Yamaha RX-V1065 Black: APPENDIX

Troubleshooting

HDMI™

See

Problem Cause Remedy

page

No picture or sound. The number of the connected HDMI

Disconnect some of the HDMI components. —

components is over the limit.

The connected HDMI component does not

Connect an HDMI component that supports HDCP. 71

support high-bandwidth digital copyright

protection (HDCP).

Tuner (FM/AM)

See

Problem Cause Remedy

page

FM stereo reception is

You are too far from the station

Check the antenna connections. 18

noisy.

transmitter or the input from the

Replace the outdoor antenna with a more

—

antenna is weak.

sensitive multi-element antenna.

Switch to monaural mode. 40

There is distortion, and

There is multi-path interference. Adjust the antenna height or orientation, or

—

clear reception cannot

place it in a different location.

FM

be obtained even with a

good FM antenna.

The desired station

You are in an area far from a station or

Replace an outdoor antenna with more

—

cannot be tuned into

an input from the antenna is weak.

sensitive multi element antenna.

with the automatic

Tune in manually or by direct frequency

30

tuning method.

tuning.

The desired station

The signal is weak or the antenna

Adjust the AM loop antenna orientation. 18

cannot be tuned into

connections are loose.

Use the manual tuning method. 30

with the automatic

tuning method.

There are continuous

Supplied AM loop antenna is not

Connect the AM loop antenna correctly even

18

crackling and hissing

connected.

if you use an outdoor antenna.

noises.

The noises may be caused by lightning,

It is difficult to completely eliminate noise,

18

AM

fluorescent lamps, motors, thermostats

but it can be reduced by installing and

and other electrical equipment.

properly grounding an outdoor AM antenna.

There are buzzing and

A TV set is being used nearby. Move this unit away from the TV set. —

whining noises.

AM stations cannot be

Only FM Radio Data System

Register AM stations by manual station

31

preset by automatic

broadcasting stations are stored

preset.

station preset.

automatically by automatic station

preset.

62 En

Troubleshooting

Remote control

INTRODUCTION

See

Problem Cause Remedy

page

The remote control

Wrong distance or angle. The remote control will function within a maximum

9

does not work or

range of 6 m (20 ft) and no more than 30 degrees

function properly.

offaxis from the front panel.

Direct sunlight or lighting (from an

Adjust the lighting angle or reposition this unit. —

inverter type of fluorescent lamp, strobe

light, etc.) is striking the remote control

PREPARATION

sensor of this unit.

The batteries are weak. Replace all batteries. 9

The remote control ID of the remote

Match the remote control ID of this unit and the

57

control and this unit do not match.

remote control.

The remote control code is not correctly

Set the remote control code correctly using “List of

55

set.

remote control codes” at the end of this manual.

OPERATION

Try setting another code of the same manufacturer

55

using “List of remote control codes” at the end of this

BASIC

manual.

If this unit does not work when you press jCursor,

—

do the following.

When the key does not work during DVD disc menu

operation: press the dInput selection keys on

the remote control again.

OPERATION

ADVANCED

When the key does not work during Option menu or

Setup menu operation: press the key applicable for

the current menu operation again.

Even if the remote control code is

correctly set, there are some models that

do not respond to the remote control.

The remote control

The batteries of remote control of this unit

Replace the batteries 9

APPENDIX

does not learn new

(or the external component) are weak.

functions.

The distance between the two remote

Place the remote controls at a proper distance. 56

controls is too long or too short.

The signal coding or modulation of the

Learning is not possible. —

other remote control is not compatible

with this remote control.

Memory capacity is full. Delete unnecessary functions to free some memory

56

space for the new functions.

iPod™

Note

• In case of a transmission error without a status message appearing on the front panel display and GUI screen, check the connection of your iPod

(page 17).

See

Status message Cause Remedy

page

Loading... This unit is in the middle of recognizing

English

the connection with your iPod.

This unit is in the middle of acquiring

song lists from your iPod.

