Yamaha PSR-1000 – страница 5
Инструкция к Синтезатору/фортепиано Yamaha PSR-1000
ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË
■ [6▲▼] NOTE NAME (̇Á‚‡ÌË ÌÓÚ˚)
èË ‚Íβ˜ÂÌÌÓÏ ÂÊËÏ [NOTE NAME] ̇Á‚‡ÌËfl ÌÓÚ ÓÚÓ·‡Ê‡˛ÚÒfl ̇ ˝Í‡Ì (Í‡Í ‚ ‚ˉ ·ÛÍ‚, Ú‡Í Ë ‚ ‚ˉ ӷÓÁ̇˜ÂÌËÈ,
ÔËÌflÚ˚ı ‚ ÒÓθÙ‰ÊËÓ, ÚÓ ÂÒÚ¸ ‰Ó, Â, ÏË Ë Ú. ‰.).
ABC.......................ç‡Á‚‡ÌËfl ÌÓÚ ‚˚‚Ó‰flÚÒfl ̇ ˝Í‡Ì ‚ ‚ˉ ·ÛÍ‚ (C, D, E, F, G, A, B).
Fixed Do ...............ç‡Á‚‡ÌËfl ÌÓÚ ‚˚‚Ó‰flÚÒfl ̇ ˝Í‡Ì ‚ ‚ˉ ÔËÌflÚ˚ı ‚ ÒÓθÙ‰ÊËÓ Ó·ÓÁ̇˜ÂÌËÈ, ÍÓÚÓ˚ Á‡‚ËÒflÚ ÓÚ
‚˚·‡ÌÌÓ„Ó flÁ˚͇ (ÒÚ. 49).
ÄÌ„ÎËÈÒÍËÈ.........Do Re Mi Fa Sol La Si
î‡ÌˆÛÁÒÍËÈ......Ut Re Mi Fa Sol La Si
àڇθflÌÒÍËÈ.......Do Re Mi Fa Sol La Si
çÂψÍËÈ.............Do Re Mi Fa Sol La Si
àÒÔ‡ÌÒÍËÈ...........Do re Mi Fa Sol La Si
üÔÓÌÒÍËÈ.............
Movable Do
(ÔÓ‰‚ËÊÌÓ «‰Ó») ....ç‡Á‚‡ÌËfl ÌÓÚ ‚˚‚Ó‰flÚÒfl ̇ ˝Í‡Ì ‚ ‚ˉ ÔËÌflÚ˚ı ‚ ÒÓθÙ‰ÊËÓ Ó·ÓÁ̇˜ÂÌËÈ Ë Á‡‚ËÒflÚ ÓÚ ‚˚·‡ÌÌÓÈ
ÚÓ̇θÌÓÒÚË. éÒÌÓ‚ÌÓÈ ÚÓÌ Ó·ÓÁ̇˜‡ÂÚÒfl Í‡Í «‰Ó». ç‡ÔËÏÂ, ‚ ÚÓ̇θÌÓÒÚË ÒÓθ-χÊÓ ÓÒÌÓ‚ÌÓÈ ÚÓÌ
«ÒÓθ» ·Û‰ÂÚ ÛÒÎÓ‚ÌÓ Ì‡Á˚‚‡Ú¸Òfl «‰Ó».
ä‡Í Ë ‚ ÒÎÛ˜‡Â Ò ‚‡Ë‡ÌÚÓÏ «Fixed Do», Ó·ÓÁ̇˜ÂÌËfl ÌÓÚ Á‡‚ËÒflÚ ÓÚ ‚˚·‡ÌÌÓ„Ó flÁ˚͇.
■ [8▲] OK
ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl Á‡Í˚ÚËfl ˝Í‡Ì‡ ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍË Ë Á‡ÔÛÒ͇ ÔÓˆÂÒÒ‡ ÒÓÁ‰‡ÌËfl
èÂÂıÓ‰ËÚ¸ ÓÚ Ó‰ÌÓÈ ÒÚ‡Ìˈ˚
Ô‡ÚËÚÛ˚. íÛ Ê ÓÔ‡ˆË˛ ÏÓÊÌÓ ‚˚ÔÓÎÌËÚ¸, ̇ʇ‚ ÍÌÓÔÍÛ [ENTER] ̇ Ô‰ÌÂÈ Ô‡ÌÂÎË.
˝Í‡Ì‡ Í ‰Û„ÓÈ ÏÓÊÌÓ Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/[NEXT]
ËÎË Ô‰‡ÎË (ÒÚ. 139).
■ [8▼] CANCEL (ÓÚÏÂ̇)
ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl Á‡Í˚ÚËfl ˝Í‡Ì‡ ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍË ·ÂÁ ËÁÏÂÌÂÌËfl Ô‡‡ÏÂÚÓ‚. íÛ ÊÂ
ÓÔ‡ˆË˛ ÏÓÊÌÓ ‚˚ÔÓÎÌËÚ¸, ̇ʇ‚ ÍÌÓÔÍÛ [EXIT] ËÎË [RECORD] ̇ Ô‰ÌÂÈ Ô‡ÌÂÎË.
82
PSR-2000/1000
ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË
éÚÓ·‡ÊÂÌË ÚÂÍÒÚ‡ ÔÂÒÌË
ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÓÚÓ·‡Ê‡Ú¸ ÚÂÍÒÚ ÔÂÒÌË ‚Ó ‚ÂÏfl  ‚ÓÒÔÓËÁ‚‰ÂÌËfl — Ú‡Í, ˜ÚÓ·˚ ‚˚ ÏÓ„ÎË Ì‡Ô‚‡Ú¸ ÂÂ, Ì ÓÚ‚ÎÂ͇flÒ¸
ÓÚ Ë„˚.
* åËÍÓÙÓÌÌ˚È ‚ıÓ‰ ËÏÂÂÚÒfl ÚÓθÍÓ Û ÒËÌÚÂÁ‡ÚÓ‡ PSR-2000.
Ç˚·ÂËÚÂ
íÂÍÒÚ ÔÂÒÌË ÓÚÓ·‡Ê‡ÂÚÒfl ̇
1
2
ÔÂÒÌ˛
flÁ˚Í ÓË„Ë̇·. ÖÒÎË ÚÂÍÒÚ
A
ËÒ͇ÊÂÌ ËÎË ÌÂÛ‰Ó·Ó˜ËÚ‡ÂÏ,
(ÒÚ. 76, 78).
‚˚ ÏÓÊÂÚ ËÒÔ‡‚ËÚ¸ „Ó,
B
ËÁÏÂÌË‚ Ô‡‡ÏÂÚ LYRICS
C
LANGUAGE ̇ ˝Í‡Ì SONG
SETTING (ÒÚ. 137).
D
E
ÖÒÎË ÔÂÒÌfl Ì ÒÓ‰ÂÊËÚ ÚÂÍÒÚ‡,
3
ÓÌ Ì ·Û‰ÂÚ ÓÚÓ·‡Ê‡Ú¸Òfl.
Ç ‰‡ÌÌÓÏ ÔËÏ ÒΉÛÂÚ
‚˚·‡Ú¸ Ó·˙ÂÍÚ «Lyrics» ‚
Ô‡ÔÍ «Function» ̇ ÒÚ‡ÌˈÂ
PRESET (SONG).
ÖÒÎË ‚˚·‡Ì̇fl ÔÂÒÌfl
ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚ ӷ ‡ÍÍÓ‰‡ı,
̇Á‚‡ÌËfl ‡ÍÍÓ‰Ó‚ ·Û‰ÛÚ
ÓÚÓ·‡Ê‡Ú¸Òfl ‚ÏÂÒÚÂ Ò ÚÂÍÒÚÓÏ
SONG
ÔÂÒÌË.
á‡ÔÛÒÚËÚ ÔÂÒÌ˛.
EXTRA
TRACK
TRACK
METRO-
TRACKS
2
1 REPEAT
NOME
4
(STYLE) (R)(L)
REC REW FF
TOP
START/STOP
NEW SONG SYNC. START
ëÚÓÍË ÚÂÍÒÚ‡
SONG
EXTRA
TRACK
TRACK
METRO-
íÂÍÒÚ ÔÂÒÌË ÏÓÊÌÓ ËÁÏÂÌËÚ¸
5
TRACKS
2
1 REPEAT
NOME
ÒÏÂÌfl˛ÚÒfl ̇
(ÒÚ. 107).
END
˝Í‡Ì ÔÓ ÏÂÂ
(STYLE) (R)(L)
‚ÓÒÔÓËÁ‚‰ÂÌË
REC REW FF
TOP
START/STOP
fl ÔÂÒÌË.
NEW SONG SYNC. START
éÒÚ‡ÌÓ‚ËÚ ÔÂÒÌ˛.
óÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÈ ÒÚ‡ÌˈÂ, ̇ÊÏËÚÂ
ÍÌÓÔÍÛ .
EXIT
PSR-2000/1000
83
ëÓı‡ÌÂÌËÂ Ë Á‡„ÛÁ͇ ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇·ÓÓ‚
Ô‡‡ÏÂÚÓ‚ — „ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸
ê„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ — ˝ÚÓ ÏÓ˘ÌÓ Ò‰ÒÚ‚Ó Ì‡ÒÚÓÈÍË PSR-2000/1000. ë Â„Ó ÔÓÏÓ˘¸˛ ‚˚ ÏÓÊÂÚ ‚˚·Ë‡Ú¸ Ú·ÛÂÏ˚Â
„ÓÎÓÒ‡ Ë ÒÚËÎË, Á‡‰‡‚‡Ú¸ Ô‡‡ÏÂÚ˚ ˝ÙÙÂÍÚÓ‚, ‡ Á‡ÚÂÏ ÒÓı‡ÌflÚ¸ ‚Ò ˝ÚË ‰‡ÌÌ˚ ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ‚ ·Û‰Û˘ÂÏ. ÇÔÓÒΉÒÚ‚ËË
‚ÒflÍËÈ ‡Á, ÍÓ„‰‡ ÔÓÚ·ÛÂÚÒfl Á‡‰‡Ú¸ ˝ÚÓÚ Ì‡·Ó Ô‡‡ÏÂÚÓ‚, ‰ÓÒÚ‡ÚÓ˜ÌÓ ·Û‰ÂÚ Î˯¸ ̇ʇڸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ
REGISTRATION MEMORY („ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸).
BACK NEXT
LEFT
HOLD
VOICE EFFECT
SUSTAIN
ECHO
HARMONY/
MONOTOUCH
DSP
VARIATION
SOUND CREATOR
DIGITAL
STUDIO
VOICE
MAIN
PIANO & HARPSI.
E.PIANO
ACCORDION
ORGAN &
PERCUSSION
DIGITAL RECORDING
A
F
GUITAR
G
LAYER
BASS
BRASS
WOODWIND
B
MIXING CONSOLE
C
H
LEFT
STRINGS CHOIR & PAD
SYNTH.
XG
MENU
D
I
DEMO
E
J
USER
ORGAN FLUTES
FINDER
MUSIC
UPPER OCTAVE
HELP
MIC.
OVER
SELECT
VH TYPE
SETTING
MIC.
VOCAL
RESET
HARMONY
TALK
EFFECT
FUNCTION
SIGNAL
ONE TOUCH SETTING
ACCESS
DIRECT
BALANCE
EXIT
ENTER
CHANNEL ON/OFF
PART
DATA ENTRY
REGISTRATION MEMORY
FREEZE MEMORY
Ç ˝ÚÓÏ ‡Á‰ÂΠÓÔËÒ˚‚‡ÂÚÒfl Ôӈ‰ۇ „ËÒÚ‡ˆËË (Á‡ÍÂÔÎÂÌËfl ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ Á‡
ÍÌÓÔ͇ÏË REGISTRATION MEMORY). ᇉ‡ÈÚ β·˚ ԇ‡ÏÂÚ˚ Ò ÔÓÏÓ˘¸˛ ˝ÎÂÏÂÌÚÓ‚
ÛÔ‡‚ÎÂÌËfl, ‡ÒÔÓÎÓÊÂÌÌ˚ı ̇ Ô‰ÌÂÈ Ô‡ÌÂÎË, Ë Â„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ «Á‡ÔÓÏÌËÚ» Ëı.
84
PSR-2000/1000
81 2 3 4 5 6 7
SONG
TRACKS
EXTRA
TRACK
2
TRACK
1 REPEAT
NOME
METRO-
(STYLE) (R)(L)
REC REW FF
TOP
START/STOP
STYLE
NEW SONG SYNC. START
POP & ROCK
SWING &
JAZZ
BALLROOM
MARCH &
WALTZ
BALLAD USERLATIN
DANCE
PART
TRANSPOSE
TEMPO
TAP TEMPO
MASTER VOLUME
RESET
RESET
STOP
FADE
MULTI PAD
MIN MAX
IN/OUT
REGISTRATION MEMORY
STYLE CONTROL
FREEZE MEMORY
STANDBY
ACMP
BREAK
INTRO
MAIN
ENDING
/ rit.
FILL IN
AUTO
SYNC.
START/STOP
ON
OTS
LINK
STOP
START
SYNC.
ê„ËÒÚ‡ˆËfl ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ — „ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸
àÏÂÈÚ ‚ ‚ˉÛ, ˜ÚÓ ÔÂÒÌË ËÎË
ÒÚËÎË, ı‡Ìfl˘ËÂÒfl ̇ ‰ËÒÍÂÚÂ,
Ì‚ÓÁÏÓÊÌÓ «Á‡ÔÓÏÌËÚ¸» Ú‡ÍËÏ
Ó·‡ÁÓÏ. ÖÒÎË Ú·ÛÂÚÒfl
Á‡ÔÓÏÌËÚ¸ Ô‡‡ÏÂÚ˚,
ÓÚÌÓÒfl˘ËÂÒfl Í ÔÂÒÌ ËÎË ÒÚËβ
̇ ‰ËÒÍÂÚÂ, ÔÂÂȉËÚÂ Í ˝Í‡ÌÛ
SONG/STYLE, ÒÍÓÔËÛÈÚÂ
Ô‡‡ÏÂÚ˚ ‚ ‡Á‰ÂÎ Ô‡ÏflÚË
«USER» (ÒÚ. 38), ‡ Á‡ÚÂÏ
ÒÓı‡ÌËÚ Ëı ‚ ‚ˉ ÓÚ‰ÂθÌÓ„Ó
هȷ.
F
G
H
I
J
END
81 2 3 4 5 6 7
ᇉ‡ÈÚ ÌÂÓ·ıÓ‰ËÏ˚ ԇ‡ÏÂÚ˚ Ò ÔÓÏÓ˘¸˛ ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl.
1
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Ô‡‡ÏÂÚ‡ı, ÍÓÚÓ˚ ÏÓÊÌÓ ÒÓı‡ÌflÚ¸ ‚
„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË, Ô˂‰ÂÌ˚ ‚ Ò·ÓÌËÍ ڇ·Îˈ (퇷Îˈ‡ Ô‡‡ÏÂÚÓ‚).
REGISTRATION MEMORY
FREEZE MEMORY
2
3
Ç˚·ÂËÚ „ÛÔÔ˚ Ô‡‡ÏÂÚÓ‚, ÍÓÚÓ˚Â
äÌÓÔ͇ ÓÚÏÂÌ˚ „ËÒÚ‡ˆËË Ë
Ú·ÛÂÚÒfl ̇ÒÚÓËÚ¸ Ë ÒÓı‡ÌËÚ¸. ÑÎfl
ÔÂÂıÓ‰‡ Í „·‚ÌÓÏÛ ˝Í‡ÌÛ.
ÔÂÂıÓ‰‡ ÓÚ Ó‰ÌÓÈ „ÛÔÔ˚ Í ‰Û„ÓÈ ÏÓÊÌÓ
ÑÎfl ˝ÚÓ„Ó ÏÓÊÌÓ Ú‡ÍÊÂ
ËÒÔÓθÁÓ‚‡Ú¸ ‰ËÒÍ ÛÔ‡‚ÎÂÌËfl [DATA ENTRY].
‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ÍÌÓÔÍÓÈ [EXIT].
óÚÓ·˚ Á‡Â„ËÒÚËÓ‚‡Ú¸ „ÛÔÔÛ Ô‡‡ÏÂÚÓ‚,
ÔÓÒÚ‡‚¸Ú fl‰ÓÏ Ò ÌÂÈ „‡ÎÓ˜ÍÛ. 臇ÏÂÚ˚,
Á‡‰‡ÌÌ˚ ‰Îfl „ÛÔÔ, Ì ÔÓϘÂÌÌ˚ı
„‡ÎӘ͇ÏË, Ì ·Û‰ÛÚ ÒÓı‡ÌÂÌ˚ ‚ ‚ˉ هÈ·
̇·Ó‡ Ô‡‡ÏÂÚÓ‚. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ÒÓı‡ÌflÚ¸
äÌÓÔ͇ ÛÒÚ‡ÌÓ‚ÍË „‡ÎÓ˜ÍË.
ÓÔ‰ÂÎÂÌÌ˚ ̇ÒÚÓÈÍË ‰‡Ê ÔË ÒÏÂÌÂ
åÓÊÌÓ Ú‡ÍÊ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl
̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚, ‚ÁflÚ˚ı ËÁ
‰Îfl ˝ÚÓ„Ó ÍÌÓÔÍÓÈ [ENTER].
„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË. ë ÚÓÈ Ê ˆÂθ˛
ÏÓÊÌÓ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ÙÛÌ͈ËÂÈ Freeze
(«Á‡ÏÓÓÁËÚ¸») (ÒÚ. 86), ÍÓÚÓ‡fl ÔÓÁ‚ÓÎflÂÚ
Ë„ÌÓËÓ‚‡Ú¸ ËÁÏÂÌÂÌËfl „ËÒÚ‡ˆËÓÌÌÓÈ
äÌÓÔ͇ Û‰‡ÎÂÌËfl „‡ÎÓ˜ÍË. íÓ ÊÂ
Ô‡ÏflÚË, ÓÚÌÓÒfl˘ËÂÒfl Í «Á‡ÏÓÓÊÂÌÌ˚Ï»
Ò‡ÏÓ ÏÓÊÌÓ Ò‰Â·ڸ Ò ÔÓÏÓ˘¸˛
Ô‡‡ÏÂÚ‡Ï.
ÍÌÓÔÍË [ENTER].
óÚÓ·˚ Á‡Â„ËÒÚËÓ‚‡Ú¸ ̇·Ó Ô‡‡ÏÂÚÓ‚, ̇ÊÏËÚ ӉÌÛ ËÁ ËÁÓ·‡ÊÂÌÌ˚ı
ã˛·˚ ‰‡ÌÌ˚Â, ÍÓÚÓ˚ ·˚ÎË
ÌËÊÂ ÍÌÓÔÓÍ.
REGISTRATION MEMORY
FREEZE MEMORY
‡Ì Á‡ÍÂÔÎÂÌ˚ Á‡
‚˚·‡ÌÌÓÈ ÍÌÓÔÍÓÈ
REGISTRATION MEMORY
(͇ÒÌ˚È ËÎË ÁÂÎÂÌ˚È
Ò‚ÂÚÓ‰ËÓ‰), ·Û‰ÛÚ ÛÌ˘ÚÓÊÂÌ˚.
áÂÎÂÌ˚È Ò‚ÂÚÓ‰ËÓ‰ ...ç‡·Ó Ô‡‡ÏÂÚÓ‚ Á‡Â„ËÒÚËÓ‚‡Ì, ÌÓ Ì ‚˚·‡Ì.
àı ÏÂÒÚÓ Á‡ÈÏÂÚ ÌÓ‚˚È Ì‡·Ó
Ô‡‡ÏÂÚÓ‚.
