Yamaha PSR-175 – страница 3

Инструкция к Синтезатору Yamaha PSR-175

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ëÎÓ‚‡¸

èÓ ÒÛ˘ÂÒÚ‚Û, ÙÛÌ͈Ëfl ÒÎÓ‚‡fl (Dictionary) – ˝ÚÓ ‚ÒÚÓÂÌÌ˚È ÒÔ‡‚Ó˜ÌËÍ ‡ÍÍÓ‰Ó‚, ÍÓÚÓ˚È ÓÚÓ·‡Ê‡ÂÚ

ÓÚ‰ÂθÌ˚ ÌÓÚ˚ ‡ÍÍÓ‰‡. ùÚÓ Ó˜Â̸ Û‰Ó·ÌÓ, ÂÒÎË ‚˚ Á̇ÂÚ ̇Á‚‡ÌË ‡ÍÍÓ‰‡ Ë ıÓÚËÚ ·˚ÒÚÓ Ì‡Û˜ËÚ¸Òfl

Â„Ó Ë„‡Ú¸.

1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [Dict].

Dict.

TEMPO

116

2 ì͇ÊËÚ ÓÒÌÓ‚ÌÓÈ ÚÓÌ ‡ÍÍÓ‰‡.

ç‡ÊÏËÚ Í·‚˯Û, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÌÛÊÌÓÏÛ ÓÒÌÓ‚ÌÓÏÛ ÚÓÌÛ

‡ÍÍÓ‰‡ (Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ Ô‡ÌÂÎË).

Dict.

TEMPO

ÖÒÎË Ì‡Ê‡Ú¸ ˝ÚÛ Í·‚˯Û, ÓÒÌÓ‚-

116

Ì˚Ï ÚÓÌÓÏ ‡ÍÍÓ‰‡ ·Û‰ÂÚ G (ëÓθ).

3 ì͇ÊËÚ ÚËÔ ‡ÍÍÓ‰‡ (χÊÓÌÓ ÚÂÁ‚Û˜ËÂ, ÏËÌÓÌÓ ÚÂÁ‚Û˜ËÂ,

ÒÂÔÚ‡ÍÍÓ‰ Ë Ú.‰.).

ç‡ÊÏËÚ Í·‚˯Û, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÌÛÊÌÓÏÛ ÚËÔÛ ‡ÍÍÓ‰‡

(Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ Ô‡ÌÂÎË).

çÓÚ̇fl Á‡ÔËÒ¸ ‡ÍÍÓ‰‡

Dict.

TEMPO

116

ç‡Ê‡ÚËÂÏ ˝ÚÓÈ Í·‚˯Ë

‚˚·Ë‡ÂÚÒfl ·Óθ¯ÓÈ

χÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ (M7).

ç‡Á‚‡ÌË ‡ÍÍÓ‰‡ (ÓÒÌÓ‚ÌÓÈ ÚÓÌ Ë ÚËÔ)

çÓÚ˚ ‡ÍÍÓ‰‡ ̇ Í·‚ˇÚÛÂ

ç‡ ˝Í‡Ì ÓÚÓ·‡Ê‡ÂÚÒfl ̇Á‚‡ÌË ‡ÍÍÓ‰‡ Ë Â„Ó ÓÚ‰ÂθÌ˚Â

ÌÓÚ˚ – Ë ‚ ÌÓÚÌÓÈ Á‡ÔËÒË, Ë Ì‡ ÒıÂÏ Í·‚ˇÚÛ˚.

4 ë˚„‡ÈÚ ‡ÍÍÓ‰.

ë˚„‡ÈÚ ‡ÍÍÓ‰ (Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ˝Í‡ÌÂ) ‚ ӷ·ÒÚË ACMP ̇

Í·‚ˇÚÛÂ. ÖÒÎË ‚˚ ̇ʇÎË Ë ‰ÂÊËÚ Ô‡‚ËθÌ˚ Í·‚˯Ë,

̇Á‚‡ÌË ‡ÍÍÓ‰‡ ̇ ˝Í‡Ì ·Û‰ÂÚ ÏË„‡Ú¸ (‡ Ú‡ÍÊ ·Û‰ÂÚ ÔÓË„-

˚‚‡Ú¸ÒflÂÚÒfl ÏÂÎÓ‰Ëfl “congratulations”). (ê‡ÒÔÓÁ̇˛ÚÒfl Ë Ó·-

‡˘ÂÌËfl ÏÌÓ„Ëı ‡ÍÍÓ‰Ó‚.)

Dict.

TEMPO

116

åË„‡ÂÚ, ÍÓ„‰‡ ̇ʇÚ˚

ì͇Á˚‚‡ÂÚ ÌÓÚ˚, ÍÓÚÓ˚ ÌÛÊÌÓ Ò˚„‡Ú¸.

Ô‡‚ËθÌ˚ Í·‚˯Ë.

ÑÎfl ‚˚ıÓ‰‡ ËÁ ÙÛÌ͈ËË ÒÎÓ‚‡fl ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [Dict.].

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Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ

Ç ÒËÌÚÂÁ‡ÚÓ PSR-175/172 ËϲÚÒfl ‰Ë̇Ï˘ÂÒÍË ‚‡ˇÌÚ˚ ËÚχ Ë ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (Ë ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ

ËÏ ÚÂÏ·˚) ‰Îfl ‡ÁÌ˚ı ÔÓÔÛÎflÌ˚ı ÏÛÁ˚͇θÌ˚ı ÒÚËÎÂÈ.

ÇÒÂ„Ó ‰ÓÒÚÛÔÌÓ 100 ‡Á΢Ì˚ı ÒÚËÎÂÈ ‚ ÌÂÒÍÓθÍËı ͇Ú„ÓËflı. ä‡Ê‰˚È ÒÚËθ ÒÓÒÚÓËÚ ËÁ ÓÚ-

‰ÂθÌ˚ı ˜‡ÒÚÂÈ: Intro (‚ÒÚÛÔÎÂÌËÂ), Main A Ë Main B (ÓÒÌӂ̇fl ˜‡ÒÚ¸ Ä Ë ÓÒÌӂ̇fl ˜‡ÒÚ¸ Ç) Ò

‰‚ÛÏfl ‚ÒÚ‡‚͇ÏË Ë Ending (ÍÓ̈ӂ͇). ùÚÓ ÔÓÁ‚ÓÎflÂÚ ‚Ó ‚ÂÏfl ËÒÔÓÎÌÂÌËfl ‚˚Á˚‚‡Ú¸ ‡ÁÌ˚Â

‚‡ˇÌÚ˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

îÛÌ͈ËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ‚ÒÚÓÂÌÌ˚ ‚ ËÚÏ˚, ËÌÒÚÛÏÂÌڇθÌÓ Ó·Ó„‡˘‡˛Ú ËÒÔÓÎÌÂ-

ÌËÂ. èË ˝ÚÓÏ ËÒÔÓÎÌËÚÂθ ÛÔ‡‚ÎflÂÚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ, ‚ÓÒÔÓËÁ‚Ó‰fl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ‡Í-

ÍÓ‰˚. îÛÌ͈Ëfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‰ÂÎËÚ Í·‚ˇÚÛÛ Ì‡ ‰‚ ˜‡ÒÚË: ÇÂıÌflfl ÒÎÛÊËÚ ‰Îfl ËÒ-

ÔÓÎÌÂÌËfl ÏÂÎÓ‰ËË, ‡ ÌËÊÌflfl (ÔÓϘÂÌ̇fl Í‡Í “Äëåê” Ì‡‰ “Ù‡-‰ËÂÁ” χÎÓÈ ÓÍÚ‡‚˚ (F#2)) –

‰Îfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

PSR-175/172 Ú‡ÍÊ ‚Íβ˜‡ÂÚ Û‰Ó·ÌÛ˛ ÙÛÌÍˆË˛ ÒÎÓ‚‡fl (Dictionary). ëÎÓ‚‡¸ ÒÓ‰ÂÊËÚ „ÓÚÓ-

‚Û˛ “˝ÌˆËÍÎÓÔ‰˲ ‡ÍÍÓ‰Ó‚”, ÍÓÚÓ‡fl ÔÓ͇ÊÂÚ, Í‡Í Ë„‡Ú¸ β·ÓÈ ‡ÍÍÓ‰, ÓÚÓ·‡Ê‡fl ÒÓÓÚ-

‚ÂÚÒÚ‚Û˛˘Ë ÌÓÚ˚ ̇ ‰ËÒÔÎÂÂ.

Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl

1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [STYLE].

ç‡Á‚‡ÌËÂ Ë ÌÓÏÂ ÒÚËÎfl

001

8Bt Pop

TEMPO

116

2 Ç˚·ÂËÚÂ ÌÓÏÂ ÒÚËÎfl

ÇÓÒÔÓθÁÛÈÚÂÒ¸ ˆËÙÓ‚ÓÈ Í·‚ˇÚÛÓÈ. ëÔËÒÓÍ ‰ÓÒÚÛÔÌ˚ı ÒÚËÎÂÈ ÔË‚Ó‰ËÚÒfl

‚ ˆÂÌÚ ԇÌÂÎË.

çÓÏÂ‡ ÒÚËÎÂÈ ÏÓÊÌÓ ‚˚·Ë‡Ú¸ ÚÓ˜ÌÓ Ú‡Í ÊÂ, Í‡Í Ë ÌÓÏÂ‡ ÚÂÏ·Ó‚

(ÒÚ. 23). çÓÏÂ ÒÚËÎfl ÏÓÊÌÓ ‚‚ÂÒÚË Ì‡ ˆËÙÓ‚ÓÈ Í·‚ˇÚÛ ËÎË

‚˚·‡Ú¸, ÔÂÂÏ¢‡flÒ¸ ÔÓ ÌÓÏÂ‡Ï ÒÚËÎÂÈ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [+]/[-].

42

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Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ

ÇÓÒÔÓËÁ‚‰ÂÌË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ

Ç ÂÊËÏ Style Û͇Á‡ÌÌ˚ ÌËÊ ÍÌÓÔÍË Ô‡ÌÂÎË ÒÎÛÊ‡Ú ‰Îfl ÛÔ‡‚ÎÂÌËfl

ÒÚËÎflÏË.

ç‡Ê‡ÚËÂÏ ˝ÚÓÈ ÍÌÓÔÍË ÔÓËÁ‚Ó‰ËÚÒfl ÔÂÂÍ-

β˜ÂÌË ÏÂÊ‰Û ÓÒÌÓ‚Ì˚ÏË ˜‡ÒÚflÏË Main A

Ë Main B Ò ‡‚ÚÓχÚ˘ÂÒÍËÏ ‰Ó·‡‚ÎÂÌËÂÏ

‚ÒÚ‡‚ÍË ÔÂ‰ ÌÓ‚ÓÈ ˜‡ÒÚ¸˛. (ëÏ. ÒÚ. 46.)

ç‡Ê‡ÚË ˝ÚÓÈ ÍÌÓÔÍË ÔÓÔÂ-

ÂÏÂÌÌÓ ‚Íβ˜‡ÂÚ Ë ‚˚Íβ-

˜‡ÂÚ ·‡ÒÓ‚Û˛ ÎËÌ˲ Ë ‡ÍÍÓ-

‰Ó‚˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ.

ç‡Ê‡ÚË ˝ÚÓÈ ÍÌÓÔÍË ÔÓÔÂÂÏÂÌ-

ç‡Ê‡ÚË ˝ÚÓÈ ÍÌÓÔÍË ÔÓÔÂÂÏÂÌ-

ùÚ‡ ÍÌÓÔ͇ ËÒÔÓθÁÛÂÚÒfl ‰Îfl

ÌÓ ‚Íβ˜‡ÂÚ Ë ‚˚Íβ˜‡ÂÚ ÙÛÌÍ-

ÌÓ Ì‡˜Ë̇ÂÚ Ë ÔÂÍ‡˘‡ÂÚ ‚ÓÒÔÓ-

ÛÔ‡‚ÎÂÌËfl Intro (‚ÒÚÛÔÎÂÌËÂÏ),

ˆË˛ Sync Start. (ëÏ. ÒÚ. 44.)

ËÁ‚‰ÂÌË ÒÚËÎfl.

Ending (ÍÓ̈ӂÍÓÈ) Ë Ritardando

(Á‡Ï‰ÎÂÌËÂÏ). (ëÏ. ÒÚ. 45, 46.)

1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [ACCOMPANIMENT ON/OFF].

ÇÍβ˜‡ÂÚÒfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÌÏÂÌÚ.

001

8Bt Pop

TEMPO

116

èÓ͇Á˚‚‡ÂÚ, ˜ÚÓ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚Íβ˜ÂÌ.

2 燘ÌËÚ ‚ÓÒÔÓËÁ‚‰ÂÌË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

ùÚÓ ÏÓÊÌÓ Ò‰Â·ڸ Ó‰ÌËÏ ËÁ ÒÎÂ‰Û˛˘Ëı ÒÔÓÒÓ·Ó‚.

ç‡Ê‡Ú¸ ÍÌÓÔÍÛ [START/STOP]

êËÚÏ Ì‡˜Ë̇ÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ÌÂωÎÂÌÌÓ ·ÂÁ ·‡ÒÓ‚ÓÈ ÎËÌËË

Ë ‡ÍÍÓ‰Ó‚Ó„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. èÓË„˚‚‡ÂÚÒfl ÓÒÌӂ̇fl ˜‡ÒÚ¸,

‚˚·‡Ì̇fl ̇ ‰‡ÌÌ˚È ÏÓÏÂÌÚ (Main A ËÎË Main B). (Ç˚·‡Ú¸

ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸ ÏÓÊÌÓ ÔÓÓ˜Â‰Ì˚Ï Ì‡Ê‡ÚËÂÏ ÍÌÓÔÍË [MAIN/

AUTO FILL] ‰Ó ̇ʇÚËfl ÍÌÓÔÍË [START/STOP].)

43

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Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ

àÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Tap Tempo ‰Îfl Á‡ÔÛÒ͇ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

ùÚ‡ ÔÓÎÂÁ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸ ÚÂÏÔ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë

‡‚ÚÓχÚ˘ÂÒÍË Ì‡˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚ Á‡‰‡Ì-

ÌÓÏ ÚÂÏÔÂ.

