Yamaha CVP 305 – страница 11
Инструкция к Звуковой Карте Yamaha CVP 305
îÛÌ͈Ëfl Vocal Harmony Ì ‚ÓÒÔÓËÁ‚Ó‰ËÚ
íÂıÌÓÎÓ„Ëfl Performance assistant (èÓÏÓ˘ÌËÍ
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÌÓÚ˚ „‡ÏÓÌËË.
ÏÛÁ˚͇ÌÚ‡)
• ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ËÒÔÓθÁÛÂÚ ԇ‚ËθÌ˚È ÒÔÓÒÓ·
çÂÔ‡‚ËθÌÓ ‡·ÓÚ‡ÂÚ ÙÛÌ͈Ëfl Performance assistant.
ÓÔ‰ÂÎÂÌËfl ÌÓÚ „‡ÏÓÌËË ‰Îfl ÚÂÍÛ˘Â„Ó ÂÊËχ ÙÛÌ͈ËË
„‡ÏÓÌËÁ‡ˆËË ‚Ó͇· (ÒÚ. 163).
• ç‡ÊÏËÚ ÍÌÓÔÍÛ [STOP] ̇ Ô‡ÌÂÎË SONG, ˜ÚÓ·˚ ÔÂ͇ÚËÚ¸
‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË, Ë Ô‚‰ËÚ ÍÌÓÔÍË [ACMP ON/OFF]
Ë PART ON/OFF [LEFT] ‚ ‚˚Íβ˜ÂÌÌÓ ÒÓÒÚÓflÌËÂ. á‡ÚÂÏ Ì‡˜-
ÌËÚ ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Á‡ÌÓ‚Ó.
ÇˉÂÓ‚˚ıÓ‰ (CVP-305)
àÁÓ·‡ÊÂÌË ˝Í‡Ì‡ Clavinova Ì ۉ‡ÂÚÒfl Ô‰‡Ú¸ ˜ÂÂÁ
‚˚ıÓ‰ ‚ˉÂÓÒ˄̇· Ë Û‚Ë‰ÂÚ¸ ̇ ‚̯ÌÂÏ ÏÓÌËÚÓÂ.
• Ç˚·ÂËÚ Òڇ̉‡Ú (NTSC ËÎË PAL), ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ
ËÒÔÓθÁÛÂÏÓÏÛ ‚ˉÂÓÓ·ÓÛ‰Ó‚‡Ì˲ (ÒÚ. 53).
ç‡ ˝Í‡Ì ÚÂ΂ËÁÓ‡ ËÎË ÏÓÌËÚÓ ÔÓfl‚Îfl˛ÚÒfl ÏË„‡˛˘ËÂ
Ô‡‡ÎÎÂθÌ˚ ÎËÌËË.
• àÌÓ„‰‡ ̇ ˝Í‡Ì ÚÂ΂ËÁÓ‡ ËÎË ‚ˉÂÓÏÓÌËÚÓ ÔÓfl‚Îfl˛ÚÒfl
ÏË„‡˛˘Ë ԇ‡ÎÎÂθÌ˚ ÎËÌËË. ùÚÓ Ì ‚Ò„‰‡ ÓÁ̇˜‡ÂÚ, ˜ÚÓ
ÛÒÚÓÈÒÚ‚Ó ÌÂËÒÔ‡‚ÌÓ. ÑÎfl ÔÓÎÛ˜ÂÌËfl ̇ËÎÛ˜¯Â„Ó ÂÁÛθ-
Ú‡Ú‡ ÔÓÔ˚Ú‡ÈÚÂÒ¸ ÓÚ„ÛÎËÓ‚‡Ú¸ ˆ‚ÂÚ Ì‡ Ò‡ÏÓÏ ÏÓÌËÚÓÂ.
àÒÔÓθÁÛÂÏ˚È ÏÓÌËÚÓ Ì‚ÂÌÓ ÓÚÓ·‡Ê‡ÂÚ ÒÓ‰ÂÊËÏÓÂ
˝Í‡Ì‡ ËÌÒÚÛÏÂÌÚ‡.
• èÓÏÌËÚÂ, ˜ÚÓ ‰‡Ê ̇ÒÚÓÈ͇ ‚ÒÂı Ô‡‡ÏÂÚÓ‚ ‚ ÒÓÓÚ‚ÂÚÒÚ-
‚ËË Ò ÂÍÓÏẨ‡ˆËflÏË Ì „‡‡ÌÚËÛÂÚ Ô‡‚ËθÌÓ ÓÚÓ·‡ÊÂ-
ÌË ˝Í‡Ì‡ ËÌÒÚÛÏÂÌÚ‡ (̇ÔËÏÂ, ÒÓ‰ÂÊËÏÓ ˝Í‡Ì‡ ÌÂ
ÛÏ¢‡ÂÚÒfl ̇ ÏÓÌËÚÓÂ, ̘ÂÚÍË ÒËÏ‚ÓÎ˚, ÌÂÔ‡‚ËθÌ˚Â
ˆ‚ÂÚ‡).
åËÍÓÙÓÌ/ɇÏÓÌËÁ‡ˆËfl Vocal harmony
(CVP-305/303)
ç ۉ‡ÂÚÒfl Á‡ÔËÒ‡Ú¸ ÒË„Ì‡Î Ò ÏËÍÓÙÓÌÌÓ„Ó ‚ıÓ‰‡.
• ëË„Ì‡Î Ò ÏËÍÓÙÓÌÌÓ„Ó ‚ıÓ‰‡ Ì‚ÓÁÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ‚ Ô‡ÏflÚ¸
ËÌÒÚÛÏÂÌÚ‡. çÓ ÏÓÊÌÓ ÔÓ‰Íβ˜ËÚ¸ ÛÒÚÓÈÒÚ‚Ó Á‡ÔËÒË Í ‚˚-
ıÓ‰‡Ï [AUX OUT, AUX OUT (LEVEL FIXED), OPTICAL OUT
(CVP-305) Ë Á‡ÔËÒ˚‚‡Ú¸ Ò˄̇ΠÏËÍÓÙÓ̇.
ç‡ Á‚ÛÍ ÏËÍÓÙÓ̇ ̇Í·‰˚‚‡ÂÚÒfl „‡ÏÓÌËÁ‡ˆËfl.
• 臇ÏÂÚ Vocal Harmony ËÏÂÂÚ Á̇˜ÂÌË ON. Ç˚Íβ˜ËÚÂ
„‡ÏÓÌËÁ‡ˆË˛ ‚Ó͇· (ÒÚ. 55).
ùÙÙÂÍÚ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· Á‚Û˜ËÚ ËÒ͇ÊÂÌÌÓ ËÎË ÌÂ
ÒΉÛÂÚ ÏÂÎÓ‰ËË.
åËÍÓÙÓÌ Û·‚ÎË‚‡ÂÚ ÔÓÒÚÓÓÌÌË Á‚ÛÍË, ̇ÔËÏ ‚ÓÒÔÓËÁ-
‚Ó‰ËÏ˚È ÒËÌÚÂÁ‡ÚÓÓÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. Ç ˜‡ÒÚÌÓÒÚË, ËÒ͇ÊÂÌËÂ
˝ÙÙÂÍÚ‡ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· ÏÓÊÂÚ ·˚Ú¸ ‚˚Á‚‡ÌÓ ·‡Ò‡ÏË.
ëÔÓÒÓ·˚ ¯ÂÌËfl ÔÓ·ÎÂÏ˚:
• èË ÔÂÌËË ‰ÂÊËÚ ÏËÍÓÙÓÌ Í‡Í ÏÓÊÌÓ ·ÎËÊÂ Í „Û·‡Ï.
• àÒÔÓθÁÛÈÚ ̇ԇ‚ÎÂÌÌ˚È ÏËÍÓÙÓÌ.
• ìÏÂ̸¯ËÚ ӷ˘Û˛ „ÓÏÍÓÒÚ¸, „ÓÏÍÓÒÚ¸ ÒÚËÎfl ËÎË ÔÂÒÌË
(ÒÚ. 39).
èËÎÓÊÂÌËÂ
• ÑÂÊËÚ ÏËÍÓÙÓÌ Í‡Í ÏÓÊÌÓ ‰‡Î¸¯Â ÓÚ ‚̯ÌËı
‰Ë̇ÏËÍÓ‚.
• éÒ··¸Ú ÌËÁÍË ˜‡ÒÚÓÚ˚ Ò ÔÓÏÓ˘¸˛ ÚÂıÔÓÎÓÒÌÓ„Ó ˝Í‚‡-
·ÈÁ‡ ̇ ˝Í‡Ì MICROPHONE SETTING (ç‡ÒÚÓÈ͇
ÏËÍÓÙÓ̇) (ÒÚ. 161).
• ì‚Â΢¸Ú ÛÓ‚Â̸ „ÓÏÍÓÒÚË ÏËÍÓÙÓÌÌÓ„Ó ‚˚ıÓ‰‡ (TH) Ò
ÔÓÏÓ˘¸˛ ÍÓÏÔÂÒÒÓ‡ ̇ ˝Í‡Ì MICROPHONE SETTING
(ç‡ÒÚÓÈ͇ ÏËÍÓÙÓ̇) (ÒÚ. 162).
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301
201
CVP-305: èÓ‰ÒÚ‡‚͇ ‰Îfl Í·‚ˇÚÛ˚
ÇçàåÄçàÖ
3 èËÍÂÔËÚ ÔÂÂ‰Ì˛˛ Ô‡ÌÂθ.
• ç ÔÂÂÔÛÚ‡ÈÚ ÍÓÏÔÓÌÂÌÚ˚ Ë ÛÒÚ‡ÌÓ‚ËÚ Ëı ‚ Ô‡‚ËθÌÓÏ
̇ԇ‚ÎÂÌËË. Ç˚ÔÓÎÌflÈÚ ҷÓÍÛ Òӄ·ÒÌÓ Ô˂‰ÂÌÌÓÈ ÌËÊÂ
1 ëÓ‚ÏÂÒÚËÚÂ Ë ÒÓ‰ËÌËÚ ÔÂÂ‰Ì˛˛ Ô‡ÌÂθ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Ò
ËÌÒÚÛ͈ËË.
Ô‰ÌÂÈ Ô‡ÌÂθ˛ ·ÎÓ͇ Ô‰‡ÎÂÈ Ë ·ÓÍÓ‚˚ÏË Ô‡ÌÂÎflÏË.
• ë·ÓÍÛ ‰ÓÎÊÌ˚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ Ì ÏÂÌ ‰‚Ûı ˜ÂÎÓ‚ÂÍ.
2 á‡ÍÂÔËÚ ԇÌÂθ Ò ÔÓÏÓ˘¸˛ ÚÓÌÍËı ‚ËÌÚÓ‚ 4x14 ÏÏ.
• àÒÔÓθÁÛÈÚ ‚ËÌÚ˚ Û͇Á‡ÌÌÓ„Ó ‡Áχ. àÒÔÓθÁÛfl
* ÇÒÚ‡‚¸Ú ¯ÂÒÚ¸ ‚ËÌÚÓ‚ ‚ χÎ˚ ÓÚ‚ÂÒÚËfl ̇ ÒÍÓ·‡ı.
ÌÂÔ‡‚ËθÌ˚ ‚ËÌÚ˚ ‚˚ ÏÓÊÂÚ Ôӂ‰ËÚ¸ ËÌÒÚÛÏÂÌÚ.
• èÓÒΠÁ‡‚¯ÂÌËfl
èË„ÓÚÓ‚¸Ú ÍÂÒÚÓ‚Û˛ ÓÚ‚ÂÚÍÛ.
Ò·ÓÍË Í‡Ê‰ÓÈ ˜‡ÒÚË
Á‡ÚflÌËÚ ‚ËÌÚ˚.
• ÑÎfl ‡Á·ÓÍË ËÌÒÚÛÏÂÌÚ‡
‚˚ÔÓÎÌËÚ ËÌÒÚÛÍˆË˛ ‚
Ó·‡ÚÌÓÏ ÔÓfl‰ÍÂ.
1 éÚÍÓÈÚ ԇÍÂÚ, ‚˚̸Ú Ô‰‡Î¸Ì˚È ·ÎÓÍ, ÔÂÌÓÔ·Ò-
ÚÓ‚˚ ÔÓÍ·‰ÍË Ë ÛÒÚ‡ÌÓ‚ËÚ ˆËÙÓ‚Ó ÔˇÌËÌÓ
̇ ÔÂÌÓÔ·ÒÚ.
ê‡ÒÔÓÎÓÊËÚ ÔÂÌÓÔ·ÒÚÓ‚˚ ÔÓÍ·‰ÍË Ú‡Í, ˜ÚÓ·˚ ÓÌË
Á‡˘Ë˘‡ÎË ‡Á˙ÂÏ ‰Îfl ̇ۯÌËÍÓ‚ Ë ÓÒڇθÌ˚ ‡Á˙ÂÏ˚,
̇ıÓ‰fl˘ËÂÒfl ÔÓ‰ Ô‰ÌËÏ Î‚˚Ï Û„ÎÓÏ ËÌÒÚÛÏÂÌÚ‡.
óÚÓ·˚ Í˚¯Í‡ Í·‚Ë
É·‚̇fl ˜‡ÒÚ¸
4 ìÒÚ‡ÌÓ‚ËÚ „·‚ÌÛ˛ ˜‡ÒÚ¸.
è‡ÌÂθ ‡Á˙Âχ
ÉÌÂÁ‰Ó ‰Îfl ̇ۯÌËÍÓ‚
èÂÌÓÔ·ÒÚÓ‚˚ ÔÓÍ·‰ÍË
Ç˚̸Ú ËÁ ÍÓÓ·ÍË ˜‡ÒÚË, ÔÓ͇Á‡ÌÌ˚ ̇ ÒÎÂ‰Û˛˘ÂÏ ËÒÛÌÍÂ.
èË ÛÒÚ‡ÌÓ‚Í ‰ÂÊËÚ ÛÍË Ì‡ ‡ÒÒÚÓflÌËË Ì ÏÂÌÂÂ
10 ÒÏ ÓÚ Í‡Â‚.
5 á‡ÍÂÔËÚ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸ ËÌÒÚÛÏÂÌÚ‡.
1 ê‡ÒÔÓÎÓÊËÚ ËÌÒÚÛÏÂÌÚ Ú‡Í, ˜ÚÓ·˚ Á‡ÁÓ˚ ÒÔ‡‚‡ Ë Ò΂‡ ·˚ÎË
Ó‰Ë̇ÍÓ‚˚ÏË.
2 èËÍÂÔËÚ ·ÓÍÓ‚˚ ԇÌÂÎË Í ·ÎÓÍÛ Ô‰‡ÎÂÈ.
èËÎÓÊÂÌËÂ
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301
202
-
‡ÚÛ˚ Ì ÓÚÍ˚·Ҹ
ÒÎÛ˜‡ÈÌÓ ‚Ó ‚ÂÏfl
Ò·ÓÍË, ̇ÊÏËÚ ̇
ÇçàåÄçàÖ
ÌÂÂ Ë Û·Â‰ËÚÂÒ¸,
• ëΉËÚ Á‡ ÚÂÏ, ˜ÚÓ·˚ Ì Á‡˘ÂÏËÚ¸ ԇθˆ˚ ÏÂÊ‰Û ÓÒÌÓ‚Ì˚Ï
˜ÚÓ Ó̇ Á‡ÍÂÔÎÂ̇
ÛÒÚÓÈÒÚ‚ÓÏ Ë Á‡‰ÌÂÈ ËÎË ·ÓÍÓ‚˚ÏË Ô‡ÌÂÎflÏË. ÅÛ‰¸Ú ˜ÂÁ-
(ÒÏ. ËÒÛÌÓÍ).
‚˚˜‡ÈÌÓ ÓÒÚÓÓÊÌ˚ Ë Ì ÛÓÌËÚ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸.
• ÑÂÊËÚ Í·‚ˇÚÛÛ ÚÓθÍÓ Ú‡Í, Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ.
è‰Ìflfl
Ô‡ÌÂθ
ᇉÌflfl
Ô‡ÌÂθ
ÅÎÓÍ
䇷Âθ Ô‰‡ÎË
Ô‰‡ÎÂÈ
åËÌËÏÛÏ
10 ÒÏ
ÅÓÍÓ‚‡fl
ÅÓÍÓ‚‡fl
Ô‡ÌÂθ
Ô‡ÌÂθ
(΂‡fl)
(Ô‡‚‡fl)
ÑÂÚ‡ÎË Ò·ÓÍË
䇷Âθ ÔËÚ‡ÌËfl
ÑÎËÌÌ˚Â ‚ËÌÚ˚ 6 x 25 ÏÏ, 4 ¯Ú.
äÓÓÚÍËÂ ‚ËÌÚ˚ 6 x 16 ÏÏ, 4 ¯Ú.
ë‡ÏÓ̇ÂÁ‡˛˘Ë ‚ËÌÚ˚ 4 x 20 ÏÏ, 5 ¯Ú.
íÓÌÍËÂ ‚ËÌÚ˚ 4 x 14 ÏÏ, 8 ¯Ú.
ÑÂʇÚÂÎË ‰Îfl ͇·ÂÎÂÈ - 2 ¯Ú.
2 쉇ÎËÚ ‚ËÌËÎÓ‚˚È ¯ÌÛÓÍ ÒÓ ¯ÌÛ‡ Ô‰‡ÎË.
ç ۉ‡ÎflÈÚ ‚ËÌËÎÓ-
‚˚È ¯ÌÛÓÍ fl‰ÓÏ Ò
2 á‡ÍÂÔËÚ ÓÒÌÓ‚-
ÅÓÍÓ‚‡fl
ÓÚ‚ÂÒÚËÂÏ.
