Yamaha PSR-172 – страница 3
Инструкция к Синтезатору/фортепиано Yamaha PSR-172
psr175e.book Page 41 Wednesday, August 18, 2004 10:41 AM
ëÎÓ‚‡¸
èÓ ÒÛ˘ÂÒÚ‚Û, ÙÛÌ͈Ëfl ÒÎÓ‚‡fl (Dictionary) – ˝ÚÓ ‚ÒÚÓÂÌÌ˚È ÒÔ‡‚Ó˜ÌËÍ ‡ÍÍÓ‰Ó‚, ÍÓÚÓ˚È ÓÚÓ·‡Ê‡ÂÚ
ÓÚ‰ÂθÌ˚ ÌÓÚ˚ ‡ÍÍÓ‰‡. ùÚÓ Ó˜Â̸ Û‰Ó·ÌÓ, ÂÒÎË ‚˚ Á̇ÂÚ ̇Á‚‡ÌË ‡ÍÍÓ‰‡ Ë ıÓÚËÚ ·˚ÒÚÓ Ì‡Û˜ËÚ¸Òfl
Â„Ó Ë„‡Ú¸.
1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [Dict].
Dict.
TEMPO
116
2 ì͇ÊËÚ ÓÒÌÓ‚ÌÓÈ ÚÓÌ ‡ÍÍÓ‰‡.
ç‡ÊÏËÚ Í·‚˯Û, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÌÛÊÌÓÏÛ ÓÒÌÓ‚ÌÓÏÛ ÚÓÌÛ
‡ÍÍÓ‰‡ (Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ Ô‡ÌÂÎË).
Dict.
TEMPO
ÖÒÎË Ì‡Ê‡Ú¸ ˝ÚÛ Í·‚˯Û, ÓÒÌÓ‚-
116
Ì˚Ï ÚÓÌÓÏ ‡ÍÍÓ‰‡ ·Û‰ÂÚ G (ëÓθ).
3 ì͇ÊËÚ ÚËÔ ‡ÍÍÓ‰‡ (χÊÓÌÓ ÚÂÁ‚Û˜ËÂ, ÏËÌÓÌÓ ÚÂÁ‚Û˜ËÂ,
ÒÂÔÚ‡ÍÍÓ‰ Ë Ú.‰.).
ç‡ÊÏËÚ Í·‚˯Û, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÌÛÊÌÓÏÛ ÚËÔÛ ‡ÍÍÓ‰‡
(Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ Ô‡ÌÂÎË).
çÓÚ̇fl Á‡ÔËÒ¸ ‡ÍÍÓ‰‡
Dict.
TEMPO
116
ç‡Ê‡ÚËÂÏ ˝ÚÓÈ Í·‚˯Ë
‚˚·Ë‡ÂÚÒfl ·Óθ¯ÓÈ
χÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ (M7).
ç‡Á‚‡ÌË ‡ÍÍÓ‰‡ (ÓÒÌÓ‚ÌÓÈ ÚÓÌ Ë ÚËÔ)
çÓÚ˚ ‡ÍÍÓ‰‡ ̇ Í·‚ˇÚÛÂ
ç‡ ˝Í‡Ì ÓÚÓ·‡Ê‡ÂÚÒfl ̇Á‚‡ÌË ‡ÍÍÓ‰‡ Ë Â„Ó ÓÚ‰ÂθÌ˚Â
ÌÓÚ˚ – Ë ‚ ÌÓÚÌÓÈ Á‡ÔËÒË, Ë Ì‡ ÒıÂÏ Í·‚ˇÚÛ˚.
4 ë˚„‡ÈÚ ‡ÍÍÓ‰.
ë˚„‡ÈÚ ‡ÍÍÓ‰ (Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ˝Í‡ÌÂ) ‚ ӷ·ÒÚË ACMP ̇
Í·‚ˇÚÛÂ. ÖÒÎË ‚˚ ̇ʇÎË Ë ‰ÂÊËÚ ԇ‚ËθÌ˚ Í·‚˯Ë,
̇Á‚‡ÌË ‡ÍÍÓ‰‡ ̇ ˝Í‡Ì ·Û‰ÂÚ ÏË„‡Ú¸ (‡ Ú‡ÍÊ ·Û‰ÂÚ ÔÓË„-
˚‚‡Ú¸ÒflÂÚÒfl ÏÂÎÓ‰Ëfl “congratulations”). (ê‡ÒÔÓÁ̇˛ÚÒfl Ë Ó·-
‡˘ÂÌËfl ÏÌÓ„Ëı ‡ÍÍÓ‰Ó‚.)
Dict.
TEMPO
116
åË„‡ÂÚ, ÍÓ„‰‡ ̇ʇÚ˚
ì͇Á˚‚‡ÂÚ ÌÓÚ˚, ÍÓÚÓ˚ ÌÛÊÌÓ Ò˚„‡Ú¸.
Ô‡‚ËθÌ˚ Í·‚˯Ë.
ÑÎfl ‚˚ıÓ‰‡ ËÁ ÙÛÌ͈ËË ÒÎÓ‚‡fl ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [Dict.].
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psr175e.book Page 42 Wednesday, August 18, 2004 10:41 AM
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ
Ç ÒËÌÚÂÁ‡ÚÓ PSR-175/172 ËϲÚÒfl ‰Ë̇Ï˘ÂÒÍË ‚‡Ë‡ÌÚ˚ ËÚχ Ë ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (Ë ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ
ËÏ ÚÂÏ·˚) ‰Îfl ‡ÁÌ˚ı ÔÓÔÛÎflÌ˚ı ÏÛÁ˚͇θÌ˚ı ÒÚËÎÂÈ.
ÇÒÂ„Ó ‰ÓÒÚÛÔÌÓ 100 ‡Á΢Ì˚ı ÒÚËÎÂÈ ‚ ÌÂÒÍÓθÍËı ͇Ú„ÓËflı. ä‡Ê‰˚È ÒÚËθ ÒÓÒÚÓËÚ ËÁ ÓÚ-
‰ÂθÌ˚ı ˜‡ÒÚÂÈ: Intro (‚ÒÚÛÔÎÂÌËÂ), Main A Ë Main B (ÓÒÌӂ̇fl ˜‡ÒÚ¸ Ä Ë ÓÒÌӂ̇fl ˜‡ÒÚ¸ Ç) Ò
‰‚ÛÏfl ‚ÒÚ‡‚͇ÏË Ë Ending (ÍÓ̈ӂ͇). ùÚÓ ÔÓÁ‚ÓÎflÂÚ ‚Ó ‚ÂÏfl ËÒÔÓÎÌÂÌËfl ‚˚Á˚‚‡Ú¸ ‡ÁÌ˚Â
‚‡Ë‡ÌÚ˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
îÛÌ͈ËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ‚ÒÚÓÂÌÌ˚ ‚ ËÚÏ˚, ËÌÒÚÛÏÂÌڇθÌÓ Ó·Ó„‡˘‡˛Ú ËÒÔÓÎÌÂ-
ÌËÂ. èË ˝ÚÓÏ ËÒÔÓÎÌËÚÂθ ÛÔ‡‚ÎflÂÚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ, ‚ÓÒÔÓËÁ‚Ó‰fl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ‡Í-
ÍÓ‰˚. îÛÌ͈Ëfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‰ÂÎËÚ Í·‚ˇÚÛÛ Ì‡ ‰‚ ˜‡ÒÚË: ÇÂıÌflfl ÒÎÛÊËÚ ‰Îfl ËÒ-
ÔÓÎÌÂÌËfl ÏÂÎÓ‰ËË, ‡ ÌËÊÌflfl (ÔÓϘÂÌ̇fl Í‡Í “Äëåê” Ì‡‰ “Ù‡-‰ËÂÁ” χÎÓÈ ÓÍÚ‡‚˚ (F#2)) –
‰Îfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
PSR-175/172 Ú‡ÍÊ ‚Íβ˜‡ÂÚ Û‰Ó·ÌÛ˛ ÙÛÌÍˆË˛ ÒÎÓ‚‡fl (Dictionary). ëÎÓ‚‡¸ ÒÓ‰ÂÊËÚ „ÓÚÓ-
‚Û˛ “˝ÌˆËÍÎÓÔ‰˲ ‡ÍÍÓ‰Ó‚”, ÍÓÚÓ‡fl ÔÓ͇ÊÂÚ, Í‡Í Ë„‡Ú¸ β·ÓÈ ‡ÍÍÓ‰, ÓÚÓ·‡Ê‡fl ÒÓÓÚ-
‚ÂÚÒÚ‚Û˛˘Ë ÌÓÚ˚ ̇ ‰ËÒÔÎÂÂ.
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl
1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [STYLE].
ç‡Á‚‡ÌËÂ Ë ÌÓÏ ÒÚËÎfl
001
8Bt Pop
TEMPO
116
2 Ç˚·ÂËÚÂ ÌÓÏÂ ÒÚËÎfl
ÇÓÒÔÓθÁÛÈÚÂÒ¸ ˆËÙÓ‚ÓÈ Í·‚ˇÚÛÓÈ. ëÔËÒÓÍ ‰ÓÒÚÛÔÌ˚ı ÒÚËÎÂÈ ÔË‚Ó‰ËÚÒfl
‚ ˆÂÌÚ ԇÌÂÎË.
çÓχ ÒÚËÎÂÈ ÏÓÊÌÓ ‚˚·Ë‡Ú¸ ÚÓ˜ÌÓ Ú‡Í ÊÂ, Í‡Í Ë ÌÓχ ÚÂÏ·Ó‚
(ÒÚ. 23). çÓÏ ÒÚËÎfl ÏÓÊÌÓ ‚‚ÂÒÚË Ì‡ ˆËÙÓ‚ÓÈ Í·‚ˇÚÛ ËÎË
‚˚·‡Ú¸, ÔÂÂÏ¢‡flÒ¸ ÔÓ ÌÓÏÂ‡Ï ÒÚËÎÂÈ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [+]/[-].
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Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ
ÇÓÒÔÓËÁ‚‰ÂÌË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
Ç ÂÊËÏ Style Û͇Á‡ÌÌ˚ ÌËÊ ÍÌÓÔÍË Ô‡ÌÂÎË ÒÎÛÊ‡Ú ‰Îfl ÛÔ‡‚ÎÂÌËfl
ÒÚËÎflÏË.
ç‡Ê‡ÚËÂÏ ˝ÚÓÈ ÍÌÓÔÍË ÔÓËÁ‚Ó‰ËÚÒfl ÔÂÂÍ-
β˜ÂÌË ÏÂÊ‰Û ÓÒÌÓ‚Ì˚ÏË ˜‡ÒÚflÏË Main A
Ë Main B Ò ‡‚ÚÓχÚ˘ÂÒÍËÏ ‰Ó·‡‚ÎÂÌËÂÏ
‚ÒÚ‡‚ÍË Ô‰ ÌÓ‚ÓÈ ˜‡ÒÚ¸˛. (ëÏ. ÒÚ. 46.)
ç‡Ê‡ÚË ˝ÚÓÈ ÍÌÓÔÍË ÔÓÔÂ-
ÂÏÂÌÌÓ ‚Íβ˜‡ÂÚ Ë ‚˚Íβ-
˜‡ÂÚ ·‡ÒÓ‚Û˛ ÎËÌ˲ Ë ‡ÍÍÓ-
‰Ó‚˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ.
ç‡Ê‡ÚË ˝ÚÓÈ ÍÌÓÔÍË ÔÓÔÂÂÏÂÌ-
ç‡Ê‡ÚË ˝ÚÓÈ ÍÌÓÔÍË ÔÓÔÂÂÏÂÌ-
ùÚ‡ ÍÌÓÔ͇ ËÒÔÓθÁÛÂÚÒfl ‰Îfl
ÌÓ ‚Íβ˜‡ÂÚ Ë ‚˚Íβ˜‡ÂÚ ÙÛÌÍ-
ÌÓ Ì‡˜Ë̇ÂÚ Ë ÔÂ͇˘‡ÂÚ ‚ÓÒÔÓ-
ÛÔ‡‚ÎÂÌËfl Intro (‚ÒÚÛÔÎÂÌËÂÏ),
ˆË˛ Sync Start. (ëÏ. ÒÚ. 44.)
ËÁ‚‰ÂÌË ÒÚËÎfl.
Ending (ÍÓ̈ӂÍÓÈ) Ë Ritardando
(Á‡Ï‰ÎÂÌËÂÏ). (ëÏ. ÒÚ. 45, 46.)
1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [ACCOMPANIMENT ON/OFF].
ÇÍβ˜‡ÂÚÒfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÌÏÂÌÚ.
001
8Bt Pop
TEMPO
116
èÓ͇Á˚‚‡ÂÚ, ˜ÚÓ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚Íβ˜ÂÌ.
2 燘ÌËÚ ‚ÓÒÔÓËÁ‚‰ÂÌË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
ùÚÓ ÏÓÊÌÓ Ò‰Â·ڸ Ó‰ÌËÏ ËÁ ÒÎÂ‰Û˛˘Ëı ÒÔÓÒÓ·Ó‚.
■ ç‡Ê‡Ú¸ ÍÌÓÔÍÛ [START/STOP]
êËÚÏ Ì‡˜Ë̇ÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ÌÂωÎÂÌÌÓ ·ÂÁ ·‡ÒÓ‚ÓÈ ÎËÌËË
Ë ‡ÍÍÓ‰Ó‚Ó„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. èÓË„˚‚‡ÂÚÒfl ÓÒÌӂ̇fl ˜‡ÒÚ¸,
‚˚·‡Ì̇fl ̇ ‰‡ÌÌ˚È ÏÓÏÂÌÚ (Main A ËÎË Main B). (Ç˚·‡Ú¸
ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸ ÏÓÊÌÓ ÔÓӘ‰Ì˚Ï Ì‡Ê‡ÚËÂÏ ÍÌÓÔÍË [MAIN/
AUTO FILL] ‰Ó ̇ʇÚËfl ÍÌÓÔÍË [START/STOP].)
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Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ
■ àÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Tap Tempo ‰Îfl Á‡ÔÛÒ͇ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
ùÚ‡ ÔÓÎÂÁ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸ ÚÂÏÔ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë
‡‚ÚÓχÚ˘ÂÒÍË Ì‡˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚ Á‡‰‡Ì-
ÌÓÏ ÚÂÏÔÂ.