63 En

Troubleshooting

See

Status message Cause Remedy

page

Connect error There is a problem with the signal path

Turn off this unit and reconnect the Yamaha iPod

17

from your iPod to this unit.

universal dock to the DOCK terminal of this unit.

Remove your iPod in the Yamaha iPod universal dock

34

and then place it back in the dock.

Unknown iPod The iPod being used is not supported by

Use an iPod supported by this unit. —

this unit.

iPod Connected Your iPod is properly placed in the

Yamaha iPod universal dock.

Disconnected Your iPod is removed from the Yamaha

34

iPod universal dock.

Unable to play This unit cannot play back the songs

Check that the songs currently stored on your iPod

—

currently stored on your iPod.

are playable.

Bluetooth™

See

Status message Cause Remedy

page

Searching... The Bluetooth wireless audio receiver and

the Bluetooth component are in the

middle of the pairing.

The Bluetooth wireless audio receiver and

the Bluetooth component are in the

middle of establishing the connection.

Completed The pairing is completed.

Canceled The pairing is canceled.

BT Connected The connection between the Yamaha

Bluetooth wireless audio receiver and the

Bluetooth component is established.

Disconnected The Bluetooth component is disconnected

from the Yamaha Bluetooth wireless

audio receiver.

Not Found No Bluetooth components are found

Pairing must be performed on the both this unit and

36

during a pairing process.

your Bluetooth component at the same time. Check

whether your Bluetooth component is set to the

paring mode and then try again.

No Bluetooth components are found

Check whether your Bluetooth component is turned

36

during a Bluetooth connection.

on and then try again.

Locate your Bluetooth component within 10 meters

36

(33 feet) of this unit and then try again.

64 En

Troubleshooting

USB

See

INTRODUCTION

Problem Cause Remedy

page

The music files and

The music files and folders are stored the

Place the music files and folders in the FAT area. —

folder cannot be

locations other than the FAT area.

browsed.

You are attempting to browse directory

Modify the data structure on your USB storage

—

hierarchies of over 8 levels or a directory

device.

with more than 500 files.

This unit cannot recognize some

Edit the file name or folder name using a PC and then

—

PREPARATION

characters used in the file name or folder

try again.

name.

The USB storage

The USB storage device is not compatible

Use a USB storage device that is compatible with

—

device cannot be

with mass storage class (except USB

mass storage class (except USB HDDs).

recognized.

HDDs).

This unit does not recognize the USB

Turn this unit off and then turn on again. 19

storage device properly.

OPERATION

BASIC

See

Status message Cause Remedy

page

USB Connected Your USB storage device is connected. —

Disconnected Your USB storage device has been

Check the connection between this unit and your

—

disconnected from the USB port of this

USB storage device.

unit.

OPERATION

ADVANCED

This unit recognizes the USB storage

Turn this unit off and then turn on again. 19

device as an illegal device.

Access Error This unit cannot access your USB storage

Try another USB storage device. —

device.

There is a problem with the signal path

Turn off this unit and reconnect your USB storage

18, 19

from your USB storage device to this unit.

device to the USB port of this unit.

APPENDIX

Try resetting your USB storage device. —

Unable to play The data is invalid. Try another USB storage device. —

Auto Setup (YPAO)

Notes

• If the an error or warning message appears, resolve the problem and then run “Auto Setup” again.

• Warning message “W-2” or “W-3” indicates that the adjusted settings may not be optimal.

• Depending on the speakers, warning message “W-1” may appears even if the speaker connections are correct.

• If error message “E-10” occurs repeatedly, contact a qualified Yamaha service center.

Before Auto Setup

See

Error message Cause Remedy

page

Connect MIC! Optimizer microphone is not connected. Connect the supplied optimizer microphone to the

20

OPTIMIZER MIC jack on the front panel.

Unplug HP! Headphones are connected. Unplug the headphones. —

English

Memory Guard! The parameters of this unit are protected. Set “Memory Guard” to “Off”. 52

65 En

Troubleshooting

During Auto Setup

See

Error message Cause Remedy

page

E-1:NO FRONT SP Front L/R channel signals are not

Check the front L/R speaker connections. 11

detected.

