Yamaha EMX-5016CF – страница 2

Ñïðàâî÷íîå Ðóêîâîäñòâî

Ïàíåëü óïðàâëåíèÿ è çàäíÿÿ ïàíåëü



Ýêâàëàéçåð (HIGH, MID, è LOW)



Ðåãóëÿòîð PAN (êàíàëû 1 - 8);

Òðåõïîëîñíûé ýêâàëàéçåð ðåãóëèðóåò ïîëîñû âûñîêîé,

Ðåãóëÿòîð BAL (êàíàëû 9/10- 15/16)

ñðåäíåé è íèçêîé ÷àñòîòû. Óñòàíîâêà ðåãóëÿòîðà â ïîçèöèþ

Ðåãóëÿòîð PAN îïðåäåëÿåò ïîçèöèîíèðîâàíèå êàíàëüíîãî

“

L

“ ïðîïóñêàåò ñèãíàë áåç ÷àñòîòíîé îáðàáîòêè. Ïîâîðîò

ñèãíàëà íà ñòåðåî øèíàõ L è R. Ðåãóëÿòîð BAL óñòàíàâëèâàåò

ðåãóëÿòîðà âïðàâî óâåëè÷èâàåò ñîîòâåòñòâóþùóþ ÷àñòîòíóþ

áàëàíñ ìåæäó ëåâûì è ïðàâûì êàíàëàìè. Ñèãíàëû âõîäà L

ïîëîñó, à ïîâîðîò âëåâî óìåíüøàåò åå. Íà êàíàëàõ 1 - 8, ñðåä-

(íå÷åòíûé êàíàë) ïîäàþòñÿ íà ñòåðåî øèíó L; ñèãíàëû âõîäà

íèé äèàïàçîí MID óïðàâëÿåòñÿ äâóìÿ ðåãóëÿòîðàìè. Âåðõíèé

R (÷åòíûé êàíàë) ïîäàþòñÿ íà ñòåðåî øèíó R.

ðåãóëÿòîð óñòàíàâ¬ëèâàåò öåíòðàëüíóþ ÷àñòîòó äëÿ ñðåäíåãî

ÏÐÈÌÅ×ÀÍÈÅ:

äèàïàçîíà, â òî âðåìÿ êàê íèæíèé ðåãóëÿòîð óñòàíàâëèâà-

Ïðè ïîäà÷å ñèãíàëà íà ñòåðåîêàíàë òîëüêî ÷åðåç ãíåçäî L

åò îñëàáëåíèå (ïðîòèâ ÷àñîâîé ñòðåëêè) èëè óñèëåíèå (ïî

(MONO), ðåãóëÿòîð BAL ðàáîòàåò êàê ðåãóëÿòîð PAN.

÷àñîâîé ñòðåëêå) äèàïàçîíà. (Óñòàíîâêà íèæíåãî ðåãóëÿòîðà

â ïîëîæåíèå “

L

“ ïðîïóñêàåò ñèãíàë áåç îáðàáîòêè). Íà



Ïåðåêëþ÷àòåëü ON

êàíàëüíûõ ñòåðåîïàðàõ 9/10 -15/16 öåíòðàëüíàÿ ÷àñòîòà

Ýòîò ïåðåêëþ÷àòåëü âêëþ÷àåò/âûêëþ÷àåò êàíàë. (Èíäèêàòîð

óñòàíîâëåíà íà 2.5 êÃö, ïîýòîìó íåîáõîäèì òîëüêî îäèí

ãîðèò, åñëè êàíàë âêëþ÷åí). Óáåäèòåñü, ÷òî âêëþ÷èëè âñå

ðåãóëÿòîð MID.

êàíàëû, êîòîðûå Âû õîòèòå èñïîëüçîâàòü. Ïðè âûêëþ÷åíèè

 ñëåäóþùåé òàáëèöå ïðèâåäåíû äàííûå î òèïå ýêâàëàéçå-

êàíàëà Âû îòêëþ÷àåòå ñèãíàëüíóþ ïîäà÷ó íà øèíû Ñòåðåî,

ðà, áàçîâîé ÷àñòîòå è ìàêñèìàëüíîì óâåëè÷åíèè/óìåíüøå-

AUX è EFFECT.

íèè â êàæäîé èç òðåõ ïîëîñ.

ÏÐÈÌÅ×ÀÍÈÅ:

Äëÿ óìåíüøåíèÿ øóìà âûêëþ÷èòå âñå íåèñïîëüçóåìûå

êàíàëû.

Ìàêñèìàëüíîå

Ïî-

Îñíîâíàÿ

Òèï

Óìåíüøåíèå/

ëîñà

×àñòîòà

Óâåëè÷åíèå



Èíäèêàòîð PEAK

HIGH Ïîëî÷íûé 10 êÃö

Îïðåäåëÿåò ïèêîâûé óðîâåíü ñèãíàëà ïîñëå ýêâàëàéçåðà è

250 Ãö - 5 êÃö (êàíàëû CH 1 - 8)

çàãîðàåòñÿ êðàñíûì, êîãäà óðîâåíü ñèãíàëà äîñòèãàåò óðîâíÿ

±15 äÁMID Ïèêîâûé

2.5 kHz (êàíàëû 9/10 - 15/16)

íà 3 äåöèáåëà íèæå óðîâíÿ ïåðåãðóçêè.

LOW Ïîëî÷íûé 100 Ãö



Èíäèêàòîð SIGNAL



Ðåãóëÿòîðû AUX1/2 (PRE/POST)

Çàãîðàåòñÿ ïðè ïîñòóïëåíèè ñèãíàëà íà êàíàë.

Ýòîò ðåãóëÿòîð óñòàíàâëèâàåò óðîâåíü êàíàëüíîãî ñèãíà-

ëà ïîñòóïàþùåãî íà øèíó AUX1\2. Ðåãóëÿòîð äîëæåí áûòü



Ïåðåêëþ÷àòåëü PFL (ïðåäôåéäåðíîå ïðîñëó-

óñòàíîâëåí áëèçêî ê ïîëîæåíèþ “

L

“. Âû ìîæåòå èñïîëü-

øèâàíèå)

çîâàòü ïåðåêëþ÷àòåëü PRE



äëÿ âûáîðà ñèãíàëà, êîòîðûé

íåîáõîäèìî ïîäàòü íà øèíó AUX1/2 (ïðåäôåéäåðíûé èëè

Ïðè âêëþ÷åíèè ýòîãî ïåðåêëþ÷àòåëÿ ïðåäôåéäåðíûé êàíàëü-

ïîñòôåéäåðíûé). L (íå÷åòíûé) è R (÷åòíûé) âõîäíûå ñèãíàëû

íûé ñèãíàë ïîäàåòñÿ íà øèíó PFL, ÷òîáû Âû ìîãëè ïðîñëó-

ìèêøèðóþòñÿ íà ñòåðåî êàíàëàõ ïåðåä ïîäà÷åé íà øèíó

øàòü åãî íà ãíåçäå PHONES. ×òîáû âêëþ÷èòü ïåðåêëþ÷àòåëü,

AUX1/2.

íàæìèòå åãî òàê, ÷òîáû îí çàãîðåëñÿ.

ÏÐÈÌÅ×ÀÍÈÅ:

ÏÐÈÌÅ×ÀÍÈÅ:

Ôåéäåðû êàíàëîâ íå âëèÿþò íà ñèãíàëû, ïîñûëàåìûå íà

• Íà ïåðåêëþ÷åíèå è âûõîä PFL íå âëèÿåò ïåðåêëþ÷àòåëü

øèíó AUX1/2.

ON. Âû ìîæåòå êîíòðîëèðîâàòü ïðåäôåéäåðíûé êàíàëü-

íûé ñèãíàë ÷åðåç ãíåçäî PHONES, äàæå êîãäà ïåðåêëþ÷à-

òåëü ON âûêëþ÷åí.



Ïåðåêëþ÷àòåëü PRE

• Ïåðåêëþ÷àòåëü PFL (

16

,

23

,

49

) è AFL (

50

) âûáèðàþò ìèêñ,

Âûáèðàåò, êàêîé ñèãíàë ïîäàåòñÿ íà øèíó AUX1/2 - ïðåäôåé-

êîòîðûé áóäåò êîíòðîëèðîâàòüñÿ ÷åðåç ãíåçäî PHONES.

äåðíûé èëè ïîñòôåéäåðíûé.

Åñëè êàíàëüíûå ïåðåêëþ÷àòåëè PFL èëè AFL - ON (âêëþ-

÷åíû), âûõîä êàíàëà ìèêøèðóåòñÿ â ìîíèòîðíûé ñèãíàë,

Ïðè âêëþ÷åííîì ïåðåêëþ÷àòåëå ìèêøåð ïîäàåò íà øèíó

ïîäàâàåìûé íà ãíåçäî PHONES. Åñëè îáà ïåðåêëþ÷àòåëÿ

ïðåäôåéäåðíûé ñèãíàë. Ïðè âûêëþ÷åííîì – ïîñòôåéäåðíûé

- OFF (âûêëþ÷åíû), âûõîä êàíàëà íå ïîäàåòñÿ íà ãíåçäî

ñèãíàë.

PHONES.



Ðåãóëÿòîðû EFF1/2



Êàíàëüíûé Ôåéäåð

Êàæäûé ðåãóëÿòîð óïðàâëÿåò óðîâíåì ñèãíàëà, ïîñûëàå-

Ðåãóëèðóåò óðîâåíü âûõîäíîãî ñèãíàëà. Èñïîëüçóéòå ýòè

ìîãî èç êàíàëà íà øèíó EFFECT1/2. Íà ñòåðåîêàíàëàõ (9/10

ôåéäåðû äëÿ óñòàíîâêè áàëàíñà ãðîìêîñòè ìåæäó ðàçëè÷íû-

- 15/16) ñèãíàëû êàíàëîâ L è R ìèêøèðóþòñÿ ïåðåä ïîäà÷åé

ìè êàíàëàìè.

