθÚËÔ˝‰Ó‚.
ùÍ‡Ì «éÚÍ˚Ú¸/ëÓı‡ÌËÚ¸» ‰Îfl ÏÛθÚËÔ˝‰‡ (ÒÚ. 38)
à‰ÂÌÚ˘ÂÌ ˝Í‡Ì‡Ï, ÓÔËÒ‡ÌÌ˚Ï Ì‡
èÂÂıÓ‰ ̇ Ó‰ËÌ
ÒÚ. 44 Ë 47.
ÛÓ‚Â̸ ‚‚Âı ‚
͇ڇÎÓ„Â.
ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË
éÁ̇ÍÓÏË‚¯ËÒ¸ Ò ˝ÚËÏ ‡Á‰ÂÎÓÏ, ‚˚ ̇ۘËÚÂÒ¸ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌË. èÂÒÌË ÏÓ„ÛÚ ·˚Ú¸ ÒÎÂ‰Û˛˘Ëı ÚËÔÓ‚: ‚ÒÚÓÂÌÌ˚Â,
Á‡ÔËÒ‡ÌÌ˚ (ÒÚ. 95) ‚·‰ÂθˆÂÏ ÒËÌÚÂÁ‡ÚÓ‡ Ë ÔÂÒÌË Ò ÌÓÒËÚÂÎÂÈ, Ëϲ˘ËıÒfl ‚ ÔÓ‰‡ÊÂ. ÇÓÁÏÓÊÌÓÒÚË ÙÛÌ͈ËË
‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË ‚ÂҸχ ÏÌÓ„ÓÓ·‡ÁÌ˚. åÓÊÌÓ, ̇ÔËÏÂ, ÔÓ‰˚„˚‚‡Ú¸ ‡Ì Á‡ÔËÒ‡ÌÌÓÈ ÔÂÒÌÂ. äÓÏ ÚÓ„Ó,
ÏÓÊÌÓ ‚˚‚ÂÒÚË Ì‡ ˝Í‡Ì ÌÓÚ˚ ÔÂÒÌË (PSR-2100) ËÎË Â ÚÂÍÒÚ.
èÓ‰Íβ˜Ë‚ Í PSR-2100 ÏËÍÓÙÓÌ, ‚˚ ÏÓÊÂÚ ÔÂÚ¸ ‚ ÌÂ„Ó Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌ˛ ËÎË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ.
èË ˝ÚÓÏ ‚Ó͇Π·Û‰ÂÚ ‡‚ÚÓχÚ˘ÂÒÍË Á‡ÔËÒ˚‚‡Ú¸Òfl ÔÓ‚Âı ÒÛ˘ÂÒÚ‚Û˛˘Ëı ‰ÓÓÊÂÍ (ÒÚ. 131).
VOICE EFFECT
BACK NEXT
HOLD
LEFT
SUSTAIN
ECHO
HARMONY/
MONOTOUCH
DSP
VARIATION
DIGITAL
STUDIO
VOIC E
MAIN
PIANO & HARPSI.
E.PIANO
ACCORDION
ORGAN &
SOUND CREATOR
PERCUSSION
DIGITAL RECORDING
A
F
LAYER
GUITAR
BASS
BRASS
WOODWIND
B
G
MIXING CONSOLE
C
H
LEFT
STRINGS CHOIR & PAD
SYNTH.
XG
D
I
MENU
USER
ORGAN FLUTES
DEMO
E
J
MUSIC
UPPER OCTAVE
FINDER
HELP
MIC.
VH TYPE
SELECT
SETTING
MIC.
HARMONY
VOCAL
RESET
OVER
TALK
EFFECT
FUNCTION
SIGNAL
ONE TOUCH SETTING
ACCESS
DIRECT
BALANCE
EXIT
ENTER
CHANNEL ON/OFF
PART
REGISTRATION MEMORY
DATA ENTRY
FREEZE MEMORY
• èÂÒÌË, Ëϲ˘ËÂÒfl ‚ ÔÓ‰‡ÊÂ.
ÑËÒÍË Ò Ú‡ÍÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂÊ‡Ú ÔÂÒÌË ‚ ÙÓχÚ GM (General MIDI).