ä‡ÒÌ˚È Ò‚ÂÚÓ‰ËÓ‰ ...ç‡·Ó Ô‡‡ÏÂÚÓ‚ Á‡Â„ËÒÚËÓ‚‡Ì Ë ‚˚·‡Ì.
ë‚ÂÚÓ‰ËÓ‰ Ì „ÓËÚ.... ç‡·Ó Ô‡‡ÏÂÚÓ‚ Ì Á‡Â„ËÒÚËÓ‚‡Ì.
ëÓı‡ÌÂÌËÂ Ë ‚˚ÁÓ‚ ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ — Registration Memory
ëÓı‡ÌÂÌË ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚
ç‡·Ó Ô‡‡ÏÂÚÓ‚, Á‡ÍÂÔÎÂÌÌ˚È Á‡ ͇ʉÓÈ ËÁ ÍÌÓÔÓÍ REGISTRATION MEMORY [1] - [8], ÒÓı‡ÌflÂÚÒfl ‚ ‚ˉ ÓÚ‰ÂθÌÓ„Ó Ù‡È·.
ç Á‡·˚‚‡ÈÚÂ, ˜ÚÓ ‡ÁÏÂ
هȷ ‚ „ËÒÚ‡ˆËÓÌÌÓÏ ·‡ÌÍÂ
á‡ÍÂÔÎÂÌÌ˚È Á‡ ͇ʉÓÈ ËÁ ÍÌÓÔÓÍ [1] -
(‡ Á̇˜ËÚ, Ë Ó·˙ÂÏ Á‡ÌËχÂÏÓÈ
[8] ̇·Ó Ô‡‡ÏÂÚÓ‚ ̇Á˚‚‡ÂÚÒfl ·‡ÌÍÓÏ.
ËÏ Ô‡ÏflÚË) Á‡‚ËÒËÚ ÓÚ ˜ËÒ·
î‡ÈÎ˚ „ËÒÚ‡ˆËÓÌÌ˚ı ·‡ÌÍÓ‚ ÒΉÛÂÚ
BANK 01
Á‡‰‡‚‡ÂÏ˚ı ÙÛÌ͈ËÈ.
ÒÓı‡ÌflÚ¸ ‚ ‡Á‰ÂΠԇÏflÚË «USER» ËÎË
̇ ‰ËÒÍÂÚÂ.
F
G
H
I
J
ùÍ‡Ì REGISTRATION EDIT
ëÓ‰ÂÊËÏÓ ÚÂÍÛ˘Â„Ó ·‡Ì͇ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË (REGIST.) ‚˚‚Ó‰ËÚÒfl ̇ ˝Í‡Ì REGISTRATION EDIT. ç‡Á‚‡ÌËfl
ÒÓı‡ÌÂÌÌ˚ı ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ ÓÚÓ·‡Ê‡˛ÚÒfl ̇ ˝Í‡ÌÂ. ë‚ÂÚÓ‰ËÓ‰˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ÍÌÓÔÓÍ REGISTRATION
MEMORY ÒÚ‡ÌÓ‚flÚÒfl ÁÂÎÂÌ˚ÏË.
ç‡ ˝ÚÓÏ ˝Í‡Ì ‚˚ ÏÓÊÂÚ ‚˚·‡Ú¸, Û‰‡ÎËÚ¸ ̇·Ó Ô‡‡ÏÂÚÓ‚ ËÎË Ì‡Á̇˜ËÚ¸ ÂÏÛ ËÏfl.
Ç˚·Ó
.................. ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [A] - [J]. äÌÓÔÍË REGISTRATION MEMORY [1] - [8] Ò‚flÁ‡Ì˚ Ò ˝Í‡ÌÓÏ REGIST. èË
‚˚·Ó ӉÌÓ„Ó ËÁ ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ Ò‚ÂÚÓ‰ËÓ‰ ̇‰ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÂÏÛ ÍÌÓÔÍÓÈ ÒÚ‡ÌÓ‚ËÚÒfl ͇ÒÌ˚Ï.
ç‡Á̇˜ÂÌËÂ
ËÏÂÌË ...................èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ ÔË ‚˚ÔÓÎÌÂÌËË ˝ÚÓÈ ÓÔ‡ˆËË Ë‰ÂÌÚ˘̇ Ôӈ‰ÛÂ, ÓÔËÒ‡ÌÌÓÈ ‚ ‡Á‰ÂÎÂ
«Ç˚·Ó ËÏÂÌ ‰Îfl Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ» (ÒÚ. 41) „·‚˚ «éÒÌÓ‚Ì˚ ÓÔ‡ˆËË — Ó„‡ÌËÁ‡ˆËfl ‰‡ÌÌ˚ı».
쉇ÎÂÌË .............èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ ÔË ‚˚ÔÓÎÌÂÌËË ˝ÚÓÈ ÓÔ‡ˆËË Ë‰ÂÌÚ˘̇ Ôӈ‰ÛÂ, ÓÔËÒ‡ÌÌÓÈ ‚ ‡Á‰ÂÎÂ
«ì‰‡ÎÂÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ» (ÒÚ. 43) „·‚˚ «éÒÌÓ‚Ì˚ ÓÔ‡ˆËË — Ó„‡ÌËÁ‡ˆËfl ‰‡ÌÌ˚ı».
PSR-2000/1000
85
81 2 3 4 5 6 7
óÚÓ·˚ ÔÂÂÈÚË Í „·‚ÌÓÏÛ
˝Í‡ÌÛ, Ò̇˜‡Î‡ ̇ÊÏËÚ ÍÌÓÔÍÛ
[DIRECT ACCESS], ‡ Á‡ÚÂÏ —
1
ÍÌÓÔÍÛ [EXIT].
ëÓı‡ÌËÚ ̇·Ó Ô‡‡ÏÂÚÓ‚ ‚ ‚ˉ ‰ËÌÓ„Ó Ù‡È·
2
„ËÒÚ‡ˆËÓÌÌÓ„Ó ·‡Ì͇ (ÒÚ. 44).
èÓfl‚ËÚÒfl ˝Í‡Ì REGISTRATION EDIT.
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó· ˝ÚÓÏ
˝Í‡Ì Ô˂‰ÂÌ˚ ÌËÊÂ.
ëÓı‡ÌÂÌËÂ Ë ‚˚ÁÓ‚ ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ — Registration Memory
ᇄÛÁ͇ ̇·Ó‡ Ô‡‡ÏÂÚÓ‚
åÓÊÌÓ Á‡„ÛÁËÚ¸ Í‡Í ‚ÂÒ¸ ̇·Ó ̇ÒÚÓÂÍ, Ú‡Í Ë ÓÚ‰ÂθÌ˚ ԇ‡ÏÂÚ˚. ç‡ÔËÏÂ, ÔË ÒÌflÚËË
„‡ÎÓ˜ÍË Ò „ÛÔÔ˚ «STYLE» ̇ ˝Í‡Ì REGISTRATION MEMORY, ÚÂÍÛ˘ËÈ ÒÚËθ Ì ËÁÏÂÌËÚÒfl,
Ç˚·ÂËÚ ÌÂÓ·ıÓ‰ËÏ˚È ·‡ÌÍ Ì‡
‰‡Ê ÂÒÎË Á‡„ÛÁËÚ¸ ÌÓ‚˚È ·‡ÌÍ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË.
˝Í‡Ì REGISTRATION BANK
(ÒÚ. 85).
ᇄÛÁ͇ Á‡Â„ËÒÚËÓ‚‡ÌÌ˚ı Ô‡‡ÏÂÚÓ‚
óÚÓ·˚ Á‡„ÛÁËÚ¸ ÌÂÓ·ıÓ‰ËÏ˚ Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚, ̇ÊÏËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ
REGISTRATION MEMORY (Ò‚ÂÚÓ‰ËÓ‰ ̇‰ ÌÂÈ ‰ÓÎÊÂÌ ·˚Ú¸ ÁÂÎÂÌ˚Ï).
ëÛ˘ÂÒÚ‚ÛÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸
ÔÓÒΉӂ‡ÚÂθÌÓ Á‡„Ûʇڸ
REGISTRATION MEMORY
FREEZE MEMORY
ÌÂÒÍÓθÍÓ Ì‡·ÓÓ‚ Ô‡‡ÏÂÚÓ‚
‚ β·ÓÏ ÔÓfl‰ÍÂ. ÅÛ‰Û˜Ë
Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚ÏË, ·‡ÌÍË
1 - 8 ÏÓ„ÛÚ ·˚Ú¸
ÔÓÒΉӂ‡ÚÂθÌÓ ‚˚Á‚‡Ì˚ Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/
[NEXT] ËÎË Ô‰‡ÎË (ÒÚ. 142).
Ç˚·Ó Ô‡‡ÏÂÚÓ‚ «Á‡ÏÓÓÁÍË»
MENU
1
DEMO
HELP
FUNCTION
REGISTRATION MEMORY
FREEZE MEMORY
REGISTRATION MEMORY
FREEZE MEMORY
86
PSR-2000/1000
81 2 3 4 5 6 7
2
èÂÂȉËÚ ̇ ÒÚ‡ÌˈÛ
«FREEZE» ˝Í‡Ì‡
REGIST.SEQUENCE/
äÌÓÔ͇ ÛÒÚ‡ÌÓ‚ÍË
FREEZE/VOICE SET
„‡ÎÓ˜ÍË.
(ÒÚ. 142).
äÌÓÔ͇ Û‰‡ÎÂÌËfl
„‡ÎÓ˜ÍË.
äÌÓÔÍË ‚˚·Ó‡ Ô‡‡ÏÂÚÓ‚ «Á‡ÏÓÓÁÍË».
ç‡ÊÏËÚ ÍÌÓÔÍÛ [FREEZE]. ÖÒÎË ÂÊËÏ «Á‡ÏÓÓÁÍË» ‚Íβ˜ÂÌ („ÓËÚ Ò‚ÂÚÓ‰ËÓ‰ fl‰ÓÏ Ò ÍÌÓÔÍÓÈ FREEZE),
3
ÚÓ Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚, Û͇Á‡ÌÌ˚ı ̇ ÒÚ‡Ìˈ «Freeze», ÓÒÚ‡ÌÛÚÒfl ÌÂÚÓÌÛÚ˚ÏË ‰‡Ê ÔË ÒÏÂÌ ·‡ÌÍÓ‚
„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË.
óÚÓ·˚ Á‡„ÛÁËÚ¸ ÌÂÓ·ıÓ‰ËÏ˚ Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚, ̇ÊÏËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ REGISTRATION
4
MEMORY (Ò‚ÂÚÓ‰ËÓ‰ ̇‰ ÌÂÈ ‰ÓÎÊÂÌ ·˚Ú¸ ÁÂÎÂÌ˚Ï).
ꉇÍÚËÓ‚‡ÌË „ÓÎÓÒÓ‚ — ÙÛÌ͈Ëfl Sound Creator
PSR-2000/1000 ӷ·‰‡ÂÚ ÙÛÌ͈ËÂÈ Sound Creator, ÍÓÚÓ‡fl ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ „ÓÎÓÒ‡
ÔÛÚÂÏ Â‰‡ÍÚËÓ‚‡ÌËfl ÌÂÍÓÚÓ˚ı Ô‡‡ÏÂÚÓ‚ Ëϲ˘ËıÒfl „ÓÎÓÒÓ‚. èÓÒΠÒÓÁ‰‡ÌËfl „ÓÎÓÒ‡ „Ó
• ÉÓÎÓÒ‡ ÏÓÊÌÓ Ì‡Òڇ˂‡Ú¸ ‚
ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ ‚ ‡Á‰ÂΠԇÏflÚË USER ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ‚ ·Û‰Û˘ÂÏ.
‡θÌÓÏ ‚ÂÏÂÌË, ÌÂ
ÔÂ˚‚‡fl ‚ÓÒÔÓËÁ‚‰ÂÌËfl
HOLD
LEFT
VOICE EFFECT
BACK NEXT
SUSTAIN
HARMONY/
ECHO
MONOTOUCH
DSP
VARIATION
ÔÂÒÌË/ÒÚËÎfl.
STUDIO
DIGITAL
VOIC E
PIANO & HARPSI.
E.PIANO
ACCORDION
ORGAN &
SOUND CREATOR
MAIN
PERCUSSION
• àÏÂÈÚ ‚ ‚ˉÛ, ˜ÚÓ ÔË
DIGITAL RECORDING
A
F
B
G
LAYER
GUITAR
BASS
BRASS
WOODWIND
ÓÔ‰ÂÎÂÌÌ˚ı
MIXING CONSOLE
C
H
LEFT
STRINGS CHOIR & PAD
SYNTH.
XG
D
I
USER
ORGAN FLUTES
Ô‚Ó̇˜‡Î¸Ì˚ı ̇ÒÚÓÈ͇ı
DEMO
MENU
E
J
MUSIC
UPPER OCTAVE
FINDER
HELP
MIC.
RESET
„ÓÎÓÒ‡ „ÛÎËӂ͇ „Ó
OVER
SELECT
VH TYPE
SETTING
MIC.
HARMONY
VOCAL
TALK
EFFECT
FUNCTION
SIGNAL
ONE TOUCH SETTING
ACCESS
DIRECT
BALANCE
Ô‡‡ÏÂÚÓ‚ ÏÓÊÂÚ Ò΄͇
EXIT
ENTER
CHANNEL ON/OFF
ÓڇʇڸÒfl ̇ Ù‡ÍÚ˘ÂÒÍÓÏ
PART
REGISTRATION MEMORY
DATA ENTRY
FREEZE MEMORY
Á‚Û˜‡ÌËË ÚÂÏ·‡.
PSR-2000/1000
87
81 2 3 4 5 6 7
SONG
TRACKS
EXTRA
TRACK
2
TRACK
1 REPEAT
NOME
METRO-
(STYLE) (R)(L)
REC REW FF
TOP
START/STOP
STYLE
NEW SONG SYNC. START
POP & ROCK
SWING &
JAZZ
BALLROOM
MARCH &
WALTZ
BALLAD USERLATIN
DANCE
PART
TRANSPOSE
TEMPO
TAP TEMPO
MASTER VOLUME
RESET
RESET
STOP
FADE
MULTI PAD
IN/OUT
MIN MAX
STYLE CONTROL
DIGITAL
ACMP
BREAK
INTRO
MAIN
ENDING
/ rit.
AUTO
OTS
STOP
SYNC.
SYNC.
START
STUDIO
START/STOP
ON
STANDBY
FILL IN
LINK
SOUND CREATOR
èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ
óÚÓ·˚ ‚˚·‡Ú¸ Ô‡Ú˲ (MAIN, LAYER ËÎË
ç‡ÊÏËÚ ÍÌÓÔÍÛ
1
2
ÉÓÎÓÒ ÏÓÊÌÓ Ú‡ÍÊ ‚˚·‡Ú¸ ̇
LEFT), ÒÓ‰Âʇ˘Û˛ ËÒıÓ‰Ì˚È „ÓÎÓÒ,
[SOUND
˝Í‡Ì SOUND CREATOR.
̇ÊÏËÚ ÍÌÓÔÍÛ [F], [G] ËÎË [H].
CREATOR].
DIGITAL
ÇçàåÄçàÖ!
F
STUDIO
SOUND CREATOR
ÖÒÎË Á‡ÏÂÌËÚ¸ „ÓÎÓÒ
G
‰‡ÍÚËÛÂÏÓÈ Ô‡ÚËË, ÚÓ
H
Á‡‰‡ÌÌ˚ Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚
DIGITAL RECORDING
I
·Û‰ÛÚ ÛÚÂflÌ˚. LJÊÌ˚ ‰‡ÌÌ˚Â
J
ÒΉÛÂÚ ÒÓı‡ÌflÚ¸ ‚ ‡Á‰ÂÎÂ
MIXING CONSOLE
Ô‡ÏflÚË USER ËÎË Ì‡ ‰ËÒÍÂÚÂ.
PART
éÚ‰‡ÍÚËÛÈÚ ԇ‡ÏÂÚ˚ „ÓÎÓÒ‡.
3
èÓfl‰ÓÍ ËÒÔÓθÁÓ‚‡ÌËfl ‚˚·Ë‡ÂÏ˚ı ̇ ˝ÚÓÏ ˝Ú‡Ô ÙÛÌ͈ËÈ ‰ÂڇθÌÓ ËÁÎÓÊÂÌ Ì‡ ÒÚ. 89 (Ó·˚˜Ì˚ „ÓÎÓÒ‡) Ë
ÒÚ. 91 (Ó„‡ÌÌ˚ ÙÎÂÈÚ˚).
Ç˚·ÂËÚ Ú·ÛÂÏÓ ÏÂÌ˛ Ò
é·˚˜Ì˚È „ÓÎÓÒ
ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [NEXT]/[BACK].
鄇ÌÌ˚ ÙÎÂÈÚ˚ (ÚÓθÍÓ ‰Îfl PSR-2000)
á‰ÂÒ¸ ÓÚÓ·‡Ê‡˛ÚÒfl
A
F
‰ÓÒÚÛÔÌ˚ ‰Îfl
B
G
‰‡ÍÚËÓ‚‡ÌËfl
C
H
Ô‡‡ÏÂÚ˚. éÌË
D
I
ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú
E
J
Ô‡‡ÏÂÚ‡Ï/Á̇˜ÂÌËflÏ,
Û͇Á‡ÌÌ˚Ï ‚ ÌËÊÌÂÈ
˜‡ÒÚË ˝Í‡Ì‡.
Ç ÔÓˆÂÒÒ ‡·ÓÚ˚ ÏÓÊÌÓ Ò‡‚ÌË‚‡Ú¸
äÌÓÔÍË ‚˚·Ó‡/̇ÒÚÓÈÍË Ô‡‡ÏÂÚÓ‚.
ËÒıÓ‰Ì˚È „ÓÎÓÒ Ò ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚Ï.
äÌÓÔÍË ‚˚·Ó‡ ÏÂÌ˛.
ùÚ‡ ÍÌÓÔ͇ ÓÚÍ˚‚‡ÂÚ ˝Í‡Ì Save (Voice), Ò ÔÓÏÓ˘¸˛ ÍÓÚÓÓ„Ó ÏÓÊÌÓ
Ç ‚˚·‡ÌÌÓÏ ÏÂÌ˛ ÙÓÌ ÒÚ‡ÌÓ‚ËÚÒfl ˜ÂÌ˚Ï, ‡ ·ÛÍ‚˚ — ·ÂÎ˚ÏË.
ÒÓı‡ÌËÚ¸ ‰‡ÍÚËÛÂÏ˚È „ÓÎÓÒ ‚ ‡Á‰ÂΠԇÏflÚË USER (ÒÚ. 44).
ëÓı‡ÌËÚ ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚È „ÓÎÓÒ ‚
óÚÓ·˚ ‚˚·‡Ú¸ ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚È
4
‡Á‰ÂΠԇÏflÚË USER (Flash ROM) ‚ ‚ˉÂ
5
„ÓÎÓÒ, ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔÍÓÈ [USER].
ÔÓθÁÓ‚‡ÚÂθÒÍÓ„Ó „ÓÎÓÒ‡ (User) (ÒÚ. 44).
ꉇÍÚËÓ‚‡ÌË „ÓÎÓÒ‡ — ÙÛÌ͈Ëfl SOUND CREATOR
臇ÏÂÚ˚ Ó·˚˜ÌÓ„Ó „ÓÎÓÒ‡
COMMON (Ó·˚˜Ì˚Â) ᇉ‡˛ÚÒfl Ó·˚˜Ì˚ ԇ‡ÏÂÚ˚, ̇ÔËÏ „ÓÏÍÓÒÚ¸ „ÓÎÓÒ‡ ËÎË ÓÍÚ‡‚‡.