E-2:NO SUR. SP Only a signal from one of the surround

Check the surround L/R speaker connections. 11

channels are detected.

E-3:NO PRNS SP Only signals from one of the presence L/

Check the presence L/R speaker connections. 11

R channels are detected.

E-4:SBR->SBL Only right surround back channel signal

If you connect only one surround back speaker,

11

is detected.

connect it to the left SUR.BACK (SINGLE) jack.

E-5:NOISY Measurement cannot be performed

Try running “Auto Setup” in a quiet environment. —

accurately due to loud ambient noise.

Turn off noisy electric equipment like air

—

conditioners or move them away from the optimizer

microphone.

E-6:CHECK SUR. Surround back speakers are connected,

When using surround back speakers, you need to

11

though surround L/R speakers are not.

connect surround L/R speakers.

E-7:NO MIC The optimizer microphone was

Do not touch the optimizer microphone during “Auto

20

unplugged during the “Auto Setup”

Setup”.

procedure.

E-8:NO SIGNAL The optimizer microphone does not

Check whether the microphone is properly placed. 20

detect test tones.

Check whether the speakers are properly placed and

10, 11

connected.

The optimizer microphone or OPTIMIZER MIC

—

jack may be defective. Contact the nearest Yamaha

dealer or service center.

E-9:USER CANCEL “Auto Setup” was canceled due to an

Run “Auto Setup” again. 20

inappropriate user operation.

E-10:INTERNAL

An internal error occurred. Run “Auto Setup” again. 20

ERROR

66 En

Troubleshooting

After Auto Setup

See

Error message Cause Remedy

INTRODUCTION

page

W-1:OUT OF PHASE Speaker polarity is not correct. This

Check the polarities (+, –) of the displayed speaker.

12

message may appear depending on the

If they are correct, the speakers work properly even

speakers even when the speakers are

when this message is displayed.

connected correctly.

W-2:OVER 24m (80ft) The distance between the speaker and the

Bring the speaker within 24 m (80 ft.) area around

—

listening position is over 24 m (80 ft).

the listening position.

PREPARATION

W-3:LEVEL ERROR The difference of volume level among

Recheck the speaker positions and make sure all

—

speakers is excessive.

speakers are placed in a similar environment.

Check the polarities (+, –) of the speakers. 12

We recommended that you use speakers with the

—

same or similar specifications.

Adjust the output volume of the subwoofer. —

W-4:CHECK PRNS Presence speakers were not detected

Check the presence speaker connections and perform

11, 48

OPERATION

during measurement with “Extra Speaker

measurement again. If presence speakers are not

BASIC

Assignment” set to “Presence”.

connected, set the “Extra Speaker Assignment” to

other than “Presence”.

OPERATION

ADVANCED

APPENDIX

English

67 En

Glossary

■ Audio and video synchronization (lip sync)

■ Dolby Digital Surround EX

Lip sync, an abbreviation for lip synchronization, is a technical term

Dolby Digital EX creates 6 full-bandwidth output channels from 5.1-

that involves both a problem and a capability of maintaining audio and

channel sources.

video signals synchronized during post-production and transmission.

For the best results, Dolby Digital EX should be used with movie

Whereas the audio and video latency requires complex end-user

sound tracks recorded with Dolby Digital Surround EX. With this

adjustments, HDMI version 1.3 incorporates an automatic audio and

additional channel, you can experience more dynamic and realistic

video syncing capability that allows devices to perform this

moving sound especially with scenes with “fly-over” and “fly-

synchronization automatically and accurately without user interaction.

around” effects.

■ Bi-amplification connection

■ Dolby Digital Plus

A bi-amplification connection uses two amplifiers for a speaker.

