Yamaha PSR-2000 – страница 6

á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ — ÙÛÌ͈Ëfl Song Creator

ꉇÍÚËÓ‚‡ÌË Á‡ÔËÒË

ÇÓÁÏÓÊÌÓÒÚË ÒËÌÚÂÁ‡ÚÓ‡ ÔÓÁ‚ÓÎfl˛Ú ‰‡ÍÚËÓ‚‡Ú¸ ÍÓÏÔÓÁËˆË˛. èË ˝ÚÓÏ Ì ‚‡ÊÌÓ, ‚ ͇ÍÓÏ ÂÊËÏ Ó̇ Á‡ÔËÒ˚‚‡Î‡Ò¸.

ꉇÍÚËÓ‚‡ÌË ԇ‡ÏÂÚÓ‚, ÓÚÌÓÒfl˘ËıÒfl Í Í‡Ì‡Î‡Ï —

ÇÒ ÓÔËÒ‡ÌÌ˚ ÌËÊ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û ‹4, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚ. 96. Ç˚·ÂËÚ Û͇Á‡ÌÌ˚È ÌËÊ ˝Í‡Ì Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ

[BACK]/[NEXT].

Ç˚‡‚ÌË‚‡ÌËÂ

îÛÌ͈Ëfl ‚˚‡‚ÌË‚‡ÌËfl ÔÓÁ‚ÓÎflÂÚ «ÔÓ˜ËÒÚËÚ¸» Á‡ÔËÒ‡ÌÌ˚È Ì‡ ÚÓÏ ËÎË ËÌÓÏ Í‡Ì‡Î χÚÂˇΠËÎË Ò‰Â·ڸ Á‡ÔËÒ¸ ·ÓÎÂÂ

ËÚÏ˘ÌÓÈ. ÇÓÁ¸ÏÂÏ, ‰Îfl ÔËÏÂ‡, ÒÎÂ‰Û˛˘ËÈ Ô‡ÒÒ‡Ê, ÒÓÒÚÓfl˘ËÈ ËÁ ˜ÂÚ‚ÂÚÂÈ Ë ‚ÓÒ¸Ï˚ı.

чÊ ÔË Ò‡ÏÓÈ ‡ÍÍÛ‡ÚÌÓÈ Ë„ ËÒÔÓÎÌËÚÂθ ÔÓÓÈ ÓÚÒÚ‡ÂÚ ÓÚ ÚÂÏÔ‡, ‡ ÔÓÓÈ Á‡·Â„‡ÂÚ ‚ÔÂ‰. îÛÌ͈Ëfl ‚˚‡‚ÌË‚‡ÌËfl ÔÓÁ‚ÓÎflÂÚ

Ú‡Í ‚˚Ó‚ÌflÚ¸ ‚ÂÏfl Á‚Û˜‡ÌËfl ‚ÒÂı ÌÓÚ Í‡Ì‡Î‡, ˜ÚÓ·˚ Ëı ‰ÎËÚÂθÌÓÒÚ¸ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Î‡ Á‡‰‡ÌÌÓÈ (ÒÏ. ÌËÊÂ).

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■ é ‡Á¯ÂÌËË ‚˚‡‚ÌË‚‡ÌËfl

ê‡Á¯ÂÌË ‚˚‡‚ÌË‚‡ÌËfl ‰ÓÎÊÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ ÌÓÚ ̇ËÏÂ̸¯ÂÈ ‰ÎËÚÂθÌÓÒÚË, ËÒÔÓθÁÛÂÏÓÈ ‚ ‚˚‡‚ÌË‚‡ÂÏÓÏ

Ù‡„ÏÂÌÚÂ. ç‡ÔËÏÂ, ÂÒÎË ÓÌ ÒÓÒÚÓËÚ ËÁ ˜ÂÚ‚ÂÚÂÈ Ë ‚ÓÒ¸Ï˚ı, ÚÓ ‡Á¯ÂÌËÂÏ ‰ÓÎÊ̇ ÒÚ‡Ú¸ ‚ÓҸχfl. ÖÒÎË ‚˚Ó‚ÌflÚ¸ Ú‡ÍÓÈ

ÓÚ˚‚ÓÍ Ò ‡Á¯ÂÌËÂÏ ‚ ˜ÂÚ‚ÂÚ¸, ‚ÓÒ¸Ï˚ ÌÓÚ˚ Ò‰‚ËÌÛÚÒfl Ë Ó·‡ÁÛ˛Ú ‡ÍÍÓ‰˚ Ò ˜ÂÚ‚ÂÚflÏË.

102

PSR-2000/1000

Ç˚ÁÓ‚ ˝Í‡Ì‡ SONG,

ÔÓÁ‚ÓÎfl˛˘Â„Ó ÒÓı‡ÌËÚ¸

ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚È Ù‡ÈÎ.

ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú

‚˚·‡Ú¸ ÓÔÂ‡ˆË˛

éÔ‰ÂÎflÂÚ ÒÚÂÔÂ̸

‰‡ÍÚËÓ‚‡ÌËfl.

‚˚‡‚ÌË‚‡ÌËfl ‚˚·‡ÌÌ˚ı ÌÓÚ.

ÖÒÎË Á̇˜ÂÌË ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡

äÌÓÔ͇ ÔÓ‰Ú‚ÂʉÂÌËfl

ÏÂ̸¯Â 100%, ÌÓÚ˚ ÚÓθÍÓ

‚˚‡‚ÌË‚‡ÌËfl. èÓÒÎÂ

Ò‰‚ËÌÛÚÒfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ

Á‡‚Â¯ÂÌËfl ˝ÚÓÈ Ôӈ‰Û˚

Ó·‡ÁÓÏ ‚ ̇Ô‡‚ÎÂÌËË

ÍÌÓÔ͇ ÏÂÌflÂÚ Ì‡Á‚‡ÌË ̇

‚˚Ó‚ÌÂÌÌ˚ı ÔÓÁˈËÈ, ÌÓ ÌÂ

[UNDO], ÔÓÁ‚ÓÎflfl ÔË

Á‡ÈÏÛÚ Ëı. èÓ‰Ó·ÌÓÂ

«ÌÂÔÓÎÌÓ» ‚˚‡‚ÌË‚‡ÌËÂ

Ê·ÌËË ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸

ÔÓÁ‚ÓÎflÂÚ ËÁ·Âʇڸ

ËÒıÓ‰Ì˚È Ï‡ÚÂˇÎ. îÛÌ͈Ëfl

«Ï‡¯ËÌÌÓ„Ó» ‚Ô˜‡ÚÎÂÌËfl ÓÚ

ÓÚÏÂÌ˚ ÔÓ‰‰ÂÊË‚‡ÂÚ Î˯¸

Á‡ÔËÒË. Ç ÍÓ̈ ÍÓ̈ӂ, ˜‡˘Â

ÓÚÏÂÌÛ ÔÓÒΉ̄Ó

Ç˚·Ó

‚ÒÂ„Ó ÌÂÓ·ıÓ‰ËÏÓ ÒÓı‡ÌËÚ¸ Û

‚˚ÔÓÎÌÂÌÌÓ„Ó ‰ÂÈÒÚ‚Ëfl.

‡Á¯ÂÌËfl

ÒÎÛ¯‡ÚÂÎfl Û‚ÂÂÌÌÓÒÚ¸ ‚ ÚÓÏ,

‚˚‡‚ÌË‚‡ÌËfl.

˜ÚÓ ËÒÔÓÎÌËÚÂθ — ÊË‚ÓÈ

èÓ‰Ó·ÌÓÒÚË

˜ÂÎÓ‚ÂÍ, ÍÓÚÓÓÏÛ Ò‚ÓÈÒÚ‚ÂÌÌÓ

äÌÓÔÍË ‚˚·Ó‡

ÒÏ. ÌËÊÂ.

‚ÂÏfl ÓÚ ‚ÂÏÂÌË Ó¯Ë·‡Ú¸Òfl.

‚˚‡‚ÌË‚‡ÂÏÓ„Ó Í‡Ì‡Î‡.

í‡ÍÚ Ò ‚ÓÒ¸Ï˚ÏË ‰Ó ‚˚‡‚ÌË‚‡ÌËfl íÓÚ Ê ڇÍÚ ÔÓÒΠ‚˚‡‚ÌË‚‡ÌËfl Ò ‡Á¯ÂÌËÂÏ ‚ ‚ÓÒ¸ÏÛ˛

ê‡Á¯ÂÌË ‚˚‡‚ÌË‚‡ÌËfl

¯ÂÒÚ̇‰ˆ‡Ú‡fl +

˜ÂÚ‚ÂÚ¸

‚ÓҸχfl ¯ÂÒÚ̇‰ˆ‡Ú‡fl Úˉˆ‡Ú¸‚ÚÓ‡fl

ÚËÓθ ËÁ ‚ÓÒ¸Ï˚ı *

ÚËÓθ ËÁ

‚ÓҸχfl +

¯ÂÒÚ̇‰ˆ‡Ú‡fl +

ÚËÓθ ËÁ ˜ÂÚ‚ÂÚÂÈ ÚËÓθ ËÁ ‚ÓÒ¸Ï˚ı

¯ÂÒÚ̇‰ˆ‡Ú˚ı

ÚËÓθ ËÁ ‚ÓÒ¸Ï˚ı *

ÚËÓθ ËÁ ¯ÂÒÚ̇‰ˆ‡Ú˚ı *

éÚϘÂÌÌ˚ Á‚ÂÁ‰Ó˜ÍÓÈ (*) ‚‡ˇÌÚ˚ ‚˚‡‚ÌË‚‡ÌËfl ˜ÂÁ‚˚˜‡ÈÌÓ Û‰Ó·Ì˚, Ú‡Í Í‡Í ÓÌË ÔÓÁ‚ÓÎfl˛Ú Ó‰ÌÓ‚ÂÏÂÌÌÓ Ó·‡·‡Ú˚‚‡Ú¸ ÌÓÚ˚ ‡ÁÌÓÈ

‰ÎËÚÂθÌÓÒÚË, Ì ÊÂÚ‚Ûfl ͇˜ÂÒÚ‚ÓÏ. ç‡ÔËÏÂ, ÂÒÎË Ì‡ ͇̇ΠÁ‡ÔËÒ‡Ì˚ Ë ‚ÓÒ¸Ï˚Â Ë ÚËÓÎË ËÁ ‚ÓÒ¸Ï˚ı, ÚÓ ‚˚‡‚ÌË‚‡ÌË Ò

‡Á¯ÂÌËÂÏ ‚ ‚ÓÒ¸ÏÛ˛ Ô˂‰ÂÚ Í Á‡ÏÂÌ ÚËÓÎÂÈ ‚ÓÒ¸Ï˚ÏË. í‡ÍËÏ Ó·‡ÁÓÏ, Á‡ÔËÒ¸ ÛÚ‡ÚËÚ ‚Ò˛ ÚÛ ı‡‡ÍÚÂÌÓÒÚ¸, ÍÓÚÓÛ˛

Ó·ÂÒÔ˜˂‡ÂÚ ÔËÏÂÌÂÌË ‚ÓÒ¸Ï˚ı. ë ‰Û„ÓÈ ÒÚÓÓÌ˚, ‚˚·Ó ‡Á¯ÂÌËfl «‚ÓҸχfl + ÚËÓθ ËÁ ‚ÓÒ¸Ï˚ı» ÔÓÁ‚ÓÎËÚ Ô‡‚ËθÌÓ ÔÓ‚ÂÒÚË

‚˚‡‚ÌË‚‡ÌË ӷÓËı ÚËÔÓ‚ ÌÓÚ.

á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ — ÙÛÌ͈Ëfl Song Creator

쉇ÎÂÌËÂ

å‡ÚÂˇÎ, Á‡ÔËÒ‡ÌÌ˚È Ì‡ ÓÔ‰ÂÎÂÌÌÓÏ Í‡Ì‡ÎÂ, ÏÓÊÌÓ Û‰‡ÎËÚ¸.

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é·˙‰ËÌÂÌËÂ

ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Ó·˙‰ËÌËÚ¸ χÚÂˇÎ, Á‡ÔËÒ‡ÌÌ˚È Ì‡ ‰‚Ûı ‡ÁÌ˚ı ͇̇·ı, Ë ÒÓı‡ÌËÚ¸ ÂÁÛÎ¸Ú‡Ú Ì‡ ÌÓ‚ÓÏ Í‡Ì‡ÎÂ. äÓÏÂ

ÚÓ„Ó, Ò Â ÔÓÏÓ˘¸˛ ÏÓÊÌÓ ÒÍÓÔËÓ‚‡Ú¸ ÒÓ‰ÂÊËÏÓ ӉÌÓ„Ó Í‡Ì‡Î‡ ̇ ‰Û„ÓÈ.

PSR-2000/1000

103

ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú

‚˚·‡Ú¸ ÓÔÂ‡ˆË˛

‰‡ÍÚËÓ‚‡ÌËfl.

ùÚ‡ ÍÌÓÔ͇ ÔÓ‰Ú‚Âʉ‡ÂÚ

Ç˚ÁÓ‚ ˝Í‡Ì‡ SONG,

Û‰‡ÎÂÌË ‚ÒÂı ‰‡ÌÌ˚ı ̇

ÔÓÁ‚ÓÎfl˛˘Â„Ó ÒÓı‡ÌËÚ¸

͇̇ÎÂ. èÓÒΠÁ‡‚Â¯ÂÌËfl

ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚È Ù‡ÈÎ.

˝ÚÓÈ Ôӈ‰Û˚ ÍÌÓÔ͇

ÏÂÌflÂÚ Ì‡Á‚‡ÌË ̇ [UNDO],

ÔÓÁ‚ÓÎflfl ÔË Ê·ÌËË

‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ËÒıÓ‰Ì˚È

χÚÂˇÎ. îÛÌ͈Ëfl ÓÚÏÂÌ˚

ÔÓ‰‰ÂÊË‚‡ÂÚ Î˯¸ ÓÚÏÂÌÛ

ÔÓÒΉÌÂ„Ó ‚˚ÔÓÎÌÂÌÌÓ„Ó

‰ÂÈÒÚ‚Ëfl.

äÌÓÔÍË ‚˚·Ó‡ Û‰‡ÎflÂÏÓ„Ó

͇̇·.