ÑËÒÍË Ò Ú‡ÍÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂÊ‡Ú ÔÂÒÌË ‚ ÙÓχÚ XG. ùÚÓÚ ÙÓχÚ
Ô‰ÒÚ‡‚ÎflÂÚ ÒÓ·ÓÈ Á̇˜ËÚÂθÌÓ ÛÒӂ¯ÂÌÒÚ‚Ó‚‡ÌÌÓ ‡Ò¯ËÂÌË Òڇ̉‡Ú‡
General MIDI (GM System level 1 format). äÓÏÔ‡ÌËfl Yamaha ‡Á‡·Óڇ· ˝ÚÛ
ÒÔˆËÙË͇ˆË˛ Ò ˆÂθ˛ Û‚Â΢ÂÌËfl ˜ËÒ· ‰ÓÒÚÛÔÌ˚ı „ÓÎÓÒÓ‚, ‡Ò¯ËÂÌËfl
‚ÓÁÏÓÊÌÓÒÚÂÈ ÛÔ‡‚ÎÂÌËfl „ÓÎÓÒ‡ÏË Ë ˝ÙÙÂÍÚ‡ÏË, ‡ Ú‡ÍÊ ӷÂÒÔ˜ÂÌËfl
ÔÓ‰‰ÂÊÍË ·Óθ¯Â„Ó ˜ËÒ· ˝ÙÙÂÍÚÓ‚ Ë Ëı ÚËÔÓ‚.
ÑËÒÍË Ò Ú‡ÍÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂÊ‡Ú ÔÂÒÌË ‚ ÙÓχÚ DOC (Disk Orchestra
Collection), ‡Á‡·ÓÚ‡ÌÌÓÏ ÍÓÔÓ‡ˆËÂÈ Yamaha.
ÑËÒÍË Ò Ú‡ÍÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂÊ‡Ú ÔÂÒÌË ‚ ÙÓχÚ XF, ÒÓÁ‰‡ÌÌÓÏ ÍÓÔÓ‡ˆËÂÈ Yamaha.
• èÂÒÌË, ÍÓÚÓ˚ ‚˚ Á‡ÔËÒ‡ÎË (ÒÚ. 95) Ë ÒÓı‡ÌËÎË ‚ Ô‡ÏflÚË ÒËÌÚÂÁ‡ÚÓ‡ PSR-2100/1100 ËÎË Ì‡ ‰ËÒÍÂÚÂ.
78
PSR-2100/1100
81 2 3 4 5 6 7
SONG
EXTRA
TRACKS
TRACK
2
TRACK
1 REPEAT
METRO-
NOME
(STYLE) (R)(L)
REC REW FF
TOP
START/STOP
STYLE
NEW SONG SYNC. START
POP & ROCK
SWING &
JAZZ
BALLROOM
WALTZ
MARCH &
BALLAD USERLATIN
DANCE
PART
TRANSPOSE
TEMPO
TAP TEMPO
MASTER VOLUME
RESET
RESET
STOP
FADE
MULTI PAD
IN/OUT
MIN MAX
SONG
STYLE CONTROL
EXTRA
TRACK
TRACK
ACMP
BREAK
INTRO
MAIN
ENDING
/ rit.
SYNC.
STOP
SYNC.
METRO-
TRACKS
2
AUTO
FILL IN
OTS
1 REPEAT
START
LINK
START/STOP
STANDBY
NOME
ON
(STYLE) (R)(L)
REC REW FF
TOP
START/STOP
NEW SONG SYNC. START
èÓ‰‰ÂÊË‚‡ÂÏ˚ ÚËÔ˚ ÔÂÒÂÌ
èÂÒÌË, Ëϲ˘ËÂÒfl ‚ ÔÓ‰‡ÊÂ,
Ô‰̇Á̇˜ÂÌ˚ ÚÓθÍÓ ‰Îfl
΢ÌÓ„Ó ÔÓθÁÓ‚‡ÌËfl, ÔÓÒÍÓθÍÛ
Ëı ‡ÒÔÓÒÚ‡ÌÂÌË ӄ‡Ì˘ÂÌÓ
Á‡ÍÓÌÓÏ Ó· ‡‚ÚÓÒÍÓÏ Ô‡‚Â.
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó
ÔÓ‰‰ÂÊË‚‡ÂÏ˚ı PSR-2100/
1100 ÚËÔ‡ı ÔÂÒÂÌ Ô˂‰ÂÌ˚ ̇
ÒÚ. 161.
ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË
ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË
ÇÓÒÔÓËÁ‚‰ÂÌË ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ
BACK NEXT
ÖÒÎË Ò΂‡ Ì ÓÚÓ·‡Ê‡ÂÚÒfl
1
„·‚Ì˚È ˝Í‡Ì (MAIN), Ò̇˜‡Î‡
̇ÊÏËÚ ÍÌÓÔÍÛ [DIRECT
ACCESS], ‡ Á‡ÚÂÏ — ÍÌÓÔÍÛ
[EXIT].