ëΉÛÂÚ ËÏÂÚ¸ ‚ ‚ˉÛ, ˜ÚÓ
̇ÒÚÓÈ͇ ÌÂÍÓÚÓ˚ı ËÁ
SOUND (Á‚ÛÍÓ‚˚Â) ç‡Òڇ˂‡˛ÚÒfl Ô‡‡ÏÂÚ˚ ÚÂÏ·‡/ÙÛÌ͈ËË Envelope Generator („Â̇ÚÓ
ÒÛ˘ÂÒÚ‚Û˛˘Ëı Ô‡‡ÏÂÚÓ‚ Ò
Ó„Ë·‡˛˘Ëı)/‚Ë·‡ÚÓ.
ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Sound Creator
EFFECT/EQ (˝ÙÙÂÍÚ˚ Ë
ÔË‚Ó‰ËÚ ÚÓθÍÓ Í ËÁÏÂÌÂÌ˲
˝Í‚‡Î‡ÈÁÂ) (PSR-2000)
ᇉ‡˛ÚÒfl ÚËÔ/„ÎÛ·Ë̇ ‚ÓÁ‰ÂÈÒÚ‚Ëfl ˝ÙÙÂÍÚ‡ Ë Ô‡‡ÏÂÚ˚ ˝Í‚‡Î‡ÈÁ‡.
„ÓÎÓÒ‡ „·‚ÌÓÈ ˜‡ÒÚË.
EFFECT (˝ÙÙÂÍÚ˚) (PSR-1000)
HARMONY („‡ÏÓÌËÁ‡ˆËfl) ᇉ‡˛ÚÒfl Ô‡‡ÏÂÚ˚ „‡ÏÓÌËÁ‡ˆËË Ë ˝ı‡.
è˜ËÒÎÂÌÌ˚ ÌËÊ ԇ‡ÏÂÚ˚ ÏÓÊÌÓ Ì‡Òڇ˂‡Ú¸ Ì ÚÓθÍÓ Ì‡ ˝Í‡Ì ‰‡ÍÚËÓ‚‡ÌËfl „ÓÎÓÒÓ‚, ÌÓ Ë Ò ÔÓÏÓ˘¸˛ ‰Û„Ëı
˝Í‡ÌÓ‚.
臇ÏÂÚ ÄθÚÂ̇ÚË‚Ì˚È ˝Í‡Ì ̇ÒÚÓÈÍË
MONO (ÏÓÌÓÙÓÌËfl) „ÛÔÔ‡ ÍÌÓÔÓÍ VOICE EFFECT (Ô‡ÌÂθ ÛÔ‡‚ÎÂÌËfl) ÒÚ. 58
PORTAMENTO TIME (ÔÓÚ‡ÏÂÌÚÓ) MIXING CONSOLE (ÍÓÌÒÓθ ÏËͯ‡) ÒÚ. 123
FILTER BRIGHTNESS (ÙËÎ¸Ú «flÍÓÒÚË» ÚÂÏ·‡) MIXING CONSOLE ÒÚ. 123
FILTER HARMONIC CONTENT (ÙËÎ¸Ú „‡ÏÓÌËÍ) MIXING CONSOLE ÒÚ. 123
REVERB DEPTH („ÎÛ·Ë̇ ‚·‡ˆËË) MIXING CONSOLE ÒÚ. 124
CHORUS DEPTH („ÎÛ·Ë̇ ıÓÛÒ‡) MIXING CONSOLE ÒÚ. 124
DSP ON/OFF (‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ˆËÙÓ‚Ó„Ó Ò˄̇θÌÓ„Ó ÔÓˆÂÒÒÓ‡) VOICE EFFECT (Ô‡ÌÂθ ÛÔ‡‚ÎÂÌËfl) ÒÚ. 57
DSP DEPTH („ÎÛ·Ë̇ Ó·‡·ÓÚÍË Ò˄̇· ˆËÙÓ‚˚Ï Ò˄̇θÌ˚Ï
MIXING CONSOLE ÒÚ. 124
ÔÓˆÂÒÒÓÓÏ)
DSP TYPE/VARIATION (ÚËÔ Ó·‡·ÓÚÍË/‚‡Ë‡ˆËË) MIXING CONSOLE/VOICE EFFECT ÒÚ. 58, 124
EQ LOW/GAIN (ÛÒËÎÂÌË ÌËÁÍËı ˜‡ÒÚÓÚ) MIXING CONSOLE ÒÚ. 121
EQ HIGH/GAIN (ÛÒËÎÂÌË ‚˚ÒÓÍËı ˜‡ÒÚÓÚ) MIXING CONSOLE ÒÚ. 121
HARMONY/ECHO TYPE (ÚËÔ „‡ÏÓÌËÁ‡ˆËË/˝ı‡) ˝Í‡Ì HARMONY/ECHO (ÍÌÓÔ͇ FUNCTION) ÒÚ. 143
HARMONY/ECHO VOLUME („ÓÏÍÓÒÚ¸ ‰Ó·‡‚ÎÂÌÌÓ„Ó Ò˄̇·) HARMONY/ECHO (FUNCTION) ÒÚ. 143
HARMONY/ECHO SPEED (˜‡ÒÚÓÚ‡ „‡ÏÓÌËÁ‡ˆËË/‰Ó·‡‚ÎÂÌËfl ˝ı‡) HARMONY/ECHO (FUNCTION) ÒÚ. 143
HARMONY/ECHO ASSIGN (‚‡Ë‡ÌÚ˚ ÔËÏÂÌÂÌËfl ˝ÙÙÂÍÚ‡) HARMONY/ECHO (FUNCTION) ÒÚ. 143
HARMONY/ECHO CHORD NOTE ONLY (˝ÙÙÂÍÚ „‡ÏÓÌËÁ‡ˆËË/˝ı‡
HARMONY/ECHO (FUNCTION) ÒÚ. 143
Á‡Ú‡„Ë‚‡ÂÚ ÚÓθÍÓ ÓÒÌÓ‚ÌÓÈ ÚÓÌ ‡ÍÍÓ‰‡)
HARMONY/ECHO TOUCH LIMIT (ÔÓÓ„ ÒËÎ˚ ̇ʇÚËfl) HARMONY/ECHO (FUNCTION) ÒÚ. 143
é·˚˜Ì˚ ԇ‡ÏÂÚ˚
Ç ‰‡ÌÌÓÏ ‡Á‰ÂΠÔ˂‰ÂÌ˚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó ¯‡„ ‹3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚ. 87.
88
PSR-2000/1000
81 2 3 4 5 6 7
äÌÓÔÍË Â„ÛÎËÓ‚ÍË „ÓÏÍÓÒÚË
‰‡ÍÚËÛÂÏÓ„Ó „ÓÎÓÒ‡.
äÌÓÔÍË Â„ÛÎËÓ‚ÍË ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË
äÌÓÔÍË ÛÒÚ‡ÌÓ‚ÍË ‚ÂÏÂÌË
Í·‚ˇÚÛ˚ Í Ì‡Ê‡Ú˲ (Á‡‰‡ÂÚÒfl
ÔÓÚ‡ÏÂÌÚÓ ‰Îfl ͇ʉÓÈ ˜‡ÒÚË (MAIN/
ÒÚÂÔÂ̸ Á‡‚ËÒËÏÓÒÚË ËÁÏÂÌÂÌËfl
LAYER/VOICE) (ÒÚ. 123).
„ÓÏÍÓÒÚË „ÓÎÓÒ‡ ÓÚ ËÁÏÂÌÂÌËfl ÒËÎ˚
Û‰‡‡ ÔÓ Í·‚˯‡Ï).
0 —–– ìÓ‚Â̸ „ÓÏÍÓÒÚË ËÁÏÂÌflÂÚÒfl
äÌÓÔ͇ ÔÂÂÍβ˜ÂÌËfl ÏÂʉÛ
‚ Á̇˜ËÚÂθÌ˚ı ԉ·ı ÔË
ÔÓÎËÙÓÌ˘ÂÒÍËÏ Ë ÏÓÌÓÙÓÌ˘ÂÒÍËÏ
‰‚‡ Á‡ÏÂÚÌÓÏ ËÁÏÂÌÂÌËË
ÂÊËÏÓÏ Á‚Û˜‡ÌËfl „ÓÎÓÒ‡ (ÒÚ. 58).
ÒËÎ˚ ̇ʇÚËfl.
64
—
– ä·‚ˇÚÛ‡ ‡„ËÛÂÚ Ì‡
äÌÓÔ͇ Ò‰‚Ë„‡ ‚˚·‡ÌÌÓ„Ó „ÓÎÓÒ‡ ̇
̇ʇÚË ӷ˚˜Ì˚Ï Ó·‡ÁÓÏ.
ÓÍÚ‡‚Û(˚) ‚‚Âı ËÎË ‚ÌËÁ. ÖÒÎË
127— ÉÓÎÓÒ Á‚Û˜ËÚ Ó‰Ë̇ÍÓ‚Ó „ÓÏÍÓ
‚˚·‡Ì „ÓÎÓÒ ‰Îfl „·‚ÌÓÈ ˜‡ÒÚË ËÎË
ÔË Î˛·ÓÈ ÒËΠ̇ʇÚËfl
˜‡ÒÚË ÒÎÓfl, Á‡‰‡ÂÚÒfl Ô‡‡ÏÂÚ M/LYR.
(ÙËÍÒËÓ‚‡ÌÌ˚È ÛÓ‚Â̸
ÖÒÎË ‚˚·‡Ì „ÓÎÓÒ ‰Îfl Ô‡ÚËË Î‚ÓÈ
˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË)
ÛÍË, ÚÓ Á‡‰‡ÂÚÒfl Ô‡‡ÏÂÚ LEFT.
ꉇÍÚËÓ‚‡ÌË „ÓÎÓÒ‡ — ÙÛÌ͈Ëfl SOUND CREATOR
á‚ÛÍÓ‚˚ ԇ‡ÏÂÚ˚
Ç ‰‡ÌÌÓÏ ‡Á‰ÂΠÔ˂‰ÂÌ˚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó ¯‡„ ‹3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚ. 87.
■ îËθÚ
臇ÏÂÚ˚ ÙËθڇ ÓÔ‰ÂÎfl˛Ú Ó·˘ËÈ ı‡‡ÍÚ Á‚Û˜‡ÌËfl ÚÂÏ·‡, ÔÓÁ‚ÓÎflfl ÛÒËÎË‚‡Ú¸ ËÎË
«ÒÂÁ‡Ú¸» ÓÔ‰ÂÎÂÌÌ˚È ˜‡ÒÚÓÚÌ˚È ‰Ë‡Ô‡ÁÓÌ.
■ EG („Â̇ÚÓ Ó„Ë·‡˛˘Ëı)
àÁÏÂÌÂÌË ԇ‡ÏÂÚÓ‚ „Â̇ÚÓ‡ Ó„Ë·‡˛˘Ëı ‚ÎËflÂÚ Ì‡ ‰Ë̇ÏËÍÛ Á‚Û͇. ë ÔÓÏÓ˘¸˛ Ó„Ë·‡˛˘Ëı ÏÓÊÌÓ ËÏËÚËÓ‚‡Ú¸ ÏÌÓ„ËÂ
ÓÒÓ·ÂÌÌÓÒÚË Á‚Û˜‡ÌËfl ‡ÍÛÒÚ˘ÂÒÍËı ËÌÒÚÛÏÂÌÚÓ‚. ç‡ÔËÏÂ, ÔÂÍÛÒÒËÓÌÌ˚ Á‚ÛÍË ÓÚ΢‡˛ÚÒfl ·˚ÒÚÓÈ ‡Ú‡ÍÓÈ Ë ·˚ÒÚ˚Ï
Á‡ÚÛı‡ÌËÂÏ, ‚ ÚÓ ‚ÂÏfl Í‡Í Á‚ÛÍ ÙÓÚÂÔˇÌÓ, ̇ ÍÓÚÓÓÏ Ë„‡˛Ú Ò Ì‡Ê‡ÚÓÈ Ô‡‚ÓÈ Ô‰‡Î¸˛, Ó·˚˜ÌÓ ‰ÓÎ„Ó Ì Á‡ÚÛı‡ÂÚ.
• ATTACK (‡Ú‡Í‡)
éÔ‰ÂÎflÂÚ, ̇ÒÍÓθÍÓ ·˚ÒÚÓ ÔÓÒΠ̇ʇÚËfl Í·‚Ë¯Ë Á‚ÛÍ
‰ÓÒÚË„‡ÂÚ Ï‡ÍÒËχθÌÓÈ „ÓÏÍÓÒÚË. óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ
ωÎÂÌÌ ˝ÚÓ ÔÓËÒıÓ‰ËÚ.
• DECAY (Ô‚˘ÌÓ Á‡ÚÛı‡ÌËÂ)
éÔ‰ÂÎflÂÚ, ̇ÒÍÓθÍÓ ·˚ÒÚÓ Á‚ÛÍ ‰ÓÒÚË„‡ÂÚ ÛÓ‚Ìfl ÒÛÒÚÂÈ̇
(„ÓÏÍÓÒÚ¸ ÌÂÏÌÓ„Ó ÌËÊ χÍÒËχθÌÓÈ). óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ,
ÚÂÏ Ï‰ÎÂÌÌ Á‡ÚÛı‡ÂÚ Á‚ÛÍ.
• RELEASE (ÍÓ̈‚Ó Á‡ÚÛı‡ÌËÂ)
éÔ‰ÂÎflÂÚ ‚ÂÏfl, ÌÂÓ·ıÓ‰ËÏÓ ‰Îfl ÔÓÎÌÓ„Ó Á‡ÚÛı‡ÌËfl Á‚Û͇ ÔÓÒÎÂ
ÓÚÔÛÒ͇ÌËfl Í·‚˯Ë. óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ ‰Óθ¯Â ˝ÚÓ ÔÓËÒıÓ‰ËÚ.
PSR-2000/1000
89
81 2 3 4 5 6 7
äÌÓÔÍË Ì‡ÒÚÓÈÍË ÙËθڇ,
„Â̇ÚÓ‡ Ó„Ë·‡˛˘Ëı (EG) Ë ‚Ë·‡ÚÓ
(ÒÏ. ÌËÊÂ).
îËÎ¸Ú Ì ÚÓθÍÓ ÒÔÓÒÓ·ÂÌ
Ôˉ‡Ú¸ ÚÂÏ·Û Ïfl„ÍÓÒÚ¸ ËÎË
ÂÁÍÓÒÚ¸ — Â„Ó Ú‡ÍÊ ÏÓÊÌÓ
• BRI
ÉÓÏÍÓÒÚ¸
ó‡ÒÚÓÚ‡ ÒeÁ‡
ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ÒÓÁ‰‡ÌËfl
«˝ÎÂÍÚÓÌÌ˚ı»,
«ÒËÌÚÂÁ‡ÚÓÌ˚ı» ˝ÙÙÂÍÚÓ‚.
ó‡ÒÚÓÚ‡
(‚˚ÒÓÚ‡
ó‡ÒÚÓÚ˚, ÔÓÔÛÒ͇eÏ˚e
ÑˇԇÁÓÌ ÒeÁ‡
Á‚Û͇)
ÙËθÚÓÏ.
G
HTNE
SS
(
flÍÓÒÚ¸)
ùÚÓÚ Ô‡‡ÏÂÚ Á‡‰‡ÂÚ ˜‡ÒÚÓÚÛ ÒÂÁ‡ ËÎË
‰Ë‡Ô‡ÁÓÌ ˝ÙÙÂÍÚË‚Ì˚ı ˜‡ÒÚÓÚ (ÂÁÓ̇ÌÒ)
ÚÂÏ·‡ (ÒÏ. ‰Ë‡„‡ÏÏÛ). óÂÏ ‚˚¯Â „Ó
Á̇˜ÂÌËÂ, ÚÂÏ fl˜Â Á‚Û˜‡ÌË ÚÂÏ·‡.
• Harmonic Content (‰Ó·‡‚ÎÂÌË „‡ÏÓÌËÍ)
ÉÓÏÍÓÒÚ¸
éÔ‰ÂÎflÂÚ ÛÓ‚Â̸ ÛÒËÎÂÌËfl ˜‡ÒÚÓÚ,
êÂÁÓ̇ÌÒ
êeÁÓ̇ÌÒ
ÔË΄‡˛˘Ëı Í Á‡‰‡ÌÌÓÈ ˜‡ÒÚÓÚ ÒÂÁ‡ (ÒÏ.
‰Ë‡„‡ÏÏÛ). óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ ·ÓÎÂÂ
‚˚‡ÊÂÌÌ˚Ï ÒÚ‡ÌÓ‚ËÚÒfl ˝ÙÙÂÍÚ.
ó‡ÒÚÓÚ‡
(‚˚ÒÓÚ‡ Á‚Û͇)
Yӂe̸
Ò˄̇·
ATTACK RELEASE
DECAY
ÇeÏfl
ä·‚˯‡ ̇ʇڇ
ä·‚˯‡ ÓÚÔÛ˘ė
óÂÏ ·Óθ¯Â Á̇˜ÂÌËÂ
Ô‡‡ÏÂÚ‡ RELEASE, ÚÂÏ
‰Óθ¯Â ‰ÎËÚÒfl Ù‡Á‡ ÒÛÒÚÂÈ̇.
ꉇÍÚËÓ‚‡ÌË „ÓÎÓÒ‡ — ÙÛÌ͈Ëfl SOUND CREATOR
■ ÇË·‡ÚÓ
• DEPTH („ÎÛ·Ë̇)
VIBRATO (‚Ë·‡ÚÓ)
ᇉ‡ÂÚ ÒÚÂÔÂ̸ ‚˚‡ÊÂÌÌÓÒÚË ˝ÙÙÂÍÚ‡ ‚Ë·‡ÚÓ (ÒÏ. ‰Ë‡„‡ÏÏÛ). óÂÏ ‚˚¯Â
ᇠҘÂÚ ÔÂËӉ˘ÂÒÍÓ„Ó
˝ÚÓ Á̇˜ÂÌËÂ, ÚÂÏ ·ÓΠÓÌ ‚˚‡ÊÂÌ.
ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇
ÒÓÁ‰‡ÂÚÒfl ˝ÙÙÂÍÚ «‰ÓʇÌËfl».
• SPEED (ÔÂËÓ‰)
ᇉ‡ÂÚ ÔÂËÓ‰ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ (ÒÏ. ‰Ë‡„‡ÏÏÛ).
• DELAY (Á‡‰ÂÊ͇)
éÔ‰ÂÎflÂÚ ÔÂËÓ‰ ‚ÂÏÂÌË ÏÂÊ‰Û Ì‡Ê‡ÚËÂÏ Ì‡ Í·‚Ë¯Û Ë
Á‡ÔÛÒÍÓÏ ˝ÙÙÂÍÚ‡ ‚Ë·‡ÚÓ (ÒÏ. ‰Ë‡„‡ÏÏÛ). óÂÏ ‚˚¯Â ˝ÚÓ
Á̇˜ÂÌËÂ, ÚÂÏ ·Óθ¯Â Á‡‰ÂÊ͇.
ùÙÙÂÍÚ˚ Ë ˝Í‚‡Î‡ÈÁÂ
Ç ‰‡ÌÌÓÏ ‡Á‰ÂΠÔ˂‰ÂÌ˚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó ¯‡„ ‹3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚ. 87.
HARMONY („‡ÏÓÌËÁ‡ˆËfl)
Ç ‰‡ÌÌÓÏ ‡Á‰ÂΠÔ˂‰ÂÌ˚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó ¯‡„ ‹3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚ. 87.
