Yamaha PSR-1000 – страница 9

íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË

: ËÏÂÂÚÒfl ‚ ÔÓ‰‡ÊÂ

ç‡Á‚‡ÌË ÏÓ‰ÂÎË PSR-2000 PSR-1000

àÒÚÓ˜ÌËÍ Á‚Û͇ ÑË̇Ï˘ÂÒÍÓ ÒÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌË „ÓÎÓÒÓ‚ AWM

ÑËÒÔÎÂÈ 320 ✕ É‡Ù˘ÂÒÍËÈ ÊˉÍÓÍËÒÚ‡Î΢ÂÒÍËÈ ‰ËÒÔÎÂÈ Ò ÔÓ‰Ò‚ÂÚÍÓÈ (240 ÚÓ˜ÂÍ)

ä·‚ˇÚÛ‡ 61 Í·‚˯‡ (ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÌÓÚ‡Ï ÓÚ C1 ‰Ó C6 Ò ÙÛÌ͈ËÂÈ Initial Touch)

ÉÓÎÓÒ èÓÎËÙÓÌËfl (χÍÒËχθ̇fl) 64 32

燷Ó „ÓÎÓÒÓ‚ 313 „ÓÎÓÒ‡ + 480 „ÓÎÓÒÓ‚ ‚ ÙÓχÚÂ

233 „ÓÎÓÒ‡ + 480 „ÓÎÓÒÓ‚ ‚ ÙÓχÚÂ

XG + 16 Û‰‡Ì˚ı ÛÒÚ‡ÌÓ‚ÓÍ

XG + 15 Û‰‡Ì˚ı ÛÒÚ‡ÌÓ‚ÓÍ

é·˚˜Ì˚È „ÓÎÓÒ 303 233

ÉÓÎÓÒ «Sweet» 8 3

ÉÓÎÓÒ «Cool» 2 1

ÉÓÎÓÒ «Live» 3 —

ÑÛ„ËÂ 290 229

ÉÛÔÔ‡ „ÓÎÓÒÓ‚

10 (8 ÒÓ˜ÂÚ‡ÌËÈ ÚÛ·) —

«Ó„‡ÌÌ˚ ÙÎÂÈÚ˚»

îÛÌ͈Ëfl Sound creator

ùÙÙÂÍÚ˚

ê‚Â·Â‡ˆËfl 1

ïÓÛÒ 1

ÅÎÓÍË ˝ÙÙÂÍÚÓ‚

ñËÙÓ‚ÓÈ Ò˄̇θÌ˚È

41

ÔÓˆÂÒÒÓ

åËÍÓÙÓÌ 1 —

REVERB (ê‚Â·Â‡ˆËfl) 29 ‚ÒÚÓÂÌÌ˚ı+3 ÔÓθÁÓ‚‡ÚÂθÒÍËı 23 ‚ÒÚÓÂÌÌ˚ı+3 ÔÓθÁÓ‚‡ÚÂθÒÍËı

CHORUS (ïÓÛÒ) 25 ‚ÒÚÓÂÌÌ˚ı+3 ÔÓθÁÓ‚‡ÚÂθÒÍËı 15 ‚ÒÚÓÂÌÌ˚ı+3 ÔÓθÁÓ‚‡ÚÂθÒÍËı

DSP1/DSP 164 ‚ÒÚÓÂÌÌ˚ı+3 ÔÓθÁÓ‚‡ÚÂθÒÍËı 93 ‚ÒÚÓÂÌÌ˚ı+3 ÔÓθÁÓ‚‡ÚÂθÒÍËı

íËÔ˚ ˝ÙÙÂÍÚÓ‚

DSP2, 3, 4 88 ‚ÒÚÓÂÌÌ˚ı +10 ÔÓθÁÓ‚‡ÚÂθÒÍËı —

Master EQ (é·˘‡fl

5 ‚ÒÚÓÂÌÌ˚ı +2 ÔÓθÁÓ‚‡ÚÂθÒÍËı —

̇ÒÚÓÈ͇ ˝Í‚‡Î‡ÈÁÂ‡)

Part EQ (ç‡ÒÚÓÈ͇

27 ˜‡ÒÚÂÈ —

˝Í‚‡Î‡ÈÁÂ‡ ‰Îfl ˜‡ÒÚË)

ɇÏÓÌËÁ‡ˆËfl ‚Ó͇· 49 ‚ÒÚÓÂÌÌ˚ı +10 ÔÓθÁÓ‚‡ÚÂθÒÍËı —

ëÚËθ

äÓ΢ÂÒÚ‚Ó ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ 181 169

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

äÓ΢ÂÒÚ‚Ó ÒÚËÎÂÈ ÒÂÒÒËÈ 4

ÑËÒÍÂÚ‡ 28 ÒÚËÎÂÈ (̇ ÔË·„‡ÂÏÓÈ ‰ËÒÍÂÚÂ)

ÄÔÔÎË͇ÚÛ‡ Single Finger (‰Îfl Ë„˚ Ó‰ÌËÏ Ô‡Î¸ˆÂÏ), Fingered (Ú‡‰ËˆËÓÌ̇fl), Fingered On Bass

(Ú‡‰ËˆËÓÌ̇fl Ò ·‡ÒÓÏ), Multi Finger (‰Îfl Ë„˚ ÌÂÒÍÓθÍËÏË Ô‡Î¸ˆ‡ÏË), AI Fingered

(Ú‡‰ËˆËÓÌ̇fl AI), Full Keyboard (‚Òfl Í·‚ˇÚÛ‡), AI Full Keyboard (‚Òfl Í·‚ˇÚÛ‡

AI)

îÛÌ͈Ëfl Style Creator

OTS (ÛÒÚ‡ÌÓ‚ÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË») ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ˜ÂÚ‚ÂÚÂÈ

îÛÌ͈Ëfl OTS link (ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ̇ÒÚÓÂÍ

«‚ Ó‰ÌÓ Í‡Ò‡ÌË»)

îÛÌ͈Ëfl Music

2500 (χÍÒËÏÛÏ) 1200 (χÍÒËÏÛÏ)

Finder

ꉇÍÚËÓ‚‡ÌËÂ

èÂÒÌfl îÓÏ‡Ú SMF (ÙÓÏ‡Ú 0,1), ESEQ

ÇÒÚÓÂÌÌ˚Â ÔÂÒÌË

íÂÍÒÚ˚ ÔÂÒÂÌ

è‡ÚËÚÛ‡ —

á‡ÔËÒ¸ êÂÊËÏ ·˚ÒÚÓÈ Á‡ÔËÒË, ÂÊËÏ Á‡ÔËÒË ÌÂÒÍÓθÍËı „ÓÎÓÒÓ‚, ÂÊËÏ ÔÓ¯‡„Ó‚ÓÈ

Á‡ÔËÒË, ‰‡ÍÚËÓ‚‡ÌË ÔÂÒÌË

ä‡Ì‡Î˚ Á‡ÔËÒË 16

åÛθÚËÔ˝‰ ÇÒÚÓÂÌÌ˚È 4 ÏÛθÚËÔ˝‰‡ ✕ 54 ·‡Ì͇

162

PSR-2000/1000

íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË

ç‡Á‚‡ÌË ÏÓ‰ÂÎË PSR-2000 PSR-1000

è‡ÏflÚ¸

ÑËÒÍÂÚ‡ (2HD,2DD)

ìÒÚÓÈÒÚ‚Ó

îν¯-Ô‡ÏflÚ¸ (‚ÌÛÚÂÌÌflfl) 580 ä·‡ÈÚ 260 ä·‡ÈÚ

íËÔ˚ Ù‡ÈÎÓ‚, ÔÓ‰‰ÂÊË‚‡ÂÏ˚ Ùν¯-Ô‡ÏflÚ¸˛ î‡ÈÎ˚ ÔÂÒÂÌ (ÙÓÏ‡Ú SMF), ÒÚËÎÂÈ (ÙÓÏ‡Ú SFF), „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË,

„ÓÎÓÒÓ‚ Ë Ú. Ô.

íÂÏÔ ÑˇԇÁÓÌ ÚÂÏÔ‡ 5 - 500

ëÓ·ÒÚ‚ÂÌÌ˚È ËÚÏ

åÂÚÓÌÓÏ

á‚ÛÍ á‚ÓÌÓÍ ‚ÍÎ./‚˚ÍÎ.

