Yamaha CLP-240 – страница 4

ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ

ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ

èÓ·ÎÂχ ÇÓÁÏÓÊÌ˚ Ô˘ËÌ˚ Ë ÒÔÓÒÓ·˚ ÛÒÚ‡ÌÂÌËfl

èˇÌËÌÓ Clavinova Ì ‚Íβ˜‡ÂÚÒfl. èˇÌËÌÓ Clavinova ÌÂÔ‡‚ËθÌÓ ÔÓ‰Íβ˜ÂÌÓ Í ÓÁÂÚÍÂ. èÓ‚Â¸Ú ÔÓ‰Íβ˜ÂÌË ͇·ÂÎfl Í

‡Á˙ÂÏÛ Ì‡ Clavinova Ë Í ÓÁÂÚÍ (ÒÚ. 11).

èË ‚Íβ˜ÂÌËË Ë ÓÚÍβ˜ÂÌËË ÔËÚ‡ÌËfl ÒÎ˚¯Ì˚

í‡Í ‚Ò„‰‡ ÔÓËÒıÓ‰ËÚ ÔË ÔÓ‰‡˜Â Ë ÓÚÍβ˜ÂÌËË ˝ÎÂÍÚÓÔËÚ‡ÌËfl.

˘ÂΘÍË ËÎË ÚÂÒÍ.

ëÎ˚¯ÂÌ ¯ÛÏ ËÁ ‰Ë̇ÏËÍÓ‚ Ë Ì‡Û¯ÌËÍÓ‚. òÛÏ ÏÓÊÂÚ ·˚Ú¸ ÒΉÒÚ‚ËÂÏ ÔÓÏÂı, ‚˚Á‚‡ÌÌ˚ı ËÒÔÓθÁÓ‚‡ÌËÂÏ ÏÓ·ËθÌÓ„Ó ÚÂÎÂÙÓ̇ ‚

ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓÈ ·ÎËÁÓÒÚË ÓÚ Clavinova. éÚÍβ˜ËÚ ÏÓ·ËθÌ˚È ÚÂÎÂÙÓÌ ËÎË ËÒÔÓθÁÛÈÚÂ Â„Ó Ì‡

·Óθ¯ÂÏ ‡ÒÒÚÓflÌËË ÓÚ Clavinova.

é·˘ËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ÒÎ˯ÍÓÏ ÌËÁÓÍ, ËÎË Á‚ÛÍ

• Ç˚·‡Ì ÒÎ˯ÍÓÏ ÌËÁÍËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË, ÛÒÚ‡ÌÓ‚ËÚ ÌÛÊÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË Ò

ÓÚÒÛÚÒÚ‚ÛÂÚ ‚ÓÓ·˘Â.

ÔÓÏÓ˘¸˛ „ÛÎflÚÓ‡ [MASTER VOLUME].

•ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ Ì‡Û¯ÌËÍË Ì ÔÓ‰Íβ˜ÂÌ˚ Í ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏÛ ‡Á˙ÂÏÛ (ÂÒÎË

ÔÂÂÍβ˜‡ÚÂθ SPEAKER ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË «NORMAL»). ÖÒÎË ÔÂÂÍβ˜‡ÚÂθ

SPEAKER ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË «OFF», ÔÓÒÚ‡‚¸ÚÂ Â„Ó ‚ ÔÓÎÓÊÂÌË «NORMAL» ËÎË «ON»

(ÒÚ. 12).

•ì·Â‰ËÚÂÒ¸, ˜ÚÓ ‰Îfl ÙÛÌ͈ËË Local Control (ÒÚ. 53) ‚˚·‡Ì Ô‡‡ÏÂÚ ON.

ÑË̇ÏËÍË Ì ÓÚÍβ˜‡˛ÚÒfl ÔË ÔÓ‰ÒÓ‰ËÌÂÌËË

ÇÓÁÏÓÊÌÓ, ÔÂÂÍβ˜‡ÚÂθ SPEAKER ̇ıÓ‰ËÚÒfl ‚ ÔÓÎÓÊÂÌËË «ON». ìÒÚ‡ÌÓ‚ËÚ ÔÂÂÍβ˜‡ÚÂθ

̇ۯÌËÍÓ‚.

SPEAKER ‚ ÔÓÎÓÊÂÌËÂ «NORMAL» (ÒÚ. 12).

è‡‚‡fl Ô‰‡Î¸ Ì ‡·ÓÚ‡ÂÚ, ËÎË Á‚ÛÍ ÔӉ΂‡ÂÚÒfl,

ÇÓÁÏÓÊÌÓ, ͇·Âθ Ô‰‡ÎÂÈ ÌÂÔ‡‚ËθÌÓ ÔÓ‰Íβ˜ÂÌ. ì·Â‰ËÚÂÒ¸, ˜ÚÓ Í‡·Âθ Ô‰‡ÎÂÈ ÔÎÓÚÌÓ

‰‡Ê ÂÒÎË Ó̇ Ì ̇ʇڇ.

‚ÒÚ‡‚ÎÂÌ ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ‡Á˙ÂÏ (ÒÚ. 67).

(CLP-240)

USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÏÓÊÂÚ Ì ‡ÒÔÓÁ̇‚‡Ú¸Òfl ËÌÒÚÛÏÂÌÚÓÏ. ùÚÓ Á‡‚ËÒËÚ ÓÚ

ïÓÚfl USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı

Ò‡ÏÓ„Ó ÛÒÚÓÈÒÚ‚‡ Ë ‚˚·Ó‡ ÏÓÏÂÌÚ‡ ‚ÂÏÂÌË ‰Îfl ‡ÒÔÓÁ̇‚‡ÌËfl.

ÔÓ‰Íβ˜ÂÌÓ, Ë̉Ë͇ÚÓ SONG SELECT «USB» ÌÂ

1. èÓ‚Â¸Ú ÔÂÂÍβ˜‡ÚÂθ [SELECT].

Á‡„Ó‡ÂÚÒfl ÔË Ì‡Ê‡ÚËË ÍÌÓÔÍË [SONG SELECT].

ÖÒÎË ‚˚·‡ÌÓ ÔÓÎÓÊÂÌË «A», ‡·ÓÚ‡ÂÚ ‡Á˙ÂÏ ‚ ΂ÓÈ ˜‡ÒÚË Ô‡ÌÂÎË, ÂÒÎË «B» – ÌËÊÌËÈ

‡Á˙ÂÏ.

2. èÓ‚Â¸Ú ËÒÔ‡‚ÌÓÒÚ¸ ÛÒÚÓÈÒÚ‚‡.

èÓ‚Â¸ÚÂ, ÏË„‡ÂÚ ÎË Ë̉Ë͇ÚÓ FILE «LOAD» ÔÓÒΠÔÓ‰Íβ˜ÂÌËfl USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl

‰‡ÌÌ˚ı. ÖÒÎË Ë̉Ë͇ÚÓ Ì ÏË„‡ÂÚ, ÛÒÚÓÈÒÚ‚Ó ÏÓÊÂÚ ·˚Ú¸ ÔÓ‚ÂʉÂÌÓ.

3. èÓ‚Â¸ÚÂ, ÔÓ‰Ú‚ÂʉÂ̇ ÎË ÒÓ‚ÏÂÒÚËÏÓÒÚ¸ ˝ÚÓ„Ó ÛÒÚÓÈÒÚ‚‡ ÍÓÔÓ‡ˆËÂÈ Yamaha (ÒÚ. 58).

4. ֢ ‡Á ‚˚·ÂËÚ SONG SELECT «USB».

àÌÒÚÛÏÂÌÚÛ ÔÓ̇‰Ó·ËÚÒfl ÌÂÍÓÚÓÓ ‚ÂÏfl, ˜ÚÓ·˚ ‡ÒÔÓÁ̇ڸ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl

‰‡ÌÌ˚ı. ëÌÓ‚‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [SONG SELECT], ˜ÚÓ·˚ ‚Íβ˜ËÚ¸ Ë̉Ë͇ÚÓ «USB».

(CLP-240)

• USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÌÂÒÓ‚ÏÂÒÚËÏÓ Ò ËÌÒÚÛÏÂÌÚÓÏ. àÒÔÓθÁÛÈÚ ÚÓθÍÓ ÚÂ

USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı Á‡‚ËÒÎÓ (ÌÂ

ÛÒÚÓÈÒÚ‚‡, ˜¸fl ÒÓ‚ÏÂÒÚËÏÓÒÚ¸ Ò ÔˇÌËÌÓ ÔÓ‰Ú‚ÂʉÂ̇ ÍÓÔÓ‡ˆËÂÈ Yamaha (ÒÚ. 58).

Óڂ˜‡ÂÚ).

• éÚÒÓ‰ËÌËÚ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı, ÒÌÓ‚‡ ÔÓ‰Íβ˜ËÚ „Ó.

çÂÓ·flÁ‡ÚÂθÌ˚ ˝ÎÂÏÂÌÚ˚

ë͇ÏÂÈ͇ BC-100

ì‰Ó·Ì‡fl Ò͇ÏÂÈ͇, ҉·Ì̇fl ÒÔˆˇθÌÓ ‰Îfl Ë„˚ ̇ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova ÍÓÔÓ‡ˆËË

Yamaha.

ëÚÂÂÓ̇ۯÌËÍË HPE-160

ã„ÍËÂ Ë ‚˚ÒÓÍÓ͇˜ÂÒÚ‚ÂÌÌ˚ ̇ۯÌËÍË Ò Ïfl„ÍËÏË ÔÓÍ·‰Í‡ÏË ‰Îfl Û¯ÂÈ.

àÌÚÂÙÂÈÒ UX16 USB-MIDI

àÌÚÂÙÂÈÒ USB-to-MIDI ‰Îfl ÔÓ‰Íβ˜ÂÌËfl ÍÓÏÔ¸˛ÚÂ‡, Ó·ÓÛ‰Ó‚‡ÌÌÓ„Ó ÔÓÚ‡ÏË USB,

Í MIDI-ÛÒÚÓÈÒÚ‚Û (̇ÔËÏÂ, Í ˝ÚÓÏÛ ËÌÒÚÛÏÂÌÚÛ).

