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Yamaha EMX-512SC – страница 2

Инструкция к Микшерному Пульту Yamaha EMX-512SC

é„‡Ì˚ ÛÔ‡‚ÎÂÌËﬂ Ë ‡Á˙ÂÏ˚

6 êÂ„ÛÎﬂÚÓ COMP (ÚÓÎ¸ÍÓ EMX512SC Ë EMX312SC)

INPUT B: ÏËÍÓÙÓÌÌ˚È ·‡Î‡ÌÒÌ˚È ‚ıÓ‰ XLR-ÚËÔ‡

àÒÔÓÎ¸ÁÛÂÚÒﬂ ‰Îﬂ Â„ÛÎËÓ‚ÍË ÛÓ‚Ìﬂ ÍÓÏÔÂÒÒËË Í‡Ì‡Î‡.

(1: ÁÂÏÎﬂ, 2: „Óﬂ˜ËÈ, 3: ıÓÎÓ‰Ì˚È). èË

èË ÔÓ‚ÓÓÚÂ Â„ÛÎﬂÚÓ‡ ‚Ô‡‚Ó ÏËÍ¯Â ‡‚ÚÓÏ‡ÚË˜ÂÒÍË

ÔÓ‰ÍÎ˛˜ÂÌËË ÍÓÌ‰ÂÌÒ‡ÚÓÌÓ„Ó ÏËÍÓÙÓÌ‡

ÔÓ‰ÌËÏÂÚ ÍÓ˝ÙÙËˆËÂÌÚ ÍÓÏÔÂÒÒËË, ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ

Ó·ﬂÁ‡ÚÂÎ¸ÌÓ ÔÂÂ‚Â‰ËÚÂ ÔÂÂÍÎ˛˜‡ÚÂÎ¸

Â„ÛÎËÛﬂ ‚˚ıÓ‰ÌÓÂ ÛÒËÎÂÌËÂ. Ç ÂÁÛÎ¸Ú‡ÚÂ ÏÓÊÌÓ

PHANTOM P ‚ ÔÓÎÓÊÂÌËÂ ON.

ÔÓÎÛ˜ËÚ¸ ·ÓÎÂÂ ÛÁÍËÈ Ë Ó‚Ì˚È ‰ËÌ‡ÏË˜ÂÒÍËÈ ‰Ë‡Ô‡ÁÓÌ

ËÁ-Á‡ ÒÏﬂ„˜ÂÌËﬂ ÒË„Ì‡ÎÓ‚ Ò ‚˚ÒÓÍËÏ ÛÓ‚ÌÂÏ „ÓÏÍÓÒÚË Ë

Û‚ÂÎË˜ÂÌËﬂ Ó·˘Â„Ó ÛÓ‚Ìﬂ. ëÚ‡‡ÈÚÂÒ¸ ËÁ·Â„‡Ú¸

ÛÒÚ‡ÌÓ‚ÍË ‚˚ÒÓÍÓ„Ó ÁÌ‡˜ÂÌËﬂ Â„ÛÎﬂÚÓ‡, ÔÓÒÍÓÎ¸ÍÛ

ËÁÎË¯Ìﬂﬂ ÍÓÏÔÂÒÒËﬂ ÒË„Ì‡Î‡ ÏÓÊÂÚ ÔË‚ÂÒÚË Í

ÒÓÁ‰‡ÌË˛ ‡ÍÛÒÚË˜ÂÒÍÓÈ Ó·‡ÚÌÓÈ Ò‚ﬂÁË.

7 èÂÂÍÎ˛˜‡ÚÂÎ¸ LINE/MIC (Í‡Ì‡Î˚ 1–4)

èÂÂ‚Â‰ËÚÂ ˝ÚÓÚ ÔÂÂÍÎ˛˜‡ÚÂÎ¸ ‚ ÔÓÎÓÊÂÌËÂ,

• çÂÎ¸Áﬂ Ó‰ÌÓ‚ÂÏÂÌÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ Ó·‡ ˝ÚË

ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÂ ÚËÔÛ ÔÓ‰‡‚‡ÂÏÓ„Ó ‚ıÓ‰ÌÓ„Ó ÒË„Ì‡Î‡ —

‡Á˙ÂÏ‡.

ÒË„Ì‡Î‡ ÏËÍÓÙÓÌÌÓ„Ó (ÌËÁÍÓ„Ó) ÛÓ‚Ìﬂ ËÎË ÒË„Ì‡Î‡

ÎËÌÂÈÌÓ„Ó (‚˚ÒÓÍÓ„Ó) ÛÓ‚Ìﬂ. èÂÂ‚Â‰ËÚÂ ÔÂÂÍÎ˛˜‡ÚÂÎ¸

• ëË„Ì‡Î, ÔÓÒÚÛÔ‡˛˘ËÈ ˜ÂÂÁ ‡Á˙ÂÏ INPUT,

ÔÓ‰‡ÂÚÒﬂ Ò Ó‰ËÌ‡ÍÓ‚˚ÏË ÛÓ‚ÌﬂÏË ‚ ¯ËÌ˚ MAIN

‚ ÔÓÎÓÊÂÌËÂ LINE ( ) ÔË ÔÓ‰ÍÎ˛˜ÂÌËË ËÒÚÓ˜ÌËÍ‡

L Ë MAIN R.

ÒË„Ì‡Î‡ ÎËÌÂÈÌÓ„Ó ÛÓ‚Ìﬂ, Ì‡ÔËÏÂ ÍÎ‡‚Ë‡ÚÛ˚ ËÎË

‡Û‰ËÓÛÒÚÓÈÒÚ‚‡. èÂÂ‚Â‰ËÚÂ ÔÂÂÍÎ˛˜‡ÚÂÎ¸ ‚ ÔÓÎÓÊÂ-

9 ÉÌÂÁ‰‡ LINE Ë MIC (Í‡Ì‡Î˚ 5/6–11/12)

ÌËÂ MIC ( ) ÔË ÔÓ‰ÍÎ˛˜ÂÌËË ÏËÍÓÙÓÌ‡ ËÎË ‰Û„Ó„Ó

ÛÒÚÓÈÒÚ‚‡ Ò ÒË„Ì‡ÎÓÏ ÏËÍÓÙÓÌÌÓ„Ó ÛÓ‚Ìﬂ.

ùÚÓ „ÌÂÁ‰‡ ‰Îﬂ ‚‚Ó‰‡ ÒÚÂÂÓÒË„Ì‡ÎÓ‚. àÒÔÓÎ¸ÁÛÈÚÂ Ëı,

˜ÚÓ·˚ ÔÓ‰ÍÎ˛˜‡Ú¸ Ú‡ÍËÂ ÒÚÂÂÓÛÒÚÓÈÒÚ‚‡, Í‡Í

ÇÓ ËÁ·ÂÊ‡ÌËÂ ÔÓ‚ÂÊ‰ÂÌËﬂ ‰ËÌ‡ÏËÍÓ‚, Ó·ﬂÁ‡ÚÂÎ¸ÌÓ

ÒÚÂÂÓÒËÌÚÂÁ‡ÚÓ ËÎË ÔÓË„˚‚‡ÚÂÎ¸ ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚.

‚˚ÍÎ˛˜‡ÈÚÂ ÔËÚ‡ÌËÂ Ò‡ÏÓ„Ó ÏËÍ¯Â‡ EMX Ë ‚ÒÂı

ÓÒÚ‡Î¸Ì˚ı ÛÒËÎËÚÂÎÂÈ ÏÓ˘ÌÓÒÚË Ë ‡ÍÚË‚Ì˚ı ÍÓÎÓÌÓÍ,

ÉÌÂÁ‰‡ LINE: Å‡Î‡ÌÒÌ˚Â ÒÚÂÂÓ‚ıÓ‰˚. ç‡ Í‡Ì‡Î¸Ì˚ı

ÔÂÊ‰Â ˜ÂÏ ÔÂÂ‚Ó‰ËÚ¸ ˝ÚÛ ÍÌÓÔÍÛ ‚ ÔÓÎÓÊÂÌËÂ LINE

Ô‡‡ı 5/6 Ë 7/8 ˝ÚÓ ¯ÚÂÍÂÌ˚Â „ÌÂÁ‰‡, Ì‡

ËÎË MIC. äÓÏÂ ÚÓ„Ó, ÔÂÊ‰Â ˜ÂÏ Ì‡ÊËÏ‡Ú¸ ˝ÚÛ ÍÌÓÔÍÛ,

Í‡Ì‡Î¸Ì˚ı Ô‡‡ı 9/10 Ë 11/12 — RCA.

ÂÍÓÏÂÌ‰ÛÂÚÒﬂ ÔÓ‚Ó‡˜Ë‚‡Ú¸ ‚ÒÂ Â„ÛÎﬂÚÓ˚ „ÓÏÍÓÒÚË

‚˚ıÓ‰ÌÓ„Ó ÒË„Ì‡Î‡ (Û˜ÍË LEVEL, MASTER Ë Ú.‰.) ‚

ÉÌÂÁ‰Ó MIC: çÂ·‡Î‡ÌÒÌ˚È ‚ıÓ‰ÌÓÈ ÏËÍÓÙÓÌÌ˚È

ÏËÌËÏ‡Î¸ÌÓÂ ÔÓÎÓÊÂÌËÂ, ˜ÚÓ·˚ ËÁ·ÂÊ‡Ú¸ ËÒÍ‡

ÒÚÂÂÓ‡Á˙ÂÏ XLR-ÚËÔ‡. èË ÔÓ‰ÍÎ˛˜ÂÌËË

‚ÓÁÌËÍÌÓ‚ÂÌËﬂ „ÓÏÍËı Á‚ÛÍÓ‚, ÍÓÚÓ˚Â ÏÓ„ÛÚ ÔË‚ÂÒÚË

ÍÓÌ‰ÂÌÒ‡ÚÓÌÓ„Ó ÏËÍÓÙÓÌ‡ Ó·ﬂÁ‡ÚÂÎ¸ÌÓ

Í ÔÓÚÂÂ ÒÎÛı‡ ËÎË ÔÓ‚ÂÊ‰ÂÌË˛ ÛÒÚÓÈÒÚ‚‡.

ÔÂÂ‚Â‰ËÚÂ ÔÂÂÍÎ˛˜‡ÚÂÎ¸ PHANTOM P

‚ ÔÓÎÓÊÂÌËÂ ON.

8 ÉÌÂÁ‰‡ INPUT A Ë INPUT B (Í‡Ì‡Î˚ 1–4)

•ÉÌÂÁ‰‡ LINE Ë MIC Í‡Ì‡Î¸ÌÓÈ Ô‡˚ ÏÓÊÌÓ

àÒÚÓ˜ÌËÍ ‚ıÓ‰ÌÓ„Ó ÒË„Ì‡Î‡ ÏÓÊÌÓ ÔÓ‰ÍÎ˛˜ËÚ¸ Í Î˛·ÓÏÛ

ËÒÔÓÎ¸ÁÓ‚‡Ú¸ Ó‰ÌÓ‚ÂÏÂÌÌÓ. é‰Ì‡ÍÓ Ó·‡ÚËÚÂ

„ÌÂÁ‰Û. é·ﬂÁ‡ÚÂÎ¸ÌÓ ÔÂÂ‚Â‰ËÚÂ ÔÂÂÍÎ˛˜‡ÚÂÎ¸ LINE/MIC

‚ÌËÏ‡ÌËÂ Ì‡ ÚÓ, ˜ÚÓ ÛÓ‚ÌË ÌÂ Û‰‡ÒÚÒﬂ ÛÒÚ‡ÌÓ‚ËÚ¸

7 ‚ ÔÓÎÓÊÂÌËÂ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÂ ÔÓ‰ÍÎ˛˜‡ÂÏÓÏÛ

‡Á‰ÂÎ¸ÌÓ.

ÛÒÚÓÈÒÚ‚Û.

• ëË„Ì‡Î˚, ÔÓÒÚÛÔ‡˛˘ËÂ ˜ÂÂÁ „ÌÂÁ‰‡ LINE L Ë LINE

INPUT A: ·‡Î‡ÌÒÌ˚È ÎËÌÂÈÌ˚È ‚ıÓ‰ÌÓÈ ¯ÚÂÍÂÌ˚È

R, ÌÂÁ‡‚ËÒËÏÓ ÔÂÂ‰‡˛ÚÒﬂ ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ

¯ËÌ˚ MAIN L Ë R.

‡Á˙ÂÏ TRS (T: „Óﬂ˜ËÈ, R: ıÓÎÓ‰Ì˚È, S:

ÁÂÏÎﬂ). ÑÓÔÛÒÍ‡ÂÚ ÔÓ‰‡˜Û Í‡Í ·‡Î‡ÌÒÌÓ„Ó,

• ëË„Ì‡Î, ÔÓÒÚÛÔ‡˛˘ËÈ ˜ÂÂÁ ‡Á˙ÂÏ MIC,

Ú‡Í Ë ÌÂ·‡Î‡ÌÒÌÓ„Ó ÒË„Ì‡ÎÓ‚.

ÔÓ‰‡ÂÚÒﬂ Ò Ó‰ËÌ‡ÍÓ‚˚ÏË ÛÓ‚ÌﬂÏË ‚ ¯ËÌ˚ MAIN

L Ë MAIN R.

äÓÎ¸ˆÓ: ıÓÎÓ‰Ì˚È (–)

ÉËÎ¸Á‡: ÁÂÏÎﬂ ç‡ÍÓÌÂ˜ÌËÍ: „Óﬂ˜ËÈ (+)

EMX512SC/EMX312SC/EMX212S

ïÓÎÓ‰Ì˚È (–)

áÂÏÎﬂ ÉÓﬂ˜ËÈ (+)

èêàåÖóÄçàÖ

é„‡Ì˚ ÛÔ‡‚ÎÂÌËﬂ Ë ‡Á˙ÂÏ˚

ëÂÍˆËﬂ ˆËÙÓ‚˚ı ˝ÙÙÂÍÚÓ‚

∂ èÓ„‡ÏÏ‡ è‡‡ÏÂÚ

KARAOKE ECHO áÄÑÖêÜäÄ

VOCAL ECHO áÄÑÖêÜäÄ

CHORUS 1 óÄëíéíÄ LFO

CHORUS 2 óÄëíéíÄ LFO

FLANGER óÄëíéíÄ LFO

PHASER óÄëíéíÄ LFO

AUTO WAH óÄëíéíÄ LFO

DISTORTION àçíÖçëàÇçéëíú

A êÛ˜Í‡ PARAMETER

êÂ„ÛÎËÛÂÚ Ô‡‡ÏÂÚ˚ („ÎÛ·ËÌ‡, ÒÍÓÓÒÚ¸, Ë Ú.‰.),

Ò‚ﬂÁ‡ÌÌ˚Â Ò ‚˚·‡ÌÌ˚Ï ÚËÔÓÏ ˝ÙÙÂÍÚ‡.