èõ íà øèíó. Ñèãíàë øèíû EFFECT1/2 ïîäàåòñÿ íà âíóòðåííèé

ÏÐÈÌÅ×ÀÍÈÅ:

öèôðîâîé ïðîöåññîð ýôôåêòîâ è íà ãíåçäî SEND EFF1/2

18

.

Äëÿ óìåíüøåíèÿ øóìà îïóñòèòå ôåéäåðû íåèñïîëüçóå-

ÏÐÈÌÅ×ÀÍÈÅ:

ìûõ êàíàëîâ ïîëíîñòüþ âíèç.

Íà óðîâåíü ñèãíàëà, ïîäàâàåìîãî íà øèíó EFFECT1/2

âëèÿåò óñòàíîâêà êàíàëüíîãî ôåéäåðà



.

EMX5016CF Ðóêîâîäñòâî ïîëüçîâàòåëÿ 21

Ñïðàâî÷íîå Ðóêîâîäñòâî

Ïàíåëü óïðàâëåíèÿ è çàäíÿÿ ïàíåëü



Ãíåçäà SEND

Ñåêöèÿ öèôðîâûõ ýôôåêòîâ

• EFF1, EFF2

Íåñáàëàíñèðîâàííûå øòåêåðíûå âûõîäíûå ãíåçäà äëÿ

ñèãíàëà øèí EFFECT1/2. Âû ìîæåòå èñïîëüçîâàòü ýòè ãíåçäà,

íàïðèìåð, äëÿ ïîäêëþ÷åíèÿ âíåøíåãî ïðîöåññîðà ýôôåêòîâ.

Âû ìîæåòå ïîòîì âîçâðàòèòü ñèãíàë, ïîäêëþ÷àÿ âíåøíèé

ïðîöåññîð ýôôåêòîâ ê ëþáîìó èç ãíåçä LINE íà êàíàëüíûõ

ïàðàõ 9/10 - 15/16.



Åñëè Âû âîçâðàùàåòå ñèãíàë âíåøíåãî ïðîöåññîðà

ýôôåêòîâ â ãíåçäî LINE íà êàíàëüíûå ïàðû 9/10 - 15/16,

ïîæàëóéñòà, óáåäèòåñü, ÷òî óñòàíîâèëè ðåãóëÿòîð EFF1/2

äëÿ ýòîé ïàðû íà “0”.

• AUX1, AUX2

Íåñáàëàíñèðîâàííûå øòåêåðíûå âûõîäíûå ãíåçäà ìîíîôî-

íè÷åñêèõ ìîíèòîðíûõ ñèãíàëîâ ñîîòâåòñòâåííî îò øèí AUX1

è AUX2. Âû ìîæåòå èñïîëüçîâàòü ýòè ãíåçäà, íàïðèìåð, äëÿ

ïîäêëþ÷åíèÿ ïðîöåññîðà ýôôåêòîâ, ìîíèòîðíîé ñèñòåìû

èëè äðóãîé ïîäîáíîé ñèñòåìû êîíòðîëÿ.



Êîëåñî PROGRAM

Âûáèðàåò òèï èñïîëüçóåìîãî ýôôåêòà.

Âû ìîæåòå âûáèðàòü èç 16 ðàçëè÷íûõ òèïîâ ýôôåêòà äëÿ

EFFECT 1 è EFFECT 2. Ñì. ñòð. 37

!

Ðåãóëÿòîðû PARAMETER

Ðåãóëèðóþò ïàðàìåòðû (ãëóáèíà, ñêîðîñòü, è ò.ä.) âçàèìîñâÿ-

çàííûå ñ âûáðàííûì òèïîì ýôôåêòà.

ÏÐÈÌÅ×ÀÍÈÅ:

Ìèêøåð ñîõðàíÿåò ïîñëåäíåå çíà÷åíèå, èñïîëüçóåìîå

ñ êàæäûì òèïîì ýôôåêòà. Ïðè âûáîðå äðóãîãî òèïà ýô-

ôåêòà ìèêøåð àâòîìàòè÷åñêè âîññòàíàâëèâàåò çíà÷åíèå,

êîòîðîå èñïîëüçîâàëîñü ñ äàííûì òèïîì ýôôåêòà (íå-

çàâèñèìî îò òåêóùåé ïîçèöèè ðåãóëÿòîðà PARAMETER).

Íî ñëåäóåò ïîìíèòü, ÷òî âñå çíà÷åíèÿ âîçâðàùàþòñÿ ê

!

çíà÷åíèÿì ïî óìîë÷àíèþ ïðè âûêëþ÷åíèè ïèòàíèÿ.

!

"

Ðåãóëÿòîðû AUX1/2

Êàæäûé ðåãóëÿòîð óñòàíàâëèâàåò óðîâåíü çâóêà ýôôåêòà

"

"

ïîñòóïàþùåãî ñîîòâåòñòâåííî â øèíû AUX1 è AUX2.

#

Ïåðåêëþ÷àòåëè/Èíäèêàòîðû EFFECT ON

#

#

Âêëþ÷àþò/âûêëþ÷àþò âíóòðåííèé ïðîöåññîð ýôôåêòîâ.

$

Âíóòðåííèé ýôôåêò ïðèìåíÿåòñÿ ïðè âêëþ÷åííîì ïåðå-

êëþ÷àòåëü (èíäèêàòîð ãîðèò).  êà÷åñòâå àëüòåðíàòèâû Âû

$

ìîæåòå èñïîëüçîâàòü îòäåëüíî ïðèîáðåòàåìûé ïåäàëüíûé

ïåðåêëþ÷àòåëü FC5 äëÿ âêëþ÷åíèÿ/âûêëþ÷åíèÿ âíóòðåííåãî

ïðîöåññîðà ýôôåêòîâ.

Âíóòðåííèé ïðîöåññîð ýôôåêòîâ àâòîìàòè÷åñêè âêëþ÷àåòñÿ

ïðè âêëþ÷åíèè ïèòàíèÿ ìèêøåðà.

%

%

$

Ïåðåêëþ÷àòåëè PFL

(ïðåäôåéäåðíîå ïðîñëóøèâàíèå)

Âêëþ÷èòå ýòîò ïåðåêëþ÷àòåëü äëÿ ïîäà÷è ñèãíàëà îò âíóò-

ðåííåãî öèôðîâîãî ýôôåêòà (ïåðåä ôåéäåðîì EFF1/2 RTN) â

øèíó PFL, ÷òîáû åãî ìîæíî áûëî ïðîâåðèòü â ãíåçäå PHONES.

ÏÐÈÌÅ×ÀÍÈÅ:

* Ñèãíàë íå áóäåò ïîäàâàòüñÿ â øèíó PFL, åñëè ïåðåêëþ÷à-

òåëü ýôôåêòà ON âûêëþ÷åí.

* Ïåðåêëþ÷àòåëü PFL (

16

,

23

,

49

) è AFL (

50

) âûáèðàþò ìèêñ,

êîòîðûé áóäåò êîíòðîëèðîâàòüñÿ íà ãíåçäå PHONES. Åñëè

êàíàëüíûå ïåðåêëþ÷àòåëè PFL èëè AFL - ON (âêëþ÷åíû),

âûõîä êàíàëà ìèêøèðóåòñÿ â ìîíèòîðíûé ñèãíàë, ïîäàþ-

ùèéñÿ íà ãíåçäî PHONES. Åñëè îáà ïåðåêëþ÷àòåëÿ - OFF

(âûêëþ÷åíû), âûõîä êàíàëà íå ïîäàåòñÿ íà ãíåçäî PHONES.

%

Ôåéäåðû EFF1/2 RTN

Ðåãóëèðóþò óðîâåíü çâóêà ýôôåêòà, êîòîðûé ïîäàåòñÿ íà

øèíó Ñòåðåî.

22 EMX5016CF Ðóêîâîäñòâî ïîëüçîâàòåëÿ

Ñïðàâî÷íîå Ðóêîâîäñòâî

Ïàíåëü óïðàâëåíèÿ è çàäíÿÿ ïàíåëü

&

Ãíåçäà ST SUB OUT

Ìàñòåð-ñåêöèÿ

Íåñáàëàíñèðîâàííûå øòåêåðíûå ãíåçäà, êîòîðûå âûâîäÿò

ñìèêøèðîâàííûé ñòåðåî ñèãíàë (L è R), óðîâåíü êîòîðîãî óñ-

òàíàâëèâàåòñÿ êîíòðîëëåðîì ST SUB OUT

47

â ñåêöèè Ìàñòåð

Óïðàâëåíèÿ. Îáû÷íî ýòè ãíåçäà èñïîëüçóþòñÿ äëÿ ïîäêëþ÷å-

íèÿ ñ âíåøíèì ìèêøåðîì èëè äîïîëíèòåëüíîé SR ñèñòåìîé.

&

(

+

'

Ãíåçäà REC OUT

Ýòè íåñáàëàíñèðîâàííûå RCA òèïà âûõîäíûå ãíåçäà ìîãóò

èñïîëüçîâàòüñÿ äëÿ ïîäà÷è îñíîâíîãî âûõîäíîãî ñòåðåî

'

)

ñèãíàëà íà âíåøíåå çàïèñûâàþùåå óñòðîéñòâî (DAT èëè

êàññåòíûé ìàãíèòîôîí). Ãíåçäà âûâîäÿò ñòåðåî ñèãíàë äî

*

ðåãóëèðîâêè ìàñòåð-ôåéäåðîì ST

52

è ãðàôè÷åñêèì ýêâàëàé-

çåðîì

33

. Ïîñêîëüêó ñèãíàë íå ðåãóëèðóåòñÿ ýòèìè êîíòðîë-

ëåðàìè, ñäåëàéòå ñîîòâåòñòâóþùèå óñòàíîâêè óðîâíÿ íà

âíåøíåì óñòðîéñòâå çàïèñè.

33

(

Ãíåçäî EFF1/2 ON/OFF

Ýòî øòåêåðíîå âõîäíîå ãíåçäî ñëóæèò äëÿ ïîäêëþ÷åíèÿ

,

îòäåëüíî ïðèîáðåòàåìîé ïåäàëè FC5. Ïåäàëüíûé ïåðåêëþ÷à-

òåëü ìîæåò èñïîëüçîâàòüñÿ êàê àëüòåðíàòèâà ïåðåêëþ÷àòåëþ

ON, äëÿ âêëþ÷åíèÿ/âûêëþ÷åíèÿ âíóòðåííåãî ïðîöåññîðà

ýôôåêòîâ.