éÚÓ·‡Ê‡ÂÏ˚ ̇ ‰‡ÌÌÓÏ ˝Í‡Ì ԇ‡ÏÂÚ˚ ˉÂÌÚ˘Ì˚ Ô‡‡ÏÂÚ‡Ï Ì‡ ˝Í‡Ì HARMONY/ECHO, ÍÓÚÓ˚È ÏÓÊÌÓ ‚˚Á‚‡Ú¸,
̇ʇ‚ ÍÌÓÔÍÛ FUNCTION. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ô˂‰ÂÌ˚ ̇ ÒÚ. 144.
90
PSR-2000/1000
SPEED
Yӂe̸
Ò˄̇·
DEPTH
DELAY
ÇeÏfl
81 2 3 4 5 6 7
Ç ˝ÚÓÈ ÒÚÓÍ ÏÓÊÌÓ Á‡‰‡Ú¸ ÚËÔ
Ó·‡·ÓÚÍË Ò˄̇· Ò ÔÓÏÓ˘¸˛ DSP
(ˆËÙÓ‚ÓÈ Ò˄̇θÌ˚È ÔÓˆÂÒÒÓ).
ëÚÛÍÚÛÌ˚ ÒıÂÏ˚ ÔÓıÓʉÂÌËfl
Ó·‡·‡Ú˚‚‡ÂÏÓ„Ó ˝ÙÙÂÍÚ‡ÏË
Ò˄̇· Ô˂‰ÂÌ˚ ̇ ÒÚ. 126;
Ô˜Â̸ ÚËÔÓ‚ ˝ÙÙÂÍÚÓ‚
ÒÓ‰ÂÊËÚÒfl ‚ Ò·ÓÌËÍ ڇ·Îˈ.
ùÚ‡ ÒÚÓ͇ ÔÓÁ‚ÓÎflÂÚ ÓÔ‰ÂÎËÚ¸
˜‡ÒÚÓÚ˚ Ë ÛÓ‚Â̸ ÛÒËÎÂÌËfl,
Á‡‰‡‚‡ÂÏ˚ ‰Îfl ÔÓÎÓÒ ÌËÁÍËı Ë ‚˚ÒÓÍËı
˜‡ÒÚÓÚ (ÚÓθÍÓ ‰Îfl PSR-2000).
ùÚË ÍÌÓÔÍË ‚˚ÔÓÎÌfl˛Ú ÚÛ Ê Óθ, ˜ÚÓ Ë
‚ ÍÓÌÒÓÎË ÏËͯ‡ (ÒÏ. ÒÚ. 124).
äÌÓÔÍË Â„ÛÎËÓ‚ÍË ÛÓ‚Ìfl ÒÛÒÚÂÈ̇ ‰Îfl Í‡Ê‰Ó„Ó „ÓÎÓÒ‡
(‰ÂÈÒÚ‚Û˛Ú Î˯¸ ÔË ‚Íβ˜ÂÌËË ÍÌÓÔÍË [SUSTAIN].
ꉇÍÚËÓ‚‡ÌË „ÓÎÓÒ‡ — ÙÛÌ͈Ëfl SOUND CREATOR
鄇ÌÌ˚ ÙÎÂÈÚ˚ (ÚÓθÍÓ ‰Îfl PSR-2000)
èÓÏËÏÓ ÏÌÓÊÂÒÚ‚‡ ÚÂÏ·Ó‚ Ó„‡ÌÓ‚, Ëϲ˘ËıÒfl ‚ „ÛÔÔ „ÓÎÓÒÓ‚ ORGAN, PSR-2000/1000 ӷ·‰‡ÂÚ „ÓÎÓÒÓÏ ORGAN FLUTES
(«Ó„‡ÌÌ˚ ÙÎÂÈÚ˚»).
ìÒÚ‡ÌÓ‚ËÚ ÌÛÊÌÓ «ÒÓ˜ÂÚ‡ÌË ÚÛ·».
■ 臇ÏÂÚ˚
Organ Type (ÚËÔ Ó„‡Ì‡) íËÔ ËÏËÚËÛÂÏÓ„Ó Ó„‡ÌÌÓ„Ó ÚÂÏ·‡: Ò ÒËÌÛÒÓˉ‡Î¸ÌÓÈ Á‚ÛÍÓ‚ÓÈ ‚ÓÎÌÓÈ ËÎË Ò ‚ÓÎÌÓÈ, ËÏËÚËÛ˛˘ÂÈ Á‚ÛÍ
ÒÚ‡ËÌÌÓ„Ó Ó„‡Ì‡.
Rotary SP Speed
äÌÓÔ͇ «Rotary SP Speed» ([C]) ÔÓÁ‚ÓÎflÂÚ ‚˚·‡Ú¸ ·˚ÒÚÛ˛ ËÎË Ï‰ÎÂÌÌÛ˛ ÒÍÓÓÒÚ¸ ‚‡˘ÂÌËfl ‰Ë̇ÏË͇.
(ÒÍÓÓÒÚ¸ ‚‡˘ÂÌËfl ‰Ë̇ÏË͇)
óÚÓ·˚ Á‡‰ÂÈÒÚ‚Ó‚‡Ú¸ ˝ÙÙÂÍÚ «‚‡˘‡˛˘Â„ÓÒfl ‰Ë̇ÏË͇», Â„Ó ÌÂÓ·ıÓ‰ËÏÓ ‚˚·‡Ú¸ ‰Îfl „ÓÎÓÒ‡ Organ Flutes
(ÒÏ. ÌËÊ ÒÚÓÍÛ «DSP Type»). äÓÏ ÚÓ„Ó, ÌÂÓ·ıÓ‰ËÏÓ ‚Íβ˜ËÚ¸ ÍÌÓÔÍÛ VOICE EFFECT [DSP]. äÌÓÔ͇
«Rotary SP Speed» Ë„‡ÂÚ ÚÛ Ê Óθ, ˜ÚÓ Ë ÍÌÓÔ͇ VOICE EFFECT [VARIATION]).
Vibrato On/Off
ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË ([G]) ÏÓÊÌÓ ‚Íβ˜‡Ú¸ Ë ÓÚÍβ˜‡Ú¸ ˝ÙÙÂÍÚ ‚Ë·‡ÚÓ ‰Îfl «Ó„‡ÌÌ˚ı ÙÎÂÈÚ».
(‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ‚Ë·‡ÚÓ)
Vibrato Depth („ÎÛ·Ë̇ ‚Ë·‡ÚÓ) ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË ([H]) ‚˚ ÏÓÊÂÚ Á‡‰‡Ú¸ Ó‰ËÌ ËÁ ÚÂı ÛÓ‚ÌÂÈ, ÓÔ‰ÂÎfl˛˘Ëı Ò‰‚Ë„ ‚˚ÒÓÚ˚ ÚÓ̇, ÍÓÚÓ˚È
Ë ÒÓÁ‰‡ÂÚ ˝ÙÙÂÍÚ ‚Ë·‡ÚÓ. ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ ÔÓÒΉӂ‡ÚÂθÌÓ Á‡‰‡Ú¸ „ÎÛ·ËÌÛ ‚Ë·‡ÚÓ «1», «2» Ë «3».
Footage (ÒÓ˜ÂÚ‡ÌË ÚÛ·) ùÚÓÚ Ô‡‡ÏÂÚ ÓÚÌÓÒËÚÒfl Í ÓÒÌÓ‚Â ÚÂÏ·‡ «Ó„‡ÌÌ˚ı ÙÎÂÈÚ». àÒÔÓθÁÓ‚‡ÌË ‚˚‡ÊÂÌËfl «footage» (‰ÎË̇
Ó„‡ÌÌÓÈ ÚÛ·˚ ‚ ÙÛÚ‡ı) — ˝ÚÓ ‰‡Ì¸ Ú‡‰ËˆËË. ë‡Ï ÚÂÏËÌ ‚ÓÁÌËÍ ‚ ˝ÔÓıÛ ÒÚ‡ËÌÌ˚ı Ó„‡ÌÓ‚, ‰Îfl ÍÓÚÓ˚ı
ËÒÚÓ˜ÌËÍÓÏ Á‚Û͇ ·˚Π̇·Ó ÚÛ· ‡Á΢ÌÓÈ ‰ÎËÌ˚. óÂÏ ‰ÎËÌÌ ÚÛ·‡, ÚÂÏ ·ÓΠÌËÁÍËÈ Á‚ÛÍ Ó̇ ËÁ‰‡‚‡Î‡.
èÓ˝ÚÓÏÛ Ô‡‡ÏÂÚ 16’ (ÚÛ·‡ ‰ÎËÌÓÈ ‚ 16 ÙÛÚÓ‚) Á‡‰‡ÂÚ ‚Í·‰ ‚ Ó·˘Â Á‚Û˜‡ÌË ̇˷ÓΠÌËÁÍÓ„Ó
ÍÓÏÔÓÌÂÌÚ‡ ÚÂÏ·‡, ÚÓ„‰‡ Í‡Í Ô‡‡ÏÂÚ 1’ — ‚Í·‰ ̇˷ÓΠ‚˚ÒÓÍÓ„Ó ÍÓÏÔÓÌÂÌÚ‡. óÂÏ ·Óθ¯Â Á̇˜ÂÌËÂ
ÚÓ„Ó ËÎË ËÌÓ„Ó Ô‡‡ÏÂÚ‡, ÚÂÏ „ÓϘ Á‚Û˜ËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl ÂÏÛ «ÚÛ·‡». ëÓÁ‰‡‚‡fl ÒÓ˜ÂÚ‡ÌËfl ÚÛ· Ò
‡Á΢ÌÓÈ „ÓÏÍÓÒÚ¸˛, ‚˚ ÔÓÎÛ˜‡ÂÚ ‚ ËÚÓ„Â ÛÌË͇θÌ˚ ӄ‡ÌÌ˚ ÚÂÏ·˚.
Volume (VOL) („ÓÏÍÓÒÚ¸) ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË „ÓÎÓÒ‡ ‚ ˆÂÎÓÏ. ìÓ‚Â̸ „ÓÏÍÓÒÚË ÓڇʇÂÚÒfl Ë̉Ë͇ÚÓÓÏ „ÓÏÍÓÒÚË ‚ ‚ˉÂ
ÔflÏÓÛ„ÓθÌË͇.
Response (RESP) (ÓÚÍÎËÍ) ùÚÓÚ Ô‡‡ÏÂÚ ÒÔÓÒÓ·ÂÌ ‚ÓÁ‰ÂÈÒÚ‚Ó‚‡Ú¸ ̇ Ù‡Á˚ ‡Ú‡ÍË Ë ÒÛÒÚÂÈ̇ Ó„Ë·‡˛˘ÂÈ. ë Â„Ó ÔÓÏÓ˘¸˛ ÏÓÊÌÓ
Û‚Â΢ËÚ¸ ËÎË ÛÏÂ̸¯ËÚ¸ ‚ÂÏfl «Â‡ÍˆËË» „ÓÎÓÒ‡ ̇ ̇ʇÚË Í·‚Ë¯Ë Ò Û˜ÂÚÓÏ Á̇˜ÂÌËÈ, Á‡‰‡ÌÌ˚ı ‰Îfl
Ô‡‡ÏÂÚ‡ FOOTAGE («ÒÓ˜ÂÚ‡ÌË ÚÛ·»). óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ Ï‰ÎÂÌÌ ̇‡ÒÚ‡ÂÚ „ÓÏÍÓÒÚ¸ Á‚Û͇ Ë
ÚÂÏ ‰Óθ¯Â ‰ÎËÚÒfl ÍÓ̈‚Ó Á‡ÚÛı‡ÌËÂ.
Vibrato Speed (VIB.SPEED)
ᇉ‡ÂÚ ÔÂËÓ‰ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ ÔË ‚Íβ˜ÂÌÌÓÏ ˝ÙÙÂÍÚ ‚Ë·‡ÚÓ. ìÔ‡‚ÎflÚ¸ ˝ÙÙÂÍÚÓÏ ÏÓÊÌÓ Ò
(ÒÍÓÓÒÚ¸ ‚Ë·‡ÚÓ)
ÔÓÏÓ˘¸˛ Ô‡‡ÏÂÚÓ‚ Vibrato On/Off Ë Vibrato Depth, ÓÔËÒ‡ÌÌ˚ı ‚˚¯Â.
Mode (ÂÊËÏ) Ç˚ ÏÓÊÂÚ ‚˚·‡Ú¸ Ó‰ËÌ ËÁ ‰‚Ûı ÂÊËÏÓ‚: FIRST Ë EACH. Ç ÂÊËÏ FIRST Ù‡Á‡ ‡Ú‡ÍË ËÏÂÂÚÒfl Î˯¸ Û ÚÂı
ÌÓÚ, ÍÓÚÓ˚ ·˚ÎË Ò˚„‡Ì˚ Ë Û‰ÂʇÌ˚ Ô‚˚ÏË. èÓ͇ ‚˚ Ëı Ì ÓÚÔÛÒÚËÎË, β·˚ ÔÓÒÎÂ‰Û˛˘Ë ÌÓÚ˚ ·Û‰ÛÚ
Î˯ÂÌ˚ ˝ÚÓÈ Ù‡Á˚. Ç ÂÊËÏ EACH Ù‡Á‡ ‡Ú‡ÍË ËÏÂÂÚÒfl Û ‚ÒÂı ÌÓÚ.
Attack
åÂÌflfl Á̇˜ÂÌËfl ˝ÚËı Ô‡‡ÏÂÚÓ‚, ‚˚ ÏÓÊÂÚ ‚ÎËflÚ¸ ̇ Ù‡ÁÛ ‡Ú‡ÍË ÓÚ‰ÂθÌ˚ı ÍÓÏÔÓÌÂÌÚÓ‚ „ÓÎÓÒ‡. àÌ˚ÏË
(‡Ú‡Í‡ ‰Îfl ÚÂÏ·‡ «ÚÛ·» 4’, 2 2/3’, 2’)
ÒÎÓ‚‡ÏË, ÏÓÊÌÓ ÛÒËÎË‚‡Ú¸ ËÎË ÓÒ··ÎflÚ¸ ‡Ú‡ÍÛ ‚ ÚÂÏ·‡ı «ÚÛ·» 4’, 2 2/3 ‘ Ë 2’. óÂÏ ‰ÎËÌÌ Ë̉Ë͇ÚÓ ‚
‚ˉ ÔflÏÓÛ„ÓθÌË͇, ÚÂÏ fl˜Â ‚˚‡ÊÂ̇ ‡Ú‡Í‡.
Length (LENG) (‰ÎË̇) ùÚÓÚ Ô‡‡ÏÂÚ Ô‰̇Á̇˜ÂÌ ‰Îfl „ÛÎËÓ‚ÍË Ù‡Á˚ Ô‚˘ÌÓ„Ó Á‡ÚÛı‡ÌËfl, Ë‰Û˘ÂÈ Ò‡ÁÛ ÔÓÒΠهÁ˚ ‡Ú‡ÍË.
ÑÎË̇ Ù‡Á˚ ÓڇʇÂÚÒfl Ë̉Ë͇ÚÓÓÏ ‚ ‚ˉ ÔflÏÓÛ„ÓθÌË͇. óÂÏ ÓÌ ‰ÎËÌÌÂÂ, ÚÂÏ ‰Óθ¯Â ‰ÎËÚÒfl
Á‡ÚÛı‡ÌËÂ.
Reverb Depth („ÎÛ·Ë̇ ‚·‡ˆËË)
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ˆËÙÓ‚˚ı ˝ÙÙÂÍÚ‡ı Ô˂‰ÂÌ˚ ̇ ÒÚ. 57, 124.
Chorus Depth („ÎÛ·Ë̇ ıÓÛÒ‡)
DSP on/off (‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌËÂ
DSP)
DSP Depth („ÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ DSP)
DSP Type (ÚËÔ ˝ÙÙÂÍÚ‡ DSP) éÔ‰ÂÎflÂÚ ÚËÔ ˝ÙÙÂÍÚ‡ DSP, ÔËÏÂÌflÂÏÓ„Ó Í „ÓÎÓÒÛ. é·˚˜ÌÓ ˝ÚÓ Ó‰ËÌ ËÁ ÒÂÏË ˝ÙÙÂÍÚÓ‚ «‚‡˘‡˛˘Â„ÓÒfl
‰Ë̇ÏË͇». èË ‚˚·Ó β·Ó„Ó ‰Û„Ó„Ó ˝ÙÙÂÍÚ‡ ÍÌÓÔ͇ ([C]) ̇ ˝Í‡Ì‡ı FOOTAGE Ë VOL/ATTACK ÌÂ
‚ÎËflÂÚ Ì‡ ÒÍÓÓÒÚ¸ ‚‡˘ÂÌËfl ‰Ë̇ÏË͇. ÇÏÂÒÚÓ ˝ÚÓ„Ó Ó̇ ·Û‰ÂÚ Ë„‡Ú¸ ÚÛ Ê Óθ, ˜ÚÓ Ë ÍÌÓÔ͇ VOICE
EFFECT [VARIATION].
Variation (‚‡Ë‡ˆËfl) LJˇˆËfl èÓÁ‚ÓÎflÂÚ ‚˚·‡Ú¸ ÒÍÓÓÒÚ¸ ‚‡Ë‡ˆËË DSP ‰Îfl „ÓÎÓÒ‡ «é„‡ÌÌ˚ ÙÎÂÈÚ˚» ÔË ‚Íβ˜ÂÌÌÓÈ ÙÛÌ͈ËË Voice
Set (ÒÏ. ÒÚ. 143).
á̇˜ÂÌË ìÒڇ̇‚ÎË‚‡ÂÚ Á̇˜ÂÌË ԇ‡ÏÂÚ‡ «‚‡Ë‡ˆËfl DSP» (̇ÔËÏÂ, Á̇˜ÂÌË «LFO Freq» ‰Îfl ˝ÙÙÂÍÚ‡
«‚‡˘‡˛˘Â„ÓÒfl ‰Ë̇ÏË͇»), ÂÒÎË ‚‡Ë‡ˆËfl ‚Íβ˜Â̇.
EQ Low (ÔÓÎÓÒ‡ ÌËÁÍËı ˜‡ÒÚÓÚ ‚
ùÚË Ô‡‡ÏÂÚ˚ ˝Í‚‡Î‡ÈÁ‡ ÓÔ‰ÂÎfl˛Ú ˜‡ÒÚÓÚ˚ Ë ÛÓ‚Â̸ ÛÒËÎÂÌËfl, Á‡‰‡‚‡ÂÏ˚ ‰Îfl ÔÓÎÓÒ ÌËÁÍËı Ë
˝Í‚‡Î‡ÈÁÂÂ)
‚˚ÒÓÍËı ˜‡ÒÚÓÚ.