èÓÒÚÓ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [TEMPO/TAP] ˜ÂÚ˚ ‡Á‡ (ËÎË ÚË

‡Á‡ ‰Îfl ÒÚËÎfl Ò ‡ÁÏÂÓÏ 3/4), Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ‡ÍÍÓÏÔ‡ÌÂ-

ÏÂÌÚ‡ ‡‚ÚÓχÚ˘ÂÒÍË Ì‡˜ÌÂÚÒfl ‚ Á‡‰‡ÌÌÓÏ ÚÂÏÔÂ. àÁÏÂÌËÚ¸

ÚÂÏÔ ÏÓÊÌÓ Ë ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

ÑÎfl ˝ÚÓ„Ó ‰ÓÒÚ‡ÚÓ˜ÌÓ ‰‚‡Ê‰˚ ̇ʇڸ ÍÌÓÔÍÛ [TEMPO/TAP]

‚ ÌÛÊÌÓÏ ÚÂÏÔÂ.

àÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Sync Start

ëËÌÚÂÁ‡ÚÓ PSR-175/172 Ú‡ÍÊ ËÏÂÂÚ ÙÛÌÍˆË˛ Sync Start, ÍÓÚÓ-

‡fl ÔÓÁ‚ÓÎflÂÚ Á‡ÔÛÒÚËÚ¸ ËÚÏ Ë ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ÔÓÒÚ˚Ï Ì‡Ê‡-

ÚËÂÏ Í·‚Ë¯Ë Ì‡ Í·‚ˇÚÛÂ. ÑÎfl ËÒÔÓθÁÓ‚‡ÌËfl ÙÛÌ͈ËË Sync

Start ‚̇˜‡Î ̇ÊÏËÚ ÍÌÓÔÍÛ [SYNC START] (ÏË„‡˛˘ËÈ Á̇-

˜ÓÍ Û͇Á˚‚‡ÂÚ „ÓÚÓ‚ÌÓÒÚ¸ ÙÛÌ͈ËË Sync Start), ‡ Á‡ÚÂÏ – β·Û˛

Í·‚Ë¯Û ‚ ӷ·ÒÚË ACMP ̇ Í·‚ˇÚÛ (ËÎË Î˛·Û˛ Í·‚˯Û

ÔË ‚˚Íβ˜ÂÌÌÓÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ).

á̇˜ÓÍ Ì‡˜Ë̇ÂÚ ÏË„‡Ú¸

TEMPO

116

ÑËÒÔÎÂÈ ‰ÓÎÂÈ

ÇÓ ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl (ËÎË ÔÂÒÌË) Á̇˜ÓÍ ıÎÓÔ‡˛˘Ëı ·‰ÓÌÂÈ ÏË„‡ÂÚ Ì‡ ‰ËÒÔΠ‚

Ú‡ÍÚ ÚÂÍÛ˘ÂÏÛ ÚÂÏÔÛ. åË„‡˛˘ËÈ Á̇˜ÓÍ Ó·ÂÒÔ˜˂‡ÂÚ ‚ËÁۇθÌÛ˛ ËÌÙÓχˆË˛ Í‡Í Ó ÚÂÏÔÂ,

Ú‡Í Ë Ó Ú‡ÍÚÓ‚ÓÏ ‡ÁÏÂ ÒÚËÎfl ËÎË ÔÂÒÌË. (ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl ÒÏ. ̇ ÒÚ. 31.)

44

Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ

á‡ÔÛÒÍ ÒÓ ‚ÒÚÛÔÎÂÌËfl

Ç̇˜‡Î ̇ÊÏËÚ ÍÌÓÔÍÛ [MAIN/AUTO FILL] ‰Îfl ‚˚·Ó‡ ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË (A ËÎË B), ÍÓÚÓ‡fl

‰ÓÎÊ̇ ÒΉӂ‡Ú¸ Á‡ ‚ÒÚÛÔÎÂÌËÂÏ. á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [INTRO/ENDING/rit.], ˜ÚÓ·˚ ÛÒÚ‡-

ÌÓ‚ËÚ¸ ‚ÒÚÛÔÎÂÌËÂ ‚ ÂÊËÏ „ÓÚÓ‚ÌÓÒÚË.

ì͇Á˚‚‡ÂÚ, ˜ÚÓ ‚ÒÚÛÔ-

INTRO

≥A

ÎÂÌË ‚Íβ˜ÂÌÓ Ë ˜ÚÓ

ÑÎfl ÔÓË„˚‚‡ÌËfl

Á‡ ÌËÏ ÔÓÒΉÛÂÚ ÓÒÌÓ‚-

‚ÒÚÛÔÎÂÌËfl Ë ‡ÍÍÓÏ-

TEMPO

̇fl ˜‡ÒÚ¸ Ä (Main A).

Ô‡ÌÂÏÂÌÚ‡ ̇ÊÏËÚÂ

116

ÍÌÓÔÍÛ [START/STOP].

àÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Sync Start ‰Îfl Á‡ÔÛÒ͇ ‚ÒÚÛÔÎÂÌËfl

Ç̇˜‡Î ̇ÊÏËÚ ÍÌÓÔÍÛ [MAIN/AUTO FILL] ‰Îfl ‚˚·Ó‡ ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË (A ËÎË B), ÍÓÚÓ‡fl

‰ÓÎÊ̇ ÒΉӂ‡Ú¸ Á‡ ‚ÒÚÛÔÎÂÌËÂÏ. á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [INTRO ENDING/rit.].

ì͇Á˚‚‡ÂÚ, ˜ÚÓ Á‡ ‚ÒÚÛÔÎÂ-

INTRO

≥A

ÌËÂÏ ÔÓÒΉÛÂÚ ÓÒÌӂ̇fl

˜‡ÒÚ¸ Ä (Main A).

TEMPO

116

ç‡ÍÓ̈, ̇ÊÏËÚ ÍÌÓÔÍÛ [SYNC START] ‰Îfl ‚Íβ˜ÂÌËfl ÙÛÌ͈ËË Sync Start Ë ‚Íβ˜ËÚÂ

‚ÒÚÛÔÎÂÌËÂ Ë ÒÚËθ, ̇ʇ‚ β·Û˛ Í·‚Ë¯Û ‚ ӷ·ÒÚË ACMP ̇ Í·‚ˇÚÛÂ.

á̇˜ÓÍ Ì‡˜Ë̇ÂÚ ÏË„‡Ú¸

TEMPO

116

3 àÁÏÂÌflÈÚ ‡ÍÍÓ‰˚ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

èÓÔÓ·ÛÈÚ Ò˚„‡Ú¸ ÌÂÒÍÓθÍÓ ÔÓÒΉӂ‡ÚÂθÌ˚ı ‡ÍÍÓ‰Ó‚

äÌÓÔÍÛ [ACCOMPANIMENT ON/OFF]

΂ÓÈ ÛÍÓÈ, Ó·‡˘‡fl ‚ÌËχÌË ̇ ÚÓ, Í‡Í ÏÂÌfl˛ÚÒfl ·‡ÒÓ‚‡fl

Ú‡ÍÊ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ‚Íβ

˜‡ÒÚ¸ Ë ‡ÍÍÓ‰Ó‚˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ò Í‡Ê‰˚Ï Ò˚„‡ÌÌ˚Ï ‚‡ÏË

‡ÍÍÓ‰ÓÏ.

45

-

˜ÂÌËfl Ë ‚˚Íβ˜ÂÌËfl ·‡ÒÓ‚ÓÈ ˜‡ÒÚË Ë

‡ÍÍÓ‰Ó‚Ó„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚Ó ‚Â-

Ïfl Ë„˚. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ ‰Ë

-

̇Ï˘Ì˚ ËÚÏ˘ÂÒÍË ·ÂÈÍË ‚Ó ‚Â-

Ïfl ËÒÔÓÎÌÂÌËfl.

ÄÍÍÓ‰˚, ËÒÔÓÎÌflÂÏ˚ ̇ Í·‚ˇÚÛÂ

‚ ӷ·ÒÚË ACMP, ‡ÒÔÓÁ̇˛ÚÒfl Ë ‚ÓÒ

-

ÔÓËÁ‚Ó‰flÚÒfl ‰‡Ê ÔÓÒΠÚÓ„Ó, ͇Í

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ÓÒÚ‡ÌÓ‚ÎÂÌ. î‡ÍÚË-

˜ÂÒÍË, Í·‚ˇÚÛ‡ ‰ÂÎËÚÒfl ̇ ‰‚ ˜‡Ò-

ÚË: Í·‚ˇÚÛÛ Ò ·‡ÒÓ‚ÓÈ ˜‡ÒÚ¸˛ Ë ‡Í

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psr175e.book Page 45 Wednesday, August 18, 2004 10:41 AM

ÍÓ‰‡ÏË ‰Îfl ΂ÓÈ ÛÍË Ë Ò ÏÂÎÓ‰ËÂÈ

‰Îfl Ô‡‚ÓÈ. íÂÏ· ‰Îfl ÔÓÒΉÌÂÈ

‚˚·Ë‡ÂÚÒfl Ó·˚˜Ì˚Ï ÒÔÓÒÓ·ÓÏ.

Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ

4 éÒÚ‡ÌÓ‚ËÚ ÒÚËθ.

ë‰Â·ڸ ˝ÚÓ ÏÓÊÌÓ ÚÂÏfl ÒÔÓÒÓ·‡ÏË:

ç‡Ê‡Ú¸ ÍÌÓÔÍÛ [START/STOP]

êËÚÏ Ë ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚˚Íβ˜‡ÚÒfl ÌÂωÎÂÌÌÓ.

àÒÔÓθÁÓ‚‡Ú¸ ÍÓ̈ӂÍÛ (Ending)

ÑÎfl ÔÓÒÚÂÔÂÌÌÓ„Ó Á‡Ï‰ÎÂÌËfl ÚÂÏÔ‡

ç‡ÊÏËÚ ÍÌÓÔÍÛ [INTRO ENDING G/rit.]. ëÚËθ ‚˚Íβ˜ËÚÒfl

(ËÚ‡‰‡Ì‰Ó) ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰Â

ÔÓ ÓÍÓ̘‡ÌËË ÍÓ̈ӂÍË.

ç‡Ê‡Ú¸ ÍÌÓÔÍÛ [SYNC START]

ëÚËθ ‚˚Íβ˜‡ÂÚÒfl, Ë ‡‚ÚÓχÚ˘ÂÒÍË ‚Íβ˜‡ÂÚÒfl ÙÛÌ͈Ëfl Sync

Start, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ ‚ÓÁÓ·ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl, ‚Áfl‚

‡ÍÍÓ‰ ËÎË Ì‡Ê‡‚ Í·‚Ë¯Û Ì‡ Í·‚ˇÚÛ ‰Îfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂ-

ÏÂÌÚ‡ (ËÎË Î˛·Û˛ Í·‚Ë¯Û ÔË ‚˚Íβ˜ÂÌÌÓÏ

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ).

àÁÏÂÌÂÌË ÚÂÏÔ‡

íÂÏÔ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË (Ë ÒÚËÎfl) ÏÓÊÌÓ „ÛÎËÓ‚‡Ú¸ ‚ ‰Ë‡-

Ô‡ÁÓÌ 40 – 240 Û‰‡Ó‚ ‚ ÏËÌÛÚÛ. ì͇Á‡ÌËfl ÔÓ ËÁÏÂÌÂÌ˲ ÚÂÏÔ‡

ÒÏ. ̇ ÒÚ. 31.

ëÚËθ: ÓÒÌÓ‚Ì˚ ˜‡ÒÚË (Main A, Main B) Ë ‚ÒÚ‡‚ÍË

ÇÓ ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ÏÓÊÌÓ ÒÓÁ‰‡‚‡Ú¸ ‰Ë̇Ï˘ÂÒÍËÂ

ËÁÏÂÌÂÌËfl ‚ ËÚÏÂ Ë ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [MAIN/

AUTO FILL]. ç‡Ê‡ÚË ˝ÚÓÈ ÍÌÓÔÍË ‚˚Á˚‚‡ÂÚ ÔÂÂÍβ˜ÂÌËÂ Ò Ó‰-

ÌÓÈ ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË Ì‡ ‰Û„Û˛. èË ˝ÚÓÏ ‰Îfl Ô·‚ÌÓ„Ó ÔÂÂıÓ‰‡ Í

ÌÓ‚ÓÈ ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË ‡‚ÚÓχÚ˘ÂÒÍË ÔÓË„˚‚‡ÂÚÒfl ‚ÒÚ‡‚͇. ç‡Ô-

ËÏÂ, ÂÒÎË ‚ ‰‡ÌÌ˚È ÏÓÏÂÌÚ ÔÓË„˚‚‡ÂÚÒfl ÓÒÌӂ̇fl ˜‡ÒÚ¸ A, ̇-

ʇÚË ˝ÚÓÈ ÍÌÓÔÍË ‚˚ÁÓ‚ÂÚ ‡‚ÚÓχÚ˘ÂÒÍÓ ÔÓË„˚‚‡ÌË ‚ÒÚ‡‚ÍË,

‡ Á‡ÚÂÏ ÔÓÒΉÛÂÚ ÓÒÌӂ̇fl ˜‡ÒÚ¸ B.

éÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸ A ËÎË B Ú‡ÍÊ ÏÓÊÌÓ ‚˚·‡Ú¸, ̇ʇ‚ ÔÂ‰ Á‡ÔÛÒ-

ÍÓÏ ÒÚËÎfl ÍÌÓÔÍÛ [MAIN/AUTO FILL].

46

-

psr175e.book Page 46 Wednesday, August 18, 2004 10:41 AM

ÌËfl ÍÓ̈ӂÍË ‰‚‡Ê‰˚ ·˚ÒÚÓ Ì‡Ê-

ÏËÚÂ ÍÌÓÔÍÛ [INTRO ENDING/rit].

ÑÎfl Í‡Ê‰Ó„Ó ÒÚËÎfl ÒÛ˘ÂÒÚ‚ÛÂÚ ÒÚ‡Ì-

‰‡ÚÌ˚È ÚÂÏÔ (ÚÂÏÔ ÔÓ ÛÏÓΘ‡Ì˲).