-

)

Ãíåçäà ST OUT

Íåñáàëàíñèðîâàííûå øòåêåðíûå ãíåçäà âûâîäÿò ñìèêøèðî-

âàííûé ñòåðåî ñèãíàë (L è R), óðîâåíü êîòîðîãî óñòàíàâëèâà-

åòñÿ ìàñòåð-ôåéäåðîì ST

52

. Îáû÷íî ýòè ãíåçäà èñïîëüçó-

þòñÿ äëÿ ïîäêëþ÷åíèÿ ê óñèëèòåëþ ìîùíîñòè èëè àêòèâíîé

àêóñòè÷åñêîé ñèñòåìå.

*

Ãíåçäî PHONES

Ãíåçäî äëÿ íàóøíèêîâ. Ýòî ñáàëàíñèðîâàííîå âûõîäíîå

ñòåðåî ãíåçäî øòåêåðíîãî òèïà.

+

Ãíåçäî LAMP

Ýòî XLR 3-êîíòàêòíîå âûõîäíîå ãíåçäî äëÿ ïîäêëþ÷åíèÿ

îòäåëüíî ïðèîáðåòàåìîé ëàìïû.

ÏÐÈÌÅ×ÀÍÈÅ:

Ñîâìåñòèìûå ëàìïû: 12 Â (ïîñòîÿííîãî èëè ïåðåìåííîãî

òîêà), ìàêñèìóì 5 Âò. Ïèòàíèå 12 Â ïîäàåòñÿ íà êîíòàêòû 2

è 3. Êîíòàêò 1 íå çàäåéñòâîâàí.

,

Äèñïëåé GEQ (Ãðàôè÷åñêèé Ýêâàëàéçåð)

Îòîáðàæàåò óñòàíîâêè GEQ. Ýòîò 9-òè ïîëîñíûé GEQ ðåãóëè-

ðóåò ÷àñòîòíûå õàðàêòåðèñòèêè âûõîäíîãî ñèãíàëà ñòåðåî-

øèíû, ïîñòóïàþùåãî íà ãíåçäà ST OUT

28

, ãíåçäà ST SUB OUT

25

è ãíåçäà SPEAKERS

53

.

-

Ïåðåêëþ÷àòåëè GEQ +/-

Ýòè ïåðåêëþ÷àòåëè óâåëè÷èâàþò èëè óìåíüøàþò óñèëåíèå

êàæäîé ÷àñòîòíîé ïîëîñû íà ±12 äÁ. Öåíòðàëüíûå ÷àñòîòû

äëÿ ïîëîñ: 63, 125, 250, 500, 1 êÃö, 2 êÃö, 4 êÃö , 8 êÃö è 16 êÃö.

Çíà÷åíèÿ óñèëåíèÿ: 0äÁ, ±1.5äÁ, ±3äÁ, ±4.5äÁ, ±6äÁ, ±9äÁ

è ±12äÁ. Äëÿ ïðîìåæóòî÷íûõ íåíàïå÷àòàííûõ çíà÷åíèé -

ãîðÿùèå âåðõíèé è íèæíèé èíäèêàòîðû. (Íàïðèìåð, ãîðÿùèå

èíäèêàòîðû 0 è +3 óêàçûâàþò çíà÷åíèå +1.5äÁ.)

33



Ïåðåêëþ÷àòåëü GEQ ON

Âêëþ÷àåò/âûêëþ÷àåò ãðàôè÷åñêèé ýêâàëàéçåð. Âûêëþ÷àòåëü

ãîðèò, êîãäà ýêâàëàéçåð âêëþ÷åí.

EMX5016CF Ðóêîâîäñòâî ïîëüçîâàòåëÿ 23

Ñïðàâî÷íîå Ðóêîâîäñòâî

Ïàíåëü óïðàâëåíèÿ è çàäíÿÿ ïàíåëü

• Ðåæèì MEASURE

Ñóùåñòâóþò äâà ìåòîäà èçìåðåíèÿ: øóìîâîå èçìåðåíèå, ïðè

íàæàòèè è óäåðæàíèè ïåðåêëþ÷àòåëÿ MEASURE/CORRECT â

òå÷åíèå äâóõ è áîëåå ñåêóíä, è èçìåðåíèå ïðè ìóçûêàëüíîì

âîñïðîèçâåäåíèè, ïðè íàæàòèè è óäåðæàíèè â òå÷åíèå òðåõ

è áîëåå ñåêóíä. ×òîáû èçìåðèòü ÷àñòîòíûå õàðàêòåðèñòè-

êè ÷àñòîòû âûõîäíûì øóìîì, êîòîðûé ãåíåðèðóåòñÿ EMX,

íàæìèòå è óäåðæèâàéòå ïåðåêëþ÷àòåëü MEASURE/CORRECT

â òå÷åíèå äâóõ - òðåõ ñåêóíä.

Èíäèêàòîð áóäåò áûñòðî ìèãàòü è èçìåðåíèå íà÷íåòñÿ. Ðå-

çóëüòàò èçìåðåíèÿ îáíîâëÿåòñÿ íà äèñïëåå GEQ êàæäûå ïÿòü

ñåêóíä ïîñëå íà÷àë èçìåðåíèÿ.

Èçìåðåíèå ÷àñòîòíîé õàðàêòåðèñòèêè ïðè âîñïðîèçâåäåíèè

ìóçûêè, íàïðèìåð, îò ïîäêëþ÷åííûõ CD-ïëååðîâ, îñóùåñò-

34

âëÿåòñÿ íàæàòèåì è óäåðæàíèåì ïåðåêëþ÷àòåëÿ MEASURE/

CORRECT â òå÷åíèå òðåõ è áîëåå ñåêóíä. Èíäèêàòîð áóäåò

35

ìåäëåííî ìèãàòü è èçìåðåíèå íà÷íåòñÿ. Ðåçóëüòàò èçìåðå-

íèÿ îáíîâëÿåòñÿ íà äèñïëåå GEQ êàæäûå ïÿòü ñåêóíä ïîñëå

íà÷àë èçìåðåíèÿ.

36

• Ðåæèì CORRECT

38

Åñëè Âû íàæèìàåòå è óäåðæèâàåòå ïåðåêëþ÷àòåëü MEASURE/

37

CORRECT â òå÷åíèå äâóõ è áîëåå ñåêóíä ïîñëå èçìåðåíèÿ,

ãðàôèê êîððåêöèè, ñîîòâåòñòâóþùèé ÷àñòîòíîé õàðàêòå-

39

ðèñòèêå ðåçóëüòàòà èçìåðåíèÿ, áóäåò ïðèìåíåí ê GEQ, è

40

42

èíäèêàòîð çàãîðèòñÿ. Ãðàôèê êîððåêöèè ñîõðàíÿåòñÿ äî

ñëåäóþùåãî èçìåðåíèÿ. Åñëè Âû æåëàåòå âûçâàòü ãðàôèê

41

êîððåêöèè ïîñëå âûêëþ÷åíèÿ ïåðåêëþ÷àòåëÿ GEQ ON èëè

ïèòàíèÿ, íàæìèòå ïåðåêëþ÷àòåëü MEASURE/CORRECT åùå

ðàç.

35



Ïåðåêëþ÷àòåëè VOCAL, DANCE, SPEECH

Íàæàòèå ëþáîãî èç ýòèõ ïåðåêëþ÷àòåëåé âûçûâàåò ïðåñåò-

íûå óñòàíîâêè GEQ.

Äèñïëåé GEQ

31

, îòîáðàæàåò óñòàíîâêè, è èíäèêàòîð ïåðå-

êëþ÷àòåëÿ ãîðèò. Åñëè Âû èçìåíÿåòå óñòàíîâêè GEQ ïîñëå

èõ âûçîâà, èíäèêàòîð ïåðåêëþ÷àòåëÿ âûêëþ÷àåòñÿ. Íàæìèòå

ïåðåêëþ÷àòåëü åùå ðàç äëÿ âîññòàíîâëåíèÿ ïðåñåòíûõ óñòà-

íîâîê.

36



Ïåðåêëþ÷àòåëè USER 1, USER 2, USER 3

Ýòè ïåðåêëþ÷àòåëè èñïîëüçóþòñÿ äëÿ ñîõðàíåíèÿ óñòàíîâîê

GEQ â ïàìÿòè è ïîñëåäóþùåãî èõ âûçîâà.

• Ñîõðàíåíèå

Íàæìèòå è óäåðæèâàéòå ïåðåêëþ÷àòåëü USER â òå÷åíèå äâóõ

è áîëåå ñåêóíä äî òåõ ïîð, ïîêà èíäèêàòîð ïåðåêëþ÷àòåëÿ íå

çàìèãàåò.

• Âûçîâ ñîõðàíåííûõ óñòàíîâîê

Íàæìèòå íåîáõîäèìûé äëÿ âûçîâà ïåðåêëþ÷àòåëü USER.

Óñòàíîâêè áóäóò âûáðàíû è îáîçíà÷åíû íà äèñïëåå GEQ

31

, à èíäèêàòîð ïåðåêëþ÷àòåëÿ áóäåò ãîðåòü. Íàæèìàéòå

ïåðåêëþ÷àòåëè GEQ +/-, ÷òîáû êîððåêòèðîâàòü óñòàíîâêè.

Íàæìèòå ïåðåêëþ÷àòåëü USER åùå ðàç, äëÿ âîññòàíîâëåíèÿ

óñòàíîâîê.

