Yamaha PSR-1000 – страница 3

éÒÌÓ‚Ì˚ ÓÔÂ‡ˆËË — Ó„‡ÌËÁ‡ˆËfl ‰‡ÌÌ˚ı

èÂÂÏ¢ÂÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ

î‡ÈÎ˚ Ë Ô‡ÔÍË ÔÂÂÏ¢‡˛ÚÒfl ‚ ˆÂÎflı ÛÔÓfl‰Ó˜ÂÌËfl ‰‡ÌÌ˚ı. ã˛·ÓÈ Ù‡ÈÎ/Ô‡Ô͇ ̇ ÒÚ‡Ìˈ‡ı USER Ë FLOPPY DISK ÏÓÊÂÚ ·˚Ú¸

ÔÂÂÏ¢ÂÌ Ò ÔÓÏÓ˘¸˛ ÓÔËÒ‡ÌÌÓÈ ÌËÊ Ôӈ‰Û˚ ‚˚ÂÁ‡ÌËfl Ë ‚ÒÚ‡‚ÍË.

ç‡ÊÏËÚ ÍÌÓÔÍÛ [2▼] CUT (‚˚ÂÁ‡Ú¸).

1

èÂÂÌÓÒËÚ¸ Ù‡ÈÎ˚/Ô‡ÔÍË

èÓfl‚ËÚÒfl ˝Í‡Ì CUT.

ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓ Ò Ó‰ÌÓÈ

‰ËÒÍÂÚ˚ ̇ ‰Û„Û˛ Ì‚ÓÁÏÓÊÌÓ.

ÑÎfl ˝ÚÓ„Ó Ú·ÛÂÚÒfl Ò̇˜‡Î‡

‚˚ÂÁ‡Ú¸ Ù‡ÈÎ ËÎË Ô‡ÔÍÛ Ì‡

‰ËÒÍÂÚÂ Ë ‚ÒÚ‡‚ËÚ¸ Â„Ó Ì‡

ÒÚ‡ÌËˆÛ USER, ‡ Á‡ÚÂÏ

ÔÓÏÂÒÚËÚ¸ ‚ ‰ËÒÍÓ‚Ó‰ ‰Û„Û˛

‰ËÒÍÂÚÛ Ë ‚ÒÚ‡‚ËÚ¸ ÚÛ‰‡

ÔÂÂÏ¢‡ÂÏ˚È Ù‡ÈÎ (Ô‡ÔÍÛ).

Ç˚·ÂËÚ هÈÎ/Ô‡ÔÍÛ.

2

Ç˚·ÂËÚ ÌÛÊÌ˚È Ù‡ÈÎ/Ô‡ÔÍÛ Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [7▼] éä.

Ç˚·‡ÌÌ˚È Ù‡ÈÎ ‚˚‰ÂÎflÂÚÒfl ˆ‚ÂÚÓÏ. Ç˚·‡Ú¸ ‰Û„ÓÈ Ù‡ÈÎ/Ô‡ÔÍÛ ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [A] - [J].

åÓÊÌÓ ‚˚·‡Ú¸ Ò‡ÁÛ ÌÂÒÍÓθÍÓ Ù‡ÈÎÓ‚/Ô‡ÔÓÍ. èË ˝ÚÓÏ ÓÌË ÏÓ„ÛÚ ‰‡Ê ̇ıÓ‰ËÚ¸Òfl ̇ ‡ÁÌ˚ı ÒÚ‡Ìˈ‡ı.

óÚÓ·˚ ÓÚÏÂÌËÚ¸ ‚˚·Ó, ‰ÓÒÚ‡ÚÓ˜ÌÓ ÔÓ‚ÚÓÌÓ Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ fl‰ÓÏ Ò ‚˚·‡ÌÌ˚Ï Ù‡ÈÎÓÏ/Ô‡ÔÍÓÈ.

ÇÒ هÈÎ˚/Ô‡ÔÍË Ò ‰ËÒÍÂÚ˚

äÌÓÔ͇ [6▼] ALL (‚ÒÂ) ÔÓÁ‚ÓÎflÂÚ ‚˚·‡Ú¸ ‚Ò هÈÎ˚/Ô‡ÔÍË, ÓÚÓ·‡Ê‡ÂÏ˚ ̇ ÚÂÍÛ˘ÂÈ ÒÚ‡Ìˈ (USER ËÎË

ÏÓÊÌÓ ÒÍÓÔËÓ‚‡Ú¸ ̇ ‰Û„ÓÈ

FLOPPY DISK). èË Ì‡Ê‡ÚËË ÍÌÓÔÍË [6▼] ALL (‚ÒÂ) ÍÌÓÔ͇ [6▼] ÒÏÂÌËÚ Ì‡Á‚‡ÌË ̇ ALL OFF (ÓÚÏÂÌËÚ¸

‰ËÒÍ Ó‰ÌÓ‚ÂÏÂÌÌÓ (ÒÚ. 150).

‚˚·Ó ‚ÒÂı Ó·˙ÂÍÚÓ‚).

ÇÒÚ‡‚ÎÂÌÌ˚ هÈÎ˚

‡‚ÚÓχÚ˘ÂÒÍË

ÛÔÓfl‰Ó˜Ë‚‡˛ÚÒfl ÔÓ ËÏÂÌË.

ç‡ÊÏËÚ ÍÌÓÔÍÛ [7▼] éä.

3

óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ‚˚ÔÓÎÌÂÌË ‰‡ÌÌÓÈ ÓÔÂ‡ˆËË, ̇ÊÏËÚ ÍÌÓÔÍÛ [8▼] CANCEL (ÓÚÏÂÌËÚ¸).

é هȷı/Ô‡Ô͇ı ̇ ‰ËÒÍÂÚÂ

ç‡ ÒÚ‡Ìˈ FLOPPY DISK

˝Í‡Ì‡ Open/Save ·Û‰ÛÚ

ÓÚÓ·‡ÊÂÌ˚ Î˯¸

èÂÂıÓ‰ Í ˆÂ΂ÓÏÛ ˝Í‡ÌÛ.

4

‡ÒÔÓÁ̇‚‡ÂÏ˚ ‰‡ÌÌ˚Ï

Ç Í‡˜ÂÒÚ‚Â ˆÂÎË (ÏÂÒÚ‡ ‚ÒÚ‡‚ÍË) ÏÓ„ÛÚ ÒÎÛÊËÚ¸ ÚÓθÍÓ ÒÚ‡Ìˈ˚ USER Ë FLOPPY DISK.

˝Í‡ÌÓÏ ÚËÔ˚ Ù‡ÈÎÓ‚. èË ˝ÚÓÏ

ÌÂÓ·ıÓ‰ËÏÓ ÔÓÏÌËÚ¸, ˜ÚÓ Ô‡Ô͇

̇ ‰ËÒÍÂÚ ÏÓÊÂÚ ÒÓ‰Âʇڸ

Ù‡ÈÎ˚ ‡ÁÌ˚ı ÚËÔÓ‚.

èӈ‰ÛÛ ‚˚ÂÁ‡ÌËfl Ë ‚ÒÚ‡‚ÍË

ÏÓÊÌÓ ÔËÏÂÌËÚ¸ Í ˆÂÎÓÈ Ô‡ÔÍÂ.

é‰Ì‡ÍÓ ÔË ˝ÚÓÏ ‚ÒÚ‡‚ÎÂÌÌ˚ÏË

ç‡ÊÏËÚ ÍÌÓÔÍÛ [4▼] PASTE (‚ÒÚ‡‚ËÚ¸).

Ó͇ÊÛÚÒfl Î˯¸ Ù‡ÈÎ˚

Ç˚ÂÁ‡ÌÌ˚È Ù‡ÈÎ ËÎË Ô‡Ô͇ ‚ÒÚ‡‚ÎflÂÚÒfl ‚ ˆÂ΂ÓÈ ˝Í‡Ì.

END

‡ÒÔÓÁ̇‚‡ÂÏ˚ı ‰‡ÌÌ˚Ï

˝Í‡ÌÓÏ ÚËÔÓ‚.

42

PSR-2000/1000

éÒÌÓ‚Ì˚ ÓÔÂ‡ˆËË — Ó„‡ÌËÁ‡ˆËfl ‰‡ÌÌ˚ı

èÓ‰Ò͇ÁÍË

ÇÒ ÓÒÌÓ‚Ì˚ ÙÛÌ͈ËË Ë ‚ÓÁÏÓÊÌÓÒÚË PSR-2000/1000ÓÔËÒ˚‚‡˛ÚÒfl Ò ÔÓÏÓ˘¸˛ ÔÓ‰Ò͇ÁÓÍ.

VOICE EFFECT

BACK NEXT

HOLD

LEFT

SUSTAIN

ECHO

HARMONY/

MONOTOUCH

DSP

VARIATION

DIGITAL

STUDIO

PIANO & HARPSI.

VOIC E

SOUND CREATOR

MAIN

E.PIANO

ACCORDION

ORGAN &

PERCUSSION

DIGITAL RECORDING

A

F

LAYER

GUITAR

BASS

BRASS

WOODWIND

B

G

MIXING CONSOLE

C

H

LEFT

STRINGS CHOIR & PAD

SYNTH.

XG

D

I

DEMO

MENU

USER

ORGAN FLUTES

E

J

UPPER OCTAVE

FINDER

MUSIC

MIC.

RESET

HELP

OVER

SELECT

VH TYPE

SETTING

MIC.

HARMONY

VOCAL

TALK

EFFECT

FUNCTION

SIGNAL

BALANCE

ACCESS

DIRECT

ENTER

ONE TOUCH SETTING

EXIT

CHANNEL ON/OFF

PART

REGISTRATION MEMORY

DATA ENTRY

FREEZE MEMORY

PSR-2000/1000

49

HELP

SONG

TRACKS

EXTRA

TRACK

2

TRACK

1 REPEAT

METRO-

NOME

(STYLE) (R)(L)

REC REW FF

TOP

START/STOP

NEW SONG SYNC. START

STYLE

POP & ROCK

SWING &

JAZZ

BALLROOM

MARCH &

WALTZ

BALLAD USERLATIN

DANCE

PART

TRANSPOSE

TEMPO

TAP TEMPO

MASTER VOLUME

RESET

RESET

STOP

FADE

MULTI PAD

IN/OUT

MIN MAX

STYLE CONTROL

ACMP

BREAK

INTRO

MAIN

ENDING

/ rit.

SYNC.

STOP

START

SYNC.

AUTO

START/STOP

ON

STANDBY

FILL IN

LINK

OTS

MENU

DEMO

èÓ‰Ò͇ÁÍË ÏÓ„ÛÚ ÓÚÓ·‡Ê‡Ú¸Òfl ̇

ÒÎÂ‰Û˛˘Ëı flÁ˚͇ı:

1

HELP

2

‡Ì„ÎËÈÒÍËÈ

flÔÓÌÒÍËÈ

FUNCTION

ÌÂψÍËÈ

Ù‡ÌˆÛÁÒÍËÈ

ËÒÔ‡ÌÒÍËÈ

ËڇθflÌÒÍËÈ

üÁ˚Í ÔÓ‰Ò͇ÁÓÍ ÏÓÊÌÓ Ú‡ÍÊ ‚˚·‡Ú¸ ̇

˝Í‡Ì «LANGUAGE» (ÒÚ. 151).