åËÍ¯Â ÒÓı‡ÌﬂÂÚ ÔÓÒÎÂ‰ÌÂÂ ÁÌ‡˜ÂÌËÂ,

ËÒÔÓÎ¸ÁÛÂÏÓÂ Ò Í‡Ê‰˚Ï ÚËÔÓÏ ˝ÙÙÂÍÚ‡. èË

‚˚·ÓÂ ‰Û„Ó„Ó ÚËÔ‡ ˝ÙÙÂÍÚ‡ ÏËÍ¯Â

‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚ÓÒÒÚ‡Ì‡‚ÎË‚‡ÂÚ ÁÌ‡˜ÂÌËÂ, ÍÓÚÓÓÂ

ËÒÔÓÎ¸ÁÓ‚‡ÎÓÒ¸ Ò ‰‡ÌÌ˚Ï ÚËÔÓÏ ˝ÙÙÂÍÚ‡

(ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÚÂÍÛ˘Â„Ó ÔÓÎÓÊÂÌËﬂ Â„ÛÎﬂÚÓ‡

PARAMETER). çÓ ÒÎÂ‰ÛÂÚ ÔÓÏÌËÚ¸, ˜ÚÓ ÔË

‚˚ÍÎ˛˜ÂÌËË ÔËÚ‡ÌËﬂ ‚ÓÒÒÚ‡Ì‡‚ÎË‚‡˛ÚÒﬂ ‚ÒÂ

ÁÌ‡˜ÂÌËﬂ ÔÓ ÛÏÓÎ˜‡ÌË˛.

B Ç˚ÍÎ˛˜‡ÚÂÎ¸ ON

àÒÔÓÎ¸ÁÛÂÚÒﬂ ‰Îﬂ ‚ÍÎ˛˜ÂÌËﬂ Ë ‚˚ÍÎ˛˜ÂÌËﬂ ‚ÌÛÚÂÌÌÂ„Ó

ÔÓˆÂÒÒÓ‡ ˝ÙÙÂÍÚÓ‚. ÇÌÛÚÂÌÌËÈ ˝ÙÙÂÍÚ ÔËÏÂÌﬂÂÚÒﬂ

ÚÓÎ¸ÍÓ ÔË ‚ÍÎ˛˜ÂÌÌÓÏ ÔÂÂÍÎ˛˜‡ÚÂÎÂ. èË ‚ÍÎ˛˜ÂÌËË

˝ÙÙÂÍÚ-ÔÓˆÂÒÒÓ‡ ËÌ‰ËÍ‡ÚÓ „ÓËÚ Ó‡ÌÊÂ‚˚Ï ˆ‚ÂÚÓÏ.

ÇÏÂÒÚÓ ÔÂÂÍÎ˛˜‡ÚÂÎﬂ ON ‰Îﬂ ‚ÍÎ˛˜ÂÌËﬂ ˝ÙÙÂÍÚ-

ÔÓˆÂÒÒÓ‡ ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÔËÓ·ÂÚ‡ÂÏ˚È ‰Ó-

ÔÓÎÌËÚÂÎ¸ÌÓ ÔÂ‰‡Î¸Ì˚È ÔÂÂÍÎ˛˜‡ÚÂÎ¸ FC5.

ÇÌÛÚÂÌÌËÈ ˝ÙÙÂÍÚ-ÔÓˆÂÒÒÓ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË

‚ÍÎ˛˜‡ÂÚÒﬂ ÔË ‚ÍÎ˛˜ÂÌËË ÔËÚ‡ÌËﬂ ÏËÍ¯Â‡.

C ÉÌÂÁ‰Ó EFFECT OUT

çÂ·‡Î‡ÌÒÌÓÂ ¯ÚÂÍÂÌÓÂ ‚˚ıÓ‰ÌÓÂ „ÌÂÁ‰Ó ‰Îﬂ ‚˚‚Ó‰‡

ÒË„Ì‡Î‡ ¯ËÌ˚ EFFECT. ùÚÓ „ÌÂÁ‰Ó ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸,

Ì‡ÔËÏÂ, ‰Îﬂ ÔÓ‰ÍÎ˛˜ÂÌËﬂ ‚ÌÂ¯ÌÂ„Ó ÔÓˆÂÒÒÓ‡

0 êÛ˜Í‡ PROGRAM

˝ÙÙÂÍÚÓ‚. ëË„Ì‡Î ÏÓÊÌÓ ‚ÓÁ‚‡ÚËÚ¸, ÔÓ‰ÍÎ˛˜Ë‚ ‚ÌÂ¯ÌËÈ

àÒÔÓÎ¸ÁÛÂÚÒﬂ ‰Îﬂ ‚˚·Ó‡ ÚËÔ‡ ËÒÔÓÎ¸ÁÛÂÏÓ„Ó ˝ÙÙÂÍÚ‡.

ÔÓˆÂÒÒÓ ˝ÙÙÂÍÚÓ‚ Í Î˛·ÓÏÛ ËÁ „ÌÂÁ‰ LINE Í‡Ì‡Î¸Ì˚ı

åÓÊÌÓ ‚˚·‡Ú¸ ËÁ 16 ÒÎÂ‰Û˛˘Ëı ÚËÔÓ‚ ˝ÙÙÂÍÚ‡.

Ô‡ 5/6–11/12.

∂ èÓ„‡ÏÏ‡ è‡‡ÏÂÚ

èË ‚ÓÁ‚‡ÚÂ ÒË„Ì‡Î‡ ‚ÌÂ¯ÌÂ„Ó ÔÓˆÂÒÒÓ‡ ˝ÙÙÂÍÚÓ‚

REVERB HALL 1 ÇêÖå¸ êÖÇÖêÅÖêÄñàà

˜ÂÂÁ „ÌÂÁ‰Ó LINE Í‡Ì‡Î¸Ì˚ı Ô‡ 5/6–11/12 Û·Â‰ËÚÂÒ¸ ‚

ÚÓÏ, ˜ÚÓ Â„ÛÎﬂÚÓ EFFECT ˝ÚÓÈ Ô‡˚ ÛÒÚ‡ÌÓ‚ÎÂÌ ‚

REVERB HALL 2 ÇêÖå¸ êÖÇÖêÅÖêÄñàà

ÔÓÎÓÊÂÌËÂ «0».

REVERB ROOM 1 ÇêÖå¸ êÖÇÖêÅÖêÄñàà

REVERB ROOM 2 ÇêÖå¸ êÖÇÖêÅÖêÄñàà

D ÉÌÂÁ‰Ó FOOT SW

ùÚÓ ¯ÚÂÍÂÌÓÂ ‚ıÓ‰ÌÓÂ „ÌÂÁ‰Ó ÒÎÛÊËÚ ‰Îﬂ ÔÓ‰ÍÎ˛˜ÂÌËﬂ

REVERB STAGE 1 ÇêÖå¸ êÖÇÖêÅÖêÄñàà

ÔËÓ·ÂÚ‡ÂÏÓ„Ó ‰ÓÔÓÎÌËÚÂÎ¸ÌÓ ÔÂ‰‡Î¸ÌÓ„Ó ÔÂÂÍÎ˛˜‡ÚÂÎﬂ

REVERB STAGE 2 ÇêÖå¸ êÖÇÖêÅÖêÄñàà

YAMAHA FC5. èË ÔÓ‰ÍÎ˛˜ÂÌËË ÔÂ‰‡Î¸ÌÓ„Ó ÔÂÂÍÎ˛˜‡ÚÂÎﬂ

REVERB PLATE ÇêÖå¸ êÖÇÖêÅÖêÄñàà

Â„Ó ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰Îﬂ ‚ÍÎ˛˜ÂÌËﬂ Ë ‚˚ÍÎ˛˜ÂÌËﬂ

DRUM AMBIENCE ÇêÖå¸ êÖÇÖêÅÖêÄñàà

‚ÒÚÓÂÌÌÓ„Ó ˝ÙÙÂÍÚ-ÔÓˆÂÒÒÓ‡.

EMX512SC/EMX312SC/EMX212S

èêàåÖóÄçàÖ

é„‡Ì˚ ÛÔ‡‚ÎÂÌËﬂ Ë ‡Á˙ÂÏ˚

éÒÌÓ‚Ì‡ﬂ ÒÂÍˆËﬂ MAIN

E É‡ÙË˜ÂÒÍËÈ ˝Í‚‡Î‡ÈÁÂ

É‡ÙË˜ÂÒÍËÈ 7-ÔÓÎÓÒÌ˚È ˝Í‚‡Î‡ÈÁÂ ÔÓÁ‚ÓÎﬂÂÚ

Â„ÛÎËÓ‚‡Ú¸ ˜‡ÒÚÓÚÌÛ˛ ı‡‡ÍÚÂËÒÚËÍÛ ÒÚÂÂÓÒË„Ì‡Î‡

¯ËÌ MAIN L Ë MAIN R. ùÚÓÚ ÒË„Ì‡Î ‚˚‚Ó‰ËÚÒﬂ Ì‡ „ÌÂÁ‰‡

MAIN OUT I Ë SPEAKERS V. ìÓ‚ÂÌ¸ ÒË„Ì‡Î‡ ‚ Í‡Ê‰ÓÈ

ÔÓÎÓÒÂ Â„ÛÎËÛÂÚÒﬂ ‚ ‰Ë‡Ô‡ÁÓÌÂ ±12 ‰Å. éÒÌÓ‚Ì˚Â

˜‡ÒÚÓÚ˚ ‰Îﬂ ÔÓÎÓÒ: 125, 250, 500, 1 ÍÉˆ, 2 ÍÉˆ, 4 ÍÉˆ Ë 8 ÍÉˆ.

F êÂ„ÛÎﬂÚÓ EFFECT RETURN

êÂ„ÛÎËÛÂÚ ÛÓ‚ÂÌ¸ ÒË„Ì‡Î‡, ÔÓ‰‡‚‡ÂÏÓ„Ó ÓÚ

˝ÙÙÂÍÚ-ÔÓˆÂÒÒÓ‡ ‚ ¯ËÌ˚ MAIN L Ë MAIN R.

G êÛ˜Í‡ MASTER

êÂ„ÛÎËÛÂÚ ÛÓ‚ÂÌ¸ ÒË„Ì‡Î‡, ‚˚‚Ó‰ËÏÓ„Ó Ì‡ „ÌÂÁ‰‡

SPEAKERS V Ë MAIN OUT I.

H àÌ‰ËÍ‡ÚÓ˚ LEVEL

àÌ‰ËÍ‡ÚÓ˚ L Ë R ÓÚÓ·‡Ê‡˛Ú ÛÓ‚ÂÌ¸ ÒË„Ì‡Î‡,

‚˚‚Ó‰ËÏÓ„Ó ˜ÂÂÁ „ÌÂÁ‰Ó MAIN OUT I.

ëË„Ì‡Î, ÔÓÒÚÛÔ‡˛˘ËÈ Ì‡ „ÌÂÁ‰Ó MAIN OUT, Ú‡ÍÊÂ

ÔÓıÓ‰ËÚ ˜ÂÂÁ ‚ÌÛÚÂÌÌËÈ ÛÒËÎËÚÂÎ¸ Ë ‚˚‚Ó‰ËÚÒﬂ

˜ÂÂÁ „ÌÂÁ‰‡ SPEAKERS

V. ëÎÂ‰ËÚÂ Á‡ ËÌ‰ËÍ‡ÚÓ‡ÏË

LIMITER

Q, ˜ÚÓ·˚ ÌÂ ÔÂ‚˚¯‡Ú¸ Ï‡ÍÒËÏ‡Î¸ÌÓ„Ó

ÛÓ‚Ìﬂ ÒË„Ì‡Î‡, ‚˚‚Ó‰ËÏÓ„Ó ˜ÂÂÁ „ÌÂÁ‰‡ SPEAKERS.

I ÉÌÂÁ‰‡ MAIN OUT L Ë R

ùÚË ÌÂ·‡Î‡ÌÒÌ˚Â ¯ÚÂÍÂÌ˚Â ‚˚ıÓ‰Ì˚Â „ÌÂÁ‰‡

ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ‚ Í‡˜ÂÒÚ‚Â ÓÒÌÓ‚ÌÓ„Ó ‚˚ıÓ‰‡ ÒÚÂÂÓÒË„Ì‡Î‡.

é·˚˜ÌÓ ˝ÚË „ÌÂÁ‰‡ ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ‰Îﬂ ÔÓ‰ÍÎ˛˜ÂÌËﬂ Í

ÛÒËÎËÚÂÎ˛ ÏÓ˘ÌÓÒÚË ËÎË ‡ÍÚË‚ÌÓÈ ‡ÍÛÒÚË˜ÂÒÍÓÈ ÒËÒÚÂÏÂ.

ëË„Ì‡Î, ÔÓ‰‡‚‡ÂÏ˚È Ì‡ ˝ÚË ‡Á˙ÂÏ˚, Â„ÛÎËÛÂÚÒﬂ Û˜ÍÓÈ

MASTER G ÓÒÌÓ‚ÌÓÈ ÒÂÍˆËË MAIN Ë „‡ÙË˜ÂÒÍËÏ

˝Í‚‡Î‡ÈÁÂÓÏ E.

J ÉÌÂÁ‰‡ REC OUT L Ë R

ùÚË ÌÂ·‡Î‡ÌÒÌ˚Â ‚˚ıÓ‰Ì˚Â „ÌÂÁ‰‡ RCA ÏÓÊÌÓ

ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰Îﬂ ÔÓ‰‡˜Ë ÓÒÌÓ‚ÌÓ„Ó ÒÚÂÂÓÒË„Ì‡Î‡ Ì‡

‚ÌÂ¯ÌÂÂ Á‡ÔËÒ˚‚‡˛˘ÂÂ ÛÒÚÓÈÒÚ‚Ó (DAT ËÎË Í‡ÒÒÂÚÌ˚È

Ï‡„ÌËÚÓÙÓÌ). é·‡ÚËÚÂ ‚ÌËÏ‡ÌËÂ Ì‡ ÚÓ, ˜ÚÓ, ‚ ÓÚÎË˜ËÂ ÓÚ

‚˚ıÓ‰‡ ˜ÂÂÁ „ÌÂÁ‰‡ MAIN OUT, ÒË„Ì‡Î „ÌÂÁ‰ REC OUT ÌÂ

Â„ÛÎËÛÂÚÒﬂ Û˜ÍÓÈ MASTER G ÓÒÌÓ‚ÌÓÈ ÒÂÍˆËË MAIN Ë

„‡ÙË˜ÂÒÍËÏ ˝Í‚‡Î‡ÈÁÂÓÏ E.