ÏÐÈÌÅ×ÀÍÈÅ:

Ïîñëå âûçîâà óñòàíîâîê GEQ ïåðåêëþ÷àòåëÿìè

34



Ïåðåêëþ÷àòåëü FRC MEASURE/CORRECT

MEASURE/CORRECT, VOCAL, DANCE, SPEECH èëè USER,

FRC (Ñèñòåìà Êîððåêöèè ×àñòîòíîé õàðàêòåðèñòèêè) ïîçâî-

ïîâòîðíîå íàæàòèå âîññòàíàâëèâàåò ïðåäûäóùèå

ëÿåò èçìåðÿòü ÷àñòîòíûå õàðàêòåðèñòèêè çâóêîâîé îáëàñòè è

óñòàíîâêè GEQ. Ýòî óäîáíî äëÿ ñðàâíåíèÿ äâóõ óñòàíîâîê

àâòîìàòè÷åñêè ïðèìåíÿòü ãðàôèê êîððåêöèè GEQ.

GEQ.

Ðåæèì MEASURE èçìåðÿåò ÷àñòîòíûå õàðàêòåðèñòèêè, à ðå-

æèì CORRECT ïðèìåíÿåò ãðàôèê êîððåêöèè ê GEQ ñîãëàñíî

ðåçóëüòàòàì èçìåðåíèÿ. Ñì. ñòð. 30.

24 EMX5016CF Ðóêîâîäñòâî ïîëüçîâàòåëÿ

Ñïðàâî÷íîå Ðóêîâîäñòâî

Ïàíåëü óïðàâëåíèÿ è çàäíÿÿ ïàíåëü

37



Ïîäàâèòåëü Îáðàòíîé ñâÿçè

39



Èíäèêàòîð LIMITER

Ýòà ôóíêöèÿ êîíòðîëèðóåò ñèãíàë ñòåðåî øèíû äëÿ îïðå-

Ëàìïî÷êà çàãîðàåòñÿ, êîãäà óñèëåíèå âûõîäíîãî ñèãíàëà íà

äåëåíèÿ âîçíèêíîâåíèÿ îáðàòíîé ñâÿçè è ñîçäàåò ôèëüòðû

ãíåçäàõ SPEAKERS äîñòèãàåò ìàêñèìàëüíîãî çíà÷åíèÿ.

(âûðåçàþùèå îïðåäåëåííûå ÷àñòîòû) äëÿ åå óñòðàíåíèÿ.

Åñòü äâà ìåòîäà: ðåæèì AUTO êîíòðîëèðóåò ñèãíàë ïåðèî-

äè÷åñêè, è ðåæèì MANUAL, êîòîðûé èíäèâèäóàëüíî èùåò

Ëàìïî÷êà óêàçûâàåò, ÷òî ðàáîòàåò ëèìèòåð. Åñëè ëàìïî÷-

êàæäóþ òî÷êó îáðàòíîé ñâÿçè. Âû ìîæåòå èñïîëüçîâàòü îäèí

êà çàãîðàåòñÿ ÷àñòî, íàãðóçêà íà óñèëèòåëü ñëèøêîì âû-

èç ìåòîäîâ èëè îáà â òàíäåìå.

ñîêà è åñòü ðèñê ïîâðåæäåíèÿ îáîðóäîâàíèÿ. Óìåíüøèòå

óñòàíîâêó ìàñòåð-ôåéäåðà ST

52

èëè ôåéäåðîâ AUX1 èëè

AUX2

46

, òàê, ÷òîáû ëàìïî÷êà ìèãàëà ëèøü èçðåäêà èëè

• Ðåæèì AUTO

âîîáùå íå çàãîðàëàñü.

Íàæàòèå ïåðåêëþ÷àòåëÿ AUTO ON âêëþ÷àåò èíäèêàòîð è êîíò-

ðîëü äëÿ ïåðèîäè÷åñêîãî îïðåäåëåíèÿ îáðàòíîé ñâÿçè. Åñëè

îíà íàéäåíà, ñîîòâåòñòâóþùèé ôèëüòð ñîçäàåòñÿ àâòîìàòè-

40



Ïåðåêëþ÷àòåëü Âûõîäíîé Ìîùíîñòè

÷åñêè.

Ýòîò ñåëåêòîð ïîçâîëÿåò Âàì óñòàíîâèòü ìàêñèìàëüíóþ

Ïîâòîðíîå íàæàòèå ïåðåêëþ÷àòåëÿ AUTO ON âûêëþ÷àåò Ïî-

âûõîäíóþ ìîùíîñòü äëÿ âíóòðåííåãî 2 êàíàëüíîãî óñèëèòåëÿ

äàâèòåëÿ Îáðàòíîé ñâÿçè è èíäèêàòîð ïåðåêëþ÷àòåëÿ. ×òîáû

íà ëþáîì èç òðåõ óðîâíåé. Óñòàíîâèòå íàèáîëåå ïîäõîäÿùåå

î÷èñòèòü ôèëüòðû, íàæìèòå è óäåðæèâàéòå ïåðåêëþ÷àòåëü

çíà÷åíèå äëÿ êîíêðåòíîãî ïðèìåíåíèÿ èëè äëÿ Âàøåé àêóñ-

AUTO ON â òå÷åíèå äâóõ è áîëåå ñåêóíä. Èíäèêàòîð áóäåò

òè÷åñêîé ñèñòåìû.

ìèãàòü, êîãäà âñå ôèëüòðû î÷èùåíû. Ïîêà Âû íå î÷èñòèòå

500Âò: Ìàêñèìóì 500Âò + 500Âò/4Îì.

ôèëüòðû, óñòàíîâêè ôèëüòðà áóäóò ñîõðàíåíû, äàæå ïðè

200Âò : Ìàêñèìóì 200Âò + 200Âò/4Îì.

âûêëþ÷åíèè ïèòàíèÿ ìèêøåðà.

75Âò: Ìàêñèìóì 75Âò + 75Âò/4Îì.

ÏÐÈÌÅ×ÀÍÈÅ:

Îòìåòêà ôèëüòðà, ñîçäàííàÿ ðåæèìîì AUTO, áóäåò óìåíü-

øåíà íà 3 äÁ ñïóñòÿ ìèíóòó ïîñëå ñîçäàíèÿ.

41



Ïåðåêëþ÷àòåëü POWER AMP

Âûáèðàåò âûõîä, ñèãíàë êîòîðîãî ïîñûëàåòñÿ íà ãíåçäà

• Ðåæèì MANUAL

SPEAKERS, ñëåäóþùèì îáðàçîì.

Íàæìèòå ïåðåêëþ÷àòåëü MANUAL DETECT äëÿ ïðîâåðêè ñëå-

L/R:

äóþùåé òî÷êè îáðàòíîé ñâÿçè â ñèãíàëå. Åñëè îíà íàéäåíà,

Ãíåçäà SPEAKERS A1 è A2 âûâîäÿò ñèãíàë îò ñòåðåî øèíû L,

ìåòêà ôèëüòð ñîçäàåòñÿ àâòîìàòè÷åñêè.  òå÷åíèå ïðîâåðêè

à ãíåçäà B1 è B2 ñèãíàë îò ñòåðåî øèíû R. Îáùàÿ ãðîìêîñòü

èíäèêàòîð MANUAL DETECT ìèãàåò. Ïðîâåðêà îñòàíàâëèâà-

óñòàíàâëèâàåòñÿ ìàñòåð-ôåéäåðîì ST.

åòñÿ, êîãäà íàéäåíà îáðàòíàÿ ñâÿçü èëè íå íàéäåíà â òå÷åíèå

AUX1/MONO:

ïÿòè ñåêóíä. Åñëè îòìåòêè äëÿ ôèëüòðîâ óæå ñîçäàíû è

Ãíåçäà SPEAKERS A1 è A2 âûâîäÿò ñèãíàë îò øèíû AUX 1,

äðóãàÿ òî÷êà îáðàòíîé ñâÿçè íå íàéäåíà, èíäèêàòîð ãàñíåò íà

ãðîìêîñòü ýòîãî ñèãíàëà óñòàíàâëèâàåòñÿ ôåéäåðîì AUX1.

ñåêóíäó, à çàòåì çàãîðàåòñÿ ñíîâà.

Ãíåçäà SPEAKERS B1, è B2 âûâîäÿò ñìèêøèðîâàííûé ñèãíàë

Ðåæèì MANUAL îïðåäåëÿåò îáðàòíóþ ñâÿçü áîëåå òùàòåëü-

íà ñòåðåî øèíàõ L è R, ãðîìêîñòü óñòàíàâëèâàåòñÿ ìàñòåð-

íî, ÷åì ðåæèì AUTO. Èñïîëüçîâàíèå ýòîãî ðåæèìà ìîæåò

ôåéäåðîì ST.

îøèáî÷íî èäåíòèôèöèðîâàòü ìóçûêàëüíûå íîòû âî âðåìÿ

AUX1/AUX2:

ðàáîòû êàê îáðàòíóþ ñâÿçü; îäíàêî, ýòîò ðåæèì óäîáåí äëÿ

Ãíåçäà SPEAKERS A1 è A2 âûâîäÿò ñèãíàë îò øèíû AUX 1,

óñòàíîâêè ôèëüòðîâ çàðàíåå, ïðåäíàìåðåííî ïîäíèìàÿ

à ãíåçäà B1 è B2 âûâîäÿò ñèãíàë îò øèíû AUX2. Ãðîìêîñòè

óðîâíè è íàõîäÿ òî÷êè îáðàòíîé ñâÿçè.

óñòàíàâëèâàåòñÿ ñîîòâåòñòâåííî ôåéäåðàìè AUX1 è AUX2.

ÏÐÈÌÅ×ÀÍÈÅ:

• Åñëè îòìåòêà ôèëüòðà ñîçäàíà ïðè íàæàòèè ïåðåêëþ-

÷àòåëÿ MANUAL DETECT, ïåðåêëþ÷àòåëü MANUAL ON

42



Ïåðåêëþ÷àòåëü YS Processing

âêëþ÷àåòñÿ àâòîìàòè÷åñêè. ×òîáû âûêëþ÷èòü Ïîäàâèòåëü

Ýòîò ïåðåêëþ÷àòåëü âêëþ÷àåò/âûêëþ÷àåò ïðîöåññîð Yamaha

Îáðàòíîé ñâÿçè, íàæìèòå ïåðåêëþ÷àòåëü MANUAL ON.