A
F
äÓÏ ÚÓ„Ó, ÏÓÊÌÓ Á‡‰‡Ú¸
B
G
ÏÌÓÊÂÒÚ‚Ó Ô‡‡ÏÂÚÓ‚ (ÚÂÏÔ,
C
H
„ÓÎÓÒ Ë Ú. Ô.), ÍÓÚÓ˚Â ·Û‰ÛÚ
‡‚ÚÓχÚ˘ÂÒÍË ‚˚Á˚‚‡Ú¸Òfl ÔË
D
I
‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË
E
J
(ÒÚ. 107).
óÚÓ·˚ ‚Íβ˜ËÚ¸ ÙÛÌÍˆË˛ ÒËÌ-
ıÓÌÌ˚È Á‡ÔÛÒÍ) ‰Îfl ͇ÍÓÈ-ÎË·Ó
ÔÂÒÌË, Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚÂ
ÍÌÓÔÍË [TOP] Ë SONG [START/
STOP]. ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË
̇˜ÌÂÚÒfl Ò‡ÁÛ ÊÂ, Í‡Í ÚÓθÍÓ
2-1 èÂÂȉËÚ ̇ ‚Í·‰ÍÛ PRESET Ò
BACK NEXT
‚˚ ÍÓÒÌÂÚÂÒ¸ Í·‚˯. чÌÌÛ˛
2
ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [BACK].
ÙÛÌÍˆË˛ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸
‚ÏÂÒÚÂ Ò ÙÛÌ͈ËÂÈ Style’s
Synchro Start (ÒËÌıÓÌÌ˚È
Á‡ÔÛÒÍ ÒÚËÎfl) (ÒÚ. 63).
A
F
B
G
àÏÂÂÚÒfl ‚ÓÁÏÓÊÌÓÒÚ¸
C
H
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌË Ò
ÙÂȉËÌ„ÓÏ ‚ ̇˜‡ÎÂ Ë ÍÓ̈Â
D
I
ÍÓÏÔÓÁˈËË. èË ˝ÚÓÏ
E
J
„ÓÏÍÓÒÚ¸ ‚ ̇˜‡Î ÔÂÒÌË ·Û‰ÂÚ
Ô·‚ÌÓ Ì‡‡ÒÚ‡Ú¸, ‡ ‚ ÍÓ̈ —
ÒÌËʇڸÒfl. ÑÎfl ˝ÚÓ„Ó
2-2 éÚÍÓÈÚÂ Ô‡ÔÍÛ Ë
‰ÓÒÚ‡ÚÓ˜ÌÓ ÔÓÒÚÓ Ì‡Ê‡Ú¸
‚˚·ÂËÚ ÔÂÒÌ˛.
ÍÌÓÔÍÛ [FADEIN/OUT] ‚ ̇˜‡ÎÂ
ÔÂÒÌË, ‡ Á‡ÚÂÏ ÒÌÓ‚‡ ̇ʇڸ ÂÂ
ÌÂÁ‡‰ÓÎ„Ó ‰Ó ÓÍÓ̘‡ÌËfl.
Ç˚·‡Ì̇fl ÔÂÒÌfl ̇˜ÌÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl.
3
END
SONG
EXTRA
TRACK
TRACK
METRO-
TRACKS
2
1 REPEAT
NOME
óÚÓ·˚ Ò‡ÁÛ Ê ÓÒÚ‡ÌÓ‚ËÚ¸ ÔÂÒÌ˛, ¢ ‡Á ̇ÊÏËÚÂ
START/STOP
ÍÌÓÔÍÛ .
(STYLE) (R)(L)
REC REW FF
TOP
START/STOP
NEW SONG SYNC. START
óÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ, ̇ÊÏËÚÂ
ÍÌÓÔÍÛ .
EXIT
íÂÏÔ ÏÓÊÌÓ ËÁÏÂÌflÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [ ] [ ]
(ÒÚ. 53) ËÎË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [TAP TEMPO].
óÚÓ·˚ ËÁÏÂÌËÚ¸ ÒÍÓÓÒÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËfl, ‰ÓÒÚ‡ÚÓ˜ÌÓ ‰‚‡Ê‰˚
Û‰‡ËÚ¸ ‚ ÌÛÊÌÓÏ ÚÂÏÔ ÔÓ ÍÌÓÔÍ [TAP TEMPO].