ÌÛ˛ ˜‡ÒÚ¸ ÒÁ‡‰Ë Ò
Ô‡ÌÂθ
(΂‡fl)
ÔÓÏÓ˘¸˛ ÍÓÓÚÍËı
‚ËÌÚÓ‚ 6x16 ÏÏ.
1
èËÍÂÔËÚ ·ÎÓÍ Ô‰‡ÎÂÈ
* á‡ÍÛÚËÚ ‚ËÌÚ˚ ‚
Ò ÔÓÏÓ˘¸˛ ˜ÂÚ˚Âı ‰ÎËÌ-
ÓÚ‚ÂÒÚËfl ̇ ÒÍÓ·‡ı
Ì˚ı ‚ËÌÚÓ‚ 6x25 ÏÏ.
Ô‰ÌÂÈ Ô‡ÌÂÎË.
ÅÓÍÓ‚‡fl
Ô‡ÌÂθ
Ç̇˜‡Î ÔËÍÂÔËÚ ԇ-
(Ô‡‚‡fl)
ÌÂθ Ò Ó‰ÌÓÈ ÒÚÓÓÌ˚,
Á‡ÚÂÏ Ò ‰Û„ÓÈ.
6 èÓ‰ÒÓ‰ËÌËÚ ͇·Âθ ‰Ë̇ÏËÍÓ‚.
ê„ÛÎflÚÓ Ì‡ÔflÊÂÌËfl
Ç ÌÂÍÓÚÓ˚ı „ËÓ̇ı ËÒÔÓθÁÛÂÚÒfl „ÛÎflÚÓ Ì‡ÔflÊÂÌËfl. èÂʉ ˜ÂÏ
1 è‰ ˝ÚËÏ Û‰‡ÎËÚ ‚ËÌËÎÓ‚˚È ¯ÌÛÓÍ, Ò ÔÓÏÓ˘¸˛ ÍÓÚÓÓ„Ó Í‡·Âθ
ÔÓ‰Íβ˜‡Ú¸ ͇·Âθ ÔËÚ‡ÌËfl, Ôӂ¸ÚÂ, Ô‡‚ËθÌÓ ÎË ÓÌ ÛÒÚ‡ÌÓ‚ÎÂÌ. ÑÎfl
ÍÂÔËÚÒfl Í Ô‰ÌÂÈ Ô‡ÌÂÎË.
ÛÒÚ‡ÌÓ‚ÍË Â„ÛÎflÚÓ‡ ̇ 110, 127, 220 ËÎË 240 ‚ÓÎ¸Ú Ò ÔÓÏÓ˘¸˛ ÓÚ‚ÂÚÍË
ÔÓ‚ÂÌËÚ ‰ËÒÍ Ú‡Í, ˜ÚÓ·˚ Ô‡‚ËθÌÓ ̇ÔflÊÂÌË ‰Îfl ‚‡¯Â„Ó Â„ËÓ̇
̇ıÓ‰ËÎÓÒ¸ ̇ÔÓÚË‚ Û͇Á‡ÚÂÎfl ̇ Ô‡ÌÂÎË. èË ÔÓÒÚ‡‚Í „ÛÎflÚÓ Ì‡Ôfl-
ÊÂÌËfl ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ ̇ÔflÊÂÌË ‚ 240 Ç.
Ç˚·‡‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â ̇ÔflÊÂÌËÂ, ÔÓ‰Íβ˜ËÚ ͇·Âθ ÔËÚ‡ÌËfl Í
‡Á˙ÂÏÛ AC INLET Ë Í ˝ÎÂÍÚÓÒÂÚË. Ç ÌÂÍÓÚÓ˚ı „ËÓ̇ı ‰Îfl ÔÓ‰Íβ˜ÂÌËfl
Í ˝ÎÂÍÚÓÒÂÚË ÚÂ·Û˛ÚÒfl ÔÂÂıÓ‰ÌËÍË Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ‡ÒÔÓÎÓÊÂÌËÂÏ
ÍÓÌÚ‡ÍÚÓ‚.
éëíéêéÜçé
2 ÇÒÚ‡‚¸Ú ‚ËÎÍÛ Í‡·ÂÎfl ‰Ë̇ÏËÍÓ‚ ‚ ‡Á˙ÂÏ Ì‡ÍÎÂÈÍÓÈ ‚ÌËÁ.
• Ç˚·Ó ÌÂÔ‡‚ËθÌÓ„Ó Ì‡ÔflÊÂÌËfl ÏÓÊÂÚ Ò¸ÂÁÌÓ Ôӂ‰ËÚ¸
ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ËÎË Ì‡Û¯ËÚ¸ Â„Ó ‡·ÓÚÛ.
7 èÓ‰ÒÓ‰ËÌËÚ ͇·Âθ Ô‰‡ÎÂÈ.
10ìÒÚ‡ÌÓ‚ËÚ ÙËÍÒ‡ÚÓ.
èÓ‚Ó‡˜Ë‚‡ÈÚ ÙËÍÒËÛ-
1 ÇÒÚ‡‚¸Ú ¯ÚÂÍÂ
˛˘ËÈ ‚ËÌÚ ‰Ó ÚÂı ÔÓ,
͇·ÂÎfl Ô‰‡ÎË ‚
ÔÓ͇ ÓÌ Ì ÔˉÂÚ ‚ ÚÂÒÌ˚È
‡Á˙ÂÏ ‰Îfl Ô‰‡ÎË.
ÍÓÌÚ‡ÍÚ Ò ÔÓ‚ÂıÌÓÒÚ¸˛
ÔÓ·.
èÓÒΠҷÓÍË Ôӂ¸Ú ÒÎÂ‰Û˛˘ÂÂ.
2 èËÒÓ‰ËÌËÚÂ
‰ÂʇÚÂÎË ‰Îfl
• ç ÓÒÚ‡ÎÓÒ¸ ÎË «Î˯ÌËı» ‰ÂÚ‡ÎÂÈ?
͇·ÂÎfl Í Á‡‰ÌÂÈ
→ èӂ¸Ú ҷÓÍÛ Ë ËÒÔ‡‚¸Ú ӯ˷ÍË.
Ô‡ÌÂÎË, ͇Í
• ç Ï¯‡ÂÚ ÎË ÔˇÌËÌÓ Clavinova ÓÚÍ˚‚‡Ú¸ ‰‚ÂË Ë
ÔÓ͇Á‡ÌÓ Ì‡
ÔÂÂÏ¢‡Ú¸ Ô‰ÏÂÚ˚?
ËÒÛÌÍÂ, Á‡ÚÂÏ
→ èÓÒÚ‡‚¸Ú ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ‚ Û‰Ó·ÌÓÂ
Á‡˘ÂÎÍÌËÚÂ
ÏÂÒÚÓ.
• ç «·ÓÎÚ‡ÂÚÒfl» ÎË ËÌÒÚÛÏÂÌÚ Clavinova, ÍÓ„‰‡ ‚˚ „Ó
ÚflÒÂÚ (Ó· ˝ÚÓÏ ÏÓÊÌÓ ÒÛ‰ËÚ¸ ÔÓ „ÓıÓÚÛ)?
→ á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚.
• ç ÒÏ¢‡ÂÚÒfl ÎË Ô‰‡Î¸Ì˚È ·ÎÓÍ Ë Ì ÒÎ˚¯ÌÓ ÎË
8 èËÍÂÔËÚ Á‡‰Ì˛˛ Ô‡ÌÂθ.
„ÓıÓÚ‡ ÔË Ì‡Ê‡ÚËË Ì‡ Ô‰‡ÎË?
2 á‡ÍÂÔËÚ ԇÌÂθ ÔÓ Û„Î‡Ï Ò΂‡ Ë ÒÔ‡‚‡ Ò
→ èÓ‚ÂÌËÚ ÙËÍÒËÛ˛˘ËÈ ‚ËÌÚ Ú‡Í, ˜ÚÓ·˚ ÓÌ Ú‚Â‰Ó
ÔÓÏÓ˘¸˛ ÚÓÌÍËı ‚ËÌÚÓ‚ 4x14 ÏÏ.
ÒÚÓflΠ̇ ÔÓÎÛ.
• 䇷ÂÎË Ô‰‡ÎË Ë ÔËÚ‡ÌËfl ÔÎÓÚÌÓ ‚ÒÚ‡‚ÎÂÌ˚ ‚
‡Á˙ÂÏ˚?
→ èӂ¸Ú ÒÓ‰ËÌÂÌËfl.
• ÖÒÎË ÓÒÌӂ̇fl ˜‡ÒÚ¸ ËÌÒÚÛÏÂÌÚ‡ ÒÍËÔËÚ ËÎË
ÌÂÛÒÚÓȘ˂‡, ÍÓ„‰‡ ‚˚ Ë„‡ÂÚ ̇ Í·‚˯‡ı,
ÔÓÒÏÓÚËÚ ÒıÂÏÛ Ò·ÓÍË Ë Á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚.
1 èÓÏÂÒÚË‚ Á‡‰Ì˛˛
Ô‡ÌÂθ ̇ ‚˚ÒÚÛ-
Ô‡˛˘Ë ˜‡ÒÚË ÌÓ-
èË ÔÂÂÒÚ‡ÌÓ‚Í ËÌÒÚÛÏÂÌÚ‡ ÔÓÒΠҷÓÍË ‚Ò„‰‡
ÊÂÍ, ÒÓ‚ÏÂÒÚËÚÂ
‰ÂÊËÚÂ Â„Ó Á‡ ÌËÊÌ˛˛ ˜‡ÒÚ¸ Ë Á‡ Û˜ÍË Ì‡ Á‡‰ÌÂÈ
Ô‡ÌÂθ Ò Ô‡Á‡ÏË
Ô‡ÌÂÎË.
Ë Á‡ÍÂÔËÚ ÂÂ
‚ÂıÌ˛˛ ˜‡ÒÚ¸.
ÇçàåÄçàÖ
3 á‡ÍÂÔËÚ ˆÂÌڇθÌÛ˛ Ë ÌËÊ-
ç ·ÂËÚÂÒ¸ Á‡ Í˚¯ÍÛ Í·‚ˇÚÛ˚ ËÎË Â ‚ÂıÌ˛˛ ˜‡ÒÚ¸.
Ì˛˛ ˜‡ÒÚË Ô‡ÌÂÎË Ò ÔÓÏÓ˘¸˛
çÂÔ‡‚Ëθ̇fl ˝ÍÒÔÎÛ‡Ú‡ˆËfl ÏÓÊÂÚ ÔË‚ÂÒÚË Í ‚˚ıÓ‰Û ËÌÒÚ-
Ò‡ÏÓ̇ÂÁ‡˛˘Ëı ‚ËÌÚÓ‚ 4x20 ÏÏ.
ÛÏÂÌÚ‡ ËÁ ÒÚÓfl ËÎË Í Ú‡‚ÏÂ.
9 ìÒÚ‡ÌÓ‚ËÚ ÒÂÎÂÍÚÓ Ì‡ÔflÊÂÌËfl Ë ÔÓ‰ÒÓ‰ËÌËÚÂ
͇·Âθ ÔËÚ‡ÌËfl.
ä˚¯Í‡
èËÎÓÊÂÌËÂ
240
110
ä˚¯Í‡
220
Í·‚ˇÚÛ˚
127
ᇠ˝ÚÓ ‰ÂʇڸÒfl ÌÂθÁfl.
ᇠ˝ÚÓ
ᇠ˝ÚÓ ‰ÂʇڸÒfl ÏÓÊÌÓ.
‰ÂʇڸÒfl
ÌÂθÁfl.
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301
203
CVP-303: èÓ‰ÒÚ‡‚͇ ‰Îfl Í·‚ˇÚÛ˚
ÇçàåÄçàÖ
• ç ÔÂÂÔÛÚ‡ÈÚ ÍÓÏÔÓÌÂÌÚ˚ Ë ÛÒÚ‡ÌÓ‚ËÚ Ëı ‚ Ô‡‚ËθÌÓÏ
2 èËÍÂÔËÚ ·ÓÍÓ‚˚ ԇÌÂÎË Í ·ÎÓÍÛ Ô‰‡ÎÂÈ.
̇ԇ‚ÎÂÌËË. Ç˚ÔÓÎÌflÈÚ ҷÓÍÛ Òӄ·ÒÌÓ Ô˂‰ÂÌÌÓÈ ÌËÊÂ
ËÌÒÚÛ͈ËË.
• ë·ÓÍÛ ‰ÓÎÊÌ˚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ Ì ÏÂÌ ‰‚Ûı ˜ÂÎÓ‚ÂÍ.
• àÒÔÓθÁÛÈÚ ‚ËÌÚ˚ Û͇Á‡ÌÌÓ„Ó ‡Áχ. àÒÔÓθÁÛfl
ÌÂÔ‡‚ËθÌ˚ ‚ËÌÚ˚ ‚˚ ÏÓÊÂÚ Ôӂ‰ËÚ¸ ËÌÒÚÛÏÂÌÚ.
• èÓÒΠÁ‡‚¯ÂÌËfl
èË„ÓÚÓ‚¸Ú ÍÂÒÚÓ‚Û˛ ÓÚ‚ÂÚÍÛ.
Ò·ÓÍË Í‡Ê‰ÓÈ ˜‡ÒÚË
Á‡ÚflÌËÚ ‚ËÌÚ˚.
•
ÑÎfl ‡Á·ÓÍË ËÌÒÚÛÏÂÌÚ‡
‚˚ÔÓÎÌËÚ ËÌÒÚÛÍˆË˛ ‚
Ó·‡ÚÌÓÏ ÔÓfl‰ÍÂ.
1 éÚÍÓÈÚ ԇÍÂÚ, ‚˚̸Ú Ô‰‡Î¸Ì˚È ·ÎÓÍ, ÔÂÌÓÔ·Ò-
ÚÓ‚˚ ÔÓÍ·‰ÍË Ë ÛÒÚ‡ÌÓ‚ËÚ ˆËÙÓ‚Ó ÔˇÌËÌÓ
̇ ÔÂÌÓÔ·ÒÚ.
ê‡ÒÔÓÎÓÊËÚ ÔÂÌÓÔ·ÒÚ Ú‡Í, ˜ÚÓ·˚ ÓÌ Á‡˘Ë˘‡Î ‡Á˙ÂÏ ‰Îfl
̇ۯÌËÍÓ‚, ‡ÒÔÓÎÓÊÂÌÌ˚È ‚ ‚ÂıÌÂÏ Î‚ÓÏ Û„ÎÛ.
3 èËÍÂÔËÚ Á‡‰Ì˛˛ Ô‡ÌÂθ.
óÚÓ·˚ Í˚¯Í‡ Í·‚ˇÚÛ˚
É·‚̇fl ˜‡ÒÚ¸
Ì ÓÚÍ˚·Ҹ ÒÎÛ˜‡ÈÌÓ ‚Ó
1
ÑÂʇ Ô‡ÌÂθ ‚ ̇ÍÎÓÌÌÓÏ ÔÓÎÓÊÂÌËË, Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ,
‚ÂÏfl Ò·ÓÍË, ̇ÊÏËÚ ̇
ÔÓÏÂÒÚËڠ ÌËÊÌËÈ Í‡È Ì‡ Ò΄͇ ‚˚ÒÚÛÔ‡˛˘Ë ˜‡ÒÚË ÌÓÊÂÍ.
ÌÂÂ Ë Û·Â‰ËÚÂÒ¸, ˜ÚÓ Ó̇
ëÓ‚ÏÂÒÚËÚ ‚ÂıÌ˛˛ ˜‡ÒÚ¸ Á‡‰ÌÂÈ Ô‡ÌÂÎË Ò ·ÓÍÓ‚˚ÏË Ô‡ÌÂÎflÏË
Á‡ÍÂÔÎÂ̇ (ÒÏ. ËÒÛÌÓÍ).
2 èËÍÂÔËÚ ‚ÂıÌ˛˛ ˜‡ÒÚ¸ Á‡‰ÌÂÈ Ô‡ÌÂÎË Í ÍÓ̯ÚÂÈÌ‡Ï ·ÓÍÓ‚ÓÈ
Ô‡ÌÂÎË Ò ÔÓÏÓ˘¸˛ ‰‚Ûı ÚÓÌÍËı ‚ËÌÚÓ‚ 4x12 ÏÏ.
3 èËÍÂÔËÚ ÌËÊÌ˛˛ ˜‡ÒÚ¸ Á‡‰ÌÂÈ Ô‡ÌÂÎË Í ·ÎÓÍÛ Ô‰‡ÎÂÈ Ò ÔÓ-
ÉÌÂÁ‰Ó ‰Îfl ̇ۯÌËÍÓ‚ èÂÌÓÔ·ÒÚÓ‚˚ ÔÓÍ·‰ÍË
ÏÓ˘¸˛ ˜ÂÚ˚Âı Ò‡ÏÓ̇ÂÁ‡˛˘Ëı ‚ËÌÚÓ‚ 4x20 ÏÏ.
Ç˚̸Ú ËÁ ÍÓÓ·ÍË ˜‡ÒÚË, ÔÓ͇Á‡ÌÌ˚ ̇ ÒÎÂ‰Û˛˘ÂÏ ËÒÛÌÍÂ.
ᇉÌflfl
Ô‡ÌÂθ
ÅÎÓÍ
䇷Âθ Ô‰‡ÎÂÈ, ÔËÍÂÔÎÂÌÌ˚È ‚ÌÛÚË
Ô‰‡ÎÂÈ
ÅÓÍÓ‚‡fl
ÅÓÍÓ‚‡fl
Ô‡ÌÂθ
Ô‡ÌÂθ
(΂‡fl)
(Ô‡‚‡fl)
4 ìÒÚ‡ÌÓ‚ËÚ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸.