ìÒÚÓÈÒÚ‚Ó UD-FD01 USB-FDD (CLP-240)

ÑËÒÍÓ‚Ó‰ „Ë·ÍËı ‰ËÒÍÓ‚, ÍÓÚÓ˚È ÔÓ‰Íβ˜‡ÂÚÒfl Í ËÌÒÚÛÏÂÌÚÛ ‰Îfl ÒÓı‡ÌÂÌËfl Ë Á‡„ÛÁÍË

‰‡ÌÌ˚ı.

64

CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

CLP-240/230: ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚

CLP-240/230: ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl

Í·‚ˇÚÛ˚

ÇçàåÄçàÖ!

• ç ÔÂÂÔÛÚ‡ÈÚ ÍÓÏÔÓÌÂÌÚ˚ Ë ÛÒڇ̇‚ÎË‚‡ÈÚ Ëı ‚ Ô‡‚ËθÌÓÏ Ì‡Ô‡‚ÎÂÌËË. ëÓ·Ë‡ÈÚ ÛÒÚÓÈÒÚ‚Ó ‚ Ô‡‚ËθÌÓÏ ÔÓfl‰ÍÂ.

• ÑÎfl Ò·ÓÍË Ú·ÛÂÚÒfl Ì ÏÂÌ ‰‚Ûı ˜ÂÎÓ‚ÂÍ.

•ì·Â‰ËÚÂÒ¸, ˜ÚÓ ËÒÔÓθÁÛÂÚ ‚ËÌÚ˚ Û͇Á‡ÌÌÓ„Ó ‡ÁÏÂ‡. èËÏÂÌÂÌË ‚ËÌÚÓ‚ ÌÂÔ‡‚ËθÌÓ„Ó ‡ÁÏÂ‡ ÏÓÊÂÚ ÔÓ‚‰ËÚ¸

ËÌÒÚÛÏÂÌÚ.

• èÓÒΠÁ‡‚Â¯ÂÌËfl Ò·ÓÍË Í‡Ê‰ÓÈ ˜‡ÒÚË Ó·flÁ‡ÚÂθÌÓ Á‡ÚflÌËÚ ‚ËÌÚ˚.

• ÑÎfl ‡Á·ÓÍË ËÌÒÚÛÏÂÌÚ‡ ‚˚ÔÓÎÌËÚ Û͇Á‡ÌÌ˚ ‰ÂÈÒÚ‚Ëfl ‚ Ó·‡ÚÌÓÏ ÔÓfl‰ÍÂ.

èË„ÓÚÓ‚¸Ú ÍÂÒÚÓ‚Û˛ ÓÚ‚ÂÚÍÛ Ò

̇ÍÓ̘ÌËÍÓÏ Phillips (+).

Ç˚̸Ú ‚Ò ÍÓÏÔÎÂÍÚÛ˛˘Ë ËÁ ÍÓÓ·ÍË. ì·Â‰ËÚÂÒ¸, ˜ÚÓ ‚Ò Û͇Á‡ÌÌ˚ ̇ ËÒÛÌÍ ÍÓÏÔÎÂÍÚÛ˛˘ËÂ

ÂÒÚ¸ ‚ ̇΢ËË.

ÑÎËÌÌ˚Â ¯ÛÛÔ˚ 6 x 25 ÏÏ, 4 ¯Ú.

䇷Âθ ÔËÚ‡ÌËfl

A

äÓÓÚÍËÂ ¯ÛÛÔ˚ 6 x 16 ÏÏ, 4 ¯Ú.

(îÓχ ‚ËÎÍË Á‡‚ËÒËÚ ÓÚ

ÒÚ‡Ì˚.)

èÂÌÓÔ·ÒÚÓ‚˚ ÔÓÍ·‰ÍË

Ç˚̸Ú ÔÂÌÓÔ·ÒÚÓ‚˚ ÔÓÍ·‰ÍË Ë ÔÓÎÓÊËÚ ̇ ÌËı Ä.

íÓÌÍËÂ ¯ÛÛÔ˚ 4 x 12 ÏÏ, 2 ¯Ú.

ä˛˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚

ê‡ÒÔÓÎÓÊËÚ ÔÂÌÓÔ·ÒÚÓ‚˚ ÔÓÍ·‰ÍË Ú‡Í, ˜ÚÓ·˚ Ì ÔÓ‚‰ËÚ¸

Ô‡ÌÂθ ÔÓ‰Íβ˜ÂÌËfl ‚ÌËÁÛ Ä.

íÓÌÍË ҇ÏÓÂÁ˚ 4 x 20 ÏÏ, 5 ¯Ú.

B

ᇢËÚÌ˚ ÔÓÍ·‰ÍË ·ÓÍÓ‚ÓÈ

íÓÌÍËÂ ¯ÛÛÔ˚ 4 x 10 ÏÏ, 2 ¯Ú.

Ô‡ÌÂÎË (͇ÚÓÌÌ˚Â), 2 ¯Ú.

䇷Âθ Ô‰‡ÎÂÈ, ÔËÍÂÔÎÂÌÌ˚È ‚ÌÛÚË

C

ÑÂʇÚÂÎË ‰Îfl ͇·ÂÎÂÈ, 2 ¯Ú.

DE

1. èÓ‰ÒÓ‰ËÌËÚ D Ë E Í C. 1-1 éÚ‚flÊËÚÂ Ë ‡ÒÔflÏËÚ ÛÔ‡ÍÓ‚‡ÌÌ˚È

͇·Âθ. ç ‚˚·‡Ò˚‚‡ÈÚ ÍÂÔÎÂÌËÂ, ÓÌÓ

ÔÓ̇‰Ó·ËÚÒfl ‚‡Ï ̇ ¯‡„ 5.

1-2 á‡ÍÂÔËÚ C Ò ÔÓÏÓ˘¸˛ ˜ÂÚ˚Âı

‰ÎËÌÌ˚ı ¯ÛÛÔÓ‚ 6 x 25 ÏÏ.

1-1

1-2

CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

65

CLP-240/230: ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚

2. èËÒÓ‰ËÌËÚ Ç.

2-1 èÓÏÂÒÚËÚ ÌËÊÌË Í‡fl B ̇

‚˚ÒÚÛÔ‡˛˘Ë Í‡fl D Ë E Ë ‚˚Ó‚ÌflÈÚÂ

ÔÓ ÌËÏ ‚ÂıÌ˛˛ ˜‡ÒÚ¸.

2-2 ÇÂÏÂÌÌÓ Á‡ÍÂÔËÚ ‚ÂıÌ˛˛ ˜‡ÒÚ¸ Ò

ÔÓÏÓ˘¸˛ ÚÓÌÍËı ¯ÛÛÔÓ‚ 4 ı 12.

2-2

3-3 ëÓ‚ÏÂÒÚËÚ ·ÓÍÓ‚Ó ۄÎÛ·ÎÂÌË ̇ A Ò

‚ÌÛÚÂÌÌÂÈ ÒÚÓÓÌÓÈ D Ë E. éÔÛÒÚËÚÂ

Ó‰ÌÓ‚ÂÏÂÌÌÓ ÎÂ‚Û˛ Ë Ô‡‚Û˛ ÒÚÓÓÌÛ A

Ë Á‡ÍÂÔËÚÂ Ò ÔÓÏÓ˘¸˛ D Ë E.

ÇçàåÄçàÖ!

• ëΉËÚ Á‡ ÚÂÏ, ˜ÚÓ·˚ Ì Á‡˘ÂÏËÚ¸ ԇθˆ˚ ÏÂʉÛ

ÓÒÌÓ‚Ì˚Ï ÛÒÚÓÈÒÚ‚ÓÏ Ë Á‡‰ÌÂÈ ËÎË ·ÓÍÓ‚˚ÏË

Ô‡ÌÂÎflÏË. ÅÛ‰¸Ú ˜ÂÁ‚˚˜‡ÈÌÓ ÓÒÚÓÓÊÌ˚ Ë Ì ÛÓÌËÚÂ

ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸.

• ÑÂÊËÚ Í·‚ˇÚÛÛ ÚÓθÍÓ Ú‡Í, Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ.

2-3

2-3 á‡ÍÂÔËÚ ÌËÊÌ˛˛ ˜‡ÒÚ¸ Ò‡ÏÓÂÁ‡ÏË

4 ı 20.

3. ìÒÚ‡ÌÓ‚ËÚ Ä.

3-1 ëÓ·ÂËÚ Á‡˘ËÚÌ˚ ÔÓÍ·‰ÍË ·ÓÍÓ‚ÓÈ

Ô‡ÌÂÎË (͇ÚÓÌÌ˚Â), Í‡Í ÔÓ͇Á‡ÌÓ Ì‡

ËÒÛÌÍÂ. á‡ÚÂÏ Û‰‡ÎËÚ ‰‚ ·ÛχÊÌ˚Â

ÑÂÊËÚ ÛÍË Ì‡ ‡ÒÒÚÓflÌËË

ÔÓ‰ÎÓÊÍË Ò ÍÎÂÈÍÓÈ ÎÂÌÚ˚ ̇ Á‡˘ËÚÌÓÈ

ÌÂ ÏÂÌÂÂ 10 ÒÏ ÓÚ Ó·ÂËı

ÒÚÓÓÌ Ä ÔË Â ÛÒÚ‡ÌÓ‚ÍÂ.

ÔÓÍ·‰ÍÂ.

3-4 èÓ‰‰ÂÊË‚‡fl ÌËÊÌ˛˛ ÒÚÓÓÌÛ D Ë E

Ó‰ÌÓÈ ÛÍÓÈ, Ò΄͇ ̇‰‡‚ËÚ ̇ A ÒÓ

ÒÚÓÓÌ˚ Í·‚ˇÚÛ˚.

3-2 ç‡ÍÓÈÚ ‚ÂıÌ˛˛ ÒÚÓÓÌÛ D Ë E

Á‡˘ËÚÌÓÈ ÔÓÍ·‰ÍÓÈ ·ÓÍÓ‚ÓÈ Ô‡ÌÂÎË.

á‡ÚÂÏ Á‡ÍÂÔËÚ Á‡˘ËÚÌÛ˛ ÔÓÍ·‰ÍÛ

ÍÎÂÈÍÓÈ ÎÂÌÚÓÈ.

3-5 쉇ÎËÚ Á‡˘ËÚÌÛ˛ ÔÓÍ·‰ÍÛ ·ÓÍÓ‚ÓÈ

Ô‡ÌÂÎË.