ê„ËÒÚ‡ˆËÓÌ̇fl

äÌÓÔÍË 8

Ô‡ÏflÚ¸

èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ Á‡„ÛÁÍË Ì‡·ÓÓ‚

Ô‡‡ÏÂÚÓ‚ ËÁ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË

îÛÌ͈Ëfl Freeze («Á‡ÏÓÓÁ͇»)

ÑÛ„Ë ÑÂÏÓÌÒÚ‡ˆËfl îÛÌ͈Ëfl, „ÓÎÓÒ, ÒÚËθ

üÁ˚Í 6 flÁ˚ÍÓ‚ (‡Ì„ÎËÈÒÍËÈ, flÔÓÌÒÍËÈ, ÌÂψÍËÈ, Ù‡ÌˆÛÁÒÍËÈ, ËÒÔ‡ÌÒÍËÈ, ËڇθflÌÒÍËÈ)

èÓ‰Ò͇ÁÍË

èflÏÓÈ ‰ÓÒÚÛÔ

é·˘‡fl ̇ÒÚÓÈ͇ „ÓÏÍÓÒÚË

èÓÒÚÂÔÂÌÌÓ ÛÒËÎÂÌËÂ/Á‡ÚÛı‡ÌË Á‚Û͇

í‡ÌÒÔÓÁˈËfl ä·‚ˇÚÛ‡/ÔÂÒÌfl/Ó·˘‡fl

ç‡ÒÚÓÈ͇ ‚˚ÒÓÚ˚

ëÚÓÈ ê‡‚ÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚‡ÌÌ˚È ÒÚÓÈ, ˜ËÒÚ˚È Ï‡ÊÓ/˜ËÒÚ˚È ÏËÌÓ,

ÔËÙ‡„ÓÂÈÒÍËÈ ÒÚÓÈ, ÒÚÓÈ MEAN-TONE, ÒÚÓÈ ÇÂÍχÈÒÚÂ‡/äËÌ·Â„Â‡,

‡‡·ÒÍËÈ ÒÚÓÈ 1/2

óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl 5 ÛÓ‚ÌÂÈ

ÉÌÂÁ‰‡/‡Á˙ÂÏ˚ DC IN (‰Îfl ÔÓ‰Íβ˜ÂÌËfl ËÒÚÓ˜ÌË͇ ÔÓÒÚÓflÌÌÓ„Ó ÚÓ͇ ̇ÔflÊÂÌËÂÏ 16 Ç), PHONES

(‰Îfl ÔÓ‰Íβ˜ÂÌËfl ̇ۯÌËÍÓ‚), MIDI (OUT, IN), TO HOST (‰Îfl ÔÓ‰Íβ˜ÂÌËfl

‚̯ÌËı ÛÒÚÓÈÒÚ‚),

HOST SELECT SW (ÔÂÂÍβ˜‡ÚÂθ ‰Îfl ‚˚·Ó‡ ‚̯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡), FOOT

PEDAL1 (Ô‰‡Î¸-ÔÂÂÍβ˜‡ÚÂθ 1) (SWITCH), FOOT PEDAL2 (Ô‰‡Î¸ 2),

AUX OUT (‰ÓÔÓÎÌËÚÂθÌ˚È ÒÚÂÂÓ‚˚ıÓ‰) (LEVEL FIXED) (L/R), OUTPUT (L/L+R)

(ÒÚÂÂÓ‚˚ıÓ‰)

MIC (ÏËÍÓÙÓÌÌ˚È ‚ıÓ‰), INPUT

VOLUME („ÛÎflÚÓ „ÓÏÍÓÒÚË ‚ıÓ‰ÌÓ„Ó

—

Ò˄̇·), MIC./ LINE (ÏËÍÓÙÓÌÌ˚È ‚ıÓ‰/

ÎËÌÂÈÌ˚È ‚ıÓ‰)

îÛÌ͈ËË Ô‰‡ÎË VOLUME („ÓÏÍÓÒÚ¸), SUSTAIN (ÒÛÒÚÂÈÌ), SOSTENUTO (ÒÓÒÚÂÌÛÚÓ), SOFT, GLIDE

(ÒÍÓθÊÂÌË ‚˚ÒÓÚ˚ Á‚Û͇), PORTAMENTO (ÔÓÚ‡ÏÂÌÚÓ), PITCHBEND (ËÁÏÂÌÂÌËÂ

‚˚ÒÓÚ˚ Á‚Û͇), MODULATION (ÏÓ‰ÛÎflˆËfl), DSP VARIATION (‚‡ˇˆËË,

Á‡‰‡‚‡ÂÏ˚ ˆËÙÓ‚˚Ï Ò˄̇θÌ˚Ï ÔÓˆÂÒÒÓÓÏ), SONG START/STOP

(‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ÂÊËχ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË), STYLE START/STOP

(‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ÂÊËχ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl) Ë Ú. Ô.

ìÒËÎËÚÂÎË/‰Ë̇ÏËÍË ìÒËÎËÚÂÎË 12 ÇÚ ✕ 2

ÑË̇ÏËÍË [12 ÒÏ + 4 ÒÏ (ÍÛÔÓÎÓÓ·‡ÁÌ˚Â)] ✕ 2 (12 ÒÏ + 5 ÒÏ) ✕ 2

èÓÚ·ÎflÂχfl ÏÓ˘ÌÓÒÚ¸ 31 ÇÚ

àÒÚÓ˜ÌËÍ ÔËÚ‡ÌËfl ĉ‡ÔÚÂ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇ Yamaha PA-300 (‚ıÓ‰ËÚ ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË)

*åÓÊÂÚ Ì ‚ıÓ‰ËÚ¸ ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË ‚ ‚‡¯ÂÏ „ËÓÌÂ. ë‚flÊËÚÂÒ¸ Ò

„ËÓ̇θÌ˚Ï ‰ËÎÂÓÏ ÍÓÔÓ‡ˆËË Yamaha.

ê‡ÁÏÂ˚ [òËË̇ ✕ ÑÎË̇ ✕ Ç˚ÒÓÚ‡]

973 ✕ 399 ✕ 161 ÏÏ

(·ÂÁ Ô˛ÔËÚ‡)

[38-5/16" ✕ 15-11/16" ✕ 6-5/16"]

ÇÂÒ 10,5 Í„ (23 ÙÛÌÚ‡, 2 Û̈ËË) 10,0 Í„ (22 ÙÛÌÚ‡., 1 Û̈Ëfl)

ÄÍÒÂÒÒÛ‡˚,

ç‡Û¯ÌËÍË HPE-150

ÔË·„‡˛˘ËÂÒfl ÔÓ

çÓÊÌÓÈ ÔÂÂÍβ˜‡ÚÂθ FC4 / FC5

Ê·Ì˲

ÔÓÍÛÔ‡ÚÂÎfl

çÓÊÌÓÈ ÍÓÌÚÓÎÎÂ FC7

èÓ‰ÒÚ‡‚͇ ‰Îfl Í·‚ˇÚÛ˚ L-6, L-7

* íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË Ë Ëı ÓÔËÒ‡ÌËfl ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl Ô‰̇Á̇˜ÂÌ˚ ÚÓθÍÓ ‰Îfl Ó·˘Â„Ó Ò‚Â‰ÂÌËfl. äÓÔÓ‡ˆËfl

Yamaha ÒÓı‡ÌflÂÚ Á‡ ÒÓ·ÓÈ Ô‡‚Ó ËÁÏÂÌflÚ¸ Ë ÏÓ‰ËÙˈËÓ‚‡Ú¸ ÔÓ‰ÛÍÚ˚ Ë Ëı ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË ·ÂÁ Ô‰‚‡ËÚÂθÌÓ„Ó

ۂ‰ÓÏÎÂÌËfl. èÓÒÍÓθÍÛ ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË, ‚ıÓ‰fl˘Â ‚ ÍÓÏÔÎÂÍÚ Ó·ÓÛ‰Ó‚‡ÌËÂ Ë Â„Ó Ô‡‡ÏÂÚ˚ ÏÓ„ÛÚ ËÏÂÚ¸ ÌÂÍÓÚÓ˚ ÓÚ΢Ëfl ‚

Á‡‚ËÒËÏÓÒÚË ÓÚ ÒÚ‡Ì˚, Ò‚flÊËÚÂÒ¸ Ò ÏÂÒÚÌ˚Ï ÚÓ„Ó‚˚Ï Ô‰ÒÚ‡‚ËÚÂθÒÚ‚ÓÏ ÍÓÔÓ‡ˆËË Yamaha ‰Îfl ÔÓÎÛ˜ÂÌËfl ‰ÓÔÓÎÌËÚÂθÌ˚ı ҂‰ÂÌËÈ.

PSR-2000/1000

163

èe‰ÏeÚÌ˚È Û͇Á‡Úeθ

[1▲▼] - [8▲▼] ÍÌÓÔÍË ................................................ 19, 38–45

„ÓÎÓÒ ‰Îfl ΂ÓÈ ÛÍË ...............................................................57

3BAND EQ (ÚÂıÔÓÎÓÒÌ˚È ˝Í‚‡Î‡ÈÁÂ) .................................... 130

„ÓÎÓÒÓ‚˚Â ˝ÙÙÂÍÚ˚ ................................................................57

„Û‚.....................................................................................113

‡

„ÛÔÔ‡ „ÓÎÓÒÓ‚ «Ó„‡ÌÌ˚ ÙÎÂÈÚ˚» ..........................................15

Ɉ........................................................................................135

‡‚ÚÓχÚ˘ÂÒ͇fl ÒÏÂ̇ ̇ÒÚÓÂÍ ÔË ÔÂÂıӉ ÓÚ Ó‰ÌÓÈ

ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ ....................................................... 68

‰

‡‚ÚÓχÚ˘ÂÒÍÓ ‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË Á‡ÔËÒË ....................... 101

‡‚ÚÓχÚ˘ÂÒÍÓ ÔÓË„˚‚‡ÌË ‚ÒÚ‡‚ÓÍ ÔË ÔÂÂıÓ‰Â

‰Ë̇ÏË͇..............................................................................114

ÓÚ Ó‰ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ........................................................ 66

‰ËÒÍÓ‚Ó‰ ..................................................................................7

‡ÍÍÓ‰Ó‚‡fl ‡ÔÔÎË͇ÚÛ‡ .......................................................... 62

‰ËÒÍÓ‚Ó‰ (‰Îfl 3,5 ‰˛ÈÏÓ‚˚ı ‰ËÒÍÂÚ)..........................................19

‡ÍÍÓ‰Ó‚˚ ÒÓ·˚ÚËfl ............................................................. 106

