Yamaha CVP 305 – страница 11

Инструкция к Звуковой Карте Yamaha CVP 305

îÛÌ͈Ëfl Vocal Harmony Ì ‚ÓÒÔÓËÁ‚Ó‰ËÚ

íÂıÌÓÎÓ„Ëfl Performance assistant (èÓÏÓ˘ÌËÍ

ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÌÓÚ˚ „‡ÏÓÌËË.

ÏÛÁ˚͇ÌÚ‡)

ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ËÒÔÓθÁÛÂÚ Ô‡‚ËθÌ˚È ÒÔÓÒÓ·

çÂÔ‡‚ËθÌÓ ‡·ÓÚ‡ÂÚ ÙÛÌ͈Ëfl Performance assistant.

ÓÔ‰ÂÎÂÌËfl ÌÓÚ „‡ÏÓÌËË ‰Îfl ÚÂÍÛ˘Â„Ó ÂÊËχ ÙÛÌ͈ËË

„‡ÏÓÌËÁ‡ˆËË ‚Ó͇· (ÒÚ. 163).

ç‡ÊÏËÚ ÍÌÓÔÍÛ [STOP] ̇ Ô‡ÌÂÎË SONG, ˜ÚÓ·˚ ÔÂÍ‡ÚËÚ¸

‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË, Ë ÔÂ‚‰ËÚ ÍÌÓÔÍË [ACMP ON/OFF]

Ë PART ON/OFF [LEFT] ‚ ‚˚Íβ˜ÂÌÌÓ ÒÓÒÚÓflÌËÂ. á‡ÚÂÏ Ì‡˜-

ÌËÚ ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Á‡ÌÓ‚Ó.

ÇˉÂÓ‚˚ıÓ‰ (CVP-305)

àÁÓ·‡ÊÂÌË ˝Í‡Ì‡ Clavinova Ì ۉ‡ÂÚÒfl ÔÂ‰‡Ú¸ ˜ÂÂÁ

‚˚ıÓ‰ ‚ˉÂÓÒ˄̇· Ë Û‚Ë‰ÂÚ¸ ̇ ‚̯ÌÂÏ ÏÓÌËÚÓÂ.

Ç˚·ÂËÚ Òڇ̉‡Ú (NTSC ËÎË PAL), ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ

ËÒÔÓθÁÛÂÏÓÏÛ ‚ˉÂÓÓ·ÓÛ‰Ó‚‡Ì˲ (ÒÚ. 53).

ç‡ ˝Í‡Ì ÚÂ΂ËÁÓ‡ ËÎË ÏÓÌËÚÓ ÔÓfl‚Îfl˛ÚÒfl ÏË„‡˛˘ËÂ

Ô‡‡ÎÎÂθÌ˚ ÎËÌËË.

àÌÓ„‰‡ ̇ ˝Í‡Ì ÚÂ΂ËÁÓ‡ ËÎË ‚ˉÂÓÏÓÌËÚÓ ÔÓfl‚Îfl˛ÚÒfl

ÏË„‡˛˘Ë ԇ‡ÎÎÂθÌ˚ ÎËÌËË. ùÚÓ Ì ‚Ò„‰‡ ÓÁ̇˜‡ÂÚ, ˜ÚÓ

ÛÒÚÓÈÒÚ‚Ó ÌÂËÒÔ‡‚ÌÓ. ÑÎfl ÔÓÎÛ˜ÂÌËfl ̇ËÎÛ˜¯Â„Ó ÂÁÛθ-

Ú‡Ú‡ ÔÓÔ˚Ú‡ÈÚÂÒ¸ ÓÚ„ÛÎËÓ‚‡Ú¸ ˆ‚ÂÚ Ì‡ Ò‡ÏÓÏ ÏÓÌËÚÓÂ.

àÒÔÓθÁÛÂÏ˚È ÏÓÌËÚÓ Ì‚ÂÌÓ ÓÚÓ·‡Ê‡ÂÚ ÒÓ‰ÂÊËÏÓÂ

˝Í‡Ì‡ ËÌÒÚÛÏÂÌÚ‡.

èÓÏÌËÚÂ, ˜ÚÓ ‰‡Ê ̇ÒÚÓÈ͇ ‚ÒÂı Ô‡‡ÏÂÚÓ‚ ‚ ÒÓÓÚ‚ÂÚÒÚ-

‚ËË Ò ÂÍÓÏẨ‡ˆËflÏË Ì „‡‡ÌÚËÛÂÚ Ô‡‚ËθÌÓ ÓÚÓ·‡ÊÂ-

ÌË ˝Í‡Ì‡ ËÌÒÚÛÏÂÌÚ‡ (̇ÔËÏÂ, ÒÓ‰ÂÊËÏÓ ˝Í‡Ì‡ ÌÂ

ÛÏ¢‡ÂÚÒfl ̇ ÏÓÌËÚÓÂ, ̘ÂÚÍË ÒËÏ‚ÓÎ˚, ÌÂÔ‡‚ËθÌ˚Â

ˆ‚ÂÚ‡).

åËÍÓÙÓÌ/ɇÏÓÌËÁ‡ˆËfl Vocal harmony

(CVP-305/303)

ç ۉ‡ÂÚÒfl Á‡ÔËÒ‡Ú¸ ÒË„Ì‡Î Ò ÏËÍÓÙÓÌÌÓ„Ó ‚ıÓ‰‡.

ëË„Ì‡Î Ò ÏËÍÓÙÓÌÌÓ„Ó ‚ıÓ‰‡ Ì‚ÓÁÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ‚ Ô‡ÏflÚ¸

ËÌÒÚÛÏÂÌÚ‡. çÓ ÏÓÊÌÓ ÔÓ‰Íβ˜ËÚ¸ ÛÒÚÓÈÒÚ‚Ó Á‡ÔËÒË Í ‚˚-

ıÓ‰‡Ï [AUX OUT, AUX OUT (LEVEL FIXED), OPTICAL OUT

(CVP-305) Ë Á‡ÔËÒ˚‚‡Ú¸ Ò˄̇ΠÏËÍÓÙÓ̇.

ç‡ Á‚ÛÍ ÏËÍÓÙÓ̇ ̇Í·‰˚‚‡ÂÚÒfl „‡ÏÓÌËÁ‡ˆËfl.

è‡‡ÏÂÚ Vocal Harmony ËÏÂÂÚ Á̇˜ÂÌË ON. Ç˚Íβ˜ËÚÂ

„‡ÏÓÌËÁ‡ˆË˛ ‚Ó͇· (ÒÚ. 55).

ùÙÙÂÍÚ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· Á‚Û˜ËÚ ËÒ͇ÊÂÌÌÓ ËÎË ÌÂ

ÒΉÛÂÚ ÏÂÎÓ‰ËË.

åËÍÓÙÓÌ Û·‚ÎË‚‡ÂÚ ÔÓÒÚÓÓÌÌË Á‚ÛÍË, ̇ÔËÏÂ ‚ÓÒÔÓËÁ-

‚Ó‰ËÏ˚È ÒËÌÚÂÁ‡ÚÓÓÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. Ç ˜‡ÒÚÌÓÒÚË, ËÒ͇ÊÂÌËÂ

˝ÙÙÂÍÚ‡ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· ÏÓÊÂÚ ·˚Ú¸ ‚˚Á‚‡ÌÓ ·‡Ò‡ÏË.

ëÔÓÒÓ·˚ ¯ÂÌËfl ÔÓ·ÎÂÏ˚:

èË ÔÂÌËË ‰ÂÊËÚ ÏËÍÓÙÓÌ Í‡Í ÏÓÊÌÓ ·ÎËÊÂ Í „Û·‡Ï.

àÒÔÓθÁÛÈÚ ̇Ô‡‚ÎÂÌÌ˚È ÏËÍÓÙÓÌ.

ìÏÂ̸¯ËÚ ӷ˘Û˛ „ÓÏÍÓÒÚ¸, „ÓÏÍÓÒÚ¸ ÒÚËÎfl ËÎË ÔÂÒÌË

(ÒÚ. 39).

èËÎÓÊÂÌËÂ

ÑÂÊËÚ ÏËÍÓÙÓÌ Í‡Í ÏÓÊÌÓ ‰‡Î¸¯Â ÓÚ ‚̯ÌËı

‰Ë̇ÏËÍÓ‚.

éÒ··¸Ú ÌËÁÍË ˜‡ÒÚÓÚ˚ Ò ÔÓÏÓ˘¸˛ ÚÂıÔÓÎÓÒÌÓ„Ó ˝Í‚‡-

·ÈÁÂ‡ ̇ ˝Í‡Ì MICROPHONE SETTING (ç‡ÒÚÓÈ͇

ÏËÍÓÙÓ̇) (ÒÚ. 161).

ì‚Â΢¸Ú ÛÓ‚Â̸ „ÓÏÍÓÒÚË ÏËÍÓÙÓÌÌÓ„Ó ‚˚ıÓ‰‡ (TH) Ò

ÔÓÏÓ˘¸˛ ÍÓÏÔÂÒÒÓ‡ ̇ ˝Í‡Ì MICROPHONE SETTING

(ç‡ÒÚÓÈ͇ ÏËÍÓÙÓ̇) (ÒÚ. 162).

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301

201

CVP-305: èÓ‰ÒÚ‡‚͇ ‰Îfl Í·‚ˇÚÛ˚

ÇçàåÄçàÖ

3 èËÍÂÔËÚ ÔÂÂ‰Ì˛˛ Ô‡ÌÂθ.

ç ÔÂÂÔÛÚ‡ÈÚ ÍÓÏÔÓÌÂÌÚ˚ Ë ÛÒÚ‡ÌÓ‚ËÚ Ëı ‚ Ô‡‚ËθÌÓÏ

̇Ô‡‚ÎÂÌËË. Ç˚ÔÓÎÌflÈÚ ҷÓÍÛ Òӄ·ÒÌÓ Ô˂‰ÂÌÌÓÈ ÌËÊÂ

1 ëÓ‚ÏÂÒÚËÚÂ Ë ÒÓ‰ËÌËÚ ÔÂÂ‰Ì˛˛ Ô‡ÌÂθ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Ò

ËÌÒÚÛ͈ËË.

ÔÂ‰ÌÂÈ Ô‡ÌÂθ˛ ·ÎÓ͇ Ô‰‡ÎÂÈ Ë ·ÓÍÓ‚˚ÏË Ô‡ÌÂÎflÏË.

ë·ÓÍÛ ‰ÓÎÊÌ˚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ Ì ÏÂÌ ‰‚Ûı ˜ÂÎÓ‚ÂÍ.

2 á‡ÍÂÔËÚ ԇÌÂθ Ò ÔÓÏÓ˘¸˛ ÚÓÌÍËı ‚ËÌÚÓ‚ 4x14 ÏÏ.

àÒÔÓθÁÛÈÚ ‚ËÌÚ˚ Û͇Á‡ÌÌÓ„Ó ‡ÁÏÂ‡. àÒÔÓθÁÛfl

* ÇÒÚ‡‚¸Ú ¯ÂÒÚ¸ ‚ËÌÚÓ‚ ‚ χÎ˚ ÓÚ‚ÂÒÚËfl ̇ ÒÍÓ·‡ı.

ÌÂÔ‡‚ËθÌ˚ ‚ËÌÚ˚ ‚˚ ÏÓÊÂÚ ÔÓ‚‰ËÚ¸ ËÌÒÚÛÏÂÌÚ.

èÓÒΠÁ‡‚Â¯ÂÌËfl

èË„ÓÚÓ‚¸Ú ÍÂÒÚÓ‚Û˛ ÓÚ‚ÂÚÍÛ.

Ò·ÓÍË Í‡Ê‰ÓÈ ˜‡ÒÚË

Á‡ÚflÌËÚ ‚ËÌÚ˚.

ÑÎfl ‡Á·ÓÍË ËÌÒÚÛÏÂÌÚ‡

‚˚ÔÓÎÌËÚ ËÌÒÚÛÍˆË˛ ‚

Ó·‡ÚÌÓÏ ÔÓfl‰ÍÂ.

1 éÚÍÓÈÚ ԇÍÂÚ, ‚˚̸Ú Ô‰‡Î¸Ì˚È ·ÎÓÍ, ÔÂÌÓÔ·Ò-

ÚÓ‚˚ ÔÓÍ·‰ÍË Ë ÛÒÚ‡ÌÓ‚ËÚ ˆËÙÓ‚Ó ÔˇÌËÌÓ

̇ ÔÂÌÓÔ·ÒÚ.

ê‡ÒÔÓÎÓÊËÚ ÔÂÌÓÔ·ÒÚÓ‚˚ ÔÓÍ·‰ÍË Ú‡Í, ˜ÚÓ·˚ ÓÌË

Á‡˘Ë˘‡ÎË ‡Á˙ÂÏ ‰Îfl ̇ۯÌËÍÓ‚ Ë ÓÒڇθÌ˚ ‡Á˙ÂÏ˚,

̇ıÓ‰fl˘ËÂÒfl ÔÓ‰ ÔÂ‰ÌËÏ Î‚˚Ï Û„ÎÓÏ ËÌÒÚÛÏÂÌÚ‡.

óÚÓ·˚ Í˚¯Í‡ Í·‚Ë

É·‚̇fl ˜‡ÒÚ¸

4 ìÒÚ‡ÌÓ‚ËÚ „·‚ÌÛ˛ ˜‡ÒÚ¸.

è‡ÌÂθ ‡Á˙Âχ

ÉÌÂÁ‰Ó ‰Îfl ̇ۯÌËÍÓ‚

èÂÌÓÔ·ÒÚÓ‚˚ ÔÓÍ·‰ÍË

Ç˚̸Ú ËÁ ÍÓÓ·ÍË ˜‡ÒÚË, ÔÓ͇Á‡ÌÌ˚ ̇ ÒÎÂ‰Û˛˘ÂÏ ËÒÛÌÍÂ.

èË ÛÒÚ‡ÌÓ‚Í ‰ÂÊËÚ ÛÍË Ì‡ ‡ÒÒÚÓflÌËË Ì ÏÂÌÂÂ

10 ÒÏ ÓÚ Í‡Â‚.

5 á‡ÍÂÔËÚ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸ ËÌÒÚÛÏÂÌÚ‡.

1 ê‡ÒÔÓÎÓÊËÚ ËÌÒÚÛÏÂÌÚ Ú‡Í, ˜ÚÓ·˚ Á‡ÁÓ˚ ÒÔ‡‚‡ Ë Ò΂‡ ·˚ÎË

Ó‰Ë̇ÍÓ‚˚ÏË.

2 èËÍÂÔËÚ ·ÓÍÓ‚˚ ԇÌÂÎË Í ·ÎÓÍÛ Ô‰‡ÎÂÈ.

èËÎÓÊÂÌËÂ

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301

202

-

‡ÚÛ˚ Ì ÓÚÍ˚·Ҹ

ÒÎÛ˜‡ÈÌÓ ‚Ó ‚ÂÏfl

Ò·ÓÍË, ̇ÊÏËÚ ̇

ÇçàåÄçàÖ

ÌÂÂ Ë Û·Â‰ËÚÂÒ¸,

ëΉËÚ Á‡ ÚÂÏ, ˜ÚÓ·˚ Ì Á‡˘ÂÏËÚ¸ ԇθˆ˚ ÏÂÊ‰Û ÓÒÌÓ‚Ì˚Ï

˜ÚÓ Ó̇ Á‡ÍÂÔÎÂ̇

ÛÒÚÓÈÒÚ‚ÓÏ Ë Á‡‰ÌÂÈ ËÎË ·ÓÍÓ‚˚ÏË Ô‡ÌÂÎflÏË. ÅÛ‰¸Ú ˜ÂÁ-

(ÒÏ. ËÒÛÌÓÍ).

‚˚˜‡ÈÌÓ ÓÒÚÓÓÊÌ˚ Ë Ì ÛÓÌËÚ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸.

ÑÂÊËÚ Í·‚ˇÚÛÛ ÚÓθÍÓ Ú‡Í, Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ.

èÂ‰Ìflfl

Ô‡ÌÂθ

ᇉÌflfl

Ô‡ÌÂθ

ÅÎÓÍ

䇷Âθ Ô‰‡ÎË

Ô‰‡ÎÂÈ

åËÌËÏÛÏ

10 ÒÏ

ÅÓÍÓ‚‡fl

ÅÓÍÓ‚‡fl

Ô‡ÌÂθ

Ô‡ÌÂθ

(΂‡fl)

(Ô‡‚‡fl)

ÑÂÚ‡ÎË Ò·ÓÍË

䇷Âθ ÔËÚ‡ÌËfl

ÑÎËÌÌ˚Â ‚ËÌÚ˚ 6 x 25 ÏÏ, 4 ¯Ú.

äÓÓÚÍËÂ ‚ËÌÚ˚ 6 x 16 ÏÏ, 4 ¯Ú.

ë‡ÏÓ̇ÂÁ‡˛˘Ë ‚ËÌÚ˚ 4 x 20 ÏÏ, 5 ¯Ú.

íÓÌÍËÂ ‚ËÌÚ˚ 4 x 14 ÏÏ, 8 ¯Ú.

ÑÂʇÚÂÎË ‰Îfl ͇·ÂÎÂÈ - 2 ¯Ú.

2 쉇ÎËÚ ‚ËÌËÎÓ‚˚È ¯ÌÛÓÍ ÒÓ ¯ÌÛ‡ Ô‰‡ÎË.

ç ۉ‡ÎflÈÚ ‚ËÌËÎÓ-

‚˚È ¯ÌÛÓÍ fl‰ÓÏ Ò

2 á‡ÍÂÔËÚ ÓÒÌÓ‚-

ÅÓÍÓ‚‡fl

ÓÚ‚ÂÒÚËÂÏ.

ÌÛ˛ ˜‡ÒÚ¸ ÒÁ‡‰Ë Ò

Ô‡ÌÂθ

(΂‡fl)

ÔÓÏÓ˘¸˛ ÍÓÓÚÍËı

‚ËÌÚÓ‚ 6x16 ÏÏ.