í‡Í Í‡Í ˝ÚÓÚ ‚˚ıÓ‰ÌÓÈ ÒË„Ì‡Î ÌÂ Â„ÛÎËÛÂÚÒﬂ

Û˜ÍÓÈ MASTER

G ÓÒÌÓ‚ÌÓÈ ÒÂÍˆËË MAIN,

Â„ÛÎËÛÈÚÂ ÛÓ‚ÂÌ¸ ÒË„Ì‡Î‡ Ì‡ ‚ÌÂ¯ÌÂÏ

ÛÒÚÓÈÒÚ‚Â Á‡ÔËÒË.

EMX512SC/EMX312SC/EMX212S

èêàåÖóÄçàÖ

é„‡Ì˚ ÛÔ‡‚ÎÂÌËﬂ Ë ‡Á˙ÂÏ˚

ëÂÍˆËﬂ MONITOR

K É‡ÙË˜ÂÒÍËÈ ˝Í‚‡Î‡ÈÁÂ

É‡ÙË˜ÂÒÍËÈ 7-ÔÓÎÓÒÌ˚È ˝Í‚‡Î‡ÈÁÂ ÔÓÁ‚ÓÎﬂÂÚ

Â„ÛÎËÓ‚‡Ú¸ ˜‡ÒÚÓÚÌÛ˛ ı‡‡ÍÚÂËÒÚËÍÛ ÏÓÌËÚÓÌÓ„Ó

ÒË„Ì‡Î‡, ÔÓ‰‡‚‡ÂÏÓ„Ó Ì‡ „ÌÂÁ‰Ó MONITOR OUT O Ë (ÂÒÎË

ÔÂÂÍÎ˛˜‡ÚÂÎ¸ POWER AMP ÔÂÂ‚Â‰ÂÌ ‚ ÌËÊÌÂÂ

ÔÓÎÓÊÂÌËÂ) „ÌÂÁ‰‡ SPEAKERS B V. ìÓ‚ÂÌ¸ ÒË„Ì‡Î‡ ‚

Í‡Ê‰ÓÈ ÔÓÎÓÒÂ Â„ÛÎËÛÂÚÒﬂ ‚ ‰Ë‡Ô‡ÁÓÌÂ ±12 ‰Å.

éÒÌÓ‚Ì˚Â ˜‡ÒÚÓÚ˚ ‰Îﬂ ÔÓÎÓÒ: 125, 250, 500, 1 ÍÉˆ, 2 ÍÉˆ, 4

ÍÉˆ Ë 8 ÍÉˆ.

L êÂ„ÛÎﬂÚÓ EFFECT RETURN

êÂ„ÛÎËÛÂÚ ÛÓ‚ÂÌ¸ ÒË„Ì‡Î‡, ÔÓ‰‡‚‡ÂÏÓ„Ó ÓÚ

˝ÙÙÂÍÚ-ÔÓˆÂÒÒÓ‡ ‚ ¯ËÌÛ MONITOR.

M êÛ˜Í‡ MASTER

êÂ„ÛÎËÛÂÚ ÛÓ‚ÂÌ¸ ÏÓÌËÚÓÌÓ„Ó ÒË„Ì‡Î‡, ÔÓ‰‡‚‡ÂÏÓ„Ó Ì‡

„ÌÂÁ‰Ó MONITOR OUT O Ë (ÂÒÎË ÔÂÂÍÎ˛˜‡ÚÂÎ¸ POWER

AMP ÔÂÂ‚Â‰ÂÌ ‚ ÌËÊÌÂÂ ÔÓÎÓÊÂÌËÂ) „ÌÂÁ‰‡ SPEAKERS

B V.

N àÌ‰ËÍ‡ÚÓ˚ LEVEL

àÌ‰ËÍ‡ÚÓ˚ L Ë R ÓÚÓ·‡Ê‡˛Ú ÛÓ‚ÂÌ¸ ÒË„Ì‡Î‡,

‚˚‚Ó‰ËÏÓ„Ó ˜ÂÂÁ „ÌÂÁ‰Ó MONITOR OUT O.

ÖÒÎË ÔÂÂÍÎ˛˜‡ÚÂÎ¸ POWER AMP ÔÂÂ‚Â‰ÂÌ ‚ ÌËÊÌÂÂ

ÔÓÎÓÊÂÌËÂ, ÒË„Ì‡Î „ÌÂÁ‰‡ MONITOR OUT Ú‡ÍÊÂ

ÔÓıÓ‰ËÚ ˜ÂÂÁ ‚ÒÚÓÂÌÌ˚È ÛÒËÎËÚÂÎ¸ Ë ‚˚‚Ó‰ËÚÒﬂ Ì‡

„ÌÂÁ‰‡ SPEAKERS B1 Ë B2

V. ëÎÂ‰ËÚÂ Á‡

ËÌ‰ËÍ‡ÚÓ‡ÏË LIMITER

Q, ˜ÚÓ·˚ ÌÂ ÔÂ‚˚¯‡Ú¸

Ï‡ÍÒËÏ‡Î¸ÌÓ„Ó ÛÓ‚Ìﬂ ÒË„Ì‡Î‡, ‚˚‚Ó‰ËÏÓ„Ó ˜ÂÂÁ

„ÌÂÁ‰‡ SPEAKERS.

O ÉÌÂÁ‰Ó MONITOR OUT

çÂ·‡Î‡ÌÒÌÓÂ ¯ÚÂÍÂÌÓÂ „ÌÂÁ‰Ó ‰Îﬂ ‚˚‚Ó‰‡

ÏÓÌÓÙÓÌË˜ÂÒÍÓ„Ó ÏÓÌËÚÓÌÓ„Ó ÒË„Ì‡Î‡. é·˚˜ÌÓ ˝ÚÓ

„ÌÂÁ‰Ó ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‰Îﬂ ÔÓ‰ÍÎ˛˜ÂÌËﬂ Í ‡ÍÚË‚ÌÓÈ

‡ÍÛÒÚË˜ÂÒÍÓÈ ÒËÒÚÂÏÂ ‰Îﬂ ÍÓÌÚÓÎﬂ. ëË„Ì‡Î, ÔÓ‰‡‚‡ÂÏ˚È

Ì‡ ˝ÚÓÚ ‡Á˙ÂÏ, Â„ÛÎËÛÂÚÒﬂ Û˜ÍÓÈ MASTER M ÒÂÍˆËË

MONITOR Ë „‡ÙË˜ÂÒÍËÏ ˝Í‚‡Î‡ÈÁÂÓÏ K ÒÂÍˆËË

MONITOR.

EMX512SC/EMX312SC/EMX212S

é„‡Ì˚ ÛÔ‡‚ÎÂÌËﬂ Ë ‡Á˙ÂÏ˚

ëÂÍˆËﬂ ÔËÚ‡ÌËﬂ POWER

• ÇÓ ËÁ·ÂÊ‡ÌËÂ ÔÓ‚ÂÊ‰ÂÌËﬂ ‡ÍÛÒÚË˜ÂÒÍËı ÒËÒÚÂÏ

Ó·ﬂÁ‡ÚÂÎ¸ÌÓ ‚˚ÍÎ˛˜ËÚÂ ÔËÚ‡ÌËÂ EMX, ‰Û„Ëı

ÛÒËÎËÚÂÎÂÈ ÏÓ˘ÌÓÒÚË Ë ‡ÍÚË‚Ì˚ı ‡ÍÛÒÚË˜ÂÒÍËı

ÒËÒÚÂÏ ÔÂÂ‰ ‚ÍÎ˛˜ÂÌËÂÏ ËÎË ‚˚ÍÎ˛˜ÂÌËÂÏ

Ù‡ÌÚÓÏÌÓ„Ó ÔËÚ‡ÌËﬂ. êÂÍÓÏÂÌ‰ÛÂÚÒﬂ Ú‡ÍÊÂ ÛÒÚ‡-

ÌÓ‚ËÚ¸ Ì‡ ÏËÌËÏÛÏ ‚ÒÂ ‚˚ıÓ‰Ì˚Â ÍÓÌÚÓÎÎÂ˚

(Â„ÛÎﬂÚÓ˚ LEVEL, Û˜ÍË MASTER Ë Ú.‰.) ÔÂÂ‰

ÔÂÂÍÎ˛˜ÂÌËÂÏ ‚˚ÍÎ˛˜‡ÚÂÎﬂ ‚Ó ËÁ·ÂÊ‡ÌËÂ ËÒÍ‡

ÒÓÁ‰‡ÌËﬂ „ÓÏÍËı ¯ÛÏÓ‚, ÍÓÚÓ˚Â ÏÓ„ÛÚ ÔË‚ÂÒÚË Í

ÒÌËÊÂÌË˛ ÒÎÛı‡ ËÎË ÔÓ‚ÂÊ‰ÂÌË˛ ÛÒÚÓÈÒÚ‚‡.

Q àÌ‰ËÍ‡ÚÓ˚ LIMITER

àÌ‰ËÍ‡ÚÓ Á‡„Ó‡ÂÚÒﬂ, ÍÓ„‰‡ ÛÓ‚ÂÌ¸ ‚˚ıÓ‰ÌÓ„Ó ÒË„Ì‡Î‡

ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó „ÌÂÁ‰‡ SPEAKERS ‰ÓÒÚË„‡ÂÚ Ï‡ÍÒËÏ‡-

Î¸ÌÓ„Ó ÁÌ‡˜ÂÌËﬂ. àÌ‰ËÍ‡ÚÓ Á‡„Ó‡ÂÚÒﬂ ÔË ‚ÍÎ˛˜ÂÌËË

Ó„‡ÌË˜ËÚÂÎﬂ.

ó‡ÒÚÓÂ ÏË„‡ÌËÂ ËÌ‰ËÍ‡ÚÓ‡ ÛÍ‡Á˚‚‡ÂÚ Ì‡ ÔÂÂ„ÛÁÍÛ

ÛÒËÎËÚÂÎﬂ Ë ËÒÍ ÔÓ‚ÂÊ‰ÂÌËﬂ Ó·ÓÛ‰Ó‚‡ÌËﬂ.

éÚÂ„ÛÎËÛÈÚÂ ÔÓÎÓÊÂÌËÂ Û˜ÂÍ MASTER (

G Ë M) Ú‡Í,

˜ÚÓ·˚ ËÌ‰ËÍ‡ÚÓ˚ ÌÂ „ÓÂÎË ËÎË ÏË„‡ÎË Â‰ÍÓ.

R èÂÂÍÎ˛˜‡ÚÂÎ¸ POWER AMP

àÒÔÓÎ¸ÁÛÂÚÒﬂ ‰Îﬂ ‚˚·Ó‡ ÒË„Ì‡Î‡, ÔÓ‰‡‚‡ÂÏÓ„Ó Ì‡ „ÌÂÁ‰‡

SPEAKERS, ÒÎÂ‰Û˛˘ËÏ Ó·‡ÁÓÏ.

ÇÂıÌÂÂ ÔÓÎÓÊÂÌËÂ (MAIN L/R):

ÉÌÂÁ‰‡ SPEAKERS A1 Ë A2 ‚˚‚Ó‰ﬂÚ ÒË„Ì‡Î ¯ËÌ˚ MAIN

L, „ÌÂÁ‰‡ SPEAKERS B1 Ë B2 — ¯ËÌ˚ MAIN R. êÛ˜Í‡

MASTER G ÓÒÌÓ‚ÌÓÈ ÒÂÍˆËË MAIN Â„ÛÎËÛÂÚ

‚˚ıÓ‰ÌÓÈ ÛÓ‚ÂÌ¸ ‚ÒÂı „ÌÂÁ‰ SPEAKERS.

çËÊÌÂÂ ÔÓÎÓÊÂÌËÂ (MAIN (L+R)/MON):

óÂÂÁ „ÌÂÁ‰‡ SPEAKERS A1 Ë A2 ‚˚‚Ó‰ËÚÒﬂ

ÒÏÂ¯‡ÌÌ˚È ÒË„Ì‡Î ¯ËÌ MAIN L Ë MAIN R. óÂÂÁ

„ÌÂÁ‰‡ SPEAKERS B1 Ë B2 ‚˚‚Ó‰ËÚÒﬂ ÒË„Ì‡Î ¯ËÌ˚

MONITOR. êÛ˜Í‡ MASTER G ÓÒÌÓ‚ÌÓÈ ÒÂÍˆËË MAIN

Â„ÛÎËÛÂÚ ÛÓ‚ÂÌ¸ „ÌÂÁ‰ A, Û˜Í‡ MASTER M

ÒÂÍˆËË MONITOR — „ÌÂÁ‰ B.

S èÂÂÍÎ˛˜‡ÚÂÎ¸ YS Processing

àÒÔÓÎ¸ÁÛÂÚÒﬂ ‰Îﬂ ‚ÍÎ˛˜ÂÌËﬂ Ë ‚˚ÍÎ˛˜ÂÌËﬂ ÔÓˆÂÒÒÓ‡

Yamaha Speaker Processing. ùÚÓÚ ÔÓˆÂÒÒÓ ÍÓÂÍÚËÛÂÚ

‰Ë‡Ô‡ÁÓÌ ÌËÊÌËı ˜‡ÒÚÓÚ ‰ËÌ‡ÏËÍÓ‚, ÍÓÏÔÂÌÒËÛﬂ,

Ì‡ÔËÏÂ, ÓÚÒÛÚÒÚ‚ËÂ Ò‡·‚ÛÙÂÓ‚. é·‡ÚËÚÂ ‚ÌËÏ‡ÌËÂ Ì‡

P èÂÂÍÎ˛˜‡ÚÂÎ¸ PHANTOM

ÚÓ, ˜ÚÓ ˜‡ÒÚÓÚÌ˚È ·‡Î‡ÌÒ ·Û‰ÂÚ ËÁÏÂÌﬂÚ¸Òﬂ ‚ Á‡‚ËÒËÏÓÒÚË

ùÚÓÚ ‚˚ÍÎ˛˜‡ÚÂÎ¸ ‚ÍÎ˛˜‡ÂÚ Ë ‚˚ÍÎ˛˜‡ÂÚ Ù‡ÌÚÓÏÌÓÂ

ÓÚ ËÒÔÓÎ¸ÁÛÂÏ˚ı ‰ËÌ‡ÏËÍÓ‚.

ÔËÚ‡ÌËÂ +15 Ç. èË ‚ÍÎ˛˜ÂÌËË Ù‡ÌÚÓÏÌÓ„Ó ÔËÚ‡ÌËﬂ

ÏËÍ¯Â ÔÓ‰‡ÂÚ ÔËÚ‡ÌËÂ Ì‡ ÏËÍÓÙÓÌÌ˚Â ‚ıÓ‰Ì˚Â „ÌÂÁ‰‡

T èÂÂÍÎ˛˜‡ÚÂÎ¸ STAND-BY

XLR ‚ÒÂı Í‡Ì‡ÎÓ‚ („ÌÂÁ‰‡ INPUT B Í‡Ì‡ÎÓ‚ 1–4 Ë „ÌÂÁ‰‡

ùÚÓÚ ÔÂÂÍÎ˛˜‡ÚÂÎ¸ ÔË„ÎÛ¯‡ÂÚ ‚ıÓ‰ Í‡Ì‡ÎÓ‚ 1–8.