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ÇÒ ‰‡ÌÌ˚Â Ó ÒÓ‰ÂÊËÏÓÏ

Ó·˙‰ËÌflÂÏ˚ı ͇̇ÎÓ‚, ÌÂ

ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú

ÓÚÌÓÒfl˘ËÂÒfl Í ÏÛÁ˚͇θÌÓÈ

‚˚·‡Ú¸ ÓÔÂ‡ˆË˛

ÌÓÚ‡ˆËË, ·ÂÛÚÒfl ËÁ ͇̇·

‰‡ÍÚËÓ‚‡ÌËfl.

Source 1.

äÌÓÔ͇ ÔÓ‰Ú‚ÂʉÂÌËfl

Ç˚ÁÓ‚ ˝Í‡Ì‡ SONG,

Ó·˙‰ËÌÂÌËfl. èÓÒÎÂ

ÔÓÁ‚ÓÎfl˛˘Â„Ó ÒÓı‡ÌËÚ¸

Á‡‚Â¯ÂÌËfl ˝ÚÓÈ Ôӈ‰Û˚

ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚È Ù‡ÈÎ.

ÍÌÓÔ͇ ÏÂÌflÂÚ Ì‡Á‚‡ÌË ̇

[UNDO], ÔÓÁ‚ÓÎflfl ÔË

Ê·ÌËË ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸

ËÒıÓ‰Ì˚È Ï‡ÚÂˇÎ. îÛÌ͈Ëfl

ÓÚÏÂÌ˚ ÔÓ‰‰ÂÊË‚‡ÂÚ Î˯¸

ÓÚÏÂÌÛ ÔÓÒΉ̄Ó

‚˚ÔÓÎÌÂÌÌÓ„Ó ‰ÂÈÒÚ‚Ëfl.

ë ÔÓÏÓ˘¸˛ ˝ÚËı ÍÌÓÔÓÍ ÏÓÊÌÓ

äÌÓÔÍË Û͇Á‡ÌËfl ˆÂÎÂ‚Ó„Ó Í‡Ì‡Î‡ ‰Îfl

‚˚·‡Ú¸ ‰‚‡ Ó·˙‰ËÌflÂÏ˚ı ͇̇·.

ÒÓı‡ÌÂÌËfl ÂÁÛθڇÚÓ‚ Ó·˙‰ËÌÂÌËfl.

èË ‚˚·Ó Á̇˜ÂÌËfl COPY ‰‡ÌÌ˚Â

ËÁ ͇̇· «Source 1» ·Û‰ÛÚ

ÒÍÓÔËÓ‚‡Ì˚ ‚ ˆÂ΂ÓÈ Í‡Ì‡Î.

á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ — ÙÛÌ͈Ëfl Song Creator

í‡ÌÒÔÓÌËÓ‚‡ÌË ͇̇·

ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Ú‡ÌÒÔÓÌËÓ‚‡Ú¸ Á‡ÔËÒ‡ÌÌ˚È ‚ ÓÔ‰ÂÎÂÌÌÓÏ Í‡Ì‡Î χÚÂˇΠ‚ Ô‰Â·ı ‰‚Ûı ÓÍÚ‡‚ ‚ β·Û˛ ÒÚÓÓÌÛ Ò

¯‡„ÓÏ ‚ ÔÓÎÛÚÓÌ.

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á‡ÏÂ̇ Á̇˜ÂÌËÈ

àÒıÓ‰Ì˚ Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚ ÔÂÒÌË (̇ÔËÏÂ, „ÓÎÓÒ, ÛÓ‚Â̸ „ÓÏÍÓÒÚË ËÎË ÚÂÏÔ) ÏÓÊÌÓ Á‡ÏÂÌËÚ¸ ÚÂÍÛ˘ËÏË Á̇˜ÂÌËflÏË,

Á‡‰‡ÌÌ˚ÏË Ò ÔÓÏÓ˘¸˛ ÍÓÌÒÓÎË ÏËͯÂ‡ ËÎË ÔÂ‰ÌÂÈ Ô‡ÌÂÎË.

104

PSR-2000/1000

äÌÓÔ͇ ÔÂÂÍβ˜ÂÌËfl ÏÂʉÛ

‰‚ÛÏfl ÒÔËÒ͇ÏË Í‡Ì‡ÎÓ‚:

͇̇Î˚ 1 - 8 Ë Í‡Ì‡Î˚ 9 - 16.

ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú

‚˚·‡Ú¸ ÓÔÂ‡ˆË˛

óÚÓ·˚ Ú‡ÌÒÔÓÌËÓ‚‡Ú¸ ‚ÒÂ

‰‡ÍÚËÓ‚‡ÌËfl.

͇̇Î˚ ̇ Á‡‰‡ÌÌÓ ˜ËÒÎÓ

ÔÓÎÛÚÓÌÓ‚, Á‡‰‡ÈÚ Á̇˜ÂÌËÂ

äÌÓÔ͇ ÔÓ‰Ú‚ÂʉÂÌËfl

Ô‡‡ÏÂÚ‡ Channel

Ú‡ÌÒÔÓÁˈËË. èÓÒÎÂ

Transpose, Û‰ÂÊË‚‡fl ˝ÚÛ

Á‡‚Â¯ÂÌËfl ˝ÚÓÈ Ôӈ‰Û˚

ÍÌÓÔÍÛ Ì‡Ê‡ÚÓÈ.

ÍÌÓÔ͇ ÏÂÌflÂÚ Ì‡Á‚‡ÌË ̇

[UNDO], ÔÓÁ‚ÓÎflfl ÔË

Ê·ÌËË ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸

Ç˚ÁÓ‚ ˝Í‡Ì‡ SONG,

ËÒıÓ‰Ì˚È Ï‡ÚÂˇÎ. îÛÌ͈Ëfl

ÔÓÁ‚ÓÎfl˛˘Â„Ó ÒÓı‡ÌËÚ¸

ÓÚÏÂÌ˚ ÔÓ‰‰ÂÊË‚‡ÂÚ Î˯¸

ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚È Ù‡ÈÎ.

ÓÚÏÂÌÛ ÔÓÒΉ̄Ó

‚˚ÔÓÎÌÂÌÌÓ„Ó ‰ÂÈÒÚ‚Ëfl.

ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú Á‡‰‡Ú¸ ‚Â΢ËÌÛ Ò‰‚Ë„‡ (Ú‡ÌÒÔÓÁˈËË) ‰Îfl Í‡Ê‰Ó„Ó Í‡Ì‡Î‡.

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ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú

‚˚·‡Ú¸ ÓÔÂ‡ˆË˛

‰‡ÍÚËÓ‚‡ÌËfl.

äÌÓÔ͇

Ç˚ÁÓ‚ ˝Í‡Ì‡ SONG,

ÔÓ‰Ú‚ÂʉÂÌËfl

ÔÓÁ‚ÓÎfl˛˘Â„Ó ÒÓı‡ÌËÚ¸

Á‡ÏÂÌ˚ Á̇˜ÂÌËÈ.

ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚È Ù‡ÈÎ.

éÔÂ‡ˆË˛ Á‡ÏÂÌ˚

ÓÚÏÂÌËÚ¸

Ì‚ÓÁÏÓÊÌÓ.

ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú

ÓÚÏÂÚËÚ¸ ‚˚·‡ÌÌ˚È

Ô‡‡ÏÂÚ „‡ÎÓ˜ÍÓÈ. á̇˜ÂÌËfl

ÔÓϘÂÌÌ˚ı Ú‡ÍËÏ Ó·‡ÁÓÏ

Ô‡‡ÏÂÚÓ‚ ÒÓı‡Ìfl˛ÚÒfl ‚

Ù‡ÈΠÔÂÒÌË.

ë ÔÓÏÓ˘¸˛ ˝ÚËı ÍÌÓÔÓÍ ÏÓÊÌÓ Û͇Á‡Ú¸ ̇·Ó ÙÛÌ͈ËÈ Ë Ô‡‡ÏÂÚÓ‚ ‚ÓÒÔÓËÁ‚‰ÂÌËfl, ÍÓÚÓ˚È ·Û‰ÂÚ Á‡„ÛʇڸÒfl ÔË ‚˚ÁÓ‚Â ‚˚·‡ÌÌÓÈ ÔÂÒÌË. ÇÒÂ

ÒÓ·˚ÚËfl, Á‡ ËÒÍβ˜ÂÌËÂÏ KEYBOARD VOICE (ÒÏÂÌ˚ „ÓÎÓÒ‡), ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ÚÓθÍÓ ‚ ̇˜‡Î ÔÂÒÌË.

èÂʉ ˜ÂÏ ‚˚·‡Ú¸ ËÎË ÓÚÏÂÚËÚ¸ „‡ÎÓ˜ÍÓÈ Î˛·ÓÈ ËÁ ˝ÚËı Ô‡‡ÏÂÚÓ‚ (ÍÓÏ KEYBOARD VOICE), ÌÂÓ·ıÓ‰ËÏÓ ÔÂÂÈÚË Í Ì‡˜‡ÎÛ ÔÂÒÌË Ò ÔÓÏÓ˘¸˛

ÍÌÓÔÍË [TOP] Ë ÓÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ.

Song.................................. ëÓı‡ÌflÂÚ ÚÂÏÔ Ë ÔӘˠԇ‡ÏÂÚ˚, Á‡‰‡ÌÌ˚Â Ò ÍÓÌÒÓÎË ÏËͯÂ‡.

Keyboard Voice ............... Ä‚ÚÓχÚ˘ÂÒ͇fl ÛÒÚ‡Ìӂ͇ „ÓÎÓÒ‡ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ˜‡ÒÚÂÈ, Ë„‡ÂÏ˚ı Ò Í·‚ˇÚÛ˚ (Main/Layer/Left). èË ‚˚·Ó ˝ÚÓ„Ó

ÔÛÌÍÚ‡ ÒÓı‡ÌflÂÚÒfl ̇Á‚‡ÌË „ÓÎÓÒ‡, ÍÓÚÓ˚È ËÒÔÓθÁÛÂÚÒfl ‚ ˜‡ÒÚflı, Ë„‡ÂÏ˚ı Ò Í·‚ˇÚÛ˚, Ë Á̇˜ÂÌËfl ‚Íβ˜ÂÌËfl/

‚˚Íβ˜ÂÌËfl ˜‡ÒÚË (part ON/OFF). óÚÓ·˚ Á‡ÔËÒ‡Ú¸ ÒÏÂÌÛ „ÓÎÓÒ‡ ‚ ÒÂ‰ËÌ ÔÂÒÌË ‰Îfl ˜‡ÒÚË, Ë„‡ÂÏÓÈ Ò Í·‚ˇÚÛ˚,

ÓÒÚ‡ÌÓ‚ËÚ ÔÂÒÌ˛ ‚ ÌÛÊÌÓÏ ÏÂÒÚÂ, Á‡‰‡ÈÚ ÒÏÂÌÛ „ÓÎÓÒ‡ Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [D] (EXECUTE).

Lyrics language............... ëÓı‡ÌflÂÚ Ô‡‡ÏÂÚ˚ ˝Í‡Ì‡ Lyrics (̇ÔËÏÂ, flÁ˚Í ÚÂÍÒÚ‡ ÔÂÒÌË).

Score Setting ................... ëÓı‡ÌflÂÚ Ô‡‡ÏÂÚ˚ ˝Í‡Ì‡ Score (ÚÓθÍÓ ‰Îfl PSR-2000).

Mic. Settings .................... CÓı‡ÌflÂÚ ÓÚÌÓÒfl˘ËÂÒfl Í ÏËÍÓÙÓÌÛ Ô‡‡ÏÂÚ˚, Á‡‰‡ÌÌ˚ ̇ ÍÓÌÒÓÎË ÏËͯÂ‡ (ÚÓθÍÓ ‰Îfl PSR-2000).

á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ — ÙÛÌ͈Ëfl Song Creator

ꉇÍÚËÓ‚‡ÌË ÌÓÚÌ˚ı ÒÓ·˚ÚËÈ — 1 - 16

ë ÔÓÏÓ˘¸˛ ‰‡ÌÌÓ„Ó ˝Í‡Ì‡ ÏÓÊÌÓ ‰‡ÍÚËÓ‚‡Ú¸ ÓÚ‰ÂθÌ˚ ÌÓÚ˚ (ÒÏ. ÌËÊÂ). ÇÒ ÓÔËÒ‡ÌÌ˚ ÌËÊ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û ‹4,

ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚ. 96. Ç˚·ÂËÚ Û͇Á‡ÌÌ˚È ÌËÊ ˝Í‡Ì Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/[NEXT].

A

F

B

G

C

H

D

I

E

J

çÓÚÌ˚Â ÒÓ·˚ÚËfl

è‡‡ÏÂÚ éÔËÒ‡ÌËÂ

çÓÚ‡ éÔ‰ÂÎflÂÚ ‚˚ÒÓÚÛ, ÒÍÓÓÒÚ¸ ̇ʇÚËfl („ÓÏÍÓÒÚ¸) Ë ‰ÎËÚÂθÌÓÒÚ¸ ÌÓÚ˚.

Ctrl

ᇉ‡ÂÚ ÌÓÏÂ ÍÓÌÚÓÎÎÂ‡ Ë Á̇˜ÂÌËÂ. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ÒÓÓ·˘ÂÌËflı ˝ÚÓ„Ó ÚËÔ‡ ÒÏ. ‚ Ò·ÓÌËÍ ڇ·Îˈ

(ÒÏÂ̇ Á̇˜ÂÌËfl ÍÓÌÚÓÎÎÂ‡)

(MIDI Data Format).

ᇉ‡ÂÚ ÌÓÏÂ „ÓÎÓÒ‡ (ÔÓ„‡ÏÏ˚). ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ÒÓÓ·˘ÂÌËflı ˝ÚÓ„Ó ÚËÔ‡ Ô˂‰ÂÌ˚ ‚ Ò·ÓÌËÍ ڇ·Îˈ

Prog (ÒÏÂ̇ ÔÓ„‡ÏÏ˚)

(ÒÔËÒÓÍ „ÓÎÓÒÓ‚ Voice List).

P.Bnd (ËÁÏÂÌÂÌË ‚˚ÒÓÚ˚) ᇉ‡ÂÚ Á̇˜ÂÌË ԇ‡ÏÂÚ‡ «ËÁÏÂÌÂÌË ‚˚ÒÓÚ˚».