66

CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

CLP-240/230: ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚

CLP-230

4. èËÍÂÔËÚÂ Ä.

PEDAL

5-1

4-1 á‡ÍÂÔËÚ A Ò ÔÂ‰ÌÂÈ ÒÚÓÓÌ˚

ÍÓÓÚÍËÏË ¯ÛÛÔ‡ÏË 6 x 16 ÏÏ.

4-2 á‡ÚflÌËÚ ¯ÛÛÔ˚ (¯‡„Ë 2-2), Á‡ÍÂÔË‚

‚ÂıÌ˛˛ ÒÚÓÓÌÛ B.

PC-2

Mac

PC-1

M

IDI

5-3

5-2

4-2

6. èÓ‰ÒÓ‰ËÌËÚ ͇·Âθ ÔËÚ‡ÌËfl.

4-1

ac

M

PC-2

PC-1

M

IDI

5. èÓ‰ÒÓ‰ËÌËÚ ͇·Âθ Ô‰‡ÎË.

127

220

110

5-1 ÇÒÚ‡‚¸Ú ‚ËÎÍÛ Í‡·ÂÎfl Ô‰‡ÎÂÈ ÒÔÂÂ‰Ë ‚

240

‡Á˙ÂÏ ‰Îfl Ô‰‡ÎÂÈ.

5-2 èËÒÓ‰ËÌËÚÂ Í B ‰ÂʇÚÂÎË Í‡·ÂÎÂÈ,

Á‡ÚÂÏ ‚ÒÚ‡‚¸Ú ͇·Âθ ‚ ‰ÂʇÚÂÎË.

5-3 ë‚flÊËÚ ͇·Âθ Ô‰‡ÎÂÈ Ò ÔÓÏÓ˘¸˛

ÇÒÚ‡‚¸Ú ‚ËÎÍÛ Í‡·ÂÎfl ÔËÚ‡ÌËfl ‚ AC INLET.

ÍÂÔÎÂÌËfl ‰Îfl ͇·ÂÎÂÈ.

Ç ÏÓ‰ÂÎflı Ò ÔÂÂÍβ˜‡ÚÂÎflÏË Ì‡ÔflÊÂÌËfl

CLP-240

ÛÒÚ‡ÌÓ‚ËÚ ÔÂÂÍβ˜‡ÚÂθ ̇ÔflÊÂÌËfl ‚

5-1

ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â Á̇˜ÂÌËÂ.

èÂÂÍβ˜‡ÚÂθ ̇ÔflÊÂÌËfl

Ç ÌÂÍÓÚÓ˚ı „ËÓ̇ı ËÒÔÓθÁÛÂÚÒfl ÔÂÂÍβ˜‡ÚÂθ

̇ÔflÊÂÌËfl. èÂʉ ˜ÂÏ ÔÓ‰Íβ˜‡Ú¸ ͇·Âθ

ÔËÚ‡ÌËfl, ÔÓ‚Â¸ÚÂ, Ô‡‚ËθÌÓ ÎË ÓÌ ÛÒÚ‡ÌÓ‚ÎÂÌ.

C-2

Mac

P

C-1

P

MIDI

ÑÎfl ÛÒÚ‡ÌÓ‚ÍË ÔÂÂÍβ˜‡ÚÂÎfl ̇ 110, 127, 220 ËÎË

5-3

240 ‚ÓÎ¸Ú Ò ÔÓÏÓ˘¸˛ ÓÚ‚ÂÚÍË ÔÓ‚ÂÌËÚ ‰ËÒÍ Ú‡Í,

˜ÚÓ·˚ Ô‡‚ËθÌÓ ̇ÔflÊÂÌË ‰Îfl ‚‡¯Â„Ó „ËÓ̇

̇ıÓ‰ËÎÓÒ¸ ̇ÔÓÚË‚ Û͇Á‡ÚÂÎfl ̇ Ô‡ÌÂÎË. èË

5-2

ÔÓÒÚ‡‚Í ÔÂÂÍβ˜‡ÚÂθ ̇ÔflÊÂÌËfl ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡

̇ÔflÊÂÌË ‚ 240 Ç. Ç˚·‡‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÂ

̇ÔflÊÂÌËÂ, ÔÓ‰Íβ˜ËÚ ͇·Âθ ÔËÚ‡ÌËfl Í ‡Á˙ÂÏÛ

AC INLET Ë Í ˝ÎÂÍÚÓÒÂÚË. Ç ÌÂÍÓÚÓ˚ı „ËÓ̇ı

‰Îfl ÔÓ‰Íβ˜ÂÌËfl Í ˝ÎÂÍÚÓÒÂÚË ÚÂ·Û˛ÚÒfl

ÔÂÂıÓ‰ÌËÍË Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ‡ÒÔÓÎÓÊÂÌËÂÏ

ÍÓÌÚ‡ÍÚÓ‚.

èêÖÑìèêÖÜÑÖçàÖ

çÂÔ‡‚Ëθ̇fl ÛÒÚ‡Ìӂ͇ ̇ÔflÊÂÌËfl ÏÓÊÂÚ ÒÂ¸ÂÁÌÓ

ÔÓ‚‰ËÚ¸ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ËÎË ‚˚Á‚‡Ú¸

ÌÂÔ‡‚ËθÌÛ˛ ‡·ÓÚÛ.

CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

67

CLP-240/230: ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚

èÓÒΠҷÓÍË ÔÓ‚Â¸Ú ÒÎÂ‰Û˛˘ÂÂ.

7. ìÒÚ‡ÌÓ‚ËÚ „ÛÎflÚÓ ‚˚ÒÓÚ˚.

• ç ÓÒÚ‡ÎÓÒ¸ ÎË «Î˯ÌËı» ‰ÂÚ‡ÎÂÈ?

èÓ‚Ó‡˜Ë‚‡ÈÚ ÙËÍÒËÛ˛˘ËÈ ‚ËÌÚ ‰Ó

èÓ‚Â¸Ú ҷÓÍÛ Ë ËÒÔ‡‚¸Ú ӯ˷ÍË.

ÚÂı ÔÓ, ÔÓ͇ ÓÌ Ì ÔˉÂÚ ‚ ÚÂÒÌ˚È

• ç Ï¯‡ÂÚ ÎË ÔˇÌËÌÓ Clavinova ÓÚÍ˚‚‡Ú¸ ‰‚ÂË Ë

ÍÓÌÚ‡ÍÚ Ò ÔÓ‚ÂıÌÓÒÚ¸˛ ÔÓ·.

ÔÂÂÏ¢‡Ú¸ Ô‰ÏÂÚ˚?

èÓÒÚ‡‚¸Ú ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ‚ Û‰Ó·ÌÓ ÏÂÒÚÓ.

• ç «·ÓÎÚ‡ÂÚÒfl» ÎË ËÌÒÚÛÏÂÌÚ Clavinova, ÍÓ„‰‡ ‚˚ „Ó

ÚflÒÂÚÂ?

á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚.

• ç ÒÏ¢‡ÂÚÒfl ÎË Ô‰‡Î¸Ì˚È ·ÎÓÍ Ë Ì ÒÎ˚¯ÌÓ ÎË

‰·ÂÁʇÌËfl ÔË Ì‡Ê‡ÚËË Ì‡ Ô‰‡ÎË?

èÓ‚ÂÌËÚ ÙËÍÒËÛ˛˘ËÈ ‚ËÌÚ Ú‡Í, ˜ÚÓ·˚ ÓÌ Ú‚Â‰Ó ÒÚÓflÎ

̇ ÔÓÎÛ.

8. èËÍÂÔËÚ Í˛˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚.

• èÎÓÚÌÓ ÎË ‚ÒÚ‡‚ÎÂÌ˚ ‚ ‡Á˙ÂÏ˚ ͇·ÂÎË Ô‰‡ÎË Ë

ÔËÚ‡ÌËfl?

èÓ‚Â¸Ú ÒÓ‰ËÌÂÌËfl.

åÓÊÌÓ ÔËÍÂÔËÚ¸ Í˛˜ÓÍ Í ÔˇÌËÌÓ

Clavinova, ˜ÚÓ·˚ ‚¯‡Ú¸ ̇ Ì„Ó

• ÖÒÎË ÔË Ë„ ̇ Í·‚˯‡ı ÓÒÌӂ̇fl ˜‡ÒÚ¸

ËÌÒÚÛÏÂÌÚ‡ ÒÍËÔËÚ ËÎË ÌÂÛÒÚÓȘ˂‡, ÔÓÒÏÓÚËÚÂ

̇ۯÌËÍË.

ÒıÂÏÛ Ò·ÓÍË Ë Á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚.

á‡ÍÂÔËÚ Í˛˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚ ̇

ÍÓÔÛÒÂ Ò ÔÓÏÓ˘¸˛ ‰‚Ûı ‚ËÌÚÓ‚

(4 ı 10 ÏÏ), Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ.

èË ÔÂÂÏ¢ÂÌËË ÒÓ·‡ÌÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡

‚Ò„‰‡ ·ÂËÚÂÒ¸ Á‡ ÌËÊÌ˛˛ ˜‡ÒÚ¸ ÓÒÌÓ‚ÌÓ„Ó

·ÎÓ͇.

ÇçàåÄçàÖ!

ç ·ÂËÚÂÒ¸ Á‡ Í˚¯ÍÛ Í·‚ˇÚÛ˚ ËÎË Â ‚ÂıÌ˛˛

˜‡ÒÚ¸. çÂÔ‡‚Ëθ̇fl ˝ÍÒÔÎÛ‡Ú‡ˆËfl ÏÓÊÂÚ ÔË‚ÂÒÚË Í

‚˚ıÓ‰Û ËÌÒÚÛÏÂÌÚ‡ ËÁ ÒÚÓfl ËÎË Í Ú‡‚ÏÂ.

ÅÂËÚÂÒ¸ Á‰ÂÒ¸.

ç ·ÂËÚÂÒ¸ Á‰ÂÒ¸.

68

CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚ (FDD) Ë ‰ËÒÍÂÚ (CLP-240)

àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı

‰ËÒÍÓ‚ (FDD) Ë ‰ËÒÍÂÚ (CLP-240)

Ç ÔˇÌËÌÓ CLP-240 ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ‰ËÒÍÓ‚Ó‰ „Ë·ÍËı

é˜ËÒÚ͇ „ÓÎÓ‚ÍË ‰ËÒÍÓ‚Ó‰‡ ‰Îfl ˜ÚÂÌËfl/

‰ËÒÍÓ‚. àÌÒÚÛ͈ËË ÔÓ ÛÒÚ‡ÌÓ‚Í ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚

Á‡ÔËÒË ‰‡ÌÌ˚ı

ÒÏ. ̇ ÒÚ. 70.