‰Ó·‡‚ËÚ¸ ................................................................................71

‡‡·ÒÍËÈ ÒÚÓÈ ..................................................................... 136

‰Ó·‡‚ÎÂÌË „‡ÏÓÌËÍ...............................................................89

‡‡ÌÊËӂ͇ Ë ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ .......................................... 64

‰ÓÔÓÎÌËÚÂθÌ˚ ÔË̇‰ÎÂÊÌÓÒÚË ...............................................6

‡Ú‡Í‡..................................................................................... 89

Á

·

Á‡„ÛÁ͇ Á‡„ËÒÚËÓ‚‡ÌÌ˚ı Ô‡‡ÏÂÚÓ‚..................................86

·˚ÒÚ˚È ‚˚·Ó ˝Í‡Ì‡ ............................................................ 47

Á‡„ÛÁ͇ ̇·Ó‡ Ô‡‡ÏÂÚÓ‚.....................................................86

·ÎÓÍ ˝ÙÙÂÍÚÓ‚..................................................................... 125

Á‡ÏÂ̇ ËÒıÓ‰Ì˚ı Á̇˜ÂÌËÈ Ô‡‡ÏÂÚÓ‚ ÔÂÒÌË ÚÂÍÛ˘ËÏË ............104

·ÎÓÍËӂ͇ Ô‡‡ÏÂÚ‡........................................................... 149

Á‡ÏÂÌËÚ¸................................................................................71

Á‡ÏÓÓÁ͇ ..............................................................................86

‚

Á‡ÔËÒ¸..............................................................................37, 69

Á‡ÔËÒ¸ ‚ ‡θÌÓÏ ‚ÂÏÂÌË ....................................................110

‚‚Ó‰ ‡ÍÍÓ‰Ó‚ Ë ˜‡ÒÚÂÈ (ÔÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸ ‡ÍÍÓ‰Ó‚).................. 99

Á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ........................................92

‚‚Ó‰ Ë ‰‡ÍÚËÓ‚‡ÌË ÚÂÍÒÚ‡ ÔÂÒÂÌ ....................................... 107

Á‡ÔËÒ¸ Á‡ÏÂÌ˚ ‡ÍÍÓ‰Ó‚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ............................99

‚‚Ó‰ ÔÓ˜Ëı ÒËÏ‚ÓÎÓ‚ ............................................................. 45

Á‡ÔËÒ¸ ÏÂÎÓ‰ËÈ.......................................................................98

‚‚Ó‰ ÒËÏ‚ÓÎÓ‚........................................................................ 45

Á‡ÔËÒ¸ ÓÚ‰ÂθÌ˚ı ÌÓÚ ..............................................................96

‚‚Ó‰ ÒÔˆÒËÏ‚ÓÎÓ‚ (ÛÏÎflÛÚ, ÒËÏ‚ÓÎ Û‰‡ÂÌËfl,

Á‡ÔËÒ¸ ÔÂÒÂÌ...........................................................................92

flÔÓÌÒÍËÂ ÒËÏ‚ÓÎ˚

«» Ë «») ........................................... 45

Á‡ÔËÒ¸ ÔÓ ÔÂ‚ÓÈ Ò˚„‡ÌÌÓÈ ÌÓÚ ............................................101

‚‚Ó‰ ˆËÙ.............................................................................. 45

Á‚ÛÍ ‰Îfl ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÚχ ..................................................149

‚Ë·‡ÚÓ ................................................................................. 90

Á̇˜ÂÌËfl ‚˚ÒÓÚ ‰Îfl Í‡Ê‰Ó„Ó ÒÚÓfl..........................................136

‚Íβ˜ÂÌË ÔËÚ‡ÌËfl ........................................................... 16, 17

‚ÓÒÔÓËÁ‚‰ÂÌË ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ .......................................... 76

Ë

‚ÓÒÔÓËÁ‚‰ÂÌË „ÓÎÓÒÓ‚ ........................................................ 25

‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ ........................................................... 21

Ë„‡ Ó‰ÌÓ‚ÂÏÂÌÌÓ ‰‚ÛÏfl „ÓÎÓÒ‡ÏË...........................................26

‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ Ò ‰ËÒÍÂÚ˚............................................. 78

Ë„‡ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÌÂÒÍÓθÍËı ÚÂÏ·Ó‚................................56

‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ............................................... 21, 75, 76

ËÁÏÂÌÂÌË ‡‚ÚÓχÚ˘ÂÒÍË ‚˚·‡ÌÌ˚ı Ô‡‡ÏÂÚÓ‚ „ÓÎÓÒ‡ ..........143

‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ.......................................................... 28

ËÁÏÂÌÂÌË Á̇˜ÂÌËÈ ................................................................46

‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl ..................................................... 28, 59

ËÁÏÂÌÂÌË Á̇˜Í‡....................................................................46

‚ÓÒÔÓËÁ‚‰ÂÌË ÚÓθÍÓ ËÚÏ˘ÂÒÍËı ‰ÓÓÊÂÍ ÒÚËÎfl.................. 61

ËÁÏÂÌÂÌË ԇ‡ÏÂÚÓ‚, Ò‚flÁ‡ÌÌ˚ı Ò ‚˚ÒÓÚÓÈ Á‚Û͇...................123

‚ÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰Ì˚ı Ô‡‡ÏÂÚÓ‚ PSR-2000/1000............... 151

ËÁÏÂÌÂÌË ËÚχ...................................................................113

‚ÂÏfl Á‚Û˜‡ÌËfl ...................................................................... 97

ËÁÏÂÌÂÌË ÒÍÓÓÒÚË Ì‡Ê‡ÚËfl..................................................115

‚ÒÚ‡‚͇.................................................................................. 66

ËÁÏÂÌÂÌËÂ ÚÂÏ·‡ „ÓÎÓÒ‡.......................................................123

‚˚·Ó ‡ÔÔÎË͇ÚÛ˚............................................................... 139

ËÁÏÂÌÂÌË ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í Ì‡Ê‡Ú˲, ̇ÒÚÓÈ͇ Ô‡‡ÏÂ

‚˚·Ó „ÓÎÓÒ‡.......................................................................... 54

ÚÓ‚ ÏÓ‰ÛÎflˆËË Ë Ú‡ÌÒÔÓÁˈËË...........................................141

‚˚·Ó ËÏÂÌ ‰Îfl Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ ............................................... 41

Ë̉Ë͇ÚÓ˚ ÚÂÏÔ‡ — „·‚Ì˚È ˝Í‡Ì ..........................................51

‚˚·Ó Ó·˙ÂÍÚÓ‚ ...................................................................... 46

ËÒÔÓθÁÓ‚‡ÌË ‚ÒÚÓÂÌÌ˚ı „ÓÎÓÒÓ‚ .........................................145

‚˚·Ó Ô‡‡ÏÂÚÓ‚ «Á‡ÏÓÓÁÍË»................................................ 86

ËÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ..............................................7

‚˚·Ó Ô‡‡ÏÂÚÓ‚ Á‡ÔËÒË: ̇˜‡ÎÓ, ÍÓ̈, ‡‚ÚÓχÚ˘ÂÒÍÓÂ

ËÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇ .....................................................128

‚Íβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË Á‡ÔËÒË......................................... 101

ËÒÔÓθÁÓ‚‡ÌË ÔÓÚ‡ USB ‰Îfl ÔÓ‰Íβ˜ÂÌËfl ˜ÂÂÁ ÛÒÚÓÈÒÚ‚Ó

‚˚·Ó ÚÂÏÔÂ‡ˆËË ................................................................ 135

Ò ËÌÚÂÙÂÈÒÓÏ USB/MIDI (ÏÓ‰Âθ UX256 Ë Ú. ‰.).....................155

‚˚·Ó ÚËÔÓ‚ ËÌÚÓ‰Û͈ËÈ Ë ÙË̇ÎÓ‚......................................... 66

ËÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Music Finder .........................................33

‚˚·Ó Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ............................................................. 40

ËÒÚÓ˜ÌËÍ ÔËÚ‡ÌËfl ....................................................................16

‚˚ÁÓ‚ ̇˷ÓΠۉ‡˜ÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ................................ 69

ËÒıÓ‰Ì˚È ÓÒÌÓ‚ÌÓÈ ÚÓÌ/‡ÍÍÓ‰................................................116

‚˚Íβ˜‡ÚÂθ [STANDBY/ON] ........................................ 14, 18, 17

‚˚Íβ˜ÂÌË ͇̇ÎÓ‚............................................................... 61

Í

‚˚‡‚ÌË‚‡ÌË .............................................................. 102, 115

͇̇Î...............................................................61, 78, 115, 137

‚˚ıÓ‰ ËÁ ‚ÂÏÂÌÌÓ„Ó ‡·Ó˜Â„Ó ÓÍ̇.......................................... 40

͇̇Î˚ MIDI..........................................................................157

͇̇θÌ˚ MIDI-ÒÓÓ·˘ÂÌËfl.....................................................157

„

ÍÌÓÔ͇ SONG [START / STOP] .............................................18, 76

„‡Ïχ.................................................................................. 136

ÍÌÓÔ͇ STYLE [START / STOP].............................................18, 60

„‡ÏÓÌËÁ‡ˆËfl ....................................................................... 143