äÓ„‰‡ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl ÔÂÍ-

‡˘‡ÂÚÒfl Ë ‚˚·Ë‡ÂÚÒfl ‰Û„ÓÈ ÒÚËθ,

ÛÒڇ̇‚ÎË‚‡ÂÚÒfl ÚÂÏÔ, ËÒÔÓθÁÛÂÏ˚È

ÔÓ ÛÏÓΘ‡Ì˲ ‰Îfl ‚ÌÓ‚¸ ‚˚·‡ÌÌÓ„Ó

ÒÚËÎfl. èË ÔÂÂÍβ˜ÂÌËË ÒÚËÎÂÈ ‚Ó

‚ÂÏfl Ë„˚ ÒÓı‡ÌflÂÚÒfl ÔÓÒΉÌËÈ

Á‡‰‡ÌÌ˚È ÚÂÏÔ. (ùÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊ-

ÌÓÒÚ¸ ÒÓı‡ÌflÚ¸ Ó‰ËÌ Ë ÚÓÚ Ê ÚÂÏÔ

‰‡Ê ÔË ÒÏÂÌ ÒÚËÎÂÈ.)

çÓ‚˚È ÚÂÏÔ Ú‡ÍÊ ÏÓÊÌÓ Á‡‰‡Ú¸ ‚

‡θÌÓÏ ‚ÂÏÂÌË Ò ÔÓÏÓ˘¸˛ ÙÛÌÍ-

ˆËË Tap Tempo. (ëÏ. ÒÚ. 44.)

ò‡·ÎÓÌ˚ ‚ÒÚ‡‚ÓÍ Ì‰ÓÒÚÛÔÌ˚, ÂÒÎË

‚˚·‡Ì Ó‰ËÌ ËÁ ÙÓÚÂÔ¸flÌÌ˚ı ÒÚË-

ÎÂÈ Pianist ((#081 – #100).

psr175e.book Page 47 Wednesday, August 18, 2004 10:41 AM

Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ

ÇÒÚ‡‚ÍË

ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ

...ÌÂωÎÂÌÌÓ Ì‡˜ÌÂÚÒfl

...Ë ÓÒÌӂ̇fl

[MAIN/AUTO FILL]

‚ÓÒÔÓËÁ‚‰ÂÌË ‚ÒÚ‡‚ÍË

˜‡ÒÚ¸ A ËÎË B

‰Ó ‰ÓÎË 4...

‰Ó ÍÓ̈‡ Ú‡ÍÚ‡...

̇˜ÌÂÚÒfl Á‰ÂÒ¸.

í‡ÍÚ 1 í‡ÍÚ 2

í‡ÍÚ 3

‰ÓÎfl

1234123412341233

ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ

...‚ÒÚ‡‚͇ ̇˜ÌÂÚÒfl

...Ë ÓÒÌӂ̇fl

[MAIN/AUTO FILL]

ÓÚÒ˛‰‡...

˜‡ÒÚ¸ A ËÎË B

ÔÓÒÎÂ ‰ÓÎË 4...

̇˜ÌÂÚÒfl Á‰ÂÒ¸.

ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ

ÉÓÏÍÓÒÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÏÓÊÌÓ „ÛÎËÓ‚‡Ú¸.

í‡Í‡fl „ÛÎËӂ͇ ‚ÎËflÂÚ ÚÓθÍÓ Ì‡ „ÓÏÍÓÒÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËfl

ÒÚËÎfl. ÉÓÏÍÓÒÚ¸ „ÛÎËÛÂÚÒfl ‚ ‰Ë‡Ô‡ÁÓÌ 000 - 127.

1 Ç ÏÂÌ˛ Overall ‚˚·ÂËÚ ÙÛÌÍˆË˛ Accompaniment Volume

ÓÏÍÓÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡).

ç‡ÊËχÈÚ ÍÌÓÔÍÛ [OVERALL] ‰Ó ÚÂı ÔÓ, ÔÓ͇ ̇ ‰ËÒÔÎÂÂ

ÌÂ ÔÓfl‚ËÚÒfl “ACMP VOL”.

íÂÍÛ˘Â Á̇˜ÂÌË „ÓÏÍÓÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

110

ACMP VOL

TEMPO

èÓ͇Á˚‚‡ÂÚ, ˜ÚÓ ‚˚·‡Ì

116

ÂÊËÏ „ÛÎËÓ‚ÍË „ÓÏÍÓÒÚË

2 àÁÏÂÌËÚ Á̇˜ÂÌËÂ.

ìÒÚ‡ÌÓ‚ËÚ ÌÛÊÌÓ Á̇˜ÂÌË „ÓÏÍÓÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (000 -

127) ̇ ˆËÙÓ‚ÓÈ Í·‚ˇÚÛÂ. ì‚Â΢ËÚ¸ Ë ÛÏÂ̸¯ËÚ¸ „ÓÏ-

ÉÓÏÍÓÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÏÓÊÌÓ

ÍÓÒÚ¸ Ú‡ÍÊ ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [+]/[-]. ÑÎfl ˝ÚÓ„Ó ÌÛÊÌÓ

ËÁÏÂÌËÚ¸ ÚÓθÍÓ ‚ ÂÊËÏ Style.

ÔÓ‰Âʇڸ ̇ʇÚÓÈ Ó‰ÌÛ ËÁ ˝ÚËı ÍÌÓÔÓÍ.

ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰ÌÓ„Ó Á̇˜Â-

ÌËfl „ÓÏÍÓÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

ÖÒÎË „ÓÏÍÓÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ·˚·

ËÁÏÂÌÂ̇, ‰Îfl ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl ÒÚ‡Ì-

‰‡ÚÌÓ„Ó Á̇˜ÂÌËfl 110 ‰ÓÒÚ‡ÚÓ˜ÌÓ Ó‰-

ÌÓ‚ÂÏÂÌÌÓ Ì‡Ê‡Ú¸ Ó·Â ÍÌÓÔÍË [+]/[-] ‚

ÂÊËÏ „ÛÎËÓ‚ÍË „ÓÏÍÓÒÚË ‡ÍÍÓÏ-

Ô‡ÌÂÏÂÌÚ‡.

47

psr175e.book Page 48 Wednesday, August 18, 2004 10:41 AM

Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ

àÒÔÓθÁÓ‚‡ÌË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ – Multi Fingering

îÛÌ͈Ëfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‡‚ÚÓχÚ˘ÂÒÍË ÒÓÁ‰‡ÂÚ ·‡ÒÓ‚Û˛ ÎËÌ˲

Ë ‡ÍÍÓ‰Ó‚˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ÔÓ‰ ÍÓÚÓ˚ ÏÓÊÌÓ Ë„‡Ú¸, ‚ ÂÊËÏÂ

Multi Fingering. àÒÔÓÎÌËÚÂθ ÏÓÊÂÚ ÏÂÌflÚ¸ ‡ÍÍÓ‰˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡,

̇ÊËχfl Í·‚Ë¯Ë ‚ ˜‡ÒÚË ACMP ̇ Í·‚ˇÚÛ ‚ ÂÊËÏ “Single

Finger” ËÎË “Fingered”. Ç ÂÊËÏ Single Finger ÏÓÊÌÓ ÔÓÒÚÓ Ë„‡Ú¸

‡ÍÍÓ‰˚ Ó‰ÌËÏ, ‰‚ÛÏfl ËÎË ÚÂÏfl ԇθˆ‡ÏË (ÒÏ. ÌËÊ ‡ÍÍÓ‰˚, ‚ÓÒ-

ÔÓËÁ‚Ó‰ËÏ˚ ‚ ÂÊËÏ Single Finger). èË ËÒÔÓθÁÓ‚‡ÌËË ÏÂÚÓ‰‡

Fingered Ú‡‰ËˆËÓÌÌÓ ÔÓË„˚‚‡˛ÚÒfl ‚Ò ÌÓÚ˚ ‡ÍÍÓ‰‡. ä‡ÍËÏ ·˚

ÏÂÚÓ‰ÓÏ ‚˚ ÌË ÔÓθÁÓ‚‡ÎËÒ¸, ÒËÌÚÂÁ‡ÚÓ PSR-175/172 “‡ÒÔÓÁ̇ÂÚ”

ÌÛÊÌ˚È ‡ÍÍÓ‰ Ë ‡‚ÚÓχÚ˘ÂÒÍË „ÂÌÂËÛÂÚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ.

ÄÍÍÓ‰˚, ‚ÓÒÔÓËÁ‚Ó‰ËÏ˚ ‚ ÂÊËÏ Single Finger• • • • • • • • • • • • • •

Ç ÂÊËÏ Single Finger ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ χÊÓÌÓ ÚÂÁ‚Û˜ËÂ,

ÏËÌÓÌÓ ÚÂÁ‚Û˜ËÂ, ‰ÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓ‰ Ë Ï‡Î˚È ÏËÌÓÌ˚È ÒÂÔÚ‡Í-

ÍÓ‰. çËÊ ̇ ËÒÛÌÍ ÔÓ͇Á‡ÌÓ, Í‡Í Ë„‡Ú¸ ˝ÚË ˜ÂÚ˚ ÚËÔ‡ ‡ÍÍÓ‰Ó‚.

(ä·‚˯‡ C ËÒÔÓθÁÛÂÚÒfl Á‰ÂÒ¸ ‰Îfl ÔËÏÂ‡; ‰Îfl ÓÒڇθÌ˚ı Í·‚˯

‰ÂÈÒÚ‚Û˛Ú Ú Ê Ô‡‚Ë·. ç‡ÔËÏÂ, Bb7 ÔÓË„˚‚‡ÂÚÒfl Í‡Í Bb Ë A.)

C

Cm C

7

Cm

7

óÚÓ·˚ Ò˚„‡Ú¸ χÊÓÌÓÂ

óÚÓ·˚ Ò˚„‡Ú¸ ÏËÌÓÌÓÂ

óÚÓ·˚ Ò˚„‡Ú¸ ‰ÓÏË̇ÌÚ-

óÚÓ·˚ Ò˚„‡Ú¸ χÎ˚È ÏËÌÓÌ˚È

ÚÂÁ‚Û˜ËÂ: ̇ÊÏËÚ Í·‚˯Û

ÚÂÁ‚Û˜ËÂ: Ó‰ÌÓ‚ÂÏÂÌÌÓ

ÒÂÔÚ‡ÍÍÓ‰: Ó‰ÌÓ‚ÂÏÂÌÌÓ

ÒÂÔÚ‡ÍÍÓ‰: Ó‰ÌÓ‚ÂÏÂÌ

ÌÓ Ì‡Ê-

ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ‡ÍÍÓ‰‡.

̇ÊÏËÚ Í·‚Ë¯Û ÓÒÌÓ‚ÌÓ„Ó

̇ÊÏËÚ Í·‚Ë¯Û ÓÒÌÓ‚ÌÓ„Ó

ÏËÚ Í·‚Ë¯Û ÓÒÌÓ‚ÌÓ

„Ó ÚÓ̇

ÚÓ̇ Ë ·ÎËÊ‡È¯Û˛ ˜ÂÌÛ˛

ÚÓ̇ Ë ·ÎËÊ‡È¯Û˛ ·ÂÎÛ˛

Ò ·ÎËʇȯËÏË ·ÂÎÓÈ Ë ˜ÂÌÓÈ

Í·‚Ë¯Û Ò΂‡ ÓÚ ÌÂÂ.

Í·‚Ë¯Û Ò΂‡ ÓÚ ÌÂÂ.

Í·‚˯‡ÏË Ò΂‡ ÓÚ

ÌÂÂ (‚ÒÂ ÚË

Í·‚Ë¯Ë ‚ÏÂÒÚÂ).

ÄÍÍÓ‰˚, ‚ÓÒÔÓËÁ‚Ó‰ËÏ˚ ‚ ÂÊËÏ Fingered • • • • • • • • • • • • • • • • •

çËÊ ÔÓ͇Á‡Ì˚ ‚ˉ˚ ‡ÍÍÓ‰Ó‚, ‡ÒÔÓÁ̇‚‡ÂÏ˚ı ‚ ÂÊËÏ Fingered.

Ç Í‡˜ÂÒÚ‚Â ÔËÏÂ‡ ËÒÔÓθÁÛÂÚÒfl Í·‚˯‡ C.

ÄÍÍÓ‰˚ Fingered ‚ ÚÓ̇θÌÓÒÚË C (‰Ó)

ÖÒÎË ‡ÍÍÓ‰ Ó·‡˘ÂÌÌ˚È (ÚÓ ÂÒÚ¸ C-E-G Ë„‡ÂÚÒfl

Í‡Í G-C-E), PSR-175/172 ‡ÒÔÓÁ̇ÂÚ Â„Ó Í‡Í ‡Í-

C

Cm

Caug

(7aug)

Cdim

(dim7)

ÍÓ‰ ‚ ÚÓ̇θÌÓÒÚË C. Ç ÒËÒÚÂÏ ‡ÒÔÓÁ̇‚‡ÌËfl

‡ÍÍÓ‰Ó‚ ËϲÚÒfl ÒÎÂ‰Û˛˘Ë Ô‡‚Ë· Ë ËÒÍβ-

( )

˜ÂÌËfl.

( )

åËÌÓÌ˚ ÒÂÍÒÚ‡ÍÍÓ‰˚ ‡ÒÔÓÁ̇˛ÚÒfl ÚÓθÍÓ

ÌÂÓ·‡˘ÂÌÌ˚ÏË, Ӊ̇ÍÓ ‚Ò ÓÒڇθÌ˚ ӷ‡-

Csus

4

C

7

Cm

7

CM

7

˘ÂÌËfl ËÌÚÂÔÂÚËÛ˛ÚÒfl Í‡Í ÏËÌÓÌ˚È ÒÂÔÚ-

‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ.

ÖÒÎË Ó·‡˘‡˛ÚÒfl Û‚Â΢ÂÌÌ˚Â Ë ÛÏÂ̸¯ÂÌÌ˚Â

( )

( )

( )

ÒÂÔÚ‡ÍÍÓ‰˚, ‚ ͇˜ÂÒÚ‚Â ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ‡Ò-

ÔÓÁ̇ÂÚÒfl ҇χfl ÌËÊÌflfl ÌÓÚ‡.

CmM

7

C

7

b5

Cm

7

b5

C sus

7

4

CÂÔÚ‡ÍÍÓ‰˚ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ ÏÓÊÌÓ Ë„-

‡Ú¸ Ò Ò‡ÏÓÈ ÌËÊÌÂÈ ÌÓÚÓÈ ‚ ͇˜ÂÒÚ‚Â ÚÓÌËÍË

ËÎË ÔÓÌËÊÂÌÓÈ ÒÂÔÚËÏ˚.

( )

ì‚Â΢ÂÌÌ˚Â Ë ÛÏÂ̸¯ÂÌÌ˚ ÒÂÔÚ‡ÍÍÓ‰˚ ËÌ-

Cm

6

C

(9)

ÚÂÔÂÚËÛ˛ÚÒfl Í‡Í ÔÓÒÚ˚ ۂÂ΢ÂÌÌ˚ Ë

ÛÏÂ̸¯ÂÌÌ˚Â.