äÓ„‰‡ ‚ ͇˜ÂÒÚ‚Â flÁ˚͇ ËÌÚÂÙÂÈÒ‡

‚˚·Ë‡ÂÚÒfl flÔÓÌÒÍËÈ flÁ˚Í (“JAPANESE”),

ÍÓÚÓ˚È ‚ÔÓÒΉÒÚ‚ËË ÒÏÂÌflÂÚÒfl Ó‰ÌËÏ

ËÁ ‚ÓÔÂÈÒÍËı flÁ˚ÍÓ‚, ËÒÔÓθÁÛ˛˘ËÂÒfl ‚

ËÏÂÌË Ù‡È· ÒËÏ‚ÓÎ˚ "͇̉ÁË" (kanji) Ë

"͇̇" (kana) Á‡ÏÂÌfl˛ÚÒfl ̇ ·ÛÍ‚ÂÌÌ˚Â

2-1Ç˚·Ó ÒÔ‡‚Ó˜ÌÓ„Ó

2-2Ç˚ÁÓ‚ËÚ ‡Á‰ÂÎ

ÒËÏ‚ÓÎ˚, ı‡‡ÍÚÂÌ˚ ‰Îfl ‚˚·‡ÌÌÓ„Ó

‡Á‰Â·.

ÒÔ‡‚ÍË.

‚ÓÔÂÈÒÍÓ„Ó flÁ˚͇. Ç ÔÓÚË‚ÓÔÓÎÓÊÌÓÈ

ÒËÚÛ‡ˆËË ÒËÏ‚ÓÎ˚ ·ÚËÌˈ˚ Á‡ÏÂÌfl˛ÚÒfl

èË ÌÂÓ·ıÓ‰ËÏÓÒÚË ‚˚·ÂËÚ flÁ˚Í. Ç˚·‡ÌÌ˚È flÁ˚Í ·Û‰ÂÚ

ÒËÏ‚Ó·ÏË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı flÔÓÌÒÍËı

Ú‡ÍÊ ËÒÔÓθÁÓ‚‡Ì ‚ ÚÂÍÒÚ ‡Á΢Ì˚ı ÒÓÓ·˘ÂÌËÈ,

‡ÎÙ‡‚ËÚÓ‚. èË Ò˜ËÚ˚‚‡ÌËË ‰‡ÌÌ˚ı Ò

‚ÓÁÌË͇˛˘Ëı ̇ ˝Í‡Ì ÔË ‚˚ÔÓÎÌÂÌËË ÚÂı ËÎË ËÌ˚ı ÓÔÂ‡ˆËÈ.

‰ËÒÍÂÚ˚ ÚÂÍÒÚ ‚ Ú‡ÍËı هȷı ÌÂ

‡ÒÔÓÁ̇ÂÚÒfl ÒËÌÚÂÁ‡ÚÓÓÏ.

ëΉÛÂÚ ÔÓÏÌËÚ¸, ˜ÚÓ ‚˚ ÏÓÊÂÚÂ

ÒÚÓÎÍÌÛÚ¸Òfl Ò ÔÓ‰Ó·Ì˚ÏË ÔÓ·ÎÂχÏË

‚ÒflÍËÈ ‡Á, ÍÓ„‰‡ ÔÓÔ˚Ú‡ÂÚÂÒ¸ ÔÓ˜ËÚ‡Ú¸

Ù‡ÈÎ˚, ÒÓÁ‰‡ÌÌ˚ ËÎË ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚Â

̇ ÍÓÏÔ¸˛ÚÂÂ Ò ËÌÓflÁ˚˜ÌÓÈ ÓÔÂ‡ˆËÓÌÌÓÈ

BACK NEXT

ÒËÒÚÂÏÓÈ. ëӷ≇ÈÚ ÓÒÚÓÓÊÌÓÒÚ¸ ÔË

3

ÒÏÂÌ flÁ˚͇ — ‚˚ ËÒÍÛÂÚ ÔÓÚÂÂÈ

‰‡ÌÌ˚ı.

ÖÒÎË ‡Á‰ÂÎ ÒÓÒÚÓËÚ ËÁ ÌÂÒÍÓθÍËı ÒÚ‡Ìˈ,

‚˚ ÏÓÊÂÚ ÔÂÂıÓ‰ËÚ¸ ÓÚ Ó‰ÌÓÈ ÒÚ‡Ìˈ˚ Í

‰Û„ÓÈ Ò ÔÓÏÓ˘¸˛ ˝ÚËı ÍÌÓÔÓÍ.

ENTER

END

äÌÓÔ͇ ÔÂÂıÓ‰‡ Í

Ô‰˚‰Û˘ÂÏÛ

˝Í‡ÌÛ.

EXIT

DATA ENTRY

èÓ‰Ò͇ÁÍË ÏÓ„ÛÚ ÒÓ‰Âʇڸ ÒÒ˚ÎÍË Ì‡ ‰ÓÍÛÏÂÌÚ˚ Ò ÔÓ‰Ó·Ì˚ÏË Ó·˙flÒÌÂÌËflÏË ÔÓ

ÚÂÏ ËÎË ËÌ˚Ï ‚ÓÔÓÒ‡Ï Ë ËÁÓ·‡ÊÂÌË ҇ÏÓ„Ó ˝Í‡Ì‡. óÚÓ·˚ ÓÁ̇ÍÓÏËÚ¸Òfl Ò

ÔÓ‰Ó·Ì˚Ï ÓÔËÒ‡ÌËÂÏ ˝Í‡Ì‡, ‰ÓÒÚ‡ÚÓ˜ÌÓ ÔÓÒÚÓ ‚˚·‡Ú¸ ÔÓ‰˜ÂÍÌÛÚÓ ÒÎÓ‚Ó Ò

ÔÓÏÓ˘¸˛ ‰ËÒ͇ ÛÔ‡‚ÎÂÌËfl [DATA ENTRY] Ë Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [ENTER].

éÒÌÓ‚Ì˚ ÓÔÂ‡ˆËË — Ó„‡ÌËÁ‡ˆËfl ‰‡ÌÌ˚ı

àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ

åÂÚÓÌÓÏ ËÁ‰‡ÂÚ „ÛÎflÌÓ ÔÓ‚ÚÓfl˛˘ËÈÒfl Á‚ÛÍ, ÔÓÏÓ„‡˛˘ËÈ ÔˉÂÊË‚‡Ú¸Òfl ÓÔ‰ÂÎÂÌÌÓ„Ó ÚÂÏÔ‡ ÔË Ë„ ̇ ÒËÌÚÂÁ‡ÚÓÂ.

äÓÏ ÚÓ„Ó, Ò ÔÓÏÓ˘¸˛ ÏÂÚÓÌÓχ ÏÓÊÌÓ ÔÓÒÎÛ¯‡Ú¸ Ë ÓˆÂÌËÚ¸ ÚÓÚ ËÎË ËÌÓÈ ÚÂÏÔ.

HOLD

VOICE EFFECT

BACK NEXT

LEFT

SUSTAIN

ECHO

HARMONY/

MONOTOUCH

DSP

VARIATION

DIGITAL

SOUND CREATOR

STUDIO

VOIC E

PIANO & HARPSI.

E.PIANO

ACCORDION

ORGAN &

MAIN

PERCUSSION

DIGITAL RECORDING

A

F

LAYER

GUITAR

BASS

BRASS

WOODWIND

B

G

MIXING CONSOLE

C

H

LEFT

STRINGS CHOIR & PAD

SYNTH.

XG

D

I

MENU

USER

ORGAN FLUTES

DEMO

E

J

UPPER OCTAVE

MUSIC

FINDER

MIC.

RESET

HELP

VH TYPE

SELECT

SETTING

MIC.

HARMONY

VOCAL

TALK

EFFECT

FUNCTION

SIGNAL

OVER

DIRECT

BALANCE

ACCESS

EXIT

ENTER

ONE TOUCH SETTING

CHANNEL ON/OFF

PART

REGISTRATION MEMORY

DATA ENTRY

FREEZE MEMORY

åÂÚÓÌÓÏ Á‡ÔÛÒ͇ÂÚÒfl ̇ʇÚËÂÏ ÍÌÓÔÍË [METRONOME]

. ê„ÛÎËӂ͇ ÚÂÏÔ‡

ÓÒÛ˘ÂÒÚ‚ÎflÂÚÒfl Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [ ] [ ] (ÒÏ. ÌËÊÂ).

óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ÏÂÚÓÌÓÏ, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [METRONOME].

чÌÌ˚È ‡Á‰ÂÎ ÔÓÒ‚fl˘ÂÌ ÓÔËÒ‡Ì˲ Ôӈ‰Û˚ „ÛÎËÓ‚ÍË ÚÂÏÔ‡, ÍÓÚÓ‡fl ‚ÎËflÂÚ Ì ÚÓθÍÓ Ì‡ ÚÂÏÔ ÏÂÚÓÌÓχ, ÌÓ Ë Ì‡ ÒÍÓÓÒÚ¸

ÔÓË„˚‚‡ÌËfl ÔÂÒÌË ËÎË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

50

PSR-2000/1000

METRO-

NOME

SONG

TRACKS

EXTRA

TRACK

2

TRACK

1 REPEAT

NOME

METRO-

(STYLE) (R)(L)

REC REW FF

TOP

START/STOP

NEW SONG SYNC. START

STYLE

POP & ROCK

SWING &

JAZZ

BALLROOM

MARCH &

WALTZ

BALLAD USERLATIN

DANCE

PART

TRANSPOSE

TEMPO

TAP TEMPO

MASTER VOLUME

RESET

RESET

STOP

FADE

MULTI PAD

IN/OUT

MIN MAX

STYLE CONTROL

ACMP

BREAK

INTRO

MAIN

ENDING

/ rit.

SYNC.

STOP

SYNC.

START

START/STOP

ON

STANDBY

FILL IN

AUTO

LINK

OTS

ê„ÛÎËӂ͇ ÚÂÏÔ‡

BACK NEXT

HOLD

LEFT

VOICE EFFECT

SUSTAIN

ECHO

HARMONY/

MONOTOUCH

DSP

VARIATION

DIGITAL

STUDIO

VOIC E

PIANO & HARPSI.

ACCORDION

ORGAN &

SOUND CREATOR

MAIN

E.PIANO

PERCUSSION

DIGITAL RECORDING

A

F

LAYER

GUITAR

BASS

BRASS

WOODWIND

B

G

MIXING CONSOLE

C

H

LEFT

STRINGS CHOIR & PAD

SYNTH.

XG

D

I

MENU

USER

ORGAN FLUTES

DEMO

E

J

UPPER OCTAVE

FINDER

MUSIC

RESET

HELP

MIC.

SELECT

VH TYPE

OVER

SETTING

MIC.

HARMONY

VOCAL

TALK

EFFECT

FUNCTION

SIGNAL

DIRECT

BALANCE

ONE TOUCH SETTING

ACCESS

EXIT

ENTER

CHANNEL ON/OFF

PART

REGISTRATION MEMORY

DATA ENTRY

FREEZE MEMORY

TAP TEMPO

TEMPO

RESET

SONG

TRACKS

EXTRA

TRACK

2

TRACK

1 REPEAT

NOME

METRO-

(STYLE) (R)(L)

REC REW FF

TOP

START/STOP

NEW SONG SYNC. START

STYLE

POP & ROCK

SWING &

JAZZ

BALLROOM

MARCH &

WALTZ

BALLAD USERLATIN

DANCE

PART

TRANSPOSE

TEMPO

TAP TEMPO

MASTER VOLUME

RESET

RESET

STOP

MULTI PAD

IN/OUT

FADE

MIN MAX

STYLE CONTROL

ACMP

BREAK

INTRO

MAIN

ENDING

/ rit.