ÍÌÓÔ͇ VOICE PART ON / OFF [LAYER] .................................19, 56

„‡ÏÓÌËÁ‡ˆËfl ‚Ó͇· .............................................................. 15

ÍÌÓÔ͇ VOICE PART ON / OFF [LEFT] ...................................19, 56

„ÎÛ·Ë̇ ‚Ë·‡ÚÓ ..................................................................... 90

ÍÌÓÔ͇ VOICE PART ON / OFF [MAIN] ...................................19, 56

164

PSR-2000/1000

èe‰ÏeÚÌ˚È Û͇Á‡Úeθ

ÍÌÓÔÍË MIC. (ÚÓθÍÓ ‰Îfl ÏÓ‰ÂÎË PSR-2000) .............................. 128

ÔÓËÒÍ ÒÂ‰Ë Á‡ÔËÒÂÈ Music Finder ..............................................34

ÍÌÓÔÍË MIC. (ÚÓθÍÓ Û PSR-2000) ............................................... 19

ÔÓ͇Á‡ÌËfl ÍÌÓÔÓÍ ‚˚·Ó‡ ˜‡ÒÚÂÈ

ÍÌÓÔÍË MULTI PAD [1] - [4] .................................................. 18, 73

— [BREAK], [INTRO], [MAIN], [ENDING] ....................................64

ÍÌÓÔÍË ONE TOUCH SETTING [1] - [4]............................. 19, 67, 68

èÓÚ DC IN ...........................................................................153

ÍÌÓÔÍË REGISTRATION MEMORY [1] - [8].............................. 19, 84

ÔÓÚ [TO HOST] .....................................................................154

ÍÌÓÔÍË STYLE................................................................... 18, 59

ÔÓÚ DC IN..............................................................................19

ÍÌÓÔÍË TEMPO [

E] [E]........................................................ 18

ÔÓÚ˚ MIDI [OUT] [IN] .......................................................19, 153

ÍÌÓÔÍË TRANSPOSE [

E] [E] ........................................ 18, 141

ÔÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸............................................................96, 111

ÍÌÓÔÍË VOICE ................................................................... 15, 19

ÔÂÓ·‡ÁÓ‚‡ÌË ËÏÂÌ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÒËÏ‚ÓÎÓ‚ «Í‡Ì‰ÁË»

ÍÌÓÔÍË VOICE („ÛÔÔ˚ „ÓÎÓÒÓ‚)................................................. 54

(flÔÓÌÒÍËÈ flÁ˚Í) ...................................................................45

ÍÓ̈‚Ó Á‡ÚÛı‡ÌËÂ................................................................. 89

ÔË„ÎÛ¯ÂÌË ÓÚ‰ÂθÌ˚ı ˜‡ÒÚÂÈ.................................................79

ÍÓÔËÓ‚‡ÌËÂ Ë ÙÓχÚËÓ‚‡ÌË ‰ËÒÍÂÚ ................................... 150

ÔËÂÏ MIDI-ÒÓÓ·˘ÂÌËÈ ...........................................................147

ÍÓÔËÓ‚‡ÌËÂ Ò ‰ËÒÍÂÚ˚ ̇ ‰ËÒÍÂÚÛ .......................................... 150

ÔËÏÂ ËÌÙÓχˆËË, Ò˜ËÚ˚‚‡ÂÏÓÈ Ò Í·‚ˇÚÛ˚ ......................157

ÍÓÔËÓ‚‡ÌË ڇÍÚÓ‚ .............................................................. 115

ÔËÏÂÌÂÌËÂ ˝ÙÙÂÍÚÓ‚.............................................................57

ÍÓÔËÓ‚‡ÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ.................................................... 43

ÔËÏÂÌÂÌËfl „‡ÏÓÌËÁ‡ˆËË......................................................144

ÔËϘ‡ÌË ‰Îfl ÔÓθÁÓ‚‡ÚÂÎÂÈ Windows (‰‡È‚Â MIDI) ............154

Ï

ÔÓ‰ÓÎÊËÚÂθÌÓÒÚ¸ ÒÚ‡‰ËË Ì‡‡˘Ë‚‡ÌËfl „ÓÏÍÓÒÚË,

ÔÓ‰ÓÎÊËÚÂθÌÓÒÚ¸ ÒÚ‡‰ËË ÒÌËÊÂÌËfl „ÓÏÍÓÒÚË,

ÏÂÚÓÌÓÏ............................................................................. 148

ÔÓ‰ÓÎÊËÚÂθÌÓÒÚ¸ ÒÚ‡‰ËË ÌÛ΂ÓÈ „ÓÏÍÓÒÚË......................148

ÏÓ‰ÛÎflˆËfl ........................................................................... 141

ÔÓË„˚‚‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ...............................20, 52

ÏÛθÚËÔ˝‰˚............................................................................ 14

ÔÓÒÎۯ˂‡ÌË PSR-2000/1000 ˜ÂÂÁ ÍÓÎÓÌÍË ‡Û‰ËÓÒËÒÚÂÏ˚

Ë Á‡ÔËÒ¸ ̇ ‚̯Ì ÛÒÚÓÈÒÚ‚Ó ..........................................153

Ó

ÔӘˠÓÔÂ‡ˆËË, Ò‚flÁ‡ÌÌ˚Â Ò ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ .......................78

Ó·Ó„‡ÚËÚÂ Ë ÛÍ‡Ò¸ÚÂ Ò‚Ó˛ ÏÛÁ˚ÍÛ Ò ÔÓÏÓ˘¸˛ ‡‚ÚÓχÚ˘ÂÒÍËı

Ô˛ÔËÚ...................................................................................17

˝ÙÙÂÍÚÓ‚ Harmony („‡ÏÓÌËÁ‡ˆËfl) Ë Echo (˝ıÓ) ...................... 29

ÔӘˠԇ‡ÏÂÚ˚.................................................................148

Ó·˘‡fl ̇ÒÚÓÈ͇ ÒËÒÚÂÏ˚

ÔӘˠԇ‡ÏÂÚ˚ ̇ ÒÚ‡Ìˈ «Basic»....................................111

(Ô‡‡ÏÂÚ˚ Local Control, Clock Ë .Ú. ‰.)................................. 145

Ó·˙‰ËÌÂÌË ͇̇ÎÓ‚ ............................................................ 103



Ó·˙ÂÍÚ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ...................................................... 141

‡‚ÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚‡ÌÌ˚È ÒÚÓÈ .......................................136

Ó‰ÌÓ‚ÂÏÂÌÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Ë ÒÚËÎfl

‡ÁÌ˚ „ÓÎÓÒ‡ ‰Îfl Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍ .......................................27

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ........................................................... 77

‡Á¯ÂÌË ‚˚‡‚ÌË‚‡ÌËfl.....................................................102

ÓÔÂ‡ˆËË Ò Ù‡È·ÏË Ë Ô‡Ô͇ÏË ................................................ 41

‡Á˙ÂÏ FOOT PEDAL 1/2 ........................................................153

Ó„‡ÌËÁ‡ˆËfl Ù‡ÈÎÓ‚ ÔÛÚÂÏ ÒÓÁ‰‡ÌËfl ÌÓ‚ÓÈ Ô‡ÔÍË....................... 44

‡Á˙ÂÏ˚ AUX OUT (LEVEL FIXED) [L / L+R] [R] ....................19, 153

ÓÒÌÓ‚Ì˚ ÓÔÂ‡ˆËË — Ó„‡ÌËÁ‡ˆËfl ‰‡ÌÌ˚ı................................ 38

‡Á˙ÂÏ˚ OUTPUT [L / L+R] [R]...................................................19

ÓÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ÔË ÒÌflÚËË ÛÍ Ò Í·‚ˇÚÛ˚ ... 65

‡Á˙ÂÏ˚ OUTPUT [L / L+R] [R].................................................153

ÓÚÏÂÚ͇ «END»..................................................................... 100

‚Â·Â‡ˆËfl .......................................................................126

ÓÚÓ·‡ÊÂÌË ÌÓÚ .................................................................... 80

„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ ..........................................................84

ÓÚÓ·‡ÊÂÌË ÚÂÍÒÚ‡ ÔÂÒÌË....................................................... 83

„ËÒÚ‡ˆËfl ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚..............................................84

Ó˜ËÒÚ͇ Ú‡ÍÚÓ‚ ..................................................................... 115

„ÛÎËӂ͇ „ÓÏÍÓÒÚË ......................................................17, 61

„ÛÎËӂ͇ „ÓÏÍÓÒÚË Ë Á‡ÏÂ̇ „ÓÎÓÒÓ‚ .................................121

Ô

„ÛÎËӂ͇ ̇ÒÚÓÂÍ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· Ë ˝ÙÙÂÍÚÓ‚ ‰Îfl