* çÓÚ˚, Û͇Á‡ÌÌ˚ ‚ ÒÍӷ͇ı, ÌÂÓ·flÁ‡ÚÂθÌ˚; ‡ÍÍÓ‰˚ ‡ÒÔÓÁ̇˛ÚÒfl

ç ‡ÒÔÓÁ̇˛ÚÒfl ÒÎÂ‰Û˛˘Ë ‡ÍÍÓ‰˚:

Ë ·ÂÁ ÌËı.

ÏËÌÓÌ˚È B6, ÏËÌÓÌ˚È B

b

6 Ë Û‚Â΢ÂÌÌ˚È B.

48

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Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ

• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • óÚÓ Ú‡ÍÓ ‡ÍÍÓ‰ • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

ÇÓÚ ÔÓÒÚÓÈ ÓÚ‚ÂÚ. ÄÍÍÓ‰ – ˝ÚÓ ÚË ËÎË ·ÓΠÌÓÚ˚, Ò˚„‡ÌÌ˚ ӉÌÓ‚ÂÏÂÌÌÓ.

(ÖÒÎË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ë„‡˛ÚÒfl ‰‚ ÌÓÚ˚, ˝ÚÓ Ì‡Á‚‡ÂÚÒfl ËÌÚÂ‚‡ÎÓÏ; ËÌÚÂ‚‡Î –

‡ÒÒÚÓflÌË ÏÂÊ‰Û ‰‚ÛÏfl ÌÓÚ‡ÏË. í‡Í‡fl ÍÓÏ·Ë̇ˆËfl ÌÓÚ Ú‡ÍÊ ̇Á˚‚‡ÂÚÒfl ÒÓÁ-

‚Û˜ËÂÏ.) Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ËÌÚÂ‚‡ÎÓ‚ ÏÂÊ‰Û ÚÂÏfl ËÎË ·ÓΠÌÓÚ‡ÏË ‡ÍÍÓ‰

ÏÓÊÂÚ Á‚Û˜‡Ú¸ Í‡ÒË‚Ó, ÏÂÌ Í‡ÒË‚Ó ËÎË ÔÓÒÚÓ Ì··„ÓÁ‚Û˜ÌÓ.

ÄÍÍÓ‰ ËÁ ÚÂı Á‚ÛÍÓ‚, ÔÓ͇Á‡ÌÌ˚È Ò΂‡, ‰‡ÂÚ ÔËflÚÌ˚È

„‡ÏÓÌ˘Ì˚È Á‚ÛÍ. íÂÁ‚Û˜Ëfl ÒÓÒÚÓflÚ ËÁ ÚÂı ÌÓÚ Ë fl‚-

Îfl˛ÚÒfl Ó‰ÌËÏ ËÁ ÓÒÌÓ‚Ì˚ı Ë Ò‡Ï˚ı ‡ÒÔÓÒÚ‡ÌÂÌÌ˚ı

‡ÍÍÓ‰Ó‚ ‚ ÏÛÁ˚Í ·Óθ¯ËÌÒÚ‚‡ ̇Ô‡‚ÎÂÌËÈ.

çËÊÌÂÈ ÌÓÚÓÈ ‚ ˝ÚÓÏ ÚÂÁ‚Û˜ËË fl‚ÎflÂÚÒfl ÌÓÚ‡ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇, ËÎË ÚÓÌË͇. ùÚÓ

҇χfl ‚‡Ê̇fl ÌÓÚ‡ ‚ ‡ÍÍÓ‰Â, Ú‡Í Í‡Í Ì‡ ÌÂÈ ÓÒÌÓ‚‡Ì‡ „‡ÏÓÌËfl ‡ÍÍÓ‰‡, ÓÔ‰Â-

ÎflÂχfl Â„Ó ÚÓ̇θÌÓÒÚ¸˛, Ë ÓÚ ˝ÚÓÈ ÌÓÚ˚ Á‡‚ËÒËÚ, Í‡Í Ï˚ ÒÎ˚¯ËÏ ‰Û„Ë ÌÓÚ˚

‡ÍÍÓ‰‡.

ÇÚÓ‡fl ÌÓÚ‡ ‡ÍÍÓ‰‡ ̇ ˜ÂÚ˚ ÔÓÎÛÚÓ̇ ‚˚¯Â ÔÂ‚ÓÈ, ‡ ÚÂÚ¸fl – ̇ ÚË ÔÓÎÛÚÓ̇

‚˚¯Â ‚ÚÓÓÈ. ç ÏÂÌflfl ÓÒÌÓ‚ÌÓÈ ÚÓÌ, ÌÓ ÔÂÂÏ¢‡fl ‚ÚÓÛ˛ Ë ÚÂÚ¸˛ ÌÓÚ˚ ‡ÍÍÓ-

‰‡ ̇ ÔÓÎÚÓ̇ ‚‚Âı ËÎË ‚ÌËÁ (‰ËÂÁ ËÎË ·ÂÏÓθ), ÏÓÊÌÓ ÒÓÁ‰‡Ú¸ ˜ÂÚ˚ ‡ÁÌ˚ı

‡ÍÍÓ‰‡.

å‡ÊÓÌÓ ÚÂÁ‚Û˜ËÂ

åËÌÓÌÓ ÚÂÁ‚Û˜ËÂ

ì‚Â΢ÂÌÌÓ ÚÂÁ‚Û˜ËÂ

ìÏÂ̸¯ÂÌÌÓ ÚÂÁ‚Û˜ËÂ

(̇ÔËÏÂ, C)

(̇ÔËÏÂ, Cm)

(̇ÔËÏÂ, Caug)

(̇ÔËÏÂ, Cdim)

å‡Î‡fl

ÅÓθ¯‡fl

ÅÓθ¯‡fl

å‡Î‡fl

ÅÓθ¯‡fl

ÅÓθ¯‡fl

å‡Î‡fl

å‡Î‡fl

ÚÂˆËfl

ÚÂˆËfl

ÚÂˆËfl

ÚÂˆËfl

ÚÂˆËfl

ÚÂˆËfl

ÚÂˆËfl

ÚÂˆËfl

åÓÊÌÓ ËÁÏÂÌËÚ¸ Ë ËÁÎÓÊÂÌË ‡ÍÍÓ‰‡ – ̇ÔËÏÂ, ÔÓÏÂÌflÚ¸ ÔÓfl‰ÓÍ ÌÓÚ (Ú‡Í

̇Á˚‚‡ÂÏÓ ӷ‡˘ÂÌË ‡ÍÍÓ‰Ó‚) ËÎË Ë„‡Ú¸ Ó‰ÌË Ë Ú Ê ÌÓÚ˚ ‚ ‡ÁÌ˚ı ÓÍÚ‡‚‡ı,

Ì ÏÂÌflfl ÓÒÌÓ‚˚ Ò‡ÏÓ„Ó ‡ÍÍÓ‰‡.

èËÏÂ˚ Ó·‡˘ÂÌËfl ‡ÍÍÓ‰Ó‚ ‚ ÚÓ̇θÌÓÒÚË C (ÑÓ).

ÏË

‰Ó

‰Ó

ÒÓθ

ÒÓθ

ÒÓθ

ÏË

ÏË

‰Ó

í‡ÍËÏ Ó·‡ÁÓÏ ÏÓÊÌÓ ÒÓÁ‰‡‚‡Ú¸ Ó˜Â̸ Í‡ÒË‚˚ ÒÓÁ‚Û˜Ëfl. àÌÚÂ‚‡Î˚ Ë ‡ÍÍÓ‰˚

fl‚Îfl˛ÚÒfl Ó‰ÌËÏË ËÁ Ò‡Ï˚ı ‚‡ÊÌ˚ı ˝ÎÂÏÂÌÚÓ‚ ‚ ÏÛÁ˚ÍÂ. Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÚËÔÓ‚

ËÒÔÓθÁÛÂÏ˚ı ‡ÍÍÓ‰Ó‚ Ë ÔÓfl‰Í‡ Ëı ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÏÓÊÌÓ ÒÓÁ‰‡Ú¸ ÏÌÓÊÂÒÚ‚Ó

˝ÏÓˆËÈ Ë ˜Û‚ÒÚ‚.

49

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Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ

• • • • • • • • • • • • • • • • • • • • • • • • • • á‡ÔËÒ¸ ̇Á‚‡ÌËÈ ‡ÍÍÓ‰Ó‚ • • • • • • • • • • • • • • • • • • • • • • • • • • • •

ç‡Û˜ËÚ¸Òfl ˜ËÚ‡Ú¸ Ë Á‡ÔËÒ˚‚‡Ú¸ ̇Á‚‡ÌËfl ‡ÍÍÓ‰Ó‚ ÌÂÒÎÓÊÌÓ, ÚÂÏ Ì ÏÂÌ ˝ÚÓ

˜ÂÁ‚˚˜‡ÈÌÓ ˆÂÌÌ˚È Ì‡‚˚Í. ó‡ÒÚÓ ‰Îfl Á‡ÔËÒË ‡ÍÍÓ‰Ó‚ ËÒÔÓθÁÛÂÚÒfl Ò‚ÓÂ„Ó Ó‰‡

ÒÚÂÌÓ„‡ÙËfl, ÍÓÚÓ‡fl ÔÓÁ‚ÓÎflÂÚ Ï„ÌÓ‚ÂÌÌÓ ‡ÒÔÓÁ̇‚‡Ú¸ ‡ÍÍÓ‰˚ (Ë ÔÓË„˚‚‡Ú¸

Ëı ‚ ÚÓÏ ËÁÎÓÊÂÌËË, ÍÓÚÓÓ ‚˚ Ô‰ÔÓ˜ËÚ‡ÂÚÂ). ä‡Í ÚÓθÍÓ ‚˚ ÔÓÈÏÂÚ ÓÒÌÓ‚Ì˚Â

ÔË̈ËÔ˚ ÔÓÒÚÓÂÌËfl ÒÓÁ‚Û˜ËÈ Ë ‡ÍÍÓ‰Ó‚, ËÒÔÓθÁÓ‚‡Ú¸ ÒÚÂÌÓ„‡Ù˲ ‰Îfl Á‡ÔËÒË

‡ÍÍÓ‰Ó‚ ÔÂÒÌË ·Û‰ÂÚ Ó˜Â̸ ÔÓÒÚÓ.

ë̇˜‡Î‡ ÌÂÓ·ıÓ‰ËÏÓ Û͇Á‡Ú¸ ÌÓÚÛ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ‡ÍÍÓ‰‡ Ò Á‡„·‚ÌÓÈ ·ÛÍ‚˚.

ÑËÂÁ˚ ËÎË ·ÂÏÓÎË Û͇Á˚‚‡˛ÚÒfl ÒÔ‡‚‡ ÓÚ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇. íËÔ ‡ÍÍÓ‰‡ Ú‡ÍÊÂ

Û͇Á˚‚‡ÂÚÒfl ÒÔ‡‚‡. çËÊ ‰‡Ì˚ ÔËÏÂ˚ ‰Îfl ÚÓ̇θÌÓÒÚË C.

å‡ÊÓÌÓÂ

åËÌÓÌÓÂ

ì‚Â΢ÂÌÌÓÂ

ìÏÂ̸¯ÂÌÌÓÂ

ÚÂÁ‚Û˜ËÂ

ÚÂÁ‚Û˜ËÂ

ÚÂÁ‚Û˜ËÂ

ÚÂÁ‚Û˜ËÂ

C

Cm

Caug

Cdim

ÑÎfl ÔÓÒÚ˚ı χÊÓÌ˚ı ÚÂÁ‚Û˜ËÈ ÚËÔ Ì Û͇Á˚‚‡ÂÚÒfl.

LJÊÌÓ Á‡Ï˜‡ÌËÂ. ÄÍÍÓ‰˚ ÒÓÒÚÓflÚ ËÁ ÌÓÚ, ÔÓÏ¢ÂÌÌ˚ı Ӊ̇ ̇‰ ‰Û„ÓÈ, Ë ‚ ̇Á-

‚‡ÌËË ‡ÍÍÓ‰‡ ˝ÚË ÌÓÚ˚ Ó·ÓÁ̇˜‡˛ÚÒfl ˜ËÒÎÓÏ. ùÚÓ ˜ËÒÎÓ ÔÓ͇Á˚‚‡ÂÚ ‡ÒÒÚÓflÌËÂ

‰‡ÌÌÓÈ ÌÓÚ˚ ÓÚ ÌÓÚ˚ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇. (ëÏ. ÒıÂÏÛ Í·‚ˇÚÛ˚ ÌËÊÂ.) ç‡ÔËÏÂ,

ÏËÌÓÌ˚È ÒÂÍÒÚ‡ÍÍÓ‰ ‚Íβ˜‡ÂÚ 6-˛ ÒÚÛÔÂ̸ „‡ÏÏ˚, χÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ – 7-˛

ÒÚÛÔÂ̸ „‡ÏÏ˚ Ë Ú.‰.

àÌÚÂ‚‡Î˚ „‡ÏÏ˚

ÑÓÏË̇ÌÚ‡ Ò‰¸ÏÓÈ ÒÚÛÔÂÌË

(ÔÓÌËÊÂÌ̇fl ÒÂÔÚËχ)

óÚÓ·˚ ÎÛ˜¯Â ÔÓÌflÚ¸ ËÌÚÂ‚‡Î˚ Ë ˜ËÒ·, ËÒ-

ÔÓθÁÛÂÏ˚ ‰Îfl Ëı Ô‰ÒÚ‡‚ÎÂÌËfl ‚ ̇Á‚‡ÌËË

‡ÍÍÓ‰‡, ËÁÛ˜ËÚ ÒıÂÏÛ ‰Îfl „‡ÏÏ˚ ‰Ó-χÊÓ.