Speaker Processing. Ïðîöåññîð êîððåêòèðóåò áàñîâûé äèàïà-

Åñëè îòìåòêè ôèëüòðîâ íå ñîçäàíû, íàæàòèå ïåðåêëþ÷à-

òåëÿ MANUAL ON íå ìîæåò âêëþ÷èòü Ïîäàâèòåëü Îáðàò-

çîí ãðîìêîãîâîðèòåëåé, êîìïåíñèðóÿ, íàïðèìåð, îòñóòñòâèå

íîé ñâÿçè.

ñóáâóôåðîâ. Îáðàòèòå âíèìàíèå, ÷òî ÷àñòîòíûé áàëàíñ

• ×òîáû óäàëèòü ìåòêè äëÿ ôèëüòðîâ, íàæìèòå è óäåðæè-

ìîæåò èçìåíÿòüñÿ ñîãëàñíî èñïîëüçóåìûì äèíàìèêàì.

âàéòå ïåðåêëþ÷àòåëü MANUAL ON â òå÷åíèå äâóõ è áîëåå

ñåêóíä. Èíäèêàòîð áóäåò ìèãàòü, êîãäà âñå îòìåòêè äëÿ

ôèëüòðîâ áóäóò óäàëåíû. Ïîêà Âû íå óäàëÿåòå ìåòêè äëÿ

ôèëüòðîâ, óñòàíîâêè ôèëüòðà áóäóò ñîõðàíÿòüñÿ äàæå ïðè

âûêëþ÷åíèè ïèòàíèÿ ìèêøåðà.

38



Ïåðåêëþ÷àòåëü MAXIMIZE ON

Êîãäà ýòîò ïåðåêëþ÷àòåëü âêëþ÷åí, ìíîãîïîëîñíûé êîìïðåñ-

ñîð (3-õ ïîëîñíûé) ïðèìåíÿåòñÿ ê ñèãíàëó ñòåðåî øèíû L/R

äëÿ ðàñøèðåíèÿ îáúåìà çâóêà è îáùåé âûõîäíîé ãðîìêîñòè.

Âêëþ÷åííûé ïåðåêëþ÷àòåëü îáîçíà÷åí îñâåùåííûì èíäèêà-

òîðîì.

ÏÐÈÌÅ×ÀÍÈÅ:

Âêëþ÷åíèå ïèòàíèÿ ïðè óäåðæàíèè íàæàòûì ïåðåêëþ-

÷àòåëÿ GEQ ON

31

è ïåðåêëþ÷àòåëÿ MAXIMIZE ON

38

âîññòàíàâëèâàåò èñõîäíûå ôàáðè÷íûå óñòàíîâêè äëÿ

GEQ, ýôôåêòîâ, Ïîäàâèòåëÿ Îáðàòíîé ñâÿçè (Feedback

Suppressor) è MAXIMIZE.

EMX5016CF Ðóêîâîäñòâî ïîëüçîâàòåëÿ 25

Ñïðàâî÷íîå Ðóêîâîäñòâî

Óñòàíîâêà â ðýê-ñòîéêó

×òîáû ïîäãîòîâèòü ìîäóëü ê ìîíòàæó â ðýê-ñòîéêó, èñïîëüçóéòå êîìïëåêò êðåïëåíèÿ RK5014 (ïðèîáðåòàåòñÿ îòäåëüíî).

Óáåäèòåñü â íàëè÷èè äîñòàòî÷íîé âåíòèëÿöèè. Íå èñïîëüçóéòå çàêðûòóþ ðýê-ñòîéêó.

ÏÐÈÌÅ×ÀÍÈÅ:

Äëÿ ìîíòàæà ìîäóëÿ EMX íåîáõîäèìà 12U ðýê-ñòîéêà è êîìïëåêò êðåïëåíèÿ RK5014.

Êàê óñòàíîâèòü êðåïëåíèÿ

1 Èñïîëüçóéòå îòâåðòêó äëÿ óäàëåíèÿ âèíòîâ íà ìîäóëå EMX.

2 Óñòàíîâèòå äâà ìåòàëëè÷åñêèõ óãîëêà â ñîîòâåòñòâèè ñ

îòâåðñòèÿìè è çàêðåïèòå èõ âèíòàìè, êîòîðûå Âû óäàëèëè.

Íå èñïîëüçóéòå äðóãèå âèíòû, êðîìå óñòàíîâëåííûõ íà

ìîäóëå EMX.

3 Óñòàíîâèòå ìîäóëü â ðýê-ñòîéêó è çàêðåïèòå åãî.

Íå óñòàíàâëèâàéòå ìèêøåð âîçëå óñèëèòåëåé èëè äðóãèõ

òåïëîãåíåðèðóþùèõ óñòðîéñòâ.

32 EMX5016CF Ðóêîâîäñòâî ïîëüçîâàòåëÿ

Ñïðàâî÷íîå Ðóêîâîäñòâî

Ïîäãîòîâêà ê ðàáîòå

ÏÐÈÌÅ×ÀÍÈÅ:

Ïàíåëü óïðàâëåíèÿ

 áîëüøèíñòâå ñëó÷àåâ äîñòàòî÷íî ïîäêëþ÷èòü

àêóñòè÷åñêèå ñèñòåìû ê ãíåçäàì SPEAKERS íà çàäíåé

ïàíåëè ìîäóëÿ. Íî åñëè Âû õîòèòå èìåòü áîëåå

ìîùíóþ çâóêîâóþ ñèñòåìó, Âû ìîæåòå ñäåëàòü ýòî,

Синтезатор

ïîäêëþ÷àÿ óñèëèòåëü ìîùíîñòè ê ãíåçäàì ST OUT, ST

FUNCTION

KNOB

CONTROL

PAN/SEND

ASSIGN

TONE

ASSIGN A

ÊARP FX

PAN

CUTOFF

SWING

RESONANCE

ASSIGN B

REVERB

ATTACK

CHORUS

ASSIGN 1

ASSIGN 2

TEMPO

RELEASE

REMOTE ARPEGGIO

ON/OFF ON/OFF

G-MIDI

R-AUDIO

EQ

VOLUME

LOW

KN

1

LOW MID

GATE TIME

KN

2

KN

HIGH MID

VELOCITY

3

KN

HIGH

UNITMULTIPLY

1

VOLUME

2

VOLUME

3

VOLUME

4

4

SEQ TRANSPORT

INSERTION SYSTEM

BYPASS

EFFECT

EFFECT

MASTER

SEQUENCER

SONG

VOICE

MODE

PERFORM MASTER

DRUM KITS

PRE 1 PRE 2 PRE 3 PRE 4

PRE 5 PRE 6

USER 1

USER 2

MUSIC PRODUCTION SYNTHESIZER

GM

Integrated Sampling Sequencer /

Modular Synthesis Plug-in System / Real -time External Control Surface

PATTERN FILE

FAVORITES

A. PIANO KEYBOARD ORGAN

ABCDEFG

PLUCKED

GUITAR/

BASS

STRINGS

PLG 1

SLOT

1

SLOT

BRASS

PLG 2

PLG 3

2

SUB OUT èëè AUX 1/2 , à çàòåì ïîäêëþ÷èòü àêóñòè÷åñ-

INTEGRATED

SAMPLING

MIXING UTILITY

DEMO

SEY/CNION/CED

SYN LEAD

REED/PIPE

SCENE

SYN PAD/

H

SLOT

3

SECTION

SEARCH

CATEGORY

GROUP

BANK

LOCATE 1 2

DOWN UP

OCTAVE

EDIT

COMPARE SCENE STORE

JOB STORE

SET LOCATE

F

1

SF1 SF

F

2

F

2

3

SF

3

F

4

SF

4

5

F

SF

5

INFORMATION

6

F

RETNETIXE

COMMON

9

ELEMENT/PERF. PART/ZONE

10

CHOIR

EXECUTE

11

SYN COMP

PERCUSSION

CHROMATIC

PERCUSSION

DRUM/

1412 13

SE MUSICAL FX COMBI

15

87654321

16

MUTE

TRACK

SELECT

NUMBER

MASTER

VOLUME

ZONE 1

CS 1

ZONE 2

CS 2

CS 3

SOLO

ZONE 3

ZONE 4

CS 4

êèå êîëîíêè ê óñèëèòåëþ ìîùíîñòè.

Гитара

Гитара

Записывающее

устройство

Мониторная

Педальный

акустическая

переключатель

система

(YAMAHA FC5)

CD Player

Лампа

DI

Бас

Процессор эффектов

Микрофоны

Наушники

Микрофоны

Усилитель

Усилитель

мощности

мощности

Процессор эффектов

Ударная

установка

Субвуфер

Акустическая система

Çàäíÿÿ Ïàíåëü

Ðàçìåùåíèå EMX

Сзади

Не менее

30 см

Спереди

Âåíòèëÿöèÿ ìèêøåðà ðàñïîëîæåíà âïåðåäè è ñçàäè

óñòðîéñòâà. Óñòàíîâèòå ìîäóëü òàê, ÷òîáû âåíòèëÿöèÿ

íå áëîêèðîâàëàñü ñòåíàìè èëè ïðåäìåòàìè.

EMX5016CF Ðóêîâîäñòâî ïîëüçîâàòåëÿ 33

Ñïðàâî÷íîå Ðóêîâîäñòâî

Ïîèñê íåèñïðàâíîñòåé

Z

Îòñóòñòâóåò ïèòàíèå.

r

Óáåäèòåñü, ÷òî Âû èñïîëüçóåòå àäàïòåð, âõîäÿùèé â êîìïëåêò

ïîñòàâêè.

r

Ïðîâåðüòå ïðàâèëüíîñòü ïîäêëþ÷åíèÿ àäàïòåðà ê ðàçúåìó AC IN è

èñïðàâíîé ðîçåòêå.