èÓÒÚÓ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [TEMPO/TAP] ˜ÂÚ˚ ‡Á‡ (ËÎË ÚË
‡Á‡ ‰Îfl ÒÚËÎfl Ò ‡ÁÏÂÓÏ 3/4), Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ‡ÍÍÓÏÔ‡ÌÂ-
ÏÂÌÚ‡ ‡‚ÚÓχÚ˘ÂÒÍË Ì‡˜ÌÂÚÒfl ‚ Á‡‰‡ÌÌÓÏ ÚÂÏÔÂ. àÁÏÂÌËÚ¸
ÚÂÏÔ ÏÓÊÌÓ Ë ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
ÑÎfl ˝ÚÓ„Ó ‰ÓÒÚ‡ÚÓ˜ÌÓ ‰‚‡Ê‰˚ ̇ʇڸ ÍÌÓÔÍÛ [TEMPO/TAP]
‚ ÌÛÊÌÓÏ ÚÂÏÔÂ.
■ àÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Sync Start
ëËÌÚÂÁ‡ÚÓ PSR-175/172 Ú‡ÍÊ ËÏÂÂÚ ÙÛÌÍˆË˛ Sync Start, ÍÓÚÓ-
‡fl ÔÓÁ‚ÓÎflÂÚ Á‡ÔÛÒÚËÚ¸ ËÚÏ Ë ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ÔÓÒÚ˚Ï Ì‡Ê‡-
ÚËÂÏ Í·‚Ë¯Ë Ì‡ Í·‚ˇÚÛÂ. ÑÎfl ËÒÔÓθÁÓ‚‡ÌËfl ÙÛÌ͈ËË Sync
Start ‚̇˜‡Î ̇ÊÏËÚ ÍÌÓÔÍÛ [SYNC START] (ÏË„‡˛˘ËÈ Á̇-
˜ÓÍ Û͇Á˚‚‡ÂÚ „ÓÚÓ‚ÌÓÒÚ¸ ÙÛÌ͈ËË Sync Start), ‡ Á‡ÚÂÏ – β·Û˛
Í·‚Ë¯Û ‚ ӷ·ÒÚË ACMP ̇ Í·‚ˇÚÛ (ËÎË Î˛·Û˛ Í·‚˯Û
ÔË ‚˚Íβ˜ÂÌÌÓÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ).
á̇˜ÓÍ Ì‡˜Ë̇ÂÚ ÏË„‡Ú¸
TEMPO
116
ÑËÒÔÎÂÈ ‰ÓÎÂÈ
ÇÓ ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl (ËÎË ÔÂÒÌË) Á̇˜ÓÍ ıÎÓÔ‡˛˘Ëı ·‰ÓÌÂÈ ÏË„‡ÂÚ Ì‡ ‰ËÒÔΠ‚
Ú‡ÍÚ ÚÂÍÛ˘ÂÏÛ ÚÂÏÔÛ. åË„‡˛˘ËÈ Á̇˜ÓÍ Ó·ÂÒÔ˜˂‡ÂÚ ‚ËÁۇθÌÛ˛ ËÌÙÓχˆË˛ Í‡Í Ó ÚÂÏÔÂ,
Ú‡Í Ë Ó Ú‡ÍÚÓ‚ÓÏ ‡ÁÏ ÒÚËÎfl ËÎË ÔÂÒÌË. (ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl ÒÏ. ̇ ÒÚ. 31.)
44
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ
á‡ÔÛÒÍ ÒÓ ‚ÒÚÛÔÎÂÌËfl
Ç̇˜‡Î ̇ÊÏËÚ ÍÌÓÔÍÛ [MAIN/AUTO FILL] ‰Îfl ‚˚·Ó‡ ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË (A ËÎË B), ÍÓÚÓ‡fl
‰ÓÎÊ̇ ÒΉӂ‡Ú¸ Á‡ ‚ÒÚÛÔÎÂÌËÂÏ. á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [INTRO/ENDING/rit.], ˜ÚÓ·˚ ÛÒÚ‡-
ÌÓ‚ËÚ¸ ‚ÒÚÛÔÎÂÌËÂ ‚ ÂÊËÏ „ÓÚÓ‚ÌÓÒÚË.
ì͇Á˚‚‡ÂÚ, ˜ÚÓ ‚ÒÚÛÔ-
INTRO
≥A
ÎÂÌË ‚Íβ˜ÂÌÓ Ë ˜ÚÓ
ÑÎfl ÔÓË„˚‚‡ÌËfl
Á‡ ÌËÏ ÔÓÒΉÛÂÚ ÓÒÌÓ‚-
‚ÒÚÛÔÎÂÌËfl Ë ‡ÍÍÓÏ-
TEMPO
̇fl ˜‡ÒÚ¸ Ä (Main A).
Ô‡ÌÂÏÂÌÚ‡ ̇ÊÏËÚÂ
116
ÍÌÓÔÍÛ [START/STOP].
àÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Sync Start ‰Îfl Á‡ÔÛÒ͇ ‚ÒÚÛÔÎÂÌËfl
Ç̇˜‡Î ̇ÊÏËÚ ÍÌÓÔÍÛ [MAIN/AUTO FILL] ‰Îfl ‚˚·Ó‡ ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË (A ËÎË B), ÍÓÚÓ‡fl
‰ÓÎÊ̇ ÒΉӂ‡Ú¸ Á‡ ‚ÒÚÛÔÎÂÌËÂÏ. á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [INTRO ENDING/rit.].
ì͇Á˚‚‡ÂÚ, ˜ÚÓ Á‡ ‚ÒÚÛÔÎÂ-
INTRO
≥A
ÌËÂÏ ÔÓÒΉÛÂÚ ÓÒÌӂ̇fl
˜‡ÒÚ¸ Ä (Main A).
TEMPO
116
ç‡ÍÓ̈, ̇ÊÏËÚ ÍÌÓÔÍÛ [SYNC START] ‰Îfl ‚Íβ˜ÂÌËfl ÙÛÌ͈ËË Sync Start Ë ‚Íβ˜ËÚÂ
‚ÒÚÛÔÎÂÌËÂ Ë ÒÚËθ, ̇ʇ‚ β·Û˛ Í·‚Ë¯Û ‚ ӷ·ÒÚË ACMP ̇ Í·‚ˇÚÛÂ.
á̇˜ÓÍ Ì‡˜Ë̇ÂÚ ÏË„‡Ú¸
TEMPO
116
3 àÁÏÂÌflÈÚ ‡ÍÍÓ‰˚ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
èÓÔÓ·ÛÈÚ Ò˚„‡Ú¸ ÌÂÒÍÓθÍÓ ÔÓÒΉӂ‡ÚÂθÌ˚ı ‡ÍÍÓ‰Ó‚
• äÌÓÔÍÛ [ACCOMPANIMENT ON/OFF]
΂ÓÈ ÛÍÓÈ, Ó·‡˘‡fl ‚ÌËχÌË ̇ ÚÓ, Í‡Í ÏÂÌfl˛ÚÒfl ·‡ÒÓ‚‡fl
Ú‡ÍÊ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ‚Íβ
˜‡ÒÚ¸ Ë ‡ÍÍÓ‰Ó‚˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ò Í‡Ê‰˚Ï Ò˚„‡ÌÌ˚Ï ‚‡ÏË
‡ÍÍÓ‰ÓÏ.
45
-
˜ÂÌËfl Ë ‚˚Íβ˜ÂÌËfl ·‡ÒÓ‚ÓÈ ˜‡ÒÚË Ë
‡ÍÍÓ‰Ó‚Ó„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚Ó ‚Â-
Ïfl Ë„˚. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ ‰Ë
-
̇Ï˘Ì˚ ËÚÏ˘ÂÒÍË ·ÂÈÍË ‚Ó ‚Â-
Ïfl ËÒÔÓÎÌÂÌËfl.
• ÄÍÍÓ‰˚, ËÒÔÓÎÌflÂÏ˚ ̇ Í·‚ˇÚÛÂ
‚ ӷ·ÒÚË ACMP, ‡ÒÔÓÁ̇˛ÚÒfl Ë ‚ÓÒ
-
ÔÓËÁ‚Ó‰flÚÒfl ‰‡Ê ÔÓÒΠÚÓ„Ó, ͇Í
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ÓÒÚ‡ÌÓ‚ÎÂÌ. î‡ÍÚË-
˜ÂÒÍË, Í·‚ˇÚÛ‡ ‰ÂÎËÚÒfl ̇ ‰‚ ˜‡Ò-
ÚË: Í·‚ˇÚÛÛ Ò ·‡ÒÓ‚ÓÈ ˜‡ÒÚ¸˛ Ë ‡Í
-
psr175e.book Page 45 Wednesday, August 18, 2004 10:41 AM
ÍÓ‰‡ÏË ‰Îfl ΂ÓÈ ÛÍË Ë Ò ÏÂÎÓ‰ËÂÈ
‰Îfl Ô‡‚ÓÈ. íÂÏ· ‰Îfl ÔÓÒΉÌÂÈ
‚˚·Ë‡ÂÚÒfl Ó·˚˜Ì˚Ï ÒÔÓÒÓ·ÓÏ.
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ
4 éÒÚ‡ÌÓ‚ËÚ ÒÚËθ.
ë‰Â·ڸ ˝ÚÓ ÏÓÊÌÓ ÚÂÏfl ÒÔÓÒÓ·‡ÏË:
■ ç‡Ê‡Ú¸ ÍÌÓÔÍÛ [START/STOP]
êËÚÏ Ë ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚˚Íβ˜‡ÚÒfl ÌÂωÎÂÌÌÓ.
■ àÒÔÓθÁÓ‚‡Ú¸ ÍÓ̈ӂÍÛ (Ending)
• ÑÎfl ÔÓÒÚÂÔÂÌÌÓ„Ó Á‡Ï‰ÎÂÌËfl ÚÂÏÔ‡
ç‡ÊÏËÚ ÍÌÓÔÍÛ [INTRO ENDING G/rit.]. ëÚËθ ‚˚Íβ˜ËÚÒfl
(ËÚ‡‰‡Ì‰Ó) ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰Â
ÔÓ ÓÍÓ̘‡ÌËË ÍÓ̈ӂÍË.
■ ç‡Ê‡Ú¸ ÍÌÓÔÍÛ [SYNC START]
ëÚËθ ‚˚Íβ˜‡ÂÚÒfl, Ë ‡‚ÚÓχÚ˘ÂÒÍË ‚Íβ˜‡ÂÚÒfl ÙÛÌ͈Ëfl Sync
Start, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ ‚ÓÁÓ·ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl, ‚Áfl‚
‡ÍÍÓ‰ ËÎË Ì‡Ê‡‚ Í·‚Ë¯Û Ì‡ Í·‚ˇÚÛ ‰Îfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂ-
ÏÂÌÚ‡ (ËÎË Î˛·Û˛ Í·‚Ë¯Û ÔË ‚˚Íβ˜ÂÌÌÓÏ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ).
àÁÏÂÌÂÌË ÚÂÏÔ‡
íÂÏÔ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË (Ë ÒÚËÎfl) ÏÓÊÌÓ Â„ÛÎËÓ‚‡Ú¸ ‚ ‰Ë‡-
Ô‡ÁÓÌ 40 – 240 Û‰‡Ó‚ ‚ ÏËÌÛÚÛ. ì͇Á‡ÌËfl ÔÓ ËÁÏÂÌÂÌ˲ ÚÂÏÔ‡
ÒÏ. ̇ ÒÚ. 31.
ëÚËθ: ÓÒÌÓ‚Ì˚ ˜‡ÒÚË (Main A, Main B) Ë ‚ÒÚ‡‚ÍË
ÇÓ ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ÏÓÊÌÓ ÒÓÁ‰‡‚‡Ú¸ ‰Ë̇Ï˘ÂÒÍËÂ
ËÁÏÂÌÂÌËfl ‚ ËÚÏÂ Ë ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [MAIN/
AUTO FILL]. ç‡Ê‡ÚË ˝ÚÓÈ ÍÌÓÔÍË ‚˚Á˚‚‡ÂÚ ÔÂÂÍβ˜ÂÌËÂ Ò Ó‰-
ÌÓÈ ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË Ì‡ ‰Û„Û˛. èË ˝ÚÓÏ ‰Îfl Ô·‚ÌÓ„Ó ÔÂÂıÓ‰‡ Í
ÌÓ‚ÓÈ ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË ‡‚ÚÓχÚ˘ÂÒÍË ÔÓË„˚‚‡ÂÚÒfl ‚ÒÚ‡‚͇. ç‡Ô-
ËÏÂ, ÂÒÎË ‚ ‰‡ÌÌ˚È ÏÓÏÂÌÚ ÔÓË„˚‚‡ÂÚÒfl ÓÒÌӂ̇fl ˜‡ÒÚ¸ A, ̇-
ʇÚË ˝ÚÓÈ ÍÌÓÔÍË ‚˚ÁÓ‚ÂÚ ‡‚ÚÓχÚ˘ÂÒÍÓ ÔÓË„˚‚‡ÌË ‚ÒÚ‡‚ÍË,
‡ Á‡ÚÂÏ ÔÓÒΉÛÂÚ ÓÒÌӂ̇fl ˜‡ÒÚ¸ B.
éÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸ A ËÎË B Ú‡ÍÊ ÏÓÊÌÓ ‚˚·‡Ú¸, ̇ʇ‚ Ô‰ Á‡ÔÛÒ-
ÍÓÏ ÒÚËÎfl ÍÌÓÔÍÛ [MAIN/AUTO FILL].
46
-
psr175e.book Page 46 Wednesday, August 18, 2004 10:41 AM
ÌËfl ÍÓ̈ӂÍË ‰‚‡Ê‰˚ ·˚ÒÚÓ Ì‡Ê-
ÏËÚÂ ÍÌÓÔÍÛ [INTRO ENDING/rit].
• ÑÎfl Í‡Ê‰Ó„Ó ÒÚËÎfl ÒÛ˘ÂÒÚ‚ÛÂÚ ÒÚ‡Ì-
‰‡ÚÌ˚È ÚÂÏÔ (ÚÂÏÔ ÔÓ ÛÏÓΘ‡Ì˲).