ÑÂÚ‡ÎË Ò·ÓÍË ä‡·Âθ ÔËÚ‡ÌËfl
ÑÎËÌÌ˚Â ‚ËÌÚ˚ 6 x 25 ÏÏ, 4 ¯Ú.
ë‡ÏÓ̇ÂÁ‡˛˘Ë ‚ËÌÚ˚ 4 x 20 ÏÏ, 4 ¯Ú.äÓÓÚÍË ‚ËÌÚ˚ 6 x 16 ÏÏ, 4 ¯Ú.
èË ÛÒÚ‡ÌÓ‚Í ‰ÂÊËÚ ÛÍË Ì‡ ‡ÒÒÚÓflÌËË Ì ÏÂÌÂÂ
10 ÒÏ ÓÚ Í‡Â‚.
ÑÂʇÚÂÎË ‰Îfl ͇·ÂÎÂÈ - 2 ¯Ú.íÓÌÍË ‚ËÌÚ˚ 4 x 12 ÏÏ, 2 ¯Ú.
èËÎÓÊÂÌËÂ
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301
204
1 éÚ‚flÊËÚÂ Ë ‡ÒÔflÏËÚ ÛÔ‡ÍÓ‚‡ÌÌ˚È
͇·Âθ, ÔËÍÂÔÎÂÌÌ˚È Í ÌËÊÌÂÈ ˜‡ÒÚË
·ÎÓ͇ Ô‰‡ÎÂÈ. ëÓı‡ÌËÚ ‚ËÌËÎÓ‚˚È
ÅÓÍÓ‚‡fl
Ô‡ÌÂθ
¯ÌÛÓÍ, ÓÌ ÔÓ̇‰Ó·ËÚÒfl ‚‡Ï ̇ ˝Ú‡Ô 6.
(΂‡fl)
ÅÓÍÓ‚‡fl
Ô‡ÌÂθ
(Ô‡‚‡fl)
2
èËÍÂÔËÚ ·ÎÓÍ Ô‰‡ÎÂÈ Ò ÔÓÏÓ˘¸˛ ˜ÂÚ˚Âı ‰ÎËÌ-Ì˚ı
‚ËÌÚÓ‚ 6x25 ÏÏ.
Ç̇˜‡Î ÔËÍÂÔËÚ ԇ-ÌÂθ Ò Ó‰ÌÓÈ
ÒÚÓÓÌ˚, Á‡ÚÂÏ Ò ‰Û„ÓÈ.
ÇçàåÄçàÖ
• ëΉËÚ Á‡ ÚÂÏ, ˜ÚÓ·˚ Ì Á‡˘ÂÏËÚ¸ ԇθˆ˚ ÏÂÊ‰Û ÓÒÌÓ‚Ì˚Ï
ÛÒÚÓÈÒÚ‚ÓÏ Ë Á‡‰ÌÂÈ ËÎË ·ÓÍÓ‚˚ÏË Ô‡ÌÂÎflÏË. ÅÛ‰¸Ú ˜ÂÁ-
‚˚˜‡ÈÌÓ ÓÒÚÓÓÊÌ˚ Ë Ì ÛÓÌËÚ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸.
• ÑÂÊËÚ Í·‚ˇÚÛÛ ÚÓθÍÓ Ú‡Í, Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ.
åËÌËÏÛÏ
10 ÒÏ
5 á‡ÍÂÔËÚ ÓÒÌÓ‚ÌÛ˛
8 ìÒÚ‡ÌÓ‚ËÚ „ÛÎflÚÓ.
˜‡ÒÚ¸.
1 ê‡ÒÔÓÎÓÊËÚ ËÌÒÚÛÏÂÌÚ ÔÓ
ˆÂÌÚÛ Ú‡Í, ˜ÚÓ·˚ Á‡ÁÓ˚ ÒÔ‡-
‚‡ Ë Ò΂‡ ·˚ÎË Ó‰Ë̇ÍÓ‚˚ÏË.
2 á‡ÍÂÔËÚ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸
ÒÔÂÂ‰Ë Ò ÔÓÏÓ˘¸˛ ÍÓÓÚÍËı
‚ËÌÚÓ‚ 6x16 ÏÏ.
èÓ‚Ó‡˜Ë‚‡ÈÚ ÙËÍÒËÛ˛˘ËÈ ‚ËÌÚ ‰Ó ÚÂı ÔÓ, ÔÓ͇ ÓÌ ÌÂ
ÔˉÂÚ ‚ ÚÂÒÌ˚È ÍÓÌÚ‡ÍÚ Ò ÔÓ‚ÂıÌÓÒÚ¸˛ ÔÓ·.
■ èÓÒΠҷÓÍË Ôӂ¸Ú ÒÎÂ‰Û˛˘ÂÂ.
• ç ÓÒÚ‡ÎÓÒ¸ ÎË «Î˯ÌËı» ‰ÂÚ‡ÎÂÈ?
→ èӂ¸Ú ҷÓÍÛ Ë ËÒÔ‡‚¸Ú ӯ˷ÍË.
6 èÓ‰ÒÓ‰ËÌËÚ ͇·Âθ Ô‰‡ÎË.
• ç Ï¯‡ÂÚ ÎË ÔˇÌËÌÓ Clavinova ÓÚÍ˚‚‡Ú¸ ‰‚ÂË Ë
ÔÂÂÏ¢‡Ú¸ Ô‰ÏÂÚ˚?
→ èÓÒÚ‡‚¸Ú ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ‚ Û‰Ó·ÌÓÂ
1 ÇÒÚ‡‚¸Ú ‚ËÎÍÛ
ÏÂÒÚÓ.
͇·ÂÎfl Ô‰‡ÎÂÈ
• ç «·ÓÎÚ‡ÂÚÒfl» ÎË ËÌÒÚÛÏÂÌÚ Clavinova, ÍÓ„‰‡ ‚˚ „Ó
ÒÔÂÂ‰Ë ‚ ‡Á˙ÂÏ
‰Îfl Ô‰‡ÎÂÈ.
ÚflÒÂÚ (Ó· ˝ÚÓÏ ÏÓÊÌÓ ÒÛ‰ËÚ¸ ÔÓ „ÓıÓÚÛ)?
→ á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚.
• ç ÒÏ¢‡ÂÚÒfl ÎË Ô‰‡Î¸Ì˚È ·ÎÓÍ Ë Ì ÒÎ˚¯ÌÓ ÎË
„ÓıÓÚ‡ ÔË Ì‡Ê‡ÚËË Ì‡ Ô‰‡ÎË?
3 ÖÒÎË Í‡·Âθ Ô‰‡ÎË
Ó͇Á‡ÎÒfl ‰ÎËÌÌÂÂ, ˜ÂÏ
→ èÓ‚ÂÌËÚ ÙËÍÒËÛ˛˘ËÈ ‚ËÌÚ Ú‡Í, ˜ÚÓ·˚ ÓÌ Ú‚Â‰Ó
ÌÛÊÌÓ, Á‡ÍÂÔËÚ Î˯-
ÒÚÓflΠ̇ ÔÓÎÛ.
Ì˛˛ ˜‡ÒÚ¸ Ò ÔÓÏÓ˘¸˛
• 䇷ÂÎË Ô‰‡ÎË Ë ÔËÚ‡ÌËfl ÔÎÓÚÌÓ ‚ÒÚ‡‚ÎÂÌ˚ ‚
‚ËÌËÎÓ‚Ó„Ó ¯ÌÛ͇.
‡Á˙ÂÏ˚?
→ èӂ¸Ú ÒÓ‰ËÌÂÌËfl.
2 èËÒÓ‰ËÌËÚ ‰ÂʇÚÂÎË
• ÖÒÎË ÓÒÌӂ̇fl ˜‡ÒÚ¸ ËÌÒÚÛÏÂÌÚ‡ ÒÍËÔËÚ ËÎË
‰Îfl ͇·ÂÎfl Í Á‡‰ÌÂÈ Ô‡ÌÂ-
ÌÂÛÒÚÓȘ˂‡, ÍÓ„‰‡ ‚˚ Ë„‡ÂÚ ̇ Í·‚˯‡ı,
ÎË, Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌ-
ÔÓÒÏÓÚËÚ ÒıÂÏÛ Ò·ÓÍË Ë Á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚.
ÍÂ, Ë Á‡ÚÂÏ Á‡˘ÂÎÍÌËÚÂ
͇·Âθ ‚ ‰ÂʇÚÂÎflı.
èË ÔÂÂÏ¢ÂÌËË ÒÓ·‡ÌÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡ ‚Ò„‰‡
·ÂËÚÂÒ¸ Á‡ ÌËÊÌ˛˛ ˜‡ÒÚ¸ ÓÒÌÓ‚ÌÓ„Ó ·ÎÓ͇.
7 ìÒÚ‡ÌÓ‚ËÚ ÒÂÎÂÍÚÓ Ì‡ÔflÊÂÌËfl Ë ÔÓ‰ÒÓ‰ËÌËÚÂ
͇·Âθ ÔËÚ‡ÌËfl.
ÇçàåÄçàÖ
ç ·ÂËÚÂÒ¸ Á‡ Í˚¯ÍÛ Í·‚ˇÚÛ˚ ËÎË Â ‚ÂıÌ˛˛ ˜‡ÒÚ¸.
çÂÔ‡‚Ëθ̇fl ˝ÍÒÔÎÛ‡Ú‡ˆËfl ÏÓÊÂÚ ÔË‚ÂÒÚË Í ‚˚ıÓ‰Û ËÌÒÚ-
ÛÏÂÌÚ‡ ËÁ ÒÚÓfl ËÎË Í Ú‡‚ÏÂ.
ä˚¯Í‡
ä˚¯Í‡
Í·‚ˇÚÛ˚
ᇠ˝ÚÓ ‰ÂʇڸÒfl ÌÂθÁfl. ᇠ˝ÚÓ
‰ÂʇڸÒfl
ᇠ˝ÚÓ ‰ÂʇڸÒfl ÏÓÊÌÓ.
ÌÂθÁfl.
ê„ÛÎflÚÓ Ì‡ÔflÊÂÌËfl
Ç ÌÂÍÓÚÓ˚ı „ËÓ̇ı ËÒÔÓθÁÛÂÚÒfl „ÛÎflÚÓ Ì‡ÔflÊÂÌËfl. èÂʉ ˜ÂÏ
ÔÓ‰Íβ˜‡Ú¸ ͇·Âθ ÔËÚ‡ÌËfl, Ôӂ¸ÚÂ, Ô‡‚ËθÌÓ ÎË ÓÌ ÛÒÚ‡ÌÓ‚ÎÂÌ.
ÑÎfl ÛÒÚ‡ÌÓ‚ÍË Â„ÛÎflÚÓ‡ ̇ 110, 127, 220 ËÎË 240 ‚ÓÎ¸Ú Ò ÔÓÏÓ˘¸˛ ÓÚ-
‚ÂÚÍË ÔÓ‚ÂÌËÚ ‰ËÒÍ Ú‡Í, ˜ÚÓ·˚ Ô‡‚ËθÌÓ ̇ÔflÊÂÌË ‰Îfl ‚‡¯Â„Ó
„ËÓ̇ ̇ıÓ‰ËÎÓÒ¸ ̇ÔÓÚË‚ Û͇Á‡ÚÂÎfl ̇ Ô‡ÌÂÎË. èË ÔÓÒÚ‡‚Í „Û-
èËÎÓÊÂÌËÂ
ÎflÚÓ Ì‡ÔflÊÂÌËfl ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ ̇ÔflÊÂÌË ‚ 240 Ç.
Ç˚·‡‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â ̇ÔflÊÂÌËÂ, ÔÓ‰Íβ˜ËÚ ͇·Âθ ÔËÚ‡ÌËfl Í
‡Á˙ÂÏÛ AC INLET Ë Í ˝ÎÂÍÚÓÒÂÚË. Ç ÌÂÍÓÚÓ˚ı „ËÓ̇ı ‰Îfl ÔÓ‰Íβ-
˜ÂÌËfl Í ˝ÎÂÍÚÓÒÂÚË ÚÂ·Û˛ÚÒfl ÔÂÂıÓ‰ÌËÍË Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ‡Ò-
ÔÓÎÓÊÂÌËÂÏ ÍÓÌÚ‡ÍÚÓ‚.
éëíéêéÜçé
Ç˚·Ó ÌÂÔ‡‚ËθÌÓ„Ó Ì‡ÔflÊÂÌËfl ÏÓÊÂÚ Ò¸ÂÁÌÓ Ôӂ‰ËÚ¸
ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ËÎË Ì‡Û¯ËÚ¸ Â„Ó ‡·ÓÚÛ.
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301
205
CVP-301: èÓ‰ÒÚ‡‚͇ ‰Îfl Í·‚ˇÚÛ˚
ÇçàåÄçàÖ
• ç ÔÂÂÔÛÚ‡ÈÚ ÍÓÏÔÓÌÂÌÚ˚ Ë ÛÒÚ‡ÌÓ‚ËÚ Ëı ‚ Ô‡‚ËθÌÓÏ
2 èËÍÂÔËÚ ·ÓÍÓ‚˚ ԇÌÂÎË Í ·ÎÓÍÛ Ô‰‡ÎÂÈ.
̇ԇ‚ÎÂÌËË. Ç˚ÔÓÎÌflÈÚ ҷÓÍÛ Òӄ·ÒÌÓ Ô˂‰ÂÌÌÓÈ ÌËÊÂ
ËÌÒÚÛ͈ËË.
• ë·ÓÍÛ ‰ÓÎÊÌ˚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ Ì ÏÂÌ ‰‚Ûı ˜ÂÎÓ‚ÂÍ.
• àÒÔÓθÁÛÈÚ ‚ËÌÚ˚ Û͇Á‡ÌÌÓ„Ó ‡Áχ. àÒÔÓθÁÛfl
ÌÂÔ‡‚ËθÌ˚ ‚ËÌÚ˚ ‚˚ ÏÓÊÂÚ Ôӂ‰ËÚ¸ ËÌÒÚÛÏÂÌÚ.
• èÓÒΠÁ‡‚¯ÂÌËfl
èË„ÓÚÓ‚¸Ú ÍÂÒÚÓ‚Û˛ ÓÚ‚ÂÚÍÛ.
Ò·ÓÍË Í‡Ê‰ÓÈ ˜‡ÒÚË
Á‡ÚflÌËÚ ‚ËÌÚ˚.
•
ÑÎfl ‡Á·ÓÍË ËÌÒÚÛÏÂÌÚ‡
‚˚ÔÓÎÌËÚ ËÌÒÚÛÍˆË˛ ‚
Ó·‡ÚÌÓÏ ÔÓfl‰ÍÂ.
1 éÚÍÓÈÚ ԇÍÂÚ, ‚˚̸Ú Ô‰‡Î¸Ì˚È ·ÎÓÍ, ÔÂÌÓÔ·Ò-
ÚÓ‚˚ ÔÓÍ·‰ÍË Ë ÛÒÚ‡ÌÓ‚ËÚ ˆËÙÓ‚Ó ÔˇÌËÌÓ
̇ ÔÂÌÓÔ·ÒÚ.
É·‚̇fl
˜‡ÒÚ¸
3 èËÍÂÔËÚ Á‡‰Ì˛˛ Ô‡ÌÂθ.
1
ÑÂʇ Ô‡ÌÂθ ‚ ̇ÍÎÓÌÌÓÏ ÔÓÎÓÊÂÌËË, Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ,
èÂÌÓÔ·ÒÚÓ‚˚Â
ÔÓÏÂÒÚËڠ ÌËÊÌËÈ Í‡È Ì‡ Ò΄͇ ‚˚ÒÚÛÔ‡˛˘Ë ˜‡ÒÚË ÌÓÊÂÍ.
ÔÓÍ·‰ÍË
ëÓ‚ÏÂÒÚËÚ ‚ÂıÌ˛˛ ˜‡ÒÚ¸ Á‡‰ÌÂÈ Ô‡ÌÂÎË Ò ·ÓÍÓ‚˚ÏË Ô‡ÌÂÎflÏË
2 èËÍÂÔËÚ ‚ÂıÌ˛˛ ˜‡ÒÚ¸ Á‡‰ÌÂÈ Ô‡ÌÂÎË Í ÍÓ̯ÚÂÈÌ‡Ï ·ÓÍÓ‚ÓÈ
Ç˚̸Ú ËÁ ÍÓÓ·ÍË ˜‡ÒÚË, ÔÓ͇Á‡ÌÌ˚ ̇ ÒÎÂ‰Û˛˘ÂÏ ËÒÛÌÍÂ.
Ô‡ÌÂÎË Ò ÔÓÏÓ˘¸˛ ‰‚Ûı ÚÓÌÍËı ‚ËÌÚÓ‚ 4x12 ÏÏ.
3 èËÍÂÔËÚ ÌËÊÌ˛˛ ˜‡ÒÚ¸ Á‡‰ÌÂÈ Ô‡ÌÂÎË Í ·ÎÓÍÛ Ô‰‡ÎÂÈ Ò ÔÓ-
ᇉÌflfl
ÏÓ˘¸˛ ˜ÂÚ˚Âı Ò‡ÏÓ̇ÂÁ‡˛˘Ëı ‚ËÌÚÓ‚ 4x20 ÏÏ.
Ô‡ÌÂθ
ÅÎÓÍ
䇷Âθ Ô‰‡ÎÂÈ, ÔËÍÂÔÎÂÌÌ˚È ‚ÌÛÚË
Ô‰‡ÎÂÈ
ÅÓÍÓ‚‡fl
ÅÓÍÓ‚‡fl
Ô‡ÌÂθ
Ô‡ÌÂθ
(΂‡fl)
(Ô‡‚‡fl)
ÑÂÚ‡ÎË Ò·ÓÍË ä‡·Âθ ÔËÚ‡ÌËfl
4 ìÒÚ‡ÌÓ‚ËÚ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸.