A.T. (‰‡‚ÎÂÌË ̇ Í·‚˯Û

ᇉ‡ÂÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â Á̇˜ÂÌËÂ.

ÔÓÒΠ ̇ʇÚËfl)

PSR-2000/1000

105

ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú

éÔ‰ÂÎflÂÚ ‰‡ÍÚËÛÂÏ˚È

ÔÂÂÏ¢‡Ú¸Òfl ‚‚Âı-‚ÌËÁ ÔÓ

͇̇Î.

ÒÔËÒÍÛ Ë ‚˚·Ë‡Ú¸

Ç˚ÁÓ‚ËÚ ˝Í‡Ì Step

ÌÂÓ·ıÓ‰ËÏÓ ÒÓ·˚ÚËÂ.

Recording (ÒÚ. 97).

äÌÓÔ͇ ‚˚ÁÓ‚‡ ˝Í‡Ì‡ Filter

èÂÂıÓ‰ Í Ì‡˜‡ÎÛ ÔÂÒÌË

(ÒÚ. 107), ÔÓÁ‚ÓÎfl˛˘Â„Ó

(ÔÂ‚‡fl ÌÓÚ‡ ÔÂ‚Ó„Ó Ú‡ÍÚ‡).

‚˚·‡Ú¸ ÒÓ·˚ÚËfl ‰Îfl

ÓÚÓ·‡ÊÂÌËfl ‚ ÒÔËÒÍ ÒÓ·˚ÚËÈ.

ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú

Ç˚ÁÓ‚ ˝Í‡Ì‡ SONG,

ÔÂÂÏ¢‡Ú¸ ÍÛÒÓ ‚΂Ó/

ÔÓÁ‚ÓÎfl˛˘Â„Ó ÒÓı‡ÌËÚ¸

‚Ô‡‚Ó Ë ‚˚·Ë‡Ú¸ ÌÂÓ·ıÓ‰ËÏ˚È

ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚È Ù‡ÈÎ.

Ô‡‡ÏÂÚ ‚˚‰ÂÎÂÌÌÓ„Ó ˆ‚ÂÚÓÏ

ÒÓ·˚ÚËfl. àÏÂÈÚ ‚ ‚ˉÛ, ˜ÚÓ

ÖÒÎË Ú·ÛÂÚÒfl ‚˚·‡Ú¸

ÔÂÂÏ¢ÂÌË ÍÛÒÓ‡ ËÁ ÔÓÎfl, ‚

Ò‡ÁÛ ÌÂÒÍÓθÍÓ ÒÓ·˚ÚËÈ,

ÍÓÚÓÓ ÚÓθÍÓ ˜ÚÓ ·˚ÎÓ ‚‚‰ÂÌÓ

ÒΉÛÂÚ, Û‰ÂÊË‚‡fl ˝ÚÛ

Á̇˜ÂÌËÂ, ‡‚ÚÓχÚ˘ÂÒÍË

ÍÌÓÔÍÛ ‚ ̇ʇÚÓÏ ÔÓÎÓÊÂÌËË,

ÔË‚Ó‰ËÚ Í ÔÓ‰Ú‚ÂʉÂÌ˲

̇ʇڸ ÍÌÓÔÍÛ [A] ËÎË [B].

‚‚Ó‰‡ ‰‡ÌÌÓ„Ó Á̇˜ÂÌËfl.

ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ ‚ÒÚ‡‚ÎflÚ¸ ‚ÒÂ

‚˚ÂÁ‡ÌÌ˚ ËÎË ÒÍÓÔËÓ‚‡ÌÌ˚Â

ùÚË ÍÌÓÔÍË Á‡‰‡˛Ú ÚÂÍÛ˘ÂÂ

ÒÓ·˚ÚËfl ̇˜Ë̇fl Ò Á‡‰‡ÌÌÓÈ ÔÓÁˈËË

ÔÓÎÓÊÂÌË ‰‡ÍÚËÛÂÏÓ„Ó

‚ ÔÂÒÌÂ.

ç‡Ê‡‚ ˝ÚÛ ÍÌÓÔÍÛ, ÏÓÊÌÓ

ÒÓ·˚ÚËfl.

äÌÓÔ͇

‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ËÒıÓ‰ÌÓ Á̇˜ÂÌËÂ,

ÍÓÔËÓ‚‡ÌËfl

ÂÒÎË ‚˚ ӯ˷ÎËÒ¸ ÔË ‚‚Ó‰Â

ÉÛ·‡fl ̇ÒÚÓÈ͇ Á̇˜ÂÌËfl.

‚ÒÂı ‚˚‰ÂÎÂÌÌ˚ı

Á̇˜ÂÌËfl, ÌÓ Â˘Â Ì ÔÓ‰Ú‚Â‰ËÎË

ÒÓ·˚ÚËÈ.

‚‚Ó‰ (ÚÓ ÂÒÚ¸ ÍÓ„‰‡ ÍÛÒÓ ¢Â

ëÍÓÔËÓ‚‡ÌÌ˚Â

̇ıÓ‰ËÚÒfl fl‰ÓÏ Ò ÌÓ‚˚Ï

íÓÌ͇fl ̇ÒÚÓÈ͇ Á̇˜ÂÌËfl.

ÒÓ·˚ÚËfl ÏÓÊÌÓ

Á̇˜ÂÌËÂÏ).

ÔÓÏÂÒÚËÚ¸ ‚

äÌÓÔ͇ ‚˚ÂÁ‡ÌËfl (Û‰‡ÎÂÌËfl) ‚ÒÂı ‚˚‰ÂÎÂÌÌ˚ı ÒÓ·˚ÚËÈ. Ç˚ÂÁ‡ÌÌ˚ ÒÓ·˚ÚËfl

β·Ó ‰Û„ÓÂ

ÍÓÔËÛ˛ÚÒfl, ÔÓ˝ÚÓÏÛ Ëı ÏÓÊÌÓ ÔÓÏÂÒÚËÚ¸ ‚ β·Ó ‰Û„Ó ÏÂÒÚÓ ÔÂÒÌË.

ÏÂÒÚÓ.

óÚÓ·˚ ÔÓ‰Ú‚Â‰ËÚ¸ ‚‚Ó‰

ËÁÏÂÌÂÌÌÓ„Ó Á̇˜ÂÌËfl,

äÌÓÔÍË Û‰‡ÎÂÌËfl

ÔÂÂÏÂÒÚËÚÂ ÍÛÒÓ ‚ ‰Û„ÓÂ

äÌÓÔ͇ ‰Ó·‡‚ÎÂÌËfl ÌÓ‚Ó„Ó ÒÓ·˚ÚËfl ‚ ÒÔËÒÓÍ ÒÓ·˚ÚËÈ.

ÒÓ·˚ÚËfl ÔÂ‰

ÔÓΠËÎË Ì‡ÊÏËÚ ÍÌÓÔÍÛ SONG

ÍÛÒÓÓÏ.

[START/STOP]

.

á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ — ÙÛÌ͈Ëfl Song Creator

ꉇÍÚËÓ‚‡ÌË ‡ÍÍÓ‰Ó‚˚ı ÒÓ·˚ÚËÈ — CHD

ùÚÓÚ ˝Í‡Ì Ô‰̇Á̇˜ÂÌ ‰Îfl ‰‡ÍÚËÓ‚‡ÌËfl ‡ÍÍÓ‰Ó‚˚ı ÒÓ·˚ÚËÈ, Á‡ÔËÒ‡ÌÌ˚ı ‚ Ù‡ÈΠÔÂÒÌË.

ÇÒ ÔÂ˜ËÒÎÂÌÌ˚ Á‰ÂÒ¸ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û ‹4, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚ. 96. Ç˚ÁÓ‚ËÚ ËÁÓ·‡ÊÂÌÌ˚È ÌËÊ ˝Í‡Ì Ò ÔÓÏÓ˘¸˛

ÍÌÓÔÓÍ [BACK]/[NEXT]. ç‡Á̇˜ÂÌË ‚ÒÂı ÍÌÓÔÓÍ (Á‡ ËÒÍβ˜ÂÌËÂÏ ÍÌÓÔÍË [F] (EXPAND)) ˉÂÌÚ˘ÌÓ ÓÔËÒ‡ÌÌÓÏÛ ‚ Ô‰˚‰Û˘ÂÏ

‡Á‰ÂΠ(ÒÚ. 105).

A

F

äÌÓÔ͇ ÔÂÓ·‡ÁÓ‚‡ÌËfl

Á‡ÔËÒÂÈ, ÓÚÌÓÒfl˘ËıÒfl Í

B

G

‡ÍÍÓ‰‡Ï Ë ˜‡ÒÚflÏ, ‚ ‰‡ÌÌ˚Â

هȷ ÔÂÒÌË.

C

H

D

I

óÚÓ·˚ ÔÓ‰Ú‚Â‰ËÚ¸ ‚‚Ó‰

E

J

ËÁÏÂÌÂÌÌÓ„Ó Á̇˜ÂÌËfl,

ÔÂÂÏÂÒÚËÚÂ ÍÛÒÓ ‚ ‰Û„ÓÂ

ÔÓΠËÎË Ì‡ÊÏËÚ ÍÌÓÔÍÛ SONG

[START/STOP]

.

ÄÍÍÓ‰Ó‚˚Â ÒÓ·˚ÚËfl

è‡‡ÏÂÚ éÔËÒ‡ÌËÂ

Style

Ç˚‚Ó‰ËÚ Ì‡Á‚‡ÌË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. óÚÓ·˚ Á‡‰‡Ú¸ ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÔÂÂȉËÚ ̇ ˝Í‡Ì STYLE Ë ‚˚·ÂËÚÂ

(ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡)

ÔÓ‰ıÓ‰fl˘ËÈ ÒÚËθ.

Tempo ᇉ‡ÂÚ Á̇˜ÂÌË ÚÂÏÔ‡.

Chord éÔ‰ÂÎflÂÚ ‡ÍÍÓ‰ (ÓÒÌÓ‚ÌÓÈ ÚÓÌ, ÚËÔ Ë ·‡ÒÓ‚Û˛ ÌÓÚÛ).

Sect (˜‡ÒÚ¸) ᇉ‡ÂÚ ˜‡ÒÚ¸ —  ̇Á‚‡ÌËÂ Ë ‚‡ˇˆË˛ (Ä/B/C/D).

OnOff (‚Íβ˜ÂÌËÂ/

éÔ‰ÂÎflÂÚ ÒÚ‡ÚÛÒ ÓÔ‰ÂÎÂÌÌ˚ı ͇̇ÎÓ‚ (ËÚÏ, ·‡Ò Ë Ú. ‰.).

‚˚Íβ˜ÂÌË ͇̇·)

CH.Vol („ÓÏÍÓÒÚ¸ ͇̇·) ì͇Á˚‚‡ÂÚ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ÓÔ‰ÂÎÂÌÌ˚ı ͇̇ÎÓ‚ (ËÚÏ, ·‡Ò Ë Ú. ‰.).

S.Vol („ÓÏÍÓÒÚ¸ ÒÚËÎfl) éÔ‰ÂÎflÂÚ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚ ˆÂÎÓÏ.

ꉇÍÚËÓ‚‡ÌË ÒËÒÚÂÏÌ˚ı ÒÓ·˚ÚËÈ — SYS/EX. (ËÒÍβ˜ËÚÂθÌ˚Â

ÒËÒÚÂÏÌ˚ ÒÓÓ·˘ÂÌËfl)

ë ÔÓÏÓ˘¸˛ ‰‡ÌÌÓ„Ó ˝Í‡Ì‡ ÏÓÊÌÓ ‰‡ÍÚËÓ‚‡Ú¸ ÒËÒÚÂÏÌ˚ ÒÓ·˚ÚËfl.

ÇÒ ÔÂ˜ËÒÎÂÌÌ˚ Á‰ÂÒ¸ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û ‹4, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚ. 96. Ç˚ÁÓ‚ËÚ ËÁÓ·‡ÊÂÌÌ˚È ÌËÊ ˝Í‡Ì Ò ÔÓÏÓ˘¸˛

ÍÌÓÔÓÍ [BACK]/[NEXT]. èÓfl‰ÓÍ ‡·ÓÚ˚ Ò ˝Í‡ÌÓÏ Ë‰ÂÌÚ˘ÂÌ ÓÔËÒ‡ÌÌÓÏÛ ‚ ‡Á‰ÂΠ«ê‰‡ÍÚËÓ‚‡ÌË ÌÓÚÌ˚ı ÒÓ·˚ÚËÈ» (ÒÚ. 105).

ëËÒÚÂÏÌ˚ ÒÓ·˚ÚËfl

è‡‡ÏÂÚ éÔËÒ‡ÌËÂ

ScBar

ᇉ‡ÂÚ ÌÓÏÂ ÔÂ‚Ó„Ó Ú‡ÍÚ‡ ‚ ÍÓÏÔÓÁˈËË. çÓÏÂ Ú‡ÍÚ‡ ÓÚÓ·‡Ê‡ÂÚÒfl ̇ „·‚ÌÓÏ ˝Í‡ÌÂ Ë Ì‡ ˝Í‡Ì ÌÓÚ‡ˆËË (ÚÓθÍÓ

(ÔÂ‚˚È Ú‡ÍÚ Ô‡ÚËÚÛÂ)

‰Îfl PSR-2000). Ç Ì‡˜‡Î ÔÂÒÌË ÏÓÊÌÓ Û͇Á˚‚‡Ú¸ ÚÓθÍÓ Ó‰ÌÓ Á̇˜ÂÌË ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡.

Tempo ᇉ‡ÂÚ Á̇˜ÂÌË ÚÂÏÔ‡.

Time (‡ÁÏÂ) ᇉ‡ÂÚ Á̇˜ÂÌË ‡ÁÏÂ‡.

íÓ̇θÌÓÒÚ¸ ᇉ‡ÂÚ ÚÓ̇θÌÓÒÚ¸ Ë Î‡‰ (χÊÓ/ÏËÌÓ).

XG Prm (Ô‡‡ÏÂÚ˚ XG) èÓÁ‚ÓÎflÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ ÚÓÌÍÛ˛ ̇ÒÚÓÈÍÛ Ô‡‡ÏÂÚÓ‚ MIDI. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Ô‡‡ÏÂÚ‡ı MIDI ÒÏ. ‚

Ò·ÓÌËÍ ڇ·Îˈ (MIDI Data Format).