SYNC.

FILL IN

AUTO

LINK

OTS

STOP

START

SYNC.

START/STOP

ON

STANDBY

TAP TEMPO

èÂÒÌË Ë ÒÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

TEMPO

ÔÓ ÛÏÓΘ‡Ì˲ ÔÓË„˚‚‡˛ÚÒfl ‚

1 2

Òڇ̉‡ÚÌÓÏ (ËÒıÓ‰ÌÓÏ) ÚÂÏÔÂ,

RESET

ÍÓÚÓ˚È ÎÛ˜¯Â ‚Ò„Ó

ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ‰‡ÌÌÓÈ ÔÂÒÌÂ

ÎË·Ó ÒÚËβ.

íÂÏÔ ÏÓÊÌÓ ËÁÏÂÌflÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [ ]

[] ËÎË Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ ÛÔ‡‚ÎÂÌËfl [DATA ENTRY] .

ç‡ÊÏËÚ ÍÌÓÔÍÛ TEMPO [ ]

éÚÓ·‡Ê‡ÂÏÓ ̇ ˝Í‡Ì ˜ËÒÎÓ Û͇Á˚‚‡ÂÚ Ì‡ ÍÓ΢ÂÒÚ‚Ó

ÎË·Ó ÍÌÓÔÍÛ [].

˜ÂÚ‚ÂÚÂÈ, ÛÒÔ‚‡˛˘Ëı ÔÓÁ‚Û˜‡Ú¸ Á‡ Ó‰ÌÛ ÏËÌÛÚÛ. ùÚÓ

˜ËÒÎÓ ÏÓÊÂÚ ËÁÏÂÌflÚ¸Òfl ‚ Ô‰Â·ı ÓÚ 5 ‰Ó 500. óÂÏ ÓÌÓ

·Óθ¯Â, ÚÂÏ ·ÓΠ·˚ÒÚ˚Ï ÒÚ‡ÌÓ‚ËÚÒfl ÚÂÏÔ.

EXIT

àÁÏÂÌÂÌË ÚÂÏÔ‡ ÔË‚Ó‰ËÚ Í ÚÓÏÛ, ˜ÚÓ ÚÂÏÔ ÚÂÍÛ˘ÂÈ

äÌÓÔ͇ ‚˚ıÓ‰‡

ÔÂÒÌË Ë ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÒÚ‡ÌÓ‚ËÚÒfl Ó‰Ë̇ÍÓ‚˚Ï.

ËÁ ˝Í‡Ì‡

END

óÚÓ·˚ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ Òڇ̉‡ÚÌ˚È ËÒıÓ‰Ì˚È ÚÂÏÔ,

TEMPO.

Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ӷ Í·‚Ë¯Ë TEMPO [ ] [ ].

ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ÚÂÏÔ Ô˂‰ÂÌ˚ ‚ ‡Á‰ÂÎÂ

«à̉Ë͇ÚÓ˚ ÚÂÏÔ‡ — „·‚Ì˚È ˝Í‡Ì» (ÒÚ. 51).

éÒÌÓ‚Ì˚ ÓÔÂ‡ˆËË — Ó„‡ÌËÁ‡ˆËfl ‰‡ÌÌ˚ı

á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÚÂÏÔ‡

àÚ‡Í, ÌÛÊÌÓ„Ó ÚÂÏÔ‡ ÏÓÊÌÓ ‰Ó·ËÚ¸Òfl ÔË ÔÓÏÓ˘Ë ÔÓÒÚÓ„Ó ‚˚ÒÚÛÍË‚‡ÌËfl. ÇÒÂ„Ó ÌÂÒÍÓθÍÓ

Û‰‡Ó‚ ÔÓ ÍÌÓÔÍ [TAP TEMPO], Ë ÔÂÒÌfl ËÎË ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇˜ÌÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl Ò

ç‡Ê‡ÚË ÍÌÓÔÍË [TAP TEMPO]

Á‡‰‡ÌÌÓÈ ‚‡ÏË ÒÍÓÓÒÚ¸˛.

ÔË‚Ó‰ËÚ Í ÔÓfl‚ÎÂÌ˲ Á‚Û͇,

ÔÓıÓÊÂ„Ó Ì‡ ÒÚÛÍ. èË Ê·ÌËË

˝ÚÓÚ Á‚ÛÍ ÏÓÊÌÓ ËÁÏÂÌËÚ¸

(ÒÚ. 149).

ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ËÎË

TAP TEMPO

1

TEMPO

ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 59,

2

76).

RESET

ùÚÛ ÙÛÌÍˆË˛ ÏÓÊÌÓ Ú‡ÍÊÂ

ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl Û͇Á‡ÌËfl

ÚÂÏÔ‡, ‚ ÍÓÚÓÓÏ ·Û‰ÂÚ

‡‚ÚÓχÚ˘ÂÒÍË Á‡ÔÛÒ͇ڸÒfl

óÚÓ·˚ ËÁÏÂÌËÚ¸ ÚÂÏÔ, ‰‚‡Ê‰˚ ̇ÊÏËÚÂ

ÔÂÒÌfl ËÎË ÒÚËθ

ÍÌÓÔÍÛ [TAP TEMPO].

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. éÒÚ‡ÌÓ‚ËÚÂ

‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Ë

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë ÔÓÒÚÛ˜ËÚÂ

ÌÂÒÍÓθÍÓ ‡Á ÔÓ ÍÌÓÔÍ [TAP

TEMPO]. Ç˚·‡ÌÌ˚È ÒÚËθ

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‡‚ÚÓχÚ˘ÂÒÍË

■ à̉Ë͇ÚÓ˚ ÚÂÏÔ‡ — „·‚Ì˚È ˝Í‡Ì

Á‡ÔÛÒÚËÚÒfl ‚ ÚÓÏ ÚÂÏÔÂ,

ç‡ „·‚ÌÓÏ ˝Í‡Ì ËϲÚÒfl ÚË Ë̉Ë͇ÚÓ‡ ÚÂÏÔ‡.

ÍÓÚÓ˚È ‚˚ Ú‡ÍËÏ Ó·‡ÁÓÏ

ÔÓÎÛ˜ËÎË. ìÒÚ‡ÌÓ‚ËÚ ÂÊËÏ

ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒ͇ ÔÂÒÌË

à̉Ë͇ÚÓ Òڇ̉‡ÚÌÓ„Ó (ËÒıÓ‰ÌÓ„Ó)

(ÒÚ. 60, 76). Ä ÚÂÔÂ¸ ÔÓÒÚÛ˜ËÚÂ

ÚÂÏÔ‡ ÚÂÍÛ˘ÂÈ ÔÂÒÌË.

ÔÓ ÍÌÓÔÍÂ [TAP TEMPO], ˜ÚÓ·˚

Á‡‰‡Ú¸ ‡ÁÏÂ

‚ÓÒÔÓËÁ‚‰ÂÌËfl. ÖÒÎË ÔÂÒÌfl

à̉Ë͇ÚÓ Ù‡ÍÚ˘ÂÒÍÓ„Ó ÚÂÏÔ‡

ËÎË ÒÚËθ ‰ÓÎÊÌ˚

‚ÓÒÔÓËÁ‚Ó‰ËÏÓÈ ÔÂÒÌË, ÒÚËÎfl

‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl Ò ‡ÁÏÂÓÏ

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ÏÂÚÓÌÓχ. ÖÒÎË

2/4 ËÎË 4/4, Û‰‡¸Ú ÔÓ ÍÌÓÔÍÂ

‚ÓÒÔÓËÁ‚‰ÂÌË ÓÒÚ‡ÌÓ‚ÎÂÌÓ, ˝ÚÓÚ

˜ÂÚ˚ ‡Á‡; ÂÒÎË Ú·ÛÂÚÒfl

Ë̉Ë͇ÚÓ ÔÓ͇Á˚‚‡ÂÚ ÚÂÏÔ

‡ÁÏÂ 3/4, Û‰‡¸Ú ÚË ‡Á‡, ‡

‚˚·‡ÌÌÓ„Ó ÒÚËÎfl. ÖÒÎË ÔÂÒÌfl Ë ÒÚËθ

‰Îfl ‡ÁÏÂ‡ 5/4 — ÔflÚ¸ ‡Á.

ÔÓË„˚‚‡˛ÚÒfl Ó‰ÌÓ‚ÂÏÂÌÌÓ, ÚÂÏÔ

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‡‚ÚÓχÚ˘ÂÒÍË

ÔÓ‰„ÓÌflÂÚÒfl ÔÓ‰ ÚÂÏÔ ÔÂÒÌË Ë

ÓÚÓ·‡Ê‡ÂÚÒfl ̇ ˝ÚÓÏ Ë̉Ë͇ÚÓÂ. èË

Á‡ÔËÒË ÔÂÒÌË ËÎË ÒÚËÎfl

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÒÔÓθÁÛÂÚÒfl ËÏÂÌÌÓ

˝ÚÓÚ ÚÂÏÔ.

à̉Ë͇ÚÓ Òڇ̉‡ÚÌÓ„Ó (ËÒıÓ‰ÌÓ„Ó)

ÚÂÏÔ‡ ÚÂÍÛ˘Â„Ó ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

PSR-2000/1000

51

èÓË„˚‚‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ

PSR-2000/1000— ˝ÚÓ „Ë·ÍËÈ ËÌÒÚÛÏÂÌÚ Ò ‡Á‚ËÚÓÈ ÒËÒÚÂÏÓÈ ÛÔ‡‚ÎÂÌËfl, ÏÌÓÊÂÒÚ‚ÓÏ ‰Ë̇Ï˘ÂÒÍËı „ÓÎÓÒÓ‚ Ë ËÚÏÓ‚,

Ò̇·ÊÂÌÌ˚È ˆÂÎ˚Ï fl‰ÓÏ ‰ÓÔÓÎÌËÚÂθÌ˚ı ÙÛÌ͈ËÈ. ÑÎfl ÚÓ„Ó ˜ÚÓ·˚ ‚ ÔÓÎÌÓÈ ÏÂ ÔÓ‰ÂÏÓÌÒÚËÓ‚‡Ú¸ ·Ó„‡ÚÒÚ‚Ó Á‚Û͇ Ë

‚ÓÁÏÓÊÌÓÒÚÂÈ PSR-2000/1000, Ï˚ Á‡ÎÓÊËÎË ‚ Ô‡ÏflÚ¸ ËÌÒÚÛÏÂÌÚ‡ ÚË ÚËÔ‡ ‰ÂÏÓÌÒÚ‡ˆËË.

HOLD

LEFT

VOICE EFFECT

BACK NEXT

SUSTAIN

ECHO

HARMONY/

MONOTOUCH

DSP

VARIATION

DIGITAL

STUDIO

VOIC E

SOUND CREATOR

MAIN

PIANO & HARPSI.