CDE FGABCDE

F

íÓÌË͇

䂇Ú‡

ëÂÔÚËχ

ì̉ˆËχ

íÂˆËfl

ëÂÍÒÚ‡

çÓ̇

ëÂÍÛ̉‡

ä‚ËÌÚ‡

éÍÚ‡‚‡

ÑÛ„Ë ‡ÍÍÓ‰˚

Csus4

C7

Cm7

ä‚ËÌÚ‡ 䂇Ú‡

ÑÓÏË̇ÌÚ‡

å‡ÊÓÌÓÂ

ÑÓÏË̇ÌÚ‡

åËÌÓÌÓÂ

Ò‰¸ÏÓÈ ÒÚÛÔÂÌË

ÚÂÁ‚Û˜ËÂ

Ò‰¸ÏÓÈ ÒÚÛÔÂÌË

ÚÂÁ‚Û˜ËÂ

CM7

Cm7b5

Cm6

C(9)

ëÂÔÚËχ å‡ÊÓÌÓÂ

ÑÓÏË̇ÌÚ‡

ìÏÂ̸¯ÂÌÌÓÂ

åËÌÓÌÓÂ

ëÂÍÒÚ‡

çÓ̇

ÚÂÁ‚Û˜ËÂ

Ò‰¸ÏÓÈ ÒÚÛÔÂÌË

ÚÂÁ‚Û˜ËÂ

ÚÂÁ‚Û˜ËÂ

50

psr175e.book Page 51 Wednesday, August 18, 2004 10:41 AM

Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ

åÛθÚËÔ˝‰˚

ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ Ï„ÌÓ‚ÂÌÌÓ ‚˚Á˚‚‡Ú¸ ‡Á΢Ì˚Â

ÏÛÁ˚͇θÌ˚Â Ë ËÚÏ˘ÂÒÍË Ù‡Á˚ ‚Ó ‚ÂÏfl Ë„˚ ̇ PSR-175/172.

ÇÒÂ„Ó ÒÛ˘ÂÒÚ‚ÛÂÚ 40 ‡ÁÌ˚ı Á‚ÛÍÓ‚ Ë Ù‡Á (10 ·‡ÌÍÓ‚ Ò ˜ÂÚ˚¸Ïfl

Á‚Û͇ÏË ‚ ͇ʉÓÏ). ùÚË Ù‡Á˚ ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl ‚ ÚÓÏ Ê ÚÂÏÔÂ, ˜ÚÓ

Ë Ô‡‡ÏÂÚ˚ Tempo, Ë „‡ÏÓÌ˘ÌÓ ËÁÏÂÌfl˛ÚÒfl ‚ÏÂÒÚÂ Ò ‡ÍÍÓ‰‡ÏË

‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (Í‡Í ‚ ÂÊËÏ Style, Ú‡Í Ë Song).

1 Ç ÏÂÌ˛ Overall ‚˚·ÂËÚ ÙÛÌÍˆË˛ Pad.

ç‡ÊËχÈÚ ÍÌÓÔÍÛ [OVERALL] ‰Ó ÚÂı ÔÓ, ÔÓ͇ ̇ ‰ËÒÔÎÂÂ

ÌÂ ÔÓfl‚ËÚÒfl “MULTI PAD”.

çÓÏÂ ÚÂÍÛ˘Â„Ó ·‡Ì͇ ÏÛθÚËÔ˝‰Ó‚

01

Pianist

TEMPO

ì͇Á˚‚‡ÂÚ, ˜ÚÓ ‚˚·‡Ì‡

ÙÛÌ͈Ëfl Multi Pad

116

2 Ç˚·ÂËÚ ÌÛÊÌ˚È ·‡ÌÍ.

ë ÔÓÏÓ˘¸˛ ˆËÙÓ‚ÓÈ Í·‚ˇÚÛ˚ ‚˚·ÂËÚ ÌÛÊÌ˚È ÌÓÏÂ ·‡Ì-

͇ (1 – 10). ì‚Â΢ËÚ¸ Ë ÛÏÂ̸¯ËÚ¸ Á̇˜ÂÌË ڇÍÊ ÏÓÊÌÓ Ò ÔÓ-

ÏÓ˘¸˛ ÍÌÓÔÓÍ [+]/[-]. ÑÎfl ˝ÚÓ„Ó ÌÛÊÌÓ ÔÓ‰Âʇڸ ̇ʇÚÓÈ Ó‰-

ÌÛ ËÁ ˝ÚËı ÍÌÓÔÓÍ. èÓÎÌ˚È ÒÔËÒÓÍ ‰ÓÒÚÛÔÌ˚ı ·‡ÌÍÓ‚ Ë Ëı ÒÓ‰Â-

ÊËÏÓ„Ó ÒÏ. ̇ ÒÚ. 57.

3 èÓË„‡ÈÚ ÏÛθÚËÔ˝‰˚.

ç‡ÊÏËÚ ӉËÌ ËÁ ÏÛθÚËÔ˝‰Ó‚. î‡Á‡ ·Û‰ÂÚ ÔÓË„˚‚‡Ú¸Òfl, ÔÓ-

͇ ÔÓÎÌÓÒÚ¸˛ Ì Á‡‚Â¯ËÚÒfl. èÓ‚ÚÓÌ˚ ̇ʇÚËfl ÏÛθÚËÔ˝‰‡

(‰Ó ÔÓÎÌÓ„Ó Á‡‚Â¯ÂÌËfl Ù‡Á˚) ÒÓÁ‰‡˛Ú ˝ÙÙÂÍÚ “Á‡Ë͇ÌËfl”.

Ç ÂÊËÏ Style Á‡ ËÁÏÂÌÂÌËflÏË ‡ÍÍÓ‰Ó‚ ÒÎÂ‰Û˛Ú Ô‡‚ËθÌÓ ÔÓ-

‰Ó·‡ÌÌ˚ ÏÂÎӉ˘ÂÒÍË Á‚ÛÍË. ÇÒ Á‚ÛÍË ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl ‚

Ç ÂÊËÏÂ DJ GAME ÏÓÊÌÓ ÔÓË„-

˚‚‡Ú¸ ÏÛθÚËÔ˝‰˚, ‡ ڇʠ˄‡Ú¸

ÚÂÏÔÂ, ÍÓÚÓ˚È ÚÓ˜ÌÓ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ÚÂÍÛ˘ËÏ Ô‡‡ÏÂÚ‡Ï ÙÛÌÍ-

̇ Í·‚ˇÚÛÂ.

ˆËË Tempo. ÖÒÎË ‚Íβ˜Â̇ ÙÛÌ͈Ëfl One Touch Setting (ÒÚ. 26),

‡‚ÚÓχÚ˘ÂÒÍË ‚˚Á˚‚‡˛ÚÒfl ·‡ÌÍË ÏÛθÚËÔ˝‰Ó‚, ÒÓÓÚ‚ÂÚÒÚ‚Û˛-

˘Ë ‚˚·‡ÌÌÓÏÛ ÒÚËβ. ùÚÓ Ú‡ÍÊ ÓÚÌÓÒËÚÒfl Í ÙÛÌ͈ËflÏ DJ Ë

Portable Grand.

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MIDI

ì ÒËÌÚÂÁ‡ÚÓ‡ PSR-175/172 Ú‡ÍÊ ËϲÚÒfl MIDI-‡Á˙ÂÏ˚,

èÓÎÛ˜‡ÂÚ MIDI-‰‡ÌÌ˚ ÓÚ

èÂ‰‡ÂÚ MIDI-‰‡ÌÌ˚Â

ÔÓ‰Íβ˜ÂÌÌÓ„Ó ÔÂ‰‡˛-

(ËÒÔÓÎÌÂÌË ̇ Í·‚ˇÚÛÂ)

ÍÓÚÓ˚ ÔÓÁ‚ÓÎfl˛Ú ÔÓ‰Íβ˜‡Ú¸ Í ÌÂÏÛ ‰Û„Ë ËÌÒÚÛ-

˘Â„Ó ÛÒÚÓÈÒÚ‚‡.

ÔÓ‰Íβ˜ÂÌÌÓÏÛ ÛÒÚÓÈÒÚ‚Û.

ÏÂÌÚ˚ Ë ÛÒÚÓÈÒÚ‚‡ MIDI.

MIDI • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

MIDI (Musical Instrument Digital Interface, ñËÙÓ‚ÓÈ ËÌÚÂÙÂÈÒ ÏÛÁ˚͇θÌ˚ı

ËÌÒÚÛÏÂÌÚÓ‚) – ˝ÚÓ Ó·˘ÂÔËÁ̇ÌÌ˚È Òڇ̉‡Ú, ÍÓÚÓ˚È ‚ÒÚÓÂÌ ‚Ó ÏÌÓ„ËÂ

˝ÎÂÍÚÓÌÌ˚ ÏÛÁ˚͇θÌ˚ ËÌÒÚÛÏÂÌÚ˚ Ë ‰Û„Ë ˆËÙÓ‚˚ ÛÒÚÓÈÒÚ‚‡, ÓÚÌÓ-

Òfl˘ËÂÒfl Í ÏÛÁ˚ÍÂ. éÌ ÔÓÁ‚ÓÎflÂÚ ÔÓ‰Íβ˜‡Ú¸ ÏÛÁ˚͇θÌ˚ ËÌÒÚÛÏÂÌÚ˚ Ë ÛÒÚ-

ÓÈÒÚ‚‡ ‰Û„ Í ‰Û„Û Ë Ó„‡ÌËÁÓ‚˚‚‡Ú¸ Ó·ÏÂÌ ‰‡ÌÌ˚ÏË ÏÂÊ‰Û ÌËÏË.

óÚÓ·˚ ‰‚‡ MIDI-ËÌÒÚÛÏÂÌÚ‡ ÏÓ„ÎË «Ó·˘‡Ú¸Òfl», Ëı ÌÛÊÌÓ ÒÓ‰ËÌËÚ¸ Ò ÔÓÏÓ˘¸˛

MIDI-͇·ÂÎÂÈ. Ç ÔÓÒÚÓÏ ÔËÏÂ ‡Á˙ÂÏ˚ MIDI IN Ë MIDI OUT ÒËÌÚÂÁ‡ÚÓ‡

PSR-175/172 ÏÓÊÌÓ ÔÓ‰Íβ˜ËÚ¸ Í ‡Á˙ÂÏ‡Ï MIDI OUT Ë MIDI IN ÒÂÍ‚ÂÌÒÓ‡,

ÔÓÁ‚ÓÎflfl ÚÂÏ Ò‡Ï˚Ï Á‡ÔËÒ˚‚‡Ú¸ Ë ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ‰‡ÌÌ˚Â Ó Ò‚ÓÂÏ ËÒÔÓÎÌÂÌËË

Ò PSR-175/172.

åÛÁ˚͇θÌ˚ ËÌÒÚÛÏÂÌÚ˚ Ó·˘‡˛ÚÒfl ‰Û„ Ò ‰Û„ÓÏ, Ó·ÏÂÌË‚‡flÒ¸ “ÒÓÓ·˘ÂÌËflÏË”

(ËÎË MIDI-‰‡ÌÌ˚ÏË). èÂ‰‡˛˘ËÈ ËÌÒÚÛÏÂÌÚ Ó·˚˜ÌÓ Ì‡Á̇˜‡ÂÚ ‰‡ÌÌ˚ ӉÌÓÏÛ

ËÁ ¯ÂÒÚ̇‰ˆ‡ÚË MIDI-͇̇ÎÓ‚ Ë ÔÂÂÒ˚·ÂÚ Ëı ÔÓ MIDI-͇·Âβ. é‰Ì‡ÍÓ Ò‡Ï Í‡-

·Âθ Ì ‡Á‰ÂÎflÂÚÒfl ̇ ¯ÂÒÚ̇‰ˆ‡Ú¸ ͇̇ÎÓ‚. ä‡Í Ë ‚ ÒÎÛ˜‡Â Ò ÚÂ΂ËÁÓÓÏ, ÍÓÚÓ-

˚È ÔÓÎÛ˜‡ÂÚ ÔÓ„‡ÏÏ˚ ÔÓ ‡ÁÌ˚Ï Í‡Ì‡Î‡Ï, “̇ÒÚÓÈ͇” ̇ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ

åàÑà-͇̇Π– ˝ÚÓ ‡·ÓÚ‡ ÔËÌËχ˛˘Â„Ó ËÌÒÚÛÏÂÌÚ‡. ÖÒÎË ÔÂ‰‡˛˘ËÈ Ë

ÔÓÎÛ˜‡˛˘ËÈ Í‡Ì‡Î˚ ̇ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ËÌÒÚÛÏÂÌÚ‡ı Ì ÒÓ‚Ô‡‰‡˛Ú, ÔÓÎÛ˜‡˛-

˘ËÈ ËÌÒÚÛÏÂÌÚ ÏÓÊÂÚ Ì ÔÓÌflÚ¸ ËÎË Ì ÓÚ‚ÂÚËÚ¸ ÔÂ‰‡˛˘ÂÏÛ ËÌÒÚÛÏÂÌÚÛ.

ä‡Í ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ MIDI • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

Ç Ô‰ÒÚ‡‚ÎÂÌÌÓÏ ÌËÊ ÔËÏÂ ÔÓÒÚÓ„Ó, ÌÓ Ó˜Â̸ ÔÓÎÂÁ-

ÌÓ„Ó ÔËÏÂÌÂÌËfl MIDI ÏÛÁ˚͇θÌ˚È ÒÂÍ‚ÂÌÒÓ Yamaha

Ç PSR-175/172 ‰Îfl ÔËÂχ MIDI-‰‡ÌÌ˚ı ËÒÔÓθ-

QY70 ËÒÔÓθÁÛÂÚÒfl ‰Îfl Á‡ÔËÒË Ë ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‰‡ÌÌ˚ı,

ÁÛ˛ÚÒfl ÒÎÂ‰Û˛˘Ë ͇̇Î˚ (‚ÒÂ„Ó Ëı ‚ÓÒÂϸ): 1,

Ò˚„‡ÌÌ˚ı ̇ Í·‚ˇÚÛ ÒËÌÚÂÁ‡ÚÓ‡ PSR-175/172.

2, 3, 4, 5, 6, 7, 10. èÂ‰‡˛˘Ë ͇̇Î˚ MIDI

̇ÒÚÓÂÌ˚ ̇ ÒÎÂ‰Û˛˘Ë ‰‡ÌÌ˚Â:

ä‡Ì‡Î 1 : ä·‚ˇÚÛ‡, „‡ÏÓÌËfl

èÂʉ ˜ÂÏ Ì‡˜‡Ú¸ Á‡ÔËÒ¸ ̇ ÒÂÍ‚ÂÌÒÓ, ̇ÊÏËÚ ӉËÌ ËÎË ‰‚‡ ‡Á‡ ÍÌÓÔÍÛ

ä‡Ì‡Î 2 : ŇÒ˚

ä‡Ì‡Î 3 : ÄÍÍÓ‰˚

[ACCOMPANIMENT ON/OFF], ˜ÚÓ·˚ ۷‰ËÚ¸Òfl, ˜ÚÓ Ì‡ ÌÂ„Ó ÓÚÔ‡‚ÎÂÌ˚ ÚÂÍÛ˘ËÂ

ä‡Ì‡Î 4 – 7: èÓ˜ÂÂ

̇ÒÚÓÈÍË.