SYS/EX. (ËÒÍβ˜ËÚÂθÌ˚Â

ÇÍβ˜‡ÂÚ ÂÊËÏ ÓÚÓ·‡ÊÂÌËfl ÒËÒÚÂÏÌ˚ı ËÒÍβ˜ËÚÂθÌ˚ı ÒÓÓ·˘ÂÌËÈ. àÁÏÂÌflÚ¸ Ú‡ÍË ÒÓÓ·˘ÂÌËfl Ì ‡Á¯‡ÂÚÒfl.

ÒËÒÚÂÏÌ˚ ÒÓÓ·˘ÂÌËfl)

çÓ Ëı ÏÓÊÌÓ Û‰‡ÎflÚ¸, ‚˚ÂÁ‡Ú¸, ÍÓÔËÓ‚‡Ú¸ Ë ‚ÒÚ‡‚ÎflÚ¸.

Meta (ÏÂÚ‡ÒÓ·˚ÚËÂ) ÇÍβ˜‡ÂÚ ÂÊËÏ ÓÚÓ·‡ÊÂÌËfl ÏÂÚ‡ÒÓ·˚ÚËÈ SMF. àÁÏÂÌflÚ¸ Ú‡ÍË ÒÓÓ·˘ÂÌËfl Ì ‡Á¯‡ÂÚÒfl. çÓ Ëı ÏÓÊÌÓ Û‰‡ÎflÚ¸,

‚˚ÂÁ‡Ú¸, ÍÓÔËÓ‚‡Ú¸ Ë ‚ÒÚ‡‚ÎflÚ¸.

106

PSR-2000/1000

ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ — ÙÛÌ͈Ëfl Style Creator

ꉇÍÚËÓ‚‡ÌË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

àÁÏÂÌÂÌË ËÚχ — ÙÛÌ͈ËË Groove Ë Dynamics

îÛÌ͈ËË Groove Ë Dynamics fl‚Îfl˛ÚÒfl ÏÓ˘Ì˚Ï Ò‰ÒÚ‚ÓÏ, ÔÓÁ‚ÓÎfl˛˘ËÏ ‡ÁÌÓÓ·‡ÁËÚ¸ ËÚÏ˚ ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

éÔËÒ‡ÌÌ˚ ÌËÊ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 4 ËÌÒÚÛ͈ËË Ì‡ ÒÚ. 109.

■ ÉÛ‚

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è‡‡ÏÂÚ˚ „Û‚‡

Original Beat

ì͇Á˚‚‡ÂÚ ‰ÎËÚÂθÌÓÒÚË, Í ÍÓÚÓ˚Ï ·Û‰ÂÚ ÔËÏÂÌÂÌ „Û‚. ÑÛ„ËÏË ÒÎÓ‚‡ÏË, ÔË ‚˚·Ó Á̇˜ÂÌËfl «8 Beat» ËÚÏ˘ÂÒÍËÈ ÛÁÓ „Û‚‡

(ËÒıӉ̇fl

·Û‰ÂÚ ÔËÏÂÌÂÌ Í ‚ÓÒ¸Ï˚Ï, ‡ ÔË ‚˚·Ó Á̇˜ÂÌËfl «12 Beat» — Í ÚËÓÎË, ÒÓÒÚÓfl˘ÂÈ ËÁ ‚ÓÒ¸Ï˚ı.

‰ÎËÚÂθÌÓÒÚ¸)

Beat Converter

ÑÎËÚÂθÌÓÒÚË ÌÓÚ (Á‡‰‡ÌÌ˚ı Á̇˜ÂÌËÂÏ Ô‡‡ÏÂÚ‡ ORIGINAL BEAT) ËÁÏÂÌfl˛ÚÒfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò Û͇Á‡ÌÌ˚Ï Á̇˜ÂÌËÂÏ. ç‡ÔËÏÂ,

(ÍÓ̘̇fl

ÂÒÎË Á̇˜ÂÌË ORIGINAL BEAT — «8 Beat», ‡ Á̇˜ÂÌË BEAT CONVERTER — «12», ÔÓÁˈËË Ì‡˜‡Î‡ Á‚Û˜‡ÌËfl Ë ‰ÎËÚÂθÌÓÒÚË ‚ÓÒ¸Ï˚ı ‚

‰ÎËÚÂθÌÓÒÚ¸)

‰‡ÍÚËÛÂÏÓÈ ˜‡ÒÚË ÏÂÌfl˛ÚÒfl Ú‡ÍËÏ Ó·‡ÁÓÏ, ˜ÚÓ ‚ÓÒ¸Ï˚ ӷ‡ÁÛ˛Ú ÚËÓÎË. á̇˜ÂÌËfl ÍÓ̘ÌÓÈ ‰ÎËÚÂθÌÓÒÚË «16A» Ë «16B»,

ÔÓfl‚Îfl˛˘ËÂÒfl ÔË Á‡‰‡ÌËË ËÒıÓ‰ÌÓÈ ‰ÎËÚÂθÌÓÒÚË «12 Beat», fl‚Îfl˛ÚÒfl ‚‡ˇˆËflÏË ·‡ÁÓ‚Ó„Ó ‚‡ˇÌÚ‡ ËÚÏ˘ÂÒÍÓ„Ó ÛÁÓ‡ ËÁ

¯ÂÒÚ̇‰ˆ‡Ú˚ı.

Swing (Ò‚ËÌ„) ëÓÁ‰‡ÂÚ ˝ÙÙÂÍÚ Ò‚ËÌ„‡ ÔÛÚÂÏ Ò‰‚Ë„‡ Ò··˚ı ‰ÓÎÂÈ ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ Á̇˜ÂÌËfl Ô‡‡ÏÂÚ‡ ORIGINAL BEAT. ç‡ÔËÏÂ, ÂÒÎË ‚ ͇˜ÂÒÚ‚Â

Á̇˜ÂÌËfl Ô‡‡ÏÂÚ‡ ORIGINAL BEAT ‚˚·‡Ì˚ ‚ÓÒ¸Ï˚Â, ÚÓ ‚ÚÓ‡fl, ˜ÂÚ‚ÂÚ‡fl, ¯ÂÒÚ‡fl Ë ‚ÓҸχfl ‰ÓÎË Í‡Ê‰Ó„Ó Ú‡ÍÚ‡ ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl

Ò Á‡‰ÂÊÍÓÈ, ˜ÚÓ Ë ÔË‚Ó‰ËÚ Í ‚ÓÁÌËÍÌÓ‚ÂÌ˲ Ò‚ËÌ„‡. á̇˜ÂÌËfl ÓÚ «A» ‰Ó «E» Á‡‰‡˛Ú ‡Á΢ÌÛ˛ ÒÚÂÔÂ̸ ‚˚‡ÊÂÌÌÓÒÚË ˝ÚÓ„Ó

˝ÙÙÂÍÚ‡. í‡Í, ‚˚·Ó Á̇˜ÂÌËfl «A» ÔË‚Ó‰ËÚ Í ‚ÓÁÌËÍÌÓ‚ÂÌ˲ ‰‚‡ ÛÎÓ‚ËÏÓ„Ó Ò‚ËÌ„‡, ‚ ÚÓ ‚ÂÏfl Í‡Í ‚˚·Ó Á̇˜ÂÌËfl «Ö» — Í

ÔÓfl‚ÎÂÌ˲ flÍÓ ‚˚‡ÊÂÌÌÓ„Ó Ò‚ËÌ„Ó‚Ó„Ó ËÚχ.

Fine (ÔËÏÂÌÂÌËÂ

èÓÁ‚ÓÎflÂÚ ‚˚·‡Ú¸ ËÚÏ˘ÂÒÍËÈ «¯‡·ÎÓÌ» ‰Îfl ÔËÏÂÌÂÌËfl Í ‚˚·‡ÌÌÓÈ ˜‡ÒÚË. èËÏÂÌÂÌË ¯‡·ÎÓÌÓ‚, ‚ ̇Á‚‡ÌËË ÍÓÚÓ˚ı

¯‡·ÎÓ̇)

ÔËÒÛÚÒÚ‚ÛÂÚ ÒÎÓ‚Ó «HEAVY», ÔË‚Ó‰ËÚ Í Á‡‰ÂÊÍ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÓÔ‰ÂÎÂÌÌ˚ı ‰ÓÎÂÈ. èËÏÂÌÂÌË ¯‡·ÎÓÌÓ‚ «PUSH», ̇ÔÓÚË‚,

‚˚‡Ê‡ÂÚÒfl ‚ ÚÓÏ, ˜ÚÓ ÌÂÍÓÚÓ˚ ‰ÓÎË ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl Ò ÓÔÂÂÊÂÌËÂÏ. çÓÏÂ ‚ ̇˜‡Î ̇Á‚‡ÌËfl ¯‡·ÎÓ̇ (2, 3, 4, 5) Á‡‰‡ÂÚ ‰ÓÎË,

ÍÓÚÓ˚ ·Û‰ÛÚ Ó·‡·‡Ú˚‚‡Ú¸Òfl Ò ÔËÏÂÌÂÌËÂÏ ‰‡ÌÌÓ„Ó ¯‡·ÎÓ̇. ÇÒ ‰ÓÎË ‚ÔÎÓÚ¸ ‰Ó Û͇Á‡ÌÌÓÈ ‚ ̇Á‚‡ÌËË (Á‡ ËÒÍβ˜ÂÌËÂÏ ÔÂ‚ÓÈ)

·Û‰ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl Ò ÓÔÂÂÊÂÌËÂÏ ËÎË Ò Á‡‰ÂÊÍÓÈ. ç‡ÔËÏÂ, ÂÒÎË ‚˚·‡Ì ¯‡·ÎÓÌ Ò «ÚÓÈÍÓÈ» ‚ ̇Á‚‡ÌËË, ÓÌ ·Û‰ÂÚ

‚ÓÁ‰ÂÈÒÚ‚Ó‚‡Ú¸ ̇ ‚ÚÓ˚Â Ë ÚÂÚ¸Ë ‰ÓÎË. ÇÓ ‚ÒÂı ÒÎÛ˜‡flı ÔËÏÂÌÂÌË ¯‡·ÎÓ̇ Ò ·ÛÍ‚ÓÈ «A» ‚ ÍÓ̈ ̇Á‚‡ÌËfl ‚˚Á˚‚‡ÂÚ ÏËÌËχθÌ˚Â

ËÁÏÂÌÂÌËfl, ¯‡·ÎÓÌ «B» ‚ÓÁ‰ÂÈÒÚ‚ÛÂÚ Ì‡ ËÚÏ ÒÓ Ò‰ÌÂÈ ÒËÎÓÈ, ‡ ¯‡·ÎÓÌ «C» ӷ·‰‡ÂÚ Ï‡ÍÒËχθÌ˚Ï ‚ÓÁ‰ÂÈÒÚ‚ËÂÏ.

PSR-2000/1000

113

ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú

‚˚·‡Ú¸ ÓÔÂ‡ˆË˛

‰‡ÍÚËÓ‚‡ÌËfl.

äÌÓÔ͇ ‚˚ÁÓ‚‡ ˝Í‡Ì‡ Style Ë

ÒÓı‡ÌÂÌËfl ÓÚ‰‡ÍÚËÓ‚‡ÌÌÓ„Ó

هȷ ÒÚËÎfl.

èÓ‰Ú‚Âʉ‡ÂÚ ÔËÏÂÌÂÌË „Û‚‡. èÓÒÎÂ

Á‡‚Â¯ÂÌËfl ˝ÚÓÈ Ôӈ‰Û˚ ÍÌÓÔ͇ ÏÂÌflÂÚ

̇Á‚‡ÌË ̇ [UNDO], ˜ÚÓ·˚ ÔË Ê·ÌËË

ÏÓÊÌÓ ·˚ÎÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ËÒıÓ‰Ì˚È

ᇉ‡˛Ú Á̇˜ÂÌË ԇ‡ÏÂÚÓ‚ „Û‚‡ (ÒÏ. ÒÔËÒÓÍ

χÚÂˇÎ. îÛÌ͈Ëfl ÓÚÏÂÌ˚ ÔÓ‰‰ÂÊË‚‡ÂÚ

ÌËÊÂ).

Î˯¸ ÓÚÏÂÌÛ ÔÓÒΉÌÂ„Ó ‚˚ÔÓÎÌÂÌÌÓ„Ó

‰ÂÈÒÚ‚Ëfl.

ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ — ÙÛÌ͈Ëfl Style Creator

■ ÑË̇ÏË͇

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è‡‡ÏÂÚ˚ ‰Ë̇ÏËÍË

Accent Type (ÚËÔ

Ç˚·Ó ÚËÔ‡ ‡ÍˆÂÌÚ‡.

‡ÍˆÂÌÚ‡)

Strength (ÒË·

éÔ‰ÂÎflÂÚ ÒËÎÛ ‚ÓÁ‰ÂÈÒÚ‚Ëfl ÔËÏÂÌflÂÏÓ„Ó ÚËÔ‡ ‡ÍˆÂÌÚ‡. óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ ·ÓÎÂÂ

‚ÓÁ‰ÂÈÒÚ‚Ëfl)

ÓÌÓ ‚˚‡ÊÂÌÓ.

Expand/Compress

ê‡Ò¯ËflÂÚ ËÎË ÒÛʇÂÚ ‰Ë̇Ï˘ÂÒÍËÈ ‰Ë‡Ô‡ÁÓÌ (‰Ë‡Ô‡ÁÓÌ Á̇˜ÂÌËÈ ÒÍÓÓÒÚË Ì‡Ê‡ÚËfl).

(˝ÍÒԇ̉Â/

àÁÏÂÌÂÌË „‡Ìˈ ‰Ë‡Ô‡ÁÓ̇ ÔÓËÁ‚Ó‰ËÚÒfl ÒËÏÏÂÚ˘ÌÓ (ˆÂÌÚ‡Î¸ÌÓ Á̇˜ÂÌË ÒÍÓÓÒÚË

ÍÓÏÔÂÒÒÓ)

̇ʇÚËfl — «64»). Ç˚·Ó Á̇˜ÂÌËÈ, Ô‚˚¯‡˛˘Ëı 100%, ÔË‚Ó‰ËÚ Í Â„Ó ‡Ò¯ËÂÌ˲.

ëÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ, ‚˚·Ó Á̇˜ÂÌËÈ ÏÂ̸¯Â 100% ‚ΘÂÚ Á‡ ÒÓ·ÓÈ ÒʇÚË ‰Ë̇Ï˘ÂÒÍÓ„Ó

‰Ë‡Ô‡ÁÓ̇.

Boost/Cut (Û‚Â΢ÂÌËÂ/

ÇÒ Á̇˜ÂÌËfl ÒÍÓÓÒÚË Ì‡Ê‡ÚËfl ‚ ‚˚‰ÂÎÂÌÌÓÈ ˜‡ÒÚË/͇̇ΠۂÂ΢˂‡˛ÚÒfl ËÎË

ÛÏÂ̸¯ÂÌË ‚ÒÂı

ÛÏÂ̸¯‡˛ÚÒfl. Ç˚·Ó Á̇˜ÂÌËÈ, Ô‚˚¯‡˛˘Ëı 100%, ÔË‚Ó‰ËÚ Í ÔÓ‚˚¯ÂÌ˲ Ó·˘ÂÈ ÒÍÓÓÒÚË

Á̇˜ÂÌËÈ)

̇ʇÚËfl. ëÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ, ‚˚·Ó Á̇˜ÂÌËÈ ÏÂ̸¯Â 100% ‚ΘÂÚ Á‡ ÒÓ·ÓÈ ÒÌËÊÂÌË ӷ˘ÂÈ

ÒÍÓÓÒÚË Ì‡Ê‡ÚËfl.

114

PSR-2000/1000

ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú ‚˚·‡Ú¸

ÓÔÂ‡ˆË˛ ‰‡ÍÚËÓ‚‡ÌËfl.

äÌÓÔ͇ ‚˚ÁÓ‚‡ ˝Í‡Ì‡ Style Ë

ÒÓı‡ÌÂÌËfl

ÓÚ‰‡ÍÚËÓ‚‡ÌÌÓ„Ó Ù‡È·

ÒÚËÎfl.

èÓ‰Ú‚Âʉ‡ÂÚ ÔËÏÂÌÂÌË ÙÛÌ͈ËË ‰Ë̇ÏËÍË.

èÓÒΠÁ‡‚Â¯ÂÌËfl ˝ÚÓÈ Ôӈ‰Û˚,

ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl ÍÌÓÔÍ ̇‰ÔËÒ¸ ̇ ˝Í‡ÌÂ

ÒÏÂÌflÂÚÒfl ̇‰ÔËÒ¸˛ [UNDO], ˜ÚÓ·˚ ÔË

Ê·ÌËË ÏÓÊÌÓ ·˚ÎÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ËÒıÓ‰Ì˚È

χÚÂˇÎ. îÛÌ͈Ëfl ÓÚÏÂÌ˚ ÔÓ‰‰ÂÊË‚‡ÂÚ Î˯¸

ÓÚÏÂÌÛ ÔÓÒΉÌÂ„Ó ‚˚ÔÓÎÌÂÌÌÓ„Ó ‰ÂÈÒÚ‚Ëfl.

ᇉ‡˛Ú Á̇˜ÂÌË ԇ‡ÏÂÚÓ‚ ‰Ë̇ÏËÍË

äÌÓÔÍË ‚˚·Ó‡ ͇̇·, Í ÍÓÚÓÓÏÛ

(ÒÏ. ÒÔËÒÓÍ ÌËÊÂ).

Ú·ÛÂÚÒfl ÔËÏÂÌËÚ¸ ÙÛÌÍˆË˛ ‰Ë̇ÏËÍË.

ëÍÓÓÒÚ¸ ̇ʇÚËfl

ÓÔ‰ÂÎflÂÚÒfl ÒËÎÓÈ Ì‡Ê‡ÚËfl ̇

Í·‚˯Ë.

óÂÏ ÒËθÌ ‚˚ Û‰‡flÂÚ ÔÓ

Í·‚˯‡Ï, ÚÂÏ ‚˚¯Â Á̇˜ÂÌËÂ

˝ÚÓ„Ó Ô‡‡ÏÂÚ‡, ‡ Á̇˜ËÚ Ë

„ÓϘ Á‚ÛÍ.

ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ — ÙÛÌ͈Ëfl Style Creator

ꉇÍÚËÓ‚‡ÌË ԇ‡ÏÂÚÓ‚ ͇̇·

ùÍ‡Ì ÒÓ‰ÂÊËÚ ÔflÚ¸ ÙÛÌ͈ËÈ ‰‡ÍÚËÓ‚‡ÌËfl Ô‡‡ÏÂÚÓ‚ ͇̇·, ËÒÔÓθÁÛÂÏÓ„Ó ‚ ÒÓÁ‰‡ÌÌÓÏ ÒÚËΠ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

éÔËÒ‡ÌÌ˚ ÌËÊ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 4 ËÌÒÚÛ͈ËË Ì‡ ÒÚ. 109.

èÓflÒÌÂÌËfl Ô˂‰ÂÌ˚ ÌËÊÂ.

■ Quantize (‚˚‡‚ÌË‚‡ÌËÂ)

ëÏ. ÒÚ. 102.

■ Velocity Change (ËÁÏÂÌÂÌË ÒÍÓÓÒÚË Ì‡Ê‡ÚËfl)

ëÍÓÓÒÚ¸ ̇ʇÚËfl ‚ÒÂı ÌÓÚ ‚˚‰ÂÎÂÌÌÓ„Ó Í‡Ì‡Î‡ (‚˚·Ë‡ÂÏÓ„Ó Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [1▲▼]/[2▲▼] (CHANNEL)) ÔÓ‚˚¯‡ÂÚÒfl ËÎË

ÔÓÌËʇÂÚÒfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‚Â΢ËÌ˚, Á‡‰‡ÌÌÓÈ ‚ ÔÓˆÂÌÚ‡ı (Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [4▲▼]/[5▲▼] (BOOST/CUT)).

■ Bar Copy (ÍÓÔËÓ‚‡ÌË ڇÍÚÓ‚)

ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÒÍÓÔËÓ‚‡Ú¸ ‰‡ÌÌ˚Â, ÒÓ‰Âʇ˘ËÂÒfl ‚ Ú‡ÍÚ ËÎË „ÛÔÔ ڇÍÚÓ‚, ̇ ‰Û„ÓÈ Û˜‡ÒÚÓÍ ‚˚·‡ÌÌÓ„Ó Í‡Ì‡Î‡.

ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [4▲▼] (TOP) Ë [5▲▼] (LAST) ÏÓÊÌÓ Á‡‰‡Ú¸ „‡Ìˈ˚ ÍÓÔËÛÂÏÓÈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË Ú‡ÍÚÓ‚, Û͇Á‡‚

ÔÂ‚˚È Ë ÔÓÒΉÌËÈ Ú‡ÍÚ˚. óÚÓ·˚ Á‡‰‡Ú¸ ÔÓÁËˆË˛ ÚÓ˜ÍË ÍÓÔËÓ‚‡ÌËfl (ÌÓÏÂ Ú‡ÍÚ‡), ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔÍÓÈ [6▲▼] (DEST) .

■ Bar Clear (Ó˜ËÒÚ͇ Ú‡ÍÚÓ‚)

ÇÒ ‰‡ÌÌ˚Â, ÒÓ‰Âʇ˘ËÂÒfl ‚ Ú‡ÍÚ ËÎË „ÛÔÔ ڇÍÚÓ‚ ‚˚·‡ÌÌÓ„Ó Í‡Ì‡Î‡, Û‰‡Îfl˛ÚÒfl. ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [4▲▼] (TOP) Ë

[5▲▼] (LAST) ÏÓÊÌÓ Á‡‰‡Ú¸ „‡Ìˈ˚ Ó˜Ë˘‡ÂÏÓÈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË Ú‡ÍÚÓ‚, Û͇Á‡‚ ÔÂ‚˚È Ë ÔÓÒΉÌËÈ Ú‡ÍÚ˚.

■ Remove Event (Û‰‡ÎÂÌË ÒÓ·˚ÚËfl)

ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Û‰‡ÎËÚ¸ ËÁ ͇̇· ÓÔ‰ÂÎÂÌÌ˚È ÚËÔ ÒÓ·˚ÚËÈ. óÚÓ·˚ ‚˚·‡Ú¸ ÌÂÓ·ıÓ‰ËÏ˚È ÚËÔ ÒÓ·˚ÚËÈ,

‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË [4▲▼] - [6▲▼] (EVENT).

PSR-2000/1000

115

ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ — ÙÛÌ͈Ëfl Style Creator

ìÒÚ‡Ìӂ͇ Ô‡‡ÏÂÚÓ‚ هȷ SMF — Parameter

ç‡ ˝ÚÓÏ ˝Í‡Ì Ô‰ÒÚ‡‚ÎÂÌ ˆÂÎ˚È fl‰ ÙÛÌ͈ËÈ ÛÔ‡‚ÎÂÌËfl Ô‡‡ÏÂÚ‡ÏË ÒÚËÎfl. ç‡ÔËÏÂ, Á‰ÂÒ¸ ÏÓÊÌÓ Á‡‰‡Ú¸ Á‡‚ËÒËÏÓÒÚ¸

ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚ÛÍÓ‚, ËÒÔÓθÁÛÂÏ˚ı ‚ ÒÚËÎÂ, ÓÚ ‡ÍÍÓ‰Ó‚, ‚ÁflÚ˚ı ‚ ΂ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚. èÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó

‚Á‡ËÏÓ‰ÂÈÒÚ‚ËË ‰‡ÌÌ˚ı Ô‡‡ÏÂÚÓ‚ ÒÏ. ‚ ‡Á‰ÂΠ«îÓÏ‡Ú Ù‡È· ÒÚËÎfl (SFF)» ̇ ÒÚ. 109. èÓfl‰ÓÍ ‡·ÓÚ˚ Ò ˝Í‡ÌÓÏ Ë‰ÂÌÚ˘ÂÌ

ÓÔËÒ‡ÌÌÓÏÛ ‚ ¯‡„ 4 ̇ ÒÚ. 109.

ÖÒÎË Á̇˜ÂÌË ԇ‡ÏÂÚ‡ NTR

— «Root Fixed», ‡ Á̇˜ÂÌËÂ

èÓflÒÌÂÌËfl Ô˂‰ÂÌ˚ ÌËÊÂ.

Ô‡‡ÏÂÚ‡ NTT — «Bypass»,

Ô‡‡ÏÂÚ˚ «Source Root» Ë

«Source Chord» ÔËÌËχ˛Ú

Á̇˜ÂÌËfl «Play Root» Ë «Play

Chord» ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ. Ç ˝ÚÓÏ

ÒÎÛ˜‡Â ‚˚ ÏÓÊÂÚ ÏÂÌflÚ¸

‡ÍÍÓ‰˚ Ë ÔÓÒÎۯ˂‡Ú¸

ÔÓÎÛ˜ÂÌÌ˚È ‚ ÂÁÛθڇÚ Á‚ÛÍ

ÔÓ ‚ÒÂÏ Í‡Ì‡Î‡Ï.

■ Source Root/Chord (ËÒıÓ‰Ì˚È ÓÒÌÓ‚ÌÓÈ ÚÓÌ/‡ÍÍÓ‰)

ùÚË Ô‡‡ÏÂÚ˚ Óڂ˜‡˛Ú Á‡ ÔÂ‚Ó̇˜‡Î¸ÌÛ˛ ÚÓ̇θÌÓÒÚ¸ ËÒıÓ‰ÌÓÈ Ù‡Á˚ (Ú. Â. ÚÓ̇θÌÓÒÚ¸, ‚ ÍÓÚÓÓÈ Ó̇ Á‡ÔËÒ˚‚‡Î‡Ò¸). èÓ

ÛÏÓΘ‡Ì˲ ÛÒڇ̇‚ÎË‚‡ÂÚÒfl Á̇˜ÂÌË «CM7» (ËÒıÓ‰Ì˚È ÓÒÌÓ‚ÌÓÈ ÚÓÌ — «C», ËÒıÓ‰Ì˚È ÚËÔ ‡ÍÍÓ‰‡ — «M7»). ùÚÓ Á̇˜ÂÌËÂ

ÛÒڇ̇‚ÎË‚‡ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË ‚ÒflÍËÈ ‡Á, ÍÓ„‰‡ ÔÂ‰ Á‡ÔËÒ¸˛ ÌÓ‚Ó„Ó ÒÚËÎfl ‚˚ Û‰‡ÎflÂÚ ‰‡ÌÌ˚Â Ó Ô‰‚‡ËÚÂθÌ˚ı ̇ÒÚÓÈ͇ı.

èË ˝ÚÓÏ Á̇˜ÂÌËfl ËÒıÓ‰ÌÓ„Ó ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ Ë ÚËÔ‡ ‡ÍÍÓ‰‡, Û͇Á‡ÌÌ˚ ‚ Ô‰‚‡ËÚÂθÌ˚ı ̇ÒÚÓÈ͇ı, Ë„ÌÓËÛ˛ÚÒfl. ÖÒÎË

Á̇˜ÂÌË ÔÓ ÛÏÓΘ‡Ì˲ ËÁÏÂÌËÚ¸, ÚÓ ‚ıÓ‰fl˘Ë ‚ ‡ÍÍÓ‰ Ë ÂÍÓÏẨÛÂÏ˚ ÌÓÚ˚ Ú‡ÍÊ ËÁÏÂÌflÚÒfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÌÓ‚˚Ï ÚËÔÓÏ

‡ÍÍÓ‰‡. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ÌÓÚ‡ı ‡ÍÍÓ‰‡ Ë ÂÍÓÏẨÛÂÏ˚ı ÌÓÚ‡ı Ô˂‰ÂÌ˚ ̇ ÒÚ. 111.