1

èËÍÂÔËÚ ·ÎÓÍ Ô‰‡ÎÂÈ

* á‡ÍÛÚËÚ ‚ËÌÚ˚ ‚

Ò ÔÓÏÓ˘¸˛ ˜ÂÚ˚Âı ‰ÎËÌ-

ÓÚ‚ÂÒÚËfl ̇ ÒÍÓ·‡ı

Ì˚ı ‚ËÌÚÓ‚ 6x25 ÏÏ.

ÔÂ‰ÌÂÈ Ô‡ÌÂÎË.

ÅÓÍÓ‚‡fl

Ô‡ÌÂθ

Ç̇˜‡Î ÔËÍÂÔËÚ ԇ-

(Ô‡‚‡fl)

ÌÂθ Ò Ó‰ÌÓÈ ÒÚÓÓÌ˚,

Á‡ÚÂÏ Ò ‰Û„ÓÈ.

6 èÓ‰ÒÓ‰ËÌËÚ ͇·Âθ ‰Ë̇ÏËÍÓ‚.

ê„ÛÎflÚÓ ̇ÔflÊÂÌËfl

Ç ÌÂÍÓÚÓ˚ı „ËÓ̇ı ËÒÔÓθÁÛÂÚÒfl „ÛÎflÚÓ ̇ÔflÊÂÌËfl. èÂʉ ˜ÂÏ

1 èÂ‰ ˝ÚËÏ Û‰‡ÎËÚ ‚ËÌËÎÓ‚˚È ¯ÌÛÓÍ, Ò ÔÓÏÓ˘¸˛ ÍÓÚÓÓ„Ó Í‡·Âθ

ÔÓ‰Íβ˜‡Ú¸ ͇·Âθ ÔËÚ‡ÌËfl, ÔÓ‚Â¸ÚÂ, Ô‡‚ËθÌÓ ÎË ÓÌ ÛÒÚ‡ÌÓ‚ÎÂÌ. ÑÎfl

ÍÂÔËÚÒfl Í ÔÂ‰ÌÂÈ Ô‡ÌÂÎË.

ÛÒÚ‡ÌÓ‚ÍË „ÛÎflÚÓ‡ ̇ 110, 127, 220 ËÎË 240 ‚ÓÎ¸Ú Ò ÔÓÏÓ˘¸˛ ÓÚ‚ÂÚÍË

ÔÓ‚ÂÌËÚ ‰ËÒÍ Ú‡Í, ˜ÚÓ·˚ Ô‡‚ËθÌÓ ̇ÔflÊÂÌË ‰Îfl ‚‡¯Â„Ó „ËÓ̇

̇ıÓ‰ËÎÓÒ¸ ̇ÔÓÚË‚ Û͇Á‡ÚÂÎfl ̇ Ô‡ÌÂÎË. èË ÔÓÒÚ‡‚Í „ÛÎflÚÓ ̇Ôfl-

ÊÂÌËfl ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ ̇ÔflÊÂÌË ‚ 240 Ç.

Ç˚·‡‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â ̇ÔflÊÂÌËÂ, ÔÓ‰Íβ˜ËÚ ͇·Âθ ÔËÚ‡ÌËfl Í

‡Á˙ÂÏÛ AC INLET Ë Í ˝ÎÂÍÚÓÒÂÚË. Ç ÌÂÍÓÚÓ˚ı „ËÓ̇ı ‰Îfl ÔÓ‰Íβ˜ÂÌËfl

Í ˝ÎÂÍÚÓÒÂÚË ÚÂ·Û˛ÚÒfl ÔÂÂıÓ‰ÌËÍË Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ‡ÒÔÓÎÓÊÂÌËÂÏ

ÍÓÌÚ‡ÍÚÓ‚.

éëíéêéÜçé

2 ÇÒÚ‡‚¸Ú ‚ËÎÍÛ Í‡·ÂÎfl ‰Ë̇ÏËÍÓ‚ ‚ ‡Á˙ÂÏ Ì‡ÍÎÂÈÍÓÈ ‚ÌËÁ.

Ç˚·Ó ÌÂÔ‡‚ËθÌÓ„Ó Ì‡ÔflÊÂÌËfl ÏÓÊÂÚ ÒÂ¸ÂÁÌÓ ÔÓ‚‰ËÚ¸

ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ËÎË Ì‡Û¯ËÚ¸ Â„Ó ‡·ÓÚÛ.

7 èÓ‰ÒÓ‰ËÌËÚ ͇·Âθ Ô‰‡ÎÂÈ.

10ìÒÚ‡ÌÓ‚ËÚ ÙËÍÒ‡ÚÓ.

èÓ‚Ó‡˜Ë‚‡ÈÚ ÙËÍÒËÛ-

1 ÇÒÚ‡‚¸Ú ¯ÚÂÍÂ

˛˘ËÈ ‚ËÌÚ ‰Ó ÚÂı ÔÓ,

͇·ÂÎfl Ô‰‡ÎË ‚

ÔÓ͇ ÓÌ Ì ÔˉÂÚ ‚ ÚÂÒÌ˚È

‡Á˙ÂÏ ‰Îfl Ô‰‡ÎË.

ÍÓÌÚ‡ÍÚ Ò ÔÓ‚ÂıÌÓÒÚ¸˛

ÔÓ·.

èÓÒΠҷÓÍË ÔÓ‚Â¸Ú ÒÎÂ‰Û˛˘ÂÂ.

2 èËÒÓ‰ËÌËÚÂ

‰ÂʇÚÂÎË ‰Îfl

ç ÓÒÚ‡ÎÓÒ¸ ÎË «Î˯ÌËı» ‰ÂÚ‡ÎÂÈ?

͇·ÂÎfl Í Á‡‰ÌÂÈ

èÓ‚Â¸Ú ҷÓÍÛ Ë ËÒÔ‡‚¸Ú ӯ˷ÍË.

Ô‡ÌÂÎË, ͇Í

ç Ï¯‡ÂÚ ÎË ÔˇÌËÌÓ Clavinova ÓÚÍ˚‚‡Ú¸ ‰‚ÂË Ë

ÔÓ͇Á‡ÌÓ Ì‡

ÔÂÂÏ¢‡Ú¸ Ô‰ÏÂÚ˚?

ËÒÛÌÍÂ, Á‡ÚÂÏ

èÓÒÚ‡‚¸Ú ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ‚ Û‰Ó·ÌÓÂ

Á‡˘ÂÎÍÌËÚÂ

ÏÂÒÚÓ.

ç «·ÓÎÚ‡ÂÚÒfl» ÎË ËÌÒÚÛÏÂÌÚ Clavinova, ÍÓ„‰‡ ‚˚ „Ó

ÚflÒÂÚ (Ó· ˝ÚÓÏ ÏÓÊÌÓ ÒÛ‰ËÚ¸ ÔÓ „ÓıÓÚÛ)?

á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚.

ç ÒÏ¢‡ÂÚÒfl ÎË Ô‰‡Î¸Ì˚È ·ÎÓÍ Ë Ì ÒÎ˚¯ÌÓ ÎË

8 èËÍÂÔËÚ Á‡‰Ì˛˛ Ô‡ÌÂθ.

„ÓıÓÚ‡ ÔË Ì‡Ê‡ÚËË Ì‡ Ô‰‡ÎË?

2 á‡ÍÂÔËÚ ԇÌÂθ ÔÓ Û„Î‡Ï Ò΂‡ Ë ÒÔ‡‚‡ Ò

èÓ‚ÂÌËÚ ÙËÍÒËÛ˛˘ËÈ ‚ËÌÚ Ú‡Í, ˜ÚÓ·˚ ÓÌ Ú‚Â‰Ó

ÔÓÏÓ˘¸˛ ÚÓÌÍËı ‚ËÌÚÓ‚ 4x14 ÏÏ.

ÒÚÓflΠ̇ ÔÓÎÛ.

䇷ÂÎË Ô‰‡ÎË Ë ÔËÚ‡ÌËfl ÔÎÓÚÌÓ ‚ÒÚ‡‚ÎÂÌ˚ ‚

‡Á˙ÂÏ˚?

èÓ‚Â¸Ú ÒÓ‰ËÌÂÌËfl.

ÖÒÎË ÓÒÌӂ̇fl ˜‡ÒÚ¸ ËÌÒÚÛÏÂÌÚ‡ ÒÍËÔËÚ ËÎË

ÌÂÛÒÚÓȘ˂‡, ÍÓ„‰‡ ‚˚ Ë„‡ÂÚ ̇ Í·‚˯‡ı,

ÔÓÒÏÓÚËÚ ÒıÂÏÛ Ò·ÓÍË Ë Á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚.

1 èÓÏÂÒÚË‚ Á‡‰Ì˛˛

Ô‡ÌÂθ ̇ ‚˚ÒÚÛ-

Ô‡˛˘Ë ˜‡ÒÚË ÌÓ-

èË ÔÂÂÒÚ‡ÌÓ‚Í ËÌÒÚÛÏÂÌÚ‡ ÔÓÒΠҷÓÍË ‚Ò„‰‡

ÊÂÍ, ÒÓ‚ÏÂÒÚËÚÂ

‰ÂÊËÚÂ Â„Ó Á‡ ÌËÊÌ˛˛ ˜‡ÒÚ¸ Ë Á‡ Û˜ÍË Ì‡ Á‡‰ÌÂÈ

Ô‡ÌÂθ Ò Ô‡Á‡ÏË

Ô‡ÌÂÎË.

Ë Á‡ÍÂÔËÚ ÂÂ

‚ÂıÌ˛˛ ˜‡ÒÚ¸.

ÇçàåÄçàÖ

3 á‡ÍÂÔËÚ ˆÂÌÚ‡Î¸ÌÛ˛ Ë ÌËÊ-

ç ·ÂËÚÂÒ¸ Á‡ Í˚¯ÍÛ Í·‚ˇÚÛ˚ ËÎË Â ‚ÂıÌ˛˛ ˜‡ÒÚ¸.

Ì˛˛ ˜‡ÒÚË Ô‡ÌÂÎË Ò ÔÓÏÓ˘¸˛

çÂÔ‡‚Ëθ̇fl ˝ÍÒÔÎÛ‡Ú‡ˆËfl ÏÓÊÂÚ ÔË‚ÂÒÚË Í ‚˚ıÓ‰Û ËÌÒÚ-

Ò‡ÏÓ̇ÂÁ‡˛˘Ëı ‚ËÌÚÓ‚ 4x20 ÏÏ.

ÛÏÂÌÚ‡ ËÁ ÒÚÓfl ËÎË Í Ú‡‚ÏÂ.

9 ìÒÚ‡ÌÓ‚ËÚ ÒÂÎÂÍÚÓ ̇ÔflÊÂÌËfl Ë ÔÓ‰ÒÓ‰ËÌËÚÂ

͇·Âθ ÔËÚ‡ÌËfl.

ä˚¯Í‡

èËÎÓÊÂÌËÂ

240

110

ä˚¯Í‡

220

Í·‚ˇÚÛ˚

127

ᇠ˝ÚÓ ‰ÂʇڸÒfl ÌÂθÁfl.

ᇠ˝ÚÓ

ᇠ˝ÚÓ ‰ÂʇڸÒfl ÏÓÊÌÓ.

‰ÂʇڸÒfl

ÌÂθÁfl.

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301

203

CVP-303: èÓ‰ÒÚ‡‚͇ ‰Îfl Í·‚ˇÚÛ˚

ÇçàåÄçàÖ

ç ÔÂÂÔÛÚ‡ÈÚ ÍÓÏÔÓÌÂÌÚ˚ Ë ÛÒÚ‡ÌÓ‚ËÚ Ëı ‚ Ô‡‚ËθÌÓÏ

2 èËÍÂÔËÚ ·ÓÍÓ‚˚ ԇÌÂÎË Í ·ÎÓÍÛ Ô‰‡ÎÂÈ.

̇Ô‡‚ÎÂÌËË. Ç˚ÔÓÎÌflÈÚ ҷÓÍÛ Òӄ·ÒÌÓ Ô˂‰ÂÌÌÓÈ ÌËÊÂ

ËÌÒÚÛ͈ËË.

ë·ÓÍÛ ‰ÓÎÊÌ˚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ Ì ÏÂÌ ‰‚Ûı ˜ÂÎÓ‚ÂÍ.

àÒÔÓθÁÛÈÚ ‚ËÌÚ˚ Û͇Á‡ÌÌÓ„Ó ‡ÁÏÂ‡. àÒÔÓθÁÛfl

ÌÂÔ‡‚ËθÌ˚ ‚ËÌÚ˚ ‚˚ ÏÓÊÂÚ ÔÓ‚‰ËÚ¸ ËÌÒÚÛÏÂÌÚ.

èÓÒΠÁ‡‚Â¯ÂÌËfl

èË„ÓÚÓ‚¸Ú ÍÂÒÚÓ‚Û˛ ÓÚ‚ÂÚÍÛ.

Ò·ÓÍË Í‡Ê‰ÓÈ ˜‡ÒÚË

Á‡ÚflÌËÚ ‚ËÌÚ˚.

ÑÎfl ‡Á·ÓÍË ËÌÒÚÛÏÂÌÚ‡

‚˚ÔÓÎÌËÚ ËÌÒÚÛÍˆË˛ ‚

Ó·‡ÚÌÓÏ ÔÓfl‰ÍÂ.

1 éÚÍÓÈÚ ԇÍÂÚ, ‚˚̸Ú Ô‰‡Î¸Ì˚È ·ÎÓÍ, ÔÂÌÓÔ·Ò-

ÚÓ‚˚ ÔÓÍ·‰ÍË Ë ÛÒÚ‡ÌÓ‚ËÚ ˆËÙÓ‚Ó ÔˇÌËÌÓ

̇ ÔÂÌÓÔ·ÒÚ.

ê‡ÒÔÓÎÓÊËÚ ÔÂÌÓÔ·ÒÚ Ú‡Í, ˜ÚÓ·˚ ÓÌ Á‡˘Ë˘‡Î ‡Á˙ÂÏ ‰Îfl

̇ۯÌËÍÓ‚, ‡ÒÔÓÎÓÊÂÌÌ˚È ‚ ‚ÂıÌÂÏ Î‚ÓÏ Û„ÎÛ.

3 èËÍÂÔËÚ Á‡‰Ì˛˛ Ô‡ÌÂθ.

óÚÓ·˚ Í˚¯Í‡ Í·‚ˇÚÛ˚

É·‚̇fl ˜‡ÒÚ¸

Ì ÓÚÍ˚·Ҹ ÒÎÛ˜‡ÈÌÓ ‚Ó

1

ÑÂʇ Ô‡ÌÂθ ‚ ̇ÍÎÓÌÌÓÏ ÔÓÎÓÊÂÌËË, Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ,

‚ÂÏfl Ò·ÓÍË, ̇ÊÏËÚ ̇

ÔÓÏÂÒÚËڠ ÌËÊÌËÈ Í‡È ̇ Ò΄͇ ‚˚ÒÚÛÔ‡˛˘Ë ˜‡ÒÚË ÌÓÊÂÍ.

ÌÂÂ Ë Û·Â‰ËÚÂÒ¸, ˜ÚÓ Ó̇

ëÓ‚ÏÂÒÚËÚ ‚ÂıÌ˛˛ ˜‡ÒÚ¸ Á‡‰ÌÂÈ Ô‡ÌÂÎË Ò ·ÓÍÓ‚˚ÏË Ô‡ÌÂÎflÏË

Á‡ÍÂÔÎÂ̇ (ÒÏ. ËÒÛÌÓÍ).

2 èËÍÂÔËÚ ‚ÂıÌ˛˛ ˜‡ÒÚ¸ Á‡‰ÌÂÈ Ô‡ÌÂÎË Í ÍÓ̯ÚÂÈÌ‡Ï ·ÓÍÓ‚ÓÈ

Ô‡ÌÂÎË Ò ÔÓÏÓ˘¸˛ ‰‚Ûı ÚÓÌÍËı ‚ËÌÚÓ‚ 4x12 ÏÏ.

3 èËÍÂÔËÚ ÌËÊÌ˛˛ ˜‡ÒÚ¸ Á‡‰ÌÂÈ Ô‡ÌÂÎË Í ·ÎÓÍÛ Ô‰‡ÎÂÈ Ò ÔÓ-

ÉÌÂÁ‰Ó ‰Îfl ̇ۯÌËÍÓ‚ èÂÌÓÔ·ÒÚÓ‚˚ ÔÓÍ·‰ÍË

ÏÓ˘¸˛ ˜ÂÚ˚Âı Ò‡ÏÓ̇ÂÁ‡˛˘Ëı ‚ËÌÚÓ‚ 4x20 ÏÏ.

Ç˚̸Ú ËÁ ÍÓÓ·ÍË ˜‡ÒÚË, ÔÓ͇Á‡ÌÌ˚ ̇ ÒÎÂ‰Û˛˘ÂÏ ËÒÛÌÍÂ.

ᇉÌflfl

Ô‡ÌÂθ

ÅÎÓÍ

䇷Âθ Ô‰‡ÎÂÈ, ÔËÍÂÔÎÂÌÌ˚È ‚ÌÛÚË

Ô‰‡ÎÂÈ

ÅÓÍÓ‚‡fl

ÅÓÍÓ‚‡fl

Ô‡ÌÂθ

Ô‡ÌÂθ

(΂‡fl)

(Ô‡‚‡fl)

4 ìÒÚ‡ÌÓ‚ËÚ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸.

ÑÂÚ‡ÎË Ò·ÓÍË ä‡·Âθ ÔËÚ‡ÌËfl

ÑÎËÌÌ˚Â ‚ËÌÚ˚ 6 x 25 ÏÏ, 4 ¯Ú.

ë‡ÏÓ̇ÂÁ‡˛˘Ë ‚ËÌÚ˚ 4 x 20 ÏÏ, 4 ¯Ú.äÓÓÚÍË ‚ËÌÚ˚ 6 x 16 ÏÏ, 4 ¯Ú.