ä‡Ì‡Î 10 : êËÚÏ

è‡ÚËË, Á‡ÔËÒ‡ÌÌ˚Â Ò ÔÓÏÓ˘¸˛ PSR-175/172,

‰ÓÎÊÌ˚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ̇ ÌÂÏ ÊÂ. èË ËÒ-

ÔÓθÁÓ‚‡ÌËË ‰Û„Ëı ËÒÚÓ˜ÌËÍÓ‚ Á‚Û͇ (Ú‡ÍËı

Í‡Í ‚ÒÚÓÂÌÌ˚ Á‚ÛÍË QY70) ‰‡ÌÌ˚ ÏÓ„ÛÚ ‚ÓÒ-

GrandPno

ÔÓËÁ‚Ó‰ËÚ¸Òfl ÌÂÔ‡‚ËθÌÓ. äÓÏ ÚÓ„Ó, ÔÓ‰-

Íβ˜ÂÌÌ˚È ËÒÚÓ˜ÌËÍ Á‚Û͇ ÏÓÊÂÚ ‚ÓÒÔÓËÁ‚Ó-

‰ËÚ¸ ‰‡ÌÌ˚ Ì ‚ ÚÓÈ ÓÍÚ‡‚Â, ÍÓÚÓ‡fl ËÒÔÓθ-

ÁÓ‚‡Î‡Ò¸ ÔË Ë„ ̇ PSR-175/172.

MIDI-‰‡ÌÌ˚ ÌÂθÁfl ÔÂÂÒ˚·ڸ ‚Ó ‚ÂÏfl

‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË.

àÁ·Â„‡ÈÚ ËÒÔÓθÁÓ‚‡ÌËfl MIDI-͇·ÂÎÂÈ ‰ÎËÌÓÈ

15 Ï ËÎË ·ÓÎÂÂ, ÔÓÒÍÓθÍÛ ˝ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË

ëÓ‰ËÌËÚ ͇·ÂÎÂÏ „ÌÂÁ‰Ó MIDI OUT

ëÓ‰ËÌËÚ ͇·ÂÎÂÏ „ÌÂÁ‰Ó MIDI IN

Í Ó¯Ë·Í‡Ï MIDI-ËÌÚÂÙÂÈÒ‡.

ÒËÌÚÂÁ‡ÚÓ‡ PSR-175/172 Ë „ÌÂÁ‰Ó

ÒËÌÚÂÁ‡ÚÓ‡ PSR-175/172 Ë „ÌÂÁ‰Ó

MIDI IN ÒÂÍ‚ÂÌÒÓ‡ QY70

MIDI OUT ÒÂÍ‚ÂÌÒÓ‡ QY70

èÓÒÏÓÚ ÌÓÚÌÓÈ Á‡ÔËÒË MIDI-‰‡ÌÌ˚ı ͇̇· 1

ëËÌÚÂÁ‡ÚÓ PSR-175/172 ËÏÂÂÚ ÒÔˆˇθÌÛ˛

ÙÛÌÍˆË˛, ÍÓÚÓ‡fl ÔÓÁ‚ÓÎflÂÚ ÓÚÓ·‡Ê‡Ú¸ MIDI-

‰‡ÌÌ˚ ̇ ‰ËÒÔΠ(ÚÓθÍÓ ‰Îfl ͇̇· 1).

52

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ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ

èÓ·ÎÂχ ÇÓÁÏÓÊÌ˚ Ô˘ËÌ˚ Ë ÒÔÓÒÓ·˚ ÛÒÚ‡ÌÂÌËfl

èË ‚Íβ˜ÂÌËË ËÎË ‚˚Íβ˜ÂÌËË ÒËÌÚÂÁ‡ÚÓ‡ PSR-175/172

í‡Í Ë ‰ÓÎÊÌÓ ·˚Ú¸ – ˝ÚÓ ÔÓ͇Á˚‚‡ÂÚ, ˜ÚÓ ÒËÌÚÂÁ‡ÚÓ ÔÓ‰Íβ˜ÂÌ Í ËÒÚÓ˜ÌËÍÛ ÔËÚ‡ÌËfl.

͇ÍÓÂ-ÚÓ ‚ÂÏfl ÒÎ˚¯‡ÚÒfl ˘ÂΘÍË.

ÖÒÎË ÍÚÓ-ÚÓ fl‰ÓÏ ÔÓθÁÛÂÚÒfl ÏÓ·ËθÌ˚Ï ÚÂÎÂÙÓÌÓÏ,

àÒÔÓθÁÓ‚‡ÌË ÏÓ·ËθÌÓ„Ó ÚÂÎÂÙÓ̇ ‚ ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓÈ ·ÎËÁÓÒÚË ÓÚ ÒËÌÚÂÁ‡ÚÓ‡ ÏÓÊÂÚ

‚ÓÁÌË͇ÂÚ ¯ÛÏ.

‚˚Á˚‚‡Ú¸ ÔÓÏÂıË. óÚÓ·˚ ËÁ·Âʇڸ ˝ÚÓ„Ó, ÓÚÍβ˜‡ÈÚ ÏÓ·ËθÌ˚È ÚÂÎÂÙÓÌ ËÎË ËÒÔÓθÁÛÈ-

ÚÂ Â„Ó Ì‡ Á̇˜ËÚÂθÌÓÏ ‡ÒÒÚÓflÌËË ÓÚ ÒËÌÚÂÁ‡ÚÓ‡ PSR-175/172.

á‚Û˜‡ÌË ÚÂÏ·Ó‚ ËÎË ËÚÏÓ‚ ͇ÊÂÚÒfl ÌÂÓ·˚˜Ì˚Ï

ê‡Áfl‰ËÎËÒ¸ ·‡Ú‡ÂË. á‡ÏÂÌËÚ ·‡Ú‡ÂË. (ëÏ. ÒÚ. 8.)

ËÎË ÒÚ‡ÌÌ˚Ï.

éÚÒÛÚÒÚ‚ÛÂÚ Á‚ÛÍ ‰‡Ê ÔË Ì‡Ê‡ÚËË Í·‚˯ ̇

ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ Í ‚˚ıÓ‰ÌÓÏÛ ‡Á˙ÂÏÛ PHONES/OUTPUT ̇ Á‡‰ÌÂÈ Ô‡ÌÂÎË ÌË˜Â„Ó ÌÂ

Í·‚ˇÚÛ ËÎË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË.

ÔÓ‰Íβ˜ÂÌÓ. ÖÒÎË Í ˝ÚÓÏÛ ‡Á˙ÂÏÛ ÔÓ‰Íβ˜ÂÌ˚ ̇ۯÌËÍË, Á‚ÛÍ Ì ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl.

èË ‚ÓÒÔÓËÁ‚‰ÂÌËË Ó‰ÌÓ„Ó ËÁ ÙÓÚÂÔˇÌÌ˚ı ÒÚËÎÂÈ

í‡Í Ë ‰ÓÎÊÌÓ ·˚Ú¸. Ç ÙÓÚÂÔ¸flÌÌ˚ı ÒÚËÎflı ÌÂÚ ·‡‡·‡ÌÓ‚ ËÎË ·‡ÒÓ‚ – ÚÓθÍÓ ÙÓÚÂÔ¸flÌ-

Pianist ((#081 - #100) Ì ÒÎ˚¯ÂÌ ËÚÏ.

Ì˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. ÄÍÍÓÏÔ‡ÌÂÏÂÌÚ ˝ÚÓ„Ó ÒÚËÎfl ÏÓÊÌÓ ÛÒÎ˚¯‡Ú¸ ÚÓθÍÓ ‚ ÚÓÏ ÒÎÛ˜‡Â,

ÂÒÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚Íβ˜ÂÌ (Á̇˜ÂÌË ON) Ë Ë„‡ ˉÂÚ Ì‡ ÚÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚, ÍÓÚÓ‡fl

Ô‰̇Á̇˜ÂÌ̇ ‰Îfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ì ‚Íβ˜‡ÂÚÒfl ‰‡Ê ÔË Ì‡Ê‡ÚËË

èÂ‰ ËÒÔÓθÁÓ‚‡ÌËÂÏ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ۷‰ËÚÂÒ¸, ˜ÚÓ ‚Íβ˜ÂÌ ÂÊËÏ Style.

ÍÌÓÔÍË [ACCOMPANIMENT ON/OFF].

ç‡ÊÏËÚ ÍÌÓÔÍÛ [STYLE], ˜ÚÓ·˚ ÏÓÊÌÓ ·˚ÎÓ ‡·ÓÚ‡Ú¸ ÒÓ ÒÚËÎÂÏ.

èË Ó‰ÌÓ‚ÂÏÂÌÌÓÏ ‚ÁflÚËË ÌÂÒÍÓθÍËı ÌÓÚ ÒÎ˚¯Ì˚

é‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊËχ˛ÚÒfl ÒÎ˯ÍÓÏ ÏÌÓ„Ó Í·‚˯. ëËÌÚÂÁ‡ÚÓ PSR-175/172 – ˝ÚÓ

ÌÂ ‚ÒÂ.

ÏÌÓ„Ó„ÓÎÓÒ̇fl ÒËÒÚÂχ, ‰ÓÔÛÒ͇˛˘‡fl Ó‰ÌÓ‚ÂÏÂÌÌÓ Á‚Û˜‡ÌË Ì ·ÓΠ16 ÌÓÚ.

çÂÚ Á‚Û͇ ÔË Ì‡Ê‡ÚËË Í·‚˯ ‚ Ô‡‚ÓÈ ˜‡ÒÚË

ÖÒÎË ‚Íβ˜Â̇ ÙÛÌ͈Ëfl ÒÎÓ‚‡fl Dictionary (ÒÚ. 41), Í·‚Ë¯Ë ‚ Ô‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚

Í·‚ˇÚÛ˚.

ËÒÔÓθÁÛ˛ÚÒfl ÚÓθÍÓ ‰Îfl ‚‚Ó‰‡ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ Ë ÚËÔ‡ ‡ÍÍÓ‰‡.

ÄÍÍÓÏÔ‡ÌÂÏÂÌÚ Á‚Û˜ËÚ Ò··Ó. ì·Â‰ËÚÂÒ¸, ˜ÚÓ „ÓÏÍÓÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 47) ÛÒÚ‡ÌÓ‚ÎÂ̇ ̇ ‰ÓÒÚ‡ÚÓ˜Ì˚È ÛÓ‚Â̸.

á‚ÛÍ ÏÛθÚËÔ˝‰‡ ÓÚÒÂ͇ÂÚÒfl ËÎË Á‚Û˜ËÚ ÌÂÓ·˚˜ÌÓ. ëËÌÚÂÁ‡ÚÓ PSR-175/172 – ˝ÚÓ ÏÌÓ„Ó„ÓÎÓÒ̇fl ÒËÒÚÂχ, ‰ÓÔÛÒ͇˛˘‡fl Ó‰ÌÓ‚ÂÏÂÌÌÓ Á‚Û-

˜‡ÌË Ì ·ÓΠ16 ÌÓÚ. ÖÒÎË ÒÚËθ ËÎË ÔÂÒÌfl ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò ÔÓË„˚‚‡-

ÌËÂÏ ÏÛθÚËÔ˝‰‡, ËÁ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ÔÂÒÌË ÏÓ„ÛÚ ÓÔÛÒ͇ڸÒfl ÌÂÍÓÚÓ˚ ÌÓÚ˚ ËÎË Á‚Û-

ÍË ÏÛθÚËÔ˝‰‡.

á‚Û˜‡ÌË ÚÂÏ·‡ ‡ÁÌ˚ı ÌÓÚ ‡Á΢‡ÂÚÒfl. íÓÌ-„ÂÌÂ‡ÚÓ AWM ËÒÔÓθÁÛÂÚ ‡ÁÌ˚ ӷ‡Áˆ˚ Á‚Û˜‡ÌËfl ËÌÒÚÛÏÂÌÚ‡ ‰Îfl ‚ÒÂ„Ó ‰Ë‡Ô‡-

ÁÓ̇ Í·‚ˇÚÛ˚; ÔÓ˝ÚÓÏÛ Ù‡ÍÚ˘ÂÒÍÓ Á‚Û˜‡ÌË ÚÂÏ·‡ ÏÓÊÂÚ ÌÂÒÍÓθÍÓ ‡Á΢‡Ú¸Òfl

Û ‡ÁÌ˚ı ÌÓÚ.

çÓÚ˚, ÔÓ͇Á‡ÌÌ˚ ̇ ‰ËÒÔΠ̇ ÌÓÚÌÓÏ ÒÚ‡ÌÂ Ë ÒıÂÏÂ

äÓ„‰‡ ‚Íβ˜Â̇ ÙÛÌ͈Ëfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ̇ ‰ËÒÔΠÓÚÓ·‡Ê‡˛ÚÒfl ÍÓÌÍÂÚÌ˚ ÌÓ-

Í·‚ˇÚÛ˚, Ì ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÚÂÏ, ÍÓÚÓ˚ ˄‡˛ÚÒfl

Ú˚ ‡ÍÍÓ‰Ó‚, Ë„‡ÂÏ˚ı ‚ ӷ·ÒÚË Í·‚ˇÚÛ˚, Ô‰̇Á̇˜ÂÌÌÓÈ ‰Îfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

̇ Í·‚ˇÚÛÂ.

ÖÒÎË ‚˚ Ë„‡ÂÚ ‡ÍÍÓ‰ ‚ ÂÊËÏ “Single Finger” ËÎË Ó·‡˘ÂÌÌ˚È ‡ÍÍÓ‰, ·Û‰ÂÚ ÓÚÓ·‡-

ʇڸÒfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ‡ÍÍÓ‰, ‰‡Ê ÂÒÎË ÓÌ Ì ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ‰ÂÈÒÚ‚ËÚÂθÌÓ Ì‡Ê‡Ú˚Ï

Í·‚˯‡Ï.