ÖÒÎË ÓÒÌÓ‚ÌÓÈ ÚÓÌ ë («‰Ó»):



CMaj

C6

CM7

CM7

11

C9

CM7

9

C6

9

C

CRC CR CRC C RC CRC C CR CRC C CR

CCC CR

CCC C CR CCC C RC

Caug Cm6

Cm

Cm7

Cm7



5Cm7

Cm

9

9

RCR

C

C

CC

RRCCC

C

CC

CRC

CR CR

CR CCR

CCR

CR

CC RC

CC RC

Cm7

11

CmM7 CmM7

9

Cdim

Cdim7

C7

C7sus4

CC

C

C

CCR

CCR

C

C

CR CC

CR C CR

CC RC C

CR

CR R RC

CCC

CCC





C7



5

C7

9

C7

11

C7

13

C7



9

C7



13

C7

9

CC

C

CC

C

CC

RCC

RCC

CRC

CCC C

CRC CR

CRC CC

CCC

CCCR

CCC

CM7aug

C7aug

C1+8

C1+5

Csus4

Csus2

C = ÌÓÚ‡ ‡ÍÍÓ‰‡

C, R = ÂÍÓÏẨÛÂχfl

C

RCC

ÌÓÚ‡

CRC CRR

CRC

CC

CC

CR CC CCR CR

■ NTR (Ô‡‚ËÎÓ Ú‡ÌÒÔÓÁˈËË) Ë NTT (Ú‡·Îˈ‡ Ú‡ÌÒÔÓÁˈËË)

• NTR (Ô‡‚ËÎÓ Ú‡ÌÒÔÓÁˈËË)

éÔ‰ÂÎflÂÚ ÒËÒÚÂÏÛ, Òӄ·ÒÌÓ ÍÓÚÓÓÈ ËÁÏÂÌflÂÚÒfl ‚˚ÒÓÚ‡ Á‚ÛÍÓ‚ ËÒıÓ‰ÌÓÈ Ù‡Á˚. ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ‚‡ˇÌÚ‡ Ô‡‚Ë·:

Root Trans (Ú‡ÌÒÔÓÁˈËfl ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇)

èË Ú‡ÌÒÔÓÌËÓ‚‡ÌËË ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ‚˚ÒÓÚÌÓ ÒÓÓÚÌÓ¯ÂÌË ÏÂÊ‰Û ÌÓÚ‡ÏË ÒÓı‡ÌflÂÚÒfl. ç‡ÔËÏÂ, ÌÓÚ˚ C3, E3 Ë G3,

Á‡ÔËÒ‡ÌÌ˚ ‚ ÚÓ̇θÌÓÒÚË Ò ÓÒÌÓ‚Ì˚Ï ÚÓÌÓÏ ë, ÔË Ú‡ÌÒÔÓÌËÓ‚‡ÌËË ‚ ÚÓ̇θÌÓÒÚ¸ Ò ÓÒÌÓ‚Ì˚Ï ÚÓÌÓÏ F Ô‚‡˘‡˛ÚÒfl ‚

ÌÓÚ˚ F3, A3 Ë C4. ùÚÓ Ô‡‚ËÎÓ ÒΉÛÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ͇̇ÎÓ‚, ÒÓ‰Âʇ˘Ëı ÏÂÎӉ˘ÂÒÍÛ˛ ÎËÌ˲

(ÎËÌËË).

Root Fixed (ÓÒÌÓ‚ÌÓÈ ÚÓÌ ÙËÍÒËÓ‚‡Ì)

í‡ÌÒÔÓÌËÛÂχfl ÌÓÚ‡ ÒÚÂÏËÚÒfl Ó͇Á‡Ú¸Òfl Í‡Í ÏÓÊÌÓ ·ÎËÊÂ Í ËÒıÓ‰ÌÓÏÛ ÌÓÚÌÓÏÛ ‰Ë‡Ô‡ÁÓÌÛ. ç‡ÔËÏÂ, ÌÓÚ˚ C3, E3 Ë G3,

Á‡ÔËÒ‡ÌÌ˚ ‚ ÚÓ̇θÌÓÒÚË Ò ÓÒÌÓ‚Ì˚Ï ÚÓÌÓÏ ë («‰Ó»), Ô‚‡˘‡˛ÚÒfl ‚ ÌÓÚ˚ ë3, F3 Ë A3 ÔË Ú‡ÌÒÔÓÌËÓ‚‡ÌËË ‚

ÚÓ̇θÌÓÒÚ¸ Ò ÓÒÌÓ‚Ì˚Ï ÚÓÌÓÏ F («Ù‡»). ùÚÓ Ô‡‚ËÎÓ ÒΉÛÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ͇̇ÎÓ‚, ÒÓ‰Âʇ˘Ëı

˜‡ÒÚË Ò ‡ÍÍÓ‰‡ÏË.

116

PSR-2000/1000

ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ — ÙÛÌ͈Ëfl Style Creator

• NTT (Ú‡·Îˈ‡ Ú‡ÌÒÔÓÁˈËË)

ì͇Á‡ÌË ڇ·Îˈ˚ Ú‡ÌÒÔÓÁˈËË ‰Îfl ËÒıÓ‰ÌÓÈ Ù‡Á˚. àÏÂÂÚÒfl ¯ÂÒÚ¸ ÚËÔÓ‚ Ú‡ÌÒÔÓÁˈËË.

Bypass (Ó·ıÓ‰)

í‡ÌÒÔÓÁˈËfl Ì ÔÓËÁ‚Ó‰ËÚÒfl.

Melody (ÏÂÎÓ‰Ëfl)

èÓ‰ıÓ‰ËÚ ‰Îfl Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ÏÂÎӉ˘ÂÒÍÓÈ ÎËÌËË. ùÚÓÚ ÚËÔ ÒΉÛÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ͇̇ÎÓ‚ Phrase 1 Ë Phrase 2.

Chord (‡ÍÍÓ‰)

èÓ‰ıÓ‰ËÚ ‰Îfl Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ‡ÍÍÓ‰Ó‚. ùÚÓÚ ÚËÔ ÒΉÛÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ͇̇ÎÓ‚ Chord 1 Ë Chord 2, ÓÒÓ·ÂÌÌÓ ‚ ÚÓÏ

ÒÎÛ˜‡Â, ÍÓ„‰‡ ÓÌË ÒÓ‰ÂÊ‡Ú ‡ÍÍÓ‰Ó‚˚ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË, ÚËÔ˘Ì˚ ‰Îfl ÙÓÚÂÔˇÌÓ ËÎË „ËÚ‡˚.

Bass (·‡Ò)

èÓ‰ıÓ‰ËÚ ‰Îfl Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ·‡ÒÓ‚ÓÈ ÎËÌËË. Ç ÓÒÌÓ‚Â Ò‚ÓÂÈ ˝Ú‡ Ú‡·Îˈ‡ ̇ÔÓÏË̇ÂÚ ÓÔËÒ‡ÌÌÛ˛ ‚˚¯Â Ú‡·ÎËˆÛ «Melody».

éÚ΢ˠÒÓÒÚÓËÚ ‚ ‡ÒÔÓÁ̇‚‡ÌËË ‡ÍÍÓ‰Ó‚ Ò ·‡ÒÓ‚ÓÈ ÌÓÚÓÈ, ÍÓÚÓ˚ ÏÓÊÌÓ Á‡‰‡‚‡Ú¸ ÔË ‚˚·Ó ‡ÔÔÎË͇ÚÛ˚ FINGERED

ON BASS. ùÚÓÚ ÚËÔ „Ó‰ËÚÒfl ‚ ÓÒÌÓ‚ÌÓÏ ‰Îfl ·‡ÒÓ‚˚ı ÎËÌËÈ.

Melodic Minor (ÏÂÎӉ˘ÂÒÍËÈ ÏËÌÓ)

ÖÒÎË Ï‡ÊÓÌ˚È ‡ÍÍÓ‰ ÒÏÂÌflÂÚÒfl ÏËÌÓÌ˚Ï, ÚÂˆËfl ÔÓÌËʇÂÚÒfl ̇ ÔÓÎÚÓ̇. ÖÒÎË ÏËÌÓÌ˚È ‡ÍÍÓ‰ ÒÏÂÌflÂÚÒfl χÊÓÌ˚Ï,

ÚÂˆËfl ÔÓ‚˚¯‡ÂÚÒfl ̇ ÔÓÎÚÓ̇. éÒڇθÌ˚ ÌÓÚ˚ ‡ÍÍÓ‰‡ ÓÒÚ‡˛ÚÒfl ÌÂËÁÏÂÌÌ˚ÏË.

Harmonic Minor („‡ÏÓÌ˘ÂÒÍËÈ ÏËÌÓ)

ÖÒÎË Ï‡ÊÓÌ˚È ‡ÍÍÓ‰ ÒÏÂÌflÂÚÒfl ÏËÌÓÌ˚Ï, ÚÂˆËfl Ë ÒÂÍÒÚ‡ ÔÓÌËʇ˛ÚÒfl ̇ ÔÓÎÚÓ̇. ÖÒÎË ÏËÌÓÌ˚È ‡ÍÍÓ‰ ÒÏÂÌflÂÚÒfl

χÊÓÌ˚Ï, ÏËÌÓ̇fl ÚÂˆËfl Ë ÔÓÌËÊÂÌ̇fl ÒÂÍÒÚ‡ ÔÓ‚˚¯‡˛ÚÒfl ̇ ÔÓÎÚÓ̇. éÒڇθÌ˚ ÌÓÚ˚ ‡ÍÍÓ‰‡ ÓÒÚ‡˛ÚÒfl

ÌÂËÁÏÂÌÌ˚ÏË.

■ High Key/Note Limit (‚ÂıÌflfl ÌÓÚ‡/ÌÓÚÌ˚È ‰Ë‡Ô‡ÁÓÌ)

• ÇÂıÌflfl ÌÓÚ‡

ùÚÓÚ Ô‡‡ÏÂÚ Á‡‰‡ÂÚ Ò‡ÏÛ˛ ‚˚ÒÓÍÛ˛ ÌÓÚÛ,

èËÏÂ: ‚ÂıÌflfl ÌÓÚ‡ — F («Ù‡»)

ÓÔ‰ÂÎflfl „‡ÌËˆÛ Ú‡ÌÒÔÓÁˈËË ÓÒÌÓ‚ÌÓ„Ó





çÓ‚˚È ÓÒÌÓ‚ÌÓÈ ÚÓÌ

CM

C

M

FM

F

M











ÚÓ̇ ‡ÍÍÓ‰‡. ÇÒ ÌÓÚ˚, ˜¸fl ‚˚ÒÓÚ‡ Ô‚˚¯‡ÂÚ

ëÓ˜ÂÚ‡ÌË ÌÓÚ

C3-E3-G3

C

3-F3-G

3

F3-A3-C4

F

2-A

2-C

3

Á‡‰‡ÌÌÓ Á̇˜ÂÌËÂ, Ú‡ÌÒÔÓÌËÛ˛ÚÒfl ‚ ÓÍÚ‡‚Û,

‡ÒÔÓÎÓÊÂÌÌÛ˛ ÌËÊ ҇ÏÓÈ ‚˚ÒÓÍÓÈ ÌÓÚ˚ Ë

ÔËÏ˚͇˛˘Û˛ Í ÌÂÈ. ùÚÓÚ Ô‡‡ÏÂÚ ‰ÂÈÒÚ‚ÛÂÚ

ÚÓθÍÓ ÚÓ„‰‡, ÍÓ„‰‡ Á̇˜ÂÌË ԇ‡ÏÂÚ‡ NTR

(ÒÚ. 116) ‡‚ÌÓ «Root Trans.».

• Note Limit (ÌÓÚÌ˚È ‰Ë‡Ô‡ÁÓÌ)

чÌÌ˚È Ô‡‡ÏÂÚ Á‡‰‡ÂÚ „‡Ìˈ˚ ÌÓÚÌÓ„Ó

èËÏÂ: ҇χfl ÌËÁ͇fl ÌÓÚ‡ — ë3, ‡ ҇χfl ‚˚ÒÓ͇fl — D4

‰Ë‡Ô‡ÁÓ̇ ‰Îfl „ÓÎÓÒÓ‚, Á‡ÔËÒ˚‚‡ÂÏ˚ı ̇ ͇̇Î˚



çÓ‚˚È ÓÒÌÓ‚ÌÓÈ ÚÓÌ

CM

C

M

FM

ÒÚËÎfl. è‡‚ËθÌÓ Á‡‰‡‚ ‰‡ÌÌ˚È ‰Ë‡Ô‡ÁÓÌ, ‚˚





ëÓ˜ÂÚ‡ÌË ÌÓÚ

E3-G3-C4

F3-G

3-C

4

F3-A3-C4

ÏÓÊÂÚ ‰Ó·ËÚ¸Òfl χÍÒËχθÌÓÈ ‡ÎËÒÚ˘ÌÓÒÚË

ÇeıÌËÈ

Á‚Û˜‡ÌËfl „ÓÎÓÒÓ‚. ÑÛ„ËÏË ÒÎÓ‚‡ÏË, ÏÓÊÌÓ

Ôe‰eÎ

çËÊÌËÈ

Û͇Á‡Ú¸ ÂÒÚÂÒÚ‚ÂÌÌ˚ Ô‰ÂÎ˚ Á‚Û˜‡ÌËfl

Ôe‰eÎ

ÍÓÌÍÂÚÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡ (̇ÔËÏÂ, ËÁ·Âʇڸ

ÔÓfl‚ÎÂÌËfl Á‚ÛÍÓ‚ «ÔË͇˛˘ÂÈ» ·‡Ò-„ËÚ‡˚, ËÎË

«·‡Òfl˘ÂÈ» ÙÎÂÈÚ˚-ÔËÍÍÓÎÓ). çÓÚ˚ ‡‚ÚÓχÚ˘ÂÒÍË Ò‰‚Ë„‡˛ÚÒfl, ˜ÚÓ·˚ ÔÓÔ‡ÒÚ¸ ‚ Û͇Á‡ÌÌ˚È ‰Ë‡Ô‡ÁÓÌ.

■ RTR (Ô‡‚ËÎÓ ÔÓ‚ÚÓÌÓ„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl)

ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ ÏÓÊÌÓ Û͇Á‡Ú¸, ÌÂÓ·ıÓ‰ËÏÓ ÎË Á‡„ÎÛ¯‡Ú¸ ËÒıÓ‰Ì˚ ÌÓÚ˚ ËÎË ÌÂÚ. äÓÏ ÚÓ„Ó, ÏÓÊÌÓ Á‡‰‡Ú¸

Á‡‚ËÒËÏÓÒÚ¸ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ ÓÚ ÒÏÂÌ˚ ‡ÍÍÓ‰‡.