E.PIANO

ACCORDION

ORGAN &

PERCUSSION

DIGITAL RECORDING

A

F

LAYER

GUITAR

BASS

BRASS

WOODWIND

B

G

MIXING CONSOLE

C

H

LEFT

STRINGS CHOIR & PAD

SYNTH.

XG

D

I

USER

ORGAN FLUTES

DEMO

MENU

E

J

UPPER OCTAVE

FINDER

MUSIC

HELP

MIC.

VH TYPE

SELECT

SETTING

MIC.

VOCAL

RESET

OVER

HARMONY

TALK

EFFECT

FUNCTION

SIGNAL

ONE TOUCH SETTING

ACCESS

DIRECT

BALANCE

EXIT

ENTER

CHANNEL ON/OFF

PART

REGISTRATION MEMORY

DATA ENTRY

FREEZE MEMORY

52

PSR-2000/1000

MENU

SONG

DEMO

EXTRA

TRACKS

TRACK

2

TRACK

1 REPEAT

NOME

METRO-

(STYLE) (R)(L)

REC REW FF

TOP

START/STOP

STYLE

NEW SONG SYNC. START

HELP

POP & ROCK

SWING &

JAZZ

BALLROOM

WALTZ

MARCH &

BALLAD USERLATIN

DANCE

PART

FUNCTION

TRANSPOSE

TEMPO

TAP TEMPO

MASTER VOLUME

RESET

RESET

STOP

IN/OUT

FADE

MULTI PAD

MIN MAX

STYLE CONTROL

ACMP

BREAK

INTRO

MAIN

ENDING

/ rit.

SYNC.

STANDBY

AUTO

SYNC.

ON

FILL IN

LINK

OTS

STOP

START

START/STOP

BACK NEXT

A

F

B

G

C

H

D

I

E

J

MENU

ç‡Ê‡ÚË ÍÌÓÔÍË [DEMO] ÔË‚Ó‰ËÚ Í

DEMO

1

‡‚ÚÓχÚ˘ÂÒÍÓÏÛ ‚ÓÒÔÓËÁ‚‰ÂÌ˲

‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ ‚ ÒÎÛ˜‡ÈÌÓÏ

HELP

ÔÓfl‰ÍÂ.

FUNCTION

2

2-1 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK][NEXT] ÏÓÊÌÓ ‚˚·‡Ú¸ ÔÓ Ò‚ÓÂÏÛ Ê·Ì˲ ÚËÔ ‰ÂÏÓÌÒÚ‡ˆËË.

ÑÂÏÓÌÒÚ‡ˆËË ÙÛÌ͈ËÈ.........ÓÚ‡Ê‡˛Ú ‚ÓÁÏÓÊÌÓÒÚË ‡Á΢Ì˚ı ÙÛÌ͈ËÈ PSR-2000/1000.

ÑÂÏÓÌÒÚ‡ˆËË „ÓÎÓÒÓ‚..........ËÎβÒÚËÛ˛Ú ‚ÓÁÏÓÊÌÓÒÚË ËÒÔÓθÁÓ‚‡ÌËfl „ÓÎÓÒÓ‚ PSR-2000/1000.

ÑÂÏÓÌÒÚ‡ˆËË ÒÚËÎÂÈ............ÔÓÁ‚ÓÎfl˛Ú ÔÓÎÛ˜ËÚ¸ Ô‰ÒÚ‡‚ÎÂÌËÂ Ó ËÚχı Ë ÒÚËÎflı ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ËÒÔÓθÁÛÂÏ˚ı ÒËÌÚÂÁ‡ÚÓÓÏ

PSR-2000/1000.

2-3 ä‡Ê‰Û˛ ËÁ ˝ÚËı ÍÌÓÔÓÍ ÌÂÓ·ıÓ‰ËÏÓ

̇ÊËχڸ ‰‚‡Ê‰˚: ÔÂ‚˚È ‡Á ‰Îfl

ÚÓ„Ó, ˜ÚÓ·˚ ‚˚·‡Ú¸ ‰ÂÏÓÌÒÚ‡ˆË˛,

‚ÚÓÓÈ — ˜ÚÓ·˚ Á‡ÔÛÒÚËÚ¸ ÂÂ.

2-2 ë ÔÓÏÓ˘¸˛ ˝ÚËı ÍÌÓÔÓÍ ÏÓÊÌÓ

ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ ÔÓË„˚‚‡Ú¸ ‰ÂÏÓÌÒÚ‡ˆËË ÌÂÔÂ˚‚ÌÓ, ̇˜Ë̇fl Ò ÔÂ‚ÓÈ

ÔÂÂıÓ‰ËÚ¸ ÓÚ Ó‰ÌÓÈ ÒÚ‡Ìˈ˚

ÔÓÁˈËË ‚ ÒÔËÒÍ (‚ÂıÌflfl ‚ ΂ÓÏ fl‰Û). í‡ÍÓÈ ÂÊËÏ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÏÓÊÌÓ

˝Í‡Ì‡ Í ‰Û„ÓÈ.

‚˚·‡Ú¸ Î˯¸ ÔË ÔÂÂıÓ‰Â Í ˝Í‡ÌÛ FUNCTION.

ÇÒ Ëϲ˘ËÂÒfl ‰ÂÏÓÌÒÚ‡ˆËË ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl Ӊ̇ Á‡ ‰Û„ÓÈ, ̇˜Ë̇fl Ò ‚ÂıÌÂÈ ‚

΂ÓÏ fl‰Û. ùÍ‡Ì˚ VOICE Ë STYLE Ì ‡ÒÔÓ·„‡˛Ú ÍÌÓÔÍÓÈ [AUTO] , Ӊ̇ÍÓ ˝ÚÓ ÌÂ

ÔÂÔflÚÒÚ‚ÛÂÚ ÔÓÒΉӂ‡ÚÂθÌÓÏÛ ‚ÓÒÔÓËÁ‚‰ÂÌ˲ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ.

ç‡Ê‡ÚË ‰‡ÌÌÓÈ ÍÌÓÔÍË ‰Â·ÂÚ Ì‚ÓÁÏÓÊÌ˚Ï ËÌÚÂ‡ÍÚË‚ÌÓ ‚ÓÁ‰ÂÈÒÚ‚Ë ̇

‰ÂÏÓÌÒÚ‡ˆËË ÙÛÌ͈ËÈ (ÒÏ. ¯‡„ 3).

ÇÓÒÔÓËÁ‚‰ÂÌË ‰ÂÏÓÌÒÚ‡ˆËÈ

èË ‚˚·Ó ‰ÂÏÓÌÒÚ‡ˆËË ÙÛÌ͈ËÈ Ì‡ ˝Í‡Ì ÔÓfl‚Îfl˛ÚÒfl ‚‚Ó‰Ì˚ ҂‰ÂÌËfl Ë

óÚÓ·˚ ÔÂÂÈÚË Í Ô‰˚‰Û˘ÂÈ

3

ËÎË ÒÎÂ‰Û˛˘ÂÈ ÒÚ‡ÌˈÂ,

̇˜Ë̇ÂÚÒfl ‚ÓÒÔÓËÁ‚‰ÂÌËÂ.

‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË

çËÊ Ô˂‰ÂÌ ÔËÏÂ ˝Í‡Ì‡ Ò

[BACK]/[NEXT] .

BACK NEXT

‚‚Ó‰Ì˚ÏË Ò‚Â‰ÂÌËflÏË Ó ÒËÒÚÂÏÂ

Á‚ÛÍÓ‚ÓÒÔÓËÁ‚‰ÂÌËfl.

óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸

‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚÂ

MAIN

ÍÌÓÔÍÛ[START/STOP]. óÚÓ·˚

F

ÔÓ‰ÓÎÊËÚ¸ ‰ÂÏÓÌÒÚ‡ˆË˛ Ò

LAYER

ÏÂÒÚ‡ ÓÒÚ‡ÌÓ‚ÍË, ̇ÊÏËÚÂ

G

ÍÌÓÔÍÛ [START/STOP] ¢ ‡Á.

H

LEFT

èË ‚ÓÒÔÓËÁ‚‰ÂÌËË

‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ

I

ÏÓÊÌÓ ÔÓθÁÓ‚‡Ú¸Òfl

J

ÙÛÌ͈ËflÏË ·˚ÒÚÓÈ ÔÂÂÏÓÚÍË

‚ÔÂ‰ Ë Ì‡Á‡‰ (ÒÚ. 78).

Ç˚·ÂËÚ ÌÛÊÌÓ ÒÎÓ‚Ó ËÎË Ó·˙ÂÍÚ Ò ÔÓÏÓ˘¸˛

ENTER

‰ËÒ͇ ÛÔ‡‚ÎÂÌËfl [DATAENTRY] , ‡ Á‡ÚÂÏ

‚˚ÁÓ‚ËÚ „Ó, ̇ʇ‚ ÍÌÓÔÍÛ [ENTER] ËÎË ÍÌÓÔÍË

[1▼], [2▼] Ë Ú. ‰.

EXIT

END

äÌÓÔ͇ ‚ÓÁ‚‡Ú‡ Í „·‚ÌÓÏÛ ˝Í‡ÌÛ.

PSR-2000/1000

53

ÉÓÎÓÒ‡

PSR-2000/1000 ӷ·‰‡ÂÚ ·Ó„‡ÚÂȯËÏ Ì‡·ÓÓÏ Ì‡ÚÛ‡Î¸ÌÓ Á‚Û˜‡˘Ëı „ÓÎÓÒÓ‚, ‚Íβ˜‡fl ‚Ò ‡ÁÌÓÓ·‡ÁË ÚÂÏ·Ó‚ Í·‚˯Ì˚ı,

ÒÚÛÌÌ˚ı Ë ‰ÛıÓ‚˚ı ËÌÒÚÛÏÂÌÚÓ‚, ‡ Ú‡ÍÊ ÏÌÓÊÂÒÚ‚Ó ‰Û„Ëı.

HOLD

LEFT

VOICE EFFECT

BACK NEXT

SUSTAIN

HARMONY/

ECHO

MONOTOUCH

DSP

VARIATION

DIGITAL

ORGAN &

SOUND CREATOR

STUDIO

VOIC E

MAIN

PIANO & HARPSI.

E.PIANO

ACCORDION

PERCUSSION

DIGITAL RECORDING

A

F

LAYER

GUITAR

BASS

BRASS

WOODWIND

B

G

MIXING CONSOLE

C

H

LEFT

STRINGS CHOIR & PAD

SYNTH.

XG

D

I

MENU

USER

ORGAN FLUTES

DEMO

E

J

MUSIC

UPPER OCTAVE

FINDER

HELP

MIC.

SELECT

VH TYPE

RESET

OVER

SETTING

MIC.

HARMONY

VOCAL

TALK

EFFECT

FUNCTION

SIGNAL

ONE TOUCH SETTING

ACCESS

DIRECT

BALANCE

EXIT

ENTER

CHANNEL ON/OFF

PART

REGISTRATION MEMORY

DATA ENTRY

FREEZE MEMORY

54

PSR-2000/1000

VOICE

ORGAN &

PIANO & HARPSI.

E.PIANO

ACCORDION

PERCUSSION

GUITAR BASS

BRASS

WOODWIND

SONG

EXTRA

TRACKS

TRACK

2

TRACK

1 REPEAT

METRO-

NOME

STRINGS CHOIR & PAD

(STYLE) (R)(L)

REC REW FF

TOP

START/STOP

SYNTH.