Dolby Digital Plus is an advanced audio technology developed for

One amplifier is connected to the woofer section of a loudspeaker

high-definition programming and media including HD broadcasts,

while the other is connected to the combined mid and tweeter section.

and Blu-ray Disc. Selected as an optional audio standard for Blu-ray

With this arrangement each amplifier operates over a restricted

Disc, this technology delivers multichannel sound with discrete

frequency range. This restricted range presents each amplifier with a

channel output. Supporting bitrates up to 6.0 Mbps, Dolby Digital

much simpler job and each amplifier is less likely to influence the

Plus can carry up to 7.1 discreet audio channels simultaneously.

sound in some way.

Supported by HDMI version 1.3 and designed for the optical disc

players and AV receivers/amplifiers of the future, Dolby Digital Plus

■ Component video signal

also remains fully compatible with the existing multichannel audio

With the component video signal system, the video signal is separated

systems that incorporate Dolby Digital.

into the Y signal for the luminance and the PB and PR signals for the

chrominance. Color can be reproduced more faithfully with this

■ Dolby Pro Logic II

system because each of these signals is independent. The component

Dolby Pro Logic II is an improved technique used to decode vast

signal is also called the “color difference signal” because the

numbers of existing Dolby Surround sources. This new technology

luminance signal is subtracted from the color signal. A monitor with

enables a discrete 5-channel playback with 2 front left and right

component input jacks is required in order to output component

channels, 1 center channel, and 2 surround left and right channels

signals.

instead of only 1 surround channel for conventional Pro Logic

technology. There are three modes available: “Music mode” for music

■ Composite video signal

sources, “Movie mode” for movie sources and “Game mode” for

With the composite video signal system, the video signal is composed

game sources.

of three basic elements of a video picture: color, brightness and

synchronization data. A composite video jack on a video component

■ Dolby Pro Logic IIx

transmits these three elements combined.

Dolby Pro Logic IIx is a new technology enabling discrete

multichannel playback from 2-channel or multi-channel sources.

■ Deep Color

There are three modes available: “Music mode” for music sources,

Deep Color refers to the use of various color depths in displays, up

“Movie mode” for movie sources (for 2-channel sources only) and

from the 24-bit depths in previous versions of the HDMI specification.

“Game mode” for game sources.

This extra bit depth allows HDTVs and other displays go from

millions of colors to billions of colors and eliminate on-screen color

■ Dolby Surround

banding for smooth tonal transitions and subtle gradations between

Dolby Surround is widely used with nearly all video tapes and laser

colors. The increased contrast ratio can represent many times more

discs, and in many TV and cable broadcasts as well. Dolby Surround

shades of gray between black and white. Also Deep Color increases

uses a 4-channel analog recording system to reproduce realistic and

the number of available colors within the boundaries defined by the

dynamic sound effects: 2 front left and right channels (stereo), a

RGB or YCbCr color space.

center channel for dialog (monaural), and a surround channel for

special sound effects (monaural). The surround channel reproduces

■ Dolby Digital

sound within a narrow frequency range. The Dolby Pro Logic decoder

Dolby Digital is a digital surround sound system that gives you

built into this unit employs a digital signal processing system that

completely independent multi-channel audio. With 3 front channels

automatically stabilizes the volume on each channel to enhance

(front L/R and center), and 2 surround stereo channels, Dolby Digital

moving sound effects and directionality.

provides 5 full-range audio channels. With an additional channel

especially for bass effects, called LFE (Low Frequency Effect), the

■ Dolby TrueHD

system has a total of 5.1-channels (LFE is counted as 0.1 channel). By

Dolby TrueHD is an advanced lossless audio technology developed

using 2-channel stereo for the surround speakers, more accurate

for high-definition disc-based media including Blu-ray Disc. Selected

moving sound effects and surround sound environment are possible

as an optional audio standard for Blu-ray Disc, this technology

than with Dolby Surround. The wide dynamic range from maximum

delivers sound that is bit-for-bit identical to the studio master, offering

to minimum volume reproduced by the 5 full-range channels and the

a high-definition home theater experience.

precise sound orientation generated using digital sound processing

Supporting bitrates up to 18.0 Mbps, Dolby TrueHD can carry up to 8

provide listeners with unprecedented excitement and realism.

discrete channels of 24-bit/96 kHz audio simultaneously.