Stop

àÒıÓ‰Ì˚ ÌÓÚ˚ Á‡„ÎÛ¯‡˛ÚÒfl.

Pitch Shift (ÒÍÓθÊÂÌË ‚˚ÒÓÚ˚)

Ç˚ÒÓÚ‡ ÌÓÚ˚ «ÒÍÓθÁËÚ» Ò Û˜ÂÚÓÏ ÚËÔ‡ ÌÓ‚Ó„Ó ‡ÍÍÓ‰‡. î‡Á‡ ‡Ú‡ÍË Ì ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl.

Pitch Shift to Root (ÒÍÓθÊÂÌË ‚˚ÒÓÚ˚ Ò Û˜ÂÚÓÏ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇)

Ç˚ÒÓÚ‡ ÌÓÚ˚ «ÒÍÓθÁËÚ» ÔÓ Ì‡Ô‡‚ÎÂÌ˲ Í ‚˚ÒÓÚ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ÌÓ‚Ó„Ó ‡ÍÍÓ‰‡. î‡Á‡ ‡Ú‡ÍË Ì ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl.

Retrigger (ÔÓ‚ÚÓÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ)

çÓÚ‡ ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl Ò Ù‡ÁÓÈ ‡Ú‡ÍË Ì‡ ÌÓ‚ÓÈ ‚˚ÒÓÚÂ, Á‡‰‡‚‡ÂÏÓÈ ËÁÏÂÌÂÌÌ˚Ï ‡ÍÍÓ‰ÓÏ.

Retrigger To Root (ÔÓ‚ÚÓÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ Ò Û˜ÂÚÓÏ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇)

çÓÚ‡ ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl Ò Ù‡ÁÓÈ ‡Ú‡ÍË Ì‡ ÌÓ‚ÓÈ ‚˚ÒÓÚÂ, Á‡‰‡‚‡ÂÏÓÈ ÓÒÌÓ‚Ì˚Ï ÚÓÌÓÏ ËÁÏÂÌÂÌÌÓ„Ó ‡ÍÍÓ‰‡. èË ˝ÚÓÏ Ó̇

Á‚Û˜ËÚ ‚ Ô‰Â·ı ËÒıÓ‰ÌÓÈ ÓÍÚ‡‚˚.

PSR-2000/1000

117

ëÓÁ‰‡ÌË ÏÛθÚËÔ˝‰‡ — ÙÛÌ͈Ëfl Multi Pad Creator

ëËÌÚÂÁ‡ÚÓ PSR-2000/1000 ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ÓË„Ë̇θÌ˚ Ù‡Á˚-ÏÛθÚËÔ˝‰˚, ÍÓÚÓ˚ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‚Ó

‚ÂÏfl ‚˚ÒÚÛÔÎÂÌËÈ Ì‡‡‚Ì ÒÓ ‚ÒÚÓÂÌÌ˚ÏË ÏÛθÚËÔ˝‰‡ÏË.

HOLD

LEFT

VOICE EFFECT

BACK NEXT

SUSTAIN

HARMONY/

ECHO

MONOTOUCH

DSP

VARIATION

DIGITAL

ORGAN &

SOUND CREATOR

STUDIO

VOIC E

MAIN

PIANO & HARPSI.

E.PIANO

ACCORDION

PERCUSSION

DIGITAL RECORDING

A

F

LAYER

GUITAR

BASS

BRASS

WOODWIND

B

G

MIXING CONSOLE

C

H

LEFT

STRINGS CHOIR & PAD

SYNTH.

XG

D

I

MENU

USER

ORGAN FLUTES

DEMO

E

J

MUSIC

UPPER OCTAVE

FINDER

HELP

MIC.

SELECT

VH TYPE

RESET

OVER

SETTING

MIC.

HARMONY

VOCAL

TALK

EFFECT

FUNCTION

SIGNAL

ONE TOUCH SETTING

ACCESS

DIRECT

BALANCE

EXIT

ENTER

CHANNEL ON/OFF

PART

REGISTRATION MEMORY

DATA ENTRY

FREEZE MEMORY

118

PSR-2000/1000

SONG

TRACKS

EXTRA

TRACK

2

TRACK

1 REPEAT

NOME

METRO-

(STYLE) (R)(L)

REC REW FF

TOP

START/STOP

STYLE

NEW SONG SYNC. START

POP & ROCK

SWING &

JAZZ

BALLROOM

MARCH &

WALTZ

BALLAD USERLATIN

DANCE

PART

TRANSPOSE

TEMPO

TAP TEMPO

MASTER VOLUME

RESET

RESET

STOP

FADE

MULTI PAD

IN/OUT

MIN MAX

STYLE CONTROL

ACMP

BREAK

INTRO

MAIN

ENDING

/ rit.

AUTO

FILL IN

OTS

LINK

STOP

SYNC.

START

SYNC.

START/STOP

STANDBY

ON

STOP

MULTI PAD

èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ

Ç˚·ÂËÚ ÌÛÊÌ˚È ·‡ÌÍ ÏÛθÚËÔ˝‰Ó‚ ‰Îfl

1

‰‡ÍÚËÓ‚‡ÌËfl. óÚÓ·˚ Á‡ÔËÒ‡Ú¸ ÌÓ‚˚È

3

ÏÛθÚËÔ˝‰ «Ò ÌÛÎfl», ÓÚÍÓÈÚ ÒÚ‡ÌˈÛ

RECORD ˝Í‡Ì‡ Multi Pad Creator Ë ‚˚·ÂËÚÂ

Ô‡‡ÏÂÚ «New Bank»(çÓ‚˚È ·‡ÌÍ), ̇ʇ‚

A

ÍÌÓÔÍÛ [C] (NEW BANK).

B

C

D

DIGITAL

STUDIO

SOUND CREATOR

E

2

DIGITAL RECORDING

MIXING CONSOLE

PART

á‡ÔËÒ¸ Ë ‰‡ÍÚËÓ‚‡ÌË ÏÛθÚËÔ˝‰‡. èÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó

4

éÚÍÓÈÚ ˝Í‡Ì Multi Pad

ÔÓfl‰Í ‡·ÓÚ˚ Ò Í‡Ê‰ÓÈ ÒÚ‡ÌˈÂÈ ˝Í‡Ì‡ Multi Pad Creator ÒÏ. ‰‡ÎÂÂ,

5

(ÏÛθÚËÔ˝‰), ̇ʇ‚ ÍÌÓÔÍÛ

̇˜Ë̇fl ÒÓ ÒÎÂ‰Û˛˘ÂÈ ÒÚ‡Ìˈ˚.

[I] (SAVE) (ÒÓı‡ÌËÚ¸), Ë

BACK NEXT

ÒÓı‡ÌËÚ Á‡ÔËÒ‡ÌÌ˚Â/

ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚Â

‰‡ÌÌ˚ ̇ ‰ËÒÍÂÚ ËÎË ‚

ÑÎfl ÔÂÂıÓ‰‡ ̇

‡Á‰ÂΠԇÏflÚË USER.

ÒÚ‡ÌËˆÛ RECORD

F

ËÎË EDIT

G

ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË

[BACK]/[NEXT].

H

I

óÚÓ·˚ ‚˚ÈÚË ËÁ

J

˝Í‡Ì‡ MULTI PAD,

END

̇ÊÏËÚ ÍÌÓÔÍÛ

[EXIT].

ëÓÁ‰‡ÌË ÏÛθÚËÔ˝‰‡ — ˝Í‡Ì Multi Pad Creator

á‡ÔËÒ¸ ÏÛθÚËÔ˝‰‡ ‚ ‡θÌÓÏ ‚ÂÏÂÌË — Record

éÔËÒ‡ÌÌ˚ ÌËÊ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 4 ËÌÒÚÛ͈ËË Ì‡ ÒÚ. 118.

A

F

Ç˚·Ó ÌÛÊÌÓ„Ó ÏÛθÚËÔ˝‰‡ ‰Îfl

Á‡ÔËÒË Ë ‰‡ÍÚËÓ‚‡ÌËfl.

B

G

åÛθÚËÔ˝‰ ÏÓÊÌÓ ‚˚·‡Ú¸

C

H

ÇÍβ˜ÂÌË ÂÊËχ

Ú‡ÍÊÂ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ

ÓÊˉ‡ÌËfl Á‡ÔËÒË

MULTI PAD Ò [1] ÔÓ [4].

D

I

(ÒËÌıÓÌÌÓ„Ó ÓÊˉ‡ÌËfl).

E

J

ëÓı‡ÌÂÌË Á‡ÔËÒ‡ÌÌ˚ı

Ç˚·Ó ÔÛÒÚÓ„Ó ·‡Ì͇

‰‡ÌÌ˚ı ÏÛθÚËÔ˝‰‡ ‚

ÏÛθÚËÔ˝‰Ó‚, ÔÓÁ‚ÓÎfl˛˘Â„Ó

‡Á‰ÂÎ˚ Ô‡ÏflÚË USER ËÎË

ÒÓÁ‰‡Ú¸ ÌÓ‚˚È ÏÛθÚËÔ˝‰

FLOPPY DISK.

«Ò ÌÛÎfl».

Ç˚ÁÓ‚ ˝Í‡Ì‡ NAME ‰Îfl ‚‚Ó‰‡

ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ÔÓ‚ÚÓ‡/̇ÒÚÓÈÍË

ÌÓ‚Ó„Ó ËÏÂÌË.

‡ÍÍÓ‰‡ ‰Îfl ‚ÒÂı ÏÛθÚËÔ˝‰Ó‚ (ÒÏ. ÌËÊÂ).

燘‡ÎÓ Á‡ÔËÒË

óÚÓ·˚ ÛÒÚ‡ÌÓ‚ËÚ¸ ÂÊËÏ ÓÊˉ‡ÌËfl ‚Ó ‚ÂÏfl Á‡ÔËÒË, ̇ÊÏËÚ ÍÌÓÔÍÛ [H] (REC). á‡ÔËÒ¸ ̇˜ÌÂÚÒfl

‡‚ÚÓχÚ˘ÂÒÍË, Í‡Í ÚÓθÍÓ ‚˚ ÍÓÒÌÂÚÂÒ¸ Í·‚˯. åÓÊÌÓ Ì‡˜‡Ú¸ Á‡ÔËÒ¸ Ë Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË

• åÓÊÌÓ Á‡ÔËÒ‡Ú¸ Ú‡ÍÊ Ë

STYLE [START]. ÖÒÎË ÙÛÌ͈Ëfl ̇ÒÚÓÈÍË ‡ÍÍÓ‰‡ (ÒÏ. ÌËÊÂ) ÛÒÚ‡ÌÓ‚ÎÂ̇ ‚ ÔÓÎÓÊÂÌË «ON» ‰Îfl

ÌÓÚ˚, Ì ‚ıÓ‰fl˘Ë ‚ ‰Ó-

χÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰;

ÚÓ„Ó ÏÛθÚËÔ˝‰‡, ÍÓÚÓ˚È ‰ÓÎÊÂÌ ·˚Ú¸ Á‡ÔËÒ‡Ì, ÌÂÓ·ıÓ‰ËÏÓ ËÒÔÓθÁÓ‚‡Ú¸ ÔË Á‡ÔËÒË ÌÓÚ˚ ‰Ó-

Ӊ̇ÍÓ ˝ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í

χÊÓÌÓ„Ó ÒÂÔÚ‡ÍÍÓ‰‡ (C, D, E, G, Ä Ë B).

Á‡ÔËÒË Ù‡Á˚, ÍÓÚÓ‡fl ÔË

‚ÓÒÔÓËÁ‚‰ÂÌËË Ì ·Û‰ÂÚ

ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ ‰‡ÌÌÓÏÛ

C = ÌÓÚ‡ ‡ÍÍÓ‰‡

ÒÂÔÚ‡ÍÍÓ‰Û.

C, R = ÂÍÓÏẨÛÂÏ˚ ÌÓÚ˚

• èË ‚ÓÒÔÓËÁ‚‰ÂÌËË ‚Ó

CRC CRC

ÑÛ„Ë ÌÓÚ˚ Ì ÂÍÓÏÂÌ‰Û˛ÚÒfl Í ËÒÔÓθÁÓ‚‡Ì˲

‚ÂÏfl Á‡ÔËÒË ËÚÏ˘ÂÒ͇fl

˜‡ÒÚ¸ ‚˚·‡ÌÌÓ„Ó ÒÚËÎfl

ËÒÔÓθÁÛÂÚÒfl ‚ ͇˜ÂÒÚ‚Â

ÓÒÌÓ‚ÌÓ„Ó ËÚχ (‚ÏÂÒÚÓ

ÏÂÚÓÌÓχ). é‰Ì‡ÍÓ Ó̇ ÌÂ

Á‡ÔËÒ˚‚‡ÂÚÒfl ‚ ÏÛθÚËÔ˝‰.

éÒÚ‡Ìӂ͇ Á‡ÔËÒË

ë˚„‡‚ Ù‡ÁÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [H] (STOP) ËÎË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ Ì‡ Ô‡ÌÂÎË STYLE/MULTI PAD [STOP], ˜ÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸

Á‡ÔËÒ¸.

ÇÍβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ÙÛÌ͈ËÈ Ì‡ÒÚÓÈÍË ‡ÍÍÓ‰‡ Ë ÔÓ‚ÚÓ‡

■ èÓ‚ÚÓ

çÂÒÏÓÚfl ̇ ÚÓ, ˜ÚÓ ÙÛÌ͈Ëfl ÔÓ‚ÚÓ‡ ‚Íβ˜Â̇ ‰Îfl ‚˚·‡ÌÌÓ„Ó ÏÛθÚËÔ˝‰‡, ‚ÓÒÔÓËÁ‚‰ÂÌË ‡‚ÚÓχÚ˘ÂÒÍË ÔÂÍ‡ÚËÚÒfl,

Í‡Í ÚÓθÍÓ Á‡ÍÓ̘ËÚÒfl Ù‡Á‡. î‡Á‡ ÏÓÊÂÚ ·˚Ú¸ ÓÒÚ‡ÌÓ‚ÎÂ̇ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË MULTI PAD

[STOP].