èË ÛÒÚ‡ÌÓ‚Í ‰ÂÊËÚ ÛÍË Ì‡ ‡ÒÒÚÓflÌËË Ì ÏÂÌÂÂ

10 ÒÏ ÓÚ Í‡Â‚.

ÑÂʇÚÂÎË ‰Îfl ͇·ÂÎÂÈ - 2 ¯Ú.íÓÌÍË ‚ËÌÚ˚ 4 x 12 ÏÏ, 2 ¯Ú.

èËÎÓÊÂÌËÂ

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301

204

1 éÚ‚flÊËÚÂ Ë ‡ÒÔflÏËÚ ÛÔ‡ÍÓ‚‡ÌÌ˚È

͇·Âθ, ÔËÍÂÔÎÂÌÌ˚È Í ÌËÊÌÂÈ ˜‡ÒÚË

·ÎÓ͇ Ô‰‡ÎÂÈ. ëÓı‡ÌËÚ ‚ËÌËÎÓ‚˚È

ÅÓÍÓ‚‡fl

Ô‡ÌÂθ

¯ÌÛÓÍ, ÓÌ ÔÓ̇‰Ó·ËÚÒfl ‚‡Ï ̇ ˝Ú‡Ô 6.

(΂‡fl)

ÅÓÍÓ‚‡fl

Ô‡ÌÂθ

(Ô‡‚‡fl)

2

èËÍÂÔËÚ ·ÎÓÍ Ô‰‡ÎÂÈ Ò ÔÓÏÓ˘¸˛ ˜ÂÚ˚Âı ‰ÎËÌ-Ì˚ı

‚ËÌÚÓ‚ 6x25 ÏÏ.

Ç̇˜‡Î ÔËÍÂÔËÚ ԇ-ÌÂθ Ò Ó‰ÌÓÈ

ÒÚÓÓÌ˚, Á‡ÚÂÏ Ò ‰Û„ÓÈ.

ÇçàåÄçàÖ

ëΉËÚ Á‡ ÚÂÏ, ˜ÚÓ·˚ Ì Á‡˘ÂÏËÚ¸ ԇθˆ˚ ÏÂÊ‰Û ÓÒÌÓ‚Ì˚Ï

ÛÒÚÓÈÒÚ‚ÓÏ Ë Á‡‰ÌÂÈ ËÎË ·ÓÍÓ‚˚ÏË Ô‡ÌÂÎflÏË. ÅÛ‰¸Ú ˜ÂÁ-

‚˚˜‡ÈÌÓ ÓÒÚÓÓÊÌ˚ Ë Ì ÛÓÌËÚ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸.

ÑÂÊËÚ Í·‚ˇÚÛÛ ÚÓθÍÓ Ú‡Í, Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ.

åËÌËÏÛÏ

10 ÒÏ

5 á‡ÍÂÔËÚ ÓÒÌÓ‚ÌÛ˛

8 ìÒÚ‡ÌÓ‚ËÚ „ÛÎflÚÓ.

˜‡ÒÚ¸.

1 ê‡ÒÔÓÎÓÊËÚ ËÌÒÚÛÏÂÌÚ ÔÓ

ˆÂÌÚÛ Ú‡Í, ˜ÚÓ·˚ Á‡ÁÓ˚ ÒÔ‡-

‚‡ Ë Ò΂‡ ·˚ÎË Ó‰Ë̇ÍÓ‚˚ÏË.

2 á‡ÍÂÔËÚ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸

ÒÔÂÂ‰Ë Ò ÔÓÏÓ˘¸˛ ÍÓÓÚÍËı

‚ËÌÚÓ‚ 6x16 ÏÏ.

èÓ‚Ó‡˜Ë‚‡ÈÚ ÙËÍÒËÛ˛˘ËÈ ‚ËÌÚ ‰Ó ÚÂı ÔÓ, ÔÓ͇ ÓÌ ÌÂ

ÔˉÂÚ ‚ ÚÂÒÌ˚È ÍÓÌÚ‡ÍÚ Ò ÔÓ‚ÂıÌÓÒÚ¸˛ ÔÓ·.

èÓÒΠҷÓÍË ÔÓ‚Â¸Ú ÒÎÂ‰Û˛˘ÂÂ.

ç ÓÒÚ‡ÎÓÒ¸ ÎË «Î˯ÌËı» ‰ÂÚ‡ÎÂÈ?

èÓ‚Â¸Ú ҷÓÍÛ Ë ËÒÔ‡‚¸Ú ӯ˷ÍË.

6 èÓ‰ÒÓ‰ËÌËÚ ͇·Âθ Ô‰‡ÎË.

ç Ï¯‡ÂÚ ÎË ÔˇÌËÌÓ Clavinova ÓÚÍ˚‚‡Ú¸ ‰‚ÂË Ë

ÔÂÂÏ¢‡Ú¸ Ô‰ÏÂÚ˚?

èÓÒÚ‡‚¸Ú ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ‚ Û‰Ó·ÌÓÂ

1 ÇÒÚ‡‚¸Ú ‚ËÎÍÛ

ÏÂÒÚÓ.

͇·ÂÎfl Ô‰‡ÎÂÈ

ç «·ÓÎÚ‡ÂÚÒfl» ÎË ËÌÒÚÛÏÂÌÚ Clavinova, ÍÓ„‰‡ ‚˚ „Ó

ÒÔÂÂ‰Ë ‚ ‡Á˙ÂÏ

‰Îfl Ô‰‡ÎÂÈ.

ÚflÒÂÚ (Ó· ˝ÚÓÏ ÏÓÊÌÓ ÒÛ‰ËÚ¸ ÔÓ „ÓıÓÚÛ)?

á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚.

ç ÒÏ¢‡ÂÚÒfl ÎË Ô‰‡Î¸Ì˚È ·ÎÓÍ Ë Ì ÒÎ˚¯ÌÓ ÎË

„ÓıÓÚ‡ ÔË Ì‡Ê‡ÚËË Ì‡ Ô‰‡ÎË?

3 ÖÒÎË Í‡·Âθ Ô‰‡ÎË

Ó͇Á‡ÎÒfl ‰ÎËÌÌÂÂ, ˜ÂÏ

èÓ‚ÂÌËÚ ÙËÍÒËÛ˛˘ËÈ ‚ËÌÚ Ú‡Í, ˜ÚÓ·˚ ÓÌ Ú‚Â‰Ó

ÌÛÊÌÓ, Á‡ÍÂÔËÚ Î˯-

ÒÚÓflΠ̇ ÔÓÎÛ.

Ì˛˛ ˜‡ÒÚ¸ Ò ÔÓÏÓ˘¸˛

䇷ÂÎË Ô‰‡ÎË Ë ÔËÚ‡ÌËfl ÔÎÓÚÌÓ ‚ÒÚ‡‚ÎÂÌ˚ ‚

‚ËÌËÎÓ‚Ó„Ó ¯ÌÛ͇.

‡Á˙ÂÏ˚?

èÓ‚Â¸Ú ÒÓ‰ËÌÂÌËfl.

2 èËÒÓ‰ËÌËÚ ‰ÂʇÚÂÎË

ÖÒÎË ÓÒÌӂ̇fl ˜‡ÒÚ¸ ËÌÒÚÛÏÂÌÚ‡ ÒÍËÔËÚ ËÎË

‰Îfl ͇·ÂÎfl Í Á‡‰ÌÂÈ Ô‡ÌÂ-

ÌÂÛÒÚÓȘ˂‡, ÍÓ„‰‡ ‚˚ Ë„‡ÂÚ ̇ Í·‚˯‡ı,

ÎË, Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌ-

ÔÓÒÏÓÚËÚ ÒıÂÏÛ Ò·ÓÍË Ë Á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚.

ÍÂ, Ë Á‡ÚÂÏ Á‡˘ÂÎÍÌËÚÂ

͇·Âθ ‚ ‰ÂʇÚÂÎflı.

èË ÔÂÂÏ¢ÂÌËË ÒÓ·‡ÌÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡ ‚Ò„‰‡

·ÂËÚÂÒ¸ Á‡ ÌËÊÌ˛˛ ˜‡ÒÚ¸ ÓÒÌÓ‚ÌÓ„Ó ·ÎÓ͇.

7 ìÒÚ‡ÌÓ‚ËÚ ÒÂÎÂÍÚÓ ̇ÔflÊÂÌËfl Ë ÔÓ‰ÒÓ‰ËÌËÚÂ

͇·Âθ ÔËÚ‡ÌËfl.

ÇçàåÄçàÖ

ç ·ÂËÚÂÒ¸ Á‡ Í˚¯ÍÛ Í·‚ˇÚÛ˚ ËÎË Â ‚ÂıÌ˛˛ ˜‡ÒÚ¸.

çÂÔ‡‚Ëθ̇fl ˝ÍÒÔÎÛ‡Ú‡ˆËfl ÏÓÊÂÚ ÔË‚ÂÒÚË Í ‚˚ıÓ‰Û ËÌÒÚ-

ÛÏÂÌÚ‡ ËÁ ÒÚÓfl ËÎË Í Ú‡‚ÏÂ.

ä˚¯Í‡

ä˚¯Í‡

Í·‚ˇÚÛ˚

ᇠ˝ÚÓ ‰ÂʇڸÒfl ÌÂθÁfl. ᇠ˝ÚÓ

‰ÂʇڸÒfl

ᇠ˝ÚÓ ‰ÂʇڸÒfl ÏÓÊÌÓ.

ÌÂθÁfl.

ê„ÛÎflÚÓ ̇ÔflÊÂÌËfl

Ç ÌÂÍÓÚÓ˚ı „ËÓ̇ı ËÒÔÓθÁÛÂÚÒfl „ÛÎflÚÓ ̇ÔflÊÂÌËfl. èÂʉ ˜ÂÏ

ÔÓ‰Íβ˜‡Ú¸ ͇·Âθ ÔËÚ‡ÌËfl, ÔÓ‚Â¸ÚÂ, Ô‡‚ËθÌÓ ÎË ÓÌ ÛÒÚ‡ÌÓ‚ÎÂÌ.

ÑÎfl ÛÒÚ‡ÌÓ‚ÍË „ÛÎflÚÓ‡ ̇ 110, 127, 220 ËÎË 240 ‚ÓÎ¸Ú Ò ÔÓÏÓ˘¸˛ ÓÚ-

‚ÂÚÍË ÔÓ‚ÂÌËÚ ‰ËÒÍ Ú‡Í, ˜ÚÓ·˚ Ô‡‚ËθÌÓ ̇ÔflÊÂÌË ‰Îfl ‚‡¯Â„Ó

„ËÓ̇ ̇ıÓ‰ËÎÓÒ¸ ̇ÔÓÚË‚ Û͇Á‡ÚÂÎfl ̇ Ô‡ÌÂÎË. èË ÔÓÒÚ‡‚Í „Û-

èËÎÓÊÂÌËÂ

ÎflÚÓ ̇ÔflÊÂÌËfl ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ ̇ÔflÊÂÌË ‚ 240 Ç.

Ç˚·‡‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â ̇ÔflÊÂÌËÂ, ÔÓ‰Íβ˜ËÚ ͇·Âθ ÔËÚ‡ÌËfl Í

‡Á˙ÂÏÛ AC INLET Ë Í ˝ÎÂÍÚÓÒÂÚË. Ç ÌÂÍÓÚÓ˚ı „ËÓ̇ı ‰Îfl ÔÓ‰Íβ-

˜ÂÌËfl Í ˝ÎÂÍÚÓÒÂÚË ÚÂ·Û˛ÚÒfl ÔÂÂıÓ‰ÌËÍË Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ‡Ò-

ÔÓÎÓÊÂÌËÂÏ ÍÓÌÚ‡ÍÚÓ‚.

éëíéêéÜçé

Ç˚·Ó ÌÂÔ‡‚ËθÌÓ„Ó Ì‡ÔflÊÂÌËfl ÏÓÊÂÚ ÒÂ¸ÂÁÌÓ ÔÓ‚‰ËÚ¸

ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ËÎË Ì‡Û¯ËÚ¸ Â„Ó ‡·ÓÚÛ.

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301

205

CVP-301: èÓ‰ÒÚ‡‚͇ ‰Îfl Í·‚ˇÚÛ˚

ÇçàåÄçàÖ

ç ÔÂÂÔÛÚ‡ÈÚ ÍÓÏÔÓÌÂÌÚ˚ Ë ÛÒÚ‡ÌÓ‚ËÚ Ëı ‚ Ô‡‚ËθÌÓÏ

2 èËÍÂÔËÚ ·ÓÍÓ‚˚ ԇÌÂÎË Í ·ÎÓÍÛ Ô‰‡ÎÂÈ.

̇Ô‡‚ÎÂÌËË. Ç˚ÔÓÎÌflÈÚ ҷÓÍÛ Òӄ·ÒÌÓ Ô˂‰ÂÌÌÓÈ ÌËÊÂ

ËÌÒÚÛ͈ËË.

ë·ÓÍÛ ‰ÓÎÊÌ˚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ Ì ÏÂÌ ‰‚Ûı ˜ÂÎÓ‚ÂÍ.

àÒÔÓθÁÛÈÚ ‚ËÌÚ˚ Û͇Á‡ÌÌÓ„Ó ‡ÁÏÂ‡. àÒÔÓθÁÛfl

ÌÂÔ‡‚ËθÌ˚ ‚ËÌÚ˚ ‚˚ ÏÓÊÂÚ ÔÓ‚‰ËÚ¸ ËÌÒÚÛÏÂÌÚ.

èÓÒΠÁ‡‚Â¯ÂÌËfl

èË„ÓÚÓ‚¸Ú ÍÂÒÚÓ‚Û˛ ÓÚ‚ÂÚÍÛ.

Ò·ÓÍË Í‡Ê‰ÓÈ ˜‡ÒÚË

Á‡ÚflÌËÚ ‚ËÌÚ˚.

ÑÎfl ‡Á·ÓÍË ËÌÒÚÛÏÂÌÚ‡

‚˚ÔÓÎÌËÚ ËÌÒÚÛÍˆË˛ ‚

Ó·‡ÚÌÓÏ ÔÓfl‰ÍÂ.

1 éÚÍÓÈÚ ԇÍÂÚ, ‚˚̸Ú Ô‰‡Î¸Ì˚È ·ÎÓÍ, ÔÂÌÓÔ·Ò-

ÚÓ‚˚ ÔÓÍ·‰ÍË Ë ÛÒÚ‡ÌÓ‚ËÚ ˆËÙÓ‚Ó ÔˇÌËÌÓ

̇ ÔÂÌÓÔ·ÒÚ.

É·‚̇fl

˜‡ÒÚ¸

3 èËÍÂÔËÚ Á‡‰Ì˛˛ Ô‡ÌÂθ.

1

ÑÂʇ Ô‡ÌÂθ ‚ ̇ÍÎÓÌÌÓÏ ÔÓÎÓÊÂÌËË, Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ,

èÂÌÓÔ·ÒÚÓ‚˚Â

ÔÓÏÂÒÚËڠ ÌËÊÌËÈ Í‡È ̇ Ò΄͇ ‚˚ÒÚÛÔ‡˛˘Ë ˜‡ÒÚË ÌÓÊÂÍ.

ÔÓÍ·‰ÍË

ëÓ‚ÏÂÒÚËÚ ‚ÂıÌ˛˛ ˜‡ÒÚ¸ Á‡‰ÌÂÈ Ô‡ÌÂÎË Ò ·ÓÍÓ‚˚ÏË Ô‡ÌÂÎflÏË

2 èËÍÂÔËÚ ‚ÂıÌ˛˛ ˜‡ÒÚ¸ Á‡‰ÌÂÈ Ô‡ÌÂÎË Í ÍÓ̯ÚÂÈÌ‡Ï ·ÓÍÓ‚ÓÈ

Ç˚̸Ú ËÁ ÍÓÓ·ÍË ˜‡ÒÚË, ÔÓ͇Á‡ÌÌ˚ ̇ ÒÎÂ‰Û˛˘ÂÏ ËÒÛÌÍÂ.

Ô‡ÌÂÎË Ò ÔÓÏÓ˘¸˛ ‰‚Ûı ÚÓÌÍËı ‚ËÌÚÓ‚ 4x12 ÏÏ.

3 èËÍÂÔËÚ ÌËÊÌ˛˛ ˜‡ÒÚ¸ Á‡‰ÌÂÈ Ô‡ÌÂÎË Í ·ÎÓÍÛ Ô‰‡ÎÂÈ Ò ÔÓ-

ᇉÌflfl

ÏÓ˘¸˛ ˜ÂÚ˚Âı Ò‡ÏÓ̇ÂÁ‡˛˘Ëı ‚ËÌÚÓ‚ 4x20 ÏÏ.

Ô‡ÌÂθ

ÅÎÓÍ

䇷Âθ Ô‰‡ÎÂÈ, ÔËÍÂÔÎÂÌÌ˚È ‚ÌÛÚË

Ô‰‡ÎÂÈ

ÅÓÍÓ‚‡fl

ÅÓÍÓ‚‡fl

Ô‡ÌÂθ

Ô‡ÌÂθ

(΂‡fl)

(Ô‡‚‡fl)

ÑÂÚ‡ÎË Ò·ÓÍË ä‡·Âθ ÔËÚ‡ÌËfl

4 ìÒÚ‡ÌÓ‚ËÚ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸.

ÑÎËÌÌ˚Â ‚ËÌÚ˚ 6 x 25 ÏÏ, 4 ¯Ú.

ë‡ÏÓ̇ÂÁ‡˛˘Ë ‚ËÌÚ˚ 4 x 20 ÏÏ, 4 ¯Ú.äÓÓÚÍË ‚ËÌÚ˚ 6 x 16 ÏÏ, 4 ¯Ú.

ÑÂʇÚÂÎË ‰Îfl ͇·ÂÎÂÈ - 2 ¯Ú.íÓÌÍË ‚ËÌÚ˚ 4 x 12 ÏÏ, 2 ¯Ú.