ÑÎËÌÌ˚Â ‚ËÌÚ˚ 6 x 25 ÏÏ, 4 ¯Ú.
ë‡ÏÓ̇ÂÁ‡˛˘Ë ‚ËÌÚ˚ 4 x 20 ÏÏ, 4 ¯Ú.äÓÓÚÍË ‚ËÌÚ˚ 6 x 16 ÏÏ, 4 ¯Ú.
ÑÂʇÚÂÎË ‰Îfl ͇·ÂÎÂÈ - 2 ¯Ú.íÓÌÍË ‚ËÌÚ˚ 4 x 12 ÏÏ, 2 ¯Ú.
èË ÛÒÚ‡ÌÓ‚Í ‰ÂÊËÚ ÛÍË Ì‡ ‡ÒÒÚÓflÌËË Ì ÏÂÌÂÂ
10 ÒÏ ÓÚ Í‡Â‚.
èËÎÓÊÂÌËÂ
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301
206
1 éÚ‚flÊËÚÂ Ë ‡ÒÔflÏËÚ ÛÔ‡ÍÓ‚‡ÌÌ˚È
͇·Âθ, ÔËÍÂÔÎÂÌÌ˚È Í ÌËÊÌÂÈ ˜‡ÒÚË
·ÎÓ͇ Ô‰‡ÎÂÈ. ëÓı‡ÌËÚ ‚ËÌËÎÓ‚˚È
ÅÓÍÓ‚‡fl
Ô‡ÌÂθ
¯ÌÛÓÍ, ÓÌ ÔÓ̇‰Ó·ËÚÒfl ‚‡Ï ̇ ˝Ú‡Ô 6..
(΂‡fl)
ÅÓÍÓ‚‡fl
Ô‡ÌÂθ
(Ô‡‚‡fl)
2
èËÍÂÔËÚ ·ÎÓÍ Ô‰‡ÎÂÈ Ò ÔÓÏÓ˘¸˛ ˜ÂÚ˚Âı ‰ÎËÌÌ˚ı
‚ËÌÚÓ‚ 6x25 ÏÏ.
Ç̇˜‡Î ÔËÍÂÔËÚ ԇ-ÌÂθ Ò Ó‰ÌÓÈ
ÒÚÓÓÌ˚, Á‡ÚÂÏ Ò ‰Û„ÓÈ.
ÇçàåÄçàÖ
• ëΉËÚ Á‡ ÚÂÏ, ˜ÚÓ·˚ Ì Á‡˘ÂÏËÚ¸ ԇθˆ˚ ÏÂÊ‰Û ÓÒÌÓ‚Ì˚Ï
ÛÒÚÓÈÒÚ‚ÓÏ Ë Á‡‰ÌÂÈ ËÎË ·ÓÍÓ‚˚ÏË Ô‡ÌÂÎflÏË. ÅÛ‰¸Ú ˜ÂÁ-
‚˚˜‡ÈÌÓ ÓÒÚÓÓÊÌ˚ Ë Ì ÛÓÌËÚ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸.
• ÑÂÊËÚ Í·‚ˇÚÛÛ ÚÓθÍÓ Ú‡Í, Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ.
åËÌËÏÛÏ
At least
10 cm
10 ÒÏ
5 á‡ÍÂÔËÚ ÓÒÌÓ‚ÌÛ˛
8 ìÒÚ‡ÌÓ‚ËÚ „ÛÎflÚÓ.
˜‡ÒÚ¸.
1 ê‡ÒÔÓÎÓÊËÚ ËÌÒÚÛÏÂÌÚ ÔÓ
ˆÂÌÚÛ Ú‡Í, ˜ÚÓ·˚ Á‡ÁÓ˚ ÒÔ‡-
‚‡ Ë Ò΂‡ ·˚ÎË Ó‰Ë̇ÍÓ‚˚ÏË.
2 á‡ÍÂÔËÚ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸
ÒÔÂÂ‰Ë Ò ÔÓÏÓ˘¸˛ ÍÓÓÚÍËı
‚ËÌÚÓ‚ 6x16 ÏÏ.
èÓ‚Ó‡˜Ë‚‡ÈÚ ÙËÍÒËÛ˛˘ËÈ ‚ËÌÚ ‰Ó ÚÂı ÔÓ, ÔÓ͇ ÓÌ ÌÂ
ÔˉÂÚ ‚ ÚÂÒÌ˚È ÍÓÌÚ‡ÍÚ Ò ÔÓ‚ÂıÌÓÒÚ¸˛ ÔÓ·.
■ èÓÒΠҷÓÍË Ôӂ¸Ú ÒÎÂ‰Û˛˘ÂÂ.
• ç ÓÒÚ‡ÎÓÒ¸ ÎË «Î˯ÌËı» ‰ÂÚ‡ÎÂÈ?
→ èӂ¸Ú ҷÓÍÛ Ë ËÒÔ‡‚¸Ú ӯ˷ÍË.
6 èÓ‰ÒÓ‰ËÌËÚ ͇·Âθ Ô‰‡ÎË.
• ç Ï¯‡ÂÚ ÎË ÔˇÌËÌÓ Clavinova ÓÚÍ˚‚‡Ú¸ ‰‚ÂË Ë
ÔÂÂÏ¢‡Ú¸ Ô‰ÏÂÚ˚?
→ èÓÒÚ‡‚¸Ú ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ‚ Û‰Ó·ÌÓÂ
1 ÇÒÚ‡‚¸Ú ‚ËÎÍÛ
ÏÂÒÚÓ.
͇·ÂÎfl Ô‰‡ÎÂÈ
• ç «·ÓÎÚ‡ÂÚÒfl» ÎË ËÌÒÚÛÏÂÌÚ Clavinova, ÍÓ„‰‡ ‚˚ „Ó
ÒÔÂÂ‰Ë ‚ ‡Á˙ÂÏ
‰Îfl Ô‰‡ÎÂÈ.
ÚflÒÂÚ (Ó· ˝ÚÓÏ ÏÓÊÌÓ ÒÛ‰ËÚ¸ ÔÓ „ÓıÓÚÛ)?
→ á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚.
• ç ÒÏ¢‡ÂÚÒfl ÎË Ô‰‡Î¸Ì˚È ·ÎÓÍ Ë Ì ÒÎ˚¯ÌÓ ÎË
3 ÖÒÎË Í‡·Âθ Ô‰‡ÎË
„ÓıÓÚ‡ ÔË Ì‡Ê‡ÚËË Ì‡ Ô‰‡ÎË?
Ó͇Á‡ÎÒfl ‰ÎËÌÌÂÂ, ˜ÂÏ
→ èÓ‚ÂÌËÚ ÙËÍÒËÛ˛˘ËÈ ‚ËÌÚ Ú‡Í, ˜ÚÓ·˚ ÓÌ Ú‚Â‰Ó
ÌÛÊÌÓ, Á‡ÍÂÔËÚ Î˯-
ÒÚÓflΠ̇ ÔÓÎÛ.
Ì˛˛ ˜‡ÒÚ¸ Ò ÔÓÏÓ˘¸˛
• 䇷ÂÎË Ô‰‡ÎË Ë ÔËÚ‡ÌËfl ÔÎÓÚÌÓ ‚ÒÚ‡‚ÎÂÌ˚ ‚
‚ËÌËÎÓ‚Ó„Ó ¯ÌÛ͇.
‡Á˙ÂÏ˚?
→ èӂ¸Ú ÒÓ‰ËÌÂÌËfl.
• ÖÒÎË ÓÒÌӂ̇fl ˜‡ÒÚ¸ ËÌÒÚÛÏÂÌÚ‡ ÒÍËÔËÚ ËÎË
2 èËÒÓ‰ËÌËÚ ‰ÂʇÚÂÎË
‰Îfl ͇·ÂÎfl Í Á‡‰ÌÂÈ Ô‡ÌÂ-
ÌÂÛÒÚÓȘ˂‡, ÍÓ„‰‡ ‚˚ Ë„‡ÂÚ ̇ Í·‚˯‡ı,
ÎË, Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌ-
ÔÓÒÏÓÚËÚ ÒıÂÏÛ Ò·ÓÍË Ë Á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚.
ÍÂ, Ë Á‡ÚÂÏ Á‡˘ÂÎÍÌËÚÂ
èË ÔÂÂÏ¢ÂÌËË ÒÓ·‡ÌÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡ ‚Ò„‰‡
·ÂËÚÂÒ¸ Á‡ ÌËÊÌ˛˛ ˜‡ÒÚ¸ ÓÒÌÓ‚ÌÓ„Ó ·ÎÓ͇.
7 ìÒÚ‡ÌÓ‚ËÚ ÒÂÎÂÍÚÓ Ì‡ÔflÊÂÌËfl Ë ÔÓ‰ÒÓ‰ËÌËÚÂ
͇·Âθ ÔËÚ‡ÌËfl.
ÇçàåÄçàÖ
ç ·ÂËÚÂÒ¸ Á‡ Í˚¯ÍÛ Í·‚ˇÚÛ˚ ËÎË Â ‚ÂıÌ˛˛ ˜‡ÒÚ¸.
çÂÔ‡‚Ëθ̇fl ˝ÍÒÔÎÛ‡Ú‡ˆËfl ÏÓÊÂÚ ÔË‚ÂÒÚË Í ‚˚ıÓ‰Û ËÌÒÚ-
ÛÏÂÌÚ‡ ËÁ ÒÚÓfl ËÎË Í Ú‡‚ÏÂ
.
ä˚¯Í‡
127
ä˚¯Í‡
220
Í·‚ˇÚÛ˚
110
240
ᇠ˝ÚÓ
ᇠ˝ÚÓ ‰ÂʇڸÒfl ÌÂθÁfl.
‰ÂʇڸÒfl
ᇠ˝ÚÓ ‰ÂʇڸÒfl ÏÓÊÌÓ.
ÌÂθÁfl.
ê„ÛÎflÚÓ Ì‡ÔflÊÂÌËfl
Ç ÌÂÍÓÚÓ˚ı „ËÓ̇ı ËÒÔÓθÁÛÂÚÒfl „ÛÎflÚÓ Ì‡ÔflÊÂÌËfl. èÂʉ ˜ÂÏ
ÔÓ‰Íβ˜‡Ú¸ ͇·Âθ ÔËÚ‡ÌËfl, Ôӂ¸ÚÂ, Ô‡‚ËθÌÓ ÎË ÓÌ ÛÒÚ‡ÌÓ‚ÎÂÌ.
ÑÎfl ÛÒÚ‡ÌÓ‚ÍË Â„ÛÎflÚÓ‡ ̇ 110, 127, 220 ËÎË 240 ‚ÓÎ¸Ú Ò ÔÓÏÓ˘¸˛ ÓÚ-
‚ÂÚÍË ÔÓ‚ÂÌËÚ ‰ËÒÍ Ú‡Í, ˜ÚÓ·˚ Ô‡‚ËθÌÓ ̇ÔflÊÂÌË ‰Îfl ‚‡¯Â„Ó
èËÎÓÊÂÌËÂ
„ËÓ̇ ̇ıÓ‰ËÎÓÒ¸ ̇ÔÓÚË‚ Û͇Á‡ÚÂÎfl ̇ Ô‡ÌÂÎË. èË ÔÓÒÚ‡‚Í „Û-
ÎflÚÓ Ì‡ÔflÊÂÌËfl ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ ̇ÔflÊÂÌË ‚ 240 Ç.
Ç˚·‡‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â ̇ÔflÊÂÌËÂ, ÔÓ‰Íβ˜ËÚ ͇·Âθ ÔËÚ‡ÌËfl Í
‡Á˙ÂÏÛ AC INLET Ë Í ˝ÎÂÍÚÓÒÂÚË. Ç ÌÂÍÓÚÓ˚ı „ËÓ̇ı ‰Îfl ÔÓ‰Íβ-
˜ÂÌËfl Í ˝ÎÂÍÚÓÒÂÚË ÚÂ·Û˛ÚÒfl ÔÂÂıÓ‰ÌËÍË Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ‡Ò-
ÔÓÎÓÊÂÌËÂÏ ÍÓÌÚ‡ÍÚÓ‚.
éëíéêéÜçé
Ç˚·Ó ÌÂÔ‡‚ËθÌÓ„Ó Ì‡ÔflÊÂÌËfl ÏÓÊÂÚ Ò¸ÂÁÌÓ Ôӂ‰ËÚ¸
ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ËÎË Ì‡Û¯ËÚ¸ Â„Ó ‡·ÓÚÛ.
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301
207
ìÒÚ‡Ìӂ͇ ‰ËÒÍÓ‚Ó‰‡ (Òڇ̉‡ÚÌÓ„Ó/‰ÓÔÓÎÌËÚÂθÌÓ„Ó)
ÑËÒÍÓ‚Ó‰ ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ‚ ÌËÊÌÂÈ ˜‡ÒÚË ËÌÒÚÛÏÂÌÚ‡ Ò
ÔÓÏÓ˘¸˛ ÍÓÊÛı‡ Ë ‚ËÌÚÓ‚, ‚ıÓ‰fl˘Ëı ‚ ÔÓÒÚ‡‚ÍÛ. ÑÛ„Ë ‰ËÒ-
ÍÓ‚Ó‰˚, ÍÓÚÓ˚ ÏÓ„ÛÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl Ò ˝ÚËÏ ËÌÒÚÛÏÂÌÚÓÏ,
ÒÏ. ‚ ‡Á‰ÂΠ«ÑÓÔÓÎÌËÚÂθÌ˚ ÔË̇‰ÎÂÊÌÓÒÚË» (ÒÚ. 210).
ì ‚‡Ò ‰ÓÎÊ̇ ·˚Ú¸ ̇„ÓÚÓ‚Â ÍÂÒÚÓ‚‡fl ÓÚ‚ÂÚ͇
(Phillips).
1 쉇ÎËÚ ÚË Í‡ÚÓÌÍË Ò ÍÎÂÈÍÓÈ ÎÂÌÚ˚ ‚ ÍÓÊÛıÂ
3 èËÍÂÔËÚ ‰ËÒÍÓ‚Ó‰ ‚ ÍÓÊÛıÂ Í ÌËÊÌÂÈ ÒÚÓÓÌÂ
Ë ÔÓÏÂÒÚËÚ ‰ËÒÍÓ‚Ó‰ ‚ ÍÓÊÛı.
ËÌÒÚÛÏÂÌÚ‡ (Ò΂‡) Ò ÔÓÏÓ˘¸˛ ˜ÂÚ˚Âı ÔË·„‡Â-
Ï˚ı ‚ËÌÚÓ‚ (4 ÏÏ x 10 ÏÏ).
ÇÒÚ‡‚¸Ú ‰ËÒÍÓ‚Ó‰ ‚ ÍÓÊÛı. ëÚÓÓ̇
Ò ÂÁËÌÓ‚˚ÏË Ó„‡Ì˘ËÚÂÎflÏË ‰ÓÎÊ̇
·˚Ú¸ Ó·‡˘Â̇ Í ÍÓÊÛıÛ.
4 èÓ‰Íβ˜ËÚ ͇·Âθ USB Í ‡Á˙ÂÏÛ [USB TO DEVICE].
Ñ‚ÛÒÚÓÓÌÌflfl ÍÎÂÈ͇fl ÎÂÌÚ‡
2 ë‚ÂÌËÚ ͇·Âθ USB ‚ÌÛÚË ÍÓÊÛı‡, Í‡Í ÔÓ͇Á‡ÌÓ.
èËÎÓÊÂÌËÂ
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301
208
íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË
CVP-305 CVP-303 CVP-301
ëÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌËÂ
àÒÚÓ˜ÌËÍ Á‚Û͇ ÑË̇Ï˘ÂÒÍÓ ÒÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌË AWM
AWM Stereo Sampling
ä·‚ˇÚÛ‡ Ò ÏÓÎÓÚÓ˜ÍÓ‚˚Ï ÏÂı‡-
ä·‚ˇÚÛ‡
ä·‚ˇÚÛ‡ Ò ÏÓÎÓÚÓ˜ÍÓ‚˚Ï ÏÂı‡ÌËÁÏÓÏ ÒËÒÚÂÏ˚ GH (88 Í·‚˯)
ÌËÁÏÓÏ ÒËÒÚÂÏ˚ GH3 (88 Í·‚˯)
ù͇Ì
ñ‚ÂÚÌÓÈ Üä-‰ËÒÔÎÂÈ (240 ÚÓ˜ÂÍ)
óÂÌÓ-·ÂÎ˚È Üä-‰ËÒÔÎÂÈ (240 ÚÓ˜ÂÍ)
åÛÁ˚͇θ̇fl Ô‡ÚËÚÛ‡,
ÑÄ
ÒÎÓ‚‡
èÓÎËÙÓÌËfl (χÍÒËχθ̇fl) 128 96
353 ÚÂÏ·‡ + 480 ÚÂÏ·Ó‚
319 ÚÂÏ·Ó‚ + 480 ÚÂÏ·Ó‚
312 ÚÂÏ·Ó‚ + 480 ÚÂÏ·Ó‚
Òڇ̉‡Ú‡ XG
Òڇ̉‡Ú‡ XG
Òڇ̉‡Ú‡ XG
17 ̇·ÓÓ‚ Û‰‡Ì˚ı/
14 ̇·ÓÓ‚ Û‰‡Ì˚ı/
14 ̇·ÓÓ‚ Û‰‡Ì˚ı/
Ç˚·Ó ÚÂÏ·Ó‚
ÒÔˆ˝ÙÙÂÍÚÓ‚ + GM2 + GS
ÒÔˆ˝ÙÙÂÍÚÓ‚ + GM2 + GS
ÒÔˆ˝ÙÙÂÍÚÓ‚ + GM2 + GS
(íÂÏ·˚ Òڇ̉‡ÚÓ‚ GS ‰Îfl
(íÂÏ·˚ Òڇ̉‡ÚÓ‚ GS ‰Îfl
(íÂÏ·˚ Òڇ̉‡ÚÓ‚ GS ‰Îfl
‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÂÌ
‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÂÌ
‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÂÌ
‚ ÙÓχÚ GS)
‚ ÙÓχÚ GS)
‚ ÙÓχÚ GS)
儇ÚÂÏ·˚
10 —
(Mega Voice)
íÂÏ·
é·˚˜Ì˚ ÚÂÏ·-
261 271
˚ (Regular)
íÂÏ· «Natural!»