Ô‡‡ÏÂÚ ............................................................................. 116

Ó·‡·ÓÚÍË ÏËÍÓÙÓÌÌÓ„Ó Ò˄̇· ........................................130

Ô‡‡ÏÂÚ˚ „Û‚‡................................................................... 113

„ÛÎËӂ͇ ÚÂÏÔ‡ ..................................................................50

Ô‡‡ÏÂÚ˚ Ó·˚˜ÌÓ„Ó „ÓÎÓÒ‡..................................................... 88

‰‡ÍÚËÓ‚‡ÌË ‡ÍÍÓ‰Ó‚˚ı ÒÓ·˚ÚËÈ ......................................106

ÔÂ‚˘ÌÓ Á‡ÚÛı‡ÌËÂ............................................................... 89

‰‡ÍÚËÓ‚‡ÌË „ÓÎÓÒÓ‚ ..........................................................87

ÔÂ‰‡˜‡ MIDI-ÒÓÓ·˘ÂÌËÈ...................................................... 146

‰‡ÍÚËÓ‚‡ÌË Á‡ÔËÒÂÈ ..........................................................71

ÔÂ‰‡˜‡ Ò˄̇ÎÓ‚ ÒËÌıÓÌËÁ‡ˆËË .......................................... 146

‰‡ÍÚËÓ‚‡ÌË Á‡ÔËÒÂÈ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Music Finder ...........71

ÔÂÂÏ¢ÂÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ .................................................. 42

‰‡ÍÚËÓ‚‡ÌË Á‡ÔËÒË..........................................................102

ÔÂÂÍβ˜‡ÚÂθ ÚËÔ‡ ÒÓÓ·˘ÂÌËÈ ............................................. 146

‰‡ÍÚËÓ‚‡ÌË ÌÓÚÌ˚ı ÒÓ·˚ÚËÈ — 1 - 16.................................105

ÔÂÂıÓ‰ ̇ ÒÚ‡Ìˈ˚ ‚ÂıÌËı ÛÓ‚ÌÂÈ....................................... 44

‰‡ÍÚËÓ‚‡ÌË ԇ‡ÏÂÚÓ‚ ͇̇· ........................................115

ÔÂÍÛÒÒËÓÌ̇fl Í·‚ˇÚÛ‡ ....................................................... 55

‰‡ÍÚËÓ‚‡ÌË ԇ‡ÏÂÚÓ‚, ÓÚÌÓÒfl˘ËıÒfl Í Í‡Ì‡Î‡Ï ................102

ÔÂÒÌfl............................................................................... 14, 75

‰‡ÍÚËÓ‚‡ÌË ÒËÒÚÂÏÌ˚ı ÒÓ·˚ÚËÈ........................................106

ÔËÙ‡„ÓÂÈÒÍËÈ ÒÚÓÈ ............................................................ 136

‰‡ÍÚËÓ‚‡ÌË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ...................................113

ÔÓ‚ÚÓ ÓÔ‰ÂÎÂÌÌÓ„Ó Ù‡„ÏÂÌÚ‡ ÔÂÒÌË.................................... 79

ÂÁÓ̇ÌÒ ................................................................................89

ÔÓ‰‰ÂÊË‚‡ÂÏ˚ ÚËÔ˚ ÔÂÒÂÌ ................................................... 75

ÂÊËÏ ·˚ÒÚÓÈ Á‡ÔËÒË.............................................................93

ÔÓ‰Íβ˜ÂÌË ‚̯ÌËı MIDI-ÛÒÚÓÈÒÚ‚ ..................................... 153

ÂÊËÏ Á‡ÔËÒË ÌÂÒÍÓθÍËı „ÓÎÓÒÓ‚.............................................94

ÔÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ÒËÌÚÂÁ‡ÚÓÛ........................ 152

ÂÊËÏ Ì‡ÎÓÊÂÌËfl Á‡ÔËÒË.......................................................108

ÔÓ‰Íβ˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ.................................................... 154

ÔÓ‰Íβ˜ÂÌË ÏËÍÓÙÓ̇ ËÎË „ËÚ‡˚

Ò

(ÚÓθÍÓ ‰Îfl ÏÓ‰ÂÎË PSR-2000) ............................................ 152

Ò·Ó͇ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.................................................112

ÔÓ‰Ò͇ÁÍË ÏÓ„ÛÚ ÓÚÓ·‡Ê‡Ú¸Òfl ̇ ÒÎÂ‰Û˛˘Ëı flÁ˚͇ı.................. 49

Ò‚flÁË ÏÂÊ‰Û ˝ÙÙÂÍÚ‡ÏË........................................................126

ÔÓ‰ÒÚÓÈ͇ ‚˚ÒÓÚ˚ ‚ÒÂı „ÓÎÓÒÓ‚ ............................................ 135

ÒÂÍ‚ÂÌÒÓ.............................................................................156

ÔÓ‰˚„˚‚‡ÂÏ ÔÂÒÌ ................................................................ 36

ÒËÌıÓÌËÁ‡ˆËfl ......................................................................146

ÔÓ‰˚„˚‚‡ÂÏ ÒËÌÚÂÁ‡ÚÓÛ ....................................................... 36

ÒËÒÚÂÏÌ˚È ÂÊËÏ Ë ÂÊËÏ ‚ÒÚ‡‚ÍË .........................................126

ÔÓÁˈËfl ÎÓ͇ÚÓ‡............................................................ 78, 137

ÒËÒÚÂÏÌ˚Â ÒÓ·˚ÚËfl ...............................................................106

ÔÓËÒÍ Ì‡Ë·ÓΠۉ‡˜ÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ................................. 70

ÒËÒÚÂÏÌ˚ ÒÓÓ·˘ÂÌËfl............................................................158

ÔÓËÒÍ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Music Finder...................................... 70

PSR-2000/1000

165

èe‰ÏeÚÌ˚È Û͇Á‡Úeθ

ÒÍÓÓÒÚ¸ ‚Ë·‡ÚÓ .................................................................... 90

ˆ

ÒÍÓÓÒÚ¸ ̇ʇÚËfl ........................................................... 97, 114

ˆÂÌÚ.....................................................................................135

ÒÎÓÈ ...................................................................................... 56

ˆËÍ΢ÂÒ͇fl Á‡ÔËÒ¸ ...............................................................108

Òϯ˂‡ÌË ‰‚Ûı ‡ÁÌ˚ı „ÓÎÓÒÓ‚ ............................................. 56

ÒÓ‚ÏÂÒÚËÏÓÒÚ¸ ‰‡ÌÌ˚ı .......................................................... 158

˜

ÒÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌÓÈ Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË» ..................... 68

ÒÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ........................................... 108

˜‡ÒÚË .....................................................................................30

ÒÓÓ·˘ÂÌËfl ............................................................................... 8

˜‡ÒÚË ‰Îfl ÔËÂχ MIDI-ÒÓÓ·˘ÂÌËÈ...........................................147

ÒÓı‡ÌÂÌË Á̇˜ÂÌËÈ, Á‡‰‡ÌÌ˚ı Ò ÔÂ‰ÌÂÈ Ô‡ÌÂÎË................... 142

˜‡ÒÚË ÒÚËÎfl ............................................................................30

ÒÓı‡ÌÂÌË ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚............................................... 85

˜‡ÒÚË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ....................................................94

ÒÓı‡ÌÂÌË هÈÎÓ‚................................................................. 44

˜ËÒÚ˚È Ï‡ÊÓ.......................................................................136

ÒÓı‡ÌËÚ¸ ........................................................................ 38, 44

˜ËÒÚ˚È ÏËÌÓ........................................................................136

Òڇ̉‡Ú GM System Level 1 ............................................. 17, 159

˜ÚÓ ÏÓÊÌÓ ‰Â·ڸ Ò ÔÓÏÓ˘¸˛ MIDI? ........................................158

Òڇ̉‡ÚÌÓ ‚Íβ˜ÂÌË Á‡ÔËÒË .............................................. 101

˜ÚÓ Ú‡ÍÓ MIDI?.....................................................................155

ÒÚËθ............................................................................... 14, 59

˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í Ì‡Ê‡Ú˲..................................................141

ÒÚ‡Ìˈ‡.................................... 88, 90, 99, 101, 107, 124, 127

ÒÚÓÈ «mean-tone» ................................................................ 136

¯

ÒÚÛÍÚÛ̇fl ÒıÂχ ˝ÙÙÂÍÚÓ‚ ................................................. 126

¯‡·ÎÓÌ˚ MIDI .......................................................................145

ÒÛÒÚÂÈÌ (Ù‡Á‡ ÒÚ‡·ËθÌÓÈ „ÓÏÍÓÒÚË).................................. 89, 90

˝

Ú

˝Í‡Ì REGISTRATION EDIT.......................................................85

Ú‡·Îˈ‡ ÔflÏÓ„Ó ‰ÓÒÚÛÔ‡ ......................................................... 48

ùÍ‡Ì˚ Open/Save (éÚÍ˚Ú¸/ëÓı‡ÌËÚ¸) ....................................38

Ú‡ÍÚ/‰ÓÎfl/ÒËÌıÓÌËÁ‡ˆËfl ......................................................... 97

˝ıÓ ......................................................................................143

ÚÂÍÒÚ ÔÂÒÌË ............................................................................ 83

ÚËÔ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇·....................................................... 129

fl

ÚËÔ˚ ‡ÍÍÓ‰Ó‚, ‡ÒÔÓÁ̇‚‡ÂÏ˚ ‚ ÂÊËÏ Fingered.................... 63

flÍÓÒÚ¸ ..................................................................................89