èË ÛÒÚ‡ÌÓ‚Í ‰ÂÊËÚ ÛÍË Ì‡ ‡ÒÒÚÓflÌËË Ì ÏÂÌÂÂ

10 ÒÏ ÓÚ Í‡Â‚.

èËÎÓÊÂÌËÂ

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301

206

1 éÚ‚flÊËÚÂ Ë ‡ÒÔflÏËÚ ÛÔ‡ÍÓ‚‡ÌÌ˚È

͇·Âθ, ÔËÍÂÔÎÂÌÌ˚È Í ÌËÊÌÂÈ ˜‡ÒÚË

·ÎÓ͇ Ô‰‡ÎÂÈ. ëÓı‡ÌËÚ ‚ËÌËÎÓ‚˚È

ÅÓÍÓ‚‡fl

Ô‡ÌÂθ

¯ÌÛÓÍ, ÓÌ ÔÓ̇‰Ó·ËÚÒfl ‚‡Ï ̇ ˝Ú‡Ô 6..

(΂‡fl)

ÅÓÍÓ‚‡fl

Ô‡ÌÂθ

(Ô‡‚‡fl)

2

èËÍÂÔËÚ ·ÎÓÍ Ô‰‡ÎÂÈ Ò ÔÓÏÓ˘¸˛ ˜ÂÚ˚Âı ‰ÎËÌÌ˚ı

‚ËÌÚÓ‚ 6x25 ÏÏ.

Ç̇˜‡Î ÔËÍÂÔËÚ ԇ-ÌÂθ Ò Ó‰ÌÓÈ

ÒÚÓÓÌ˚, Á‡ÚÂÏ Ò ‰Û„ÓÈ.

ÇçàåÄçàÖ

ëΉËÚ Á‡ ÚÂÏ, ˜ÚÓ·˚ Ì Á‡˘ÂÏËÚ¸ ԇθˆ˚ ÏÂÊ‰Û ÓÒÌÓ‚Ì˚Ï

ÛÒÚÓÈÒÚ‚ÓÏ Ë Á‡‰ÌÂÈ ËÎË ·ÓÍÓ‚˚ÏË Ô‡ÌÂÎflÏË. ÅÛ‰¸Ú ˜ÂÁ-

‚˚˜‡ÈÌÓ ÓÒÚÓÓÊÌ˚ Ë Ì ÛÓÌËÚ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸.

ÑÂÊËÚ Í·‚ˇÚÛÛ ÚÓθÍÓ Ú‡Í, Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ.

åËÌËÏÛÏ

At least

10 cm

10 ÒÏ

5 á‡ÍÂÔËÚ ÓÒÌÓ‚ÌÛ˛

8 ìÒÚ‡ÌÓ‚ËÚ „ÛÎflÚÓ.

˜‡ÒÚ¸.

1 ê‡ÒÔÓÎÓÊËÚ ËÌÒÚÛÏÂÌÚ ÔÓ

ˆÂÌÚÛ Ú‡Í, ˜ÚÓ·˚ Á‡ÁÓ˚ ÒÔ‡-

‚‡ Ë Ò΂‡ ·˚ÎË Ó‰Ë̇ÍÓ‚˚ÏË.

2 á‡ÍÂÔËÚ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸

ÒÔÂÂ‰Ë Ò ÔÓÏÓ˘¸˛ ÍÓÓÚÍËı

‚ËÌÚÓ‚ 6x16 ÏÏ.

èÓ‚Ó‡˜Ë‚‡ÈÚ ÙËÍÒËÛ˛˘ËÈ ‚ËÌÚ ‰Ó ÚÂı ÔÓ, ÔÓ͇ ÓÌ ÌÂ

ÔˉÂÚ ‚ ÚÂÒÌ˚È ÍÓÌÚ‡ÍÚ Ò ÔÓ‚ÂıÌÓÒÚ¸˛ ÔÓ·.

èÓÒΠҷÓÍË ÔÓ‚Â¸Ú ÒÎÂ‰Û˛˘ÂÂ.

ç ÓÒÚ‡ÎÓÒ¸ ÎË «Î˯ÌËı» ‰ÂÚ‡ÎÂÈ?

èÓ‚Â¸Ú ҷÓÍÛ Ë ËÒÔ‡‚¸Ú ӯ˷ÍË.

6 èÓ‰ÒÓ‰ËÌËÚ ͇·Âθ Ô‰‡ÎË.

ç Ï¯‡ÂÚ ÎË ÔˇÌËÌÓ Clavinova ÓÚÍ˚‚‡Ú¸ ‰‚ÂË Ë

ÔÂÂÏ¢‡Ú¸ Ô‰ÏÂÚ˚?

èÓÒÚ‡‚¸Ú ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ‚ Û‰Ó·ÌÓÂ

1 ÇÒÚ‡‚¸Ú ‚ËÎÍÛ

ÏÂÒÚÓ.

͇·ÂÎfl Ô‰‡ÎÂÈ

ç «·ÓÎÚ‡ÂÚÒfl» ÎË ËÌÒÚÛÏÂÌÚ Clavinova, ÍÓ„‰‡ ‚˚ „Ó

ÒÔÂÂ‰Ë ‚ ‡Á˙ÂÏ

‰Îfl Ô‰‡ÎÂÈ.

ÚflÒÂÚ (Ó· ˝ÚÓÏ ÏÓÊÌÓ ÒÛ‰ËÚ¸ ÔÓ „ÓıÓÚÛ)?

á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚.

ç ÒÏ¢‡ÂÚÒfl ÎË Ô‰‡Î¸Ì˚È ·ÎÓÍ Ë Ì ÒÎ˚¯ÌÓ ÎË

3 ÖÒÎË Í‡·Âθ Ô‰‡ÎË

„ÓıÓÚ‡ ÔË Ì‡Ê‡ÚËË Ì‡ Ô‰‡ÎË?

Ó͇Á‡ÎÒfl ‰ÎËÌÌÂÂ, ˜ÂÏ

èÓ‚ÂÌËÚ ÙËÍÒËÛ˛˘ËÈ ‚ËÌÚ Ú‡Í, ˜ÚÓ·˚ ÓÌ Ú‚Â‰Ó

ÌÛÊÌÓ, Á‡ÍÂÔËÚ Î˯-

ÒÚÓflΠ̇ ÔÓÎÛ.

Ì˛˛ ˜‡ÒÚ¸ Ò ÔÓÏÓ˘¸˛

䇷ÂÎË Ô‰‡ÎË Ë ÔËÚ‡ÌËfl ÔÎÓÚÌÓ ‚ÒÚ‡‚ÎÂÌ˚ ‚

‚ËÌËÎÓ‚Ó„Ó ¯ÌÛ͇.

‡Á˙ÂÏ˚?

èÓ‚Â¸Ú ÒÓ‰ËÌÂÌËfl.

ÖÒÎË ÓÒÌӂ̇fl ˜‡ÒÚ¸ ËÌÒÚÛÏÂÌÚ‡ ÒÍËÔËÚ ËÎË

2 èËÒÓ‰ËÌËÚ ‰ÂʇÚÂÎË

‰Îfl ͇·ÂÎfl Í Á‡‰ÌÂÈ Ô‡ÌÂ-

ÌÂÛÒÚÓȘ˂‡, ÍÓ„‰‡ ‚˚ Ë„‡ÂÚ ̇ Í·‚˯‡ı,

ÎË, Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌ-

ÔÓÒÏÓÚËÚ ÒıÂÏÛ Ò·ÓÍË Ë Á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚.

ÍÂ, Ë Á‡ÚÂÏ Á‡˘ÂÎÍÌËÚÂ

èË ÔÂÂÏ¢ÂÌËË ÒÓ·‡ÌÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡ ‚Ò„‰‡

·ÂËÚÂÒ¸ Á‡ ÌËÊÌ˛˛ ˜‡ÒÚ¸ ÓÒÌÓ‚ÌÓ„Ó ·ÎÓ͇.

7 ìÒÚ‡ÌÓ‚ËÚ ÒÂÎÂÍÚÓ ̇ÔflÊÂÌËfl Ë ÔÓ‰ÒÓ‰ËÌËÚÂ

͇·Âθ ÔËÚ‡ÌËfl.

ÇçàåÄçàÖ

ç ·ÂËÚÂÒ¸ Á‡ Í˚¯ÍÛ Í·‚ˇÚÛ˚ ËÎË Â ‚ÂıÌ˛˛ ˜‡ÒÚ¸.

çÂÔ‡‚Ëθ̇fl ˝ÍÒÔÎÛ‡Ú‡ˆËfl ÏÓÊÂÚ ÔË‚ÂÒÚË Í ‚˚ıÓ‰Û ËÌÒÚ-

ÛÏÂÌÚ‡ ËÁ ÒÚÓfl ËÎË Í Ú‡‚ÏÂ

.

ä˚¯Í‡

127

ä˚¯Í‡

220

Í·‚ˇÚÛ˚

110

240

ᇠ˝ÚÓ

ᇠ˝ÚÓ ‰ÂʇڸÒfl ÌÂθÁfl.

‰ÂʇڸÒfl

ᇠ˝ÚÓ ‰ÂʇڸÒfl ÏÓÊÌÓ.

ÌÂθÁfl.

ê„ÛÎflÚÓ ̇ÔflÊÂÌËfl

Ç ÌÂÍÓÚÓ˚ı „ËÓ̇ı ËÒÔÓθÁÛÂÚÒfl „ÛÎflÚÓ ̇ÔflÊÂÌËfl. èÂʉ ˜ÂÏ

ÔÓ‰Íβ˜‡Ú¸ ͇·Âθ ÔËÚ‡ÌËfl, ÔÓ‚Â¸ÚÂ, Ô‡‚ËθÌÓ ÎË ÓÌ ÛÒÚ‡ÌÓ‚ÎÂÌ.

ÑÎfl ÛÒÚ‡ÌÓ‚ÍË „ÛÎflÚÓ‡ ̇ 110, 127, 220 ËÎË 240 ‚ÓÎ¸Ú Ò ÔÓÏÓ˘¸˛ ÓÚ-

‚ÂÚÍË ÔÓ‚ÂÌËÚ ‰ËÒÍ Ú‡Í, ˜ÚÓ·˚ Ô‡‚ËθÌÓ ̇ÔflÊÂÌË ‰Îfl ‚‡¯Â„Ó

èËÎÓÊÂÌËÂ

„ËÓ̇ ̇ıÓ‰ËÎÓÒ¸ ̇ÔÓÚË‚ Û͇Á‡ÚÂÎfl ̇ Ô‡ÌÂÎË. èË ÔÓÒÚ‡‚Í „Û-

ÎflÚÓ ̇ÔflÊÂÌËfl ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ ̇ÔflÊÂÌË ‚ 240 Ç.

Ç˚·‡‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â ̇ÔflÊÂÌËÂ, ÔÓ‰Íβ˜ËÚ ͇·Âθ ÔËÚ‡ÌËfl Í

‡Á˙ÂÏÛ AC INLET Ë Í ˝ÎÂÍÚÓÒÂÚË. Ç ÌÂÍÓÚÓ˚ı „ËÓ̇ı ‰Îfl ÔÓ‰Íβ-

˜ÂÌËfl Í ˝ÎÂÍÚÓÒÂÚË ÚÂ·Û˛ÚÒfl ÔÂÂıÓ‰ÌËÍË Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ‡Ò-

ÔÓÎÓÊÂÌËÂÏ ÍÓÌÚ‡ÍÚÓ‚.

éëíéêéÜçé

Ç˚·Ó ÌÂÔ‡‚ËθÌÓ„Ó Ì‡ÔflÊÂÌËfl ÏÓÊÂÚ ÒÂ¸ÂÁÌÓ ÔÓ‚‰ËÚ¸

ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ËÎË Ì‡Û¯ËÚ¸ Â„Ó ‡·ÓÚÛ.

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301

207

ìÒÚ‡Ìӂ͇ ‰ËÒÍÓ‚Ó‰‡ (Òڇ̉‡ÚÌÓ„Ó/‰ÓÔÓÎÌËÚÂθÌÓ„Ó)

ÑËÒÍÓ‚Ó‰ ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ‚ ÌËÊÌÂÈ ˜‡ÒÚË ËÌÒÚÛÏÂÌÚ‡ Ò

ÔÓÏÓ˘¸˛ ÍÓÊÛı‡ Ë ‚ËÌÚÓ‚, ‚ıÓ‰fl˘Ëı ‚ ÔÓÒÚ‡‚ÍÛ. ÑÛ„Ë ‰ËÒ-

ÍÓ‚Ó‰˚, ÍÓÚÓ˚ ÏÓ„ÛÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl Ò ˝ÚËÏ ËÌÒÚÛÏÂÌÚÓÏ,

ÒÏ. ‚ ‡Á‰ÂΠ«ÑÓÔÓÎÌËÚÂθÌ˚ ÔË̇‰ÎÂÊÌÓÒÚË» (ÒÚ. 210).

ì ‚‡Ò ‰ÓÎÊ̇ ·˚Ú¸ ̇„ÓÚÓ‚Â ÍÂÒÚÓ‚‡fl ÓÚ‚ÂÚ͇

(Phillips).

1 쉇ÎËÚ ÚË Í‡ÚÓÌÍË Ò ÍÎÂÈÍÓÈ ÎÂÌÚ˚ ‚ ÍÓÊÛıÂ

3 èËÍÂÔËÚ ‰ËÒÍÓ‚Ó‰ ‚ ÍÓÊÛıÂ Í ÌËÊÌÂÈ ÒÚÓÓÌÂ

Ë ÔÓÏÂÒÚËÚ ‰ËÒÍÓ‚Ó‰ ‚ ÍÓÊÛı.

ËÌÒÚÛÏÂÌÚ‡ (Ò΂‡) Ò ÔÓÏÓ˘¸˛ ˜ÂÚ˚Âı ÔË·„‡Â-

Ï˚ı ‚ËÌÚÓ‚ (4 ÏÏ x 10 ÏÏ).

ÇÒÚ‡‚¸Ú ‰ËÒÍÓ‚Ó‰ ‚ ÍÓÊÛı. ëÚÓÓ̇

Ò ÂÁËÌÓ‚˚ÏË Ó„‡Ì˘ËÚÂÎflÏË ‰ÓÎÊ̇

·˚Ú¸ Ó·‡˘Â̇ Í ÍÓÊÛıÛ.

4 èÓ‰Íβ˜ËÚ ͇·Âθ USB Í ‡Á˙ÂÏÛ [USB TO DEVICE].

Ñ‚ÛÒÚÓÓÌÌflfl ÍÎÂÈ͇fl ÎÂÌÚ‡

2 ë‚ÂÌËÚ ͇·Âθ USB ‚ÌÛÚË ÍÓÊÛı‡, Í‡Í ÔÓ͇Á‡ÌÓ.

èËÎÓÊÂÌËÂ

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301

208

íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË

CVP-305 CVP-303 CVP-301

ëÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌËÂ

àÒÚÓ˜ÌËÍ Á‚Û͇ ÑË̇Ï˘ÂÒÍÓ ÒÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌË AWM

AWM Stereo Sampling

ä·‚ˇÚÛ‡ Ò ÏÓÎÓÚÓ˜ÍÓ‚˚Ï ÏÂı‡-

ä·‚ˇÚÛ‡

ä·‚ˇÚÛ‡ Ò ÏÓÎÓÚÓ˜ÍÓ‚˚Ï ÏÂı‡ÌËÁÏÓÏ ÒËÒÚÂÏ˚ GH (88 Í·‚˯)

ÌËÁÏÓÏ ÒËÒÚÂÏ˚ GH3 (88 Í·‚˯)

ùÍ‡Ì

ñ‚ÂÚÌÓÈ Üä-‰ËÒÔÎÂÈ (240 ÚÓ˜ÂÍ)

óÂÌÓ-·ÂÎ˚È Üä-‰ËÒÔÎÂÈ (240 ÚÓ˜ÂÍ)

åÛÁ˚͇θ̇fl Ô‡ÚËÚÛ‡,

ÑÄ

ÒÎÓ‚‡

èÓÎËÙÓÌËfl (χÍÒËχθ̇fl) 128 96

353 ÚÂÏ·‡ + 480 ÚÂÏ·Ó‚

319 ÚÂÏ·Ó‚ + 480 ÚÂÏ·Ó‚

312 ÚÂÏ·Ó‚ + 480 ÚÂÏ·Ó‚

Òڇ̉‡Ú‡ XG

Òڇ̉‡Ú‡ XG

Òڇ̉‡Ú‡ XG

17 ̇·ÓÓ‚ Û‰‡Ì˚ı/

14 ̇·ÓÓ‚ Û‰‡Ì˚ı/

14 ̇·ÓÓ‚ Û‰‡Ì˚ı/

Ç˚·Ó ÚÂÏ·Ó‚

ÒÔˆ˝ÙÙÂÍÚÓ‚ + GM2 + GS

ÒÔˆ˝ÙÙÂÍÚÓ‚ + GM2 + GS

ÒÔˆ˝ÙÙÂÍÚÓ‚ + GM2 + GS

ÂÏ·˚ Òڇ̉‡ÚÓ‚ GS ‰Îfl

ÂÏ·˚ Òڇ̉‡ÚÓ‚ GS ‰Îfl

ÂÏ·˚ Òڇ̉‡ÚÓ‚ GS ‰Îfl

‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÂÌ

‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÂÌ

‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÂÌ

‚ ÙÓχÚ GS)

‚ ÙÓχÚ GS)

‚ ÙÓχÚ GS)

儇ÚÂÏ·˚

10

(Mega Voice)

íÂÏ·

é·˚˜Ì˚ ÚÂÏ·-

261 271

˚ (Regular)

íÂÏ· «Natural!»

21 14

íÂÏ· «Sweet!»

14 11

íÂÏ· «Cool!» 18 5

íÂÏ· «Live!» 19 1

íÂÏ· «Organ

10

Flutes!»