21 14
íÂÏ· «Sweet!»
14 11
íÂÏ· «Cool!» 18 5
íÂÏ· «Live!» 19 1
íÂÏ· «Organ
10
Flutes!»
îÛÌ͈Ëfl Sound ëreator ÑÄ
ÅÎÓÍË
ê‚·‡ˆËfl/
6
˝ÙÙÂÍ-
ïÓÛÒ/DSP
ÚÓ‚
åËÍÓÙÓÌ 1 —
Reverb: 35 ‚ÒÚÓÂÌÌ˚ı + 3 ÔÓθÁÓ‚‡ÚÂθÒÍËı
ê‚·‡ˆËfl/
Chorus: 30 ‚ÒÚÓÂÌÌ˚ı + 3 ÔÓθÁÓ‚‡ÚÂθÒÍËı
ïÓÛÒ/DSP
DSP 1: 183 ‚ÒÚÓÂÌÌ˚ı + 3 ÔÓθÁÓ‚‡ÚÂθÒÍËı
DSP 2–4: 105 ‚ÒÚÓÂÌÌ˚ı + 10 ÔÓθÁÓ‚‡ÚÂθÒÍËı
ùÙÙÂÍÚ˚
íËÔ˚
Master EQ
˝ÙÙÂÍ-
(Ó·˘‡fl ̇ÒÚÓÈ-
5 ‚ÒÚÓÂÌÌ˚ı + 2 ÔÓθÁÓ‚‡ÚÂθÒÍËı
ÚÓ‚
͇ ˝Í‚‡Î‡ÈÁ‡)
Part EQ
(̇ÒÚÓÈ͇
27 Ô‡ÚËÈ
˝Í‚‡Î‡ÈÁ‡
‰Îfl Ô‡ÚËË)
ɇÏÓÌËÁ‡ˆËfl ‚Ó͇· 61 ‚ÒÚÓÂÌÌ˚È + 10 ÔÓθÁÓ‚‡ÚÂθÒÍËı —
ëÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ 308 258 180
ëÚËÎË Pro 248 208 133
ëÚËÎË Session 24 14 11
CÚËÎË Pianist 36
ëÚËÎË Mega Voice ÑÄ —
Single Finger (‰Îfl Ë„˚ Ó‰ÌËÏ Ô‡Î¸ˆÂÏ), Fingered (Ú‡‰ËˆËÓÌ̇fl), Fingered On Bass (Ú‡‰ËˆËÓÌ̇fl Ò ·‡ÒÓÏ),
ÄÔÔÎË͇ÚÛ‡
Multi Finger (‰Îfl Ë„˚ ÌÂÒÍÓθÍËÏË Ô‡Î¸ˆ‡ÏË), AI Fingered (Ú‡‰ËˆËÓÌ̇fl AI), Full Keyboard (‚Òfl Í·‚ˇÚÛ‡),
ëÚËθ
AI Full Keyboard (‚Òfl Í·‚ˇÚÛ‡ Al)
‡ÍÍÓÏÔ‡-
ÌÂÏÂÌÚ‡
îÛÌ͈Ëfl Style Creator ÑÄ
OTS
(ç‡ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË»:
4 ‰Îfl Í‡Ê‰Ó„Ó ÒÚËÎfl
ÙÛÌ͈Ëfl One Touch Setting)
èËÎÓÊÂÌËÂ
îÛÌ͈Ëfl OTS Link ÑÄ
îÛÌ͈Ëfl
ÇÒÚÓÂÌÌ˚Â
ÑÄ
Music
‰‡ÌÌ˚ (Preset)
Finder
àÁÏÂÌÂÌË ÑÄ
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301
209
CVP-305 CVP-303 CVP-301
ÇÒÚÓÂÌÌ˚Â ÔÂÒÌË 120 56
Follow Lights, Any Key,
é·Û˜ÂÌËÂ
Follow Lights, Any Key, Karao-Key, Vocal CueTIME
Karao-Key
à̉Ë͇ÚÓ ÑÄ
èÂÒÌfl
îÛÌ͈Ëfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
ÑÄ
performance assistant
Å˚ÒÚ‡fl Á‡ÔËÒ¸, ÏÛθÚËÁ‡ÔËÒ¸ (Ò ÌÂÒÍÓθÍËÏË ÚÂÏ·‡ÏË Ì‡ ÌÂÒÍÓθÍËı ͇̇·ı), ÔÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸,
á‡ÔËÒ¸
‰‡ÍÚËÓ‚‡ÌË ÔÂÒÌË
ä‡Ì‡Î˚ Á‡ÔËÒË 16
Internet Direct Connection
Ç̯ÌËÈ ‡‰‡ÔÚ (˜ÂÂÁ ÔÓÚ USB to DEVICE)
(èflÏÓ ÔÓ‰Íβ˜ÂÌËÂ Í àÌÚÂÌÂÚÛ)
ÑËÒÍÂÚ‡ (2HD, 2DD) Ç̯ÌËÈ ‡‰‡ÔÚ (˜ÂÂÁ ÔÓÚ USB to DEVICE)
ìÒÚÓÈÒÚ‚Ó
ÜÂÒÚÍËÈ ‰ËÒÍ Ç̯ÌËÈ ‡‰‡ÔÚ (˜ÂÂÁ ÔÓÚ USB to DEVICE)
Ô‡ÏflÚË
îν¯-Ô‡ÏflÚ¸ (‚ÌÛÚÂÌÌflfl) 1,5 å· 650 ä·
ê‡Á˙ÂÏ ‰Îfl Ô·Ú˚ SmartMedia
1 (ÒÓ‚ÏÂÒÚËÏ Ò Ô·ڇÏË SmartMedia ÙÓχڇ FAT 12 ËÎË 16)
ÑˇԇÁÓÌ ÚÂÏÔ‡ 5 -500, ÒÓ·ÒÚ‚ÂÌÌ˚È ÚÂÏÔ
íÂÏÔ
åÂÚÓÌÓÏ ÑÄ
á‚ÛÍ á‚ÓÌÓÍ ‚ÍÎ./‚˚ÍÎ., Ò˜ÂÚ „ÓÎÓÒÓÏ (5 flÁ˚ÍÓ‚)
äÌÓÔÍË 8
ê„ËÒÚ‡ˆËÓÌ-
èÓÒΉӂ‡ÚÂθÌÓÒÚ¸
̇fl Ô‡ÏflÚ¸
‚˚ÁÓ‚‡ „ËÒÚ‡ˆËÓÌÌ˚ı
ÑÄ
Ù‡ÈÎÓ‚ / «á‡ÏÓÓÁ͇»
ÑÂÏÓÌÒÚ‡ˆËfl / ëÔ‡‚͇ ÑÄ
5 flÁ˚ÍÓ‚ (‡Ì„ÎËÈÒÍËÈ, ÌÂψÍËÈ,
6 flÁ˚ÍÓ‚ (‡Ì„ÎËÈÒÍËÈ, flÔÓÌÒÍËÈ, ÌÂψÍËÈ, ه̈ÛÁÒÍËÈ, ËÒÔ‡ÌÒÍËÈ,
üÁ˚Í
ه̈ÛÁÒÍËÈ, ËÒÔ‡ÌÒÍËÈ,
ËڇθflÌÒÍËÈ)
ËڇθflÌÒÍËÈ)
èÓ˜ÂÂ
Direct Access (ÔflÏÓÈ ‰ÓÒÚÛÔ)
ÑÄ
äÌÓÔ͇ Piano
ÑÄ
(‚Íβ˜‡fl Piano Lock)
í‡ÌÒÔÓÌËÓ‚‡ÌË ä·‚ˇÚÛ‡/ÔÂÒÌfl/Ó·˘Â ڇÌÒÔÓÌËÓ‚‡ÌËÂ
íËÔ ÚÂÏÔ‡ˆËË 9
èÓ‰Íβ˜ÂÌËÂ
ЧÂÂÁ ÔÓÚ USB to HOST
ÑÄ
Í ËÌÚÂÙÂÈÒÛ
(ÍÓÏÔ¸˛ÚÂ)
USB
ЧÂÂÁ ÔÓÚ USB to DEVICE ÑÄ
PHONES (̇ۯÌËÍË) x 2, MIDI (THRU, OUT, IN), ‡Á˙ÂÏ˚ AUX PEDAL, AUX IN (L/L+R, R),
AUX OUT (L/L+R, R), AUX OUT (LEVEL FIXED) (L, R)
MIC (INPUT VOLUME („ÛÎflÚÓ
„ÓÏÍÓÒÚË ‚ıÓ‰ÌÓ„Ó Ò˄̇·),
MIC (INPUT VOLUME („ÛÎflÚÓ
ÑÛ„Ë ‡Á˙ÂÏ˚
MIC./LINE IN (ÏËÍÓÙÓÌÌ˚È ‚ıÓ‰ /
„ÓÏÍÓÒÚË ‚ıÓ‰ÌÓ„Ó Ò˄̇·),
—
ÎËÌÂÈÌ˚È ‚ıÓ‰)),
MIC./LINE IN (ÏËÍÓÙÓÌÌ˚È ‚ıÓ‰ /
‡Á˙ÂÏ OPTICAL OUT,
ÎËÌÂÈÌ˚È ‚ıÓ‰))
‡Á˙ÂÏ VIDEO OUT
VOLUME („ÓÏÍÓÒÚ¸), SUSTAIN (ÒÛÒÚÂÈÌ), SOSTENUTO (ÒÓÒÚÂÌÛÚÓ), SOFT, GLIDE (ÒÍÓθÊÂÌË ‚˚ÒÓÚ˚ Á‚Û͇),
艇ÎË îÛÌ͈ËË
SONG PLAY/PAUSE (‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË/Ô‡ÛÁ‡), STYLE START/STOP (‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ÂÊËχ
‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl) Ë Ú.‰.
ìÒËÎËÚÂÎË/
ìÒËÎËÚÂÎË 40 ÇÚ ✕ 2
‰Ë̇ÏËÍË
ÑË̇ÏËÍË (16 ÒÏ + 5 ÒÏ) ✕ 2
1432 ÏÏ ✕ 614 ÏÏ ✕ 885 ÏÏ
1432 ÏÏ ✕ 614 ÏÏ ✕ 885 ÏÏ
1379 ÏÏ ✕ 595 ÏÏ ✕ 896 ÏÏ
ɇ·‡ËÚ˚ [¯ËË̇ ✕ ‰ÎË̇ ✕ ‚˚ÒÓÚ‡]
[56-3/8" ✕ 24-3/16" ✕ 34-13/16"]
[56-3/8" ✕ 24-3/16" ✕ 34-13/16"]
[54-5/16" ✕ 23-7/16" ✕ 35-1/4"]
(Ò̇·ÊÂÌÓ Ô˛ÔËÚÓÏ)
(1432 ÏÏ ✕ 614 ÏÏ ✕ 1042 ÏÏ)
(1432 ÏÏ ✕ 614 ÏÏ ✕ 1044 ÏÏ)
(1379 ÏÏ ✕ 595 ÏÏ ✕ 1070 ÏÏ)
[56-3/8" ✕ 24-3/16" ✕ 41"]
[56-3/8" ✕ 24-3/16" ✕ 41-1/8"]
[54-5/16" ✕ 23-7/16" ✕ 42-1/8"]
ÇÂÒ 86 Í„ (189 ÙÛÌÚÓ‚, 10 Û̈ËÈ) 70 Í„ (154 ÙÛÌÚ‡, 5 Û̈ËÈ) 68 Í„ (149 ÙÛÌÚÓ‚, 15 Û̈ËÈ)
ç‡Û¯ÌËÍË HPE-160
ÑÓÔÓÎÌË-
艇θ
FC 4/FC 5
ÚÂθÌ˚Â
çÓÊÌÓÈ ÍÓÌÚÓÎÎÂ FC 7
‡ÍÒÂÒÒÛ‡˚
èËÎÓÊÂÌËÂ
ìÒÚÓÈÒÚ‚Ó USB-FDD UD-FD01
* íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË Ë Ëı ÓÔËÒ‡ÌËfl ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl ‰‡Ì˚ ÚÓθÍÓ ‰Îfl ËÌÙÓχˆËË. äÓÔÓ‡ˆËfl Yamaha
ÒÓı‡ÌflÂÚ Á‡ ÒÓ·ÓÈ Ô‡‚Ó ÏÓ‰ËÙˈËÓ‚‡Ú¸ Ò‚ÓË ËÁ‰ÂÎËfl Ë ÏÂÌflÚ¸ Ëı ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË ·ÂÁ Ô‰‚‡ËÚÂθÌÓ„Ó Û‚Â‰ÓÏÎÂÌËfl.
èÓÒÍÓθÍÛ ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË, Ó·ÓÛ‰Ó‚‡ÌËÂ Ë Ì‡·Ó ‚ÓÁÏÓÊÌÓÒÚÂÈ ÏÓ„ÛÚ ‡Á΢‡Ú¸Òfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ Â„ËÓ̇,
Ó·‡˘‡ÈÚÂÒ¸ Á‡ ËÌÙÓχˆËÂÈ Í ÏÂÒÚÌÓÏÛ Ô‰ÒÚ‡‚ËÚÂβ ÍÓÔÓ‡ˆËË Yamaha.
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301
210
è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ
ñËÙ˚
G
1–16
...................................................................................... 138, 148
GM System Level 1, Òڇ̉‡Ú
.......................................................... 191
GM System Level 2, Òڇ̉‡Ú
.......................................................... 191
A
GROOVE, ˝ÙÙÂÍÚ
.......................................................................... 114
GS, ÙÓχÚ
................................................................................... 191
A-B Repeat, ÙÛÌ͈Ëfl
.........................................................................40
GUIDE LAMP ON/OFF
..................................................................... 131
AI
.....................................................................................................98
GUIDE LAMP TIMING
...................................................................... 132
AI FINGERED, ‡ÔÔÎË͇ÚÛ‡
..............................................................98
Guide, ÙÛÌ͈Ëfl
.............................................................................. 131
AI FULL KEYBOARD, ‡ÔÔÎË͇ÚÛ‡
....................................................98
Any Key, ÙÛÌ͈Ëfl
...........................................................................132
H
ARABIC (‡‡·ÒÍËÈ)
...........................................................................77
Assembly
...................................................................... 202, 204, 206
HARMONY, ˝Í‡Ì
............................................................................. 93
ASSEMBLY (Style), ‚Í·‰Í‡
............................................................112
HARMONY/ECHO, ˝ÙÙÂÍÚ
............................................................... 78
Auto Accompaniment, ÙÛÌ͈Ëfl
..........................................................44
HELP, ÍÌÓÔ͇
................................................................................... 57
AUTO REVOICE SETUP, ˝Í‡Ì
..........................................................83
I
B
ICON, ˝Í‡Ì
..................................................................................... 66
BALANCE, ÍÌÓÔ͇
.............................................................................39
BASIC
.............................................................................................108
K
BASS
..............................................................................................195
BOOKMARK
....................................................................................171
Karao-key, ÙÛÌ͈Ëfl
........................................................................ 132
Browser
...........................................................................................176
KEYBOARD/PANEL, ‚Í·‰Í‡
......................................................29, 55
Browser, ‚Í·‰Í‡
............................................................................176
KIRNBERGER (ÒÚÓÈ äË̷„‡)
.................................................. 77
C
L
CARD, ÌÓÒËÚÂθ
...............................................................................26
LAN
................................................................................................ 176
CHANNEL
.......................................................................................148
Left
................................................................................................... 73
CHANNEL ON/OFF
............................................................................99
Left Hold, ÙÛÌ͈Ëfl
............................................................................ 48
CHANNEL, ‚Í·‰Í‡
.........................................................................116
Live!, ÚËÔ ÚÂÏ·‡
.............................................................................. 72
CHORD (ÄÍÍÓ‰)
.................................................................... 138, 148
LYRICS (ÚÂÍÒÚ ÔÂÒÌË)
..................................................................... 148
CHORD DETECT
.............................................................................196
M
CHORD FINGERING, ‚Í·‰Í‡
...........................................................97
Chord Tutor, ÙÛÌ͈Ëfl
........................................................................48
Main, ˝Í‡Ì
................................................................................25, 59
COMMON, ˝Í‡Ì
...............................................................................90
MASTER TUNE
................................................................................. 76
CONFIG 1, ÒÚ‡Ìˈ‡
...................................................30, 46, 99, 122
MEAN-TONE (ωˇθÌ˚È ÒÚÓÈ)
..................................................... 77
CONFIG 2
.......................................................................................196
MEDIA
.............................................................................62, 130, 187
CONTROLLER, ˝Í‡Ì
........................................................................90
Mega Voice, ÚËÔ ÚÂÏ·‡
(CVP-305)................................................... 72
Cool!, ÚËÔ ÚÂÏ·‡
..............................................................................72
MELODIC MINOR
........................................................................... 119
COPY, ÓÔ‡ˆËfl
...............................................................................64
MIC SETTING
(CVP-305/303)......................................................... 160
CUT, ÓÔ‡ˆËfl
..................................................................................65
MICROPHONE SETTING
(CVP-305/303)......................................... 160
D
MIDI, ¯‡·ÎÓÌ˚
............................................................................... 192
MIDI, ̇ÒÚÓÈÍË
.............................................................................. 192
DELETE, ÓÔ‡ˆËfl
............................................................................65
MIDI, Òڇ̉‡Ú
............................................................................... 188
DOC (Disk Orchestra Collection), ÙÓχÚ
.........................................191
MIXING CONSOLE
............................................................................ 80
Drums, ÚËÔ ÚÂÏ·‡
............................................................................72
MONO/POLY, ˝ÙÙÂÍÚ
...................................................................... 78
DSP
..................................................................................................78
MULTI FINGER, ‡ÔÔÎË͇ÚÛ‡
............................................................ 98
DSP/DSP VARIATION (‚‡Ë‡ˆËfl DSP), ˝ÙÙÂÍÚ
................................78
Music Finder, ÙÛÌ͈Ëfl
...................................................................... 50
E
N
Edit (OTS), ÙÛÌ͈Ëfl
..........................................................................50
NAME; ÓÔ‡ˆËfl
.............................................................................. 66
EDIT, ‚Í·‰Í‡
.................................................................................111
Natural!, ÚËÔ ÚÂÏ·‡
.......................................................................... 72
EFFECT, ‚Í·‰Í‡
..............................................................................82
EFFECT/EQ, ˝Í‡Ì
............................................................................92
EQ, ‚Í·‰Í‡
......................................................................................83
EQUAL TEMPERAMENT (‡‚ÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚‡ÌÌ˚È ÒÚÓÈ)
.......77
ESEQ, ÙÓχÚ
................................................................................191
EXIT, ÍÌÓÔ͇
.....................................................................................61
F
- àÌÙÓχˆË˛ Ó· ˝ÎÂÏÂÌÚ‡ı ÛÔ‡‚ÎÂÌËfl ̇ Ô‡ÌÂÎË ÒÏ. ‚
FADE IN/OUT (ëÚËθ)
.......................................................................46
‡Á‰ÂΠ«ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl Ô‰ÌÂÈ Ô‡ÌÂÎË» ̇
FADE IN/OUT (Song), ÙÛÌ͈Ëfl
........................................................127
ÒÚ. 12.