Z

Ïèòàíèå âíåçàïíî ïðîïàäàåò.

r

Óáåäèòåñü, ÷òî âåíòèëÿöèîííûå îòâåðñòèÿ íå áëîêèðîâàíû.

r

Áëîêèðîâêà îòâåðñòèé ìîæåò âûçâàòü ïåðåãðåâ EMX ìîäóëÿ.

r

Ïðè ïåðåãðåâå óñòðîéñòâà ïèòàíèå ìîæåò áûòü àâòîìàòè÷åñêè

âûêëþ÷åíî.

r

Äàéòå ïðèáîðó îñòûòü, à çàòåì âêëþ÷èòå ïèòàíèå.

Z

Çâóê âíåçàïíî ïðåðâàëñÿ.

r

Óáåäèòåñü, ÷òî âåíòèëÿöèîííûå îòâåðñòèÿ íå áëîêèðîâàíû.

r

Áëîêèðîâêà îòâåðñòèé ìîæåò âûçâàòü ïåðåãðåâ EMX ìîäóëÿ.

r

Ïðè ïåðåãðåâå ìîæåò áûòü âðåìåííî îòêëþ÷åí âûõîä âíóòðåííå-

ãî óñèëèòåëÿ ìîùíîñòè. Äàéòå ïðèáîðó îñòûòü, à çàòåì âêëþ÷èòå

ïèòàíèå.

Z

Íåò çâóêà.

r

Ïðîâåðüòå ïðàâèëüíîñòü ïîäêëþ÷åíèÿ ìèêðîôîíîâ, âíåøíèõ óñò-

ðîéñòâ è àêóñòè÷åñêîé ñèñòåìû.

r

Óáåäèòåñü, ÷òî ðåãóëÿòîðû GAIN, êàíàëüíûå ôåéäåðû, ìàñòåð-ôåé-

äåð ST è ôåéäåðû AUX1/2 óñòàíîâëåíû íà ñîîòâåòñòâóþùèå óðîâíè.

r

Ïðîâåðüòå, íå îáîðâàíû ëè çâóêîâûå êàáåëè.

r

Åñëè âûøåïðèâåäåííûå ìåðû íå óñòðàíÿò ïðîáëåìó, âûçîâèòå

ñïåöèàëèñòà Yamaha.

Z

Çâóê ñëàáûé, èñêàæåííûé, èëè â

r

Óáåäèòåñü, ÷òî ðåãóëÿòîðû GAIN, êàíàëüíûå ôåéäåðû, ìàñòåð-ôåé-

äåð ST è ôåéäåðû AUX1/2 óñòàíîâëåíû íà ñîîòâåòñòâóþùèå óðîâíè.

íåì ìíîãî øóìà.

r

Ïðîâåðüòå ñîîòâåòñòâèå óñòàíîâêè ïåðåêëþ÷àòåëåé [26 äÁ] íà êà-

íàëàõ 1 - 8. Âîçìîæíî Âû îäíîâðåìåííî ïîäêëþ÷èëè îáîðóäîâàíèå

ê ãíåçäàì INPUT À è INPUT B íà êàíàëàõ 1 – 6. (Íà êàæäîì èç ýòèõ

êàíàëîâ Âû ìîæåòå èñïîëüçîâàòü îäèí èëè äðóãîé âõîä, íî íå îáà

âìåñòå).

r

Óáåäèòåñü, ÷òî âõîäíîé ñèãíàë îò ïîäêëþ÷åííîãî óñòðîéñòâà óñòà-

íîâëåí íà ñîîòâåòñòâóþùèé óðîâåíü.

Z

Èíäèêàòîð FCL ãîðèò äàæå ïðè

r

Íåïðåðûâíûé âõîäíîé çâóê (îò CD-ïëååðà èëè äðóãîãî òàêîãî èñòî÷-

íèêà) ìîæåò ïðèâåñòè ê çàãîðàíèþ èíäèêàòîðà äàæå â îòñóòñòâèè

îòñóòñòâèè íà êàíàëå îáðàòíîé

îáðàòíîé ñâÿçè.

ñâÿçè.

Z

Âíóòðåííèé öèôðîâîé ýôôåêò íå

r

Ïðîâåðüòå ïðàâèëüíîñòü óñòàíîâêè ðåãóëÿòîðà EFFECT íà êàæäîì

êàíàëå.

ïðèìåíÿåòñÿ.

r

Óáåäèòåñü, ÷òî âûêëþ÷àòåëü âíóòðåííåãî ïðîöåññîðà öèôðîâîãî

ýôôåêòà âêëþ÷åí.

r

Óáåäèòåñü, ÷òî ôåéäåð EFFECT RTN óñòàíîâëåí ïðàâèëüíî.

Z

Çâóê îò àêóñòèêè êàæåòñÿ òóñê-

r

Ïîïðîáóéòå âêëþ÷èòü ïðîöåññîð îáðàáîòêè çâóêà YS.

r

Îòêîððåêòèðóéòå ýêâàëàéçåðû (ðåãóëÿòîðû HIGH, MID, è LOW) íà

ëûì. Âû õîòèòå ïîëó÷èòü áîëåå

êàæäîì êàíàëå.

ÿðêèé çâóê.

r

Îòêîððåêòèðóéòå ãðàôè÷åñêèå ýêâàëàéçåðû.

Z

Âû õîòèòå, ÷òîáû ðå÷ü ïðîñëóøè-

r

Óáåäèòåñü, ÷òî ïðîöåññîð îáðàáîòêè çâóêà YS âûêëþ÷åí. Îòêîð-

ðåêòèðóéòå ýêâàëàéçåðû (ðåãóëÿòîðû HIGH, MID, è LOW) íà êàæäîì

âàëàñü áîëåå ÷åòêî.

êàíàëå.

r

Îòêîððåêòèðóéòå ãðàôè÷åñêèå ýêâàëàéçåðû.

r

Ïðîâåðüòå ïåðåêëþ÷àòåëè * (ôèëüòðû âûñîêîé ÷àñòîòû) äëÿ ñîîò-

âåòñòâóþùèõ êàíàëîâ.

Z

Âû õîòèòå âûâåñòè ìîíèòîðíûé

r

Ïîäêëþ÷èòå àêòèâíóþ àêóñòè÷åñêóþ ñèñòåìó ê ãíåçäàì AUX1/2.

Çàòåì óñòàíîâèòå óðîâåíü ñèãíàëà AUX1/2, ðåãóëèðóÿ êàíàëüíûå

ñèãíàë ÷åðåç àêóñòè÷åñêóþ ñèñ-

êîíòðîëëåðû

òåìó.

r

AUX1/2 è ôåéäåðû AUX1 è AUX2.

r

Åñëè Âû õîòèòå ïîñëàòü ìîíèòîðíûé ñèãíàë íà ãíåçäî SPEAKERS

A, óñòàíîâèòå ïåðåêëþ÷àòåëü POWER AMP â ïîçèöèþ AUX1/MONO.

(Îáðàòèòå âíèìàíèå, ÷òî â ýòîì ñëó÷àå ãíåçäî A áóäåò âûâîäèòü ìî-

íèòîðíûé ñèãíàë, à ãíåçäî B ìèêøèðîâàííûé ñòåðåî ñèãíàë L è R.)

34 EMX5016CF Ðóêîâîäñòâî ïîëüçîâàòåëÿ

Ñïðàâî÷íîå Ðóêîâîäñòâî

Òåõíè÷åñêèå õàðàêòåðèñòèêè

Z

Îáùèå òåõíè÷åñêèå õàðàêòåðèñòèêè

* Ýòè òåõíè÷åñêèå õàðàêòåðèñòèêè îòíîñÿòñÿ ê èñòî÷íèêàì ïèòàíèÿ 120Â, 230 è 240Â.

MIN TYP MAX Åäèí.

Ìàêñèìàëüíàÿ âûõîäíàÿ (RL=4 Îì) ìîùíîñòü Îáà êàíàëà, 1êÃö, THD+N < 0.5% 500 Âò

(RL=8 Îì) (SPEAKERS) 350 US,AU)

320(EU)

Îáùåå ãàðìîíè÷åñêîå èñêàæåíèå (ST, ST SUB, AUX, EFFECT) + 14äÁí âûõîä íà 600 Îì 0.3 %

(THD+N) 20 Ãö-20 êÃö (REC ) 00 äÁâ âûõîä íà 10 êÎì 0.5 %

×àñòîòà (ST, ST SUB, AUX, EFFECT) GAIN íà ìèíèìóìå, PAD=OFF,

-3.0 0.0 1.0 äÁ

20Ãö-20êÃö, íîìèíàëüíûé

(SPEAKERS) -3.0 0.0 1.0 äÁ

âûõîäíîé óðîâåíü @ 1êÃö

EIN= Ýêâèâàëåíòíûé Âõîäíîé Øóì (ST OUT) GAIN íà ìàêñèìóìå , 20Ãö-20êÃö -128 äÁí

Îñòàòî÷íûé âûõîäíîé øóì (SPEAKERS) (SPEAKERS) -68 äÁí

(ST, ST SU B, AUX) -95 äÁí

Ïåðåêðåñòíûå ïîìåõè @ 1êÃö ñìåæíûå âõîäû -68 äÁ

âõîä íà âûõîä -68 äÁ

Maximum Voltage Gain @1êÃö CH MIC INPUT — SPEAKERS 109 äÁ

CH MIC INPUT — ST OUT 84 äÁ

CH MIC INPUT — AUX SEND

80 äÁ

(PRE), ST SUB

CH MIC INPUT — AUX SEND

90 äÁ

(POST)

CH MIC INPUT — EFFECT

78 äÁ

SEND

CH MIC INPUT — REC OUT 62.2 äÁ

ST CH 11/12,13/14 — ST OUT 58 äÁ

Ôàíòîìíîå íàïðÿæåíèå (êàíàëû 1-6, 7/8, 9/10) Áåç íàãðóçêè 48 Â DC

Ýêâàëàéçåð Ìîíî/Ñòåðåî

HIGH 10êÃö (ïèêîâûé)

êàíàëà ± 15 äÁ (ìàêñèìàëü-

MID (MONO) 250-5êÃö (ïèêîâûé)

íîå èçìåíåíèå)

MID (ST) 2.5êÃö (ïèêîâûé)

LOW 100Ãö (ïîëîãîâûé)

Èíäèêàòîð PEAK Íà êàæäîì êàíàëå: èíäèêàòîð çàãîðàåòñÿ, åñëè óðîâåíü ñèãíàëà ïîñëå EQ

íà 3 äÁ íèæå óðîâíÿ ïåðåãðóçêè.