MIC Ì‡ Ô‡‡ı Í‡Ì‡ÎÓ‚ 5/6–11/12). àÒÔÓÎ¸ÁÛÈÚÂ Ù‡ÌÚÓÏÌÓÂ

àÌ‰ËÍ‡ÚÓ ÔÂÂÍÎ˛˜‡ÚÂÎﬂ „ÓËÚ ÔË ‚ÍÎ˛˜ÂÌÌÓÏ

ÔËÚ‡ÌËÂ ÔË ËÒÔÓÎ¸ÁÓ‚‡ÌËË Ó‰ÌÓ„Ó ËÎË ÌÂÒÍÓÎ¸ÍËı

ÔË„ÎÛ¯ÂÌËË. é·‡ÚËÚÂ ‚ÌËÏ‡ÌËÂ Ì‡ ÚÓ, ˜ÚÓ ÔË„ÎÛ¯ÂÌËÂ

ÍÓÌ‰ÂÌÒ‡ÚÓÌ˚ı ÏËÍÓÙÓÌÓ‚.

ÌÂ ÓÍ‡Á˚‚‡ÂÚ ‚ÎËﬂÌËﬂ Ì‡ Í‡Ì‡Î˚ 9–12.

èêàåÖóÄçàÖ

äÓ„‰‡ Ù‡ÌÚÓÏÌÓÂ ÔËÚ‡ÌËÂ ‚ÍÎ˛˜ÂÌÓ, ÏËÍ¯Â

èË ËÒÔÓÎ¸ÁÓ‚‡ÌËË ÏËÍ¯Â‡ ‰Îﬂ ÊË‚˚ı ÍÓÌˆÂÚÓ‚

ÔÓ‰‡ÂÚ ÔËÚ‡ÌËÂ +15 Ç ÔÓÒÚÓﬂÌÌÓ„Ó ÚÓÍ‡ Ì‡

ÏÓÊÌÓ Á‡ÔÓÎÌﬂÚ¸ ÔÓÏÂÊÛÚÍË ÏÂÊ‰Û ‚˚ÒÚÛ-

ÍÓÌÚ‡ÍÚ˚ 2 Ë 3 ‚ÒÂı ‚ıÓ‰Ì˚ı „ÌÂÁ‰ XLR.

ÔÎÂÌËﬂÏË, ‡ÍÚË‚ËÛﬂ ÔÂÂÍÎ˛˜‡ÚÂÎ¸ ÔË„ÎÛ¯ÂÌËﬂ

Ë ÔÓ‰‡‚‡ﬂ ÙÓÌÓ‚Û˛ ÏÛÁ˚ÍÛ Ò ÔÓË„˚‚‡ÚÂÎﬂ

ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚ ËÎË ‰Û„Ó„Ó ÔÓ‰Ó·ÌÓ„Ó ÛÒÚÓÈÒÚ‚‡,

• ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ Ù‡ÌÚÓÏÌÓÂ ÔËÚ‡ÌËÂ ‚˚ÍÎ˛˜ÂÌÓ,

ÔÓ‰ÍÎ˛˜ÂÌÌÓ„Ó Í Í‡Ì‡Î‡Ï 9–12.

ÂÒÎË ‚ ÌÂÏ ÌÂÚ ÌÂÓ·ıÓ‰ËÏÓÒÚË.

• èË ËÒÔÓÎ¸ÁÓ‚‡ÌËË Ù‡ÌÚÓÏÌÓ„Ó ÔËÚ‡ÌËﬂ ÌÂ

U èÂÂÍÎ˛˜‡ÚÂÎ¸ Ë ËÌ‰ËÍ‡ÚÓ POWER

ÔÓ‰ÒÓÂ‰ËÌﬂÈÚÂ Í ‚ıÓ‰Ì˚Ï „ÌÂÁ‰‡Ï XLR ÌËÍ‡ÍËÂ

àÒÔÓÎ¸ÁÛÂÚÒﬂ ‰Îﬂ ‚ÍÎ˛˜ÂÌËﬂ (ON) Ë ‚˚ÍÎ˛˜ÂÌËﬂ (OFF)

‰Û„ËÂ ÛÒÚÓÈÒÚ‚‡, ÍÓÏÂ ÍÓÌ‰ÂÌÒ‡ÚÓÌ˚ı ÏËÍÓ-

ÔËÚ‡ÌËﬂ EMX. á‡„ÓÂ‚¯ËÈÒﬂ ËÌ‰ËÍ‡ÚÓ ÛÍ‡Á˚‚‡ÂÚ Ì‡

ÙÓÌÓ‚. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂÊ‰ÂÌË˛ ˝ÚËı

ÛÒÚÓÈÒÚ‚. ùÚ‡ ÏÂ‡ ÔÂ‰ÓÒÚÓÓÊÌÓÒÚË ÌÂ ÓÚÌÓÒËÚÒﬂ

‚ÍÎ˛˜ÂÌËÂ ÛÒÚÓÈÒÚ‚‡.

Í Ò·‡Î‡ÌÒËÓ‚‡ÌÌ˚Ï ˝ÎÂÍÚÓ‰ËÌ‡ÏË˜ÂÒÍËÏ ÏËÍÓ-

èÂÂ‰ ‚ÍÎ˛˜ÂÌËÂÏ ËÎË ‚˚ÍÎ˛˜ÂÌËÂÏ ÔËÚ‡ÌËﬂ

ÙÓÌ‡Ï, Ú‡Í Í‡Í Ù‡ÌÚÓÏÌÓÂ ÔËÚ‡ÌËÂ Ì‡ Ú‡ÍËÂ ÏËÍÓ-

Û·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ Ó·Â Û˜ÍË MASTER (

G Ë M)

ÙÓÌ˚ ÌÂ ‚ÎËﬂÂÚ.

ÔÂÂ‚Â‰ÂÌ˚ ‚ ÔÓÎÓÊÂÌËÂ «0».

EMX512SC/EMX312SC/EMX212S

èêàåÖóÄçàÖ

é„‡Ì˚ ÛÔ‡‚ÎÂÌËﬂ Ë ‡Á˙ÂÏ˚

á‡‰Ìﬂﬂ Ô‡ÌÂÎ¸

V ÉÌÂÁ‰‡ SPEAKERS

W ê‡Á˙ÂÏ AC IN

àÒÔÓÎ¸ÁÛ˛ÚÒﬂ ‰Îﬂ ÔÓ‰ÍÎ˛˜ÂÌËﬂ ‡ÍÛÒÚË˜ÂÒÍËı ÒËÒÚÂÏ.

àÒÔÓÎ¸ÁÛÂÚÒﬂ ‰Îﬂ ÔÓ‰ÍÎ˛˜ÂÌËﬂ ÔËÎ‡„‡ÂÏÓ„Ó ¯ÌÛ‡

é·‡ÚËÚÂ ‚ÌËÏ‡ÌËÂ, ˜ÚÓ ‚˚‚Ó‰ËÏ˚È Ì‡ ˝ÚË „ÌÂÁ‰‡ ÒË„Ì‡Î

ÔËÚ‡ÌËﬂ. èÓ‰ÍÎ˛˜ËÚÂ Ó‰ËÌ ÍÓÌÂˆ ¯ÌÛ‡ Í ˝ÚÓÏÛ ‡Á˙ÂÏÛ,

ËÁÏÂÌﬂÂÚÒﬂ ÒÓ„Î‡ÒÌÓ ÔÓÎÓÊÂÌË˛ ÔÂÂÍÎ˛˜‡ÚÂÎﬂ POWER

‡ ‰Û„ÓÈ ÍÓÌÂˆ — Í ÒÂÚÂ‚ÓÈ ÓÁÂÚÍÂ.

AMP R.

àÒÔÓÎ¸ÁÛÈÚÂ ¯ÌÛ, ÔÓÒÚ‡‚ÎﬂÂÏ˚È Ò ÏËÍ¯ÂÓÏ.

àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ‰Û„Ó„Ó ¯ÌÛ‡ ÏÓÊÂÚ ÔË‚ÂÒÚË Í

A1, B1: ‚˚ıÓ‰˚ Neutrik NL4 Speakon. èÓÎﬂÌÓÒÚ¸

‚ÓÁÌËÍÌÓ‚ÂÌË˛ ÔÓÊ‡‡, ÓÊÓ„Ó‚, ‡ Ú‡ÍÊÂ Í

‚˚‚Ó‰Ó‚ ÔÓÍ‡Á‡Ì‡ ÌËÊÂ.

ÔÓ‚ÂÊ‰ÂÌË˛ Ó·ÓÛ‰Ó‚‡ÌËﬂ.

X ÇËÌÚ Á‡ÁÂÏÎÂÌËﬂ

1- 1+

äÓÌÚ‡ÍÚ Neutrik ê‡Á˙ÂÏ˚ A1 Ë B1

ç‡‰ÂÊÌÓ ÔÓ‰ÍÎ˛˜ËÚÂ EMX Í ¯ËÌÂ Á‡ÁÂÏÎÂÌËﬂ ‰Îﬂ

Ó·ÂÒÔÂ˜ÂÌËﬂ Ï‡ÍÒËÏ‡Î¸ÌÓÈ ·ÂÁÓÔ‡ÒÌÓÒÚË. èËÎ‡„‡ÂÏ˚È

1–

–

¯ÌÛ ÔËÚ‡ÌËﬂ ÓÒÌ‡˘ÂÌ ¯ÚÂÔÒÂÎÂÏ Ò ÚÂÏﬂ ÍÓÌÚ‡ÍÚ‡ÏË,

Á‡ÁÂÏÎﬂ˛˘ËÏË ÔË·Ó, ÍÓ„‰‡ ¯ÚÂÔÒÂÎ¸ ‚ÒÚ‡‚ÎÂÌ ‚

2+ 2-

Ô‡‚ËÎ¸ÌÓ Á‡ÁÂÏÎÂÌÌÛ˛ ÓÁÂÚÍÛ ÔËÚ‡ÌËﬂ Ò ÚÂÏﬂ

2–

ÍÓÌÚ‡ÍÚ‡ÏË. ÖÒÎË ÒÂÚÂ‚‡ﬂ ÓÁÂÚÍ‡ ÌÂ Á‡ÁÂÏÎÂÌ‡,

Á‡ÁÂÏÎËÚÂ ÔË·Ó, ËÒÔÓÎ¸ÁÛﬂ ˝ÚÓÚ ‚ËÌÚ Á‡ÁÂÏÎÂÌËﬂ.

è‡‚ËÎ¸ÌÓÂ Á‡ÁÂÏÎÂÌËÂ ˝ÙÙÂÍÚË‚ÌÓ ÛÒÚ‡ÌﬂÂÚ ÙÓÌÓ‚˚È

A2, B2: òÚÂÍÂÌ˚Â ‚˚ıÓ‰Ì˚Â „ÌÂÁ‰‡.

¯ÛÏ Ë ÔÓÏÂıË.

EMX512SC/EMX312SC/EMX212S

èÓ‰ÍÎ˛˜ÂÌËÂ ‡ÍÛÒÚË˜ÂÒÍËı ÒËÒÚÂÏ

èË ‰‚ÛıÍ‡Ì‡Î¸ÌÓÏ ËÎË ‰‚ÛıÍ‡Ì‡Î¸ÌÓÏ Ô‡‡ÎÎÂÎ¸ÌÓÏ ÔÓ‰ÍÎ˛˜ÂÌËË Í „ÌÂÁ‰‡Ï SPEAKERS Û·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ÒÓÔÓÚË‚ÎÂÌËÂ

‡ÍÛÒÚË˜ÂÒÍËı ÒËÒÚÂÏ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ÔË‚Â‰ÂÌÌ˚Ï ÌËÊÂ ÚÂ·Ó‚‡ÌËﬂÏ. é·‡ÚËÚÂ ‚ÌËÏ‡ÌËÂ Ì‡ ÚÓ, ˜ÚÓ Ù‡ÍÚË˜ÂÒÍÓÂ ÒÓÔÓÚË‚ÎÂÌËÂ

ËÁÏÂÌﬂÂÚÒﬂ ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÒıÂÏ˚ ÔÓ‰ÍÎ˛˜ÂÌËﬂ Ë ÍÓÎË˜ÂÒÚ‚‡ ‡ÍÛÒÚË˜ÂÒÍËı ÒËÒÚÂÏ.

ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ËÒÔÓÎ¸ÁÛÂÏ˚Â ‰Îﬂ ÔÓ‰ÍÎ˛˜ÂÌËﬂ Í‡·ÂÎË ËÏÂ˛Ú ÚÂ·ÛÂÏÓÂ ÒÂ˜ÂÌËÂ Ë ÌÂÓ·ıÓ‰ËÏ˚Â ‡Á˙ÂÏ˚. ÑÎﬂ ÔÓ‰ÍÎ˛˜ÂÌËﬂ

‡ÍÛÒÚË˜ÂÒÍËı ÒËÒÚÂÏ Í „ÌÂÁ‰‡Ï SPEAKERS ËÒÔÓÎ¸ÁÛÈÚÂ ÒÔÂˆË‡Î¸Ì˚Â Í‡·ÂÎË.

■ Ñ‚ÛıÍ‡Ì‡Î¸ÌÓÂ ÔÓ‰ÍÎ˛˜ÂÌËÂ

■ Ñ‚ÛıÍ‡Ì‡Î¸ÌÓÂ Ô‡‡ÎÎÂÎ¸ÌÓÂ ÔÓ‰ÍÎ˛˜ÂÌËÂ

èË ËÒÔÓÎ¸ÁÓ‚‡ÌËË ‰‡ÌÌÓÈ ÒıÂÏ˚ ÔÓ‰ÍÎ˛˜‡ÈÚÂ ‡ÍÛÒÚË˜ÂÒÍËÂ

ÒËÒÚÂÏ˚ Ò ÒÓÔÓÚË‚ÎÂÌËÂÏ ÓÚ 4 ‰Ó 8 éÏ.

ÒËÒÚÂÏ˚ Ò ÒÓÔÓÚË‚ÎÂÌËÂÏ ÓÚ 8 ‰Ó 16 éÏ.