èËÎÓÊÂÌËÂ
FADE IN/OUT/HOLD TIME, ˝Í‡Ì
.......................................................99
- àÌÙÓχˆË˛ Ó ‡Á˙Âχı ‚ ÌËÊÌÂÈ ˜‡ÒÚË ËÌÒÚÛÏÂÌÚ‡
Fast forward (ÔÂÂÏÓÚ͇ ‚Ô‰)
.....................................................128
ÒÏ. ‚ ‡Á‰ÂΠ«àÒÔÓθÁÓ‚‡ÌË ËÌÒÚÛÏÂÌÚ‡ Ò ‰Û„ËÏË
FILTER
.............................................................................................82
ÛÒÚÓÈÒÚ‚‡ÏË» ̇ ÒÚ. 180.
FILTER, ‚Í·‰Í‡
.............................................................................155
FINGERED ON BASS, ‡ÔÔÎË͇ÚÛ‡
...................................................98
- íÂÏËÌ˚, Ò‚flÁ‡ÌÌ˚Â Ò àÌÚÂÌÂÚÓÏ, ÒÏ. ‚ ‡Á‰ÂÎÂ
FINGERED, ‡ÔÔÎË͇ÚÛ‡
..................................................................98
“ëÎÓ‚‡¸ ÚÂÏËÌÓ‚ àÌÚÂÌÂÚ‡” ̇ ÒÚ. 179
Follow Lights, ÙÛÌ͈Ëfl
....................................................................132
- ÑÎfl ÔÓÎÛ˜ÂÌËfl ËÌÙÓχˆËË Ó Ô‡‡ÏÂÚ‡ı ̇ ˝Í‡Ì‡ı
FOOTAGE
.................................................................................. 94, 95
‚Í·‰ÓÍ ÒÏ. ̇Á‚‡ÌËfl ‚Í·‰ÓÍ ‚ Ë̉ÂÍÒÂ.
FREEZE, ÙÛÌ͈Ëfl
...........................................................................123
FULL KEYBOARD, ‡ÔÔÎË͇ÚÛ‡
........................................................98
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301
211
O
SYS/EX.
......................................................................................... 148
SYSTEM
......................................................................................... 194
Organ Flutes!, ÚËÔ ÚÂÏ·‡
..................................................................72
SYSTEM RESET, ‚Í·‰Í‡
................................................................. 69
Organ Flutes, ÚÂÏ·˚
........................................................................93
T
Others, ‚Í·‰Í‡
..............................................................................177
OTS Link Timing, ÙÛÌ͈Ëfl
...............................................................101
TALK
................................................................................................ 56
OTS Link, ÙÛÌ͈Ëfl
............................................................................50
TALK SETTING, ‚Í·‰Í‡
................................................................. 164
OVERALL SETTING
........................................................................161
Tap, ÙÛÌ͈Ëfl
................................................................................. 127
OWNER
..................................................................................... 18, 20
Top (Í Ì‡˜‡ÎÛ)
................................................................................ 128
Owner Name (ËÏfl ÔÓθÁÓ‚‡ÚÂÎfl)
......................................................20
TRANSMIT
..................................................................................... 194
P
TUNE, ‚Í·‰Í‡
................................................................................. 82
U
PANEL PART
....................................................................................81
PARAMETER, ‚Í·‰Í‡
....................................................................117
UP
.................................................................................................... 61
PASTE, ÓÔ‡ˆËfl
....................................................................... 64, 65
USER, ÌÓÒËÚÂθ
............................................................................... 26
Pause (Ô‡ÛÁ‡)
.................................................................................128
PEDAL
............................................................................................182
V
Performance Assistant Technology, ÙÛÌ͈Ëfl
.......................................42
PHRASE MARK REPEAT
.................................................................128
VIDEO OUT, ÔÓÚ
(CVP-305) ............................................................ 53
Pianist
...............................................................................................97
Vocal CueTIME
(CVP-305/303) ....................................................... 132
Piano Lock (îËÍÒ‡ˆËfl ÂÊËχ ÙÓÚÂÔ¸flÌÓ), ÙÛÌ͈Ëfl
......................28
VOCAL HARMONY
(CVP-305/303) ................................................. 157
PIANO, ˝Í‡Ì
....................................................................................90
VOCAL HARMONY EDIT, ˝Í‡Ì
(CVP-305/303)....................... 158, 159
PRESET, ÌÓÒËÚÂθ
............................................................................26
VOCAL HARMONY TYPE
(CVP-305/303)........................................ 157
Pro
...................................................................................................97
VOICE EFFECT
................................................................................ 78
PROPERTY
.....................................................................................187
VOICE SET
....................................................................................... 96
Prot. 1, Á̇˜ÓÍ
...................................................................................64
VOL/ATTACK
.................................................................................... 95
Prot. 2 Edit
........................................................................................64
VOL/VOICE, ‚Í·‰Í‡
........................................................................ 82
Prot. 2 Orig
........................................................................................64
Punch IN/OUT, ÙÛÌ͈Ëfl...........................................................................150
W
PURE MAJOR (˜ËÒÚ˚È Ï‡ÊÓ)
..........................................................77
PURE MINOR (˜ËÒÚ˚È ÏËÌÓ)
...........................................................77
WERCKMEISTER (ÒÚÓÈ ÇÂÍχÈÒÚ‡)
........................................... 77
PYTHAGOREAN (ÔËÙ‡„ÓÂÈÒÍËÈ ÒÚÓÈ)
...........................................77
Wireless LAN, ‚Í·‰Í‡
.................................................................... 177
Q
X
QUANTIZE
......................................................................................116
XF
.................................................................................................. 191
QUICK START, ÙÛÌ͈Ëfl
.................................................................129
XG, ÙÓχÚ
................................................................................... 191
R
Å
RANDOM
........................................................................................128
·˚ÒÚ‡fl Á‡ÔËÒ¸
.............................................................................. 133
REC MODE
.....................................................................................148
RECEIVE
........................................................................................195
Ç
REGISTRATION MEMORY, ÍÌÓÔ͇
..................................................121
REGISTRATION SEQUENCE, ÙÛÌ͈Ëfl
............................................124
‚‚Ó‰ ÒËÏ‚ÓÎÓ‚
................................................................................. 67
REPEAT MODE (êÂÊËÏ ÔÓ‚ÚÓ‡)
.....................................................35
‚‚Ó‰ ÒËÏ‚ÓÎÓ‚ (ÔflÏÓ ÔÓ‰Íβ˜ÂÌËÂ Í àÌÚÂÌÂÚÛ)
....................... 168
REPEAT MODE, ÙÛÌ͈Ëfl
................................................................128
‚Ë·‡ÚÓ
............................................................................................ 92
Repeat Playback, ÙÛÌ͈Ëfl
.................................................................40
‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË Á‡ÔËÒË............................................................. 150
Rewind (ÔÂÂÏÓÚ͇ ̇Á‡‰)
..............................................................128
‚ÓÒÔÓËÁ‚‰ÂÌË ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ÔÂÒÂÌ
................................. 128
Right 1
..............................................................................................73
‚ÓÒÒÚ‡ÌÓ‚ÎÂÌË Á‡‚Ó‰ÒÍËı ̇ÒÚÓÂÍ
................................................ 69
Right 2
..............................................................................................73
‚ÂÏfl ÔÓÚ‡ÏÂÌÚÓ
............................................................................ 90
‚ÂÏfl ÛÒËÎÂÌËfl/Á‡ÚÛı‡ÌËfl
............................................................. 127
S
É
SAVE, ÍÌÓÔ͇
...................................................................................63
Section Set, ÙÛÌ͈Ëfl
.......................................................................101
„‡ÏÓÌËÁ‡ˆËfl ‚Ó͇·
(CVP-305/303)............................................... 54
Session
.............................................................................................97
„ÓÏÍÓÒÚ¸ ˝ÙÙÂÍÚ‡
......................................................................... 86
SFX, ÚËÔ ÚÂÏ·‡
...............................................................................72
Ɉ
.................................................................................................... 76
SINGLE FINGER, ‡ÔÔÎË͇ÚÛ‡
..........................................................98
Ñ
SMF (Standard MIDI file)
..................................................................191
SONG CH 1-8/9-16
............................................................................81
‰ÂÏÓÌÒÚ‡ˆËÓÌ̇fl ÔÂÒÌfl (‰Îfl ‰ÂÏÓÌÒÚ‡ˆËË ÚÂÏ·‡)
................ 23, 32
song;ÔÂÒÌfl
........................................................................................34
‰ÂÏÔÙÂ̇fl Ô‰‡Î¸
......................................................................... 29
Sound ëreator, ÙÛÌ͈Ëfl
....................................................................89
‰ÎË̇ ÚÛ· (ËÎË Â„ËÒÚ˚ Ó„‡Ì‡)
.................................................... 95
SOUND, ˝Í‡Ì
..................................................................................91
‰Óχ¯Ìflfl ÒÚ‡Ìˈ‡
....................................................................... 174
SPLIT POINT
...................................................................................100
Style Creator, ÙÛÌ͈Ëfl
....................................................................107
á
STYLE PART
.....................................................................................81
STYLE SETTING/SPLIT POINT, ‚Í·‰Í‡
..........................................100
Á‡ÔËÒ¸ (ÔÂÒÌË)
..........................................................................41, 133
Style Touch, ÙÛÌ͈Ëfl
......................................................................101
èËÎÓÊÂÌËÂ
Á‡ÔËÒ¸ (ÒÚËÎfl)
................................................................................ 107
Style;ÒÚËθ
........................................................................................44
Á‡ÔËÒ¸ ‚ ‡θÌÓÏ ‚ÂÏÂÌË
........................................................... 107
Sweet!, ÚËÔ ÚÂÏ·‡
...........................................................................72
Á‚ÛÍË Û‰‡Ì˚ı
.................................................................................. 33
Synchro Start (Song), ÙÛÌ͈Ëfl
.........................................................127
Á‚ÛÍÓ‚˚Â ˝ÙÙÂÍÚ˚
.......................................................................... 33
Synchro Stop, ÓÍÌÓ
..........................................................................101
Synchro Stop, ÙÛÌ͈Ëfl
......................................................................47
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301
212
à
ë
Ë„‡ Ó‰ÌÓÈ ÛÍÓÈ
..............................................................................38
Ò·Ó͇ ÒÚËÎfl
.................................................................................. 107
ËÁ·‡ÌÌÓÂ
......................................................................................103
Ò‚ÂÚÓ‚ÓÈ Ë̉Ë͇ÚÓ
......................................................................... 38
ËÁÏÂÌÂÌË (Á‡Í·‰ÓÍ)
.....................................................................173
ÒËÏ‚ÓÎ˚
........................................................................................... 67
ËÌˈˇÎËÁ‡ˆËfl
.................................................................................69
ÒËÌıÓÌÌ˚È Á‡ÔÛÒÍ (ëÚËθ)
.............................................................. 46
ËÌˈˇÎËÁ‡ˆËfl ̇ÒÚÓÂÍ àÌÚÂÌÂÚ‡
...............................................178
ÒÓÓ·˘ÂÌËfl
....................................................................................... 57
ËÒıÓ‰Ì˚ ԇ‡ÏÂÚ˚
........................................................................69
ÒÓı‡ÌÂÌË (ÙÛÌ͈Ëfl Music Finder)
................................................ 105
Ò‰Ìflfl Ô‰‡Î¸ («ÒÓÒÚÂÌÛÚÓ»)
.......................................................... 29
ä
ÒÚ‡Ìˈ‡ CONFIG 2
....................................................................18, 19
ÒÚÛÍÚÛ‡ ÒÚËÎÂÈ
........................................................................... 107
͇̇Î˚ ÔÂÒÌË
.................................................................................137
͇‡ÓÍÂ
............................................................................................52
í
ÍÓÌÚ‡ÒÚÌÓÒÚ¸
..................................................................................19
Í˚¯Í‡ Í·‚ˇÚÛ˚
.........................................................................14
ÚÂÍÒÚ ÔÂÒÌË
...................................................................................... 53
Ͳ˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚
.....................................................................18
ÚÂÏ·
........................................................................... 28, 31, 72, 73
ÚËÔ ˝ÙÙÂÍÚ‡
.................................................................................... 84
ã
Ú‡ÌÒÔÓÌËÓ‚‡ÌËÂ
...............................................................53, 55, 76
΂‡fl Ô‰‡Î¸
....................................................................................29
ì
å
ÛÒÚ‡Ìӂ͇ ÔÓÎflÌÓÒÚË Ô‰‡ÎË
........................................................ 182
ÏÂÎӉ˘ÂÒÍËÈ ÒÚÓÈ
.........................................................................76
î
ÏËÍÓÙÓÌ
(CVP-305/303) ................................................................52
ÏÌÓ„Ó‰ÓÓʘ̇fl Á‡ÔËÒ¸
...............................................................133
Ù‡ÈÎ
................................................................................................ 60
Ù‡ÈÎ ÒÚËÎfl
.................................................................................... 191
ç
ÙËÍÒ‡ÚÓ ‰Îfl ÌÓÚ
............................................................................. 17
ÙÓÌ (ÚÂÍÒÚ ÔÂÒÌË)
(CVP-305) ........................................................... 53
̇ÒÚÓÈ͇ ‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ; ÙÛÌ͈Ëfl One Touch Setting
.....................49
ÙÓχÚËÓ‚‡ÌËÂ
............................................................................. 62
̇ÒÚÓÈ͇ ‰Ë̇ÏË͇ (Speaker)
..........................................................18
̇ÒÚÓÈÍË àÌÚÂÌÂÚ‡, ˝Í‡Ì
...........................................................175
ó
̇ۯÌËÍË
..........................................................................................17
ÌÓÊÌÓÈ ÍÓÌÚÓÎÎÂ
..........................................................................30
˜‡ÒÚË Í·‚ˇÚÛ˚
............................................................................ 73
ÌÓÏ ËÁÏÂÌÂÌËfl ÔÓ„‡ÏÏ˚ ÚÂÏ·‡
.............................................196
ÌÓÚ˚
.................................................................................................37
ù
é
ùÍ
.................................................................................................. 195
˝Í‡Ì ‚˚·Ó‡ Ù‡ÈÎÓ‚
.........................................................25, 60, 62
Ó·Û˜‡˛˘‡fl ÙÛÌ͈Ëfl
.......................................................................131
˝Í‡Ì ÙÛÌ͈ËÈ
................................................................................. 26
ÓÔ‡ˆËË Ò Ù‡È·ÏË Ë Ô‡Ô͇ÏË
........................................................62
˝ÙÙÂÍÚ (ÏËÍÓÙÓÌ)
(CVP-305/303)................................................. 54
ÓÒÌÓ‚Ì˚ ÓÔ‡ˆËË Ì‡ ˝Í‡Ì ‚˚·Ó‡ Ù‡ÈÎÓ‚
.................................61
˝ÙÙÂÍÚ (íÂÏ·)
............................................................................... 78
ÓÒÚ‡Ìӂ͇ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
............................................................101
ü
è
flÁ˚Í
................................................................................................. 18
Ô‡ÚËË ÒÚËÎfl
..................................................................................137
flÍÓÒÚ¸
(CVP-305/303) .................................................................... 19
Ô‡ÚËÚÛ‡
.........................................................................................37
Ô‡ÚËfl
..............................................................................................73
Ô‡Ô͇
.........................................................................................60, 67
Ô‰‡Î¸Ì˚È ÔÂÂÍβ˜‡ÚÂθ
...............................................................30
Ô‰‡ÎË
..............................................................................................29
ÔÓ‚ÚÓÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ
...........................................................128
ÔÓÁˈËfl ÎÓ͇ÚÓ‡
...........................................................................128
ÔÓËÒÍ Á‡ÔËÒÂÈ ÙÛÌ͈ËË Music Finder
...............................................102
ÔÓÎflÌÓÒÚ¸ Ô‰‡ÎË
.........................................................................182
ÔÓÚ‡ÏÂÌÚÓ
......................................................................................78
ÔÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸
...................................................................107, 133
ÔflÏÓ ÔÓ‰Íβ˜ÂÌËÂ Í àÌÚÂÌÂÚÛ
..................................................166
ÔflÏÓÈ ‰ÓÒÚÛÔ
..................................................................................58
Ô˛ÔËÚ
.............................................................................................16
ê
- àÌÙÓχˆË˛ Ó· ˝ÎÂÏÂÌÚ‡ı ÛÔ‡‚ÎÂÌËfl ̇ Ô‡ÌÂÎË ÒÏ.