Èíäèêàòîð SIGNAL Íà êàæäîì êàíàëå: èíäèêàòîð çàãîðàåòñÿ, åñëè ñèãíàë ïîñëå EQ äîñòèãà-

åò -10 äÁ.

Èíäèêàòîð FCL Óðîâåíü âõîäíîãî ñèãíàëà: -75äÁ

Èíäèêàòîð LEVEL (ST, PFL/AFL) Äâà ñâåòîäèîäíûõ èíäèêàòîðà óðîâíÿ ñ 12 òî÷êàìè (PEAK+5, +3, +1, 0, -1,

-3, -5, -7, -10, -15, -20 äÁ)

PEAK çàãîðàåòñÿ, åñëè óðîâåíü ñèãíàëà íà 3 äÁ íèæå óðîâíÿ ïåðåãðóçêè.

Ãðàôè÷åñêèé Ýêâàëàéçåð (ST OUT) 9 ïîëîñ (63, 125, 250, 500, 1000, 2000, 4000, 8000, 16000 Ãö) ±12 äÁ (ìàê-

ñèìàëüíîå èçìåíåíèå)

Âíóòðåííèé Öèôðîâîé Ýôôåêò 16 ïðîãðàìì, óïðàâëåíèå ïàðàìåòðàìè

Ïåäàëüíûé ïåðåêëþ÷àòåëü (âêëþ÷åíèå è âûêëþ÷åíèå âíóòðåííåãî ýôôåêòà)

Çàùèòà óñèëèòåëÿ ìîùíîñòè Âêëþ÷åíèå è âûêëþ÷åíèå áëîêèðîâêè ïåðåêëþ÷àòåëÿ POWER DC îøèáêà:

ñáðîñ ýëåêòðîïèòàíèÿ

Ïðè òåìïåðàòóðå 90°C: çàãëóøêà âûõîäà/àâòîìàòè÷åñêèé ñáðîñ V1 ëèìè-

òåð /RL < 2 Îì

Ëèìèòåð ïåðåãðóçêè/THD = 1 % , èíäèêàòîð õ 2

Çàùèòà ýëåêòðîïèòàíèÿ Ïðè òåìïåðàòóðå = 100°C: ñáðîñ ýëåêòðîïèòàíèÿ

Îõëàæäåíèå Äâà âåíòèëÿòîðà

MIN TYP MAX Åäèí.

Ïîòðåáëÿåìàÿ ìîùíîñòü 450 Âò

Êàáåëü AC Äëèíà 2500 ìì

Ðàçìåðû Âûñîòà 155 ìì

Ãëóáèíà 493 ìì

Øèðèíà 444 ìì

Âåñ 11 êã

EMX5016CF Ðóêîâîäñòâî ïîëüçîâàòåëÿ 35

Ñïðàâî÷íîå Ðóêîâîäñòâî

Òåõíè÷åñêèå õàðàêòåðèñòèêè

Z

Âõîäíûå õàðàêòåðèñòèêè

Ôàêòè÷åñêîå

Äëÿ

Âõîäíîé Óðîâåíü

Âõîäû PAD GAIN

ñîïðîòèâëå-

èñïîëüçîâàíèÿ

×óâñòâèòåëü-

Ìàêñ. ïåðåä

Ðàçúåì

íèå íàãðóçêè

ñ íîìèíàëîì

Íîìèíàë

íîñòü *2

ïåðåãðóçêîé

–80 äÁí

–60 äÁí

–40 äÁí

–60 äÁ

(0.078 ìÂ)

(0.775 ìÂ)

(7.75 ìÂ)

0 äÁ

–36 äÁí

–16 äÁí

+4 äÁí

–16 äÁ

(12.3 ìÂ)

(123 ìÂ)

(1.23 Â)

CH INPUT A 1-8

3 êÎì 50-600 Îì Mics

XLR-3-31 *3

–54 äÁí

–34 äÁí

–14 äÁí

–34 äÁ

(1.55 ìÂ)

(15.5 ìÂ)

(155 ìÂ)

26 äÁ

–10 äÁí

+10 äÁí

+30 äÁí

+10 äÁ

(245 ìÂ)

(2.45 Â)

(24.5 Â)

–80 äÁí

–60 äÁí

–40 äÁí

–60 äÁ

(0.078 ìÂ)

(0.775 ìÂ)

(7.75 ìÂ)

0 äÁ

–36 äÁí

–16 äÁí

+4 äÁí

–16 äÁ

(12.3 ìÂ)

(123 ìÂ)

(1.23 Â)

Øòåêåðíîå

CH INPUT B 1-8

10 êÎì 600 Îì Lines

–54 äÁí

–34 äÁí

–14 äÁí

ãíåçäî *4

–34 äÁ

(1.55 ìÂ)

(15.5 ìÂ)

(155 ìÂ)

26 äÁ

–10 äÁí

+10 äÁí

+30 äÁí

+10 äÁ

(245 ìÂ)

(2.45 Â)

(24.5 Â)

–80 äÁí

–60 äÁí

–40 äÁí

–60 äÁ

(0.078 ìÂ)

(0.775 ìÂ)

(7.75 ìÂ)

–

3 êÎì 50-600 Îì Mics

XLR-3-31 *3

–36 äÁí

–16 äÁí

–10 äÁí

–16 äÁ

ST CH INPUT B 9/10

(12.3 ìÂ)

(123 ìÂ)

(245 ìÂ)

-15/16

–54 äÁí

–34 äÁí

–14 äÁí

–34 äÁ

(1.55 ìÂ)

(15.5 ìÂ)

(155 ìÂ)

Øòåêåðíîå

–

10 êÎì 600 Îì Lines

–10 äÁí

+10 äÁí

+30 äÁí

ãíåçäî *5

+10 äÁ

(245 ìÂ)

(2.45 Â)

(24.5 Â)

–54 äÁí

–34 äÁí

–14 äÁí

–34 äÁ

ST CH INPUT 9/10-

(1.55 ìÂ)

(15.5 ìÂ)

(155 ìÂ)

–

10 êÎì 600 Îì Lines

RCA *5

15/16

–10 äÁí

+10 äÁí

+30 äÁí

+10 äÁ

(245 ìÂ)

(2.45 Â)

(24.5 Â)

– 20 äÁí

0 äÁí

+20 äÁí

Øòåêåðíîå

CH INSERT IN 1 – – 10 êÎì 600 Îì Lines

(77.5 ìÂ)

(0.775 Â)

(7.75 Â)

ãíåçäî *5

1. 0 äÁí = 0.775 Vrms.

2. Âõîäíàÿ ÷óâñòâèòåëüíîñòü âõîäà: ñàìûé íèçêèé óðîâåíü ñèãíàëà, îáåñïå÷èâàþùèé íîìèíàëüíûé âûõîäíîé óðîâåíü, åñëè çàäàíî ìàêñèìàëüíîå óñèëåíèå

ñèãíàëà â óñòðîéñòâå. (Âñå ôåéäåðû è ðåãóëÿòîðû óðîâíÿ - â ìàêñèìàëüíîé ïîçèöèè.)

3. Ðàçúåìû XLR-3-31 ñáàëàíñèðîâàííûå.

4. Ñáàëàíñèðîâàííûå øòåêåðíûå ãíåçäà.

5. Íåñáàëàíñèðîâàííûå øòåêåðíûå ãíåçäà.

Z

Âûõîäíûå õàðàêòåðèñòèêè

Âûõîäíîé óðîâåíü

Ôàêòè÷åñêîå ñîïðî-

Äëÿ èñïîëüçîâà-

Âûõîäû

Ðàçúåì

òèâëåíèå èñòî÷íèêà

íèÿ ñ íîìèíàëîì

Ìàêñ.

Íîìèíàë

ïåðåä ïåðåãðóçêîé

ST OUT [L, R] 150 Îì 600 Îì Lines +4 äÁí (1.23 Â) +20 äÁí (7.75 Â) Øòåêåðíîå ãíåçäî *2

ST SUB OUT [L, R] 150 Îì 600 Îì Lines +4 äÁí (1.23 Â) +20 äÁí (7.75 Â) Øòåêåðíîå ãíåçäî *2

AUX SEND 1, 2 150 Îì 600 Îì Lines +4 äÁí (1.23 Â) +20 äÁí (7.75 Â) Øòåêåðíîå ãíåçäî *2

EFF SEND 1, 2 150 Îì 600 Îì Lines +4 äÁí (1.23 Â) +20 äÁí (7.75 Â) Øòåêåðíîå ãíåçäî *2

CH INSERT OUT 1-8 600 Îì 10 êÎì Lines 0 äÁí (0.775 Â) +20 äÁí (7.75 Â) Øòåêåðíîå ãíåçäî *2

REC OUT [L, R] 600 Îì 10 êÎì Lines –10 äÁâ (316 ì ) +10 äÁâ (3.16 Â) RCA

PHONES [L, R] 100 Îì 8 Îì/40 Îì Lines 1 ìÂò/3 ìÂò 20 ìÂò/75 ìÂò Øòåêåðíîå ãíåçäî (TRS)

SPEAKER OUT 0.1 Îì 4 Îì àêóñòèêà 125 Âò 500 Âò SPEAKON Øòåêåðíîå ãíåçäî *2

*1 0 äÁí = 0.775 Vrms. 0 äÁâ = 1 Vrms.

*2 Íåñáàëàíñèðîâàííûå øòåêåðíûå ãíåçäà.