With this unit, any sound environment from monaural up to a 5.1-

Dolby TrueHD also remains fully compatible with the existing

channel configuration can be freely selected for your enjoyment.

multichannel audio systems and retains the metadata capability of

Dolby Digital, allowing dialog normalization and dynamic range

control.

68 En

Glossary

■ DSD

■ FLAC

Direct Stream Digital (DSD) technology stores audio signals on

This is a file format for lossless audio data compression. FLAC is

digital storage media, such as Super Audio CDs. Using DSD, signals

inferior to lossy compression formats in compression rate but provides

are stored as single bit values at a high-frequency sampling rate of

higher audio quality.

INTRODUCTION

2.8224 MHz, while noise shaping and oversampling are used to

■ HDMI

reduce distortion, a common occurrence with very high quantization

of audio signals. Due to the high sampling rate, better audio quality

HDMI (High-Definition Multimedia Interface) is the first industry-

can be achieved than that offered by the PCM format used for normal

supported, uncompressed, all-digital audio/video interface. Providing

audio CDs. The frequency is equal to or higher than 100 kHz and the

an interface between any source (such as a set-top box or AV receiver)

dynamic range is 120 dB. This unit can transmit or receive DSD

and an audio/video monitor (such as a digital television), HDMI

signals input from the HDMI jack.

supports standard, enhanced or high-definition video as well as multi-

channel digital audio using a single cable. HDMI transmits all ATSC

■ DTS 96/24

HDTV standards and supports 8-channel digital audio, with

DTS 96/24 offers an unprecedented level of audio quality for multi-

bandwidth to spare to accommodate future enhancements and

PREPARATION

channel sound on DVD video, and is fully backward-compatible with

requirements.

all DTS decoders. “96” refers to a 96 kHz sampling rate compared to

When used in combination with HDCP (High-bandwidth Digital

the typical 48 kHz sampling rate. “24” refers to 24-bit word length.

Content Protection), HDMI provides a secure audio/video interface

DTS 96/24 offers sound quality transparent to the original 96/24

that meets the security requirements of content providers and system

master, and 96/24 5.1-channel sound with full-quality full-motion

operators. For further information on HDMI, visit the HDMI website

video for music programs and motion picture soundtracks on DVD

at “http://www.hdmi.org/”.

video.

■ LFE 0.1 channel

■ DTS Digital Surround

This channel reproduces low-frequency signals. The frequency range

OPERATION

DTS digital surround was developed to replace the analog soundtracks

of this channel is from 20 Hz to 120 Hz. This channel is counted as

BASIC

of movies with a 5.1-channel digital sound track, and is now rapidly

0.1 because it only enforces a low-frequency range compared to the

gaining popularity in movie theaters around the world. DTS, Inc. has

full-range reproduced by the other 5/6 channels in Dolby Digital or

developed a home theater system so that you can enjoy the depth of

DTS 5.1/6.1-channel systems.

sound and natural spatial representation of DTS digital surround in

■ Neo:6

your home. This system produces practically distortion-free 6-channel

sound (technically, front left and right, center, surround left and right,

Neo:6 decodes the conventional 2-channel sources for 6- channel

and LFE 0.1 (subwoofer) channels for a total of 5.1 channels). This

playback by the specific decoder. It enables playback with the full-

unit incorporates a DTS-ES decoder that enables 6.1-channel

range channels with higher separation just like digital discrete signal

OPERATION

ADVANCED

reproduction by adding the surround back channel to the existing 5.1-

playback. There are two modes available: “Music mode” for music

channel format.

sources and “Cinema mode” for movie sources.

■ DTS Express

■ PCM (Linear PCM)

This is an audio format for next-generation optical discs such as Blu-

Linear PCM is a signal format under which an analog audio signal is

ray discs. It uses optimized low bit rate signals for network streaming.

digitized, recorded and transmitted without using any compression.