EQ High (ÔÓÎÓÒ‡ ‚˚ÒÓÍËı ˜‡ÒÚÓÚ ‚
˝Í‚‡Î‡ÈÁÂÂ)
PSR-2000/1000
91
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ
— ÙÛÌ͈Ëfl Song Creator
îÛÌ͈ËË Á‡ÔËÒË, ‡ÎËÁÓ‚‡ÌÌ˚ ‚ ÒËÌÚÂÁ‡ÚÓÂ, ÔÓÒÚ˚ ‰Îfl ÓÒ‚ÓÂÌËfl Ë ÔË ˝ÚÓÏ Ó·Î‡‰‡˛Ú ‚Ô˜‡ÚÎfl˛˘ËÏË ‚ÓÁÏÓÊÌÓÒÚflÏË. ë Ëı
ÔÓÏÓ˘¸˛ ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ Ë ÒÓı‡ÌflÚ¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ÍÓÏÔÓÁˈËË. ëÛ˘ÂÒÚ‚ÛÂÚ ÌÂÒÍÓθÍÓ ÏÂÚÓ‰Ó‚ Á‡ÔËÒË: Quick Recording
(ÒÚ. 93) — Ò‡Ï˚È ÔÓÒÚÓÈ ËÁ ‚ÒÂı; Multi Recording (ÒÚ. 94), ÔÓÁ‚ÓÎfl˛˘ËÈ ÒÓÁ‰‡‚‡Ú¸ ÌÂÒÍÓθÍÓ ˜‡ÒÚÂÈ, Ë Step Recording (ÒÚ. 96),
Ô‰̇Á̇˜ÂÌÌ˚È ‰Îfl ÔÓ¯‡„Ó‚Ó„Ó ‚‚Ó‰‡ ÌÓÚ. èÂÒÌË ÏÓ„ÛÚ ‚Íβ˜‡Ú¸ Ì ÚÓθÍÓ „ÓÎÓÒÓ‚˚ ԇ‡ÏÂÚ˚ ˜‡ÒÚÂÈ, Ë„‡ÂÏ˚ı Ò
Í·‚ˇÚÛ˚ (Main, Layer, Left), ÌÓ Ú‡ÍÊ ԇ‡ÏÂÚ˚ ˝ÙÙÂÍÚÓ‚, „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· Ë ˜‡ÒÚÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. á‡ÔËÒ‡ÌÌ˚ ÔÂÒÌË
ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ ‚ Ô‡ÏflÚË ÒËÌÚÂÁ‡ÚÓ‡ ËÎË Ì‡ ‰ËÒÍÂÚ (ÒÚ. 38, 44).
BACK NEXT
LEFT
HOLD
VOICE EFFECT
SUSTAIN
ECHO
HARMONY/
MONOTOUCH
DSP
VARIATION
DIGITAL
SOUND CREATOR
STUDIO
MAIN
PIANO & HARPSI.
VOIC E
E.PIANO
ACCORDION
ORGAN &
PERCUSSION
DIGITAL RECORDING
A
F
LAYER
GUITAR
BASS
BRASS
WOODWIND
B
G
MIXING CONSOLE
C
H
LEFT
STRINGS CHOIR & PAD
SYNTH.
XG
D
I
MENU
USER
ORGAN FLUTES
DEMO
E
J
MUSIC
UPPER OCTAVE
FINDER
HELP
MIC.
VH TYPE
SELECT
SETTING
MIC.
VOCAL
RESET
OVER
HARMONY
TALK
EFFECT
FUNCTION
SIGNAL
DIRECT
BALANCE
ACCESS
EXIT
ENTER
ONE TOUCH SETTING
CHANNEL ON/OFF
PART
REGISTRATION MEMORY
DATA ENTRY
FREEZE MEMORY
é Á‡ÔËÒË ÔÂÒÂÌ
■ êÂÊËÏ ·˚ÒÚÓÈ Á‡ÔËÒË — Quick Recording (ÒÚ. 93)
ùÚÓ Ò‡Ï˚È ÔÓÒÚÓÈ ÏÂÚÓ‰ Á‡ÔËÒË. ë Â„Ó ÔÓÏÓ˘¸˛ ÏÓÊÌÓ, ̇ÔËÏÂ, ·˚ÒÚÓ Á‡ÔËÒ‡Ú¸
ÔÂÒÌ˛, ÍÓÚÓÛ˛ ‚˚ ‡Áۘ˂‡ÂÚ ̇ ÙÓÚÂÔˇÌÓ. Ç˚·ÂËÚ ˜‡ÒÚ¸ (˜‡ÒÚË) ‰Îfl Á‡ÔËÒË:
Ô‡Ú˲ Ô‡‚ÓÈ ÛÍË, Ô‡Ú˲ ΂ÓÈ ÛÍË Ë Ô‡ÚËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡/ÏÛθÚËÔ˝‰. í‡Í,
̇ÔËÏÂ, ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ÚÓθÍÓ Ô‡Ú˲ Ô‡‚ÓÈ ÛÍË ËÎË Ê ӉÌÓ‚ÂÏÂÌÌÓ Ô‡Ú˲
Ô‡‚ÓÈ ÛÍË Ë ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ.
■ êÂÊËÏ Á‡ÔËÒË ÌÂÒÍÓθÍËı „ÓÎÓÒÓ‚ — Multi Recording (ÒÚ. 94)
ùÚÓÚ ÂÊËÏ ÔÓÁ‚ÓÎflÂÚ Á‡ÔËÒ‡Ú¸ ÍÓÏÔÓÁËˆË˛ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÌÂÒÍÓθÍËı ‡Á΢Ì˚ı
ËÌÒÚÛÏÂÌÚÓ‚; ÏÓÊÌÓ ‰‡Ê ÔÓÔ˚Ú‡Ú¸Òfl ‚ÓÒÔÓËÁ‚ÂÒÚË Á‚Û˜‡ÌË ·Ë„-·˝Ì‰‡ ËÎË
ÒËÏÙÓÌ˘ÂÒÍÓ„Ó ÓÍÂÒÚ‡. á‡Ô˯ËÚ ԇÚ˲ Í‡Ê‰Ó„Ó ËÌÒÚÛÏÂÌÚ‡ ÔÓ ÓÚ‰ÂθÌÓÒÚË, ‡
Á‡ÚÂÏ ÒÓÁ‰‡ÈÚ ÓÍÂÒÚÓ‚ÍÛ. äÓÏ ÚÓ„Ó, ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌÛ˛ Ô‡Ú˲ ÔÓ‚Âı
ÍÓÏÔÓÁˈËË, Ëϲ˘ÂÈÒfl ‚ Ô‡ÏflÚË ÒËÌÚÂÁ‡ÚÓ‡ ËÎË Ì‡ ‰ËÒÍÂÚÂ.
■ êÂÊËÏ ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË — Step Recording (ÒÚ. 96)
èË ËÒÔÓθÁÓ‚‡ÌËË ‰‡ÌÌÓ„Ó ÂÊËχ ‚˚ ÒÏÓÊÂÚ ‡·ÓÚ‡Ú¸ Í‡Í ÍÓÏÔÓÁËÚÓ, ÍÓÚÓ˚È
Ô˯ÂÚ ÌÓÚ˚ ̇ ·Ûχ„Â. ä‡Ê‰‡fl ÌÓÚ‡ ‚‚Ó‰ËÚÒfl ÓÚ‰ÂθÌÓ, Ë ‰Îfl Ì Á‡‰‡˛ÚÒfl ‚˚ÒÓÚ‡ Ë
‰ÎËÚÂθÌÓÒÚ¸. ùÚÓ Ë‰Â‡Î¸Ì˚È ÂÊËÏ ‰Îfl ÚÂı ÒÎÛ˜‡Â‚, ÍÓ„‰‡ ‚‡Ê̇ ÚÓ˜ÌÓÒÚ¸, ËÎË ‰Îfl
Á‡ÔËÒË ÒÎÓÊÌ˚ı Ô‡ÚËÈ.
■ ꉇÍÚËÓ‚‡ÌË ÔÂÒÂÌ (ÒÚ. 102)
ë ÔÓÏÓ˘¸˛ PSR-2000/1000 ‚˚ ÏÓÊÂÚ ‰‡ÍÚËÓ‚‡Ú¸ ÔÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ ‚ β·ÓÏ
ÂÊËÏÂ.
92
PSR-2000/1000
81 2 3 4 5 6 7
SONG
EXTRA
TRACKS
TRACK
2
TRACK
1 REPEAT
NOME
METRO-
(STYLE) (R)(L)
REC REW FF
TOP
START/STOP
STYLE
NEW SONG SYNC. START
POP & ROCK
SWING &
JAZZ
BALLROOM
MARCH &
WALTZ
BALLAD USERLATIN
DANCE
PART
TRANSPOSE
TEMPO
TAP TEMPO
MASTER VOLUME
RESET
RESET
STOP
FADE
MULTI PAD
IN/OUT
MIN MAX
STYLE CONTROL
ACMP
BREAK
INTRO
MAIN
ENDING
/ rit.
STOP
SYNC.
SYNC.
START
START/STOP
ON
STANDBY
AUTO
FILL IN
OTS
LINK
SONG
DIGITAL RECORDING
EXTRA
TRACK
TRACK
METRO-
TRACKS
2
1 REPEAT
NOME
(STYLE) (R)(L)
REC REW FF
TOP
START/STOP
NEW SONG SYNC. START
• ÖÏÍÓÒÚ¸ Ô‡ÏflÚË PSR-2000/1000
ÒÓÒÚ‡‚ÎflÂÚ ÓÍÓÎÓ 580 K· (PSR-2000)/
260 K· (PSR-1000). é·˙ÂÏ ‰ËÒÍÂÚ ÚËÔÓ‚
2DD (‰ËÒÍÂÚ˚ ‰‚ÓÈÌÓÈ ÔÎÓÚÌÓÒÚË) Ë 2HD
(‰ËÒÍÂÚ˚ ‚˚ÒÓÍÓÈ ÔÎÓÚÌÓÒÚË)
ÒÓÒÚ‡‚ÎflÂÚ 720 ä· Ë 1,44 å·
ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ. èË ÒÓı‡ÌÂÌËË
‰‡ÌÌ˚ı ̇ ‰ËÒÍÂÚ‡ı ‚Ò ÚËÔ˚ Ù‡ÈÎÓ‚,
ÔÓ‰‰ÂÊË‚‡ÂÏ˚ PSR-2000/1000
(Ù‡ÈÎ˚ „ÓÎÓÒ‡, ÒÚËÎfl, ÔÂÒÌË,
„ËÒÚ‡ˆËÓÌÌ˚ هÈÎ˚ Ë Ú. ‰.),
ÒÓı‡Ìfl˛ÚÒfl ‚ Ó‰ÌÓÏ ÏÂÒÚÂ.
• ëË„Ì‡Î Ò ÏËÍÓÙÓÌÌÓ„Ó ‚ıÓ‰‡ (ÚÓθÍÓ
‰Îfl PSR-2000) Á‡ÔËÒ‡Ú¸ ÌÂθÁfl.
• Ç PSR-2000/1000 Á‡ÔËÒ¸
ÓÒÛ˘ÂÒÚ‚ÎflÂÚÒfl ‚ ÙÓχÚ SMF
(Standard MIDI File format 0).
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó SMF
Ô˂‰ÂÌ˚ ̇ ÒÚ. 159).
• á‡ÔËÒ‡Ì̇fl ÔÂÒÌfl ÏÓÊÂÚ
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ˜ÂÂÁ ÔÓÚ MIDI OUT.
ùÚÓ ÔÓÁ‚ÓÎflÂÚ ‚‡Ï ËÒÔÓθÁÓ‚‡Ú¸
ÚÂÏ·˚ ‚̯ÌÂ„Ó ÚÓÌ-„Â̇ÚÓ‡,
ÔÓ‰Íβ˜ÂÌÌÓ„Ó Í ˝ÚÓÏÛ ÔÓÚÛ (ÒÚ. 146).
• ìÓ‚Â̸ „ÓÏÍÓÒÚË Í‡Ê‰Ó„Ó Í‡Ì‡Î‡
ÔÂÒÌË ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ Ò ÔÓÏÓ˘¸˛
ÍÓÌÒÓÎË ÏËͯ‡, ‡ Á‡ÚÂÏ ÒÓı‡ÌËÚ¸
ÒÓ˜ÂÚ‡ÌË ԇ‡ÏÂÚÓ‚ ÏËͯ‡. ÅÓÎÂÂ
ÚÓ„Ó, ‰‡Ê ÍÓ„‰‡ „ÓÎÓÒ ‰Îfl Á‡ÔËÒË ÛÊÂ
‚˚·‡Ì, ‚˚ ÏÓÊÂÚ Á‡ÔÓ„‡ÏÏËÓ‚‡Ú¸
‡‚ÚÓχÚ˘ÂÒÍÛ˛ ÒÏÂÌÛ „ÓÎÓÒÓ‚ ÔË
‚ÓÒÔÓËÁ‚‰ÂÌËË Á‡ÔËÒ‡ÌÌÓÈ ÔÂÒÌË
(ÒÚ. 104).
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ — ÙÛÌ͈Ëfl Song Creator
Å˚ÒÚ‡fl Á‡ÔËÒ¸
ùÚÓ Ò‡Ï˚È ÔÓÒÚÓÈ ÏÂÚÓ‰, ÔÓÁ‚ÓÎfl˛˘ËÈ ·˚ÒÚÓ Á‡ÔËÒ‡Ú¸, ‡ Á‡ÚÂÏ ÔÓÒÎÛ¯‡Ú¸ ÔÂÒÌ˛, ÍÓÚÓÛ˛ ‚˚ ‡Áۘ˂‡ÂÚ ̇ ÙÓÚÂÔˇÌÓ,
˜ÚÓ·˚ ÔÓÒΉËÚ¸ Á‡ Ò‚ÓÂÈ Ë„ÓÈ.
■ èË Á‡ÔËÒË ÒÓ·ÒÚ‚ÂÌÌÓÈ Ô‡ÚËË ÔÓ‚Âı
■ èË ÒÓÁ‰‡ÌËË ÌÓ‚ÓÈ ÔÂÒÌË:
ÍÓÏÔÓÁˈËË, Ëϲ˘ÂÈÒfl ‚ Ô‡ÏflÚË ÒËÌÚÂÁ‡ÚÓ‡
REC REW FF
TOP
START/STOP
ËÎË Ì‡ ‰ËÒÍÂÚÂ:
1
NEW SONG SYNC. START
Ç˚·ÂËÚ ÔÂÒÌ˛ (ÒÚ. 76, 78).
1
Ç˚·ÂËÚ „ÓÎÓÒ Ë ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÍÓÚÓ˚ ·Û‰ÛÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‚ ÔÂÒÌÂ.
2
ÖÒÎË Ú·ÛÂÚÒfl Á‡ÔËÒ‡Ú¸ „ÓÎÓÒ‡ MAIN/LAYER/LEFT, ۷‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ÍÌÓÔÍË [MAIN]/[LAYER]/[LEFT] ‚Íβ˜ÂÌ˚.
ç‡ÒÚÓÈÚ ÔӘˠԇ‡ÏÂÚ˚ (‚·‡ˆËfl, ıÓÛÒ Ë Ú. ‰.).
ÖÒÎË Ô‰ ̇ʇÚËÂÏ ÍÌÓÔÍË
ì‰ÂÊË‚‡fl ÍÌÓÔÍÛ [REC], ̇ÊÏËÚ ÍÌÓÔÍÛ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÌÓÏÂÛ ‰ÓÓÊÍË,
REC ‚Íβ˜ÂÌ˚ ÍÌÓÔÍË LAYER
3
ËÎË LEFT, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ
ÍÓÚÓÛ˛ ‚˚ ıÓÚËÚ Á‡ÔËÒ‡Ú¸.
˜‡ÒÚË ‡‚ÚÓχÚ˘ÂÒÍË
é‰ÌÓ‚ÂÏÂÌÌÓ ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ ÒÎÂ‰Û˛˘Ë ÒÓ˜ÂÚ‡ÌËfl ‰ÓÓÊÂÍ: TRACK 1 + EXTRA
Á‡ÔËÒ˚‚‡˛ÚÒfl ̇ ‡ÁÌ˚Â
TRACKS Ë TRACK 2 + EXTRA TRACKS.
͇̇Î˚.
óÚÓ·˚ Á‡ÔËÒ‡Ú¸ Ë„Û Ì‡ Í·‚ˇÚÛÂ:
̇ÊÏËÚ ÍÌÓÔÍÛ
[TRACK 1]
ÎË·Ó ÍÌÓÔÍÛ
[TRACK 2]
.
ëÓ‰ÂÊËÏÓ ‰ÓÓÊÂÍ 1 Ë 2
óÚÓ·˚ Á‡ÔËÒ‡Ú¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ
Á‡ÔËÒ˚‚‡ÂÚÒfl ̇ ͇̇Î,
REC
EXTRA
TRACK
TRACK
Ë ÏÛθÚËÔ˝‰˚:
TRACKS
2
1
Û͇Á‡ÌÌ˚È Ì‡ ˝Í‡Ì SONG
SETTING (ÒÚ. 137).
̇ÊÏËÚ ÍÌÓÔÍÛ
[EXTRA TRACKS]
.
(STYLE) (R)(L)
óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ÔÂÒÌ˛, ¢ ‡Á
è‡Ú˲ Ô‡‚ÓÈ ÛÍË (‚Íβ˜‡fl
̇ÊÏËÚ ÍÌÓÔÍÛ
[REC]
.
„ÓÎÓÒ‡ ÒÎÓ‚), Á‡ÔËÒ‡ÌÌÛ˛ ̇
‰ÓÓÊÍÛ 1, ÏÓÊÌÓ ÔÂÂÔËÒ‡Ú¸ ̇
‰ÓÓÊÍÛ 2. ÑÎfl ˝ÚÓ„Ó ÓÚÍβ˜ËÚÂ
ÍÌÓÔÍÛ
[LEFT]
Ë ÔÓ‚ÚÓËÚ ¯‡„Ë
2 Ë 3.
á‡ÔËÒ¸ ÔÂÒÌË Ì‡˜ÌÂÚÒfl Ò‡ÁÛ ÊÂ, Í‡Í ÚÓθÍÓ ‚˚ ÍÓÒÌÂÚÂÒ¸ Í·‚˯.
4
á‡ÔËÒ¸ ÏÓÊÌÓ Á‡ÔÛÒÚËÚ¸ Ë ‰Û„ËÏ ÒÔÓÒÓ·ÓÏ — ̇ʇ‚
ÍÌÓÔÍÛ
SONG/STYLE [START/STOP]
. äÓÏÂ ÚÓ„Ó, Í
óÚÓ·˚ ҉·ڸ Ô‡ÛÁÛ ‚Ó ‚ÂÏfl
Á‡ÔËÒË, ̇ÊÏËÚ ÍÌÓÔÍÛ SONG
Á‡ÔËÒË ÏÓÊÌÓ ÔËÒÚÛÔËÚ¸, ̇ʇ‚ ÌÓ„ÓÈ Ô‰‡Î¸. ÑÎfl
[START/STOP]
. óÚÓ·˚
˝ÚÓ„Ó ÒΉÛÂÚ Á‡‡Ì ÔËÒ‚ÓËÚ¸ Ô‰‡ÎË ÙÛÌÍˆË˛
‚ÓÁÓ·ÌÓ‚ËÚ¸ Á‡ÔËÒ¸, ÒÌÓ‚‡
Á‡ÔÛÒ͇/ÓÒÚ‡ÌÓ‚ÍË ÔÂÒÌË (ÒÚ. 139).
̇ÊÏËÚ ÍÌÓÔÍÛ SONG
[START/
STOP]
.
ÑÎfl ‚˚‡‚ÌË‚‡ÌËfl Á‡ÔËÒË ÏÓÊÌÓ
óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ Á‡ÔËÒ¸, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [RECORD].
‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ÏÂÚÓÌÓÏÓÏ.
äÓÏ ÚÓ„Ó, Á‡ÔËÒ¸ ÏÓÊÌÓ ÔËÓÒÚ‡ÌÓ‚ËÚ¸, ̇ʇ‚ ÌÓ„ÓÈ Ô‰‡Î¸. ÑÎfl ˝ÚÓ„Ó
END
á‚ÛÍ ÏÂÚÓÌÓχ ÌÂ
ÒΉÛÂÚ Á‡‡Ì ÔËÒ‚ÓËÚ¸ Ô‰‡ÎË ÙÛÌÍˆË˛ Á‡ÔÛÒ͇/ÓÒÚ‡ÌÓ‚ÍË ÔÂÒÌË (
ÒÚ. 139
).