36 EMX5016CF Ðóêîâîäñòâî ïîëüçîâàòåëÿ

Ñïðàâî÷íîå Ðóêîâîäñòâî

Òåõíè÷åñêèå õàðàêòåðèñòèêè

Z

Ñïèñîê Öèôðîâûõ Ýôôåêòîâ

• Ýôôåêò 1

No. Ïðîãðàììà Ïàðàìåòð Äèàïàçîí

1 HALL 1 Reverb Time îò 0.3 äî 10.0ñ

2 ROOM 1 Reverb Time îò 0.3 äî 3.2ñ

Ý PLATE 1 Reverb Time îò 0.3 äî 10.0ñ

4 LARGE STAGE 1 Reverb Time îò 0.3 äî 10.0ñ

5 SMALL STAGE 1 Reverb Time îò 0.3 äî 10.0ñ

6 VOCAL ECHO Delay îò 30.0 äî 743.0 ìñ

7 KARAOKE Delay îò 40.0 äî 265.0 ìñ

8 DELAY Delay îò 20.0 äî 743.0 ìñ

9 CHORUS LFO Freq îò 0 äî 39.7 Ãö

10 EARLY REF Room Size îò 0.1 äî 10.0

11 GATE REVERE Room Size îò 0.1 äî 10.0

12 REVERSE GATE Room Size îò 0.1 äî 10.0

13 TREMOLO LFO îò 0 äî 39.7 Ãö

14 SINGLE DELAY Delay îò 0 äî 743.0 ìñ

15 DYNA FILTER Sensitivity îò 0 äî 127

16 PITCH CHANGE Pitch îò -12 äî +12

• Ýôôåêò 2

No. Ïðîãðàììà Ïàðàìåòð Äèàïàçîí

1 HALL 2 Reverb Time îò 0.3 äî 10.0ñ

2 ROOM 2 Reverb Time îò 0.3 äî 3.2 ñ

3 PLATE 2 Reverb Time îò 0.3 äî 10.0ñ

4 LARGE STAGE2 Reverb Time îò 0.3 äî 10.0ñ

5 SMALL STAGE2 Reverb Time îò 0.3 äî 10.0ñ

6 VOCAL ECHO Delay îò 30.0 äî 743.0 ìñ

7 KARAOKE Delay îò 40.0 äî 265.0 ìñ

8 DELAY Delay îò 20.0 äî 743.0 ìñ

9 CHORUS LFO Freq îò 0 äî 39.7 Ãö

10 PHASER LFO Freq îò 0 äî 8.08 Ãö

11 FLANGER LFO Freq îò 0 äî 8.08 Ãö

12 SYMPHONIC LFO Depth îò 0 äî 127

13 DOUBLER Pitch Fine îò 0 äî 50

14 AUTO WAH LFO Freq îò 0 äî 8.41 Ãö

15 DISTORTION Drive îò 0 äî 63

16 RADIO VOICE Cutoff Offset îò 0 äî 63

EMX5016CF Ðóêîâîäñòâî ïîëüçîâàòåëÿ 37

Ñïðàâî÷íîå Ðóêîâîäñòâî

Òåõíè÷åñêèå õàðàêòåðèñòèêè

Ðàçìåðû

444 (440 без головок винтов)

155

6

145

8

493

485

Единицы измерения: мм

38 EMX5016CF Ðóêîâîäñòâî ïîëüçîâàòåëÿ

Ñïðàâî÷íîå Ðóêîâîäñòâî

Òåõíè÷åñêèå õàðàêòåðèñòèêè

Áëîê-ñõåìà è äèàãðàììà óðîâíÿ

A

B

L

AUX1

AUX1

R

MONO

AUX2

2

1

2

1

+40dBu

+30dBu

+20dBu

+10dBu

0dBu

-10dBu

-20dBu

-30dBu

-40dBu

-50dBu

-60dBu

-70dBu

SPEAKERS

[500WMAX @ 4ohms]

PA

PAINV

(+35.2dBu)

[125W/4ohms]

(+29.2dBu)

RE

LIMITER

RE

LIMITER

LIMITER

LIMITER

SPEAKER OUT

MAXIMUM OUTPUT POWER [500W/4ohms]

500W

200W

75W

500W

200W

75W

[PHONES 3mW@40ohms]

YE

Clip Level

POWER AMP

ON

ON

YSP

YSP

(LED METER)

SEND

YS PROCESSING

[+4dBu]

ST OUT

[+4dBu]

[-10dBV]

DR

DR

PHONES [-16dBu]

REC OUT

L

ST SUB OUT

R

L/MONO

R

L

R

L

R

AUX1

[+4dBu]

AUX2

[+4dBu]

EFF 1

[+4dBu]

EFF 2

[+4dBu]

PHONES

[3mW 40ohms]

LAMP

[12V]

AUX1

AUX1

MONO

AUX2

INV

ST

ST

REC OUT [-10dBV]

(METER SELECT)

AFL/PFL

AFL/PFL

SUM

Clip Level

ST OUT, ST SUB OUT [+4dBu]

AUX SEND, EFFECT SEND [+4dBu]

[-6dBu]

BA

BA

BA

BA

ST SUB OUT

ST

[-6dBu]

[-10dBu]

ST SUB level control

ST, AUX fader [-10dBu]

ST OUT L

ST OUT R

D/A

GEQ

+

FRC

D/A

Normal-phase

DSP

FBS

BA

BA

BA

BA

INV

INV

[-10dBu]

A/D

Multi

Band

Comp.

A/D

AUX1

AUX1

ST L

ST R

PHONES

[-16dBu]

[0dBu]

[0dBu]

[0dBu] [-10dBu]

[0dBu][0dBu]

[0dBu]

[0dBu]

[0dBu]

[0dBu]

SUM

SUMSUM

SUM

SUM

SUM

SUM

RE

STAND-BY

[0dBu]

[0dBu]

[0dBu]

[0dBu]

[0dBu]

[0dBu]

AFL

[0dBu]

AFL

[0dBu]

[0dBu]

[0dBu]

[0dBu]

SUM

SUM SUM

SUM

SUM SUM

PFL

AFL

SUM

SUM

SUM

SUM

SUM

SUM

SUM

PFL R/AFL R

PFL L/AFL L

EFFECT2(NON-MUTE)

EFFECT1(NON-MUTE)

AUX 2(NON-MUTE)

AUX 1(NON-MUTE)

ST R(NON-MUTE)

ST L(NON-MUTE)

EFFECT2(MUTE)

EFFECT1(MUTE)

AUX 2(MUTE)

AUX 1(MUTE)

ST R(MUTE)

ST L(MUTE)

[0dBu]

[-6dBu]

[-6dBu]

[-6dBu]

[-6dBu]

[0dBu]

[-6dBu]

[-6dBu]

[-6dBu]

[-6dBu]

BA

BA

BA

BA

CH & ST CH to AUX/EFFECT [-6dBu]

PA N

AUX1

AUX2

EFF 1

EFF 2

AUX 1

AUX 2

EFF 1

EFF 2

[-10dBu]

[-6dBu]

[-6dBu]

[-10dBu]

[-6dBu]

[-6dBu]

CH & ST CH to ST [0dBu] (PAN,BAL hard left/right)

PRE

PRE

PFL

PAN/BAL

PRE

PRE

PFL

AUX1

AUX2

PFL

AUX1

AUX2

PFL

EFFE 1RTN

EFF 2RTN

[0dBu]

[0dBu]

CH fader [-10dBu]

BA

BA

EFF1 OIT L

EFF1 OIT R

EFF IN 1

EFF IN 2

EFF2 OIT L

EFF2 OIT R

D/A

D/A

A/D

A/D

D/A

D/A

[-10dBu]

[-10dBu]

(ST CH Fader)

PEAK

SIGNAL

(CH Fader)

le

eL

v

RE

GR

ON

YE

INSERT I/O [0dBu]

Cle

l

i

p

HIGH

YE

FOOT1

FOOT2

ENC1 [A-D]

ANPORT [0]

EFF1 ON

EFF1 LED

ENC2 [A-D]

ANPORT [2]

EFF2 ON

EFF2 LED

MID

ON

Mid f

PEAK

SIGNAL

3-Stage EQ

LOW

RE

GR

YE

YE

[0dBu][0dBu]

ST CH IN

[-10dBu]

COMP

COMP

(TH)

HIGH

MID

PROGRAM

PARAMETER

EFF 1 ON

PROGRAM

PARAMETER

EFF 2 ON

LOW

80

3-Stage EQ

3-Stage EQ

EFFECT 1

EFFECT 2

Clip Level

eL p

v

ST CH LINE

GAIN Min. [+10dBu]

ST CH LINE

GAIN Max. [-34dBu]

HPF

il

ST CH MIC

[-60dBu]

80

C

ST CH MIC

[-16dBu]

+48V

[0dBu]

HA

HA BA

RE

HA

GAIN

[-60dBu to -16dBu]

[-34dBu to +10dBu]

BA

HPF

GAIN

INV

INV

PHANTOM

PA D

26dB

HA

[-34dBu to +10dBu]

[-30dBu to +14dBu]

L

R

CH INPUT (PAD ON)

GAIN Min. [+10dBu]

CH INPUT (PAD OFF)

GAIN Min. [-16dBu]

CH INPUT (PAD ON)

GAIN Max. [-34dBu]

CH INPUT (PAD OFF)

GAIN Max. [-60dBu]

[0dBu]

MIC

INPUT A

INPUT B

INSERT

0dBu=0.775V

0dBV=1V

0dBu

EFF1 ON/OFF

EFF2 ON/OFF

+40dBu

+30dBu

+20dBu

+10dBu

-10dBu

-20dBu

-30dBu

-40dBu

-50dBu

-60dBu

-70dBu

CH1-8

CH INPUT

[-60dBu to -16dBu]

[-34dBu to +10dBu]

ST CH INPUT

CH9/10,11/12,13/14,15/16

[-60dBu to -16dBu]

CH9L,11L,13L,15L

[-34dBu to +10dBu]

ST CH LINE

[-34dBu to+10dBu]

CH10R,12R,14R,16R

EMX5016CF Ðóêîâîäñòâî ïîëüçîâàòåëÿ 39

Yamaha Pro Audio global web site:

http://www.yamahaproaudio.com/

Yamaha Manual Library

http://www.yamaha.co.jp/manual/

U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation

© 2006 Yamaha Corporation

WH63190 608POAP3.3-01A0

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