In the case of a Blu-ray disc, this format is used with secondary audio,

This is used as a method of recording CDs and DVD audio. The PCM

enabling you to enjoy the commentary of the movie producer via the

system uses a technique for sampling the size of the analog signal per

Internet while playing the main program.

very small unit of time. Standing for “Pulse Code Modulation”, the

analog signal is encoded as pulses and then modulated for recording.

APPENDIX

■ DTS-HD High Resolution Audio

■ Sampling frequency and number of

DTS-HD High Resolution Audio is a high resolution audio

technology developed for high-definition disc-based media including

quantized bits

Blu-ray Disc. Selected as an optional audio standard for Blu-ray Disc,

When digitizing an analog audio signal, the number of times the

this technology delivers sound that is virtually indistinguishable from

signal is sampled per second is called the sampling frequency, while

the original, offering a high-definition home theater experience.

the degree of fineness when converting the sound level into a numeric

Supporting bitrates up to 6.0 Mbps for Blu-ray Disc, DTS-HD High

value is called the number of quantized bits. The range of rates that

Resolution Audio can carry up to 7.1 discrete channels of 24-bit/96

can be played back is determined based on the sampling rate, while

kHz audio simultaneously.

the dynamic range representing the sound level difference is

DTS-HD High Resolution Audio also remains fully compatible with

determined by the number of quantized bits. In principle, the higher

the existing multichannel audio systems that incorporate DTS Digital

the sampling frequency, the wider the range of frequencies that can be

Surround.

played back, and the higher the number of quantized bits, the more

finely the sound level can be reproduced.

■ DTS-HD Master Audio

DTS-HD Master Audio is an advanced lossless audio technology

■ “x.v.Color”

developed for high-definition disc-based media including Blu-ray

A color space standard supported by HDMI version 1.3. It is a more

Disc. Selected as an optional audio standard for Blu-ray Disc, this

extensive color space than sRGB, and allows the expression of colors

technology delivers sound that is bit-for-bit identical to the studio

that could not be expressed before. While remaining compatible with

master, offering a high-definition home theater experience.

the color gamut of sRGB standards, “x.v.Color” expands the color

Supporting bitrates up to 24.5 Mbps for Blu-ray Disc, DTS-HD

space and can thus produce more vivid, natural images. It is

Master Audio can carry up to 7.1 discrete channels of 24-bit/96 kHz

particularly effective for still pictures and computer graphics.

English

audio simultaneously. Supported by HDMI version 1.3 and designed

for the optical disc players and AV receivers/amplifiers of the future,

DTS-HD Master Audio also remains fully compatible with the

existing multichannel audio systems that incorporate DTS Digital

Surround.

69 En

Sound field program information

■ Elements of a sound field

■ SILENT CINEMA

What really creates the rich, full tones of a live instrument

Yamaha has developed a natural, realistic sound effect DSP algorithm

for headphones. Parameters for headphones have been set for each

are the multiple reflections from the walls of the room. In

sound field so that accurate representations of all the sound field

addition to making the sound live, these reflections enable

programs can be enjoyed on headphones.

us to tell where the player is situated as well as the size

and shape of the room in which we are sitting. There are

■ Virtual CINEMA DSP

two distinct types of sound reflections that combine to

Yamaha has developed a Virtual CINEMA DSP algorithm that allows

you to enjoy DSP sound field surround effects even without any

make up the sound field in addition to the direct sound

surround speakers by using virtual surround speakers. It is even

coming straight to our ears from the playerfs instrument.

possible to enjoy Virtual CINEMA DSP using a minimal two-speaker

Early reflections

system that does not include a center speaker.