ÑËÒÍÓ‚Ó‰ ÔÓÁ‚ÓÎflÂÚ ÒÓı‡ÌflÚ¸ ̇ ‰ËÒÍÂÚÛ ‰‡ÌÌ˚Â, ÒÓÁ‰‡ÌÌ˚Â

• çÂÓ·ıÓ‰ËÏÓ „ÛÎflÌÓ ˜ËÒÚËÚ¸ „ÓÎÓ‚ÍÛ ˜ÚÂÌËfl/Á‡ÔËÒË

‚‡ÏË Ì‡ ËÌÒÚÛÏÂÌÚÂ, ‡ Ú‡ÍÊ Á‡„Ûʇڸ ‰‡ÌÌ˚Â Ò ‰ËÒÍÂÚ˚.

‰‡ÌÌ˚ı. àÌÒÚÛÏÂÌÚ ÓÒ̇˘ÂÌ Ï‡„ÌËÚÌÓÈ „ÓÎÓ‚ÍÓÈ ‚˚ÒÓÍÓÈ

ÅÂÂÊÌÓ Ó·‡˘‡ÈÚÂÒ¸ Ò ‰ËÒÍÂÚ‡ÏË Ë ‰ËÒÍÓ‚Ó‰ÓÏ. èËÌËχÈÚÂ

ÚÓ˜ÌÓÒÚË, ̇ ÍÓÚÓÓÈ ÔÓÒΠ‰ÎËÚÂθÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl

‚Ò Û͇Á‡ÌÌ˚ ÏÂ˚ Ô‰ÓÒÚÓÓÊÌÓÒÚË.

Ó·‡ÁÛÂÚÒfl ÒÎÓÈ Ï‡„ÌËÚÌ˚ı ˜‡ÒÚˈ Ò ‰ËÒÍÂÚ, ˜ÚÓ ÒÓ ‚ÂÏÂÌÂÏ

ÏÓÊÂÚ ÔË‚ÂÒÚË Í Ó¯Ë·Í‡Ï ‚Ó ‚ÂÏfl ˜ÚÂÌËfl Ë Á‡ÔËÒË ‰‡ÌÌ˚ı.

ëÓ‚ÏÂÒÚËÏ˚ ‰ËÒÍÂÚ˚

• óÚÓ·˚ ÔÓ‰‰ÂÊË‚‡Ú¸ ‰ËÒÍÓ‚Ó‰ ‚ ‡·Ó˜ÂÏ ÒÓÒÚÓflÌËË,

ÍÓÔÓ‡ˆËfl Yamaha ÂÍÓÏẨÛÂÚ ‡Á ‚ ÏÂÒflˆ ËÒÔÓθÁÓ‚‡Ú¸

•åÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰ËÒÍÂÚ˚ 3,5" 2DD Ë 2HD.

ÒÔˆˇθÌÛ˛ ‰ËÒÍÂÚÛ ÒÛıÓ„Ó ÚËÔ‡ (Ëϲ˘Û˛Òfl ‚ ÔÓ‰‡ÊÂ)

‰Îfl Ó˜ËÒÚÍË „ÓÎÓ‚ÍË. Ç˚flÒÌËÚ¸, ÂÒÚ¸ ÎË ‚ ÔÓ‰‡Ê ˜ËÒÚfl˘ËÂ

îÓχÚËÓ‚‡ÌË ‰ËÒÍÂÚ˚

‰ËÒÍÂÚ˚, ÏÓÊÌÓ Û ÏÂÒÚÌÓ„Ó Ô‰ÒÚ‡‚ËÚÂÎfl ÍÓÔÓ‡ˆËË

• ÖÒÎË Ì ۉ‡ÂÚÒfl ËÒÔÓθÁÓ‚‡Ú¸ ÌÓ‚˚ ˜ËÒÚ˚ ‰ËÒÍÂÚ˚ ËÎË

Yamaha.

‰ËÒÍÂÚ˚, ÍÓÚÓ˚ ËÒÔÓθÁÓ‚‡ÎËÒ¸ ̇ ‰Û„Ëı ÛÒÚÓÈÒÚ‚‡ı, Ëı

ÑËÒÍÂÚ˚

ÌÛÊÌÓ ÓÚÙÓχÚËÓ‚‡Ú¸. àÌÒÚÛ͈ËË ÔÓ ÙÓχÚËÓ‚‡Ì˲

‰ËÒÍÂÚ˚ ÒÏ. ̇ ÒÚ. 39. èÓÏÌËÚÂ, ˜ÚÓ ÔÓÒΠÙÓχÚËÓ‚‡ÌËfl

é·‡˘‡ÈÚÂÒ¸ Ò ‰ËÒÍÂÚ‡ÏË ‡ÍÍÛ‡ÚÌÓ

‚Ò ‰‡ÌÌ˚ ̇ ‰ËÒÍÂÚ ·Û‰ÛÚ ÛÌ˘ÚÓÊÂÌ˚. á‡‡ÌÂÂ

ÔÓ‚Â¸ÚÂ, ÂÒÚ¸ ÎË Ì‡ ‰ËÒÍÂÚ ‚‡ÊÌ˚ ‰‡ÌÌ˚Â.

Ë Òӷ≇ÈÚ ÒÎÂ‰Û˛˘Ë ÏÂ˚

Ô‰ÓÒÚÓÓÊÌÓÒÚË.

• ç ÒÚ‡‚¸Ú ̇ ‰ËÒÍÂÚ˚ ÚflÊÂÎ˚ Ô‰ÏÂÚ˚, Ì ҄˷‡ÈÚÂ Ë ÌÂ

ÑËÒÍÂÚ˚, ÓÚÙÓχÚËÓ‚‡ÌÌ˚ ̇ ˝ÚÓÏ ÛÒÚÓÈÒÚ‚Â, ÏÓ„ÛÚ ·˚Ú¸

ÔËÏÂÌflÈÚ ÒËÎÛ ÔË Ó·‡˘ÂÌËË Ò ÌËÏË. äÓ„‰‡ ‰ËÒÍÂÚ˚ ÌÂ

ÌÂÔË„Ó‰Ì˚ ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ̇ ‰Û„ÓÏ ÛÒÚÓÈÒÚ‚Â.

ËÒÔÓθÁÛ˛ÚÒfl, ı‡ÌËÚ Ëı ‚ ÍÓӷ͇ı.

• ç ÔÓ‰‚Â„‡ÈÚ ‰ËÒÍÂÚ˚ ‚ÓÁ‰ÂÈÒڂ˲ ÔflÏÓ„Ó ÒÓÎ̘ÌÓ„Ó

ìÒÚ‡Ìӂ͇ Ë Û‰‡ÎÂÌË ‰ËÒÍÂÚ

Ò‚ÂÚ‡, ÒÎ˯ÍÓÏ ÌËÁÍËı Ë ‚˚ÒÓÍËı ÚÂÏÔÂ‡ÚÛ, ËÁ·˚ÚÓ˜ÌÓÈ

ìÒÚ‡Ìӂ͇ ‰ËÒÍÂÚ˚ ‚ ‰ËÒÍÓ‚Ó‰

‚·ÊÌÓÒÚË, ËÁ·Â„‡ÈÚ Ò͇ÔÎË‚‡ÌËfl ̇ ÌËı Ô˚ÎË Ë ÔÓÔ‡‰‡ÌËfl

ÊˉÍÓÒÚË.

ÑÂÊËÚ ‰ËÒÍÂÚÛ Ì‡ÍÎÂÈÍÓÈ ‚‚Âı, ÒÍÓθÁfl˘ÂÈ ¯ÚÓÍÓÈ ‚ÔÂ‰

• ç ÒΉÛÂÚ ÓÚÍ˚‚‡Ú¸ ¯ÚÓÍÛ Ë ÔË͇҇ڸÒfl Í Ï‡„ÌËÚÌÓÈ

ÔÓ Ì‡Ô‡‚ÎÂÌ˲ Í ÔÓÂÁË ‰ËÒÍÓ‚Ó‰‡. éÒÚÓÓÊÌÓ ‚ÒÚ‡‚¸ÚÂ

ÔÓ‚ÂıÌÓÒÚË ‰ËÒÍÂÚ˚.

‰ËÒÍÂÚÛ ‚ „ÌÂÁ‰Ó Ë Ïfl„ÍÓ ÚÓÎÍÌËÚ ‚ÔÂ‰, ÔÓ͇ Ì ÛÒÎ˚¯ËÚÂ

•

ç ÔÓ‰‚Â„‡ÈÚ ‰ËÒÍÂÚ˚ ‚ÓÁ‰ÂÈÒڂ˲ χ„ÌËÚÌ˚ı ÔÓÎÂÈ

˘ÂΘÓÍ Ë Ì ‚˚ÒÍÓ˜ËÚ ÍÌÓÔ͇ ‰ËÒÍÓ‚Ó‰‡.

ÚÂ΂ËÁÓÓ‚,

‰Ë̇ÏËÍÓ‚, ˝ÎÂÍÚÓÏÓÚÓÓ‚ Ë Ú. ‰., Ú‡Í Í‡Í

χ„ÌËÚÌ˚ ÔÓÎfl ÏÓ„ÛÚ ÔÓÎÌÓÒÚ¸˛ ËÎË ˜‡ÒÚ˘ÌÓ ÒÚÂÂÚ¸

ç ‚ÒÚ‡‚ÎflÈÚ ‚ ‰ËÒÍÓ‚Ó‰ Ì˘„Ó, ÍÓÏ ‰ËÒÍÂÚ.

‰‡ÌÌ˚ ̇ ‰ËÒÍÂÚÂ, ҉·‚  ÌÂÔË„Ó‰ÌÓÈ ‰Îfl

ÑÛ„Ë Ô‰ÏÂÚ˚ ÏÓ„ÛÚ ÔÓ‚‰ËÚ¸ ‰ËÒÍÓ‚Ó‰

ËÒÔÓθÁÓ‚‡ÌËfl.

ËÎË ‰ËÒÍÂÚÛ.