îÛÌ͈Ëfl Sound ëreator ÑÄ

ÅÎÓÍË

ê‚Â·Â‡ˆËfl/

6

˝ÙÙÂÍ-

ïÓÛÒ/DSP

ÚÓ‚

åËÍÓÙÓÌ 1

Reverb: 35 ‚ÒÚÓÂÌÌ˚ı + 3 ÔÓθÁÓ‚‡ÚÂθÒÍËı

ê‚Â·Â‡ˆËfl/

Chorus: 30 ‚ÒÚÓÂÌÌ˚ı + 3 ÔÓθÁÓ‚‡ÚÂθÒÍËı

ïÓÛÒ/DSP

DSP 1: 183 ‚ÒÚÓÂÌÌ˚ı + 3 ÔÓθÁÓ‚‡ÚÂθÒÍËı

DSP 2–4: 105 ‚ÒÚÓÂÌÌ˚ı + 10 ÔÓθÁÓ‚‡ÚÂθÒÍËı

ùÙÙÂÍÚ˚

íËÔ˚

Master EQ

˝ÙÙÂÍ-

(Ó·˘‡fl ̇ÒÚÓÈ-

5 ‚ÒÚÓÂÌÌ˚ı + 2 ÔÓθÁÓ‚‡ÚÂθÒÍËı

ÚÓ‚

͇ ˝Í‚‡Î‡ÈÁÂ‡)

Part EQ

(̇ÒÚÓÈ͇

27 Ô‡ÚËÈ

˝Í‚‡Î‡ÈÁÂ‡

‰Îfl Ô‡ÚËË)

ɇÏÓÌËÁ‡ˆËfl ‚Ó͇· 61 ‚ÒÚÓÂÌÌ˚È + 10 ÔÓθÁÓ‚‡ÚÂθÒÍËı

ëÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ 308 258 180

ëÚËÎË Pro 248 208 133

ëÚËÎË Session 24 14 11

CÚËÎË Pianist 36

ëÚËÎË Mega Voice ÑÄ

Single Finger (‰Îfl Ë„˚ Ó‰ÌËÏ Ô‡Î¸ˆÂÏ), Fingered (Ú‡‰ËˆËÓÌ̇fl), Fingered On Bass (Ú‡‰ËˆËÓÌ̇fl Ò ·‡ÒÓÏ),

ÄÔÔÎË͇ÚÛ‡

Multi Finger (‰Îfl Ë„˚ ÌÂÒÍÓθÍËÏË Ô‡Î¸ˆ‡ÏË), AI Fingered (Ú‡‰ËˆËÓÌ̇fl AI), Full Keyboard (‚Òfl Í·‚ˇÚÛ‡),

ëÚËθ

AI Full Keyboard (‚Òfl Í·‚ˇÚÛ‡ Al)

‡ÍÍÓÏÔ‡-

ÌÂÏÂÌÚ‡

îÛÌ͈Ëfl Style Creator ÑÄ

OTS

(ç‡ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË»:

4 ‰Îfl Í‡Ê‰Ó„Ó ÒÚËÎfl

ÙÛÌ͈Ëfl One Touch Setting)

èËÎÓÊÂÌËÂ

îÛÌ͈Ëfl OTS Link ÑÄ

îÛÌ͈Ëfl

ÇÒÚÓÂÌÌ˚Â

ÑÄ

Music

‰‡ÌÌ˚ (Preset)

Finder

àÁÏÂÌÂÌË ÑÄ

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301

209

CVP-305 CVP-303 CVP-301

ÇÒÚÓÂÌÌ˚Â ÔÂÒÌË 120 56

Follow Lights, Any Key,

é·Û˜ÂÌËÂ

Follow Lights, Any Key, Karao-Key, Vocal CueTIME

Karao-Key

à̉Ë͇ÚÓ ÑÄ

èÂÒÌfl

îÛÌ͈Ëfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

ÑÄ

performance assistant

Å˚ÒÚ‡fl Á‡ÔËÒ¸, ÏÛθÚËÁ‡ÔËÒ¸ (Ò ÌÂÒÍÓθÍËÏË ÚÂÏ·‡ÏË Ì‡ ÌÂÒÍÓθÍËı ͇̇·ı), ÔÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸,

á‡ÔËÒ¸

‰‡ÍÚËÓ‚‡ÌË ÔÂÒÌË

ä‡Ì‡Î˚ Á‡ÔËÒË 16

Internet Direct Connection

Ç̯ÌËÈ ‡‰‡ÔÚÂ (˜ÂÂÁ ÔÓÚ USB to DEVICE)

(èflÏÓ ÔÓ‰Íβ˜ÂÌËÂ Í àÌÚÂÌÂÚÛ)

ÑËÒÍÂÚ‡ (2HD, 2DD) Ç̯ÌËÈ ‡‰‡ÔÚÂ (˜ÂÂÁ ÔÓÚ USB to DEVICE)

ìÒÚÓÈÒÚ‚Ó

ÜÂÒÚÍËÈ ‰ËÒÍ Ç̯ÌËÈ ‡‰‡ÔÚÂ (˜ÂÂÁ ÔÓÚ USB to DEVICE)

Ô‡ÏflÚË

îν¯-Ô‡ÏflÚ¸ (‚ÌÛÚÂÌÌflfl) 1,5 å· 650 ä·

ê‡Á˙ÂÏ ‰Îfl Ô·Ú˚ SmartMedia

1 (ÒÓ‚ÏÂÒÚËÏ Ò Ô·ڇÏË SmartMedia ÙÓχڇ FAT 12 ËÎË 16)

ÑˇԇÁÓÌ ÚÂÏÔ‡ 5 -500, ÒÓ·ÒÚ‚ÂÌÌ˚È ÚÂÏÔ

íÂÏÔ

åÂÚÓÌÓÏ ÑÄ

á‚ÛÍ á‚ÓÌÓÍ ‚ÍÎ./‚˚ÍÎ., Ò˜ÂÚ „ÓÎÓÒÓÏ (5 flÁ˚ÍÓ‚)

äÌÓÔÍË 8

ê„ËÒÚ‡ˆËÓÌ-

èÓÒΉӂ‡ÚÂθÌÓÒÚ¸

̇fl Ô‡ÏflÚ¸

‚˚ÁÓ‚‡ „ËÒÚ‡ˆËÓÌÌ˚ı

ÑÄ

Ù‡ÈÎÓ‚ / «á‡ÏÓÓÁ͇»

ÑÂÏÓÌÒÚ‡ˆËfl / ëÔ‡‚͇ ÑÄ

5 flÁ˚ÍÓ‚ (‡Ì„ÎËÈÒÍËÈ, ÌÂψÍËÈ,

6 flÁ˚ÍÓ‚ (‡Ì„ÎËÈÒÍËÈ, flÔÓÌÒÍËÈ, ÌÂψÍËÈ, Ù‡ÌˆÛÁÒÍËÈ, ËÒÔ‡ÌÒÍËÈ,

üÁ˚Í

Ù‡ÌˆÛÁÒÍËÈ, ËÒÔ‡ÌÒÍËÈ,

ËڇθflÌÒÍËÈ)

ËڇθflÌÒÍËÈ)

èÓ˜ÂÂ

Direct Access (ÔflÏÓÈ ‰ÓÒÚÛÔ)

ÑÄ

äÌÓÔ͇ Piano

ÑÄ

(‚Íβ˜‡fl Piano Lock)

í‡ÌÒÔÓÌËÓ‚‡ÌË ä·‚ˇÚÛ‡/ÔÂÒÌfl/Ó·˘Â Ú‡ÌÒÔÓÌËÓ‚‡ÌËÂ

íËÔ ÚÂÏÔÂ‡ˆËË 9

èÓ‰Íβ˜ÂÌËÂ

ЧÂÂÁ ÔÓÚ USB to HOST

ÑÄ

Í ËÌÚÂÙÂÈÒÛ

(ÍÓÏÔ¸˛ÚÂ)

USB

ЧÂÂÁ ÔÓÚ USB to DEVICE ÑÄ

PHONES (̇ۯÌËÍË) x 2, MIDI (THRU, OUT, IN), ‡Á˙ÂÏ˚ AUX PEDAL, AUX IN (L/L+R, R),

AUX OUT (L/L+R, R), AUX OUT (LEVEL FIXED) (L, R)

MIC (INPUT VOLUME („ÛÎflÚÓ

„ÓÏÍÓÒÚË ‚ıÓ‰ÌÓ„Ó Ò˄̇·),

MIC (INPUT VOLUME („ÛÎflÚÓ

ÑÛ„Ë ‡Á˙ÂÏ˚

MIC./LINE IN (ÏËÍÓÙÓÌÌ˚È ‚ıÓ‰ /

„ÓÏÍÓÒÚË ‚ıÓ‰ÌÓ„Ó Ò˄̇·),

ÎËÌÂÈÌ˚È ‚ıÓ‰)),

MIC./LINE IN (ÏËÍÓÙÓÌÌ˚È ‚ıÓ‰ /

‡Á˙ÂÏ OPTICAL OUT,

ÎËÌÂÈÌ˚È ‚ıÓ‰))

‡Á˙ÂÏ VIDEO OUT

VOLUME („ÓÏÍÓÒÚ¸), SUSTAIN (ÒÛÒÚÂÈÌ), SOSTENUTO (ÒÓÒÚÂÌÛÚÓ), SOFT, GLIDE (ÒÍÓθÊÂÌË ‚˚ÒÓÚ˚ Á‚Û͇),

艇ÎË îÛÌ͈ËË

SONG PLAY/PAUSE (‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË/Ô‡ÛÁ‡), STYLE START/STOP (‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ÂÊËχ

‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl) Ë Ú.‰.

ìÒËÎËÚÂÎË/

ìÒËÎËÚÂÎË 40 ÇÚ 2

‰Ë̇ÏËÍË

ÑË̇ÏËÍË (16 ÒÏ + 5 ÒÏ) 2

1432 ÏÏ 614 ÏÏ 885 ÏÏ

1432 ÏÏ 614 ÏÏ 885 ÏÏ

1379 ÏÏ 595 ÏÏ 896 ÏÏ

ɇ·‡ËÚ˚ [¯ËË̇ ‰ÎË̇ ‚˚ÒÓÚ‡]

[56-3/8" 24-3/16" 34-13/16"]

[56-3/8" 24-3/16" 34-13/16"]

[54-5/16" 23-7/16" 35-1/4"]

(Ò̇·ÊÂÌÓ Ô˛ÔËÚÓÏ)

(1432 ÏÏ 614 ÏÏ 1042 ÏÏ)

(1432 ÏÏ 614 ÏÏ 1044 ÏÏ)

(1379 ÏÏ 595 ÏÏ 1070 ÏÏ)

[56-3/8" 24-3/16" 41"]

[56-3/8" 24-3/16" 41-1/8"]

[54-5/16" 23-7/16" 42-1/8"]

ÇÂÒ 86 Í„ (189 ÙÛÌÚÓ‚, 10 Û̈ËÈ) 70 Í„ (154 ÙÛÌÚ‡, 5 Û̈ËÈ) 68 Í„ (149 ÙÛÌÚÓ‚, 15 Û̈ËÈ)

ç‡Û¯ÌËÍË HPE-160

ÑÓÔÓÎÌË-

艇θ

FC 4/FC 5

ÚÂθÌ˚Â

çÓÊÌÓÈ ÍÓÌÚÓÎÎÂ FC 7

‡ÍÒÂÒÒÛ‡˚

èËÎÓÊÂÌËÂ

ìÒÚÓÈÒÚ‚Ó USB-FDD UD-FD01

* íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË Ë Ëı ÓÔËÒ‡ÌËfl ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl ‰‡Ì˚ ÚÓθÍÓ ‰Îfl ËÌÙÓχˆËË. äÓÔÓ‡ˆËfl Yamaha

ÒÓı‡ÌflÂÚ Á‡ ÒÓ·ÓÈ Ô‡‚Ó ÏÓ‰ËÙˈËÓ‚‡Ú¸ Ò‚ÓË ËÁ‰ÂÎËfl Ë ÏÂÌflÚ¸ Ëı ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË ·ÂÁ Ô‰‚‡ËÚÂθÌÓ„Ó Û‚Â‰ÓÏÎÂÌËfl.

èÓÒÍÓθÍÛ ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË, Ó·ÓÛ‰Ó‚‡ÌËÂ Ë Ì‡·Ó ‚ÓÁÏÓÊÌÓÒÚÂÈ ÏÓ„ÛÚ ‡Á΢‡Ú¸Òfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ „ËÓ̇,

Ó·‡˘‡ÈÚÂÒ¸ Á‡ ËÌÙÓχˆËÂÈ Í ÏÂÒÚÌÓÏÛ Ô‰ÒÚ‡‚ËÚÂβ ÍÓÔÓ‡ˆËË Yamaha.

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301

210

è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ

ñËÙ˚

G

1–16

...................................................................................... 138, 148

GM System Level 1, Òڇ̉‡Ú

.......................................................... 191

GM System Level 2, Òڇ̉‡Ú

.......................................................... 191

A

GROOVE, ˝ÙÙÂÍÚ

.......................................................................... 114

GS, ÙÓχÚ

................................................................................... 191

A-B Repeat, ÙÛÌ͈Ëfl

.........................................................................40

GUIDE LAMP ON/OFF

..................................................................... 131

AI

.....................................................................................................98

GUIDE LAMP TIMING

...................................................................... 132

AI FINGERED, ‡ÔÔÎË͇ÚÛ‡

..............................................................98

Guide, ÙÛÌ͈Ëfl

.............................................................................. 131

AI FULL KEYBOARD, ‡ÔÔÎË͇ÚÛ‡

....................................................98

Any Key, ÙÛÌ͈Ëfl

...........................................................................132

H

ARABIC (‡‡·ÒÍËÈ)

...........................................................................77

Assembly

...................................................................... 202, 204, 206

HARMONY, ˝Í‡Ì

............................................................................. 93

ASSEMBLY (Style), ‚Í·‰Í‡

............................................................112

HARMONY/ECHO, ˝ÙÙÂÍÚ

............................................................... 78

Auto Accompaniment, ÙÛÌ͈Ëfl

..........................................................44

HELP, ÍÌÓÔ͇

................................................................................... 57

AUTO REVOICE SETUP, ˝Í‡Ì

..........................................................83

I

B

ICON, ˝Í‡Ì

..................................................................................... 66

BALANCE, ÍÌÓÔ͇

.............................................................................39

BASIC

.............................................................................................108

K

BASS

..............................................................................................195

BOOKMARK

....................................................................................171

Karao-key, ÙÛÌ͈Ëfl

........................................................................ 132

Browser

...........................................................................................176

KEYBOARD/PANEL, ‚Í·‰Í‡

......................................................29, 55

Browser, ‚Í·‰Í‡

............................................................................176

KIRNBERGER (ÒÚÓÈ äËÌ·Â„Â‡)

.................................................. 77

C

L

CARD, ÌÓÒËÚÂθ

...............................................................................26

LAN

................................................................................................ 176

CHANNEL

.......................................................................................148

Left

................................................................................................... 73

CHANNEL ON/OFF

............................................................................99

Left Hold, ÙÛÌ͈Ëfl

............................................................................ 48

CHANNEL, ‚Í·‰Í‡

.........................................................................116

Live!, ÚËÔ ÚÂÏ·‡

.............................................................................. 72

CHORD (ÄÍÍÓ‰)

.................................................................... 138, 148

LYRICS (ÚÂÍÒÚ ÔÂÒÌË)

..................................................................... 148

CHORD DETECT

.............................................................................196

M

CHORD FINGERING, ‚Í·‰Í‡

...........................................................97

Chord Tutor, ÙÛÌ͈Ëfl

........................................................................48

Main, ˝Í‡Ì

................................................................................25, 59

COMMON, ˝Í‡Ì

...............................................................................90

MASTER TUNE

................................................................................. 76

CONFIG 1, ÒÚ‡Ìˈ‡

...................................................30, 46, 99, 122

MEAN-TONE (ωˇθÌ˚È ÒÚÓÈ)

..................................................... 77

CONFIG 2

.......................................................................................196

MEDIA

.............................................................................62, 130, 187

CONTROLLER, ˝Í‡Ì

........................................................................90

Mega Voice, ÚËÔ ÚÂÏ·‡

(CVP-305)................................................... 72

Cool!, ÚËÔ ÚÂÏ·‡

..............................................................................72

MELODIC MINOR

........................................................................... 119

COPY, ÓÔÂ‡ˆËfl

...............................................................................64

MIC SETTING

(CVP-305/303)......................................................... 160

CUT, ÓÔÂ‡ˆËfl

..................................................................................65

MICROPHONE SETTING

(CVP-305/303)......................................... 160

D

MIDI, ¯‡·ÎÓÌ˚

............................................................................... 192

MIDI, ̇ÒÚÓÈÍË

.............................................................................. 192

DELETE, ÓÔÂ‡ˆËfl

............................................................................65

MIDI, Òڇ̉‡Ú

............................................................................... 188

DOC (Disk Orchestra Collection), ÙÓχÚ

.........................................191

MIXING CONSOLE

............................................................................ 80

Drums, ÚËÔ ÚÂÏ·‡

............................................................................72

MONO/POLY, ˝ÙÙÂÍÚ

...................................................................... 78

DSP

..................................................................................................78

MULTI FINGER, ‡ÔÔÎË͇ÚÛ‡

............................................................ 98

DSP/DSP VARIATION (‚‡ˇˆËfl DSP), ˝ÙÙÂÍÚ

................................78

Music Finder, ÙÛÌ͈Ëfl

...................................................................... 50

E

N

Edit (OTS), ÙÛÌ͈Ëfl

..........................................................................50

NAME; ÓÔÂ‡ˆËfl

.............................................................................. 66

EDIT, ‚Í·‰Í‡

.................................................................................111

Natural!, ÚËÔ ÚÂÏ·‡

.......................................................................... 72

EFFECT, ‚Í·‰Í‡

..............................................................................82

EFFECT/EQ, ˝Í‡Ì

............................................................................92

EQ, ‚Í·‰Í‡

......................................................................................83

EQUAL TEMPERAMENT (‡‚ÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚‡ÌÌ˚È ÒÚÓÈ)

.......77

ESEQ, ÙÓχÚ

................................................................................191

EXIT, ÍÌÓÔ͇

.....................................................................................61

F

- àÌÙÓχˆË˛ Ó· ˝ÎÂÏÂÌÚ‡ı ÛÔ‡‚ÎÂÌËfl ̇ Ô‡ÌÂÎË ÒÏ. ‚

FADE IN/OUT (ëÚËθ)

.......................................................................46

‡Á‰ÂΠ«ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl ÔÂ‰ÌÂÈ Ô‡ÌÂÎË» ̇

FADE IN/OUT (Song), ÙÛÌ͈Ëfl

........................................................127

ÒÚ. 12.