åÓÊÌÓ Ì‡ÒÚÓËÚ¸ ÔÂÒÌË Ì‡
ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ Ì‡ÒÚÓÈ͇ flÁ˚͇
ÔÓÒÚÓflÌÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ.
‰Îfl ÒËÌÚÂÁ‡ÚÓ‡ (ÒÚ. 154) ÒÓ‚Ô‡‰‡ÂÚ
Ç ÓÍÌ SONG SETTING Á‡‰‡ÈÚÂ
Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ Ì‡ÒÚÓÈÍÓÈ Ù‡È·
Ô‡‡ÏÂÚÛ SONG CHAIN PLAY
‚ÓÒÔÓËÁ‚Ó‰ËÏÓÈ ÔÂÒÌË.
Á̇˜ÂÌË ON (ÒÚ. 140).
PSR-2100/1100
79
ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË
éÒÚ‡ÌÓ‚Ë‚ ÔÂÒÌ˛, ‚˚ ÓÒÚ‡ÌÓ-
é‰ÌÓ‚ÂÏÂÌÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Ë ÒÚËÎfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
‚ËÚ ڇÍÊÂ Ë ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ.
èË Ó‰ÌÓ‚ÂÏÂÌÌÓÏ ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË Ë ÒÚËÎfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ͇̇Î˚ 9 - 16
ÖÒÎË ÔÓË„˚‚‡ÌË ÔÂÒÌË Ì‡-
˜Ë̇ÂÚÒfl ÔË ‚Íβ˜ÂÌÌÓÏ ‡Í-
Á‡ÏÂÌfl˛ÚÒfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË Í‡Ì‡Î‡ÏË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ‚ÏÂÒÚÓ ‡ÌÂÂ
ÍÓÏÔ‡ÌÂÏÂÌÚÂ, ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ
Á‡ÔËÒ‡ÌÌ˚ı ˜‡ÒÚÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÔÂÒÌË ËÒÔÓθÁÓ‚‡Ú¸ ÒÚËÎË Ë ‚ÓÁÏÓÊÌÓÒÚË
‡‚ÚÓχÚ˘ÂÒÍË ÔÂ͇˘‡ÂÚ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÌÚ‡. Ç˚ÔÓÎÌËÚ ÓÔËÒ‡ÌÌ˚ ÌËÊ ‰ÂÈÒÚ‚Ëfl Ë Á‡ÏÂÌËÚ ‡ÍÍÓ‰˚ ÔÂÒÌË Ò‚ÓËÏË
Á‚Û˜‡Ú¸.
ÒÓ·ÒÚ‚ÂÌÌ˚ÏË.
• ÍÌÓÔ͇ [ACMP].......................... ON
• ÍÌÓÔ͇ [AUTO FILL IN] ............. ON
Ç˚·ÂËÚ ÔÂÒÌ˛ Ë Á‡ÔÛÒÚËÚ ÂÂ, ̇ʇ‚ ÍÌÓÔÍÛ SONG [START/STOP].
1
èÓ‰·ÂËÚ ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
2
á‡ÔÛÒÍ ÒÚËÎfl ÏÓÊÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸Òfl ̇ʇÚËÂÏ ÍÌÓÔÍË STYLE [START/STOP].
3
Ç ÔÓˆÂÒÒ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË ‚˚ ÏÓÊÂÚ ‚ÒÚ‡‚ÎflÚ¸ ·ÂÈÍË ËÎË ÔÂÂıÓ‰ËÚ¸ ÓÚ
4
Ó‰ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ (Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ ‚˚·Ó‡ ˜‡ÒÚÂÈ ‚ „ÛÔÔ Style).
ÇÓ ‚ÂÏfl ÔÂÂÍβ˜ÂÌËfl ˜‡ÒÚÂÈ ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl ‚ÒÚ‡‚ÍË (·ÂÈÍË).
END
ëÚËθ ‡‚ÚÓχÚ˘ÂÒÍË ÔÂÂÒÚ‡ÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ÔÓ ÓÍÓ̘‡ÌËË ÔÂÒÌË ËÎË ÔË ÓÒÚ‡ÌÓ‚ÍÂ.
çÂÍÓÚÓ˚ ‚ÌÛÚÂÌÌË ÔÂÒÌË ÒÓÁ‰‡Ì˚ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ÑÎfl Ú‡ÍËı ÔÂÒÂÌ ÒÚËÎË
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80
PSR-2100/1100