• çËÍÓ„‰‡ Ì ËÒÔÓθÁÛÈÚ ‰ËÒÍÂÚ˚ Ò ‰ÂÙÓÏËÓ‚‡ÌÌÓÈ

쉇ÎÂÌË ‰ËÒÍÂÚ˚

¯ÚÓÍÓÈ ËÎË ÍÓÔÛÒÓÏ.

• èÓÒΠÚÓ„Ó Í‡Í Û·Â‰ËÚÂÒ¸, ˜ÚÓ ËÌÒÚÛÏÂÌÚ Ì ӷ‡˘‡ÂÚÒfl Í

•

ç ̇ÍÎÂË‚‡ÈÚ ̇ ‰ËÒÍÂÚÛ Ì˘„Ó, ÍÓÏ ÔÓÒÚ‡‚ÎflÂÏ˚ı Ò ÌÂÈ

‰ËÒÍÂÚ (Ì „ÓËÚ Ë̉Ë͇ÚÓ ̇ ‰ËÒÍÓ‚Ó‰Â), ̇ÊÏËÚ ‰Ó

̇ÍÎÂÂÍ.

èËÍÂÔÎflÈÚ ̇ÍÎÂÈÍË ‚ Ô‰̇Á̇˜ÂÌÌÓÏ ‰Îfl

ÛÔÓ‡ ÍÌÓÔÍÛ, ÍÓÚÓ‡fl ̇ıÓ‰ËÚÒfl ‚ Ô‡‚ÓÏ ‚ÂıÌÂÏ Û„ÎÛ

˝ÚÓ„Ó ÏÂÒÚÂ.

‰ËÒÍÓ‚Ó‰‡, ˜ÚÓ·˚ ËÁ‚Θ¸ ‰ËÒÍÂÚÛ. äÓ„‰‡ ‰ËÒÍÂÚ‡

ᇢËÚ‡ ‰‡ÌÌ˚ı (Á‡˘ËÚ‡ ÓÚ Á‡ÔËÒË)

‚˚‰‚ËÌÂÚÒfl, ‚˚Ú‡˘Ëڠ ËÁ ‰ËÒÍÓ‚Ó‰‡. ÖÒÎË ‰ËÒÍÂÚÛ ÌÂ

• óÚÓ·˚ ÒÎÛ˜‡ÈÌÓ Ì ۉ‡ÎËÚ¸ ‚‡ÊÌ˚ ‰‡ÌÌ˚Â, ÔÂÂÏÂÒÚËÚÂ

Û‰‡ÂÚÒfl ‚˚Ú‡˘ËÚ¸, Ì ÔËÏÂÌflÈÚ ÒËÎÛ. ֢ ‡Á ÔÓÔÓ·ÛÈÚÂ

Á‡˘ÂÎÍÛ ‚ ÔÓÎÓÊÂÌË «Á‡˘ËÚ˚» (ÓÚ‚ÂÒÚË ÓÚÍ˚ÚÓ). äÓ„‰‡

̇ʇڸ ̇ ÍÌÓÔÍÛ ‚˚‰‚ËÊÂÌËfl ËÎË ÔÓ‚ÚÓÌÓ ‚ÒÚ‡‚ËÚ¸

ÌÛÊÌÓ Á‡ÔËÒ‡Ú¸ ‰‡ÌÌ˚Â, Á‡˘ÂÎ͇ ‰ÓÎÊ̇ ·˚Ú¸ ‚ ÔÓÎÓÊÂÌËË

‰ËÒÍÂÚÛ Ë ÔÓÔ˚Ú‡Ú¸Òfl ‚˚‰‚ËÌÛÚ¸ ÂÂ.

«Á‡ÔËÒ¸» (ÓÚ‚ÂÒÚË Á‡Í˚ÚÓ).

* ç ‚˚ÔÓÎÌfl˛ÚÒfl ÓÔÂ‡ˆËË, Ú‡ÍËÂ Í‡Í Á‡ÔËÒ¸,

‚ÓÒÔÓËÁ‚‰ÂÌË ËÎË Û‰‡ÎÂÌË ‰‡ÌÌ˚ı. ÖÒÎË ÔËÚ‡ÌËÂ

‚Íβ˜ÂÌÓ Ë ‚˚ ‚ÒÚ‡‚ÎflÂÚ ‰ËÒÍÂÚÛ, ËÌÒÚÛÏÂÌÚ

‡‚ÚÓχÚ˘ÂÒÍË Ó·‡˘‡ÂÚÒfl Í ÌÂÈ, ˜ÚÓ·˚ ÔÓ‚ÂËÚ¸

ᇢËÚ‡ ÓÚ Á‡ÔËÒË

̇΢ˠ‰‡ÌÌ˚ı.

ÛÒÚ‡ÌÓ‚ÎÂ̇

(ÔÓÎÓÊÂÌËÂ

ÇçàåÄçàÖ!

Á‡˘ËÚ˚).

ç ‚˚ÌËχÈÚ ‰ËÒÍÂÚÛ Ë Ì ‚˚Íβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ, ÂÒÎË ÂÒÚ¸

Ó·‡˘ÂÌËÂ Í ‰ËÒÍÂÚÂ.

ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚÂ ‰‡ÌÌ˚ı Ë Í ÔÓ‚ÂʉÂÌ˲

‰ËÒÍÓ‚Ó‰‡.

• èÂʉ ˜ÂÏ ÓÚÍβ˜‡Ú¸ ÔËÚ‡ÌËÂ, ۷‰ËÚÂÒ¸, ˜ÚÓ ‚ ‰ËÒÍÓ‚Ó‰Â

ÌÂÚ ‰ËÒÍÂÚ˚. ÖÒÎË ‰ËÒÍÂÚ‡ ̇ıÓ‰ËÚÒfl ‚ ‰ËÒÍÓ‚Ó‰Â

‰ÎËÚÂθÌÓ ‚ÂÏfl, Ó̇ ÏÓÊÂÚ ÔÓÍ˚Ú¸Òfl Ô˚θ˛ Ë „flÁ¸˛, ‡

˝ÚÓ ‚˚Á˚‚‡ÂÚ Ó¯Ë·ÍË ÔË ˜ÚÂÌËË ËÎË Á‡ÔËÒË.

CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

69

ìÒÚ‡Ìӂ͇ ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚ (ÔÓÒÚ‡‚ÎflÂÚÒfl ÔÓ Á‡Í‡ÁÛ)

ìÒÚ‡Ìӂ͇ ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚

(ÔÓÒÚ‡‚ÎflÂÚÒfl ÔÓ Á‡Í‡ÁÛ)

çÂÓ·flÁ‡ÚÂθÌ˚È ‰ËÒÍÓ‚Ó‰ UD-FD01 ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ‚ ÌËÊÌÂÈ ˜‡ÒÚË CLP-240 Ò ÔÓÏÓ˘¸˛ ÍÓÊÛı‡ Ë

‚ËÌÚÓ‚, ‚ıÓ‰fl˘Ëı ‚ ÔÓÒÚ‡‚ÍÛ.

èË„ÓÚÓ‚¸Ú ÍÂÒÚÓ‚Û˛ ÓÚ‚ÂÚÍÛ Ò

̇ÍÓ̘ÌËÍÓÏ Phillips (+).

1. 쉇ÎËÚ ÚË ·ÛχÊÌ˚ ÔÓ‰ÎÓÊÍË Ò ÍÎÂÈÍÓÈ

3. èËÍÂÔËÚ ‰ËÒÍÓ‚Ó‰ ‚ ÍÓÊÛı Ò΂‡ Í ÌËÊÌÂÈ

ÎÂÌÚ˚ ‚ ÍÓÊÛıÂ Ë ÔÓÏÂÒÚËÚ ‰ËÒÍÓ‚Ó‰ ‚ ÍÓÊÛı.

ÒÚÓÓÌ ËÌÒÚÛÏÂÌÚ‡ Ò ÔÓÏÓ˘¸˛ ˜ÂÚ˚Âı

ÔË·„‡ÂÏ˚ı ‚ËÌÚÓ‚ (4 ÏÏ x 10 ÏÏ).

ëÚÓÓ̇ Ò ÂÁËÌÓ‚˚ÏË Ó„‡Ì˘ËÚÂÎflÏË ‰ÓÎÊ̇ ·˚Ú¸

Ó·‡˘Â̇ Í ÍÓÊÛıÛ.

4. èÓ‰Íβ˜ËÚ ͇·Âθ USB Í ‡Á˙ÂÏÛ

Ñ‚ÛÒÚÓÓÌÌflfl ÍÎÂÈ͇fl ÎÂÌÚ‡

[TO DEVICE].

2. ë‚ÂÌËÚ ͇·Âθ USB ‚ÌÛÚË ÍÓÊÛı‡, ͇Í

ÔÓ͇Á‡ÌÓ.

70

CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

ëÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚

ëÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚

: ч

CLP-240

: çÂÚ

óÛ‚ÒÚ‚Ë-

ÑË̇ÏË-

ë˝ÏÔÎËÓ-

ëÚÂÂÓÒ˝Ï-

ÚÂθÌÓÒÚ¸

˜ÂÒÍÓÂ

‚‡ÌË Á‚Û͇

ç‡Á‚‡ÌË ÚÂÏ·‡

éÔËÒ‡ÌË ÚÂÏ·Ó‚

ÔÎËÓ‚‡ÌËÂ

Í ÒËÎÂ

Ò˝ÏÔÎËÓ-

ÓÚÔÛ˘ÂÌÌ˚ı

*1

*2

̇ʇÚËfl

‚‡ÌËÂ

Í·‚˯

á‡ÔËÒË Ò˝ÏÔÎÓ‚ ÔÓÎÌÓ„Ó ÍÓ̈ÂÚÌÓ„Ó ÓflÎfl. ÇÍβ˜ÂÌ˚ ÚË ÛÓ‚Ìfl

‰Ë̇Ï˘ÂÒÍÓ„Ó Ò˝ÏÔÎËÓ‚‡ÌËfl, Ò˝ÏÔÎ˚ Ô‡‚ÓÈ Ô‰‡ÎË Ë Ò˝ÏÎ˚

ÓÚÔÛ˘ÂÌÌ˚ı Í·‚˯, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ ‰Ó·ËÚ¸Òfl ‡ÎËÒÚ˘ÌÓ„Ó

GRANDPIANO 1

Á‚Û˜‡ÌËfl ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÓflÎfl. ùÚÓÚ ÚÂÏ· Ô‚ÓÒıÓ‰ÌÓ ÔÓ‰ıÓ‰ËÚ

‰Îfl ËÒÔÓÎÌÂÌËfl Í·ÒÒ˘ÂÒÍËı ÏÛÁ˚͇θÌ˚ı ÔÓËÁ‚‰ÂÌËÈ, ‡ Ú‡ÍÊÂ

‰Û„Ëı ÔÓËÁ‚‰ÂÌËÈ, ËÒÔÓÎÌflÂÏ˚ı ̇ ‡ÍÛÒÚ˘ÂÒÍÓÏ ÙÓÚÂÔ¸flÌÓ.