èËÎÓÊÂÌËÂ

FADE IN/OUT/HOLD TIME, ˝Í‡Ì

.......................................................99

- àÌÙÓχˆË˛ Ó ‡Á˙Âχı ‚ ÌËÊÌÂÈ ˜‡ÒÚË ËÌÒÚÛÏÂÌÚ‡

Fast forward (ÔÂÂÏÓÚ͇ ‚ÔÂ‰)

.....................................................128

ÒÏ. ‚ ‡Á‰ÂΠ«àÒÔÓθÁÓ‚‡ÌË ËÌÒÚÛÏÂÌÚ‡ Ò ‰Û„ËÏË

FILTER

.............................................................................................82

ÛÒÚÓÈÒÚ‚‡ÏË» ̇ ÒÚ. 180.

FILTER, ‚Í·‰Í‡

.............................................................................155

FINGERED ON BASS, ‡ÔÔÎË͇ÚÛ‡

...................................................98

- íÂÏËÌ˚, Ò‚flÁ‡ÌÌ˚Â Ò àÌÚÂÌÂÚÓÏ, ÒÏ. ‚ ‡Á‰ÂÎÂ

FINGERED, ‡ÔÔÎË͇ÚÛ‡

..................................................................98

“ëÎÓ‚‡¸ ÚÂÏËÌÓ‚ àÌÚÂÌÂÚ‡” ̇ ÒÚ. 179

Follow Lights, ÙÛÌ͈Ëfl

....................................................................132

- ÑÎfl ÔÓÎÛ˜ÂÌËfl ËÌÙÓχˆËË Ó Ô‡‡ÏÂÚ‡ı ̇ ˝Í‡Ì‡ı

FOOTAGE

.................................................................................. 94, 95

‚Í·‰ÓÍ ÒÏ. ̇Á‚‡ÌËfl ‚Í·‰ÓÍ ‚ Ë̉ÂÍÒÂ.

FREEZE, ÙÛÌ͈Ëfl

...........................................................................123

FULL KEYBOARD, ‡ÔÔÎË͇ÚÛ‡

........................................................98

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301

211

O

SYS/EX.

......................................................................................... 148

SYSTEM

......................................................................................... 194

Organ Flutes!, ÚËÔ ÚÂÏ·‡

..................................................................72

SYSTEM RESET, ‚Í·‰Í‡

................................................................. 69

Organ Flutes, ÚÂÏ·˚

........................................................................93

T

Others, ‚Í·‰Í‡

..............................................................................177

OTS Link Timing, ÙÛÌ͈Ëfl

...............................................................101

TALK

................................................................................................ 56

OTS Link, ÙÛÌ͈Ëfl

............................................................................50

TALK SETTING, ‚Í·‰Í‡

................................................................. 164

OVERALL SETTING

........................................................................161

Tap, ÙÛÌ͈Ëfl

................................................................................. 127

OWNER

..................................................................................... 18, 20

Top (Í Ì‡˜‡ÎÛ)

................................................................................ 128

Owner Name (ËÏfl ÔÓθÁÓ‚‡ÚÂÎfl)

......................................................20

TRANSMIT

..................................................................................... 194

P

TUNE, ‚Í·‰Í‡

................................................................................. 82

U

PANEL PART

....................................................................................81

PARAMETER, ‚Í·‰Í‡

....................................................................117

UP

.................................................................................................... 61

PASTE, ÓÔÂ‡ˆËfl

....................................................................... 64, 65

USER, ÌÓÒËÚÂθ

............................................................................... 26

Pause (Ô‡ÛÁ‡)

.................................................................................128

PEDAL

............................................................................................182

V

Performance Assistant Technology, ÙÛÌ͈Ëfl

.......................................42

PHRASE MARK REPEAT

.................................................................128

VIDEO OUT, ÔÓÚ

(CVP-305) ............................................................ 53

Pianist

...............................................................................................97

Vocal CueTIME

(CVP-305/303) ....................................................... 132

Piano Lock (îËÍÒ‡ˆËfl ÂÊËχ ÙÓÚÂÔ¸flÌÓ), ÙÛÌ͈Ëfl

......................28

VOCAL HARMONY

(CVP-305/303) ................................................. 157

PIANO, ˝Í‡Ì

....................................................................................90

VOCAL HARMONY EDIT, ˝Í‡Ì

(CVP-305/303)....................... 158, 159

PRESET, ÌÓÒËÚÂθ

............................................................................26

VOCAL HARMONY TYPE

(CVP-305/303)........................................ 157

Pro

...................................................................................................97

VOICE EFFECT

................................................................................ 78

PROPERTY

.....................................................................................187

VOICE SET

....................................................................................... 96

Prot. 1, Á̇˜ÓÍ

...................................................................................64

VOL/ATTACK

.................................................................................... 95

Prot. 2 Edit

........................................................................................64

VOL/VOICE, ‚Í·‰Í‡

........................................................................ 82

Prot. 2 Orig

........................................................................................64

Punch IN/OUT, ÙÛÌ͈Ëfl...........................................................................150

W

PURE MAJOR (˜ËÒÚ˚È Ï‡ÊÓ)

..........................................................77

PURE MINOR (˜ËÒÚ˚È ÏËÌÓ)

...........................................................77

WERCKMEISTER (ÒÚÓÈ ÇÂÍχÈÒÚÂ‡)

........................................... 77

PYTHAGOREAN (ÔËÙ‡„ÓÂÈÒÍËÈ ÒÚÓÈ)

...........................................77

Wireless LAN, ‚Í·‰Í‡

.................................................................... 177

Q

X

QUANTIZE

......................................................................................116

XF

.................................................................................................. 191

QUICK START, ÙÛÌ͈Ëfl

.................................................................129

XG, ÙÓχÚ

................................................................................... 191

R

Å

RANDOM

........................................................................................128

·˚ÒÚ‡fl Á‡ÔËÒ¸

.............................................................................. 133

REC MODE

.....................................................................................148

RECEIVE

........................................................................................195

Ç

REGISTRATION MEMORY, ÍÌÓÔ͇

..................................................121

REGISTRATION SEQUENCE, ÙÛÌ͈Ëfl

............................................124

‚‚Ó‰ ÒËÏ‚ÓÎÓ‚

................................................................................. 67

REPEAT MODE (êÂÊËÏ ÔÓ‚ÚÓ‡)

.....................................................35

‚‚Ó‰ ÒËÏ‚ÓÎÓ‚ (ÔflÏÓ ÔÓ‰Íβ˜ÂÌËÂ Í àÌÚÂÌÂÚÛ)

....................... 168

REPEAT MODE, ÙÛÌ͈Ëfl

................................................................128

‚Ë·‡ÚÓ

............................................................................................ 92

Repeat Playback, ÙÛÌ͈Ëfl

.................................................................40

‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË Á‡ÔËÒË............................................................. 150

Rewind (ÔÂÂÏÓÚ͇ ̇Á‡‰)

..............................................................128

‚ÓÒÔÓËÁ‚‰ÂÌË ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ÔÂÒÂÌ

................................. 128

Right 1

..............................................................................................73

‚ÓÒÒÚ‡ÌÓ‚ÎÂÌË Á‡‚Ó‰ÒÍËı ̇ÒÚÓÂÍ

................................................ 69

Right 2

..............................................................................................73

‚ÂÏfl ÔÓÚ‡ÏÂÌÚÓ

............................................................................ 90

‚ÂÏfl ÛÒËÎÂÌËfl/Á‡ÚÛı‡ÌËfl

............................................................. 127

S

É

SAVE, ÍÌÓÔ͇

...................................................................................63

Section Set, ÙÛÌ͈Ëfl

.......................................................................101

„‡ÏÓÌËÁ‡ˆËfl ‚Ó͇·

(CVP-305/303)............................................... 54

Session

.............................................................................................97

„ÓÏÍÓÒÚ¸ ˝ÙÙÂÍÚ‡

......................................................................... 86

SFX, ÚËÔ ÚÂÏ·‡

...............................................................................72

Ɉ

.................................................................................................... 76

SINGLE FINGER, ‡ÔÔÎË͇ÚÛ‡

..........................................................98

Ñ

SMF (Standard MIDI file)

..................................................................191

SONG CH 1-8/9-16

............................................................................81

‰ÂÏÓÌÒÚ‡ˆËÓÌ̇fl ÔÂÒÌfl (‰Îfl ‰ÂÏÓÌÒÚ‡ˆËË ÚÂÏ·‡)

................ 23, 32

song;ÔÂÒÌfl

........................................................................................34

‰ÂÏÔÙÂ̇fl Ô‰‡Î¸

......................................................................... 29

Sound ëreator, ÙÛÌ͈Ëfl

....................................................................89

‰ÎË̇ ÚÛ· (ËÎË „ËÒÚ˚ Ó„‡Ì‡)

.................................................... 95

SOUND, ˝Í‡Ì

..................................................................................91

‰Óχ¯Ìflfl ÒÚ‡Ìˈ‡

....................................................................... 174

SPLIT POINT

...................................................................................100

Style Creator, ÙÛÌ͈Ëfl

....................................................................107

á

STYLE PART

.....................................................................................81

STYLE SETTING/SPLIT POINT, ‚Í·‰Í‡

..........................................100

Á‡ÔËÒ¸ (ÔÂÒÌË)

..........................................................................41, 133

Style Touch, ÙÛÌ͈Ëfl

......................................................................101

èËÎÓÊÂÌËÂ

Á‡ÔËÒ¸ (ÒÚËÎfl)

................................................................................ 107

Style;ÒÚËθ

........................................................................................44

Á‡ÔËÒ¸ ‚ ‡θÌÓÏ ‚ÂÏÂÌË

........................................................... 107

Sweet!, ÚËÔ ÚÂÏ·‡

...........................................................................72

Á‚ÛÍË Û‰‡Ì˚ı

.................................................................................. 33

Synchro Start (Song), ÙÛÌ͈Ëfl

.........................................................127

Á‚ÛÍÓ‚˚Â ˝ÙÙÂÍÚ˚

.......................................................................... 33

Synchro Stop, ÓÍÌÓ

..........................................................................101

Synchro Stop, ÙÛÌ͈Ëfl

......................................................................47

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301

212

à

ë

Ë„‡ Ó‰ÌÓÈ ÛÍÓÈ

..............................................................................38

Ò·Ó͇ ÒÚËÎfl

.................................................................................. 107

ËÁ·‡ÌÌÓÂ

......................................................................................103

Ò‚ÂÚÓ‚ÓÈ Ë̉Ë͇ÚÓ

......................................................................... 38

ËÁÏÂÌÂÌË (Á‡Í·‰ÓÍ)

.....................................................................173

ÒËÏ‚ÓÎ˚

........................................................................................... 67

ËÌˈˇÎËÁ‡ˆËfl

.................................................................................69

ÒËÌıÓÌÌ˚È Á‡ÔÛÒÍ (ëÚËθ)

.............................................................. 46

ËÌˈˇÎËÁ‡ˆËfl ̇ÒÚÓÂÍ àÌÚÂÌÂÚ‡

...............................................178

ÒÓÓ·˘ÂÌËfl

....................................................................................... 57

ËÒıÓ‰Ì˚ ԇ‡ÏÂÚ˚

........................................................................69

ÒÓı‡ÌÂÌË (ÙÛÌ͈Ëfl Music Finder)

................................................ 105

Ò‰Ìflfl Ô‰‡Î¸ («ÒÓÒÚÂÌÛÚÓ»)

.......................................................... 29

ä

ÒÚ‡Ìˈ‡ CONFIG 2

....................................................................18, 19

ÒÚÛÍÚÛ‡ ÒÚËÎÂÈ

........................................................................... 107

͇̇Î˚ ÔÂÒÌË

.................................................................................137

͇‡ÓÍÂ

............................................................................................52

í

ÍÓÌÚ‡ÒÚÌÓÒÚ¸

..................................................................................19

Í˚¯Í‡ Í·‚ˇÚÛ˚

.........................................................................14

ÚÂÍÒÚ ÔÂÒÌË

...................................................................................... 53

Í˛˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚

.....................................................................18

ÚÂÏ·

........................................................................... 28, 31, 72, 73

ÚËÔ ˝ÙÙÂÍÚ‡

.................................................................................... 84

ã

Ú‡ÌÒÔÓÌËÓ‚‡ÌËÂ

...............................................................53, 55, 76

΂‡fl Ô‰‡Î¸

....................................................................................29

ì

å

ÛÒÚ‡Ìӂ͇ ÔÓÎflÌÓÒÚË Ô‰‡ÎË

........................................................ 182

ÏÂÎӉ˘ÂÒÍËÈ ÒÚÓÈ

.........................................................................76

î

ÏËÍÓÙÓÌ

(CVP-305/303) ................................................................52

ÏÌÓ„Ó‰ÓÓʘ̇fl Á‡ÔËÒ¸

...............................................................133

Ù‡ÈÎ

................................................................................................ 60

Ù‡ÈÎ ÒÚËÎfl

.................................................................................... 191

ç

ÙËÍÒ‡ÚÓ ‰Îfl ÌÓÚ

............................................................................. 17

ÙÓÌ (ÚÂÍÒÚ ÔÂÒÌË)

(CVP-305) ........................................................... 53

̇ÒÚÓÈ͇ ‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ; ÙÛÌ͈Ëfl One Touch Setting

.....................49

ÙÓχÚËÓ‚‡ÌËÂ

............................................................................. 62

̇ÒÚÓÈ͇ ‰Ë̇ÏË͇ (Speaker)

..........................................................18

̇ÒÚÓÈÍË àÌÚÂÌÂÚ‡, ˝Í‡Ì

...........................................................175

ó

̇ۯÌËÍË

..........................................................................................17

ÌÓÊÌÓÈ ÍÓÌÚÓÎÎÂ

..........................................................................30

˜‡ÒÚË Í·‚ˇÚÛ˚

............................................................................ 73

ÌÓÏÂ ËÁÏÂÌÂÌËfl ÔÓ„‡ÏÏ˚ ÚÂÏ·‡

.............................................196

ÌÓÚ˚

.................................................................................................37

ù

é

ùÍ

.................................................................................................. 195

˝Í‡Ì ‚˚·Ó‡ Ù‡ÈÎÓ‚

.........................................................25, 60, 62

Ó·Û˜‡˛˘‡fl ÙÛÌ͈Ëfl

.......................................................................131

˝Í‡Ì ÙÛÌ͈ËÈ

................................................................................. 26

ÓÔÂ‡ˆËË Ò Ù‡È·ÏË Ë Ô‡Ô͇ÏË

........................................................62

˝ÙÙÂÍÚ (ÏËÍÓÙÓÌ)

(CVP-305/303)................................................. 54

ÓÒÌÓ‚Ì˚ ÓÔÂ‡ˆËË Ì‡ ˝Í‡Ì ‚˚·Ó‡ Ù‡ÈÎÓ‚

.................................61

˝ÙÙÂÍÚ (íÂÏ·)

............................................................................... 78

ÓÒÚ‡Ìӂ͇ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡

............................................................101

ü

è

flÁ˚Í

................................................................................................. 18

Ô‡ÚËË ÒÚËÎfl

..................................................................................137

flÍÓÒÚ¸

(CVP-305/303) .................................................................... 19

Ô‡ÚËÚÛ‡

.........................................................................................37

Ô‡ÚËfl

..............................................................................................73

Ô‡Ô͇

.........................................................................................60, 67

Ô‰‡Î¸Ì˚È ÔÂÂÍβ˜‡ÚÂθ

...............................................................30

Ô‰‡ÎË

..............................................................................................29

ÔÓ‚ÚÓÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ

...........................................................128

ÔÓÁˈËfl ÎÓ͇ÚÓ‡

...........................................................................128

ÔÓËÒÍ Á‡ÔËÒÂÈ ÙÛÌ͈ËË Music Finder

...............................................102

ÔÓÎflÌÓÒÚ¸ Ô‰‡ÎË

.........................................................................182

ÔÓÚ‡ÏÂÌÚÓ

......................................................................................78

ÔÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸

...................................................................107, 133

ÔflÏÓ ÔÓ‰Íβ˜ÂÌËÂ Í àÌÚÂÌÂÚÛ

..................................................166

ÔflÏÓÈ ‰ÓÒÚÛÔ

..................................................................................58

Ô˛ÔËÚ

.............................................................................................16

ê

- àÌÙÓχˆË˛ Ó· ˝ÎÂÏÂÌÚ‡ı ÛÔ‡‚ÎÂÌËfl ̇ Ô‡ÌÂÎË ÒÏ.

‚ ‡Á‰ÂΠ«ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl ÔÂ‰ÌÂÈ Ô‡ÌÂÎË»

ꉇÍÚËÓ‚‡ÌË (ÚÂÏ·‡)

.................................................................89

‰‡ÍÚËÓ‚‡ÌË (ÙÛÌ͈Ëfl Music Finder)

.........................................104

̇ ÒÚ. 12.