ÚËÔ˚ „‡ÏÓÌËÁ‡ˆËË ............................................................... 144

ÚËÔ˚ ‰‡ÌÌ˚ı, ÓÚÓ·‡ÊÂÌÌ˚ ̇ ˝Í‡ÌÂ

A

MIDI TRANSMIT/RECEIVE ................................................... 146

ÚÓθÍÓ ÔË ËÒÔÓθÁÓ‚‡ÌËË PSR-2000 ......................................... 80

ÍÌÓÔÍË [A] - [J] .........................................................................19

ÚÓÌ͇fl ̇ÒÚÓÈ͇ Ô‡ÚËÚÛ˚ .................................................... 81

äÌÓÔÍË [A] - [J].........................................................................40

Ú‡ÌÒÔÓÌËÓ‚‡ÌË ‚̯ÌÂ„Ó Ò˄̇· ...................................... 146

ÍÌÓÔ͇ [ACMP] ..................................................................18, 60

Ú‡ÌÒÔÓÌËÓ‚‡ÌË ͇̇· ...................................................... 104

AI ..........................................................................................62

AI FINGERED (Ú‡‰ËˆËÓÌÌ˚È Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ËÒÍÛÒÒÚ‚ÂÌÌÓ„Ó

Û

ËÌÚÂÎÎÂÍÚ‡).........................................................................62

AI FULL KEYBOARD (‚Òfl Í·‚ˇÚÛ‡ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ

Û‰‡ÎÂÌË ‰‡ÌÌ˚ı ̇ ͇̇ÎÂ.................................................... 103

ËÒÍÛÒÒÚ‚ÂÌÌÓ„Ó ËÌÚÂÎÎÂÍÚ‡) ..................................................62

Û‰‡ÎÂÌË ÒÓ·˚ÚËfl ................................................................. 115

ÍÌÓÔ͇ [AUTO FILL IN] ........................................................18, 66

Û‰‡ÎÂÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ......................................................... 43

Û͇Á‡ÌË ËÏÂÌË ÔÓθÁÓ‚‡ÚÂÎfl Ë ‚˚·Ó flÁ˚͇ ........................... 151

B

Û͇Á‡ÌË ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ‚˚ÁÓ‚‡ „ËÒÚ‡ˆËÓÌÌ˚ı Ù‡ÈÎÓ‚ 142

ÛÒÚ‡Ìӂ͇ „ÓÏÍÓÒÚË Ë „ÓÎÓÒ‡................................................. 122

ÍÌÓÔ͇ [BACK].........................................................................19

ÛÒÚ‡Ìӂ͇ ‡Á΢Ì˚ı „ÓÎÓÒÓ‚ ‰Îfl ΂ÓÈ Ë Ô‡‚ÓÈ

äÌÓÔ͇ [BACK] ........................................................................40

˜‡ÒÚË Í·‚ˇÚÛ˚................................................................ 57

ÍÌÓÔ͇ [BACK].........................................................................46

ÛÒÚ‡Ìӂ͇ Ô‡‡ÏÂÚÓ‚ MIDI.................................................... 145

ÍÌÓÔ͇ [BALANCE] .............................................................19, 61

ÛÒÚ‡Ìӂ͇ Ô‡‡ÏÂÚÓ‚ هȷ SMF.......................................... 116

Bass (·‡Ò)...............................................................................94

BEAT (‡ÁÏÂ) ..................................................................70, 71

Ù

ÍÌÓÔ͇ [BREAK] .................................................................18, 64

Ù‡ÈÎ ÒÚËÎfl .................................................................... 17, 159

C

Ù‡ÈÎ˚/Ô‡ÔÍË Ì‡ ‰ËÒÍÂÚ .......................................................... 42

ÙËθÚ .................................................................................. 89

ç‡ÒÚÓÈ͇ ÍÓÌÚ‡ÒÚÌÓÒÚË ˝Í‡Ì‡ [CONTRAST] ............................17

ÙÓÏ‡Ú Disk Orchestra Collection ............................................... 17

ÍÌÓÔ͇ [CHANNEL ON / OFF] .........................................19, 61, 78

ÙÓÏ‡Ú ‰ËÒÍÂÚ ..................................................................... 158

Chord (‡ÍÍÓ‰˚) ......................................................................94

ÙÓÏ‡Ú ‡ÒÔ‰ÂÎÂÌËfl „ÓÎÓÒÓ‚.............................................. 159

COMPRESSOR (ÍÓÏÔÂÒÒÓ)...................................................131

ÙÓÏ‡Ú ÒÂÍ‚Â̈ËË ................................................................ 159

Cool! (ËÌÒÚÛÏÂÌÚ: «ÍÛÚÓÈ»).....................................................55

ÙÓÏ‡Ú Ù‡È· ÒÚËÎfl (SFF)..................................................... 109

Current Memory (Ó·˙ÂÍÚ ‚ Ô‡ÏflÚË)..............................................39

ÙÓχÚËÓ‚‡ÌË ‰ËÒÍÂÚ ........................................................ 150

ÒÚ‡Ìˈ‡ CHD.......................................................................106

ÙÛÌ͈ËË, ÛÔ‡‚ÎflÂÏ˚ Ô‰‡ÎflÏË............................................ 140

ÒÚ‡Ìˈ‡ Chord Detect............................................................147

ÙÛÌ͈Ëfl Auto Revoice ............................................................ 121

ÒÚ‡Ìˈ‡ Chord Fingering ........................................................139

ÙÛÌ͈Ëfl Chord Tutor.............................................................. 139

ÒÚ‡Ìˈ‡ CONFIG 1 ...............................................................148

ÙÛÌ͈Ëfl Song Creator .............................................................. 92

ÒÚ‡Ìˈ‡ CONFIG 2 ...............................................................149

ÙÛÌ͈Ëfl Style Creator ............................................................ 108

ÒÚ‡Ìˈ‡ Controller.................................................................139

ı

D

ı‡‡ÍÚÂËÒÚËÍË „ÓÎÓÒ‡ ............................................................ 55

‰ËÒÍ ÛÔ‡‚ÎÂÌËfl [DATA ENTRY] ..........................................19, 46

ı‡‡ÍÚÂËÒÚËÍË Á‡ÔËÒË ‚ ‡θÌÓÏ ‚ÂÏÂÌË............................. 108

DELETE RECORD (Û‰‡ÎÂÌË Á‡ÔËÒË)..........................................71

ıÓÛÒ................................................................................... 126

ÍÌÓÔ͇ [DEMO] ............................................................14, 18, 52

166

PSR-2000/1000

èe‰ÏeÚÌ˚È Û͇Á‡Úeθ

ÍÌÓÔ͇ [DIGITAL RECORDING] .............................. 14, 18, 92, 108

̇ÒÚÓÈ͇ ˝ÙÙÂÍÚÓ‚ .............................................................124

ÍÌÓÔ͇ [DIRECT ACCESS]................................................... 19, 47

̇ÒÚÓÈ͇ ˝ÙÙÂÍÚÓ‚ „‡ÏÓÌËÁ‡ˆËË Ë ˝ı‡ .................................143

ÒÚ‡Ìˈ‡ Disk ....................................................................... 150

̇ۯÌËÍË .............................................................................152

DOC .................................................................................... 159

ÌÓÚÌ˚Â ÒÓ·˚ÚËfl ....................................................................105

Drum (ËÌÒÚÛÏÂÌÚ: ·‡‡·‡Ì˚) ................................................... 55

ÍÌÓÔ͇ [DSP] ............................................................ 19, 57, 126

I

͇ۘ [INPUT VOLUME] ....................................................19, 152

E

INTRO....................................................................................66

ECHO .................................................................................... 58

ÍÌÓÔ͇ [INTRO]............................................................18, 31, 64

ÍÌÓÔ͇ [EFFECT] ............................................................. 19, 128

EG („ÂÌÂ‡ÚÓ Ó„Ë·‡˛˘Ëı)....................................................... 89

K

ENDING ................................................................................. 66

ÒÚ‡Ìˈ‡ Keyboard/Panel ........................................................141

ÍÌÓÔ͇ [ENDING/rit.] ..................................................... 18, 30, 65

KEY SIGNATURE (Íβ˜) ...........................................................81

ÍÌÓÔ͇ [ENTER]................................................................. 19, 46

KEYWORD (Íβ˜Â‚Ó ÒÎÓ‚Ó) ..............................................70, 71

EQ (˝Í‚‡Î‡ÈÁÂ) ................................................................... 121

Kirnberger .............................................................................136

ESEQ .................................................................................. 159

ÍÌÓÔ͇ [EXIT] .......................................................................... 19

L

äÌÓÔ͇ [EXIT] ......................................................................... 40

ÍÌÓÔ͇ [EXTRA TRACKS (STYLE)]........................................ 18, 79

LCD (ÊˉÍÓÍËÒÚ‡Î΢ÂÒÍËÈ ˝Í‡Ì)...........................................15

ÒÚ‡Ìˈ‡ EFFECT/EQ .............................................................. 90

„ÛÎflÚÓ [LCD CONTRAST] ...............................................19, 17

LEFT CH (΂˚È Í‡Ì‡Î) ............................................................81

F

ÍÌÓÔ͇ [LEFT HOLD]...........................................................19, 58

Live! (ËÌÒÚÛÏÂÌÚ: «ÊË‚ÓÈ»)......................................................55

ÍÌÓÔ͇ [FADE IN/OUT]........................................................ 18, 65

FAVORITE (β·ËÏ˚Â).............................................................. 71

M

ÍÌÓÔ͇ [FF]....................................................................... 18, 78

File (Ù‡ÈÎ) ............................................................................. 39

MAIN A/B/C\D (ÓÒÌӂ̇fl ˜‡ÒÚ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡) ...................64

ÒÚ‡Ìˈ‡ Filter ...................................................................... 123