■ ç‡ÒÚÓÈ͇ ‡ÍÍÓ‰‡

ÖÒÎË ÏÛθÚËÔ˝‰ ÔÓË„˚‚‡ÂÚÒfl ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ÔË ‚Íβ˜ÂÌÌÓÈ ÙÛÌ͈ËË Ì‡ÒÚÓÈÍË ‡ÍÍÓ‰‡, Ù‡Á‡

‡‚ÚÓχÚ˘ÂÒÍË ·Û‰ÂÚ ÔÓ‚ÚÓÌÓ „‡ÏÓÌËÁËÓ‚‡Ì‡ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ‡ÍÍÓ‰‡ÏË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.

PSR-2000/1000

119

ëÓÁ‰‡ÌË ÏÛθÚËÔ˝‰‡ — ˝Í‡Ì Multi Pad Creator

èÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸ Ë ‰‡ÍÚËÓ‚‡ÌË ÏÛθÚËÔ˝‰Ó‚ — ‚Í·‰Í‡ Edit

ùÚÓÚ ÏÂÚÓ‰ ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡Ú¸ ÏÛθÚËÔ˝‰ ÔÛÚÂÏ ÔÓÒΉӂ‡ÚÂθÌÓ„Ó ‚‚Ó‰‡ ÌÓÚ Ë ‰Û„Ëı ‰‡ÌÌ˚ı; ÔË ˝ÚÓÏ ÌÂÚ ÌÂÓ·ıÓ‰ËÏÓÒÚË

ËÒÔÓÎÌflÚ¸ Ô¸ÂÒÛ ‚ ‡θÌÓÏ ‚ÂÏÂÌË. éÔËÒ‡ÌÌ˚ ÌËÊ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 4 ËÌÒÚÛ͈ËË Ì‡ ÒÚ. 118.

F

F

G

G

H

H

I

I

J

J

èӈ‰Û‡ Á‡ÔËÒË Ë‰ÂÌÚ˘̇ ÓÔËÒ‡ÌÌÓÈ ‚ ‡Á‰ÂÎÂ, ÔÓÒ‚fl˘ÂÌÌÓÏ ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË ÔÂÒÂÌ (ÒÚ. 96). ê‡Á΢Ëfl ÏÂÊ‰Û ÌËÏË

ÔÂ˜ËÒÎÂÌ˚ ÌËÊÂ. ã˛·Ó ÒÓ·˚ÚË ÏÓÊÌÓ ‰‡ÍÚËÓ‚‡Ú¸ ̇ ÒÚ‡Ìˈ «Edit». èË ˝ÚÓÏ ËÒÔÓθÁÛÂÚÒfl ÚÓÚ Ê ÏÂÚÓ‰, ˜ÚÓ Ë ÔË

‰‡ÍÚËÓ‚‡ÌËË ÔÂÒÂÌ (ÒÚ. 105).

• í‡Í ÊÂ Í‡Í Ë ÔË Á‡ÔËÒË ÔÂÒÂÌ, ÔÓÎÓÊÂÌË ÓÚÏÂÚÍË «End» ̇ ˝Í‡Ì «Multi Pad Creator» ÏÓÊÌÓ Ò‚Ó·Ó‰ÌÓ ‚‡¸ËÓ‚‡Ú¸. ùÚÓ

ÔÓÁ‚ÓÎflÂÚ „ÛÎËÓ‚‡Ú¸ ‰ÎËÌÛ Ù‡Á˚ ‚ ÏÛθÚËÔ˝‰Â. í‡Í‡fl ‚ÓÁÏÓÊÌÓÒÚ¸ ÓÒÓ·ÂÌÌÓ Û‰Ó·Ì‡, ̇ÔËÏÂ, ‰Îfl ÒËÌıÓÌËÁ‡ˆËË

ÔÓ‚ÚÓÌÓ„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÏÛθÚËÔ˝‰‡ (Ò ‚Íβ˜ÂÌÌÓÈ ÙÛÌ͈ËÂÈ ÔÓ‚ÚÓ‡) Ò Í·‚ˇÚÛÓÈ Ë ‚Íβ˜ÂÌÌ˚Ï

‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ.

• èÓÒÍÓθÍÛ ‰Îfl ÏÛθÚËÔ˝‰Ó‚ ‚˚‰ÂÎÂ̇ ÚÓθÍÓ Ó‰Ì‡ ‰ÓÓÊ͇ (͇̇Î), ÒÏÂÌËÚ¸  ÌÂθÁfl.

120

PSR-2000/1000

ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË Ë Á‡ÏÂ̇ „ÓÎÓÒÓ‚

— Mixing Console

ùÍ‡Ì ÍÓÌÒÓÎË ‚˚„Îfl‰ËÚ Í‡Í Ì‡ÒÚÓfl˘ËÈ ÏËͯÂ Ë ÔÓÁ‚ÓÎflÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ ÔÓÎÌ˚È ÍÓÌÚÓθ ̇‰ Á‚ÛÍÓÏ.

ÑÓÔÓÎÌËÚÂθÌ˚ Òڇ̉‡ÚÌ˚ ˝ÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl ÏÓÊÌÓ ‰Ó·‡‚ÎflÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ

[BALANCE]

Ë

[CHANNEL ON/OFF]

(ÒÚ. 61).

■ é Ô‡‡ÏÂÚ‡ı

• VOL/VOICE („ÓÏÍÓÒÚ¸/„ÓÎÓÒ) (ÒÚ. 122)

ç‡ ˝ÚÓÈ ÒÚ‡Ìˈ ÏÓÊÌÓ Á‡‰‡Ú¸ ÛÓ‚Â̸ „ÓÏÍÓÒÚË Ë „ÓÎÓÒ ‰Îfl ͇ʉÓÈ ˜‡ÒÚË/͇̇·. äÓÏ ÚÓ„Ó, Á‰ÂÒ¸ ‚˚ ÏÓÊÂÚ ‚Íβ˜ËÚ¸

ÙÛÌÍˆË˛ Auto Revoice, ÍÓÚÓ‡fl ÔÓÁ‚ÓÎflÂÚ ‡‚ÚÓχÚ˘ÂÒÍË ÔÓË„˚‚‡Ú¸ ÔÂÒÌË ‚ ÙÓχÚ XG (ÒÚ. 159) Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ

ÛÌË͇θÌ˚ı ÔÓ ·Ó„‡ÚÒÚ‚Û Á‚Û˜‡ÌËfl Ë ‰Ë̇ÏËÍ „ÓÎÓÒÓ‚ PSR-2000/1000. Å·„Ó‰‡fl ˝ÚÓÏÛ ‚ ‚‡¯ÂÈ ÔÂÒÌ Á‡Á‚Û˜‡Ú „Ó‡Á‰Ó ·ÓÎÂÂ

‡ÎËÒÚ˘Ì˚Â Ë ÂÒÚÂÒÚ‚ÂÌÌ˚ ÚÂÏ·˚.

• FILTER (ÙËθÚ) (ÒÚ. 123)

ç‡ ˝ÚÓÈ ÒÚ‡Ìˈ ‚˚ ÏÓÊÂÚ ̇ÒÚÓËÚ¸ ÚÂÏ· „ÓÎÓÒ‡, Ôˉ‡‚ ÂÏÛ ÏÓ˘¸, ˝ÌÂ„˲ Ë flÍÓÒÚ¸.

• TUNE (̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚) (ÒÚ. 123)

ùÚ‡ ÒÚ‡Ìˈ‡ ÒÎÛÊËÚ ‰Îfl ̇ÒÚÓÈÍË ‚˚ÒÓÚ˚ Á‚Û͇ Ë Á‡‰‡ÌËfl ÒÓÔÛÚÒÚ‚Û˛˘Ëı Ô‡‡ÏÂÚÓ‚.

• EFFECT (˝ÙÙÂÍÚ) (ÒÚ. 124)

á‰ÂÒ¸ ‚˚ ÏÓÊÂÚ Á‡‰‡Ú¸ ÛÓ‚Â̸ ÔÓÒ˚· ˝ÙÙÂÍÚÓ‚.

• EQ (Equalizer) (ÚÓθÍÓ ‰Îfl PSR-2000) (ÒÚ. 127)

ùÍ‚‡Î‡ÈÁÂ ÔÓÏÓ„‡ÂÚ ÔÓ‰ÒÚÓËÚ¸ Ó·˘Â Á‚Û˜‡ÌË ËÌÒÚÛÏÂÌÚ‡ ÔÓ‰ ‡ÍÛÒÚËÍÛ ÚÓ„Ó ËÎË ËÌÓ„Ó ÔÓÏ¢ÂÌËfl. äÓÏ ÚÓ„Ó, Á‰ÂÒ¸

ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ „ÓÏÍÓÒÚ¸ ËÎË ÚÂÏ· ͇ʉÓÈ ˜‡ÒÚË.

PSR-2000/1000

121

VOICE EFFECT

BACK NEXT

LEFT

HOLD

SUSTAIN

HARMONY/

ECHO

MONOTOUCH

DSP

VARIATION

DIGITAL

SOUND CREATOR

STUDIO

MAIN

PIANO & HARPSI.

VOICE

E.PIANO

ORGAN &

ACCORDION

PERCUSSION

DIGITAL RECORDING

A

F

GUITAR

BASS

BRASS

WOODWIND

B

G

LAYER

MIXING CONSOLE

C

H

LEFT

STRINGS CHOIR & PAD

SYNTH.

XG

D

I

MENU

E

J

USER

ORGAN FLUTES

DEMO

UPPER OCTAVE

FINDER

MUSIC

HELP

MIC.

VH TYPE

RESET

OVER

SELECT

SETTING

MIC.

HARMONY

VOCAL

TALK

EFFECT

FUNCTION

SIGNAL

DIRECT

BALANCE

ENTER

ONE TOUCH SETTING

ACCESS

EXIT

CHANNEL ON/OFF

PART

REGISTRATION MEMORY

DATA ENTRY

FREEZE MEMORY

SONG

TRACKS

EXTRA

TRACK

2

TRACK

1 REPEAT

METRO-

NOME

(STYLE) (R)(L)

REC REW FF

TOP

START/STOP

STYLE

NEW SONG SYNC. START

POP & ROCK

JAZZ

SWING &

BALLROOM

MARCH &

WALTZ

BALLAD USERLATIN

DANCE

PART

TRANSPOSE

TEMPO

TAP TEMPO

MASTER VOLUME

RESET

RESET

STOP

FADE

MULTI PAD

IN/OUT

MIN MAX

MIXING CONSOLE

STYLE CONTROL

ACMP

BREAK

INTRO

MAIN

ENDING

/ rit.

SYNC.

STANDBY

FILL IN

AUTO

SYNC.

ON

LINK

OTS

STOP

START

START/STOP

PART

ìÔ‡‚ÎÂÌË ÏËͯÂÓÏ

MIXING CONSOLE

èÂÂȉfl Í ˝Í‡ÌÛ MIXING CONSOLE, ̇ÊËχÈÚ ËÁÓ·‡ÊÂÌÌÛ˛

ëÛ˘ÂÒÚ‚ÛÂÚ ÔÓÒÚÓÈ ÒÔÓÒÓ·

1

ÛÒÚ‡ÌÓ‚ÍË Â‰ËÌÓ„Ó ‰Îfl ‚ÒÂı

PART

Ò΂‡ ÍÌÓÔÍÛ ‰Ó ÚÂı ÔÓ, ÔÓ͇ Ì ۂˉËÚ ÔÂ‰ ÒÓ·ÓÈ ÌÛÊÌ˚È

˜‡ÒÚÂÈ Á̇˜ÂÌËfl β·Ó„Ó ËÁ

˝Í‡Ì.

ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ «ÔÓÎËÒÚ˚‚‡Ú¸» ÒÚ‡Ìˈ˚ ÍÓÌÒÓÎË.

Ô‡‡ÏÂÚÓ‚ (ÍÓÏ ԇ‡ÏÂÚ‡

VOICE). óÚÓ·˚ Á‡‰‡Ú¸ Ú‡ÍÓÂ

è‡ÌÂθ ˜‡ÒÚÂÈ

Á̇˜ÂÌËÂ, ÒΉÛÂÚ

éڂ˜‡ÂÚ Á‡ ̇ÒÚÓÈÍÛ ˜‡ÒÚÂÈ, ÍÓÚÓ˚ ˄‡˛ÚÒfl Ò

‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ÍÌÓÔ͇ÏË [1] -

Í·‚ˇÚÛ˚ (Main/Layer, Left), ˜‡ÒÚÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡,

[8] ËÎË ‰ËÒÍÓÏ ÛÔ‡‚ÎÂÌËfl

[DATA ENTRY], Ó‰ÌÓ‚ÂÏÂÌÌÓ

ÔÂÒÌË Ë ÏËÍÓÙÓÌÌÓ„Ó Ò˄̇· (ÚÓθÍÓ ‰Îfl PSR-2000)

Û‰ÂÊË‚‡fl Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ [A] -

ó‡ÒÚ¸ ÒÚËÎfl

[J], ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛

ó‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

ËÁÏÂÌflÂÏÓÏÛ Ô‡‡ÏÂÚÛ.

èÂÒÌfl (͇̇Î˚ 1 - 8)

ä‡Ì‡Î˚ ÔÂÒÌË (Ò ÔÂ‚Ó„Ó ÔÓ ‚ÓÒ¸ÏÓÈ)

ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó

èÂÒÌfl (͇̇Î˚ 9 -16)

Ô‡‡ÏÂÚ‡ı ÙÛÌ͈ËË Sound

ä‡Ì‡Î˚ ÔÂÒÌË (Ò ‰Â‚flÚÓ„Ó ÔÓ ¯ÂÒÚ̇‰ˆ‡Ú˚È)

Creator Ô˂‰ÂÌ˚ ̇ ÒÚ. 88.

èÂÂȉËÚ ̇ ‰Û„Ë ÒÚ‡Ìˈ˚ ÍÓÌÒÓÎË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ

á‡ÍÓÈÚ ˝Í‡Ì Mixing

2

[BACK]/[NEXT] Ë Á‡‰‡ÈÚ ÌÂÓ·ıÓ‰ËÏ˚ ԇ‡ÏÂÚ˚.

END

Console, ̇ʇ‚ ÍÌÓÔÍÛ

ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ‡Á΢Ì˚ı Ô‡‡ÏÂÚ‡ı Ë ÒÔÓÒÓ·‡ı Ëı

[EXIT].

̇ÒÚÓÈÍË ÒÏ. ÒÚ. 122 Ë ‰‡ÎÂÂ.