Á‡ÔËÒ˚‚‡ÂÚÒfl.
■ ÇÓÒÔÓËÁ‚‰ÂÌË Á‡ÔËÒ‡ÌÌÓÈ ÍÓÏÔÓÁˈËË
ÇçàåÄçàÖ!
óÚÓ·˚ ÔÓÒÎÛ¯‡Ú¸ Á‡ÔËÒ¸, ‚ÂÌËÚÂÒ¸ Í Ì‡˜‡ÎÛ ÔÂÒÌË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [TOP], ‡ Á‡ÚÂÏ Ì‡ÊÏËÚÂ
Ç˚Íβ˜ÂÌË ÒËÌÚÂÁ‡ÚÓ‡
ÍÌÓÔÍÛ SONG [START/STOP].
ÔË‚Ó‰ËÚ Í ‡‚ÚÓχÚ˘ÂÒÍÓÏÛ
Û‰‡ÎÂÌ˲ Á‡ÔËÒ‡ÌÌÓ„Ó
ÇÓÒÔÓËÁ‚‰ÂÌË ‡‚ÚÓχÚ˘ÂÒÍË ÓÒڇ̇‚ÎË‚‡ÂÚÒfl ‚ ÍÓ̈ ÔÂÒÌË, Ë ÔÂÒÌfl «ÔÂÂχÚ˚‚‡ÂÚÒfl» ‚
χÚ¡·. ÖÒÎË Á‡ÔËÒ¸
̇˜‡ÎÓ.
Ú·ÛÂÚÒfl ÒÓı‡ÌËÚ¸,
ù͇Ì˚ SONG CREATOR (1 - 16) Ô‰̇Á̇˜ÂÌ˚ ‰Îfl ‰‡ÍÚËÓ‚‡ÌËfl Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ (ÒÚ. 105).
Ó·flÁ‡ÚÂθÌÓ ÒÍÓÔËÛÈڠ ̇
‰ËÒÍÂÚÛ ËÎË Á‡ÌÂÒËÚ ‚ Ô‡ÏflÚ¸
óÚÓ·˚ ÒÓı‡ÌËÚ¸ Á‡ÔËÒ¸, ̇ÊÏËÚ ̇ ˝Í‡Ì SONG ÍÌÓÔÍÛ [6▼] (ÒÚ. 38, 44).
ÒËÌÚÂÁ‡ÚÓ‡ (ÒÚ. 38, 44).
PSR-2000/1000
93
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ — ÙÛÌ͈Ëfl Song Creator
êÂÊËÏ Á‡ÔËÒË ÌÂÒÍÓθÍËı „ÓÎÓÒÓ‚
ùÚÓÚ ÂÊËÏ ÔÓÁ‚ÓÎflÂÚ Á‡ÔËÒ‡Ú¸ ÔÂÒÌ˛ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÌÂÒÍÓθÍËı ‡Á΢Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚ (‰Ó 16 ͇̇ÎÓ‚). Ç˚ ÏÓÊÂÚÂ,
̇ÔËÏÂ, ÔÓÔ˚Ú‡Ú¸Òfl ‚ÓÒÔÓËÁ‚ÂÒÚË Á‚Û˜‡ÌË ·Ë„-·˝Ì‰‡ ËÎË ÒËÏÙÓÌ˘ÂÒÍÓ„Ó ÓÍÂÒÚ‡.
ëÚÛÍÚÛ‡ ͇̇ÎÓ‚ Ë ˜‡ÒÚÂÈ ÓÚÓ·‡ÊÂ̇ ‚ Ú‡·Îˈ ÌËÊÂ.
ó‡ÒÚË
ó‡ÒÚË
ä‡Ì‡Î˚
(̇ÒÚÓÈÍË ÔÓ
ÑÓÒÚÛÔÌ˚ ˜‡ÒÚË ä‡Ì‡Î˚
(̇ÒÚÓÈÍË ÔÓ
ÑÓÒÚÛÔÌ˚ ˜‡ÒÚË
ÛÏÓΘ‡Ì˲)
ÛÏÓΘ‡Ì˲)
ÉÓÎÓÒ‡ MAIN, LAYER, LEFT
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
ÉÓÎÓÒ‡ MAIN, LAYER, LEFT
1 É·‚Ì˚È „ÓÎÓÒ (MAIN)
9
åÛθÚËÔ˝‰ 1
RHYTHM 1
åÛθÚËÔ˝‰ 1
åÛθÚËÔ˝‰ 2
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
åÛθÚËÔ˝‰ 2
2 É·‚Ì˚È „ÓÎÓÒ 10
åÛθÚËÔ˝‰ 3
RHYTHM 2
åÛθÚËÔ˝‰ 3
åÛθÚËÔ˝‰ 4
åÛθÚËÔ˝‰ 4
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
3 É·‚Ì˚È „ÓÎÓÒ 11
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ RHYTHM 1
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ RHYTHM 1
BASS
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ RHYTHM 2
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ RHYTHM 2
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ BASS
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ BASS
4 É·‚Ì˚È „ÓÎÓÒ 12
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ CHORD1
CHORD1
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ CHORD1
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ CHORD2
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ CHORD2
5 É·‚Ì˚È „ÓÎÓÒ 13
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PAD
CHORD2
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PAD
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PHRASE1
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PHRASE1
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
6 É·‚Ì˚È „ÓÎÓÒ 14
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PHRASE2
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PHRASE2
PAD
MIDI
MIDI
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
7 É·‚Ì˚È „ÓÎÓÒ 15
PHRASE1
ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
8 É·‚Ì˚È „ÓÎÓÒ 16
PHRASE2
é ˜‡ÒÚflı ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
Rhythm (ËÚÏ).......... ùÚÓ ÓÒÌÓ‚‡ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. чÌ̇fl ˜‡ÒÚ¸ ÒÓÒÚÓËÚ ËÁ ÔÓ‚ÚÓfl˛˘ËıÒfl ËÚÏ˘ÂÒÍËı Ù‡„ÏÂÌÚÓ‚, ÒÓÒÚ‡‚ÎÂÌÌ˚ı ËÁ Á‚ÛÍÓ‚ Û‰‡Ì˚ı Ë
ÔÂÍÛÒÒËË. é·˚˜ÌÓ ‰Îfl Ëı ÒÓÒÚ‡‚ÎÂÌËfl ËÒÔÓθÁÛÂÚÒfl Ӊ̇ ËÁ ‚ÒÚÓÂÌÌ˚ı Û‰‡Ì˚ı ÛÒÚ‡ÌÓ‚ÓÍ.
Bass (·‡Ò) .................ùÚ‡ ˜‡ÒÚ¸ ÒÓÒÚ‡‚ÎflÂÚÒfl ËÁ Á‚ÛÍÓ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ÒÚËβ ËÌÒÚÛÏÂÌÚÓ‚ — Ú‡ÍËı, Í‡Í ‡ÍÛÒÚ˘ÂÒÍËÈ ·‡Ò, ÒËÌÚÂÚ˘ÂÒÍËÈ ·‡Ò Ë Ú. Ô.
Chord (‡ÍÍÓ‰˚)...... ëÓÒÚÓËÚ ËÁ ËÚÏ˘ÂÒÍÓÈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ‡ÍÍÓ‰Ó‚. é·˚˜ÌÓ ‰Îfl ˝ÚÓÈ ˜‡ÒÚË ËÒÔÓθÁÛ˛ÚÒfl ÚÂÏ·˚ ÙÓÚÂÔˇÌÓ ËÎË „ËÚ‡˚.
Pad («ÔӉͷ‰˚»).... ÑÎfl ˝ÚÓÈ ˜‡ÒÚË ıÓÓ¯Ó ÔÓ‰ıÓ‰flÚ «‰Ó΄ÓË„‡˛˘Ë ‡ÍÍÓ‰˚» Ë Ì‡Ò˚˘ÂÌÌ˚ ÚÂÏ·˚ ÒÚÛÌÌ˚ı, Ó„‡Ì‡ Ë ıÓ‡.
Phrase (Ù‡Á˚)........êËÙÙ˚ Ë Ù‡Á˚ (̇ÔËÏÂ, ÍÓÓÚÍË ԇÚËË Ï‰Ì˚ı ‰ÛıÓ‚˚ı ËÎË ‡Ô‰ÊËÓ), ËÒÔÓθÁÛÂÏ˚ ‚ ˝ÚÓÈ ˜‡ÒÚË, ÒÎÛÊ‡Ú ‰Îfl Û͇¯ÂÌËfl
ËÚÏËÍÓ-ÏÂÎӉ˘ÂÒÍÓÈ ÒÚÛÍÚÛ˚ ÔÂÒÌË.
REC REW FF
TOP
START/STOP
NEW SONG SYNC. START
REC
94
PSR-2000/1000
81 2 3 4 5 6 7
■ èË Á‡ÔËÒË ÒÓ·ÒÚ‚ÂÌÌÓÈ Ô‡ÚËË ÔÓ‚Âı
■ èË ÒÓÁ‰‡ÌËË ÌÓ‚ÓÈ ÔÂÒÌË:
ÍÓÏÔÓÁˈËË, Ëϲ˘ÂÈÒfl ‚ Ô‡ÏflÚË ÒËÌÚÂÁ‡ÚÓ‡
ËÎË Ì‡ ‰ËÒÍÂÚÂ:
1
Ç˚·ÂËÚ ÔÂÒÌ˛ (ÒÚ. 76, 78).
1
Ç˚·ÂËÚ ͇̇Π‰Îfl Á‡ÔËÒË (Ô‚‰ËÚÂ Â„Ó ‚ ÂÊËÏ «REC»). ÑÎfl ˝ÚÓ„Ó Ì‡ÊÏËÚÂ
ó‡ÒÚ¸ ‡‚ÚÓχÚ˘ÂÒÍË
2
Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ [1] - [8], Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [REC]. é‰ÌÓ‚ÂÏÂÌÌÓ ÏÓÊÌÓ ‚˚·‡Ú¸
‚˚·Ë‡ÂÚÒfl, ÂÒÎË ÌÂÒÍÓθÍÓ
͇̇ÎÓ‚ Ó‰ÌÓ‚ÂÏÂÌÌÓ
ÌÂÒÍÓθÍÓ Í‡Ì‡ÎÓ‚.
Ô‚‰ÂÌ˚ ‚ ÂÊËÏ «REC».
REC
................................ ä‡Ì‡Î „ÓÚÓ‚ Í Á‡ÔËÒË
ON
.................................. ä‡Ì‡Î „ÓÚÓ‚ Í ‚ÓÒÔÓËÁ‚‰ÂÌ˲
OFF
................................ ä‡Ì‡Î ÔË„ÎÛ¯ÂÌ
óÚÓ·˚ ÓÚÏÂÌËÚ¸ ËÎË
Á‡ÔÂÚËÚ¸ Á‡ÔËÒ¸, ¢Â
‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ
[REC]
.
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ — ÙÛÌ͈Ëfl Song Creator
Ç˚·ÂËÚ ˜‡ÒÚ¸, ÍÓÚÓÛ˛ ÒΉÛÂÚ ÔËÒ‚ÓËÚ¸ Á‡ÔËÒ˚‚‡ÂÏÓÏÛ Í‡Ì‡ÎÛ.
èË ‚˚·Ó ˜‡ÒÚË MIDI
3
èË ˝ÚÓÏ ÓÔ‰ÂÎflÂÚÒfl, ͇ÍË ËÁ ˜‡ÒÚÂÈ, Ë„‡ÂÏ˚ı Ò Í·‚ˇÚÛ˚ (Main/Layer/Left), Ë
•
Ç˚‰ÂÎÂÌË ӉÌÓ„Ó Í‡Ì‡Î‡
˜‡ÒÚÂÈ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (RHYTHM 1/2, BASS Ë Ú. ‰.) Á‡ÔËÒ˚‚‡˛ÚÒfl ̇ ͇̇Î˚,
‰Îfl MIDI
á‡ÔËÒ˚‚‡˛ÚÒfl ‚Ò MIDI-
‚˚·‡ÌÌ˚ ‚ ¯‡„ ‹2.
ÒÓÓ·˘ÂÌËfl, ÔÓÒÚÛÔ‡˛˘Ë ÔÓ
ëÔËÒÓÍ ËÒıÓ‰Ì˚ı
β·ÓÏÛ ËÁ 16 ͇̇ÎÓ‚ MIDI.
ÔËÒ‚ÓÂÌËÈ ÔÓ
ÖÒÎË Á‡ÔËÒ¸ ÔÓËÁ‚Ó‰ËÚÒfl Ò
‚̯ÌÂÈ MIDI-Í·‚ˇÚÛ˚ ËÎË
ÛÏÓΘ‡Ì˲ Ô˂‰ÂÌ Ì‡
MIDI-ÍÓÌÚÓη, ‚‡Ï ÌÂ
ÒÚ. 94.
ÔˉÂÚÒfl ̇Òڇ˂‡Ú¸ ͇̇Î˚
C
MIDI ˝ÚÓ„Ó ÛÒÚÓÈÒÚ‚‡.
•
Ç˚‰ÂÎÂÌË ÌÂÒÍÓθÍËı
D
͇̇ÎÓ‚ ‰Îfl MIDI
ÖÒÎË Á‡ÔËÒ¸ ÔÓËÁ‚Ó‰ËÚÒfl Ò
‚̯ÌÂÈ MIDI-Í·‚ˇÚÛ˚ ËÎË
MIDI-ÍÓÌÚÓη, ‰‡ÌÌ˚Â
Á‡ÔËÒ˚‚‡˛ÚÒfl Î˯¸ ̇
Á‡‰‡ÌÌ˚È Í‡Ì‡Î. ùÚÓ Á̇˜ËÚ,
˜ÚÓ ‚̯Ì ÛÒÚÓÈÒÚ‚Ó
‰ÓÎÊÌÓ ·˚Ú¸ ̇ÒÚÓÂÌÓ Ì‡
‚ÓÒÔÓËÁ‚‰ÂÌËÂ Ò ˝ÚÓ„Ó
͇̇·.
á‡ÔËÒ¸ ÔÂÒÌË Ì‡˜ÌÂÚÒfl Ò‡ÁÛ ÊÂ, Í‡Í ÚÓθÍÓ ‚˚ ÍÓÒÌÂÚÂÒ¸ Í·‚˯.
4
çÂθÁfl ̇Á̇˜ËÚ¸ Ó‰ÌÛ ˜‡ÒÚ¸ (Á‡
á‡ÔÛÒÍ ÒÚËÎÂÈ ÏÓÊÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸Òfl ̇ʇÚËÂÏ ÍÌÓÔÍË
ËÒÍβ˜ÂÌËÂÏ ˜‡ÒÚÂÈ MIDI) Ò‡ÁÛ
SONG/STYLE
[START/STOP]
. äÓÏ ÚÓ„Ó, Á‡ÔËÒ¸ ÏÓÊÌÓ
̇ ÌÂÒÍÓθÍÓ Í‡Ì‡ÎÓ‚.
̇˜‡Ú¸/ÓÒÚ‡ÌÓ‚ËÚ¸, ̇ʇ‚ ÌÓ„ÓÈ Ô‰‡Î¸. ÑÎfl ˝ÚÓ„Ó
ÒΉÛÂÚ Á‡‡Ì ÔËÒ‚ÓËÚ¸ Ô‰‡ÎË ÙÛÌÍˆË˛
‡‚ÚÓχÚ˘ÂÒÍÓ„Ó ‚Íβ˜ÂÌËfl/‚˚Íβ˜ÂÌËfl Á‡ÔËÒË
臇ÏÂÚ˚ Á‡ÔËÒ‡ÌÌ˚ı ˜‡ÒÚÂÈ
‚ÂÏÂÌÌÓ ÒÓı‡Ìfl˛ÚÒfl ‰Ó ÚÂı
(ÒÚ. 101).
ÔÓ, ÔÓ͇ ‚˚ Ì ‚˚ÔÓÎÌËÚÂ
«·˚ÒÚÛ˛ Á‡ÔËÒ¸», Ì ‚˚·ÂÂÚÂ
ÔÂÒÌ˛ ËÎË Ì ‚˚Íβ˜ËÚÂ
ÒËÌÚÂÁ‡ÚÓ.
óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ Á‡ÔËÒ¸, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [REC].
5
éÒÚ‡ÌÓ‚ËÚ¸ Á‡ÔËÒ¸ ÏÓÊÌÓ Ú‡ÍÊÂ, ÓÚÔÛÒÚË‚ Ô‰‡Î¸. èË ˝ÚÓÏ Ô‰‡ÎË ‰ÓÎÊ̇ ·˚Ú¸
óÚÓ·˚ ҉·ڸ Ô‡ÛÁÛ ‚Ó ‚ÂÏfl
Á‡‡Ì ÔËÒ‚ÓÂ̇ ÙÛÌ͈Ëfl ‡‚ÚÓχÚ˘ÂÒÍÓ„Ó ‚Íβ˜ÂÌËfl/‚˚Íβ˜ÂÌËfl Á‡ÔËÒË
Á‡ÔËÒË, ̇ÊÏËÚ ÍÌÓÔÍÛ SONG
(ÒÚ. 101).
[START/STOP]
. óÚÓ·˚
‚ÓÁÓ·ÌÓ‚ËÚ¸ Á‡ÔËÒ¸, ÒÌÓ‚‡
̇ÊÏËÚ ÍÌÓÔÍÛ SONG
[START/
STOP]
.
ÇÓÒÔÓËÁ‚‰ÂÌË Á‡ÔËÒ‡ÌÌÓÈ ÍÓÏÔÓÁˈËË.
6
óÚÓ·˚ ÔÓÒÎÛ¯‡Ú¸ Á‡ÔËÒ¸, ‚ÂÌËÚÂÒ¸ Í Ì‡˜‡ÎÛ ÔÂÒÌË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [TOP], ‡
ÑÎfl ‚˚‡‚ÌË‚‡ÌËfl Á‡ÔËÒË ÏÓÊÌÓ
Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ SONG
[START/STOP]
.
‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ÏÂÚÓÌÓÏÓÏ.
ÇÓÒÔÓËÁ‚‰ÂÌË ‡‚ÚÓχÚ˘ÂÒÍË ÓÒڇ̇‚ÎË‚‡ÂÚÒfl ‚ ÍÓ̈ ÔÂÒÌË, Ë ÔÂÒÌfl
á‚ÛÍ ÏÂÚÓÌÓχ ÌÂ
«ÔÂÂχÚ˚‚‡ÂÚÒfl» ̇ ̇˜‡ÎÓ.
Á‡ÔËÒ˚‚‡ÂÚÒfl.
ÇçàåÄçàÖ!
Ç˚Íβ˜ÂÌË ÒËÌÚÂÁ‡ÚÓ‡
óÚÓ·˚ Á‡ÔËÒ‡Ú¸ ¢ ӉÌÛ ˜‡ÒÚ¸, ÔÓ‚ÚÓËÚ ¯‡„Ë 2 - 6.
ÔË‚Ó‰ËÚ Í ‡‚ÚÓχÚ˘ÂÒÍÓÏÛ
èË Á‡ÔËÒË ÌÓ‚˚ı ˜‡ÒÚÂÈ ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ‡Ì Á‡ÔËÒ‡ÌÌ˚ ˜‡ÒÚË.