4Ω–8Ω 4Ω–8Ω

EMX512SC/EMX312SC/EMX212S

8Ω–16Ω 8Ω–16Ω 8Ω–16Ω 8Ω–16Ω

ÉÓËÁÓÌÚ‡Î¸Ì‡ﬂ ÓËÂÌÚ‡ˆËﬂ, Ì‡ÍÎÓÌ Ë ÛÒÚ‡ÌÓ‚Í‡ ‚ ÒÚÓÈÍÛ

ÉÓËÁÓÌÚ‡Î¸Ì‡ﬂ ÓËÂÌÚ‡ˆËﬂ, Ì‡ÍÎÓÌ Ë ÛÒÚ‡ÌÓ‚Í‡ ‚

ÒÚÓÈÍÛ

ÉÓËÁÓÌÚ‡Î¸Ì‡ﬂ ÓËÂÌÚ‡ˆËﬂ

èË „ÓËÁÓÌÚ‡Î¸ÌÓÏ ‡ÒÔÓÎÓÊÂÌËË EMX Ó·ﬂÁ‡ÚÂÎ¸ÌÓ ÔËÍÂÔËÚÂ ÔËÎ‡„‡ÂÏ˚Â ÂÁËÌÓ‚˚Â ÒÚ‡·ËÎËÁ‡ÚÓ˚. ëÚ‡·ËÎËÁ‡ÚÓ˚ ÔÂÔﬂÚÒÚ‚Û˛Ú

ÓÔÓÍË‰˚‚‡ÌË˛ ÛÒÚÓÈÒÚ‚‡.

èêàåÖóÄçàÖ

éÚÒÓÂ‰ËÌﬂÈÚÂ ÒÚ‡·ËÎËÁ‡ÚÓ˚ ÔÂÂ‰ Ú‡ÌÒÔÓÚËÓ‚ÍÓÈ ÛÒÚÓÈÒÚ‚‡.

■ äÂÔÎÂÌËÂ ÂÁËÌÓ‚˚ı ÒÚ‡·ËÎËÁ‡ÚÓÓ‚

èÂÂ‚ÂÌËÚÂ EMX ‚ÂıÌÂÈ Í˚¯ÍÓÈ ‚ÌËÁ.

èÓ‰ÌËÏËÚÂ Ô‡‚Û˛ ÒÚÓÓÌÛ EMX ‚‚Âı.

á‡ÍÂÔËÚÂ ‰‚‡ ÔËÎ‡„‡ÂÏ˚ı ÂÁËÌÓ‚˚ı ÒÚ‡·ËÎËÁ‡ÚÓ‡.

ç‡ÊÏËÚÂ Ì‡ Í‡Ê‰˚È ÒÚ‡·ËÎËÁ‡ÚÓ, ˜ÚÓ·˚ ÓÌË Ì‡‰ÂÊÌÓ

Á‡ÙËÍÒËÓ‚‡ÎËÒ¸ Ì‡ ÏÂÒÚÂ.

ÒÚ‡·ËÎËÁ‡ÚÓ

EMX512SC/EMX312SC/EMX212S

ÉÓËÁÓÌÚ‡Î¸Ì‡ﬂ ÓËÂÌÚ‡ˆËﬂ, Ì‡ÍÎÓÌ Ë ÛÒÚ‡ÌÓ‚Í‡ ‚ ÒÚÓÈÍÛ

ç‡ÍÎÓÌ

EMX ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ÔÓ‰ Û„ÎÓÏ, Í‡Í ÔÓÍ‡Á‡ÌÓ Ì‡

çÂ ÔËÎ‡„‡ÈÚÂ ËÁÎË¯ÌËı ÛÒËÎËÈ ÔË Ì‡ÍÎÓÌÂ

ÒÎÂ‰Û˛˘ÂÏ ËÒÛÌÍÂ.

ÛÒÚÓÈÒÚ‚‡. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í Ô‡‰ÂÌË˛ ËÎË

ÔÂÂ‚ÓÓÚÛ ÛÒÚÓÈÒÚ‚‡, ÔÓ‚ÂÊ‰ÂÌË˛ Ó·ÓÛ‰Ó‚‡ÌËﬂ

ËÎË Ì‡ÌÂÒÂÌË˛ Ú‡‚Ï ÓÍÛÊ‡˛˘ËÏ.

ìÒÚ‡ÌÓ‚Í‡ ‚ ÒÚÓÈÍÛ

óÚÓ·˚ ÔÓ‰„ÓÚÓ‚ËÚ¸ ÛÒÚÓÈÒÚ‚Ó ‰Îﬂ ÛÒÚ‡ÌÓ‚ÍË ‚ ÒÚÓÈÍÛ, ËÒÔÓÎ¸ÁÛÈÚÂ ÔËÓ·ÂÚ‡ÂÏ˚È ‰ÓÔÓÎÌËÚÂÎ¸ÌÓ ÍÓÏÔÎÂÍÚ RK512 ‰Îﬂ

ÛÒÚ‡ÌÓ‚ÍË ‚ ÒÚÓÈÍÛ.

ì·Â‰ËÚÂÒ¸ ‚ Ì‡ÎË˜ËË ‰ÓÒÚ‡ÚÓ˜ÌÓÈ ‚ÂÌÚËÎﬂˆËË ‚ ÒÚÓÈÍÂ ‰Îﬂ ÔÂ‰ÓÚ‚‡˘ÂÌËﬂ ÔÂÂ„Â‚‡ ÔË·Ó‡. ÑÎﬂ ÛÎÛ˜¯ÂÌËﬂ ‚ÂÌÚËÎﬂˆËË ÏÓÊÌÓ

ÛÒÚ‡ÌÓ‚ËÚ¸ ‚ÂÌÚËÎﬂˆËÓÌÌÛ˛ Ô‡ÌÂÎ¸. çÂ ËÒÔÓÎ¸ÁÛÈÚÂ Á‡Í˚ÚÛ˛ ÒÚÓÈÍÛ.

èêàåÖóÄçàÖ

ÑÎﬂ ÛÒÚ‡ÌÓ‚ÍË EMX ‚ ÒÚÓÈÍÛ ÚÂ·ÛÂÚÒﬂ Ò‚Ó·Ó‰ÌÓÂ ÔÓÒÚ‡ÌÒÚ‚Ó 7U.

á‡ÍÂÔËÚÂ 2 ÏÂÚ‡ÎÎË˜ÂÒÍËı ÙËÚËÌ„‡ 4 ‚ıÓ‰ﬂ˘ËÏË ‚

äÓÏÔÎÂÍÚ RK512 ‰Îﬂ ÛÒÚ‡ÌÓ‚ÍË ‚ ÒÚÓÈÍÛ

ÍÓÏÔÎÂÍÚ ‚ËÌÚ‡ÏË, Í‡Í ÔÓÍ‡Á‡ÌÓ Ì‡ ËÒÛÌÍÂ.

ÇËÌÚ˚

îËÚËÌ„Ë

èÓ‰ÌËÏËÚÂ Ô‡‚Û˛ ÒÚÓÓÌÛ EMX ‚‚Âı.

■ ìÒÚ‡ÌÓ‚Í‡ ÍÂÔÎÂÌËÈ

èÂÂ‚ÂÌËÚÂ EMX ‚ÂıÌÂÈ Í˚¯ÍÓÈ ‚ÌËÁ.

EMX512SC/EMX312SC/EMX212S

èÓ‰„ÓÚÓ‚Í‡ Í ‡·ÓÚÂ

ÇÂıÌﬂﬂ Ô‡ÌÂÎ¸

Ç ·ÓÎ¸¯ËÌÒÚ‚Â ÒÎÛ˜‡Â‚ ‰ÓÒÚ‡ÚÓ˜ÌÓ ÔÓ‰ÍÎ˛˜ËÚ¸

‡ÍÛÒÚË˜ÂÒÍËÂ ÒËÒÚÂÏ˚ Í „ÌÂÁ‰‡Ï SPEAKERS Ì‡

Á‡‰ÌÂÈ Ô‡ÌÂÎË ÏÓ‰ÛÎﬂ. ÑÎﬂ Û‚ÂÎË˜ÂÌËﬂ

ÏÓ˘ÌÓÒÚË Á‚ÛÍÓ‚ÓÈ ÒËÒÚÂÏ˚ ÏÓÊÌÓ ÔÓ‰ÍÎ˛˜ËÚ¸

ÛÒËÎËÚÂÎ¸ ÏÓ˘ÌÓÒÚË Í „ÌÂÁ‰‡Ï MAIN OUT ËÎË

MONITOR OUT, ‡ Á‡ÚÂÏ ÔÓ‰ÍÎ˛˜ËÚ¸ ‡ÍÛÒÚË-

˜ÂÒÍËÂ ÒËÒÚÂÏ˚ Í ÛÒËÎËÚÂÎ˛ ÏÓ˘ÌÓÒÚË.

ÉËÚ‡‡

èÓË„˚‚‡ÚÂÎ¸ ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚,

ÄÍÛÒÚË˜ÂÒÍ‡ﬂ ÒËÒÚÂÏ‡

Í‡ÒÒÂÚÌ˚È ÔÓË„˚‚‡ÚÂÎ¸ ËÎË

ëËÌÚÂÁ‡ÚÓ

Á‡ÔËÒ˚‚‡˛˘ÂÂ ÛÒÚÓÈÒÚ‚Ó DAT

CONTROL

KNOB

ASSIGN A

FUNCTION

PAN/SEND

PAN

ÊARP FX

TONE

ASSIGN

CUTOFF

SWING

GATE TIME

RESONANCE

ASSIGN B

REVERB

ASSIGN 1

CHORUS

VELOCITY

ATTACK

UNITMULTIPLY

TEMPO

RELEASE

ASSIGN 2

ON/OFF ON/OFF

REMOTE ARPEGGIO

G-MIDI

R-AUDIO

Integrated Sampling Sequencer /

Modular Synthesis Plug-in System / Real-time External Control Surface

VOLUME

LOW

VOLUME

LOW MID

VOLUME

HIGH MID

VOLUME

HIGH

INSERTION SYSTEM

BYPASS

EFFECT

MASTER

EFFECT

PRE 1 PRE 2 PRE 3 PRE 4

SEQUENCER

MODE

SONG

VOICE

PATTERN FILE

PERFORM MASTER

DRUM KITS

MUSIC PRODUCTION SYNTHESIZER

FAVORITES

A. PIANO KEYBOARD ORGAN

PRE 5 PRE 6

USER 1

PLUCKED

USER 2

GUITAR/

SLOT

PLG 1

SLOT

PLG 2

PLG 3

SLOT

CATEGORY

BANK

LOCATE 1 2

SEQ TRANSPORT

INTEGRATED

SAMPLING

MIXING UTILITY

DEMO

SCENE

SF1 SF

INFORMATION

DEC/NO INC/YES

COMMON

SYN LEAD

ABCDEFG

SYN PAD/

CHOIR

ELEMENT/PERF. PART/ZONE

SYN COMP

PERCUSSION

CHROMATIC

BASS

PERCUSSION

DRUM/

SE MUSICAL FX C OMBI

STRINGS

BRASS

REED/PIPE

SECTION

GROUP

DOWN UP

OCTAVE

COMPARE SCENE STORE

EDIT

JOB STORE

SET LOCATE

EXIT ENTER

87654321

EXECUTE

1412 13

MUTE

TRACK

SELECT

MASTER

VOLUME

CS 1

CS 2

CS 3

CS 4

SOLO

NUMBER

ZONE 1

ZONE 2

ZONE 3

ZONE 4

èÓË„˚‚‡ÚÂÎ¸

ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚

Å‡Ò

ìÒËÎËÚÂÎ¸

èÂ‰‡Î¸Ì˚È ÔÂÂÍÎ˛˜‡ÚÂÎ¸

(YAMAHA FC5)

åËÍÓÙÓÌ˚

äÓÌÚÓÎ¸Ì˚Â ‰ËÌ‡ÏËÍË

ì‰‡Ì‡ﬂ ÛÒÚ‡ÌÓ‚Í‡

á‡‰Ìﬂﬂ Ô‡ÌÂÎ¸ ìÒÚ‡ÌÓ‚Í‡ EMX

ÇÂÌÚËÎﬂˆËÓÌÌ˚Â ÓÚ‚ÂÒÚËﬂ ÏËÍ¯Â‡ ‡ÒÔÓÎÓÊÂÌ˚ ÔÓ

·ÓÍ‡Ï Ë ÒÁ‡‰Ë ÛÒÚÓÈÒÚ‚‡. ìÒÚ‡ÌÓ‚ËÚÂ ÏËÍ¯Â Ú‡Í,

˜ÚÓ·˚ ‚ÂÌÚËÎﬂˆËÓÌÌ˚Â ÓÚ‚ÂÒÚËﬂ ÌÂ ·ÎÓÍËÓ‚‡ÎËÒ¸

ÒÚÂÌ‡ÏË ËÎË ÔÂ‰ÏÂÚ‡ÏË.

EMX512SC/EMX312SC/EMX212S

èêàåÖóÄçàÖ

á‡·Ó ıÓÎÓ‰ÌÓ„Ó

Ç˚ÔÛÒÍ „Óﬂ˜Â„Ó

‚ÓÁ‰Ûı‡

ÌÂ ÏÂÌÂÂ

10 ÒÏ

ÌÂ ÏÂÌÂÂ

25 ÒÏ

èÓËÒÍ Ë ÛÒÚ‡ÌÂÌËÂ ÌÂËÒÔ‡‚ÌÓÒÚÂÈ

■ åËÍ¯Â ÌÂ ‚ÍÎ˛˜‡ÂÚÒﬂ.

❑ àÒÔÓÎ¸ÁÛÈÚÂ ÚÓÎ¸ÍÓ ¯ÌÛ ÔËÚ‡ÌËﬂ, ‚ıÓ‰ﬂ˘ËÈ ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË. èÓ‚Â¸ÚÂ

Ô‡‚ËÎ¸ÌÓÒÚ¸ ÔÓ‰ÍÎ˛˜ÂÌËﬂ ¯ÌÛ‡ ÔËÚ‡ÌËﬂ Í ‡Á˙ÂÏÛ AC IN Ë ËÒÔ‡‚ÌÓÈ ÒÂÚÂ‚ÓÈ

ÓÁÂÚÍÂ.

■ åËÍ¯Â ‚ÌÂÁ‡ÔÌÓ

❑ ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ‚ÂÌÚËÎﬂˆËÓÌÌ˚Â ÓÚ‚ÂÒÚËﬂ Ò·ÓÍÛ Ë ÒÁ‡‰Ë ÏËÍ¯Â‡ ÌÂ

‚˚ÍÎ˛˜ËÎÒﬂ.

·ÎÓÍËÓ‚‡Ì˚.

ÅÎÓÍËÓ‚‡ÌËÂ ‚ÂÌÚËÎﬂˆËÓÌÌ˚ı ÓÚ‚ÂÒÚËÈ EMX ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÂÂ„Â‚Û

ÛÒÚÓÈÒÚ‚‡. Ç ÒÎÛ˜‡Â ÔÂÂ„Â‚‡ ÔËÚ‡ÌËÂ ÛÒÚÓÈÒÚ‚‡ ÏÓÊÂÚ ‚˚ÍÎ˛˜ËÚ¸Òﬂ

‡‚ÚÓÏ‡ÚË˜ÂÒÍË. Ñ‡ÈÚÂ ÏËÍ¯ÂÛ ÓÒÚ˚Ú¸, Á‡ÚÂÏ ÒÌÓ‚‡ ‚ÍÎ˛˜ËÚÂ ÔËÚ‡ÌËÂ.

■ ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ Á‚ÛÍ‡

❑ ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ‚ÂÌÚËÎﬂˆËÓÌÌ˚Â ÓÚ‚ÂÒÚËﬂ Ò·ÓÍÛ Ë ÒÁ‡‰Ë ÏËÍ¯Â‡ ÌÂ

‚ÌÂÁ‡ÔÌÓ ÔÂ‚‡ÎÓÒ¸.

·ÎÓÍËÓ‚‡Ì˚.

ÅÎÓÍËÓ‚‡ÌËÂ ‚ÂÌÚËÎﬂˆËÓÌÌ˚ı ÓÚ‚ÂÒÚËÈ EMX ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÂÂ„Â‚Û

ÛÒÚÓÈÒÚ‚‡. èË ÔÂÂ„Â‚Â ÏÓÊÂÚ ·˚Ú¸ ‚ÂÏÂÌÌÓ ÓÚÍÎ˛˜ÂÌ ‚˚ıÓ‰ ‚ÌÛÚÂÌÌÂ„Ó

ÛÒËÎËÚÂÎﬂ ÏÓ˘ÌÓÒÚË. Ñ‡ÈÚÂ ÏËÍ¯ÂÛ ÓÒÚ˚Ú¸.

■ çÂÚ Á‚ÛÍ‡.

❑ èÓ‚Â¸ÚÂ Ô‡‚ËÎ¸ÌÓÒÚ¸ ÔÓ‰ÍÎ˛˜ÂÌËﬂ ÏËÍÓÙÓÌÓ‚, ‚ÌÂ¯ÌËı ÛÒÚÓÈÒÚ‚ Ë

‡ÍÛÒÚË˜ÂÒÍÓÈ ÒËÒÚÂÏ˚.

❑ êÂ„ÛÎﬂÚÓ LEVEL Ë ‰‚Â Û˜ÍË MASTER Í‡Ì‡Î‡ ÛÒÚ‡ÌÓ‚ÎÂÌ˚ ‚ ÌÓÏ‡Î¸Ì˚Â

ÔÓÎÓÊÂÌËﬂ?

❑ è‡‚ËÎ¸ÌÓ ÎË ÛÒÚ‡ÌÓ‚ÎÂÌ ÔÂÂÍÎ˛˜‡ÚÂÎ¸ POWER AMP? èË ‚˚‚Ó‰Â

ÒÚÂÂÓÒË„Ì‡Î‡ ÔÂÂ‚Â‰ËÚÂ Â„Ó ‚ ‚ÂıÌÂÂ ÔÓÎÓÊÂÌËÂ (MAIN L/R).

❑ èÓ‚Â¸ÚÂ, ÌÂ Á‡ÍÓÓ˜ÂÌ˚ ÎË Á‚ÛÍÓ‚˚Â Í‡·ÂÎË.

❑ ÖÒÎË ÔÓÒÎÂ ‚˚ÔÓÎÌÂÌËﬂ ÔÂÂ˜ËÒÎÂÌÌ˚ı ‚˚¯Â ‰ÂÈÒÚ‚ËÈ ÔÓ·ÎÂÏ‡ ÌÂ ËÒ˜ÂÁÎ‡,

Ó·‡ÚËÚÂÒ¸ ‚ ÒÂ‚ËÒÌÛ˛ ÒÎÛÊ·Û ÍÓÏÔ‡ÌËË Yamaha. (ëÔËÒÓÍ ÒÂ‚ËÒÌ˚ı ˆÂÌÚÓ‚

Yamaha ÔË‚Â‰ÂÌ ‚ ÍÓÌˆÂ ‰‡ÌÌÓ„Ó ÛÍÓ‚Ó‰ÒÚ‚‡.)

■ á‚ÛÍ ÒÎ‡·˚È, ËÒÍ‡ÊÂÌÌ˚È

❑ ìÒÚ‡ÌÓ‚ËÚÂ Â„ÛÎﬂÚÓ LEVEL Ë ‰‚Â Û˜ÍË MASTER Í‡Ì‡Î‡ ‚ ÌÓÏ‡Î¸Ì˚Â

ËÎË ‚ ÌÂÏ ÏÌÓ„Ó ÔÓÏÂı.

ÔÓÎÓÊÂÌËﬂ.

❑ èÓ‚Â¸ÚÂ Ô‡‚ËÎ¸ÌÓÒÚ¸ Ì‡ÒÚÓÈÍË ÔÂÂÍÎ˛˜‡ÚÂÎÂÈ LINE/MIC Í‡Ì‡ÎÓ‚ 1–4.

❑ ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ÓÚÒÛÚÒÚ‚ÛÂÚ Ó‰ÌÓ‚ÂÏÂÌÌÓÂ ÔÓ‰ÍÎ˛˜ÂÌËÂ Í „ÌÂÁ‰‡Ï INPUT A

Ë INPUT B Í‡Ì‡ÎÓ‚ 1–4. (é‰ÌÓ‚ÂÏÂÌÌÓ ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÚÓÎ¸ÍÓ Ó‰ËÌ ‚ıÓ‰ ˝ÚËı

Í‡Ì‡ÎÓ‚.)

❑ èÓ‚Â¸ÚÂ Ô‡‚ËÎ¸ÌÓÒÚ¸ Ì‡ÒÚÓÈÍË ÛÓ‚Ìﬂ ‚ıÓ‰ÌÓ„Ó ÒË„Ì‡Î‡, ÔÓ‰‡‚‡ÂÏÓ„Ó Ò

ÔÓ‰ÍÎ˛˜ÂÌÌÓ„Ó ÛÒÚÓÈÒÚ‚‡.

■ àÌ‰ËÍ‡ÚÓ FCL „ÓËÚ ÔË

❑ èÓ‰‡˜‡ ÌÂÔÂ˚‚ÌÓ„Ó Á‚ÛÍÓ‚Ó„Ó ÒË„Ì‡Î‡ (Ì‡ÔËÏÂ, Ò ÔÓË„˚‚‡ÚÂÎﬂ

ÓÚÒÛÚÒÚ‚ËË Ì‡ Í‡Ì‡ÎÂ

ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚) ÏÓÊÂÚ ÔË‚ÂÒÚË Í „ÓÂÌË˛ ËÌ‰ËÍ‡ÚÓ‡ ‰‡ÊÂ ÔË ÓÚÒÛÚÒÚ‚ËË

‡ÍÛÒÚË˜ÂÒÍÓÈ Ó·‡ÚÌÓÈ Ò‚ﬂÁË.

Ó·‡ÚÌÓÈ Ò‚ﬂÁË.

■ çÂ Û‰‡ÂÚÒﬂ ÛÒÎ˚¯‡Ú¸

❑ èÓ‚Â¸ÚÂ Ô‡‚ËÎ¸ÌÓÒÚ¸ ÛÒÚ‡ÌÓ‚ÍË Â„ÛÎﬂÚÓ‡ EFFECT Í‡Ê‰Ó„Ó Í‡Ì‡Î‡.

ÂÁÛÎ¸Ú‡Ú ‚ÒÚÓÂÌÌÓ„Ó

❑ ì·Â‰ËÚÂÒ¸, ˜ÚÓ ‚˚ÍÎ˛˜‡ÚÂÎ¸ ON ‚ÌÛÚÂÌÌÂ„Ó ˝ÙÙÂÍÚ-ÔÓˆÂÒÒÓ‡ ‚ÍÎ˛˜ÂÌ.

❑ ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ Û˜ÍË EFFECT RETURN ÒÂÍˆËÈ MAIN Ë MONITOR

ˆËÙÓ‚Ó„Ó ˝ÙÙÂÍÚ‡.

ÛÒÚ‡ÌÓ‚ÎÂÌ˚ ‚ Ô‡‚ËÎ¸Ì˚Â ÔÓÎÓÊÂÌËﬂ.

■ á‚ÛÍ, ‚˚‚Ó‰ËÏ˚È

❑ èÓÔÓ·ÛÈÚÂ ‚ÍÎ˛˜ËÚ¸ ÔÓˆÂÒÒÓ Ó·‡·ÓÚÍË Á‚ÛÍ‡ YS.

‡ÍÛÒÚË˜ÂÒÍËÏË ÒËÒÚÂÏ‡ÏË,

❑ éÚÂ„ÛÎËÛÈÚÂ ˝Í‚‡Î‡ÈÁÂ˚ (Â„ÛÎﬂÚÓ˚ HIGH, MID Ë LOW) Í‡Ê‰Ó„Ó Í‡Ì‡Î‡.

❑ éÚÂ„ÛÎËÛÈÚÂ „‡ÙË˜ÂÒÍËÂ ˝Í‚‡Î‡ÈÁÂ˚.

Í‡ÊÂÚÒﬂ „ÎÛıËÏ.

Ç˚ ıÓÚËÚÂ ÔÓÎÛ˜ËÚ¸ ·ÓÎÂÂ

ÏÓ˘Ì˚È Á‚ÛÍ.

■ Ç˚ ıÓÚËÚÂ, ˜ÚÓ·˚ Â˜¸ ·˚Î‡

❑ ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ÔÓˆÂÒÒÓ Ó·‡·ÓÚÍË Á‚ÛÍ‡ YS ‚˚ÍÎ˛˜ÂÌ.

·ÓÎÂÂ ‡ÁÎË˜ËÏ‡.

❑ êÂ„ÛÎËÓ‚Í‡ ˝Í‚‡Î‡ÈÁÂÓ‚ (Â„ÛÎﬂÚÓ˚ HIGH, MID Ë LOW) Í‡Ê‰Ó„Ó Í‡Ì‡Î‡.

❑ êÂ„ÛÎËÓ‚Í‡ „‡ÙË˜ÂÒÍËı ˝Í‚‡Î‡ÈÁÂÓ‚.

■ íÂ·ÛÂÚÒﬂ ÔÓÒÎÛ¯‡Ú¸

❑ èÓ‰ÍÎ˛˜ËÚÂ ‰ËÌ‡ÏËÍ ÒÓ ‚ÒÚÓÂÌÌ˚Ï ÛÒËÎËÚÂÎÂÏ Í „ÌÂÁ‰Û MONITOR OUT. á‡ÚÂÏ

ÏÓÌËÚÓÌ˚È ‚˚ıÓ‰.

ÓÚÂ„ÛÎËÛÈÚÂ ÒË„Ì‡Î MONITOR OUT, ÔÓ‚Ó‡˜Ë‚‡ﬂ Û˜ÍË MONITOR Í‡Ì‡Î‡ Ë Û˜ÍÛ

MASTER ÒÂÍˆËË MONITOR.

❑ ÖÒÎË ÚÂ·ÛÂÚÒﬂ ‚˚‚ÂÒÚË ÏÓÌËÚÓÌ˚È ÒË„Ì‡Î Ì‡ „ÌÂÁ‰‡ SPEAKERS B1 Ë B2,

ÛÒÚ‡ÌÓ‚ËÚÂ ÔÂÂÍÎ˛˜‡ÚÂÎ¸ POWER AMP ‚ ÌËÊÌÂÂ ÔÓÎÓÊÂÌËÂ (MAIN (L+R)/MON).

é·‡ÚËÚÂ ‚ÌËÏ‡ÌËÂ Ì‡ ÚÓ, ˜ÚÓ ‚ ˝ÚÓÏ ÒÎÛ˜‡Â „ÌÂÁ‰‡ B ·Û‰ÛÚ ‚˚‚Ó‰ËÚ¸ ÏÓÌËÚÓÌ˚È

ÒË„Ì‡Î, ‡ „ÌÂÁ‰‡ A — ÏËÍ¯ËÓ‚‡ÌÌ˚È ÒÚÂÂÓÒË„Ì‡Î MAIN L Ë MAIN R.

EMX512SC/EMX312SC/EMX212S

íÂıÌË˜ÂÒÍËÂ ı‡‡ÍÚÂËÒÚËÍË

■ é·˘ËÂ ı‡‡ÍÚÂËÒÚËÍË

Ç˚ıÓ‰ RL ìÒÎÓ‚Ëﬂ ëòÄ Ä‚ÒÚ‡ÎËﬂ Öë ÖÑ. àáå.

4 Ω

500 500 500

EMX512SC

8 Ω 350 350 320

é·‡ Í‡Ì‡Î‡, 1 ÍÉˆ,

å‡ÍÒËÏ‡Î¸Ì‡ﬂ ‚˚ıÓ‰Ì‡ﬂ

4 Ω 300 300 300

SPEAKERS OUT

EMX312SC

ÒÛÏÏ‡Ì˚È ÍÓ˝ÙÙËˆËÂÌÚ

åàç

ÇÚ

ÏÓ˘ÌÓÒÚ¸

8 Ω 190 190 180

„‡ÏÓÌËÍ (THD+N) 0,5%

4 Ω 220 220 220

EMX212S

8 Ω 130 130 130

ÇıÓ‰ Ç˚ıÓ‰ RL ìÒÎÓ‚Ëﬂ åàç çéå åÄäë ÖÑ. àáå.

MAIN OUT, MONITOR OUT,

10 ÍΩ

CH1–4 MIC/LINE: MIC

–3,0 0,01,0

ó‡ÒÚÓÚÌ‡ﬂ ı‡‡ÍÚÂËÒÚËÍ‡ CH INPUT 1–11/12

EFFECT OUT, REC OUT

20 Éˆ–20 ÍÉˆ, 0 ‰Å

‰Å

SPEAKERS OUT 4 Ω –3,0 0,01,0

ÔË 1 ÍÉˆ

å‡ÍÒ. ÛÒËÎÂÌËÂ ÔÓ

CH 1–4 INPUT B,

Rs = 150 CH1–4

MAIN OUT, MONITOR OUT 10 ÍΩ

65 ‰Å

Ì‡ÔﬂÊÂÌË˛ ÔË 1 ÍÉˆ

CH 5/6–11/12 MIC

MIC/LINE:MIC

ÇıÓ‰ÌÓÈ ÛÓ‚ÂÌ¸: –60 ‰ÅÌ

MAIN OUT

2,0 4,0 6,0

CH1–4 MIC/LINE:MIC

ÇıÓ‰ÌÓÈ ÛÓ‚ÂÌ¸: –60 ‰ÅÌ

2,0 4,0 6,0

‰ÅÌMONITOR OUT

CH 1–4 INPUT B,

CH1–4 MIC/LINE:MIC

CH 5/6–11/12 MIC

ÇıÓ‰ÌÓÈ ÛÓ‚ÂÌ¸: –60 ‰ÅÌ

EFFECT OUT

–8,0 –6,0 –4,0

CH1–4 MIC/LINE:MIC

é¯Ë·Í‡ ÛÒËÎÂÌËﬂ ÔË 1 ÍÉˆ

ÇıÓ‰ÌÓÈ ÛÓ‚ÂÌ¸: –60 ‰ÅÌ

REC OUT

10 ÍΩ

–12,0 –10,0 –8,0 ‰Å‚

àÁÏÂﬂÂÚÒﬂ ‚ Í‡Ê‰ÓÏ ·ÎÓÍÂ Í‡Ì‡Î‡.