53

psr175e.book Page 54 Wednesday, August 18, 2004 10:41 AM

ëÔËÒÓÍ ÚÂÏ·Ó‚

Ç ÂÊËÏ Voice ËÎË ÔË ‚Íβ˜ÂÌÌÓÈ ÙÛÌ͈ËË Voice Change ÏÓÊÌÓ ‚˚·‡Ú¸ ÒÎÂ‰Û˛˘ËÂ

ÚÂÏ·˚. àı Ú‡ÍÊ ÏÓÊÂÚ ‚˚·‡Ú¸ ÔÓ‰Íβ˜ÂÌÌÓ MIDI-ÛÒÚÓÈÒÚ‚Ó. èË ˝ÚÓÏ ‚˚‚Ó‰flÚÒfl

ÒÎÂ‰Û˛˘Ë ÒÓÓ·˘ÂÌËfl Ó ‚˚·Ó ·‡ÌÍÓ‚: MSB = 00H, LSB = 70H.

èË ‚˚·Ó ÚÂÏ·Ó‚ ˜ÂÂÁ MIDI:

*

íÂÏ·˚ Harmony (#059 - #068) Ë ÚÂÏ·˚ Echo (#079 - #088) Á‚Û˜‡Ú ·ÂÁ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı

˝ÙÙÂÍÚÓ‚ „‡ÏÓÌËË Ë ˝ıÓ.

ëÔËÒÓÍ ÚÂÏ·Ó‚

çÓÏÂ

çÓÏÂ ËÁÏÂÌÂÌËfl

àÒÔÓθÁÛÂÏ˚Â

çÓÏÂ

çÓÏÂ ËÁÏÂÌÂÌËfl

àÒÔÓθÁÛÂÏ˚Â

ç‡Á‚‡ÌË ÚÂÏ·‡

ç‡Á‚‡ÌË ÚÂÏ·‡

ÚÂÏ·‡

ÔÓ„‡ÏÏ˚ MIDI

ÌÓÚ˚

ÚÂÏ·‡

ÔÓ„‡ÏÏ˚ MIDI

ÌÓÚ˚

PIANO

053 52 SIMPLE SAW 1

001 0 GRAND PIANO 2

054 53 SYNTH BASS 1

002 1 HONKY-TONK 2

055 54 SY STRINGS 1

003 2 E PIANO 1 2

056 55 SY BRASS 2

004 3 E PIANO 2 2

057 56 SLOW STRS 1

005 4 E PIANO 3 2

058 57 CHORUS 1

006 5 E PIANO 4 2

HARMONY

007 6 HARPSICHORD 2

059 58 PIANO TRIO 3

008 7 CLAVI 1

060 59 PNO COUNTRY 2

009 8 CELESTA 1

061 60 E PNO TRIO 3

ORGAN

062 61 HARPSI TRIO 3

010 9 VIBRATO OFF 2

063 62 E ORG TRIO 3

011 10 VIBRATO ON 2

064 63 VIBES DUET 2

012 11 HARMONY OFF 2

065 64 TRP DUET 2

013 12 HARMONY ON 2

066 65 HORN DUET 2

014 13 ATTACK OFF 2

067 66 CLARINET TR 3

015 14 ATTACK ON 2

068 67 FLUTE DUET 2

016 15 WAVE OFF 2

SPLIT

017 16 WAVE ON 2

069 68 WD BASS/PNO 1

018 17 PIPE ORGAN 2

070 69 STRINGS/PNO 1

019 18 ACCORDION 2

071 70 FN BA/E PNO 1

020 19 HARMONICA 1

072 71 HARP/VIOLIN 1

GUITAR/BASS

073 72 HORN/TRP 1

021 20 SOFT GUITAR 1

SUSTAIN

022 21 FOLK GUITAR 1

074 73 SUS PIANO 1

023 22 12ST GUITAR 2

075 74 SUS E PNO1 1

024 23 JAZZ GUITAR 1

076 75 SUS E PNO2 1

025 24 E GUITAR 2

077 76 SUS VIBRAPHONE 1

026 25 DIST GUITAR 2

078 77 SUS STRINGS 1

027 26 WOOD BASS (ŇÒ) 1

ECHO

028 27 FINGER BASS 1

079 78 PIANO 1

029 28 SLAP BASS 1

080 79 E PIANO 1

STRINGS/MALLET

081 80 HARPSICHORD 1

030 29 STRINGS 1

082 81 CELESTA 1

031 30 VIOLIN 1

083 82 FOLK GUITAR 1

032 31 CELLO 1

084 83 BANJO 1

033 32 HARP 1

085 84 VIBRAPHONE 1

034 33 SITAR 1

086 85 MARIMBA 1

035 34 BANJO 1

087 86 STEEL DRUMS 1

036 35 VIBRAPHONE 1

088 *1 DRUM KIT 1

037 36 MARIMBA 1

DUAL

038 37 STEEL DRUMS 1

089 88 PNO CONCE 2

WIND

090 89 E PNO CONCE 2

039 38 TRUMPET 1

091 90 FAIRY LAND 2

040 39 TROMBONE 1

092 91 MOOD GUITAR 2

041 40 MUTE TRPET 1

093 92 RICH GUITAR 2

042 41 FRENCH HORN 1

094 93 HOT ORGAN 2

043 42 BRASS SECT 1

095 94 EXCEL VIOLIN 2

044 43 ALTO SAX 1

096 95 CRYSTAL 2

045 44 TENOR SAX 1

097 96 STAR SHIP 2

046 45 OBOE 1

DJ Voice

047 46 CLARINET 1

098 97 DJ VOICE 1 1

048 47 FLUTE (îÎÂÈÚ‡) 1

099 98 DJ VOICE 2 1

049 48 PAN FLUTE 1

DRUMS

SYNTHESIZER

100 *2 DRUM KIT 1

050 49 THICK LEAD 2

*1 MSB=7FH, LSB=00H, Prg Ch#=1

051 50 SIMPLE LEAD 1

*2 MSB=7FH, LSB=00H, Prg Ch#=2

052 51 THICK SAW 2

54

psr175e.book Page 55 Wednesday, August 18, 2004 10:41 AM

ëÔËÒÓÍ ÚÂÏ·Ó‚

ëÎÂ‰Û˛˘Ë ÚÂÏ·˚ ÌÂθÁfl ‚˚·‡Ú¸ ̇ÔflÏÛ˛ Ò ÔÓÏÓ˘¸˛ ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl

Ô‡ÌÂÎË – ˝ÚÓ ÒÔˆˇθÌ˚ ÚÂÏ·˚, Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚ ‚ ÔÂÒÌË PSR-175/172, ÓÌË

‡‚ÚÓχÚ˘ÂÒÍË Á‡„Ûʇ˛ÚÒfl ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË. é‰Ì‡ÍÓ Ëı ÏÓÊÂÚ ‚˚·‡Ú¸

ÔÓ‰Íβ˜ÂÌÌÓ MIDI-ÛÒÚÓÈÒÚ‚Ó. èË ˝ÚÓÏ ‚˚‚Ó‰flÚÒfl ÒÎÂ‰Û˛˘Ë ÒÓÓ·˘ÂÌËfl Ó ‚˚·ÓÂ

·‡ÌÍÓ‚: MSB = 00H, LSB = 00H.

çÓÏÂ ËÁÏÂÌÂÌËfl

àÒÔÓθÁÛÂÏ˚Â

çÓÏÂ ËÁÏÂÌÂÌËfl

àÒÔÓθÁÛÂÏ˚Â

ç‡Á‚‡ÌË ÚÂÏ·‡

ç‡Á‚‡ÌË ÚÂÏ·‡

ÔÓ„‡ÏÏ˚ MIDI

ÌÓÚ˚

ÔÓ„‡ÏÏ˚ MIDI

ÌÓÚ˚

0 Piano 1

71 Clarinet 1

3 Honky-tonk Piano 2

73 Flute 1

4 Electric Piano 1 2

75 Pan Flute 1

5 Electric Piano 2 2

80 Lead 1

6 Harpsichord 1

81 Sawtooth 1

7 Clavi 1

88 Piano Concerto 2

8 Celesta (˜ÂÎÂÒÚ‡) 1

89 Electric Piano Concerto 2

11 Vibraphone 1

90 Fairy land 2

12 Marimba 1

91 Hot Organ 2

16 Electric Organ 1 2

92 Mood Guitar 2

17 Electric Organ 2 2

93 Excel Violin 2

19 Pipe Organ 2

94 Star ship 2

21 Accordion 1

95 Slow Strings 1

22 Harmonica 1

98 Crystal 2

23 Wave Organ 2

104 Sitar 1

24 Soft Guitar 1

105 Banjo 1

25 Folk Guitar 1

114 Steel Drums 1

26 Jazz Guitar 1

123 Wood Bass / Piano 1

27 Electric Guitar 1

124 Strings / Piano 1

28 12Strings Guitar 2

125 Finger Bass / Electric Piano 1

29 Rich Guitar 2

126 Harp / Violin 1

30 Distortion Guitar 1

127 Horn / Trumpet 1

32 Wood Bass 1

33 Finger Bass 1

34 Mute Bass 1

36 Slap Bass 1

38 Synth Bass 1

40 Violin 1

42 Cello 1

46 Harp 1

49 Strings 1

51 Synth Strings 1

52 Choir 1

56 Trumpet 1

57 Trombone 1

59 Muted Trumpet 1

60 French Horn 1

61 Brass Section 1

63 Synth Brass 1

65 Alto Sax 1

66 Tenor Sax 1

68 Oboe 1

55

psr175e.book Page 56 Wednesday, August 18, 2004 10:41 AM

ëÔËÒÓÍ Ì‡·ÓÓ‚ Û‰‡Ì˚ı ÚÂÏ·Ó‚ (Drum Kit)

ä‡Ê‰˚È ÚÂÏ· Û‰‡Ì˚ı ËÒÔÓθÁÛÂÚ Ó‰ÌÛ ÌÓÚÛ.

çÓÏÂ ·‡Ì͇ MSB 127

MIDI-ÌÓÚ˚ Ë Ëı ÌÓÏÂ‡ ‚ ‰ÂÈÒÚ‚ËÚÂθÌÓÒÚË Ì‡ Ó‰ÌÛ ÓÍÚ‡‚Û ÌËÊÂ, ˜ÂÏ Û͇Á‡ÌÓ ‚

çÓÏÂ ·‡Ì͇ LSB 0

ÒÔËÒÍÂ. ç‡ÔËÏÂ, ‚ Ú· “Bass Drum 2” ÌÓÚ‡ (çÓÏÂ ÌÓÚ˚ 36/çÓÚ‡ C1)

çÓÏÂ ËÁÏÂÌÂÌËfl ÔÓ„‡ÏÏ˚ 0

ä·‚ˇÚÛ‡

ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ÌÓÚÂ (çÓÏÂ ÌÓÚ˚ 24/çÓÚ‡ C0) .

ÑÛ·ÎËÛ˛˘‡fl

Í·‚˯‡

Drum Kit

çÓÏÂ ÌÓÚ˚ çÓÚ‡

íÂÏ·˚ Ò Ó‰Ë̇ÍÓ‚˚Ï ÌÓÏÂÓÏ ‰Û·ÎËÛ˛˘ÂÈ Í·‚Ë¯Ë (*1 … 2) ÌÂθÁfl ÔÓË„˚‚‡Ú¸

12 C -1

Ó‰ÌÓ‚ÂÏÂÌÌÓ. (éÌË Ô‰̇Á̇˜ÂÌ˚ ‰Îfl ÔÓÔÂÂÏÂÌÌÓ„Ó ÔËÏÂÌÂÌËfl.)