XG

STYLE

NEW SONG SYNC. START

POP & ROCK

SWING &

JAZZ

BALLROOM

MARCH &

WALTZ

BALLAD USERLATIN

DANCE

USER ORGAN FLUTES

PART

TRANSPOSE

TEMPO

TAP TEMPO

MASTER VOLUME

RESET

RESET

STOP

FADE

MULTI PAD

IN/OUT

MIN MAX

STYLE CONTROL

ACMP

BREAK

INTRO

MAIN

ENDING

/ rit.

STANDBY

AUTO

FILL IN

OTS

SYNC.

LINK

STOP

START

SYNC.

START/STOP

ON

Ç˚·Ó „ÓÎÓÒ‡

ç‡ÊÏËÚ ÍÌÓÔÍÛ [MAIN], ˜ÚÓ·˚ ‚Íβ˜ËÚ¸ „·‚ÌÛ˛ ˜‡ÒÚ¸, ‡ Á‡ÚÂÏ — ÍÌÓÔÍÛ [F],

1

Ç˚·‡ÌÌ˚È ‚ ÏÂÌ˛ „ÓÎÓÒ

˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ÏÂÌ˛ ‚˚·Ó‡ „·‚ÌÓ„Ó „ÓÎÓÒ‡.

ÓÚÌÓÒËÚÒfl Í „·‚ÌÓÈ ˜‡ÒÚË Ë

ÌÓÒËÚ Ì‡Á‚‡ÌË „·‚ÌÓ„Ó „ÓÎÓÒ‡.

(ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl ÒÏ.

MAIN

äÌÓÔ͇ ‚Íβ˜ÂÌËfl/

̇ ÒÚ. 56.)

F

‚˚Íβ˜ÂÌËfl „·‚ÌÓ„Ó „ÓÎÓÒ‡.

LAYER

G

ÖÒÎË Ú·ÛÂÚÒfl ÛÒÎ˚¯‡Ú¸

ÚÓθÍÓ ÚÂÏ· „·‚ÌÓ„Ó „ÓÎÓÒ‡,

H

LEFT

‚˚Íβ˜ËÚ ‰ÓÔÓÎÌËÚÂθÌ˚Â

I

„ÓÎÓÒ‡ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ

LAYER Ë LEFT.

J

Ç˚·ÂËÚ ÌÂÓ·ıÓ‰ËÏÛ˛ „ÛÔÔÛ „ÓÎÓÒÓ‚.

2

èË ‚˚·ÓÂ „ÛÔÔ˚ „ÓÎÓÒÓ‚

‡‚ÚÓχÚ˘ÂÒÍË ‚˚‰ÂÎflÂÚÒfl ÚÓÚ

VOICE

ORGAN &

PIANO & HARPSI.

E.PIANO

ACCORDION

PERCUSSION

„ÓÎÓÒ, ÍÓÚÓ˚È ·˚Î ‚˚·‡Ì

ÔÓÒΉÌËÏ.

GUITAR BASS

BRASS

WOODWIND

STRINGS CHOIR & PAD

SYNTH.

XG

USER ORGAN FLUTES

ÉÓÎÓÒ‡

BACK NEXT

A

F

B

G

C

H

D

I

E

J

óÚÓ·˚ ÛÒÎ˚¯‡Ú¸ ‚˚·‡ÌÌ˚È „ÓÎÓÒ,

äÌÓÔ͇ ÔÂÂıÓ‰‡ Í

4

ÔÓË„‡ÈÚ ̇ Í·‚ˇÚÛÂ.

END

„·‚ÌÓÏÛ ˝Í‡ÌÛ

EXIT

MAIN.

ï‡‡ÍÚÂËÒÚËÍË „ÓÎÓÒ‡

íËÔ „ÓÎÓÒ‡ Ë Â„Ó ı‡‡ÍÚÂËÒÚËÍË ÓÚÓ·‡Ê‡˛ÚÒfl ̇‰ ËÏÂÌÂÏ „ÓÎÓÒ‡.

Live! (ÚÓθÍÓ ‚ PSR-2000)

ùÚË ÚÂÏ·˚ ‡ÍÛÒÚ˘ÂÒÍËı ËÌÒÚÛÏÂÌÚÓ‚ ·˚ÎË Á‡Ò˝ÏÔÎËÓ‚‡Ì˚ ‚ ‚ˉ ÒÚÂÂÓهȷ. Ç ÂÁÛθڇÚ ÓÌË Á‚Û˜‡Ú ‰ÂÈÒÚ‚ËÚÂθÌÓ

̇ÚÛ‡Î¸ÌÓ. ë˝ÏÔÎ˚ ӷ·‰‡˛Ú ·Ó„‡Ú˚Ï Á‚Û˜‡ÌËÂÏ, ıÓÓ¯Ó ÔÂ‰‡˛Ú ÔÓÒÚ‡ÌÒÚ‚Ó Ë ‡ÚÏÓÒÙÂÛ.

Cool!

ùÚË „ÓÎÓÒ‡ ÒÔÓÒÓ·Ì˚ ÔÂ‰‡‚‡Ú¸ ‰Ë̇ÏËÍÛ Ë ÚÓ̘‡È¯ËÂ Ì˛‡ÌÒ˚ Á‚Û˜‡ÌËfl ˝ÎÂÍÚ˘ÂÒÍËı ËÌÒÚÛÏÂÌÚÓ‚ ·Î‡„Ó‰‡fl

ËÁÓ˘ÂÌÌÓÏÛ ÔÓ„‡ÏÏËÓ‚‡Ì˲ Ë ‚ÌÛ¯ËÚÂθÌÓÏÛ Ó·˙ÂÏÛ Ô‡ÏflÚË.

Sweet!

ùÚË ÚÂÏ·˚ ‡ÍÛÒÚ˘ÂÒÍËı ËÌÒÚÛÏÂÌÚÓ‚ Ú‡ÍÊ ‚˚Ë„˚‚‡˛Ú ÓÚ ËÒÔÓθÁÓ‚‡ÌËfl ÒÎÓÊÌÓÈ ÚÂıÌÓÎÓ„ËË. éÌË Á‚Û˜‡Ú ÒÚÓθ

ÂÒÚÂÒÚ‚ÂÌÌÓ, ˜ÚÓ ÏÓÊÌÓ ‡Á΢ËÚ¸ ÏÂθ˜‡È¯Ë ‰ÂÚ‡ÎË Á‚ÛÍÓ‚ÓÈ Í‡ÚËÌ˚. чÊ Ì ‚ÂËÚÒfl, ˜ÚÓ ËÒÚÓ˜ÌËÍ Á‚Û͇ —

ÒËÌÚÂÁ‡ÚÓ!

Drum

ä‡Ê‰ÓÈ Í·‚˯ ÔËÒ‚ÓÂÌ Á‚ÛÍ Í‡ÍÓ„Ó-ÎË·Ó Ó‰ÌÓ„Ó Û‰‡ÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡. LJ¯‡ Í·‚ˇÚÛ‡ Ô‚‡˘‡ÂÚÒfl ‚ ÔÓ‰Ó·ËÂ

Û‰‡ÌÓÈ ÛÒÚ‡ÌÓ‚ÍË.

SFX

ë ͇ʉÓÈ Í·‚˯ÂÈ ÒÓÓÚÌÂÒÂÌ Í‡ÍÓÈ-ÎË·Ó Á‚ÛÍÓ‚ÓÈ ÒÔˆ˝ÙÙÂÍÚ.

Organ Flutes! (ÚÓθÍÓ ‚ PSR-2000 )

ÉÓÎÓÒ Ó„‡Ì‡ ÔÓÁ‚ÓÎflÂÚ Ì‡ÒÚ‡Ë‚‡Ú¸ ÏÌÓ„Ë ԇ‡ÏÂÚ˚ Á‚Û˜‡ÌËfl Ë ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ Ó„‡ÌÌ˚ ÚÂÏ·˚ Ò ÔÓÏÓ˘¸˛

ÙÛÌ͈ËË Sound Creator.

èÂÍÛÒÒËÓÌ̇fl Í·‚ˇÚÛ‡

èË ‚˚·Ó ӉÌÓ„Ó ËÁ ̇·ÓÓ‚ ÒÔˆ˝ÙÙÂÍÚÓ‚ ËÎË ·‡‡·‡ÌÓ‚ ËÁ „ÛÔÔ˚ „ÓÎÓÒÓ‚ PERCUSSION ͇ʉÓÈ Í·‚˯ ÔËÒ‚‡Ë‚‡˛ÚÒfl

Á‚ÛÍË, ‚ıÓ‰fl˘Ë ‚ ˝ÚÓÚ Ì‡·Ó. ê‡Á΢Ì˚ ۉ‡Ì˚Â Ë ÔÂÍÛÒÒËÓÌÌ˚ ËÌÒÚÛÏÂÌÚ˚ Òڇ̉‡ÚÌÓ„Ó Ì‡·Ó‡ (Standard Kit) Ó·ÓÁ̇˜ÂÌ˚

ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË ÒËÏ‚Ó·ÏË ÔÓ‰ Í·‚˯‡ÏË. àÏÂÈÚ ‚ ‚ˉÛ: ÌÂÒÏÓÚfl ̇ ÚÓ, ˜ÚÓ ‡Á΢Ì˚ ̇·Ó˚ ÒÓÒÚÓflÚ ËÁ ‡ÁÌ˚ı Á‚ÛÍÓ‚,

ÌÂÍÓÚÓ˚ Á‚ÛÍË ÏÓ„ÛÚ Ì‡Á˚‚‡Ú¸Òfl Ë Á‚Û˜‡Ú¸ Ó‰Ë̇ÍÓ‚Ó ‚ ÌÂÒÍÓθÍËı ̇·Ó‡ı.

ëÔËÒÓÍ Á‚ÛÍÓ‚, ÓÚÌÓÒfl˘ËıÒfl Í Í‡Ê‰ÓÏÛ Ì‡·ÓÛ, Ô˂‰ÂÌ ‚ Ò·ÓÌËÍ ڇ·Îˈ (Drum/key Assignment List).

PSR-2000/1000

55

èÓ ÛÏÓΘ‡Ì˲ ‚˚·Ë‡ÂÚÒfl ÌÂ

ùÚ‡ ̇‰ÔËÒ¸ Û͇Á˚‚‡ÂÚ Ì‡ ÚÓ, ˜ÚÓ ˝Í‡Ì

ÔÓÒÚÓ Ò‡Ï „ÓÎÓÒ, ÌÓ Ë Ì‡Ë·ÓÎÂÂ

Ô‰̇Á̇˜ÂÌ ‰Îfl ‚˚·Ó‡ „·‚ÌÓ„Ó

3

ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ÂÏÛ ˝ÙÙÂÍÚ

„ÓÎÓÒ‡ (ÒÚ. 25).

‚ÏÂÒÚÂ Ò ÔÓ˜ËÏË Ô‡‡ÏÂÚ‡ÏË

3-1 äÌÓÔÍË ‰Îfl

„ÓÎÓÒ‡. îÛÌÍˆË˛ ‡‚ÚÓχÚ˘ÂÒÍÓ„Ó

Û͇Á‡ÌËfl

‚˚·Ó‡ Ô‡‡ÏÂÚÓ‚ „ÓÎÓÒ‡ ÏÓÊÌÓ

ÏÂÒÚÓ̇ıÓʉ

ÓÚÍβ˜ËÚ¸ (ÒÚ. 143).