èËÎÓÊÂÌËÂ

‰‡ÍÚËÓ‚‡ÌË (ÙÛÌ͈Ëfl Vocal Harmony)

(CVP-305/303)..............157

- àÌÙÓχˆË˛ Ó ‡Á˙Âχı ‚ ÌËÊÌÂÈ ˜‡ÒÚË ËÌÒÚÛÏÂÌÚ‡

ꉇÍÚËÓ‚‡ÌË (ùÍ‚‡Î‡ÈÁÂ‡)

........................................................87

ÒÏ. ‚ ‡Á‰ÂΠ«àÒÔÓθÁÓ‚‡ÌË ËÌÒÚÛÏÂÌÚ‡ Ò ‰Û„ËÏË

ꉇÍÚËÓ‚‡ÌË (ùÙÙÂÍÚ‡)

.............................................................85

ÛÒÚÓÈÒÚ‚‡ÏË» ̇ ÒÚ. 180.

‰‡ÍÚËÓ‚‡ÌË ÔÂÒÌË

....................................................................148

- íÂÏËÌ˚, Ò‚flÁ‡ÌÌ˚Â Ò àÌÚÂÌÂÚÓÏ, ÒÏ. ‚ ‡Á‰ÂÎÂ

‰‡ÍÚËÓ‚‡ÌË ÒÚËÎfl

....................................................................113

‰‡ÍÚËÓ‚‡ÌË ÚÂÍÒÚÓ‚

.................................................................148

“ëÎÓ‚‡¸ ÚÂÏËÌÓ‚ àÌÚÂÌÂÚ‡” ̇ ÒÚ. 179

ÂÁÂ‚ÌÓ ÍÓÔËÓ‚‡ÌËÂ

....................................................................71

- ÑÎfl ÔÓÎÛ˜ÂÌËfl ËÌÙÓχˆËË Ó Ô‡‡ÏÂÚ‡ı ̇ ˝Í‡Ì‡ı

‚Í·‰ÓÍ ÒÏ. ̇Á‚‡ÌËfl ‚Í·‰ÓÍ ‚ Ë̉ÂÍÒÂ.

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301

213

çËÊ Û͇Á‡Ì˚ ӷ·‰‡ÚÂÎË ‡‚ÚÓÒÍËı Ë ‰Û„Ëı Ô‡‚ ̇ ÔflÚ¸‰ÂÒflÚ ÒÂϸ (57)

Chim Chim Cher-ee

ÔÂÒÂÌ, ‚ÒÚÓÂÌÌ˚ı ‚ ˝ÚÓÚ ËÌÒÚÛÏÂÌÚ (CVP-305/303).

from Walt Disney’s MARY POPPINS

Words and Music by Richard M. Sherman and Robert B. Sherman

Alfie

© 1963 Wonderland Music Company, Inc.

Theme from the Paramount Picture ALFIE

Copyright Renewed

Words by Hal David

All Rights Reserved Used by Permission

Music by Burt Bacharach

Copyright © 1966 (Renewed 1994) by Famous Music Corporation

Do-Re-Mi

International Copyright Secured All Rights Reserved

from THE SOUND OF MUSIC

Lyrics by Oscar Hammerstein II

All Shook Up

Music by Richard Rodgers

Words and Music by Otis Blackwell and Elvis Presley

Copyright © 1959 by Richard Rodgers and Oscar Hammerstein II

Copyright © 1957 by Shalimar Music Corporation

Copyright Renewed

Copyright Renewed and Assigned to Elvis Presley Music

WILLIAMSON MUSIC owner of publication and allied rights through-

All Rights Administered by Cherry River Music Co. and Chrysalis

Songs

out the world

International Copyright Secured All Rights Reserved

International Copyright Secured All Rights Reserved

Beauty And The Beast

Don’t Be Cruel (To A Heart That’s True)

from Walt Disney’s BEAUTY AND THE BEAST

Words and Music by Otis Blackwell and Elvis Presley

Lyrics by Howard Ashman

Copyright © 1956 by Unart Music Corporation and Elvis Presley

Music by Alan Menken

Music, Inc.

© 1991 Walt Disney Music Company and Wonderland Music Com-

Copyright Renewed and Assigned to Elvis Presley Music

pany,

Inc.

All Rights Administered by Cherry River Music Co. and Chrysalis

All Rights Reserved Used by Permission

Songs

Bésame Mucho (Kiss Me Much)

International Copyright Secured All Rights Reserved

Music and Spanish Words by Consuelo Velazquez

Edelweiss

English Words by Sunny Skylar

from THE SOUND OF MUSIC

Copyright © 1941, 1943 by Promotora Hispano Americana de Musica,

Lyrics by Oscar Hammerstein II

S.A.

Music by Richard Rodgers

Copyrights Renewed

Copyright © 1959 by Richard Rodgers and Oscar Hammerstein II

All Rights Administered by Peer International Corporation

Copyright Renewed

International Copyright Secured All Rights Reserved

WILLIAMSON MUSIC owner of publication and allied rights through-

Blue Hawaii

out the world

from the Paramount Picture WAIKIKI WEDDING

International Copyright Secured All Rights Reserved

Words and Music by Leo Robin and Ralph Rainger

Fly Me To The Moon (In Other Words)

Copyright © 1936, 1937 (Renewed 1963, 1964) by Famous Music

featured in the Motion Picture ONCE AROUND

Corporation

Words and Music by Bart Howard

International Copyright Secured All Rights Reserved

TRO - © Copyright 1954 (Renewed) Hampshire House Publishing

Blue Moon

Corp., New York, NY

Words by Lorenz Hart

International Copyright Secured

Music by Richard Rodgers

All Rights Reserved Including Public Performance For Profit

© 1934 (Renewed 1962) METRO-GOLDWYN-MAYER INC.

Used by Permission

All Rights Controlled by EMI ROBBINS CATALOG INC. (Publishing)

Hey Jude

and WARNER BROS. PUBLICATIONS U.S. INC. (Print)

Words and Music by John Lennon and Paul McCartney

All Rights Reserved Used by Permission

Copyright © 1968 Sony/ATV Songs LLC

Brazil

Copyright Renewed

Words and Music by Ray Barroso

All Rights Administered by Sony/ATV Music Publishing, 8 Music

English lyrics by S. K. Russell

Square West, Nashville, TN 37203

Copyright © 1941 by Peer International Corporation

International Copyright Secured All Rights Reserved

Copyright Renewed

Hound Dog

International Copyright Secured All Rights Reserved

Words and Music by Jerry Leiber and Mike Stoller

California Girls

Copyright © 1956 by Elvis Presley Music, Inc. and Lion Publishing

Words and Music by Brian Wilson and Mike Love

Co., Inc.

Copyright © 1965 IRVING MUSIC, INC.

Copyright Renewed, Assigned to Gladys Music and Universal - MCA

Copyright Renewed

Music Publishing, A Division of Universal Studios, Inc.

All Rights Reserved Used by Permission

All Rights Administered by Cherry Lane Music Publishing Company,

Inc. and Chrysalis Music

Can You Feel The Love Tonight

International Copyright Secured All Rights Reserved

from Walt Disney Pictures’ THE LION KING

Music by Elton John

I Just Called To Say I Love You

Lyrics by Tim Rice

Words and Music by Stevie Wonder

© 1994 Wonderland Music Company, Inc.

© 1984 JOBETE MUSIC CO., INC. and BLACK BULL MUSIC

All Rights Reserved Used by Permission

c/o EMI APRIL MUSIC INC.

All Rights Reserved International Copyright Secured Used by Per-

Can’t Help Falling In Love

mission

from the Paramount Picture BLUE HAWAII

Words and Music by George David Weiss, Hugo Peretti and Luigi Cre-

I Left My Heart In San Francisco

atore

Words by Douglass Cross

Copyright © 1961 by Gladys Music, Inc.

Music by George Cory

Copyright Renewed and Assigned to Gladys Music

© 1954 (Renewed 1982) COLGEMS-EMI MUSIC INC.

All Rights Administered by Cherry Lane Music Publishing Company,

All Rights Reserved International Copyright Secured Used by Per-

Inc. and Chrysalis Music

mission

International Copyright Secured All Rights Reserved

In The Mood

Moon River

By Joe Garland

from the Paramount Picture BREAKFAST AT TIFFANY’S

Copyright © 1939, 1960 Shapiro, Bernstein & Co., Inc., New York

Words by Johnny Mercer

Copyright Renewed

Music by Henry Mancini

International Copyright Secured All Rights Reserved

Copyright © 1961 (Renewed 1989) by Famous Music Corporation

Used by Permission

International Copyright Secured All Rights Reserved

Isn’t She Lovely

Moonlight Serenade

Words and Music by Stevie Wonder

Words by Mitchell Parish

© 1976 JOBETE MUSIC CO., INC. and BLACK BULL MUSIC

Music by Glen Miller

c/o EMI APRIL MUSIC INC.

Copyright © 1939 (Renewed 1967) by ROBBINS MUSIC CORPORA-

All Rights Reserved International Copyright Secured Used by Per-

TION

mission

All Rights Controlled and Administered by EMI ROBBINS CATALOG

INC.

Let It Be

International Copyright Secured All Rights Reserved

Words and Music by John Lennon and Paul McCartney

Copyright © 1970 Sony/ATV Songs LLC

My Favorite Things

Copyright Renewed

from THE SOUND OF MUSIC

All Rights Administered by Sony/ATV Music Publishing, 8 Music

Lyrics by Oscar Hammerstein II

Square West, Nashville, TN 37203

Music by Richard Rodgers

International Copyright Secured All Rights Reserved

Copyright © 1959 by Richard Rodgers and Oscar Hammerstein II

Copyright Renewed

Let’s Twist Again

WILLIAMSON MUSIC owner of publication and allied rights through-

Words by Kal Mann

out the world

Music by Dave Appell and Kal Mann

International Copyright Secured All Rights Reserved

Copyright © 1961 Kalmann Music, Inc.

Copyright Renewed

My Way

All Rights Controlled and Administered by Spirit Two Music, Inc.

By Paul Anka, Jacques Revaux, Claude Francois and Giles Thibault

(ASCAP)

© 1997 by Chrysalis Standards, Inc.

International Copyright Secured All Rights Reserved

Used by Permission. All Rights Reserved.

Linus And Lucy

The Nearness Of You

By Vince Guaraldi

from the Paramount Picture ROMANCE IN THE DARK

Copyright © 1965 LEE MENDELSON FILM PRODUCTIONS, INC.

Words by Ned Washington

Copyright Renewed

Music by Hoagy Carmichael

International Copyright Secured All Rights Reserved

Copyright © 1937, 1940 (Renewed 1964, 1967) by Famous Music

Corporation

Love Story

International Copyright Secured All Rights Reserved

Theme from the Paramount Picture LOVE STORY

Music by Francis Lai

Theme From “New York, New York”

Copyright © 1970, 1971 (Renewed 1998, 1999) by Famous Music

Music by John Kander

Corporation

Words by Fred Ebb

International Copyright Secured All Rights Reserved

© 1977 UNITED ARTISTS CORPORATION

All Rights Controlled by EMI UNART CATALOG INC. (Publishing) and

Lullaby Of Birdland

WARNER BROS. PUBLICATIONS U.S. INC. (Print)

Words by George David Weiss

All Rights Reserved Used by Permission

Music by George Shearing

© 1952, 1954 (Renewed 1980, 1982) EMI LONGITUDE MUSIC

Ob-La-Di, Ob-La-Da

All Rights Reserved International Copyright Secured Used by Per-

Words and Music by John Lennon and Paul McCartney

mission

Copyright © 1968 Sony/ATV Songs LLC

Copyright Renewed

Michelle

All Rights Administered by Sony/ATV Music Publishing, 8 Music

Words and Music by John Lennon and Paul McCartney

Square West, Nashville, TN 37203

Copyright © 1965 Sony/ATV Songs LLC

International Copyright Secured All Rights Reserved

Copyright Renewed

All Rights Administered by Sony/ATV Music Publishing, 8 Music

Proud Mary

Square West, Nashville, TN 37203

Words and Music by J.C. Fogerty

International Copyright Secured All Rights Reserved

© 1968 (Renewed) JONDORA MUSIC

All Rights Reserved Used by Permission

Mickey Mouse March

from Walt Disney’s THE MICKEY MOUSE CLUB

Return To Sender

Words and Music by Jimmie Dodd

Words and Music by Otis Blackwell and Winfield Scott

© 1955 Walt Disney Music Company

Copyright © 1962 by Elvis Presley Music, Inc.

Copyright Renewed

Copyright Renewed and Assigned to Elvis Presley Music

All Rights Reserved Used by Permission

All Rights Administered by Cherry River Music Co. and Chrysalis

Songs

Mission: Impossible Theme

International Copyright Secured All Rights Reserved

from the Paramount Television Series MISSION: IMPOSSIBLE

By Lalo Schifrin

The Shoop Shoop Song (It’s In His Kiss)

Copyright © 1966, 1967 (Renewed 1994, 1995) by Bruin Music Com-

Words and Music by Rudy Clark

pany

Copyright © 1963, 1964 by Trio Music Company, Inc. and Top Of The

International Copyright Secured All Rights Reserved

Charts

Copyright Renewed

Mona Lisa

All Rights for the United States Controlled and Administered by Trio

from the Paramount Picture CAPTAIN CAREY, U.S.A.

Music Company, Inc.

Words and Music by Jay Livingston and Ray Evans

All Rights for the World excluding the United States Controlled and

Copyright © 1949 (Renewed 1976) by Famous Music Corporation

Administered by Trio Music Company, Inc. and Alley Music Corp.

International Copyright Secured All Rights Reserved

International Copyright Secured All Rights Reserved

Used by Permission

(Sittin’ On) The Dock Of The Bay

That’s Amore (That’s Love)

Words and Music by Steve Cropper and Otis Redding

from the Paramount Picture THE CADDY

Copyright © 1968, 1975 IRVING MUSIC, INC.

Words by Jack Brooks

Copyright Renewed

Music by Harry Warren

All Rights Reserved Used by Permission

Copyright © 1953 (Renewed 1981) by Paramount Music Corporation

and Four Jays Music

Smoke Gets In Your Eyes

International Copyright Secured All Rights Reserved

from ROBERTA

Words by Otto Harbach

Up Where We Belong

Music by Jerome Kern

from the Paramount Picture AN OFFICER AND A GENTLEMAN

© 1933 UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING,

Words by Will Jennings

INC.

Music by Buffy Sainte-Marie and Jack Nitzsche

Copyright Renewed

Copyright © 1982 by Famous Music Corporation and Ensign Music

All Rights Reserved

Corporation

International Rights Secured. Not for broadcast transmission.

International Copyright Secured All Rights Reserved

DO NOT DUPLICATE. NOT FOR RENTAL.

Waltz For Debby

WARNING: It is a violation of Federal Copyright Law to synchronize

Lyric by Gene Lees

this Multimedia Disc with video tape or film, or to print the Composi-

Music by Bill Evans

tion(s) embodied on this Multimedia Disc in the form of standard

TRO - © Copyright 1964 (Renewed), 1965 (Renewed), 1966

music notation, without the express written permission of the copy-

(Renewed) Folkways Music Publishers, Inc., New York, NY

right owner.

International Copyright Secured

Somewhere, My Love

All Rights Reserved Including Public Performance For Profit

Lara’s Theme from DOCTOR ZHIVAGO

Used by Permission

Lyric by Paul Francis Webster

White Christmas

Music by Maurice Jarre

from the Motion Picture Irving Berlin’s HOLIDAY INN

Copyright © 1965, 1966 (Renewed 1993, 1994) Webster Music Co.

Words and Music by Irving Berlin

and EMI Robbins Catalog Inc.

© Copyright 1940, 1942 by Irving Berlin

International Copyright Secured All Rights Reserved

Copyright Renewed

Spanish Eyes

International Copyright Secured All Rights Reserved

Words by Charles Singleton and Eddie Snyder

A Whole New World

Music by Bert Kaempfert

from Walt Disney’s ALADDIN

© 1965, 1966 (Renewed 1993, 1994) EDITION DOMA BERT

Music by Alan Menken

KAEMPFERT

Lyrics by Tim Rice

All Rights for the world, excluding Germany, Austria and Switzerland,

© 1992 Wonderland Music Company, Inc. and Walt Disney Music

Controlled and Administered by SCREEN GEMS-EMI MUSIC INC.

Company

All Rights Reserved International Copyright Secured Used by Per-

All Rights Reserved Used by Permission

mission

Yesterday

Speak Softly, Love (Love Theme)

Words and Music by John Lennon and Paul McCartney

from the Paramount Picture THE GODFATHER

Copyright © 1965 Sony/ATV Songs LLC

Words by Larry Kusik

Copyright Renewed

Music by Nino Rota

All Rights Administered by Sony/ATV Music Publishing, 8 Music

Copyright © 1972 (Renewed 2000) by Famous Music Corporation

Square West, Nashville, TN 37203

International Copyright Secured All Rights Reserved

International Copyright Secured All Rights Reserved

Stella By Starlight

You Are The Sunshine Of My Life

from the Paramount Picture THE UNINVITED

Words and Music by Stevie Wonder

Words by Ned Washington

© 1972 (Renewed 2000) JOBETE MUSIC CO., INC. and BLACK BULL

Music by Victor Young

MUSIC

Copyright © 1946 (Renewed 1973, 1974) by Famous Music Corporation

c/o EMI APRIL MUSIC INC.

International Copyright Secured All Rights Reserved

All Rights Reserved International Copyright Secured Used by Per-

Take The “A” Train

mission

Words and Music by Billy Strayhorn

You Sexy Thing

Copyright © 1941; Renewed 1969 DreamWorks Songs (ASCAP) and

Words and Music by E. Brown

Billy Strayhorn Songs, Inc. (ASCAP) for the U.S.A.

Copyright © 1975 by Finchley Music Corp.

Rights for DreamWorks Songs and Billy Strayhorn Songs, Inc. Adminis-

Administered in the USA and Canada by Music & Media International,

tered by Cherry Lane Music Publishing Company, Inc.

Inc.

International Copyright Secured All Rights Reserved

Administered for the World excluding the USA and Canada by RAK

Tears In Heaven

Music Publishing Ltd.

Words and Music by Eric Clapton and Will Jennings

International Copyright Secured All Rights Reserved

Copyright © 1992 by E.C. Music Ltd. and Blue Sky Rider Songs

All Rights for E.C. Music Ltd. Administered by Unichappell Music Inc.