‚ ‡Á‰ÂΠ«ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl Ô‰ÌÂÈ Ô‡ÌÂÎË»
ꉇÍÚËÓ‚‡ÌË (ÚÂÏ·‡)
.................................................................89
‰‡ÍÚËÓ‚‡ÌË (ÙÛÌ͈Ëfl Music Finder)
.........................................104
̇ ÒÚ. 12.
èËÎÓÊÂÌËÂ
‰‡ÍÚËÓ‚‡ÌË (ÙÛÌ͈Ëfl Vocal Harmony)
(CVP-305/303)..............157
- àÌÙÓχˆË˛ Ó ‡Á˙Âχı ‚ ÌËÊÌÂÈ ˜‡ÒÚË ËÌÒÚÛÏÂÌÚ‡
ꉇÍÚËÓ‚‡ÌË (ùÍ‚‡Î‡ÈÁ‡)
........................................................87
ÒÏ. ‚ ‡Á‰ÂΠ«àÒÔÓθÁÓ‚‡ÌË ËÌÒÚÛÏÂÌÚ‡ Ò ‰Û„ËÏË
ꉇÍÚËÓ‚‡ÌË (ùÙÙÂÍÚ‡)
.............................................................85
ÛÒÚÓÈÒÚ‚‡ÏË» ̇ ÒÚ. 180.
‰‡ÍÚËÓ‚‡ÌË ÔÂÒÌË
....................................................................148
- íÂÏËÌ˚, Ò‚flÁ‡ÌÌ˚Â Ò àÌÚÂÌÂÚÓÏ, ÒÏ. ‚ ‡Á‰ÂÎÂ
‰‡ÍÚËÓ‚‡ÌË ÒÚËÎfl
....................................................................113
‰‡ÍÚËÓ‚‡ÌË ÚÂÍÒÚÓ‚
.................................................................148
“ëÎÓ‚‡¸ ÚÂÏËÌÓ‚ àÌÚÂÌÂÚ‡” ̇ ÒÚ. 179
ÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌËÂ
....................................................................71
- ÑÎfl ÔÓÎÛ˜ÂÌËfl ËÌÙÓχˆËË Ó Ô‡‡ÏÂÚ‡ı ̇ ˝Í‡Ì‡ı
‚Í·‰ÓÍ ÒÏ. ̇Á‚‡ÌËfl ‚Í·‰ÓÍ ‚ Ë̉ÂÍÒÂ.
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301
213
çËÊ Û͇Á‡Ì˚ ӷ·‰‡ÚÂÎË ‡‚ÚÓÒÍËı Ë ‰Û„Ëı Ô‡‚ ̇ ÔflÚ¸‰ÂÒflÚ ÒÂϸ (57)
Chim Chim Cher-ee
ÔÂÒÂÌ, ‚ÒÚÓÂÌÌ˚ı ‚ ˝ÚÓÚ ËÌÒÚÛÏÂÌÚ (CVP-305/303).
from Walt Disney’s MARY POPPINS
Words and Music by Richard M. Sherman and Robert B. Sherman
Alfie
© 1963 Wonderland Music Company, Inc.
Theme from the Paramount Picture ALFIE
Copyright Renewed
Words by Hal David
All Rights Reserved Used by Permission
Music by Burt Bacharach
Copyright © 1966 (Renewed 1994) by Famous Music Corporation
Do-Re-Mi
International Copyright Secured All Rights Reserved
from THE SOUND OF MUSIC
Lyrics by Oscar Hammerstein II
All Shook Up
Music by Richard Rodgers
Words and Music by Otis Blackwell and Elvis Presley
Copyright © 1959 by Richard Rodgers and Oscar Hammerstein II
Copyright © 1957 by Shalimar Music Corporation
Copyright Renewed
Copyright Renewed and Assigned to Elvis Presley Music
WILLIAMSON MUSIC owner of publication and allied rights through-
All Rights Administered by Cherry River Music Co. and Chrysalis
Songs
out the world
International Copyright Secured All Rights Reserved
International Copyright Secured All Rights Reserved
Beauty And The Beast
Don’t Be Cruel (To A Heart That’s True)
from Walt Disney’s BEAUTY AND THE BEAST
Words and Music by Otis Blackwell and Elvis Presley
Lyrics by Howard Ashman
Copyright © 1956 by Unart Music Corporation and Elvis Presley
Music by Alan Menken
Music, Inc.
© 1991 Walt Disney Music Company and Wonderland Music Com-
Copyright Renewed and Assigned to Elvis Presley Music
pany,
Inc.
All Rights Administered by Cherry River Music Co. and Chrysalis
All Rights Reserved Used by Permission
Songs
Bésame Mucho (Kiss Me Much)
International Copyright Secured All Rights Reserved
Music and Spanish Words by Consuelo Velazquez
Edelweiss
English Words by Sunny Skylar
from THE SOUND OF MUSIC
Copyright © 1941, 1943 by Promotora Hispano Americana de Musica,
Lyrics by Oscar Hammerstein II
S.A.
Music by Richard Rodgers
Copyrights Renewed
Copyright © 1959 by Richard Rodgers and Oscar Hammerstein II
All Rights Administered by Peer International Corporation
Copyright Renewed
International Copyright Secured All Rights Reserved
WILLIAMSON MUSIC owner of publication and allied rights through-
Blue Hawaii
out the world
from the Paramount Picture WAIKIKI WEDDING
International Copyright Secured All Rights Reserved
Words and Music by Leo Robin and Ralph Rainger
Fly Me To The Moon (In Other Words)
Copyright © 1936, 1937 (Renewed 1963, 1964) by Famous Music
featured in the Motion Picture ONCE AROUND
Corporation
Words and Music by Bart Howard
International Copyright Secured All Rights Reserved
TRO - © Copyright 1954 (Renewed) Hampshire House Publishing
Blue Moon
Corp., New York, NY
Words by Lorenz Hart
International Copyright Secured
Music by Richard Rodgers
All Rights Reserved Including Public Performance For Profit
© 1934 (Renewed 1962) METRO-GOLDWYN-MAYER INC.
Used by Permission
All Rights Controlled by EMI ROBBINS CATALOG INC. (Publishing)
Hey Jude
and WARNER BROS. PUBLICATIONS U.S. INC. (Print)
Words and Music by John Lennon and Paul McCartney
All Rights Reserved Used by Permission
Copyright © 1968 Sony/ATV Songs LLC
Brazil
Copyright Renewed
Words and Music by Ray Barroso
All Rights Administered by Sony/ATV Music Publishing, 8 Music
English lyrics by S. K. Russell
Square West, Nashville, TN 37203
Copyright © 1941 by Peer International Corporation
International Copyright Secured All Rights Reserved
Copyright Renewed
Hound Dog
International Copyright Secured All Rights Reserved
Words and Music by Jerry Leiber and Mike Stoller
California Girls
Copyright © 1956 by Elvis Presley Music, Inc. and Lion Publishing
Words and Music by Brian Wilson and Mike Love
Co., Inc.
Copyright © 1965 IRVING MUSIC, INC.
Copyright Renewed, Assigned to Gladys Music and Universal - MCA
Copyright Renewed
Music Publishing, A Division of Universal Studios, Inc.
All Rights Reserved Used by Permission
All Rights Administered by Cherry Lane Music Publishing Company,
Inc. and Chrysalis Music
Can You Feel The Love Tonight
International Copyright Secured All Rights Reserved
from Walt Disney Pictures’ THE LION KING
Music by Elton John
I Just Called To Say I Love You
Lyrics by Tim Rice
Words and Music by Stevie Wonder
© 1994 Wonderland Music Company, Inc.
© 1984 JOBETE MUSIC CO., INC. and BLACK BULL MUSIC
All Rights Reserved Used by Permission
c/o EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Per-
Can’t Help Falling In Love
mission
from the Paramount Picture BLUE HAWAII
Words and Music by George David Weiss, Hugo Peretti and Luigi Cre-
I Left My Heart In San Francisco
atore
Words by Douglass Cross
Copyright © 1961 by Gladys Music, Inc.
Music by George Cory
Copyright Renewed and Assigned to Gladys Music
© 1954 (Renewed 1982) COLGEMS-EMI MUSIC INC.
All Rights Administered by Cherry Lane Music Publishing Company,
All Rights Reserved International Copyright Secured Used by Per-
Inc. and Chrysalis Music
mission
International Copyright Secured All Rights Reserved
In The Mood
Moon River
By Joe Garland
from the Paramount Picture BREAKFAST AT TIFFANY’S
Copyright © 1939, 1960 Shapiro, Bernstein & Co., Inc., New York
Words by Johnny Mercer
Copyright Renewed
Music by Henry Mancini
International Copyright Secured All Rights Reserved
Copyright © 1961 (Renewed 1989) by Famous Music Corporation
Used by Permission
International Copyright Secured All Rights Reserved
Isn’t She Lovely
Moonlight Serenade
Words and Music by Stevie Wonder
Words by Mitchell Parish
© 1976 JOBETE MUSIC CO., INC. and BLACK BULL MUSIC
Music by Glen Miller
c/o EMI APRIL MUSIC INC.
Copyright © 1939 (Renewed 1967) by ROBBINS MUSIC CORPORA-
All Rights Reserved International Copyright Secured Used by Per-
TION
mission
All Rights Controlled and Administered by EMI ROBBINS CATALOG
INC.
Let It Be
International Copyright Secured All Rights Reserved
Words and Music by John Lennon and Paul McCartney
Copyright © 1970 Sony/ATV Songs LLC
My Favorite Things
Copyright Renewed
from THE SOUND OF MUSIC
All Rights Administered by Sony/ATV Music Publishing, 8 Music
Lyrics by Oscar Hammerstein II
Square West, Nashville, TN 37203
Music by Richard Rodgers
International Copyright Secured All Rights Reserved
Copyright © 1959 by Richard Rodgers and Oscar Hammerstein II
Copyright Renewed
Let’s Twist Again
WILLIAMSON MUSIC owner of publication and allied rights through-
Words by Kal Mann
out the world
Music by Dave Appell and Kal Mann
International Copyright Secured All Rights Reserved
Copyright © 1961 Kalmann Music, Inc.
Copyright Renewed
My Way
All Rights Controlled and Administered by Spirit Two Music, Inc.
By Paul Anka, Jacques Revaux, Claude Francois and Giles Thibault
(ASCAP)
© 1997 by Chrysalis Standards, Inc.
International Copyright Secured All Rights Reserved
Used by Permission. All Rights Reserved.
Linus And Lucy
The Nearness Of You
By Vince Guaraldi
from the Paramount Picture ROMANCE IN THE DARK
Copyright © 1965 LEE MENDELSON FILM PRODUCTIONS, INC.
Words by Ned Washington
Copyright Renewed
Music by Hoagy Carmichael
International Copyright Secured All Rights Reserved
Copyright © 1937, 1940 (Renewed 1964, 1967) by Famous Music
Corporation
Love Story
International Copyright Secured All Rights Reserved
Theme from the Paramount Picture LOVE STORY
Music by Francis Lai
Theme From “New York, New York”
Copyright © 1970, 1971 (Renewed 1998, 1999) by Famous Music
Music by John Kander
Corporation
Words by Fred Ebb
International Copyright Secured All Rights Reserved
© 1977 UNITED ARTISTS CORPORATION
All Rights Controlled by EMI UNART CATALOG INC. (Publishing) and
Lullaby Of Birdland
WARNER BROS. PUBLICATIONS U.S. INC. (Print)
Words by George David Weiss
All Rights Reserved Used by Permission
Music by George Shearing
© 1952, 1954 (Renewed 1980, 1982) EMI LONGITUDE MUSIC
Ob-La-Di, Ob-La-Da
All Rights Reserved International Copyright Secured Used by Per-
Words and Music by John Lennon and Paul McCartney
mission
Copyright © 1968 Sony/ATV Songs LLC
Copyright Renewed
Michelle
All Rights Administered by Sony/ATV Music Publishing, 8 Music
Words and Music by John Lennon and Paul McCartney
Square West, Nashville, TN 37203
Copyright © 1965 Sony/ATV Songs LLC
International Copyright Secured All Rights Reserved
Copyright Renewed
All Rights Administered by Sony/ATV Music Publishing, 8 Music
Proud Mary
Square West, Nashville, TN 37203
Words and Music by J.C. Fogerty
International Copyright Secured All Rights Reserved
© 1968 (Renewed) JONDORA MUSIC
All Rights Reserved Used by Permission
Mickey Mouse March
from Walt Disney’s THE MICKEY MOUSE CLUB
Return To Sender
Words and Music by Jimmie Dodd
Words and Music by Otis Blackwell and Winfield Scott
© 1955 Walt Disney Music Company
Copyright © 1962 by Elvis Presley Music, Inc.
Copyright Renewed
Copyright Renewed and Assigned to Elvis Presley Music
All Rights Reserved Used by Permission
All Rights Administered by Cherry River Music Co. and Chrysalis
Songs
Mission: Impossible Theme
International Copyright Secured All Rights Reserved
from the Paramount Television Series MISSION: IMPOSSIBLE
By Lalo Schifrin
The Shoop Shoop Song (It’s In His Kiss)
Copyright © 1966, 1967 (Renewed 1994, 1995) by Bruin Music Com-
Words and Music by Rudy Clark
pany
Copyright © 1963, 1964 by Trio Music Company, Inc. and Top Of The
International Copyright Secured All Rights Reserved
Charts
Copyright Renewed
Mona Lisa
All Rights for the United States Controlled and Administered by Trio
from the Paramount Picture CAPTAIN CAREY, U.S.A.
Music Company, Inc.
Words and Music by Jay Livingston and Ray Evans
All Rights for the World excluding the United States Controlled and
Copyright © 1949 (Renewed 1976) by Famous Music Corporation
Administered by Trio Music Company, Inc. and Alley Music Corp.
International Copyright Secured All Rights Reserved
International Copyright Secured All Rights Reserved
Used by Permission
(Sittin’ On) The Dock Of The Bay
That’s Amore (That’s Love)
Words and Music by Steve Cropper and Otis Redding
from the Paramount Picture THE CADDY
Copyright © 1968, 1975 IRVING MUSIC, INC.
Words by Jack Brooks
Copyright Renewed
Music by Harry Warren
All Rights Reserved Used by Permission
Copyright © 1953 (Renewed 1981) by Paramount Music Corporation
and Four Jays Music
Smoke Gets In Your Eyes
International Copyright Secured All Rights Reserved
from ROBERTA
Words by Otto Harbach
Up Where We Belong
Music by Jerome Kern
from the Paramount Picture AN OFFICER AND A GENTLEMAN
© 1933 UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING,
Words by Will Jennings
INC.
Music by Buffy Sainte-Marie and Jack Nitzsche
Copyright Renewed
Copyright © 1982 by Famous Music Corporation and Ensign Music
All Rights Reserved
Corporation
International Rights Secured. Not for broadcast transmission.
International Copyright Secured All Rights Reserved
DO NOT DUPLICATE. NOT FOR RENTAL.
Waltz For Debby
WARNING: It is a violation of Federal Copyright Law to synchronize
Lyric by Gene Lees
this Multimedia Disc with video tape or film, or to print the Composi-
Music by Bill Evans
tion(s) embodied on this Multimedia Disc in the form of standard
TRO - © Copyright 1964 (Renewed), 1965 (Renewed), 1966
music notation, without the express written permission of the copy-
(Renewed) Folkways Music Publishers, Inc., New York, NY
right owner.
International Copyright Secured
Somewhere, My Love
All Rights Reserved Including Public Performance For Profit
Lara’s Theme from DOCTOR ZHIVAGO
Used by Permission
Lyric by Paul Francis Webster
White Christmas
Music by Maurice Jarre
from the Motion Picture Irving Berlin’s HOLIDAY INN
Copyright © 1965, 1966 (Renewed 1993, 1994) Webster Music Co.
Words and Music by Irving Berlin
and EMI Robbins Catalog Inc.
© Copyright 1940, 1942 by Irving Berlin
International Copyright Secured All Rights Reserved
Copyright Renewed
Spanish Eyes
International Copyright Secured All Rights Reserved
Words by Charles Singleton and Eddie Snyder
A Whole New World
Music by Bert Kaempfert
from Walt Disney’s ALADDIN
© 1965, 1966 (Renewed 1993, 1994) EDITION DOMA BERT
Music by Alan Menken
KAEMPFERT
Lyrics by Tim Rice
All Rights for the world, excluding Germany, Austria and Switzerland,
© 1992 Wonderland Music Company, Inc. and Walt Disney Music
Controlled and Administered by SCREEN GEMS-EMI MUSIC INC.