ÂÌËfl „ÓÎÓÒ‡

(‡Á‰ÂÎ˚

PRESET/

åÓÊÌÓ Á‡‰‡Ú¸, ‚ ͇ÍÓÈ ÏÂÂ

USER/FLOPPY

„ÓÏÍÓÒÚ¸ „ÓÎÓÒ‡ ·Û‰ÂÚ Á‡‚ËÒÂÚ¸

DISK).

ÓÚ ÒËÎ˚ ̇ʇÚËfl ̇ Í·‚˯Û

(ÒÚ. 141).

èÂ˜Â̸ ‚ÒÚÓÂÌÌ˚ı „ÓÎÓÒÓ‚

ÒÓ‰ÂÊËÚÒfl ‚ Ò·ÓÌËÍ ڇ·Îˈ.

3-3 äÌÓÔÍË ‚˚·Ó‡

„ÓÎÓÒ‡.

åÓÊÌÓ Û͇Á‡Ú¸, ÒΉÛÂÚ ÎË

ÓÚÓ·‡Ê‡Ú¸ ÌÓÏÂ‡ ËÁÏÂÌÂÌËfl

3-2 äÌÓÔÍË ‰Îfl

ÔÓ„‡ÏÏ Ë ·‡ÌÍÓ‚ («MSB-LSB-

ÔÂÂıÓ‰‡ ÏÂʉÛ

ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ

̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ

Program Change number» ÒÔ‡‚‡

ÒÚ‡Ìˈ‡ÏË

ÓÚ ËÏÂÌË „ÓÎÓÒ‡) (ÒÚ. 149).

ÚÂÍÛ˘ÂÈ „ÛÔÔ˚

‚˚‰ÂÎÂÌÌÓ„Ó „ÓÎÓÒ‡. èË

„ÓÎÓÒÓ‚.

ÔÓ‚ÚÓÌÓÏ Â ̇ʇÚËË

‚ÓÒÔÓËÁ‚‰ÂÌËÂ

XG Ô‰ÒÚ‡‚ÎflÂÚ ÒÓ·ÓÈ

ÔÂÍ‡˘‡ÂÚÒfl.

ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ‚˚·Ó‡ „ÓÎÓÒÓ‚˚ı „ÛÔÔ.

Á̇˜ËÚÂθÌÓ

ÛÒÓ‚Â¯ÂÌÒÚ‚Ó‚‡ÌÌÓÂ

‡Ò¯ËÂÌË Òڇ̉‡Ú‡ General

MIDI (GM System level 1 format).

äÓÏÔ‡ÌËfl Yamaha ‡Á‡·Óڇ·

˝ÚÛ ÒÔˆËÙË͇ˆË˛ Ò ˆÂθ˛

Û‚Â΢ÂÌËfl ˜ËÒ· ‰ÓÒÚÛÔÌ˚ı

„ÓÎÓÒÓ‚ Ë ‚ÓÁÏÓÊÌÓÒÚÂÈ

ÛÔ‡‚ÎÂÌËfl „ÓÎÓÒ‡ÏË Ë

˝ÙÙÂÍÚ‡ÏË, ‡ Ú‡ÍÊÂ

Ó·ÂÒÔ˜ÂÌËfl ÒÓ‚ÏÂÒÚËÏÓÒÚË

MIDI ‰‡ÌÌ˚ı ‚ ·Û‰Û˘ÂÏ.

ÉÓÎÓÒ‡

ÉÓÎÓÒ‡ Layer Ë Left — Ë„‡ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÌÂÒÍÓθÍËı

PSR-2000/1000 ÔÓ‰‰ÂÊË‚‡ÂÚ Ó‰ÌÓ‚ÂÏÂÌÌÛ˛ Ë„Û ÚÂı „ÓÎÓÒÓ‚. ùÚË „ÓÎÓÒ‡ ̇Á˚‚‡˛ÚÒflMAIN („·‚Ì˚È), LAYER (ÒÎÓÈ) Ë LEFT

(„ÓÎÓÒ ‰Îfl ΂ÓÈ ÛÍË). äÓÏ·ËÌËÛfl ˝ÚË ÚË „ÓÎÓÒ‡, ‚˚ ÏÓÊÂÚ ÒÓÁ‰‡‚‡Ú¸ ÏÛθÚËËÌÒÚÛÏÂÌڇθÌ˚ ÒÏÂÒË Ò ·Ó„‡Ú˚ÏË ÚÂÍÒÚÛ‡ÏË

‰Îfl ÔÓÒÎÂ‰Û˛˘Â„Ó ËÒÔÓθÁÓ‚‡ÌËfl ‚Ó ‚ÂÏfl ÍÓ̈ÂÚ‡.

VOICE EFFECT

BACK NEXT

HOLD

LEFT

SUSTAIN

ECHO

HARMONY/

MONOTOUCH

DSP

VARIATION

STUDIO

DIGITAL

VOIC E

PIANO & HARPSI.

E.PIANO

ACCORDION

ORGAN &

SOUND CREATOR

MAIN

PERCUSSION

DIGITAL RECORDING

A

F

LAYER

GUITAR

BASS

BRASS

WOODWIND

B

G

MIXING CONSOLE

C

H

LEFT

STRINGS CHOIR & PAD

SYNTH.

XG

D

I

MENU

USER

ORGAN FLUTES

DEMO

E

J

MUSIC

UPPER OCTAVE

FINDER

HELP

MIC.

VH TYPE

SELECT

SETTING

MIC.

HARMONY

VOCAL

RESET

OVER

TALK

EFFECT

FUNCTION

SIGNAL

DIRECT

BALANCE

ONE TOUCH SETTING

ACCESS

EXIT

ENTER

CHANNEL ON/OFF

PART

REGISTRATION MEMORY

DATA ENTRY

FREEZE MEMORY

à„‡ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ‰‚Ûı„ÓÎÓÒÌÓ„Ó

ÒÎÓfl

à„‡ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ‰‚Ûı ÌÂÒϯ‡ÌÌ˚ı

„ÓÎÓÒÓ‚ (Ó‰ËÌ ÒÔ‡‚‡, ‰Û„ÓÈ Ò΂‡)

à„‡ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÚÂı „ÓÎÓÒÓ‚ (Ó‰ËÌ

Ò΂‡ Ë ‰‚‡ Òϯ‡ÌÌ˚ı „ÓÎÓÒ‡ ÒÔ‡‚‡)

ëÎÓÈ — ëϯ˂‡ÌË ‰‚Ûı

‡ÁÌ˚ı „ÓÎÓÒÓ‚

56

PSR-2000/1000

MAIN

LAYER

SONG

EXTRA

TRACKS

TRACK

2

TRACK

1 REPEAT

NOME

METRO-

(STYLE) (R)(L)

REC REW FF

TOP

START/STOP

LEFT

STYLE

NEW SONG SYNC. START

POP & ROCK

SWING &

JAZZ

BALLROOM

MARCH &

WALTZ

BALLAD USERLATIN

DANCE

PART

TRANSPOSE

TEMPO

TAP TEMPO

MASTER VOLUME

RESET

RESET

STOP

MULTI PAD

IN/OUT

FADE

MIN MAX

STYLE CONTROL

ACMP

BREAK

INTRO

MAIN

ENDING

/ rit.

FILL IN

AUTO

LINK

OTS

SYNC.

STOP

START

SYNC.

START/STOP

ON

STANDBY

˜‡ÒÚ¸ ÒÎÓfl

„·‚̇fl ˜‡ÒÚ¸

(LAYER)

(MAIN)

íӘ͇ ‡Á·ËÂÌËfl Í·‚ˇÚÛ˚

˜‡ÒÚ¸ ‰Îfl

΂ÓÈ ÛÍË

„·‚̇fl ˜‡ÒÚ¸

(LEFT )

΂‡fl ÁÓ̇ Ô‡‚‡fl ÁÓ̇

(MAIN)

íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚

˜‡ÒÚ¸ ÒÎÓfl (LAYER)

˜‡ÒÚ¸ ‰Îfl

΂ÓÈ ÛÍË

„·‚̇fl ˜‡ÒÚ¸

(LEFT )

΂‡fl ÁÓ̇ Ô‡‚‡fl ÁÓ̇

(MAIN)

äÌÓÔ͇ ‚Íβ˜ÂÌËfl

Ç˚·ÂËÚ ÒÎÓÈ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [G]. ùÚ‡ Ê ÍÌÓÔ͇

ëÛ˘ÂÒÚ‚ÛÂÚ Â˘Â Ó‰ËÌ ÒÔÓÒÓ·

1

ÙÛÌ͈ËË LAYER.

2

ÔÓÁ‚ÓÎflÂÚ ‚˚Á‚‡Ú¸ ˝Í‡Ì VOICE, „‰Â ‚˚ ÒÏÓÊÂÚÂ

·˚ÒÚÓ ‚˚·‡Ú¸ „·‚Ì˚È (MAIN)

ùÚ‡ Ê ÍÌÓÔ͇

Ë ‰ÓÔÓÎÌËÚÂθÌ˚È (LAYER)

‚˚·‡Ú¸ ÚÓÚ „ÓÎÓÒ, ÍÓÚÓ˚È ·Û‰ÂÚ Òϯ‡Ì Ò „·‚Ì˚Ï.

ÔÓÁ‚ÓÎflÂÚ ÓÚÍβ˜ËÚ¸

„ÓÎÓÒ‡. ì‰ÂÊË‚‡fl ÍÌÓÔÍÛ

‰‡ÌÌÛ˛ ÙÛÌÍˆË˛.

åÂÚÓ‰ ‚˚·Ó‡ „ÓÎÓÒ‡ Ì˘ÂÏ Ì ÓÚ΢‡ÂÚÒfl ÓÚ ÏÂÚÓ‰‡,

‚˚·Ó‡ ÓÔ‰ÂÎÂÌÌÓ„Ó „ÓÎÓÒ‡,

ÔËÏÂÌflÂÏÓ„Ó ÔË ‡·ÓÚÂ Ò ˝Í‡ÌÓÏ VOICE (MAIN)

̇ÊÏËÚ ‰Û„Û˛ ÍÌÓÔÍÛ ‚˚·Ó‡

MAIN

(ÒÚ. 54).

„ÓÎÓÒ‡. èÂ‚˚È ËÁ ‚˚·‡ÌÌ˚ı

„ÓÎÓÒÓ‚ ÒÚ‡ÌÂÚ „·‚Ì˚Ï, ‡

LAYER

‚ÚÓÓÈ — ‰ÓÔÓÎÌËÚÂθÌ˚Ï.

LEFT

F

G

H

äÌÓÔ͇

I

ÔÂÂıÓ‰‡ Í

END

J

„·‚ÌÓÏÛ

˝Í‡ÌÛ.