All Rights for Blue Sky Rider Songs Administered by Irving Music, Inc.

International Copyright Secured All Rights Reserved

That Old Black Magic

from the Paramount Picture STAR SPANGLED RHYTHM

Words by Johnny Mercer

Music by Harold Arlen

Copyright © 1942 (Renewed 1969) by Famous Music Corporation

International Copyright Secured All Rights Reserved

IMPORTANT SAFETY INSTRUCTIONS

INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,

AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.

WARNING- When using any electrical or electronic product,

8. This product was NOT designed for use in wet/damp loca-

basic precautions should always be followed. These precautions

tions and should not be used near water or exposed to rain.

include, but are not limited to, the following:

Examples of wet/damp locations are; near a swimming pool,

spa, tub, sink, or wet basement.

1. Read all Safety Instructions, Installation Instructions, Spe-

cial Message Section items, and any Assembly Instructions

9. This product should be used only with the components

found in this manual BEFORE making any connections, includ-

supplied or; a cart, rack, or stand that is recommended by the

ing connection to the main supply.

manufacturer. If a cart, rack, or stand is used, please observe all

safety markings and instructions that accompany the accessory

2. Main Power Supply Verification: Yamaha products are

product.

manufactured specifically for the supply voltage in the area

where they are to be sold. If you should move, or if any doubt

10. The power supply cord (plug) should be disconnected

exists about the supply voltage in your area, please contact your

from the outlet when electronic products are to be left unused for

dealer for supply voltage verification and (if applicable) instruc-

extended periods of time. Cords should also be disconnected

tions. The required supply voltage is printed on the name plate.

when there is a high probability of lightning and/or electrical

For name plate location, please refer to the graphic found in the

storm activity.

Special Message Section of this manual.

11. Care should be taken that objects do not fall and liquids

3. This product may be equipped with a polarized plug (one

are not spilled into the enclosure through any openings that may

blade wider than the other). If you are unable to insert the plug

exist.

into the outlet, turn the plug over and try again. If the problem

persists, contact an electrician to have the obsolete outlet

12. Electrical/electronic products should be serviced by a

replaced. Do NOT defeat the safety purpose of the plug.

qualified service person when:

a. The power supply cord has been damaged; or

4. Some electronic products utilize external power supplies

b. Objects have fallen, been inserted, or liquids have been

or adapters. Do NOT connect this type of product to any power

spilled into the enclosure through openings; or

supply or adapter other than one described in the owners manual,

c. The product has been exposed to rain: or

on the name plate, or specifically recommended by Yamaha.

d. The product dose not operate, exhibits a marked change

in performance; or

5. WARNING: Do not place this product or any other

e. The product has been dropped, or the enclosure of the

objects on the power cord or place it in a position where anyone

product has been damaged.

could walk on, trip over, or roll anything over power or connect-

ing cords of any kind. The use of an extension cord is not recom-

13. Do not attempt to service this product beyond that

mended! If you must use an extension cord, the minimum wire

described in the user-maintenance instructions. All other servic-

size for a 25’ cord (or less) is 18 AWG. NOTE: The smaller the

ing should be referred to qualified service personnel.

AWG number, the larger the current handling capacity. For

longer extension cords, consult a local electrician.

14. This product, either alone or in combination with an

amplifier and headphones or speaker/s, may be capable of pro-

6. Ventilation: Electronic products, unless specifically

ducing sound levels that could cause permanent hearing loss.

designed for enclosed installations, should be placed in locations

DO NOT operate for a long period of time at a high volume level

that do not interfere with proper ventilation. If instructions for

or at a level that is uncomfortable. If you experience any hearing

enclosed installations are not provided, it must be assumed that

loss or ringing in the ears, you should consult an audiologist.

unobstructed ventilation is required.

IMPORTANT: The louder the sound, the shorter the time period

before damage occurs.

7. Temperature considerations: Electronic products should

be installed in locations that do not significantly contribute to

15. Some Yamaha products may have benches and/or acces-

their operating temperature. Placement of this product close to

sory mounting fixtures that are either supplied as a part of the

heat sources such as; radiators, heat registers and other devices

product or as optional accessories. Some of these items are

that produce heat should be avoided.

designed to be dealer assembled or installed. Please make sure

that benches are stable and any optional fixtures (where applica-

ble) are well secured BEFORE using. Benches supplied by

Yamaha are designed for seating only. No other uses are recom-

mended.

PLEASE KEEP THIS MANUAL

92-469-2

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

other electronic devices. Compliance with FCC regula-

This product, when installed as indicated in the instruc-

tions does not guarantee that interference will not occur

tions contained in this manual, meets FCC require-

in all installations. If this product is found to be the

ments. Modifications not expressly approved by

source of interference, which can be determined by

Yamaha may void your authority, granted by the FCC, to

turning the unit “OFF” and “ON”, please try to eliminate

use the product.

the problem by using one of the following measures:

2. IMPORTANT: When connecting this product to acces-

Relocate either this product or the device that is being

sories and/or another product use only high quality

affected by the interference.

shielded cables. Cable/s supplied with this product

Utilize power outlets that are on different branch (circuit

MUST be used. Follow all installation instructions. Fail-

breaker or fuse) circuits or install AC line filter/s.

ure to follow instructions could void your FCC authori-

In the case of radio or TV interference, relocate/reorient

zation to use this product in the USA.

the antenna. If the antenna lead-in is 300 ohm ribbon

3. NOTE: This product has been tested and found to com-

lead, change the lead-in to co-axial type cable.

ply with the requirements listed in FCC Regulations,

If these corrective measures do not produce satisfac-

Part 15 for Class “B” digital devices. Compliance with

tory results, please contact the local retailer authorized

these requirements provides a reasonable level of

to distribute this type of product. If you can not locate

assurance that your use of this product in a residential

the appropriate retailer, please contact Yamaha Corpo-

environment will not result in harmful interference with

ration of America, Electronic Service Division, 6600

other electronic devices. This equipment generates/

Orangethorpe Ave, Buena Park, CA90620

uses radio frequencies and, if not installed and used

The above statements apply ONLY to those products

according to the instructions found in the users manual,

distributed by Yamaha Corporation of America or its

may cause interference harmful to the operation of

subsidiaries.

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)

IMPORTANT NOTICE FOR THE UNITED KINGDOM

This product contains a high intensity lamp that con-

Connecting the Plug and Cord

IMPORTANT. The wires in this mains lead are coloured in

tains a small amount of mercury. Disposal of this

accordance with the following code:

material may be regulated due to environmental

BLUE : NEUTRAL

considerations.

BROWN : LIVE

For disposal information in the United States, refer

As the colours of the wires in the mains lead of this appa-

to the Electronic Industries Alliance web site:

ratus may not correspond with the coloured makings iden-

www.eiae.org

tifying the terminals in your plug proceed as follows:

The wire which is coloured BLUE must be connected to

(mercury)* This applies only to products distributed by

the terminal which is marked with the letter N or coloured

YAMAHA CORPORATION OF AMERICA.

BLACK.

The wire which is coloured BROWN must be connected to

the terminal which is marked with the letter L or coloured

RED.

Making sure that neither core is connected to the earth ter-

minal of the three pin plug.

(2 wires)

This applies only to products distributed by Yamaha-Kemble Music

(U.K.) Ltd.

CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH

WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.

ATTENTION: POUR ÉVITER LES CHOCS ÉLEC-

TRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE

LA FICHE DANS LA BORNE CORRESPONDANTE DE

LA PRISE ET POUSSER JUSQU’AU FOND.

(polarity)

This applies only to products distributed by Yamaha Canada Music

Ltd.

Ceci ne s’applique qu’aux produits distribués par Yamaha Canada

Musique Ltée.

For details of products, please contact your nearest Yamaha

ᇠ·ÓΠÔÓ‰Ó·Ì˚ÏË Ò‚Â‰ÂÌËflÏË Ó·‡˘‡ÈÚÂÒ¸ ‚ ÏÂÒÚÌÓÂ

representative or the authorized distributor listed below.

Ô‰ÒÚ‡‚ËÚÂθÒÚ‚Ó ÍÓÔÓ‡ˆËË Yamaha.

NORTH AMERICA

BELGIUM/LUXEMBOURG

ASIA

CANADA

Yamaha Music Central Europe GmbH,

THE PEOPLE’S REPUBLIC OF CHINA

Branch Belgium

Yamaha Canada Music Ltd.

Yamaha Music & Electronics (China) Co.,Ltd.

Rue de Geneve (Genevastraat) 10, 1140 - Brussels,

135 Milner Avenue, Scarborough, Ontario,

25/F., United Plaza, 1468 Nanjing Road (West),

Belgium

M1S 3R1, Canada

Jingan, Shanghai, China

Tel: 02-726 6032

Tel: 416-298-1311

Tel: 021-6247-2211

FRANCE

U.S.A.

HONG KONG

Yamaha Musique France

Yamaha Corporation of America

Tom Lee Music Co., Ltd.

BP 70-77312 Marne-la-Vallée Cedex 2, France

6600 Orangethorpe Ave., Buena Park, Calif. 90620,

11/F., Silvercord Tower 1, 30 Canton Road,

Tel: 01-64-61-4000

U.S.A.

Tsimshatsui, Kowloon, Hong Kong

Tel: 714-522-9011

ITALY

Tel: 2737-7688

Yamaha Musica Italia S.P.A.

INDONESIA

Viale Italia 88, 20020 Lainate (Milano), Italy

CENTRAL & SOUTH AMERICA

PT. Yamaha Music Indonesia (Distributor)

Tel: 02-935-771

PT. Nusantik

MEXICO

SPAIN/PORTUGAL

Gedung Yamaha Music Center, Jalan Jend. Gatot

Yamaha de México S.A. de C.V.

Yamaha-Hazen Música, S.A.

Subroto Kav. 4, Jakarta 12930, Indonesia

Calz. Javier Rojo Gómez #1149,

Ctra. de la Coruna km. 17, 200, 28230

Tel: 21-520-2577

Col. Guadalupe del Moral

Las Rozas (Madrid), Spain

C.P. 09300, México, D.F., México

KOREA

Tel: 91-639-8888

Tel: 55-5804-0600

Yamaha Music Korea Ltd.

GREECE

Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong,

BRAZIL

Philippos Nakas S.A. The Music House

Youngdungpo-ku, Seoul, Korea

Yamaha Musical do Brasil Ltda.

147 Skiathou Street, 112-55 Athens, Greece

Tel: 02-3770-0660

Av. Reboucas 2636-Pinheiros CEP: 05402-400

Tel: 01-228 2160

Sao Paulo-SP. Brasil

MALAYSIA

Tel: 011-3085-1377

SWEDEN

Yamaha Music Malaysia, Sdn., Bhd.

Yamaha Scandinavia AB

Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,

ARGENTINA

J. A. Wettergrens Gata 1

Petaling Jaya, Selangor, Malaysia

Yamaha Music Latin America, S.A.

Box 30053

Tel: 3-78030900

Sucursal de Argentina

S-400 43 Göteborg, Sweden

Viamonte 1145 Piso2-B 1053,

PHILIPPINES

Tel: 031 89 34 00

Buenos Aires, Argentina

Yupangco Music Corporation

Tel: 1-4371-7021

DENMARK

339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,

YS Copenhagen Liaison Office

Makati, Metro Manila, Philippines

PANAMA AND OTHER LATIN

Generatorvej 8B

Tel: 819-7551

AMERICAN COUNTRIES/

DK-2730 Herlev, Denmark

SINGAPORE

CARIBBEAN COUNTRIES

Tel: 44 92 49 00

Yamaha Music Asia Pte., Ltd.

Yamaha Music Latin America, S.A.

FINLAND

#03-11 A-Z Building

Torre Banco General, Piso 7, Urbanización Marbella,

Calle 47 y Aquilino de la Guardia,

F-Musiikki Oy

140 Paya Lebor Road, Singapore 409015

Ciudad de Panamá, Panamá

Kluuvikatu 6, P.O. Box 260,

Tel: 747-4374

Tel: +507-269-5311

SF-00101 Helsinki, Finland

TAIWAN

Tel: 09 618511

Yamaha KHS Music Co., Ltd.

NORWAY

3F, #6, Sec.2, Nan Jing E. Rd. Taipei.

EUROPE

Norsk filial av Yamaha Scandinavia AB

Taiwan 104, R.O.C.

THE UNITED KINGDOM

Grini Næringspark 1

Tel: 02-2511-8688

Yamaha-Kemble Music (U.K.) Ltd.

N-1345 Østerås, Norway

THAILAND

Sherbourne Drive, Tilbrook, Milton Keynes,

Tel: 67 16 77 70

Siam Music Yamaha Co., Ltd.

MK7 8BL, England

ICELAND

891/1 Siam Motors Building, 15-16 floor

Tel: 01908-366700

Skifan HF

Rama 1 road, Wangmai, Pathumwan

IRELAND

Skeifan 17 P.O. Box 8120

Bangkok 10330, Thailand

Danfay Ltd.

IS-128 Reykjavik, Iceland

Tel: 02-215-2626

61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin

Tel: 525 5000

OTHER ASIAN COUNTRIES

Tel: 01-2859177

OTHER EUROPEAN COUNTRIES

Yamaha Corporation,

GERMANY

Yamaha Music Central Europe GmbH

Asia-Pacific Music Marketing Group

Yamaha Music Central Europe GmbH

Siemensstraße 22-34, 25462 Rellingen, Germany

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: +49-4101-3030

Tel: +81-53-460-2317

Tel: 04101-3030

SWITZERLAND/LIECHTENSTEIN

AFRICA

OCEANIA

Yamaha Music Central Europe GmbH,

Yamaha Corporation,

AUSTRALIA

Branch Switzerland

Asia-Pacific Music Marketing Group

Yamaha Music Australia Pty. Ltd.

Seefeldstrasse 94, 8008 Zürich, Switzerland

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Level 1, 99 Queensbridge Street, Southbank,

Tel: 01-383 3990

Tel: +81-53-460-2312

Victoria 3006, Australia

AUSTRIA

Tel: 3-9693-5111

Yamaha Music Central Europe GmbH,

NEW ZEALAND

Branch Austria

MIDDLE EAST

Music Houses of N.Z. Ltd.

Schleiergasse 20, A-1100 Wien, Austria

TURKEY/CYPRUS

146/148 Captain Springs Road, Te Papapa,

Tel: 01-60203900

Yamaha Music Central Europe GmbH

Auckland, New Zealand

THE NETHERLANDS

Siemensstraße 22-34, 25462 Rellingen, Germany

Tel: 9-634-0099

Tel: 04101-3030

Yamaha Music Central Europe,

COUNTRIES AND TRUST

Branch Nederland

OTHER COUNTRIES

TERRITORIES IN PACIFIC OCEAN

Clarissenhof 5-b, 4133 AB Vianen, The Netherlands

Yamaha Music Gulf FZE

Tel: 0347-358 040

Yamaha Corporation,

LB21-128 Jebel Ali Freezone

Asia-Pacific Music Marketing Group

P.O.Box 17328, Dubai, U.A.E.

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: +971-4-881-5868

Tel: +81-53-460-2312

HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: +81-53-460-3273

[CL] 34

CVP-305/303/301

CVP-305/303/301

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èÓ‚Â¸Ú ËÒÚÓ˜ÌËÍ ÔËÚ‡ÌËfl

ì·Â‰ËÚÂÒ¸, ˜ÚÓ Ì‡ÔflÊÂÌË ÓÁÂÚÍ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Ì‡ÔflÊÂÌ˲, Û͇Á‡ÌÌÓÏÛ Ì‡ ËÌÒÚÛÏÂÌÚÂ. Ç ÌÂÍÓÚÓ˚ı

ÒÎÛ˜‡flı ËÌÒÚÛÏÂÌÚ ÏÓÊÂÚ ·˚Ú¸ Ò̇·ÊÂÌ ÔÂÂÍβ˜‡ÚÂÎÂÏ Ì‡ÔflÊÂÌËfl, ÍÓÚÓ˚È ‡ÒÔÓÎÓÊÂÌ fl‰ÓÏ Ò ÒÂÚ‚˚Ï

͇·ÂÎÂÏ. ì·Â‰ËÚÂÒ¸, ˜ÚÓ ÔÓÎÓÊÂÌË ÔÂÂÍβ˜‡ÚÂÎfl ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Ì‡ÔflÊÂÌ˲, ËÒÔÓθÁÛÂÏÓÏÛ ‚‡¯ÂÏ

Ç·-Ò‡ÈÚ ÒËÌÚÂÁ‡ÚÓ‡ Clavinova (̇ ‡Ì„ÎËÈÒÍÓÏ flÁ˚ÍÂ)

„ËÓÌÂ. èË ÔÓÒÚ‡‚Í ÔÂÂÍβ˜‡ÚÂθ ̇ÔflÊÂÌËfl ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ ̇ÔflÊÂÌË 240 Ç. èË ÔÓÏÓ˘Ë ÓÚ‚ÂÚÍË

http://www.yamahaclavinova.com/

ÔÓ‚ÂÌËÚ ÔÂÂÍβ˜‡ÚÂθ Ú‡Í, ˜ÚÓ·˚ Ó·ÓÁ̇˜ÂÌË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó Ì‡ÔflÊÂÌËfl ·˚ÎÓ ‡ÒÔÓÎÓÊÂÌÓ ‚ÓÁÎÂ

Û͇Á‡ÚÂÎfl ̇ Ô‡ÌÂÎË.

ëÓ·‡ÌË ÛÍÓ‚Ó‰ÒÚ‚ ÔÓ ÔÓ‰ÛÍÚ‡Ï Yamaha

http://www2.yamaha.co.jp/manual/english/

àÌÙÓχˆË˛ ÔÓ Ò·ÓÍ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚ ÒÏ. ÍÓ̈ ˝ÚÓ„Ó ÛÍÓÓ‰ÒÚ‚‡.

U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation

© 2004 Yamaha Corporation

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