íÂÔÎ˚È Ë Ïfl„ÍËÈ Á‚ÛÍ ÙÓÚÂÔ¸flÌÓ. ïÓÓ¯Ó ÔÓ‰ıÓ‰ËÚ ‰Îfl

VARIATION

Í·ÒÒ˘ÂÒÍËı ÔÓËÁ‚‰ÂÌËÈ.

é·˙ÂÏÌ˚È Ë ˜ËÒÚ˚È Á‚ÛÍ ÙÓÚÂÔ¸flÌÓ Ò flÍÓÈ ‚Â·Â‡ˆËÂÈ.

GRANDPIANO 2

èÓ‰ıÓ‰ËÚ ‰Îfl ÔÓÔÛÎflÌÓÈ ÏÛÁ˚ÍË.

ÜË‚ÓÈ Ó·˙ÂÏÌ˚È Á‚ÛÍ ÙÓÚÂÔ¸flÌÓ. èÓ‰ıÓ‰ËÚ ‰Îfl ÔÓÔÛÎflÌÓÈ ËÎË

VARIATION

ÓÍ-ÏÛÁ˚ÍË.

á‚ÛÍ ˝ÎÂÍÚ˘ÂÒÍÓ„Ó ÔˇÌËÌÓ, ÒÓÁ‰‡‚‡ÂÏ˚È Ò ÔÓÏÓ˘¸˛ ˜‡ÒÚÓÚÌÓÈ

ÏÓ‰ÛÎflˆËË. óÂÁ‚˚˜‡ÈÌÓ «ÏÛÁ˚͇θÌ˚È» ÒÚËθ, ‚ ÍÓÚÓÓÏ

E.PIANO 1

ÒÓ˜ÂÚ‡˛ÚÒfl ‡Á΢Ì˚ ÚÂÏ·˚ ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‰Ë̇Ï˘ÂÒÍËı

Ò‚ÓÈÒÚ‚ Í·‚ˇÚÛ˚. èÓ‰ıÓ‰ËÚ ‰Îfl Ó·˚˜ÌÓÈ ÔÓÔÛÎflÌÓÈ ÏÛÁ˚ÍË.

ëËÌÚÂÁËÓ‚‡ÌÌ˚È Á‚ÛÍ ˝ÎÂÍÚÓÌÌÓ„Ó ÔˇÌËÌÓ, ˜‡ÒÚÓ ËÒÔÓθÁÛÂÏ˚È

VARIATION

‚ ÔÓÔÛÎflÌÓÈ ÏÛÁ˚ÍÂ. Ç ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ (DUAL) ÓÌ

ıÓÓ¯Ó ÒÓ˜ÂÚ‡ÂÚÒfl ÒÓ Á‚Û˜‡ÌËÂÏ ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÙÓÚÂÔ¸flÌÓ.

á‚ÛÍ ˝ÎÂÍÚ˘ÂÒÍÓ„Ó ÙÓÚÂÔ¸flÌÓ, ÒÓÁ‰‡‚‡ÂÏ˚È ÔË Û‰‡Â

E.PIANO 2

ÏÓÎÓÚÓ˜ÍÓ‚ Ó ÏÂÚ‡Î΢ÂÒÍË Ô·ÒÚËÌÍË. åfl„ÍËÈ ÚÓÌ ÔË Î„ÍÓÏ

̇ʇÚËË Ì‡ Í·‚Ë¯Ë Ë ‡„ÂÒÒË‚Ì˚È ÔË ·ÓΠÒËθÌÓÏ.

ë΄͇ ËÁÏÂÌÂÌÌ˚È Á‚ÛÍ ˝ÎÂÍÚ˘ÂÒÍÓ„Ó ÔˇÌËÌÓ, ˜‡ÒÚÓ

VARIATION

ËÒÔÓθÁÛÂÏ˚È ‚ ÔÓÔÛÎflÌÓÈ Ë ÓÍ-ÏÛÁ˚ÍÂ.

á‚Û˜‡ÌË ˝ÚÓ„Ó ËÌÒÚÛÏÂÌÚ‡ ı‡‡ÍÚÂÌÓ ‰Îfl ÏÛÁ˚ÍË ·‡ÓÍÍÓ.

ä·‚ÂÒËÌ – ˝ÚÓ ÒÚÛÌÌ˚È ËÌÒÚÛÏÂÌÚ, ÍÓÚÓ˚È Ì ‡„ËÛÂÚ Ì‡ ÒËÎÛ

HARPSICHORD

̇ʇÚËfl ̇ Í·‚˯Ë. é‰Ì‡ÍÓ ‰Îfl ˝ÚÓ„Ó ÒÚËÎfl ı‡‡ÍÚÂÂÌ

ÓÒÓ·ÂÌÌ˚È Á‚ÛÍ, ÒÓÁ‰‡‚‡ÂÏ˚È ÓÚÔÛ˘ÂÌÌ˚ÏË Í·‚˯‡ÏË.

íÓÚ Ê ҇Ï˚È ÚÂÏ·, Á‚Û˜‡˘ËÈ Ì‡ ÓÍÚ‡‚Û ‚˚¯Â ‰Îfl ÔÓÎÛ˜ÂÌËfl

VARIATION

·ÓΠflÍÓ„Ó Á‚Û͇.

åÓÎÓÚÓ˜ÍÓ‚˚È Í·‚˯Ì˚È ËÌÒÚÛÏÂÌÚ, ‚ ÍÓÚÓÓÏ Á‚ÛÍ Ó·‡ÁÛÂÚÒfl Ò

ÔÓÏÓ˘¸˛ ˝ÎÂÍÚ˘ÂÒÍËı Á‚ÛÍÓÒÌËχÚÂÎÂÈ. ó‡ÒÚÓ ËÒÔÓθÁÛÂÚÒfl ‚

E. CLAVICHORD

ÒÚËÎflı «Ù‡ÌÍ» Ë «ÒÓÛλ. Ö„Ó ÚÓÌ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ı‡‡ÍÚÂÌÓÏÛ Á‚ÛÍÛ

ÓÚÔÛ˘ÂÌÌ˚ı Í·‚˯.

VARIATION

ÇÍβ˜‡ÂÚ ÒÔˆËÙ˘ÂÒÍËÈ ‚ÒÚÓÂÌÌ˚È ˝ÙÙÂÍÚ.

ÇË·ÓÙÓÌ ÒÓ Ò‡‚ÌËÚÂθÌÓ Ïfl„ÍËÏË ÍÓÎÓÚۯ͇ÏË. óÂÏ ÒËθÌÂÂ

VIBRAPHONE

Û‰‡˚ ÔÓ Í·‚˯‡Ï, ÚÂÏ ·ÓΠÏÂÚ‡Î΢ÂÒÍËÏ ÒÚ‡ÌÓ‚ËÚÒfl ÚÓÌ.

VARIATION

ëÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌÌ˚È, Ó·˙ÂÏÌ˚È Ë ‡ÎËÒÚ˘Ì˚È Á‚ÛÍ Ï‡ËÏ·˚.

íËÔ˘Ì˚È Á‚ÛÍ Ó„‡Ì‡ Ò „ËÒÚ‡ÏË 8 ÙÛÚÓ‚, 4 ÙÛÚ‡ Ë 2 ÙÛÚ‡.

CHURCH ORGAN

ïÓÓ¯ ‰Îfl ËÒÔÓÎÌÂÌËfl ‰ÛıÓ‚ÌÓÈ ÏÛÁ˚ÍË ÔÂËÓ‰‡ ·‡ÓÍÍÓ.

á‚ÛÍ ÔÓÎÌÓÈ ÍÓÔÛÎ˚ Ó„‡Ì‡, ˜‡ÒÚÓ ‡ÒÒÓˆËËÛÂÏ˚È Ò «íÓÍ͇ÚÓÈ Ë

VARIATION

ÙÛ„ÓÈ» à.ë.Ňı‡.

á‚ÛÍ ˝ÎÂÍÚÓÓ„‡Ì‡ ÚËÔ‡ «tonewheel» (ÚÂıÌÓÎÓ„Ëfl «ÙÓÌ˘ÂÒÍÓ„Ó

JAZZ ORGAN

ÍÓÎÂÒ‡»). òËÓÍÓ ËÒÔÓθÁÛÂÚÒfl ‚ ‰Ê‡ÁÓ‚˚ı Ë ÓÍ-ÒÚËÎflı.

ùÙÙÂÍÚ ‚‡˘‡˛˘Â„ÓÒfl ‰Ë̇ÏË͇ Ò ‡Á΢ÌÓÈ ÒÍÓÓÒÚ¸˛.

ëÍÓÓÒÚ¸ ‚‡ˇˆËÈ ÔË ˝ÚÓÏ ·Óθ¯Â. ÖÒÎË ˝ÙÙÂÍÚ «variation»

VARIATION

ÔËÏÂÌflÂÚÒfl ÔË ‡ÍÍÓ‰Ó‚ÓÈ Ë„Â, Â„Ó ÒÍÓÓÒÚ¸ ·Û‰ÂÚ ÔÓÒÚÓflÌÌÓ

ÏÂÌflÚ¸Òfl.

ëÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌÌ˚È ·Óθ¯ÓÈ ÒÚÛÌÌ˚È ‡Ì҇Ϸθ Ò

STRINGS

‡ÎËÒÚ˘ÌÓÈ ‚Â·Â‡ˆËÂÈ. èÓÔÓ·ÛÈÚ ÒÓ‰ËÌËÚ¸ ˝ÚÓÚ ÚÂÏ· Ò

ÙÓÚÂÔ¸flÌÓ ‚ ÂÊËÏ DUAL.

CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

71

ëÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚

óÛ‚ÒÚ‚Ë-

ÑË̇ÏË-

ë˝ÏÔÎËÓ-

ëÚÂÂÓÒ˝Ï-

ÚÂθÌÓÒÚ¸

˜ÂÒÍÓÂ

‚‡ÌË Á‚Û͇

ç‡Á‚‡ÌË ÚÂÏ·‡

éÔËÒ‡ÌË ÚÂÏ·Ó‚

ÔÎËÓ‚‡ÌËÂ

Í ÒËÎÂ

Ò˝ÏÔÎËÓ-

ÓÚÔÛ˘ÂÌÌ˚ı

*1

*2

̇ʇÚËfl

‚‡ÌËÂ

Í·‚˯

ë‚Ó·Ó‰Ì˚È Á‚ÛÍ ÒÚÛÌÌÓ„Ó ‡Ì҇ϷÎfl Ò Ï‰ÎÂÌÌÓÈ ‡Ú‡ÍÓÈ.

VARIATION

èÓÔÓ·ÛÈÚ ÒÓ‰ËÌËÚ¸ ˝ÚÓÚ ÚÂÏ· Ò ÙÓÚÂÔ¸flÌÓ ËÎË ˝ÎÂÍÚ˘ÂÒÍËÏ

ÔˇÌËÌÓ ‚ ÂÊËÏ DUAL.

ÅÓθ¯ÓÈ Ò‚Ó·Ó‰Ì˚È Á‚ÛÍ ıÓ‡. à‰Â‡ÎÂÌ ‰Îfl ÒÓÁ‰‡ÌËfl ·Ó„‡Ú˚ı

CHOIR

„‡ÏÓÌËÈ ‚ ωÎÂÌÌÓÈ ÏÛÁ˚ÍÂ.

ïÓÓ‚ÓÈ ÚÂÏ· Ò Ï‰ÎÂÌÌÓÈ ‡Ú‡ÍÓÈ. èÓÔÓ·ÛÈÚ ÒÓ‰ËÌËÚ¸ ˝ÚÓÚ

VARIATION

ÚÂÏ· Ò ÙÓÚÂÔ¸flÌÓ ËÎË ˝ÎÂÍÚ˘ÂÒÍËÏ ÔˇÌËÌÓ ‚ ÂÊËÏ DUAL.

íÂÔÎ˚È Ë ÂÒÚÂÒÚ‚ÂÌÌ˚È Á‚ÛÍ „ËÚ‡˚ Ò ÌÂÈÎÓÌÓ‚˚ÏË ÒÚÛ̇ÏË. èË

GUITAR

Ë„ ÒÓÁ‰‡ÂÚÒfl ÔËflÚ̇fl, ÒÔÓÍÓÈ̇fl ‡ÚÏÓÒÙÂ‡.

üÍËÈ Á‚ÛÍ ˝ÎÂÍÚÓ„ËÚ‡˚. èÓ‰ıÓ‰ËÚ ‰Îfl ËÒÔÓÎÌÂÌËfl ÔÓÔÛÎflÌÓÈ

VARIATION

ÏÛÁ˚ÍË.

äÓÌÚ‡·‡Ò Ò ı‡‡ÍÚÂÌ˚Ï Á‚ÛÍÓÏ, Í‡Í ÔË Ô‡Î¸ˆÂ‚ÓÈ Ë„Â.

WOOD BASS

à‰Â‡Î¸Ì˚È ÒÚËθ ‰Îfl ËÒÔÓÎÌÂÌËfl ‰Ê‡ÁÓ‚ÓÈ Ë Î‡ÚËÌÓ‡ÏÂË͇ÌÒÍÓÈ

ÏÛÁ˚ÍË.

Å‡Ò ÒÓ˜ÂÚ‡ÂÚÒfl ÒÓ Á‚ÛÍÓÏ Ú‡ÂÎÓÍ. à‰Â‡Î¸Ì˚È ÒÚËθ ‰Îfl

VARIATION

«·ÎÛʉ‡˛˘Ëı» ·‡ÒÓ‚˚ı ÎËÌËÈ ‚ ‰Ê‡ÁÓ‚˚ı ÏÂÎÓ‰Ëflı.

á‚ÛÍ ˝ÎÂÍÚ˘ÂÒÍÓÈ ·‡Ò-„ËÚ‡˚. èËÏÂÌflÂÚÒfl ‚ fl‰Â ÏÛÁ˚͇θÌ˚ı

E.BASS

ÒÚËÎÂÈ: ‰Ê‡ÁÂ, ÓÍÂ, ÔÓÔ-ÏÛÁ˚ÍÂ Ë Ú. ‰.

ÅÂÁ·‰Ó‚˚È ·‡Ò, ÔÓ‰ıÓ‰fl˘ËÈ ‰Îfl Ú‡ÍËı ÒÚËÎÂÈ, Í‡Í ‰Ê‡Á, Ù¸˛ÊÌ

VARIATION

Ë Ú. ‰.

*1. ÑË̇Ï˘ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌË ÔÓÁ‚ÓÎflÂÚ ‰Ó·ËÚ¸Òfl ÚÓ˜ÌÓ„Ó ÒÓÓÚ‚ÂÚÒÚ‚Ëfl ÚÂÏ·‡Ï ̇

‡ÍÛÒÚ˘ÂÒÍÓÏ ËÌÒÚÛÏÂÌÚÂ Ò ÔÓÏÓ˘¸˛ ·˚ÒÚÓ„Ó ÔÂÂÍβ˜ÂÌËfl Ò˝ÏÔÎÓ‚.

*2. ë˝ÏÔÎ ÏÓ‰ÂÎËÛÂÚ Ò··Ó Á‚Û˜‡ÌË ÓÚÔÛ˘ÂÌÌ˚ı Í·‚˯.

72

CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

ëÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚

: ч

CLP-230

: çÂÚ

óÛ‚ÒÚ‚Ë-

ÑË̇ÏË-

ë˝ÏÔÎËÓ-

ëÚÂÂÓÒ˝Ï-

ÚÂθÌÓÒÚ¸

˜ÂÒÍÓÂ

‚‡ÌË Á‚Û͇

ç‡Á‚‡ÌË ÚÂÏ·‡

éÔËÒ‡ÌË ÚÂÏ·Ó‚

ÔÎËÓ‚‡ÌËÂ

Í ÒËÎÂ

Ò˝ÏÔÎËÓ-

ÓÚÔÛ˘ÂÌÌ˚ı

*1

*2

̇ʇÚËfl

‚‡ÌËÂ

Í·‚˯

á‡ÔËÒË Ò˝ÏÔÎÓ‚ ÔÓÎÌÓ„Ó ÍÓ̈ÂÚÌÓ„Ó ÓflÎfl. ùÚÓÚ ÚÂÏ·

Ô‚ÓÒıÓ‰ÌÓ ÔÓ‰ıÓ‰ËÚ ‰Îfl ËÒÔÓÎÌÂÌËfl Í·ÒÒ˘ÂÒÍËı ÏÛÁ˚͇θÌ˚ı

GRANDPIANO 1

ÔÓËÁ‚‰ÂÌËÈ, ‡ Ú‡ÍÊ ‰Û„Ëı ÔÓËÁ‚‰ÂÌËÈ, ËÒÔÓÎÌflÂÏ˚ı ̇

‡ÍÛÒÚ˘ÂÒÍÓÏ ÙÓÚÂÔ¸flÌÓ.

é·˙ÂÏÌ˚È Ë ˜ËÒÚ˚È Á‚ÛÍ ÙÓÚÂÔ¸flÌÓ Ò flÍÓÈ ‚Â·Â‡ˆËÂÈ.

GRANDPIANO 2

èÓ‰ıÓ‰ËÚ ‰Îfl ÔÓÔÛÎflÌÓÈ ÏÛÁ˚ÍË.

á‚ÛÍ ˝ÎÂÍÚ˘ÂÒÍÓ„Ó ÔˇÌËÌÓ, ÒÓÁ‰‡‚‡ÂÏ˚È Ò ÔÓÏÓ˘¸˛ ˜‡ÒÚÓÚÌÓÈ

E.PIANO 1

ÏÓ‰ÛÎflˆËË. èÓ‰ıÓ‰ËÚ ‰Îfl Ó·˚˜ÌÓÈ ÔÓÔÛÎflÌÓÈ ÏÛÁ˚ÍË.

á‚ÛÍ ˝ÎÂÍÚ˘ÂÒÍÓ„Ó ÙÓÚÂÔ¸flÌÓ, ÒÓÁ‰‡‚‡ÂÏ˚È ÔË Û‰‡Â

E.PIANO 2

ÏÓÎÓÚÓ˜ÍÓ‚ Ó ÏÂÚ‡Î΢ÂÒÍË Ô·ÒÚËÌÍË. åfl„ÍËÈ ÚÓÌ ÔË Î„ÍÓÏ

̇ʇÚËË Ì‡ Í·‚Ë¯Ë Ë ‡„ÂÒÒË‚Ì˚È ÔË ·ÓΠÒËθÌÓÏ.

á‚Û˜‡ÌË ˝ÚÓ„Ó ËÌÒÚÛÏÂÌÚ‡ ı‡‡ÍÚÂÌÓ ‰Îfl ÏÛÁ˚ÍË ·‡ÓÍÍÓ.

ä·‚ÂÒËÌ – ˝ÚÓ ÒÚÛÌÌ˚È ËÌÒÚÛÏÂÌÚ, ÍÓÚÓ˚È Ì ‡„ËÛÂÚ Ì‡ ÒËÎÛ

HARPSICHORD 1

̇ʇÚËfl ̇ Í·‚˯Ë. é‰Ì‡ÍÓ ‰Îfl ˝ÚÓ„Ó ÒÚËÎfl ı‡‡ÍÚÂÂÌ

ÓÒÓ·ÂÌÌ˚È Á‚ÛÍ, ÒÓÁ‰‡‚‡ÂÏ˚È ÓÚÔÛ˘ÂÌÌ˚ÏË Í·‚˯‡ÏË.

íÓÚ Ê ҇Ï˚È ÚÂÏ·, Á‚Û˜‡˘ËÈ Ì‡ ÓÍÚ‡‚Û ‚˚¯Â ‰Îfl ÔÓÎÛ˜ÂÌËfl

HARPSICHORD 2

·ÓΠflÍÓ„Ó Á‚Û͇.