EXIT

ÉÓÎÓÒ‡

ÉÓÎÓÒ ‰Îfl ΂ÓÈ ÛÍË — ìÒÚ‡Ìӂ͇ ‡Á΢Ì˚ı „ÓÎÓÒÓ‚ ‰Îfl ΂ÓÈ Ë Ô‡‚ÓÈ ˜‡ÒÚË

Í·‚ˇÚÛ˚

 ÇÍβ˜ËÚÂ

Ç˚·ÂËÚ „ÓÎÓÒ ‰Îfl ΂ÓÈ ÛÍË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË

1

íÓ˜ÍÓÈ ‡Á·ËÂÌËfl Í·‚ˇÚÛ˚

ÔÂÂÍβ˜‡ÚÂθ LEFT.

2

[H]. ùÚ‡ Ê ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ ‚˚Á‚‡Ú¸ ˝Í‡Ì VOICE,

ÏÓÊÂÚ ÒÎÛÊËÚ¸ β·‡fl Í·‚˯‡

èÓ‚ÚÓÌÓ ̇ʇÚËÂ

Ô˂‰ÂÚ Í ‚˚Íβ˜ÂÌ˲

„‰Â ‚˚ ÒÏÓÊÂÚ ‚˚·‡Ú¸ „ÓÎÓÒ ‰Îfl ΂ÓÈ ÛÍË.

(ÒÚ. 138).

„ÓÎÓÒ‡ ‰Îfl ΂ÓÈ ÛÍË.

åÂÚÓ‰ ‚˚·Ó‡ „ÓÎÓÒ‡ Ì˘ÂÏ Ì ÓÚ΢‡ÂÚÒfl ÓÚ ÏÂÚÓ‰‡,

ÔËÏÂÌflÂÏÓ„Ó ÔË ‡·ÓÚÂ Ò ˝Í‡ÌÓÏ VOICE (MAIN)

ÑÎfl ͇ʉÓÈ ˜‡ÒÚË — MAIN

MAIN

(ÒÚ. 54).

(„·‚̇fl), LAYER (ÒÎÓÈ) Ë LEFT

(‰Îfl ΂ÓÈ ÛÍË) — ÏÓÊÌÓ

LAYER

ÛÒÚ‡ÌÓ‚ËÚ¸ Ò‚ÓÈ ÛÓ‚Â̸

„ÓÏÍÓÒÚË (ÒÚ. 61).

LEFT

F

G

äÓÏÂ ÚÓ„Ó, ÒÓ‚ÏÂÒÚÌÓÂ

H

ËÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËÈ LAYER

Ë LEFT ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸

I

‰‚Ûı„ÓÎÓÒÌ˚ ÒÎÓË Ë ‡Á·Ë‚‡Ú¸

Í·‚ˇÚÛÛ Ì‡ ‰‚ ÁÓÌ˚. ÑÎfl

J

EXIT

˝ÚÓ„Ó Ì‡Á̇˜¸Ú (Û͇Á‡ÌÌ˚Ï

‚˚¯Â ÒÔÓÒÓ·ÓÏ) ‡ÁÌ˚ „ÓÎÓÒ‡

END

‰Îfl Ô‡‚ÓÈ Ë Î‚ÓÈ ˜‡ÒÚÂÈ

Í·‚ˇÚÛ˚ Ë Òϯ‡ÈÚ ‰‚‡

„ÓÎÓÒ‡ ‰Îfl Ë„˚ Ô‡‚ÓÈ ÛÍÓÈ.

äÌÓÔ͇ ÔÂÂıÓ‰‡

Í „·‚ÌÓÏÛ ˝Í‡ÌÛ

MAIN.

èËÏÂÌÂÌËÂ ˝ÙÙÂÍÚÓ‚

ùÚ‡ ˜‡ÒÚ¸ ÔÂ‰ÌÂÈ Ô‡ÌÂÎË ÔÓÁ‚ÓÎflÂÚ Ó·‡·‡Ú˚‚‡Ú¸ „ÓÎÓÒ‡ Ò ÔÓÏÓ˘¸˛ ‡Á΢Ì˚ı ˝ÙÙÂÍÚÓ‚.

HOLD

LEFT

VOICE EFFECT

BACK NEXT

SUSTAIN

ECHO

HARMONY/

MONOTOUCH

DSP

VARIATION

DIGITAL

VOIC E

ORGAN &

SOUND CREATOR

STUDIO

MAIN

PIANO & HARPSI.

E.PIANO

ACCORDION

PERCUSSION

DIGITAL RECORDING

A

F

GUITAR

BASS

B

LAYER

BRASS

WOODWIND

G

MIXING CONSOLE

C

H

LEFT

STRINGS CHOIR & PAD

SYNTH.

XG

D

I

MENU

USER

ORGAN FLUTES

DEMO

E

J

FINDER

MUSIC

UPPER OCTAVE

HELP

MIC.

VH TYPE

MIC.

VOCAL

RESET

OVER

SELECT

SETTING

HARMONY

TALK

EFFECT

FUNCTION

SIGNAL

DIRECT

BALANCE

ENTER

ONE TOUCH SETTING

ACCESS

EXIT

CHANNEL ON/OFF

PART

REGISTRATION MEMORY

DATA ENTRY

FREEZE MEMORY

■ TOUCH (͇҇ÌËÂ)

äÌÓÔ͇ ‚Íβ˜ÂÌËfl/‚˚Íβ˜ÂÌËfl ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í ÒËΠ̇ʇÚËfl. äÓ„‰‡ ˝ÚÓÚ ˝ÙÙÂÍÚ ÓÚÍβ˜ÂÌ, „ÓÏÍÓÒÚ¸ Á‚Û˜‡ÌËfl ÌÓÚ ÌÂ

Á‡‚ËÒËÚ ÓÚ ÒËÎ˚ ̇ʇÚËfl ̇ Í·‚˯Ë.

■ SUSTAIN (ÒÛÒÚÂÈÌ)

ÖÒÎË ˝Ú‡ ÙÛÌ͈Ëfl ‚Íβ˜Â̇, ÔÓÒΠ̇ʇÚËfl ÌÓÚ˚ Á‚ÛÍ ·Û‰ÂÚ ÚflÌÛÚ¸Òfl ‰Óθ¯Â. åÓÊÌÓ, ÍÓÏ ÚÓ„Ó, ÛÒÚ‡ÌÓ‚ËÚ¸ „ÎÛ·ËÌÛ ÒÛÒÚÂÈ̇

(ÒÚ. 90).

■ DSP (ˆËÙÓ‚ÓÈ Ò˄̇θÌ˚È ÔÓˆÂÒÒÓ)

PSR-2000/1000 ÒÓ‰ÂÊËÚ ÏÌÓÊÂÒÚ‚Ó ‚ÒÚÓÂÌÌ˚ı ˆËÙÓ‚˚ı ˝ÙÙÂÍÚÓ‚, ÔÓÁ‚ÓÎfl˛˘Ëı

Ó·‡·‡Ú˚‚‡Ú¸ Á‚ÛÍ ‡Á΢Ì˚Ï Ó·‡ÁÓÏ. îÛÌ͈ËË DSP ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍË

„ÓÎÓÒ‡. ç‡ÔËÏÂ, ‚˚ ÏÓÊÂÚ ÔËÏÂÌËÚ¸ ˝ÙÙÂÍÚ ıÓÛÒ‡, ˜ÚÓ·˚ ÓÊË‚ËÚ¸ ÚÂÏ· Ë Ôˉ‡Ú¸ ÂÏÛ

„ÎÛ·ËÌÛ, ËÎË ËÒÔÓθÁÓ‚‡Ú¸ ÒËÏÙÓÌ˘ÂÒÍËÈ ˝ÙÙÂÍÚ ‰Îfl ‰Ó·‡‚ÎÂÌËfl ÚÂÔÎÓÚ˚ Ë Ì‡Ò˚˘ÂÌÌÓÒÚË.

ëÂ‰Ë ÙÛÌ͈ËÈ DSP ËÏÂÂÚÒfl Ú‡ÍÊ ˝ÙÙÂÍÚ «‰ËÒÚÓ¯Ì», ÍÓÚÓ˚È ÏÓÊÂÚ ÒÓ‚Â¯ÂÌÌÓ ËÁÏÂÌËÚ¸

ı‡‡ÍÚÂ Á‚Û˜‡ÌËfl ËÒıÓ‰ÌÓ„Ó ÚÂÏ·‡.

PSR-2000/1000

57

VOICE EFFECT

LEFT

HARMONY/

DSP

HOLD

SUSTAIN

ECHO

MONOTOUCH

VARIATION

SONG

EXTRA

TRACKS

TRACK

2

TRACK

1 REPEAT

METRO-

NOME

(STYLE) (R)(L)

REC REW FF

TOP

START/STOP

STYLE

NEW SONG SYNC. START

POP & ROCK

SWING &

JAZZ

BALLROOM

MARCH &

WALTZ

BALLAD USERLATIN

DANCE

PART

TRANSPOSE

TEMPO

TAP TEMPO

MASTER VOLUME

RESET

RESET

STOP

MULTI PAD

IN/OUT

FADE

MIN MAX

STYLE CONTROL

ACMP

BREAK

INTRO

MAIN

ENDING

/ rit.

SYNC.

FILL IN

AUTO

LINK

OTS

STOP

START

SYNC.

START/STOP

ON

STANDBY

ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ, ˜ÚÓ·˚ ‚Íβ˜ËÚ¸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ˝ÙÙÂÍÚ. èÓ‚ÚÓÌÓ ̇ʇÚË ÔË‚Ó‰ËÚ Í

ÓÚÍβ˜ÂÌ˲ ˝ÙÙÂÍÚ‡. çËÊ Ô˂‰ÂÌÓ ÓÔËÒ‡ÌËÂ Í‡Ê‰Ó„Ó ËÁ Ëϲ˘ËıÒfl ˝ÙÙÂÍÚÓ‚.

ùÙÙÂÍÚ˚ DSP Ë VARIATION

ÏÓÊÌÓ Á‡‰ÂÈÒÚ‚Ó‚‡Ú¸ ‚ ˝Í‡ÌÂ

MIXING CONSOLE (ÒÚ. 124). í‡Ï

Ê ÏÓÊÌÓ ÓÚ„ÛÎËÓ‚‡Ú¸

„ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡.

ÉÓÎÓÒ‡

■ VARIATION (‚‡ˇˆËfl)

ùÙÙÂÍÚ ‚‡ˇˆËË ‚Íβ˜‡ÂÚ ‚ Ò·fl Ò‡ÁÛ ÌÂÒÍÓθÍÓ ‚ˉӂ Ó·‡·ÓÚÍË Ò˄̇·. ÇÓÁ¸ÏÂÏ, Í ÔËÏÂÛ, ˝ÙÙÂÍÚ Rotary Speaker

(‚‡˘‡˛˘ËÈÒfl ‰Ë̇ÏËÍ) (ÒÚ. 124). ìÔ‡‚Îflfl ˝ÚËÏ ˝ÙÙÂÍÚÓÏ, ‚˚ ÏÓÊÂÚ Á‡‰‡Ú¸ ÒÍÓÓÒÚ¸ ‚‡˘ÂÌËfl ‚ÓÓ·‡Ê‡ÂÏÓ„Ó ËÒÚÓ˜ÌË͇

Á‚Û͇.

■ HARMONY/ECHO

ùÙÙÂÍÚ Portamento (ÔÓÚ‡ÏÂÌÚÓ)

ÑÓ·‡‚ÎÂÌË ˝ı‡ Ë „‡ÏÓÌËÁ‡ˆËfl „ÓÎÓÒÓ‚, ËÒÔÓθÁÛÂÏ˚ı ‚ Ô‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ (ÒÚ. 143).