13 C# -1

14 D -1

15 D# -1 Hi Q

16 E -1

17 F -1 Scratch H

18 F# -1 Scratch L

19 G -1

20 G# -1

21 A -1

22 A# -1

23 B -1

24 C 0

25 C# 0

26 D 0

27 D# 0 Brush Slap

28 E 0 Reverse Cymbal

29 F 0

30 F# 0 Electronic Bass Drum

31 G 0

32 G# 0 Electronic Snare Drum

33 A 0

34 A# 0

35 B 0 Bass Drum 1

36 C 1 Bass Drum 2

37 C# 1 Rim Shot

38 D 1 Snare Drum 1

39 D# 1 Electronic Floor Tom

40 E 1 Snare Drum 2

41 F 1 Floor Tom

42 F# 1 1 Hi-hat Closed

43 G 1 Electronic Low Tom

44 G# 1 1 Hi-Hat Pedal

45 A 1 Low Tom

46 A# 1 1 Hi-Hat Open

47 B 1 Electronic Mid Tom

48 C 2 Mid Tom

49 C# 2 Crash Cymbal

50 D 2 High Tom

51 D# 2 Ride Cymbal 1

52 E 2 Electronic High Tom

53 F 2 Ride Cymbal Cup

54 F# 2 Tambourine

55 G 2 Splash Cymbal

56 G# 2 Cowbell

57 A 2

58 A# 2

59 B 2 Ride Cymbal 2

60 C 3 Bongo H

61 C# 3 Bongo L

62 D 3 Conga H Mute

63 D# 3 Conga H Open

64 E 3 Conga L

65 F 3 Timbale H

66 F# 3 Timbale L

67 G 3 Agogo H

68 G# 3 Agogo L

69 A 3

70 A# 3

71 B 3

72 C 4

73 C# 4 Guiro Short

74 D 4 Guiro Long

75 D# 4 Claves

76 E 4

77 F 4

78 F# 4

79 G 4

80 G# 4 2 Triangle Mute

81 A 4 2 Triangle Open

82 A# 4 Shaker

83 B 4

84 C 5 Bell Tree

85 C# 5 Electronic Bass Drum A

86 D 5 Electronic Bass Drum B

87 D# 5 Electronic Bass Drum C

88 E 5 Electronic Snare Drum A

89 F 5 Electronic Snare Drum B

90 F# 5 Electronic Rim Shot

91 G 5 Reverse Pulse

92 G# 5 Hand Clap

93 A 5 Orchestra Hit

94 A# 5 Scratch 1

95 B 5 Scratch 2

96 C 6 Scratch 3

56

psr175e.book Page 57 Wednesday, August 18, 2004 10:41 AM

ëÔËÒÓÍ ÒÚËÎÂÈ Ë ÏÛθÚËÔ˝‰˚

ëÔËÒÓÍ ÒÚËÎÂÈ

çÓÏÂ ç‡Á‚‡ÌË ÒÚËÎfl

çÓÏÂ ç‡Á‚‡ÌË ÒÚËÎfl

çÓÏÂ ç‡Á‚‡ÌË ÒÚËÎfl

çÓÏÂ ç‡Á‚‡ÌË ÒÚËÎfl

8BEAT

DJ

50 Big Band Ballad

75 Mambo

1 8Beat Pop

26 Euro Techno

51 Jazz Quartet

76 Beguine

2 8Beat Uptempo

27 Funky Trip Hop

52 Dixieland

77 Merengue

3 8Beat Standard

28 Pop Reggae

COUNTRY & WESTERN

78 Bolero Lento

4 8Beat Shuffle

29 Acid House

53 Bluegrass

CARIBBEAN

5 Folkrock

30 Shakin'

54 2/4 Country

79 Reggae 1

6 Pop Rock

ROCK

55 Country Ballad

80 Reggae 2

7 Crystal Pop

31 8Beat Rock Ballad

56 Country Shuffle

PIANIST

8 8Beat Medium

32 16Beat Rock Ballad

BALLROOM

81 2beat

16BEAT

33 Hard Rock

57 Rhumba

82 Stride

9 16Beat Shuffle

34 Rock Shuffle

58 Tango Continental

83 Concerto

10 16Beat Pop

35 6/8 Heavy Rock

59 Jive

84 8beat

BALLAD

36 US Rock

MARCH & WALTZ

85 Honky-Tonk

11 8Beat Ballad

ROCK & ROLL

60 March

86 Piano Ballad

12 Epic Ballad

37 Rock & Roll

61 6/8 March

87 Pop Ballad

13 Piano Ballad

38 Boogie

62 Light March

88 Arpeggio 1

14 Soul Ballad

39 Twist

63 Crystal March

89 Arpeggio 2

15 Slow Rock

RHYTHM & BLUES

64 Polka

90 Dance Pop

16 6/8 Ballad

40 R&B

65 Standard Waltz

91 Rock & Roll

17 Harp Arpeggio 1

41 Funk

66 German Waltz

92 Tight Rock

18 Harp Arpeggio 2

42 Soul

67 Viennese Waltz

93 Swing

19 Harp Arpeggio 3

43 Gospel Shuffle

68 Crystal Waltz

94 Jazz Waltz

20 Music Box

44 6/8 Gospel

69 Orchestra Waltz 1

95 Ragtime

DANCE

45 4/4 Blues

70 Orchestra Waltz 2

96 Beguine

21 Dance Pop

JAZZ

71 Music Box Waltz

97 Cha Cha

22 Techno

46 Jazz Ballad

LATIN

98 March

23 Eurobeat

47 Jazz Waltz

72 Bossa Nova

99 6/8 March

24 Hip Hop

48 Fusion

73 Salsa

100 Galop

25 70s Disco

49 Big Band Swing

74 Samba

åÛθÚËÔ˝‰˚

çÓÏÂ ·‡Ì͇ ç‡Á‚‡ÌË ·‡Ì͇

1 Pianist

2 Twinkle

3 Organ Play

4 Guitar Play

5 Percussion

6 Drums

7 DJ Drums

8DJ

9 Techno

10 1234

57

Bank Select LSB,MSB

Data Entry

9nH,v=0 or 8nH

Transmitted Recognized Remarks

Model PSR-175/172 MIDI Implementation Chart Version : 1.0

Function...

Basic Default 1 - 7,10 1 - 7,10

Channel Changed x x

Default 3 3

Mode Messages x x

Altered ************** x

Note 0 - 127 0 - 127

Number : True voice ************** 0 - 127

Velocity Note ON o 9nH,v=1-127 *1 o 9nH,v=1-127

Note OFF x 9nH,v=0 x

After Key's x x

Touch Ch's x x

Pitch Bend x x

0,32 o *2 o *2

7 o o Volume

10 o o Pan

6,38 x x

Control 64 o o Sustain

71-74 x x

Change 84 o o Portamento Cntrl

91,93,94 x x

96-97 x x RPN Inc,Dec

98,99 x x NRPN LSB,MSB

100-101 x x RPN LSB,MSB

Prog o 0 - 127 *3 o 0 - 127 *3

Change : True # ************** *3

YAMAHA [ PSR-175/172 ] Date:18-NOV-2003

58

St Eli *4 *4

psr175e.book Page 58 Wednesday, August 18, 2004 10:41 AM

퇷Îˈ‡ ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡

psr175e.book Page 59 Wednesday, August 18, 2004 10:41 AM

퇷Îˈ‡ ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡

èêàåÖóÄçàÖ:

*1 à„‡ ̇ Í·‚ˇÚÛ Ì ‚ÎËflÂÚ Ì‡ ‰‡ÌÌ˚Â Ó ÒËΠ̇ʇÚËfl ̇ Í·‚˯Ë, ÔÓÒÍÓθÍÛ

ÔÂ‰‡‚‡ÂÏÓ Á̇˜ÂÌË ÒËÎ˚ ̇ʇÚËfl fl‚ÎflÂÚÒfl ÙËÍÒËÓ‚‡ÌÌÓÈ ‚Â΢ËÌÓÈ.

á̇˜ÂÌË ÒËÎ˚ ̇ʇÚËfl ̇ Í·‚Ë¯Ë Á‡‡Ì ÓÔ‰ÂÎÂÌÓ ‰Îfl Í‡Ê‰Ó„Ó ÚÂÏ·‡

Ë Á‡‚ËÒËÚ ÓÚ ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡.

*2 ë ÔÓÏÓ˘¸˛ MSB ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ÚÂÏ· ‰Îfl ÏÂÎÓ‰ËË ËÎË ËÚχ.

MSB=00H

ÚÂÏ· ÏÂÎÓ‰ËË

MSB=7FH: ÚÂÏ· ËÚχ

LSB: ÒÏ. ÒÔËÒÓÍ ÚÂÏ·Ó‚.

*3 á̇˜ÂÌËfl ËÁÏÂÌÂÌËfl ÔÓ„‡ÏÏ˚ ÒÏ. ‚ ÒÔËÒÍ ÚÂÏ·Ó‚.

èÓÎÛ˜ÂÌÌ˚ ÒÓÓ·˘ÂÌËfl Ó· ËÁÏÂÌÂÌËË ÔÓ„‡ÏÏ˚ Ë ‰Û„Ë ÔÓ‰Ó·Ì˚ ÒÓÓ·˘ÂÌËfl ͇-

̇ÎÓ‚ Ì ·Û‰ÛÚ ‚ÎËflÚ¸ ̇ ̇ÒÚÓÈÍË Ô‡ÌÂÎË PSR-160 ËÎË Ì‡ ÏÛÁ˚ÍÛ, ËÒÔÓÎÌflÂÏÛ˛ ̇

Í·‚ˇÚÛÂ.

*4 < GM System on > F0H,7EH,7FH, 09H, 01H, F7H

á̇˜ÂÌËfl ‚ÒÂı ‰‡ÌÌ˚ı ‚ÓÒÒڇ̇‚ÎË‚‡˛ÚÒfl ‰Ó Á̇˜ÂÌËÈ ÔÓ ÛÏÓΘ‡Ì˲.

*5 MIDI Ì ‡·ÓÚ‡ÂÚ Ì‡ ÔËÂÏ Ë ÔÂ‰‡˜Û ‰‡ÌÌ˚ı ‚ ÂÊËÏ Song.

96-97 x x RPN Inc,Dec

98,99 x x NRPN LSB,MSB

100-101 x x RPN LSB,MSB

Prog o 0 - 127 *3 o 0 - 127 *3

Change : True # ************** *3

System Exclusive o *4 o *4

: Song Pos. x x

Common : Song Sel. x x

: Tune x x

System :Clock x x

Real Time:Commands x x

Aux :All Sound OFF x x

:Reset All Cntrls x x

:Local ON/OFF x x

:All Notes OFF x x

Mes- :Active Sense o o

sages:Reset x x

Mode 1 : OMNI ON , POLY Mode 2 : OMNI ON ,MONO o : Yes

Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF,MONO x : No

59

psr175e.book Page 60 Wednesday, August 18, 2004 10:41 AM

íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË

ä·‚ˇÚÛ‡

àÒÚÓ˜ÌËÍ ÔËÚ‡ÌËfl

61 Í·‚˯‡ Òڇ̉‡ÚÌÓ„Ó ‡ÁÏÂ‡ (C1 – C6)

ĉ‡ÔÚÂ: ‡‰‡ÔÚÂ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇ Yamaha PA-3C ËÎË PA-3B

ŇڇÂË: ¯ÂÒÚ¸ ·‡Ú‡ÂÈ ‡ÁÏÂ‡ “D”, R20P (LR20) ËÎË ˝Í‚Ë‚‡-

ÑËÒÔÎÂÈ

ÎÂÌÚÌ˚ı ·‡Ú‡ÂÈ

ÅÓθ¯ÓÈ ÏÌÓ„ÓÙÛÌ͈ËÓ̇θÌ˚È Üä-‰ËÒÔÎÂÈ

ê‡ÁÏÂ˚

ç‡ÒÚÓÈÍË

931 ı 348,8 ı 127,9 ÏÏ

STANDBY/ON (êÖÜàå éÜàÑÄçàü/Çäã).

(36-2/3" x 13-3/4" x 5-1/16")

MASTER VOLUME (éëçéÇçÄü Éêéåäéëíú): MINI-MAX

ÇÂÒ

ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl Ô‡ÌÂÎË

4,4 Í„ (9 ÙÛÌÚÓ‚ 11 Û̈ËÈ)

Overall, SONG, VOICE, STYLE, DEMO, POTABLE GRAND,

DJ, METRONOME, Dict., L, R, TEMPO/TAP

ÄÍÒÂÒÒÛ‡˚, ‚ıÓ‰fl˘Ë ‚ ÔÓÒÚ‡‚ÍÛ

ˆËÙÓ‚‡fl Í·‚ˇÚÛ‡ (0 - 9, +,-)

Ô˛ÔËÚ, ÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl, ÍÌË„‡ ÔÂÒÂÌ

íÂÏ·˚

100 ÚÂÏ·Ó‚ Ô‡ÌÂÎË (χÍÒËχθ̇fl ÏÌÓ„Ó„ÓÎÓÒËÂ: 16)

ÑÓÔÓÎÌËÚÂθÌ˚ ‡ÍÒÂÒÒÛ‡˚ (ÔÓÒÚ‡‚ÎflÂÏ˚ ÓÚ‰ÂθÌÓ)

ùÙÙÂÍÚ˚

ç‡Û¯ÌËÍË: HPE-150

Dual (‚ÒÚÓÂÌ ‚ ÚÂÏ·),

ĉ‡ÔÚÂ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇: PA-3C ËÎË PA-3B

Harmony/Echo (‚ÒÚÓÂÌ ‚ ÚÂÏ·),

èÓ‰ÒÚ‡‚͇ ‰Îfl Í·‚ˇÚÛ˚: L-2L, L-2C

Split (‚ÒÚÓÂÌ ‚ ÚÂÏ·),

Sustain

*

íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË Ë Ëı ÓÔËÒ‡ÌËfl ‚ ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl Ô˂‰Â-

Ì˚ ÚÓθÍÓ ‰Îfl ÓÁ̇ÍÓÏÎÂÌËfl. äÓÔÓ‡ˆËfl Yamaha ÒÓı‡ÌflÂÚ Á‡ ÒÓ·ÓÈ Ô‡‚Ó ‚ β·ÓÂ

Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ

‚ÂÏfl ÏÓ‰ËÙˈËÓ‚‡Ú¸ Ò‚ÓË ËÁ‰ÂÎËfl Ë ÏÂÌflÚ¸ Ëı ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË ·ÂÁ

100 ÒÚËÎÂÈ

Ô‰‚‡ËÚÂθÌÓ„Ó Û‚Â‰ÓÏÎÂÌËfl. èÓÒÍÓθÍÛ ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË, Ó·ÓÛ‰Ó‚‡-

ÌËÂ Ë Ì‡·Ó ‚ÓÁÏÓÊÌÓÒÚÂÈ ÏÓ„ÛÚ ‡Á΢‡Ú¸Òfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ „ËÓ̇, Ó·‡˘‡ÈÚÂÒ¸

Fingering:

Multi Fingering

Á‡ ËÌÙÓχˆËÂÈ Í ÏÂÒÚÌÓÏÛ Ô‰ÒÚ‡‚ËÚÂβ ÍÓÔÓ‡ˆËË Yamaha.

ó‡ÒÚË ÒÚËÎfl:

Intro (‚ÒÚÛÔÎÂÌËÂ), Main A, B (˜‡ÒÚË A Ë B),

Ending (ÍÓ̈ӂ͇), Fill (‚ÒÚ‡‚͇)

ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl ÙÛÌ͈ËflÏË Overall

Multi Pad, Grade, Talking, Transpose, Tuning, Accompaniment Volume,

Song Volume, Metronome Volume

ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl ÒÚËÎÂÏ

Acmp On/Off, Sync-Start, Start, Stop, Intro/Ending/rit., Main A, B

(Auto Fill)

ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl ÔÂÒÌÂÈ

Start, Stop, Pause, A-B Repeat, Fast Forward, Rewind, Melody

Voice Change

îÛÌ͈Ëfl One Touch Setting

1/ÒÚËθ, 1/ÔÂÒÌfl

åÛθÚËÔ˝‰˚

4 ÏÛθÚËÔ˝‰‡ ÔÓ 10 ·‡ÌÍÓ‚

燷Ó Ó·Û˜‡˛˘Ëı Ò‰ÒÚ‚ (Yamaha Educational Suite)

îÛÌ͈Ëfl ÒÎÓ‚‡fl Dictionary, ìÓÍË 1 – 4

ÇÒÚÓÂÌÌ˚Â ÔÂÒÌË

100 ÔÂÒÂÌ

ìÒËÎËÚÂθ

2 ÇÚ +2 ÇÚ

MIDI

IN/OUT

ÑÓÔÓÎÌËÚÂθÌ˚ ‡Á˙ÂÏ˚

PHONES/OUTPUT, DC IN 12V, MIDI IN/OUT, SUSTAIN

ÑË̇ÏËÍË

2 ÔÓ 12 ÒÏ

èÓÚ·ÎflÂχfl ÏÓ˘ÌÓÒÚ¸

UL/CSA 6,8 ÇÚ, CE 7,5 ÇÚ (ÔË ËÒÔÓθÁÓ‚‡ÌËË ‡‰‡ÔÚÂ‡ ÔÂÂÏÂÌÌÓ„Ó

ÚÓ͇ PA-3B)

60