Company
All Rights Reserved International Copyright Secured Used by Per-
All Rights Reserved Used by Permission
mission
Yesterday
Speak Softly, Love (Love Theme)
Words and Music by John Lennon and Paul McCartney
from the Paramount Picture THE GODFATHER
Copyright © 1965 Sony/ATV Songs LLC
Words by Larry Kusik
Copyright Renewed
Music by Nino Rota
All Rights Administered by Sony/ATV Music Publishing, 8 Music
Copyright © 1972 (Renewed 2000) by Famous Music Corporation
Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved
International Copyright Secured All Rights Reserved
Stella By Starlight
You Are The Sunshine Of My Life
from the Paramount Picture THE UNINVITED
Words and Music by Stevie Wonder
Words by Ned Washington
© 1972 (Renewed 2000) JOBETE MUSIC CO., INC. and BLACK BULL
Music by Victor Young
MUSIC
Copyright © 1946 (Renewed 1973, 1974) by Famous Music Corporation
c/o EMI APRIL MUSIC INC.
International Copyright Secured All Rights Reserved
All Rights Reserved International Copyright Secured Used by Per-
Take The “A” Train
mission
Words and Music by Billy Strayhorn
You Sexy Thing
Copyright © 1941; Renewed 1969 DreamWorks Songs (ASCAP) and
Words and Music by E. Brown
Billy Strayhorn Songs, Inc. (ASCAP) for the U.S.A.
Copyright © 1975 by Finchley Music Corp.
Rights for DreamWorks Songs and Billy Strayhorn Songs, Inc. Adminis-
Administered in the USA and Canada by Music & Media International,
tered by Cherry Lane Music Publishing Company, Inc.
Inc.
International Copyright Secured All Rights Reserved
Administered for the World excluding the USA and Canada by RAK
Tears In Heaven
Music Publishing Ltd.
Words and Music by Eric Clapton and Will Jennings
International Copyright Secured All Rights Reserved
Copyright © 1992 by E.C. Music Ltd. and Blue Sky Rider Songs
All Rights for E.C. Music Ltd. Administered by Unichappell Music Inc.
All Rights for Blue Sky Rider Songs Administered by Irving Music, Inc.
International Copyright Secured All Rights Reserved
That Old Black Magic
from the Paramount Picture STAR SPANGLED RHYTHM
Words by Johnny Mercer
Music by Harold Arlen
Copyright © 1942 (Renewed 1969) by Famous Music Corporation
International Copyright Secured All Rights Reserved
IMPORTANT SAFETY INSTRUCTIONS
INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,
AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.
WARNING- When using any electrical or electronic product,
8. This product was NOT designed for use in wet/damp loca-
basic precautions should always be followed. These precautions
tions and should not be used near water or exposed to rain.
include, but are not limited to, the following:
Examples of wet/damp locations are; near a swimming pool,
spa, tub, sink, or wet basement.
1. Read all Safety Instructions, Installation Instructions, Spe-
cial Message Section items, and any Assembly Instructions
9. This product should be used only with the components
found in this manual BEFORE making any connections, includ-
supplied or; a cart, rack, or stand that is recommended by the
ing connection to the main supply.
manufacturer. If a cart, rack, or stand is used, please observe all
safety markings and instructions that accompany the accessory
2. Main Power Supply Verification: Yamaha products are
product.
manufactured specifically for the supply voltage in the area
where they are to be sold. If you should move, or if any doubt
10. The power supply cord (plug) should be disconnected
exists about the supply voltage in your area, please contact your
from the outlet when electronic products are to be left unused for
dealer for supply voltage verification and (if applicable) instruc-
extended periods of time. Cords should also be disconnected
tions. The required supply voltage is printed on the name plate.
when there is a high probability of lightning and/or electrical
For name plate location, please refer to the graphic found in the
storm activity.
Special Message Section of this manual.
11. Care should be taken that objects do not fall and liquids
3. This product may be equipped with a polarized plug (one
are not spilled into the enclosure through any openings that may
blade wider than the other). If you are unable to insert the plug
exist.
into the outlet, turn the plug over and try again. If the problem
persists, contact an electrician to have the obsolete outlet
12. Electrical/electronic products should be serviced by a
replaced. Do NOT defeat the safety purpose of the plug.
qualified service person when:
a. The power supply cord has been damaged; or
4. Some electronic products utilize external power supplies
b. Objects have fallen, been inserted, or liquids have been
or adapters. Do NOT connect this type of product to any power
spilled into the enclosure through openings; or
supply or adapter other than one described in the owners manual,
c. The product has been exposed to rain: or
on the name plate, or specifically recommended by Yamaha.
d. The product dose not operate, exhibits a marked change
in performance; or
5. WARNING: Do not place this product or any other
e. The product has been dropped, or the enclosure of the
objects on the power cord or place it in a position where anyone
product has been damaged.
could walk on, trip over, or roll anything over power or connect-
ing cords of any kind. The use of an extension cord is not recom-
13. Do not attempt to service this product beyond that
mended! If you must use an extension cord, the minimum wire
described in the user-maintenance instructions. All other servic-
size for a 25’ cord (or less) is 18 AWG. NOTE: The smaller the
ing should be referred to qualified service personnel.
AWG number, the larger the current handling capacity. For
longer extension cords, consult a local electrician.
14. This product, either alone or in combination with an
amplifier and headphones or speaker/s, may be capable of pro-
6. Ventilation: Electronic products, unless specifically
ducing sound levels that could cause permanent hearing loss.
designed for enclosed installations, should be placed in locations
DO NOT operate for a long period of time at a high volume level
that do not interfere with proper ventilation. If instructions for
or at a level that is uncomfortable. If you experience any hearing
enclosed installations are not provided, it must be assumed that
loss or ringing in the ears, you should consult an audiologist.
unobstructed ventilation is required.
IMPORTANT: The louder the sound, the shorter the time period
before damage occurs.
7. Temperature considerations: Electronic products should
be installed in locations that do not significantly contribute to
15. Some Yamaha products may have benches and/or acces-
their operating temperature. Placement of this product close to
sory mounting fixtures that are either supplied as a part of the
heat sources such as; radiators, heat registers and other devices
product or as optional accessories. Some of these items are
that produce heat should be avoided.
designed to be dealer assembled or installed. Please make sure
that benches are stable and any optional fixtures (where applica-
ble) are well secured BEFORE using. Benches supplied by
Yamaha are designed for seating only. No other uses are recom-
mended.
PLEASE KEEP THIS MANUAL
92-469-2
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
other electronic devices. Compliance with FCC regula-
This product, when installed as indicated in the instruc-
tions does not guarantee that interference will not occur
tions contained in this manual, meets FCC require-
in all installations. If this product is found to be the
ments. Modifications not expressly approved by
source of interference, which can be determined by
Yamaha may void your authority, granted by the FCC, to
turning the unit “OFF” and “ON”, please try to eliminate
use the product.
the problem by using one of the following measures:
2. IMPORTANT: When connecting this product to acces-
Relocate either this product or the device that is being
sories and/or another product use only high quality
affected by the interference.
shielded cables. Cable/s supplied with this product
Utilize power outlets that are on different branch (circuit
MUST be used. Follow all installation instructions. Fail-
breaker or fuse) circuits or install AC line filter/s.
ure to follow instructions could void your FCC authori-
In the case of radio or TV interference, relocate/reorient
zation to use this product in the USA.
the antenna. If the antenna lead-in is 300 ohm ribbon
3. NOTE: This product has been tested and found to com-
lead, change the lead-in to co-axial type cable.
ply with the requirements listed in FCC Regulations,
If these corrective measures do not produce satisfac-
Part 15 for Class “B” digital devices. Compliance with
tory results, please contact the local retailer authorized
these requirements provides a reasonable level of
to distribute this type of product. If you can not locate
assurance that your use of this product in a residential
the appropriate retailer, please contact Yamaha Corpo-
environment will not result in harmful interference with
ration of America, Electronic Service Division, 6600
other electronic devices. This equipment generates/
Orangethorpe Ave, Buena Park, CA90620
uses radio frequencies and, if not installed and used
The above statements apply ONLY to those products
according to the instructions found in the users manual,
distributed by Yamaha Corporation of America or its
may cause interference harmful to the operation of
subsidiaries.
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)
IMPORTANT NOTICE FOR THE UNITED KINGDOM
This product contains a high intensity lamp that con-
Connecting the Plug and Cord
IMPORTANT. The wires in this mains lead are coloured in
tains a small amount of mercury. Disposal of this
accordance with the following code:
material may be regulated due to environmental
BLUE : NEUTRAL
considerations.
BROWN : LIVE
For disposal information in the United States, refer
As the colours of the wires in the mains lead of this appa-
to the Electronic Industries Alliance web site:
ratus may not correspond with the coloured makings iden-
www.eiae.org
tifying the terminals in your plug proceed as follows:
The wire which is coloured BLUE must be connected to
(mercury)* This applies only to products distributed by
the terminal which is marked with the letter N or coloured
YAMAHA CORPORATION OF AMERICA.
BLACK.
The wire which is coloured BROWN must be connected to
the terminal which is marked with the letter L or coloured
RED.
Making sure that neither core is connected to the earth ter-
minal of the three pin plug.
(2 wires)
• This applies only to products distributed by Yamaha-Kemble Music
(U.K.) Ltd.
CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH
WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.
ATTENTION: POUR ÉVITER LES CHOCS ÉLEC-
TRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE
LA FICHE DANS LA BORNE CORRESPONDANTE DE
LA PRISE ET POUSSER JUSQU’AU FOND.
(polarity)
• This applies only to products distributed by Yamaha Canada Music
Ltd.
• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada
Musique Ltée.
For details of products, please contact your nearest Yamaha
ᇠ·ÓΠÔÓ‰Ó·Ì˚ÏË Ò‚Â‰ÂÌËflÏË Ó·‡˘‡ÈÚÂÒ¸ ‚ ÏÂÒÚÌÓÂ
representative or the authorized distributor listed below.
Ô‰ÒÚ‡‚ËÚÂθÒÚ‚Ó ÍÓÔÓ‡ˆËË Yamaha.
NORTH AMERICA
BELGIUM/LUXEMBOURG
ASIA
CANADA
Yamaha Music Central Europe GmbH,
THE PEOPLE’S REPUBLIC OF CHINA
Branch Belgium
Yamaha Canada Music Ltd.
Yamaha Music & Electronics (China) Co.,Ltd.
Rue de Geneve (Genevastraat) 10, 1140 - Brussels,
135 Milner Avenue, Scarborough, Ontario,
25/F., United Plaza, 1468 Nanjing Road (West),
Belgium
M1S 3R1, Canada
Jingan, Shanghai, China
Tel: 02-726 6032
Tel: 416-298-1311
Tel: 021-6247-2211
FRANCE
U.S.A.
HONG KONG
Yamaha Musique France
Yamaha Corporation of America
Tom Lee Music Co., Ltd.
BP 70-77312 Marne-la-Vallée Cedex 2, France
6600 Orangethorpe Ave., Buena Park, Calif. 90620,
11/F., Silvercord Tower 1, 30 Canton Road,
Tel: 01-64-61-4000
U.S.A.
Tsimshatsui, Kowloon, Hong Kong
Tel: 714-522-9011
ITALY
Tel: 2737-7688
Yamaha Musica Italia S.P.A.
INDONESIA
Viale Italia 88, 20020 Lainate (Milano), Italy
CENTRAL & SOUTH AMERICA
PT. Yamaha Music Indonesia (Distributor)
Tel: 02-935-771
PT. Nusantik
MEXICO
SPAIN/PORTUGAL
Gedung Yamaha Music Center, Jalan Jend. Gatot
Yamaha de México S.A. de C.V.
Yamaha-Hazen Música, S.A.
Subroto Kav. 4, Jakarta 12930, Indonesia
Calz. Javier Rojo Gómez #1149,
Ctra. de la Coruna km. 17, 200, 28230
Tel: 21-520-2577
Col. Guadalupe del Moral
Las Rozas (Madrid), Spain
C.P. 09300, México, D.F., México
KOREA
Tel: 91-639-8888
Tel: 55-5804-0600
Yamaha Music Korea Ltd.
GREECE
Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong,
BRAZIL
Philippos Nakas S.A. The Music House
Youngdungpo-ku, Seoul, Korea
Yamaha Musical do Brasil Ltda.
147 Skiathou Street, 112-55 Athens, Greece
Tel: 02-3770-0660
Av. Reboucas 2636-Pinheiros CEP: 05402-400
Tel: 01-228 2160
Sao Paulo-SP. Brasil
MALAYSIA
Tel: 011-3085-1377
SWEDEN
Yamaha Music Malaysia, Sdn., Bhd.
Yamaha Scandinavia AB
Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,
ARGENTINA
J. A. Wettergrens Gata 1
Petaling Jaya, Selangor, Malaysia
Yamaha Music Latin America, S.A.
Box 30053
Tel: 3-78030900
Sucursal de Argentina
S-400 43 Göteborg, Sweden
Viamonte 1145 Piso2-B 1053,
PHILIPPINES
Tel: 031 89 34 00
Buenos Aires, Argentina
Yupangco Music Corporation
Tel: 1-4371-7021
DENMARK
339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,
YS Copenhagen Liaison Office
Makati, Metro Manila, Philippines
PANAMA AND OTHER LATIN
Generatorvej 8B
Tel: 819-7551
AMERICAN COUNTRIES/
DK-2730 Herlev, Denmark
SINGAPORE
CARIBBEAN COUNTRIES
Tel: 44 92 49 00
Yamaha Music Asia Pte., Ltd.
Yamaha Music Latin America, S.A.
FINLAND
#03-11 A-Z Building
Torre Banco General, Piso 7, Urbanización Marbella,
Calle 47 y Aquilino de la Guardia,
F-Musiikki Oy
140 Paya Lebor Road, Singapore 409015
Ciudad de Panamá, Panamá
Kluuvikatu 6, P.O. Box 260,
Tel: 747-4374
Tel: +507-269-5311
SF-00101 Helsinki, Finland
TAIWAN
Tel: 09 618511
Yamaha KHS Music Co., Ltd.
NORWAY
3F, #6, Sec.2, Nan Jing E. Rd. Taipei.
EUROPE
Norsk filial av Yamaha Scandinavia AB
Taiwan 104, R.O.C.
THE UNITED KINGDOM
Grini Næringspark 1
Tel: 02-2511-8688
Yamaha-Kemble Music (U.K.) Ltd.
N-1345 Østerås, Norway
THAILAND
Sherbourne Drive, Tilbrook, Milton Keynes,
Tel: 67 16 77 70
Siam Music Yamaha Co., Ltd.
MK7 8BL, England
ICELAND
891/1 Siam Motors Building, 15-16 floor
Tel: 01908-366700
Skifan HF
Rama 1 road, Wangmai, Pathumwan
IRELAND
Skeifan 17 P.O. Box 8120
Bangkok 10330, Thailand
Danfay Ltd.
IS-128 Reykjavik, Iceland
Tel: 02-215-2626
61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin
Tel: 525 5000
OTHER ASIAN COUNTRIES
Tel: 01-2859177
OTHER EUROPEAN COUNTRIES
Yamaha Corporation,
GERMANY
Yamaha Music Central Europe GmbH
Asia-Pacific Music Marketing Group
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: +49-4101-3030
Tel: +81-53-460-2317
Tel: 04101-3030
SWITZERLAND/LIECHTENSTEIN
AFRICA
OCEANIA
Yamaha Music Central Europe GmbH,
Yamaha Corporation,
AUSTRALIA
Branch Switzerland
Asia-Pacific Music Marketing Group
Yamaha Music Australia Pty. Ltd.
Seefeldstrasse 94, 8008 Zürich, Switzerland
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Level 1, 99 Queensbridge Street, Southbank,
Tel: 01-383 3990
Tel: +81-53-460-2312
Victoria 3006, Australia
AUSTRIA
Tel: 3-9693-5111
Yamaha Music Central Europe GmbH,
NEW ZEALAND
Branch Austria
MIDDLE EAST
Music Houses of N.Z. Ltd.
Schleiergasse 20, A-1100 Wien, Austria
TURKEY/CYPRUS
146/148 Captain Springs Road, Te Papapa,
Tel: 01-60203900
Yamaha Music Central Europe GmbH
Auckland, New Zealand
THE NETHERLANDS
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 9-634-0099
Tel: 04101-3030
Yamaha Music Central Europe,
COUNTRIES AND TRUST
Branch Nederland
OTHER COUNTRIES
TERRITORIES IN PACIFIC OCEAN
Clarissenhof 5-b, 4133 AB Vianen, The Netherlands
Yamaha Music Gulf FZE
Tel: 0347-358 040
Yamaha Corporation,
LB21-128 Jebel Ali Freezone
Asia-Pacific Music Marketing Group
P.O.Box 17328, Dubai, U.A.E.
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +971-4-881-5868
Tel: +81-53-460-2312
HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-3273
[CL] 34
CVP-305/303/301
CVP-305/303/301
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http://www.yamahaclavinova.com/
ÔÓ‚ÂÌËÚ ÔÂÂÍβ˜‡ÚÂθ Ú‡Í, ˜ÚÓ·˚ Ó·ÓÁ̇˜ÂÌË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó Ì‡ÔflÊÂÌËfl ·˚ÎÓ ‡ÒÔÓÎÓÊÂÌÓ ‚ÓÁÎÂ
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http://www2.yamaha.co.jp/manual/english/
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U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation
© 2004 Yamaha Corporation
BGB0
404YCXX3.2-01
RU
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