CH1–4 MIC/LINE:MIC

ÇıÓ‰ÌÓÈ ÛÓ‚ÂÌ¸: –50 ‰ÅÌ

CH 1–4 INPUT A MAIN OUT

2,0 4,0 6,0

MIC/LINE:MIC

CH 5/6–7/8 LINE

MAIN OUT ÇıÓ‰ÌÓÈ ÛÓ‚ÂÌ¸: –20 ‰ÅÌ 2,0 4,0 6,0

‰ÅÌ

(¯ÚÂÍÂ)

CH 9/10–11/12 LINE

MAIN OUT ÇıÓ‰ÌÓÈ ÛÓ‚ÂÌ¸: –20 ‰ÅÌ 2,0 4,0 6,0

(¯Ú˚¸)

ëÛÏÏ‡Ì˚È ÍÓ˝ÙÙËˆËÂÌÚ

„‡ÏÓÌËÍ

MAIN OUT, MONITOR OUT,

+14 ‰ÅÌ ÔË 20 Éˆ,

CH INPUT 1–11/12

10 ÍΩ

0,5 %

àÁÏÂﬂÂÚÒﬂ ‚ Í‡Ê‰ÓÏ ·ÎÓÍÂ Í‡Ì‡Î‡.

EFFECT OUT, REC OUT

1 ÍÉˆ, 20 ÍÉˆ

(THD+N)

CH 1–4 INPUT B,

EIN, Rs = 150Ω CH1–4

MAIN OUT

–115

ÉÛÎ Ë ¯ÛÏ

CH 5/6–11/12 MIC

MIC/LINE:MIC

20 Éˆ–20 ÍÉˆ

10 ÍΩ

Ç˚ıÓ‰ÌÓÈ ¯ÛÏ

‰ÅÌ

àÁÏÂﬂÂÚÒﬂ ‚ Í‡Ê‰ÓÏ ·ÎÓÍÂ Í‡Ì‡Î‡.

MAIN OUT, MONITOR OUT,

EIN = ùÍ‚Ë‚‡ÎÂÌÚÌ˚È ‚ıÓ‰ÌÓÈ ¯ÛÏ

CH INPUT 1–11/12

Rs = 150 Ω CH1–4

–50

EFFECT OUT

MIC/LINE:MIC

MAIN OUT L, R

–90

éÒÚ‡ÚÓ˜Ì˚È ‚˚ıÓ‰ÌÓÈ ¯ÛÏ

10 ÍΩ

éÒÌÓ‚Ì˚Â Â„ÛÎﬂÚÓ˚ ‚

—

ÔÓÎÓÊÂÌËË ÏËÌËÏ‡Î¸ÌÓ„Ó

‰ÅÌMONITOR OUT –90

(20 Éˆ–20 ÍÉˆ)

ÛÓ‚Ìﬂ.

SPEAKERS OUT 4 Ω –65

ÇıÓ‰ Ç˚ıÓ‰ ìÒÎÓ‚Ëﬂ åàç çéå åÄäë ÖÑ. àáå.

èÂÂÍÂÒÚÌ˚Â ÔÓÏÂıË

ëÏÂÊÌ˚Â ‚ıÓ‰˚ Í‡Ì‡ÎÓ‚ –65

(1 ÍÉˆ)

CH1–4

ÇıÓ‰ — ‚˚ıÓ‰ (Â„ÛÎﬂÚÓ˚ LEVEL

‰Å

àÁÏÂﬂÂÚÒﬂ ‚ Í‡Ê‰ÓÏ ·ÎÓÍÂ Í‡Ì‡Î‡.

MAIN OUT

–65

‚ ÏËÌËÏ‡Î¸ÌÓÏ ÔÓÎÓÊÂÌËË)

Ç˚ıÓ‰ — åàç çéå åÄäë ÖÑ. àáå.

î‡ÌÚÓÏÌÓÂ Ì‡ÔﬂÊÂÌËÂ

CH 1–4 INPUT B,

— ÅÂÁ Ì‡„ÛÁÍË 14 15 16 Ç

àÁÏÂﬂÂÚÒﬂ ‚ Í‡Ê‰ÓÏ ·ÎÓÍÂ Í‡Ì‡Î‡.

CH 5/6–11/12 MIC

HIGH ó‡ÒÚÓÚ‡ ÔÂÂ‚ÓÓÚ‡/ÒÔ‡‰‡

10 Í (Ò„Î‡ÊË‚‡ÌËÂ)

Ò„Î‡ÊË‚‡˛˘Â„Ó ÙËÎ¸Ú‡: 3 ‰Å ÌËÊÂ

äÓÂÍˆËﬂ CH & ST CH

MID 2,5 Í (ÔËÍÓ‚˚È)

Éˆ

Ï‡ÍÒËÏ‡Î¸ÌÓ„Ó ÛÓ‚Ìﬂ.

LOW 100 (Ò„Î‡ÊË‚‡ÌËÂ)

Ï‡ÍÒ. ±15 ‰Å

16 ÔÓ„‡ÏÏ

ÇÌÛÚÂÌÌËÈ ˆËÙÓ‚ÓÈ

êÂ„ÛÎﬂÚÓ Ô‡‡ÏÂÚÓ‚

˝ÙÙÂÍÚ

FOOT SW ON/OFF

2 × Ò‚ÂÚÓ‰ËÓ‰Ì˚È ËÌ‰ËÍ‡ÚÓ ÛÓ‚Ìﬂ Ò 5 ÚÓ˜Í‡ÏË [MAIN (L, R)], Ò‚ÂÚÓ‰ËÓ‰Ì˚È ËÌ‰ËÍ‡ÚÓ ÛÓ‚Ìﬂ Ò 5 ÚÓ˜Í‡ÏË [MONITOR]

àÌ‰ËÍ‡ÚÓ˚ ÛÓ‚Ìﬂ

+6, +3, 0, –5, –10 [‰Å]

óÛ‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚ¸ FCL ìÓ‚ÂÌ¸ ‚ıÓ‰ÌÓ„Ó ÒË„Ì‡Î‡ –75 ‰ÅÌ: ËÌ‰ËÍ‡ÚÓ „ÓËÚ, CH1–4 MIC/LINE:MIC ‚ıÓ‰ B, CH 5/6–11/12 ‚ıÓ‰ MIC

Ç˚ÍÎ˛˜‡ÚÂÎ¸ POWER Ò ‚ÓÁÏÓÊÌÓÒÚ¸˛ ÔË„ÎÛ¯ÂÌËﬂ Á‚ÛÍ‡

éÚÍ‡Á ÔËÚ‡ÌËﬂ: ÓÚÍÎ˛˜ÂÌËÂ ËÒÚÓ˜ÌËÍ‡ ÔËÚ‡ÌËﬂ / Û˜ÌÓÈ Ò·ÓÒ

á‡˘ËÚ‡ ÓÚ ÔÂÂ„Â‚‡ / ÚÂÏÔÂ‡ÚÛ‡ ‡‰Ë‡ÚÓ‡ 90°C: ÔË„ÎÛ¯ÂÌËÂ ‚˚ıÓ‰ÌÓ„Ó ÒË„Ì‡Î‡ / ‡‚ÚÓÏ‡ÚË˜ÂÒÍËÈ

ìÒËÎËÚÂÎ¸ ÏÓ˘ÌÓÒÚË

á‡˘ËÚ‡

Ò·ÓÒ

é„‡ÌË˜ËÚÂÎ¸ Vl/RL 2 Ω

é„‡ÌË˜ËÚÂÎ¸ ÔÂÂ„ÛÁÍË / ÒÛÏÏ‡Ì˚ı ÌÂÎËÌÂÈÌ˚ı ËÒÍ‡ÊÂÌËÈ 1% , ËÌ‰ËÍ‡ÚÓ × 2

ùÎÂÍÚÓÔËÚ‡ÌËÂ á‡˘ËÚ‡ ÓÚ ÔÂÂ„Â‚‡ / ÚÂÏÔÂ‡ÚÛ‡ ‡‰Ë‡ÚÓ‡ 100°C: ÓÚÍÎ˛˜ÂÌËÂ ËÒÚÓ˜ÌËÍ‡ ÔËÚ‡ÌËﬂ / Û˜ÌÓÈ Ò·ÓÒ

EMX512SC/EMX312SC/EMX212S

íÂıÌË˜ÂÒÍËÂ ı‡‡ÍÚÂËÒÚËÍË

åàç çéå åÄäë ÖÑ. àáå.

EMX512SC 500

ùÌÂ„ÓÔÓÚÂ·ÎÂÌËÂ

ÇÚEMX312SC 450

EMX212S 300

òÌÛ ÔËÚ‡ÌËﬂ ÑÎËÌ‡ 2450 2500 2550 ÏÏ

Ç˚ÒÓÚ‡ 284

ê‡ÁÏÂ˚

ÏÏÉÎÛ·ËÌ‡ 264

òËËÌ‡ 442,5

ÇÂÒ ·ÂÁ ÛÔ‡ÍÓ‚ÍË 8Í„

èËÌ‡‰ÎÂÊÌÓÒÚË,

‚ıÓ‰ﬂ˘ËÂ ‚ ÍÓÏÔÎÂÍÚ

òÌÛ ÔËÚ‡ÌËﬂ, ÂÁËÌÓ‚˚Â ÒÚ‡·ËÎËÁ‡ÚÓ˚ × 2, ÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ

ÔÓÒÚ‡‚ÍË

ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â

äéåèãÖäí Ñã¸ ìëíÄçéÇäà Ç ëíéâäì (RK512), èÖÑÄãúçõâ èÖêÖäãûóÄíÖãú (FC5)

ÔËÌ‡‰ÎÂÊÌÓÒÚË

èËÏÂ˜‡ÌËÂ. ÇÒÂ Â„ÛÎﬂÚÓ˚ ÛÓ‚Ìﬂ ÛÒÚ‡ÌÓ‚ÎÂÌ˚ ‚ Ï‡ÍÒËÏ‡Î¸ÌÓÂ ÔÓÎÓÊÂÌËÂ, ‚˚ıÓ‰ÌÓÂ ÒÓÔÓÚË‚ÎÂÌËÂ „ÂÌÂ‡ÚÓ‡ ÒË„Ì‡Î‡: 150 éÏ

■ ÇıÓ‰Ì˚Â ı‡‡ÍÚÂËÒÚËÍË

î‡ÍÚË˜ÂÒÍÓÂ

ÇıÓ‰ÌÓÈ ÛÓ‚ÂÌ¸

ÑÎﬂ ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ Ò

ÇıÓ‰Ì˚Â ‡Á˙ÂÏ˚ MIC/LINE

ÒÓÔÓÚË‚ÎÂÌ

ÌÓÏËÌ‡ÎÓÏ

óÛ‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚ

çÓÏËÌ‡Î

å‡ÍÒ. ÔÂÂ‰

ê‡Á˙ÂÏ

ËÂ Ì‡„ÛÁÍË

¸ *2

(ÔÓÎÓÊÂÌËÂ ▼)

ÔÂÂ„ÛÁÍÓÈ

-60 ‰ÅÌ

-35 ‰ÅÌ (13,8

-15 ‰ÅÌ

MIC

(0,775 ÏÇ)

ÏÇ)

(138 ÏÇ)

XLR

2 ÍΩ åËÍÓÙÓÌ˚ 50–600 Ω

íËÔ XLR-3-31 *3

-30 ‰ÅÌ

-5 ‰ÅÌ

+15 ‰ÅÌ

LINE

(24,5 ÏÇ)

(436 ÏÇ)

(4,36 Ç)

CH INPUT 1–4

-50 ‰ÅÌ

-25 ‰ÅÌ

-5 ‰ÅÌ

MIC

(2,45 ÏÇ)

(43,6 ÏÇ)

(436 ÏÇ)

òÚÂÍÂ

6 ÍΩ ãËÌÂÈÌ˚Â ÛÓ‚ÌË 600 Ω

òÚÂÍÂÌÓÂ „ÌÂÁ‰Ó *4

-20 ‰ÅÌ

+5 ‰ÅÌ

+25 ‰ÅÌ

LINE

(77,5 ÏÇ)

(1,38 Ç)

(13,8 Ç)

-60 ‰ÅÌ

-35 ‰ÅÌ

-15 ‰ÅÌ

XLR — 2 ÍΩ åËÍÓÙÓÌ˚ 50–600 Ω

íËÔ XLR-3-31 *3

CH INPUT

(0,775 ÏÇ)

(13,8 ÏÇ)

(138 ÏÇ)

5/6, 7/8

-20 ‰ÅÌ

+5 ‰ÅÌ

+25 ‰ÅÌ

òÚÂÍÂ — 10 ÍΩ ãËÌÂÈÌ˚Â ÛÓ‚ÌË 600 Ω

òÚÂÍÂÌÓÂ „ÌÂÁ‰Ó *5

(77,5 ÏÇ)

(1,38 Ç)

(13,8 Ç)

-60 ‰ÅÌ

-35 ‰ÅÌ

-15 ‰ÅÌ

XLR — 2 ÍΩ åËÍÓÙÓÌ˚ 50–600 Ω

íËÔ XLR-3-31 *3

CH INPUT

(0,775 ÏÇ)

(13,8 ÏÇ)

(138 ÏÇ)

9/10, 11/12

-20 ‰ÅÌ

+5 ‰ÅÌ

+25 ‰ÅÌ

òÚ˚¸ — 10 ÍΩ ãËÌÂÈÌ˚Â ÛÓ‚ÌË 600 Ω

ÉÌÂÁ‰Ó RCA

(77,5 ÏÇ)

(1,38 Ç)

(13,8 Ç)

*1 0 ‰ÅÌ = 0,775 ÒÂ‰ÌÂÍ‚‡‰‡ÚË˜ÂÒÍÓ„Ó ‚ÓÎ¸Ú‡.

*2 óÛ‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚ¸: Ò‡Ï˚È ÌËÁÍËÈ ÛÓ‚ÂÌ¸ ÒË„Ì‡Î‡, Ó·ÂÒÔÂ˜Ë‚‡˛˘ËÈ ‚˚ıÓ‰ÌÓÈ ÛÓ‚ÂÌ¸ +4 ‰Å (1,23 Ç) ËÎË ÌÓÏËÌ‡Î¸Ì˚È ‚˚ıÓ‰ÌÓÈ ÛÓ‚ÂÌ¸, ÂÒÎË Á‡‰‡ÌÓ

Ï‡ÍÒËÏ‡Î¸ÌÓÂ ÛÒËÎÂÌËÂ ÒË„Ì‡Î‡ ‚ ÛÒÚÓÈÒÚ‚Â. (ÇÒÂ Â„ÛÎﬂÚÓ˚ ÛÓ‚Ìﬂ ÛÒÚ‡ÌÓ‚ÎÂÌ˚ ‚ ÔÓÎÓÊÂÌËÂ Ï‡ÍÒËÏÛÏ‡.)