ÍÌÓÔ͇ MAIN [A].................................................................18, 64

FINGERED (Ú‡‰ËˆËÓÌÌ˚È) ...................................................... 62

ÍÌÓÔ͇ MAIN [B].................................................................18, 64

FINGERED ON BASS (Ú‡‰ËˆËÓÌÌ˚È Ò ·‡ÒÓÏ)............................. 62

ÍÌÓÔ͇ MAIN [C].................................................................18, 64

FLOPPY DISK (‰ËÒÍÂÚ‡) ........................................................... 39

ÍÌÓÔ͇ MAIN [D].................................................................18, 64

‡Á˙ÂÏ [FOOT PEDAL 1 \(SWITCH\) ].......................................... 19

ÒÚ‡Ìˈ‡ Master Tune.............................................................135

‡Á˙ÂÏ [FOOT PEDAL 1\(SWITCH\)] ......................................... 153

„ÛÎflÚÓ [MASTER VOLUME]...................................................18

‡Á˙ÂÏ [FOOT PEDAL 2]................................................... 19, 153

‰ËÒÍ ÛÔ‡‚ÎÂÌËfl [MASTER VOLUME]..........................................17

ÍÌÓÔ͇ [FREEZE]............................................................... 19, 86

ÍÌÓÔ͇ [MEMORY]..............................................................19, 84

ÒÚ‡Ìˈ‡ Freeze.................................................................... 142

ÍÌÓÔ͇ [METRONOME] .......................................................18, 50

FULL KEYBOARD (‚Òfl Í·‚ˇÚÛ‡)............................................ 62

MIC......................................................................................128

ÍÌÓÔ͇ [FUNCTION] ......................................................... 18, 133

„ÌÂÁ‰Ó [MIC./LINE IN]..............................................................152

‡Á˙ÂÏ [MIC. LINE IN]...............................................................19

G

MICROPHONE SETTING .........................................................130

[MIC. SETTING] .......................................................................19

GENRE (ʇÌ).................................................................. 70, 72

ÍÌÓÔ͇ [MIC. SETTING] ...........................................................128

GENRE NAME (̇Á‚‡ÌË ʇÌ‡) ............................................... 72

MIDI.....................................................................................145

MIDI IN.................................................................................153

H

MIDI OUT..............................................................................153

HARMONY ............................................................................. 58

MIDI-ÔÓÚ˚ ...................................................................153, 154

ÍÌÓÔ͇ [HARMONY / ECHO] ................................................ 19, 58

ÍÌÓÔ͇ [MIXING CONSOLE] ...............................................18, 121

ÍÌÓÔ͇ [HELP]................................................................... 18, 49

MODULATION .........................................................................18

High Key (‚ÂıÌflfl ÌÓÚ‡) ......................................................... 117

MODULATION (ÏÓ‰ÛÎflˆËfl) .......................................................58

ÔÂÂÍβ˜‡ÚÂθ [HOST SELECT]........................................ 19, 153

ÍÌÓÔ͇ [MONO]..................................................................19, 58

̇Á̇˜ÂÌË ͇̇ÎÓ‚ ‰Îfl ‡ÍÍÓ‰Ó‚........................................... 147

MULTI FINGER (ÌÂÒÍÓθÍËÏË Ô‡Î¸ˆ‡ÏË) .....................................62

̇Á̇˜ÂÌË ͇̇ÎÓ‚ ‰Îfl ÓÒÌÓ‚Ì˚ı ÚÓÌÓ‚ ................................. 147

ÍÌÓÔ͇ [MUSIC FINDER]..........................................15, 19, 69, 33

̇ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» ..................................................... 32

̇ÒÚÓÈ͇ ‚˚·‡ÌÌÓ„Ó ÒÚËÎfl .................................................... 67

N

̇ÒÚÓÈ͇ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· Ë ÏËÍÓÙÓ̇ .......................... 130

NEW RECORD (ÌÓ‚‡fl Á‡ÔËÒ¸) ...................................................72

̇ÒÚÓÈ͇ „ÓÏÍÓÒÚË ÏËÍÓÙÓ̇ Ë ÒÓÔÛÚÒÚ‚Û˛˘Ëı ˝ÙÙÂÍÚÓ‚ .... 132

ÍÌÓÔ͇ [NEXT] .........................................................................19

̇ÒÚÓÈ͇ „ÓÏÍÓÒÚË ˜‡ÒÚÂÈ / ÔË„ÎÛ¯ÂÌË ÓÚ‰ÂθÌ˚ı ͇̇ÎÓ‚ .... 78

äÌÓÔ͇ [NEXT].........................................................................40

̇ÒÚÓÈ͇ ‰ËÒÔÎÂfl Ë ÓÚÓ·‡ÊÂÌËfl ÌÓÏÂÓ‚ „ÓÎÓÒÓ‚.................. 149

ÍÌÓÔ͇ [NEXT].......................................................................................... 46

̇ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ ................................................. 133

NOISE GATE („ÂÈÚ) ................................................................130

̇ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ Í·‚ˇÚÛ˚ Ë Ô‰‡ÎÂÈ........................... 139

Note Limit (ÌÓÚÌ˚È ‰Ë‡Ô‡ÁÓÌ)...................................................117

̇ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚, ÓÚÌÓÒfl˘ËıÒfl Í ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÛ....... 138

NOTE NAME (̇Á‚‡ÌË ÌÓÚ˚)....................................................82

̇ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚, ÓÚÌÓÒfl˘ËıÒfl Í ÔÂÒÌÂ............................ 137

NTR (Ô‡‚ËÎÓ Ú‡ÌÒÔÓÁˈËË)...................................................116

̇ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ ÙÂȉËÌ„‡, ÏÂÚÓÌÓχ, ‡ Ú‡ÍÊ ÙÛÌ͈ËÈ

NTT (Ú‡·Îˈ‡ Ú‡ÌÒÔÓÁˈËË) ...................................................117

·ÎÓÍËÓ‚ÍË Ô‡‡ÏÂÚ‡ Ë Û͇Á‡ÌËfl ËÚχ .............................. 148

̇ÒÚÓÈ͇ ÒÔËÒ͇ ÒÓ·˚ÚËÈ — ÙËθÚ ...................................... 107

O

̇ÒÚÓÈ͇ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ‚˚ÁÓ‚‡ „ËÒÚ‡ˆËÓÌÌ˚ı

Ù‡ÈÎÓ‚, Ô‡‡ÏÂÚÓ‚ «Á‡ÏÓÓÁÍË» Ë „ÓÎÓÒ‡........................... 142

OCTAVE (Ò‰‚Ë„ ̇ ÓÍÚ‡‚Û) ......................................................123

Organ Flutes............................................................................91

PSR-2000/1000

167

èe‰ÏeÚÌ˚È Û͇Á‡Úeθ

Organ Flutes! (ËÌÒÚÛÏÂÌÚ: «Ó„‡Ì̇fl ÙÎÂÈÚ‡»)........................... 55

U

ÍÌÓÔ͇ [OTS LINK] ............................................................. 18, 68

ÍÌÓÔ͇ [UPPER OCTAVE]....................................................19, 58

ÒÚ‡Ìˈ‡ OVERALL SETTING.................................................. 130

USER (ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ‡Á‰ÂÎ Ô‡ÏflÚË) ...................................39

ÒÚ‡Ìˈ‡ Owner .................................................................... 151

Utility....................................................................................148

P

V

Pad («ÔӉͷ‰˚»).................................................................... 94

ÍÌÓÔ͇ [VARIATION] ...........................................................19, 58

ÒÚ‡Ìˈ‡ Pedal ..................................................................... 139

ÍÌÓÔ͇ [VH TYPE SELECT] ................................................19, 128

‡Á˙ÂÏ [PHONES] ........................................................... 18, 152

VIBRATO (‚Ë·‡ÚÓ)..................................................................90

Phrase (Ù‡Á˚)....................................................................... 94

ÍÌÓÔ͇ [VOCAL HARMONY] ...............................................19, 128

PITCH BEND..................................................................... 18, 58

VOCAL HARMONY CONTROL

PITCH BEND RANGE (‰Ë‡Ô‡ÁÓÌ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚) .................. 123

(ÛÔ‡‚ÎÂÌË „‡ÏÓÌËÁ‡ˆËÂÈ ‚Ó͇·).....................................131

PORTAMENTO TIME (‚ÂÏfl ÔÓÚ‡ÏÂÌÚÓ) ................................. 123

ÒÚ‡Ìˈ‡ Voice Set.................................................................143

PRESET (Ô‰‚‡ËÚÂθÌ˚ ̇ÒÚÓÈÍË)...................................... 39

ÒÚ‡Ìˈ‡ Volume/Voice ...........................................................122

Q

W

QUANTIZE (Í‚‡ÌÚËÁ‡ˆËfl) ......................................................... 81

Werckmeister.........................................................................136

Quick Start (ÙÛÌ͈Ëfl ·˚ÒÚÓ„Ó Á‡ÔÛÒ͇).................................... 137

X

R

XF .................................................................................17, 159

ÍÌÓÔ͇ [REC] .................................................................... 18, 92

XG.................................................................................17, 159

ÒÚ‡Ìˈ‡ Receive .................................................................. 147

ÒÚ‡Ìˈ‡ Registration Sequence ............................................... 142

ÍÌÓÔ͇ [REPEAT]............................................................... 18, 79

ÍÌÓÔ͇ [REW].................................................................... 18, 78

Rhythm (ËÚÏ)......................................................................... 94