äÓ„‰‡ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl ÔÂÍ-
‡˘‡ÂÚÒfl Ë ‚˚·Ë‡ÂÚÒfl ‰Û„ÓÈ ÒÚËθ,
ÛÒڇ̇‚ÎË‚‡ÂÚÒfl ÚÂÏÔ, ËÒÔÓθÁÛÂÏ˚È
ÔÓ ÛÏÓΘ‡Ì˲ ‰Îfl ‚ÌÓ‚¸ ‚˚·‡ÌÌÓ„Ó
ÒÚËÎfl. èË ÔÂÂÍβ˜ÂÌËË ÒÚËÎÂÈ ‚Ó
‚ÂÏfl Ë„˚ ÒÓı‡ÌflÂÚÒfl ÔÓÒΉÌËÈ
Á‡‰‡ÌÌ˚È ÚÂÏÔ. (ùÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊ-
ÌÓÒÚ¸ ÒÓı‡ÌflÚ¸ Ó‰ËÌ Ë ÚÓÚ Ê ÚÂÏÔ
‰‡Ê ÔË ÒÏÂÌ ÒÚËÎÂÈ.)
• çÓ‚˚È ÚÂÏÔ Ú‡ÍÊ ÏÓÊÌÓ Á‡‰‡Ú¸ ‚
‡θÌÓÏ ‚ÂÏÂÌË Ò ÔÓÏÓ˘¸˛ ÙÛÌÍ-
ˆËË Tap Tempo. (ëÏ. ÒÚ. 44.)
• ò‡·ÎÓÌ˚ ‚ÒÚ‡‚ÓÍ Ì‰ÓÒÚÛÔÌ˚, ÂÒÎË
‚˚·‡Ì Ó‰ËÌ ËÁ ÙÓÚÂÔ¸flÌÌ˚ı ÒÚË-
ÎÂÈ Pianist ((#081 – #100).
psr175e.book Page 47 Wednesday, August 18, 2004 10:41 AM
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ
ÇÒÚ‡‚ÍË
ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ
...ÌÂωÎÂÌÌÓ Ì‡˜ÌÂÚÒfl
...Ë ÓÒÌӂ̇fl
[MAIN/AUTO FILL]
‚ÓÒÔÓËÁ‚‰ÂÌË ‚ÒÚ‡‚ÍË
˜‡ÒÚ¸ A ËÎË B
‰Ó ‰ÓÎË 4...
‰Ó ÍÓ̈‡ Ú‡ÍÚ‡...
̇˜ÌÂÚÒfl Á‰ÂÒ¸.
í‡ÍÚ 1 í‡ÍÚ 2
í‡ÍÚ 3
‰ÓÎfl
1234123412341233
ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ
...‚ÒÚ‡‚͇ ̇˜ÌÂÚÒfl
...Ë ÓÒÌӂ̇fl
[MAIN/AUTO FILL]
ÓÚÒ˛‰‡...
˜‡ÒÚ¸ A ËÎË B
ÔÓÒÎÂ ‰ÓÎË 4...
̇˜ÌÂÚÒfl Á‰ÂÒ¸.
ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
ÉÓÏÍÓÒÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÏÓÊÌÓ Â„ÛÎËÓ‚‡Ú¸.
í‡Í‡fl „ÛÎËӂ͇ ‚ÎËflÂÚ ÚÓθÍÓ Ì‡ „ÓÏÍÓÒÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËfl
ÒÚËÎfl. ÉÓÏÍÓÒÚ¸ „ÛÎËÛÂÚÒfl ‚ ‰Ë‡Ô‡ÁÓÌ 000 - 127.
1 Ç ÏÂÌ˛ Overall ‚˚·ÂËÚ ÙÛÌÍˆË˛ Accompaniment Volume
(ÉÓÏÍÓÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡).
ç‡ÊËχÈÚ ÍÌÓÔÍÛ [OVERALL] ‰Ó ÚÂı ÔÓ, ÔÓ͇ ̇ ‰ËÒÔÎÂÂ
ÌÂ ÔÓfl‚ËÚÒfl “ACMP VOL”.
íÂÍÛ˘Â Á̇˜ÂÌË „ÓÏÍÓÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
110
ACMP VOL
TEMPO
èÓ͇Á˚‚‡ÂÚ, ˜ÚÓ ‚˚·‡Ì
116
ÂÊËÏ Â„ÛÎËÓ‚ÍË „ÓÏÍÓÒÚË
2 àÁÏÂÌËÚ Á̇˜ÂÌËÂ.
ìÒÚ‡ÌÓ‚ËÚ ÌÛÊÌÓ Á̇˜ÂÌË „ÓÏÍÓÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (000 -
127) ̇ ˆËÙÓ‚ÓÈ Í·‚ˇÚÛÂ. ì‚Â΢ËÚ¸ Ë ÛÏÂ̸¯ËÚ¸ „ÓÏ-
• ÉÓÏÍÓÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÏÓÊÌÓ
ÍÓÒÚ¸ Ú‡ÍÊ ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [+]/[-]. ÑÎfl ˝ÚÓ„Ó ÌÛÊÌÓ
ËÁÏÂÌËÚ¸ ÚÓθÍÓ ‚ ÂÊËÏ Style.
ÔÓ‰Âʇڸ ̇ʇÚÓÈ Ó‰ÌÛ ËÁ ˝ÚËı ÍÌÓÔÓÍ.
ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰ÌÓ„Ó Á̇˜Â-
ÌËfl „ÓÏÍÓÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
ÖÒÎË „ÓÏÍÓÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ·˚·
ËÁÏÂÌÂ̇, ‰Îfl ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl ÒÚ‡Ì-
‰‡ÚÌÓ„Ó Á̇˜ÂÌËfl 110 ‰ÓÒÚ‡ÚÓ˜ÌÓ Ó‰-
ÌÓ‚ÂÏÂÌÌÓ Ì‡Ê‡Ú¸ Ó·Â ÍÌÓÔÍË [+]/[-] ‚
ÂÊËÏ „ÛÎËÓ‚ÍË „ÓÏÍÓÒÚË ‡ÍÍÓÏ-
Ô‡ÌÂÏÂÌÚ‡.
47
psr175e.book Page 48 Wednesday, August 18, 2004 10:41 AM
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ
àÒÔÓθÁÓ‚‡ÌË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ – Multi Fingering
îÛÌ͈Ëfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‡‚ÚÓχÚ˘ÂÒÍË ÒÓÁ‰‡ÂÚ ·‡ÒÓ‚Û˛ ÎËÌ˲
Ë ‡ÍÍÓ‰Ó‚˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ÔÓ‰ ÍÓÚÓ˚ ÏÓÊÌÓ Ë„‡Ú¸, ‚ ÂÊËÏÂ
Multi Fingering. àÒÔÓÎÌËÚÂθ ÏÓÊÂÚ ÏÂÌflÚ¸ ‡ÍÍÓ‰˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡,
̇ÊËχfl Í·‚Ë¯Ë ‚ ˜‡ÒÚË ACMP ̇ Í·‚ˇÚÛ ‚ ÂÊËÏ “Single
Finger” ËÎË “Fingered”. Ç ÂÊËÏ Single Finger ÏÓÊÌÓ ÔÓÒÚÓ Ë„‡Ú¸
‡ÍÍÓ‰˚ Ó‰ÌËÏ, ‰‚ÛÏfl ËÎË ÚÂÏfl ԇθˆ‡ÏË (ÒÏ. ÌËÊ ‡ÍÍÓ‰˚, ‚ÓÒ-
ÔÓËÁ‚Ó‰ËÏ˚ ‚ ÂÊËÏ Single Finger). èË ËÒÔÓθÁÓ‚‡ÌËË ÏÂÚÓ‰‡
Fingered Ú‡‰ËˆËÓÌÌÓ ÔÓË„˚‚‡˛ÚÒfl ‚Ò ÌÓÚ˚ ‡ÍÍÓ‰‡. ä‡ÍËÏ ·˚
ÏÂÚÓ‰ÓÏ ‚˚ ÌË ÔÓθÁÓ‚‡ÎËÒ¸, ÒËÌÚÂÁ‡ÚÓ PSR-175/172 “‡ÒÔÓÁ̇ÂÚ”
ÌÛÊÌ˚È ‡ÍÍÓ‰ Ë ‡‚ÚÓχÚ˘ÂÒÍË „ÂÌÂËÛÂÚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ.
■ ÄÍÍÓ‰˚, ‚ÓÒÔÓËÁ‚Ó‰ËÏ˚ ‚ ÂÊËÏ Single Finger• • • • • • • • • • • • • •
Ç ÂÊËÏ Single Finger ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ χÊÓÌÓ ÚÂÁ‚Û˜ËÂ,
ÏËÌÓÌÓ ÚÂÁ‚Û˜ËÂ, ‰ÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓ‰ Ë Ï‡Î˚È ÏËÌÓÌ˚È ÒÂÔÚ‡Í-
ÍÓ‰. çËÊ ̇ ËÒÛÌÍ ÔÓ͇Á‡ÌÓ, Í‡Í Ë„‡Ú¸ ˝ÚË ˜ÂÚ˚ ÚËÔ‡ ‡ÍÍÓ‰Ó‚.
(ä·‚˯‡ C ËÒÔÓθÁÛÂÚÒfl Á‰ÂÒ¸ ‰Îfl ÔËχ; ‰Îfl ÓÒڇθÌ˚ı Í·‚˯
‰ÂÈÒÚ‚Û˛Ú Ú Ê ԇ‚Ë·. ç‡ÔËÏÂ, Bb7 ÔÓË„˚‚‡ÂÚÒfl Í‡Í Bb Ë A.)
C
Cm C
7
Cm
7
óÚÓ·˚ Ò˚„‡Ú¸ χÊÓÌÓÂ
óÚÓ·˚ Ò˚„‡Ú¸ ÏËÌÓÌÓÂ
óÚÓ·˚ Ò˚„‡Ú¸ ‰ÓÏË̇ÌÚ-
óÚÓ·˚ Ò˚„‡Ú¸ χÎ˚È ÏËÌÓÌ˚È
ÚÂÁ‚Û˜ËÂ: ̇ÊÏËÚ Í·‚˯Û
ÚÂÁ‚Û˜ËÂ: Ó‰ÌÓ‚ÂÏÂÌÌÓ
ÒÂÔÚ‡ÍÍÓ‰: Ó‰ÌÓ‚ÂÏÂÌÌÓ
ÒÂÔÚ‡ÍÍÓ‰: Ó‰ÌÓ‚ÂÏÂÌ
ÌÓ Ì‡Ê-
ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ‡ÍÍÓ‰‡.
̇ÊÏËÚ Í·‚Ë¯Û ÓÒÌÓ‚ÌÓ„Ó
̇ÊÏËÚ Í·‚Ë¯Û ÓÒÌÓ‚ÌÓ„Ó
ÏËÚ Í·‚Ë¯Û ÓÒÌÓ‚ÌÓ
„Ó ÚÓ̇
ÚÓ̇ Ë ·ÎËÊ‡È¯Û˛ ˜ÂÌÛ˛
ÚÓ̇ Ë ·ÎËÊ‡È¯Û˛ ·ÂÎÛ˛
Ò ·ÎËʇȯËÏË ·ÂÎÓÈ Ë ˜ÂÌÓÈ
Í·‚Ë¯Û Ò΂‡ ÓÚ ÌÂÂ.
Í·‚Ë¯Û Ò΂‡ ÓÚ ÌÂÂ.
Í·‚˯‡ÏË Ò΂‡ ÓÚ
ÌÂÂ (‚ÒÂ ÚË
Í·‚Ë¯Ë ‚ÏÂÒÚÂ).
■ ÄÍÍÓ‰˚, ‚ÓÒÔÓËÁ‚Ó‰ËÏ˚ ‚ ÂÊËÏ Fingered • • • • • • • • • • • • • • • • •
çËÊ ÔÓ͇Á‡Ì˚ ‚ˉ˚ ‡ÍÍÓ‰Ó‚, ‡ÒÔÓÁ̇‚‡ÂÏ˚ı ‚ ÂÊËÏ Fingered.
Ç Í‡˜ÂÒÚ‚Â ÔËχ ËÒÔÓθÁÛÂÚÒfl Í·‚˯‡ C.
ÄÍÍÓ‰˚ Fingered ‚ ÚÓ̇θÌÓÒÚË C (‰Ó)
ÖÒÎË ‡ÍÍÓ‰ Ó·‡˘ÂÌÌ˚È (ÚÓ ÂÒÚ¸ C-E-G Ë„‡ÂÚÒfl
Í‡Í G-C-E), PSR-175/172 ‡ÒÔÓÁ̇ÂÚ Â„Ó Í‡Í ‡Í-
C
Cm
Caug
(7aug)
Cdim
(dim7)
ÍÓ‰ ‚ ÚÓ̇θÌÓÒÚË C. Ç ÒËÒÚÂÏ ‡ÒÔÓÁ̇‚‡ÌËfl
‡ÍÍÓ‰Ó‚ ËϲÚÒfl ÒÎÂ‰Û˛˘Ë ԇ‚Ë· Ë ËÒÍβ-
( )
˜ÂÌËfl.
( )
• åËÌÓÌ˚ ÒÂÍÒÚ‡ÍÍÓ‰˚ ‡ÒÔÓÁ̇˛ÚÒfl ÚÓθÍÓ
ÌÂÓ·‡˘ÂÌÌ˚ÏË, Ӊ̇ÍÓ ‚Ò ÓÒڇθÌ˚ ӷ‡-
Csus
4
C
7
Cm
7
CM
7
˘ÂÌËfl ËÌÚÂÔÂÚËÛ˛ÚÒfl Í‡Í ÏËÌÓÌ˚È ÒÂÔÚ-
‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ.
• ÖÒÎË Ó·‡˘‡˛ÚÒfl Û‚Â΢ÂÌÌ˚Â Ë ÛÏÂ̸¯ÂÌÌ˚Â
( )
( )
( )
ÒÂÔÚ‡ÍÍÓ‰˚, ‚ ͇˜ÂÒÚ‚Â ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ‡Ò-
ÔÓÁ̇ÂÚÒfl ҇χfl ÌËÊÌflfl ÌÓÚ‡.
CmM
7
C
7
b5
Cm
7
b5
C sus
7
4
• CÂÔÚ‡ÍÍÓ‰˚ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ ÏÓÊÌÓ Ë„-
‡Ú¸ Ò Ò‡ÏÓÈ ÌËÊÌÂÈ ÌÓÚÓÈ ‚ ͇˜ÂÒÚ‚Â ÚÓÌËÍË
ËÎË ÔÓÌËÊÂÌÓÈ ÒÂÔÚËÏ˚.