Û‰‡ÎÂÌ˲ Á‡ÔËÒ‡ÌÌÓ„Ó
END
χÚ¡·. ÖÒÎË Á‡ÔËÒ¸
ÑÂÈÒÚ‚Ûfl Ú‡ÍËÏ Ó·‡ÁÓÏ, ‚˚ ÔÓÎÛ˜ËÚ ‚ ËÚÓ„Â Á‡ÍÓ̘ÂÌÌÛ˛ ÍÓÏÔÓÁËˆË˛.
Ú·ÛÂÚÒfl ÒÓı‡ÌËÚ¸,
ù͇Ì˚ SONG CREATOR (1 - 16) Ô‰̇Á̇˜ÂÌ˚ ‰Îfl ‰‡ÍÚËÓ‚‡ÌËfl
Ó·flÁ‡ÚÂθÌÓ ÒÍÓÔËÛÈڠ ̇
Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ (ÒÚ. 105).
‰ËÒÍÂÚÛ ËÎË Á‡ÌÂÒËÚ ‚ Ô‡ÏflÚ¸
ÒËÌÚÂÁ‡ÚÓ‡ (ÒÚ. 38, 44).
óÚÓ·˚ ÒÓı‡ÌËÚ¸ Á‡ÔËÒ¸, ̇ÊÏËÚ ̇ ˝Í‡Ì SONG ÍÌÓÔÍÛ [6] (ÒÚ. 38, 44).
PSR-2000/1000
95
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ — ÙÛÌ͈Ëfl Song Creator
á‡ÔËÒ¸ ÓÚ‰ÂθÌ˚ı ÌÓÚ — èÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸
ùÚÓÚ ÏÂÚÓ‰ ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ ÍÓÏÔÓÁËˆË˛ ÔÛÚÂÏ ÔÓÒΉӂ‡ÚÂθÌÓ„Ó ‚‚Ó‰‡ ÌÓÚ; ÔË ˝ÚÓÏ ÌÂÚ ÌÂÓ·ıÓ‰ËÏÓÒÚË ËÒÔÓÎÌflÚ¸  ‚
‡θÌÓÏ ‚ÂÏÂÌË. ì‰Ó·ÒÚ‚Ó ˝ÚÓ„Ó ÂÊËχ ÔÓfl‚ÎflÂÚÒfl Ú‡ÍÊ ÔË Á‡ÔËÒË ‡ÍÍÓ‰Ó‚ Ë ÏÂÎÓ‰ËË ÔÓ ÓÚ‰ÂθÌÓÒÚË.
èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ
Ç˚·ÂËÚ ÔÂÒÌ˛ (ÒÚ. 76, 78), ÍÓÚÓÛ˛
óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì Song Creator, ̇ÊÏËÚÂ
1
3
Ú·ÛÂÚÒfl ÔÂÂÔËÒ‡Ú¸ ËÎË ‰ÓÔÓÎÌËÚ¸
ÍÌÓÔÍÛ [A].
ÌÓ‚˚ÏË ˜‡ÒÚflÏË.
A
ç‡ÊÏËÚ ÍÌÓÔÍÛ [DIGITAL RECORDING].
B
2
DIGITAL
STUDIO
C
SOUND CREATOR
D
DIGITAL RECORDING
E
MIXING CONSOLE
PART
Ç˚·ÂËÚ ‚Í·‰ÍÛ «1 - 16»
BACK NEXT
4
‰Îfl Á‡ÔËÒË ÏÂÎӉ˘ÂÒÍÓÈ
ÎËÌËË Ë ‰Û„Ëı ˜‡ÒÚÂÈ Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/
[NEXT] ËÎË ‚Í·‰ÍÛ «CHD»
F
(ÄÍÍÓ‰) ‰Îfl Á‡ÔËÒË
G
‡ÍÍÓ‰Ó‚. èÓÒΠ˝ÚÓ„Ó Ì‡
H
‚Í·‰Í «1 - 16» ‚˚·ÂËÚÂ
I
͇̇Π‰Îfl Á‡ÔËÒË Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÍË [F] (CH).
J
ç‡ÊÏËÚ ÍÌÓÔÍÛ [G],
5
˜ÚÓ·˚ ÔÂÂÈÚË Í ˝Í‡ÌÛ
èË ÔÂÂıӉ ̇ ÒÚ‡ÌËˆÛ CHD
Step Record.
(ÄÍÍÓ‰) Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚,
Á‡‰‡ÌÌ˚ ‚ ÍÓÌÒÓÎË ÏËͯ‡,
‡‚ÚÓχÚ˘ÂÒÍË ÔËÌËχ˛Ú
F
Á̇˜ÂÌËfl ÔÓ ÛÏÓΘ‡Ì˲.
G
H
I
êÂÊËÏ ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË ÌÂ
J
ÔÓ‰‰ÂÊË‚‡ÂÚ Á‡ÔËÒ¸ „ÓÎÓÒÓ‚,
ı‡Ìfl˘ËıÒfl ̇ ÒÚ‡Ìˈ‡ı USER Ë
FLOPPY DISK. åÓÊÌÓ
ËÒÔÓθÁÓ‚‡Ú¸ „ÓÎÓÒ‡ ̇ ÒÚ‡ÌˈÂ
PRESET, Ӊ̇ÍÓ ÔË ˝ÚÓÏ Ëı
ÚÂÏ· ÏÓÊÂÚ Ò΄͇ ÓÚ΢‡Ú¸Òfl
ÓÚ ËÒıÓ‰ÌÓ„Ó.
96
PSR-2000/1000
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ — ÙÛÌ͈Ëfl Song Creator
A
F
B
G
C
H
D
I
E
J
■ í‡ÍÚ/‰ÓÎfl/ÒËÌıÓÌËÁ‡ˆËfl
■ ëÍÓÓÒÚ¸ ̇ʇÚËfl
Ç Ô˂‰ÂÌÌÓÈ ÌËÊ ڇ·Îˈ Û͇Á‡Ì˚ ÒÓÓÚÌÓ¯ÂÌËfl ÏÂÊ‰Û Á̇˜ÂÌËflÏË ÒÍÓÓÒÚË Ì‡Ê‡ÚËfl Ë ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË „‡‰‡ˆËflÏË
‰Ë̇Ï˘ÂÒÍËı ÓÚÚÂÌÍÓ‚.
ÑË̇ÏË͇ fff ff f mf mp p pp ppp
î‡ÍÚ˘ÂÒÍ
‡fl ÒË·
̇ʇÚËfl
127 111 95 79 63 47 31 15
̇
Í·‚˯Û
■ ÇÂÏfl Á‚Û˜‡ÌËfl
ÍÚ ˄˚ ÓÔ‰ÂÎflÂÚÒfl ÒÎÂ‰Û˛˘ËÏË ‚‡Ë‡ÌÚ‡ÏË Á‚Û˜‡ÌËfl ÓÚ‰ÂθÌ˚ı ÌÓÚ:
Normal (Òڇ̉‡ÚÌÓ Á̇˜ÂÌËÂ)....................... 80%
Tenuto (Ò‚flÁÌÓ) ................................................... 99%
Staccato (ÓÚ˚‚ËÒÚÓ) ......................................... 40%
Staccatissimo (¢ ·ÓΠÓÚ˚‚ËÒÚÓ) ............ 20%
Manual (‚Û˜ÌÛ˛)................................................ ÇÂÏfl Á‚Û˜‡ÌËfl (‰ÎËÚÂθÌÓÒÚ¸ ÌÓÚ˚) ÏÓÊÌÓ Á‡‰‡Ú¸ ‚ ÔÓˆÂÌÚ‡ı.
PSR-2000/1000
97
81 2 3 4 5 6 7
óÚÓ·˚ ‚‚ÂÒÚË ÌÓÚÛ, Á‡‰‡ÈÚ ̇ ˝Í‡Ì Â ‰ÎËÚÂθÌÓÒÚ¸ Ë ÛÓ‚Â̸ „ÓÏÍÓÒÚË, ‡ Á‡ÚÂÏ Á‡‰‡ÈÚ ‚˚ÒÓÚÛ,
6
̇ʇ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Í·‚Ë¯Û Ì‡ Í·‚ˇÚÛÂ.
ùÚ‡ ÍÌÓÔ͇ Á‡‰‡ÂÚ ÒÍÓÓÒÚ¸
̇ʇÚËfl Í·‚Ë¯Ë („ÓÏÍÓÒÚ¸
‚‚Ó‰ËÏÓÈ ÌÓÚ˚) Ë
ÙÛÌ͈ËÓÌËÛÂÚ Î˯¸ ÔË Á‡ÔËÒË
ÏÂÎÓ‰ËË. ÑÓÔÓÎÌËÚÂθÌ˚Â
äÌÓÔÍË ÔÂÂÏ¢ÂÌËfl ÍÛÒÓ‡
҂‰ÂÌËfl Ó Ô‡‡ÏÂÚ‡ı ÒÍÓÓÒÚË
‚‚Âı-‚ÌËÁ.
̇ʇÚËfl Ô˂‰ÂÌ˚ ÌËÊÂ.
ÇÓÁ‚‡Ú Í Ì‡˜‡ÎÛ ÔÂÒÌË
ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸
(Ô‚‡fl ÌÓÚ‡ ÔÂ‚Ó„Ó Ú‡ÍÚ‡).
‰ÎËÚÂθÌÓÒÚ¸ ÌÓÚ˚ (‚
ÔÓˆÂÌÚ‡ı) Ò Û˜ÂÚÓÏ ÂÂ
Ô‰ÔÓ·„‡ÂÏÓÈ ÔÓÁˈËË ‚
ÔÂÒÌÂ. (чÌ̇fl ÙÛÌ͈Ëfl
‰ÓÒÚÛÔ̇ Î˯¸ ÔË Á‡ÔËÒË
ÏÂÎӉ˘ÂÒÍÓÈ ÎËÌËË).
ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó
Ô‡‡ÏÂÚ‡ı ‚ÂÏÂÌË Á‚Û˜‡ÌËfl
Ô˂‰ÂÌ˚ ÌËÊÂ.
äÌÓÔÍË, ÔÓÁ‚ÓÎfl˛˘ËÂ
ÔÂÂÏ¢‡Ú¸ ‚˚·‡ÌÌÓÂ
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÍÌÓÔÍË ‚˚ ÏÓÊÂÚÂ
ÒÓ·˚ÚË (̇ÔËÏÂ, ÌÓÚÛ)
‚˚·‡Ú¸ ÌÂÓ·ıÓ‰ËÏ˚È ÚËÔ ÌÓÚ˚ ‚
‚Ô‰ ËÎË Ì‡Á‡‰ ̇
ÌËÊÌÂÈ ˜‡ÒÚË ˝Í‡Ì‡. ÇÒÂ„Ó Ì‡ ‚˚·Ó
ÓÔ‰ÂÎÂÌÌÓ ˜ËÒÎÓ Ú‡ÍÚÓ‚,
Ô‰·„‡ÂÚÒfl ÚË ÚËÔ‡ ÌÓÚ:
‰ÓÎÂÈ Ú‡ÍÚ‡ ËÎË Â‰ËÌˈ
Òڇ̉‡ÚÌ˚Â, ÌÓÚ˚ Ò ÚÓ˜ÍÓÈ Ë ÚËÓÎË.
‚ÂÏÂÌË. ÑÓÔÓÎÌËÚÂθÌ˚Â
(чÌ̇fl ÙÛÌ͈Ëfl ‰ÓÒÚÛÔ̇ Î˯¸ ÔË
҂‰ÂÌËfl Ó Ô‡‡ÏÂÚ‡ı Ú‡ÍÚÓ‚/
åÓÊÌÓ Á‡‰‡Ú¸ ÚËÔ ÒÎÂ‰Û˛˘ÂÈ ÌÓÚ˚. (Ç˚·Ó ¯ÂÒÚ̇‰ˆ‡Ú˚ı
Á‡ÔËÒË ÏÂÎÓ‰ËË.)
‰ÓÎÂÈ Ú‡ÍÚ‡/‰ËÌˈ ‚ÂÏÂÌË
‰ÓÒÚÛÔÂÌ Î˯¸ ÔË Á‡ÔËÒË ÏÂÎÓ‰ËË.) äÓÏ ÚÓ„Ó, Ò ÔÓÏÓ˘¸˛ ˝ÚËı
Ô˂‰ÂÌ˚ ÌËÊÂ.
ÍÌÓÔÓÍ ÏÓÊÌÓ Û͇Á‡Ú¸ ¯‡„ ÔÂÂÏ¢ÂÌËfl ÍÛÒÓ‡ (‡ÒÒÚÓflÌËÂ, ̇
äÌÓÔ͇ Û‰‡ÎÂÌËfl ÒÓ·˚ÚËfl (ÌÓÚ˚, Ô‡ÛÁ˚ Ë
ÍÓÚÓÓ ÍÛÒÓ Ò‰‚Ë„‡ÂÚÒfl ‚Ô‰ ÔÓÒΠ‚‚Ó‰‡ ÌÓÚ˚).
Ú. ‰.) Ô‰ ÍÛÒÓÓÏ.
óÚÓ·˚ Á‡Í˚Ú¸ ˝Í‡Ì STEP RECORD, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. óÚÓ·˚ ÒÓı‡ÌËÚ¸ Á‡ÔËÒ¸, ÒΉÛÂÚ
̇ʇڸ ÍÌÓÔÍÛ [I] (SAVE) (ÒÚ. 44).
END
Measure
1
2
Beat
1
2
3
4
1
2
3
4
Clock
000-
000-
000-
000-
000-
000-
000-
000-
1919
1919
1919
1919
1919
1919
1919
1919
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ — ÙÛÌ͈Ëfl Song Creator
á‡ÔËÒ¸ ÏÂÎÓ‰ËÈ — Step Record (Note)
Ç ˝ÚÓÏ ‡Á‰ÂΠÏ˚ ̇ۘËÏÒfl ‡·ÓÚ‡Ú¸ ‚ ÂÊËÏ ÔÓ¯‡„Ó‚ÓÈ
Á‡ÔËÒË. ÇÓÒÔÓθÁÛÂÏÒfl ÍÓÌÍÂÚÌ˚Ï ÔËÏÂÓÏ, ËÁÓ·‡ÊÂÌÌ˚Ï
‚ Ô‡‚ÓÈ ˜‡ÒÚË ÒÚ‡Ìˈ˚.
ÇÒ ÓÔËÒ‡ÌÌ˚ ÌËÊ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û ‹6,
ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚ. 97.
1-2 ç ÓÚÔÛÒ͇fl Í·‚˯Ë...
1
1-3 ...̇ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ Ì‡ ˝Í‡ÌÂ.
1-1 Ç˚·ÂËÚÂ ˝ÚÛ ÌÓÚÛ.
2-2
2
2-3
2-4
2-1 Ç˚·ÂËÚÂ ˝ÚÛ ÌÓÚÛ.
3-1 óÚÓ·˚ ‚˚‚ÂÒÚË Ì‡ ˝Í‡Ì ÌÓÚ˚ Ò
ÚÓ˜ÍÓÈ, ̇ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ.
3
3-3
3-2 Ç˚·ÂËÚÂ ˝ÚÛ ÌÓÚÛ.
4-1 ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ÂÒÎË ıÓÚËÚÂ, ˜ÚÓ·˚ ̇
˝Í‡Ì ÓÚÓ·‡ÁËÎËÒ¸ Òڇ̉‡ÚÌ˚ ÌÓÚ˚.
4
4-3
4-2 Ç˚·ÂËÚÂ ˝ÚÛ ÌÓÚÛ.
■ èÓË„‡ÈÚ ÏÂÎӉ˲.
óÚÓ·˚ ÔÂÂÈÚË Í Ì‡˜‡ÎÛ ÔÂÒÌË, ̇ÊÏËÚ ÍÌÓÔÍÛ [C] () íÂÔ¸ ̇ÊÏËÚ ÍÌÓÔÍÛ SONG [START/STOP], ˜ÚÓ·˚ ÔÓÒÎÛ¯‡Ú¸
▲
‚‚‰ÂÌÌ˚ ÌÓÚ˚. óÚÓ·˚ ÔӉڂ‰ËÚ¸ ‚‚Ó‰ ÌÓÚ, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. ùÍ‡Ì SONG CREATOR (1 - 16) Ô‰̇Á̇˜ÂÌ ‰Îfl
‰‡ÍÚËÓ‚‡ÌËfl Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ (ÒÚ. 105).
98
PSR-2000/1000
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ — ÙÛÌ͈Ëfl Song Creator
á‡ÔËÒ¸ Á‡ÏÂÌ˚ ‡ÍÍÓ‰Ó‚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ —
îÛÌ͈Ëfl ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË ‡ÍÍÓ‰Ó‚ ÔÓÁ‚ÓÎflÂÚ Á‡ÔËÒ˚‚‡Ú¸ ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‡ÍÍÓ‰Ó‚. ÄÍÍÓ‰˚ Á‡‰‡˛ÚÒfl ÔÓ Ó‰ÌÓÏÛ Á‡ ‡Á.
ÑÎfl Í‡Ê‰Ó„Ó ËÁ ÌËı ÏÓÊÌÓ Û͇Á‡Ú¸ ÚÓ˜ÌÓ ‚ÂÏfl Á‚Û˜‡ÌËfl. èÓÒÍÓθÍÛ ‡ÍÍÓ‰˚ Ì Ú·ÛÂÚÒfl Ë„‡Ú¸ ‚ ‡θÌÓÏ ‚ÂÏÂÌË, ÏÓÊÌÓ
ÒÓÁ‰‡‚‡Ú¸ ÒÎÓÊÌ˚Â, «ÔÎÓÚÌ˚» ‚‡Ë‡ÌÚ˚ „‡ÏÓÌËÁ‡ˆËË, ˜ÚÓ·˚ ‚ÔÓÒΉÒÚ‚ËË Á‡ÔËÒ‡Ú¸ ÔÓ‚Âı ‡ÍÍÓ‰Ó‚ ÏÂÎӉ˲.
ÇÒ ÓÔËÒ‡ÌÌ˚ ÌËÊ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û ‹6, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚ. 97.
Ç‚Ó‰ ‡ÍÍÓ‰Ó‚ Ë ˜‡ÒÚÂÈ (ÔÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸ ‡ÍÍÓ‰Ó‚)
èÓÔÓ·ÛÂÏ ‚‚ÂÒÚË ÓÔ‰ÂÎÂÌÌÛ˛ ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‡ÍÍÓ‰Ó‚.
MAIN A BREAK MAIN B
C F G F G7 C
ç‡ÊÏËÚ ÍÌÓÔÍÛ MAIN [A], ˜ÚÓ·˚ Û͇Á‡Ú¸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ˜‡ÒÚ¸, Ë ‚‚‰ËÚ Û͇Á‡ÌÌ˚ ÒÔ‡‚‡ ‡ÍÍÓ‰˚.
1
MAIN A
MAIN
C F G
C
001:1:000
F
001:3:000
G
Ç˚·ÂËÚ ˝ÚÓÚ ÚËÔ ÌÓÚ˚ Ë ‚ÓÁ¸ÏËÚÂ
002:1:000
Û͇Á‡ÌÌ˚ ÒÔ‡‚‡ ‡ÍÍÓ‰˚.
ç‡ÊÏËÚ ÍÌÓÔÍÛ [BREAK], ˜ÚÓ·˚ Û͇Á‡Ú¸ ˜‡ÒÚ¸ Break, Ë ‚‚‰ËÚ Û͇Á‡ÌÌ˚ ÒÔ‡‚‡ ‡ÍÍÓ‰˚.