ÔÓÁ‚ÓÎflÂÚ Ô·‚ÌÓ ÒÏ¢‡Ú¸ ‚˚ÒÓÚÛ

Á‚Û͇ ÓÚ ÌÓÚ˚ Í ÌÓÚ ÔË

ÔÓÒΉӂ‡ÚÂθÌÓÏ Ì‡Ê‡ÚËË

■ MONO

ÌÂÒÍÓθÍËı Í·‚˯.

ìÒÚ‡Ìӂ͇ ÂÊËÏÓ‚ ÔÓÎËÙÓÌËË (ÌÂÒÍÓθÍÓ ÌÓÚ ÏÓ„ÛÚ Á‚Û˜‡Ú¸ Ó‰ÌÓ‚ÂÏÂÌÌÓ) ÎË·Ó ÏÓÌÓÙÓÌËË ‰Îfl

ëéÇÖí

Í‡Ê‰Ó„Ó ÚËÔ‡ „ÓÎÓÒ‡ (MAIN/LAYER/LEFT). ÉÓfl˘‡fl ·ÏÔӘ͇ fl‰ÓÏ Ò ÔÂÂÍβ˜‡ÚÂÎÂÏ ÓÁ̇˜‡ÂÚ

Ç˚ ÏÓÊÂÚ ÔÓ‰˜ÂÍÌÛÚ¸

ÂÊËÏ MONO. Ç˚Íβ˜ÂÌ̇fl ·ÏÔӘ͇ Û͇Á˚‚‡ÂÚ Ì‡ ËÒÔÓθÁÓ‚‡ÌË ÔÓÎËÙÓÌËË. Ç ÂÊËÏ MONO

ÏÂÎӉ˘ÂÒÍÛ˛ ÎËÌ˲, ÍÓÚÓ‡fl

‚‰ÂÚÒfl ‚ Ó·‡ÏÎÂÌËË ‡ÍÍÓ‰Ó‚.

Á‚Û˜ËÚ Î˯¸ ÌÓÚ‡, Ò˚„‡Ì̇fl ÔÓÒΉÌÂÈ. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ÔÓ‚˚ÒËÚ¸ ‡ÎËÒÚ˘ÌÓÒÚ¸ Á‚Û˜‡ÌËfl

ÑÎfl ˝ÚÓ„Ó ÌÂÓ·ıÓ‰ËÏÓ ËÒÔÓθÁÓ‚‡Ú¸

ÙÛÌÍˆË˛ ÒÎÓfl Ë Ò‰Â·ڸ ‚Â‰Û˘Û˛

‰ÛıÓ‚˚ı ËÌÒÚÛÏÂÌÚÓ‚. äÓÏ ÚÓ„Ó, ‰‡ÌÌ˚È ÂÊËÏ ÏÓÊÂÚ Ò‰Â·ڸ ËÒÔÓθÁÓ‚‡ÌË «ÔÓÚ‡ÏÂÌÚÓ»

Ô‡Ú˲ ÏÓÌÓÙÓÌ˘ÂÒÍÓÈ.

·ÓΠ˝ÙÙÂÍÚÌ˚Ï ÔË Ë„ Î„‡ÚÓ.

ìÒÚ‡ÌÓ‚ËÚ ÔÓÎËÙÓÌ˘ÂÒÍËÈ ÂÊËÏ

‰Îfl „·‚ÌÓ„Ó „ÓÎÓÒ‡ (Main) Ë

ÏÓÌÓÙÓÌ˘ÂÒÍËÈ (MONO) — ‰Îfl

„ÓÎÓÒ‡ ÒÎÓfl (Layer). Ç ˝ÚÓÏ ÒÎÛ˜‡Â

■ LEFT HOLD (Û‰ÂʇÌË „ÓÎÓÒ‡ ‰Îfl ΂ÓÈ ÛÍË)

‚‡¯‡ ÏÂÎÓ‰Ëfl, ‚ ÚÓÏ ˜ËÒÎÂ

ùÚ‡ ÙÛÌ͈Ëfl Á‡ÒÚ‡‚ÎflÂÚ „ÓÎÓÒ ‰Îfl ΂ÓÈ ÛÍË Á‡ÏË‡Ú¸ ωÎÂÌÌÂÂ. ä·‚Ë¯Ë ÛÊ ÓÚÔÛ˘ÂÌ˚, ‡

̇˷ÓΠ‚˚ÒÓÍË ÌÓÚ˚ β·˚ı

‡ÍÍÓ‰Ó‚, ·Û‰ÂÚ Á‚Û˜‡Ú¸

Á‚ÛÍ Â˘Â ÚflÌÂÚÒfl. ùÙÙÂÍÚ Â ÚÓÚ ÊÂ, ˜ÚÓ Ë ÔË ËÒÔÓθÁÓ‚‡ÌËË Ô‰‡ÎË ÒÛÒÚÂÈ̇. ùÚ‡ ÙÛÌ͈Ëfl

ÏÓÌÓÙÓÌ˘ÂÒÍË.

ÓÒÓ·ÂÌÌÓ ÔÓÎÂÁ̇ ÔË ‚Íβ˜ÂÌÌÓÏ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ. ç‡ÔËÏÂ, ÂÒÎË ‚˚ ‚ÓÁ¸ÏÂÚ ‡ÍÍÓ‰ ‚

èÓÔÓ·ÛÈÚÂ ÔËÏÂÌËÚ¸ ˝ÚÓÚ ˝ÙÙÂÍÚ

Í ÒÎÂ‰Û˛˘ËÏ „ÓÎÓÒ‡Ï.

ÚÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚, ÍÓÚÓ‡fl Óڂ‰Â̇ ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ‡ Á‡ÚÂÏ ÓÚÔÛÒÚËÚ Í·‚Ë¯Ë (ÔË

É·‚Ì˚È „ÓÎÓÒ: ÔÓÎËÙÓÌ˘ÂÒ͇fl

‰ÛıÓ‚‡fl ÒÂ͈Ëfl (Brass Section) +

‚Íβ˜ÂÌÌÓÏ ‡Á‰ÂÎÂÌËË Í·‚ˇÚÛ˚; „ÓÎÓÒ ‰Îfl ΂ÓÈ ÛÍË — ÒÚÛÌÌ˚ (Strings)), ‡ÍÍÓ‰ ·Û‰ÂÚ

„ÓÎÓÒ ÒÎÓfl: ÏÓÌÓÙÓÌ˘ÂÒ͇fl

ÔÓ‰ÓÎʇڸ Á‚Û˜‡Ú¸, Ôˉ‡‚‡fl ̇Ò˚˘ÂÌÌÓÒÚ¸ Ó·˘ÂÏÛ Á‚Û˜‡Ì˲ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

«Ò·‰ÍÓÁ‚ۘ̇fl» ÚÛ·‡ (Sweet

Trump).

äÓÎÂÒ‡ ÛÔ‡‚ÎÂÌËfl ‚˚ÒÓÚÓÈ Á‚Û͇ (PITCH BEND) Ë ÏÓ‰ÛÎflˆËÂÈ

äÓÎÂÒÓ ÛÔ‡‚ÎÂÌËfl ‚˚ÒÓÚÓÈ Á‚Û͇ PSR-2000/

PITCH BEND

1000 (PITCH BEND) ÔÓÁ‚ÓÎflÂÚ «ÔÓ‰Úfl„Ë‚‡Ú¸»

å‡ÍÒËχθÌ˚È ‰Ë‡Ô‡ÁÓÌ

Á‚ÛÍ ‚‚Âı (ÍÓÎÂÒÓ ÓÚ Ò·fl) ËÎË ‚ÌËÁ (ÍÓÎÂÒÓ Í

ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û˜‡ÌËfl

ÏÓÊÌÓ ËÁÏÂÌËÚ¸ (ÒÚ. 123).

Ò·Â), Ì ÔÂÍ‡˘‡fl Ë„‡Ú¸ ̇ Í·‚ˇÚÛÂ.

äÓÎÂÒÓ ÛÔ‡‚ÎÂÌËfl ‚˚ÒÓÚÓÈ Á‚Û͇ ˆÂÌÚËÛÂÚÒfl

‡‚ÚÓχÚ˘ÂÒÍË. ùÚÓ Á̇˜ËÚ, ˜ÚÓ ÓÚÔÛÒ͇ÌËÂ

ÍÓÎÂÒ‡ ÔË‚Ó‰ËÚ Í ÌÓχÎËÁ‡ˆËË ‚˚ÒÓÚ˚

Á‚Û˜‡ÌËfl.

îÛÌ͈Ëfl ÏÓ‰ÛÎflˆËË Ôˉ‡ÂÚ ÚÂÏ·Û ˝ÙÙÂÍÚ

MODULATION

‚Ë·‡ÚÓ (PSR-2000). èÓ‚ÂÌÛ‚ ÍÓÎÂÒÓ

óÚÓ·˚ ËÁ·Âʇڸ ÒÎÛ˜‡ÈÌÓ„Ó

ÏÓ‰ÛÎflˆËË (MODULATION) ‰Ó ÛÔÓ‡ Í Ò·Â, ‚˚

ÌÂÊ·ÚÂθÌÓ„Ó ÔËÏÂÌÂÌËfl

‰‡ÌÌÓ„Ó ˝ÙÙÂÍÚ‡, ÛÒÚ‡ÌÓ‚ËÚÂ

҉·ÂÚÂ Â„Ó ‚ÓÁ‰ÂÈÒÚ‚Ë ÏËÌËχθÌ˚Ï, ÚÓ„‰‡

Â„Ó „ÎÛ·ËÌÛ Ì‡ ÏËÌËχθÌ˚È

Í‡Í Ó·‡ÚÌÓ ‰‚ËÊÂÌË ۂÂ΢ËÚ ÛÓ‚Â̸

ÛÓ‚Â̸.

‚ÓÁ‰ÂÈÒÚ‚Ëfl ˝ÙÙÂÍÚ‡.

ê„ÛÎËӂ͇ Ô‡‡ÏÂÚ‡ Octave (Ú‡ÌÒÔÓÌËÓ‚‡ÌË ̇ ÓÍÚ‡‚Û)

äÌÓÔ͇ [UPPER OCTAVE] ÔÓÁ‚ÓÎflÂÚ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ú‡ÌÒÔÓÌËÓ‚‡Ú¸ „·‚ÌÛ˛ (MAIN) ˜‡ÒÚ¸ Ë ˜‡ÒÚ¸

ÒÎÓfl (LAYER) ̇ ÓÍÚ‡‚Û ‚‚Âı ËÎË ‚ÌËÁ.

ë ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Mixing

Console (ÍÓÌÒÓθ ÏËͯÂ‡) ‚˚

UPPER OCTAVE

ÏÓÊÂÚ ÓÒÛ˘ÂÒÚ‚ËÚ¸ ·ÓÎÂÂ

ÚÓÌÍÛ˛ ̇ÒÚÓÈÍÛ Ô‡‡ÏÂÚÓ‚,

RESET

ÓÚÌÓÒfl˘ËıÒfl Í

Ú‡ÌÒÔÓÌËÓ‚‡Ì˲ ̇ ÓÍÚ‡‚Û

(ÒÚ. 123).

58

PSR-2000/1000