RIGHT CH (Ô‡‚˚È Í‡Ì‡Î) ........................................................ 81

ÒÚ‡Ìˈ‡ Root....................................................................... 147

RTR (Ô‡‚ËÎÓ ÔÓ‚ÚÓÌÓ„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl) ............................ 117

S

ÒÚ‡Ìˈ‡ Scale Tune .............................................................. 135

SFX (ËÌÒÚÛÏÂÌÚ: ÒÔˆ˝ÙÙÂÍÚ˚) .............................................. 55

SINGLE FINGER (Ó‰ÌËÏ Ô‡Î¸ˆÂÏ).............................................. 62

SMF (Òڇ̉‡ÚÌ˚È Ù‡ÈÎ MIDI) ................................................ 159

ÒÚ‡Ìˈ‡ Song Settings........................................................... 137

ÒÚ‡Ìˈ‡ (SOUND CREATOR) ................................................... 89

ÍÌÓÔ͇ [SOUND CREATOR]................................................. 87, 18

ÒÚ‡Ìˈ‡ Split Point................................................................ 138

ÍÌÓÔ͇ [STOP] (MULTI PAD) ................................................ 18, 73

ÒÚ‡Ìˈ‡ Style Setting ............................................................ 138

ÍÌÓÔ͇ [SUSTAIN].............................................................. 19, 57

Sweet! (ËÌÒÚÛÏÂÌÚ: «Ò·‰ÍÓÁ‚Û˜Ì˚È») ...................................... 55

ÍÌÓÔ͇ [SYNC.START]........................................................ 18, 60

ÍÌÓÔ͇ [SYNC.STOP] ......................................................... 18, 65

ÒÚ‡Ìˈ‡ SYS/EX. (ËÒÍβ˜ËÚÂθÌ˚ ÒËÒÚÂÏÌ˚ ÒÓÓ·˘ÂÌËfl)....... 106

ÒÚ‡Ìˈ‡ System ................................................................... 145

ÒÚ‡Ìˈ‡ System Reset........................................................... 151

T

ÍÌÓÔ͇ [TALK] ................................................................. 19, 128

ÒÚ‡Ìˈ‡ TALK SETTING........................................................ 132

ÍÌÓÔ͇ [TAP TEMPO] ......................................................... 18, 51

äÌÓÔÍË TEMPO [

E] [E] ....................................................... 50

TEMPO FROM (ÔÓËÒÍ, ̇˜Ë̇fl Ò ÚÂÏÔ‡…) .................................. 70

TEMPO TO (ÔÓËÒÍ, Á‡Í‡Ì˜Ë‚‡fl ÚÂÏÔÓÏ...) ................................... 70

‡Á˙ÂÏ [TO HOST]................................................................... 15

ÔÓÚ [TO HOST]............................................................... 19, 154

ÍÌÓÔ͇ [TOP] .................................................................... 18, 78

ÍÌÓÔ͇ [TOUCH] ................................................................ 19, 57

ÍÌÓÔ͇ [TRACK 1 (R)] ......................................................... 18, 79

ÍÌÓÔ͇ [TRACK 2 (L)].......................................................... 18, 79

ÒÚ‡Ìˈ‡ Transmit ................................................................. 146

ÒÚ‡Ìˈ‡ Tune ...................................................................... 123

TUNING (̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚)................................................... 123

168

PSR-2000/1000

Limited Warranty

90 DAYS LABOR 1 YEAR PARTS

Yamaha Corporation of America, hereafter referred to as Yamaha, warrants to the original consumer of a product included in the cate-

gories listed below, that the product will be free of defects in materials and/or workmanship for the periods indicated. This warranty is

applicable to all models included in the following series of products:

PSR SERIES OF PORTATONE ELECTRONIC KEYBOARDS

If during the first 90 days that immediately follows the purchase date, your new Yamaha product covered by this warranty is found to

have a defect in material and/or workmanship, Yamaha and/or its authorized representative will repair such defect without charge for

parts or labor.

If parts should be required after this 90 day period but within the one year period that immediately follows the purchase date, Yamaha

will, subject to the terms of this warranty, supply these parts without charge. However, charges for labor, and/or any miscellaneous

expenses incurred are the consumers responsibility. Yamaha reserves the right to utilize reconditioned parts in repairing these products

and/or to use reconditioned units as warranty replacements.

THIS WARRANTY IS THE ONLY EXPRESS WARRANTY WHICH YAMAHA MAKES IN CONNECTION WITH THESE

PRODUCTS. ANY IMPLIED WARRANTY APPLICABLE TO THE PRODUCT, INCLUDING THE WARRANTY OF MER-

CHANT ABILITY IS LIMITED TO THE DURATION OF THE EXPRESS WARRANTY. YAMAHA EXCLUDES AND

SHALL NOT BE LIABLE IN ANY EVENT FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES.

Some states do not allow limitations that relate to implied warranties and/or the exclusion of incidental or consequential damages.

Therefore, these limitations and exclusions may not apply to you.

This warranty gives you specific legal rights. You may also have other rights which vary from state to state.

CONSUMERS RESPONSIBILITIES

If warranty service should be required, it is necessary that the consumer assume certain responsibilities:

1. Contact the Customer Service Department of the retailer selling the product, or any retail outlet authorized by Yamaha to sell the

product for assistance. You may also contact Yamaha directly at the address provided below.

2. Deliver the unit to be serviced under warranty to: the retailer selling the product, an authorized service center, or to Yamaha with an

explanation of the problem. Please be prepared to provide proof purchase date (sales receipt, credit card copy, etc.) when requesting

service and/or parts under warranty.

3. Shipping and/or insurance costs are the consumers responsibility.* Units shipped for service should be packed securely.

*Repaired units will be returned PREPAID if warranty service is required within the first 90 days.

IMPORTANT: Do NOT ship anything to ANY location without prior authorization. A Return Authorization (RA) will be

issued that has a tracking number assigned that will expedite the servicing of your unit and provide a tracking system if

needed.

4. Your owners manual contains important safety and operating instructions. It is your responsibility to be aware of the contents of

this manual and to follow all safety precautions.

EXCLUSIONS

This warranty does not apply to units whose trade name, trademark, and/or ID numbers have been altered, defaced, exchanged

removed, or to failures and/or damages that may occur as a result of:

1. Neglect, abuse, abnormal strain, modification or exposure to extremes in temperature or humidity.

2. Improper repair or maintenance by any person who is not a service representative of a retail outlet authorized by Yamaha to sell the

product, an authorized service center, or an authorized service representative of Yamaha.

3. This warranty is applicable only to units sold by retailers authorized by Yamaha to sell these products in the U.S.A., the District of

Columbia, and Puerto Rico. This warranty is not applicable in other possessions or territories of the U.S.A. or in any other country.

Please record the model and serial number of the product you have purchased in the spaces provided below.

Model________________________ Serial #_____________________________ Sales Slip #_____________________________

Purchased from______________________________________________________ Date__________________________________

(Retailer)

YAMAHA CORPORATION OF AMERICA

Electronic Service Division

6600 Orangethorpe Avenue

Buena Park, CA 90620

KEEP THIS DOCUMENT FOR YOUR RECORDS. DO NOT MAIL!

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

other electronic devices. Compliance with FCC regula-

This product, when installed as indicated in the instruc-

tions does not guarantee that interference will not occur

tions contained in this manual, meets FCC require-

in all installations. If this product is found to be the

ments. Modifications not expressly approved by

source of interference, which can be determined by

Yamaha may void your authority, granted by the FCC, to

turning the unit “OFF” and “ON”, please try to eliminate

use the product.

the problem by using one of the following measures:

2. IMPORTANT: When connecting this product to acces-

Relocate either this product or the device that is being

sories and/or another product use only high quality

affected by the interference.

shielded cables. Cable/s supplied with this product

Utilize power outlets that are on different branch (circuit

MUST be used. Follow all installation instructions. Fail-

breaker or fuse) circuits or install AC line filter/s.

ure to follow instructions could void your FCC authori-

In the case of radio or TV interference, relocate/reorient

zation to use this product in the USA.

the antenna. If the antenna lead-in is 300 ohm ribbon

3. NOTE: This product has been tested and found to com-

lead, change the lead-in to co-axial type cable.

ply with the requirements listed in FCC Regulations,

If these corrective measures do not produce satisfac-

Part 15 for Class “B” digital devices. Compliance with

tory results, please contact the local retailer authorized

these requirements provides a reasonable level of

to distribute this type of product. If you can not locate

assurance that your use of this product in a residential

the appropriate retailer, please contact Yamaha Corpo-

environment will not result in harmful interference with

ration of America, Electronic Service Division, 6600

other electronic devices. This equipment generates/

Orangethorpe Ave, Buena Park, CA90620

uses radio frequencies and, if not installed and used

The above statements apply ONLY to those products

according to the instructions found in the users manual,

distributed by Yamaha Corporation of America or its

may cause interference harmful to the operation of

subsidiaries.

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)

OBSERVERA!

Apparaten kopplas inte ur växelströmskällan (nätet) sá länge som

den ar ansluten till vägguttaget, även om själva apparaten har

stängts av.

ADVARSEL: Netspæendingen til dette apparat er IKKE afbrudt,

sálæenge netledningen siddr i en stikkontakt, som er t endt — ogsá

selvom der or slukket pá apparatets afbryder.

VAROITUS: Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko

laitetta verkosta.

(standby)