2
MAIN A BREAK
C F G F G7
F
INTROBREAK
002:3:000
G7
002:4:000
Ç˚·ÂËÚ ˝ÚÓÚ ÚËÔ ÌÓÚ˚ Ë ‚ÓÁ¸ÏËÚÂ
Û͇Á‡ÌÌ˚ ÒÔ‡‚‡ ‡ÍÍÓ‰˚.
PSR-2000/1000
99
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ — ÙÛÌ͈Ëfl Song Creator
ç‡ÊÏËÚ ÍÌÓÔÍÛ MAIN [Ç], ˜ÚÓ·˚ Û͇Á‡Ú¸ ˜‡ÒÚ¸, Ë ‚‚‰ËÚ Û͇Á‡ÌÌ˚ ÒÔ‡‚‡ ‡ÍÍÓ‰˚.
3
MAIN A BREAK MAIN B
MAIN
C F G F G7 C
C
003:1:000
Ç˚·ÂËÚ ˝ÚÓÚ ÚËÔ ÌÓÚ˚ Ë ‚ÓÁ¸ÏËÚÂ
Û͇Á‡ÌÌ˚ ÒÔ‡‚‡ ‡ÍÍÓ‰˚.
■ èÓË„‡ÈÚ ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‡ÍÍÓ‰Ó‚.
óÚÓ·˚ ÔÂÂÈÚË Í Ì‡˜‡ÎÛ ÔÂÒÌË, ̇ÊÏËÚ ÍÌÓÔÍÛ [C]. () á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ SONG
▲
óÚÓ·˚ ‰Ó·‡‚ËÚ¸ ‚ÒÚ‡‚ÍÛ,
[START/STOP], ˜ÚÓ·˚ ÔÓÒÎÛ¯‡Ú¸ ‚‚‰ÂÌÌ˚ ÌÓÚ˚. óÚÓ·˚ ÔӉڂ‰ËÚ¸ ‚‚Ó‰ ÌÓÚ, ̇ÊÏËÚÂ
̇ÊÏËÚ ÍÌÓÔÍÛ
[AUTO FILL IN]
Ë Ì‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ
MAIN
ÍÌÓÔÍÛ [EXIT]. ùÍ‡Ì SONG CREATOR (CHD) Ô‰̇Á̇˜ÂÌ ‰Îfl ‰‡ÍÚËÓ‚‡ÌËfl Á‡ÔËÒ‡ÌÌ˚ı
[A] - [D]
.
ÔÂÒÂÌ (ÒÚ. 106). à, ̇ÍÓ̈, ̇ÊÏËÚ ÍÌÓÔÍÛ [F] (EXPAND) ̇ ˝Í‡Ì SONG CREATOR (CHD),
˜ÚÓ·˚ ÔÂÓ·‡ÁÓ‚‡Ú¸ ‚‚‰ÂÌÌ˚ ‰‡ÌÌ˚ ‚ Ù‡ÈÎ ÔÂÒÌË.
éÚÏÂÚ͇ «END»
Ç˚‚Ó‰Ëχfl ̇ ˝Í‡Ì ÓÚÏÂÚ͇
«END» Û͇Á˚‚‡ÂÚ Ì‡ ÍÓ̈
ÔÂÒÌË.
Ö هÍÚ˘ÂÒÍÓ ÔÓÎÓÊÂÌËÂ
ÏÓÊÂÚ ·˚Ú¸ ‡ÁÌ˚Ï ‚
Á‡‚ËÒËÏÓÒÚË ÓÚ ÚÓ„Ó, ͇ÍÓÈ
˜‡ÒÚ¸˛ Á‡Í‡Ì˜Ë‚‡ÂÚÒfl ÔÂÒÌfl.
èË ‰Ó·‡‚ÎÂÌËË ÙË̇θÌÓÈ
˜‡ÒÚË (Ending) ÓÚÏÂÚ͇ «End»
‡‚ÚÓχÚ˘ÂÒÍË ÔÓÏ¢‡ÂÚÒfl ‚ ÂÂ
ÍÓ̈. ÖÒÎË ÔÓÒΉÌflfl ˜‡ÒÚ¸ ÌÂ
fl‚ÎflÂÚÒfl ˜‡ÒÚ¸˛ «Ending»,
ÓÚÏÂÚ͇ ÛÒڇ̇‚ÎË‚‡ÂÚÒfl ˜ÂÂÁ
‰‚‡ Ú‡ÍÚ‡ ÔÓÒΠÍÓ̈‡ Ú‡ÍÓÈ
˜‡ÒÚË.
éÚÏÂÚÍÛ «END» ÏÓÊÌÓ
ÛÒÚ‡ÌÓ‚ËÚ¸ ‚ β·ÓÏ ÏÂÒÚÂ.
100
PSR-2000/1000
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ — ÙÛÌ͈Ëfl Song Creator
Ç˚·Ó Ô‡‡ÏÂÚÓ‚: ̇˜‡ÎÓ, ÍÓ̈, ‡‚ÚÓχÚ˘ÂÒÍÓ ‚Íβ˜ÂÌË Ë
‚˚Íβ˜ÂÌË Á‡ÔËÒË —
ëÔÓÒÓ· ÔÂÂıÓ‰‡ ‚ ÂÊËÏ Û͇Á‡ÌËfl Ô‡‡ÏÂÚÓ‚ Á‡ÔËÒË Ô˂‰ÂÌ ‚ ¯‡„ 4 ̇ ÒÚ. 96. Ç˚·ÂËÚ ÌÂÓ·ıÓ‰ËÏ˚È ˝Í‡Ì Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÓÍ [BACK]/[NEXT].
é· ‡‚ÚÓχÚ˘ÂÒÍÓÏ ‚Íβ˜ÂÌËË/‚˚Íβ˜ÂÌËË Á‡ÔËÒË
ùÚ‡ ÙÛÌ͈Ëfl ËÒÔÓθÁÛÂÚÒfl ‚ ÓÒÌÓ‚ÌÓÏ ‰Îfl ÔÂÂÁ‡ÔËÒË Ë Á‡ÏÂÌ˚ ͇ÍÓÈ-ÎË·Ó ‡Ì Á‡ÔËÒ‡ÌÌÓÈ ˜‡ÒÚË. çËÊ Ô˂‰ÂÌ˚
ÔËÏÂ˚ ÒËÚÛ‡ˆËÈ, ‚ ÍÓÚÓ˚ı ÌÂÓ·ıÓ‰ËÏÓ ÔÂÂÔËÒ‡Ú¸ ÓÚ‰ÂθÌ˚ (‚˚·‡ÌÌ˚Â) Ú‡ÍÚ˚ ÏÛÁ˚͇θÌÓÈ Ù‡Á˚, ÒÓÒÚÓfl˘ÂÈ ËÁ
‚ÓÒ¸ÏË Ú‡ÍÚÓ‚.
PSR-2000/1000
101
81 2 3 4 5 6 7
ùÚË Ô‡‡ÏÂÚ˚ ÓÔ‰ÂÎfl˛Ú ÒÔÓÒÓ· ‚Íβ˜ÂÌËfl
Á‡ÔËÒË.
Normal (Òڇ̉‡ÚÌ˚È)
F
ç‡Ê‡ÚË ÍÌÓÔÍË SONG [START/STOP] ‚Íβ˜‡ÂÚ
Ê‰Û˘ËÈ ÂÊËÏ ÒËÌıÓÁ‡ÔÛÒ͇. Ç ˝ÚÓÏ ÂÊËÏÂ
G
Á‡ÔËÒ˚‚‡ÂÏ˚ ‰‡ÌÌ˚ Á‡Ï¢‡˛Ú ÒÓ·ÓÈ ‡ÌÂÂ
Ç˚ÁÓ‚ ˝Í‡Ì‡ SONG,
H
҉·ÌÌÛ˛ Á‡ÔËÒ¸, ‡ ҇χ Á‡ÔËÒ¸ ‚Íβ˜‡ÂÚÒfl, ͇Í
ÔÓÁ‚ÓÎfl˛˘Â„Ó ÒÓı‡ÌËÚ¸
ÚÓθÍÓ ‚˚ ÍÓÒÌÂÚÂÒ¸ Í·‚˯.
I
ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚È Ù‡ÈÎ.
First Key ON (Ò‡ÔËÒ¸ ÔÓ Ô‚ÓÈ Ò˚„‡ÌÌÓÈ ÌÓÚÂ)
J
á‡ÔËÒ¸ ̇˜ÌÂÚÒfl Ò‡ÁÛ ÊÂ, Í‡Í ÚÓθÍÓ ‚˚
ë ÔÓÏÓ˘¸˛ ˝ÚËı ÍÌÓÔÓÍ
ÍÓÒÌÂÚÂÒ¸ Í·‚˯. Ç ˝ÚÓÏ ÂÊËÏ ‡ÌÂÂ
Á‡‰‡ÂÚÒfl Ú‡ÍÚ «Punch Out», ÚÓ
Á‡ÔËÒ‡ÌÌ˚È Ï‡Ú¡ΠÒÓı‡ÌflÂÚÒfl, ‡ ÌÓ‚˚Â
ÂÒÚ¸ Ú‡ÍÚ ÓÍÓ̘‡ÌËfl Á‡ÔËÒË (ÔË
‰‡ÌÌ˚ Á‡ÔËÒ˚‚‡˛ÚÒfl ÔÓ‚Âı Ì„Ó.
˝ÚÓÏ ÌÂÓ·ıÓ‰ËÏÓ ‚˚·‡Ú¸
ÒÚÓÍÛ «PUNCH OUT AT»).
Punch In At (Ò‡ÔËÒ¸ ‡‚ÚÓχÚ˘ÂÒÍË ‚Íβ˜‡ÂÚÒfl
‚ Á‡‰‡ÌÌÓ ‚ÂÏfl)
èÂÒÌfl ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl Í‡Í Ó·˚˜ÌÓ ‰Ó Ú‡ÍÚ‡,
ùÚË ÍÌÓÔÍË ‚Íβ˜‡˛Ú/
Ó·ÓÁ̇˜ÂÌÌÓ„Ó Í‡Í Ú‡ÍÚ «Punch In» (Â„Ó ÏÓÊÌÓ
‚˚Íβ˜‡˛Ú ÂÊËÏ ÛÔ‡‚ÎÂÌËfl
‚˚·‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [3
▲▼]). èÓÒÎÂ ˝ÚÓ„Ó
Á‡ÔËÒ¸˛ Ò ÔÓÏÓ˘¸˛ ‚ÚÓÓÈ
‚Íβ˜‡ÂÚÒfl Á‡ÔËÒ¸ Ò Û‰‡ÎÂÌËÂÏ ‡ÌÂÂ
Ô‰‡ÎË. (àÒıÓ‰ÌÓ ˝Ú‡ ÙÛÌ͈Ëfl
Á‡ÔËÒ‡ÌÌÓ„Ó Ï‡Ú¡·.
Ì ÔËÒ‚ÓÂ̇ Ô‰‡ÎË). ç‡ÊÏËÚÂ
Ô‰‡Î¸, ‚Íβ˜Ë‚ Ú‡ÍËÏ Ó·‡ÁÓÏ
ë ÔÓÏÓ˘¸˛ ˝ÚËı ÍÌÓÔÓÍ Á‡‰‡ÂÚÒfl Ú‡ÍÚ
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú Á‡‰‡Ú¸ ÒÔÓÒÓ· ‚˚Íβ˜ÂÌËfl Á‡ÔËÒË, ‡ Ú‡ÍÊÂ
Á‡ÔËÒ¸. á‡ÔËÒ¸ ÔÂ͇˘‡ÂÚÒfl ‚
«Punch In», ÚÓ ÂÒÚ¸ Ú‡ÍÚ ‚Íβ˜ÂÌËfl
ÓÔ‡ˆËË, ÍÓÚÓ˚ ·Û‰ÛÚ ÔӉ·Ì˚ Ò ‡Ì Á‡ÔËÒ‡ÌÌ˚Ï Ï‡Ú¡ÎÓÏ.
ÏÓÏÂÌÚ ÓÚÔÛÒ͇ÌËfl Ô‰‡ÎË.
Á‡ÔËÒË (ÔË ˝ÚÓÏ ÌÂÓ·ıÓ‰ËÏÓ ‚˚·‡Ú¸
ÒÚÓÍÛ «PUNCH IN AT»).
Replace All (Á‡ÏÂÌËÚ¸ ‚ÒÂ)
쉇ÎflÂÚÒfl ‚ÂÒ¸ χÚ¡Î, ‡ÒÔÓÎÓÊÂÌÌ˚È ÔÓÒΠÚÓ˜ÍË ÓÍÓ̘‡ÌËfl Á‡ÔËÒË.
Punch Out (‡‚ÚÓχÚ˘ÂÒÍÓ ‚˚Íβ˜ÂÌË Á‡ÔËÒË)
ÇÂÒ¸ χÚ¡Î, ‡ÒÔÓÎÓÊÂÌÌ˚È ÔÓÒΠÚÓ˜ÍË ÓÍÓ̘‡ÌËfl Á‡ÔËÒË, ÒÓı‡ÌflÂÚÒfl.
Punch Out At (Á‡ÔËÒ¸ ‡‚ÚÓχÚ˘ÂÒÍË ‚˚Íβ˜‡ÂÚÒfl ‚ Á‡‰‡ÌÌÓ ‚ÂÏfl)
á‡ÔËÒ¸ Ò Á‡Ï¢ÂÌËÂÏ ‡Ì Á‡ÔËÒ‡ÌÌÓ„Ó Ï‡Ú¡· ÔÓ‰ÓÎʇÂÚÒfl ‰Ó Ú‡ÍÚ‡, Ó·ÓÁ̇˜ÂÌÌÓ„Ó Í‡Í Ú‡ÍÚ «Punch Out» (Â„Ó ÏÓÊÌÓ
Á‡‰‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [6
▲▼]). ç‡ ˝ÚÓÏ Ú‡ÍÚ Á‡ÔËÒ¸ ‚˚Íβ˜‡ÂÚÒfl, Ë ‰‡Î ÔÂÒÌfl ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl Í‡Í Ó·˚˜ÌÓ.
àÒıÓ‰Ì˚È Ï‡ÚeˇÎ
REC START setting
12345678
*1 ÖÒÎË Ú‡ÍÚ˚ 1-2 ÔeeÔËÒ˚‚‡Ú¸ Ìe
REC END setting
Úe·ÛeÚÒfl, Á‡ÔËÒ¸ ‚Íβ˜‡eÚÒfl
̇˜Ë̇fl Ò ÚeÚ¸e„Ó Ú‡ÍÚ‡.
ÇÍβ˜eÌËe Á‡ÔËÒË Ò Á‡Ïe˘eÌËeÏ ËÒıÓ‰ÌÓ„Ó Ï‡Úeˇ· *1
éÒÚ‡Ìӂ͇ Á‡ÔËÒË *2
NORMAL
REPLACE ALL
*2 äÌÓÔÍÛ [REC] ÒÎe‰ÛeÚ Ì‡Ê‡Ú¸ ‚ ÍÓ̈e
12345
Deleted
ÔflÚÓ„Ó Ú‡ÍÚ‡.
ÇÍβ˜eÌËe Á‡ÔËÒË Ò Á‡Ïe˘eÌËeÏ ËÒıÓ‰ÌÓ„Ó Ï‡Úeˇ· *1
éÒÚ‡Ìӂ͇ Á‡ÔËÒË *2
NORMAL
PUNCH OUT
12345678
éÒÚ‡Ìӂ͇ Á‡ÔËÒË/‚ÓÒÔÓËÁ‚e‰eÌËe
ÇÍβ˜eÌËe Á‡ÔËÒË Ò Á‡Ïe˘eÌËeÏ ËÒıÓ‰ÌÓ„Ó Ï‡Úeˇ· *1
ËÒıÓ‰ÌÓ„Ó Ï‡Úeˇ·
NORMAL
PUNCH OUT AT=006
12345678
ÇÓÒÔÓËÁ‚e‰eÌËe
燘‡ÎÓ Ë„˚ ̇ Í·‚ˇÚÛe/‚Íβ˜eÌËe Á‡ÔËÒË
ËÒıÓ‰ÌÓ„Ó Ï‡Úeˇ·
Ò Á‡Ïe˘eÌËeÏ ËÒıÓ‰ÌÓ„Ó Ï‡Úeˇ·
éÒÚ‡Ìӂ͇ Á‡ÔËÒË *2
FIRST KEY ON
REPLACE ALL
12345
Y‰‡ÎeÌÌ˚È Ï‡ÚeˇÎ
ÇÓÒÔÓËÁ‚e‰eÌËe
燘‡ÎÓ Ë„˚ ̇ Í·‚ˇÚÛe/‚Íβ˜eÌËe Á‡ÔËÒË
ËÒıÓ‰ÌÓ„Ó Ï‡Úeˇ·
Ò Á‡Ïe˘eÌËeÏ ËÒıÓ‰ÌÓ„Ó Ï‡Úeˇ·
éÒÚ‡Ìӂ͇ Á‡ÔËÒË *2
FIRST KEY ON
PUNCH OUT
12345678
ÇÓÒÔÓËÁ‚e‰eÌËe
燘‡ÎÓ Ë„˚ ̇ Í·‚ˇÚÛe/‚Íβ˜eÌËe Á‡ÔËÒË
éÒÚ‡Ìӂ͇ Á‡ÔËÒË/‚ÓÒÔÓËÁ‚e‰eÌËe
ËÒıÓ‰ÌÓ„Ó Ï‡Úeˇ·
Ò Á‡Ïe˘eÌËeÏ ËÒıÓ‰ÌÓ„Ó Ï‡Úeˇ·
ËÒıÓ‰ÌÓ„Ó Ï‡Úeˇ·
FIRST KEY ON
PUNCH OUT AT=006
12345678
ÇÓÒÔÓËÁ‚e‰eÌËe
ÇÍβ˜eÌËe Á‡ÔËÒË
ËÒıÓ‰ÌÓ„Ó Ï‡Úeˇ·
Ò Á‡Ïe˘eÌËeÏ ËÒıÓ‰ÌÓ„Ó Ï‡Úeˇ·
éÒÚ‡Ìӂ͇ Á‡ÔËÒË *2
PUNCH IN AT=003
REPLACE ALL
12345
Y‰‡ÎeÌÌ˚È Ï‡ÚeˇÎ
ÇÓÒÔÓËÁ‚e‰eÌËe
ÇÍβ˜eÌËe Á‡ÔËÒË
ËÒıÓ‰ÌÓ„Ó Ï‡Úeˇ·
Ò Á‡Ïe˘eÌËeÏ ËÒıÓ‰ÌÓ„Ó Ï‡Úeˇ·
éÒÚ‡Ìӂ͇ Á‡ÔËÒË *2
PUNCH IN AT=003
PUNCH OUT
12345678
ÇÓÒÔÓËÁ‚e‰eÌËe
ÇÍβ˜eÌËe Á‡ÔËÒË
éÒÚ‡Ìӂ͇ Á‡ÔËÒË/‚ÓÒÔÓËÁ‚e‰eÌËe
ê‡Ìee Á‡ÔËÒ‡ÌÌ˚È Ï‡ÚeˇÎ
ËÒıÓ‰ÌÓ„Ó Ï‡Úeˇ·
Ò Á‡Ïe˘eÌËeÏ ËÒıÓ‰ÌÓ„Ó Ï‡Úeˇ·
ËÒıÓ‰ÌÓ„Ó Ï‡Úeˇ·
PUNCH IN AT=003
çÓ‚‡fl Á‡ÔËÒ¸
PUNCH OUT AT=006
12345 7
Y‰‡ÎeÌÌ˚È Ï‡ÚeˇÎ