*3 ê‡Á˙ÂÏ˚ ÚËÔ‡ XLR-3-31 ﬂ‚Îﬂ˛ÚÒﬂ ·‡Î‡ÌÒÌ˚ÏË. (1 = áÖåã¸, 2 = Ééê¸óàâ, 3 = ïéãéÑçõâ)

*4 ëËÏÏÂÚË˜Ì˚Â ¯ÚÂÍÂÌ˚Â „ÌÂÁ‰‡. (Ì‡ÍÓÌÂ˜ÌËÍ=ÔÎ˛Ò, ÍÓÎ¸ˆÓ=ÏËÌÛÒ, „ËÎ¸Á‡=Á‡ÁÂÏÎÂÌËÂ)

*5 çÂ·‡Î‡ÌÒÌ˚Â ¯ÚÂÍÂÌ˚Â „ÌÂÁ‰‡.

■ Ç˚ıÓ‰Ì˚Â ı‡‡ÍÚÂËÒÚËÍË

î‡ÍÚË˜ÂÒÍÓÂ

Ç˚ıÓ‰ÌÓÈ ÛÓ‚ÂÌ¸

ÑÎﬂ ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ Ò

Ç˚ıÓ‰

ÒÓÔÓÚË‚ÎÂÌËÂ

å‡ÍÒ. ÔÂÂ‰

ê‡Á˙ÂÏ

ÌÓÏËÌ‡ÎÓÏ

ËÒÚÓ˜ÌËÍ‡

çÓÏËÌ‡Î

ÔÂÂ„ÛÁÍÓÈ

EMX512SC 125 ÇÚ 500 ÇÚ

SPEAKERS

[A1, B1] SPEAKON

0,1 Ω ÑËÌ‡ÏËÍË 4Ω

EMX312SC 75 ÇÚ 300 ÇÚ

[A1, A2, B1, B2]

òÚÂÍÂÌÓÂ „ÌÂÁ‰Ó [A2, B2]

EMX212S 50 ÇÚ 220 ÇÚ

ãËÌÂÈÌ˚Â ÛÓ‚ÌË

MAIN OUT [L, R] 600 Ω

— +4 ‰ÅÌ (1,23 Ç) +20 ‰ÅÌ (7,75 Ç) òÚÂÍÂÌÓÂ „ÌÂÁ‰Ó *2

10 ÍΩ

ãËÌÂÈÌ˚Â ÛÓ‚ÌË

EFFECT OUT 600 Ω

— +4 ‰ÅÌ (1,23 Ç) +20 ‰ÅÌ (7,75 Ç) òÚÂÍÂÌÓÂ „ÌÂÁ‰Ó *2

10 ÍΩ

ãËÌÂÈÌ˚Â ÛÓ‚ÌË

MONITOR OUT 600 Ω

— +4 ‰ÅÌ (1,23 Ç) +20 ‰ÅÌ (7,75 Ç) òÚÂÍÂÌÓÂ „ÌÂÁ‰Ó *2

10 ÍΩ

ãËÌÂÈÌ˚Â ÛÓ‚ÌË

REC OUT [L, R] 600 Ω

— –10 ‰Å‚ (316 ÏÇ) +10 ‰Å‚ (3,16 Ç) ÉÌÂÁ‰Ó RCA

10 ÍΩ

*1 0 ‰ÅÌ = 0,775 ÒÂ‰ÌÂÍ‚‡‰‡ÚË˜ÂÒÍÓ„Ó ‚ÓÎ¸Ú‡. 0 ‰Å‚ = 1 ÒÂ‰ÌÂÍ‚‡‰‡ÚË˜ÂÒÍÓÏÛ ‚ÓÎ¸ÚÛ.

*2 çÂ·‡Î‡ÌÒÌ˚Â ¯ÚÂÍÂÌ˚Â „ÌÂÁ‰‡.

íÂıÌË˜ÂÒÍËÂ ı‡‡ÍÚÂËÒÚËÍË Ë ‡ÁÏÂ˚ ÔË‚Ó‰ﬂÚÒﬂ ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ ËÒÍÎ˛˜ËÚÂÎ¸ÌÓ ‚ ÒÔ‡‚Ó˜Ì˚ı ˆÂÎﬂı. äÓÔÓ‡ˆËﬂ Yamaha Corp. ÓÒÚ‡‚ÎﬂÂÚ

Á‡ ÒÓ·ÓÈ Ô‡‚Ó ËÁÏÂÌﬂÚ¸ ËÎË ÏÓ‰ËÙËˆËÓ‚‡Ú¸ ÔÓ‰ÛÍÚ˚ ËÎË ÚÂıÌË˜ÂÒÍËÂ ı‡‡ÍÚÂËÒÚËÍË ‚ Î˛·ÓÂ ‚ÂÏﬂ ·ÂÁ ÔÂ‰‚‡ËÚÂÎ¸ÌÓ„Ó Û‚Â‰ÓÏÎÂÌËﬂ. í‡Í Í‡Í ÚÂıÌË˜ÂÒÍËÂ

ı‡‡ÍÚÂËÒÚËÍË, Ó·ÓÛ‰Ó‚‡ÌËÂ Ë ÍÓÏÔÓÌÂÌÚ˚ ÏÓ„ÛÚ ‡ÁÎË˜‡Ú¸Òﬂ ‚ ‡ÁÌ˚ı ÒÚ‡Ì‡ı, Ó·‡ÚËÚÂÒ¸ Á‡ ËÌÙÓÏ‡ˆËÂÈ Í Ò‚ÓÂÏÛ ‰ËÎÂÛ Yamaha.

EMX512SC/EMX312SC/EMX212S

íÂıÌË˜ÂÒÍËÂ ı‡‡ÍÚÂËÒÚËÍË

ëıÂÏ‡ ÛÒÚÓÈÒÚ‚‡ Ò ÛÍ‡Á‡ÌËÂÏ ‡ÁÏÂÓ‚

442.5

4402.5

286 264

66.1

307.8

66.1

298

54108 2842

Ö‰. ËÁÏÂ.: ÏÏ

Unit: mm

EMX512SC/EMX312SC/EMX212S

íÂıÌË˜ÂÒÍËÂ ı‡‡ÍÚÂËÒÚËÍË

ÅÎÓÍ-ÒıÂÏ‡ Ë ‰Ë‡„‡ÏÏ‡ ÛÓ‚ÌÂÈ

EMX512SC/EMX312SC/EMX212S

одробную информацию о продуктах можно получить у ближайших представителей компании Yamaha или авторизованного

дистрибьютора, список которых приведен ниже.

MALTA

NORTH AMERICA

ASIA

Olimpus Music Ltd.

CANADA

The Emporium, Level 3, St. Louis Street Msida

THE PEOPLE S REPUBLIC OF CHINA

Yamaha Canada Music Ltd.

MSD06

Yamaha Music & Electronics (China) Co.,Ltd.

135 Milner Avenue, Scarborough, Ontario,

Tel: 02133-2144

2F, Yunhedasha, 1818 Xinzha-lu, Jingan-qu,

M1S 3R1, Canada

Shanghai, China

THE NETHERLANDS/

Tel: 416-298-1311

Tel: 021-6247-2211

BELGIUM/LUXEMBOURG

U.S.A.

INDIA

Yamaha Music Europe Branch Benelux

Yamaha Corporation of America

Clarissenhof 5-b, 4133 AB Vianen, The Netherlands

Yamaha Music India Pvt. Ltd.

6600 Orangethorpe Ave., Buena Park, Calif. 90620,

Tel: 0347-358 040

Spazedge building, Ground Floor, Tower A, Sector

U.S.A.

47, Gurgaon- Sohna Road, Gurgaon, Haryana, India

FRANCE

Tel: 714-522-9011

Tel: 0124-485-3300

Yamaha Music Europe

INDONESIA

BP 70-77312 Marne-la-Vall e Cedex 2, France

CENTRAL & SOUTH AMERICA

Tel: 01-64-61-4000

PT. Yamaha Musik Indonesia (Distributor)

PT. Nusantik

MEXICO

ITALY

Gedung Yamaha Music Center, Jalan Jend. Gatot

Yamaha de M xico S.A. de C.V.

Yamaha Music Europe GmbH, Branch Italy

Subroto Kav. 4, Jakarta 12930, Indonesia

Calz. Javier Rojo G mez #1 149,

Viale Italia 88, 20020 Lainate (Milano), Italy

Tel: 021-520-2577

Col. Guadalupe del Moral

Tel: 02-935-771

C.P. 09300, M xico, D.F., M xico

KOREA

SPAIN/PORTUGAL

Tel: 55-5804-0600

Yamaha Music Korea Ltd.

Yamaha Music Europe GmbH Ib rica, Sucursal

8F, 9F, Dongsung Bldg. 158-9 Samsung-Dong,

BRAZIL

en Espa a

Kangnam-Gu, Seoul, Korea

Yamaha Musical do Brasil Ltda.

Ctra. de la Coruna km. 17, 200, 28230

Tel: 02-3467-3300

Rua Joaquim Floriano, 913 - 4’ andar, Itaim Bibi,

Las Rozas (Madrid), Spain

CEP 04534-013 Sao Paulo, SP. BRAZIL

MALAYSIA

Tel: +34-902-39-8888

Tel: 011-3704-1377

Yamaha Music (Malaysia) Sdn., Bhd.

GREECE

Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,

ARGENTINA

Philippos Nakas S.A. The Music House

Petaling Jaya, Selangor, Malaysia

Yamaha Music Latin America, S.A.

147 Skiathou Street, 112-55 Athens, Greece

Tel: 03-78030900

Sucursal de Argentina

Tel: 01-228 2160

Olga Cossettini 1553, Piso 4 Norte

SINGAPORE

SWEDEN/FINLAND/ICELAND

Madero Este-C1107CEK

Yamaha Music (Asia) PRIVATE LIMITED

Yamaha Music Europe GmbH Germany filial

Buenos Aires, Argentina

Blk 202 Hougang Street 21, #02-00,

Scandinavia

Tel: 011-4119-7000

Singapore 530202, Singapore

J. A. Wettergrens Gata 1, Box 30053

Tel: 6747-4374

PANAMA AND OTHER LATIN

S-400 43 G tebor g, Sweden

AMERICAN COUNTRIES/

TAIWAN

Tel: 031 89 34 00

CARIBBEAN COUNTRIES

Yamaha KHS Music Co., Ltd.

DENMARK

Yamaha Music Latin America, S.A.

3F, #6, Sec.2, Nan Jing E. Rd. Taipei.

Yamaha Music Europe GmbH, Tyskland — filial

Torre Banco General, Piso 7, Urbanizaci n Marbella,

Taiwan 104, R.O.C.

Denmark

Calle 47 y Aquilino de la Guardia,

Tel: 02-2511-8688

Generatorvej 6A, DK-2730 Herlev, Denmark

Ciudad de Panam , Panam

THAILAND

Tel: 44 92 49 00

Tel: +507-269-5311

Siam Music Yamaha Co., Ltd.

NORWAY

4, 6, 15 and 16th floor, Siam Motors Building,

Yamaha Music Europe GmbH Germany -

EUROPE

891/1 Rama 1 Road, Wangmai,

Norwegian Branch

Pathumwan, Bangkok 10330, Thailand

THE UNITED KINGDAM/IRELAND

Grini N ringspark 1, N-1345 ﬂster s, Norway

Tel: 02-215-2622

Yamaha Music Europe GmbH (UK)

Tel: 67 16 77 70

OTHER ASIAN COUNTRIES

Sherbourne Drive, Tilbrook, Milton Keynes,

RUSSIA

Yamaha Corporation,

MK7 8BL, England

Yamaha Music (Russia)

Asia-Pacific Sales & Marketing Group

Tel: 01908-366700

Room 37, bld. 7, Kievskaya street, Moscow,

Nakazawa-cho 10-1, Naka-ku, Hamamatsu,

GERMANY

121059, Russia

Japan 430-8650

Yamaha Music Europe GmbH

Tel: 495 626 5005

Tel: +81-53-460-2303

Siemensstra§e 22-34, 25462 Rellingen, Germany

OTHER EUROPEAN COUNTRIES

Tel: 04101-3030

Yamaha Music Europe GmbH

OCEANIA

SWITZERLAND/LIECHTENSTEIN

Siemensstra§e 22-34, 25462 Rellingen, Germany

AUSTRALIA

Yamaha Music Europe GmbH

Tel: +49-4101-3030

Branch Switzerland in Z rich

Yamaha Music Australia Pty. Ltd.

Seefeldstrasse 94, 8008 Z rich, Switzerland

Level 1, 99 Queensbridge Street, Southbank,

AFRICA

Tel: 044-387-8080

Victoria 3006, Australia

Yamaha Corporation,

Tel: 3-9693-5111

AUSTRIA/BULGARIA

Asia-Pacific Sales & Marketing Group

COUNTRIES AND TRUST

Yamaha Music Europe GmbH Branch Austria

Nakazawa-cho 10-1, Naka-ku, Hamamatsu,

Schleiergasse 20, A-1100 Wien, Austria

TERRITORIES IN PACIFIC OCEAN

Japan 430-8650

Tel: 01-60203900

Yamaha Corporation,

Tel: +81-53-460-2303

Asia-Pacific Sales & Marketing Group

CZECH REPUBLIC/HUNGARY/

Nakazawa-cho 10-1, Naka-ku, Hamamatsu,

ROMANIA/SLOVAKIA/SLOVENIA

MIDDLE EAST

Japan 430-8650

Yamaha Music Europe GmbH

TURKEY/CYPRUS

Tel: +81-53-460-2303

Branch Austria (Central Eastern Europe Office)

Yamaha Music Europe GmbH

Schleiergasse 20, A-1100 Wien, Austria

Siemensstra§e 22-34, 25462 Rellingen, Germany

Tel: 01-602039025

Tel: 04101-3030

POLAND/LITHUANIA/LATVIA/ESTONIA

OTHER COUNTRIES

Yamaha Music Europe GmbH

Yamaha Music Gulf FZE

Branch Sp.z o.o. Oddzial w Polsce

LOB 16-513, P.O.Box 17328, Jubel Ali,

ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland

Dubai, United Arab Emirates

Tel: 022-500-2925

Tel: +971-4-881-5868

PA30

HEAD OFFICE Ya maha Corporation, Pro Audio Division

Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650

Tel: +81-53-460-2441

Yamaha Pro Audio global web site

C.S.G., Pro Audio Division

http://www.yamahaproaudio.com/

Yamaha Manual Library

WQ44820 202CRAP*.*-**F0

http://www.yamaha.co.jp/manual/

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