( )
• ì‚Â΢ÂÌÌ˚Â Ë ÛÏÂ̸¯ÂÌÌ˚ ÒÂÔÚ‡ÍÍÓ‰˚ ËÌ-
Cm
6
C
(9)
ÚÂÔÂÚËÛ˛ÚÒfl Í‡Í ÔÓÒÚ˚ ۂÂ΢ÂÌÌ˚ Ë
ÛÏÂ̸¯ÂÌÌ˚Â.
* çÓÚ˚, Û͇Á‡ÌÌ˚ ‚ ÒÍӷ͇ı, ÌÂÓ·flÁ‡ÚÂθÌ˚; ‡ÍÍÓ‰˚ ‡ÒÔÓÁ̇˛ÚÒfl
• ç ‡ÒÔÓÁ̇˛ÚÒfl ÒÎÂ‰Û˛˘Ë ‡ÍÍÓ‰˚:
Ë ·ÂÁ ÌËı.
ÏËÌÓÌ˚È B6, ÏËÌÓÌ˚È B
b
6 Ë Û‚Â΢ÂÌÌ˚È B.
48
psr175e.book Page 49 Wednesday, August 18, 2004 10:41 AM
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • óÚÓ Ú‡ÍÓ ‡ÍÍÓ‰ • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
ÇÓÚ ÔÓÒÚÓÈ ÓÚ‚ÂÚ. ÄÍÍÓ‰ – ˝ÚÓ ÚË ËÎË ·ÓΠÌÓÚ˚, Ò˚„‡ÌÌ˚ ӉÌÓ‚ÂÏÂÌÌÓ.
(ÖÒÎË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ë„‡˛ÚÒfl ‰‚ ÌÓÚ˚, ˝ÚÓ Ì‡Á‚‡ÂÚÒfl ËÌÚ‚‡ÎÓÏ; ËÌÚ‚‡Î –
‡ÒÒÚÓflÌË ÏÂÊ‰Û ‰‚ÛÏfl ÌÓÚ‡ÏË. í‡Í‡fl ÍÓÏ·Ë̇ˆËfl ÌÓÚ Ú‡ÍÊ ̇Á˚‚‡ÂÚÒfl ÒÓÁ-
‚Û˜ËÂÏ.) Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ËÌÚ‚‡ÎÓ‚ ÏÂÊ‰Û ÚÂÏfl ËÎË ·ÓΠÌÓÚ‡ÏË ‡ÍÍÓ‰
ÏÓÊÂÚ Á‚Û˜‡Ú¸ ͇ÒË‚Ó, ÏÂÌ ͇ÒË‚Ó ËÎË ÔÓÒÚÓ Ì··„ÓÁ‚Û˜ÌÓ.
ÄÍÍÓ‰ ËÁ ÚÂı Á‚ÛÍÓ‚, ÔÓ͇Á‡ÌÌ˚È Ò΂‡, ‰‡ÂÚ ÔËflÚÌ˚È
„‡ÏÓÌ˘Ì˚È Á‚ÛÍ. íÂÁ‚Û˜Ëfl ÒÓÒÚÓflÚ ËÁ ÚÂı ÌÓÚ Ë fl‚-
Îfl˛ÚÒfl Ó‰ÌËÏ ËÁ ÓÒÌÓ‚Ì˚ı Ë Ò‡Ï˚ı ‡ÒÔÓÒÚ‡ÌÂÌÌ˚ı
‡ÍÍÓ‰Ó‚ ‚ ÏÛÁ˚Í ·Óθ¯ËÌÒÚ‚‡ ̇ԇ‚ÎÂÌËÈ.
çËÊÌÂÈ ÌÓÚÓÈ ‚ ˝ÚÓÏ ÚÂÁ‚Û˜ËË fl‚ÎflÂÚÒfl ÌÓÚ‡ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇, ËÎË ÚÓÌË͇. ùÚÓ
҇χfl ‚‡Ê̇fl ÌÓÚ‡ ‚ ‡ÍÍÓ‰Â, Ú‡Í Í‡Í Ì‡ ÌÂÈ ÓÒÌÓ‚‡Ì‡ „‡ÏÓÌËfl ‡ÍÍÓ‰‡, ÓÔ‰Â-
ÎflÂχfl Â„Ó ÚÓ̇θÌÓÒÚ¸˛, Ë ÓÚ ˝ÚÓÈ ÌÓÚ˚ Á‡‚ËÒËÚ, Í‡Í Ï˚ ÒÎ˚¯ËÏ ‰Û„Ë ÌÓÚ˚
‡ÍÍÓ‰‡.
ÇÚÓ‡fl ÌÓÚ‡ ‡ÍÍÓ‰‡ ̇ ˜ÂÚ˚ ÔÓÎÛÚÓ̇ ‚˚¯Â Ô‚ÓÈ, ‡ ÚÂÚ¸fl – ̇ ÚË ÔÓÎÛÚÓ̇
‚˚¯Â ‚ÚÓÓÈ. ç ÏÂÌflfl ÓÒÌÓ‚ÌÓÈ ÚÓÌ, ÌÓ ÔÂÂÏ¢‡fl ‚ÚÓÛ˛ Ë ÚÂÚ¸˛ ÌÓÚ˚ ‡ÍÍÓ-
‰‡ ̇ ÔÓÎÚÓ̇ ‚‚Âı ËÎË ‚ÌËÁ (‰ËÂÁ ËÎË ·ÂÏÓθ), ÏÓÊÌÓ ÒÓÁ‰‡Ú¸ ˜ÂÚ˚ ‡ÁÌ˚ı
‡ÍÍÓ‰‡.
å‡ÊÓÌÓ ÚÂÁ‚Û˜ËÂ
åËÌÓÌÓ ÚÂÁ‚Û˜ËÂ
ì‚Â΢ÂÌÌÓ ÚÂÁ‚Û˜ËÂ
ìÏÂ̸¯ÂÌÌÓ ÚÂÁ‚Û˜ËÂ
(̇ÔËÏÂ, C)
(̇ÔËÏÂ, Cm)
(̇ÔËÏÂ, Caug)
(̇ÔËÏÂ, Cdim)
å‡Î‡fl
ÅÓθ¯‡fl
ÅÓθ¯‡fl
å‡Î‡fl
ÅÓθ¯‡fl
ÅÓθ¯‡fl
å‡Î‡fl
å‡Î‡fl
ÚˆËfl
ÚˆËfl
ÚˆËfl
ÚˆËfl
ÚˆËfl
ÚˆËfl
ÚˆËfl
ÚˆËfl
åÓÊÌÓ ËÁÏÂÌËÚ¸ Ë ËÁÎÓÊÂÌË ‡ÍÍÓ‰‡ – ̇ÔËÏÂ, ÔÓÏÂÌflÚ¸ ÔÓfl‰ÓÍ ÌÓÚ (Ú‡Í
̇Á˚‚‡ÂÏÓ ӷ‡˘ÂÌË ‡ÍÍÓ‰Ó‚) ËÎË Ë„‡Ú¸ Ó‰ÌË Ë Ú Ê ÌÓÚ˚ ‚ ‡ÁÌ˚ı ÓÍÚ‡‚‡ı,
Ì ÏÂÌflfl ÓÒÌÓ‚˚ Ò‡ÏÓ„Ó ‡ÍÍÓ‰‡.
èËÏÂ˚ Ó·‡˘ÂÌËfl ‡ÍÍÓ‰Ó‚ ‚ ÚÓ̇θÌÓÒÚË C (ÑÓ).
ÏË
‰Ó
‰Ó
ÒÓθ
ÒÓθ
ÒÓθ
ÏË
ÏË
‰Ó
í‡ÍËÏ Ó·‡ÁÓÏ ÏÓÊÌÓ ÒÓÁ‰‡‚‡Ú¸ Ó˜Â̸ ͇ÒË‚˚ ÒÓÁ‚Û˜Ëfl. àÌÚ‚‡Î˚ Ë ‡ÍÍÓ‰˚
fl‚Îfl˛ÚÒfl Ó‰ÌËÏË ËÁ Ò‡Ï˚ı ‚‡ÊÌ˚ı ˝ÎÂÏÂÌÚÓ‚ ‚ ÏÛÁ˚ÍÂ. Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÚËÔÓ‚
ËÒÔÓθÁÛÂÏ˚ı ‡ÍÍÓ‰Ó‚ Ë ÔÓfl‰Í‡ Ëı ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÏÓÊÌÓ ÒÓÁ‰‡Ú¸ ÏÌÓÊÂÒÚ‚Ó
˝ÏÓˆËÈ Ë ˜Û‚ÒÚ‚.
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Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ
• • • • • • • • • • • • • • • • • • • • • • • • • • á‡ÔËÒ¸ ̇Á‚‡ÌËÈ ‡ÍÍÓ‰Ó‚ • • • • • • • • • • • • • • • • • • • • • • • • • • • •
ç‡Û˜ËÚ¸Òfl ˜ËÚ‡Ú¸ Ë Á‡ÔËÒ˚‚‡Ú¸ ̇Á‚‡ÌËfl ‡ÍÍÓ‰Ó‚ ÌÂÒÎÓÊÌÓ, ÚÂÏ Ì ÏÂÌ ˝ÚÓ
˜ÂÁ‚˚˜‡ÈÌÓ ˆÂÌÌ˚È Ì‡‚˚Í. ó‡ÒÚÓ ‰Îfl Á‡ÔËÒË ‡ÍÍÓ‰Ó‚ ËÒÔÓθÁÛÂÚÒfl Ò‚ÓÂ„Ó Ó‰‡
ÒÚÂÌÓ„‡ÙËfl, ÍÓÚÓ‡fl ÔÓÁ‚ÓÎflÂÚ Ï„ÌÓ‚ÂÌÌÓ ‡ÒÔÓÁ̇‚‡Ú¸ ‡ÍÍÓ‰˚ (Ë ÔÓË„˚‚‡Ú¸
Ëı ‚ ÚÓÏ ËÁÎÓÊÂÌËË, ÍÓÚÓÓ ‚˚ Ô‰ÔÓ˜ËÚ‡ÂÚÂ). ä‡Í ÚÓθÍÓ ‚˚ ÔÓÈÏÂÚ ÓÒÌÓ‚Ì˚Â
ÔË̈ËÔ˚ ÔÓÒÚÓÂÌËfl ÒÓÁ‚Û˜ËÈ Ë ‡ÍÍÓ‰Ó‚, ËÒÔÓθÁÓ‚‡Ú¸ ÒÚÂÌÓ„‡Ù˲ ‰Îfl Á‡ÔËÒË
‡ÍÍÓ‰Ó‚ ÔÂÒÌË ·Û‰ÂÚ Ó˜Â̸ ÔÓÒÚÓ.
ë̇˜‡Î‡ ÌÂÓ·ıÓ‰ËÏÓ Û͇Á‡Ú¸ ÌÓÚÛ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ‡ÍÍÓ‰‡ Ò Á‡„·‚ÌÓÈ ·ÛÍ‚˚.
ÑËÂÁ˚ ËÎË ·ÂÏÓÎË Û͇Á˚‚‡˛ÚÒfl ÒÔ‡‚‡ ÓÚ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇. íËÔ ‡ÍÍÓ‰‡ Ú‡ÍÊÂ
Û͇Á˚‚‡ÂÚÒfl ÒÔ‡‚‡. çËÊ ‰‡Ì˚ ÔËÏÂ˚ ‰Îfl ÚÓ̇θÌÓÒÚË C.
å‡ÊÓÌÓÂ
åËÌÓÌÓÂ
ì‚Â΢ÂÌÌÓÂ
ìÏÂ̸¯ÂÌÌÓÂ
ÚÂÁ‚Û˜ËÂ
ÚÂÁ‚Û˜ËÂ
ÚÂÁ‚Û˜ËÂ
ÚÂÁ‚Û˜ËÂ
C
Cm
Caug
Cdim
ÑÎfl ÔÓÒÚ˚ı χÊÓÌ˚ı ÚÂÁ‚Û˜ËÈ ÚËÔ Ì Û͇Á˚‚‡ÂÚÒfl.
LJÊÌÓ Á‡Ï˜‡ÌËÂ. ÄÍÍÓ‰˚ ÒÓÒÚÓflÚ ËÁ ÌÓÚ, ÔÓÏ¢ÂÌÌ˚ı Ӊ̇ ̇‰ ‰Û„ÓÈ, Ë ‚ ̇Á-
‚‡ÌËË ‡ÍÍÓ‰‡ ˝ÚË ÌÓÚ˚ Ó·ÓÁ̇˜‡˛ÚÒfl ˜ËÒÎÓÏ. ùÚÓ ˜ËÒÎÓ ÔÓ͇Á˚‚‡ÂÚ ‡ÒÒÚÓflÌËÂ
‰‡ÌÌÓÈ ÌÓÚ˚ ÓÚ ÌÓÚ˚ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇. (ëÏ. ÒıÂÏÛ Í·‚ˇÚÛ˚ ÌËÊÂ.) ç‡ÔËÏÂ,
ÏËÌÓÌ˚È ÒÂÍÒÚ‡ÍÍÓ‰ ‚Íβ˜‡ÂÚ 6-˛ ÒÚÛÔÂ̸ „‡ÏÏ˚, χÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ – 7-˛
ÒÚÛÔÂ̸ „‡ÏÏ˚ Ë Ú.‰.
àÌÚ‚‡Î˚ „‡ÏÏ˚
ÑÓÏË̇ÌÚ‡ Ò‰¸ÏÓÈ ÒÚÛÔÂÌË
(ÔÓÌËÊÂÌ̇fl ÒÂÔÚËχ)
óÚÓ·˚ ÎÛ˜¯Â ÔÓÌflÚ¸ ËÌÚ‚‡Î˚ Ë ˜ËÒ·, ËÒ-
ÔÓθÁÛÂÏ˚ ‰Îfl Ëı Ô‰ÒÚ‡‚ÎÂÌËfl ‚ ̇Á‚‡ÌËË
‡ÍÍÓ‰‡, ËÁÛ˜ËÚ ÒıÂÏÛ ‰Îfl „‡ÏÏ˚ ‰Ó-χÊÓ.
CDE FGABCDE
F
íÓÌË͇
䂇ڇ
ëÂÔÚËχ
ì̉ˆËχ
íˆËfl
ëÂÍÒÚ‡
çÓ̇
ëÂÍÛ̉‡
ä‚ËÌÚ‡
éÍÚ‡‚‡
ÑÛ„Ë ‡ÍÍÓ‰˚
Csus4
C7
Cm7
ä‚ËÌÚ‡ 䂇ڇ
ÑÓÏË̇ÌÚ‡
å‡ÊÓÌÓÂ
ÑÓÏË̇ÌÚ‡
åËÌÓÌÓÂ
Ò‰¸ÏÓÈ ÒÚÛÔÂÌË
ÚÂÁ‚Û˜ËÂ
Ò‰¸ÏÓÈ ÒÚÛÔÂÌË
ÚÂÁ‚Û˜ËÂ
CM7
Cm7b5
Cm6
C(9)
ëÂÔÚËχ å‡ÊÓÌÓÂ
ÑÓÏË̇ÌÚ‡
ìÏÂ̸¯ÂÌÌÓÂ
åËÌÓÌÓÂ
ëÂÍÒÚ‡
çÓ̇
ÚÂÁ‚Û˜ËÂ
Ò‰¸ÏÓÈ ÒÚÛÔÂÌË
ÚÂÁ‚Û˜ËÂ
ÚÂÁ‚Û˜ËÂ
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Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ
åÛθÚËÔ˝‰˚
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ Ï„ÌÓ‚ÂÌÌÓ ‚˚Á˚‚‡Ú¸ ‡Á΢Ì˚Â
ÏÛÁ˚͇θÌ˚Â Ë ËÚÏ˘ÂÒÍË هÁ˚ ‚Ó ‚ÂÏfl Ë„˚ ̇ PSR-175/172.
ÇÒÂ„Ó ÒÛ˘ÂÒÚ‚ÛÂÚ 40 ‡ÁÌ˚ı Á‚ÛÍÓ‚ Ë Ù‡Á (10 ·‡ÌÍÓ‚ Ò ˜ÂÚ˚¸Ïfl
Á‚Û͇ÏË ‚ ͇ʉÓÏ). ùÚË Ù‡Á˚ ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl ‚ ÚÓÏ Ê ÚÂÏÔÂ, ˜ÚÓ
Ë Ô‡‡ÏÂÚ˚ Tempo, Ë „‡ÏÓÌ˘ÌÓ ËÁÏÂÌfl˛ÚÒfl ‚ÏÂÒÚÂ Ò ‡ÍÍÓ‰‡ÏË
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (Í‡Í ‚ ÂÊËÏ Style, Ú‡Í Ë Song).
1 Ç ÏÂÌ˛ Overall ‚˚·ÂËÚ ÙÛÌÍˆË˛ Pad.
ç‡ÊËχÈÚ ÍÌÓÔÍÛ [OVERALL] ‰Ó ÚÂı ÔÓ, ÔÓ͇ ̇ ‰ËÒÔÎÂÂ
ÌÂ ÔÓfl‚ËÚÒfl “MULTI PAD”.
çÓÏ ÚÂÍÛ˘Â„Ó ·‡Ì͇ ÏÛθÚËÔ˝‰Ó‚
01
Pianist
TEMPO
ì͇Á˚‚‡ÂÚ, ˜ÚÓ ‚˚·‡Ì‡
ÙÛÌ͈Ëfl Multi Pad
116
2 Ç˚·ÂËÚ ÌÛÊÌ˚È ·‡ÌÍ.
ë ÔÓÏÓ˘¸˛ ˆËÙÓ‚ÓÈ Í·‚ˇÚÛ˚ ‚˚·ÂËÚ ÌÛÊÌ˚È ÌÓÏ ·‡Ì-
͇ (1 – 10). ì‚Â΢ËÚ¸ Ë ÛÏÂ̸¯ËÚ¸ Á̇˜ÂÌË ڇÍÊ ÏÓÊÌÓ Ò ÔÓ-
ÏÓ˘¸˛ ÍÌÓÔÓÍ [+]/[-]. ÑÎfl ˝ÚÓ„Ó ÌÛÊÌÓ ÔÓ‰Âʇڸ ̇ʇÚÓÈ Ó‰-
ÌÛ ËÁ ˝ÚËı ÍÌÓÔÓÍ. èÓÎÌ˚È ÒÔËÒÓÍ ‰ÓÒÚÛÔÌ˚ı ·‡ÌÍÓ‚ Ë Ëı ÒÓ‰Â-
ÊËÏÓ„Ó ÒÏ. ̇ ÒÚ. 57.
3 èÓË„‡ÈÚ ÏÛθÚËÔ˝‰˚.
ç‡ÊÏËÚ ӉËÌ ËÁ ÏÛθÚËÔ˝‰Ó‚. î‡Á‡ ·Û‰ÂÚ ÔÓË„˚‚‡Ú¸Òfl, ÔÓ-
͇ ÔÓÎÌÓÒÚ¸˛ Ì Á‡‚¯ËÚÒfl. èÓ‚ÚÓÌ˚ ̇ʇÚËfl ÏÛθÚËÔ˝‰‡
(‰Ó ÔÓÎÌÓ„Ó Á‡‚¯ÂÌËfl Ù‡Á˚) ÒÓÁ‰‡˛Ú ˝ÙÙÂÍÚ “Á‡Ë͇ÌËfl”.
Ç ÂÊËÏ Style Á‡ ËÁÏÂÌÂÌËflÏË ‡ÍÍÓ‰Ó‚ ÒÎÂ‰Û˛Ú Ô‡‚ËθÌÓ ÔÓ-
‰Ó·‡ÌÌ˚ ÏÂÎӉ˘ÂÒÍË Á‚ÛÍË. ÇÒ Á‚ÛÍË ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl ‚
• Ç ÂÊËÏÂ DJ GAME ÏÓÊÌÓ ÔÓË„-
˚‚‡Ú¸ ÏÛθÚËÔ˝‰˚, ‡ ڇʠ˄‡Ú¸
ÚÂÏÔÂ, ÍÓÚÓ˚È ÚÓ˜ÌÓ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ÚÂÍÛ˘ËÏ Ô‡‡ÏÂÚ‡Ï ÙÛÌÍ-
̇ Í·‚ˇÚÛÂ.
ˆËË Tempo. ÖÒÎË ‚Íβ˜Â̇ ÙÛÌ͈Ëfl One Touch Setting (ÒÚ. 26),
‡‚ÚÓχÚ˘ÂÒÍË ‚˚Á˚‚‡˛ÚÒfl ·‡ÌÍË ÏÛθÚËÔ˝‰Ó‚, ÒÓÓÚ‚ÂÚÒÚ‚Û˛-
˘Ë ‚˚·‡ÌÌÓÏÛ ÒÚËβ. ùÚÓ Ú‡ÍÊ ÓÚÌÓÒËÚÒfl Í ÙÛÌ͈ËflÏ DJ Ë
Portable Grand.
51
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MIDI
ì ÒËÌÚÂÁ‡ÚÓ‡ PSR-175/172 Ú‡ÍÊ ËϲÚÒfl MIDI-‡Á˙ÂÏ˚,
èÓÎÛ˜‡ÂÚ MIDI-‰‡ÌÌ˚ ÓÚ
艇ÂÚ MIDI-‰‡ÌÌ˚Â
ÔÓ‰Íβ˜ÂÌÌÓ„Ó Ô‰‡˛-
(ËÒÔÓÎÌÂÌË ̇ Í·‚ˇÚÛÂ)
ÍÓÚÓ˚ ÔÓÁ‚ÓÎfl˛Ú ÔÓ‰Íβ˜‡Ú¸ Í ÌÂÏÛ ‰Û„Ë ËÌÒÚÛ-
˘Â„Ó ÛÒÚÓÈÒÚ‚‡.
ÔÓ‰Íβ˜ÂÌÌÓÏÛ ÛÒÚÓÈÒÚ‚Û.
ÏÂÌÚ˚ Ë ÛÒÚÓÈÒÚ‚‡ MIDI.
■ MIDI • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
MIDI (Musical Instrument Digital Interface, ñËÙÓ‚ÓÈ ËÌÚÂÙÂÈÒ ÏÛÁ˚͇θÌ˚ı
ËÌÒÚÛÏÂÌÚÓ‚) – ˝ÚÓ Ó·˘ÂÔËÁ̇ÌÌ˚È Òڇ̉‡Ú, ÍÓÚÓ˚È ‚ÒÚÓÂÌ ‚Ó ÏÌÓ„ËÂ
˝ÎÂÍÚÓÌÌ˚ ÏÛÁ˚͇θÌ˚ ËÌÒÚÛÏÂÌÚ˚ Ë ‰Û„Ë ˆËÙÓ‚˚ ÛÒÚÓÈÒÚ‚‡, ÓÚÌÓ-
Òfl˘ËÂÒfl Í ÏÛÁ˚ÍÂ. éÌ ÔÓÁ‚ÓÎflÂÚ ÔÓ‰Íβ˜‡Ú¸ ÏÛÁ˚͇θÌ˚ ËÌÒÚÛÏÂÌÚ˚ Ë ÛÒÚ-
ÓÈÒÚ‚‡ ‰Û„ Í ‰Û„Û Ë Ó„‡ÌËÁÓ‚˚‚‡Ú¸ Ó·ÏÂÌ ‰‡ÌÌ˚ÏË ÏÂÊ‰Û ÌËÏË.
óÚÓ·˚ ‰‚‡ MIDI-ËÌÒÚÛÏÂÌÚ‡ ÏÓ„ÎË «Ó·˘‡Ú¸Òfl», Ëı ÌÛÊÌÓ ÒÓ‰ËÌËÚ¸ Ò ÔÓÏÓ˘¸˛
MIDI-͇·ÂÎÂÈ. Ç ÔÓÒÚÓÏ ÔËÏ ‡Á˙ÂÏ˚ MIDI IN Ë MIDI OUT ÒËÌÚÂÁ‡ÚÓ‡
PSR-175/172 ÏÓÊÌÓ ÔÓ‰Íβ˜ËÚ¸ Í ‡Á˙ÂÏ‡Ï MIDI OUT Ë MIDI IN ÒÂÍ‚ÂÌÒÓ‡,
ÔÓÁ‚ÓÎflfl ÚÂÏ Ò‡Ï˚Ï Á‡ÔËÒ˚‚‡Ú¸ Ë ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ‰‡ÌÌ˚Â Ó Ò‚ÓÂÏ ËÒÔÓÎÌÂÌËË
Ò PSR-175/172.
åÛÁ˚͇θÌ˚ ËÌÒÚÛÏÂÌÚ˚ Ó·˘‡˛ÚÒfl ‰Û„ Ò ‰Û„ÓÏ, Ó·ÏÂÌË‚‡flÒ¸ “ÒÓÓ·˘ÂÌËflÏË”
(ËÎË MIDI-‰‡ÌÌ˚ÏË). 艇˛˘ËÈ ËÌÒÚÛÏÂÌÚ Ó·˚˜ÌÓ Ì‡Á̇˜‡ÂÚ ‰‡ÌÌ˚ ӉÌÓÏÛ
ËÁ ¯ÂÒÚ̇‰ˆ‡ÚË MIDI-͇̇ÎÓ‚ Ë ÔÂÂÒ˚·ÂÚ Ëı ÔÓ MIDI-͇·Âβ. é‰Ì‡ÍÓ Ò‡Ï Í‡-
·Âθ Ì ‡Á‰ÂÎflÂÚÒfl ̇ ¯ÂÒÚ̇‰ˆ‡Ú¸ ͇̇ÎÓ‚. ä‡Í Ë ‚ ÒÎÛ˜‡Â Ò ÚÂ΂ËÁÓÓÏ, ÍÓÚÓ-
˚È ÔÓÎÛ˜‡ÂÚ ÔÓ„‡ÏÏ˚ ÔÓ ‡ÁÌ˚Ï Í‡Ì‡Î‡Ï, “̇ÒÚÓÈ͇” ̇ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ
åàÑà-͇̇Π– ˝ÚÓ ‡·ÓÚ‡ ÔËÌËχ˛˘Â„Ó ËÌÒÚÛÏÂÌÚ‡. ÖÒÎË Ô‰‡˛˘ËÈ Ë
ÔÓÎÛ˜‡˛˘ËÈ Í‡Ì‡Î˚ ̇ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ËÌÒÚÛÏÂÌÚ‡ı Ì ÒÓ‚Ô‡‰‡˛Ú, ÔÓÎÛ˜‡˛-
˘ËÈ ËÌÒÚÛÏÂÌÚ ÏÓÊÂÚ Ì ÔÓÌflÚ¸ ËÎË Ì ÓÚ‚ÂÚËÚ¸ Ô‰‡˛˘ÂÏÛ ËÌÒÚÛÏÂÌÚÛ.
■ ä‡Í ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ MIDI • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
Ç Ô‰ÒÚ‡‚ÎÂÌÌÓÏ ÌËÊ ÔËÏ ÔÓÒÚÓ„Ó, ÌÓ Ó˜Â̸ ÔÓÎÂÁ-
ÌÓ„Ó ÔËÏÂÌÂÌËfl MIDI ÏÛÁ˚͇θÌ˚È ÒÂÍ‚ÂÌÒÓ Yamaha
• Ç PSR-175/172 ‰Îfl ÔËÂχ MIDI-‰‡ÌÌ˚ı ËÒÔÓθ-
QY70 ËÒÔÓθÁÛÂÚÒfl ‰Îfl Á‡ÔËÒË Ë ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‰‡ÌÌ˚ı,
ÁÛ˛ÚÒfl ÒÎÂ‰Û˛˘Ë ͇̇Î˚ (‚ÒÂ„Ó Ëı ‚ÓÒÂϸ): 1,
Ò˚„‡ÌÌ˚ı ̇ Í·‚ˇÚÛ ÒËÌÚÂÁ‡ÚÓ‡ PSR-175/172.
2, 3, 4, 5, 6, 7, 10. 艇˛˘Ë ͇̇Î˚ MIDI
̇ÒÚÓÂÌ˚ ̇ ÒÎÂ‰Û˛˘Ë ‰‡ÌÌ˚Â:
ä‡Ì‡Î 1 : ä·‚ˇÚÛ‡, „‡ÏÓÌËfl
èÂʉ ˜ÂÏ Ì‡˜‡Ú¸ Á‡ÔËÒ¸ ̇ ÒÂÍ‚ÂÌÒÓ, ̇ÊÏËÚ ӉËÌ ËÎË ‰‚‡ ‡Á‡ ÍÌÓÔÍÛ
ä‡Ì‡Î 2 : ŇÒ˚
ä‡Ì‡Î 3 : ÄÍÍÓ‰˚
[ACCOMPANIMENT ON/OFF], ˜ÚÓ·˚ ۷‰ËÚ¸Òfl, ˜ÚÓ Ì‡ ÌÂ„Ó ÓÚÔ‡‚ÎÂÌ˚ ÚÂÍÛ˘ËÂ
ä‡Ì‡Î 4 – 7: èÓ˜ÂÂ
̇ÒÚÓÈÍË.
ä‡Ì‡Î 10 : êËÚÏ
• è‡ÚËË, Á‡ÔËÒ‡ÌÌ˚Â Ò ÔÓÏÓ˘¸˛ PSR-175/172,
‰ÓÎÊÌ˚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ̇ ÌÂÏ ÊÂ. èË ËÒ-
ÔÓθÁÓ‚‡ÌËË ‰Û„Ëı ËÒÚÓ˜ÌËÍÓ‚ Á‚Û͇ (Ú‡ÍËı
Í‡Í ‚ÒÚÓÂÌÌ˚ Á‚ÛÍË QY70) ‰‡ÌÌ˚ ÏÓ„ÛÚ ‚ÓÒ-
GrandPno
ÔÓËÁ‚Ó‰ËÚ¸Òfl ÌÂÔ‡‚ËθÌÓ. äÓÏ ÚÓ„Ó, ÔÓ‰-
Íβ˜ÂÌÌ˚È ËÒÚÓ˜ÌËÍ Á‚Û͇ ÏÓÊÂÚ ‚ÓÒÔÓËÁ‚Ó-
‰ËÚ¸ ‰‡ÌÌ˚ Ì ‚ ÚÓÈ ÓÍÚ‡‚Â, ÍÓÚÓ‡fl ËÒÔÓθ-
ÁÓ‚‡Î‡Ò¸ ÔË Ë„Â Ì‡ PSR-175/172.
• MIDI-‰‡ÌÌ˚ ÌÂθÁfl ÔÂÂÒ˚·ڸ ‚Ó ‚ÂÏfl
‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË.
• àÁ·Â„‡ÈÚ ËÒÔÓθÁÓ‚‡ÌËfl MIDI-͇·ÂÎÂÈ ‰ÎËÌÓÈ
15 Ï ËÎË ·ÓÎÂÂ, ÔÓÒÍÓθÍÛ ˝ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË
ëÓ‰ËÌËÚ ͇·ÂÎÂÏ „ÌÂÁ‰Ó MIDI OUT
ëÓ‰ËÌËÚ ͇·ÂÎÂÏ „ÌÂÁ‰Ó MIDI IN
Í Ó¯Ë·Í‡Ï MIDI-ËÌÚÂÙÂÈÒ‡.
ÒËÌÚÂÁ‡ÚÓ‡ PSR-175/172 Ë „ÌÂÁ‰Ó
ÒËÌÚÂÁ‡ÚÓ‡ PSR-175/172 Ë „ÌÂÁ‰Ó
MIDI IN ÒÂÍ‚ÂÌÒÓ‡ QY70
MIDI OUT ÒÂÍ‚ÂÌÒÓ‡ QY70
èÓÒÏÓÚ ÌÓÚÌÓÈ Á‡ÔËÒË MIDI-‰‡ÌÌ˚ı ͇̇· 1
• ëËÌÚÂÁ‡ÚÓ PSR-175/172 ËÏÂÂÚ ÒÔˆˇθÌÛ˛
ÙÛÌÍˆË˛, ÍÓÚÓ‡fl ÔÓÁ‚ÓÎflÂÚ ÓÚÓ·‡Ê‡Ú¸ MIDI-
‰‡ÌÌ˚ ̇ ‰ËÒÔΠ(ÚÓθÍÓ ‰Îfl ͇̇· 1).
52
psr175e.book Page 53 Wednesday, August 18, 2004 10:41 AM
ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ
èÓ·ÎÂχ ÇÓÁÏÓÊÌ˚ Ô˘ËÌ˚ Ë ÒÔÓÒÓ·˚ ÛÒÚ‡ÌÂÌËfl
èË ‚Íβ˜ÂÌËË ËÎË ‚˚Íβ˜ÂÌËË ÒËÌÚÂÁ‡ÚÓ‡ PSR-175/172
í‡Í Ë ‰ÓÎÊÌÓ ·˚Ú¸ – ˝ÚÓ ÔÓ͇Á˚‚‡ÂÚ, ˜ÚÓ ÒËÌÚÂÁ‡ÚÓ ÔÓ‰Íβ˜ÂÌ Í ËÒÚÓ˜ÌËÍÛ ÔËÚ‡ÌËfl.
͇ÍÓÂ-ÚÓ ‚ÂÏfl ÒÎ˚¯‡ÚÒfl ˘ÂΘÍË.
ÖÒÎË ÍÚÓ-ÚÓ fl‰ÓÏ ÔÓθÁÛÂÚÒfl ÏÓ·ËθÌ˚Ï ÚÂÎÂÙÓÌÓÏ,
àÒÔÓθÁÓ‚‡ÌË ÏÓ·ËθÌÓ„Ó ÚÂÎÂÙÓ̇ ‚ ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓÈ ·ÎËÁÓÒÚË ÓÚ ÒËÌÚÂÁ‡ÚÓ‡ ÏÓÊÂÚ
‚ÓÁÌË͇ÂÚ ¯ÛÏ.
‚˚Á˚‚‡Ú¸ ÔÓÏÂıË. óÚÓ·˚ ËÁ·Âʇڸ ˝ÚÓ„Ó, ÓÚÍβ˜‡ÈÚ ÏÓ·ËθÌ˚È ÚÂÎÂÙÓÌ ËÎË ËÒÔÓθÁÛÈ-
ÚÂ Â„Ó Ì‡ Á̇˜ËÚÂθÌÓÏ ‡ÒÒÚÓflÌËË ÓÚ ÒËÌÚÂÁ‡ÚÓ‡ PSR-175/172.
á‚Û˜‡ÌË ÚÂÏ·Ó‚ ËÎË ËÚÏÓ‚ ͇ÊÂÚÒfl ÌÂÓ·˚˜Ì˚Ï
ê‡Áfl‰ËÎËÒ¸ ·‡Ú‡ÂË. á‡ÏÂÌËÚ ·‡Ú‡ÂË. (ëÏ. ÒÚ. 8.)
ËÎË ÒÚ‡ÌÌ˚Ï.
éÚÒÛÚÒÚ‚ÛÂÚ Á‚ÛÍ ‰‡Ê ÔË Ì‡Ê‡ÚËË Í·‚˯ ̇
ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ Í ‚˚ıÓ‰ÌÓÏÛ ‡Á˙ÂÏÛ PHONES/OUTPUT ̇ Á‡‰ÌÂÈ Ô‡ÌÂÎË ÌË˜Â„Ó ÌÂ
Í·‚ˇÚÛ ËÎË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË.
ÔÓ‰Íβ˜ÂÌÓ. ÖÒÎË Í ˝ÚÓÏÛ ‡Á˙ÂÏÛ ÔÓ‰Íβ˜ÂÌ˚ ̇ۯÌËÍË, Á‚ÛÍ Ì ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl.
èË ‚ÓÒÔÓËÁ‚‰ÂÌËË Ó‰ÌÓ„Ó ËÁ ÙÓÚÂÔˇÌÌ˚ı ÒÚËÎÂÈ
í‡Í Ë ‰ÓÎÊÌÓ ·˚Ú¸. Ç ÙÓÚÂÔ¸flÌÌ˚ı ÒÚËÎflı ÌÂÚ ·‡‡·‡ÌÓ‚ ËÎË ·‡ÒÓ‚ – ÚÓθÍÓ ÙÓÚÂÔ¸flÌ-
Pianist ((#081 - #100) Ì ÒÎ˚¯ÂÌ ËÚÏ.
Ì˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. ÄÍÍÓÏÔ‡ÌÂÏÂÌÚ ˝ÚÓ„Ó ÒÚËÎfl ÏÓÊÌÓ ÛÒÎ˚¯‡Ú¸ ÚÓθÍÓ ‚ ÚÓÏ ÒÎÛ˜‡Â,
ÂÒÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚Íβ˜ÂÌ (Á̇˜ÂÌË ON) Ë Ë„‡ ˉÂÚ Ì‡ ÚÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚, ÍÓÚÓ‡fl
Ô‰̇Á̇˜ÂÌ̇ ‰Îfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ì ‚Íβ˜‡ÂÚÒfl ‰‡Ê ÔË Ì‡Ê‡ÚËË
è‰ ËÒÔÓθÁÓ‚‡ÌËÂÏ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ۷‰ËÚÂÒ¸, ˜ÚÓ ‚Íβ˜ÂÌ ÂÊËÏ Style.
ÍÌÓÔÍË [ACCOMPANIMENT ON/OFF].
ç‡ÊÏËÚ ÍÌÓÔÍÛ [STYLE], ˜ÚÓ·˚ ÏÓÊÌÓ ·˚ÎÓ ‡·ÓÚ‡Ú¸ ÒÓ ÒÚËÎÂÏ.
èË Ó‰ÌÓ‚ÂÏÂÌÌÓÏ ‚ÁflÚËË ÌÂÒÍÓθÍËı ÌÓÚ ÒÎ˚¯Ì˚
é‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊËχ˛ÚÒfl ÒÎ˯ÍÓÏ ÏÌÓ„Ó Í·‚˯. ëËÌÚÂÁ‡ÚÓ PSR-175/172 – ˝ÚÓ
ÌÂ ‚ÒÂ.
ÏÌÓ„Ó„ÓÎÓÒ̇fl ÒËÒÚÂχ, ‰ÓÔÛÒ͇˛˘‡fl Ó‰ÌÓ‚ÂÏÂÌÌÓ Á‚Û˜‡ÌË Ì ·ÓΠ16 ÌÓÚ.
çÂÚ Á‚Û͇ ÔË Ì‡Ê‡ÚËË Í·‚˯ ‚ Ô‡‚ÓÈ ˜‡ÒÚË
ÖÒÎË ‚Íβ˜Â̇ ÙÛÌ͈Ëfl ÒÎÓ‚‡fl Dictionary (ÒÚ. 41), Í·‚Ë¯Ë ‚ Ô‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚
Í·‚ˇÚÛ˚.
ËÒÔÓθÁÛ˛ÚÒfl ÚÓθÍÓ ‰Îfl ‚‚Ó‰‡ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ Ë ÚËÔ‡ ‡ÍÍÓ‰‡.
ÄÍÍÓÏÔ‡ÌÂÏÂÌÚ Á‚Û˜ËÚ Ò··Ó. ì·Â‰ËÚÂÒ¸, ˜ÚÓ „ÓÏÍÓÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 47) ÛÒÚ‡ÌÓ‚ÎÂ̇ ̇ ‰ÓÒÚ‡ÚÓ˜Ì˚È ÛÓ‚Â̸.
á‚ÛÍ ÏÛθÚËÔ˝‰‡ ÓÚÒÂ͇ÂÚÒfl ËÎË Á‚Û˜ËÚ ÌÂÓ·˚˜ÌÓ. ëËÌÚÂÁ‡ÚÓ PSR-175/172 – ˝ÚÓ ÏÌÓ„Ó„ÓÎÓÒ̇fl ÒËÒÚÂχ, ‰ÓÔÛÒ͇˛˘‡fl Ó‰ÌÓ‚ÂÏÂÌÌÓ Á‚Û-
˜‡ÌË Ì ·ÓΠ16 ÌÓÚ. ÖÒÎË ÒÚËθ ËÎË ÔÂÒÌfl ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò ÔÓË„˚‚‡-
ÌËÂÏ ÏÛθÚËÔ˝‰‡, ËÁ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ÔÂÒÌË ÏÓ„ÛÚ ÓÔÛÒ͇ڸÒfl ÌÂÍÓÚÓ˚ ÌÓÚ˚ ËÎË Á‚Û-
ÍË ÏÛθÚËÔ˝‰‡.
á‚Û˜‡ÌË ÚÂÏ·‡ ‡ÁÌ˚ı ÌÓÚ ‡Á΢‡ÂÚÒfl. íÓÌ-„Â̇ÚÓ AWM ËÒÔÓθÁÛÂÚ ‡ÁÌ˚ ӷ‡Áˆ˚ Á‚Û˜‡ÌËfl ËÌÒÚÛÏÂÌÚ‡ ‰Îfl ‚ÒÂ„Ó ‰Ë‡Ô‡-
ÁÓ̇ Í·‚ˇÚÛ˚; ÔÓ˝ÚÓÏÛ Ù‡ÍÚ˘ÂÒÍÓ Á‚Û˜‡ÌË ÚÂÏ·‡ ÏÓÊÂÚ ÌÂÒÍÓθÍÓ ‡Á΢‡Ú¸Òfl
Û ‡ÁÌ˚ı ÌÓÚ.
çÓÚ˚, ÔÓ͇Á‡ÌÌ˚ ̇ ‰ËÒÔΠ̇ ÌÓÚÌÓÏ ÒÚ‡ÌÂ Ë ÒıÂÏÂ
äÓ„‰‡ ‚Íβ˜Â̇ ÙÛÌ͈Ëfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ̇ ‰ËÒÔΠÓÚÓ·‡Ê‡˛ÚÒfl ÍÓÌÍÂÚÌ˚ ÌÓ-
Í·‚ˇÚÛ˚, Ì ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÚÂÏ, ÍÓÚÓ˚ ˄‡˛ÚÒfl
Ú˚ ‡ÍÍÓ‰Ó‚, Ë„‡ÂÏ˚ı ‚ ӷ·ÒÚË Í·‚ˇÚÛ˚, Ô‰̇Á̇˜ÂÌÌÓÈ ‰Îfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
̇ Í·‚ˇÚÛÂ.
ÖÒÎË ‚˚ Ë„‡ÂÚ ‡ÍÍÓ‰ ‚ ÂÊËÏ “Single Finger” ËÎË Ó·‡˘ÂÌÌ˚È ‡ÍÍÓ‰, ·Û‰ÂÚ ÓÚÓ·‡-
ʇڸÒfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ‡ÍÍÓ‰, ‰‡Ê ÂÒÎË ÓÌ Ì ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ‰ÂÈÒÚ‚ËÚÂθÌÓ Ì‡Ê‡Ú˚Ï
Í·‚˯‡Ï.
53
psr175e.book Page 54 Wednesday, August 18, 2004 10:41 AM
ëÔËÒÓÍ ÚÂÏ·Ó‚
Ç ÂÊËÏ Voice ËÎË ÔË ‚Íβ˜ÂÌÌÓÈ ÙÛÌ͈ËË Voice Change ÏÓÊÌÓ ‚˚·‡Ú¸ ÒÎÂ‰Û˛˘ËÂ
ÚÂÏ·˚. àı Ú‡ÍÊ ÏÓÊÂÚ ‚˚·‡Ú¸ ÔÓ‰Íβ˜ÂÌÌÓ MIDI-ÛÒÚÓÈÒÚ‚Ó. èË ˝ÚÓÏ ‚˚‚Ó‰flÚÒfl
ÒÎÂ‰Û˛˘Ë ÒÓÓ·˘ÂÌËfl Ó ‚˚·Ó ·‡ÌÍÓ‚: MSB = 00H, LSB = 70H.
èË ‚˚·Ó ÚÂÏ·Ó‚ ˜ÂÂÁ MIDI:
*
íÂÏ·˚ Harmony (#059 - #068) Ë ÚÂÏ·˚ Echo (#079 - #088) Á‚Û˜‡Ú ·ÂÁ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı
˝ÙÙÂÍÚÓ‚ „‡ÏÓÌËË Ë ˝ıÓ.
●
ëÔËÒÓÍ ÚÂÏ·Ó‚
çÓÏÂ
çÓÏÂ ËÁÏÂÌÂÌËfl
àÒÔÓθÁÛÂÏ˚Â
çÓÏÂ
çÓÏÂ ËÁÏÂÌÂÌËfl
àÒÔÓθÁÛÂÏ˚Â
ç‡Á‚‡ÌË ÚÂÏ·‡
ç‡Á‚‡ÌË ÚÂÏ·‡
ÚÂÏ·‡
ÔÓ„‡ÏÏ˚ MIDI
ÌÓÚ˚
ÚÂÏ·‡
ÔÓ„‡ÏÏ˚ MIDI
ÌÓÚ˚
PIANO
053 52 SIMPLE SAW 1
001 0 GRAND PIANO 2
054 53 SYNTH BASS 1
002 1 HONKY-TONK 2
055 54 SY STRINGS 1
003 2 E PIANO 1 2
056 55 SY BRASS 2
004 3 E PIANO 2 2
057 56 SLOW STRS 1
005 4 E PIANO 3 2
058 57 CHORUS 1
006 5 E PIANO 4 2
HARMONY
007 6 HARPSICHORD 2
059 58 PIANO TRIO 3
008 7 CLAVI 1
060 59 PNO COUNTRY 2
009 8 CELESTA 1
061 60 E PNO TRIO 3
ORGAN
062 61 HARPSI TRIO 3
010 9 VIBRATO OFF 2
063 62 E ORG TRIO 3
011 10 VIBRATO ON 2
064 63 VIBES DUET 2
012 11 HARMONY OFF 2
065 64 TRP DUET 2
013 12 HARMONY ON 2
066 65 HORN DUET 2
014 13 ATTACK OFF 2
067 66 CLARINET TR 3
015 14 ATTACK ON 2
068 67 FLUTE DUET 2
016 15 WAVE OFF 2
SPLIT
017 16 WAVE ON 2
069 68 WD BASS/PNO 1
018 17 PIPE ORGAN 2
070 69 STRINGS/PNO 1
019 18 ACCORDION 2
071 70 FN BA/E PNO 1
020 19 HARMONICA 1
072 71 HARP/VIOLIN 1
GUITAR/BASS
073 72 HORN/TRP 1
021 20 SOFT GUITAR 1
SUSTAIN
022 21 FOLK GUITAR 1
074 73 SUS PIANO 1
023 22 12ST GUITAR 2
075 74 SUS E PNO1 1
024 23 JAZZ GUITAR 1
076 75 SUS E PNO2 1
025 24 E GUITAR 2
077 76 SUS VIBRAPHONE 1
026 25 DIST GUITAR 2
078 77 SUS STRINGS 1
027 26 WOOD BASS (ŇÒ) 1
ECHO
028 27 FINGER BASS 1
079 78 PIANO 1
029 28 SLAP BASS 1
080 79 E PIANO 1
STRINGS/MALLET
081 80 HARPSICHORD 1
030 29 STRINGS 1
082 81 CELESTA 1
031 30 VIOLIN 1
083 82 FOLK GUITAR 1
032 31 CELLO 1
084 83 BANJO 1
033 32 HARP 1
085 84 VIBRAPHONE 1
034 33 SITAR 1
086 85 MARIMBA 1
035 34 BANJO 1
087 86 STEEL DRUMS 1
036 35 VIBRAPHONE 1
088 *1 DRUM KIT 1
037 36 MARIMBA 1
DUAL
038 37 STEEL DRUMS 1
089 88 PNO CONCE 2
WIND
090 89 E PNO CONCE 2
039 38 TRUMPET 1
091 90 FAIRY LAND 2
040 39 TROMBONE 1
092 91 MOOD GUITAR 2
041 40 MUTE TRPET 1
093 92 RICH GUITAR 2
042 41 FRENCH HORN 1
094 93 HOT ORGAN 2
043 42 BRASS SECT 1
095 94 EXCEL VIOLIN 2
044 43 ALTO SAX 1
096 95 CRYSTAL 2
045 44 TENOR SAX 1
097 96 STAR SHIP 2
046 45 OBOE 1
DJ Voice
047 46 CLARINET 1
098 97 DJ VOICE 1 1
048 47 FLUTE (îÎÂÈÚ‡) 1
099 98 DJ VOICE 2 1
049 48 PAN FLUTE 1
DRUMS
SYNTHESIZER
100 *2 DRUM KIT 1
050 49 THICK LEAD 2
*1 MSB=7FH, LSB=00H, Prg Ch#=1
051 50 SIMPLE LEAD 1
*2 MSB=7FH, LSB=00H, Prg Ch#=2
052 51 THICK SAW 2
54
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ëÔËÒÓÍ ÚÂÏ·Ó‚
ëÎÂ‰Û˛˘Ë ÚÂÏ·˚ ÌÂθÁfl ‚˚·‡Ú¸ ̇ÔflÏÛ˛ Ò ÔÓÏÓ˘¸˛ ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl
Ô‡ÌÂÎË – ˝ÚÓ ÒÔˆˇθÌ˚ ÚÂÏ·˚, Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚ ‚ ÔÂÒÌË PSR-175/172, ÓÌË
‡‚ÚÓχÚ˘ÂÒÍË Á‡„Ûʇ˛ÚÒfl ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË. é‰Ì‡ÍÓ Ëı ÏÓÊÂÚ ‚˚·‡Ú¸
ÔÓ‰Íβ˜ÂÌÌÓ MIDI-ÛÒÚÓÈÒÚ‚Ó. èË ˝ÚÓÏ ‚˚‚Ó‰flÚÒfl ÒÎÂ‰Û˛˘Ë ÒÓÓ·˘ÂÌËfl Ó ‚˚·ÓÂ
·‡ÌÍÓ‚: MSB = 00H, LSB = 00H.
çÓÏÂ ËÁÏÂÌÂÌËfl
àÒÔÓθÁÛÂÏ˚Â
çÓÏÂ ËÁÏÂÌÂÌËfl
àÒÔÓθÁÛÂÏ˚Â
ç‡Á‚‡ÌË ÚÂÏ·‡
ç‡Á‚‡ÌË ÚÂÏ·‡
ÔÓ„‡ÏÏ˚ MIDI
ÌÓÚ˚
ÔÓ„‡ÏÏ˚ MIDI
ÌÓÚ˚
0 Piano 1
71 Clarinet 1
3 Honky-tonk Piano 2
73 Flute 1
4 Electric Piano 1 2
75 Pan Flute 1
5 Electric Piano 2 2
80 Lead 1
6 Harpsichord 1
81 Sawtooth 1
7 Clavi 1
88 Piano Concerto 2
8 Celesta (˜ÂÎÂÒÚ‡) 1
89 Electric Piano Concerto 2
11 Vibraphone 1
90 Fairy land 2
12 Marimba 1
91 Hot Organ 2
16 Electric Organ 1 2
92 Mood Guitar 2
17 Electric Organ 2 2
93 Excel Violin 2
19 Pipe Organ 2
94 Star ship 2
21 Accordion 1
95 Slow Strings 1
22 Harmonica 1
98 Crystal 2
23 Wave Organ 2
104 Sitar 1
24 Soft Guitar 1
105 Banjo 1
25 Folk Guitar 1
114 Steel Drums 1
26 Jazz Guitar 1
123 Wood Bass / Piano 1
27 Electric Guitar 1
124 Strings / Piano 1
28 12Strings Guitar 2
125 Finger Bass / Electric Piano 1
29 Rich Guitar 2
126 Harp / Violin 1
30 Distortion Guitar 1
127 Horn / Trumpet 1
32 Wood Bass 1
33 Finger Bass 1
34 Mute Bass 1
36 Slap Bass 1
38 Synth Bass 1
40 Violin 1
42 Cello 1
46 Harp 1
49 Strings 1
51 Synth Strings 1
52 Choir 1
56 Trumpet 1
57 Trombone 1
59 Muted Trumpet 1
60 French Horn 1
61 Brass Section 1
63 Synth Brass 1
65 Alto Sax 1
66 Tenor Sax 1
68 Oboe 1
55
psr175e.book Page 56 Wednesday, August 18, 2004 10:41 AM
ëÔËÒÓÍ Ì‡·ÓÓ‚ Û‰‡Ì˚ı ÚÂÏ·Ó‚ (Drum Kit)
• ä‡Ê‰˚È ÚÂÏ· Û‰‡Ì˚ı ËÒÔÓθÁÛÂÚ Ó‰ÌÛ ÌÓÚÛ.
çÓÏ ·‡Ì͇ MSB 127
• MIDI-ÌÓÚ˚ Ë Ëı ÌÓχ ‚ ‰ÂÈÒÚ‚ËÚÂθÌÓÒÚË Ì‡ Ó‰ÌÛ ÓÍÚ‡‚Û ÌËÊÂ, ˜ÂÏ Û͇Á‡ÌÓ ‚
çÓÏ ·‡Ì͇ LSB 0
ÒÔËÒÍÂ. ç‡ÔËÏÂ, ‚ Ú· “Bass Drum 2” ÌÓÚ‡ (çÓÏ ÌÓÚ˚ 36/çÓÚ‡ C1)
çÓÏ ËÁÏÂÌÂÌËfl ÔÓ„‡ÏÏ˚ 0
ä·‚ˇÚÛ‡
ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ÌÓÚÂ (çÓÏÂ ÌÓÚ˚ 24/çÓÚ‡ C0) .
ÑÛ·ÎËÛ˛˘‡fl
Í·‚˯‡
Drum Kit
çÓÏÂ ÌÓÚ˚ çÓÚ‡
• íÂÏ·˚ Ò Ó‰Ë̇ÍÓ‚˚Ï ÌÓÏÂÓÏ ‰Û·ÎËÛ˛˘ÂÈ Í·‚Ë¯Ë (*1 … 2) ÌÂθÁfl ÔÓË„˚‚‡Ú¸
12 C -1
Ó‰ÌÓ‚ÂÏÂÌÌÓ. (éÌË Ô‰̇Á̇˜ÂÌ˚ ‰Îfl ÔÓÔÂÂÏÂÌÌÓ„Ó ÔËÏÂÌÂÌËfl.)
13 C# -1
14 D -1
15 D# -1 Hi Q
16 E -1
17 F -1 Scratch H
18 F# -1 Scratch L
19 G -1
20 G# -1
21 A -1
22 A# -1
23 B -1
24 C 0
25 C# 0
26 D 0
27 D# 0 Brush Slap
28 E 0 Reverse Cymbal
29 F 0
30 F# 0 Electronic Bass Drum
31 G 0
32 G# 0 Electronic Snare Drum
33 A 0
34 A# 0
35 B 0 Bass Drum 1
36 C 1 Bass Drum 2
37 C# 1 Rim Shot
38 D 1 Snare Drum 1
39 D# 1 Electronic Floor Tom
40 E 1 Snare Drum 2
41 F 1 Floor Tom
42 F# 1 1 Hi-hat Closed
43 G 1 Electronic Low Tom
44 G# 1 1 Hi-Hat Pedal
45 A 1 Low Tom
46 A# 1 1 Hi-Hat Open
47 B 1 Electronic Mid Tom
48 C 2 Mid Tom
49 C# 2 Crash Cymbal
50 D 2 High Tom
51 D# 2 Ride Cymbal 1
52 E 2 Electronic High Tom
53 F 2 Ride Cymbal Cup
54 F# 2 Tambourine
55 G 2 Splash Cymbal
56 G# 2 Cowbell
57 A 2
58 A# 2
59 B 2 Ride Cymbal 2
60 C 3 Bongo H
61 C# 3 Bongo L
62 D 3 Conga H Mute
63 D# 3 Conga H Open
64 E 3 Conga L
65 F 3 Timbale H
66 F# 3 Timbale L
67 G 3 Agogo H
68 G# 3 Agogo L
69 A 3
70 A# 3
71 B 3
72 C 4
73 C# 4 Guiro Short
74 D 4 Guiro Long
75 D# 4 Claves
76 E 4
77 F 4
78 F# 4
79 G 4
80 G# 4 2 Triangle Mute
81 A 4 2 Triangle Open
82 A# 4 Shaker
83 B 4
84 C 5 Bell Tree
85 C# 5 Electronic Bass Drum A
86 D 5 Electronic Bass Drum B
87 D# 5 Electronic Bass Drum C
88 E 5 Electronic Snare Drum A
89 F 5 Electronic Snare Drum B
90 F# 5 Electronic Rim Shot
91 G 5 Reverse Pulse
92 G# 5 Hand Clap
93 A 5 Orchestra Hit
94 A# 5 Scratch 1
95 B 5 Scratch 2
96 C 6 Scratch 3
56
psr175e.book Page 57 Wednesday, August 18, 2004 10:41 AM
ëÔËÒÓÍ ÒÚËÎÂÈ Ë ÏÛθÚËÔ˝‰˚
● ëÔËÒÓÍ ÒÚËÎÂÈ
çÓÏ ç‡Á‚‡ÌË ÒÚËÎfl
çÓÏ ç‡Á‚‡ÌË ÒÚËÎfl
çÓÏ ç‡Á‚‡ÌË ÒÚËÎfl
çÓÏ ç‡Á‚‡ÌË ÒÚËÎfl
8BEAT
DJ
50 Big Band Ballad
75 Mambo
1 8Beat Pop
26 Euro Techno
51 Jazz Quartet
76 Beguine
2 8Beat Uptempo
27 Funky Trip Hop
52 Dixieland
77 Merengue
3 8Beat Standard
28 Pop Reggae
COUNTRY & WESTERN
78 Bolero Lento
4 8Beat Shuffle
29 Acid House
53 Bluegrass
CARIBBEAN
5 Folkrock
30 Shakin'
54 2/4 Country
79 Reggae 1
6 Pop Rock
ROCK
55 Country Ballad
80 Reggae 2
7 Crystal Pop
31 8Beat Rock Ballad
56 Country Shuffle
PIANIST
8 8Beat Medium
32 16Beat Rock Ballad
BALLROOM
81 2beat
16BEAT
33 Hard Rock
57 Rhumba
82 Stride
9 16Beat Shuffle
34 Rock Shuffle
58 Tango Continental
83 Concerto
10 16Beat Pop
35 6/8 Heavy Rock
59 Jive
84 8beat
BALLAD
36 US Rock
MARCH & WALTZ
85 Honky-Tonk
11 8Beat Ballad
ROCK & ROLL
60 March
86 Piano Ballad
12 Epic Ballad
37 Rock & Roll
61 6/8 March
87 Pop Ballad
13 Piano Ballad
38 Boogie
62 Light March
88 Arpeggio 1
14 Soul Ballad
39 Twist
63 Crystal March
89 Arpeggio 2
15 Slow Rock
RHYTHM & BLUES
64 Polka
90 Dance Pop
16 6/8 Ballad
40 R&B
65 Standard Waltz
91 Rock & Roll
17 Harp Arpeggio 1
41 Funk
66 German Waltz
92 Tight Rock
18 Harp Arpeggio 2
42 Soul
67 Viennese Waltz
93 Swing
19 Harp Arpeggio 3
43 Gospel Shuffle
68 Crystal Waltz
94 Jazz Waltz
20 Music Box
44 6/8 Gospel
69 Orchestra Waltz 1
95 Ragtime
DANCE
45 4/4 Blues
70 Orchestra Waltz 2
96 Beguine
21 Dance Pop
JAZZ
71 Music Box Waltz
97 Cha Cha
22 Techno
46 Jazz Ballad
LATIN
98 March
23 Eurobeat
47 Jazz Waltz
72 Bossa Nova
99 6/8 March
24 Hip Hop
48 Fusion
73 Salsa
100 Galop
25 70s Disco
49 Big Band Swing
74 Samba
● åÛθÚËÔ˝‰˚
çÓÏ ·‡Ì͇ ç‡Á‚‡ÌË ·‡Ì͇
1 Pianist
2 Twinkle
3 Organ Play
4 Guitar Play
5 Percussion
6 Drums
7 DJ Drums
8DJ
9 Techno
10 1234
57
Bank Select LSB,MSB
Data Entry
9nH,v=0 or 8nH
Transmitted Recognized Remarks
Model PSR-175/172 MIDI Implementation Chart Version : 1.0
Function...
Basic Default 1 - 7,10 1 - 7,10
Channel Changed x x
Default 3 3
Mode Messages x x
Altered ************** x
Note 0 - 127 0 - 127
Number : True voice ************** 0 - 127
Velocity Note ON o 9nH,v=1-127 *1 o 9nH,v=1-127
Note OFF x 9nH,v=0 x
After Key's x x
Touch Ch's x x
Pitch Bend x x
0,32 o *2 o *2
7 o o Volume
10 o o Pan
6,38 x x
Control 64 o o Sustain
71-74 x x
Change 84 o o Portamento Cntrl
91,93,94 x x
96-97 x x RPN Inc,Dec
98,99 x x NRPN LSB,MSB
100-101 x x RPN LSB,MSB
Prog o 0 - 127 *3 o 0 - 127 *3
Change : True # ************** *3
YAMAHA [ PSR-175/172 ] Date:18-NOV-2003
58
St Eli *4 *4
psr175e.book Page 58 Wednesday, August 18, 2004 10:41 AM
퇷Îˈ‡ ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡
psr175e.book Page 59 Wednesday, August 18, 2004 10:41 AM
퇷Îˈ‡ ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡
èêàåÖóÄçàÖ:
*1 à„‡ ̇ Í·‚ˇÚÛ Ì ‚ÎËflÂÚ Ì‡ ‰‡ÌÌ˚Â Ó ÒËΠ̇ʇÚËfl ̇ Í·‚˯Ë, ÔÓÒÍÓθÍÛ
Ô‰‡‚‡ÂÏÓ Á̇˜ÂÌË ÒËÎ˚ ̇ʇÚËfl fl‚ÎflÂÚÒfl ÙËÍÒËÓ‚‡ÌÌÓÈ ‚Â΢ËÌÓÈ.
á̇˜ÂÌË ÒËÎ˚ ̇ʇÚËfl ̇ Í·‚Ë¯Ë Á‡‡Ì ÓÔ‰ÂÎÂÌÓ ‰Îfl Í‡Ê‰Ó„Ó ÚÂÏ·‡
Ë Á‡‚ËÒËÚ ÓÚ ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡.
*2 ë ÔÓÏÓ˘¸˛ MSB ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ÚÂÏ· ‰Îfl ÏÂÎÓ‰ËË ËÎË ËÚχ.
MSB=00H
ÚÂÏ· ÏÂÎÓ‰ËË
MSB=7FH: ÚÂÏ· ËÚχ
LSB: ÒÏ. ÒÔËÒÓÍ ÚÂÏ·Ó‚.
*3 á̇˜ÂÌËfl ËÁÏÂÌÂÌËfl ÔÓ„‡ÏÏ˚ ÒÏ. ‚ ÒÔËÒÍ ÚÂÏ·Ó‚.
èÓÎÛ˜ÂÌÌ˚ ÒÓÓ·˘ÂÌËfl Ó· ËÁÏÂÌÂÌËË ÔÓ„‡ÏÏ˚ Ë ‰Û„Ë ÔÓ‰Ó·Ì˚ ÒÓÓ·˘ÂÌËfl ͇-
̇ÎÓ‚ Ì ·Û‰ÛÚ ‚ÎËflÚ¸ ̇ ̇ÒÚÓÈÍË Ô‡ÌÂÎË PSR-160 ËÎË Ì‡ ÏÛÁ˚ÍÛ, ËÒÔÓÎÌflÂÏÛ˛ ̇
Í·‚ˇÚÛÂ.
*4 < GM System on > F0H,7EH,7FH, 09H, 01H, F7H
á̇˜ÂÌËfl ‚ÒÂı ‰‡ÌÌ˚ı ‚ÓÒÒڇ̇‚ÎË‚‡˛ÚÒfl ‰Ó Á̇˜ÂÌËÈ ÔÓ ÛÏÓΘ‡Ì˲.
*5 MIDI Ì ‡·ÓÚ‡ÂÚ Ì‡ ÔËÂÏ Ë Ô‰‡˜Û ‰‡ÌÌ˚ı ‚ ÂÊËÏ Song.
96-97 x x RPN Inc,Dec
98,99 x x NRPN LSB,MSB
100-101 x x RPN LSB,MSB
Prog o 0 - 127 *3 o 0 - 127 *3
Change : True # ************** *3
System Exclusive o *4 o *4
: Song Pos. x x
Common : Song Sel. x x
: Tune x x
System :Clock x x
Real Time:Commands x x
Aux :All Sound OFF x x
:Reset All Cntrls x x
:Local ON/OFF x x
:All Notes OFF x x
Mes- :Active Sense o o
sages:Reset x x
Mode 1 : OMNI ON , POLY Mode 2 : OMNI ON ,MONO o : Yes
Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF,MONO x : No
59
psr175e.book Page 60 Wednesday, August 18, 2004 10:41 AM
íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË
ä·‚ˇÚÛ‡
àÒÚÓ˜ÌËÍ ÔËÚ‡ÌËfl
61 Í·‚˯‡ Òڇ̉‡ÚÌÓ„Ó ‡Áχ (C1 – C6)
ĉ‡ÔÚÂ: ‡‰‡ÔÚ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇ Yamaha PA-3C ËÎË PA-3B
ŇڇÂË: ¯ÂÒÚ¸ ·‡Ú‡ÂÈ ‡Áχ “D”, R20P (LR20) ËÎË ˝Í‚Ë‚‡-
ÑËÒÔÎÂÈ
ÎÂÌÚÌ˚ı ·‡Ú‡ÂÈ
ÅÓθ¯ÓÈ ÏÌÓ„ÓÙÛÌ͈ËÓ̇θÌ˚È Üä-‰ËÒÔÎÂÈ
ê‡ÁÏÂ˚
ç‡ÒÚÓÈÍË
931 ı 348,8 ı 127,9 ÏÏ
STANDBY/ON (êÖÜàå éÜàÑÄçàü/Çäã).
(36-2/3" x 13-3/4" x 5-1/16")
MASTER VOLUME (éëçéÇçÄü Éêéåäéëíú): MINI-MAX
ÇÂÒ
ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl Ô‡ÌÂÎË
4,4 Í„ (9 ÙÛÌÚÓ‚ 11 Û̈ËÈ)
Overall, SONG, VOICE, STYLE, DEMO, POTABLE GRAND,
DJ, METRONOME, Dict., L, R, TEMPO/TAP
ÄÍÒÂÒÒÛ‡˚, ‚ıÓ‰fl˘Ë ‚ ÔÓÒÚ‡‚ÍÛ
ˆËÙÓ‚‡fl Í·‚ˇÚÛ‡ (0 - 9, +,-)
Ô˛ÔËÚ, ÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl, ÍÌË„‡ ÔÂÒÂÌ
íÂÏ·˚
100 ÚÂÏ·Ó‚ Ô‡ÌÂÎË (χÍÒËχθ̇fl ÏÌÓ„Ó„ÓÎÓÒËÂ: 16)
ÑÓÔÓÎÌËÚÂθÌ˚ ‡ÍÒÂÒÒÛ‡˚ (ÔÓÒÚ‡‚ÎflÂÏ˚ ÓÚ‰ÂθÌÓ)
ùÙÙÂÍÚ˚
ç‡Û¯ÌËÍË: HPE-150
Dual (‚ÒÚÓÂÌ ‚ ÚÂÏ·),
ĉ‡ÔÚ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇: PA-3C ËÎË PA-3B
Harmony/Echo (‚ÒÚÓÂÌ ‚ ÚÂÏ·),
èÓ‰ÒÚ‡‚͇ ‰Îfl Í·‚ˇÚÛ˚: L-2L, L-2C
Split (‚ÒÚÓÂÌ ‚ ÚÂÏ·),
Sustain
*
íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË Ë Ëı ÓÔËÒ‡ÌËfl ‚ ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl Ô˂‰Â-
Ì˚ ÚÓθÍÓ ‰Îfl ÓÁ̇ÍÓÏÎÂÌËfl. äÓÔÓ‡ˆËfl Yamaha ÒÓı‡ÌflÂÚ Á‡ ÒÓ·ÓÈ Ô‡‚Ó ‚ β·ÓÂ
Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ
‚ÂÏfl ÏÓ‰ËÙˈËÓ‚‡Ú¸ Ò‚ÓË ËÁ‰ÂÎËfl Ë ÏÂÌflÚ¸ Ëı ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË ·ÂÁ
100 ÒÚËÎÂÈ
Ô‰‚‡ËÚÂθÌÓ„Ó Û‚Â‰ÓÏÎÂÌËfl. èÓÒÍÓθÍÛ ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË, Ó·ÓÛ‰Ó‚‡-
ÌËÂ Ë Ì‡·Ó ‚ÓÁÏÓÊÌÓÒÚÂÈ ÏÓ„ÛÚ ‡Á΢‡Ú¸Òfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ Â„ËÓ̇, Ó·‡˘‡ÈÚÂÒ¸
Fingering:
Multi Fingering
Á‡ ËÌÙÓχˆËÂÈ Í ÏÂÒÚÌÓÏÛ Ô‰ÒÚ‡‚ËÚÂβ ÍÓÔÓ‡ˆËË Yamaha.
ó‡ÒÚË ÒÚËÎfl:
Intro (‚ÒÚÛÔÎÂÌËÂ), Main A, B (˜‡ÒÚË A Ë B),
Ending (ÍÓ̈ӂ͇), Fill (‚ÒÚ‡‚͇)
ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl ÙÛÌ͈ËflÏË Overall
Multi Pad, Grade, Talking, Transpose, Tuning, Accompaniment Volume,
Song Volume, Metronome Volume
ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl ÒÚËÎÂÏ
Acmp On/Off, Sync-Start, Start, Stop, Intro/Ending/rit., Main A, B
(Auto Fill)
ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl ÔÂÒÌÂÈ
Start, Stop, Pause, A-B Repeat, Fast Forward, Rewind, Melody
Voice Change
îÛÌ͈Ëfl One Touch Setting
1/ÒÚËθ, 1/ÔÂÒÌfl
åÛθÚËÔ˝‰˚
4 ÏÛθÚËÔ˝‰‡ ÔÓ 10 ·‡ÌÍÓ‚
ç‡·Ó Ó·Û˜‡˛˘Ëı Ò‰ÒÚ‚ (Yamaha Educational Suite)
îÛÌ͈Ëfl ÒÎÓ‚‡fl Dictionary, ìÓÍË 1 – 4
ÇÒÚÓÂÌÌ˚Â ÔÂÒÌË
100 ÔÂÒÂÌ
ìÒËÎËÚÂθ
2 ÇÚ +2 ÇÚ
MIDI
IN/OUT
ÑÓÔÓÎÌËÚÂθÌ˚ ‡Á˙ÂÏ˚
PHONES/OUTPUT, DC IN 12V, MIDI IN/OUT, SUSTAIN
ÑË̇ÏËÍË
2 ÔÓ 12 ÒÏ
èÓÚ·ÎflÂχfl ÏÓ˘ÌÓÒÚ¸
UL/CSA 6,8 ÇÚ, CE 7,5 ÇÚ (ÔË ËÒÔÓθÁÓ‚‡ÌËË ‡‰‡ÔÚ‡ ÔÂÂÏÂÌÌÓ„Ó
ÚÓ͇ PA-3B)
60