Reflected sounds reach our ears extremely rapidly (50 ms

■ Compressed Music Enhancer

to 100 ms after the direct sound), after reflecting from one

The Compressed Music Enhancer feature of this unit enhances your

surface only (for example, from a wall or the ceiling).

listening experience by regenerating the missing harmonics in a

Early reflections actually add clarity to the direct sound.

compression artifact. As a result, flattened complexity due to the loss

of high-frequency fidelity as well as lack of bass due to the loss of

Reverberations

low-frequency bass is compensated, providing improved performance

These are caused by reflections from more than one

of the overall sound system.

surface (for example, from the walls, and/or the ceiling) so

numerous that they merge together to form a continuous

sonic afterglow. They are nondirectional and lessen the

clarity of the direct sound.

Direct sound, early reflections and subsequent

reverberations taken together help us to determine the

subjective size and shape of the room, and it is this

information that the digital sound field processor

reproduces in order to create sound fields.

If you could create the appropriate early reflections and

subsequent reverberations in your listening room, you

would be able to create your own listening

environment.

The acoustics in your room could be changed to those

of a concert hall, a dance floor, or a room with virtually

any size at all. This ability to create sound fields at will

is exactly what Yamaha has done with the digital sound

field processor.

■ CINEMA DSP

Since the Dolby Surround and DTS systems were originally designed

for use in movie theaters, their effect is best felt in a theater having

many speakers designed for acoustic effects. Since home conditions,

such as room size, wall material, number of speakers, and so on, can

differ so widely, it is inevitable that there are differences in the sound

heard.

Based on a wealth of actually measured data, Yamaha CINEMA DSP

provides the audiovisual experience of a movie theater in the listening

room of your own home by using the Yamaha original sound field

technology combined with various digital audio systems.

■ CINEMA DSP 3D

The actually measured sound field data contain the

information of the height of the sound images. CINEMA

DSP 3D feature achieves the reproduction of the accurate

height of the sound images so that it creates the accurate

and intensive stereoscopic sound fields in a listening

room.

70 En

Information on HDMI™

■ HDMI signal compatibility

Audio signals

INTRODUCTION

Audio signal types Audio signal formats Compatible media

2ch Linear PCM 2ch, 32 to 192 kHz, 16/20/24 bit CD, DVD-Video, DVD-Audio, etc.

Multi-ch Linear PCM 8ch, 32 to 192 kHz, 16/20/24 bit DVD-Audio, Blu-ray Disc, HD DVD, etc.

DSD 2/5.1ch, 2.8224 MHz, 1 bit SA-CD, etc.

Bitstream Dolby Digital, DTS DVD-Video, etc.

PREPARATION

Bitstream (High definition audio) Dolby TrueHD, Dolby Digital Plus, DTS-HD

Blu-ray Disc, HD DVD, etc.

Master Audio, DTS-HD High Resolution Audio,

DTS Express

y

• If the input source component can decode the bitstream audio signals of audio commentaries, you can play back the audio sources with the audio

commentaries mixed down by using the following connections:

– multi-channel analog audio input (page 16)

– digital input (OPTICAL or COAXIAL)

• Refer to the supplied instruction manuals of the input source component, and set the component appropriately.

OPERATION

Notes

BASIC

• When CPPM copy-protected DVD-Audio is played back, video and audio signals may not be output depending on the type of the DVD player.

• This unit is not compatible with HDCP-incompatible HDMI or DVI components.

• To decode audio bitstream signals on this unit, set the input source component appropriately so that the component outputs the bitstream audio signals

directly (does not decode the bitstream signals on the component). Refer to the supplied instruction manuals for details.

• This unit is not compatible with the audio commentary features (for example, the special audio contents downloaded via Internet) of Blu-ray Disc or HD

DVD. This unit does not play back the audio commentaries of the Blu-ray Disc or HD DVD contents.

Video signals

This unit is compatible with the video signals of the following resolutions:

OPERATION

ADVANCED

• 480i/60 Hz

• 576i/50 Hz

• 480p/60 Hz

• 576p/50 Hz

• 720p/60 Hz, 50 Hz

• 1080i/60 Hz, 50 Hz

• 1080p/60 Hz, 50 Hz, 24 Hz

APPENDIX

English

71 En