ÇË·ÓÙÓÌ ÒÓ Ò‡‚ÌËÚÂθÌÓ Ïfl„ÍËÏË ÍÓÎÓÚۯ͇ÏË. óÂÏ ÒËθÌÂÂ

VIBRAPHONE

Û‰‡˚ ÔÓ Í·‚˯‡Ï, ÚÂÏ ·ÓΠÏÂÚ‡Î΢ÂÒÍËÏ ÒÚ‡ÌÓ‚ËÚÒfl ÚÓÌ.

íËÔ˘Ì˚È Á‚ÛÍ Ó„‡Ì‡ Ò „ËÒÚ‡ÏË 8 ÙÛÚÓ‚, 4 ÙÛÚ‡ Ë 2 ÙÛÚ‡.

CHURCH ORGAN 1

ïÓÓ¯ ‰Îfl ËÒÔÓÎÌÂÌËfl ‰ÛıÓ‚ÌÓÈ ÏÛÁ˚ÍË ÔÂËÓ‰‡ ·‡ÓÍÍÓ.

á‚ÛÍ ÔÓÎÌÓÈ ÍÓÔÛÎ˚ Ó„‡Ì‡, ˜‡ÒÚÓ ‡ÒÒÓˆËËÛÂÏ˚È Ò «íÓÍ͇ÚÓÈ Ë

CHURCH ORGAN 2

ÙÛ„ÓÈ» à.ë.Ňı‡.

á‚ÛÍ ˝ÎÂÍÚÓÓ„‡Ì‡ ÚËÔ‡ «tonewheel» (ÚÂıÌÓÎÓ„Ëfl «ÙÓÌ˘ÂÒÍÓ„Ó

JAZZ ORGAN

ÍÓÎÂÒ‡»). òËÓÍÓ ËÒÔÓθÁÛÂÚÒfl ‚ ‰Ê‡ÁÓ‚˚ı Ë ÓÍ-ÒÚËÎflı.

ëÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌÌ˚È ·Óθ¯ÓÈ ÒÚÛÌÌ˚È ‡Ì҇Ϸθ Ò

STRINGS 1

‡ÎËÒÚ˘ÌÓÈ ‚Â·Â‡ˆËÂÈ. èÓÔÓ·ÛÈÚ ÒÓ‰ËÌËÚ¸ ˝ÚÓÚ ÚÂÏ· Ò

ÙÓÚÂÔ¸flÌÓ ‚ ÂÊËÏ DUAL.

ë‚Ó·Ó‰Ì˚È Á‚ÛÍ ÒÚÛÌÌÓ„Ó ‡Ì҇ϷÎfl Ò Ï‰ÎÂÌÌÓÈ ‡Ú‡ÍÓÈ.

STRINGS 2

èÓÔÓ·ÛÈÚ ÒÓ‰ËÌËÚ¸ ˝ÚÓÚ ÚÂÏ· Ò ÙÓÚÂÔ¸flÌÓ ËÎË ˝ÎÂÍÚ˘ÂÒÍËÏ

ÔˇÌËÌÓ ‚ ÂÊËÏ DUAL.

ÅÓθ¯ÓÈ Ò‚Ó·Ó‰Ì˚È Á‚ÛÍ ıÓ‡. à‰Â‡ÎÂÌ ‰Îfl ÒÓÁ‰‡ÌËfl ·Ó„‡Ú˚ı

CHOIR

„‡ÏÓÌËÈ ‚ ωÎÂÌÌÓÈ ÏÛÁ˚ÍÂ.

íÂÔÎ˚È Ë ÂÒÚÂÒÚ‚ÂÌÌ˚È Á‚ÛÍ „ËÚ‡˚ Ò ÌÂÈÎÓÌÓ‚˚ÏË ÒÚÛ̇ÏË. èË

GUITAR

Ë„ ÒÓÁ‰‡ÂÚÒfl ÔËflÚ̇fl, ÒÔÓÍÓÈ̇fl ‡ÚÏÓÒÙÂ‡.

*1. ÑË̇Ï˘ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌË ÔÓÁ‚ÓÎflÂÚ ‰Ó·ËÚ¸Òfl ÚÓ˜ÌÓ„Ó ÒÓÓÚ‚ÂÚÒÚ‚Ëfl ÚÂÏ·‡Ï ̇

‡ÍÛÒÚ˘ÂÒÍÓÏ ËÌÒÚÛÏÂÌÚÂ Ò ÔÓÏÓ˘¸˛ ·˚ÒÚÓ„Ó ÔÂÂÍβ˜ÂÌËfl Ò˝ÏÔÎÓ‚.

*2. ë˝ÏÔÎ ÏÓ‰ÂÎËÛÂÚ Ò··Ó Á‚Û˜‡ÌË ÓÚÔÛ˘ÂÌÌ˚ı Í·‚˯.

CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl

73

îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı

ÖÒÎË ‚˚ Á̇ÍÓÏ˚ Ò MIDI-ËÌÚÂÙÂÈÒÓÏ ËÎË ËÒÔÓθÁÛÂÚ ÍÓÏÔ¸˛ÚÂ ‰Îfl ÛÔ‡‚ÎÂÌËfl ÏÛÁ˚͇θÌ˚ÏË ÛÒÚÓÈÒÚ‚‡ÏË ÔË ÔÓÏÓ˘Ë ÒÓÁ‰‡‚‡ÂÏ˚ı ÍÓÏÔ¸˛ÚÂÓÏ

MIDI-ÒÓÓ·˘ÂÌËÈ, ‰‡ÌÌ˚ ËÁ ˝ÚÓ„Ó ‡Á‰Â· ÔÓÏÓ„ÛÚ ‚‡Ï ÛÔ‡‚ÎflÚ¸ ÔˇÌËÌÓ CLP-240/230.

1. NOTE ON/OFF

3. MODE MESSAGES

Data format: [9nH] -> [kk] -> [vv]

Data format: [BnH] -> [cc] -> [vv]

9nH = Note ON/OFF event (n = channel number)

BnH = Control event (n = channel number)

kk = Note number (Transmit: 09H ~ 78H = A-2 ~ C8 /

cc = Control number

Receive: 00H ~ 7FH = C-2 ~ G8)*

vv = Data Range

vv = Velocity (Key ON = 01H ~ 7FH, Key OFF = 00H)

(1) All Sound Off

Data format: [8nH] -> [kk] -> [vv] (reception only)

ccH Parameter Data Range (vvH)

8nH = Note OFF event (n = channel number)

78H All Sound Off 00H

kk = Note number: 00H ~ 7FH = C-2 ~ G8

Switches off all sound from the channel. Does not reset Note

vv = Velocity

On and Hold On conditions established by Channel Messages.

* If received value exceeds the supported range for the

(2) Reset All Controllers

selected voice, the note is adjusted by the necessary num-

ccH Parameter Data Range (vvH)

ber of octaves.

79H Reset All Controllers 00H

Resets controllers as follows.

2. CONTROL CHANGE

Controller Value

Data format: [BnH] -> [cc] -> [vv]

Expression 127 (max)

BnH = Control change (n = channel number)

Damper Pedal 0 (off)

cc = Control number

Sostenuto 0 (off)

vv = Data Range

Soft Pedal 0 (off)

(1) Bank Select

(3) Local Control (reception only)

ccH Parameter Data Range (vvH)

ccH Parameter Data Range (vvH)

00H Bank Select MSB 00H: Normal

7AH Local Control 00H (off), 7FH (on)

20H Bank Select LSB 00H...7FH

(4) All Notes Off

Bank selection processing does not occur until receipt of

ccH Parameter Data Range (vvH)

next Program Change message.

7BH All Notes Off 00H

(2) Modulation (reception only)

Switches OFF all the notes that are currently ON on the spec-

ccH Parameter Data Range (vvH)

ified channel. Any notes being held by the damper or soste-

01H Modulation 00H-7FH

nuto pedal will continue to sound until the pedal is released.

(3) Main Volume (reception only)

(5) Omni Off (reception only)

ccH Parameter Data Range (vvH)

ccH Parameter Data Range (vvH)

07H Volume MSB 00H...7FH

7CH Omni Off 00H

(4) Panpot (reception only)

Same processing as for All Notes Off.

ccH Parameter Data Range (vvH)

(6) Omni On (reception only)

0AH Panpot 00H-7FH

ccH Parameter Data Range (vvH)

(5) Expression

7DH Omni On 00H

ccH Parameter Data Range (vvH)

Same processing as for All Notes Off.

0BH Expression MSB 00H...7FH

(7) Mono (reception only)

(6) Damper

ccH Parameter Data Range (vvH)

ccH Parameter Data Range (vvH)

7EH Mono 00H

40H Damper MSB 00H...7FH

Same processing as for All Sound Off.

(7) Sostenuto

(8) Poly (reception only)

ccH Parameter Data Range (vvH)

ccH Parameter Data Range (vvH)

42H Sostenuto 00H-3FH:off, 40H-7FH:on

7FH Poly 00H

(8) Soft Pedal

Same processing as for All Sound Off.

ccH Parameter Data Range (vvH)

• When control change reception is turned OFF in the Function

43H Soft Pedal 00H-3FH:off, 40H-7FH:on

mode, control change data will not be transmitted or received.

(9) Effect1 Depth (Reverb Send Level)

• Local on/off, OMNI on/off are not transmitted. (The appropriate

ccH Parameter Data Range (vvH)

note off number is supplied with “All Note Off” transmission).

5BH Effect1 Depth 00H...7FH

• When a voice bank MSB/LSB is received, the number is

Adjusts the reverb send level.

stored in the internal buffer regardless of the received order,

(10) Effect4 Depth (Variation Effect Send Level)

then the stored value is used to select the appropriate voice

ccH Parameter Data Range (vvH)

when a program change message is received.

5EH Effect4 Depth 00H...7FH

• The Multi-timbre and Poly modes are always active. No

change occurs when OMNI ON, OMNI OFF, MONO, or POLY

(11) RPN

mode messages are received.

ccH Parameter Data Range (vvH)

65H RPN MSB Coarse Tune 02H,

Fine Tune 01H,

64H RPN LSB Pitch Bend Range 00H

06H Data Entry MSB

38H Data Entry LSB

80

CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl